Shots Fired!! Dishin' Days week of April 28th-May 2nd 2025

Episode Transcript
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Speaker 1 (00:13):
It's time to start Diition Days with your hosts Tony Moore,
Michael Madis, Justin Lee Harold and Atta Sadi Adoles and
now let's.

Speaker 2 (00:32):
Dish Why hell.

Speaker 1 (00:36):
Everyone, Welcome to Diition Days, where we are serving up
a full dish of this week's episodes of Peacocks Exclusive
number one award winning hitsap opera Days of Our Lives.
If you haven't already, make sure you like us to
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(01:00):
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(01:21):
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(01:43):
exclusive members only page only found on our YouTube channel.
And if you are listening to us on your favorite
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or maybe you're in a park and enjoining some Peta
and hummus, you can listen to all that went down

(02:03):
in Salem this week by finding us audition days on
Apple Podcasts, Google Podcasts, Spotify, and iHeartRadio. Make sure you
do it. Take us with you. We like to travel. Also,
take a look at JLJ Media on YouTube. Our former
co host and my chocolate twin is serving up a

(02:25):
whole lot of dishes of his own, including a recap
of General Hospital, Bolden, The Beautiful and Young and the Restless,
along with some original audio dramas. So say hello to
JLJ Media on YouTube and where all podcasts can be found.
Because James Lott Junior is my dear old old old
friend who remembers when Thomas Jefferson drafted the Declaration of Independence,

(02:53):
he was right by his side, you know, rooting them
on Yeah yeah, and that's it. Oh yeah, be sure
to tell us your thoughts. If you are in the
chat with us, let us know what you are thinking
as we are moving through each storyline. And if you're

(03:14):
listening to us or watching us later, we still want
to hear from you, So go ahead and comment below
this video or below this podcast presentation audio version. There
we go, And that said, so it was my first
cousin ten times removed Tony, oh Annette, that's a nets.

(03:41):
What did we think? Oh? And hello mother, dear mom
is here. She caught up earlier, this earlier today, She's like,
I need to catch up so I can come in
the room. Oh cool, so here she is. All right, everyone,
what do we think of this week's episodes of Days?
You know there was a writing regime change. Did YO

(04:04):
notice any differences? Did we enjoy this? What are we thinking?

Speaker 2 (04:10):
Definitely notice the difference of the writing. We had done
that story about the writers saying they want to focus
more on like personal relationships and family and stuff, And
I think I think they're off to a great start.
This week was a lot. When I was doing the recap,
I was like, yeah, like a lot happened this week,
Like a lot was going on, some really like amazing
performances from people who I felt like, oh, like these

(04:33):
people got like the writer's attention off the bat, you know, like, Okay,
I want to write for this person something big, and
they got it this week.

Speaker 3 (04:40):
So yeah, there was a lot of There was also
a lot of cross interaction between characters that to my
knowledge maybe actually had never actually had scenes together before,
at which they would never have had reason to have
scenes together before, but they did. And then you realize
it's not a throwaway. This could actually maybe leading to something,

(05:02):
something great, And yeah, you definitely we definitely noticed a difference.
I I I for a couple of characters, I thought,
there's some there's here's some emmy real work that we
got right off the bats. I really appreciated time of it.

Speaker 1 (05:20):
I thought that there were some great moments. However, Comma,
as I was preparing for this show, I was like,
what happened this week? And I don't know if I
wasn't paying attention or if just this week nothing really

(05:41):
stood out, do you know what I mean?

Speaker 3 (05:43):
Like, I mean, it was just a lot. I think
there was just a lot going on, and it wasn't
it wasn't like necessarily like everything stood out there, like
one thing in particular stood out against the others. I
think it was just a lot going on. There was
a lot of conversation, Like Justin said, like a few
weeks ago we didn't have there were some weeks that

(06:04):
we actually haven't had tidbits that the material was just
so consolidated. This week was just a lot.

Speaker 1 (06:11):
Yeah, I guess I just I was just kind of
like maybe maybe I feel like there was nothing that
moved any stories along. It was just kind of watching
everybody like live their life.

Speaker 2 (06:29):
Yeah, and I possibly suspect too that they had to,
like it's their writing, but they're also sort of finishing
wrong stuff. I'm guessing you know what I mean, Like
you said certain things in motion, So it's like the
writing we feel is different, but the storyline is the same.
So yeah, I feel like maybe when like their initial
storylines they brought to the table are gonna kick off,

(06:51):
maybe in a few weeks we'll probably see like a
shift and like the main storylines changing maybe mm hmm, yeah.

Speaker 1 (06:58):
Maybe maybe that's what it is. I don't know. All right, well,
you know, let's talk about it, shall we? Maybe I
should just there we go. It is now time to
start decision days. You know, that was pretty good. That

(07:21):
was pretty good, pretty close for what it was. All right,
First things first, let's talk about this adoption drama, the
druma Johnny shares with Chanell that basically where he is
in life right now and the things that he just

(07:41):
discovered about his own upbringing makes him feel like he's
not ready to be a dad. Let's start there. Do
you feel his feelings are valid or there's something else
underneath the surface.

Speaker 2 (08:02):
I'll see the valid valid justin they're valid. Just the
way he's going about it, I have a kind of
a bone to pick, like I, oh God, I'll leave
you and then we'll get into it.

Speaker 3 (08:15):
I guess no, it's I think we are in agreement
that his feelings are valid. Comma.

Speaker 1 (08:20):
But did you say, kama?

Speaker 3 (08:24):
But whatever, however, Comma, whatever.

Speaker 1 (08:33):
You now forever have to say. But however, however, Comma
is taken.

Speaker 3 (08:41):
But okay, But all right, Comma. But his his feelings
are valid, his reactions are not.

Speaker 1 (08:55):
Mm hmm. Communication is key, And I just feel like
I feel like Johnny once he was having these feelings.

(09:21):
The second thoughts about about adopting a kid. I think
he should have immediately talked to Chanelle and not have
just made the decision for both of them that now
is not the good time. She's very excited, she is
ready to do this, ready to go gun ho along
with the plan that they came up together. And I

(09:43):
think that while his feelings are valid, I think, you know,
just like you said, RSELI, the way he's gone about
it is not is not right at all. I think
that there should have been a conversation, and I think
that within that converse station, Chanelle could have reassured him
that you've been EJ's son all along and don't possess

(10:08):
those traits. I don't think you will ever do what
he did to you to our adoptive chrial. Yeah, but
also and I'm sure will. We'll get into the meat
and potatoes of that later. I feel like this is

(10:32):
also just a setup of like us thinking that Johnny
shot and I will pull out the whiteboard when we
get to that. But I feel like this the I
feel like that situation also adds to the adoption storyline.

(10:52):
How do we feel about everyone else's reaction? Sophia's reaction
tape reaction missus Chroy, I think who probably had the
lesser of the reaction to it. But what do you
guys think of their reaction?

Speaker 2 (11:07):
I'll say first like shout out to Raven. I felt
like she's the one I was thinking about when I
was like, ooh, they wrote like some really good stuff
for her. She was amazing this week. I think, probably
arguably that's probably the best we've seen her be in
terms of writing, in terms of giving her a good
monologue or good story to sink her teeth into. I
thought she was really great. I felt for her because

(11:28):
I think the previous week we were talking about this
with Johnny when he was first having these films, and
we were kind of like, oh, it's understandable, blah blah blah.
We were kind of sympathetic to him. And then this week,
I just immediately, because of Raven's I immediately sort of
switched to Chanelle's side. And not that I don't have
sympathy for Johnny, but I was like, yeah, like you

(11:49):
you're kind of And someone made this point online that
I thought was interesting. They were like, it's understandable, but say,
for example, Chanelle was pregnant and you were going through this,
Like what would you do then? Are you gonna ask her?
You know what I mean? Like you you sort of
would work your way through this if she was pregnant,
but because it's an adoption, you're thinking about it as like, oh,

(12:10):
I can get out of it now because I mean,
technically he didn't sign, but you know, it's like I
don't know, splitting hairs.

Speaker 1 (12:16):
I think.

Speaker 2 (12:18):
I've also Fi and Tates were like really interesting. I'm glad.
I'm glad that we saw like the anger from them
about it, and it was I think they've so again
I've been critical about them not having attention in terms
of showing their feelings about the baby. I think that
that part of the story has like gone by the
wayside unfortunately. But I liked this reaction to it because

(12:41):
it does show that they were interested in placing the
baby for adoption. They were their sites and their goals were,
I want to go to college, I want to move away,
I want to focus on living my life child free
and you know, kind of growing up a bit. And
they showed that with their anger of you know him
not or you know Johnny sort of making that decision. Yeah, yeah, yeah,

(13:05):
pretty realistic.

Speaker 3 (13:07):
Yeah, and and and the difference between Leo and Johnny
in terms of not being ready to be fathers is
really stark because Johnny is making he is making a
decision based out of fear. He's making an irrational decision

(13:31):
for both him and Chanel because he basically took away
her agency in that moment. He took away her decision
without having a real conversation with her. He told her
how he felt and then that was the end of it,
not even giving her the chance to say, what does
this mean for our future? Do you never want to
be a parent? Is this a conversation that we revisit

(13:54):
a few years down the road. But he didn't give
her a chance to say anything. He just made the
decision for the both of them, which is not okay.
And the difference between him and him and U Tate,
I'm sorry, Tate, between Tate and johnny's stark because Tate

(14:17):
knows he's not ready, but he's making very solid, rational
choices about it, and he's going he's taking the steps
and saying It's like, i know I'm not ready to
be a parent, but I'm not making any decisions without Sophia.
I'm not making any decisions without our parents' knowledge, like

(14:39):
every single step of the way. For as messed up
as the situation started, Tait and Sofia have actually done
a lot of growing up in the last six months,
and they've had pretty good communication with all parties involved.
And I've taken the necessary steps to do this the
right wa way. And it's only Johnny that is just like, oh,

(15:02):
I'm sorry, it changed my mind. You would expect that
kind of a reaction from a teenager.

Speaker 1 (15:07):
Yeah, I thought Tate's reaction punching Johnny was a bit much. Hm.
I felt like, but I mean, we've all been teenagers.
Have you just gone up and punched somebody who made
you mad?

Speaker 3 (15:28):
No? But I've also never been his situation.

Speaker 1 (15:31):
Right, But because like I get the frustration of it
all in that, like, you know, they this has been
quite a journey to to find adoptive parents for their child,
and time is running out because the baby is around
the corner. But I also feel like, you know, maybe

(15:53):
the punch shows the immaturity of Tate, which further shows
why he shouldn't be a parent yet. But also it's
kind of like you would think he wouldn't have knocked
on the door and Johnny opened it and he's just like,
what the hell, dude?

Speaker 2 (16:08):
You know, I kind of think he punched him because
they're related, if that makes sense, you know what I mean,
if he if he was, if they weren't cousins, maybe
he would have that would have been his thought was
just immediately screamed. But because because they're cousins, there was
an extra little like twinge thereof like we trusted you
to adopt the baby, you know, you sort of brought

(16:29):
it to us, and now you're now you're sta Yeah.

Speaker 1 (16:33):
Yeah, I will say hearing well, first, before I get
to that, I was very nervous that Sofia was about
to miscarriage because I feel like she's she's under a
lot of stress and pressure, and I think she's getting
it from from both ends. And while she's been handling

(16:54):
it very well, I think in this moment it became
too much, which is why she had a medical issue.
But hearing that basically the rest of her senior year
is a no go because she is going to be
bed written for this pregnancy. Hearing that she can't go
to prom and like just thinking about how that affects

(17:17):
someone her age and how this baby has somewhat affected
her age. It reminded me back in the day where
ABC would do those specials, yeah, to prevent you from
like doing drugs or you know, sex and all that
kind of stuff, Like it felt it felt very that.
But you know it, I think it's still true to

(17:41):
this day, isn't it.

Speaker 3 (17:42):
Like I think it's more so now. I you know,
back in the day when they ran those commercials, they
it was it was very much an either or kind
of situations, like oh, to scare you into not being pregnant.
Now it's the language has changed around it and more
of a like that's a time in your life where

(18:03):
you're supposed to be selfish. The experiences that you have,
you know, graduating with your friends, going to prom, those
are those are rights of passage. Those are experiences that
you're supposed to have at that age so that you can,
you know, go to college, be reckless, you know, get
life experience. These are the steps that you're supposed to

(18:25):
take before you start a family, not because you know
it's a sign of being irresponsible or anything like that,
but it's so that you have life experience behind you
when the time comes for you to be a parent,
and so changing that language about that is that it's
not selfish for Sophia to want those things. She has

(18:47):
every right. She's a smart girl in every other aspect
of her life. She made one mistake and it should
not cost her her senior year, but unfortunately it's probably
going to and she's adamant that she doesn't want it
to cost her the rest of her life. She cares
about her baby. She knows she's not ready to be

(19:09):
a parent.

Speaker 1 (19:11):
Yeah. Yeah, well because and it's simply because you know,
they have their whole life ahead of them. You know,
they're talking about college and all this kind of stuff,
and I think they know that having a baby really
stops all that, because the baby becomes your life.

Speaker 3 (19:32):
It does, yeah, And it's you know, and just because
it works out for other people, just because it's worked
out for maybe some other people that they know, doesn't
mean it's necessarily going to work out for them. And
you know, it looks like Sophia's already starting to resent
the effect that this pregnancy is having on her. And
that's not some burden that you want to put on

(19:52):
a kid.

Speaker 1 (19:53):
Because didn't she say she got accepted into a college
and that's what she wanted to be excited about.

Speaker 3 (20:00):
Yeah, and it's not like she wants to go to
college and party. She's a smart girl. She has career
goals she wants to accomplish. She wants to go out
and do something important with her life, and she wants
good things for the baby too. She wants the baby
to have a good life. So it's not right that,
you know, they both shouldn't have the life what they want,

(20:21):
when especially they have the means to be able to
go to an adoption agency and say this is the criteria. Sorry,
this is the criteria that I'm looking for, this is
what I want. And you know, I think they just
need to push a little more on missus Choi and
convince her that that's ultimately the right thing to do.

Speaker 1 (20:42):
What they need to do, like I had said before,
is that what missus Chuy needs to do is get
somewhere and sit down. Okay, this is angel situation. This
is again a place where you can offer advice and guidance.
No one asks you to bring your Bible to the
meeting about where this baby should go. I also feel

(21:06):
like this can you imagine still living in Salem and
like giving your kid up for adoption, and like nine
times out of ten you're going to pass the kid
in home square.

Speaker 3 (21:19):
Yeah, but they were they were still comfortable with that.
They were like, they were like fine that, like at
least I can see them and they know that, you
know that kid is going to be taken care of.
I can see with my own eyes, and so that
you know they need to. Unfortunately, they're probably going to
have to start from zero. But there's no reason that
they can't find somebody through their church. They can't. There's

(21:42):
no reason they can't find somebody through a local adoption agency.
You know, there's nothing. There's no saying that Sophie and
Take can't raise the baby if push comes to shove,
but they don't want to.

Speaker 1 (21:58):
This is a good question who and where is Sophia's that.

Speaker 3 (22:02):
I've been asking that I've been wondering that he seems very.

Speaker 1 (22:07):
Absent. Yeah, it's like, man, who your daddy? Right?

Speaker 2 (22:14):
I feel like they're holding on to that, not that
not that it's like something, not that it's like a
reveal or something, but I think I feel like they're
they're waiting to spring him on with the new storyline
or something.

Speaker 3 (22:26):
I feel like it should be. He should be someone
for as long as we've had to wait.

Speaker 1 (22:30):
Yeah, you know what I I kind of it just
played out in my head. I saw a picture this
Salem University hospital room. Sophia just had the kid, and
she's given the kid up to uh for adoption, and
it cuts to the scene and there are parents there

(22:53):
that we don't know, you know, they've been casted for
the day. And you hear the classic blue bloom bloom,
you know when something's like light boom boom, and they're
just like, thank you, Sophia and Tate, We're going to
take good care of him because I think they're going
to have a boy, and you know, and then bloom

(23:14):
bloom boom, and then they have that moment and then
they walk out of the hospital. We never see that
baby again until they choose, until they choose a soulrow
is it and it comes back with a vengeance.

Speaker 2 (23:28):
I thought you were going in a different direction with that.
What I thought you were going to do the whole
like she's about to give the baby up and that
says no, me and Tate and raise it ourselves.

Speaker 1 (23:38):
Uh. Yeah, the music that bloom indicates that all will be.

Speaker 2 (23:48):
Yeah, I feel like this is the end of the
adoption part of the storyline. I think we're headed into
teenage teenage parenthood with these two, I think, do you
think so?

Speaker 1 (23:59):
Yeah?

Speaker 2 (23:59):
I also think that they're pushing them together now so
that this bed rest thing is now going to be
the genesis I think their relationship and it's going to
be the genesis of them deciding to keep the baby.

Speaker 1 (24:10):
Ba oh, like a like a Sierra and Ben.

Speaker 3 (24:15):
Your tongue?

Speaker 1 (24:17):
What what?

Speaker 3 (24:19):
I don't where did that comparison even come from.

Speaker 1 (24:22):
The fact that that she's going to be bedridden? Hello? Ben?
Was was it? Ben? No? Sierra? Sierra was in the bed.

Speaker 3 (24:31):
Yeah, that's zero zero comparison to the situation. I don't
know where you came up with that.

Speaker 1 (24:40):
Okay, let me finish the like how Sierra got to
know Ben by being bedridden? Sophia is going to get
to know Tate more by being bedridden.

Speaker 3 (24:50):
She's not bedridden, she's on modified bed rest. It's completely different.

Speaker 1 (24:58):
Okay, we'll find it's still like the.

Speaker 3 (24:59):
Sa No it's not. Sarah literally told her she can
go to school and set her butt down in a chair.

Speaker 1 (25:06):
Well, but they're still going to get to know each
other during this time, just like Sierra and bandid M.

Speaker 3 (25:16):
I reject this comparison, but I will, but I do
think that it will bring them closer. What that will
look like now that she can't go to prom, that
she can't have any fun, I don't know.

Speaker 1 (25:31):
You know, she's just gonna be going to school and
going home. All right, Well that's pretty much that story.

Speaker 2 (25:42):
Line I want to say. I did love this is
another thing where I saw the writing was like, ooh,
this is different. The Paulina conversation with Johnny. I feel
like Paulina too. They've been writing her very They're still
giving her a little sass, but her, like her stuff,
I feel like, is a little keeper. Her conversation, her,
you know, her advice, is a little motherly more. I

(26:04):
don't know. This past couple weeks, I feel like I
saw a difference with her, But I loved that conversation.
It wasn't her coming in and like screaming at Johnny.
It was really her being motherly and like fair to
his feelings and trying to tell them he's not like EJ.
And so yeah, I actually really appreciated that conversation too.

Speaker 1 (26:25):
They bought a lot of stuff for that baby. Yeah,
it was all spread out.

Speaker 3 (26:31):
Babies are expensive. Nobody tells you expensive.

Speaker 1 (26:35):
People tell you all the time how expensive babies are,
and people still have.

Speaker 3 (26:41):
And then they learn the hard way.

Speaker 1 (26:44):
Well, sometimes you got to touch the stove to know
that it's high.

Speaker 3 (26:47):
Those costco diapers go fast.

Speaker 1 (26:51):
Well, now we know where you buy your diapers.

Speaker 3 (26:55):
Oh no, I don't buy them. But just how long?
How long is this bucks gonna.

Speaker 1 (27:03):
Last a day? Because shoty MCS shitster is gonna be
peeing and doodle in all day?

Speaker 3 (27:13):
Yeah, the target, No, the target bar class the day.

Speaker 1 (27:16):
Mm hmm. Although I can't wait to be a dad,
Do y'all want to be parents.

Speaker 3 (27:24):
You already are because I already am. Probably not, Oh Justin?

Speaker 2 (27:32):
You want some little Justin's running around? Or just maybe teenagers?
I don't think.

Speaker 1 (27:40):
Oh so you want to be like Smiti and Martin
on Beyond the Gates and have grown teenagers.

Speaker 3 (27:47):
Sure you say that, but the mouths on them.

Speaker 1 (27:54):
Mhm. I want to have a little Tony or Tony sha.

Speaker 3 (27:58):
I could see a little Tony or Tony Sha.

Speaker 4 (28:00):
Right.

Speaker 1 (28:02):
I always wanted to have a girl first, and then uh,
and then a little boy, yeah maybe since that's that
I mean, that's how my parents did it. My parents
had my sister first and then me. Yeah, but I
just want a girl first because I want to, like,
you know, do her hair and clo that little girl
is going to be walking through the house like Beyonce. Honey,

(28:25):
she got a weave at age three.

Speaker 3 (28:27):
Mm hmm. You just you just want the fashion? Do
you just want like do you just want to go
and find all those cute skirts? Uh huh yeah?

Speaker 1 (28:41):
Walking in preschool? Hair done, nails done everything.

Speaker 3 (28:45):
Oh and the decals they are they start they start
looking for those little nail decals early and the Barretts.
There's never an end to it.

Speaker 1 (28:55):
What did my mom say, don't do it? Tony?

Speaker 3 (28:59):
Yeah? Yeah, oh goodness to buy?

Speaker 1 (29:04):
Oh boy? Oh uh. And before we go out of this,
I love the the the relationship that Chanelle and Felicity have.
I love that she went to her gymnastics meet, and
then I love that Felicity and Cat and her they
had that interaction in the square. They felt really bad

(29:26):
when they brought up the adoption because they didn't know
like what was happening with that, But you saw like
the closeness that they had in the relationship they have.

Speaker 3 (29:36):
So Felicity has another big sister.

Speaker 2 (29:38):
Yeah, yeah, I'd like to see more of that relationship,
like the Cat chanel, like like, let's we got a
little bit of again, not this about Cat, but let's
expand her character. We know the chat stuff is running
very thin recently, Like, let's we need to give and

(30:00):
we need to set in a lid record on the
new path because there's.

Speaker 1 (30:04):
Something because y'all taking too long. Yeah, y'all is taken
too long. All right, and that's it for that storyline, right,
all right, Well, let's travel along to the Demara mansion
because EJ is home and thank god, somebody finally found

(30:25):
the memory card and was able to show what was
on there. Now can we talk? Can we talk about
this now? Yes, because here's the whiteboard of it all. Yeah,
first of all, thank you. Uh oh, we can't see
you disappear too. Yeah, oh there you go. Okay, so
shout out to Leo who started his own who doesn't

(30:48):
shot EJ diagram as well. But here's here's here's a
couple of things to notice. Okay, thank you are selling
you can put that down now.

Speaker 3 (31:00):
I promised I'm making a bigger, a better one.

Speaker 1 (31:03):
Here's here's a couple of things to to notice. Number one,
when when the number one, I'm gonna say, well, I'm
gonna ask this, do you think, oh I think your
light went out? Rs L. I didn't.

Speaker 3 (31:19):
It didn't go out. It's like weird, it was dead.

Speaker 1 (31:23):
Do you Oh, now you're a shadow? Just fix it,
just really really quick. Do you think Sean Shannie? Do
you think Johnny shot EJ?

Speaker 2 (31:34):
No?

Speaker 1 (31:34):
No, okay, I don't either. And this is why number one.
Let's look at the facts, shall we. When e J
got shot, he had did a whole monologue to the
Stephano portrait. Right, he sat down and he turned and
he said, what are you doing here? Bam? Glass fell?

(31:57):
He falls over right now. Cut to the footage that
they have on the memory card. The footage that they
have on the memory card is the moment when e
J discovers that there's a camera in the theme. So
his back is to Johnny first. First of all, right, yeah,

(32:19):
and the reason why it goes out at that moment
is because he took the memory card out, So that's
why the camera goes out, right. But I do think
that what happened was because he because he tried to
have a memory of it. But if you notice, the
memory didn't go with what we originally saw when he

(32:41):
got shot, it was yeah, yeah, and so oh is
a dream?

Speaker 2 (32:46):
Well, I'm assuming it was a nightmare because it didn't match.
It was a rewrite, right what we saw.

Speaker 1 (32:51):
Yeah, now I thought what it was. I feel like
one or two things. Okay, that was a dream, But
I feel like what happened was Johnny was at two
and I do think, obviously because it's on the memory card,
he was there and pointed the gun. I think there
was a moment where he was like, I can't do
this and he left. And I don't think EJ ever

(33:12):
saw him that night until he watched the memory card footage. Okay,
but I think Days wants us to think that Johnny
shot EJ. Days. We know it ain't Johnny because we
don't put two to two together to make four. We
done added five plus five to make ten. We are

(33:34):
on our whiteboard and we got our who done shot EJ? List,
and we can go ahead and scratch Johnny off because
he did not shoot EJ. Based on the evidence and
footage that we have seen, thus far, I rest my case.

Speaker 2 (33:54):
And we also know that when EJ put I think
I'm twenty, I think he either came in he didn't
see him, or he came in and had an interaction
with Johnny, and yeah he left because remember we we
do have the actual memory of him putting the memory
card in the drawer, and he does that very calmly.

(34:15):
No one else is around, so no one else was
in the vicinity when he did that. So he had
to have done that after either Johnny walked in and
turned around immediately went back out, or he saw Johnny
had an interaction with him and maybe other people to
that night, and then he put the memory card in
there when he was relaxed by himself, no fear of

(34:36):
anyone near him kind of a thing. So yeah, so yeah,
I mean it's yeah, it's pretty pretty obviously it's not Johnny,
just for what the show does.

Speaker 1 (34:46):
Yeah, who who would be your number one suspect?

Speaker 2 (34:53):
Oh it's still for me.

Speaker 3 (34:55):
Rachel did little Rachel.

Speaker 1 (34:59):
Yeah, I'm gonna say ava. Really the ditching of the
of the gun and then Hi telling it to Hong Kong,
I'm like it's a little suspicious, a little suspicious mm hmm.

Speaker 2 (35:22):
Yeah, but.

Speaker 3 (35:25):
I could see that if if she has shot say Kristen.
But at the end of the day, EJ had gotten
rid of Big Rachel, so that kind of meant you
and more of a thank you than shooting him in
the chest. Seemed like a bit of a note reaction.
In other words, in my opinion, that's.

Speaker 1 (35:47):
The only one that could make sense for me at
the moment, because even though Gabby was there, I think,
like Johnny, Gabby had a moment of like, I can't
do this and maybe thought about Ari or you know,
not going back to jail. And so, Yes, while everyone

(36:07):
else has expressed hatred towards e J, I don't think
anyone was mad enough to go shoot him.

Speaker 3 (36:22):
Yeah, it's a matter of who. It's not just who
had motive, but who is who really in that moment
had enough hatred and lack of self control to pull
the trigger.

Speaker 1 (36:35):
Terrence because.

Speaker 2 (36:40):
That much.

Speaker 1 (36:42):
Yes, because Terrence came to town and got on the
apps and found a d L e J.

Speaker 2 (36:51):
Oh my god now, and the.

Speaker 1 (36:53):
Session didn't go well, and when Terrence came to collect
he shot him. I can't not d o. Speaking of
EJ relationships, are we still on the e J bail train.

Speaker 2 (37:16):
Yeah it's fine, I guess yeah.

Speaker 3 (37:20):
Yeah, I think we just gave me a little bit more.
I know it's only you know, you know, week one
since he woke up. So I'm just waiting for a
little bit more substance because okay, great, you you guys
have you know, declared for each other? What have you?
You want to be in each other's lives? You want

(37:40):
to start from zero? Great? Now what does that look like?

Speaker 1 (37:43):
Yeah?

Speaker 2 (37:45):
Yeah, I'm still trying to rationalize them outside of the lust.
Like I think they have chemistry and that's great and
the sort of like back and forth opposites attract things.
The thing that they have is is nice to watch.
But it's like, okay, well, how do you how do
you actually pursue a relationship now? Because you guys are
so different and neither one of you we're getting a

(38:06):
little bit of this. EJ is a change person. We
don't you know, we don't know if it's the effects
of the coma. We don't know if it's just the
stuff with Johnny is weighing heavily on him. It doesn't
seem like he wants to be a better person. I
don't know, like that's still up in the air. But
it's like him and Sammy makes sense him and Nicole
makes sense. Him with someone a little bit more devious,

(38:28):
in a more of a great character makes sense. I
don't know how how he has a a actual relationship
with someone like Bell. I'm still trying to figure that
out and how they're going to show us that.

Speaker 1 (38:39):
I don't know.

Speaker 3 (38:40):
Yeah, yeah, not to say that we don't love them,
but you know, it's like we're being realistic. We are
walking into this with why is wide open?

Speaker 2 (38:50):
Yeah?

Speaker 1 (38:54):
Yeah, my eyes? Why it open? I feel like Bill
is very much like damn, I don't want to like him, Yeah,
but I do. I don't want to this. Like I
feel like she's like, this don't make sense. This don't
make no sense. How do I like this man? What

(39:16):
is about this man? Why? This man?

Speaker 2 (39:21):
But she's also like done fighting it too. She's like
talking with mar Lena about it openly. She's you know,
not not squeamish to go visit EJ anymore. It's like
now that Sammy knows, now that Marlena knows, now that
sort of the cats out of the bag, It's like, okay,
well whatever, it's like, do you girl?

Speaker 3 (39:39):
Yeah? Yeah, because Marlena has much more important things to
do than to try to figure out her daughter's love life.

Speaker 1 (39:44):
She's trying to find John. Yeah, she's trying to find
her love life. Yes, where's her blue thing? WHOA?

Speaker 3 (39:54):
So now that we all kind of think Johnny didn't
do that, Johnny didn't do it, I don't think. Yeah,
I don't think he did it. He was you know,
we have video proof, unfortunately that he was there, but
pointing a gut at someone and actually pulling the trigger
are two very different things. We still have the other

(40:16):
thread that we followed this week, which is that we
know for a fact that Gabby was there that night.

Speaker 1 (40:23):
We just don't.

Speaker 3 (40:25):
Yeah, I still don't think it's Gabby either, But she
was there at what time? We don't know, because she
could have gotten there at various different times. And then
if she did, do we think that maybe Gabby didn't
pull the trigger, but she saw who did?

Speaker 1 (40:45):
No, No, I don't get that sense. I think in
my head for a bit mm hmm, I think the
only person who saw was EJ right before he had
got shot, and it was after everybody who paid a
visit left.

Speaker 3 (41:02):
Yeah, she could have or she could have gotten there
and seen his confrontation with Johnny.

Speaker 2 (41:10):
Well didn't they show us when she was by the
the courtyard door. Well that was early, right.

Speaker 3 (41:17):
That was Yeah, But we don't know. There's we as
an audience have gotten like bits and pieces, but we
don't have like the firm timeline, like exactly how long
she was there. She could have been there for five seconds,
she could have been there for half an hour. We
don't know.

Speaker 1 (41:37):
Yeah.

Speaker 2 (41:37):
I don't get the feeling that she's even covering or
knows anything. I just think she's still right in her
anger towards EJ. That it's like, hey, I didn't shoot him,
but I don't, you know, I don't care. I'm not
mad at the person who did, you know.

Speaker 3 (41:49):
Yeah, I mean she she could very well just be
covering up for the fact that she was there because
she's already been falsely accused twice.

Speaker 2 (41:58):
Yeah, that's true.

Speaker 1 (42:01):
Yeah.

Speaker 3 (42:03):
How do we feel about investigative reporter Leu?

Speaker 1 (42:08):
I was like, girl, leave that alone, little little sloppy,
little sloppy, little sloppy.

Speaker 3 (42:16):
Sloppy, And yet I have more faith that he's going
to figure it out first.

Speaker 1 (42:22):
I mean, do don't we all have more faith that
someone else will figure it out before the Salem does.
Riata will figure it out before the Salem ped does
and be able to cover it up before the Salem
ped is even on the trail.

Speaker 3 (42:33):
True.

Speaker 1 (42:34):
True, But yeah, it was just I think there's a
way to suspect people as as he sat down and
wrote it out and everything, and I think, yeah, he
has a point that it could it. Gabby is the
number one suspect, but everyone else, I mean, I don't know.

(42:56):
I would I would put Raife above of Gabby just
because of the more recent thing that happened.

Speaker 2 (43:04):
Yeah, because a lot of his reasoning, a lot of
his reasoning to think Gabby is about Raefe. So it's like, okay,
well why would it Yeah, like you said, why would it,
Rafe be sort of at the top of that list.

Speaker 1 (43:15):
Yeah, And then he could have just said it.

Speaker 2 (43:17):
Was Arnold, yeah, or honorable.

Speaker 1 (43:20):
Yeah. I don't know it could it could? I mean,
it's half a Salem mm hmm, it could have been.
It could have been uh, Josephine from the hardware store
for all we know. Mm hmmm. So I don't know a.

Speaker 2 (43:39):
Little Kristin mixed in there with her still trying to
for her her. I did like the the kristin Rita
e J dynamic there where she was like, Okay, now
now I'm onto you. I suspected it before, but now
now we know that your loyalty is very much to ire.

Speaker 1 (44:02):
Mm hmm. All right, well, I feel like that's pretty
much it.

Speaker 3 (44:12):
We'll try. I'm working on an updated chart, guys, and
so we will because I am convinced I can do
a better one than Leo. Writing random names down is
not helpful.

Speaker 2 (44:23):
Sorry, this thing we did get a little Johnny.

Speaker 1 (44:26):
Susan e J.

Speaker 4 (44:27):
Little We love Susan, yeah, mm hmm, yeah, I feel
like we should just put we just we should just
grab Susan and kind of point her around, just take
her around town by the arm, like a supernatural, supernatural

(44:48):
metal detector, just kind.

Speaker 3 (44:50):
Of like when she beeps, this is the person who didn't.

Speaker 2 (44:57):
She's not wrong, she's she's she doesn't have an right yet,
but she's she's she's onto something. You know. She's hot,
she's she's warm. She's getting hotter as she the more,
the more people she.

Speaker 1 (45:11):
She will probably figure out before the Salem Peter does.
All right, Well, now that EJ. Is home to figure
out who done shot him. Let's say hello to doctor
Russell over at University Hapateau, random new doctor in the

(45:35):
building that we had no idea was there working on
a life saving serum.

Speaker 3 (45:43):
So I kind of I kind of like the doctor. Yeah,
I enjoyed his scenes. I don't usually enjoy scenes with
random new characters, but I kind of liked him.

Speaker 1 (45:56):
I was just kind of like, now, where is this going?
Because you ain't here for the day.

Speaker 2 (46:00):
I linked him to. I did feel the collective grown though,
because I think this is Michael Diets, of course, who
everyone thought was going to be Peter. People remember NBC
teased him months ago coming onto the show because he's
he's a big soap opera star, and they were like,
oh they got Michael Deets to come in. And I
think everyone was like, oh, this is going to be

(46:22):
the new Peter because we were, we were in the
grips of the Rachel storyline, and so yeah, so no,
he's not Peter. He is doctor Jeffrey Russell. So yeah, yeah,
I think I think he's around for the long haul.
For a bit too. I don't think you like him
for a couple of weeks on the show or something.

Speaker 3 (46:41):
He's smart, he's articulate. He seemed to hold his own
against Kayla. And it's like, you know, as you know,
as Day's fans, you know, there's nothing more that we
want then for a Bow and Hope reunion, obviously, And
yet I found myself agreeing with the doctor.

Speaker 1 (46:59):
Yeah, I mean I I I definitely do think that
everything that he said was right. He didn't have like
any like reason to not want to give it to Bo,
But I mean, logistically he just cannot. It's not FDA approved,
it hasn't gone through the right tests, and you can't

(47:20):
just you know, pull rink and be like, oh, I
want this for my brother. Yeah.

Speaker 5 (47:24):
Yeah.

Speaker 3 (47:24):
And it's like he's not a smarmie jerk like any
of the other hospital people that have come in and
out in Kyla's orbit. You know, most of the people
that and you know, unless it's been Sarah or Kayla,
you know, we're led to believe that they work with
a lot of jerks. But this guy is just ethical.

(47:45):
And he just flat out saying with her to her
that you know, you want me to compromise potentially thousands
millions of potential lives that could this drug could say
for one person.

Speaker 1 (48:00):
Hmmm, I don't know. But then I also thought it
was weird that he was like, uh, yeah, while I
have you, can I get out of my contract and leave?
I'm like, first of all, we didn't even know you
were there. Secondly, now you want to leave? Thirdly, where
you going?

Speaker 2 (48:14):
Well, this is good. This house, this hospital is going
under like Maggie's one billion dollar donation, and you sell it,
you know, Chad and Alex selling their assa gonna break
in and gonna bring in the money to keep to
keep this place odd and to keep my drug. You know. Yeah.

Speaker 3 (48:33):
But it's but even then, it's like he didn't come
up jerkish about it. He was being practical. He was
you know, every everything he said, unfortunately was true. It's like,
you know, I, you know, this isn't me, you know,
trying to sell out. This is me believing in this study,
believing in this drug so much that I needed to
go as far as it can go. And it can't

(48:55):
happen here, well, it.

Speaker 1 (48:57):
May not be able to happen there. But Sean said, listen,
one way or another, I'm gonna get this and went
to Stephen was like, help me steal it. Steve was like, no,
not you, I'll do it.

Speaker 2 (49:15):
Yeah, which is again too like yeah, it's like I
love your plan, but you're out of it.

Speaker 1 (49:22):
But you're out.

Speaker 2 (49:23):
Yeah. I loved the fill up interaction. This is now
I think the second time we've got like Sean and
Philip like as friend's family, like that first time when
Sean openly supported him with the Titan stuff, which made
which could have come around to bite him in the ass.
But I like that they're continuing this of like Sean

(49:46):
made it a point to like make sure make sure
Philip knew about.

Speaker 3 (49:49):
Bo Yeah that's important.

Speaker 1 (49:52):
Yeah, that was his uncle. Yeah.

Speaker 3 (49:55):
Yeah, it was very weird when they weren't high school together.

Speaker 1 (50:03):
Yeah.

Speaker 2 (50:06):
But we did get the little bump at the end
with the Xander. That's why I think this doctor is
going to stick around for a while. We got with
Xander telling Alex Titan pharmaceuticals. They wanted to like beef
that up, and you know what a coincidence m M yeah.

Speaker 3 (50:26):
Yeah. So this so like we talked at the top
of the show of you know what what this week
looks like with the new writing, and it seemed there
was a lot of information being thrown around a lot
of conversations. So this is to me the planting seeds week.

Speaker 2 (50:43):
Yeah, and like the interaction, when's the last time we
saw like Sean talked to Kayla and Steve and then
have the talks with Jada and then include Philip in it,
and you know what I mean, it was like, Okay,
this is how you like, not a ton happened. It
sort of just doing the setup of everything. But you know,

(51:03):
maybe maybe in previous you know, six months ago, we
would have got just him talking with Jada about it
for the Chinese food that would have taken all week.
You know what I mean. It's because now he's interacted
with three or four different family members and he's sort
of go. And he's also you know, strengthening this sort
of friendship romance think with Jada by talking about their

(51:26):
fathers and yeah, their regrets and all that stuff, which
I thought was good.

Speaker 3 (51:30):
You know, as much as I love that she's being
a supportive friend, there was a point where I was
kind of like thinking that Sean was like, Okay, now
you need to get out of my house. And in
my mind, I'm like, you need to get out of
his house. I understand you're being a friend to him,
and you know one night is you know, the first

(51:52):
night that he got hit with this news. Okay, fine,
but he's a big boy and you need to get
some distance.

Speaker 1 (52:02):
But do we like Sean and Jada?

Speaker 3 (52:09):
The potential is there, but just not right now.

Speaker 1 (52:12):
It's too fresh, it's too soon, it's too soon.

Speaker 2 (52:17):
I do like them showing it. That was my complaint
before about like they slept together and then like it
cooled off for a while. I like this part of
it where they're showing why they like each other and
they're showing them like connecting. I don't think we need
to see them like they've already known each other. They've
worked with each other for years, you know, like that
the like me cute stage is over. So it's like,

(52:38):
if you're going to put them together, make it meaningful
and have them connect somehow. So I actually did it.
Actually thought this week was further proof to putting them
together as opposed to previous weeks.

Speaker 1 (52:50):
Just how just seeing how much she cares about him
and his well being, especially after hearing about what happened
with what's happening with Bo and so so Yeah, it's beautiful.
M hm was beautiful. I think that's it, right.

Speaker 2 (53:13):
I think yeah. It was also kind of the drug.

Speaker 1 (53:19):
Another drug, another drug somebody used us to uh uh
stay staying a lot.

Speaker 2 (53:28):
I was funny. I think almost like he's like the
anti doctor Ralph. Like you know, he's like the into
the sister doctor Ralph. Yeah, like a good a good
sort of way mad scientist, but a goodist. Yeah, in
the mix here to combat Ralph.

Speaker 1 (53:45):
M hm mm hmmm. All right, Well those were our
major story lines, and before we head into our tidbits,
just some quick reminders for you all. Number one, actually
follow us on social media. We're Addition Day Show on
Facebooking Edition Days on Instagram, Twitter, x and threads. Make
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(54:08):
haven't subscribed, go ahead. And if you feel like hanging
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your favorite podcast stations Apple Podcasts, Google Podcasts, Spotify, and iHeartRadio.
And don't forget to show the love to our former

(54:31):
co hosts and my Chocolate twin James Bartholomeo Lotjunior who
is over at JLJ Media on YouTube, and we're all things,
all jailgen and medias can be found. Don't forget to
tell us your thoughts and we want to hear from you.
If you're watching us later, share your comments below. Let's

(54:51):
get into our tidbits. We have co CEOs for a
I just kind of want I want Xander to get
over it and just get back to like working with
with Philip. He is allowed to be upset, he is

(55:12):
allowed to be disappointed, but at the end of the day,
the bigger scope of it is that Philip wasn't doing
anything that was backstabbing, underminded anything. He was actually working
with him hand in hand, Yeah, to fulfill Victor's legacy.
So I think for those reasons, you can be mad,

(55:32):
but let's be on the path to forgive me.

Speaker 3 (55:35):
Mm hmm, agreed.

Speaker 1 (55:37):
That's just my two cents.

Speaker 2 (55:40):
Yeah, I feel like he did. He I feel like
he kind of wants to forget Philip, but he wants
to also like sit in his anger. It's like he's
you know, like it's a little bit like he's throwing
a temper tantrum. About staying home and working from home
so he doesn't run into fill up and you know, well,
this is a little grand standing up. I want to
kill him, but he's like, I don't think you really

(56:00):
want to. Yeah, I think you're really just hurt most
of all. Like you're not even pissed angry. You maybe
a little angry, but you're not You're not the old
Xander that would have went over there with a baseball bat.

Speaker 1 (56:11):
You know.

Speaker 3 (56:12):
Yeah, he's still raw. And Sarah was right that, you know,
in the grand scheme of things, you know, he still
has everything that that he wanted. You know, he's the
co CEO of a very successful company, now two companies.
You know, he has Sarah, he has Victoria. He has
everything in his life that he could have wanted or

(56:35):
that he probably never even dreamed that he would have.
And it's not that Philip doesn't have the same things.
But Philip, truly, I think is I think this Philip
really is in a different place. I saw him really
come out in the last couple of weeks with a
really great level of respect for Xander, for for Sarah,

(56:59):
for their marriage, for his family. I do I really
feel like this is a different Philip like he really
did the work on himself and now all he wants
is to do the job that Victor always wanted them
to do, which is to just be a family and
run the family company.

Speaker 1 (57:17):
Well, then be a family. We are a family, like
a gientry bridging out towards the sky. We are a family.

Speaker 2 (57:28):
Yeah, you are so much more.

Speaker 1 (57:32):
Than just you and I. So Xander, get over it.

Speaker 2 (57:37):
Okay, anyone else tired of Maggie when her advice? Tired
of Maggie, Yes, Maggie, sit down please, and what advice?

Speaker 3 (57:45):
Because she was She was advising a lot of people
this week, all of it.

Speaker 2 (57:48):
Above, like other other than the scene with Julie, which
we will talk about later, as like Maggie, please.

Speaker 1 (57:57):
Listen when you reach a certain age, that's all you do.

Speaker 3 (58:01):
I mean, it's to be fair. A lot of people
are going to her to seek it. Yeah, so it's
not like they're not getting what they asked for.

Speaker 1 (58:09):
M hmm. Let her give the advice. Yeah.

Speaker 3 (58:17):
But finally, you know, with this takeover, it seems like
we're finally getting what we wanted. You know, we here
edition days have been saying for years, have we years? Yes,
we have this is This is Michael Mattison in particular
his sticking point, which is which is that we wanted
to see more of the company, see more of the

(58:40):
the you know, the various families working together. And now
we may even get the bonus of both members of
both families, both companies coming together, because we have Xander,
we have Philip, we have Alex, we have Gabby, we
have the potential with john at the end of the week,

(59:02):
which you know, Johnny was always adamant that he didn't
want to work for his father. Well guess what, he
doesn't have to. He could be a part of the
company in some way, shape or form build up his
career because let's face that, you can't unless you're actually
gonna make the trip out to LA You're not gonna
that's not gonna fly. So be in media, within the company,

(59:25):
find your place there and make it your own form,
your own path. Yeah, you know, we got we got
the talk of Demara Pharmaceuticals, We got the talk of
Gabby Chic, we got the you know, the crossover, what
what's the potential crossover or conflict between Gabby Chic and
Basic Black. There's so much potential.

Speaker 2 (59:49):
It really get into it, other like, give us the
stuff from the nineties other than you know, what we've
been getting in the last decade is who musical chairs
of the CEO position like without any you know, business
storyline or any weight to it.

Speaker 3 (01:00:04):
So yeah, keep keep everybody where they are. Look, there's
no reason for any more major change. But if we
could just like, there's there's enough, there's enough personal conflict,
there's enough strife there that you don't have to play
musical chairs with positions in order to get that juicy drama.

Speaker 1 (01:00:28):
And in conclusion, get over Exander.

Speaker 2 (01:00:33):
We have work to do, although the Sarah stuff is
still mounting. I mean, that's the one where is that
the one where we feel that'll be justified. I still
do you think we should get over that with Sarah too?

Speaker 3 (01:00:48):
I think if she had come clean by now then
and fallen on her sword, yeah, then she would have.
But the longer it drags out, the worst the explosion.

Speaker 1 (01:01:00):
I agree.

Speaker 2 (01:01:00):
I think this is worse than Philip in a way
because even when Philip got caught, he wasn't really trying
to drag Sarah into it, like he kind of made
his appeal for it, but under the guise of this
is what's right for the company, and she for her.
She's dragged Stephanie, she dragged Alex into it. This for her.
Now it's about not getting caught in self preservation.

Speaker 1 (01:01:23):
M you know, do you think everyone else will come
to Sarah's rescue?

Speaker 3 (01:01:28):
They already are, but I think it's making it worse.

Speaker 2 (01:01:32):
Yeah. Yeah, this one was gonna sting more than whatever
Philip did him like this is you know, this is
his wife is person.

Speaker 1 (01:01:43):
Yeah, mans I did, like you know, I'll tell you
Gabby is not having them as their bus at all.
The whole first of all, the fact that none of
them can even work in the office together, and Philip

(01:02:05):
had to go to Gabby Sheek in order and still
somebody else does. It's like, I'm pretty sure there's an
office space available between Yeah. Yeah, Gabby was not having
a hunt and she had to remind him. Baby this
say this a Gabby Gabby chic, not Philip chic, not

(01:02:25):
Zaander's chic, not Tighten enterprise of sheet mm hmm Gabby.

Speaker 3 (01:02:33):
H But but you know JP and Cherry have good chemistry.

Speaker 1 (01:02:39):
Yeah, you're trying to you're trying to ship them together, Gabby, And.

Speaker 3 (01:02:43):
You know, I wasn't the internet was I saw this
week that you know, their scenes got a lot of attention.

Speaker 1 (01:02:53):
Did you get a lot of attention y'all trying to ship.

Speaker 3 (01:02:57):
And and I have I have a fun little tidbit
for you guys. I have a fun little tidbit for
you guys. Some some some some some blasts from the past,
scoop as it were, I got straight and I got
straight from Carry that I got from Carry a few

(01:03:18):
weeks ago? Was it last week?

Speaker 2 (01:03:21):
Two weeks ago?

Speaker 3 (01:03:21):
With a pan can walk that that once upon a
time they were almost playing husband and wife over on
One Life to Live because because Sherry auditioned for the role,
that eventually went to Melissa Fumero, who play who played

(01:03:48):
JP's wife on One Life to Live for a time.
So their characters were so they almost they they that
almost happened, but I guess it was not meant to be.
And you know Melissa and her husband Christian over on
One Life to Live on the show over there. But
that was fun that that almost happened almost, yep, So

(01:04:09):
you know that. Yeah, and so like twenty twenty twenty
years later, Yeah, twenty years later, they've got some good
they've got some good chemistry going. So we'll see, you know,
we'll see how their working dynamic is.

Speaker 2 (01:04:24):
Yeah, I'm not mad at the thought of it yet.
We'll see how like it works out or how they
approach them.

Speaker 1 (01:04:29):
But I'm not mad.

Speaker 3 (01:04:30):
She needs a she needs a good she needs a
good foil at work. You know, I feel like there's
not enough. You know, Gabby is a character, is a
very is a person that needs to be challenged. When
she's just going around berating people, it's not as fun.
She needs some she needs a push pull foil at

(01:04:50):
work to really like challenge her. And they had the
potential with that with you know, the three women with
with her and Kristen and Melinda. Yeah Melinda, but I
you know, whatever, for whatever worth it wisn'm meant to
be so yeah, I think they need that. And how

(01:05:12):
he needs to quit.

Speaker 1 (01:05:14):
He needs to quit being the assistant.

Speaker 3 (01:05:16):
He needs to quit he because it's not it's not working.
If he continues to work for Gabby, he's going to
continue to resent her. It's hard enough, yeah, you know,
living with people. It's hard enough living with your family
when you're an adult, but having to work with them,

(01:05:36):
let alone for them, as well, it's too much.

Speaker 2 (01:05:41):
I thought it was funny when the solution was like
I quit. I was like, oh, I thought the solution
would have been you too, move out and get your
own place like that, You know what I mean, like
that the solution is for you to quit your job
and be unemployed. But still, I mean, he as opposed
to you know.

Speaker 3 (01:05:57):
Like free rent is free rent?

Speaker 1 (01:06:00):
You like for your rant? You do? You like free
your rant? I wish I lived rent free while alive.
You have to specify.

Speaker 3 (01:06:11):
Things useful sentences.

Speaker 1 (01:06:18):
Yeah, all right, then let's move on to our next tidbit,
which is, uh, Doug moves out, moves out of the Kiayakis,
only to look up homeless shelters.

Speaker 3 (01:06:33):
I mean, it was the right thing to do.

Speaker 1 (01:06:36):
Maybe the right thing to do was to tell Maggie
that Doug was staying there instead of hide him in
your room.

Speaker 3 (01:06:42):
This is one of those storylines that I need to
see pick up in the coming weeks.

Speaker 1 (01:06:49):
I feel like I feel like Doug could have been
a little more integrated, and I feel like I feel
like the Maggie conversation with Julie reminding her that ain't
you stole the mink? Well, your husband that the love
of your life, a completely different person than tried to
call you.

Speaker 3 (01:07:07):
Yeah, remember that, remember that rap in day one?

Speaker 1 (01:07:13):
So Julie, let's not judge, and he could have been
more integrated. We could have seen more more of the
Holly Doug Tate Sophia rectangle. Like, there's a lot that
could have been done. I feel like, I feel like
it's just bad timing. I feel like, uh, with the
with one regime ending and another beginning. M hmm. I

(01:07:37):
think it's just bad timing for for those characters that
just came came about because they're getting lost in the shuffle.

Speaker 2 (01:07:44):
Yeah. Yeah, I meant I don't like the whole bringing
the like mob back after him. I was like, oh god,
I thought we were done with this storyline. Oh yeah
picking that up and I was like, oh, please, don't
go back in this direction. I was like, I like,
leave him Scott free and that point, Like, otherwise, what's
the point of him taking the necklace if it wasn't resolved. Ah.

Speaker 3 (01:08:07):
The only reason I would be okay with that with
them picking that back up, is if we pick it
back up and then steam ahead very very quickly. Because
he got the phone call where he realized that they
were watching him, They knew where he was staying, they
assumed that he had the money. So put him in
a scenario like that where you know, it potentially puts

(01:08:29):
Holly in danger and things start to move very fast,
and then maybe Julie realizes she made a mistake. If
that starts to happen and we get that moving very quickly,
then I think that it'll be worth it.

Speaker 2 (01:08:43):
That's kind of like I was more interested in the
like Phillip exchange he had with him, where I was like, oh,
these two characters would get along, and then I was like,
oh are they are they setting up but he works
for tight end kind of thing because they.

Speaker 3 (01:08:56):
Made but also be that.

Speaker 2 (01:08:57):
Yeah, they made the point of saying he didn't get
the job the be Stir, which I think we all
thought was going to happen with Able leaving, like that
was going to be a potential in but so yeah,
it was like, Okay, I'd like.

Speaker 3 (01:09:07):
To know who Sophia is working for it, you know,
I was like, we can someone want any one of
these unemployed people run the best? Well apparently, I mean,
I mean, I guess she's not working for anybody anymore.
Since now she's on now she can't, she can't go
to work anymore.

Speaker 1 (01:09:20):
But I also want to know why when Doug turned
into money, did they not calculate the interest and say
that he was short? Then so months later like this
ain't a bill, Like you haven't been sending him a
monthly statement talking about you owe this much to the mob?
Like do we know it's the mob? We don't have anything,

(01:09:41):
well his his his his gooons.

Speaker 3 (01:09:44):
Yeah, yeah we don't. Yeah, we don't know much. So
it's like, yeah, let's get let's get a little more detail,
a little.

Speaker 2 (01:09:51):
More on this.

Speaker 1 (01:09:54):
I know they're.

Speaker 3 (01:09:59):
Yeah, yeah, I think that. I think that Doug needs
Julie in his life and Julie needs Doug and hers. Yes,
I'm a firm believer in that.

Speaker 1 (01:10:09):
Now I'm a believer. Okay, movie on, shall we?

Speaker 3 (01:10:27):
When Tony starts out a storyline and is quiet.

Speaker 1 (01:10:31):
Like that, I didn't even I didn't even introduce the title.

Speaker 3 (01:10:35):
I know you didn't have to say anything, Tony, And
for the record, I feel the exact same way.

Speaker 1 (01:10:40):
We're into one stormy night, ha ha. Let me take
you about Stephanie uh Loquisha Johnson. She has lived a
life she has been a race car driver. Yeah, she
has been a pr person and now a novel.

Speaker 2 (01:11:03):
Now I'll say this, I'll like it if it actually
hearkens back to her past and like say, like she
the character is a race car driver, and then like
EJ's in it, but not EJ. You know what I mean.
Like if it if it capitalized on those beginning like
storylines when she came back to Salem, like that would
be kind of interesting maybe and that.

Speaker 1 (01:11:26):
Yeah, but.

Speaker 2 (01:11:28):
This is giving like slight shades of the beginning of
you know, body and soul, like something something very you know, artistic,
something kind of uh.

Speaker 3 (01:11:40):
That doesn't work, Yeah, that doesn't work. I would even
be okay, you know what, I would be okay with.
I would even be okay with if this storyline had
some kind of like spy element toward it, like trying
to draw on her dad's past or something like that.
But just just like make it practical, make it relate

(01:12:02):
to something. Please please please please please don't put us
through another body and soul. M We'll see, we did that.
We stated our feelings on it.

Speaker 2 (01:12:16):
Honestly, right, I feel like the writer has got a
mandate of no, so they probably have not. They probably
cannot go that way, even if they had an inkling
to want to. I'm sure that the higher ups have
put a kaba on that on any sort of meta
story lines maybe going forward.

Speaker 3 (01:12:33):
I think Deirdre Hall put the ka on that.

Speaker 1 (01:12:40):
Anyway. So we are gonna move right along to potential
yay or name? What do you mean by that for
these two couples, Oh potential yeah or name for oh yeah?
Because Alex is I mean, Gammy has been about this

(01:13:01):
date with Alex okay.

Speaker 3 (01:13:03):
On the one hand, I totally agree with her. If
someone pays fifteen thousand dollars for a date with you,
you gotta you gotta show up. Maybe don't. You don't
have to put out, but you gotta show up and
show up.

Speaker 1 (01:13:18):
But why is it on Alex to to do the date?
Shouldn't the film raiser be like, you guys are going
on a romantic dinner on Late Salem.

Speaker 3 (01:13:29):
That's not how bad. No, that's no, that's it. That's
if you're auctioning a trip, not a date. That's not
how bachelor.

Speaker 1 (01:13:35):
Well let me tell you Alex ain't interested.

Speaker 3 (01:13:39):
Well, then he shouldn't have been in the auction.

Speaker 1 (01:13:41):
Well, he didn't know that Gabby was gonna get jealous
when JJ walked in and spend fifteen thousand dollars on
a date.

Speaker 3 (01:13:47):
Oh, he needs to grow up and just suck it up.
He he he can suffer through one night of whining
and dining in pictures. She's I'm only doing this to
make JJ jealous, to prove a point. You know, he's
done far worse for far less she is.

Speaker 2 (01:14:09):
But I'm wondering where they're going with this though, also
because it's if it's just the jealousy, then why not
have that conversation with Alex, especially since he's involved with someone,
do you know what I mean? Like, why not have
the like, hey, listen, I'm trying to make JJ jealous.
I paid fifty thousand dollars. Let's do it up. Let's

(01:14:29):
get the picture so I can make him. Like the
tone of the conversation is weird to me, like the
fact that they're continuing this storyline when we already saw
that JJ was jealous and that she sort of made
her point there. So I'm like, Okay, why are we
continuing this and why are we having that type of
conversation between Gabby and Alex where He's like, what are

(01:14:49):
you talking about? I thought this was a not a joke,
but like, you know, I'm with Stephanie, so I mean, yeah,
we can kind of have dinner, but it's not going
to go anywhere. And she's also like, I want my
lavish date from you. It's I don't know, there's something
weird about I don't I just don't know where it's
going or what the point is after we've already seen
that it accomplished what what they told us it was,

(01:15:12):
it was supposed accomplished.

Speaker 1 (01:15:14):
I don't know. I mean, I guess we'll.

Speaker 3 (01:15:16):
See that Gabby takes everything to extremes mm hmmm, which
we know mm hmm.

Speaker 1 (01:15:29):
Another potential yea or nay that is listed on here
that I don't really want to even discuss really because
I'm tired. They've taken too long.

Speaker 3 (01:15:42):
Yeah, I agree, I agree.

Speaker 1 (01:15:45):
Yes, Yes, there's potential, yes, but lawd, I know it's taking.

Speaker 3 (01:15:49):
Way It's taken way too long. This is the other
story that line that I'm like, you've the slow burn
is no longer burning. It's about to go all the
way out, so let's give it like the full kerosene
treatment and just watch what happens.

Speaker 1 (01:16:07):
It's giving wake me up when you all get together.

Speaker 2 (01:16:10):
Yes, I'm in the knake heading. I've completely switched over
to like I said before, like it's it's taken so
long Billy Flynn has left. Okay, that's how long has taken.
He's already gone. And it's like and it hasn't even
started and he in real life is already gone. Like

(01:16:31):
that is like that is a testiment. Okay, how how
absurdly slow this this story?

Speaker 3 (01:16:39):
Well, I'm not focusing on that right now. I'll focus
on that when the time comes, and then I will
bitch and complain, But this I am. I'm focusing on
here and now, and I do and I do wonder
that whole you know, the whole winning a date with
EJ thing. Okay, I am curious how that happened.

Speaker 2 (01:16:59):
I know that came.

Speaker 3 (01:17:01):
Yeah, because yeah, that did come out of nowhere. So
even if you don't, if even if the chadcat dynamic
no longer interests you, that was really random.

Speaker 2 (01:17:11):
I was like, when did did EJ like place a
bid before he got shot? Like almost two hours he
was sitting there scrolling through the bachelorettes, and I.

Speaker 3 (01:17:21):
Did I did enjoy Chad's reaction, and I was like,
what it's like, Oh, that was a strong reaction.

Speaker 2 (01:17:28):
And also like he's he's still infatuated with Belle. Why
would he bid on his brother? The woman who tried
to scam is Like I was like, wait what EJ.
I just know it's again. This is the like again,
like we've been saying, this is the nonsensical little obstacle
that they're throwing. That's like, why do we need this?

Speaker 1 (01:17:49):
Just go out?

Speaker 3 (01:17:50):
I mean something anything we don't.

Speaker 2 (01:17:53):
This is like we're we're looking forward to them getting
together and having what three months of dating, and then
something happens and blows them up.

Speaker 3 (01:18:02):
Don't ruin my romance with your logic.

Speaker 1 (01:18:06):
I'm tired. I am exhausted with this. Yeah, so I'm
like felicity, y'all like each other.

Speaker 2 (01:18:23):
Another reason though, I think that will will hopefully get
with the new writers, is that they won't keep people
so so boxed in, like you're with this person and
you only have scenes with this person and talk with
that person, and like now we have we get a
situation like this. This this character arc is built on

(01:18:44):
this couple where one of them is now left and
now you haven't gone out of your way to expand
the character. You've given her a family, which is really
great and interesting, but now she's essentially some single mom
and her two brothers are off canvas.

Speaker 3 (01:18:59):
Like, yeah, well it's week one of what the new writing.

Speaker 2 (01:19:09):
Oh yeah, they're going to do something into a weird
hand with this story.

Speaker 3 (01:19:16):
Yeah, yeah, like you're getting you're getting r Sally with
Grace today. Because it's week one, we're let's we're starting
from zero, folks. Okay, so let's take a beat, you know,
wait for the seeds to grow. It's spring, the seeds

(01:19:36):
are sprouting. Let's give them a minute.

Speaker 1 (01:19:40):
Mm hmm. Have we sprouted?

Speaker 2 (01:19:44):
Yeah?

Speaker 1 (01:19:45):
Mmm, lovely.

Speaker 3 (01:19:47):
I don't know them, I seem to think, so, mhm.

Speaker 1 (01:19:53):
All right, Last, but not least, is therapy working?

Speaker 3 (01:19:58):
No? And do you know why? Because there's no therapy
that is going to work when the therapist is missing
a crucial chunk of information, and that information is that
his patient is a potential murder killer exactly.

Speaker 2 (01:20:14):
I was like, yeah, no, wonder she's quiet. She just murdered.
She just tried to kill her uncle. That's why she's
not talking in therapy. Yeah, And I actually think Kristin
is onto her. I think the Christen stuff is her
suspecting Rachel. I think I don't think they're showing us
that necessarily like a light bulb moment. But I think

(01:20:35):
in the back of her head she suspects Rachel, and
that's why she's keeping her. That's why she wants to
do this about face now with the therapy thing. I
keep away from the doctor because she doesn't want her
daughter telling a doctor.

Speaker 1 (01:20:49):
I shot.

Speaker 2 (01:20:50):
I shot my uncle.

Speaker 3 (01:20:51):
I disagree. I don't think she's there. Yeah, I think
she's gonna get there.

Speaker 1 (01:20:56):
Yeah.

Speaker 2 (01:20:57):
I think she has a little bit of an inkling
in the back of her head, like I think she's
leaving it alone. But I think she's starting to think
that that Rachel is the killer or the is the
is the shooter.

Speaker 1 (01:21:09):
And in conclusion, keep that little badass girl in therapy.
All right, and that's it, right?

Speaker 4 (01:21:17):
Uh?

Speaker 1 (01:21:18):
All right? Well, everyone, that was your week of Peacock's
Days of Our Lives. We are now moving on to
our favorite part of the show, which are our segments,
and we are going to start with mine, which is
Tony's official Please Snaps Award. All right, so my three

(01:21:45):
Snaps goes to I feel like it's a uh not
a little unorthodox, but uh it goes to the sound
effects guy who created this little sound effect. Now in

(01:22:08):
what world? I giggle as soon as that. First of all,
I laughed at the fact that she didn't put the
laptop on like the other desk, just out of her way,
that she literally threw it away. And then when she
did it, the sound effects person said, you know what,
it's Gaby Hernandez. Let's give it a little sass, shall we,

(01:22:32):
and sas and drama it did. So whoever is the
sound effects person or the editor that put that in,
you get Tony's official three Snaps Award. That would have
been great if I remember that I also had to
press it three Snaps Award.

Speaker 3 (01:22:50):
I mean, I just assumed there was like a glass
bottle in there or something.

Speaker 1 (01:22:55):
I don't know, but that. I mean, what office are
you win that has such a huge trash can to
where when you go something that has all that, they
usually just have like a little little somewhere like you
can talk some in. I mean, and most it'll go,
you know, but not. But I live for it. I

(01:23:18):
live for it and shout out to Sherry him and
Az who also also almost got my three Snaps Award.
When Philip was like, oh, I really need to take
this phone call, do you mind? And she looked at
him like baby hoof in the leave this say, Gabby,

(01:23:44):
you take your phone call elsewhere I live. I live
all right? Uh, we do not have a caption that
because I forgot to mention earlier that Michael Madison obviously
not with us today because he is off being the
world renowned photographer to the stars here in Los Angeles,

(01:24:05):
so he'll be back next week. But what we do
have coming up for you is a little trip down
memory lane.

Speaker 2 (01:24:13):
Who right, oops, Okay, I'll take you guys back to
April twenty two thousand and five, where Kate and Roman reunited. This,
of course, is the aftermath of the Mela Swan storyline,
and right before this, the reason why this one is

(01:24:33):
so special is because five minutes before she, Kate had
just accepted John's proposal for marriage. So that's why you
get a little bit of not just surprise in happiness,
but a bit of shock there about what the hell
is going to happen now? And again explore the sort
of Kate and Roman twenty something year relationship on and

(01:24:54):
off with them, and those are the days extended, So
go check that out if you're a paid member. But yeah,
that was April two, the eight, two thousand and five
when Roman and Kate reunited.

Speaker 1 (01:25:05):
Oh beautiful, because well and now it's time for It's
a Gear.

Speaker 3 (01:25:21):
Next week's It's a Gift goes to Miss Julie Williams
for her epic plot delivery.

Speaker 1 (01:25:31):
And frankly, lond you're not going to give it damn.

Speaker 3 (01:25:35):
Okay, and that's home period and that's on period. But
also I don't believe a damn word of it. Yeah,
great my delivery, great, great wording, but also I don't
get I don't believe a word of it.

Speaker 1 (01:25:50):
That's because you stole a mink and that was It's
a Gear. And now it's time for.

Speaker 2 (01:26:04):
New and gossip and speaking of our possible possible little
shooter here, we want to give a huge, huge congratulations
to newcomer Alice Halsey, who does play Rachel Black currently.
She just just been cast as Laura Angles in the
reboot of Little House on the Prairie that Netflix is doing,

(01:26:24):
so just big by congress to her. I know everyone
has been everyone on the show leading up the past
few months has been singing this girl's praises about how
great and how amazing she is, and it looks like,
you know, great talent doesn't take long to sort of
spread and get noticed. So fingers crossed, we still see
her as Rachel pop in and out, but yeah, she

(01:26:45):
is going to be it's going to be busy for
at least for a little while shooting being the new
Laura Ingles of course on The Little House on the
Prairie on Netflix coming soon. So yeah, they congress to Alice.

Speaker 1 (01:26:57):
I know I read this and I was like, not
her in one job and now get another? Where is
she gonna be? Low?

Speaker 3 (01:27:06):
All right? Next up, Lewis to Mayo paid a visit
to the Day's social media space for a fun game
of What's on my Phone? So check out to see
what is the last song he added to his playlist
within his Favorites photo album and all of his apps,
So you can check that out on Day's Peacock social

(01:27:27):
media at Day's Peacock and may is Asian American Pacific
Islander Heritage Month and so days highlighted and celebrated the
contribution of the API community with our favorites, our on
screen favorites. I would be miss Rachel Boyd, she Nai Nelson,
Tina Wang, and our very own Christopher Sean, who we

(01:27:50):
don't get to see enough of, yes, but we love
all of them. We'd love anytime we get to see
them out in bout or various projects are here with us,
So it's Happy API Month to them.

Speaker 1 (01:28:05):
I think it's I think it's pronounced, isn't that?

Speaker 3 (01:28:08):
Yeah? Yeahs. And then we had a off screen Horton
family dinner with Susan c Fourth Hayes hosting a family
dinner for her co stars Missy and Matt Mister Reisa
mat Ashford are Jack and Jennifer and you know, I
mean they they've been friends for decades at this point,

(01:28:30):
so it's just so nice to see them constantly together.
And you know, the whole Day's crew has just surrounded
Susan ever since Bill's passing, So it's just nice to
see that the Horton family traditions are living on on
screen at off Yeah.

Speaker 2 (01:28:49):
It makes up if you ever wanted to have the
pleasure of sitting down and having a lunch date with
the fabulous, funny Marybeth Evans. You two now that can
be an option. She's actually option awful lunch date to
support Casa La And this is an organization that supports
children in foster care. And if you are interested in
auctioning and making placing a bid for for that lunch,

(01:29:12):
you can go to Kasa dot la on Instagram and
the link is in the bio. Yeah, it's a really
great cause. And I think Mary Bett does this, actually,
I think she does this every year. This is one
of her personal charities that she works with, so so yeah,
go check it out.

Speaker 3 (01:29:29):
And next up the Day Players. The Day Players, they
are deep into their spring tour, but there are only
a few dates left if you want to see them
before they take their summer break. So they have upcoming
shows in Albany, New York and Pottstown, Pennsylvania, which please
note the time change for those of you who are

(01:29:51):
going to be going to that show, and then they
will have a last show down here over in San
Diego before it's taking a little bit of a summer
hiatus with a brief stop in Glendale when I did
not see that one coming. And then there's the and
then with big shows in the fall in in in Toronto,

(01:30:16):
So please get your tickets at the day Players band
dot com wherever if you're anywhere near them. It's a
great time.

Speaker 1 (01:30:25):
The day Players. I feel like the August first one
is the g H convention that they do that the
General Hospital people do.

Speaker 3 (01:30:34):
Yea, oh that makes more sense. Yeah they said Glendella
and was like, I did not know that made you No, No,
that made more sense, yes, because they're probably yes for
people who don't know Wally, Yeah, Wally, Wally pulls double
duty over there. Yeah, okay, that makes a lot more.

Speaker 2 (01:30:54):
Sense now, but was like, oh god, big store rostart
Image events. First up, we have a summer concert series,
the Dance party've been telling you about. This one's taking
place the weekend of June twentieth and twenty first in Montreal, Canada. Then,

(01:31:15):
of course we have that infamous we just talked about.
The day Players Toronto showed their teaming up with Star
Image on that one, so you can also get tickets
and information through them as well. Then we have our
Days of Our Lives in Nashville event taking place a
weekend of October fourth and fifth at the Holiday Inn
in Nashville Downtown Stadium and all tickets and info for

(01:31:36):
all these and go to event bright dot com, slash
Star Image Entertainment mm HM.

Speaker 3 (01:31:42):
And Samantha and Friends, which just I think they just
had their event this past weekend, right, Yeah, yeah, So
there's a bunch of photos of our favorites there. I
know Camilla and who else was there?

Speaker 1 (01:31:58):
Louder.

Speaker 3 (01:32:00):
Yeah, there's a lot of Yeah, a lot of our favorites.
We're at the Last Testament and Friends Exchange And if
you missed it, there is one more event coming up
that'll be in September. So that's their Haunted Mansion event,
So that'll be the weekend of September thirteenth, fourteenth. You
can get tickets and information at Samanthasfriends dot org. If

(01:32:22):
you missed out on this last one, there's one more
coming up.

Speaker 2 (01:32:26):
And let's than not. At least we have our Jazz
and Heroes charity front raiser we told you about last week.
This one is to benefit Veterans Health Network, starring our
friends just show Greg Vaughan. There are two events that
day if you can make either or both, happening on Saturday,
September sixth of this year, and tickets at info. You
can go to soapthis dot ticket, leap dot com.

Speaker 1 (01:32:49):
Awesome, everybody, and listen, y'all. Let us know if you
attend any of these events, y'all, because we want to
know and we want to be able to showcase them
and hopefully prove that our work is not in vain.
But that was news and God. And now, ladies and gentlemen,

(01:33:10):
sit back and relax and take a peek at what's
coming up this week on Peacock's Day, our lives on days?

Speaker 2 (01:33:17):
Why are you going on a date with Cat Green?

Speaker 1 (01:33:19):
Do you have.

Speaker 2 (01:33:19):
Feelings for this woman?

Speaker 1 (01:33:21):
The Cats out of the Back One Stormy Night is
a bestseller Waiting to happen A Long Time in the
Nighttive publish it and the clock it is different, Sarah
son't call one one this Tickay.

Speaker 2 (01:33:32):
The hospital is about to find itself a new Bankloda.

Speaker 1 (01:33:35):
Who would that be? Exactly?

Speaker 2 (01:33:36):
Are you looking at him?

Speaker 1 (01:33:38):
Sean? If we're going to save your dad, grank kleen
on this?

Speaker 2 (01:33:41):
Do you want drug to save my brother's life? Do
you need to do it now?

Speaker 1 (01:33:45):
Days of our lives?

Speaker 5 (01:33:49):
Okay, the seeds are growing, yea, let's let them sprout.

Speaker 1 (01:34:01):
You know what, I'm just gonna.

Speaker 3 (01:34:06):
You can tell Tony is not a gardener. Not a gardener,
You're not a gardener.

Speaker 1 (01:34:14):
I can let seeds grow, I just don't want to
be the one to plant them. Well, I guess we'll
see what's gonna happen next week and we'll be back
to talk all about it. Thank you guys so much
for tuning in. We appreciate you. If you want to
go find out what Michael Mattis is up to, head

(01:34:34):
on over to his Instagram and Twitter EML Mattis, Justin
Lee Harold, Where can they Find You?

Speaker 2 (01:34:40):
On Instagram at Justin Lee Harold R.

Speaker 1 (01:34:42):
Sally Where can They Find You?

Speaker 3 (01:34:45):
You can find me on Instagram and Twitter at TA
three two three out.

Speaker 1 (01:34:47):
Of and you can find alone me on all social
media platforms at Lounge with Tony, and of course you
can find us at Dition Day Show on Facebook, Edition
Days on Instagram, Twitter, X and threads. Thank you all
so much much for joining us for another hilariously entertaining
edition Days where we break down all the things that
happen and save them this week for you. Tune in

(01:35:11):
next Sunday as we do it all again for this
coming week's episodes of Peacock's Days of our Lives. Until then,
have a wonderful, safe, enjoyable week, and we'll be back
next Sunday three pm Pacific Sanday time six pm Eastern
Sanday time to dish all the things, Days of our Lives.
Good night everyone, Bye, Hello

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