DLBSP: Not Smokey Robinson, 1 million for N-word

Episode Transcript
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Speaker 1 (00:05):
D l's backstage Past radio show. Be listen once you've
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Ball now put your.

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Hands together for my father and y'all's hey.

Speaker 5 (01:01):
Hey, what's happening. Y'all know what time it is?

Speaker 6 (01:04):
It's your shoe the boys, it's the sidewin fair deep
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Speaker 7 (01:53):
Bad, your friendly neighborhood gospel DJ DJ Missy.

Speaker 8 (02:08):
Today is enough day, mercies.

Speaker 9 (02:12):
I see Lord, I'm in your hands.

Speaker 10 (02:18):
I know you'll comfort me, get your middle.

Speaker 9 (02:22):
Up at times don't know what.

Speaker 10 (02:25):
To do, Lord, I know you will help me make
it through days. Sweet sweeter than the day before.

Speaker 11 (02:43):
I'm not a love more.

Speaker 12 (02:48):
Tweet Elevaday, sweet.

Speaker 10 (02:58):
Waiting for the sun.

Speaker 13 (03:00):
Shine, doesn't know my joys coming in the morn time.

Speaker 10 (03:05):
Oh now that that I do say, no, you really
really love me. The more I get to know you
and find out that you're sober for me, you found
so to me.

Speaker 13 (03:24):
Every day, it's sweet, sweeter than the day before.

Speaker 10 (03:29):
For sweet learning how to love your mind? Every day, Yes,
sweet sweeter than.

Speaker 11 (03:40):
The day be for.

Speaker 10 (03:42):
Weird sweet sorre f.

Speaker 14 (03:50):
Say you too much, that's just how express smiller. And
when I'm happy, I don't hold.

Speaker 10 (04:04):
That I thought that has happened. There's nothing I like.
Will you do make me feel? You make me feel
my life. You make me feel like Saturday feeling love,

(04:31):
being in love. I help my nunchize for my eyes
filled with water all the time. But that's how ween

(04:52):
I am in.

Speaker 14 (04:55):
Heart, filled with joy, peace with and witty.

Speaker 10 (05:12):
All eyes on.

Speaker 13 (05:13):
You feel the saturdayde is Saturday feeling happy, in love,
in love.

Speaker 11 (05:25):
That's one more thing.

Speaker 10 (05:28):
I can't go too fast.

Speaker 15 (05:31):
The best law that I ever had, I'm making it
last love.

Speaker 10 (05:38):
The way I'm not in a hurry. The way you
love me.

Speaker 16 (05:48):
Make night Hao you Mike fell like a holiday, like
a holiday on the day, like.

Speaker 17 (06:01):
I can't explain, but.

Speaker 10 (06:04):
Oh lord, you making you don't make.

Speaker 1 (06:12):
Yes, you don't know.

Speaker 10 (06:13):
Yes you do Jabe weekends, all the attention is on me.

Speaker 7 (06:45):
This DJ is show said, show said, d J This c.

Speaker 10 (06:48):
A one videos best last radio show. Bet she gone,
It's up to me. I get I know this And
what if you pray courage? I pray that I get
your courage.

Speaker 18 (07:04):
Talk to you.

Speaker 19 (07:06):
Because maybe because the one I want for real to
see you wife, I see her fruits for real.

Speaker 20 (07:14):
For real?

Speaker 21 (07:14):
You mind media A girl that I payful see your
face whenever ride okay you girl, whatever you believe about the.

Speaker 11 (07:28):
Other day, I pay for you.

Speaker 10 (07:34):
Now that I got you, I'm gonna stay with you.

Speaker 11 (07:39):
Your money girl.

Speaker 10 (07:43):
Bright for see your face when never ride gay?

Speaker 11 (07:49):
You girl killing me?

Speaker 10 (07:52):
Killing Jay? Worry about the birds.

Speaker 14 (08:00):
Ain't chirping about And you've done from me, You've done
for the tree.

Speaker 10 (08:05):
So why would I even die?

Speaker 22 (08:08):
Get the rocks on the park and see in the
sky full of Clopkin Paine.

Speaker 10 (08:14):
Who am I to be here complaint? Only thinking about
what I would change? Jay? This is your I understanding it. Okay,
I'm just stopping through it, knowing that your hit me.

Speaker 20 (08:33):
This is your.

Speaker 1 (08:35):
I'm just living in it.

Speaker 23 (08:38):
I'm just playing through.

Speaker 10 (08:40):
It knowing that to listen. Oh, every single one of
my own plans, see how that they're having your so
I put them in your minds. This is your I'm

(09:00):
just living.

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Speaker 27 (09:56):
Eight hundred two five seven three six seven to two
eight hundred and two five seven three six seven two,
eight hundred two five seven three six seven two. That's
eight hundred two five seven thirty six seventy two.

Speaker 28 (10:12):
It's the hottest gospel music this side of Heaven and
all the funny you can handle on Deals Backstage Pass
Radio Show.

Speaker 29 (10:21):
Hey, beautiful people, this is your brother Major, my mama's
favorite hope dealer, and I'm always keeping it locked with
my brother DA. That's right on DL's Backstage Past Radio Show.

Speaker 5 (10:34):
Now that's major. All right, it's major, and I'm about
to get into some major major.

Speaker 6 (10:44):
Dissecting if you don't mind, so, welcome back to the
award winning Deals Backstage Pass, the world's realist gospel music
show anywhere, giving you the hottest music, interviews, talk and
topics this side of heaven and all the funny you
can handle. Hey, So this help of here by the
name of Shiloh Henderson. You know, sometimes people need electure,

(11:12):
and then sometimes people need they behind just warped. And
then some people need to get they behind whooped as
they're given election. You know how like you put fow
you hit them in there, you say, don't you ever
in your life ever they need to hear a speech
as you putting hands to them, And this lady here

(11:37):
is definitely in that category. You've probably seen it. But
let me get to it, said, kwan, you you got
that up. You're getting it all right, get get get
that up and let it rip, which you please? All right, y'all,
y'all check this out. We'll be right back. We're gonna
talk about this.

Speaker 10 (11:54):
Uh huh.

Speaker 6 (12:02):
You couldn't have got the one with the sound in it,
said you may well take that down, brother, Yeah, give
me the one with the sound on it. Dude, you
still in mother's day, said.

Speaker 5 (12:18):
What's the kidding all going on?

Speaker 6 (12:19):
Well, anyway, Shiloh Henderson, this lady right here, pull it
back up. This lady right here, Okay, this lady right here,
get it zoomed in. Yeah, this lady right here was
with that little baby right there, innocent little baby. They
got his first lesson and what racism looks like and

(12:43):
what a racist looks like, and both of them. He's
in there on And so they're at a playground as
you can see in Minnesota, and there is a five
year old notice what I said, a five year old woman,
I mean five year old little black boy. I'm looking
at this funny looking lady. This five year old little boy.

(13:05):
He's running around playing five and he's artistic.

Speaker 5 (13:08):
Tammy.

Speaker 6 (13:10):
He sees something in this woman's diaper bag that is
a toy of this young baby. The little boy, as
a kid, grabs it because it's appealing into his eyes
and his likings, and he wants to play with it.

Speaker 5 (13:26):
She snatches it out of his hands and.

Speaker 6 (13:29):
Begins to buck up and brustle up at this five
year old black artistic male and calls him the N word.

Speaker 5 (13:40):
She dropped the end bomb on a five year old
little boy, and.

Speaker 6 (13:50):
Just thank god that there was someone there that called
her on it, okay, And he doubled down on it
and said, he said, why would you call him that?

Speaker 5 (14:05):
And she doubled down and said, why is he acting
like one.

Speaker 6 (14:12):
And so I can't believe the audacity that is going
on in the world today that where people feel like
they can just say whatever it is they want to
say and there's no repercussion of consequences.

Speaker 5 (14:31):
Freedom of speech is free if you say what you
got to say in a respectful way.

Speaker 6 (14:38):
But if you get disrespectful with what you're saying, a
lot of times, Tammy, their repercussions and consequences.

Speaker 5 (14:48):
Oh you do well, look out. Okay.

Speaker 6 (14:52):
So so sad Quan said that he's got the video
with the sign. Okay, so let's let's hit the video
with the out there said Rolle that beautiful bean footage
a child?

Speaker 10 (15:05):
Did you call the child to the lord? It is
nothing business? Okay?

Speaker 6 (15:11):
Why don't you have the boss to say so, here's
my thing, Tammy, Why don't you mind your own business.
We're not talking about a disagreement with another adult. We're
not talking about a man jumping into a dispute between
two women. We're talking about a decent human being versus

(15:34):
a scum bucket human being intervening from her.

Speaker 5 (15:39):
Going ballistic on a five year old child.

Speaker 6 (15:43):
That you have an issue with him, not because he
took your kid's toy because the race of this kid, because.

Speaker 5 (15:51):
You didn't call him you little thief. No, you called
him the N word.

Speaker 6 (15:57):
And then you walk away when con run it with
accountability to the point that you get irritated.

Speaker 5 (16:04):
Now I want you to see, guys, how simple minded.

Speaker 6 (16:08):
I want those that's listening to us through radio to
listen how simple this woman is, how how how how
she reduces to found and watch she's really no more
than a five year old artistic white girl.

Speaker 5 (16:27):
Just check it.

Speaker 30 (16:41):
I don't think they understand me when I say it's
my seasoned guy told me he ain't leaving now my
pras I'm brought out reason. See, he turned me from
He then gave me thank that about freedom. I got
faith by hearing I'm forever a leading.

Speaker 10 (16:59):
State. Believe you believer.

Speaker 31 (17:06):
Stop leaders, father, police forgive them and I forgive them
to Yeah, they died in me, I noticed, but they.

Speaker 26 (17:27):
Shouldn't have doeded you Jesus baby, who I am.

Speaker 5 (17:30):
I'm saying it's over made.

Speaker 26 (17:31):
Y'all took me im my grave with a narrow path page.

Speaker 1 (17:35):
And I'm gonna walk in.

Speaker 26 (17:36):
I got grace, get it you an eternal plate it's
a gift to me in this state.

Speaker 30 (17:40):
Your my heart, spell good faith over your mouth to
get a taste of profession.

Speaker 26 (17:44):
Reserve your paces, that gapitin and your brace.

Speaker 5 (17:46):
If that's your life, you ain't safety.

Speaker 26 (17:48):
I don't think they understand me when I said it's
my season.

Speaker 30 (17:52):
Die for me leaving my prais I'm going out reasons
and he turned me from it and gave me. Thank
that boy breathing my God faith by hearing I forever.

Speaker 26 (18:07):
Believe your money, believe you believe.

Speaker 22 (18:13):
Sight.

Speaker 11 (18:14):
Please not.

Speaker 30 (18:24):
Say got your heart and God your real boy. You
can't speak on what you feel, only speak on what
it's real. If it ain't truth, you bad at you see.

Speaker 10 (18:36):
The word is what I heard.

Speaker 26 (18:37):
Everything else is sore served.

Speaker 30 (18:39):
If you don't edify the church, then you might want
to change your bird because all you're doing the most
not leaving right. It's just the poison, not killer price.
But Jesus scam to give me life, my future for you.

Speaker 10 (18:48):
It's really right. Change ways to come to me. It
won't be for no reason.

Speaker 26 (18:53):
Justin trust me when I tell you my y'all need
is your season. I don't think they understand me when
I say it's my seasoned.

Speaker 30 (18:59):
Guy told me he ain't leading my brains. I'm growing
up reasons. He turned me from He then gave me
thank that I read him. I got basic by hearing
I forever I'm a leader.

Speaker 10 (19:13):
Leaders, believe me. Believe one honey. That a chip for

(19:47):
one honey, one honey. That a chip for one honey,
one honey. That a chipple one honey, one honey, that
m chip for one honey.

Speaker 26 (19:55):
He got much.

Speaker 10 (19:56):
I'm gonna keep it one honey.

Speaker 32 (19:57):
She tries something, I gotta keep this one honey for
him and the wonder when the good is a possible.

Speaker 10 (20:03):
Tracey got way.

Speaker 26 (20:03):
He's the ways that ours let go.

Speaker 10 (20:06):
You can't let Joe the way that he's in the light.

Speaker 33 (20:08):
So whole y'all hold y'allus in the Lord and be
drawn because we got our light and we told you
all Field family, because they telling me sad.

Speaker 10 (20:18):
Sliding up upper room lives and Judge doubling up him.
The leaf is the most r t o people's up.
One honey.

Speaker 33 (20:25):
I'm gonna keep one honey, one honey, one honey, and
that chiple one honey.

Speaker 26 (20:28):
One honey.

Speaker 33 (20:29):
Brother, Lord name Jesus Christ. Because the way the cook
get the light of my life.

Speaker 5 (20:33):
Oh honey, I'm a chiple.

Speaker 25 (20:35):
One honey, one honey, one honey, that much chep No
one honey, one honey.

Speaker 10 (20:39):
Brother Lord dain Jesus Christ, because he the wall the
cook is the light of my life.

Speaker 26 (20:45):
One honey.

Speaker 11 (20:46):
Try to keep it, to keep it.

Speaker 10 (20:49):
Everywhere, honey, keep it, honey.

Speaker 26 (20:53):
You know the king that it's never up no place.

Speaker 20 (20:55):
So whatever it is to make me over, like man,
Yo remans stable out from but we say, lo moving,
how you moving through?

Speaker 5 (21:01):
Whatever?

Speaker 20 (21:02):
He says, Oh, finish the risk. Let the day, Joe,
we hood cop and connected just like some change, Yo.
Paining no mind to the opinions on those slave bolts,
and said, gave me in the further.

Speaker 10 (21:11):
Told me the case close.

Speaker 5 (21:12):
Oh can't tell the future.

Speaker 20 (21:14):
Boy he knows so being small, he everywhere that we
go got number one.

Speaker 5 (21:18):
He's the only he wrote without them number.

Speaker 10 (21:20):
One, we nothing. We double sleep bro wan honey, Chile
wanney one honey, wan honey, And that.

Speaker 26 (21:25):
M Chile one honey, one honey.

Speaker 33 (21:27):
Brother Lord named Jesus Christ because he the wader to
get the light on my life, Oh honey, that m
Chile one honey, honey, honey, not much you go want, honey,
one honey, brother lord named Jesus Christ.

Speaker 11 (21:38):
Let's get the.

Speaker 26 (21:40):
Like seeing something to some pain.

Speaker 10 (21:43):
But not this man, not with your lanes. That's trusting
him who.

Speaker 32 (21:47):
Knows everything, because we come this by face, leaning.

Speaker 10 (21:50):
On the Lord.

Speaker 26 (21:50):
So getting caught up with those foolish thinks.

Speaker 34 (21:52):
The waves of the water records we review saying.

Speaker 10 (21:55):
The name of Jesus.

Speaker 32 (21:56):
He always willing to God let those cheap in my
by and we got it up till I eat no
and I got, I got.

Speaker 26 (22:05):
My yeah, my body, yama and right and half.

Speaker 11 (22:09):
I'm what.

Speaker 26 (22:14):
Honey, tess Christ, because the way to coop get.

Speaker 10 (22:18):
A light on my light.

Speaker 26 (22:19):
Oh honey, honey, what the Lord dain't teeses Christ because
he win the coop getting light of my life.

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Speaker 10 (23:55):
They gotta go duty like the po. I got a calling,
that's a ten to give enough gun. No, I love
it so luxury and let me gets fired of me.

(24:19):
Boom boom boom boom boom. No demon hell is gonna sath.

Speaker 9 (24:26):
So we've got purpose, no need for searching, no reason
to back down the plend thing. I'm going all the way,
all the way away. I don't giving it all, I
don't give it on. I'm an run, run run, I'm

(24:46):
run run, run, run run.

Speaker 10 (24:48):
You denied it all, you just hurt it up.

Speaker 26 (24:53):
I'm a run run way, I'm I'm run run let
me I need.

Speaker 10 (24:58):
To go, I'll go. Telling me to speed it up
a little slow show. I'm a listen, not trusting my
own intuition. I Hey, they gotta say, thank God, and
they make him on my plate. He get into fine
protection and that's when we see the.

Speaker 12 (25:14):
Mommy cousin mentioned jus contention feelings.

Speaker 10 (25:21):
Thank God, before you can none that I'm here like you.
It's getting boom boom boom boom boom boom, no matter
when it takes a new to get.

Speaker 11 (25:34):
It up to you.

Speaker 9 (25:37):
I'm gonna run, run, run, run running.

Speaker 10 (25:41):
No matter what I turn, I'm gonna up getting it at.
You know that I'm getting it all.

Speaker 1 (25:52):
You know that I'm getting head.

Speaker 16 (25:54):
I'm running oh her head.

Speaker 3 (25:58):
Before you know that I'm getting you know what to do?
So the pace when lappy line feel so the pies

(26:18):
went lappy.

Speaker 11 (26:42):
Being where you lie.

Speaker 10 (26:50):
The way?

Speaker 4 (27:02):
Hey, what's happening? This is yielded in Houston, Texas. We're
locked backstage with d l's backstage past radio show.

Speaker 5 (27:10):
If you're not locked in. I don't like it. See
how we now play the victim.

Speaker 6 (27:16):
Bid you's saying that she was she has to relocate,
telling to escape the threat stemming from the internet.

Speaker 5 (27:22):
So now you want us to feel sorry for you,
and you're gonna play the victim. And now that that's
that's caring one on one, crown you, that's Karen one
on one. Make yourself the victim. First of all, as
an adult, you could have just said, I'm a baby. No, no, no, no, no,
I need that.

Speaker 6 (27:40):
That's that's that's his where's your mom? Where's your dad? Hey,
so one of your kids undertended and then walked away.
But no, you inserted yourself as a child. And now
as an adult you are hurling that's hate speech. That
a five year old autistic mentally challenged child, and you

(28:00):
got the audacity to say that you are being threatened.
That's child abuse, ma'am. It wasn't physical, but it's still
child abuse. And you expected people to feel sorry for
you because you gotta relocate for calling someone's disable child.

Speaker 5 (28:21):
That is five the N word, but it gets a
whole lot more entitled. Hold on.

Speaker 6 (28:29):
As a may third in your Champagne has raised more
than five one hundred.

Speaker 5 (28:33):
And twenty five thousand dollars.

Speaker 6 (28:35):
You come here and you can put it down, Saint Kwan,
thank you, sir, and tell me she's close to a
million dollars as of today.

Speaker 5 (28:44):
That's crazy. That is so crazy.

Speaker 4 (28:47):
I'm more I don't know if I'm more disturbed by
what happened or the fact that she is that she's
earned these many donations.

Speaker 5 (28:56):
I'm more disturbed. I'm more than disturbed at the latter.

Speaker 4 (28:59):
That's crazy, Like, how.

Speaker 5 (29:04):
Yeah, so check us out, check us out, Tammy.

Speaker 6 (29:07):
Americans will vote against free school lunch for deserving, underprivileged,
underserved students. They will vote against healthcare that will benefit underserved, underprivileged,
underpaid elders and children. They but they will raise over
five hundred thousand dollars for a racial slur throwing blond

(29:32):
white lady that.

Speaker 5 (29:34):
Has said, yes, I called a five year.

Speaker 6 (29:37):
Old autistic black little boy the N word. Will be
ready to fight for it, will.

Speaker 5 (29:42):
Say it again because he's acting like one.

Speaker 6 (29:44):
But you will raise half a million dollars for that
five hundred and twenty five at the time of that video,
I think it's close to a million dollars.

Speaker 5 (29:53):
Now, that is so disturbing. That is so disturbing.

Speaker 4 (29:57):
And another thing is now they're getting way the more
comfortable like they're not. They're not even there's no fear
of any type of repercussions for this. They are way
too comfortable with with acting like this. Now they gonna
come across the right one.

Speaker 5 (30:14):
They they did, they did, They came up on the
right one. And I'm gonna we're gonna cover that story too.
But this lady here and I know, so let me
let me just set the disclaimer out now.

Speaker 6 (30:28):
If you are a super saved overly salvation, so heavenly minded,
you know, earthly good, out of touch with real physical
human emotions, and you live in divinity all your days,
then you might want to take a moment to go
in the other room, get you some water, turn the
volume down for about a minute, okay, and then come

(30:49):
on back now, don't you go nowhere? Just turn the
volume down now, those of us that are in touch
with reality, Lord, if it be possible, let her get the.

Speaker 5 (31:02):
Hand and foot of of of of what you call
reprimand I.

Speaker 6 (31:09):
Know avengeance is yours, Lord, and you gonna repay you
told us that, But Lord, could you have your vengeance
come through a black woman.

Speaker 5 (31:19):
There's got a five year old black son with artists.
Gotta be that little boy, mom.

Speaker 6 (31:24):
But just find a black woman that can conjure up
the anger of the mother that was Just just give
just somebody that's the mother of a five year old.

Speaker 5 (31:35):
He ain't got to even be autistic. Just a mother
of a five year old kid.

Speaker 6 (31:40):
That can imagine a white woman calling her son the
N word and then turning around and doubling down. And
just Lord, just just just for as long as a
choir song, the a selection, not the anvy, just for
as long as the choir, the inspirational choir, not not
not not the senior choir, but the inspiration choir. Uh

(32:01):
an a selection worth the time from this word, just
let that woman who that white girl just a little
whooper couldn't have been let couldn't have been me.

Speaker 5 (32:13):
I couldn't believe it. She definitely would have got them
hands man, listen, that.

Speaker 4 (32:19):
Story would have would have read entirely different.

Speaker 5 (32:22):
I promise you.

Speaker 6 (32:24):
I was so upset with this, I forgot to say.
This is the infamous segment of darn I just I
had to touch that segment. You feel me because I
couldn't touch her. And never in my life have I
wanted to live in Milwaukee until I saw this. Never

(32:45):
in my life have I ever wanted to be a
woman just for a few moments, until I saw this video.
I mean, lord, just let it be where they could
just get their hands within her hair.

Speaker 5 (33:00):
And you know how y'all take the hair when y'all
was in them good fights and roll that air up,
you just pull it towards your this Oh my god.

Speaker 4 (33:09):
Yeah, she too proud, man, she is. They are too comfortable.
They are proud. They saying it with their chest.

Speaker 5 (33:16):
They got their chest stuck out. And this is a baby.
This is a This is a baby.

Speaker 1 (33:23):
And you know what, this is how you.

Speaker 4 (33:25):
Raising your child because she got her baby in her arms,
letting him witness all this foolishness. Mm hmm.

Speaker 6 (33:35):
And the part I didn't show that video on purpose,
but the part that really really really really upset me
and bothered me was the fact that when she was
talking to that man and he said you ought to
be ashamed of yourself, and she goes, oh deal, you
condescending health.

Speaker 10 (33:56):
Dang deal.

Speaker 6 (33:59):
Just that's somebody just one good hit her in the
same mouth, not mouth, but mouth did she called that
little boy the N word with just one time?

Speaker 25 (34:10):
What?

Speaker 6 (34:12):
And I mean rock them, sock them. Let Clarissa Shields
hit her in the mouth with a glove. It ain't
gotta be bare knuckle. Just let her put her on
the glove and one sock.

Speaker 4 (34:25):
Then she'll say she needs money for medical bills, and
she'll get another money.

Speaker 10 (34:28):
Dang d l.

Speaker 5 (34:31):
Listen, I've been calling for folks to the N word
all my life and I ain't never got fifty dollars,
let alone five hundred.

Speaker 37 (34:39):
I know.

Speaker 4 (34:42):
And say, and like you said, they so quick to
turn theyself into the victim. You victimize a five year
old baby, Now, how in the world are you a victim?
You of you're a victim now because people see you
for who you are. You know, good, because apparently some
people like it.

Speaker 5 (35:02):
She got over.

Speaker 4 (35:02):
She got almost a million dollars to relocate because she's
this little blond, white girl that she needs protecting.

Speaker 5 (35:10):
Like I said, this current administration got these people.

Speaker 6 (35:15):
One good thing I can say, and that's the one
good thing I can say about it, is that they
have people living in their truth.

Speaker 5 (35:25):
Before this administration, even in its first installment.

Speaker 6 (35:30):
People were now letting us know where they stood and
where they lie, how they really felt.

Speaker 5 (35:37):
And I can get along with anyone when I know
exactly where you stand.

Speaker 6 (35:43):
It's the ones hiding in the bushes, it's the ones
peeking around the curve.

Speaker 5 (35:47):
Okay, nobody around and then they say, what this lady say? Now,
I'd rather her say what she said so I know
who you are. Now A whooping gonna come with it.

Speaker 6 (35:57):
But I'd be like, lord, I know you blame me
to stay safe because I'm never around those situations.

Speaker 5 (36:03):
Never, Because I.

Speaker 6 (36:05):
Can't say that if she had have said that, I
would have just kept recording like I was that man.
I guarantee you one thing I can say. You see
how she turned her back to leave, and then she
felt big and bad she turned back around.

Speaker 5 (36:18):
I guarantee you if that had been me recording, she
wouldn't have turned back around. She might have spun around.

Speaker 10 (36:24):
But you can count on him. You can count on him.

Speaker 34 (36:35):
You can count on him, and you see, whatever you're
going through, I wonder not gonna mend something I didn't
count that can fix it for you.

Speaker 10 (36:58):
Mount I have to cry sometime.

Speaker 1 (37:05):
But he found us too well.

Speaker 10 (37:09):
The tears from my hi with others, A but my god,
the deed.

Speaker 22 (37:21):
And the rude to me at my clothes is free
always trying to tell him me is you can't can
count on him? You can count on him here.

Speaker 10 (37:39):
You can count on them regardless of what you're going
in dro If you need a mestogy and delivers to
put you trustin that, he'll bring O and you'll you

(38:08):
do there rain, no sihead, what mind I can do.
I'll be trying to tell me that there you can
count on him. You can't count on him.

Speaker 34 (38:28):
You can't count on him regarding the way you're going
in didn't hit anybody.

Speaker 1 (38:41):
You damn to.

Speaker 10 (38:43):
Know that he'll make away. I want to turn him midnight.
You want to turn me? Count somebody getting to a
pile when I say he ain't I count when your
wanting him. He may come when your wanting you. When

(39:07):
you can test the fact it's old ways home town.

Speaker 34 (39:12):
You don't get you the witness out there him somebody
know what I'm talking about. The decau good god of money. Yeah,
all of me trying to tell you why you can.

Speaker 10 (39:27):
Oh, you can.

Speaker 6 (39:31):
Count on him?

Speaker 10 (39:33):
You can count on him. You can count on him. Hey,
you can't where your money gets fun in and you
change strength when your friend get fused. You don't know
what to do owt when you're feeling the don't black

(39:55):
the Yeah you can when you're hitting your spell. Just
know he's there when you're losing home or he can
help you come up the chanty. Just know he's in there.

Speaker 32 (40:13):
Why without a walk down, he'll still be in there.
He'll be with you till thinking thing. He'll hide your mind.

Speaker 17 (40:27):
Have you carry a loader held in your brain.

Speaker 11 (40:31):
On him and cloth door.

Speaker 32 (40:33):
When you're wagging done, can't find your way, He'll be
with you.

Speaker 10 (40:39):
Harry still by.

Speaker 38 (40:40):
The way, go to show you the nick of time.
Frown him the men because men no min You.

Speaker 10 (40:50):
Can't count on him. Now you can count on him.
Now you can.

Speaker 5 (41:17):
First Peter five and seven sids, catch dog.

Speaker 39 (41:19):
If you care for the law, for you care for you,
come on down with.

Speaker 10 (41:24):
The checkers.

Speaker 5 (41:28):
This space whatever mean.

Speaker 1 (41:31):
At the time, God, we are well take care of
you can win.

Speaker 10 (41:37):
The ass this need the wings of love.

Speaker 11 (41:43):
God, You're gonna take care of you.

Speaker 40 (41:46):
Who started rain? Ain't say God be your call, Please
dismay whatever be the.

Speaker 10 (42:04):
Time of don quill.

Speaker 34 (42:06):
Take you get gone out about him, the wings of love,
the fine God.

Speaker 1 (42:17):
Take Jack yourself, stark.

Speaker 10 (42:22):
Way party take God will.

Speaker 40 (42:29):
Yeah, I know you will keep well, God will he
will keep you got it.

Speaker 1 (42:44):
Thank God for your keep looking about it.

Speaker 10 (42:48):
Keep me here. The cat cat just stark you with cat.
It is the big nine hour of cat trying to you.
You don't know calt she don't.

Speaker 1 (43:02):
It working out that cat?

Speaker 5 (43:04):
Are you gotta do it?

Speaker 1 (43:06):
Work?

Speaker 10 (43:06):
That cat turned out a cat? She won't work that cat.

Speaker 17 (43:12):
You would don't have to gather calf.

Speaker 5 (43:15):
You can't give act.

Speaker 1 (43:18):
He want worked it out.

Speaker 5 (43:19):
And that cat you won't want to.

Speaker 10 (43:21):
Work on out cat, go weird cat.

Speaker 41 (43:26):
You can't call you a bot.

Speaker 10 (43:28):
Cat. Come leave cat.

Speaker 1 (43:31):
You can kill you.

Speaker 5 (43:35):
He will all time.

Speaker 11 (43:37):
The will.

Speaker 38 (43:40):
Will see me.

Speaker 10 (43:46):
Cat. You know what God doing that cat?

Speaker 1 (43:50):
You know you can't do it.

Speaker 10 (43:51):
Trust that cat. Just get out that cat. You want
to break out that cat. Don't silly about it. And Jack,
I don't think of ann that cat.

Speaker 40 (44:03):
You don't don't take care of you that jack, jab
all that jack, all the sars.

Speaker 17 (44:10):
That jamnocking over the jail at cat.

Speaker 10 (44:14):
Don't take care of you with it cat.

Speaker 17 (44:16):
Sure over to no jack you yeah, real cat, you'll don't.

Speaker 10 (44:22):
To the rescue that cat.

Speaker 1 (44:24):
You didn't gonna be in nine hour at jack, don't
matter what's it going?

Speaker 40 (44:29):
Don't god wheel, don't do wheel, don't me, I'm no mins, will.

Speaker 11 (44:38):
Don't don't well, yes, will don't.

Speaker 10 (44:43):
Be man pard.

Speaker 1 (44:49):
Jam you cay.

Speaker 10 (44:53):
Yes.

Speaker 42 (44:58):
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Speaker 10 (46:02):
Oh yeah, somebody on the s us bring the word.

Speaker 17 (46:09):
Didn't everybody to do the same for me?

Speaker 18 (46:12):
Saseesus sadly, A lot of alone.

Speaker 17 (46:26):
Say says you are.

Speaker 10 (46:30):
Over all I s.

Speaker 43 (46:41):
Y s you.

Speaker 10 (46:54):
Go so up the work that he's so let your
god son, he's the love it to leave to him.

Speaker 44 (47:10):
Son pas how ever, lasting night, Let me ask you something.

Speaker 10 (47:16):
Have the time Jesus, side, I want to have the time.
Name and your side.

Speaker 11 (47:29):
Too, Yes side, learn.

Speaker 10 (47:40):
A long line. Let me ask my now this side, Jesus,
yes side, I won't not have the time. Name that
sig Jesus, Si.

Speaker 11 (48:04):
Jeezus alloy a.

Speaker 10 (48:11):
Wonder her side.

Speaker 44 (48:19):
So good God, so right she is, so I know
it's all right, so right, I don't know so little show.

Speaker 1 (48:33):
So come and treatful.

Speaker 10 (48:36):
So my ready lad? So he balling him.

Speaker 29 (48:41):
So so.

Speaker 10 (48:44):
So not the line is the lad all right?

Speaker 28 (48:50):
So why don't you mean him?

Speaker 10 (48:53):
So I just call him so he'll be right now.

Speaker 11 (48:58):
So I'm no you so why till jeezy No, I'm
jeez that time.

Speaker 10 (49:13):
Jesus, yes, why.

Speaker 1 (49:20):
Jesus all right, I cut down, I said, bis.

Speaker 10 (49:26):
Boy, I said about his buddle and my body.

Speaker 23 (49:33):
Somebody's bus all this riptlet mere gonna turns its not.

Speaker 10 (49:43):
The money, I'll come this crazy.

Speaker 1 (49:47):
I'm wanting fools till my mind.

Speaker 10 (49:50):
I know.

Speaker 18 (49:51):
Listen, it's all right, Diesel, hy dies you why Diesel.

Speaker 10 (49:57):
He's addle. I'm my god, it's all right. Lit.

Speaker 28 (50:06):
Do I look from a posy.

Speaker 11 (50:12):
Wow wow.

Speaker 23 (50:16):
To somebody noos all right, sonora, somebody donor alla wow?

Speaker 10 (50:29):
I try.

Speaker 17 (50:38):
Rode in between.

Speaker 10 (50:41):
Round all. I love listening to d L's backstage past.
You guys are so funny and dal Is just fight

(51:02):
out crazy. Keep the laughs coming, y'all.

Speaker 6 (51:05):
Mister Sadwarfare d d L. Marshall and I want you
guys to make sure that wherever you go, you have
a peaceful relaxation and rest. I want you to be
able to go somewhere that you feel comfortable to use
the restroom. I want you to feel comfortable kicking off
your shoes and walking across the carpet in your room.

Speaker 5 (51:23):
I want it to be able to.

Speaker 6 (51:24):
Smell lemon and e fresh like fabuloso when you first
walk in. I want you to feel safe to leave
your car park in the parking lot. And I want
you to feel that way by calling my friends over
at Hotel Whiz. That's right, Hotel Whiz one. Eight hundred
six one nine eight nine one seven. That's Hotel Whiz one,
eight hundred six nine eight nine one seven. Tell them

(51:45):
you heard it on Deal's backstage past Hotel Whiz. The
most comfortable state you'll stay anywhere, all right, damn me
were back and we got a booster shot for him.
Remember when they was taking that jab and they told
you all you need to do is take the jab.
And then they said, wait a minute, it's a new
strand you got to get a booster. So this is

(52:07):
a booster edition.

Speaker 5 (52:08):
Up dang d l all right and so uh so, Tabby.

Speaker 6 (52:16):
We saw that, and we see how they feel about
our children. So Ohio Man Rodney Hinton got a call
that his son Ryan Hinton had been shot in the
back as he ran away from the police.

Speaker 5 (52:38):
Now everybody want to go to and this is the
racist first tell tale red flag.

Speaker 10 (52:45):
Well he had a gun?

Speaker 5 (52:47):
Okay, did he have it?

Speaker 6 (52:49):
Pointed at the office, dang d l or did it
just so happen to fall out of his belt line
while he was running away? D Because the last I checked,
there was no shots fired out of that gun when
they recovered it.

Speaker 5 (53:08):
You shot him in his back, which means he was running.
So Rodney Hinton was brought into the Ohio Police Department
and he was shown.

Speaker 6 (53:25):
Vest cam of bulletproof calm of his son being shot,
and after being shown that he felt as though what
he saw was not lawful and it was not right,
and that.

Speaker 5 (53:45):
He didn't believe justice would serve his son.

Speaker 6 (53:48):
Now, I ain't saying that he should have done what
I'm about to describe he did next, But I say
I understand there is a father, a man, a son,
and a husband a brother.

Speaker 5 (54:02):
There are some things that the only option is to
die for or to go to.

Speaker 6 (54:08):
Jail, and to shoot a man's son in his back
and then show him the videotape and have you agree
with is your son's fault? He was shot in the back,
and you want this man to accept that, You get
to go home and sleep, play ball with your.

Speaker 5 (54:25):
Son, raise your son. So now let's get all of
y'all's reasoning and excuses out the way. No, he should
not have been in a stolen car. No, he should
not been.

Speaker 6 (54:40):
Possessing a firearm without having it lawful and legal. Now,
but he also should not have been shot in his
back as he ran from the police. Because of all
of the ex examples of police brutality in the eyes

(55:07):
of the law, they feel like.

Speaker 5 (55:13):
Whatever they deemed right is what can be done at
a d M.

Speaker 6 (55:20):
Because even if you felt like this was even if
you felt like this was a stolen car, it's still
a traffic stop. And we can't even count it's a
countless amount of young black males who have lost.

Speaker 5 (55:34):
Their lives at a traffic stop. Hit down, hit down.
You have not been shot. Act. You shot even in
his back. There's no more of a cowardly act than
to shoot a man in his back. I'm a big

(55:54):
I don't know.

Speaker 6 (55:54):
About you, Tammy, and you can tell me, but I'm
a big fan of Westerns, And at least at Westerns
at high noon, they would step out of the saloon
and they would face each other back to I mean
they would go back to back. Then they would take
ten steps and they would turn around after them ten
paces and face each other, and then they would say draw.

(56:16):
But they at least had enough respect knowing the other
man was armed, not to shooting in the back.

Speaker 5 (56:25):
I am so sick of these cowards police officers. Did you.

Speaker 25 (56:47):
Somebody you can deep and see wins house?

Speaker 5 (57:04):
He can deep and see it with?

Speaker 26 (57:07):
He said?

Speaker 10 (57:08):
How is she can deep and see wisdom?

Speaker 1 (57:12):
He must have been.

Speaker 28 (57:18):
I was on my way to hell a whissus sad.
I was all the way to hell win, I was
all my way to hell wisdom.

Speaker 10 (57:31):
And you must have been knows he touching? She somebody?
She chucks me off. He must have been Jim. Somebody touching.
I was on the wrongs.

Speaker 11 (57:53):
One day.

Speaker 10 (57:55):
Sheesus case. She came my way, and it touts me off.
Somebody touch them? Oh yeah, you feed him. Somebody touched him?
Oh oh oh yeah, somebody you know? He say, you

(58:19):
know me that? Why did if you touch? No, how
you don't feel to say hurt my mind?

Speaker 38 (58:30):
Don't think the same.

Speaker 1 (58:32):
Oh s he said, somebody touched them?

Speaker 10 (58:37):
Say god he did. He looked me on all on
my fore side, and he steel he feel touched me?

Speaker 11 (58:48):
Off?

Speaker 38 (58:49):
You seed it?

Speaker 1 (58:51):
Somebody touching?

Speaker 10 (58:54):
Thank you jeems return chi.

Speaker 1 (58:58):
Oh yeah, somebody in touching y.

Speaker 11 (59:05):
Oh yeah, wow, whoa what did you do?

Speaker 45 (59:12):
What did you do?

Speaker 10 (59:15):
What did you know he had in his past? I'm
not a shade the jell forbody he had in his hands,
his hand on me.

Speaker 40 (59:30):
Jeep, cheez, jeep, cheer chee, call up jee call now,
looking know I'm cheers chee.

Speaker 38 (59:38):
He'll pick you up.

Speaker 1 (59:40):
Yet you feel it cheers the coma and the.

Speaker 38 (59:44):
Name of the comma in the name.

Speaker 10 (59:48):
He's the subject. Now the first is done of d
l's backstage pass. It's the second Hourum.

Speaker 46 (59:59):
Now, hey, y'all, welcome to the second hour deals backstage Pas, Yes, sir,
enjoys use.

Speaker 47 (01:00:24):
Got the sweet too, meallow the bad come flowing from
the all like every day is your birthday, all three
sixty five year It's like, man, your most find all

(01:00:46):
your tears, all.

Speaker 1 (01:00:47):
Your prey for me, just things, Yes, sir, God, kids, God,
I know.

Speaker 10 (01:01:06):
That he wins. God got.

Speaker 43 (01:01:14):
Kids seeing the doctor with a shy love.

Speaker 11 (01:01:25):
Once he.

Speaker 43 (01:01:27):
Shook their head and down we cry. But you felled
out on your name because you know it stops to plead.

Speaker 10 (01:01:38):
Prowing on your plant got strong and now when you
speak it's got cham I know you cheering, got it
got Jai? How I know he's afraid of a trouble.

Speaker 11 (01:02:01):
Ain't the word.

Speaker 10 (01:02:04):
The shadow of I'm show an evil. I know that
trial and tribulation seems so very hard to me.

Speaker 41 (01:02:16):
I know what child's and lunch it since we always
facing that Thursday, that's just like a se sevity of
the Southern beach, just like the way in the air it's.

Speaker 48 (01:02:30):
Coming down with gravity. God, I'm sure you mean, because
it's always whenever I sk never have a scene or
right just for a second, not from a scene. Make

(01:02:52):
it away, come away off we get rid more. If

(01:03:31):
you won't know, put your hand up, y'all, don't mind.

Speaker 10 (01:03:44):
Let me say that song lesson o the wall, say
my say this thing when I I can't wait see.

Speaker 5 (01:04:03):
My saving face when not.

Speaker 10 (01:04:07):
Hello ah, say wait.

Speaker 49 (01:04:14):
See my cheesus face. Can I see one more time?
I can't wait seem say this face were not.

Speaker 10 (01:04:32):
Ye, I can't say my say shut up, I can't wait.

Speaker 50 (01:04:50):
See I say this way, We're not the doctor told
you the father?

Speaker 47 (01:05:04):
When I.

Speaker 10 (01:05:07):
Move on dot a sound. When not talking about this world,
I'm just put from for most of all.

Speaker 9 (01:05:22):
Outside to Jesus, one of these days, I'm fine, Jesus.

Speaker 5 (01:05:31):
When the city walking a ride.

Speaker 10 (01:05:34):
I'm fr chous, Jesus.

Speaker 23 (01:05:37):
We're seeing exausting right, I'm trying, yeah, Jesus.

Speaker 10 (01:05:47):
Doctor. Chee chee chee chee.

Speaker 51 (01:05:53):
To yo cheech my cheep cheep.

Speaker 11 (01:05:59):
Che che She.

Speaker 10 (01:06:06):
Talk about you, talk about you?

Speaker 49 (01:06:12):
Right, she didn't, little lag word, she didn't stop lynch
and go talking about you, talking about you, were talking
about you.

Speaker 10 (01:06:22):
Talk to sing, she rash, She did not.

Speaker 1 (01:06:32):
It's a.

Speaker 10 (01:06:38):
The something you man, the south wall of problem. Turn
it off, che.

Speaker 17 (01:06:59):
Little yea, turn it off talking just shr past.

Speaker 10 (01:07:15):
Live, w work it out, working out, working it out,
worrying out that working it out. Time that I have
just to see the song I'm talking to work it out,
don't work it out. Don't take it to your name

(01:07:39):
to us, take it to your seat. What do I
shout it out?

Speaker 17 (01:07:46):
Shouting and shouting out, shop showing off, shouting.

Speaker 10 (01:07:49):
And shopping out when I didn't got the shop in
your sheet?

Speaker 51 (01:07:53):
Shot all shut hear, I just shout shut, shouting down, sad, sad.

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Speaker 27 (01:09:09):
Eight hundred ninety four to two three oh seven eight,
eight hundred ninety four to two three oh seven eight,
eight hundred ninety four to two three oh seven eight.
That's eight hundred ninety four to two thirty seventy eight.

Speaker 6 (01:09:22):
The dead not I mean Rodney, the dead of Ryan
was arrested and he was just coming from the hospital.
There was a white detective texting, now we can only
assume what he texted. But there was a black officer
that got in that elevator. It was three officers white,
the one detective, and then the black officer got on

(01:09:44):
the elevator and rolled the elevator with Rodney. I don't
know if he did it to protect him. I don't
know if he did it just because that was his job.
But kudos kudos that brother, because I really believe with
the crime that Rodney hitting his being charged with, I
believe that some bodily.

Speaker 5 (01:10:02):
Harm was gonna get done in a dude.

Speaker 1 (01:10:04):
Oh yeah, And.

Speaker 6 (01:10:06):
They knew why that black officer got on there. That's
why they looked perturbed at him. They looked more mad
at the officer than they did it Rodney. Once he
got on elevator and he looked over at the detective
that was texting, and he automatically looked up at it
and stopped texting. Then he looked at the one that
had the body cam. Yeah, then he had the one

(01:10:28):
looked at the one with the body cam. Now leave
it to us that stepping feshion and ruckus. Well, they
was gonna do something to him. Why you still have
the body cam on? How many times did them tapes
get erased? How many times did them cameras get turned off?
It was still on because the brother got on the
elevator with him. It was still on because they were

(01:10:51):
just coming from a lot of people. But it only
took a second to turn that thing off. They do
it all the time, y'all. They do it all the time.
So kudos of that brother. And they they they got
at his brother when when they went to day well,
i think it was day two, to the courtroom and

(01:11:13):
they got at the brother and they told the brother
to come away from the window. All you want to
do is walk to the window to let his brother
know you're not in this by yourself, right, You got support.

Speaker 5 (01:11:27):
We're here with you, although we own this glass.

Speaker 6 (01:11:29):
But it's a room full of officers banded together to
show their unification.

Speaker 5 (01:11:34):
What's the game, yep, it's power. Frustrated.

Speaker 4 (01:11:41):
They want to exert their power. They want us to
They want us to basically bow down to them in
fear of our life. And you know, again, on whatever
side you fall on, whether you believe that this man
was right or this man was wrong, all of us
are tired, and all of us are tired of this

(01:12:04):
you know, I can't.

Speaker 5 (01:12:06):
Say what he did was right, but I ain't gonna
say it was wrong. I ain't gonna say he should
have done it. I ain't gonna say he should have
done it. But I understand why.

Speaker 4 (01:12:16):
I understand completely. And I can't even say that if
I was ever in that situation, that I wouldn't do it.

Speaker 5 (01:12:22):
I can't say.

Speaker 4 (01:12:24):
I can't say that if something like that happened to
my son or my daughter, I can't say how I
would react to that, you know, because what else is.

Speaker 5 (01:12:31):
It there to live for?

Speaker 1 (01:12:33):
Right?

Speaker 6 (01:12:35):
You know, I mean at that moment, at that moment, yeah,
and you know, and he probably felt like he had
nothing to live for.

Speaker 5 (01:12:42):
Yeah.

Speaker 4 (01:12:42):
And I saw the video when he was walking past
all the officers, you know he did, and you know,
he that was all at the time that he felt
that he could do for his son. At that time,
that was all he felt he could do. And I again,
I can't say that that's I cannot say that what

(01:13:03):
I would do if that happened to me. So I
definitely understand, and I know that I'm tired of seeing
these stories. I'm tired of hearing these stories. And this
man was running, he was not a thread. He was
running from them. There was no reason to shoot him.

Speaker 5 (01:13:21):
Yep, yep. To them is good will honey. To them
is good will honey. So yeah, those is the.

Speaker 10 (01:13:28):
Back of the back d L.

Speaker 5 (01:13:30):
And hopefully you guys.

Speaker 6 (01:13:34):
We see your comments in the in the in the chat,
and we'll get to a couple of them here in
a little bit.

Speaker 5 (01:13:40):
But here's another segment of the infamous segment of d L.

Speaker 6 (01:13:46):
And what we're gonna do is were gonna pay a
bill and then we're gonna come back because there's some
smoke in the air. And I don't know if this
smoke is thick, if it's Vatigan or what, but there
is some smoke in the air and I didn't see
this coming.

Speaker 5 (01:14:02):
They say, where they're smoke, there's fire, new music, deep
wall deep.

Speaker 10 (01:14:10):
But let's try up from again.

Speaker 52 (01:14:13):
Come on, that's be not got insuits, my humble crack up.

Speaker 10 (01:14:26):
Wound on the snow, Come on, come on.

Speaker 1 (01:14:34):
Help for y'all.

Speaker 10 (01:14:37):
Alright, nine nerves give me that verse again? Has been
no insus. Ye, my humble.

Speaker 26 (01:14:53):
Up on the door call.

Speaker 1 (01:15:00):
He passed please by you?

Speaker 40 (01:15:04):
Yes, come on, everybody clap y'all, Hey, everybody clap.

Speaker 10 (01:15:09):
Y'ard, Hey ma, whoa my turn? No no no no
no no no no no no norle no no no
no no no no no no no no norm Let's
take it back of medicine.

Speaker 11 (01:15:24):
Don't don't.

Speaker 26 (01:15:31):
You know what.

Speaker 17 (01:15:34):
When I think you a mody ting for me.

Speaker 10 (01:15:39):
My sog, get't happened?

Speaker 1 (01:15:41):
I got you did too.

Speaker 11 (01:15:43):
Ready, we got a mood. I need a mean, I
need him. Oh have a.

Speaker 10 (01:15:50):
Ring man, everything and every ring. I need it right now?
Anybody need you wanna.

Speaker 38 (01:16:01):
Be on w Let no kind of know.

Speaker 10 (01:16:06):
Nobody whenever you call.

Speaker 5 (01:16:11):
Whenever you're calling, you.

Speaker 10 (01:16:14):
Don't wait no time. Wana tell him again? I did you?

Speaker 11 (01:16:20):
Can you need it? You need it? I mean, I
mean a meat, A need a dinner?

Speaker 39 (01:16:28):
Come on, Lord down in a wed then, come on,
I'm susting that ant on man.

Speaker 10 (01:16:38):
Come on, you gotta have fimeleve. Come on, see.

Speaker 45 (01:16:47):
Why, let's get on out of here. Let him come on,
come on, come on, come on. You can come in
the morning, you can come in anning.

Speaker 11 (01:16:59):
You can come on no night hour, come and be
only by the time night and down.

Speaker 10 (01:17:06):
Get run.

Speaker 5 (01:17:13):
Not loney.

Speaker 34 (01:17:15):
Sometime we DoPT you, but we gotta remember you.

Speaker 10 (01:17:20):
Gep up.

Speaker 11 (01:17:31):
The game up, you're my family. We gotta live in
a little house on two weeks.

Speaker 5 (01:17:50):
All right, ladies and gentlemen, get ready, it is time
for the most soothing voice and radio. We're gonna get
into some gospel news and the Top ten count Down
with our sister Nina Tator. Hey, how you doing, Nina?
What are you doing?

Speaker 53 (01:18:05):
Everybody Anina Taylor with this week's gospel News. The Brown
Boys began as the Brown Boys Gospel Singers, a group
formed during the nineteen eighties in their native report, a
village on the south shore of Long Island, New York.
The group, including siblings Curtis and Dennis and Willie Brown,

(01:18:26):
along with cousin Joe Williams, changed their name during the
late nineteen nineties. They issued such albums as Jump for
Joining two thousand and five, Harvest Time in two thousand
and nine, and Evolution in twenty twelve. The group has
hit Billboard's Gospel Albums and Singles charts, along with their
most popular songs, It's Alright at Better Days. The Supreme

(01:18:51):
Angels already a popular group when coward Slim Hunt joined
them in nineteen fifty six. Hunt had grown up in
the Little Top of Walnut Grove, Mississippi, and he always
enjoyed singing, particularly gospel. After a moved to New Orleans
and after that Milwaukee, he joined the local group in
nineteen fifty three. Three years later he took up guitar

(01:19:14):
and was asked to join The Supreme Angels until the
group disbanded in nineteen fifty seven. Left with touring dates
to Phil Hunt kept the Supreme Angel's name and carried on,
although membership of the group was constantly changing, becoming one
of the most popular and versatile gospel quartet groups around

(01:19:35):
under Hunt's leadership, thanks to his stirring and soaring lead
vocals and his fine guitar playing Robert Sugar High Tower.
The group released several albums early on and later signed
with Malaco Records, many of them recorded live before Hunt's
death in two thousand and seven and High Tower passed
in twenty ten. An award winning gospel group out of County, Mississippi,

(01:19:58):
who pioneered mixings additional gospel with modern R and B
and urban element, the Canton Spirituals were formed in nineteen
forty three by Harvey Watkins Senior, along with Bribon I S. Watkins, Claude,
Bubba Nichols, Warren g Ward, Isaac Fulton, Eddie Jackson, by
Old Thomas, and Roscoe Lucius. Following the senior Watkins's death

(01:20:20):
in nineteen ninety four, the group had been led by
his son, Harvey Watkins Junior. The group released twenty albums
between nineteen seventy eight and twenty thirteen. They've also earned
a Stellar, Dove, Soul Trade, GMWA Excellence, and Urban Network
Awards along the way for their contributions to modern and

(01:20:43):
contemporary gospel. The Echoayres are a contemporary gospel group from
a small town of Moscow, Tennessee, just east of Memphis.
Joseph Johnson and Charles Houston formed the group in nineteen
ninety three with the goal of combining testimony, harmony, and
expressive chord progressions to move listeners. Their self released first album,

(01:21:06):
It's a Miracle, in nineteen ninety seven. They were invited
to participate in the Gospel Music Workshop of America Artists
Showcase in nineteen ninety eight. In nineteen ninety nine, it
was a recording live. Then they followed up with the
album Determined to make it in two thousand and one,
over the next several years, they won gospel vocal competitions

(01:21:28):
on both the regional and national levels, and toured with
acts like The Canton Spirituals, Lee Williams and The Spiritual QCs,
The Sean Payson J.

Speaker 26 (01:21:37):
Moss.

Speaker 53 (01:21:38):
In two thousand and eight, to Echo Air signed with
Memphis label Echo Records, which released Transformation Live in Memphis
in early two thousand and nine. An old School New
Flavor followed up on the second half of twenty ten.
With Joseph Johnson still leading the group. They came back
with their fifth LP, Stronger Than Ever, in twenty sixteen,

(01:22:00):
also on Echo Records. Here's this week's top ten gospel
quartet songs number ten from d mort to End, Gifted
Rest a Little nine, The Mickens Will Stop By Year Live, eight,
The Flint Cavaliers with Burdened number seven, Brothers and Sisters
with Elder Troy Jackson with Lord That Will Be Done

(01:22:21):
featuring Evelyn Williams. Six Men of Praise with Do Right five,
James Fan and the Span Brothers with Reunion. The Fantastic
Spiritual Voices at number four with Right on Time number three,
The Mighty Golden Wonders with Finish line number two the
Blind Boys of Alabama with Jesus You've been Good to Me.

(01:22:44):
And our number one song comes from the Mighty Gospel Warriors.
It's called Joy from the album Live in New Albany, Mississippi.
Well that's your top ten gospel quartet songs and your
gospel news, Meana Taylor, let's get back to more break
go school music on this great station.

Speaker 20 (01:23:10):
When you see me walking good song and me, I've
got that hoy good and my.

Speaker 10 (01:23:20):
Ol used to go, No boy, the whole office same,
the holy egos to see my heart had it changed
my name. I've got a little old ghost all the
inside of me. I've got a hole egos studia in me. Well,

(01:23:41):
I know I got what I used to me. I've
got a whole egost.

Speaker 43 (01:23:48):
Yeah me.

Speaker 10 (01:23:51):
Will kee me jumping all in my car.

Speaker 1 (01:23:57):
The hols chant other.

Speaker 10 (01:24:00):
Than time all.

Speaker 5 (01:24:02):
I don't see the things that I used to saying.

Speaker 11 (01:24:04):
I don't talk to say the hold ingles same my
man and she my name, I come to you.

Speaker 10 (01:24:15):
Inside of me. I'm got to hold the ghosts will
God what I used to be.

Speaker 17 (01:24:27):
I got the hold the ghosts will be give me.

Speaker 10 (01:24:35):
I want to know to nay tell a little winness.

Speaker 11 (01:24:40):
Is there anybody a man like a.

Speaker 10 (01:24:45):
Ghost?

Speaker 1 (01:24:48):
Can you said the.

Speaker 10 (01:24:54):
Honey talk that God help them?

Speaker 38 (01:25:03):
Pulling out to.

Speaker 11 (01:25:06):
The poor change borst tolling out the sagun.

Speaker 10 (01:25:29):
Shop selling and got him got in the hole.

Speaker 38 (01:25:36):
And having had.

Speaker 40 (01:25:41):
It long ago, if you got it holding up, don't
go there saying the love the hole the hold and
you love the hole, the hole in the whole, come out.

Speaker 38 (01:26:24):
All right.

Speaker 6 (01:26:34):
Welcome back, y'all to the award winning deals backstage past
and we're gonna jump into a couple of these comments.

Speaker 5 (01:26:40):
Welcome back as well. Tammy t the.

Speaker 6 (01:26:42):
Curve effect and I want to say what's up to Solomon?
Want to say what's up to? Boss Lady Leatricia Brown?
Want to say what's up to Riy Hudson. Thanks guys,
and uh put in the comments and people that you
think may be wanting to watch, wanting to hear, and
U Tammy did Gregory?

Speaker 5 (01:27:01):
I remember Dick Gregory when he was a comedian. A
lot of people, depending on your age, also, some people
just remember him as an activist. That march with doctor
Martin Luther King and Reverend Jesse Jackson and the Freedom
Walks Selma.

Speaker 6 (01:27:20):
Some people know him as Dick Gregory, the weight loss King,
but however you remember him, Dick Gregory.

Speaker 5 (01:27:32):
Said this as a black man that has gained a
level of celebrity and financial gain.

Speaker 6 (01:27:42):
Once you hit their radar, they will make sure you
don't leave this earth without one of three things, all
being a scandal. Rather it's a scandal of sexual, scandal
of drug or scandal of violent abuse.

Speaker 5 (01:27:58):
Before you get out of here, they're gonna put a
smudge or stain on your legacy and for years.

Speaker 10 (01:28:10):
Baby love, my baby love.

Speaker 5 (01:28:14):
Uh tears of a clown, the tears.

Speaker 10 (01:28:16):
Of a clown, or I love it when we're.

Speaker 5 (01:28:21):
Cruising to gather or ebany, uh need you? How you
look at it? They don'e got smoking?

Speaker 4 (01:28:34):
Not smoking, man, That's what I'm.

Speaker 5 (01:28:37):
Playing with my emotions. Smoking, not smoking smoking, Tammy. I
know I was like smoky, Oh my not smoking. I
said the same, trying to hear up old green eyes.
Come on, lord, I ain't buying it, Tammy. I ain't
buying it with your credit card. I ain't buying it

(01:28:59):
with that Ebtor. I ain't buying it. I'm sorry, I
just I don't not smoking. Not seventy five year old smoking,
not seventy eight year old smoking, not eighty year old smoking,
not eighty five year old smoking. No, smoke it smoking, man,
if you didn't have people's money, are they? But they

(01:29:24):
told you what they was gonna do.

Speaker 6 (01:29:26):
And smoking is the latest of our iconic celebrity legends
that they trying to hear them smoking up.

Speaker 10 (01:29:37):
Now.

Speaker 5 (01:29:38):
I know some of y'all want to know what year that?
Then smoke it, undiad I'm about to tell you what
smoke it? Undid uh tammy? Not one, not two, not three,
but four one little two, little three, little four. Little

(01:30:01):
housemaids said that Smoky got frisky with all of them.

Speaker 6 (01:30:11):
Now they said some of them go back ten years.
Now we're talking about ten years. It's a seventy five
year old smoke. Now, y'all all dountseeen the video of
Smoky looking decrepit, like if he twirled his hip the
wrong way, he gonna break.

Speaker 5 (01:30:27):
Now you mean to tell me, you mean to tell
me from two thousand and fourteen, two thousand and fifteen
or seventy five year old smoking? Now look at it.
They call it the blue room.

Speaker 6 (01:30:42):
Speaking of the Blue Room, y'all go get y'all tickets
because it's coming up next week once twenty second. Shall
get them tickets to the backstage fast comedy Bad starring
Robert Jackson, This funny guy, Robert Jackson Black the.

Speaker 5 (01:30:55):
Comedian holds it by yours truly, D D. L. Marshall,
musical guests, Billy Burds. You go get them tickets. They're
only fifteen dollars. The link is in the chat. All right. Yeah,
the blue room. They said he got a blue room.

Speaker 6 (01:31:06):
I guess at the crib and it's something about blue
make old green eyes fris skid.

Speaker 5 (01:31:14):
Frist skared and so he get to twirl and real slow.

Speaker 6 (01:31:18):
Now, one said that he would go into the bathroom
through the room and then he come out another way.

Speaker 5 (01:31:27):
Right, it's his house.

Speaker 6 (01:31:29):
First of all, he ain't got the gold out and
in the same door if you don't want to. But
the man is seventy five to eighty five years old.
Depending on when you said he did this.

Speaker 10 (01:31:39):
He might have forgotten.

Speaker 6 (01:31:45):
Hey, oh bit, I'll get back over in here. I
need some help, that's why you're here. But then you
turn around and he exposed his self.

Speaker 5 (01:31:57):
You know how hard it is to keep a towel
around your wasting your fifties.

Speaker 6 (01:32:02):
Imagine smoking trying to step without stepping on that towel
and hold it at the same time.

Speaker 5 (01:32:08):
Something gonna fallward Smokey said, it ain't gonna be here.

Speaker 10 (01:32:24):
I know I have a past to make me feel
this way. I know I've did some wrongs.

Speaker 19 (01:32:29):
I need some love today. A little craze had some mercy.
Your brother really hurt and I really need.

Speaker 5 (01:32:37):
Your love it.

Speaker 19 (01:32:39):
I'm tired of towting myself, fighting myself to see anybody here.

Speaker 10 (01:32:44):
May Lord, I'm calling know you because your word tells
me to. Did you tell me you love me from
love Bigon and me?

Speaker 29 (01:32:56):
Because father.

Speaker 47 (01:32:59):
Is me?

Speaker 10 (01:33:00):
Father you know his me. You faith with me from
the beacon me.

Speaker 1 (01:33:10):
Because father you know his father, you know is me.

Speaker 19 (01:33:20):
I meditate on your day and night. I gotta focus
on how to live right. I gotta be strong and courageous.
Few it's your greatness, because s ain't nobody starving me.
I gotta remind myself not to be broken. I gotta
remind myself that Jesus died for me. I gotta remind

(01:33:41):
myself Tuesday.

Speaker 10 (01:33:42):
Hold out, hold all that you love me from the
beacond me because father you know his me.

Speaker 11 (01:33:56):
Mother you know his me.

Speaker 10 (01:34:00):
You fath me from the bacon because father, you know
his me. Father you know is me. You notice me?

(01:34:21):
You knowice me? Oh come on, do you notice me?
You notice me?

Speaker 11 (01:34:32):
Hey?

Speaker 10 (01:34:32):
Hother you notice me for the molidation? No the world?
Do you notice me in my mother's will you notice me? Yeah?
Notice me from the bacon, from the big.

Speaker 2 (01:34:49):
D You know.

Speaker 11 (01:34:52):
All that. You know you noticed me.

Speaker 10 (01:34:56):
You fath me from the.

Speaker 38 (01:35:02):
Because fun.

Speaker 10 (01:35:10):
Issues from the big.

Speaker 26 (01:35:16):
Because fun.

Speaker 1 (01:35:19):
Me.

Speaker 10 (01:35:24):
You faveh me from the big.

Speaker 48 (01:35:30):
Fathers fathers.

Speaker 10 (01:35:41):
Attention.

Speaker 37 (01:35:41):
This message is for all of you out there that
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(01:36:04):
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Speaker 10 (01:36:23):
Call this number.

Speaker 37 (01:36:23):
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Speaker 27 (01:36:26):
Call eight hundred two eight five nine five eight nine,
eight hundred two eight five nine five eight nine, eight
hundred two eight five nine five eight nine. That's eight
hundred two eight five ninety five eighty nine paid for
by betapath.

Speaker 4 (01:36:41):
And I'm a woman, and it's not not making sense
to me. I'm a woman, and there's no way I'm
gonna go to work every day knowing that somebody is
going to try to overtake me every single.

Speaker 1 (01:36:50):
Day, and.

Speaker 6 (01:36:53):
You're gonna need at least one hand to help get
it into the promise Land seventy five, eighty five years old.

Speaker 5 (01:37:02):
He ain't just he ain't just walking in by hisself
no more.

Speaker 10 (01:37:06):
Oh damn.

Speaker 5 (01:37:07):
I ain't never seen a noodle that I mean it,
take a farker wrapper noodle.

Speaker 10 (01:37:15):
Oh man, I'm just saying, man, some of.

Speaker 5 (01:37:23):
This stuff, some of this stuff, man, just come on, man,
it ain't come on now.

Speaker 6 (01:37:32):
If she had a said, if you had have been
a woman that said I was trying to be a
motown singer, and Smoky and Buried passed me around, and
you know, next thing, I know, they shelled my way
back then.

Speaker 5 (01:37:48):
If you're gonna get him like y'all got Bill Cosby, Okay,
I can see, But.

Speaker 6 (01:37:52):
You're gonna tell me that this man started getting the
urge to take it at seventy five and you let
this man keep getting it at for ten years, hope,
And it was you and three other women. They couldn't
have jumped in. Hey, look here, you know, Isabella, I

(01:38:12):
know you gotta go.

Speaker 5 (01:38:13):
Up to the Blue room tonight. Don't go along. I
ain't gretch it.

Speaker 10 (01:38:17):
You come on with me.

Speaker 5 (01:38:17):
We're gonna jump smoke it.

Speaker 6 (01:38:20):
Uh sell phones. Hey, I know I gotta go up
to the blue room. Can you go up there before
me and set this up so I can have proof?

Speaker 5 (01:38:28):
Come on?

Speaker 6 (01:38:28):
They talking about well it ain't no cameras in the house.
Well yeah, but he knows the rooms that doesn't have cameras,
So hack your phone.

Speaker 5 (01:38:39):
What I see.

Speaker 4 (01:38:41):
I'm gonna leave them to leave smoke alone.

Speaker 5 (01:38:44):
I don't believe them.

Speaker 4 (01:38:45):
That's when I do not believe.

Speaker 5 (01:38:47):
I can't get jiggy with this. I can't get jiggy
with this.

Speaker 6 (01:38:51):
No, no, it just doesn't well, y'all put them in
the chat, tell me what y'all think about it, and uh,
when we come back, it's gonna be time.

Speaker 5 (01:39:01):
But story time for Grio D d L. Mister Sadway Fair.

Speaker 6 (01:39:07):
Oh, I got a story tonight, and y'all got to
make sure y'all tell me if this is true.

Speaker 5 (01:39:13):
If it's false, Tammy, I hope you're ready because you
you you're still trailing. I hope you're ready. We'll be
back y'all. Oh, yeah, I got I got five. You
got treat Oh yeah, I gotta catch up.

Speaker 4 (01:39:28):
I gotta catch up.

Speaker 10 (01:39:29):
I got I got you.

Speaker 5 (01:39:30):
Yeah, don't turn your back though, don't turn your back.
Smoke you behind you. We'll be back after this editing.

Speaker 6 (01:39:37):
Hey, if you guys enjoyed this episode and love more
from Marshal Media Backstage Entertainment Television.

Speaker 5 (01:39:43):
Then what are you waiting for? See that button right there? Subscribe?
Get the bell? Let me ring a ding ding every
time we dropped something in your box? Can I can
I lose my sponsorship of saying that?

Speaker 6 (01:39:58):
Oh too late and said it now? Hey, Martial Media
Backstage entertainment television. Make sure you catch us every time
we jump home.

Speaker 10 (01:40:44):
Lost love, so sushi don't see and uh, I'm getting
tag on this my cat. But I gotta know is

(01:41:08):
it true?

Speaker 22 (01:41:09):
Dare you on the storm.

Speaker 10 (01:41:13):
And is it true?

Speaker 12 (01:41:14):
You can give this guss my home, give your cat
flee straight to food, nothing else.

Speaker 26 (01:41:30):
A f.

Speaker 17 (01:41:33):
Let me see you all night.

Speaker 15 (01:41:37):
That ride I was saying by you, I won't give up,
I won't off place.

Speaker 47 (01:41:48):
Hi, this is.

Speaker 10 (01:41:51):
Show me the place. It don't make no sense.

Speaker 12 (01:41:59):
How we got to this, dude, you changed my whole
I'll smiling.

Speaker 10 (01:42:05):
I yet.

Speaker 12 (01:42:09):
Now I know for something that golla it's a goodo
like that hollo, but just the good my mockyball.

Speaker 10 (01:42:21):
As roll.

Speaker 12 (01:42:24):
Because you loving got me discombobulated.

Speaker 10 (01:42:27):
I can't calculate it. It got me sutures. Lady, lie
love be.

Speaker 38 (01:42:41):
So let me hear you.

Speaker 15 (01:42:47):
Ah, that is that pride I was waiting for you.
Halper a lad, it's fisty.

Speaker 10 (01:43:25):
This is your girl be fifty love.

Speaker 12 (01:43:27):
And I'm hanging backstage with my homie the Voice D. D. L.

Speaker 35 (01:43:31):
Marshall on iHeart and Spotify Radio.

Speaker 6 (01:43:36):
All right, y'all, it's time for story time with the Grillo,
mister sad Way fair d d O Marshall.

Speaker 5 (01:43:45):
Now, if you knew the story, time you listen to
the story from the Grillo, which is me. And when
I'm done, you gotta tell me if the story I
told you was true or if it was faith. Now listen, it's.

Speaker 6 (01:43:58):
Either gonna be one hundred percent. It's gonna be one
hundred percent faith. Now, I've had a lot of lot
of fun interesting.

Speaker 5 (01:44:08):
Events happened in my life, and I just one day
gonna roll them up in a book. But here we go, Uh, Tammy,
are you ready?

Speaker 1 (01:44:19):
Let's do.

Speaker 25 (01:44:23):
Y'all?

Speaker 6 (01:44:24):
Well, y'all remember the game called hide and seek. Smokey
Robinson played it with his house keepers. You go hide
in the blue room.

Speaker 5 (01:44:33):
You go, nah see, y'all y'all remember the game hide
and seek? Right? So, uh, that was a big game
in my neighborhood.

Speaker 6 (01:44:42):
A lot of our parents they knew each other, and
sometimes they would be sitting on the porch and they
talking and we've been playing all day.

Speaker 5 (01:44:49):
And so when the street lights start buzz and we
run to our house and be like Mama, Mama.

Speaker 6 (01:44:54):
Mama, Daddy, Dad, can we can we just stay at
a little bit longer while y'all stay on the porch.

Speaker 5 (01:44:59):
We want to play hide. And don't y'all be running
around no block. Y'all stay right here on this block.
Don't y'all go past that house. Don't go bad to say, y'all. Okay, okay.
So we go up there and we on the corner.
And one particular night we one potato, two potato, three
potato foa and bubblegum, bubble gum, then the dish and
tiger this and all that. So one night I was it.

(01:45:21):
I had to start the game off count ten minutes.
So when I started the game off counting one Mississippi, two,
Mississippi three, Mississippi boa. When I did the Mississippi, clear
up the twenty.

Speaker 1 (01:45:37):
Really or not?

Speaker 5 (01:45:39):
Here, I come.

Speaker 6 (01:45:41):
Turn around and where there was a corner full of
kids when I first put my face on the tree,
turned around and it wasn't nobody like I was left
behind it.

Speaker 5 (01:45:54):
So a lot of people would hide in the bushes,
Some people would hide under cars, some people would hide
on roofs and garage tops. And but there was a
vacant house crossed and some kids was bold enough tell
me to run in that vacant house.

Speaker 6 (01:46:14):
And see when you went, when you went, and here
in that vacant house, and the person counting come in
that house, you could throw things, you would scare them.

Speaker 5 (01:46:22):
And when you throw things and you make them think
of something over there. All right, don't y'all be y'all
chill out. So I heard them in their throwings. I'm like,
oh my god. So as I stepped a little close,
I heard something might come from up under the car.
They ran. I heard somebody come out the bushes. They
took off running. I got them the man I had

(01:46:45):
to conquer this house. From my Italian calculations, it was
about seven folk in that house. So I'm walking up,
walking up, making sure ain't nobody on the porch that
when I hop up, they jump over and beat me.
So I walk up to the door and it's dark,
still smelling like charred lumber from when the house caught

(01:47:06):
on fire. Yeah, hey, don't y'all be playing y'all here.
So I look into the door and it was like
looking with my eyes closed, complete pitch black.

Speaker 6 (01:47:25):
Hey, hell, hello, come get us one. Hey man, y'all
playing too much. Put y'all chill out, Come get us one. Yeah,

(01:47:46):
stepped one foot on the ricket boards. And as I
came in and my eyes got adjusted to the darkness,
I could see a silhouette.

Speaker 5 (01:47:55):
Hey, y'all playing.

Speaker 6 (01:47:58):
Sure and they was run Then then all of a sudden,
I had two feet in four steps from the door.
One kid ran out, Oh, all right, y'all quit playing.
I'm about to call Ali Ali.

Speaker 5 (01:48:17):
Come get us on.

Speaker 10 (01:48:22):
Yem hmm.

Speaker 5 (01:48:24):
Next thing I know, I saw a silhouette call my mama.
Somebody done fell through the floor down to the base.

Speaker 6 (01:48:43):
Needless I say, Ali Ali had comfree this game. Oh
run out the house calling for somebody's mama. Broken leg
and five bruise ribs later, we made sure that we
paid attention to Mama when she said, don't y'all go
messing around in that house. Although I didn't win the

(01:49:05):
game of hide and go see, I didn't lose either.

Speaker 5 (01:49:09):
And when we went to go see my man, we
took him cards and we all had a good laugh.
After he got that morphiend in him. What do you think, Tammy,
Is that a true story or is it a fake?

Speaker 25 (01:49:23):
Hey?

Speaker 5 (01:49:24):
Let us know in the comments, was that story true
or was it fake?

Speaker 6 (01:49:30):
We gonna read some comments while they were calling him smokey,
a dirty old man, said he was strong, said he
could be on pills, the edibles.

Speaker 5 (01:49:38):
Wow boy, they was in on smoking too. It Yeah,
So let's do this.

Speaker 6 (01:49:50):
Let's take us a quick break and when we come back, Tammy,
I want you to tell us after good thought, was
that real or was it fake?

Speaker 5 (01:49:57):
Hey? Major, and we'll be right back.

Speaker 40 (01:50:04):
By the fire saying I need help?

Speaker 10 (01:50:09):
Not once again, what the hell do I know?

Speaker 5 (01:50:17):
Yo's show?

Speaker 22 (01:50:22):
Now?

Speaker 10 (01:50:22):
I'm calling.

Speaker 26 (01:50:26):
Because I know that you.

Speaker 10 (01:50:29):
Say true you never me people and some say he's
show you.

Speaker 26 (01:50:37):
Up and.

Speaker 8 (01:50:40):
You help me faces by Jane, you help me breaking
mister banking.

Speaker 10 (01:50:57):
Nothing, you help me to go not lont you will
let you step.

Speaker 38 (01:51:03):
They're at.

Speaker 11 (01:51:09):
Thinking for my family.

Speaker 1 (01:51:15):
I'm man, all friends, friends, all things.

Speaker 10 (01:51:19):
Believe what's happening. I know you know, don't you know
what I mean? Now? I want to talk about the.

Speaker 54 (01:51:32):
I'm I'm on them because I know that you will
see this truth and you never They'll need before you
spend some saying but for sure.

Speaker 8 (01:51:47):
You you have me faces, but never love you change.
You help me to breakage. You have me my love

(01:52:11):
you step, Thank you.

Speaker 10 (01:52:16):
Thank you still than b and take this town the same.
Thank you, thank you. It's something to me, it's something
to give, it, something to be stop. Do you want

(01:53:00):
you love me?

Speaker 38 (01:53:02):
Fuck?

Speaker 10 (01:53:03):
Love me?

Speaker 11 (01:53:04):
Jane?

Speaker 10 (01:53:04):
You love me?

Speaker 17 (01:53:06):
Breaking bank, want me to.

Speaker 1 (01:53:20):
Love you?

Speaker 10 (01:53:21):
Let you step? Should?

Speaker 5 (01:53:36):
I think?

Speaker 10 (01:53:38):
I thank you? Thank you?

Speaker 5 (01:53:53):
Yeah? She said, dad people talking. No, wasn't no dad
people in the story.

Speaker 4 (01:54:01):
No, no, it sounded like it was scary man, you
talking about you seeing silhouettes and hearing noises.

Speaker 6 (01:54:09):
She thought, my friends that was in there hiding was
the dead people. I played with dead people. Oh, I
would have known for real that sake, because I know yeah, yeah,
yeah at all you barely did with.

Speaker 4 (01:54:24):
The ones that's alive, So I know you ain't right right.

Speaker 5 (01:54:30):
Well, tell me. We're gonna get out of here, man.
Y'all can catch tell me at the Curve Curvy model.
On social media you can catch missus Sadway Fair d D. M.

Speaker 6 (01:54:39):
Marshall ass d D L Marshall All social media outlets, please, ma'am,
please sir, go to our YouTube channel, marsh Media Backstage Entertainment.

Speaker 5 (01:54:49):
Hit subscribe man. Our numbers are growing and I'm so
happy We're up eleven subscribers.

Speaker 11 (01:54:55):
Uh.

Speaker 6 (01:54:56):
Since Saturday, So y'all go and please support this faith
based entertainment company.

Speaker 5 (01:55:04):
A lot of times Tammy people say, what we need
to do is the church is we need to come
out from behind the four walls. Well, hey, that's what
we're trying to do. Now that we out here, exactly
what we're doing. Support us, now.

Speaker 6 (01:55:16):
That we out here, come on our wood us so
that when these people show up, they be like, man,
I don't know how I live this long without the Lord,
but I ain't finna do it another minute.

Speaker 5 (01:55:26):
And they give a life right there and there all right, So.

Speaker 6 (01:55:30):
Man, till the next time, y'all remember the gospel of
Jesus Christ is contagious.

Speaker 5 (01:55:34):
Catch it all that you do, do it godly. Till
the next time, y'all be

Speaker 10 (01:55:39):
Blooded and bz that stage because radio show

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