DLBSP: Robert " Sweaty Hands " Day interview

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:04):
Yes, d L's backstage past radio show.

Speaker 2 (00:09):
Be listen.

Speaker 1 (00:12):
Once you've been interview tag.

Speaker 3 (00:14):
People are standing in lining to get with the best
radio announce So you're gonna get if don't know.

Speaker 4 (00:22):
I guess I don't ever know, d L An.

Speaker 1 (00:25):
This team is from the indeed of j c MBO, b.

Speaker 5 (00:31):
L's backstage Past.

Speaker 6 (00:33):
D L's backstage passes on your radio.

Speaker 7 (00:38):
PC in on your phone.

Speaker 3 (00:41):
B L's backstage Past, d L's backstace passes on your radio.

Speaker 8 (00:48):
Pc in on your phone.

Speaker 9 (00:54):
Now put your hands together.

Speaker 10 (00:56):
From my father and y'all's faith, mister Sad Wilfair, d D.

Speaker 11 (01:00):
M Marshall, welcome.

Speaker 12 (01:03):
Backstage, your shot your man, mister sam Well fan d L.
Marshall Man, I am happy to be with y'all on
this evening.

Speaker 11 (01:12):
Yeah, we rolling a little solo solo on the night.

Speaker 12 (01:16):
I don't have Bam Brown with us, he's out on
the road, but I do have a special guest off
in the building today, So welcome behind the curtain. We've
got it locked. And before I tell you, I'm gonna
show you who we got.

Speaker 11 (01:31):
You done seen him?

Speaker 12 (01:32):
You done laughed, Daddy, he done probably made you get
up and go run to the restroom because you just
spit your water, you drink all over yourself.

Speaker 11 (01:40):
Let's just do it like this.

Speaker 12 (01:41):
I'm gonna let y'all see exactly exactly who's out talking about.

Speaker 11 (01:46):
We'll be back after you see this.

Speaker 13 (01:53):
Your friendly neighborhood gospel DJ DJ Miss.

Speaker 14 (02:00):
I need just a little more Jesus Sonny, Sonny, just.

Speaker 9 (02:05):
A little more Jesus. I need just a little more.

Speaker 15 (02:11):
Jesus son A little to help me along away.

Speaker 16 (02:18):
Oh, DJ miss, just a little more Jesus, a little boy,
just a little more Jesus.

Speaker 17 (02:36):
Son I need this a little more Jesus to help
me along a way.

Speaker 18 (02:52):
Hell in me, Hey, I.

Speaker 19 (03:07):
Got too mad and a bad son, but went too
far in amocause, don't mom boma and bring.

Speaker 20 (03:13):
It away a little health browdy.

Speaker 21 (03:16):
I'm waiting too bad, and I'm trying so long.

Speaker 20 (03:19):
I can't be saying a thing. You pay my license
way so hot.

Speaker 22 (03:27):
It's Jesus Sun. Just a little more cheese, honey, it's
just a little.

Speaker 23 (03:37):
Money, Esus, help me away. It's a little montees honey,
just a little.

Speaker 14 (03:57):
Che help being a ball away.

Speaker 24 (04:06):
And don't a lot of work and proud of that
hole don't everybody just leave.

Speaker 20 (04:13):
Me a train bikes you for to big peas, do
have pain like that.

Speaker 18 (04:22):
Away, won't pro like?

Speaker 20 (04:24):
Get right?

Speaker 6 (04:26):
Get that.

Speaker 25 (04:29):
It's snowboat, Jesus honey, your sonney, just a little more Jesus.

Speaker 23 (04:36):
Honey, a little jeeze sunny, just a little more cheese, tony.

Speaker 18 (04:41):
A lot because help me long away.

Speaker 25 (04:49):
Just awoke, honey, just a little mote, Jesus honey, it
just a little money, Jesus honey, A little son need
this little mouetrees.

Speaker 26 (05:11):
Right.

Speaker 6 (05:13):
Excuse me?

Speaker 11 (05:15):
Skin blowing like Moses, less stressed than my white.

Speaker 20 (05:18):
Floked, gorgeous.

Speaker 13 (05:19):
Remember back when it was looking hopeless, just off the shirt,
I got up and got focused back hold on what
that looked like? Just getting home safe was a good
night y'all know Jesus from the hood, right, and everything
is going up like we took flight in my bag,
my bag like carry on old me se ardie, getting
gone to look black, getting packed because I'm ready for him.

Speaker 1 (05:40):
Tell me something, really, what you're standing on?

Speaker 13 (05:42):
Oh my, oh me, oh my, oh me, oh my
race God looked fly grace, God look fly oh me,
oh my, oh me, oh my grace, God, look fly
race God, little Fly, Blessing the pleasing Grace to Grace

(06:04):
twenty five A all Gas no break, Duba Thomas.

Speaker 6 (06:08):
O Bick can't be lake you boy, really him? But
I'm talking lower k.

Speaker 1 (06:11):
I'm k y k.

Speaker 22 (06:12):
You see me in five K parking in the yard.

Speaker 13 (06:15):
If it ain't the driveway to level love, I had
to get up out of my weight double place catching breaks.

Speaker 1 (06:20):
I'm Craig from Friday uh with the.

Speaker 13 (06:22):
Way Maker given Haymaker's holy spirit at the point he
a playmaker, low key, but I walk with no fear and.

Speaker 11 (06:28):
Went from nowhere to now here.

Speaker 27 (06:30):
Oh me, oh my, oh me, oh my, oh me, oh.

Speaker 13 (06:34):
My, race, God, little fly, grace, godly.

Speaker 20 (07:00):
Jesus, jeez, I that so Jesus, geez, he's a lap
song love soul.

Speaker 26 (07:16):
Listen.

Speaker 20 (07:18):
You can't call him us in in in the moon
and even in.

Speaker 28 (07:28):
The Madnina life.

Speaker 22 (07:32):
Anybody know how to call on your soul?

Speaker 26 (07:36):
Oh?

Speaker 20 (07:36):
Ever, no, no him, no never to visit anybody ever
called him? So did he answer your crime? Did he
answer your crime? Can I get a witness out there?
Thinks so.

Speaker 26 (07:56):
Cool?

Speaker 29 (07:57):
Jesus says, it's so thing about God?

Speaker 19 (08:01):
Why the reason why he can be a lot, so Jesus,
because when your life is out of tune, God will
turn things in.

Speaker 20 (08:15):
Your life around. If you've got a bad.

Speaker 29 (08:18):
Situation, you know how to sing a song and a
strange line.

Speaker 19 (08:25):
Some of y'all got some strength situations outdated.

Speaker 20 (08:28):
But I guarantee you if you call on Jesus, call
on him, Call on him, Jesus.

Speaker 28 (08:39):
The oh jeez, I love, So.

Speaker 20 (08:45):
Ge Jesus to see.

Speaker 26 (08:50):
I love.

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Speaker 12 (09:57):
S boor Tonight none other than mister Roberts sweaty hands
to day.

Speaker 11 (10:03):
What's something my.

Speaker 1 (10:03):
Man, Tavin Brouh, how you're doing? You got it?

Speaker 11 (10:07):
You got it, you got it man. Thank you so
much again being gracious with your time on the night, man, and.

Speaker 12 (10:13):
Welcome backstage to the hottest music talk and topics in
Side of Heaven. We're the most infamous gospel music show
that is running. That means we talk about everything. We
talk about it, we don't shy from it, and if
you make it public, we make it popular. That's how
we look at it.

Speaker 1 (10:30):
So I'm talking about it like it is.

Speaker 11 (10:34):
So man, how is it going out there? In Indeed?

Speaker 4 (10:38):
Man, it's going going good. I'm busy, busy, its ever hired,
but yeah, it's working. It's a love passion.

Speaker 1 (10:47):
So you know how it is.

Speaker 12 (10:48):
Yeah, So I see that you've been making some rounds
with a couple of notable names. How is your tour
going and how is it working? Uh, with a couple
of guys that you working with, and I'll let you
name them if you want to.

Speaker 1 (11:05):
I've just been great with everybody that I have worked with.
You know, that's far, you know in my career.

Speaker 4 (11:10):
I mean I've been doing this thirty years, had a
couple of running with some guys that you know, weren't
the greatest, but other than that, most people in comedy
good people, man.

Speaker 1 (11:20):
And you know, you know, been a great run. I've
been with all the big names. You've seen a couple
of them.

Speaker 4 (11:25):
Well you've seen Bruce, Bruce, Ricky Smiley from Counterview, you know,
work with the kings of comedy.

Speaker 1 (11:32):
So I didn't work with everybody in the in the business.

Speaker 11 (11:35):
Yeah, yeah, that's what's up.

Speaker 34 (11:37):
Man.

Speaker 11 (11:37):
Now I'm gonna get a chance to get you to
kind of tap in.

Speaker 12 (11:41):
You ain't got the name, no names, but I'm gonna
let you tap in on a couple of them situations
that you said wasn't too favorable. But man, I want
to make sure you know how comedians do when we
get together. So just treat this backstage as one big
green room, bro. So so I'm looking at it, man,
sweat that you'd have been on Depth, Jim, you know,
been on Comedy View. You know, worked alongside of our

(12:04):
Kansas City legend, mister Eddie Griffith, lou Nel Sad you
the entertainer, another Missouri funny comedian.

Speaker 1 (12:12):
Man.

Speaker 12 (12:12):
When I started here in comedy, I started back in
the nineties Stamford Comedy House, which is a place that
Eddie Griffith. They put him out of there, man, they
said he was too raunchy. And I always love Eddie style.
I came along within there. Eddie saw something within me
and he was like, man, I got to get out

(12:34):
that club, and I got to get out.

Speaker 11 (12:35):
Of Kansas City and Eddie was running his own comedy night.

Speaker 12 (12:38):
And I don't even know if Eddie remember this, because,
like I said, this is back like maybe ninety two,
maybe dating myself right now, but yeah, man, me too,
you round in my era, So yeah, man, there was
no time like doing comedy in the nineties.

Speaker 18 (12:56):
Man.

Speaker 1 (12:57):
It was free.

Speaker 12 (12:58):
You could say what you wanted to say, You can
say how you felt like saying it. Man, it was
like we was rock stars.

Speaker 1 (13:05):
We got paid good forward, we got paid good for it,
like we were getting I was getting seven hundred dollars
as an opening act. Yeah yeah, bru the headline today man.

Speaker 11 (13:21):
Now.

Speaker 12 (13:21):
One of one of my regrets is that I had
started having children before I got a chance to do
the Comedy Store. But some of the stories of Fat
Tuesday that I heard it got in me so deep
that I started doing comedy nights here to try to
emulate those fantastic, legendary Fat Tuesday rooms with Guy Tory,

(13:47):
another Missouri comedy guru. Man, But tell us a little
bit about how Sweaty Hands got going, how you got
the name sweaty Hands, and just bring us up to
speed with your comedy journey.

Speaker 4 (14:02):
First of all, I just get the name after after
the way the sweat hands is self explanatory. Yeah, because
when I got it, it's you know, it's I guess
it's some type of nervous condition to overact of sweat glands.
I've had it my whole life before a comedy. Right
when I got into comedy. You funny man, Now they

(14:22):
shake your hand, I was like, what's wrong with you?
So I kind of put it out there as a warning,
and I did it in Michael Collier. I was doing
the show with Michael carry. He said, they don't like
that in Hollywood. Them named kool Aid and Hamburger and
all that stuff.

Speaker 1 (14:37):
They want you just use your name. I said, well,
I ain't no food or no drink.

Speaker 4 (14:42):
Man, you know, my hand sweat, so I do the show.
He said, Man, you funny. He shook my hand.

Speaker 1 (14:46):
He said, forget everything I just told you. Call yourself
sweaty hand. I feel violent, so my hands sweat basically
got you.

Speaker 12 (14:55):
Hey, that's all right, as long as I don't catch
you coming out the restroom and shake hands with you.

Speaker 11 (15:00):
You all, brother.

Speaker 2 (15:22):
I set a prayer for you. I set a prayer.
I set a prayer for you. I set this prayer.
I prayed you take the moment. I prayed you take
the time to see that you were special and always

(15:46):
on my mind.

Speaker 28 (15:47):
I prayed for you.

Speaker 11 (15:50):
I sing a song for you.

Speaker 35 (15:53):
I sing a song. I sing a song for you.

Speaker 11 (16:00):
I sing this song as the flowers feel the God,
and the.

Speaker 2 (16:06):
Oceans greats ashore the horizons of the sunshine that of you.

Speaker 28 (16:13):
I do a door.

Speaker 24 (16:15):
I pray for you.

Speaker 28 (16:19):
Yes, I need.

Speaker 11 (16:22):
Can I pray for you?

Speaker 1 (16:24):
You?

Speaker 22 (16:26):
I will.

Speaker 28 (16:31):
I spoke a word for you. I spoke a word.
I spoke a word for you.

Speaker 2 (16:41):
I spoke this word I said, in this senseless violence,
put a.

Speaker 28 (16:47):
Rest to pride for gain.

Speaker 2 (16:50):
There's a message in the silence that can you lot
earthly pain.

Speaker 28 (16:56):
I pray for you, Yeah, yes, I did. Cannot pray
for you.

Speaker 1 (17:05):
You know how we.

Speaker 28 (17:10):
I say, Holy Waters.

Speaker 2 (17:15):
Sons and Daughters, revive our land, that we may rise again.

Speaker 36 (17:26):
Holy Waters sons and Daughters, revive our land. In fact,
we may rise agagain. Holy Waters Sons and Daughters revive

(17:47):
our land, that we will rise again.

Speaker 3 (17:55):
Holy Waters, God, sugeant God, rep my land.

Speaker 28 (18:05):
I prayed you take the moment.

Speaker 2 (18:10):
I prayed you take the time to see that you
were special and always on my heart in my mind.

Speaker 11 (18:19):
I prayed for you.

Speaker 37 (18:23):
M hm.

Speaker 22 (18:45):
I know I have a past and made me feel
this way. I know I did some wrongs. I need
some love today. A little craze had some mercy. Your
brother really hurt, and I really need to love it.

Speaker 38 (19:00):
To tuted myself fighting myself to see anybody here. May Lord,
I'm calling you, know you because your word tells me
to did you tell me you love me from the
beacond me because Father, you know is me?

Speaker 22 (19:21):
Father you know is me? You faith and me from
the beacon.

Speaker 1 (19:30):
Me because Father, you know is me?

Speaker 24 (19:35):
Father, you lovelease me.

Speaker 22 (19:40):
I meditate on your word day and night. I gotta
focus on how to live right.

Speaker 38 (19:47):
I gotta be strong and courageous, few with your greatness,
because Saint nobody stopping me.

Speaker 22 (19:53):
Gotta remind myself not to be broken. I gotta remind
myself that Jesus dive me.

Speaker 8 (20:00):
I gotta remind myself to stay hold o ho ho
holl that you love me from the bacon me because Father.

Speaker 26 (20:14):
You know his me?

Speaker 8 (20:16):
Mothery you know his mean you faith me from the beacons.

Speaker 22 (20:27):
Father, you know his fe Father, you know his Oh
you notice me? You knowice me?

Speaker 26 (20:45):
Oh?

Speaker 28 (20:48):
Come on, do you notice me?

Speaker 11 (20:51):
You notice me?

Speaker 26 (20:52):
Hey?

Speaker 22 (20:53):
Father, you notice me? For the molidas an the world?
Do you notice me in my mother's wool?

Speaker 6 (21:00):
You notice me?

Speaker 26 (21:01):
Yeah?

Speaker 20 (21:02):
Me she.

Speaker 8 (21:05):
From the bacon, from the big nather you know his
are you know you noticed me?

Speaker 1 (21:16):
You faith me.

Speaker 22 (21:19):
From the big name his father, you know his father?

Speaker 8 (21:27):
You know, yeah, because you love me from the bacon
Because Father, you know is me father?

Speaker 26 (21:41):
You know his me.

Speaker 22 (21:44):
You faith me from the Big.

Speaker 26 (21:50):
Father.

Speaker 20 (21:51):
You know is me father?

Speaker 1 (21:55):
You knows me.

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Speaker 20 (23:07):
The Nady.

Speaker 22 (23:11):
Who okay ba able to carry under.

Speaker 20 (23:33):
The lord way.

Speaker 26 (23:37):
Calling colling you.

Speaker 22 (23:41):
From page to see say, yes see you will.

Speaker 26 (23:48):
You'll do it?

Speaker 22 (23:49):
You're doing.

Speaker 20 (23:57):
Wool?

Speaker 26 (23:57):
Who you see you? Oh man of your dom?

Speaker 37 (24:12):
The naughty listen, I say, yes, what's a flown.

Speaker 18 (24:31):
All of your.

Speaker 28 (24:36):
Listen, widow, He'll sell you.

Speaker 26 (24:39):
I wish't I had a witness when the storms of
life already did.

Speaker 11 (24:44):
I will.

Speaker 35 (24:45):
I know what he can do because I have tried
to make Can I get.

Speaker 6 (24:49):
In the hill that No, he's able.

Speaker 26 (24:53):
You.

Speaker 22 (24:58):
I'm going you see.

Speaker 20 (25:01):
Wet down.

Speaker 40 (25:04):
If they're doing it over and over and all over, Alice,
come back around and.

Speaker 26 (25:11):
Jail the world. Oh you'll do it, Yes see you will.

Speaker 1 (25:24):
Can I tell you what you do?

Speaker 32 (25:26):
He'll need your man, He'll come your dear kill and
leave your man and tryal Deans, call.

Speaker 26 (25:39):
Man, your courage, your heart, give you a time to start,
if you please.

Speaker 6 (25:47):
Her man.

Speaker 10 (25:49):
Shut me in a nicker to call it God kill me.
Kathy couldn't take me out, an't gonna feed me.

Speaker 26 (26:02):
That's why.

Speaker 37 (26:06):
Citistant statement disease and destroyed me.

Speaker 41 (26:12):
Looks at the stage and jaim me because he.

Speaker 42 (26:18):
Free and depend on him whatever to call him? Oh,
he'll go there.

Speaker 43 (26:33):
You do, boy, I'd love listening to d L's backstage past.

(26:59):
You guys are so funny and dal is just slot
out crazy. Keep the last coming, y'all mem saying.

Speaker 12 (27:06):
So we both came up through in the nineties, man,
and we're still rolling. We're gonna roll through the nineties
to two thousand and twenty ten. Now we embark upon
the twenty and twenties, man, and we understand that the
time of the stage that we're gracing now is so
hyper sensitive.

Speaker 11 (27:24):
Have you changed any.

Speaker 12 (27:26):
Way that you have approached going about your routine or
you just like, let the chips come as they may.

Speaker 4 (27:34):
I tell the truth how I feel like it. I
feel like telling it. I do, you know, miss some
words that are offensive to people? Now, yeah, that weren't
offensive then, so I odmit those words, but it's still
the same.

Speaker 1 (27:49):
I'll tell how I feel.

Speaker 4 (27:51):
That's it, you know, putting it out because that's good
comedy when you don't censor it. And everybody like that.
You said we joked about Jesus. Come on, man, we
can't joke about nothing else genders this and that.

Speaker 1 (28:04):
I'm like, no, we can't do that.

Speaker 12 (28:07):
Everybody should be able to get it, and everybody should
be able to understand that it's the attributes, not the
inner person and everything.

Speaker 1 (28:18):
Every joke ain't for you, it's some other people out there.

Speaker 4 (28:22):
It's like when people go to church on Sunday and like,
I don't know what pastor was preaching about this week,
it was because it wasn't for you. That's right, people,
every week it ain't for you, man, And you know,
you know what sweating.

Speaker 12 (28:38):
It's like even if somebody cracked a joke about black men,
like you said, if I don't fit that criteria, I
don't care.

Speaker 11 (28:48):
I'm gonna laugh even if I do it. It's like
you go buy.

Speaker 12 (28:51):
Tickets to hear people give their humorous point of view.
We are commentators, we are laugh therapists.

Speaker 18 (28:58):
Man.

Speaker 12 (28:59):
If we can't laugh at ourselves, that's why so much
killing is going on as well.

Speaker 4 (29:03):
Exactly. So if people are sitting there and they talking
about dead be dad. The only people that offended or dead.

Speaker 27 (29:09):
Be Dad.

Speaker 1 (29:11):
Saying hit dog will holler that's right, that's right. I'm
cracking up at the joke.

Speaker 4 (29:17):
I'm like, yeah, because some of y'all need to step
off your.

Speaker 11 (29:21):
Right definitely, man.

Speaker 12 (29:26):
So we are backstage in conversation with none other than
hilarious comedian Robert Sweaty Hands Day And if you just
now getting in here, man, hurry up, sat down, stop
being so late, because one of the worst things to
do is step in the room once a comedian is
already on stage.

Speaker 4 (29:43):
So how you want mess en take away? These people late?
They've been late they whole life. You want to hurt
me on late?

Speaker 1 (29:50):
What they do? That's they thing?

Speaker 12 (29:52):
Hey, CEP time can either stand for Colored people time
or Christian people time.

Speaker 11 (29:57):
I let you pick which.

Speaker 4 (29:59):
One you want to ser No, man, you the hit
one with that one, right. You just covered everything everybody said.

Speaker 11 (30:08):
So man, coming out of Indianapolis, Uh, Indiana, how hard
was it for you, if at all, was it to
break on the main stream that you like you did?

Speaker 4 (30:20):
As far as getting on television was easy, as far
as getting into comedy clubs was not.

Speaker 1 (30:25):
Because you was on Death Jam Comic View, you was
a hulum thug and they pretty much in you in
the clubs. Uh me And like most people.

Speaker 4 (30:36):
When I've never been intimidated by nobody, I'm on the state,
which even with you know, the big names. So when
I went to uh, Death Jam and BT. I came
back and gave everybody the information because they were like,
how'd you get on there? And I was like, well,
nobody helped me get on there.

Speaker 1 (30:52):
Is what I did.

Speaker 4 (30:53):
I was watching the credits at the end of the night,
you know, after the show was over, paused it on VC,
wrote down the information called information and you know, did
the footwork and they say, hey, send it to the
talent coordinator for the show. Melt in the tape and
they invited me. I cut that out everybody. I came
back like, here, call this dude and sit in your

(31:15):
tape called the Ship, send her your tape and if
they liked it, it put you ont.

Speaker 1 (31:20):
It was that simple for me. It was simple.

Speaker 11 (31:23):
Now, who was hosting when you got on there?

Speaker 5 (31:25):
Was it?

Speaker 11 (31:25):
Was it still Martin or was it Joe.

Speaker 1 (31:27):
Tour when I got on Depth Jam? Yeah?

Speaker 4 (31:32):
Or when I got on Death Jam, Ricky Harris and
uh and Joe Jordy Yeah, they were they were hosting.

Speaker 44 (31:42):
UH.

Speaker 4 (31:42):
When I got on Death Jam, it was really too
soon for me. I had just started doing Comtown Open Mic.
I told you, yeah, it was like two or three
weeks later I got Depth Jam and I was unprepared,
and I'm up there with Fedric Eddie all these people
who've been doing it for years, and they were the

(32:03):
people that asked, like, man, so how long do we
do a collgere? Like about three four months?

Speaker 1 (32:07):
They were like, what, I've been trying to get on
here for five years.

Speaker 4 (32:09):
You must be hilarious. And I bombed because I only
told jokes to Indianapolis. So when I got to New York,
I was still taking from like Indianapolis. I'm talking about, yeah,
stuff that Kroger that we ain't got Kroger.

Speaker 1 (32:22):
In New York.

Speaker 4 (32:23):
I was talking about the high school. We ain't got
the hospital. So there wasn't nobody getting none of the
joke right. So Sedrick was laughing, and Sedric told me like,
don't quit, You're too funny, too fast, even you didn't
learn the game, yep, and that that's a good enough
kept the same joke. But entered their high schools, their

(32:43):
grocery store and name it that haven't had a bomb
since been.

Speaker 11 (32:48):
Getting their jokes are universal once you learned that. And
that was a good nugget from Cedric.

Speaker 12 (32:54):
Man you funny too fast, meaning learn the craft because
they are also research and study techniques that you gotta
put in with it.

Speaker 11 (33:03):
Now, did your did your episode air? Did your set air?

Speaker 1 (33:07):
It did not air? So I took what he said,
and I said before I gave up, I said, well,
I'm gonna try. I'm gonna go to comedy semitate the
comic view. And they was too quick. They was like,
can you be here in.

Speaker 4 (33:19):
Three three weeks? He said, We're shooting in three weeks.
So now I gotta hust him, get the money, go
to California.

Speaker 1 (33:26):
They stop.

Speaker 26 (34:03):
I sure.

Speaker 28 (34:05):
This water drop the top and fill the sun on
my face, washing away.

Speaker 45 (34:08):
If you think out a face with the scripture, deliver
the picture to remember, it's grace, the secretfice that allows
you to skate you telling them my story given the glory,
got made it through the crash out made to do
the window I spring in the summer. The longer going
on that I'm waiting to doing with life from the dot,
the greatest true.

Speaker 22 (34:24):
And the ming d don't as soon that the gloom
is doomed in every room, God.

Speaker 28 (34:28):
Booms the bloom, watch the smoke clove.

Speaker 45 (34:30):
I remember when I'm trying to to wait the Lord,
try to have faith out of my face with you
are got out of my weight.

Speaker 1 (34:36):
On the clay.

Speaker 45 (34:37):
I'm cure setting the strengths when he's open the gates
some pure it's no.

Speaker 28 (34:40):
Debate to the crain. I am turning my pain in
the power that's coming away with struggles.

Speaker 1 (34:44):
The work.

Speaker 46 (35:06):
I wrote my name in the sand with the tie
came through. Then you carve it in stones that I'm
saying it with you and the world.

Speaker 22 (35:19):
Illinois, you to come.

Speaker 14 (35:20):
I know when my faith ran though, you still made
me glad.

Speaker 46 (35:23):
The pieces of my past turned them into a plan
that trom my love ain't a cage, but the strength
is staying your chains on my soul. Yeah, you set
me free, got me dancing in the fire. Yet I
still believe.

Speaker 22 (35:33):
Don't believe.

Speaker 9 (35:33):
The world call it love, but I call it your grief.

Speaker 20 (35:35):
You can't respect that I take.

Speaker 46 (35:36):
I can feel your embrace when the lights stayed out
in the crowd moves on. You're the one still here.
Keep me closing on and no love that can ride
with your truth? Can you asking in the world like
the sun in the booth? You the muse in my mind?

Speaker 28 (35:48):
Every verse I pray.

Speaker 14 (35:49):
I just want to love you every day and every single.

Speaker 20 (35:52):
Name, Yeah, you.

Speaker 24 (36:01):
Come, sens by.

Speaker 6 (36:11):
Just.

Speaker 47 (36:14):
Sure, just let's tres figure wreath and then it tas.

Speaker 24 (36:32):
We be your chance, yours.

Speaker 7 (36:43):
From your seat.

Speaker 3 (36:49):
And sat in were just everything overturned.

Speaker 22 (37:16):
Yeah, just that, lady, she.

Speaker 48 (37:21):
Let's go.

Speaker 49 (37:22):
He move your feet, get out you See'm gonna tell
you about the Lord, what he's done for me. I
break out into praise with awake asleep because I'm always
giving things subconsciously, and the day that goes by, don't
need you.

Speaker 22 (37:33):
You get the glory.

Speaker 49 (37:34):
Oh my my, I'm see through body, the kingdom when
we creep through warfare, lead through.

Speaker 9 (37:38):
She kind of cryst the pats other people.

Speaker 20 (37:40):
And I don't can't about.

Speaker 7 (37:43):
Don't praise you make me kill safe and the man
stuff by pain, kill body and saved by so.

Speaker 20 (37:52):
And no, don't you would make it love reson. I
can wait, but I don't know what you why I
can do I can't wait, and juice, I can't can't

(38:22):
tell you, can't can't wait about.

Speaker 9 (38:28):
You think it a thou, I can't make it thou.

Speaker 20 (38:33):
Just dot bok you I can call on the day
you remain say, don't know.

Speaker 50 (38:41):
You don't know jet shop these goods.

Speaker 21 (38:50):
Bother reasons why I can't wait a man from the
left to right.

Speaker 18 (38:55):
I don't know.

Speaker 20 (39:01):
I can't do what. I can't make you.

Speaker 18 (39:11):
Close. You can't.

Speaker 15 (39:20):
Cue, can't make it with can can't you to tell
you can't do without another?

Speaker 26 (39:31):
One is gone.

Speaker 20 (39:35):
I can't can't.

Speaker 9 (39:38):
Make it without stop.

Speaker 20 (39:43):
I need more you.

Speaker 28 (39:47):
I can't tell.

Speaker 20 (39:48):
I want to think of you. The praise you do you?

Speaker 1 (39:58):
Yeah?

Speaker 9 (39:58):
Yeah, every day I got prayth to my mom's I'm
a praise God. But my health help comes tom.

Speaker 49 (40:03):
You're my shoes, my joy, my peace. You will get
comfortable when I had three fund that going back. No,
I left no straight.

Speaker 9 (40:09):
I'm trying to just dance and you will all day
strong time.

Speaker 22 (40:12):
Would you be killing me sad? I ain't really not
to say.

Speaker 9 (40:15):
Let's pray, we answer and left and right. You dance
the most.

Speaker 20 (40:37):
Without you.

Speaker 51 (40:39):
I can't do it without you, I said, okay, thinking
without you again, I wouldn't go to I.

Speaker 20 (40:50):
Can't bacon with value without you.

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Speaker 33 (41:55):
Eight hundred two five seven three six seven to two
eight two five seven three six seven two eight hundred
two five seven three six seven two. That's eight hundred
two five seven thirty six seventy two.

Speaker 53 (42:25):
It cass does the.

Speaker 11 (42:26):
World right here.

Speaker 54 (42:27):
There'll be there for Mesic, closer than our brother. There's
just no way I find another ride up who stick
by my side?

Speaker 20 (42:40):
You're from my home, life.

Speaker 55 (42:45):
Gone, won't live in them? Have my heart you down,
promise capable words? Don't How could I ever get this?

Speaker 48 (42:55):
Sup?

Speaker 55 (42:56):
I'll have a try Malah.

Speaker 54 (43:00):
Willing to give my time, willing to give my art
to the one chose the lace kind up for me.

Speaker 55 (43:08):
No very nothing I ain't trying to pull back to
the lever of a Jesus the lever almost Jesus lover.

Speaker 14 (43:22):
I'm so that Jesus lover amos.

Speaker 20 (43:28):
Honey, Jesus lover, Alma.

Speaker 5 (43:30):
So that.

Speaker 20 (43:32):
Jesus the lever homosurve Jesus level.

Speaker 26 (43:38):
I'm so.

Speaker 20 (43:41):
Jesus ever so honey, Jesus, so.

Speaker 44 (43:50):
Get the love of my soul, sigh that I win
to search low.

Speaker 22 (43:54):
Nobody come mere closer. There ain't no head that I
be where I am way out and set free. I
don't need no vouch. I'm grateful that I found you.
Want to slick.

Speaker 44 (44:08):
I know that you're gonna slide from something, through the thing,
anything you can ride from.

Speaker 9 (44:12):
And she said that you wouldn't never you never allowed
to be.

Speaker 44 (44:16):
Gone out, So kind me, kind look up and to
see a rainbow's only sign I need of your coming
and your love and willing to spend some more time.
But you don't tell you what sit from living, just
like ain't just lable alive for me, ain't should.

Speaker 22 (44:32):
Ain't fret nobody.

Speaker 26 (44:33):
You know I'm trying to kill froo my.

Speaker 20 (44:37):
Love back to lover, muscul lover. I'm a soul Jesus
the lover.

Speaker 26 (44:45):
I'm a.

Speaker 20 (44:48):
Jesus love. I'm a lover Almos Geez love.

Speaker 55 (45:02):
I'm so facial geez Lovesodees lover, I'm so satial.

Speaker 6 (45:33):
D to the Is it.

Speaker 20 (45:40):
Backstage bass Radio ship?

Speaker 11 (45:48):
Oh that boy can say, all right, welcome back man,
you see what it is.

Speaker 12 (45:57):
It is DL's backstage, and right now we have our
special guests for a few more minutes. Mister Roberts, Sweaty
Hands day, sweaty Man, when did you feel like, Okay,
I'm in the pocket and comedy has blown up? Like
you know, sometimes you're like, okay, that was a good set,
but I got to make sure I kind of remember

(46:18):
what I did. Then you start stringing again. But when
did you know Sweaty Hands had blue?

Speaker 4 (46:26):
I don't know when when I knew, but when you
know it, it's kind of when I tell people it
was like the Matrix when people kept telling Neil that
he was the one, and everybody kept saying it, and
you Neil didn't feel it when I kept dying a
bullets and then one day he stopped him and they dropped.

Speaker 1 (46:45):
When you have that moment, I'm on safe and I'm
killing it and you know, I'm no longer dodging the bullets.

Speaker 4 (46:52):
I'm now stopping the bullets, and I'm going like I
got this, and from now on it's gonna be like this.

Speaker 1 (47:00):
And I believe what.

Speaker 4 (47:01):
Happened is when I went to the Comic View. It's
really where I grew. I went to Comic View, and
before we signed a contract, we was in there and
the guy was.

Speaker 1 (47:10):
Telling us, like, y'all know why y'all here? This is
the best advice I.

Speaker 4 (47:13):
Ever got and that I ever give. The committey he said,
do y'all know why y'all here? And one of the
commedi said, we're henna make people laugh.

Speaker 1 (47:19):
He said, no, you're not.

Speaker 4 (47:20):
If you're gonna do that, you're gonna fail. He said,
what you here for is to have fun. If you
have fun, your personality would come out. And if you
got a fun personality, the crowd will have fun with you,
and then everybody's having fun, and then you would kill it.
But if you come out here and try to make
them laugh, then they don't laugh. Now you're gonna tell
a joke real quick to hurry up and get that laugh,

(47:41):
and you're throwing your timing off. And then you're gonna
bomb and then it's horrible for everybody. So just go
out there and have fun. It's like I took a
waight off and city to the side. I said, I'm
going out there and having fun. I went out there
and had the time of my life and I've just
been having fun on stage ever since. So the key
to all your new comedians, don't go out there dollars, cents,

(48:02):
money topics.

Speaker 1 (48:05):
Just go out there and have fun.

Speaker 11 (48:07):
Yep, just have fun and be you. Don't don't don't
try to be nobody else.

Speaker 12 (48:13):
Find what it is and your personality that made people
start said dude, you funny, you different.

Speaker 4 (48:18):
And sell it put it on stage, because you know,
doing the interviews I have home, Dan like, well, who'd
you ever try to emulate?

Speaker 1 (48:25):
I'm like, I ain't even trying to emilate, No, Mary,
trying to be the best me.

Speaker 4 (48:29):
I didn't try to be like Bernie Mack or Eddie
Griffin or I like the people, but I didn't try
to emolate them or be them. I was just trying
to be the best me I can be, and people
already know them. I'm trying to get d. L. Marshall
out there it's bad.

Speaker 1 (48:45):
Get tweaty hands out here that y'all need to know.

Speaker 12 (48:47):
Sweating man. I got a chance man to have two
books of d L. Hubley signed, and the first book
he signed for me, I said. I got up on
stage and I was like, bruh, I guess we got
a lot intertwined.

Speaker 11 (49:04):
I said, I'm a DL. This new stand up comedy
and new radio.

Speaker 1 (49:08):
You are.

Speaker 12 (49:09):
He said, believe it or not, that's more common than not,
and I was like, whoa And when he but how
I took that was I ain't got. I ain't got
the market of d L. Corner Comedy, cornered all radio.
Go be you like when you get on this stage.
You got the same task.

Speaker 1 (49:29):
That I had.

Speaker 12 (49:30):
And if you try to be anything like me other
than your initials, you will fail. And that made me
think about it when you said that guy told you.

Speaker 4 (49:38):
Just go have fun, go be, you gonna be fight
like it's free me because I was thinking, just like
you're saying, I'm gonna.

Speaker 1 (49:45):
Tell this show, I'm gonna telling that Joe and then.

Speaker 4 (49:48):
That, and I had my whole set up and they
ain't said have fun. I went out there unscripted, like
you know, what how y'all doing?

Speaker 1 (49:55):
What's up? And got comfortable and next thing though the
green light was on. My dang, I stayed up here
the whole time. Make it. They like the horse when
the red light come on, the time you get on
the shade, it's some people get on there like, hey,
how y'all doing that? That's the night? Get out here.

(50:17):
And I'm sitting up there and I'm like, right, still going,
it's going going, it's going. I'm like, you know, I'm like, wow,
I just survived fifteen minutes.

Speaker 11 (50:25):
Yeah, man, yes, sir. It's like something you just said.
It's like a playbook.

Speaker 1 (50:32):
Man.

Speaker 11 (50:32):
Like people ask me, so, how do you know what
you're gonna say before you?

Speaker 12 (50:36):
I don't, But you don't when you when you study
your playbook and when you're doing the right not when
you're doing the marketing or the stealing, which we'll talk
about that too, but when you're not trying to remember
what somebody else said, it's in you, so it's gonna
come out. And so what I try to do is
remember my playbook, and if I take off in a
direction and they feeling it, then I take jokes and

(50:59):
branches off of that subject that they feeling.

Speaker 11 (51:02):
And for you know it, you're going to hit that pocket.
Like you said at fifteen.

Speaker 1 (51:05):
Minutes, I don't know what I'm gonna say until I
touched the mic.

Speaker 4 (51:08):
Once I get the mic, it's like Gods, send the
words through the mic phone through my arm to my voice.

Speaker 1 (51:15):
Yeah, people like I ain't man, I ain't never heard you.

Speaker 4 (51:18):
I said all that was made up on face. I
ain't never said none of that stuff before. That's why people,
you gotta start recording, because next time, I don't know
what I said. Last time, it just you in the
moment there.

Speaker 12 (51:31):
Go, and that's when you know you in the game
and it slows down for you because it's been a
couple of times.

Speaker 11 (51:36):
I'm like, oh, man, did anybody record that?

Speaker 12 (51:39):
Like even if it's boys recorded, so I can go
back and study me, and I'm like, oh, I can
really change and put that. So, man, when you say
you are student of the game, I get it, man,
because I go back and I reformulate and I touch up,
and I'll be like, man, if I catch the defense
slant it to that side, I'm going, yeah, man, I
can talk comedy all day long.

Speaker 1 (51:58):
Bro.

Speaker 4 (51:59):
Oh God, several people that I knew personally when they
were not as rich in household name as they are now.
Like Mike Epps, you know he's from here, uh miss
pat Oh, I mean told you these people personally, and
I'm happy to be like, oh what about business? Like hey,

(52:20):
everybody got the old definitely on path. It happened, happening
and don't they don't. But I'm still happy for them,
Like dang, it should have been me and none of that.

Speaker 20 (52:43):
I know it was the blood. I know it was
the blood. I know it was the blood for me.
Why when I was lost? He died upon a cross,
I know you was call.

Speaker 14 (53:01):
Me yeah, and I said, I know it was.

Speaker 18 (53:12):
I know it was, No it was.

Speaker 2 (53:14):
I know it was.

Speaker 6 (53:17):
For me.

Speaker 22 (53:19):
Wha he died, I know it was.

Speaker 26 (53:31):
Yeah.

Speaker 21 (53:32):
Yeah, I'm gonna moved up right now. They whipped him
all night long. They whipped him all night long. They
whipped him all night long.

Speaker 26 (53:45):
He took it for me.

Speaker 20 (53:47):
Wha I was, I know it. Thank you, Dick, I'm
right before your flo.

Speaker 26 (54:08):
You did it.

Speaker 56 (54:10):
Brop me money, I said, Tripp drop trip.

Speaker 22 (54:18):
I said, I want a little trips for.

Speaker 28 (54:20):
Man trip truck drop trip.

Speaker 18 (54:23):
I said, an't trip.

Speaker 56 (54:25):
From man, said my rim drop, I said, a worm
of self, man, tripp, I said a word drip from man,
drink from man.

Speaker 20 (54:39):
No, no triple man. This was not no crimple man,
some all nail.

Speaker 24 (54:49):
This was nine one night I ever met on Monday, wors.

Speaker 54 (55:00):
Me.

Speaker 28 (55:00):
Just fucking he did it.

Speaker 20 (55:04):
Just call me Cody. He had me on it mine.
He did it for me, Cady.

Speaker 17 (55:11):
He kind of cry now, but he hung right there,
Chuck Party, he had shots.

Speaker 26 (55:20):
Call me.

Speaker 20 (55:21):
I thought he didn't just myself. You have my momall
his father caught me. He's ed call me.

Speaker 24 (55:31):
I thought he fine.

Speaker 57 (55:32):
Down From the sixth of the ninth hours, I fought,
just call me, shuts, call me, just call me.

Speaker 28 (55:44):
I thank you for the book.

Speaker 58 (55:47):
I realized way it until I came down on the
breaking What a houl right now and he would let
me in your.

Speaker 23 (55:56):
Hands down, shut on me, Chuck Cart, just call me
jack By, just.

Speaker 59 (56:02):
Save my life, Jack card, the blast, the word, Juck thought,
the blast.

Speaker 32 (56:08):
They'll work.

Speaker 28 (56:09):
God, you didn't inform me, Jack.

Speaker 50 (56:12):
God let me bring this because Jack fat they lay
him his jose.

Speaker 20 (56:16):
Jack thoughts, whatnny name right now? He lie right, we don't.

Speaker 34 (56:46):
Jeez jeez, And I know he weed I'm thirty and
all the jes turned all the cheese, and I know
he weed, there's.

Speaker 60 (57:01):
No problem to fame sa God gats mother to today cheez.

Speaker 20 (57:13):
I know he will turning on to.

Speaker 26 (57:19):
Jeez. And I know he we.

Speaker 24 (57:23):
Turning it on to cheese and all.

Speaker 20 (57:26):
The cheez, and I know he wi.

Speaker 35 (57:31):
There's no problem too.

Speaker 20 (57:34):
Sure God kats.

Speaker 24 (57:41):
Today, Jeez, I know.

Speaker 20 (57:44):
He will.

Speaker 29 (57:48):
Problems honts can't declare. You can't take them over there.
There sad every week, he said.

Speaker 20 (58:00):
And you making in Jesus still lacking at the corn.
Don't laughing chest away jeez that no, he win.

Speaker 61 (58:18):
All that cheez and I know he win turning it
all to cheese cheez.

Speaker 20 (58:29):
And I know he wi there's no problem to fo
God keeps out dot.

Speaker 24 (58:42):
Saday, Jeez, I know he win.

Speaker 22 (58:47):
Let me have you to get yo w hi.

Speaker 20 (58:51):
S the bad.

Speaker 29 (58:54):
You can't take them over there, Lord laugh to make it, Jean,
that's like you never dorn to day.

Speaker 24 (59:09):
Not jet wayside jeez, cheez, jeez, you will.

Speaker 20 (59:27):
Turn old.

Speaker 62 (59:30):
Cheese and cheese, turn it on to my cues. Whatever
side had it old, whatever had old, turn it old.

Speaker 50 (59:48):
You gotta turning alient to turning all about to che
chee the whole time.

Speaker 20 (01:00:00):
Not mine turn.

Speaker 63 (01:00:04):
Jeez, you have cat turns out. You got that to it,
HOMICI turn it load.

Speaker 20 (01:00:18):
Hold cheet down your letter the.

Speaker 64 (01:00:25):
Lord cheese cheese, turn it to Jeesus to turn it all.
It turn it as if.

Speaker 20 (01:00:42):
You turn it all, you turn it all. Tell somebody
to turn it all. I'm trying. That's at.

Speaker 18 (01:00:58):
The turn out time.

Speaker 20 (01:01:03):
Jejesusten to how well a PRINTI his name is Jesus.
Let me tell time about my friends.

Speaker 28 (01:01:15):
Will I'm waiting.

Speaker 20 (01:01:17):
We haven't Jesus.

Speaker 26 (01:01:21):
Let us to bat a brim.

Speaker 18 (01:01:23):
To tell you to buy it turn.

Speaker 20 (01:01:32):
Jeans am I.

Speaker 24 (01:01:35):
Team, jeez, I didn't need to nat teams.

Speaker 18 (01:01:41):
And I know we wait.

Speaker 11 (01:01:54):
It's the sick.

Speaker 28 (01:01:56):
But now the first is done. Of d LS backstage past.

Speaker 11 (01:02:03):
It's the second hour.

Speaker 12 (01:02:06):
Now, hey, y'all, welcome to the second hour DALs backstage
bad yes suh.

Speaker 6 (01:02:12):
Attention.

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Speaker 33 (01:02:57):
Colle one hundred two eighty five nine five eight nine,
eight hundred two eight five nine five eight nine, eight
hundred two eight five nine five eight nine. That's eight
hundred two eight five ninety five eighty nine paid for
by Beta Path.

Speaker 65 (01:03:17):
Hey, I know y'all feel that I just need you

(01:03:39):
out a moon path a fact? Can we pay song fire.

Speaker 6 (01:03:47):
Lit?

Speaker 20 (01:03:51):
Can I tell you about a man Hundle?

Speaker 58 (01:03:55):
He sits up hard, but you do look fund will
I need him right on time?

Speaker 59 (01:04:03):
I'm the lad say that you need the friend of
her lord. I'm sure you can't save running people away.

Speaker 20 (01:04:16):
I got made Hamile makes the sad seven and the thief.

Speaker 28 (01:04:24):
Can you show long I believe, haven't a UK door?

Speaker 20 (01:04:32):
Can you show Lord.

Speaker 58 (01:04:34):
See collable the child? I feels a half but the
money is low. So many people they have nowhere to go.
My baby is a dying, dying every day.

Speaker 20 (01:04:54):
That's mean. No people open the mean, no hord love
that shoe. You can say it's.

Speaker 6 (01:05:05):
The people.

Speaker 20 (01:05:05):
Believe I got favor. I believe.

Speaker 26 (01:05:11):
Take the side said the.

Speaker 28 (01:05:13):
North with lea shove.

Speaker 20 (01:05:19):
I believe. Can't just show loud on you.

Speaker 53 (01:05:27):
Could not believe.

Speaker 20 (01:05:30):
You how came nobody can't nobody, nobody.

Speaker 28 (01:05:40):
Tain't nobody that bout jeez.

Speaker 18 (01:05:44):
You and that God kill.

Speaker 20 (01:05:46):
Let me tell you what it's done for me When
I was thinking, my midy b.

Speaker 24 (01:05:51):
Jeezy'll he heal my language? And then he made me hard.

Speaker 20 (01:06:01):
And then it made me hold on crown. Not this
lord nigga. You can zoom it all.

Speaker 22 (01:06:07):
You can do it all.

Speaker 20 (01:06:10):
You can do what God I'm out of you can
do on can do. Let me tell you what God
did I know? You know you took so fast ship?

Speaker 18 (01:06:24):
It did you do all?

Speaker 20 (01:06:26):
And it took sounds of bread, five thousand.

Speaker 24 (01:06:32):
Souls, five thousand and five thousand path.

Speaker 20 (01:06:39):
You can zoom. All you can do, I know what
you can do. You didn't no matter to tell me anything.

Speaker 14 (01:06:55):
Hey, this is MS Tiffany and I'm listening to the
homide the Voice v d L.

Speaker 46 (01:07:00):
Marshall on d l's Backstage Past radio show on iHeartRadio
and Spotify.

Speaker 20 (01:07:05):
Day d L.

Speaker 12 (01:07:09):
I'm happy, right because we don't know what that level
of success at that rate and at that moment of
our lives would have done to us.

Speaker 1 (01:07:17):
You know what I mean, I already know.

Speaker 2 (01:07:19):
I know.

Speaker 4 (01:07:21):
I told God, don't even give it to me that
tune because I know I'm going to blow it.

Speaker 11 (01:07:29):
I know I'd have been like Magic Johnson for real.
I'd have been like who did it?

Speaker 28 (01:07:34):
Yeah?

Speaker 4 (01:07:35):
Yeah, I guarantee you I probably wouldn't be here today, right,
Who want to go back?

Speaker 11 (01:07:42):
All y'all come on right this Morgan's Boys.

Speaker 4 (01:07:47):
Thank God for just have been on that green mode
now at being a grandfather, right, I'm more batter from me.

Speaker 11 (01:07:56):
And thank you.

Speaker 12 (01:07:57):
Yeah, Pop Pop's lane is a lot better then before
Daddy laying that's definitely then, you know, thank God for
repentance and redemption, man, because whoa when you were talking
about that made you ain't no telling how many bullets
out of dine.

Speaker 1 (01:08:14):
I'm going Wedne died, We done died.

Speaker 11 (01:08:19):
So Michael ELPs you brought up Mike.

Speaker 12 (01:08:22):
And Mike was in Kansas City one time and I
was at this radio station that no longer exists, so
I can go ahead and say the name KGGN ain't
ninety a m And Mike was with a brother by
the name of Kevin Taylor. And Kevin what he does
is he gets a lot of comedian's numbers, and he
had once a month prayer and then once he hit.

Speaker 11 (01:08:40):
You, you supposed to pass it on.

Speaker 12 (01:08:41):
And I've adopted that and just started praying with brothers
as well in the in the comedy field. But he
brought Mike ELPs up. He said, Man, it's a brother
I want you to talk to. So I'm like, man,
we got a little bit of time, let's jump on air.
And Mike said, brother, I got to talk with you. Man,
I'll never do another interview with you. Man, you got
that holy ghost.

Speaker 1 (01:08:58):
You had me telling on myself.

Speaker 11 (01:09:01):
He said, I'm telling all kinds of stuff. I ain't
had no business.

Speaker 1 (01:09:05):
Girl, boy you was you were doing a good mic
that too, you boy, ain't you know what you.

Speaker 11 (01:09:17):
Old day they came in and got to testifying.

Speaker 1 (01:09:19):
So yeah, and he got the stories.

Speaker 4 (01:09:22):
I'm from that he got the stories, and uh, miss Pat,
I didn't even know her story.

Speaker 1 (01:09:28):
I'm telling you a lot of.

Speaker 4 (01:09:30):
Comedians here with the Whiss Band, we just thought she
was just mean because you can't win with miss Pack.
She always got the microphone last. So people in the
audience trying to help, you ain't gonna win. If she
hosted the show, you ain't gonna win, and if you
headlined it, you ain't gonna win. She got she got
the mic last. But girlin't happy bird. And it's a

(01:09:50):
good form to tell me that what I feel like
you had a good.

Speaker 1 (01:09:53):
Form and you always got the last.

Speaker 11 (01:09:55):
Word, right.

Speaker 12 (01:09:58):
I would love to sit down and have a conversation
with Pat because her testimony, her story, her rise as.

Speaker 11 (01:10:05):
A phoenix into this comedy game.

Speaker 6 (01:10:07):
Man.

Speaker 12 (01:10:08):
You know a lot of sometimes people could look at
Pat and be like, man, she just came out of nowhere.

Speaker 11 (01:10:12):
But she been doing her dude for years.

Speaker 4 (01:10:15):
Man, And this fan I did say with Shelton Fair,
I've seen her. That's why I was so happy what
it happened for her.

Speaker 1 (01:10:24):
Now I wish. Every time I text her, she's just like,
who is this? I'm like, really, past.

Speaker 11 (01:10:30):
I please please.

Speaker 26 (01:10:34):
Lock me in.

Speaker 4 (01:10:35):
I can tell you I freak times. I got ticket
to your show on support and with your thow It's like,
who is it?

Speaker 1 (01:10:44):
Say?

Speaker 11 (01:10:44):
How you humble me? You humbled me so quick right
when I thought we was friends. FA.

Speaker 1 (01:10:50):
Yeah. I like what she said. I really I've seen something.
She put it out there. He said that people will
be talking like I remember you was on sex ten
eight and you got even.

Speaker 4 (01:11:00):
You said, people that always want to bring up when
you were down ain't your friends because you.

Speaker 1 (01:11:04):
Know they want to keep you in that place, in
that box, and that was a good word he said.
I'm like, yeah, because I got to really like that
I remember you. Why are you remembering that? You ain't
remember nothing good?

Speaker 51 (01:11:16):
Right?

Speaker 1 (01:11:16):
That? I really like that. But I love listening to
comedians and the stuff that they say because it really
hit home with me. Yeah.

Speaker 11 (01:11:23):
Man, And you know a lot of times people like that.

Speaker 12 (01:11:25):
They do that because when they see your evolution, they
realize that it's time for them to change or they
miss their time to change. So if they keep you
where you were, then they feel better about where they at.
But now we keep on soar and brother, we keep
on doing it. What is your favorite what has been
your favorite city today? To just that, that seems like
you just fit right there. Oh man, that's a that's

(01:11:52):
that's a good one.

Speaker 1 (01:11:53):
Home here and marrying any enda.

Speaker 4 (01:11:55):
I had some great shows Saint Louis here reading West Virginia.

Speaker 1 (01:12:01):
I just did West Virginia and it was really great. Philly.
I mean all of them. Man, they just made me
just feel great. After the show, I'm like, this might
record that to anybody? I don't. Can you get me
that footage? That was Drake right?

Speaker 12 (01:12:20):
I think, of course it's an easy shot to say Atlanta,
but really Houston, baby, yeah already.

Speaker 1 (01:12:29):
Yeah, Houston. Houston on tap right now for me and Atlanta. Uh.

Speaker 4 (01:12:36):
Working on doing a tour with Brother Man from the
Fifth Flow, and those were some places we had scenics,
Houston and Atlanta and maybe Philly and a lot of
people don't know Brother Man do comedy, but he's a
very funny brother. I met him at Depth jail. Actually,
that's where we met. We've been cool ever since. Man,

(01:13:01):
You have you ever met He's one of the coolest.

Speaker 12 (01:13:02):
People you me that's who I'm trying to get on here.
I'm trying to get on him on here after you next.

Speaker 1 (01:13:08):
Man.

Speaker 12 (01:13:09):
He is hilarious and just how he takes his time
and just he's him. It's like like people like John Witherspoon.
You can see them just make a facial expression and
it's funny, and then you can picture that just being them.

Speaker 11 (01:13:25):
It's not an act.

Speaker 1 (01:13:26):
It's just that he told me. You know, he was
only like on five episodes of Morning.

Speaker 32 (01:13:32):
Ain't no way.

Speaker 1 (01:13:33):
He was only on like five.

Speaker 4 (01:13:34):
Episodes of Martin. But I was on twenty something episodes
of Bernie Back. I'm like, why you five episodes? You
killed them five?

Speaker 1 (01:13:43):
Man, Dude, my episode was.

Speaker 4 (01:13:45):
On but I think that he said five. I'm gonna
have to ask him again. But man, you became a
household name off of five episodes. He killed that character,
and it's really eating.

Speaker 1 (01:13:54):
Off of it.

Speaker 11 (01:13:55):
What's up?

Speaker 28 (01:13:56):
Mind?

Speaker 11 (01:13:57):
Just as Sammy, I'm glad to be.

Speaker 48 (01:14:06):
One month time, I'm bad to bed one month time, I.

Speaker 11 (01:14:19):
Was living in the world.

Speaker 28 (01:14:21):
I said, but grace and mercy to me, and it
plays my feet.

Speaker 6 (01:14:28):
Home what you say.

Speaker 66 (01:14:30):
I haven't been the same since that day. I could
have been there she again, my grade leader, standing back
and behave.

Speaker 3 (01:14:42):
I'm glad to be one more time when I loved
back home my life.

Speaker 28 (01:14:49):
I'm yourself to.

Speaker 18 (01:14:53):
Time.

Speaker 28 (01:14:54):
Anybody bend like me?

Speaker 22 (01:14:55):
Yeah me say so.

Speaker 20 (01:14:57):
I'm glad.

Speaker 28 (01:15:00):
A day time could have been.

Speaker 20 (01:15:04):
Flity.

Speaker 3 (01:15:05):
I'm playing so good to deep one moment in time
you could have been daddy.

Speaker 28 (01:15:10):
I'm steep and in my grave and I'm never sing.

Speaker 6 (01:15:13):
I would have known how you.

Speaker 28 (01:15:17):
Don't watch yourself though.

Speaker 3 (01:15:20):
Yeah, mo one, mo time, MORDI know everybody.

Speaker 28 (01:15:28):
Come on, come on and clap your ways like a time.

Speaker 35 (01:15:31):
Come on to clap your way.

Speaker 3 (01:15:33):
Tell me this world this long time, Come on and
wa on that time make someone to say here in
the day have his make and.

Speaker 22 (01:15:45):
I'm will with choice, we jo.

Speaker 20 (01:15:50):
With chasm.

Speaker 1 (01:15:53):
Let me ask you, how do you feel.

Speaker 35 (01:15:58):
I'm so bad, I'm so glad about.

Speaker 28 (01:16:00):
I'm so glad about I'm so glad about I'm so
glad about.

Speaker 18 (01:16:14):
Time.

Speaker 28 (01:16:23):
The first meter five and seven six catch.

Speaker 35 (01:16:25):
Don't you care to fund the law for you?

Speaker 1 (01:16:28):
Care for you?

Speaker 28 (01:16:29):
Come on, chips, I justis me whatever meaning the time, God,
we all take care of you.

Speaker 1 (01:16:42):
I'm getting get.

Speaker 22 (01:16:43):
A win the ass and this need wings of love.

Speaker 24 (01:16:48):
Five God, Berena, take care of you.

Speaker 28 (01:16:52):
Who stormed way.

Speaker 22 (01:16:58):
Ain't said on.

Speaker 25 (01:17:02):
Chill you.

Speaker 67 (01:17:05):
No dismay whatever be the time of don quill take
you get gone out about him Wings of love, the fine, God.

Speaker 3 (01:17:23):
Take jack, kick yourself stocking gay party.

Speaker 35 (01:17:30):
Take God will.

Speaker 20 (01:17:35):
Yeah, I know you will keep well, God will.

Speaker 6 (01:17:45):
He will keep.

Speaker 35 (01:17:47):
Don't get it, thank God your keep looking about it.

Speaker 28 (01:17:57):
Because the cat he's just start me with cat nine
hour cat. You can't do to don't know a cat.

Speaker 35 (01:18:08):
She won't it working out the cat.

Speaker 28 (01:18:11):
You gonna do its work? That cat turned out a cat.
She won't work around that cat. He would shot his
gallate cat.

Speaker 3 (01:18:21):
Come man, give a bedcat he will working out at
that cat.

Speaker 28 (01:18:27):
She won't want it worked out in that cap. Come
gone weird cat.

Speaker 1 (01:18:32):
You can call you a bot.

Speaker 6 (01:18:34):
Cat.

Speaker 18 (01:18:35):
Come leave cat.

Speaker 28 (01:18:37):
You may kill you the cat.

Speaker 1 (01:18:41):
Will all.

Speaker 18 (01:18:44):
Will will you see me?

Speaker 6 (01:18:53):
Cat?

Speaker 1 (01:18:54):
You don't work?

Speaker 28 (01:18:54):
God doing that cat? Want you guys doing trusting cat?

Speaker 67 (01:18:59):
Just going down that a cat you want to break
down to take care.

Speaker 3 (01:19:04):
Don't tell about me about in that chat. Try don't
think of an a cat. Come take care you me
that cats to jail all that jack, all the sounds
that jam knocking at the long jail.

Speaker 28 (01:19:19):
Take care, we don't take care of doing that. Cat
shout out to lord it cat.

Speaker 24 (01:19:26):
Yeah, so really care you'll don't tell them to masculate cat.

Speaker 35 (01:19:31):
You need a min nine hours at jack, don't matter
what you're going through.

Speaker 3 (01:19:35):
Don't God will dot me, God will record me.

Speaker 28 (01:19:42):
I no, man's will and don't.

Speaker 24 (01:19:45):
Don't well yeah he will.

Speaker 28 (01:19:49):
Don't pay.

Speaker 18 (01:19:55):
To jail.

Speaker 22 (01:19:58):
Yeah yeah, yes.

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Speaker 6 (01:21:09):
Here's a little song now.

Speaker 53 (01:21:11):
They used to hear a pup of wonder say song
goes something like us.

Speaker 20 (01:21:15):
Listen here, gather a loud people and leave me.

Speaker 53 (01:21:21):
I've got a story you losing here. When I was
a little boy.

Speaker 3 (01:21:27):
I had a dream that I was climbing up the
ladder when my seed live for climbing up.

Speaker 20 (01:21:36):
Ways, help me come then.

Speaker 35 (01:21:38):
I'm climbing up.

Speaker 20 (01:21:40):
Well, I'm crying, saying money up.

Speaker 53 (01:21:49):
Let't tell you what happened to listen is when I
was a.

Speaker 3 (01:21:53):
Little boy, my first time a church, I heard what saccumbed.

Speaker 28 (01:22:01):
I stood right there with.

Speaker 20 (01:22:04):
Tealing that a change feeling.

Speaker 35 (01:22:08):
Had come over me.

Speaker 53 (01:22:10):
I had to take each step hastily.

Speaker 20 (01:22:15):
Not even knowing where I would be. But now here
I am.

Speaker 26 (01:22:21):
I'm a growl.

Speaker 35 (01:22:24):
I'm turning up the pleasure.

Speaker 9 (01:22:26):
I can all see it coming up to where were.

Speaker 26 (01:22:32):
Water crying wherewhelse land water coming?

Speaker 28 (01:22:39):
Well?

Speaker 20 (01:22:39):
I say, I've got to cry up.

Speaker 9 (01:22:43):
The will one more time listening here.

Speaker 1 (01:22:46):
When I was a.

Speaker 26 (01:22:48):
Little boy, first time and changing, I heard a.

Speaker 28 (01:22:52):
Bar say, come to geees and stuff.

Speaker 22 (01:22:55):
I stood right there steal.

Speaker 26 (01:22:58):
The mad change, feeling that come holding me.

Speaker 17 (01:23:04):
I had a sicky stumpingly, not even knowing where I
would be.

Speaker 68 (01:23:13):
But now here I am my far borne up but
still crying.

Speaker 20 (01:23:19):
After that, I can who I see.

Speaker 42 (01:23:23):
Say who I'm saying where I'm crying?

Speaker 18 (01:23:28):
Lady?

Speaker 28 (01:23:29):
Why am I saying? Where am I saying? Where I'm crying?

Speaker 20 (01:23:37):
Up to the seven me a minute?

Speaker 35 (01:23:39):
Say who I'm crying in the wherever.

Speaker 28 (01:23:43):
CL's gonna stop?

Speaker 26 (01:23:48):
L wh.

Speaker 11 (01:23:51):
Why am I saying it?

Speaker 20 (01:23:53):
I give you there one day after.

Speaker 35 (01:23:56):
That when I get people to New York.

Speaker 18 (01:23:58):
But I'm crying glad.

Speaker 68 (01:24:01):
I'm tying up, crowning and guess I'm timing.

Speaker 22 (01:24:04):
I'm gladding up the bathom.

Speaker 20 (01:24:06):
God's everywhere.

Speaker 28 (01:24:09):
I'm glad, gets a little.

Speaker 26 (01:24:10):
Hide every row.

Speaker 3 (01:24:13):
I'm glad getting the wh see me singing I'm glad.

Speaker 35 (01:24:18):
I'm just climbing on up?

Speaker 26 (01:24:21):
Are you hearing me?

Speaker 28 (01:24:22):
Free?

Speaker 18 (01:24:22):
I'm down on my knee the town.

Speaker 1 (01:24:26):
On my knee.

Speaker 35 (01:24:27):
I'm the town on my knee.

Speaker 26 (01:24:29):
I'm glad.

Speaker 28 (01:24:30):
I'm just climbing on up.

Speaker 68 (01:24:31):
But I'm glad when you hear me pushing climbing on
a just somebody listening to me.

Speaker 28 (01:24:38):
I'm you want to make you your mind. I'm coming.
I'm gonna stop, and I'm I'm gonna stop now and
I'm gonna quit. The father almost keep on crying, crowd.

Speaker 14 (01:24:50):
I'll keep on climbing up.

Speaker 28 (01:24:53):
I got the car, don't go see see it.

Speaker 20 (01:24:56):
I'm glad I got to go down the cor He's.

Speaker 28 (01:25:00):
A saying of listening to me, clear, keep on, don't
give up.

Speaker 1 (01:25:09):
I come to.

Speaker 3 (01:25:13):
Doctor cry, Doctor Cloud, to cry, doctor.

Speaker 36 (01:25:24):
Way.

Speaker 28 (01:25:24):
I get a hard.

Speaker 68 (01:25:27):
Doctor crime when I get you work doctor crime and
get heavy to climbing dot com can't see my way.

Speaker 11 (01:25:41):
To crime.

Speaker 26 (01:25:47):
This is your girl, be fifty love.

Speaker 30 (01:25:49):
And I'm hanging backstage with my homie, the Voice the
d L. Marshall on iHeart and Spotify Radio.

Speaker 12 (01:25:58):
Stories. I love the the fortitude that comes behind it.
And this is to be in this fraternity called comedians.

Speaker 11 (01:26:06):
Man, it's hard.

Speaker 12 (01:26:08):
I mean, it's like people think because you get a
couple of jokes in the classroom or you make some
family members laugh.

Speaker 1 (01:26:14):
But boys, you can water day. It's different when you're
on th boy is different and the same.

Speaker 4 (01:26:23):
But these social comedian, social media comedians, you editing and
doing all this, and it's all fine and doing all that,
but when you standing in front of.

Speaker 1 (01:26:32):
A crowd with no equipment, you have.

Speaker 11 (01:26:37):
You better have the material you have to do it.

Speaker 1 (01:26:39):
Ain't no editing, ain't no clapping you and the people,
and the people gonna let.

Speaker 4 (01:26:45):
You know how they feel immediately I meeting, and I
mean it's funny. I like the people that do the
subtle bout you say something, I'm gonna bot. They weren't
doing that, and you hear your.

Speaker 12 (01:27:02):
Faith buy right, Hey, sweaty, I tell you the one
that really get me when the conversation get purposely louder.

Speaker 11 (01:27:11):
Like he ain't talking about nothing.

Speaker 1 (01:27:13):
Yeah, so the wings Like I was like, well, I'm
their money. They're not playing at all.

Speaker 26 (01:27:26):
People.

Speaker 11 (01:27:26):
You know our people, rough bro believe in the white class.
Look at you a black.

Speaker 4 (01:27:32):
Role and you can do a white room because you
can do black comedy. And they got a couple of
white friends that can do it. Y'all are massive. Yes,
the crab because y'all can do our room. It is
hard to please us and we're black man.

Speaker 1 (01:27:49):
You're white behind them, been trying to do it.

Speaker 11 (01:27:52):
White people give you a couple of courtesy giggles.

Speaker 6 (01:27:55):
Come.

Speaker 1 (01:27:57):
Smile, hey, But us we'd be like this, mm hmmm.
That's how you got it right. We came here from Ben.

Speaker 11 (01:28:09):
Or that one you got that brother just holding his
glass right here, he just.

Speaker 1 (01:28:13):
Got straw up to his lip.

Speaker 11 (01:28:15):
But it loves.

Speaker 1 (01:28:21):
But when you make him laugh, yes they do. Or
they can't get enough of here.

Speaker 11 (01:28:29):
Well, man, let me do this. I'm gonna I'm gonna
get your.

Speaker 12 (01:28:33):
Get your tape on Joe Thee's, I'm gonna get your
tape on the Chris Rock situation, and then I'm gonna.

Speaker 11 (01:28:38):
Give you a chance to tell us what you got
coming up.

Speaker 12 (01:28:40):
We're gonna take another music break real quick, yours truly,
Mr sadwa Fair.

Speaker 11 (01:28:44):
Special guests on the Night comedian Robert Sweaty Hands Day.

Speaker 12 (01:28:47):
You've seen him Death Jim, you've seen him Comic View,
and now you're seeing him on stages all around the
country on tour. Right now, he's gonna give us more
information on how you can catch him in your city
coming up real soon.

Speaker 11 (01:29:00):
But back to more of the hottest music. This is
out of Heaven. We are Yel's backstage past conversation.

Speaker 12 (01:29:08):
And welcome back comedian Roberts sweaty Hands day and yeah man,
if you listening to us on the radio, thank you.
Hope you enjoyed that music. If you're watching us on
this YouTube and ruku, then you saw how the game
is played and you ain't miss nothing. You get a
send to see everything that's goings owned all right, so
let's get at it.

Speaker 11 (01:29:28):
We're done here.

Speaker 12 (01:29:28):
It a couple of times about how important it is
to have studied your craft to put time in in
this game called comedy. How important is it to have
your own material? And what do you think about those?

Speaker 4 (01:29:41):
That's still very important to have your own material, write
your own material. Stealing, Yeah, I'm gonna say it's a
part of the business.

Speaker 1 (01:29:50):
People do it.

Speaker 4 (01:29:51):
It's different types of stealing, stealing a joke that made
a winner on with your set.

Speaker 1 (01:29:57):
I see people do it. I think comedians say the same.
Taking somebody's whole set word for bade them. That's the problem.

Speaker 11 (01:30:06):
Yeah, yeah, yeah, man, I didn't.

Speaker 12 (01:30:09):
I ain't gonna say the city because I'm sure they
might remember, but I remember UH. Something went down in
the in the green room and an individual was called
uh and it just so happened to be in his city.
He was called by some family members and he's like, man, bruh,
you're doing your whole set. And it took off, and

(01:30:32):
I remember the owner of the comedy club at that time.
I was going by the name of Dallas J. And
how I got stuck with that name doing open mics
and people was telling me, man, you ought to do it.
So I said, if I do it and I bombed,
then people just know that name Dallas J. I never
anticipated not bombing, so I had to stick with.

Speaker 11 (01:30:53):
That for a while. But the guy was like, hey, Dallas,
you might want to go over to the park, just
telling my sitch. So yeah, it was the Furture movie.

Speaker 4 (01:31:04):
I was never worried about. I have a lot of
comedy to do that. It was kind of same with
the R and B singers. Whether they song don't go,
they would change that. I never worried about that part
of it.

Speaker 1 (01:31:15):
The only time I episode some jokes myself any.

Speaker 4 (01:31:18):
Time is when I was crossing over the clean comedy.

Speaker 69 (01:31:21):
Uh.

Speaker 1 (01:31:22):
I didn't have no material for church people, and I
told had had to build me and said till I
got to write my own. And then you know, there
was I got a.

Speaker 4 (01:31:32):
Joke for my brother Darren Perkins talked, ain't mad at me,
but uh, I get it ready for it. But I
wasn't ready for it, but people kept asking me for it,
and I said, all right. So then after I got
comfortable that's all I could do.

Speaker 1 (01:31:47):
I could do this for these people. And then I
wrote and it been been great.

Speaker 4 (01:31:52):
But I won't say I could joke myself too. But
it takes somebody's whole set from beginning to the end.
I don't seen people. I'm like, come on, you know
comics we know, and even people to go craik digging.
I think people I told you Robin Harrison. I think
the girl we was in Louisiana do a whole Robin
Harrison fact. And I've been doing the time like that's

(01:32:14):
Robin Harrison right.

Speaker 11 (01:32:15):
So it's hard to last. It's hard to laugh.

Speaker 4 (01:32:18):
At it, and I wouldn't have mind because it's a
classic joke. I don't want it to die. The new
generation ain't hurt it, so I get it telling the
old people, Joe, Michael call you do it tell old
people joke alert. I get it, But when you're trying
to pass it off as yours.

Speaker 12 (01:32:34):
Yeah yeah, And like you said, at least Michael Caller
gives you the alert.

Speaker 11 (01:32:40):
You know, Hey, I don't want to.

Speaker 1 (01:33:01):
What to tea.

Speaker 26 (01:33:05):
Oh my.

Speaker 28 (01:33:13):
Ma's helping him, waiting for the shot to say.

Speaker 24 (01:33:22):
Shut up.

Speaker 26 (01:33:40):
The good.

Speaker 7 (01:34:00):
Trusting your promise is untrue, has not a sound. Yeah

(01:34:30):
he's a go, he said, Sam, What mean.

Speaker 26 (01:34:47):
Yeah?

Speaker 20 (01:34:51):
You're not going to give him that situation like that.

Speaker 24 (01:34:55):
I am circumstanced you.

Speaker 27 (01:34:59):
To you.

Speaker 20 (01:35:03):
Got a pay Okay, you can't.

Speaker 18 (01:35:10):
Ya six, you got to say.

Speaker 20 (01:35:40):
I want you to know that they're not your don't
know that he's get up.

Speaker 24 (01:35:53):
He's bunting enough remember saying anything.

Speaker 14 (01:35:57):
He's crazy, Jake, I said, when I look.

Speaker 18 (01:36:10):
A wait time.

Speaker 42 (01:36:13):
To know that, to know, not to know that, to know.

Speaker 20 (01:36:17):
But failure.

Speaker 68 (01:36:19):
I want you to know that the Bible says in
Jeremiah twenty nine, and the heaven God Heaven that's sticking
end of you.

Speaker 20 (01:36:27):
It is a peace and not evil.

Speaker 14 (01:36:29):
Right now, I want you to know somewhere in the
future you look much better than you.

Speaker 20 (01:36:34):
Look right now.

Speaker 70 (01:36:41):
It don't team much for me too. It don't teak
much for me too. It don't think much for me too.

Speaker 40 (01:36:55):
Yeah, Shollo, everybody across the land, there's some things of
my son's stay.

Speaker 53 (01:37:05):
I love the line he loved me, so he's not
upon the tree.

Speaker 6 (01:37:09):
Talking about the wonder. Who's say soul turned me around?
Anything to who he wann call me that?

Speaker 20 (01:37:15):
I am down.

Speaker 53 (01:37:17):
I can call him the inn.

Speaker 6 (01:37:18):
You all sometimes up sometimes and down. He's the closest
friend I found.

Speaker 53 (01:37:24):
He's my tough win. I'm killing Blue, my doctor and
my lawyer too.

Speaker 40 (01:37:28):
I sing his brass every day, keep discombatments and hung
the Greek.

Speaker 53 (01:37:33):
He isn't better than I deserve the over the king, now, sirs.

Speaker 28 (01:37:37):
That's why you.

Speaker 6 (01:37:38):
Don't think much for me too. It don't take much
for me to.

Speaker 1 (01:37:47):
Say nothing.

Speaker 28 (01:37:48):
Don't take much for me to.

Speaker 35 (01:37:51):
Oh, yes, yes, madam.

Speaker 6 (01:38:02):
I'm going to church in the then the week deeping just.

Speaker 20 (01:38:05):
That good to me.

Speaker 53 (01:38:06):
Monday the Sunday, give his praise and never surface the
whole days.

Speaker 6 (01:38:11):
Now, you in this world of sin, trying to best
sister be.

Speaker 28 (01:38:16):
One day I.

Speaker 53 (01:38:17):
Want to the sun man and walk in the heavens.

Speaker 20 (01:38:20):
Take the land why.

Speaker 6 (01:38:21):
Get to sing it in the organ to get top
there to can do.

Speaker 45 (01:38:25):
What it do face to chop up LiTi feel it
from the back of the festive.

Speaker 6 (01:38:30):
You let's jump the buget, the buget to me. I
start to feel it down him.

Speaker 53 (01:38:34):
My feet sing like and my hister up and I
start sending his praise up.

Speaker 40 (01:38:40):
It don't matter where I am, never two different for
the bread I am.

Speaker 67 (01:38:45):
I'm singing a good old dots for child at the
church at the back of the house.

Speaker 40 (01:38:49):
A fire fire inside of me about to take flight
like a bole.

Speaker 20 (01:38:53):
Deep firmin a reality. And it's in noon.

Speaker 9 (01:38:57):
I won't stop my offering.

Speaker 6 (01:38:58):
That's getting no tak much for me to it don't
take much for me.

Speaker 20 (01:39:06):
Too, don't take much.

Speaker 11 (01:39:13):
Why matter.

Speaker 40 (01:39:24):
Said, I feel him down, oh lor, I said, I'm
feel him now, and I think about that's something he
brought me through. I talk about it, and I'm think
about what he's taking me to. I begin to feel
in the longside of me pu from my head.

Speaker 6 (01:39:48):
That's at soul on my feet.

Speaker 1 (01:39:50):
I feel like tell I feel like my.

Speaker 26 (01:39:53):
Shutting in my l I.

Speaker 6 (01:39:55):
Have me one winness, I sell everyone winning side.

Speaker 30 (01:40:29):
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thirty seventy eight.

Speaker 26 (01:41:51):
Gotta go go.

Speaker 22 (01:41:55):
I'm own duties like the Pope, got a calling.

Speaker 1 (01:42:00):
That's a ten.

Speaker 71 (01:42:04):
To give enough causing.

Speaker 22 (01:42:05):
No, No, I love it some luxury and let me
get inspired of me.

Speaker 71 (01:42:15):
Boom boom boom boom boom yo demon hell is gonna
say her ba. So we've got purpose, no need for searching,
no reason to back down on the blending.

Speaker 26 (01:42:31):
I'm going all the way, all the way away.

Speaker 20 (01:42:35):
I don't give it all.

Speaker 22 (01:42:37):
I don't give it on. I'm a run, run run,
I'm run run, run, run run.

Speaker 20 (01:42:44):
You denied it all, you desert it up.

Speaker 48 (01:42:48):
I'm a run run way, I'm I'm run run way.

Speaker 20 (01:42:53):
Tell me where I need to go, I'll go.

Speaker 27 (01:42:55):
Telling me to speak to Shawsten not trust in my
own intuition. Hey, don't gotta say they got it. They
came on my plate.

Speaker 20 (01:43:05):
They get in the fine.

Speaker 27 (01:43:06):
Protection and that's when we see them on me. Cousin
mentioned the juice comntion feeling.

Speaker 20 (01:43:17):
I God before you none that I'm here like you.
It's getting boom boom boom boom bombo.

Speaker 22 (01:43:28):
No matter what it takes a mom to give it
up to you.

Speaker 71 (01:43:33):
I'll I'm gonna running, run, run, running.

Speaker 20 (01:43:37):
No matter what I turn, I'm going up getting it out.

Speaker 26 (01:43:39):
You don't know that I'm getting it up. You know
that I'm getting ahead.

Speaker 22 (01:43:50):
I'm rinning.

Speaker 20 (01:43:51):
Oh I'm here.

Speaker 18 (01:43:55):
Get you.

Speaker 72 (01:44:04):
To the place when uppy line feel to the pace,
when Raby.

Speaker 20 (01:44:39):
Lie y, where you.

Speaker 18 (01:44:43):
Lie the way you lie.

Speaker 69 (01:44:51):
Day It's the hottest guy for music this side of
Heaven and all the funny you can handle on Deal's
backstage pass radio show man.

Speaker 12 (01:45:08):
Focus so sensitive. And the thing was, before I got
into comedy, we understood. You go into a show, you
got there on time. If you're sitting up front when
a comic is on stage, if you got to go
to the restroom, you either tried to hold it till
he was.

Speaker 11 (01:45:25):
Done, or you kind of got in the shadows and tried.

Speaker 12 (01:45:28):
To move real quick so he couldn't have nothing, and
you didn't wear nothing very identified.

Speaker 1 (01:45:33):
Don't draw attention to yourself.

Speaker 2 (01:45:38):
Man.

Speaker 12 (01:45:38):
I did a show at the Improv with Leonard Outsie
and with Leonard Oats and I'm sorry, and this lady
came in sweat. She had red shirt, red slax, red stockings,
red shoes, red lipstick with red highlights.

Speaker 11 (01:46:00):
Set right next to the green room door.

Speaker 12 (01:46:03):
So we on the wall, you know how the mproblem said,
were on the wall like this, and I'm seeing it
but I'm like, I'm an opener.

Speaker 11 (01:46:11):
I ain't fixing the step on the feature.

Speaker 12 (01:46:13):
And because I could tell the way Leonard was looking,
Oh my god, oh man.

Speaker 1 (01:46:19):
I'm sitting here and I'm thinking about a.

Speaker 11 (01:46:21):
Little oh man and look kool aid man went in
my mind.

Speaker 12 (01:46:26):
But man, when I tell you, he dressed her up
and zipped her down, and she was giggling until her
date started laughing. Oh man, he ain't that funny. You
ain't got material? Go ahead, use me, Will was laughing.

Speaker 1 (01:46:42):
Ja looked at him right.

Speaker 11 (01:46:46):
She put that, she put that.

Speaker 1 (01:46:49):
That what made this, what made the whole thing a
big old mess?

Speaker 11 (01:46:52):
Will you?

Speaker 1 (01:46:55):
He laughed hard.

Speaker 12 (01:46:58):
Hey, he gave one of the black folks last. He
was like, and next thing, you know, he felt that,
he felt that. He's like, oh yes, ma'am, I could
I convey next thing?

Speaker 43 (01:47:10):
I know?

Speaker 11 (01:47:11):
He did an open hands.

Speaker 1 (01:47:14):
Change med personality like situation.

Speaker 12 (01:47:24):
And then you could tell he he was uncomfortable with
the act he just did. It was like he was
possessed because he slapped him. Then he turned around and
he kind of looked over his shoulder, like, you know,
they to have somebody jumping me, and.

Speaker 1 (01:47:42):
Somebody supposed to grab you and hold you back. That okay.

Speaker 11 (01:47:46):
She was like, damn, yeah, well I would have liked this.

Speaker 12 (01:47:53):
He slapped the right rock brother because if that hadn't
been Tony, that'd have been a whole another affair.

Speaker 27 (01:47:57):
Man.

Speaker 1 (01:47:58):
Who man, he had smacked No way, whole lot of brothers.
It's a whole lot of brothers in.

Speaker 11 (01:48:06):
This whole lot of well you know it's dining in rocks.

Speaker 1 (01:48:10):
Yeah, I found I did not know. Chris just told
him to beat rock sheet rocks. H crack rock.

Speaker 12 (01:48:23):
Yeah, got him, they say, cracked rock and tell us
one of all them rocks too.

Speaker 1 (01:48:30):
Yeah, yeah, yeah, hard one.

Speaker 27 (01:48:33):
Man.

Speaker 12 (01:48:33):
I appreciate you being gracious with you with your time.
Sweaty man. It got good on us.

Speaker 4 (01:48:38):
So you ain't lying, man, This is this is funny.
One of the fun fund of interviews, most relaxed. It
wasn't we wasn't doing no scripted.

Speaker 1 (01:48:49):
You wouldn't have an asked him about Yeah. We just
we just kicking it like we do in the green room.
This is really good. These are type of people out
there learning how to interview and how the podcast and
all that stuff. Don't script it.

Speaker 4 (01:49:06):
Get the real white people in and ask them what
you want to ask them and just let it slow,
but don't be scripted with I got these ten.

Speaker 1 (01:49:14):
Questions I'm gonna ask them. You know, so, what kind
of dog would you have? If you have dogs? When?

Speaker 6 (01:49:21):
What you what?

Speaker 1 (01:49:23):
What a dog? Cooning? White dog? What you talking about?

Speaker 4 (01:49:27):
Yeah, they be having some questions. They be hitting me something.

Speaker 1 (01:49:29):
I'll be sitting there with that doom, doom doom, looking
for that life.

Speaker 4 (01:49:35):
Yeah, I'm like, okay, I want to answer this question
because sometimes they try to trap you into some stuff.

Speaker 1 (01:49:40):
Get you in some arguments and be what you know
about to do? What you think about it? I ain't
that ain't none of my business, right and what you're up.

Speaker 11 (01:49:49):
To ask me?

Speaker 1 (01:49:50):
That's it. That's right here.

Speaker 11 (01:49:53):
Well I tell you this, sweaty.

Speaker 12 (01:49:54):
Anytime you got something about to drop off, man, anytime
you want to come back in, man, just let me know.
You know how to get in contact with me, and
uh yeah, we'll make it happen.

Speaker 1 (01:50:05):
Yeah, yeah, I definitely, Kansas, I'm coming. I'm about to
put you on the radar. We make the happ we
give come over there and we give your chair it up.

Speaker 4 (01:50:14):
Yeah, let's put something together, man, Yeah, let's let's get definitely, man,
let's get together and make it happen.

Speaker 12 (01:50:19):
Definitely, man, ladies and gentlemen, the hilarious man himself, sweaty hands,
mister Robert Day Rob, before you get.

Speaker 4 (01:50:26):
Out of here, bould hold y'all give it up for him, man.

Speaker 11 (01:50:30):
I appreciate that. I appreciate that. Before I get you
up out of here.

Speaker 12 (01:50:34):
Man, if you had four comedians dead or live, that
you could just sit back on a Sunday afternoon in
the backyard grilling with who would they be?

Speaker 1 (01:50:53):
Robin Harris?

Speaker 11 (01:50:54):
Robin Uh.

Speaker 4 (01:51:02):
I gotta just because I'm a fini, I gotta gotta
gotta gotta go with you because he.

Speaker 1 (01:51:08):
Just sold so so all right, Now I gotta get
some people's life. Dave Chappelle, Oh yeah, that's a good one. Mmm,

(01:51:28):
so many, so many.

Speaker 4 (01:51:32):
I'm gonna go eddie, eddie, yep, yep.

Speaker 11 (01:51:40):
I want to say it right, nobody don't want to
have church.

Speaker 53 (01:51:42):
I'm gonna clap your heads right that.

Speaker 28 (01:51:52):
Come about your hair? Oh my god, I feel it.

Speaker 53 (01:52:08):
Come on, you're citius, it's fighting.

Speaker 28 (01:52:15):
You're a little.

Speaker 70 (01:52:20):
Yeah.

Speaker 28 (01:52:23):
Well I've a has been said and all those need
to roll.

Speaker 22 (01:52:29):
Holy yeah.

Speaker 41 (01:52:33):
But to the House of Man and mentions holy warm ween,
oh holy.

Speaker 20 (01:52:42):
Yeah that's all.

Speaker 28 (01:52:50):
Oh I'm sorry, you're serious.

Speaker 20 (01:52:57):
It's finning.

Speaker 1 (01:52:59):
Poor are god.

Speaker 24 (01:53:02):
Works?

Speaker 28 (01:53:08):
What kind of cowds will look back like the see sign?

Speaker 41 (01:53:15):
Oh my god, we'll see Tchi We'll say ting tin,
we'll say thing tim and s the talking real.

Speaker 26 (01:53:31):
Boy go.

Speaker 24 (01:53:39):
It shining, say come on.

Speaker 18 (01:53:44):
The signing he called yes, Oh.

Speaker 35 (01:53:52):
Jeez, see okay, you did.

Speaker 26 (01:53:59):
No name and you know how to name?

Speaker 28 (01:54:04):
Can I.

Speaker 18 (01:54:07):
I got I got.

Speaker 28 (01:54:10):
Got them the car see that so see I say sleep.

Speaker 18 (01:54:20):
See you gon time to ask the money of the round.
Oh that start right when I'm talking to.

Speaker 28 (01:54:36):
Go you know nobody?

Speaker 24 (01:54:44):
Whoa whoa?

Speaker 26 (01:54:53):
Where?

Speaker 18 (01:54:54):
Where go the st.

Speaker 12 (01:54:59):
See I'll tell you what ain't dead. I'll tell you

(01:55:34):
what ain't dead. And that's your career. Brother, keep popping
off hilarious. If you guys missed the clip when this
go off, turn it back on. See his clip. That's
just a snifflet of what it is this brother has.

Speaker 1 (01:55:46):
Man.

Speaker 12 (01:55:46):
Where can they find you on Instagram? I know you
got a website. Tell them all that how they can
follow you. I'm going as soon as we get off here,
and I'm gonna follow you.

Speaker 4 (01:55:54):
At Sweaty handscomedy dot com. My Instagram is sweaty Hands
one on instagm dot com, Facebook, sweaty Hands one on Facebook, Twitter,
All everything is sweaty Hands one, whatever it is on
all social media platforms.

Speaker 1 (01:56:11):
Hit me up. Let's let's make it happen. Let's have
some fun.

Speaker 23 (01:56:16):
Uh.

Speaker 1 (01:56:17):
We gotta get back on here so we can give it.

Speaker 4 (01:56:19):
The church side too, because I got a lot of
them their stories, because like you were saying about the
bastest and first day's treating the night.

Speaker 1 (01:56:26):
Rapp right right? Man, I have you do the other comedy?
I said, don't you preach everybody? Are you just preaching Christians?

Speaker 5 (01:56:35):
Now?

Speaker 1 (01:56:36):
I talk to everybody now, Yeah, while you why you
in my bank account?

Speaker 6 (01:56:40):
Bro?

Speaker 11 (01:56:40):
Why you in my bank account? Man, I'm out here
witnessing everybody there you go. Yeah, man, hey, just just
let me know when you want to come back. We
put you on the calendar and we'll make that happen.

Speaker 5 (01:56:53):
Bro.

Speaker 12 (01:56:54):
Uh we got votation is about to come on after you,
so uh man, yeah, definitely.

Speaker 4 (01:57:00):
And I'm gonna say what's up and good luck and
man that we shot the best man.

Speaker 12 (01:57:03):
I appreciately appreciated sweating after I get out here, man,
I'm gonna hit you up.

Speaker 1 (01:57:07):
I havena do it. We'll follow you.

Speaker 11 (01:57:09):
I'm gonna follow you.

Speaker 12 (01:57:10):
Cool ladies and gentlemen, give it up one more time,
none other than comedian mister Roberts sweaty hands day man.

Speaker 11 (01:57:18):
Thank you man, great interview, brother, great interview.

Speaker 12 (01:57:20):
Yes, sir man, y'all understand the assignment that is, you
stood here and you had a great time.

Speaker 11 (01:57:27):
I'm gonna do this. I'm gonna tell you guys to
make sure if you are in.

Speaker 12 (01:57:31):
The Kansas City, Missouri area, that you have yourself in
the place right here.

Speaker 11 (01:57:39):
On May the twenty eighth, it's the Gentleman of Comedy
Bam Brown, d D. L. Marshall.

Speaker 12 (01:57:44):
We're gonna be at the Sunlight Missionary Baptist Church. It's
the on demand comedy show. Special musical guest Billy Bird
Senor and thank you to host Pastor Ricky Rambo, his
beautiful first lady, Miss Keyshan Rambo. I know, Key Sean
be like first lady. I'm the only lady. So yeah,
his lady and we're leaving just like that. Hey, man,

(01:58:04):
go ahead and call them for more ticket information. It's
free parking and they got plenty of it. So all
y'all come on out to forty four forty four Woodland Avenue,
Kansas City, Missouri, Ben Brown, D. M. Marshall, gentlemen of
Comedy on Demand and that is coming out and make
sure that you definitely support the award winning the most

(01:58:25):
Infamous radio show beat D. L. Marshall's Backstage Fast Conversation
with my own Air Ride of God VAM Brown. I
hope y'all voted for BAM on the Knas City People's
Choice Awards. All right, and you can catch us on
YouTube the I seventy channel channel I seventy mm b E.

(01:58:48):
All right, So we're gonna get up out of here.
Remember the Gospel of Jesus Christ is contagious, catching all
that you do do with godly and if it be
God's will, until next time, we'll catch.

Speaker 11 (01:58:57):
You backstage or in deal ring. These you're watching.

Speaker 49 (01:59:00):
DL's Backstage Pass with Sad Weelfare He's such the mid

Speaker 20 (01:59:05):
On DL's Backstage Pass radio show

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