DLBSP: Date your Besties EX? Homies telling Homies Good Night?

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03):
Yes, d L's Backstage Pass radio show.

Speaker 2 (00:08):
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Now put your hands together for my father and y'all's faith.

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Mster Sad Wilfair, d D L.

Speaker 7 (00:58):
Marshall, y'all, it's your man, Missus Sad Warfare d D. Marshall.
And I want you.

Speaker 8 (01:05):
Guys to make sure that wherever you go, you have
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(01:27):
in the parking lot. And I want you to feel
that way by calling my friends over at Hotel Whiz.
That's right, Hotel Whiz one eight hundred six one nine
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(01:52):
It is the realist God will show anywhere, giving you
the hottest music, interviews, talk and topics this side of
heaven and all the funny you can handle your street.
The voice mister said, why fast sitting in with you,
And as always, we have for you the fast lead,
growing infamous segment of Dang d L.

Speaker 7 (02:12):
We've got dls dudes, and.

Speaker 9 (02:14):
Don't I gonna try to squeeze out a story time
on tonight and I don't know, I believe we may have,
but don't ask d L.

Speaker 8 (02:25):
But let us get ready to go into the fashionable
beauty of the pental.

Speaker 7 (02:32):
Give it up for none other than the curve of effect,
the curby one, Miss Tammy D. Taylor, what's up, Timmy.

Speaker 10 (02:39):
T Hey, what's going on, what's up man?

Speaker 7 (02:41):
Nothing much, nothing much.

Speaker 8 (02:43):
We're in here and we right there on point, giving
folks a chance to realize the realist is.

Speaker 7 (02:50):
On the air.

Speaker 8 (02:51):
And so I, as you heard, said, maybe we have
a don't ask ye do we have a don't ass
DL on today?

Speaker 10 (03:03):
We do have a don't ass DL today?

Speaker 7 (03:05):
Oh shucks? And just on they know, Tammy, you're losing five.
And if if I went tonight.

Speaker 8 (03:25):
Steak and potatoes, steak and potatoes, yeah, yeah, yeah, yeah,
I might even I might even trade in the steak
and potato for I can't say the name because they
ain't paid for nothing. But it's a space down there

(03:45):
that has some pretty good Jamaican food that we all
went to that one time, and uh yeah we can
do that.

Speaker 7 (03:53):
We can do that.

Speaker 11 (03:54):
Actually had that for dinner.

Speaker 8 (03:56):
See I don't want that location because you got you
got to conceal and carry.

Speaker 7 (04:02):
It for real.

Speaker 11 (04:05):
It was like, come on, let's go.

Speaker 8 (04:07):
Yeah that might be a little detrimental to the to
the health, right but.

Speaker 7 (04:13):
Yeah, yeah, yeah, yeah, I'm just you know, I got
a story for you.

Speaker 8 (04:20):
Yeah, and I think this is gonna be the story
that puts me over the moon. Yeah, start spreading the news. Yeah,
so yeah, I think I got you.

Speaker 7 (04:38):
I think I got you on the day. Oh yeah,
I think I got you on the day.

Speaker 8 (04:43):
But you know, hey, you have now I will say
you have surprised me on a couple of times, and
you have pulled it out to where you have surprised
me and guessed correctly.

Speaker 7 (04:58):
So you know, we will see huh.

Speaker 11 (05:02):
I'm full of surprises.

Speaker 8 (05:04):
Yeah, yeah, yeah, yeah, So we're gonna We're gonna see
if you can and we'll surprise you old Patna uh
this time, or if I'll go on ahead and be
like I thought I was gonna be and win.

Speaker 7 (05:18):
Lenitra is in the building. What's up, Lenitra?

Speaker 12 (05:22):
Uh?

Speaker 8 (05:22):
Cay, you need all the help she can muster up
from all of you guys.

Speaker 13 (05:26):
So yeah, we got it going for it on tonight.
Melinda Malinda, Melinda Melinda. Yeah, we're gonna see it. We
can get Melnda Melnda up in here. China Rich has
been summons.

Speaker 8 (05:40):
Uh yeah yeah.

Speaker 14 (05:46):
Crew.

Speaker 8 (05:47):
Oh so y'all trying to catch me at three o'clock
after school on the playground.

Speaker 11 (05:52):
Yeah yeah, yeah, yeah, yeah.

Speaker 7 (05:55):
She bringing in the whole crew. You know it ain't
godly h that ain't mother.

Speaker 10 (06:06):
That's my girl, that's my girl, that's.

Speaker 7 (06:09):
My rounds bringing in the whole crew. We got you
this time. That don't make no sense.

Speaker 8 (06:14):
Well, while she's bringing in the crew, make sure you
bring them in and let them know that.

Speaker 7 (06:19):
Today's dang Dill is about a lady.

Speaker 8 (06:26):
Uh in Phoenix that does not care that her new
fiance used to be the fiance of her once best
friend and for the life of her she can't understand
why her best friend don't want to be her best friends.

Speaker 7 (06:45):
So yeah, yeah, so we're gonna be and then we're
going to be on to.

Speaker 8 (06:58):
Is it weird to pick up the phone just to
tell your homeboy good night?

Speaker 12 (07:03):
You know?

Speaker 7 (07:04):
That's that's been a uh struggling topics. So that was
so funny.

Speaker 8 (07:13):
Yeah that video, Yeah, man, So.

Speaker 7 (07:19):
I was crying when I saw that.

Speaker 11 (07:22):
I literally had tears abized.

Speaker 7 (07:24):
That was hilarious. That that I don't know.

Speaker 8 (07:27):
So we want to get in as many fellas as
we can get in, and we want to see.

Speaker 7 (07:34):
What is it about that that really? You know?

Speaker 8 (07:40):
Yeah, Hey Adrian, Hey, Adrian, Adrian is in the building.

Speaker 5 (07:47):
My girls, man, my girls they coming, they coming in.

Speaker 8 (07:52):
You're gonna need all the help you can tonight for
story time. Black Walk is in the building.

Speaker 7 (07:59):
What's up? So hey you got somebody, Hey.

Speaker 8 (08:04):
Walk, if you can hang around, man, I do something
called story time with the Grio d L. And it's
up to them to tell if the stories are true
or the stories are false. And boy I show was
hoping he hadn't been in last night, no night before last.
But we got one form. Yeah, we we got one form.

(08:25):
And uh yeah, we we got one We got one form.

Speaker 10 (08:36):
Go ahead, we got you.

Speaker 7 (08:40):
Yeah.

Speaker 8 (08:41):
So uh, now that we're gonna get in, we're gonna
get into a quick let's do a quick little song,
real quick, and then we're gonna get into dang d L.

Speaker 7 (08:57):
This one's got me saying dang.

Speaker 8 (08:59):
Man, I don't know if I'm saying dang moore that
she her now fiance, is her former best friend's ex.

Speaker 7 (09:10):
Fiance or is my dang she can't understand why her
best friend don't want to have nothing to do with
her no more. That's I don't understand that part.

Speaker 8 (09:23):
Tell me that that's the part that yeah, that's the
part that it gets me.

Speaker 7 (09:27):
So uh, y'all, y'all help us out tonight. In the chat.

Speaker 8 (09:33):
Uh, we want to hear could you ever take on
your best friend sloppy seconds? And could you stay friends
with somebody that took on your sloppy seconds? Yeah, we
gonna need y'all in the chat.

Speaker 10 (09:53):
Huh I said my second show is sloppy. Y'all don't
even want not y'all don't even want that.

Speaker 8 (09:58):
You know what in the name of jeez is uh.
We're gonna put you on the altar without oil.

Speaker 7 (10:05):
We we we ain't gonna even this. You got a
problem with slippiness.

Speaker 8 (10:09):
We ain't even gonna put all on you because you
might try to use that all for something totally other
than blessing. Although you might bless you might bless them,
but no, we don't want to be blessed like that.

Speaker 7 (10:22):
It's the realist. It's the realist.

Speaker 8 (10:24):
Gospa selle in deware and man, we're gonna give you
the hottest music, interviews, talk topics, this side of heaven,
all the funny you can handle. Let's slide into this.
She ain't preaching to the choir. This is miss Tiffany.
We'll be back with more after.

Speaker 3 (10:51):
God did.

Speaker 15 (11:02):
Rule.

Speaker 16 (11:14):
I can't preach it to the wrid Okay, y'all ready
believe it's minute street when no balls don't.

Speaker 6 (11:18):
Take it God for to the streets going open up
their eyes.

Speaker 16 (11:21):
So it's Judie thinking, see, I'm saying it isn't a
spine like, but it's Jesus, say what do you can't
preach it to the crier because they all ready to
believe it's get a spree with no walls, don't tak
it gospel to the streets going open up they hides.
So where Julie thinking, skill, I'm saying, and then the
spy like, but if Jesus can't speak, can't preaching to
the wrist. It's why somebody getting delivered on proper science.
And myself like I'm staring in the mirror. I'm a king,

(11:43):
I'm a priest. I'm a problem to the nation. If
you've got a problem with it, and check yourself. If not,
pain't no one let all Jesus everything hoppy know that's
gonna train and all things in Christ are new. So
I'm a beef for ever change preaching to the choir
when they already believe this minute string, when no walls
don't take me God from the streets and the word
is to my heart. It's consententration to my feet, my
footsteps thought that I'm just praying to complete this commission.

(12:07):
I'll be giving, not just goanna please God and I
gotta dy damic. It ain't in possible for what is hard.
So I reached for my Bible.

Speaker 6 (12:13):
That's the best.

Speaker 16 (12:14):
Place to start for tendency is the revelation. Lord, open
up my heart, or reach for my Bible. That's the
best place to start. For tennis is the revelation, Nord,
open up my heart. I ain't preaching to the frycause
they already believe.

Speaker 6 (12:26):
This can't is street with no one.

Speaker 16 (12:28):
I'm taking Gods to the streets. Gord, open up they
eyes so it's you that they can see. I'm standing
in the fine life. But it's genius. Can't receive and
kind preaching to the car because say, y'all all ready
to leave. It's knis street with no walls. I'm taking
God to the streets going open up their eyes.

Speaker 6 (12:42):
So w's you were thinking? See I'm saying it. Then
it's life life, honest, Jesus can't.

Speaker 17 (12:46):
To speak blessing.

Speaker 6 (12:47):
I'm spending deliveries from my heart to yours.

Speaker 16 (12:50):
But this same mind.

Speaker 6 (12:51):
This the word from the Lord. Woman's here to night.

Speaker 16 (12:54):
If you believe God rains them to open up your
mouth shouting out and he'll save you. They will try
to play because he want to see you down. Just
tell him to take him bout you are. Now God
shall know it's time for them games. You can't be
playing with that destiny when no one knows you see
Jehovah rockas the mass to be a hide. They've seen
here's they ain't heard. It's far from regular extorting every

(13:15):
random word. I ain't preaching to the choir if they
y' allready believe.

Speaker 6 (13:19):
I ain't worried about that because Jesus got the master
kins hed n't taking to the cross. They is hanging
to the streets.

Speaker 16 (13:24):
But I ain't preaching to the choir because they already
believe he don't took it to the cross. Some life
can take it to the street. But I ain't preaching
to the wire because they y' allready believe.

Speaker 17 (13:33):
I can't preaching to the choir.

Speaker 18 (13:35):
They y'all ready to believe.

Speaker 6 (13:36):
It's finish street with no walls.

Speaker 16 (13:37):
I'm taking gospel to the street, going over, not pay hide.
So it's you that think and see I'm standing in
the slilight, but it's Jesus pat with heeven I ain't
preaching to the choir because they all ready to believe
it's Minnis Street with no walls. I'm taking God to
the streets, going open up they hide. Soon's you'll think
it's kill I'm standing in the skylight, but it's Jesus
they receiving.

Speaker 7 (13:58):
Hey, hey, hey, what's happening to y'all? Know what time
it is?

Speaker 8 (14:01):
It's your shweet of voice, mister sad Wi fare the
d L Marshall and man, do we have a show
for you today? But hey, I want to jump into
this right now as you do so so graciously each
and every time we pop on, see that subscribe button,
Go on and subscribe, see that like button gone, and

(14:23):
like don't make us beg Hey, look, man, ain't too
proud to bed, but I don't feel like it today.
Go ahead, subscribe to the realest gospel music show anywhere
you're gonna find, giving you the hottest music, interviews, talk
and topics this side of Heaven, with all the funny
you can handle. This marsh Media backstage entertainment television right

(14:45):
here on the YouTube and the facebooks.

Speaker 6 (14:49):
Subscribe it does.

Speaker 7 (15:00):
It's too nice.

Speaker 19 (15:02):
Don't need to up, don't need to set on another level.

Speaker 20 (15:07):
Yeah, I'm done with yellow.

Speaker 21 (15:09):
Don't take it personal.

Speaker 22 (15:11):
It's like some dare we call goo goo.

Speaker 21 (15:14):
We're matching up.

Speaker 19 (15:16):
Don't need to set one on another level because when
it's hollows. But I know you fellow my cup, you
give me mother and no bye ay y yeah yeah no, I'm.

Speaker 18 (15:27):
Turning the page for scene all the way.

Speaker 23 (15:29):
Pay nothing.

Speaker 21 (15:30):
I say my cup is a no day.

Speaker 17 (15:34):
My cup is a norway.

Speaker 10 (15:37):
Shout your face.

Speaker 17 (15:40):
My coup is no day.

Speaker 23 (15:45):
I'm done with yellow. Don't take it personal.

Speaker 19 (15:48):
This like somewhare we call wake up.

Speaker 11 (15:50):
Is no day.

Speaker 17 (15:52):
My goup is no day.

Speaker 24 (15:58):
He's not a plane that is.

Speaker 17 (16:01):
I mean, I know the.

Speaker 23 (16:10):
Every day.

Speaker 22 (16:11):
Cassie's only says go my way.

Speaker 21 (16:14):
He's he's about me.

Speaker 25 (16:19):
To do this.

Speaker 26 (16:19):
I can tell my gods the money, wake over the
noother day. So shout at your bay, wake over for
the no day.

Speaker 23 (16:34):
I know my thing the no.

Speaker 26 (16:35):
Don't take it personals on the recalling over the no day.

Speaker 17 (16:42):
Lay after the no day.

Speaker 18 (16:46):
As a mile because on the bay and when a
trouble I just.

Speaker 21 (16:54):
Got about his name every day days no less, come
on my your pot on.

Speaker 19 (17:06):
It ain't nothing else, I say, God.

Speaker 27 (17:16):
Oh yeah, when I think about life, you think about all.

Speaker 28 (17:22):
I've told at the little things out ton, How could
I not be going over wid.

Speaker 21 (17:33):
Tell something?

Speaker 23 (17:34):
Liven know how.

Speaker 28 (17:36):
To smell and so me smell that sad joy? How
much you want to be everything that heavenly for me?

Speaker 29 (18:02):
I even in this.

Speaker 27 (18:07):
Whoa boy.

Speaker 6 (18:10):
Just in the eyes, it's a pleasing.

Speaker 27 (18:21):
You know, heasy to control.

Speaker 4 (18:27):
He's some take you.

Speaker 3 (18:33):
My God, it's gone.

Speaker 17 (18:39):
It's something.

Speaker 30 (18:44):
He's so good to me.

Speaker 2 (18:48):
So I'm region to hold on to my came but
I offer myself.

Speaker 22 (19:00):
I know you're in control. So I kill my life
away because Lord, your marcy keeps.

Speaker 27 (19:07):
Me in the game whenever I lose ilent.

Speaker 21 (19:11):
Your love has been.

Speaker 8 (19:13):
The to me.

Speaker 2 (19:19):
That's all.

Speaker 8 (19:23):
In the.

Speaker 6 (19:25):
Get someb sense.

Speaker 10 (19:27):
Know to know, No, he's in control.

Speaker 17 (19:34):
I gazy.

Speaker 18 (19:41):
Men just something from me.

Speaker 2 (19:47):
Yes, yeah, you's so good.

Speaker 7 (20:02):
JAS can see that.

Speaker 23 (20:04):
The Lord's and.

Speaker 2 (20:06):
His nurses and Jodren goes, oh no no, no, his mercyes.

Speaker 31 (20:18):
And Joy.

Speaker 23 (20:23):
Never thought that I had the chance, not something.

Speaker 3 (20:29):
I know.

Speaker 21 (20:29):
I was stronger than that to expand.

Speaker 32 (20:32):
Still when I want to win me. When you call
the name, he's something to me. I know, I'm only
even that the thing stay.

Speaker 4 (20:59):
Thjag glory to chlory, full faith, to faith common.

Speaker 12 (21:18):
I'm getting older, so I'll keep it straight. It hurts
to that ghost, but it hurts more to stay up.

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Speaker 7 (22:39):
Hey, Hey, Hey, what's happening y'all know what time it is?

Speaker 8 (22:42):
It is your shweet of voice, mister Sad Wilfair, the
DL Marshall, and man, do we have a show for
you today? But hey, I want to jump into this
right now as you do so so graciously each and
every time we pop on, see.

Speaker 35 (22:59):
That subscribe button, Go on and subscribe, see that like
button gone, and like don't make us beg Hey, look, man,
ain't too proud to bed, but I don't feel like
it today.

Speaker 8 (23:11):
Go ahead and subscribe to the realist Gospel Music Show
anywhere you're gonna find, giving you the hottest music, interviews,
talk and topics this side of heaven, with all the
funny you can handle. This marsh Media backstage entertainment television
right here on the YouTube's and the facebooks. Subscribe, man, stop.

Speaker 7 (23:32):
Having me bad?

Speaker 21 (23:34):
Hey, what's up?

Speaker 12 (23:35):
Fam?

Speaker 3 (23:36):
This year?

Speaker 36 (23:37):
Girl Angela Crosse and I am backstage with my favorite
radio duo, the d L Marshall and Bam Brown enjoying
the hottest music, talk and topics, plus all the funny
you can handle. It's DL's backstage past conversations.

Speaker 37 (23:58):
Teg Man Bye L and Man Dang b L got
me scratching my head on the night because a Phoenix
woman said, you know what, girl, you so happy?

Speaker 7 (24:13):
Your glow is so real. You know, we just we're
so close and we do.

Speaker 38 (24:18):
Everything together, and you know we share everything. I hate
that you and in Tyrone broke up, but let's keep
him in the circle.

Speaker 7 (24:30):
I'm gonna make him my boyfriend now and.

Speaker 8 (24:32):
Then we all could just continue to talk together. You're
my bestie, he's your boo.

Speaker 7 (24:39):
He's my boo.

Speaker 8 (24:40):
I'm your bestie. Let you all hang out together. So
my question tonight is could you would you date your
vestie's X and could you would you remain besties if
yours dated your ex?

Speaker 7 (24:58):
Dame dear?

Speaker 8 (25:01):
Alright, let's get to it, Tammy. I see you chopping
that bottom lip. I see you biting the inside of
your joe that geminized like.

Speaker 24 (25:15):
Mm hm.

Speaker 7 (25:21):
I got to hear it. I got to hear it, Tammy,
go for it. Why not at the end of.

Speaker 11 (25:32):
Day absolutely not. He is off limbs.

Speaker 5 (25:36):
I wouldn't even want my best friend's ex because it's
my my best friend.

Speaker 6 (25:43):
I know what, I know what he about, I know
what they broke up, what I want him for.

Speaker 11 (25:46):
I don't want him. I don't want him.

Speaker 7 (25:48):
You don't know why they broke up, Tammy, t no effect.
You don't know why you broke up. You know why
she told you? Doesn't matter.

Speaker 5 (25:57):
That's my girl's as. It don't even matter why they
broke It could have been her fault. It don't matter
on her edge.

Speaker 7 (26:03):
Now, let's let's explore all avenue. I go all avenues.
Let's try to be godly about this now.

Speaker 8 (26:14):
Now, the Bible says, treat your neighbor as you will
your sl that even so you love thy neighbor as
you would love thyself.

Speaker 7 (26:28):
And so your neighbor, being your best friend, be neighborly.

Speaker 8 (26:34):
Let them have a little time with the sunshine, so
that y'all can rejoice in the same.

Speaker 7 (26:42):
And y'all can be there one another, knowing the pain
and hurt that each other felt.

Speaker 8 (26:49):
Ain't nobody understanding until they note beating through what you've
been through?

Speaker 7 (26:53):
Ain't that what you Ain't that what y'all say.

Speaker 8 (26:55):
You don't know how it is to walk a mile
in my shoe, slide them pumps off and from the
book of Velbev, devout everything, believe.

Speaker 7 (27:07):
On them shoes, let them walk in your shoes. I mean,
what is actually the big deal? Really, we don't own
We don't own people. That wasn't your person, and he
ain't gonna be my girls person either.

Speaker 8 (27:25):
How now you you can't make nobody not date Somebody
tell me, tell me you're being real possessive right now?

Speaker 7 (27:32):
Well, we are not.

Speaker 10 (27:32):
Gonna be friends. That friendship is over. I promise you everything.

Speaker 8 (27:37):
See listen, she didn't betray you. She just said, Tammy,
we ain't eve gonna put it on you. She jump
this peotix Arizona woman, she said, Keisha, she just said,
what's up to be?

Speaker 10 (27:52):
Their last name is Marriwell, go ahead.

Speaker 8 (27:54):
Now you ain't gonna do sister Meriweather like that. That's
what you ain't gonna do. Sister Merriweather, ain't got nothing
to do with you. Sister Maridweather ain't even from Phoenix.

Speaker 4 (28:03):
Put on.

Speaker 8 (28:05):
Let's listen, okay, Keisha Merriweather, Miss sister Merriweather's grand baby
so Keisha Mayweather was interested in to me.

Speaker 11 (28:17):
Mm hmm, come on back, come on back there, you
stuck there.

Speaker 8 (28:34):
She said, girl, I need a man. And she said,
you know I've been alone alone, alone time. Keisha merried
Weather and Tamika was like, uh, you know, Keisha, I
don't want to see you by yourself. I pray that

(28:54):
you find you somebody that that make you happy. And
she's like, ooh, I think I got somebody in mind.
And she said, well, who you got in mind? I
think you might like him?

Speaker 39 (29:05):
What?

Speaker 1 (29:06):
What? What?

Speaker 40 (29:06):
What?

Speaker 25 (29:06):
What?

Speaker 7 (29:06):
What makes you think I would like him?

Speaker 3 (29:08):
You know what?

Speaker 7 (29:08):
I think this would be somebody you could date.

Speaker 41 (29:12):
Keisha is letting you know, girl, them big broad shows
them good gush and dimples, his pretty smile.

Speaker 42 (29:24):
I like it.

Speaker 7 (29:25):
I won't it now to Mika, we can do this
the easy way or the hallway. The choice is yours.

Speaker 43 (29:34):
Man.

Speaker 7 (29:36):
Mm hmmm, no, sir, what's the problem? Y'all? Put it
in the comment? What is the problem? What is the
problem with somebody dating yox?

Speaker 22 (29:47):
What's the problem?

Speaker 7 (29:48):
I want to know what y'all feel. The problem is.

Speaker 11 (29:53):
My godness, the problem.

Speaker 10 (29:56):
The problem is my best friend. So she's my best friend.
She knows.

Speaker 5 (30:03):
She knows how deeply I felt about this man if
we were in love. Now he was just somebody. But
if he was my man, she knows how deeply I felt,
So why would you she did?

Speaker 7 (30:15):
Wait wait wait, wait, hold on, I want to.

Speaker 8 (30:19):
Make sure the frequencies didn't catch up, cause we had
a little we had a little breakup just a second ago.
So I want to make sure you said if he
was your man, yes you have a problem. But if
it was just some little something something, then it's fine.

Speaker 23 (30:34):
It's what you said.

Speaker 11 (30:35):
No, no, I'm not saying that's fine either.

Speaker 7 (30:39):
But okay, see I told.

Speaker 5 (30:42):
Yeah signals man, it's a betrayal if you know that
this is my man, because if you my best friend,
you know.

Speaker 7 (30:47):
How deeply I feel about this man. So that's why
she want to keep him around.

Speaker 3 (30:53):
But she.

Speaker 8 (30:55):
Listen, he should know to a Mika, he should know
to a Mika, ain't gonna stay, ain't gonna keep dating.
And if she don't date them, then then then then
boys ain't gonna be around big hand boys. She trying
to Actually, what she tried to do is to get
to Mekka to see big hand boys like she saw
him in the beginning and then you know, try to

(31:18):
get him back.

Speaker 7 (31:18):
So she doing this for their friendship sake.

Speaker 11 (31:21):
No, she ain't she doing this. No, she breaking up
the friendships.

Speaker 5 (31:25):
She is breaking up the friendship because again, she knows
how deeply I felt about this man if we broke up.

Speaker 10 (31:31):
She knows how hurt I was when we broke up.

Speaker 5 (31:33):
Now for you to kind of scoot yourself on them, now,
that means you've been on the sidelines watching anything, you've
been on the side lines.

Speaker 8 (31:44):
Listen, all right, we got a good question. We got
a good question in the comment uh we heard.

Speaker 7 (31:49):
We got asked, is it ex husband, ex boyfriend or
ex hookup?

Speaker 10 (31:56):
Tammy?

Speaker 7 (31:57):
Does it matter? Because that now I will say this,
I will say this. I will say this before we
go further. I think it's trifling myself. But for the
same entertainment.

Speaker 21 (32:12):
Oh you ain't.

Speaker 7 (32:15):
You don't own no people's.

Speaker 10 (32:18):
No, I don't.

Speaker 8 (32:20):
If you if you go back and look for enough,
Big Mama and aunt madiguil the same guy before. It's Abigail.
So Auntie Abigail just let she fell back and let
big Mama have Big Daddy. And that's how your mama
got here.

Speaker 10 (32:41):
Okay, all right, mama, but we ain't doing that.

Speaker 5 (32:44):
I ain't ain't Abigail ain but Brenda whatever whoever it is,
we ain't doing that. X is an ex ex husband,
ex boyfriend, ex hooked up. You don't and I don't
vote nothing, my girl hand.

Speaker 8 (32:59):
But at me, tem you being hypocritical right now because
I heard you playing when you pulled up at the
Spin Awards.

Speaker 7 (33:10):
I heard you playing, Hey you the dog clown. I
heard you pumping that pumping what you broke up? Can
you hear me?

Speaker 44 (33:22):
Now?

Speaker 2 (33:23):
Can you hear me?

Speaker 7 (33:24):
Now?

Speaker 12 (33:25):
Uh?

Speaker 21 (33:25):
Huh?

Speaker 7 (33:26):
Can you hear me?

Speaker 10 (33:28):
I can hear you.

Speaker 7 (33:29):
I said when you pulled up at the Spin Awards.

Speaker 8 (33:31):
If when you pulled up at the Spin Awards, and
y'all forgive this delay that we're having technical difficulty, but
when you pulled up at the Spin Awards, you was
pumping the dog pounds.

Speaker 7 (33:41):
That ain't no fun if the homie came half none,
So you pumping.

Speaker 29 (33:48):
That and I mean you was just you know, I
ain't pulling up to the spino Yeah.

Speaker 7 (33:54):
Yeah, you was pumping the book of dog pound.

Speaker 10 (34:00):
Yeah.

Speaker 8 (34:02):
So that's just something you were saying that ain't something
you really living right, hey, hey, Christopher, Christopher in the house.
Listen here christopherfore said.

Speaker 7 (34:16):
He ain't your man anymore. If he is the ex
so why should you care? Who will you hook up with?

Speaker 21 (34:43):
I remember those are the same struggling.

Speaker 45 (34:48):
I close my eyes.

Speaker 18 (34:50):
The ain't told me it'll be all right.

Speaker 46 (34:53):
And I know that you bippy, because you ain't never
confed me.

Speaker 23 (34:56):
No life, No, no.

Speaker 47 (35:01):
You haven't lie you and I am in the watching,
and oh if it gent, tell hey, gay.

Speaker 48 (35:13):
Night, whisper, go in on your wings and no you
bring me come tell me it is a reason.

Speaker 46 (35:24):
Because I know, but I watching all the way both
to the if you want to get to me, fum the.

Speaker 47 (35:37):
Sacks ever lonely, he Jesus is of me. No, you
haven't lie you and I am in the watching, and
oh if it gent, tell hey, gay.

Speaker 18 (35:58):
Night, I am sud wispers, throwing in.

Speaker 46 (36:02):
On your wings and no you'll bring me comber telling.

Speaker 42 (36:06):
Me there's a reason too, because I know.

Speaker 23 (36:11):
I got just watching down it say.

Speaker 21 (36:17):
You're well, you're in.

Speaker 6 (36:23):
Escaping me.

Speaker 21 (36:25):
I found my house.

Speaker 17 (36:28):
Stairs first, throw in on.

Speaker 23 (36:32):
Your wings and no you'll bring me come back, telling me.

Speaker 21 (36:36):
There's a reason to.

Speaker 3 (36:39):
Know, but.

Speaker 17 (36:42):
Just watching all the.

Speaker 49 (36:45):
Sudd whispers, throwing in on your wings and no you
bring me comber telling me there's a reason too, because
I know.

Speaker 18 (36:56):
He just watching all the way.

Speaker 1 (37:10):
Oh jis on the track.

Speaker 50 (37:18):
In the corners of my mind.

Speaker 51 (37:23):
I can just Imagegion, how you feel when you do
hear me crying.

Speaker 42 (37:31):
I'll please Lord.

Speaker 5 (37:32):
I need Josh help because I just can't do this myself.

Speaker 50 (37:35):
I gotta go.

Speaker 16 (37:36):
Gayle, show me no way. I'm following because I know
you don't throw me down, even through the way.

Speaker 17 (37:42):
He's never let me drown.

Speaker 42 (37:43):
Let your holy spirit around.

Speaker 18 (37:45):
Me, bless the day that you found me.

Speaker 22 (37:47):
Just show me. Really, you showed me how to fly.

Speaker 16 (37:52):
Yeah, I got your member slide you love the reason
why I can reach this guy. Yeah, yeah, it's not
stumbling now everyone Brown found purpose knowing.

Speaker 52 (38:06):
I'm working for your other reason, Legginsie, Who I am
the matter of the season?

Speaker 23 (38:12):
Who you loving me?

Speaker 21 (38:14):
Who I am?

Speaker 48 (38:15):
It's you.

Speaker 18 (38:18):
Everything about else?

Speaker 49 (38:20):
Let me Follet fall it in love and Jesus love
you woo me in the palm of it and are
so insensinal.

Speaker 21 (38:29):
It's all in God blessing made me great yas a
new folks. I couldn't even hold it.

Speaker 18 (38:36):
I'm better, I'm better, I'm bad.

Speaker 29 (38:37):
I promise that I'm gonna shoe let.

Speaker 17 (38:39):
I haven't a way.

Speaker 50 (38:41):
Don't show me the way.

Speaker 6 (38:42):
I'm following because I know you don't.

Speaker 21 (38:44):
Woo me that woman. They will do the ways. Never
let me dry on you hold.

Speaker 42 (38:48):
His badness around me.

Speaker 23 (38:49):
Bless today that you found me.

Speaker 18 (38:51):
If you show me, really, you show me how to
fly and get a sty I do.

Speaker 22 (38:58):
He loves the reason why that I can.

Speaker 23 (39:01):
Reach the skin.

Speaker 21 (39:02):
I can reach the skin class.

Speaker 18 (39:03):
There's no mister building down my aground.

Speaker 23 (39:07):
I found my purpose. No one worthings.

Speaker 6 (39:13):
I can see.

Speaker 22 (39:13):
I can see who I am the matter of the season.

Speaker 21 (39:17):
You loving me? You know who may see you?

Speaker 18 (39:22):
Everything about Can you tell me falling in love?

Speaker 23 (39:27):
Jesus, Jesus, I can see to see who I am.

Speaker 21 (39:31):
No matter the season. I know it's someone you lolling me.

Speaker 17 (39:34):
Who I am?

Speaker 23 (39:35):
It's you.

Speaker 18 (39:38):
Everything a call and me in love?

Speaker 21 (39:42):
Where's the Jesus?

Speaker 22 (39:44):
Yeah, I can see who I am, no matter the season,
no man loving me.

Speaker 21 (39:50):
Who I am? It's you, isn't it?

Speaker 6 (39:54):
Everything about you got me falling?

Speaker 21 (39:57):
Falling in love?

Speaker 42 (39:58):
It's Jesus.

Speaker 53 (40:00):
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Speaker 34 (40:46):
With a fat Walllet eight hundred ninety four to two
three oh seven eight, eight hundred ninety four to two
three oh seven eight, eight hundred nine four to two
three oh seven eight. That's eight hundred nine four to
two thirty seventy eight.

Speaker 23 (41:00):
Woo.

Speaker 8 (41:02):
They'n messed around and made mister Sabwilfairs Day and guess
what now, fam, I'm here to make yours. Going on
over to our friends at patreon dot com. That's p
A t R e O n dot com backslash marsh
Media Backstage Entertainment. That's right, Marsh Media Backstage Entertainment is
now on patreon dot com, offering you the best in

(41:24):
clean entertainment content. You can catch live stand up comedy
specials from Bam Brown and yours truly D d O Marshall.
We've got live musical concerts from such as the likes
of Billy Birds, SINGR and a lot more of your favorites.
Plus we're offering books that we have written. We also
offer our apparel such as our hoodie line from I

(41:46):
Just Be Bam, dang DL, Holy Hilarious and I Am Blessed.

Speaker 7 (41:50):
Where so hey, we've got a special.

Speaker 8 (41:52):
Holiday rate going right now, So go on over again
to patreon dot com. That's PA t R e o
N dot com backslash marsh Media Backstage e n T
and check out that very affordable low monthly rate. All right,
don't let the subscription fool you. You're gonna love this
exclusive content. Best of interviews that you hear now you

(42:15):
will see them only on Marsh Media Backstage e n T.
That's on Patreon dot com backslash Marsh Media backstage e
n T.

Speaker 7 (42:25):
Tell them DL sent you.

Speaker 42 (42:53):
Preaching, man, Stop preaching what I need?

Speaker 21 (43:00):
Oh ah, preach.

Speaker 42 (43:06):
Man, Stop preaching what I need to know?

Speaker 23 (43:15):
Oh, Daniel and the lion Li that's my.

Speaker 21 (43:23):
Oh Jesus, here.

Speaker 54 (43:27):
He the blind.

Speaker 21 (43:29):
My Moses led the children across the race.

Speaker 42 (43:33):
See what does that have to do with me?

Speaker 12 (43:38):
And you?

Speaker 2 (43:39):
Is wid need to know?

Speaker 23 (43:45):
Oh?

Speaker 6 (43:51):
Oh, I want to.

Speaker 42 (43:52):
See my say yes the man that hung on Avoris you.

Speaker 22 (44:02):
Sure, Daniel lend the lion?

Speaker 23 (44:08):
That's man?

Speaker 21 (44:12):
How jenu here the line? Mo, Moses let the children
across the red sea. What does that have to do
with me?

Speaker 23 (44:26):
It's what.

Speaker 46 (44:29):
Need to know?

Speaker 18 (44:33):
Wanta cityean.

Speaker 42 (44:39):
O Hello, Oh yeah, yeah, yeah.

Speaker 23 (44:48):
Yeah, geez.

Speaker 6 (44:50):
I'm talking to you preachers.

Speaker 21 (44:53):
Preaching.

Speaker 55 (44:54):
Man's to work. You want to predge the work? Word
reason man who acreage Christ?

Speaker 2 (45:07):
The word?

Speaker 21 (45:09):
You wanna bridge the world?

Speaker 17 (45:12):
Prize the man.

Speaker 21 (45:15):
Listen you freeze, you gotta press the word. Who you
gotta breeze the world? God wanna breeze.

Speaker 17 (45:45):
You gotta bridge the world god wanna.

Speaker 21 (45:51):
Whoa you gotta press the word.

Speaker 7 (46:02):
Now.

Speaker 42 (46:02):
I want y'all to play it for me please.

Speaker 23 (46:30):
I like that job.

Speaker 49 (46:33):
Jez Daniel in the Lie the that's fine, how Jesus here.

Speaker 24 (47:03):
On the blind.

Speaker 21 (47:06):
Moses left the children across the race, see on what
one doesn't have to know?

Speaker 17 (47:13):
Way, it's.

Speaker 18 (47:18):
To know what.

Speaker 21 (47:29):
I want to know.

Speaker 17 (47:30):
I want to know.

Speaker 32 (47:32):
I want to know.

Speaker 56 (47:34):
Yeah, yeah, Jesus, I love listening to d l's backstage past.
You guys are so funny and d L it is

(47:55):
just flat out crazy. Keep the last coming, y'all.

Speaker 8 (47:59):
It's the really, it's the realist gospel show anywhere, giving
you the hottest music, music videos, interviews, talk and topics
this side of heaven, and all the funny you can handle.
That was none other than Miss Daphne Hotel Monktail Holiday
in Miss Daphne Hilton and I.

Speaker 7 (48:18):
Give you all of me. So yeah, hope you guys
are enjoying the show.

Speaker 8 (48:22):
And just let me remind you, guys, you can always
show us as well that you enjoyed the show.

Speaker 7 (48:30):
You can temp us.

Speaker 8 (48:31):
Yes, you can support Marsh Media content at catchap dollars
sign Marsh Media LLC and on Patreon by taking your
five dollars monthly subscription to patreon dot com. Backslash Marsh
Media backstage, e int all proceeds matter.

Speaker 7 (48:50):
And Daphne said, all of me. I want to give
you all of my comedy.

Speaker 8 (48:56):
That's right, So you can go to Patreon and you
can five dollars see my latest comedy special.

Speaker 7 (49:03):
It's out right now.

Speaker 29 (49:04):
D D. L.

Speaker 7 (49:05):
Marshall a gentleman at the gym.

Speaker 8 (49:07):
All right, so y'all make sure y'all support us marsh
Media content, cash afflas anything you want.

Speaker 7 (49:14):
Now, you know, if the Lord is putting on your
heart to sow a seed of a thousand dollars in y'ad,
I don't like God. I can hear it too.

Speaker 8 (49:27):
A thousand dollars would be good for somebody saying a
thousand dollars ain't in.

Speaker 7 (49:32):
The bank account now.

Speaker 57 (49:34):
So if you wanna give five hundred, we'll take it.
If you wanna give not too, but but we'll take it.

Speaker 8 (49:46):
I want to give just a c note do of
Benjamin Franklin and then go ahead and fly that kite.

Speaker 7 (49:53):
We will take it. Dollar.

Speaker 58 (49:55):
But if you can only give one dollar, we'll accept
that dollar. It was a thousand, yo, don't hear me.
What I'm trying to say is all donations matter. You
get the words, give them no word, and I won't

(50:17):
say this. Close the dough. That's right, Close the door.

Speaker 7 (50:22):
Close the door.

Speaker 8 (50:24):
You saw we were taking up up over close the dough.
You are, teddy, Go ahead, the nice dudes.

Speaker 36 (50:35):
And don'ts.

Speaker 7 (50:38):
Look here.

Speaker 8 (50:39):
Uh let me just go and get this out of
the way. The friends I have I've been knowing since
we were six, seven and eight. Never have they called
me just to say good night. I'll holler at you
see you tomorrow.

Speaker 7 (50:54):
Uh stay up uh till till later.

Speaker 8 (50:58):
I holler, uh, don't call me talking about No hey,
he did because because in my mind you can literally
pick up the phone and be like, hey dog, good
night bro. But in my mind, I'm seeing you like this,
and I'm hearing you like this.

Speaker 7 (51:15):
Hey one.

Speaker 35 (51:17):
Uh did.

Speaker 7 (51:21):
What's you up to?

Speaker 8 (51:24):
No?

Speaker 7 (51:25):
No, no, I gotta go wash my hands now. I
ain't even touching nothing.

Speaker 13 (51:30):
Just makes me feel dirty, makes me feel dirty. But
that's a new thing that people are asking.

Speaker 8 (51:37):
Can homeie be a straight solid homie to call his
friend and say good night?

Speaker 7 (51:44):
I need my fellas your homeboy, jump you pick up
the phoney like good night dog like like that's just
like if we was on the road, you know, and
me billy, you know, bam we on the road.

Speaker 8 (52:03):
We're doing the comedy show and we about to head up,
and don't hug me good night, you know, just all right,
bro till the morning, you know what time?

Speaker 7 (52:13):
Six? All right, I'll be I'll meet you in the lobby.
But don't be talking about sleep well tonight and the
worst is sleep tight. Don't let the baby.

Speaker 13 (52:30):
Ain't nothing to me, to me, to me, ain't nothing masculine.
Ain't nothing masculine about that. And I told you I'm
making masculinity great again.

Speaker 7 (52:40):
Come on now, come on, now, come on now. Black
Wall said never, Adrian said, that's g a y.

Speaker 8 (52:53):
My homeboy might said my homeboy better never call me
out or a good night me.

Speaker 11 (53:03):
Sweet dreams?

Speaker 7 (53:06):
Yeah what what? What type of dreams are you wanting
me to have? Negro? No, No, that's just like if we.

Speaker 8 (53:17):
That break off man code, like if we texting you
better put old k don't putting. Okay, we're finna go
bowling and you everybody else like I see you in
a minute fifteen twenty out and then one, k no,
don't k me, don't ca me unless you asking about

(53:39):
my mama. Don't be like cat okay, okay, no, because
I'm gonna picture you like oh god, No, certain things
is just straight inappropriate.

Speaker 7 (53:51):
Huh he thinks you cute? No, you set that to yourself.

Speaker 13 (53:56):
I cannot I cannot dictate who find me whatever? Like hey,
if that listen, don't be honest talk about it. We man,
you know, I mean ball games, I understood.

Speaker 7 (54:15):
Next to a you don't know, next to you talking
like dreams you're talking about Hey, you enjoying the game?
Don't talk to me right now? No, no, mister Simon,

(54:40):
give him a dream? No, uh huh No, So I
think one of the census is no, we ain't doing that.

Speaker 8 (54:51):
And ladies, if you heard your man called up one
of his friends and say, hey boy, good night, how
do you feel about that?

Speaker 7 (55:03):
Will you forbid him to ever see that homeboy again?
I mean, I don't even know what I would do.

Speaker 8 (55:13):
You in the kitchen, cooking beans, green tomatos, and all
of a sudden you hear good night.

Speaker 7 (55:22):
What oh man? Oh man? Yeah, you bet not really
say nothing? Atlanta or Francisco n night.

Speaker 11 (55:39):
Yeah in Atlanta.

Speaker 29 (55:54):
I mean, uh, it may not always be good to me,
but I know it's good for me. Hey, Auntie, I
think I'm ready skip. Thank you Jesus, you've been real good. No,
he's walking with me. You been somethingwhere it don't feel good.

Speaker 21 (56:08):
I'm danker.

Speaker 29 (56:09):
So the double take a seat because I know we
can't stand it. Before I was in the wound me
y'all aready playing that.

Speaker 54 (56:12):
I know some may not understand that I be yuping
here had me bout it for yes, I was going
through the pression and had to give up out of death.
I don't look like what I've been through me because
got them my repastor you and my past in my
books wrong page.

Speaker 29 (56:25):
I ain't there with my way A's paring it.

Speaker 54 (56:27):
I got the light that I'm saying it to say,
won't put them on you and you can better. But
they ain't true because you ain't carrying it. So I
remember crying, praying, then the bottom mother biting.

Speaker 29 (56:35):
Then the spirit whispered to me saying this.

Speaker 23 (56:41):
The understuff.

Speaker 10 (56:45):
Coming way, y'all.

Speaker 6 (56:47):
Still no, it's working for my gudins and.

Speaker 59 (56:58):
Coma.

Speaker 52 (56:59):
Y'all still good, good, even when things don't always seem
to happen exactly the way I want to.

Speaker 50 (57:10):
But when I think of.

Speaker 45 (57:11):
What happened through, all I have to say is sad
of you good.

Speaker 52 (57:17):
And when travel starts trouble with me, even when life
starts laughing with me, it start.

Speaker 21 (57:23):
Speaking to the letter in me. All I can say
is sad to you and.

Speaker 6 (57:29):
May not be understood.

Speaker 22 (57:32):
They understood.

Speaker 52 (57:34):
Matter what may come my way, y'all still good, still good, efferent, things.

Speaker 18 (57:41):
Is working, prob like good.

Speaker 17 (57:44):
That's gonna work.

Speaker 23 (57:46):
Let what makes come my way?

Speaker 17 (57:49):
You're still good.

Speaker 23 (57:54):
Not me.

Speaker 22 (57:57):
You understand the hell love make.

Speaker 21 (58:02):
I'm gonna hold on inside.

Speaker 18 (58:09):
It's gonna work out.

Speaker 23 (58:11):
Last day, I don't even have to work.

Speaker 60 (58:17):
Wagging his waking, his waking and he's waking in bomaged.

Speaker 7 (58:23):
I still he's wagging his waking, in his waking.

Speaker 6 (58:25):
He's waking in bow Margot.

Speaker 30 (58:28):
Everybody means working, working, work by and needn't happy.

Speaker 22 (58:43):
May not be understand.

Speaker 52 (58:47):
The Sunday come my way, You're still.

Speaker 23 (58:51):
Not what comes no matter what h wedding, he's working.

Speaker 52 (58:56):
Oh my godday it's gonna work out. Okay, make come
like you'll still go.

Speaker 22 (59:06):
Where you working you're working, you do.

Speaker 21 (59:10):
I can tell you because he's working.

Speaker 7 (59:13):
You're working, working and working you do.

Speaker 59 (59:16):
I can see it.

Speaker 22 (59:17):
I can, my God, he's work, he's working, you.

Speaker 17 (59:43):
Working, working, you big, you big.

Speaker 61 (01:00:09):
It's the second hour now. The first is done of
d l's backstage past. It's the second hour now.

Speaker 8 (01:00:23):
Hey, y'all, welcome to the second hour deals backstage pass.

Speaker 7 (01:00:27):
Yes, sir, enjoy.

Speaker 24 (01:00:31):
When I was down and out, God came and took

(01:01:07):
me in.

Speaker 45 (01:01:10):
He released the change that it bounded me too, sad.

Speaker 18 (01:01:15):
I will forever be ready show me.

Speaker 6 (01:01:22):
Just want you to know.

Speaker 24 (01:01:24):
I don't take nothing for granted.

Speaker 46 (01:01:28):
Just want you to know that my life can expand dead.

Speaker 22 (01:01:33):
He has been so baby good to me.

Speaker 23 (01:01:39):
There was no other place that I rap a second
chance of life. Was baby not too fine, gotta renew
my heart and gave me a free mind.

Speaker 45 (01:01:56):
I will forever be veryboy.

Speaker 21 (01:02:04):
Just want you to know.

Speaker 45 (01:02:05):
I don't oh man, Just want you to know. Oh
he has been so be good.

Speaker 23 (01:02:20):
There is sure, it's stop.

Speaker 17 (01:02:25):
It's wanting to know. I don't know.

Speaker 23 (01:02:28):
No, just watch it and don't Yes, he stand. He
has been so he got.

Speaker 17 (01:02:42):
There is no less that.

Speaker 23 (01:02:48):
Yeah, Yeah, he's so good got me.

Speaker 24 (01:02:59):
Yeah, yeah, nobody, Oh my god, nobody.

Speaker 21 (01:03:09):
God has smile on me.

Speaker 45 (01:03:14):
He has said me free.

Speaker 24 (01:03:18):
Of God has smiled on me, and he's being good
to me.

Speaker 45 (01:03:30):
God's been good.

Speaker 23 (01:03:33):
I've been good to me.

Speaker 22 (01:03:36):
I should be.

Speaker 23 (01:03:40):
Oh, god less.

Speaker 22 (01:03:42):
He has smile, smile.

Speaker 17 (01:03:45):
On me, been good to.

Speaker 12 (01:03:50):
Me.

Speaker 43 (01:03:55):
He smiles.

Speaker 23 (01:04:10):
To me. It's amazing.

Speaker 18 (01:04:23):
Pea speak, he speak.

Speaker 29 (01:04:46):
Attention.

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Speaker 3 (01:06:08):
I set a prayer for you.

Speaker 7 (01:06:11):
I set a prayer.

Speaker 3 (01:06:15):
I set a prayer for you. I set this prayer.
I pray you take the moment. I prayed you. Take
the time to see that you are special.

Speaker 7 (01:06:30):
And always on my mind.

Speaker 3 (01:06:33):
I prayed for you.

Speaker 7 (01:06:35):
I sang a song for you. I sang a song.

Speaker 3 (01:06:42):
I sing a song for you.

Speaker 62 (01:06:45):
I sing this song as the flowers feel the God,
and the oceans greats ashore, the horizons of the sunshine
that of you.

Speaker 22 (01:06:58):
I do a door.

Speaker 3 (01:07:00):
I pray for you, Yes I did. Can I pray
for you?

Speaker 23 (01:07:11):
I will.

Speaker 63 (01:07:16):
I spoke a word for you. I spoke a word.
I spoke a word for you. I spoke this word.

Speaker 62 (01:07:29):
I said, in this senseless violence, put the rest to
pride for gain.

Speaker 3 (01:07:35):
There's a message in the silence that can you lot
hurt the pain? I pray for you, hill, Yes I did.
Can I pray for you?

Speaker 23 (01:07:50):
You?

Speaker 3 (01:07:52):
You know how? Will I say holy waters, sons and Daughters.

Speaker 64 (01:08:04):
Revival Land, that we may rise again, Holy Waters, Sons
and Daughters, Revival Land.

Speaker 21 (01:08:21):
In fact, we may rise a good.

Speaker 65 (01:08:25):
Holy Waters Sons and Dads revive our land. That we
will rise again, Holy Holy Waters.

Speaker 17 (01:08:44):
Sound and.

Speaker 3 (01:08:46):
Revive our land.

Speaker 66 (01:08:50):
O praid you take the moment I prayed you, take
the time to see that you were special and always.

Speaker 21 (01:09:02):
On my heart and my mind.

Speaker 3 (01:09:05):
I pray for you.

Speaker 7 (01:09:16):
Hey, beautiful people.

Speaker 67 (01:09:18):
This is your brother Major, my mama's favorite Hawk dealer,
and I'm always keeping it locked with my brother Dyl.
That's right on DL's backstage past radio shop.

Speaker 7 (01:09:30):
Now that's Major. All right, So there go, y'all pull
me up, Maya. All right, here we go.

Speaker 8 (01:09:43):
It is now story time with the grill, Mister Sadwa
Fair the d O Marshall. Now the steaks are high tonight.
All the chips are pushed into the middle of the table.
If my storytelling ability and technique it's so great.

Speaker 7 (01:10:02):
On tonight, Tammy owes me Jamaican food.

Speaker 8 (01:10:07):
If not, she survives another week, let us bring up
the face of the curve effect.

Speaker 7 (01:10:14):
Miss Timmy Taylor.

Speaker 8 (01:10:16):
As she puts that beautiful, lovely smile on, you can
tell she's masking her anxiety and fear of going down
in defeat to all of her girl power.

Speaker 7 (01:10:31):
Yeah, uh, don't go to Peachtree.

Speaker 8 (01:10:36):
Yeah, keep my part street street yeah yeah, uh uh no,
I don't Yeah that don't even sound right, yeah at all?

Speaker 7 (01:10:45):
But uh okay, bring me up money all right?

Speaker 67 (01:10:48):
Here we go.

Speaker 7 (01:10:49):
Uh so Tammy.

Speaker 8 (01:10:53):
This was definitely definitely in the eighties, possibly about eighty
five eighty six.

Speaker 23 (01:11:03):
Me and.

Speaker 7 (01:11:06):
I can't I ain't gonna say the name, but he's
in here tonight.

Speaker 8 (01:11:10):
And it was a couple of other of our good friends,
and so we all decided that after talking and playing
and walking the hood, we got a little board and
we had a little past time called bricking cars.

Speaker 7 (01:11:26):
So what we would do is we would look at
cars ride past, stop at stop size. If you stopped
at a stop side long enough for to get in place, bloom.
I mean we was picking up not just little rocks.
We graduated into the bricks, the square red bricks, and
the bricks that you could hold like this and throw,
and we counted points. If you had a nice car, oh,

(01:11:50):
you got a lot of points.

Speaker 8 (01:11:52):
Oh if it was a cab, oh, we was gonna
get you and don't be of not the ethnisticity of
the neighbor. Good.

Speaker 7 (01:12:00):
Oh, we was gonna get you.

Speaker 8 (01:12:03):
So we would line up in different locations, but our
favorite location was in an alleyway, and the alleyway gave
us different escape panels. We could run it straight all
the way through and get to one of our homeboy
remy teens. Or we could make a left and head
up to the Jeffersons. Or we could cut real quick
and go to the Marshalls. Or we could break over

(01:12:25):
and jump up through a little fist and go over
across woodland.

Speaker 7 (01:12:29):
It depended on where the car went.

Speaker 8 (01:12:32):
Oh and in the winter time, if we were outside,
we would pack snowballs with rocks in them, stick them
in the little puck make it hard.

Speaker 1 (01:12:40):
Oh.

Speaker 7 (01:12:40):
We was just some rock throwing addicted little batts.

Speaker 8 (01:12:45):
It got to a point that where people would drive
back in the day looking looking you in the face,
trying to see if you was wanting Now. We had
a few near death experiences in throwing rocks. There was
a couple of times that a few of us almost
got caught. But this one particular time we would look.
We would have a lookout and if it looked like

(01:13:07):
one of our parents' cards. If it would look like
it was somebody that lived in the neighborhood, oh.

Speaker 7 (01:13:16):
We wouldn't talk. But boy, if the lookout was slow
on the command, theren't be no motorcycle. Oh yeah, you
better learn how to pop up, willie and get the
going because we own you. Well, there's one particular time.

Speaker 8 (01:13:40):
The lookout didn't holler aloud and nothing, and it was
one of the neighbors on the blocks and wet. I
think everybody that had a brick or rock hit the car.
It's one particular time.

Speaker 7 (01:14:02):
Why you little mother fathers and we running cold.

Speaker 8 (01:14:10):
You can hear the rocks from the alley, and you
can hear women were moving through treating.

Speaker 7 (01:14:16):
You can hear the cheating. The team leaped on the
fish are we jumping at?

Speaker 58 (01:14:22):
And it got to the last one trying to jump
the fence, and right when he was almost a freedom who.

Speaker 7 (01:14:34):
I got him, old Lee.

Speaker 68 (01:14:40):
What happens happens? And that was the nice story time
with the grill he did it ain't safe coming through
fifty fifth Sture at night in the eighties.

Speaker 7 (01:14:59):
I was that true?

Speaker 3 (01:15:03):
Oh what that?

Speaker 7 (01:15:09):
Let me see? Somebody said, So I said, if you're
telling me the truth? Be with yo. What eye is that? Look?
She said? If you're telling this look so y'all got

(01:15:32):
some deliberating to do hodfully.

Speaker 8 (01:15:35):
Black white was in here so that he can he
can really secure whether this is true or not.

Speaker 7 (01:15:43):
And I can tell that Tammy really really.

Speaker 8 (01:15:49):
She wants to say one thing, but then she's like,
if I say that and it's wrong, then I got.

Speaker 10 (01:15:55):
To go.

Speaker 7 (01:15:57):
And take care of this enter obligation. I'd like, how
are you feeling right now? Tammy? T Curve effect? Are you?
Are you feeling comfortable? Are you feeling like I got this?
Are you you know? Do you feel the butterflies and
the Nazi in your stomach? How are you feeling right now?

(01:16:18):
Curve Effect?

Speaker 10 (01:16:19):
I ain't got no butterflies, I ain't got no knots.
I'm a look, I'm a.

Speaker 7 (01:16:23):
Little confused though, I'm trying to figure it out.

Speaker 11 (01:16:25):
But I figure I got it.

Speaker 7 (01:16:30):
I think I got it.

Speaker 3 (01:16:34):
Yeah, I think I got it.

Speaker 7 (01:16:37):
You think you got it? All right? So we're gonna
bad little We're gonna throwing rocks and stuff.

Speaker 8 (01:16:49):
That car you're gonna see and and in the in
the comments, they are definitely split.

Speaker 7 (01:16:57):
Yes, they are definitely split.

Speaker 24 (01:17:00):
They are yes.

Speaker 51 (01:17:04):
Yeah, hey everybody, this is margin a check out my
new single.

Speaker 69 (01:17:10):
Won't give up now.

Speaker 20 (01:17:16):
Gommi running running, Gommi running running, run.

Speaker 51 (01:17:28):
Run got me running every cheasing my vision today, But
I won't give up.

Speaker 20 (01:17:41):
Funk you and pulled it onto promise.

Speaker 51 (01:17:44):
Men runish men. I could see my vision clean through
the crowding stops me. But I won't give up bunk you.
I'm hodding onto promise space.

Speaker 17 (01:18:09):
What you made.

Speaker 23 (01:18:14):
Stan, I'm standings I long ever no no no, no no,
and I wont you still don't.

Speaker 18 (01:18:38):
Stays up.

Speaker 17 (01:18:44):
I long.

Speaker 8 (01:18:51):
No no no you.

Speaker 22 (01:18:58):
Look.

Speaker 3 (01:18:58):
Stay committed with.

Speaker 40 (01:18:59):
Your ambitious They won't always see your visions. Just don't
let them tend it. That's center, homies, that's in prison.
Never missed the visit. They say, life is what you
make in your shape. Itter fits your image. You don't
never feel your worth. It's just a reason you exist.
And when you find your purpose, gotta move with a
tent reinvent.

Speaker 7 (01:19:14):
Don't be content.

Speaker 40 (01:19:15):
These fundamentals are vital. Don't let them paint your life
so black and white. Left fit a like or you
created you the pilot. Be triumphant when you fly it
and again It'll be all right. Don't give up the
fight like David took aliaf go toe to toe with
the giants with my pin, like to come into Christ.
I'm that nice and not believe in me myself a
better win. Just be who you want to be. Your
power rest within. You can fall and be deemed. You

(01:19:36):
can build up anything. Black King, black queen.

Speaker 3 (01:19:39):
Don't never forget the tream.

Speaker 22 (01:19:40):
You know, I don't understand, and.

Speaker 17 (01:20:07):
I don't know any ann.

Speaker 23 (01:20:19):
Roll you.

Speaker 17 (01:20:25):
Did.

Speaker 59 (01:20:26):
Let me really really let me roll you run you round, run.

Speaker 7 (01:20:57):
You're gonna go about again.

Speaker 24 (01:21:00):
Take your excellent that'sary.

Speaker 50 (01:21:05):
For she's the only one who can do that.

Speaker 46 (01:21:10):
Ain't a line save a lot every.

Speaker 23 (01:21:13):
Day you do this ship.

Speaker 22 (01:21:16):
I gotta brainer, holy name.

Speaker 48 (01:21:22):
So ship, I've gotta move bad now. And so I'm
back to the lord, back.

Speaker 67 (01:21:35):
To the.

Speaker 23 (01:21:43):
Back to the.

Speaker 21 (01:21:48):
I was doing my own saying I doll him.

Speaker 18 (01:21:53):
It was paid in my soul into distruction.

Speaker 22 (01:21:57):
I knew that he was calling me, but long and
I had to.

Speaker 21 (01:22:02):
Take a word a boget to not like a.

Speaker 23 (01:22:06):
Ship. I got a break floor, you know, a ship,
and got a lot of move back down.

Speaker 21 (01:22:21):
Now in the m looking on it.

Speaker 23 (01:22:30):
Lad at that.

Speaker 22 (01:22:34):
Learned the ship and thelogy.

Speaker 42 (01:22:38):
Because pop for then to come back.

Speaker 17 (01:22:40):
Spa turned a ship.

Speaker 21 (01:23:00):
I'm not in a world. Why your mom me say you,
I'm thank you for me?

Speaker 44 (01:23:18):
I fly rod Well. You don't know where he's got
it through about forever?

Speaker 18 (01:23:35):
Set your time on me.

Speaker 17 (01:23:40):
Having do you say me not?

Speaker 23 (01:23:48):
God?

Speaker 2 (01:23:50):
I thank you not?

Speaker 23 (01:23:52):
I've got a crazy for your purty him your brain?

Speaker 1 (01:23:56):
Do you m.

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Speaker 34 (01:24:51):
Eight hundred two five seven three six seven two, eight
hundred two five seven three six seven two eight hundred
two five seven three six. That's eight hundred two five
thirty six seventy two.

Speaker 47 (01:25:06):
It's the hottest gospel music this side of Heaven and
all the funny you can handle on deals Backstage.

Speaker 6 (01:25:13):
Pass Radio show.

Speaker 8 (01:25:16):
All right, Temy, So let's get into some of the comments.
Let me ask you, do you already have your mind
made up?

Speaker 1 (01:25:27):
I do?

Speaker 7 (01:25:28):
Okay, Well, let's let's go. Let's go there.

Speaker 71 (01:25:32):
Christopherfored said we did crazy stuff like that as a
kid too.

Speaker 7 (01:25:36):
But we also played that's My Car. Yeah, we definitely
did that. We did that.

Speaker 8 (01:25:44):
Let's see. Uh, Temmy, you look like you are really
trying to contemplate. If you want to go with what
you're thinking. This might that's false.

Speaker 7 (01:25:56):
But me and my brother did the same thing, but
we had two cases of aids. Okay, Hi, okay, Well
what do you know about that that TPN on Halloween? Yeah,
you know about that? Uh huh if you're telling the truth,
d l blink.

Speaker 56 (01:26:15):
Mm.

Speaker 7 (01:26:16):
And you know who you know who ain't around right now?
I'll continue. Lenitra, Yeah, your home girl left Lena's in
Baltimore right now, so she she doing. Yeah, it don't matter.
But they ain't got WiFi in Baltimore. Oh, let me,
let me, let me guess she got stuck in traffic.

Speaker 23 (01:26:40):
Uh huh.

Speaker 11 (01:26:43):
M hm mm hmmm.

Speaker 7 (01:26:46):
Uh, let me see go for it, Tammy.

Speaker 10 (01:26:52):
Was it?

Speaker 7 (01:26:53):
Was it real or was it fake?

Speaker 11 (01:26:55):
It was false?

Speaker 7 (01:26:57):
Yeah? I want my chicken curry and I want to
curry chicken bad.

Speaker 8 (01:27:08):
Thank your mind for being so so consistently bad that
this thing we're called story time, Tammy girl, You're very,
very skilled at walking the runway, but you suck at
telling storytime.

Speaker 7 (01:27:23):
To Fort Paul, that was true. Kemny just bad man,
just bad, y'all bad? Oh yeah, yeah, yeah, yeah, we yeah,
that was that was Look they're laughing at you. They're

(01:27:44):
laughing at you there, y'all.

Speaker 10 (01:27:51):
Y'all were medicine. Just listen to all the stories you're
not told.

Speaker 11 (01:27:55):
Y'all bad.

Speaker 7 (01:27:58):
Thank God for his redeeming ability.

Speaker 72 (01:28:04):
Huh.

Speaker 10 (01:28:05):
He said this was absolutely one hundred percent true.

Speaker 7 (01:28:11):
I still laughing. I still laugh from time to time.

Speaker 8 (01:28:16):
I got him on me, and that's that's one of
them things where you know, from the beginning, keep your
mouth closed, because we ain't coming back to help you.

Speaker 7 (01:28:32):
You ain't got to be the fastest line in the pride.
Just don't be the slowest.

Speaker 5 (01:28:42):
And Jamie has said true, you know what, she sure
did well. Okay, huh, I got you when you got Janie.

Speaker 7 (01:28:51):
Listen, Janie, that's two nights in a row. She didn't
listen to you.

Speaker 12 (01:28:56):
You know what.

Speaker 7 (01:28:57):
Yeah, that's right, Janie. You need to go on it.
Janey needed just go on and exclusively sign the team
DL contract. Don't you do that. I'm sorry. She ain't
listening to you, Janey. She don't listen. So hey, I

(01:29:19):
can teat it right now? Whatat Elver whatever? She didn't
believe in you, Janey, Janie. Yeah, I should have listened.
I should have I should have listened. Jad twe I'm sorry.

(01:29:42):
Two thousand and four. Hey June twenty second, Yeah, June
twenty second. There it is right there.

Speaker 8 (01:29:50):
It is the backstage Past Comedy Bash, six o'clock pm.
Doors open at five thirty yep, five thirty pm and
tickets only fifteen dollars and they are going to be
twenty five at the door, So go ahead get your
tickets early, man, I mean early. We've got Tiffany Belt
out of La we got comedian Miss Trees out of

(01:30:14):
Out of Tulsa, Oklahoma, hosted by Yours truly, mister Savwhyfair
D D. L. Marshall and y'all go get those tickets.
They all you gotta do is hit that QR code
or if you follow me like a lot of you
guys are, the ticket link is matter of fact, I'm
gonna put the ticket link right here in the.

Speaker 7 (01:30:39):
Yeah, yep, ticket link is pen go forward.

Speaker 8 (01:30:45):
Kansas City packed the house once more and again as
June twenty seven.

Speaker 73 (01:30:56):
Socity oos Key ba able to carry undrew.

Speaker 21 (01:31:22):
The lord w.

Speaker 23 (01:31:26):
Calling you.

Speaker 15 (01:31:28):
Colling you from page to see see, Yes he will,
you'll do it?

Speaker 11 (01:31:38):
You doing.

Speaker 15 (01:31:46):
Woo, yes see you will, old man, and you don't
mind the naughty listen, I say, yes he what's a flown.

Speaker 23 (01:32:20):
All of your.

Speaker 7 (01:32:25):
Listen what he'll do?

Speaker 23 (01:32:27):
He'll sell you.

Speaker 64 (01:32:28):
I wouldn't had a witness when the storms of life
already did him.

Speaker 3 (01:32:34):
I know what he can do because I haven't tried
to make.

Speaker 31 (01:32:37):
Can I get all in the hill that tull He's
able you I know, world, Yes see we now because
they're done it over and over and all.

Speaker 21 (01:32:58):
Alice come back around on a jail.

Speaker 7 (01:33:01):
The world.

Speaker 21 (01:33:06):
You're doing.

Speaker 23 (01:33:09):
Yes, he will.

Speaker 6 (01:33:13):
Can I tell you what you wanna do?

Speaker 69 (01:33:15):
He'll need your man, He'll come, your dear, healed, your
man and trial deanes, call.

Speaker 31 (01:33:28):
Me your courage, your heart, give you a time to start,
give you peace.

Speaker 23 (01:33:36):
Her man.

Speaker 21 (01:33:38):
Sell me and it's a nicker too old.

Speaker 69 (01:33:42):
Holy go kill me, Kathay couldn't take me out the present,
couldn't feed me.

Speaker 21 (01:33:51):
That's say something else.

Speaker 74 (01:33:55):
A citizen in student diseased and destroyed me looks at
mistage and Jim because men free.

Speaker 21 (01:34:10):
And depend on him. Whatever to call him? Oh he'll
do here, ru do way do any boy?

Speaker 23 (01:34:51):
Oh?

Speaker 17 (01:34:52):
Yeah?

Speaker 23 (01:34:53):
Yeah?

Speaker 60 (01:34:56):
Everybody class your hall a day.

Speaker 6 (01:35:00):
Are you ready, steaming Jacon, are you ready?

Speaker 59 (01:35:04):
I'm ready.

Speaker 21 (01:35:06):
You look gota be gathering.

Speaker 17 (01:35:07):
Employ read it.

Speaker 29 (01:35:09):
Just say nothing but rehearsal.

Speaker 6 (01:35:12):
And when we get to heaven, we're gonna rid it.

Speaker 29 (01:35:15):
Scene all this it is, tell the rehearsal.

Speaker 17 (01:35:18):
It's just to be herself.

Speaker 6 (01:35:20):
When I get into heaven, we wanna read so high.

Speaker 17 (01:35:23):
Yeah, just to be her son.

Speaker 6 (01:35:25):
When I get to heaven, we wanna red.

Speaker 17 (01:35:27):
So it's just to be herself.

Speaker 8 (01:35:30):
Then I get to heaven, God wants Yeah, it's gonna
be herself.

Speaker 75 (01:35:35):
When I get to heaven, we're gonna read it. I
love to see eat every night sometime it's so far.

Speaker 6 (01:35:46):
Just wold act right sing this.

Speaker 16 (01:35:49):
I'm ready, I'll say so we see women make it
to heaven, we'll say your part.

Speaker 21 (01:36:00):
Yeahs to be her son when again to heaven.

Speaker 7 (01:36:03):
God, we're gonna rains.

Speaker 71 (01:36:05):
Yeah, that's to be herself.

Speaker 21 (01:36:07):
Finaging to heaven, we're gonna reside. Yes, just to be herself.

Speaker 15 (01:36:12):
When I get to heaven, gone on a rest, Yes,
to be herself.

Speaker 21 (01:36:17):
Fella, get to heaven.

Speaker 72 (01:36:19):
We're gonna res I try to be perfecta or whenever
I saint were all shames my death doing his whole man, she.

Speaker 21 (01:36:31):
Has my monkey apple.

Speaker 22 (01:36:36):
When am making to happen.

Speaker 18 (01:36:39):
Your mother starts, Yeah, yeah, he will.

Speaker 22 (01:36:44):
I get to Hell, we're gonna reins.

Speaker 7 (01:36:46):
I'm gonna be lester, be herself.

Speaker 22 (01:36:49):
When I get to Hell, we're gonna rains.

Speaker 76 (01:36:52):
We have some when I get to Hell on the
re surely fools to be her soul to him when
we give it him and having no sad.

Speaker 21 (01:37:04):
We mean it over relay.

Speaker 29 (01:37:10):
We made it over.

Speaker 21 (01:37:10):
Relay, Yeah, into the sack.

Speaker 60 (01:37:20):
We made it over in May and over into essays
we made it over relay and over.

Speaker 21 (01:37:30):
We mean it over renay O.

Speaker 6 (01:37:34):
This is just to be husl when we get to heaven.

Speaker 60 (01:37:37):
We're gonna so Niya has to be hersup when we
get to heaven.

Speaker 22 (01:37:42):
No, we don't want this iss to be hers.

Speaker 60 (01:37:47):
We're gonnas. This just to be balacy with me a
sound and we've made it over again. We made it
over it there, we've made it.

Speaker 21 (01:38:07):
We've made it.

Speaker 17 (01:38:08):
We made.

Speaker 21 (01:38:15):
Wait a minute, wait for a minute, Chaday.

Speaker 2 (01:38:23):
Sick and steek.

Speaker 6 (01:38:25):
I when I get over there, when I get over that,
I when.

Speaker 21 (01:38:28):
I get over there, when I get.

Speaker 8 (01:38:30):
Over with that, I'm gonna walk around.

Speaker 6 (01:38:32):
I'm having forever.

Speaker 17 (01:38:35):
I'm going to walk around.

Speaker 77 (01:38:39):
And see my tess, see my see see my che
I'm gonna see my teachers, shoulder force.

Speaker 7 (01:38:49):
This is just a rehearsal.

Speaker 21 (01:38:51):
Oh and that help and think.

Speaker 7 (01:38:56):
This is just a rehearsl.

Speaker 56 (01:39:09):
This is your girl, B fifty love and I'm hanging
backstage with my homie the Voice the d L Marshall
on iHeart and Spotify Radio.

Speaker 7 (01:39:19):
Own gas.

Speaker 8 (01:39:20):
Honey, you can bet your last money, all right, go
for it. What they're asking me that we just told.

Speaker 10 (01:39:29):
Him, don't ask me, all right, so what got Michelle?

Speaker 11 (01:39:32):
She from Houston, Texas.

Speaker 7 (01:39:34):
Come on, Michelle, Houston, Texas. One more mile, two more exits, come.

Speaker 5 (01:39:37):
On with all right, So, gentlemen, I've been dating for
a couple of months and invited me to his church.

Speaker 78 (01:39:45):
And when I arrived, I was greeted. When I arrived,
she was greeted by sister Mary webbing no, oh, go ahead.

Speaker 5 (01:39:58):
When I arrived, I was greeted by him, and he
seated me at the front of the church. As I
looked around, I could see several looks and side eyes
looking back at me.

Speaker 7 (01:40:07):
Can I take this as a red flag?

Speaker 5 (01:40:09):
Or should I expect drama if I choose to continue
or pursue a relationship with this gentleman.

Speaker 8 (01:40:18):
First of all, Michelle from Houston, Texas, you need to
get in the right spur when you come to church.
This man didn't invite you to a ballgame. He didn't
invite you to a nightclub. He didn't invite you to
a hookah lounge. He invited you to the church. And
you got to come in to the church in the

(01:40:39):
right spirit and in truth.

Speaker 7 (01:40:42):
You got to come with a heart condition to receive righteousness.

Speaker 8 (01:40:47):
Now what you perceived, is looking at you side eye.
One lady might she can't probably move her next she
might have a crook in her neck. One lady might
be blind in one I can't see out the other.
And they just really trying to see. Oh my god,
we've been praying for Mike to come in here with
something pretty.

Speaker 7 (01:41:07):
Look at God. You don't know why them people looked
at you. But you ain't come in the church for
the looks. You came to get a word. So you
sit there now.

Speaker 8 (01:41:19):
I can see if when you came in, he was hiding.
Oh he heard No, he met you at the Doh.
That means he was seeking for you. He was anticipating
your arrival. He laid out the red carpet. Come as
you are, because the doors of the church are open,

(01:41:42):
and I'm gonna be right there when you come on through,
and I'm not gonna walk away from you. I'm gonna
walk you to our seat. See, he didn't sit you
somewhere and then run off and play the argon and
run off, play the go downstairs.

Speaker 7 (01:41:56):
I'll be right back. No, he set you in, y'all.
See that man was happy because he's looking at evidence
of an asset.

Speaker 8 (01:42:06):
Prayer and hear your negative nancy and nay saying nikked
tail come up in the house of God with all
this bad hute you all over you talking about people
looking at you funny you know, church folks knows it
trying to see who call you show yourself friendly to

(01:42:31):
get friends.

Speaker 7 (01:42:34):
Then who knows? He might have just you might have
been the dead of the week. Who knows.

Speaker 71 (01:42:39):
But that ain't none of your concern to be worried
about that concerned, yo, concern is this man saw enough
in you to bring you where he worshiped, his place
of prayer.

Speaker 8 (01:42:51):
He saw so much in your personality that he brought
you to a place where he centers his peace.

Speaker 7 (01:42:59):
And all you can think about and looking at you,
how selfish of you? Could it be that you illuminated
with a glow and they was just like, oh no,
mm hmm.

Speaker 8 (01:43:14):
You can't be optimistic. You gotta be pessimistic. Michelle from Houston, Texas.
One more mile, two more exits. Now you've been praying, Lord,
I want a man that won't mean for me. I
want a man that's good. I want a man that's
god that. I want a man that want to take
me to church. And not tell a motel and you
got what your ask bo and you're still complaining about

(01:43:37):
an acid prayer Michelle from Houston, Texas. Could that be
Michelle from Houston, Texas while you keep gotting a start
over in Dayton because you ain't never satisfied of what
show up from your prayers.

Speaker 7 (01:43:51):
Michelle from Houston, Texas. Hm hm hm hm. Michelle, I
thank you. What was the sermon about that Sunday? Michelle?

Speaker 13 (01:44:04):
You don't know, Michelle, because you was in the wrong spirit.
You can't tell me what the sermon was, Michelle. But
I bet you, I guarantee you. I bet you bout
golly wow.

Speaker 8 (01:44:14):
You could tell me what them three women that turn
around look at you had on and what their hairstyle was.

Speaker 7 (01:44:19):
I'm telling you you're wrong. You're wrong. Mike A good dude, Michelle.
Mike is the guy that you was praying for, Michelle.

Speaker 8 (01:44:30):
Mike is the guy that took you where you ask
God for a man to take you.

Speaker 7 (01:44:36):
Michelle. Yeah, it is you talking about. You didn't even
think about, Oh my god, he met me at the
door and he ain't even an usher. No, all you
worried about some people looking at you walk down the
al Huh don't you know the song saying everybody come home,

(01:44:59):
come ho down. They was happy for Mike.

Speaker 8 (01:45:04):
Michelle, you Texas, get over yourself, Michelle from Houston, Texas.

Speaker 7 (01:45:12):
You better quit listening all them Keisha's, Tamika Lawanda and Tammy's.

Speaker 13 (01:45:18):
Oh tell me sitting up here about to have a
cognipsen fit.

Speaker 7 (01:45:27):
I am my soul is whoo yeah.

Speaker 8 (01:45:31):
Now I told y'all leave me alone. Don't ask me,
But since you did you thrown Michelle from Texas. If
Houston's and man look you to the house of his father,
met you at the door like Rawty, set you down

(01:45:53):
next to him like Quentendom, and then offered you up
as a sweet smelling until the law.

Speaker 7 (01:46:02):
All you can think about there's them women looking at you.

Speaker 8 (01:46:06):
Why because you got a level of insecurity, Michelle when
you textas that you need to lay on the off
you think because somebody looking at you they don't like
what they see.

Speaker 7 (01:46:15):
Michelle, Get over yourself, Michelle.

Speaker 8 (01:46:19):
I'm gonna leave it alone time because I can see
you can't contain yourself.

Speaker 7 (01:46:22):
Leave it right there. What you need to do, Michelle,
and you need to go back to that very their church,
and you need when the preachers say is that one,
you need to get your ones up. You need to
walk to that off. You need to thank God for
a man like Mike. I want to bring you to

(01:46:44):
worship together.

Speaker 11 (01:46:50):
Did Yeah, y'all ask that's what you get.

Speaker 7 (01:46:59):
That's what you get.

Speaker 27 (01:47:00):
And you asked you.

Speaker 7 (01:47:02):
That's all I'm saying you listen, that's the red flag,
Mike Michelle.

Speaker 8 (01:47:10):
Ain't gonna make you happy if you If you take
a woman to church and she's, oh, she.

Speaker 7 (01:47:18):
Ain't ready, You're gonna find something wrong at church the
very first time you go. All right, ladies and gentlemen,
get ready. It is time for the most soothing voice
in radio.

Speaker 8 (01:47:36):
We're gonna get into some gospel news and the top
ten Countdown with our sister Nina Taytor.

Speaker 7 (01:47:41):
Hey, how you doing, Nina?

Speaker 17 (01:47:44):
How you doing?

Speaker 7 (01:47:44):
Everybody?

Speaker 79 (01:47:45):
Anina Taylor with this week's gospel News. Jason Nelson was
born and raised in Baltimore, Maryland. He's a worship leader, producer,
multi instrumentalist, and social contemporary singer songwriter. He released his
debut album I Shall livewo thousand and five. The self
released brand New Day arrived in two thousand and six
and was followed by Place of Worship in two thousand

(01:48:07):
and eight. Nelson aimed to deal with the popular gospel
label Verity, a division of Sony for twenty thirteen's well
received Shifting the Atmosphere. Jason pastors the Greater Bethlehem Temple
Church of Thriving Ministry in Randallstown, Maryland. However, he is
one of the most recognized voices in gospel music and

(01:48:28):
is considered to possess a rare gift in the body
of Christ as he releases the power of the presence
of God. Jason established his vocal status and exceptional anointing
in two thousand and five with the release of his
first solo project as a songwriter. He wrote Marvin Sapp's
title track to his Thirsty album. Jason Nelson also received

(01:48:52):
a Stellar Award for Praise and Worship City of the
Year in twenty thirteen. Jason considers one of the greatest
accomplishments in his life to be his family, his wife Tanya,
his children, Jalen and Jason. Christopher Bill divs one of
gospel music's only authentic premier soul bands. Miami, Florida's a

(01:49:13):
sincere draws inspiration from many artists, including The Temptations, Earth
Wind and Firement, Condition and The Mighty Clouds of Joy.
Formed in two thousand and three by multi instrumentalist, producer,
composer and arranger James Wright, the ten member ensemble released
their debut album, The Soul of Future Worship in twenty eleven,

(01:49:35):
followed by a nationwide tour and appearances on THUS seven
hundred Club, Bobby Jones Gospel, and TBN's Fifteenth Street Live
in New York City. In twenty fifteen, they released their
sophomore full length album, Kingdom Therapy, which peaked at number
thirteen on Billboard's Top Gospel Album's Chart on the strength

(01:49:56):
of the singles Love Holla and eight Equals Happiness. Sincere
kept the momentum going in twenty eighteen with the release
of God Family the Band, which included the gospel radio
hit Win and the holiday album Made Sincere Christmas. The
group continued to spread the good word via their signature

(01:50:18):
blend of gospel, funk, soul, and contemporary R and B
in twenty twenty five with their single That's God La
La La. Let's continue on with our twenty twenty five
stellar nominees we left off at Category five. Duo Por's
Group of the Year. The nominees are Dietrich Hadden featuring

(01:50:41):
Demita and Tasha Page, Lockhart, fk and m Fred Hammond,
Keith Staton and Marcus Cole, Ted and Sherry and the
Group Fire. Category six New Artists of the Year, the
nominees are Adia, Bobby Lane, Josh Bracy and Power Anointed,
Michael Lee and Montre Tinsdale and The Friends Corral. Category

(01:51:04):
seven Album of the Year, I Got Away, Pastor, Mike Junior, Live,
Brea Fight, Tamala Mann, More Than This, CC Winans, The
Healing Project, Kenny Lewis and One Voice and You've Been
Long Live in Durham Jason Nelson.

Speaker 7 (01:51:22):
Category eight Choir of the Year.

Speaker 79 (01:51:25):
The nominee ces are Bishop s Y Younger, the Chicago
Mass Choir, Ricky Dillard and the Mississippi Mass Choir. Category
nine Producer of the Year Dana Sorry, Jason Nelson for
You Belong Live in Durham, Red Hammond, Keith Stayton, Marcus
Colepaul Right The Third and Ray Hammond Four Time Capsule,

(01:51:46):
j Drew Sheard Karen Clark Sheared for the album Still
Karen Michael McClure Junior and David Outing the Second for
I Got Away, and Stan Jones, Jerry Mannory, Jerry Smith
and Dave David R. Curry Junior for the Mississippi mass
Choir We still believe. Category ten Contemporary Duo Chorus Group

(01:52:09):
of the Year. The nominees are Dietrich Hadden featuring Demita
and Tasha Page, Lockhart, Red Hands, The Three tedd and Sherry,
and the group Fire.

Speaker 58 (01:52:20):
Well.

Speaker 79 (01:52:20):
That's your partial list of the twenty twenty five Stellar
nominees and your gospel news Anina Taylor reminding you to
connect with me on all social media outlets. You'll find
them on my website at Msnina Taylor dot com. Now
let's get back to more great gospel music on this

(01:52:42):
great station.

Speaker 50 (01:52:51):
Please Yeah yeah, Young God can't white me cry? So
my nick got me?

Speaker 80 (01:53:03):
I said me And no my girls so Hi friend
so high fee so high fee?

Speaker 23 (01:53:08):
Yes?

Speaker 81 (01:53:08):
Maybe say that no right that smikeey hows wo probaly
Hi kiss Hey, we.

Speaker 80 (01:53:13):
Brothers, I'm not like Lee how girls that the juice
like Hi?

Speaker 39 (01:53:17):
Sree girls, I'm gonna put up in high and she
you're not paid that you was gonna get trip jobs
that ain't the one nor the food on tiptop a
white what your wife? That's a flip from holy girls
up but you mean honey after the heavy when we
see we only run the king know what sweet?

Speaker 50 (01:53:34):
And if you question, no, we play can get that cheese?
You're tell now what you want to do for the clue.
I don't let me run me here, but I walk through.

Speaker 39 (01:53:40):
The few love me, not my neighbors, but I hate
us getting too coming nowhere in the rocks, says oh yeah.

Speaker 50 (01:53:46):
Yo love God can't white me cry? So my nick
got me, I said me.

Speaker 80 (01:53:51):
And no, my girls so high food, so hydrid, so
high fee yes, maybe.

Speaker 81 (01:53:56):
Say that no right that smikey hose wom plain Hi kisch,
Hey we runners up, not like Lyn Howley girl, and
let your like high proud proudly from the beginning, pushed
to the side. That's how ya get you when you
have the name pig.

Speaker 82 (01:54:09):
I'll just missed a couple of pieces like, hey, you
got the South, what a strinle in you're trying to
pull up with fire?

Speaker 23 (01:54:15):
You know we lost it.

Speaker 82 (01:54:16):
Keep from the honey, but the devil said alive. That's
on the brock handsome side, and we met.

Speaker 45 (01:54:21):
He's the best.

Speaker 22 (01:54:22):
He's applied for the broad and got a minute.

Speaker 82 (01:54:24):
Got too, He's just play a part in the branch
paper from can pick about the make your yillness mixture
And it's true hot girls up.

Speaker 50 (01:54:32):
Yes you God, I can't wipe me, I said my neck,
got me, I said me?

Speaker 80 (01:54:38):
And O my girl's so high so hypod so heiphe.

Speaker 23 (01:54:42):
Yes, have we take that? No? Right, that's right me?

Speaker 18 (01:54:44):
How's wind up?

Speaker 23 (01:54:46):
High?

Speaker 18 (01:54:46):
Kids?

Speaker 23 (01:54:47):
Hey, we brunners up, not.

Speaker 3 (01:54:48):
Like Lyn Howley.

Speaker 80 (01:54:49):
Girls got that yours like heights.

Speaker 23 (01:54:51):
The girl summers what you did it? By the Senate,
It's MCCUs comedy.

Speaker 21 (01:54:56):
It's gotta tend my mother.

Speaker 59 (01:54:57):
He beat the puney and done this to Mohada, this guy.

Speaker 20 (01:55:00):
King, and my girl is taking over your fellow.

Speaker 50 (01:55:02):
Were here to say, goddamn my life.

Speaker 23 (01:55:03):
I'm not living with nother life. Mother.

Speaker 6 (01:55:06):
You don't mean the things.

Speaker 80 (01:55:06):
Yeah, I'm afraid, holly girl, juice up.

Speaker 23 (01:55:08):
We're having up with a way.

Speaker 20 (01:55:10):
Holy throw someone with the mean like man.

Speaker 23 (01:55:12):
And we said, when you create with the work, and right,
we took the beautiful thing.

Speaker 42 (01:55:16):
Girls say the Lord.

Speaker 50 (01:55:18):
Man, God, you love God. I can't wipe me in
w SA. My neck got me, I said, give me
and no my girl.

Speaker 80 (01:55:25):
So hYP good, so hYP good, so hype guys everything.

Speaker 81 (01:55:30):
No, right, that's hightys wind up calling Hi kid, Hey
we runners up, not like lend Holly girl that juice
like high see.

Speaker 23 (01:55:46):
Yeah yeah yeah.

Speaker 14 (01:55:50):
Hoirl was like, hey, this is miss Sidney and I'm
listening to my safe Mr Staboyfair d d L. Marshall
and my brother Van Brown on the multi award winning

(01:56:12):
d L's Backstage Past radio show.

Speaker 10 (01:56:15):
We actually if we don't do one tomorrow, we'll be okay.

Speaker 7 (01:56:21):
So March March thirtieth, there's a Monday, so it's probably
be March the twenty ninth, which is a Saturday, I
mean a Sunday, and so maybe we can do the live.
We could do the live. Maybe we do the what
do you think? Tell me?

Speaker 8 (01:56:37):
Do the the live comedy show on Saturday, and then
on the twenty eighth, do a live backstage past. Yeah,
and anybody that wants to perform on the live Backstage
Past while you in Canns City, no, do your this.

Speaker 10 (01:56:54):
Am that's gonna be great.

Speaker 7 (01:56:59):
Yeah, I am all right, y'all. Man y'all listen, y'all
awesome hanging out with us tonight. Yeah.

Speaker 3 (01:57:07):
So this is fun.

Speaker 7 (01:57:09):
Yeah, definitely. I can't wait.

Speaker 11 (01:57:13):
Great way to spend my Friday.

Speaker 7 (01:57:15):
It's gonna be wintertime that that show.

Speaker 8 (01:57:17):
I'm gonna be celebrating my birthday two days after that show,
so I'm gonna be celebrating my birthday while I'm down
there as well. Uh So, yeah, y'all, bring the gifts,
bring the laughs, and let's do it. Let's do it
for the kingdom, all right, Tammy, that's gonna do it

(01:57:39):
on behalf.

Speaker 7 (01:57:39):
Of the Curve Effect, the International Curvy Model, Miss Tammy Detailer,
missus Sadwafair d L. Marshall.

Speaker 8 (01:57:48):
We are the realist gospel show anywhere, point blank period
and we gave you the hottest music, interviews, talk and
topics this Saturday, even all the funny you can handle
till the next time.

Speaker 7 (01:57:59):
All, always remember the God. What Jesus Christ is contagious,
catching all that you can handle. Make sure you're heavily
by the grace of God. Now y'all go get them
hot dogs and make sure you stay under thirty dollars.
Now you're here.

Speaker 22 (01:58:21):
On Dal's backstage. Pass radio show

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