Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03):
Yes, d l's backstage past radio show.
Speaker 2 (00:09):
Be listen.
Speaker 3 (00:11):
Once you've been interview tag.
Speaker 1 (00:13):
People are standing in lining to get with the best
radio announce So you're gonna get if don't know, I
guess I don't ever know d L. And this streams
from the indeed of j c MBO b l's backstage pass,
d l's backstage passes on your radio PC and on
(00:39):
your phone. B L's backstage past, d l's backstace passes
on your radio PC.
Speaker 4 (00:48):
In on your phone. Now put your hands together.
Speaker 5 (00:54):
From my father and y'all's faith, Mister Sad Wilfair, d
d L.
Speaker 6 (00:58):
Marshal, I have a magnificent host are tonight. She's my
co host, she's my guest. But I'm not gonna tell
you she's my favorite rapper. That's one clue, like male
or female, she's my favorite rapper.
Speaker 7 (01:16):
Uh.
Speaker 6 (01:17):
She's a mother, woman of God, my homie. She's straight
down to earth. She's a three time Stellar Award nominee.
She's got a fleffla of awards that she has won. Man,
check this out, Presidential Humanitarian Award.
Speaker 8 (01:34):
She's just rolling it in left and right.
Speaker 6 (01:36):
And when I tell you she hells from Mississippi Man,
I done told you what I'm talking about. But in
case you still lay, we're gonna run into this and
then we're gonna run it right back.
Speaker 4 (01:46):
On the front life right time for mine, Mississippi bris
in side. My day's come to get me because they're
going mabride down for the coast.
Speaker 9 (01:53):
No time for pride.
Speaker 4 (01:54):
It's to God in dig It's the god inside any god.
And you know what's dingom time and gonna shine and
love the light of mine would come a thousand sold.
Speaker 10 (02:01):
To find it.
Speaker 4 (02:01):
Ain't gonna stop feeling satisfied. I'm gonna use this rand
though with the rhyme like to hell marriage, the broken
sharing shall breaking, the bendy go me shacking devil, that's
a no no no shackles the battle adressing flow.
Speaker 11 (02:12):
But the double help never yet just hits the flow.
Bring them gonna need to the one.
Speaker 4 (02:15):
That knows where these are my confessions. Don't guess I'm
resting him battle double No, my frace again living in Quite,
They ain't living there.
Speaker 11 (02:23):
Sin ain't a devil in hell? Did you kill the kids?
Speaker 4 (02:25):
And it's going down. I'm gonna be up again, bringing
on the wood like Jesus fid I'll be bringing on
the wood like Jesus kill.
Speaker 10 (02:39):
Oh.
Speaker 4 (02:59):
I was told this so bad of salvation that didn't
even hold out no patience. But then above my guy
one day sed giving me his great time. I'm making
this started from the bottom down.
Speaker 11 (03:09):
Hope with him. It ain't my battle.
Speaker 4 (03:10):
But I'm on the field of baptizing. If idea knowing
it's real, then I ain't for ending to me in
faith to hill.
Speaker 11 (03:15):
Eyes on the hill, and they're watching me. I submit
to the words. They don't watching the league.
Speaker 10 (03:19):
I been brought with the.
Speaker 11 (03:19):
Price, no bundant fee, gave his only son. That's joy
your team. I want five face the time.
Speaker 4 (03:24):
Why feel didn't I keep it one hundred with the
ones that's real, trying to make the change.
Speaker 10 (03:27):
No job of Bill.
Speaker 4 (03:28):
But then Bob with the fright that you can't.
Speaker 12 (03:29):
I been in the bodj.
Speaker 13 (03:51):
BG ain't one time that's go. No trying to make
me know, come on, trying to take me out.
Speaker 3 (04:06):
He's in the rock. I'm gonna put my trust in Jesus.
Speaker 8 (04:12):
I'm gonna put my trust in Jesus.
Speaker 14 (04:16):
Deal pass, He'll never leave.
Speaker 3 (04:23):
He's never lated. Yeah, let's go my health is on.
Speaker 7 (04:34):
It's on the way.
Speaker 15 (04:35):
I only depending on Jesus. I only depending on God.
I only depend on Jesus. Jesus, I only depend on God.
Speaker 16 (04:46):
He's on time, on time.
Speaker 8 (04:49):
He's on time.
Speaker 17 (04:50):
He's on time, on time.
Speaker 3 (04:53):
He's on time, on time, he's on time.
Speaker 7 (04:57):
Verse two, No, where's he at?
Speaker 18 (05:05):
Uh?
Speaker 16 (05:06):
Can you see what I'm going through?
Speaker 8 (05:08):
But still.
Speaker 16 (05:11):
Got no room for doubts.
Speaker 7 (05:14):
I come to Barna, turn around.
Speaker 11 (05:16):
Hey, I come to Barna turning around.
Speaker 16 (05:22):
He said he never leave it.
Speaker 7 (05:24):
I know he's now.
Speaker 19 (05:28):
Singing with that.
Speaker 15 (05:33):
If you know, like I know, my mouth then is
only come I come home. I only depending on Jesus,
I only depending on God. I only depend on Jesus.
Speaker 8 (05:48):
I only depend on God.
Speaker 20 (05:51):
He's on time, on time, on time.
Speaker 16 (05:55):
Where you at on time, He's on time, a time.
Speaker 19 (06:01):
Let's go.
Speaker 16 (06:06):
I know it gets a little of hard, don't lose
your faith. To test it on the college.
Speaker 21 (06:18):
Our God.
Speaker 3 (06:20):
We'll make Yeah, and the hook girls.
Speaker 16 (06:23):
I only depend on Jesus.
Speaker 15 (06:26):
I only depend on God. I only depend on Jesus.
I only depend on God. He's on time, on time,
on time, all time, O time, oh time, O time.
Speaker 3 (06:44):
He's on time, on time.
Speaker 22 (07:03):
You're friendly, you go school dj and djee.
Speaker 14 (07:10):
Feels backstage past radio show.
Speaker 23 (07:17):
Down It feel good, down, it feel done. It feel
good just to be bun It felt down. It feel
good just to beat, just a beat, just a beag got.
Speaker 22 (07:27):
Its gonna feel good and got its moment that you're
steading me.
Speaker 24 (07:31):
GotY living in these moments that I prayed for purpose
I was made for.
Speaker 16 (07:41):
I'm just walking in the hands up, hold on, give
me by, give me by, give me bar.
Speaker 8 (07:46):
You want none to cover with your grace.
Speaker 24 (07:48):
Detective, how you found me in my shape, but you
didn't give me over to my change. You arrested me
with love and you sentenced me to change my shot
looking different.
Speaker 10 (07:56):
I'm amazed.
Speaker 16 (07:57):
Put me up the grab that you found me.
Speaker 11 (07:59):
If you had a run in the back, you do it.
Speaker 16 (08:00):
Alley and Night's stepping out.
Speaker 24 (08:03):
No, I'm locked in and Night's stressing out, counting in
his hands when they count me out.
Speaker 8 (08:08):
Down they feel cut? Don't they feel down? The feel good?
Speaker 11 (08:12):
Just to beep Down't it feel down?
Speaker 8 (08:14):
They feel good?
Speaker 16 (08:15):
Just the beat, just the beat, just a peek.
Speaker 22 (08:17):
Ain't got it's gonna feel cut, Ain't got. It's that
you're seeing me GotY, I just might scream. God's got
his sens on me. He know he ain't no scenes
on me, you know, and.
Speaker 25 (08:34):
That on covered by the black, it's still so clean
like the.
Speaker 8 (08:39):
My jib a profide, it's.
Speaker 16 (08:41):
My time or my father.
Speaker 26 (08:43):
I know that you're for me here I can go.
Speaker 23 (08:46):
To distance rain and stuves or just to knowves come
love sweet, but you fully in the dark.
Speaker 16 (08:55):
When I was saw she rub me.
Speaker 10 (08:58):
Down?
Speaker 8 (08:59):
It feel cut? Don't they felt done? They felt good?
Speaker 16 (09:02):
Just a big do they feel Down't they.
Speaker 23 (09:05):
Felt the just the paches, the beach, just the preek
and got its felt and got its stayed in.
Speaker 17 (09:12):
Got okay?
Speaker 14 (09:31):
Come on, tell me how you do, how you moving,
how you doing it?
Speaker 2 (09:38):
How you living?
Speaker 27 (09:39):
How you feeling?
Speaker 14 (09:44):
To tell you, I don't.
Speaker 28 (09:47):
Tell you, I do it?
Speaker 10 (09:49):
Oh my.
Speaker 29 (09:51):
So right when aqua having so aquars come up through
the battle line and not off the end of the.
Speaker 19 (10:05):
Filming beast we can when we are.
Speaker 10 (10:11):
Down and we sol.
Speaker 19 (10:16):
The devil defeat.
Speaker 14 (10:23):
Helloja, thank you jeez.
Speaker 19 (10:28):
You say.
Speaker 14 (10:31):
How you feeling it, how you moving, how you doing this,
how you live it, how.
Speaker 19 (10:37):
You feeling, how you.
Speaker 14 (10:42):
How you move feeling?
Speaker 7 (10:54):
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Speaker 4 (11:55):
Hey, this is Mims Tiffany and I'm listening to the
homemade The Voice the DL Mark Show on DL's Backstage
Past Radio show on iHeartRadio and Spotify.
Speaker 10 (12:05):
Day d L.
Speaker 7 (12:09):
That.
Speaker 8 (12:09):
I also mention actress Arthur Man. This woman is a model.
Speaker 6 (12:15):
This woman is none other than Miss Gospel Rap herself.
Speaker 8 (12:23):
Put your hands together for my favorite, Miss Tiffany. What's
happening to?
Speaker 20 (12:29):
Hello?
Speaker 19 (12:30):
Hello?
Speaker 4 (12:31):
Hello, Hello, Hey everybody, d L How.
Speaker 8 (12:35):
You doing, girly?
Speaker 6 (12:36):
Hey, I get a chance to say you a singer too,
because a lot of people don't realize you sang on
that track too.
Speaker 31 (12:42):
Listen.
Speaker 4 (12:43):
I sang on that track and one other track on
my latest album. But you know what, those are just
studio recordings, right.
Speaker 8 (12:51):
We ain't gonna do them. We won't do them.
Speaker 4 (12:53):
Well, that one actually that was a live performance.
Speaker 31 (12:56):
But yeah, you get what I'm saying.
Speaker 8 (12:57):
Yeah, yeah, you were saying. I know my limitations.
Speaker 4 (13:01):
I do it all, and I could sing a little bit,
I think with some bobo coach and I might actually
sound good, but yeah, I wouldn't dare try and sing
I will always love you.
Speaker 8 (13:13):
Solo without a track, or do like do like Flavor
Flame did and try to sing a national anthem. I'm like,
come on, flavor Flame, did you say?
Speaker 4 (13:26):
I saw a video clip recently a flavor Favor in
the studio and the casino somewhere.
Speaker 8 (13:32):
Yeah, that's one out.
Speaker 6 (13:34):
And then I forget what game it was, but it
was a I want to say, an NBA basketball game
where he literally tried to sing the national anthem and
I want to say he rivaled rose Ane bar for
the worst ever national anthem.
Speaker 8 (13:51):
I mean, he's beyond what's my man called Lewis, Remember
Carl Lewis back in the day. Beyond that.
Speaker 6 (13:58):
Yeah, stick to the clock in the TikTok and ye boy,
that fits you play. But welcome into the arena again,
Tiffany Man, Kudos to you.
Speaker 10 (14:12):
Man.
Speaker 8 (14:12):
Your twenty twenty three was crazy.
Speaker 6 (14:15):
Killer, I mean awards, Presidential Awards, Awards, Show Awards, coming
back to the Stellar Awards, doubling down then before Grammy nominated,
which I did not mention because I wanted you to
go ahead and elaborate on that. But man, you and
(14:35):
I had a conversation maybe now about two and a
half years ago of all what was to come and.
Speaker 8 (14:43):
That we were going to go get what we said
we was gonna get in Jesus' name and everything that.
Do you remember that conversation? I remember, yes, and everything
we said. Man, God brought it into permission. Crazy faith
man and favor ain't f but we'll take it.
Speaker 31 (15:03):
That savoir.
Speaker 8 (15:06):
Come on now, come on now, let me come on now.
When I said, I said it jokingly, but you know
how they say uh l B B s laughs, but
very serious serious, I said, Man, we can roll out
here like Bonnie and Clyde like like all I need
and it's life to win.
Speaker 11 (15:29):
You.
Speaker 4 (15:29):
So that's why y'all, and that's why y'all can't come
on to the rental with the comedians because they just.
Speaker 8 (15:37):
Man, look, look here, we're gonna find a way to
fit in some jokes. Go ahead, go ahead. They owe
you some money, money for us. Look they owe you
some money and me too. Huh.
Speaker 20 (15:48):
Come on?
Speaker 8 (15:49):
That is that is definitely a beautiful picture behind you.
What might that be about?
Speaker 19 (15:55):
Thank you?
Speaker 4 (15:55):
That is Miss Tiffany on the cover of Rise magazine
for the October twenties issue.
Speaker 31 (16:02):
Isn't it nice?
Speaker 8 (16:04):
Killer? Killer Killer?
Speaker 6 (16:07):
Now, those of y'all that don't know that, y'all gonna
find out if you don't already know, Tiffany is very photogenic.
The video vibe is crazy. I told her she is
a rappers, rapper for real, Tiffany don't want to admit it.
Speaker 8 (16:26):
She don't want to because it's the Guyliander. Now you
already know where I'm going.
Speaker 31 (16:32):
Hey, hey, this is a roller coaster ride.
Speaker 20 (16:35):
I'm just I'm just on it.
Speaker 8 (16:37):
Tiffany.
Speaker 6 (16:38):
The reason why you are my favorite is because you
are the only gospel rap artist that is not a
shame you now you say it really You put out.
Speaker 8 (16:50):
A disc track and I loved it. You know, that's
probably one of my favorite songs, if not my favorite
song by you. Everybody. Hey, look look we just got to.
Speaker 7 (17:08):
It.
Speaker 31 (17:08):
Was it encouragement?
Speaker 7 (17:09):
Yeah?
Speaker 8 (17:11):
You know what else can be encouragement?
Speaker 6 (17:14):
A footing between a footing between them back pockets can
be encouragement.
Speaker 31 (17:18):
To listen, you need a couple of those going right now.
Speaker 6 (17:26):
Ain't nothing wrong with a little straightener, little get right.
Everyone's around lyrically.
Speaker 8 (17:31):
You know. They say if you have an ought, you
go to them. So I guess that dis track was
you know what here it is you want to know
is they didn't come to me? So so you you said,
I'm gonna lay it out here.
Speaker 4 (17:46):
I'm gonna say whatever questions you have or a statement,
let's address them.
Speaker 6 (17:50):
There you go, and and and we just came out
of celebrating fifty years of hip hop, and I was
asking God. I said, well, how can because you know,
I'm a hip hop baby, I'm older than hip hop.
Speaker 8 (18:02):
Yeah, I'm dating myself. I'm older than hip hop. So
so I'm like, I know a dishtrack when I hear
a distract tip.
Speaker 31 (18:11):
But it was as track.
Speaker 6 (18:14):
Y'all say, broken glass everywhere. But what I like is
fifty years of hip hop. We saw all the celebrations,
the big name, the secular side. But I said, you
know what, Lord, I got a platform called the Arena
that I set up actually for a couple of other people,
(18:35):
and they didn't want to gravitate to it. So I said,
you know, it's land in limbo. What can we do
fifty years? So we gotta go into fifty one years?
All right, So it's only right, fifty years of hip hop,
you celebrate where it comes from. But in fifty one
I created the arena to celebrate what it evolved into,
which is on the gospel side. And so me and
(18:58):
you talking, you said, Man, I didn't even no gospel
rap was a thing. How did you come to know
gospel rap?
Speaker 8 (19:04):
Here?
Speaker 4 (19:06):
God, revealed it to me. I was sitting in my
car and you know, just praying to God about direction, guidance.
You know, what did he want me to do next?
And coming from being a secular, you know, artist and
rapper years prior to that day that I prayed that prayer,
God spoke to me and told me that I was
(19:27):
gonna start that rapping. And I really, truly, honestly thought
it was the devil telling me, go harsh, go.
Speaker 11 (19:45):
Home, next level. I'm gone over it.
Speaker 4 (19:48):
Fallow back my friends list, spop this laws, go hard home,
next level.
Speaker 11 (19:53):
I'm gone over it.
Speaker 4 (19:54):
Fallow back my friend's list.
Speaker 20 (19:55):
Spop this law.
Speaker 4 (19:56):
Hey, nobody buying? Y'all give me some pray the prayer
for the cricks, Oh gave up.
Speaker 11 (20:00):
I gotta get it.
Speaker 4 (20:01):
No fifty to fifty week. Ain't splitting them baked hand,
but y'all tripping bag, biting the tea sipping that was
over rich before it got started. She'lla with Kirk at
the after party. You got the flattor in the tap started?
Where's she from?
Speaker 19 (20:11):
Who is she?
Speaker 11 (20:12):
Why her?
Speaker 10 (20:13):
And not me?
Speaker 11 (20:13):
She was on the news Bot TV. She was in
a scene with.
Speaker 4 (20:16):
Lucia's and cookies.
Speaker 11 (20:17):
I never heard of her.
Speaker 4 (20:17):
Who's her book? I don't know, but her name Miss Sippany.
Some shit from his city with that country. Grandmar shot
a video in Atlanta, pat Shaho because he's the planner host.
Speaker 10 (20:25):
Down no rock and road.
Speaker 11 (20:26):
It's solid ground. I was on the queen.
Speaker 4 (20:28):
I don't need a crown. With the crown the glory,
you're well done. Now that's the sound while you're running around,
running your mouth to valence underground. But I'm busting out.
I've opened out, got a cloud. If I'm doing too much,
y'all running out, y'all get it in.
Speaker 11 (20:39):
I get it out.
Speaker 4 (20:40):
Five talents, none violent, I do damage, hum blessed? Can
you handle it?
Speaker 11 (20:44):
Push my buttons?
Speaker 4 (20:44):
I flipped channel saying.
Speaker 11 (20:46):
So hard, go home, next level.
Speaker 4 (20:48):
I'm gone over it. Allow back my friends list about
this loan. Go hard, go home, next level. I'm gone
over it. Fallow back my friends list about this loan.
Got these chicks up on their host Peter Q's. They'll
never know which direction number go come a light.
Speaker 12 (21:04):
I just glow.
Speaker 11 (21:04):
Can't figure me out. They'll never know. They'll do whatever
they'll say.
Speaker 4 (21:07):
They's so louch.
Speaker 11 (21:08):
Trophy can't send a pot of gold.
Speaker 4 (21:09):
It'll change colors like a rainbow and changed faith like
the crayon, Kate t.
Speaker 11 (21:12):
Super sol the humm.
Speaker 12 (21:13):
A super bowl.
Speaker 4 (21:14):
Them being annoying it super so them running over. It's
like bo Dovis when I see dirt, see straight through
them like a T shirt. Here, repeat like a reverb.
Make sermons like preachers.
Speaker 12 (21:22):
I have a dream.
Speaker 11 (21:23):
Can't walk in my shoes. My shoes make your fee here.
Speaker 4 (21:26):
We're not the same like iPhones in me birds now,
who want to smoke? I'm so lit, No reefer, can't
look me over. It started with me first, go hard,
go home, Next level. I'm gone over it. Follow back
my friends list about this loan. Go hard, go home,
next level. I'm gone over it. Follow back my friends
(21:47):
list about this loan. My name is opening, My lane
is true, My lane is my own.
Speaker 11 (21:52):
Now what about you? My name is opens, My lane
is true, My lane is my own.
Speaker 10 (21:59):
Now what up about you?
Speaker 32 (22:24):
Thanks and grace every time time, writing and easy, give
you everything that you say.
Speaker 10 (22:40):
Just one for this one and all.
Speaker 33 (22:46):
Just want to drop the chop and feel the sun
on the face, watching the way. If you think a
face in the scripture delivered the picture to remember its grace,
the sacrifice that is out you the skates ye telling
them my story, giving the glove we.
Speaker 8 (23:02):
Got, made it through the crash, out.
Speaker 3 (23:04):
Made it through the window.
Speaker 34 (23:05):
I spring in the summer, the longer going on that
I'm waiting to doing with life from the dot the
greatest true at the end and bloom.
Speaker 16 (23:11):
Don't assume that the gloom is doomed.
Speaker 7 (23:13):
In every room.
Speaker 34 (23:14):
God booms the plume, watch the smoke clouds. I remember
went up time to to wait the Lord, trying to
have faith out of my face with sure, got out
of my weight on the clay. I'm cure setting the straight.
Some whe's gonna be in the gate.
Speaker 16 (23:25):
I pure, it's no debate.
Speaker 11 (23:27):
To the crane.
Speaker 16 (23:27):
I am turning to my pain in the power to
coming away your siles.
Speaker 4 (23:59):
My name in the sand, but the tie came through.
Then you carve it in soulstead.
Speaker 10 (24:03):
I'm staying it with you.
Speaker 4 (24:04):
Can the world Illinois, you to come. I know when
my faith ran tho.
Speaker 11 (24:08):
You still made me glad.
Speaker 4 (24:09):
The pieces of my past turn them into a hand
that show me love ain't a cage. But the strength
is staying. Paint your chains on my soul yet you
set me free, got me dancing in the fire, Yet
I still believing.
Speaker 10 (24:18):
Don't clean.
Speaker 11 (24:19):
The world call it love, but I call.
Speaker 16 (24:20):
It your grief.
Speaker 11 (24:21):
Can recept that I hate.
Speaker 4 (24:22):
I can feel your embrace when the light stade out
and the crowd moves on. You're the one still here,
keep me hoping on and no love that can rib
with your truth? Can you ask it in the world
Like the sun in the booth, You the muse in
my mind?
Speaker 11 (24:34):
Every verse I pray. I just want to love you
every day and everything you name.
Speaker 10 (24:41):
Give you.
Speaker 3 (25:03):
Let's let's.
Speaker 35 (25:26):
Water your sing.
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Speaker 16 (27:08):
Come say to the lawn a brand new song.
Speaker 39 (27:15):
Clap your a n and say, clap all you people,
I'm coming to please me. Sing to the Lord a
brand new song. Clap your name and say copy your
(27:39):
name all people, I'm coming to please me.
Speaker 40 (27:47):
I'm coming to come by. I'm coming to come by.
I'm gonna come.
Speaker 11 (28:01):
I come up and.
Speaker 39 (28:05):
Say to the lawn I'm playing to somebody clap over
me and saying.
Speaker 4 (28:14):
I'm going.
Speaker 16 (28:19):
I've come to please.
Speaker 10 (28:22):
Me.
Speaker 40 (28:23):
I hold on my foot, cabin, I'm coming.
Speaker 41 (28:28):
To stone my fobbit, no stone, I come to store
my foot bob.
Speaker 28 (28:42):
Shout to the law, then praise him and this shout
to the lad.
Speaker 40 (28:55):
While you count these chance come. I'm coming to do mother.
I'm coming to do mother.
Speaker 16 (29:08):
I'm come to do money. I'm come to do money.
Speaker 10 (29:17):
Cool.
Speaker 8 (29:19):
I want to work, come to wak.
Speaker 11 (29:41):
Do money.
Speaker 10 (29:45):
Up from the sum up.
Speaker 28 (29:49):
Why naga, I'm going to do mo.
Speaker 10 (30:07):
Bringing them off.
Speaker 40 (30:17):
Got gotta.
Speaker 3 (30:20):
Win something.
Speaker 4 (30:49):
Hey, this is miss Tiffany and I'm listening to my
fade mister stay affair d d L. Marshall and my
brother dam Brown on the multi award winning d l's
Backstage Path radio show.
Speaker 6 (31:01):
For first How ingrained in you is hip hop? How
much of that is in Tiffany's DNA.
Speaker 4 (31:10):
Yeah, I've known hip hop my entire life, you know,
since I was a little girl, when Sardon Pepper was
pushing it and Queen Latifa was who.
Speaker 20 (31:17):
You calling us?
Speaker 38 (31:19):
And why all of that?
Speaker 8 (31:21):
They that singing, they go that singing right there, gone,
What was it again, Tiffany?
Speaker 20 (31:25):
What what was it again?
Speaker 30 (31:27):
No?
Speaker 31 (31:28):
Now we ain't gonna go there.
Speaker 4 (31:31):
Yeah, my whole life has been I've known hip hop
and MC light and you know, all these different influences
and these ladies rocking and killing the mic, you know,
being strong in their in their artistry and so much
more than that, and you know, I'm glad that I
grew up, grew up and was able to live during
this time, in this era, you know, in the earth.
(31:54):
Like for real, man, we.
Speaker 6 (31:58):
Got the queen of gospel rap, Miss Tiffany is in
the building, definitely probably the most decorated gospel rap artist period.
And I'm saying that to provoke some folks the good work.
And if you feel like what I just said ain't
what to be said, then you you gotta open invitation
(32:19):
to come on into the arena. All you gotta do
is go to Arena three, the Arena three at gmail
dot com and go ahead on and ask to come
on here.
Speaker 8 (32:27):
But this woman right here, yeah man.
Speaker 18 (32:30):
She is.
Speaker 8 (32:33):
Yeah, No, she is that truth and she spits the
truth because she spits what it is God says. Now. Uh,
you know, I told you we are already broken the egg.
Speaker 6 (32:45):
We've already scrambled and made a nominally when you were
on backstage, past conversations. Now into the arena, I get
to really, really really and I'm gonna tell y'all, like
I said to her in the pre interview, I said,
you get to now, uh get them big old pretty
eyes looking like, oh my god.
Speaker 8 (33:03):
No, he didn't, so we we instant were going in.
So I'm camera.
Speaker 6 (33:10):
So till it as a as a female rapper, that happens,
just so happened to do it in the gospel field.
But you can swing from uh the left side and
the right side of the plate as far as secular and.
Speaker 10 (33:28):
No, no, no no.
Speaker 8 (33:29):
But I'm just saying you've shown that you can handle
yourself up on the microphone. But speaking of handling, how
do you.
Speaker 6 (33:37):
Feel now about these female young sisters, the sexy reds sorry.
Speaker 8 (33:43):
Because you got to be sexy to be called sexy,
so Red Sukiyana, the Lotto's and the you know, what
do you feel about the message?
Speaker 6 (33:56):
Now, I'm gonna tell you something. I saw an interview
with my girl, chrisian Rock. I believe her name is
Young Rapper and she likes to throw hands. So priscion,
I ain't come on on start nothing now? Uh you
to keep that with people with blue face, don't don't
don't do that. I'm a comedian, but ain't no clown. No,
but for real, I was like when I heard an
(34:17):
interview with her on Cam Newton's show, she really opened
up a side and a level to her that I
grew to respect and kind yeah, it kind of it
kind of moved her out of the space that I
had her with Red and and and and and and
and Sukiyana.
Speaker 8 (34:35):
But the girl says that she hosts Bible study every Wednesday.
Speaker 20 (34:41):
At her home.
Speaker 4 (34:43):
She knows right from Rome.
Speaker 6 (34:46):
So first of all, tell me what do you think
about the new state and the new agenda pushed by
female rappers?
Speaker 8 (34:51):
And then how important is it? That's part two? How
important is it to stay true to you so that
you don't have to find your way back to short?
Speaker 4 (35:02):
Well, it's so much to discuss and unpack. And it
didn't start with them. There were influences that came before.
And I think just in general, we have to be
mindful of the influence that we have, the power that
(35:25):
we possess, and the impact that we make on individuals,
communities and cultures.
Speaker 8 (35:32):
Right, and.
Speaker 4 (35:34):
We should be more so concerned for what's to come
after this, because if you take it so far, and
you go so far with something, it's like, what more
can we say after this? How can we top this?
It's only going to get worse. Who is gonna get worse?
(35:54):
And I don't you know, I don't necessarily like to
call out different and stuff like that or pinpoint unless
I'm led to. I understand the place that a female
rapper or any rapper may be, and coming from that
secular side, I used to say things you know that
(36:15):
I knew, you know, at the time wasn't the best
thing to be saying, but it was always something in
my heart, and I always knew that I can't.
Speaker 31 (36:29):
I can't keep doing this, you know, I should not
be leaving this type of energy in the earth.
Speaker 4 (36:33):
This is not my legacy, not in this manner. And
although I kept, you know, I felt that, and I
knew that I loved to write, I love to rap,
I love to go to the studio and record. I loved,
you know, being in that environment. It was exciting, you
know what I mean. And it was it was collaborative
and just meeting new people and all of that. And
(36:56):
I was living out a dream, something that had been planted,
a seed that was planted when those nineties era female
rappers were in their primes, you know, as far as music,
I could see myself doing that before I even knew that.
I that I would, before I ever picked up a
pin like it's just something was in my heart when
I was watching them and listening to them on TV
(37:17):
on you know, BT or whatever MTV.
Speaker 31 (37:21):
It was more so BT at the time.
Speaker 11 (37:24):
And I just say that we have.
Speaker 4 (37:28):
Evolved into a monster almost in some aspect.
Speaker 16 (37:35):
My god, my god, my god, my god, my god.
Ten to five by you got your classes.
Speaker 11 (37:46):
He made me?
Speaker 4 (37:46):
Then he shake me, never ever forsake me, set me
on that path, never.
Speaker 11 (37:50):
Held me to my past.
Speaker 4 (37:51):
Gat whatever I had, promises ever last. And this is
lorialmo bad.
Speaker 14 (37:56):
You got your blessing.
Speaker 4 (37:58):
He pulled me out of the ash.
Speaker 11 (38:01):
So let you stop the mask. Spell row.
Speaker 4 (38:04):
He's the good chepherd. You ain't never gotta ask him.
Speaker 42 (38:11):
My god, my god, my god, my god, my god,
my god, my god, my.
Speaker 10 (38:28):
God, my god.
Speaker 27 (38:30):
Shut him.
Speaker 11 (38:31):
You got your blood made you? Did he shake you?
Speaker 4 (38:33):
Did he ever forsake you? Set you on that path?
Speaker 11 (38:36):
Did he hold you to your past?
Speaker 4 (38:37):
Every time that you needed he gave the things that
you asked. Didn't his promise last?
Speaker 11 (38:41):
And it's glory you can bag.
Speaker 4 (38:44):
Didn't he pull you out the ash? H so you
can take off the mask.
Speaker 11 (38:49):
Scare room.
Speaker 10 (38:49):
Don't tell him.
Speaker 4 (38:50):
Yeah, he's still a good shepherd. You ain't never got
a question.
Speaker 42 (38:53):
There my God, my God, my God, my God, my God,
my God, my God, my God, my god, my god,
(39:15):
my God.
Speaker 16 (39:15):
My God, my God.
Speaker 43 (39:44):
One honey, and that one honey, one honey, That one honey,
one honey, That one honey, one honey, that one honey.
Speaker 11 (39:53):
He got much.
Speaker 16 (39:55):
I'm gonna keep it one honey.
Speaker 20 (39:56):
Try from there.
Speaker 16 (39:57):
I gotta keep this.
Speaker 7 (39:58):
One honey for him, and I wonder before the good
is possible.
Speaker 16 (40:01):
Tracey got way.
Speaker 44 (40:02):
He's the ways the os that go, you can't let go,
the way that keeps in the light.
Speaker 43 (40:07):
So whole yo, hold, Y'll put in the Lord and
be strong drawn, because we got a light. And we
told you all the field families to play telling me
sad sliding the upper room lives and jugs dumbing up
the leaf is the most r t Oh, pete this up.
Speaker 7 (40:23):
One honey. I'm gonna chip one honey, one honey, one honey.
Speaker 43 (40:26):
And I'm a chiple one honey, one honey, Brother, Lord
Dain Jesus Christ, because the way the coop get the
light of my life. Oh honey, I'm a chiple one honey,
one honey, one honey, And that a chepo one honey,
one honey, brother Lord dain Jesus Christ, because.
Speaker 45 (40:39):
Hee the way the truth.
Speaker 11 (40:40):
There's the light of my life.
Speaker 46 (40:42):
Every one honey, to keep it everywhere, honey, keep you one, honey,
you know the king of it's never up no place.
Speaker 47 (40:53):
So whatever it is to make me over like make
goo remain stable out from but we stay low moving
how you moving, do whatever, he says, Oh.
Speaker 3 (41:02):
Finish the risk, can er the day, Joe, we hood
come in.
Speaker 47 (41:04):
Connection just like some case. Yoe pining no mind to
the opinions on those slave boats, and said he gave
me the further, told me the case close. Oh can't
tell the future. Boy he knows so being smoke, he
everywhere that we.
Speaker 16 (41:15):
Gooe got number one.
Speaker 47 (41:16):
He's the only he wrote without him number one, we nothing.
Speaker 7 (41:19):
We double sleep bro.
Speaker 3 (41:20):
Wan honey you wanney one honey, one honey.
Speaker 43 (41:23):
That much you go one honey, one honey, Brother Lord
name Jesus Christ, because he the way to cook.
Speaker 11 (41:28):
Get the light on my life.
Speaker 43 (41:29):
Oh honey much one honey, honey, one honey, Not much
you go want honey, one honey, Brother Lord named Jesus Christ.
Speaker 8 (41:36):
Let's set.
Speaker 29 (41:39):
Like seeing something to some pain. But not this man,
not with your lanes. That's showing him who knows everything,
because we come next by face leaning on the Lord.
Speaker 11 (41:49):
So getting caught up with those foolish.
Speaker 4 (41:51):
Thinks the ways of the water records, we repew saying.
Speaker 29 (41:53):
The name of Jesus, he always willing to God those
people in my by and we go ride right out till.
Speaker 16 (42:04):
Buddy yamaa ben right.
Speaker 10 (42:07):
I'm gonna.
Speaker 43 (42:12):
Honey, what name Tesus christ CAUSI the way to coop
dinner light of my life?
Speaker 7 (42:17):
Oh honey, for the Lord.
Speaker 43 (42:23):
Named Tesus Christ Causio way the tooth dinner light of
my life.
Speaker 10 (42:27):
Boo.
Speaker 48 (42:31):
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Speaker 16 (43:31):
Let me take two.
Speaker 8 (43:34):
See soa.
Speaker 49 (43:46):
I've be Noma hustle selling product in the street. Don't
climb cutlers, but I'm blooded to my feet. Better come
correct and you'll be sifted like wait, Jeremiah got the
fight and now I'm turning up to eat impossible with
nothing to me. If I'm your right or use the
title loose lee, I've done what they said I couldn't do,
took so many l's my heart probably black and blue.
(44:07):
Don't feel sorry for me. All of my pain tells
the story.
Speaker 25 (44:10):
Shaver it so my night didn't give it, my guide
all the glory.
Speaker 16 (44:13):
I'm gonna be one of the greatest. I ain't even
kind of saying all my actions speaking loud. I'm about
to go super saying said I was like winning.
Speaker 11 (44:20):
I gotta gok me knowing to stop me.
Speaker 49 (44:22):
Welcome to the trap house. I got what you need
implement the world. Can I flip it to a seed?
Gotta know the reasons? Yeah, humble brad breathe here for
the lost in. I'm here for the week, quick, for
the judge, and you don't even know the motive. I'm
there for the woman to come back. That's exposive. Got
the token.
Speaker 25 (44:39):
I've been chosen, was evoken.
Speaker 16 (44:41):
From the slumber.
Speaker 40 (44:42):
I was under heard the thunder.
Speaker 11 (44:43):
Now I gotta go.
Speaker 16 (44:44):
Into the winter story. Everybody got an go on on.
Speaker 25 (44:47):
The rock like I'm palm nod knocking down walk, got
the lemon.
Speaker 16 (44:51):
Trip of cone.
Speaker 14 (44:52):
Gotta know taste, o ya, I ain't knuncking blow.
Speaker 16 (44:54):
I got this sad Resnie commend the cone. I got
that time like what I got that? Yeah? I got
that pie? Like what I got that tie?
Speaker 10 (45:03):
Yeah?
Speaker 19 (45:04):
But you go hold me.
Speaker 14 (45:06):
I got what you meat.
Speaker 7 (45:07):
This is mass, This is for the street.
Speaker 49 (45:10):
I ain't saying them, no Tory, just him and them
Niza pie, but without delivering. Nobody got in the stocky.
You a leven beening like addicts upon the block. When
chip is on you need of you leaning with no
s rick. I'm trying to fill little banks like filler
banks and come ahead, always giving thanks to how your ranks.
Speaker 8 (45:27):
Then get the bread.
Speaker 40 (45:28):
Matthew twenty five.
Speaker 7 (45:30):
I know what I've read.
Speaker 49 (45:31):
He's giving me talents. I got a good penance, so
there will be no one to ride me save for
a minute. But I never been soft. Oh I know
is a hundred.
Speaker 40 (45:38):
I don't play that on n off.
Speaker 16 (45:40):
I keep the snake away. Yeah, my circle real tight,
say woke because he come.
Speaker 49 (45:44):
In like a deep fifty night look seeing the vision
that will make change.
Speaker 27 (45:47):
Regenererrate.
Speaker 49 (45:48):
Real leaders don't wait around the initial gave, just try
to hold me in.
Speaker 16 (45:51):
Ain't smart, I don't beliter rate. Final mission is accelerates.
They go to the pepper renside and me won't never
dag it This bin.
Speaker 25 (45:58):
On the rock like I'm pop load knocking down walk
got the limit, chrip code, got a new chaste for you.
I ain't nunking blow. I got this jad redste.
Speaker 11 (46:08):
Can bend the code. I got that time, like what.
Speaker 16 (46:11):
I got that time?
Speaker 10 (46:12):
Yeah?
Speaker 16 (46:12):
I got that time? Like what I got that time?
Speaker 10 (46:15):
Yet?
Speaker 19 (46:17):
Homie?
Speaker 14 (46:18):
I got what you read?
Speaker 16 (46:19):
That's just mons mass.
Speaker 10 (46:21):
This is for street.
Speaker 16 (46:31):
I love listening to d l's backstage pass. You guys
are so funny and d l Is just fight out crazy.
Speaker 8 (46:37):
Keep the laughs coming, y'all. You start looking at the
lyricists more than the optical. You know, the optics. So
I just wanted to put that out there to get
that started off.
Speaker 6 (46:49):
That, sisters, you don't have to have so much ambition
that it causes you to lose your self respect and
uh to each his own. I mean that that is true,
and and and uh. Although we are both Christians, it
ain't a Christian non Christian thing. It's about because it's
a lot of which we're gonna turn. There's a lot
of Christians out here doing some ungodly things to get
(47:10):
their turn next. It's a whole lot of contracts. This
here comedian now that used to be a singer turned
down because of some stuff that was insinuated. And I've
been in a couple of board rooms, and I've been
in a couple of suites to where some propositions came
down and I was considered a troublemaker. I was considered
(47:33):
crazy because I had to collar up a couple of
these gospel execs and gospel artists that were starting labels.
Because you want to come at me like you would
come at a woman. And I'm not a woman. I'm
a boy, damon. And so therefore, if that's what you
want to do, then you do that over there with them.
Speaker 8 (47:52):
That's down for it.
Speaker 6 (47:53):
But if you bring that to me, we're gonna get
into Hey, now go ahead, I mean we're gonna get
into some sort of that you're moving. I'm just saying
it ain't all just over there and the secular I
mean so and and and and the Diddy problems? What
what's your what's your take on the Diddy problems?
Speaker 8 (48:14):
Tip?
Speaker 31 (48:16):
I like to say, what kind of seeds are you sewing?
Speaker 8 (48:21):
Hey?
Speaker 10 (48:22):
What you sow?
Speaker 50 (48:25):
So?
Speaker 8 (48:25):
He was, he was sowing a whole lot of seeds.
Justice twins not let me stop.
Speaker 4 (48:32):
I ain't talking about your baby, sweet Let's tweet babies
through all of this, because I know they're being affected too.
Speaker 31 (48:39):
Yeah, it's a lot.
Speaker 20 (48:41):
That's a lot.
Speaker 31 (48:42):
That's a lot.
Speaker 8 (48:44):
There's some gospel. There's some gospel diddies out here too.
Speaker 31 (48:47):
Oh yeah, yeah, I wanna be They try it.
Speaker 8 (48:54):
They can try yeah, yeah, and and and and Tiffany
Noe picking up a baseball bad ain't nothing for me.
Speaker 6 (49:01):
Where are you at that, like, where are you at? Like, brothers,
let's stop. Let's stop damaging our our queens. Man, quit
taking off our crowns as kings, exploring our women, uh
to make ourselves feel better ego exploit Yeah, yeah, we
got it. But but tipicanly she she's a rapper. She
(49:23):
is a lyricist when it comes down to content. Tiffany
and you getting ready to pin that next hot track?
Speaker 8 (49:31):
Ah man, what is it that goes through the thought process?
Tell us about this new project.
Speaker 4 (49:38):
Oh my, my most recent album, solo album.
Speaker 31 (49:41):
He's been good. It's eleven tracks. It's Myron Butler.
Speaker 4 (49:46):
And try Bishop and the Truth and mc knights and
you know so many others. Are Robert Curry of Day
twenty six making he did, he's making the band from.
Speaker 10 (49:58):
Back in the day.
Speaker 20 (49:59):
He's on there.
Speaker 8 (50:00):
Are you a survivor? Are you surviving? Diddy?
Speaker 4 (50:04):
Are you?
Speaker 6 (50:07):
Are you one of the ones that had to go
run and get the cookies or are you one of
the ones that stayed back and he tried to get
the cookies?
Speaker 31 (50:13):
They did have to go and get the cheese? Hey
didn't I yeah?
Speaker 10 (50:17):
Yeah?
Speaker 4 (50:19):
But yeah, so you know, album has really just been
a testament to the goodness of God, you know, and
the things that He has done a place that he
brought me from and brought me through and now brought
me to.
Speaker 31 (50:34):
So I had a good run, you know with it.
Speaker 4 (50:36):
And it's just I think things are still continuing to
unfold and the story is still being told. I still
I don't believe that God is quite finished.
Speaker 24 (50:45):
Shit.
Speaker 4 (50:47):
I am making some shifts in some transitions with some things,
and I'm excited about it. Freeing my time up. Got
to get some new books released for twenty twenty four.
And yeah, so that's what I'm working on now, slowing
down but being effective effection.
Speaker 6 (51:04):
When you when you get tired of all that, being
in all that, then come on over the backstage.
Speaker 8 (51:11):
Records so you can be all of them.
Speaker 31 (51:14):
A videos I don't.
Speaker 8 (51:16):
Want, well, I do want to thank you. Another layup.
Speaker 6 (51:20):
That's my last bucket of the bucket list for twenty
twenty four is to be in a mis Tiffany video.
Speaker 4 (51:28):
Well, I hope that we can make that happen, you
know what I mean. That would be that would be nice,
That would be nice. I hope we can make that happen.
I think there is a video that is going to
call for you know, our hands on deck. It's a collaboration.
I can't release any names now, but you know we're
gonna be recruiting some people to come out and support,
(51:49):
and it's just gonna be you know, a big party,
a big party, a bird and come on down.
Speaker 8 (51:57):
I'm all for that holy ghost party.
Speaker 10 (51:58):
You know.
Speaker 6 (51:59):
Hopefully by the end I'll bean to have my my
my Gentlemen of Comedy backstage entertainment bus and uh yeah
we we we float on down to wherever we gotta
float on down to.
Speaker 8 (52:11):
All right, So I've asked you this before. I think
I still know. I think it's still the same. But modeling, writing, acting, rapping,
which is the top? Which is the bottom? I know
you have love for all the four that I named,
But where what what got?
Speaker 50 (52:29):
What?
Speaker 8 (52:29):
What has Tiffy well?
Speaker 31 (52:34):
Modeling?
Speaker 4 (52:35):
I think I think that's a bottom, you know, like
that's not something that that's something that I do to
enhance a brand, but it's not something that I continuously unpresue.
Let me find the next runway and let me find
They have come to find me, you know, and found
their way to me, and it's just you know, literally
crossing paths. With someone working on something else musically, uh,
(52:59):
you know, or or elsewhere, and then that tends to
come up. So I enjoyed doing it though, you know,
and meeting great people that are pursue in and aspiring to,
you know, be America's next top or the world's.
Speaker 31 (53:13):
Next top model.
Speaker 4 (53:15):
However, for me, out of all of those things, I
would say that that one would have to come last.
Speaker 31 (53:22):
Acting is at the top of the list for me.
I love to act. I love to be on set,
you know. I feel alive.
Speaker 4 (53:31):
I feel like that's my true office space. I don't
ever get tired when I'm on set, you know, and
it's just a wonderful place to be.
Speaker 11 (53:40):
In for me.
Speaker 4 (53:41):
And I've even been working with some students at Jackson
State recently filming uh, some small projects, public health project.
Speaker 16 (53:52):
When You're Born Again, You're free.
Speaker 10 (54:01):
Yeah, before.
Speaker 35 (54:09):
I was, and now I'm free from any.
Speaker 19 (54:25):
Y'ah.
Speaker 34 (54:25):
As a little kid that had the mind to shine,
rooted in face before I understood the grind, tripping and
grace face to face with the reality that I might
not make it. Y'all black and gifted, so many lives
are taken for Still, I had the force sight to
go forth right, dealing with all the drama before the
commerce was we weren't been coming with the same perspective
(54:46):
before you plant it poded on me with a different objective.
For still, I kept the focus with the same director
and beat the eyes when I changed directions, coming by
God many times.
Speaker 11 (54:57):
Wait for you.
Speaker 16 (54:58):
Yeah, the things go even cute.
Speaker 7 (55:01):
See I'm be different than.
Speaker 16 (55:02):
The lessons earned the life. You shape your future. Lessons
earned the life. It's for you to bless the future.
Speaker 34 (55:07):
But they sun the bell, reread the clouds the vision
when the vision was to save the children over your
eyes seeing I'm born a kid.
Speaker 10 (55:19):
He of me, I was, I was now cuz he.
Speaker 14 (55:28):
Wa he took it.
Speaker 8 (55:30):
He took it.
Speaker 14 (55:31):
I'm saved.
Speaker 10 (55:32):
He took it.
Speaker 8 (55:36):
Yeah he y'all he yo.
Speaker 16 (55:38):
By scene can't clear.
Speaker 34 (55:39):
And when the stitches in you smimage Bemis making it
hard for you.
Speaker 16 (55:42):
So again, nev it no debta seeks shelter.
Speaker 34 (55:45):
Let the elder just pull you from the smell to
I ain't fighting, I'm just writing because I'm past that.
Speaker 16 (55:50):
That rock life into rock life. If you don't rock right,
because in the spotlight that rock life will make you
right life, you.
Speaker 34 (55:56):
Die for me push through the pain to ride for me,
washing flo through the.
Speaker 16 (56:00):
Mud so I can feed his face to face with evil.
Speaker 34 (56:03):
I protect the steeper and let the bells ring, telling
Lujah to free my people. Pushing purpose below the surface,
says Wat the water laid down.
Speaker 14 (56:11):
The burdens are the shame.
Speaker 10 (56:12):
Hein.
Speaker 34 (56:13):
My father's feating the brook and leaving and hoping. I'm
keeping the focus to mequill be chosen from the ocean,
speak with emotion, baptized, and I'm sleeping the boat.
Speaker 8 (56:22):
He was kept sized.
Speaker 7 (56:23):
I believe cap you.
Speaker 16 (56:25):
I believe I believe I was bond.
Speaker 10 (56:31):
I believe he was.
Speaker 28 (56:37):
Because he say it took you, He took you.
Speaker 8 (56:41):
So yeah, I'm so glad.
Speaker 11 (56:46):
I'm so glad.
Speaker 10 (56:49):
The role he took away.
Speaker 20 (56:55):
He's sisters away.
Speaker 50 (57:02):
God on a shaw.
Speaker 20 (57:08):
Shaw, We'll take yours too.
Speaker 8 (57:20):
All Right, ladies and gentlemen, get ready. It is time
for the most soothing voice and radio. We're gonna get
into some gospel news and the top ten countdown with
our sister Nina Taylor. Hey, how you doing, Nina?
Speaker 9 (57:34):
How you doing? Everybody? Anina Taylor with this week's Gospel News.
Gospel vocalist and songwriter Brent Jones. After crossing over to
both the Billboards Gospel and R and B and Hip
hop charts with his group Brent Jones and the TV
Mobs self titled debut in nineteen ninety nine and Beautiful
in two thousand and two, he reached the Gospel top
(57:56):
ten solo release Joey Coming in twenty fourteen. Open Your
Often Say Something consolidated Jones's success in twenty eighteen, setting
the stage for his part truple release of four new
albums in twenty twenty four. Los Angeles native Brint Ray
Jones began studying piano at the age of six and
(58:17):
was appointed music director of his church by his mid teens.
As an adult, his group in Jones and the TP
Mob made their recording debut on Motown's nineteen ninety four
compilation Motown Comes Home. The compilation featured such artists as
Smokey Robinson, as well as Jones's composition Spirit Control Made.
(58:38):
The group issued its self titled debut in nineteen ninety nine,
offering a dozen selections. They returned in two thousand and
two with Beautiful, an album that scored a hit with
the song Midnight, a tune featuring s wv's member of Cooco.
Their third album, The Ultimate Weekend, was released in two
thousand and seven, and after a recording hiatus, Jones reach
(59:00):
turned in twenty fourteen with his solo LP Joy Comment,
featuring the Orange County Gospel Choir, chart topping gospel singer
songwriter philanthropists Ernest Pugh possesses a five octave vocal range.
His third album, two thousand and nine's Rain on Us
spent seventy six weeks on the charts and delivered three
(59:22):
number one singles. The outing signals his arrival as one
of the genre's top tier gospel artists. Twenty eleven's Ernest
Lee Yours ran to the top of the charts and
stayed there for ten weeks, thanks in no small part
to the cover James Fortune's classic I Need Your Glory.
(59:43):
Pew remained successful over the coming years, fossing over to
the pop charts with his twenty thirteen Guy album The
Win Worship in Nassau Experience twenty seventeen survived I Need
You to Breathe and the Electro Worship and The More
of You featuring Kira Shit. A year later, he challenged
industry standards again with the release of Unsung Hits Volume one,
(01:00:07):
comprised of songs that were live crowd pleasers but had
never received airplay. PEW output in the twenty twenties consisted
of the successful live albums like The Outpoor Experience from
twenty twenty and Worthy is the Lamb in twenty twenty four,
along with a chop charting single Don't Give Up? Did
you ever hear about the origins of Mother's Day?
Speaker 50 (01:00:30):
Well?
Speaker 9 (01:00:30):
Mother's Day modern roots lie in the efforts of a
lady named Anna Jarvis, who, after her mother and Jarvis'
death in nineteen oh five, she campaigned for a day
to honor motherhood. Jarvis spearheaded the movement, culminating in President
Woodrow Wilson's nineteen fourteen proclamation designing the second Sunday in
(01:00:55):
May as a national holiday. The holiday's initial focus was
on honoring mothers and promoting peace, but it evolved to
become a commercialized celebration of motherhood, and Jarvis's legacy includes
being known as Mother Jarvis. She was a social activist
who organized women's groups to improve sanitation and health conditions,
(01:01:19):
especially during the Civil War. She also organized Mother's Day
for Peace in nineteen oh four, which was designed as
a day to heil rifts between Confederate and Union families.
Here's this week's top ten gospel songs. Number ten Harvin
Winings with God Still Working on Me nine, Marcus Jordan
(01:01:42):
with I Can eight, I Prayed for You Major seven,
Amen Pastor Mike Junior six All Yours, Kier Sheard and
Anthony brown By You've been so faithful Ted and Cherry
or don't give up? Ernest Pugh three Deserved to Win,
and Tamala Man number two Only One Way Home the
(01:02:04):
Mississippi mass Fire featuring Paul Porter and number one for
the fourth consecutive week, Bred Hammond, keep Staton and Marcus
cole FK and M would change your mind. Well that's
your top ten songs, the origins of the holiday, Mother's
Day and your gospel news. I Meana Taylor. Let's get
(01:02:26):
back to more great gospel music on this great station.
Speaker 44 (01:02:36):
Billy Burt, Brother Mike and we just kind of give
him a little praise because I want up like this,
full of hope.
Speaker 8 (01:02:45):
Like this for the God of so much.
Speaker 16 (01:02:47):
Maybe what's a pope like this?
Speaker 2 (01:02:49):
Don't you got me where? I want to clip my
heads feelings like David a to do listings.
Speaker 10 (01:02:56):
There was a time I didn't think got a chest.
Speaker 20 (01:03:00):
Lord, you blocked it.
Speaker 2 (01:03:01):
Now understand Jesus, you love me, never to save me.
Speaker 16 (01:03:06):
I'm feel so unworthy and look where you place me.
Speaker 11 (01:03:10):
So I'm gonna kid it.
Speaker 2 (01:03:11):
All that I got Holy don't spilled. So you know
I can't stop.
Speaker 10 (01:03:16):
Yeah.
Speaker 27 (01:03:17):
No money, Yeah, the money, the money, Yeah, the money,
the money, the money.
Speaker 14 (01:03:39):
Yeah, this is where I was supposed to be.
Speaker 20 (01:03:46):
No, because I got Holy.
Speaker 11 (01:03:48):
Spirit up in me.
Speaker 20 (01:03:50):
Yeah, he's been so good.
Speaker 10 (01:03:52):
Kids to see me PRIs.
Speaker 19 (01:03:57):
Yeah, I can't contain myself. It's sending my bones burning.
Speaker 2 (01:04:04):
Yeah, I'm concerned that you didn't you a damn this
what gotta praise?
Speaker 27 (01:04:12):
The money, the money in the money, the money, the money,
(01:04:33):
the money.
Speaker 10 (01:04:38):
Man.
Speaker 12 (01:04:39):
And it got me started.
Speaker 44 (01:04:40):
It could kind of be charted the way did I
give me praises? But I think the Lord, the spring
up the fos wrecking your feel amaze put me out
of the Dirk, with me out here to work away
from my sinner days.
Speaker 16 (01:04:49):
Not much I'll stuck from me.
Speaker 10 (01:04:50):
I was struck.
Speaker 7 (01:04:51):
I could praise fifty.
Speaker 44 (01:04:52):
Ways Monday night over Tuesday at the light on a
cool day.
Speaker 16 (01:04:57):
Respect to the Lord sent me.
Speaker 44 (01:04:58):
You're parking and like Bobby Boo shape in the morning in.
Speaker 20 (01:05:01):
The movie with the sun side.
Speaker 11 (01:05:05):
Let's give it my whole work.
Speaker 20 (01:05:07):
The morning yea, in.
Speaker 27 (01:05:10):
The morning, in the money, Yeah, the morning, Yeah, in
the morning.
Speaker 45 (01:05:27):
In the morning, rao the morning.
Speaker 20 (01:05:35):
Yeah, by the morning.
Speaker 19 (01:05:41):
In the morning yeah, RASI.
Speaker 17 (01:05:48):
The morning, in the morning.
Speaker 27 (01:05:55):
And the morning yeah, eras.
Speaker 17 (01:06:13):
Can I get a little pray?
Speaker 20 (01:06:16):
Can I get a little Percy?
Speaker 51 (01:06:19):
Take you pray?
Speaker 10 (01:06:20):
Phone? Can't you pray? Phone?
Speaker 19 (01:06:25):
Canna get a little pray?
Speaker 20 (01:06:27):
Can I get a little Percy?
Speaker 4 (01:06:31):
Cake?
Speaker 17 (01:06:31):
You pray?
Speaker 10 (01:06:32):
Pahon? Can't you pray? Pall?
Speaker 21 (01:06:36):
Get a word of bitter passion? We stumble and fall,
no one near falling. We each have a cold call.
But super God with listen.
Speaker 20 (01:06:51):
To him Paul to love one another.
Speaker 9 (01:06:56):
With the to you call?
Speaker 10 (01:06:58):
Can I get a little ray?
Speaker 20 (01:07:01):
Can I get a little percy?
Speaker 27 (01:07:04):
Can't you pray?
Speaker 10 (01:07:06):
Fall?
Speaker 16 (01:07:07):
Can't you pray fall?
Speaker 20 (01:07:10):
Can I get a little brain? Can't I get a
little Percy?
Speaker 11 (01:07:16):
Pray?
Speaker 10 (01:07:17):
Fall? Cat?
Speaker 28 (01:07:19):
You pray?
Speaker 10 (01:07:20):
Falling?
Speaker 20 (01:07:21):
Inn a daily journey.
Speaker 16 (01:07:24):
Worsos are inner twine.
Speaker 52 (01:07:27):
Let's set aside judgment to embrace where we bar for
the Bible, teacher's kindness, compassion, and can let's treat one
another with love beyond the bed?
Speaker 10 (01:07:44):
Can I get a little pray?
Speaker 20 (01:07:46):
Can I get a little percy?
Speaker 8 (01:07:50):
Sank you pray Fall?
Speaker 10 (01:07:52):
Can't you pray Fall?
Speaker 20 (01:07:55):
Can I get a little pray? Can I get a
little percy?
Speaker 19 (01:08:01):
Thank you pray Fall?
Speaker 10 (01:08:03):
Can't you pray Fall?
Speaker 4 (01:08:06):
Can get a little bread?
Speaker 8 (01:08:10):
Come on?
Speaker 17 (01:08:11):
Woma takes you pray Fall?
Speaker 10 (01:08:15):
To pray fat?
Speaker 37 (01:08:17):
Can get a little pray?
Speaker 28 (01:08:24):
You pray fault cats you pray Folly?
Speaker 20 (01:08:29):
Canna get a little gray? Can y'all just give a
little bit of graces?
Speaker 12 (01:08:33):
Come on, y'all, we need to take your reedy.
Speaker 16 (01:08:36):
Tell bad you pray?
Speaker 29 (01:08:39):
Follow me.
Speaker 53 (01:08:55):
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Speaker 30 (01:09:24):
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Speaker 26 (01:09:36):
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Speaker 9 (01:09:56):
This is your girl, be fifty love And I'm hanging
backstage with my homie the Voice the d L.
Speaker 36 (01:10:03):
Marshall on iHeart and Spotify Radio.
Speaker 31 (01:10:07):
And so uh Jack, what's up?
Speaker 20 (01:10:10):
Jazz u?
Speaker 31 (01:10:12):
He I Love, that's the case.
Speaker 4 (01:10:16):
And I got to throw Tugulu out there to the
Eagle League, you know, Tugaloo College, the Eagle Queen. I
cannot not since my first AM turn. So okay, yeah,
shout out to Sugarlu bull Dogs in the house, the
Eagle Queen.
Speaker 7 (01:10:31):
All of that.
Speaker 4 (01:10:33):
Acting.
Speaker 11 (01:10:34):
Is this my thing?
Speaker 4 (01:10:35):
Like, that's where I want to transition, That's where I
want to you know, continue to work, and I would
do that, you know, for the rest of my life.
And I even I always have to be in front
of the camera, I can be behind the camera. I love,
you know, producing and and helping to direct, and you know,
so I'm learning more about that now. And I've even
been dattling and writing some scripts, short scripts, and so
(01:10:59):
definitely working on that.
Speaker 31 (01:11:00):
And of course authorship is at.
Speaker 4 (01:11:03):
The top of the two here, like I always wanted
to be an author, and so three books in now
and working on a couple more.
Speaker 31 (01:11:11):
I think I'm on at least at least two next year.
Speaker 8 (01:11:14):
Four cool man just now joining in and viewing us,
listening to us. We've got none other than I call
her the Queen of gospel rap Miss Tiffany from Mississippi.
You heard her. She is an actress. There you go, rapper, actress, model, author.
(01:11:36):
I like the fact that you on set, too, because
the more you on set, the more distracts I get.
Speaker 6 (01:11:46):
No with you writing and being a producer. Let me
tell you, I got the hype. I got the little
I can be a romantic love interest lead.
Speaker 8 (01:11:59):
I can be the thug in the movie.
Speaker 6 (01:12:04):
I can be the detective in the movie. I can
be the carrying father in the movie. Yeah, you know,
principle of a high school.
Speaker 31 (01:12:14):
Why don't we just put all of that in one
in one.
Speaker 8 (01:12:17):
Movie, one movie.
Speaker 40 (01:12:18):
Let's do it.
Speaker 19 (01:12:19):
All those guys.
Speaker 4 (01:12:20):
They have taken black men and comedians in particular, you
know where I'm going with this, and have made them
female characters. Yea, with all these different costumes, different roles
or whatever. Let's just make you, you know, strong and
versatile and you know, wearing many hats kind.
Speaker 8 (01:12:42):
Of like a kind of like a clump, kind of
like a clump character. And then if it's an if
it's a need, yeah, if it's a need for a
female character, then you gotta play that role, because I
I ain't. Now I can do that now, I'll be
your cold. Shout out to Bam Brown, who is in
(01:13:03):
three movies. On to b right now. Man, that's my
he's on tour with me with the Gentlemen of Comedy,
my co host from Deals, Backstage Fast and This the
Arena Show and how we have the Dynamics. Some shows
you might see Bam, Billy and myself. Some you might
see Bam. Some you might see Billy. Some you might
see two of us some you just might see me
(01:13:25):
like you're viewing us on today, Uh, Tiffany right now,
with the state of the world and what it's being
in Uh we as uh children of God, we as
a black man and a black woman respectfully, and then
us as entertainers in this industry, what is what? What
(01:13:45):
is on our shoulders to make sure the generations to
come see a better joint ahead of them.
Speaker 4 (01:13:54):
Having morals like you talked about earlier, you know, values,
putting God first, treating people the right way, you know,
doing the right thing, even when you know you're not
being seen like helping, you know what I'm saying, serving,
being serving. As long as we are serving, I think
will be okay. We keep the part of service, spirit
(01:14:16):
of servitude, I think we'll be okay because we're forever
contributing something positive and giving back and with that comes reciprocity.
You know, it'll be recycled by that generation. They'll know
how to help other people, and you know, and not
just look out for themselves and not take from folks,
but to work hard and have integrity and to have
(01:14:38):
morals and values.
Speaker 31 (01:14:39):
And we just need to be one big happy family.
Speaker 4 (01:14:42):
If we can.
Speaker 31 (01:14:43):
We may not always see eye to eye on different things.
Speaker 4 (01:14:47):
You know, everybody has their own opinion or own view
on how things you know, should go. But at the
end of the day, you know, we only in one life.
You know, you have one chands sometimes and for some
of us we may have many many years, and some
it may not. And so while you're here, you know, what,
(01:15:09):
what's your purpose? What are you doing to contribute to
help things better for the next person, for yourself or
your family, Like, you know, let's stop all of the crime,
the violence, the killing and everything and figure out I
think we don't even need to figure out what the
rutle of the problem is. We know what the rutle
of the problem is. It's lack. People don't have what
(01:15:31):
they need, you know, and people are impatient, and we
need to work on that.
Speaker 31 (01:15:37):
We need to work on the roots.
Speaker 4 (01:15:38):
Of the spirit and eat that, you know, and feed
on that. And I think the generations, you know, gonna
be all.
Speaker 8 (01:15:46):
Right, Yeah, well, what we're gonna do, Jimmany, We're gonna
get into a video. I like this song. I really
wish say that we'll be back after this one. Wear
be back, y'all.
Speaker 3 (01:16:05):
Shoot, yeah, yeah, don't do it.
Speaker 7 (01:16:17):
For fame. Ain't throw no dirt on my name, stay
out no wearing, no change, got in my father can't
leaven matter any question.
Speaker 5 (01:16:23):
The money don't equal his pay. I got a problem
with how they training in faith, but they use the
cloud for game patch of the basic praying.
Speaker 7 (01:16:30):
Obey what he's saying. They gonna remember the name on
doing for fame. Ain't throw no dirt on.
Speaker 20 (01:16:34):
My name, stay out to wearing no change.
Speaker 7 (01:16:36):
God that my father can't leave him Monty Aquation. Money
don't equal his pay.
Speaker 5 (01:16:40):
I got a problem with how they train in pay,
but they use the cloud for game patch of the
basic praying.
Speaker 7 (01:16:45):
Obey what he's saying. They gonna remember the dying.
Speaker 5 (01:16:47):
A lot of it don't even matter. I stepped to
the play when it's trying to show out, don't come
in and.
Speaker 7 (01:16:51):
Had the door it again with the spirit within. Ain't
nowhere else to try. Got toque him in your spirit
a vision. Don't sleep on the vision.
Speaker 5 (01:16:57):
Don't do it for cloud, it's super vision. My music
really go down there to reallyship. We never tull hey
you made oh hey, don't tell you the play some
pray because you say so. Down in my pay rolls
out is amazing, giving him dreak on in his army,
moving by plate let the your army, spaying your play.
We could have been one that angles and played Jesus
the truth, the life and.
Speaker 7 (01:17:15):
The blacks be dead it before. Ain't no other way revelation.
Speaker 10 (01:17:18):
You know what.
Speaker 7 (01:17:19):
It's safe soon to come back.
Speaker 5 (01:17:20):
I gotta stay in their faith versus your punt on
the loss out of play ntil the following the work
of life. I don't godawn, I'm no RELI lived. You
gotta stay strongest, stay at your fiting, gotta get back
and stay on your fission. You can relax, but I'm
on the missage.
Speaker 7 (01:17:33):
Don't do it for fame.
Speaker 5 (01:17:33):
Ain't throw no dirt on my name. You stay out,
no war, no change, God In my father can't leave
in my dead quation. Money don't equal his paid I
got a problem on it. How they training in fast,
but they used the clout for game patch of the
basin praying obey what he's saying.
Speaker 7 (01:17:46):
They gonna remember the name on doing for fat.
Speaker 5 (01:17:49):
Ain't throw no dirt on my name, stay out, no wind,
no change, God In my.
Speaker 7 (01:17:52):
Father can't leave in money quation.
Speaker 5 (01:17:54):
Money don't equal his favor but I got a problem
on it. How they trained in fast, but they used
to clout for game, patch of the base and praying
nobody saying they gonna.
Speaker 4 (01:18:02):
Remember the name Hopes not a bag Hols out of
clas hold lot of favor, hold a lot of hat
hold a lot of haters, Hopes out of mag hol,
lot of folks wish they had God to father. That's
foundation right. How like I married a mason, got me waking.
I'm gonna be patient, Holly favored, shrink that brink Marathon.
I ain't go running a rape counterfeits, don't have no
place he replace the boy, Look at my taste, got
(01:18:24):
the judge. He dropping the tank wrench out to think
at this tree hoping with us like my name Bill Kake,
some Mohammed.
Speaker 11 (01:18:30):
I leave on one of the great hard hats. I'm
never the change. Are you a nassa the day?
Speaker 7 (01:18:35):
Did you do it for God?
Speaker 4 (01:18:36):
Just say in your language twenty one question? They cry
me your same simbling plane.
Speaker 11 (01:18:40):
Like able and kine, I'm checking you Lane.
Speaker 4 (01:18:42):
Lazarous walk now, Lazarius talk symbols and gone, ain't hearing
that swak.
Speaker 11 (01:18:46):
I'm clearityse chick.
Speaker 7 (01:18:47):
You know im the folks don't know her for fat.
You ain't throw no dirt on my night. You say
I no bearing no.
Speaker 5 (01:18:52):
Change hot that my father can't leave it mine dead.
Question of money don't equal hit fast.
Speaker 4 (01:18:56):
I got a problem on it.
Speaker 5 (01:18:57):
How they dreaming in fast but they used the clouds
with gas at you the basin, brit Obey.
Speaker 7 (01:19:01):
What he's saying, they gonna remember the name on doing
for fame. He ain't doing no dirt on my names.
Speaker 5 (01:19:06):
They had to be okay God, and my father can't
leave it mine equation.
Speaker 7 (01:19:09):
The money don't equal his paid. I got a brown
on how they dream.
Speaker 5 (01:19:13):
And fame when they used to count the game atter
the basin bred Obey.
Speaker 7 (01:19:16):
What he's saying is they gonna remember the name.
Speaker 3 (01:19:47):
Yeah, I got what you want.
Speaker 16 (01:19:48):
I got what you need, what you need, But I
don't make trap.
Speaker 3 (01:19:51):
I just set free.
Speaker 7 (01:19:53):
That is what you want gone that his beat what
you need.
Speaker 16 (01:19:57):
I make trap.
Speaker 28 (01:19:58):
I just set to free to make.
Speaker 10 (01:20:01):
Trap something freak.
Speaker 14 (01:20:03):
I don't make trap.
Speaker 4 (01:20:04):
I just set free some frink to trap some drink.
Speaker 20 (01:20:09):
I don't make.
Speaker 3 (01:20:10):
Trap trap trap.
Speaker 4 (01:20:12):
I don't make trap.
Speaker 12 (01:20:14):
I just set him free.
Speaker 4 (01:20:15):
Have to put off the red bottoms and the Louis V.
Burking bad design, tags and accessories. Let's talk necessities. Christ
is what you need, not just my body. I got
a cup so silver rincold won't make me rich. I
let the oil flow. Planted a mustard see and watch
the fruit grow.
Speaker 20 (01:20:34):
See.
Speaker 4 (01:20:35):
Patience is a virtue, heaviness to go.
Speaker 3 (01:20:38):
Yeah, I got what you want.
Speaker 16 (01:20:39):
I got what you need, what you need. But I
don't make trap.
Speaker 2 (01:20:43):
I just set freeze, set free That is what you
want going.
Speaker 47 (01:20:46):
Let it be what you need.
Speaker 16 (01:20:48):
Don't make trap.
Speaker 50 (01:20:49):
I just set to freeze some frink to make.
Speaker 10 (01:20:52):
Trap, some freak.
Speaker 11 (01:20:54):
I don't make trap.
Speaker 50 (01:20:55):
I just set a freeze some friends, some frink.
Speaker 4 (01:21:01):
I don't make trap, trap trap. Seek out the truth
and kill the pride. See in my walk, IM trying
to be as cure as God. Walk by faith and
not by sight until the sin I'm blind, kill my
flesh and do my best until I see the signs,
until the stars the line. Just know that I'll be
trying to reach my destiny of purpose and a perfect line.
(01:21:22):
And when it's time for me to rest this little
lad of mind, how we living with the one that
keeps my soul the vine? I ain't gotta worry. Kind,
no where to go. Ain't just covering me?
Speaker 11 (01:21:34):
Seven on the throne.
Speaker 4 (01:21:35):
God is always on my side.
Speaker 11 (01:21:37):
I'm never alone.
Speaker 4 (01:21:39):
Jesus on the main line, came down to the phone.
Speaker 3 (01:21:42):
Yeah, I got what you want.
Speaker 16 (01:21:43):
I got what you need, what you need. But I
don't make trap.
Speaker 20 (01:21:47):
I just set free free.
Speaker 3 (01:21:49):
That is what you want going.
Speaker 12 (01:21:50):
Let it be what you need.
Speaker 8 (01:21:52):
Don't make trap.
Speaker 16 (01:21:53):
I just set the friends a freak.
Speaker 10 (01:21:55):
I don't make trap.
Speaker 19 (01:21:56):
I don't make free.
Speaker 11 (01:21:58):
I don't make trap, just set a free.
Speaker 19 (01:22:01):
So don't freak.
Speaker 10 (01:22:01):
I don't make trouble.
Speaker 16 (01:22:03):
I don't make cut a freak.
Speaker 3 (01:22:05):
I don't make trap, track trap.
Speaker 10 (01:22:32):
I am who I am.
Speaker 4 (01:22:34):
I don't know who I would be if it wasn't
for the Prince and God. I don't know where I
would be nowhere.
Speaker 11 (01:22:38):
Headed by tomb. Then you probably all right here, but
they can't take me out the painting team be at
the many key on when you're taking that on my
doun on.
Speaker 10 (01:22:46):
Then and take tea, gonna prepare.
Speaker 11 (01:22:47):
Take a honey.
Speaker 4 (01:22:48):
I'm a female and the bee tip it wasn't going
to break. I don't know where I would be breaking.
I feel the power, the glory rides on me that
you can't proplecide it.
Speaker 11 (01:23:00):
This is if it's something you can't see, get.
Speaker 51 (01:23:02):
My cup be in it up.
Speaker 11 (01:23:03):
You got this all feeling over over.
Speaker 12 (01:23:04):
The same in my life time.
Speaker 11 (01:23:06):
I'm found the pony clover. How was fifty y'all not holy?
Speaker 7 (01:23:09):
Yo?
Speaker 4 (01:23:09):
Trying to stay so with then depression when the God
picked me up and blew me over. If it wasn't
for a break, I don't know where I would be
but keep my face and the king Jane, so the
bird come and see it that if y'all want to
meet it. But I carry this cross Lord my life
once my one. Now I ain't haking no loss.
Speaker 11 (01:23:25):
And if the sky lifts the limit, then I'm then
to take off. God is already choking.
Speaker 4 (01:23:29):
I don't mean the rare class don't left the church
say he ain't saying praise God? How they j Yeah,
you're wont to catch to do everything. This is how
your joy as leaving ham has. It really ain't nothing
to it. Believe in half hate It really ain't nothing.
Speaker 10 (01:23:42):
To a will. I am who I am?
Speaker 11 (01:23:43):
I don't know who I would be if it wasn't
for the grace and God.
Speaker 4 (01:23:47):
I don't know where I would be nowhere headed for
the too, then you probably all right here.
Speaker 11 (01:23:51):
But they can't take me out. He can't pleaseus. We
got the pass to kill wicked. Hanging that on my head.
Speaker 4 (01:23:55):
Because I'm mann take sheep, gonna prepare e com me.
I'm gonna fee my enemy. If it wasn't for a
great I don't know where I would be great great
say you didn't want to pay your time, but you
bothering them, purse some of y'all real cake. But I
ain't coming to play church.
Speaker 11 (01:24:11):
Why you speaking in them tongues till you ry that
curtain on?
Speaker 4 (01:24:14):
No off the friend of God for sending it to
the mercies.
Speaker 11 (01:24:17):
Religious spirits case saying I won't live in any burdens.
No women in the poor pitch now ain't rabbing their churches.
Speaker 4 (01:24:23):
But I'm saying anything it taste to with a soul
for a kingdom, I can't winnings to the worldly thing.
Speaker 11 (01:24:28):
Never ever was seeing you like christis at your hustle.
Speaker 10 (01:24:30):
Let a man.
Speaker 4 (01:24:31):
He won't to clean you come by blood on the cross.
He readeem you, and he ain't have to do it.
Speaker 11 (01:24:36):
But the purpose was love.
Speaker 10 (01:24:37):
Remember that.
Speaker 11 (01:24:38):
The next time you're holding up in the club because
I am who I am. I don't know who I
wouldn't be. I used to do the same thing several
arresting me.
Speaker 4 (01:24:46):
Now we're back where I was belong, taking heaven my home,
resting in the where.
Speaker 11 (01:24:50):
Little guys don't. I gotta finished strong. I am WHOAI am.
I don't know who I would be. If it wasn't
for the Greece of God, I don't.
Speaker 4 (01:24:57):
Know where I would be nowhere headed.
Speaker 11 (01:24:58):
For the tone, then you probably all right.
Speaker 8 (01:25:00):
People.
Speaker 11 (01:25:01):
They can't take me out. The cat and Jesus got
to down to kill wicking, taking down on my head,
un on the stain. She's gonna prepare a table coming you.
I'm gonna see my enemy. If it wasn't for a
great I don't know where I would be print great race.
Speaker 4 (01:25:15):
Five low five four five stones, that's grace, five pillows,
five priest chilling in the Holy Place, how the fat
A good fight? Gotta finish this race, and no, I
gotta keep the faith and thank God for it. Grace
five lo fivefold, five stones, that's grace, five pillows, five
priest chilling in the Holy Place.
Speaker 11 (01:25:33):
Had the fault? The good fight gotta finish this race
and know I gotta keep the faith and thank God
for its.
Speaker 37 (01:25:38):
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Speaker 4 (01:27:19):
I can't preaching to the why because they already believe
it's he as street where no balls. I'm taking gospel
to the streets, going open up they eyes. So it's
you to think and see. I'm saying it in the spylight.
But it's Jesus han't see and can't preaching to the
Christ because they already believe it's get the street with
no walls. I'm taking gospel to the streets, going open
up they eyes.
Speaker 11 (01:27:38):
So it's you to think and skill.
Speaker 4 (01:27:39):
I'm playing and then the spy like, but it's Jesus,
can't e speek, can't preaching to the Christ.
Speaker 11 (01:27:43):
It's why somebody getting delivered on prophise.
Speaker 4 (01:27:45):
Sign to myself like I'm staring in the mirror.
Speaker 11 (01:27:48):
I'm a king, I'm a priest. I'm a problem to
the nation.
Speaker 4 (01:27:51):
If ge't y'all a problem with it, check yourself and
stop painting him on. Let all Jesus everything hoppy know
that horror train and all things in Christ are news.
So I'm a beef forever preaching to the choir when
they already believe this ministry where no walls, don't taking
God on these streets, and the word is to my
heart's consent, pration to my feet, my what step thought
that I'm just frying a complete this commission. I'll be giving,
(01:28:13):
not just want to please God. Then I gotta die, damily,
it ain't in power for what is hard? So what
reach for my Bible? That's the best place to sorle Gus,
it's the revelation.
Speaker 11 (01:28:22):
Lord, open up my heart. What reach for my Bible?
Speaker 4 (01:28:24):
That's the best place to sparkle gen this the revelation, Lord,
open up my heart. Can't preaching to the win because
they y'all already believe it's ministry with no walls. Don't
taking god'spels to the streets. God open up they eyes.
So it's you to think it's see I'm standing in
it's fine life, But it's Jesus.
Speaker 11 (01:28:40):
Can't repine and can't.
Speaker 4 (01:28:41):
Preaching to the cry because they y'all already believe it's
head the street with no walls. I'm taking God's to
the streets, going open up they hide. So it's you
to think and see I'm standing in the spot like honest,
Jesus can't speak lifted, I'm gonna spinning delivered rest from
my heart to yours. But this ain't mind. It's the
word from the Lord Woman's ten to nine. If you
be y'all raise them to open up your mouth shouting out,
(01:29:03):
and he'll save you. They will try to play you
because he won't to see you down. Just tell him
to take about. You are now God child, no time
for them games. You can't be playing with that destiny
when no one else can see your home of rockers
on the mass of me and hide they seen heres,
the ain't heard. It's far from regular extraordin every rap
of words.
Speaker 11 (01:29:21):
I ain't preaching to the choir, cause they y'all.
Speaker 4 (01:29:23):
Ready believe I ain't worried about that because Jesus.
Speaker 11 (01:29:26):
Got the mass of kin. He don't took it to
the cross, so I can hang it to the streets.
Speaker 4 (01:29:30):
But I ain't preaching to the choir because they already
believe he done took.
Speaker 11 (01:29:33):
It to the cross, so I can take it to
the streets.
Speaker 4 (01:29:36):
But I ain't preaching to the choir because they y'all
ready to believe.
Speaker 11 (01:29:39):
I can't preaching to the choir because they y' all.
Speaker 44 (01:29:41):
Ready to believe.
Speaker 4 (01:29:41):
It's ministry when no walls don't taking gospel to the
street going o't we know?
Speaker 10 (01:29:45):
They hide?
Speaker 11 (01:29:46):
So it's you that think it's see I'm standing in
its time life, But it's Jesus. Can't keeve.
Speaker 4 (01:29:50):
I ain't preaching to the choir because they all ready
to leave. It's in Innis Street with no walls. I'm
taking God to the streets going open up. They hide,
So it's you to think it's see I'm standing in
the what is Jesus stay receiving. Hey, this is miss
(01:30:15):
Tiffany and I'm listening to my saved mister Savoy Affair
d D. L. Marshall and my brother VAM Brown on
the multi award winning d l's Backstage Past radio show.
Speaker 6 (01:30:26):
All Right, y'all, we are back with none other than
I told y'all Queen of Gospel rap, Miss Tiffany from
Mississippi Girl your.
Speaker 8 (01:30:36):
Metaphors was sick.
Speaker 31 (01:30:38):
They had the flu and covid.
Speaker 8 (01:30:41):
Oh man, it wasn't nobody recovering.
Speaker 31 (01:30:44):
Either, agree pneumatic.
Speaker 7 (01:30:50):
Listen to this.
Speaker 8 (01:30:52):
We just about got you to where we need.
Speaker 6 (01:30:54):
You got about ten minutes remaining with Miss Tiffany h
before well we'll do that right after this.
Speaker 8 (01:31:01):
Tiffany, want to ask you this question, who is the
last person in the game that you would do a
feature with? Now I'm just playing. Don't answer that. Don't answer.
Speaker 4 (01:31:11):
I don't have it.
Speaker 8 (01:31:14):
Hey, your poking face, Your poking face was on point.
That listen, that was not a real question. I just
was measuring to see if I could get her a
break or not. So all right, so this is the
real question.
Speaker 6 (01:31:26):
Since you picked acting first, we know we seen you
in a couple of episodes of Empire Queen Sugar. What
would be one another show that you are looking forward
to or would be desiring to be on. I have
one that I'm going to be bugging somebody to get
you on. Another one is what actor actress would you
(01:31:48):
want to work with?
Speaker 4 (01:31:53):
Tyler Perry Sisters, I think it's a fool show. Got
some shout outs for some of those ladies on there
before and why they want the red carpt.
Speaker 20 (01:32:02):
Down in l A.
Speaker 8 (01:32:03):
Don't shout him out. Don't shout him out.
Speaker 4 (01:32:07):
It's all good and I'm not shouting nobody I would
like to work with, though, of course I want to,
you know, work out of Tyler Perry Studios and with
the great Tyler carry That would be good.
Speaker 31 (01:32:22):
Yeah, we'll just leave it at that.
Speaker 4 (01:32:24):
Actually, it's some stuff coming on down the line, you
know with some folks.
Speaker 31 (01:32:29):
This this this in connection. So we'll see what happens.
Speaker 8 (01:32:33):
You know what, when you're able to discuss that, you
gotta come on back. You gotta come on back, all right.
Any any actors actresses that you would love to opposite
co stars?
Speaker 4 (01:32:47):
So much going on, you're scared to call out some
of these people. Now you don't know who's gonna be
on the chopping block next.
Speaker 20 (01:32:52):
Now I'm just playing. I still want I was on.
Speaker 8 (01:32:59):
Even so.
Speaker 31 (01:33:02):
Never mind, even though.
Speaker 4 (01:33:07):
Even though I was on the set of Empire and
had a chance to, you know, watch Taragi and Terrence
and Action, I would love to, you know, to work
with Taraji, you know, on some stuff. And yeah, I
think she at some point. I saw something a while
back that she was either going to I don't know,
(01:33:30):
produce or direct. And it's kind of like a spinoff
for for Cookie Lions. So I lot that still underway,
especially with the way things paused for a minute with
Striking all of that. I'll be on the lookout for it.
I'll definitely keep an ear out, y'all. Hear andything, Hey,
you all let.
Speaker 6 (01:33:46):
Me let me know, Yeah, definitely, and the one I
can see you on so you know me, I'll say
it it's a Ray.
Speaker 8 (01:33:58):
Rap start or rap yeah yeah, yeah.
Speaker 6 (01:34:06):
You saw the video, you saw the metaphors. She can fit,
she can fit definitely. So third album? Who who are
some features that you would just love that.
Speaker 4 (01:34:21):
You know, I've been I've been having some conversations lately
about yay or nay to another album? Or am I
gonna just do singles? But if I were to, and
I am likely to do an EP or something like
that again after that's probably just singles and collaborations with
other artists.
Speaker 31 (01:34:41):
It's a lot less.
Speaker 4 (01:34:42):
Stressful, you know, more feasible, and I think a little
bit more fun, you know what I mean, because album's
taking weight extended periods of time. They have to gaeil together,
the production has to make sense with all of that.
With singles, you know, it's a little bit more variety
of diversity and glued into one thing, and and the
(01:35:03):
turnaround is a little bit faster I think when producing
and creating and just getting it all put out there,
you know, stuff that goes behind the scenes.
Speaker 31 (01:35:12):
To get it out there.
Speaker 4 (01:35:17):
Collaborations, did you had and has been on the list
for a minute.
Speaker 30 (01:35:21):
Now, so.
Speaker 7 (01:35:23):
I have.
Speaker 8 (01:35:26):
T see there you go.
Speaker 31 (01:35:28):
I have a chance to open up for Dietrich a
couple of years ago and.
Speaker 4 (01:35:31):
Mowaehnson and it was a great some time you got
a chance to meet him and all of that stuff.
But yeah, I love Ditrich's music. To me, he is
like the Michael Jackson.
Speaker 6 (01:35:43):
Yeah yeah, yeah, yeah, definitely not only in his own lane,
but created his own lane. So yeah, and he's he's
mastered and something that you just talked about. He doesn't
have to come out often, but when he comes out,
he comes out with an impact. Uh, Dietri, give you
(01:36:03):
watch it man. We would love to have you on
the arena. And next time you put together one of
those independent films, I'll let you.
Speaker 54 (01:36:24):
I don't think they understand me when I say it's
my seasoned guy told me he ain't leaving my brains
and brought no reasons. He turned me from He then
gave me. Thank that I freedom. I got faced by
hearing on forever.
Speaker 7 (01:36:37):
I believe.
Speaker 10 (01:36:43):
Believe so Frank.
Speaker 29 (01:37:01):
Leader Father, police forgive them and I forgive them to Yeah,
they died in me.
Speaker 7 (01:37:09):
I noticed what they shouldn't have died the true.
Speaker 11 (01:37:11):
Jesus baby who I am.
Speaker 20 (01:37:13):
I'm saying it's.
Speaker 10 (01:37:14):
Over made, y'all.
Speaker 54 (01:37:15):
He took me up my grave with a narrow path page,
and I'm gonna get I got graces, getting you an
eternal place.
Speaker 11 (01:37:21):
It's to be in this state. You're my heart's bell
with faith for your mouth to give a profession.
Speaker 54 (01:37:27):
Reserve your faces. Don't let capitine and your grace. If
that's your life, he ain't safety.
Speaker 7 (01:37:32):
I don't think they understand me when I said it's
my season.
Speaker 54 (01:37:35):
I lead my braves. I'm going our reasons. He turned
me from he and gave me thank that by greeting.
I got faith by the hearing IM forever lead a leader.
Speaker 10 (01:37:47):
I believe believe you believe. I believe believe you should
please not.
Speaker 54 (01:38:12):
Your heart and God your real boy. You can't speak
on what you feel, only speak on what is real.
If it ain't truth, you bad.
Speaker 7 (01:38:18):
You'll see the.
Speaker 10 (01:38:19):
Word is what I heard.
Speaker 7 (01:38:20):
Everything else is sore served.
Speaker 54 (01:38:22):
If it don't ed by the church, then you might
want to change your Verbuse all you're doing the most,
not living right. It's just the poison, not killer Brice.
But she scam to give your life, my future for you.
It's really right, change way, so come to me.
Speaker 8 (01:38:34):
It won't be for no reason.
Speaker 7 (01:38:36):
Justin trust me when I tell you my yiaded this
short season.
Speaker 4 (01:38:39):
I don't think they understand me when I say it's
my seasoned.
Speaker 54 (01:38:42):
Guy told me my brains, I'm growing no reasons he
turned me from her. He then gave me think that
by reading him my God basics, by hearing I forever
I'm alive.
Speaker 10 (01:38:58):
Believe me, Believe.
Speaker 51 (01:39:40):
When I think I'm this goodness and all that he telling,
no way that he's blessing me. Listen, listen, I'll get excited.
I'm ready the prison man. There ain't no stopping me.
If you knew like I knew, how the heart that
contained all the hell that he brought me to let me,
would you be up on your feet with your hands
in the air, praising.
Speaker 3 (01:39:54):
Them too for their joy joy joy Joy.
Speaker 18 (01:39:57):
George and the world didn't give me this choy Joe, George, George,
George and the world.
Speaker 19 (01:40:02):
Can't take my joy.
Speaker 3 (01:40:03):
No, no way, George never ever will to take my joy.
Speaker 16 (01:40:07):
Nah, no no way, Joe, pull up, pull up, pull.
Speaker 51 (01:40:10):
Up, Malley for Mason, I ain't complaining man, check out
my history from the gangs to drugs, drugs, the prisoners. Man,
this is no mystery and see my road the redemption
field BLUs waiting, tears, personal fears, triumphs.
Speaker 20 (01:40:23):
Tragic?
Speaker 51 (01:40:24):
Is this? How would have had to be producing faith dramatically?
Speaker 16 (01:40:27):
I'm not the same.
Speaker 51 (01:40:28):
I think that little for this radical change twice had
I stayed the same, Yeah, I go heart when I'm
upping this name, going hard as a musk.
Speaker 8 (01:40:36):
Haye be eating my dusk.
Speaker 51 (01:40:37):
It's only him that I trust, converting these senters to
saints after plus his souls got me out on the chase,
running that moderate pace, slaming these demons.
Speaker 16 (01:40:46):
I face facing the difference with Mace this year.
Speaker 51 (01:40:48):
You can't replaced with Toddler, no fortune, no fame, nicking
you Donalds.
Speaker 7 (01:40:52):
Remember their name.
Speaker 16 (01:40:53):
Jay E s u s solutive, the can e the best.
Speaker 51 (01:40:58):
Now, when life get you down, you're feeling frustrated and
feel you can't make it, look to the hills.
Speaker 16 (01:41:02):
From there come your health, swim thing them. Issues like
your Michael.
Speaker 51 (01:41:05):
Felon staffingman, Justice, racism, and equality impact the culture of
influence society.
Speaker 20 (01:41:09):
Never fall back from your dreams. Press of your goals.
Speaker 8 (01:41:11):
Remember the King.
Speaker 16 (01:41:12):
They can give you joy joy joy.
Speaker 18 (01:41:14):
Joy George, and the world didn't give me this joy.
Joy joy joy George, and.
Speaker 51 (01:41:20):
The world can't take my joy Na no, no way joy,
never ever want to take my joy.
Speaker 10 (01:41:25):
Nah no way Joy.
Speaker 25 (01:41:29):
I've got this joy. I'm in this position, them making
some noise. He gave me the freedom and smile when
I got problems, callaw turn the sadness into gladness. And
I ain't got tear.
Speaker 28 (01:41:39):
It's no more.
Speaker 25 (01:41:41):
And nobody can tell me you're houlding with another depression
is warm said, I'm moving with patience, happiness all on
my faces while I'm catching the game.
Speaker 16 (01:41:50):
It's mortivation.
Speaker 25 (01:41:51):
I'm entitled the brain because the several no better for
your joy fighting this war. Call it this same love
in the living like Mama will my God.
Speaker 8 (01:41:59):
It's the play.
Speaker 25 (01:42:00):
See, I don't think nobody taking me sivery, yes, because
they're looking at me with this slivery. Just say, for
what light it's some slippery yess while I'm working with
triumphal rivery in his arm, shining through God for choice
and because coming with love and none of the blood
the earth is the lost in the fullness that round.
I got your living inside of me. Despite what I
see in society, the lady cele Britain finally serving for
(01:42:22):
years that take out the irony. I got the joy.
No stopping them, brocking them bobbing, No problem, I got it.
Speaker 16 (01:42:28):
I got the joy with the Lord.
Speaker 25 (01:42:29):
I'm on the court and here give you toy.
Speaker 18 (01:42:32):
Joy Joy Joy Joy, And the world didn't give me
this choy Joy Joy Joy Joy, And.
Speaker 16 (01:42:38):
The world can't take my toy.
Speaker 8 (01:42:39):
No, no, no way, Joy, never ever want to take
my joy.
Speaker 10 (01:42:43):
Nah no way, Joy.
Speaker 3 (01:42:45):
Hold on, Joy Joy Joy Joy Joy.
Speaker 16 (01:42:49):
And the world didn't give me this toy Joy Joy
Joy Joy.
Speaker 8 (01:42:53):
And the world can't take my toy.
Speaker 16 (01:42:55):
No tell, no way, Joy, never ever will to take
my toy.
Speaker 11 (01:42:59):
No hold on?
Speaker 17 (01:43:01):
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A fat Waallet eight hundred nine four to two three
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seventy eight.
Speaker 7 (01:44:19):
Alright, the.
Speaker 10 (01:45:03):
Siding the rail, so.
Speaker 20 (01:45:09):
This sunny.
Speaker 50 (01:45:15):
Parading the right down, say raid, look this that so
this sunny atop.
Speaker 19 (01:45:44):
Out sat.
Speaker 50 (01:45:49):
Shut up, cad of my coming, said you the collum
(01:46:09):
little week, many hours the day came, every second ever mint.
Speaker 10 (01:46:18):
Because I used to tire them little.
Speaker 44 (01:46:22):
Men, used to call the mother because I didn't know
the morning.
Speaker 19 (01:46:30):
You're the collumn.
Speaker 10 (01:46:32):
Love. I'm call a doctor because I'm call him a.
Speaker 50 (01:46:37):
Doctor because when now I's sick, I can't we gonna do.
Speaker 19 (01:46:43):
Well, alcome at deal my body.
Speaker 10 (01:46:47):
He deal my body, and now I got.
Speaker 19 (01:46:50):
A story that's hell.
Speaker 10 (01:46:52):
Call my God.
Speaker 40 (01:46:56):
No, not a warming over there, You not tall.
Speaker 33 (01:47:01):
She had not, she had.
Speaker 19 (01:47:07):
Them the governments, and.
Speaker 10 (01:47:18):
Now she's up. Nobody, nobody was.
Speaker 7 (01:47:27):
Not being made.
Speaker 19 (01:47:30):
Just calms.
Speaker 4 (01:47:44):
It's the hottest gospel music this side of heaven and
all the funny you can handle on deals backstage Pass
Radio show. I always have a plan. I've had a plan,
but I'm not so sucked into my plan that i
don't allow God room to move and to breed over
(01:48:05):
the things and the promises in the vision that He
is given to me. And so because I've been obedient
with the gifts that he did give to me, he
continues to switch that thing up and he'll, you know,
add a dash assault here at you know, a little
pepper there. Like he continues to season it and give
it flavor and how he wants it to taste and
(01:48:25):
how he wants it to turn out. So I'm open
to not just those things, but new things as well.
And like I said, I've been friending my time up. Honestly,
you know, I was doing a whole lot and I
realized while you know, that may be cool. I've just
reached a point in my life where I'm not being
complacent or being comfortable or settled with where I am,
(01:48:49):
but definitely intentional about you know, where I am and
the things that I'm doing, and what is this going
to look like five or ten years from now.
Speaker 31 (01:49:00):
Yeah, you know, ten years ago I was hitting.
Speaker 4 (01:49:03):
Everybody's stage and in the churches, and from ten years
on up until now, you know, doing all of that,
it was so much movement and momentum and you know,
just moving around from place to place to place. And
now it's just like, Okay, we need some effectual doors
to open. Some that's gonna really, you know, not take
(01:49:24):
all of that. I don't have to go a hundred times.
I can go one time in the same thing that
would have happened if I'd have went a hundred times
will happened at one time, you know.
Speaker 30 (01:49:34):
And so.
Speaker 4 (01:49:35):
Yes, efficient, more efficiency, you know. I think the consistency
has been there. I've been I've worked hard people you
know know that, and and I feel it now and
I'm just like, yeah, i think it's time to shift
over into some some other things, some executive you know,
positions and and and work on that and try and
(01:49:57):
help some other artists too, you know, and bring them,
help them to achieve the things that God has called
them to and be of assistance, you know, be of service.
Speaker 8 (01:50:07):
Definitely, definitely.
Speaker 6 (01:50:08):
The last question Tiffany is imparting will kind of close
as we open. Young young black girl has a heart
that Miss Tiffany had to get into this entertainment business.
She loves to act, she loves to put on clothes
and model. She loves the journal and write down her thoughts.
(01:50:29):
She loves to make music, whether it be rappers sing.
What are some of the advice that you would give
a young girl looking at Miss Tiffany to navigate through
some of the pitfalls and keeping her self respect trying
to catch her ambition.
Speaker 4 (01:50:46):
I would say the same thing that I would say
to my daughter, or to my niece, or to anyone
for that matter, and that is to.
Speaker 31 (01:50:57):
Always put God first, pray, you know.
Speaker 4 (01:51:00):
Really seek His counsel and guidance and direction on what
it is that you need to be doing or that
He would, you know, wants you to use your gifts
to do whatever your purpose is, you know, find that
out with the things that you like to do that
you have passion for that you would do even if
you weren't getting paid to do them. You know, a
lot of times those are the things that you do
(01:51:23):
well in and that you enjoy. And so what would
be awesome is if you can make a living, you know,
from these things, to be able to take care of you,
take care of yourself, your household, your ambitions, your goals,
your dreams, and help you know you along the way
as you continue to do that type of work, that
would be great. So if it's whether it's modeling, or
(01:51:45):
if it's acting, if it's being an author and writing books,
or a filmmaker or director, producer, whatever it is that
you want to do, you know, create a plan for yourself.
At least have a vision, envision and be able to
see it so that you can be it. If you
can see it, you can be it. Research you have
to you gotta. I don't care if you like to read,
(01:52:07):
or you love to read, or if you don't like
to read. You're gonna have to find some resources and
you're gonna have to read them and understand them for yourself.
You should not just depend on other people to give
you information. Information is out there.
Speaker 20 (01:52:20):
For your youth.
Speaker 4 (01:52:21):
So you need to read it, study it, know it,
you know empower others with it, use it, apply it
to your life, you know what I mean. And make
sure that you know you have some people around you
that you can talk to, who you can trust, who
you know, know a little bit more than what you know,
a lot more than what you know in that area.
(01:52:41):
Find a mentor you know someone you know that you
can go to for advice when you need a little guidance.
And we're all here for one another, you know what
I mean. If people call, let me tell you something.
The people call me all the time for whatever. They
call me out of time for whatever. And I wish
that sometimes earlier in my life, I wish that I
(01:53:01):
knew that I had these gifts that other people recognizing
me and seeing me that I don't know that I have.
I have someone who called me a few years ago,
I believe it was before COVID, uh huh, and they
had just moved to think Saint Louis, Kansas City or
somewhere like that, somewhere, and they wanted to open a barber.
Speaker 8 (01:53:21):
Showed you that in confidence. I didn't want you to
know that. I don't want you too.
Speaker 4 (01:53:26):
I ain't told nobody nothing, no, no, unless they know.
Someone called me and it was just like, we're trying
to open a barbershop all the way in another state
now that I've never even set foot in. Said they
want to open a barbershop, and they called me. I
(01:53:46):
don't cut hair, i don't know anything about being a barber,
I'm not a cosmetologist. I don't have any information.
Speaker 31 (01:53:53):
About you know that.
Speaker 4 (01:53:55):
But they called me and I told them exactly what
to do or what I would do or what I
thought they should do. And I mean just less than
a ten minute conversation. They followed the instructions that I
gave to them, and they've been in ownership of their
barbershop in that state that I've never been to for
years now.
Speaker 49 (01:54:13):
And so.
Speaker 4 (01:54:15):
Yeah, it's resources out there though. So I just I
tend to be one of the ones that just just
kind of knows things or am able to see where
someone is trying to go or wants to go, desires
to go, and am able to give some tips and advice.
You know what the say of the Lord, well this
is what you should do. So I say all that
to say that if you know you need some help
(01:54:38):
with anything, some assistance, especially those of you who are
independent artists.
Speaker 31 (01:54:44):
You know, male, female, it doesn't matter. Let's let's have
a conversation and let's talk.
Speaker 4 (01:54:50):
You know, I don't know everything, but I do know
some things. And if I don't know, someone who does
know yep.
Speaker 8 (01:54:58):
And what you know? You know? That's right, Yep, that's it.
That's why she's my faith, y'all. Now everybody know y'all
all know I own a barbershop, right.
Speaker 6 (01:55:09):
No spy all of you to listen to us on
the radio, Dal's backstage, past conversations all over the country,
our heart Spotify radio.
Speaker 8 (01:55:28):
This is the voice that you say, did you hear
her say? This is my miss Tiffany, And I'm listening
to my faith. D missus sad. That's her right there,
and so she's my faith. Ladies and gentlemen, give it
up for the lovely, the fabulous, the anointed, Miss Tiffany,
and thank you being so gracious with your time. Don't
(01:55:49):
leave because we got to get you here in Kansas City.
Speaker 6 (01:55:52):
Hang out backstage for just a moment, and we're gonna
get all the rest of the people out of here.
Miss Tiffany once again, ladies and gentlemen Man also conversation.
Thank you so much for joining the arena.
Speaker 8 (01:56:03):
Look here.
Speaker 6 (01:56:03):
If you enjoyed this interview, then make sure you go
check us out for more. Subscribe to our network. Channel
is seventy m MBE. That's channel I seventy Marsh Media
Backstage Entertainment. You can catch the Arena episodes. You can
catch Deal's backstage conversations. You can catch being yourself. I
just be Bam Dang d l coffee with Charlie Man.
(01:56:27):
Check out this content. It's awesome content with more to come,
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world on Marsh Media News Update. All right, so until
the next time, thank y'all so much. Hit that notification
bell after you subscribe and we'll find you. You don't
have to look for us. We're gonna get out of here. Remember,
as always, the Gospel of Jesus Christ is contagious. Catch
(01:56:51):
it all that you do, do it godly. Until the
next time. Thank you for stepping into the arena.
Speaker 4 (01:57:00):
Ondella's Backstage Plasz Radio show