DLBSP: Village or Child what's the problem, BBQ so good it'll take yiur eyeke your

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Episode Transcript

Speaker 1 (00:05):
Yes, d L's backstage pass radio show. Be listen.

Speaker 2 (00:13):
Once you've been interview tag.

Speaker 1 (00:15):
People are standing in lining to get with the best
radio announce So you're gonna get it. If don't know,
I guess I won't ever know d L An this
femis from the indeed a j CMBO. B L's backstage Pass,
d l's backstage passes on your radio, pc in on

(00:40):
your phone, b LS backstage Past, d L's backstage passes
on your radio, pc in on your phone.

Speaker 3 (00:55):
Now put your hands together for my father and y'all's faith.
Mister sab wifare dd.

Speaker 2 (01:02):
Hey, what's happening? Y'all know what time? It tells? Is
your through the voice? Mister sadwire fair deep DL Marshall
and man, do we have a show for you today?
But hey, I want to jump into this right now
as you do so so graciously each and every time
we pop on, see that subscribe button gone, and subscribe

(01:24):
see that like button gone, and like don't make us
beg Hey, look, man, ain't too proud to bed, but
I don't feel like it today. Go ahead, subscribe to
the Realist Gospel music show anywhere you gonna find giving
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(01:46):
marsh media, backstage entertainment television right here on the YouTube
and the facebooks.

Speaker 4 (01:53):
Subscribe Man stop having me bad, your.

Speaker 5 (02:03):
Friendly neighborhood gospel d J, d J.

Speaker 6 (02:08):
Your money got back day as radio show.

Speaker 7 (02:15):
Said, he's Upboddy Goudy You what Aboddy got.

Speaker 6 (02:21):
You? Everybody got nobody. Say you're a money God, he's
gonna do You're a money got.

Speaker 8 (02:31):
Your money god, say your bunny God, he's gonna do.

Speaker 6 (02:38):
All My lady, by God, you are mine, by God.

Speaker 2 (02:48):
Figure, say that who you are?

Speaker 9 (02:56):
Y'all know what?

Speaker 6 (02:57):
Say you are my.

Speaker 10 (03:06):
Bye, you are of mine.

Speaker 2 (03:13):
Say that's who you are.

Speaker 6 (03:16):
I say, got all the text bark say you'll make
ways out of.

Speaker 11 (03:21):
Know and you still perform in berricles to the other
and of Fisher. See that's who you are.

Speaker 6 (03:37):
Say that's who you are.

Speaker 12 (03:41):
They go, They give up.

Speaker 6 (03:45):
Dor the dealer rental liver. Hey, don't they killer rental liver?

Speaker 8 (03:55):
Don't killer? Say you make way? Make ways out of
no way.

Speaker 13 (04:13):
Tragedies are common plates all kinds of dizises. People are
slipping away economies down.

Speaker 6 (04:25):
People don't get enough pay. But as for me, oh,
I can say me and you what you've done?

Speaker 14 (04:39):
Me edges yet.

Speaker 15 (04:43):
O folks without homes up in the streets, in the
drug cabin something they.

Speaker 13 (04:57):
Just get me one of the enos base.

Speaker 6 (05:01):
They seems to be sad. Would God be that profession
ever read.

Speaker 10 (05:07):
The way that.

Speaker 6 (05:18):
He could have been? O? No po and no SiO
with the dream, I just with the CHRG what.

Speaker 2 (05:40):
To that?

Speaker 6 (05:41):
None of the never name by your part you.

Speaker 10 (05:49):
Up?

Speaker 16 (05:51):
You know.

Speaker 10 (05:58):
She could have been men when nothing and not love
when a pot I just the new back when to

(06:21):
the Thames.

Speaker 6 (06:24):
Everything by your crowd, the cable.

Speaker 17 (06:31):
You do.

Speaker 18 (06:55):
Because it's gotta love. Some people based their whole city stunts.

Speaker 19 (07:04):
On the car they drave or the close they've won,
and the get up around to web our sey shutdown
and even the month that we were bought in septe.

Speaker 20 (07:20):
Everybody loves a different story.

Speaker 6 (07:25):
Everyone on knows has a different cup.

Speaker 19 (07:30):
But before the details get too girl, there's one thing
that unified a.

Speaker 6 (07:42):
Cross stop presenters.

Speaker 18 (07:46):
We cross stop presenter.

Speaker 6 (07:50):
And me shine our lights off.

Speaker 18 (07:51):
Right then we make him say what we got thet
I know.

Speaker 6 (07:56):
That we are cross coup presenter. Mm hmm. I've been
annoyed to be the life and going by maga mmm.

Speaker 20 (08:12):
So everybody to try to prove me. It may be
exactly what I'm not. But see when not to your
average boy.

Speaker 6 (08:24):
And books o something very special on our handed.

Speaker 10 (08:32):
H what hard work to the world.

Speaker 6 (08:38):
This wee b the bring me.

Speaker 19 (08:42):
Life to sweet Chris represent.

Speaker 6 (08:47):
And yeah Chris, let me shine out of light.

Speaker 5 (08:53):
Sof right down red me say.

Speaker 2 (09:02):
I got a I got a special friend here tonight.

Speaker 5 (09:11):
You know, women, this is the time race home, no get.

Speaker 6 (09:34):
Let me go.

Speaker 10 (09:34):
Had no old man.

Speaker 6 (09:40):
You know, set your freaking This man.

Speaker 10 (09:47):
Came down. Why that.

Speaker 6 (09:59):
This man want me up this morning?

Speaker 2 (10:02):
You don't have a witness started?

Speaker 6 (10:06):
Oh wow, I don't.

Speaker 21 (10:08):
Know what he is to you, but I'm talking about me.

Speaker 9 (10:11):
What I take you?

Speaker 10 (10:14):
All right?

Speaker 6 (10:17):
A man is all.

Speaker 10 (10:21):
Wrapped relive he lost all what.

Speaker 6 (10:35):
I'm won't go to open your mouth and I read
when I was.

Speaker 1 (10:46):
And I.

Speaker 6 (10:48):
I want you with.

Speaker 10 (10:50):
My bad time carry not you. I I'm got a game.

Speaker 6 (11:02):
I'm the lids the morning.

Speaker 2 (11:05):
Thank god, we're begging all the time.

Speaker 6 (11:09):
I Oh no, I don't know what he tell.

Speaker 22 (11:13):
You, but I won't sar don why then the figures
are wow, oh he's all right, let me sell it.
Just wearing your hand and said, no, he's all right
with me. I'm calling about of he's all right with me.

Speaker 2 (11:36):
If you know he's alright in heaven.

Speaker 10 (11:39):
I mean why I'm he if you showed them no,
ball's alright. I want to hear your hear your chide.

Speaker 6 (11:47):
Burnie in an hemizone time he said about.

Speaker 23 (11:53):
Unity, said Lord heavens please burne heis case.

Speaker 6 (12:01):
Let's go down.

Speaker 10 (12:04):
He tell.

Speaker 6 (12:08):
That is Lord the door that r just waiting.

Speaker 22 (12:16):
D water rent on first day rocking the weary shut
them in the stom.

Speaker 10 (12:29):
Long along.

Speaker 2 (12:33):
Again at the in the first.

Speaker 9 (12:39):
Can the water the same We go away and the wa.

Speaker 10 (12:50):
Turn a water into wild the same.

Speaker 24 (12:58):
Round um all they are signing, They got all the flow.

Speaker 6 (13:09):
They bat here.

Speaker 9 (13:11):
One man, what a man? Say what you need to do?

Speaker 2 (13:20):
Never said anil live.

Speaker 5 (13:22):
You never said I'm a nail lives. Never anai never
said I'm not a nail lives.

Speaker 6 (13:57):
No doctor, you.

Speaker 2 (14:03):
Nor your gentle sybody know you know.

Speaker 9 (14:09):
Everything.

Speaker 2 (14:11):
Every hour, every day, every wendy, every month, every Monday.

Speaker 10 (14:18):
To Wednesday, say Friday.

Speaker 9 (14:23):
Say Sunday.

Speaker 2 (14:25):
Where are severywhere Bay November.

Speaker 6 (14:39):
When I don't know, money.

Speaker 10 (14:44):
May away.

Speaker 4 (14:47):
Away away.

Speaker 10 (14:50):
I want to feel wow, all right, playing all I

(15:11):
want to start.

Speaker 9 (15:12):
I'm wanta recking way for y'all. Want it away?

Speaker 2 (15:17):
You want it ren wait by me.

Speaker 10 (15:21):
Say nothing.

Speaker 9 (15:23):
Ain't say that nothing say nothing.

Speaker 10 (15:28):
He can say damn.

Speaker 2 (15:30):
If I want to say.

Speaker 10 (15:34):
Show that.

Speaker 9 (15:43):
I want a game, I can. Michael did.

Speaker 10 (15:58):
Everybody didn't know where I.

Speaker 2 (16:01):
Handed it close on my last still on my feet
and handed it.

Speaker 6 (16:17):
Clap down it, clap them and look at the.

Speaker 2 (17:03):
Y'all is your man missus sadwarfare d D L. Marshall.
And I want you guys to make sure that wherever
you go, you have a peaceful relaxation and rest. I
want you to be able to go somewhere that you
feel comfortable to use the restroom. I want you to
feel comfortable kicking off your shoes and walking across the
carpet in your room. I want it to be able
to smell lemon and e fresh like fabuloso when you

(17:26):
first walk in. I want you to feel safe to
leave your car park in the parking lot. And I
want you to feel that way by calling my friends
over at hotel Whiz. That's right, Hotel Whiz one eight
hundred six nine eight nine one seven. That's Hotel Whiz
one eight hundred six nine eight nine one seven. Tell
them you heard it on Deal's backstage past Hotel Whiz

(17:48):
the most comfortable state you'll stay anywhere? All right, Welcome
back to the Realist Gospel Show, giving you the hottest
music for music, videos, interviews, talker topics, this side of Heaven,
and all the funny you can handle. Shout out to
my man Earl Belton. Go ahead, Earl put in your magazine.

(18:09):
Uh the name of your magazine and your podcast in
the comments, keep waking kick, He said he want to
be like me when he grow up. Uh kinning too late?
KEI key, Hey, let's welcome back none other with me
the curve of fact. What's up, Tammy? Hey?

Speaker 6 (18:26):
What's up?

Speaker 2 (18:28):
I want to say hello to uh BJ Deafenball out
of Oklahoma and thank you for joining us. I hope
you got a chance check out the my comedy special
uh d d L. Marshall a gentleman at the gym,
and I hope you enjoyed it. UH tell me what
you think about the Gospel Lessons feature Tyre's Hall. Oh

(18:48):
that was that was great?

Speaker 6 (18:51):
I love it?

Speaker 2 (18:52):
Yeah?

Speaker 3 (18:52):
You ain't you when it's over you sweating and everything,
you just you gotta sit down and fan yourself like
whoa you?

Speaker 2 (18:59):
You ain't got a chance to enjoy it until you've
seen them live. We're gonna have to go next time
that I do a live show at one of the
quore ted events. You're gonna have to get a chance
to see that, because yeah, we we have a ted
and good time. Yeah, absolutely, I can see I can
see that. Yeah, yeah, we have a tedtan good time.

(19:21):
Uh well, Tammy, you kind of helped us with this one,
so we ain't gonna make the people wait no longer
for their fastly favorite segment infantments segment. Oh Dal and
uh so in our one of our little chatting pile wows,

(19:41):
Tammy said, what do you think about talking about the village?
Does it really take a village to raise a child?
And does the children really want to be a part
of the village?

Speaker 1 (20:03):
Ah?

Speaker 2 (20:04):
And does the village won't your child in it?

Speaker 9 (20:09):
Dang?

Speaker 25 (20:10):
Dal?

Speaker 2 (20:12):
And the reason why we're asking a multiplicity of these
questions inside this topic is because the way we interact
in the black community and in the church body, it's
almost as it's me against y'all or us against them.
And I was talking to Tammy about one of my

(20:36):
trips to a place, and while in this place, one
of the little, the younger villagers, we'll call them, happened
to be working the register on her phone. And you know,
I'm like, okay, all right, so I'll set my stuff

(20:57):
on the conveyor belt to let her know I'm here.
And she did not look up. She continued looking in
that phone, and the fingers is moving on the board
and I'm standing there, and then she put she put
the phone down and pushed the belt just a little bit.
And I guess the person she was texted responded faster
than she thought. She stopped, picked the phone back up,

(21:21):
and finished texting before she even said, hello, sir, How
you're doing? Are her job, which is ringing up the merchandise?
Why do you feel as though courteousness is no longer
a fiber in the community that is the backside of

(21:45):
Millennial to the front side of Cinna. Why is rudeness
the thing of now? Is it the current? Did we
get tainted by the first move of t r U
m B. And now it's resurfaced for his second tour

(22:07):
through the White House. Now maybe people feel voltered to
do and say what it is they really felt to say.
But then I thought about it. But we're not talking
about him and them. We're talking about us as we're
talking about the fooble effect for us by us. Why, y'all,

(22:30):
is it so prevalent that we just don't give a
dog gone about each other? Dang dal Or is it
not that we don't care about each other. It's just
we gonna make sure that I gotta get mine before
you get yours. It's the level. Selfishness is the level,

(22:54):
Rudeness is the level. Discourteous is the level? What is
the level? Y'all? Let in the comments? Has the village
failed the children? Or is it just the children don't
want to listen to the village. What happened to It
takes a village to raise the child? Tell me what
you say?

Speaker 26 (23:13):
Who it's a lot to go into that, But.

Speaker 3 (23:19):
I just remember back in the day, I could not
go outside and do something wrong without my neighbor yeah
getting on.

Speaker 26 (23:29):
Me, yeah, and then taking me to my mama, you know,
you know, And it was all just everybody cared about everybody.

Speaker 3 (23:38):
Everyone cared about each other's children, you know, and some time,
some kind of way, that went away, and it's now.

Speaker 26 (23:46):
And what made me think about this subject is because.

Speaker 3 (23:51):
Kids outside in front of my by my car, actually
that's outside, and then you got the adults day over there,
the kids out there around my car, and I'm like,
please get away from y'all. Stop playing around my car, please,
But they round my car. Nobody's saying anything, right, And
then I wanted to, but then I stepped back because

(24:13):
I didn't know how these parents was going to react
to me saying something to their children, you know, because
the parents.

Speaker 26 (24:20):
Standing right there watching these kids.

Speaker 3 (24:22):
I'm standing here and I'm like, now, I don't want
to have an altercation with these parents, because if they
thinking it's okay for me to say something to them,
you know, now we might it might turn into something
totally different.

Speaker 26 (24:37):
Now it's a lot of time for me, it's.

Speaker 3 (24:39):
Fair, and I think for a lot of people in
our generation, if we're not addressing the children, it's because
we don't want to have to deal with any type
of repercussions from the parents. We don't know what their
head is at It's like it has deteriorated generation by
generation to now we're at almost nothing.

Speaker 2 (24:58):
Let me let me h touch on a few things
that you brought up, but prior let's go into the comments.
Eric Belton said, it takes a village, Yes, but these
young people think they know everything and we've been taught
to hate, and it's easy to hate. Then come together.
Bjay said, Wow, takes a village to raise a child. Nowadays,

(25:23):
some of these here parents, do you tell she from
a southern region. Some of these here parents doesn't want
you to say anything to their children. So and I
was going to say that when you said, when we
were growing up seventies kids eighty, like getting of eighties,
you realized that you couldn't do certain things whether your

(25:45):
parents were around or not, because the village had watchmen
and watch women. So the parent respected their supervision. Because
those very same people that kept you in line, they
fed you. Those very same people that kept you in line,
You could come in their house, get a cool drink,
you could cool off, So they were supervising you from

(26:08):
dangers that you may not have been aware could be
a possibility. Somewhere down the line. Parents stop valuing the
help they were getting, but start to complain more. I
ain't got no help with these kids. I'm doing it
all by myself. But you have made your help the villain.

(26:29):
You've made the village the enemy. And so now you
have secluded yourself and made yourself an island, which we
know the Bible tells us no man is an island.
That's how you become deserted when you are solo. And
we you know there's nothing dangerus than a parent that
would say, my child would never do that. You know,

(26:54):
you know your child would never do that, possibly in
front of you, But your child will do that, dang
d l. So you're looking at a way of making
your children say, my mother will believe me in my
room over someone that is telling her right. So now

(27:15):
it's the me and you against everybody else. So when
someone tries to step in and help you with the kid,
the child sees that mama, and generally we know that's
the one that it is. Sorry ladies, sorry mothers. But
if you get onto a boy or girl, but you know,

(27:35):
as long as you ain't really with a man's daughter,
long as you ain't cussing at her, But most fathers
will say, oh, what's going on, and well, look Johnny
over here chunking rocks. And I told him to stop,
just I didn't want him to break my car windows
of nobody else's. And when I told him to stop,
he told me to shut up and mind my own business. Oh,

(27:59):
so that's what we do a mother. Well, I don't
like the way you talking to him, whether he did
it or not. You come f me. Well you it's
gonna be eight hours before I can say something. My
windows and everybody on the blocks windows gonna be broke
by the time we can talk to you. But you
let something of danger come about and you don't say nothing, Well,

(28:24):
why wouldn't you? You just gonna sit there and watch
my baby get So we can't have it both ways.
So in the comments, we're questioning if it takes a
village to raise a child, what's going on in the village.
Is the village not caring about the kids? Are the
village afraid of the kids, or do the kids no

(28:47):
longer want to be a part of the village. Go ahead, Tammy,
you could tea yeah.

Speaker 3 (28:53):
I think also when someone has said something to or
comes to you as a parent.

Speaker 26 (29:00):
About your child.

Speaker 3 (29:01):
The parent tends get embarrassed, and then they get your yeah,
and then they get you know, so now they're embarrassing
their child.

Speaker 26 (29:09):
Out here acting the fool. And they we come to
you with how your child.

Speaker 3 (29:13):
Is acting, and you're embarrassed, and now you defensive, and
you instead of saying thank you for you know, thank
you for bringing this to me, I'm sorry, da da da,
and then getting on the child so that the child
will see.

Speaker 26 (29:29):
I'm not supposed to act this way.

Speaker 3 (29:31):
They go off on the on the person that's bringing
it to their attention, and so now the kid feels
empowered to continue to do whatever it.

Speaker 2 (29:38):
Is they were doing.

Speaker 3 (29:39):
Because when you go tell my mama, she ain't gonna
do nothing anyway, I've heard people say that they've heard
that you can tell she ain't gonna do nothing. And
that is where the problem comes in out. Now, how
we got to that point from when we was growing
up to how we got to that point now this
point now, I don't know, but.

Speaker 26 (29:57):
I think the village is no longer a village. I
don't know what it is.

Speaker 2 (30:01):
Well, uh and and I'm going to agree agreed with
a village is no longer a village, and then I'm
going to give an explanation as to why I say that,
hey z Z Smith is back backstage. She's used her
backstage pass again. Uh, let's get into I want to say,

(30:25):
let's let's see if we can uh a uh, Anton
pull up. So okay, So now this is BJ now.
So now they show out because they know the parents
got their back. That's definitely one I agree with bjuh Man,

(30:45):
y'all really got the comments going. Thank y'all so much.
A lot of people don't want their parent team corrected. Amen. Amen,
you know, one of the hardest things to do is
to not believe that you have a deficiency or room
to improve. And most human beings feel as though I

(31:08):
got this, I got this, I got this, when really
they know they don't. And the more they say I
got this is them trying to reassure themselves or prove
to themselves that they do have it when all alone,
they know they're drowning and issues. They need help. But
if I ask for help, it's a sign of weakness. Well,

(31:29):
you're only weak till you get the help. And now
that you know how not to need help like that anymore,
you become strong. When I'm weak, Therefore I'm strong. Why
because we stop relying on our power, we rely on God.
And now God is putting in place people that can
aid you and help you, and you don't even want

(31:51):
to go for it. The biggest power play that a
child can have against the village, whether the village is dad, auntie, grandma, grandpa,
our neighbors, the biggest power that a child has against
that village is the power of manipulation. And like someone said,

(32:14):
when you know your mother your father is going to
have your back, whether right or wrong, that's a dangerous situation.
And then once once you get into a place where
your child is incarcerated, our God forbid fatally in the ground.
Now you want us to band together with you, shoulder

(32:35):
to shoulder. Burning candles are holding signs free and free Junior,
And we're not going to do that. If when we
were trying to give you the wherewithal to keep Junior
out the ground or keep Junior out the jail cell,
you didn't want to listen. This is prevalent through school,

(32:58):
classrooms and hallways all over America. I literally when I
was apparent Liaison witnessed witness witness witness a little fella
called a teacher, a white teacher, the B word. The
mother came up there, uh, and the way she was dressed,

(33:20):
let's just say she told me she was coming, she's
fact the food, and she went off, y'all ain't finished
to spend my kid, And y'all got me coming up here,
and da da da da da, and and tweeted lead alone. No,
we ain't got you coming up here. Your little darling
got you coming up here. Do you realize that your

(33:41):
little darling just called this grown woman the B word,
the very same word that you and his daddy breaking
up dishes because daddy called.

Speaker 6 (33:52):
You dang d l.

Speaker 2 (33:57):
So now it's okay for your little darling to call
this woman to be word? And you, well, what does
she say to him? Are you kidding me, ma'am? Right now?
Is there anything that your fourth grader could have said
to them for your fourth grader to respond with that word?

(34:19):
I just don't get it. So now did we know? Now,
did we know what the issue is? How do we
forge a resolution? How do we get a resolve? How
do we put forth motion for change? Because when we

(34:39):
were coming up, all the seventy kids, every parent that
I can remember on my block, every parent could fight,
So getting beat up what a concern by your Because
I remember my dad was like, okay, now after I
spank him, I'll be ready to see your daddy too.
So and the other powers felt that same way. My

(35:04):
daddy wasn't worried about the campile pile bang bang of
a water gun mm hm, because they let daddy on
the block have one too, hm. So we we just
I think we've softened up and we've shown the village
kids that the villagers are free mm hm. And you

(35:29):
cannot rule under fear. That's how you control. So I
believe a good healthy dose of fear in those village
kids helped correct the village kids. If you think that
somebody's knuckles in the back part of their hand gonna
hit your mouth, if you get smart and get the
talking back, then you ain't gonna talk back. If you

(35:53):
think something gonna come across your head for talking smart,
you ain't gonna talk smart. But shoot, half these little
village kids is talking to the parents crazy. So respect
the village right, Hey Trina Hey Janey Earl says schools

(36:13):
are out of control by these bad kids and the
teachers can't teach because they are truly out of control.
What's going on? What are we talking about today? Well, Janey,
we're talking about these bad kids. No after, we're talking
about has the village failed? The kids are do The
kids just don't want to be a part of the village.

(36:34):
That's why they don't. Listen, bro, I got a lot
of back hands from my man. Listen. I got back hands,
front hands, open hands, stuck. I got while ball bats,
I got broomsticks, I got hot wheel tracks, I got
lamp shades, I got uh, well, thank god I didn't

(36:56):
get the stenching card. But yeah, I got a whole
lot of discip plan and guess what ain't there spend
no time nowhere?

Speaker 26 (37:03):
Janie made a point.

Speaker 3 (37:05):
She says, the parents are not parents anymore, of their
friends with their kids.

Speaker 26 (37:08):
And that's I agree with that, and that's the problem.

Speaker 3 (37:11):
You know, I'm friends with my kids now, but my
kids are thirty over thirty years old.

Speaker 26 (37:17):
But when they were kids, they were friends.

Speaker 2 (37:20):
Wait a minute, you got kids that are in their thirty.

Speaker 26 (37:25):
Oh, very yes, I do, yes, I do, all.

Speaker 6 (37:33):
Right, y'all.

Speaker 2 (37:34):
Well, thank y'all so much for today's input in our
dang DL topic and oh man, this was a good one.
Keep the keep the chat going, keep the comments going,
and we'll revisit that. But this has been another dynamic
Infamus segment.

Speaker 9 (37:51):
O d L.

Speaker 2 (37:54):
All right, so what we're gonna do now.

Speaker 10 (38:01):
I'm glad to be wed one month time. I'm glad
to be wed.

Speaker 27 (38:11):
One month time, I was living in the world. I
see but grace and mercy to me and it plays
my feet.

Speaker 21 (38:25):
On you say, I haven't.

Speaker 6 (38:28):
Been the same since that day.

Speaker 23 (38:32):
I could have been there to begin my grade with me,
stand back and behave.

Speaker 10 (38:40):
I'm glad to be one month time.

Speaker 24 (38:44):
When I look back home my life, I'm not yourself
to be on time.

Speaker 6 (38:51):
Anybody held me. Let me say so. I'm glad one
day time could have been to flit yall.

Speaker 23 (39:02):
I'm so borant to deep one point in time, you
could have been daddy. I'm steep and in my grade
and I'm never saying I would have known how to you.

Speaker 10 (39:15):
Watch your show?

Speaker 9 (39:15):
Yo?

Speaker 10 (39:18):
Yeah, so moan one time, moan morn't.

Speaker 23 (39:24):
Know everybody, come on, come on and clap your way time,
come on and crap your head.

Speaker 10 (39:30):
Tell me this world of this hot time. Come on and.

Speaker 23 (39:37):
He someone to say this here is today, have this
made and I'm will we choice, We killed.

Speaker 6 (39:47):
The choice.

Speaker 5 (39:49):
I'm trying to let me ask.

Speaker 9 (39:51):
You, honey.

Speaker 6 (39:53):
You know I'm so fine, of I'm so bad, I'm
so mad about someth.

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Speaker 29 (41:00):
Call down eight hundred two five seven three six seven two.
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right now eight hundred two five seven three six seven
two Again, that's eight hundred two five seven thirty six
seventy two.

Speaker 2 (41:20):
Thank you.

Speaker 18 (41:29):
Yes, geezeses.

Speaker 6 (41:36):
My save you for rand urchyde.

Speaker 14 (41:45):
Geezesus Holy w h surrender.

Speaker 6 (41:53):
Round cure feet.

Speaker 18 (41:57):
You are old, You are righteous in the morning.

Speaker 6 (42:17):
Whether you me O me, you.

Speaker 24 (42:23):
Are called me, you're the kids, your real highly leve.

Speaker 9 (42:43):
We come you so be gave you every.

Speaker 6 (42:46):
Day night you.

Speaker 18 (42:50):
Came before me?

Speaker 10 (42:52):
Is that long really strong? That hall you.

Speaker 6 (43:00):
A friend of That's why we exult.

Speaker 5 (43:06):
We lift your paints, a.

Speaker 10 (43:08):
Sweet of you.

Speaker 6 (43:10):
We're giving the sweet where.

Speaker 20 (43:17):
Dog God, We'll join with heaven to worship you running home.

Speaker 10 (43:29):
Yes, not.

Speaker 6 (43:32):
Nobody released your worst. We shift the atmosphere with a
worship God. You deserve it.

Speaker 10 (43:39):
You all life.

Speaker 6 (43:42):
You deserve the lorry you desire.

Speaker 9 (43:45):
O b O b.

Speaker 10 (43:50):
H no relaison every shot.

Speaker 6 (43:52):
Racing with said, I let you.

Speaker 10 (44:01):
You never change, you, never.

Speaker 16 (44:03):
Change your honor. Yes, your life, that's what I have.
Locks your holy name, you are.

Speaker 6 (44:22):
You are.

Speaker 14 (44:27):
You holyg you, Oh God, your soul.

Speaker 2 (44:41):
You hoy for people.

Speaker 25 (44:50):
This is your brother Major, my mama's favorite hope dealer,
and I'm always keeping it lock with my brother deal.
That's right on d l's backstage past radio show not
as major.

Speaker 2 (45:05):
All right, that's major, Tammy. We didn't say it, he did. Hey,
welcome back to the Realist Gospel Show Anywhere, giving you
the hottest music or music videos this side of Heaven,
all the funny you can handle. She's Tammy, t the
Curvy one. I am mister Sad Wildfair, d d L.
Marshall and Tammy. It is now time to get in

(45:26):
two our dudes and don't Before we get into our
dudes and don'ts, just want to say, if you have
enjoyed any of what you've seen now or any other show,
please support black media content and support Marsh Media content
at dollar Sign Marsh Media l LC and on Patreon
dot com, backslash Marsh Media e n t All Proceeds Matter,

(45:51):
y'all know that's cash out, and on none other than
our Patreon channel. So it is time, Tammy for us
to get into our dudes and don'ts. And you know,
with all the barbecue in and the grilling that we've
smelled and witnessed and partook in over this weekend of

(46:14):
Memorial Day, and we're getting to the point to where
the itis is setting in. But some folks is looking
for another plate. Some folks is looking for the fall,
so they can, you know, sneak some food out. Well,
I guess there's one Ohio family enjoyed the grilling so

(46:37):
much and they wanted to compliment the shelf so badly
that they got into fate a fight over the last
portion of the state that was on the grill. Now,
it didn't specify if this was a t bone ribby,

(46:57):
what did they ragou angole or sagool or swagole a steak?
They didn't say what kind if it was thick angus,
thin angus, They just said it was the last piece
of steak on the grill. And two sisters got into
a fight. Now I called that, now only you tripping?
I called that. Well, I don't care what you're talking about.

(47:18):
I bet you you don't walk out of here with
that steak. Well, if I don't walk out of here
with it, I guarantee you ain't gonna walk out here
with it. Check me, boo? Who gonna stop me? Boo?
And then all of a sudden, the war of words
over this steak on this grill turn physical. Now I
don't know if it was the brother the grill, the

(47:40):
daddy the grill, the uncle cook, whoever this grill master is,
stay far away from my family gatherings, because if you're
cooking and your marinate. I don't know what this brother
seesn't this fool with Tamman, But whatever it was, you
keep it far away from the Marshall household because we
ain't trying to get into no fight, because we done

(48:01):
got down to the last piece of beef and now
we're gonna fight. Listen, they got into a fight and
one of the sisters, the other's sister with the little
park not and listen, I'm gonna show you how good
this sister. She don't cut somebody before, she done cut

(48:25):
somebody before, because it wasn't before too. It was the
tub one, you know, the one that you pulled the
meat off the grip.

Speaker 6 (48:33):
Oh yeah, got a dead or not?

Speaker 2 (48:35):
Now, this sister was going for both the eyes. She
was trying to make sure that this girl didn't see
another family function. She was trying to make sure this
girl didn't see another family gathering. She was trying to
make sure that girl couldn't see never ever, if it
was the last piece of meat on the grill.

Speaker 17 (48:49):
No more.

Speaker 2 (48:51):
Oh, that girl in the eye over some steak complements
to the cook. But it's too far. I mean, what
you're gonna call her now, Rebbie, you know, won't you

(49:16):
come on over here? I think you're going to earn
this last this last piece of state. I'm sure. I
sure appreciate you. You you you patching up and coming
over here and just that, you know, never seen nobody
lose out over young grill. I appreciate you.

Speaker 6 (49:37):
You know.

Speaker 2 (49:37):
I love me some barbecues, so you know I was
to lose.

Speaker 6 (49:42):
I need to know, God, I need to know.

Speaker 2 (49:45):
What that state tastes like. Listen, I don't. I don't
because I ain't got time losing no eye. I already doesn't,
have been without an eye for almost a year at
a portion of my life. God gave me back my vision.
I ain't trying to lose it again. I don't want
to know with the taste like, because I don't want
to stab nobody in the eye. We ain't talking about
no stranger. We ain't talking about nobody stealing now occurred

(50:08):
to either one of those sisters. Let's just cut it
down the middle and split it. See, they wasn't made
to share as kids. They wasn't made because if they
was made to share, they came up with that solution.
But now you gotta look at your sister with a
brown eye and a half white eye because you done

(50:28):
killed the eye that you're done stuckle with so you
can have some steak. Now you can't even enjoy the
steak because you in handcuffs. Feldn't get a free ride
down to a free resort for the holidays, and you
know you're gonna be sitting there because the judge ain't
coming back. Now over the week, we'll be back to day.

(50:53):
Now you can't even Now, you can't even look at
your sister eye of eye no more? Can you picture them?
Can you picture the new nicknames? He Winkie, have me
them buns? Bring them on over here. Stop it? I

(51:20):
mean tell me they couldn't see that through.

Speaker 30 (51:22):
I mean, come on now, Uh, that state gotta be good, though,
you know I'm gonna y'all listen.

Speaker 2 (51:35):
I want a piece of this.

Speaker 6 (51:36):
I want to see what it is.

Speaker 9 (51:36):
I want to see what it tastes like.

Speaker 2 (51:39):
I love a good marinated state, but what them seasons is?
I like a good seasoned hamburger, But I don't want
it like that if it makes me want a main
harm or hurt of family. Now, that's the other devil.
That's not devil. It's gotta be a backster. That steak

(52:01):
was just the last straw. That was just a tip.
That just that's she probably used. She probably used to
get beat up at the table for the last piece
of chicken. She said, Oh, that's it, that's it. I
ain't doing it no more. Look at me when I'm
poking at you, no chicking my whole life. I ain't

(52:21):
doing it no more. Oh man, So I mean, dudes,
and don't y'all don't take something this small and make
it that major. Don't turn no Mohiel into a mountain, y'all.
Come on, man now for real though, real talk. I'm

(52:42):
being seriously time. So if if something sound funny, then
I ain't trying to be it just but you mean
to tell me that you thought that less of your
sister that you was willing to maim her for some steak. Yeah,
I don't know. Maybe the sister was like and the

(53:02):
way you be looking at my, man, I make sure
you don't do it no more. That turned from stak
to man real quick. I mean, well, y'all. I hope
y'all had a great holiday weekend, and I hope while
listening to this show you still have both your good

(53:24):
eyes because people are taking an eye for an eye seriously.
Only problem is this was an eye for a stake.
And Lord knows if you are in an argument over
Uncle Jake's last piece of steak. Please, when you see
your sibling reach for anything, just back up, walk away.

(53:48):
You know what if she had a went to the
store bought another piece of steak, I bet you Uncle
Jake would have put that steak through that same Mari
nation that same season, put it on this grill just
for you.

Speaker 26 (54:02):
Now, that steak was marinate overnight.

Speaker 2 (54:04):
That's why it was so and you know that. You
know the sad point about it is timmy mm hm,
they wasn't fighting for the steak to give to their children.
Now the kids sitting there stomach grabbed, ah bah, can
I have some of yo steak?

Speaker 9 (54:21):
Now?

Speaker 26 (54:21):
The children eating hot dogs?

Speaker 9 (54:23):
You know that?

Speaker 2 (54:24):
There you go, Hamburger Man. That is that is crazy, yo,
That is crazy work. Well, that is today's deils, dudes,
And don'ts uh. This is what we're gonna do. We're
gonna take a quick break. We're gonna come back.

Speaker 31 (54:40):
With story time with a grill, and it's up to
y'all to tell me if the story time is true
or if it's fake.

Speaker 2 (54:51):
Plus more of your comments when we get back, don't
y'all dad, They'll go nowhere, mister Sadi, D D. M. Marshall,
the curve effect every warm.

Speaker 1 (55:31):
This one.

Speaker 32 (55:36):
Was just water drop, the chopping fiel, the sun on
my face washing away. If you can't got a face,
what the scripture delivered the picture to remember, it's grace,
the sacrifice that allowed you to.

Speaker 5 (55:47):
Scape, telling them a story, giving the glove.

Speaker 32 (55:50):
We got, made it through the crash out, made it
through the window, a spring in the summer. The longer
going on that I'm waiting to do with life, the
doctor greatest truth.

Speaker 2 (55:57):
At the hem and room doing.

Speaker 6 (55:59):
As soon as the gloom is.

Speaker 7 (56:00):
Doom in every room, God booms the bloom my smoke gloves.

Speaker 6 (56:04):
I remember when up down to.

Speaker 32 (56:05):
Day, the little trying to fake out of my faith
with you are got out of my weight on the clack.
I'm cure setting the streets. And when he opened ate
some pure it's no debate.

Speaker 7 (56:14):
To the creek air of my paint in the power
to become a great stag.

Speaker 33 (56:47):
Put my name in the sand with the tie came through.
Then you carve it in stones that I'm staying with
you in the world for illinoys you to come. I
know when my faith ran though you still made me
eat the pieces of my pasts, turned them into cand
and your main cage. But the strength is staying, paying
your chains on my soul. Yet you sent me free,
got me dancing.

Speaker 6 (57:04):
In the fire.

Speaker 18 (57:05):
Yet I still believing on leaving world.

Speaker 5 (57:07):
Call it look what I call it your grace.

Speaker 6 (57:08):
I can't reccept that I take.

Speaker 33 (57:10):
I can feel your embrace when the lights fade out
in the crowd moves on. You're the one still here,
keep me closing on the lung that can ride with
Your truth got me aasking in the world like the
sun in the booth.

Speaker 6 (57:20):
You're the muse in my mind.

Speaker 18 (57:21):
Every verse I write, I just want to love you
every day.

Speaker 6 (57:24):
Didn't every single name yet you let's words, yeah take play.

Speaker 10 (58:11):
Just nater.

Speaker 6 (58:17):
You see he said word everything.

Speaker 26 (58:33):
Just gotta make a way when.

Speaker 6 (58:40):
You can't escape.

Speaker 34 (58:41):
Let's see again things and could take Do you put
your feet on the shot of ground, be up and
make it strong. Getting all you're down, gotta make a
way when you can't escape. Let's see again you things.

Speaker 5 (58:52):
And no one could take.

Speaker 34 (58:54):
Do you put your feet on shot of ground, be
up and make it strong, getting all you're down.

Speaker 6 (58:59):
God is the ruler. You can't take his place.

Speaker 34 (59:02):
He broke the heavens in the earth just in seven days.
He's the king of ball jingus in, the lord of lords,
with the power in his hands in the mighty.

Speaker 18 (59:09):
For us, he's discerned the ruddish speed.

Speaker 34 (59:11):
He knows everything. How many heads on your heads and
the thoughts your think. Cain't nothing come against you? When
the Lord that is with your cutsies the battle fight,
And when they come against you, every word that he
speaks gotta come to pass. Just stand on your faith
when they think you're mad. Whin the teim Tas you come,
he make a way to flee. Don't lead to your comprehension.
He'll the wreck your feet.

Speaker 6 (59:30):
Convince a good not evil.

Speaker 34 (59:32):
Great the recompense, run the race set before you watch
your heaven. Then God is standing faithful in the worlds
that he's fade. Because God has great any faithful to
do what he says. Oh, God'll make a wave when
you can't escaping. Let's see it again, you ding that
no one could take. Then he'll put your feet on
shot and grime be you up and make it strong
And all you're down on godn't make a wave when

(59:53):
you're kingus skating us. See again, you thing no one
could take. Then He'll put your feet on shot and
grime be up and make the strong. Hen No, all
you're down. He produced it for in the world and
every day, and get it by hen we move and
we live, and we can't forget it.

Speaker 18 (01:00:07):
Formed of the dust and weather, creature made like us.

Speaker 6 (01:00:10):
He is the painter. We're the clay. Here we gave
me touch, created in his enemy Joey.

Speaker 34 (01:00:14):
Yes, we have a purpose, he claim its name doing
we'll live for phillis purpose. Make the group play the
straight and how flakes is slow. Prepare the table before
ourami twice. It's white as snow. It's always the mine,
and it's what's.

Speaker 6 (01:00:25):
Your come the past.

Speaker 34 (01:00:26):
Remember God of what He's done when you possess its land,
how He's supplied all your heads by Christ Well and Glory,
who kept you strong through your cloms, fit your testimony,
practice not a phoney that if you worked, they got
a spake. He came into flesh and walked the earth
for our sake. He died on the gross so we
can have eternal life forever. Brakful, So I say thanks.

Speaker 6 (01:00:43):
To be the Christ.

Speaker 34 (01:00:45):
God to make a wave where you can't is skating
plus see again and things no one could take. Then
he'll put your feet on shot and grime, be up
and make a strong or you're down, God, to make
a wave where you can't escaping puse see again things said.

Speaker 6 (01:00:59):
No one can did.

Speaker 34 (01:01:00):
He'll put your feet on shoty ground.

Speaker 6 (01:01:03):
Be you up and make the strong. G know all
you're down. Uh huh.

Speaker 34 (01:01:06):
There is a dream that we must achieved. That was
part of my guy before the earth was seed. We
gotta fall in line where it's will upon the surface.
It was established for your parents. Do they give your birth?
This life is not our own. Yes, we're on God's time.
Seek your first walking They finished during your mind, and
he gonna open up doors that you never seen.

Speaker 26 (01:01:24):
My God is the king.

Speaker 18 (01:01:25):
You show a steaks.

Speaker 34 (01:01:25):
We never dream his whether or not our ways his
Daunton's high. That then our thoughts, Yes we have it
by by Jesus Christ on the cross. Lord, I see
his illness is vice flood we free, he is I
can't got salvation?

Speaker 6 (01:01:36):
Who has made us free? Don't forget where you were when.

Speaker 34 (01:01:38):
God brought you out. He changed a life, kept your soul.
Then he brought you out and all glory to the Father.
He's a great creator. Stay strong and believe that he's
a navigator. Uh huh, God to make a wave where
you can't skin.

Speaker 18 (01:01:50):
Let's see it.

Speaker 34 (01:01:51):
Get your tange that no one can take. Then he'll
put your feet on shotly grind be you up and
make a strong or you're down. Gotta make a wave.

Speaker 6 (01:01:59):
When you can escape.

Speaker 34 (01:02:01):
Don't see a gas and on what could take your
all side and ground bee up and make.

Speaker 26 (01:02:07):
Sure you know what you're down.

Speaker 5 (01:02:20):
It's the second hour now.

Speaker 6 (01:02:24):
The first is done of.

Speaker 5 (01:02:26):
D l's backstage pass. It's the second hour now.

Speaker 2 (01:02:33):
Hey, y'all, welcome to the second hour. Deals backstage bad.

Speaker 35 (01:02:37):
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A fat wallllet eight hundred ninety four to two three
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oh seven eight, eight hundred ninety four to two three
oh seven eight. That's eight hundred ninety four to two
thirty seventy eight.

Speaker 2 (01:03:38):
That warldfare the d O Marshall and I want you
guys to make sure that wherever you go, you have
a peaceful relaxation and rest. I want you to be
able to go somewhere that you feel comfortable to use
the restroom. I want you to feel comfortable kicking off
your shoes and walking across the cartment. In your room,
I want it to be able to smell lemony fresh,

(01:03:58):
like have a Loso when you're first walk in. I
want you to feel safe to leave your car park
in the parking lot. And I want you to feel
that way by calling my friends over at Hotel Whiz.
That's right, Hotel Whiz one eight hundred six one nine
eight nine one seven. That's Hotel Whiz one, eight hundred
six nine eight nine one seven. Tell them you heard

(01:04:18):
it on Deal's backstage past Hotel Whiz. The most comfortable
state you'll stay anywhere? All right, tell me welcome back,
Hey guys, welcome back. Uh tell me what's going on
over there in the comments.

Speaker 3 (01:04:35):
Section, all right, in the comments section, Oh, Jamie say,
I don't want none of that state, but I think
I do.

Speaker 2 (01:04:49):
I'm kind of greeting, yeah see you you you uh
you you are not taking part in wise council at
Oh ma'am. I'm not.

Speaker 6 (01:05:01):
I'm not.

Speaker 2 (01:05:02):
I'm greedy. I want some steak.

Speaker 26 (01:05:04):
I want some steak press out the grill. I'll take
that chance. I can duck, and you know I can
buy the wives ain't gonna get it.

Speaker 2 (01:05:11):
Look like Adrian in the music box saying keep me lord.

Speaker 26 (01:05:18):
Oh, thank you for sliding through.

Speaker 2 (01:05:21):
What's up girl?

Speaker 6 (01:05:22):
Uh?

Speaker 2 (01:05:23):
What is that? Dang l o l family? You know
some of the slide through support. Thank you so much, Arthur, Niki, Nicole.
I'm with Tammy is out and about. She's on the sea.

Speaker 3 (01:05:37):
Mission impossible today. Thank you, Thank you for sliding through
for a minute though.

Speaker 26 (01:05:42):
We appreciate you.

Speaker 2 (01:05:45):
Yes, Lord, all right, so uh Tammy, you know it's time.
It is time for story time with Degree. I'm like
a little kid, all right, y'all, story time with the Grill.

(01:06:05):
Today's story takes me back to I want to say,
nineteen hundred and eighty one. And in nineteen hundred and
eighty one, we were all outside playing, and I believe
we were playing with the fire hydrant. We got the

(01:06:26):
fid and on, and we all just having a good time,
and all of a sudden, the commotion broke out. And
when the commotion broke out, we looked up the street.
We saw two female neighbors arguing. One was called this

(01:06:51):
and another one was called that, and each name that
the other one called the other one. They got closer
and closer. One was about five foot nine, weighing in
at a whopping about two forty five. The other was

(01:07:12):
every bit of about five or three, coming in at
a slender one twenty soaking wet. So we was all like, no, no,
don't let that you're wild, wild get gobbled up by
the save No, I mean that saber. Nor was woofing,

(01:07:37):
Oh I'll beat y'all. Oh I'll do this. Oh. I mean,
she was preaching everything but a sermon from Evans. Another
lady said, well, okay, I tell you what you be
standing right there. When I get back, she goes in
the house. And when she goes in the house, she

(01:08:00):
comes back out with something long, cold and silver, And
I mean she looked like Jackie joined a cursey going
across the front line of the house that separated the
two neighbors. But boy, when I tell you, five foot nine,

(01:08:26):
two forty five ran like that young Shikari Richardson, I'd
never seen a bus go from zero to two point
fifty and elver she ran got up in the house
and just at a nicked time because one twenty soaking

(01:08:48):
wet had that long, cold piece of steel coming down
and tookoom, just like in the shining, the knife was
in the dark. Come you said this is what you want,
and I told you this ain't what you want. About
fifteen minutes later, nine one one showed up and just

(01:09:10):
liking every hood across the country. Nobody saw a thing.
That is today's story of story Time with Grillo D. D. L.

Speaker 4 (01:09:25):
Marshall.

Speaker 2 (01:09:25):
Now, I purposely sharpened that story. I purposely read it
at the tempo that I recited it at. Was that
story true or false? Now y'all listening and watching, tell

(01:09:46):
me lost to me seven times? She's only beat me five.
It would have been eight to four last week when
you got it correct, because you went with Adrian of
Adrian a high five. But this week, I don't believe
Adrian gonna be able to stay you to five losses

(01:10:09):
because I'm looking at the uncertainty and unsure tea and
your eyeballs right about now. I could tell the way
your rocket and breathing heavily that you are so confused.
If this is true, daty Ford says, this is true,
We're gonna let the comments come in, and I guess
what I'm gonna do. I'm going to let you marinate

(01:10:31):
like that state that Uncle Jake grilled m and y'all
put in the comments. Was the story true? Was it false?
Guess what we're gonna do, Tammy. We're gonna get into
a brand new video. Oh yeah, this is coming from
my man Billy bird Sea. What I trust you? She's

(01:10:55):
the curve effect, Timmy t Mister sadwy Fair. Are you
know me as the grill d D L. Marshall. We're
gonna tell you if this story was true or folse
when we get back, y'all stay right there.

Speaker 10 (01:11:26):
H m hm m.

Speaker 6 (01:11:47):
I've been doing me. I've been doing get following, but I.

Speaker 5 (01:11:51):
Get following at it out, benefitt fall.

Speaker 15 (01:11:55):
I was coming through from here, making away from your
money looking find here I family dripping on me.

Speaker 5 (01:12:01):
What you always come through.

Speaker 17 (01:12:04):
Past?

Speaker 2 (01:12:05):
Why shoot?

Speaker 5 (01:12:07):
Shoot with nobody else?

Speaker 36 (01:12:09):
With you, with nobody else, because you love me, Freasure.

Speaker 18 (01:12:25):
Even though I can't see you, I still believe in you.

Speaker 5 (01:12:30):
No one people thank you.

Speaker 2 (01:12:33):
That's great.

Speaker 18 (01:12:35):
Because you always got my back and you tell me
when I'm moving, you tell.

Speaker 10 (01:12:38):
Me how to act better.

Speaker 37 (01:12:39):
Fay, I can leave the table without you.

Speaker 6 (01:12:42):
I just want to tell you.

Speaker 12 (01:12:45):
Shoot with nobody else, nobody else, because.

Speaker 6 (01:12:57):
You love me fresh.

Speaker 2 (01:13:04):
I just want to be thought.

Speaker 6 (01:13:09):
I just want to be close.

Speaker 1 (01:13:11):
Sir.

Speaker 6 (01:13:14):
Teach me your God, teat me your way, teats me,
lead me, Teach.

Speaker 36 (01:13:24):
Me how to be your son.

Speaker 6 (01:13:26):
Teach me how to be your father. Teach me, lead me.

Speaker 5 (01:13:41):
You give me anybody.

Speaker 6 (01:13:54):
Who'll say, give anybody.

Speaker 38 (01:13:59):
In the word.

Speaker 39 (01:14:15):
One honey, I'm gonna chip for one honey, wan honey,
that'na chip you one honey, one honey. That'm gonna keep
you want honey, one honey, that I'm gonna keep up
one honey.

Speaker 40 (01:14:24):
Hey, y'all say I'm gonna keep it one honey, and
she's trying from there.

Speaker 5 (01:14:28):
I gotta keep this one honey for him, And then
wonder when the good is a possible? He traising God wall,
he's the ways.

Speaker 2 (01:14:33):
That I said, So let go.

Speaker 6 (01:14:35):
You can't let go the way that he's in the light.

Speaker 41 (01:14:38):
So hold y'all, hold y'all cost in the Lord, and
be drawn and drown because he out of light, and
be told you all.

Speaker 4 (01:14:44):
Feel families can pay chilly.

Speaker 5 (01:14:47):
Play, lighting up upper room lives and jug double paying
the most R.

Speaker 42 (01:14:52):
T O P.

Speaker 39 (01:14:53):
What's up one honey, I'm gonna chip a one honey,
one honey, one honey, that I'm gonna keep up one honey,
one honey. But the Lord name is Christ because see
the way to cook getting light on my life. Oh honey,
I'm go wane one honey, one honey, and I keep
no one honey, one honey.

Speaker 5 (01:15:08):
Brother, Lord named Jesus Christ because Hee the wall and
tooth in the.

Speaker 6 (01:15:11):
Light of my life every war, Honey, try try to
keep you everywhere, honey, keep your one honey.

Speaker 43 (01:15:22):
You know the king of It's never upbout no pace,
so that it is to make me over like may
Joe remains stable out from but we stay low moving
how you moving through whatever he says, finish the risk,
can let it take Yoe. We hood coup in connected
just like some change. Joe paying no mind to opinions
on those lave boats came in a verdict told me
the case globes. Oh can't tell the future, but he

(01:15:43):
knows so being small, he everywhere that we go.

Speaker 6 (01:15:46):
Got number one.

Speaker 2 (01:15:47):
He's the only he wrote.

Speaker 5 (01:15:48):
Without him number one, we nothing. We double sleep roll honey.

Speaker 2 (01:15:52):
I'm gonna keep one one.

Speaker 5 (01:15:53):
Honey, one honey, and I'm gonna keep no one honey,
one honey. Brother Lord name Jesus Christ.

Speaker 2 (01:15:58):
Because the way to cook getting.

Speaker 39 (01:15:59):
Light light, Oh honey, I'm gonna to go one honey,
one honey, Hendry not gonna chepo.

Speaker 5 (01:16:04):
One honey, one honey for the Lord named Tesus Christ.
Let's get the week, the truths life.

Speaker 44 (01:16:10):
Seeing something, some pain, but not this man that's with
your lanes. That's trust in him who knows everything. Because
we come this by faith, leaning.

Speaker 10 (01:16:19):
On the Lords.

Speaker 5 (01:16:20):
I can't caught up with those foolish thinks.

Speaker 18 (01:16:22):
The ways of the Word of recerence.

Speaker 44 (01:16:23):
We repep saying the name of Jesus, he always willing
to God.

Speaker 18 (01:16:26):
Let those cheep up and in my by and we
go ride, run it.

Speaker 5 (01:16:30):
Out till I see I eat no.

Speaker 44 (01:16:31):
When I got my cotta n before he turning to
see I got my.

Speaker 18 (01:16:34):
Honey, yeah, my body, yea my life then right ninety
nine and nine half on too.

Speaker 6 (01:16:38):
I'm gonna keep the one.

Speaker 5 (01:16:40):
I'm gonna chip go one honey.

Speaker 39 (01:16:41):
One honey, one honey, and I'm gonna tickle one honey,
one honey for the Lord name Jesus Christ, because see
the way to cook getting light of my life. Oh honey,
I'm gonna to go one honey, one Honey, Hendry, now
gonna chepo one honey, one.

Speaker 5 (01:16:53):
Honey for the Lord named Tesus Christ, because see the weak,
the truth is.

Speaker 6 (01:16:57):
The light of my life.

Speaker 10 (01:16:58):
Boo.

Speaker 2 (01:17:02):
All right, ladies and gentlemen, get ready, it is time
for the most soothing voice in radio. We're gonna get
into some gospel news and the top ten countdown with
our sister Nina Tator. Hey, how you doing, Nina?

Speaker 6 (01:17:17):
How you doing?

Speaker 45 (01:17:17):
Everybody? Am Nina Taylor with this week's gospel News. Active
since the early two thousands, Rudy Currance is a singer, songwriter, keyboardist,
and producer whose collaborative work and solo releases have covered
the genres of contemporary gospel, R and B and rap.
The rock Hill, South Carolina native has co written songs

(01:17:38):
for the likes of Maya Ray j and Quincy Jones.
More notable, he contributed to a pair of songs on
La Craze Dull and Grammy Award winning album Gravity, and
he and Donald Lawrence composed Karen Clark Sheard's Seven Am.
As an artist on his own Currents, has released R
and B oriented albums like More Than You'll Ever Know

(01:18:00):
from two thousand and three here with You in two
thousand and six and Digital Analog in twenty sixteen. The
gospel number Testimony from twenty seventeen was issued as the
lead single for another full multi link project, Stained Glass Windows.
Thomas Ware is a Florida born musician who specializes in

(01:18:23):
gospel music. As a gospel music artist, Thomas Ware crafts deep,
uplifting tunes that touch listeners hearts out of love for
the genre. His songs blend modern and traditional Christian music.
He is a national gospel recording artists, actor, and author.
A Central Florida native from a small town called Groveland,

(01:18:45):
he got into the music industry by way of writing
songs at a very young age and performing. He received
his first recording deal as a rap artist, and he
later moved over to gospel music, where he has had
the opportunity to release records through his own life. Nationally
raised in a musical family, Doe began performing professionally as

(01:19:05):
a teen in the Christian gospel zeptet Forever Joe, which
featured Doe with her parents, her two sisters, and two brothers.
The group released three albums and garnered two Grammy Award
nominations and multiple Stellar and Dove Award nominations. Have you
ever wondered about places that you can vacation that are

(01:19:28):
welcoming to African Americans.

Speaker 2 (01:19:30):
Well.

Speaker 45 (01:19:30):
For a memorable vacation, consider destinations that celebrate Black culture, history,
and community. One place is the National Museum of African
American History and Culture in Washington, d C. It's a
must see for a deeper understanding of African American history
and culture. For a beach trip with rich history, explore

(01:19:51):
Atlantic Beach in South Carolina, known as the Black Pearl
and a thriving Black owned community. If you're looking for
an international experience, consider Barbados. It's a popular choice for
African American travelers. Some large black owned business and communities
include New Orleans, Louisiana. Explore the Tremae neighborhood, a historic

(01:20:13):
Black cultural hub and vibrant music and dance traditions. Atlanta, Georgia,
is another great place. You can visit the birthplace of
doctor Martin Luther King Junior and experience the city's black
cultural festivals. Houston, Texas is another great place discover a
diverse Black community and enjoy a thriving arts and cultural scene. Charleston,

(01:20:35):
South Carolina explore the city's rich history and vibrant Gula
Geechee culture. For international destinations, consider Ghana in Africa. Connect
with your ancestral roots in West Africa and explore historical
sites like Almina Castle a Unessal World Heritage Sites. Brazil,

(01:20:56):
immerse yourself in the African dysphorias influence on Brazilian music, food,
and culture. In Colombia, explore the first free blacktown in
America's Helenke and experience the country's vibrant Afro Colombian culture.
Explore the first free black town in America's polenke Us.

(01:21:18):
Destinations also include Tulsa, Oklahoma, Detroit, Michigan, Selma, and Montgomery, Alabama.
Visit the Rosa Parks Museum and Legacy Museum to learn
more about the Civil rights movement. Here's this week's top
ten gospel songs. Number ten Confident Free Barbono nine, Do
It Anyway Tasha Cobbs Leonard eight, Blessings Shilanda Adams seven,

(01:21:43):
Barvin Safwick he Was There Live. Five That's God, La
La La Sincere four, Deserve to Win Tamilaman three, Marcus
Jordan with I Can two Amen from Pastor Mike Junior
and a new number one song comes from Major. But
I pray for you, said a prayer. That's your top
ten songs, Great vacation destinations for African Americans, and your

(01:22:07):
gospel news. Imina Taylor. Let's get back to more great
gospel music on this great stations.

Speaker 6 (01:22:26):
Another one.

Speaker 2 (01:22:48):
Listen.

Speaker 21 (01:22:49):
We're living in a world, so what's going on? But
don't get this dragged.

Speaker 6 (01:23:02):
On your way home all, don't LOUSEI where I want
you to be.

Speaker 21 (01:23:15):
I know he wants you in glory, spend eternity. I've
gotta meet a man. I'm trying, Yes, Heaven in my car, trying.

Speaker 6 (01:23:38):
I want a maid. Let me sing another mess right here, y'all.
All this journey, he'll get hard to climb. But I'm
gonna keep running because I don't feel no ways time.

(01:24:00):
Oh no, I'm.

Speaker 21 (01:24:04):
Gonna keep running him see whether he is gonna be
if I keep the faith. I keep running Democrawn waiting
on me.

Speaker 6 (01:24:27):
When the CD.

Speaker 10 (01:24:31):
Then stab.

Speaker 2 (01:24:37):
Me his.

Speaker 6 (01:24:59):
I'm sorry, I'm time. Can I tell you wat? I
want to make it home. I want to make hold.
I want to make hold. I want to see Jelus

(01:25:22):
on the grade day and tell you mcnal' cavalick. Take
it for making away.

Speaker 10 (01:25:36):
I want to be salad.

Speaker 6 (01:25:40):
On that grade day and ask the question all the
main can we sing and pray? A lot of.

Speaker 46 (01:26:01):
Working out here? Moving on, work in the you won't
work in the.

Speaker 10 (01:26:15):
Upside.

Speaker 47 (01:26:20):
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Speaker 17 (01:26:49):
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Speaker 29 (01:27:01):
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Call the Hotel Whiz right now at eight hundred six
one nine eighty nine seventeen.

Speaker 6 (01:27:21):
I'd love listening to DL's backstage pass.

Speaker 2 (01:27:24):
You guys are so funny and d L is just
foight out crazy.

Speaker 6 (01:27:27):
Keep the last coming, y'all.

Speaker 2 (01:27:31):
Your path all right? Man? That boy? I like that.

Speaker 6 (01:27:35):
I like that.

Speaker 2 (01:27:36):
I like the dynamics. I've always liked the song, but
I like the dynamics of the video. It gives that
fun kind of eighty ish MTV slash beet video soul vibe.
I like that.

Speaker 9 (01:27:50):
I like that.

Speaker 2 (01:27:51):
I like that. The changing of the outfits. He did
three change changes, but he kept looping. So yet all right,
so Earle says, Bro, you had me until the part
the knife went through the door. Ain't no black person
going to hurt their knife? False? Bro? Jannie Fard says,

(01:28:13):
it's true, Tammy. But guess what, Arthur Niki Nicote ain't
here to tell you. Adrian, ain't any cow mins to say.
And uh we said we're going to ten right. If
you get this wrong, I'm too away. I'm too away
from that grilled state dinner.

Speaker 6 (01:28:35):
Oh day.

Speaker 2 (01:28:39):
Yeah, Adrian kicked then and said false.

Speaker 18 (01:28:42):
She came in.

Speaker 2 (01:28:43):
Look you look you look like girl, like you know,
like girls. She be coming through Adrian, ain't nobody told
you come in here trying to calls, you know, an
unfair of advantage, but nobody. Yeah, yeah, I ain't nobody

(01:29:04):
told her to do that. She's thinking about you, that's
my girl. Uh huh yeah, So okay, Adrian say is false.
M Let's go up here. So let me let me
really be able to uh help you out. Let's go here.
Jennie Ford true mm hmmm mm hmmm.

Speaker 26 (01:29:30):
Janie my girl too, though, like.

Speaker 2 (01:29:34):
I know, I know, yeah, yeah, both of them are
with me real hard.

Speaker 6 (01:29:43):
I don't know.

Speaker 2 (01:29:43):
Uh huh, look at it there, do look at it?
Uh huh, y'all put them in the comments.

Speaker 10 (01:29:52):
Uh.

Speaker 2 (01:29:52):
I gotta go back and think story there.

Speaker 5 (01:29:55):
Let's see.

Speaker 2 (01:29:56):
Uh huh yeah, y'all still got ti. Now here's the deal.
Here's the deal. Do you want a lifeline? I just
want to know. Do you want to agree with Jane

(01:30:23):
or do you want to agree with Adrien and Earth?

Speaker 26 (01:30:28):
I don't know because the story sounds like that that.

Speaker 3 (01:30:32):
Could happen in anyhood, Like that can happen anywhere and
you know what, I'm fighting one pull out a knife that.

Speaker 18 (01:30:39):
That that's not.

Speaker 2 (01:30:43):
Those were two mothers. Okay, we just talked about the village.
So yeah, yeah, so it's a very very that's a very.

Speaker 48 (01:30:55):
If it ain't true, if it wasn't true, this story
ain't true. It's true somewhere times ticking curve effect. Anybody
want to last minute help? She said, wait this, Mike,
I'm from the hood.

Speaker 2 (01:31:14):
It's fall so so so Mike music box. He kicked
in with his wife. Now I say this, Mike is
a wise man because you always want to agree with
your bride. How divided can't stand. So just because Mike
is agreeing with Adrian, don't mean that Adrian and Mike

(01:31:37):
is correct. I wore Oh man, my goodness, my god.

Speaker 38 (01:31:44):
Ooh ooh we look at it. Uh oh wait, wait
wait wait look at it. They coming in like veryly false.
Oh wow, look at that.

Speaker 2 (01:32:00):
Oh my god? What what he just said?

Speaker 26 (01:32:05):
Lucky they can't get on.

Speaker 2 (01:32:06):
We're gonna have to have them on.

Speaker 3 (01:32:08):
But I'm gonna say, I'm gonna say false. I'm gonna
say false, I'm gonna say fouse.

Speaker 2 (01:32:14):
I got a lot on the line, y'all. I'm gonna
say false though. All right, I'm about to let you
know exactly if you were right or wrong. Are you ready?

Speaker 26 (01:32:25):
I'm ready.

Speaker 2 (01:32:30):
Can you read that? Can you read that? Yeah? Yeah, yeah,
yeah yeah. I gave away so many hints. The reason
why I slowed up the temple of that because if
I had to flow fast, i'd have told the names
for some of my homeboys mamas. But I kept I

(01:32:53):
kept putting my my bros name in the comment because
I wanted him to come in to validate my story.
And I'm still trying to give time for my bro
Black Walter kick in so that he can validate this story.

(01:33:14):
If Quincy is anywhere, validate this story, If Mike Burrell
is anywhere, validate this story. This is so true. Now
there is two stories I could have used from this,
because how we got started with the with the fire
hydrant is somehow another we got got it on and

(01:33:40):
the water department came and so we all surrounded the truck.
We raw ron get out of here.

Speaker 5 (01:33:46):
You ain't messing up our daugh Da.

Speaker 2 (01:33:48):
Da da da. And while some of us had his attention,
a couple others went around to the other side of
the truck and unlatched and stole the other key so
that he couldn't turn off the water. And then while
we having fun down there, I guess as everybody was outside,
those two mothers got into it. And so it turned

(01:34:09):
all our tension up the street. So we left the
water hole. The hydrant ran up the street and we're
hearing all we ooh ooh. So now who almost said
the names? So now you got the kids out here, like, man,
go get your mama. You go get your mama. So
come on, mama gold in the house because we all friends,

(01:34:29):
you know what I'm saying. And so the one mama
literally said, be standing out here when I get back.
And she was always quiet, never said a word sweet
with you barely saw but when you did, it was in,
it was out, or you might see her sitting on
the screen then porch. The other lady, I believe rest

(01:34:50):
her so very loud kind of bully behavior because she
was bigger, and she showed did she got ran back
up in. Now I'm telling y'all, I ain't never see
nobody male, female or left. Fact moved that fast to
be that bed got up in that house, and bloom

(01:35:13):
came down Now you gotta think about it now. I
said this was seventy late, was about between seventy ninety
one and those doors they will hollow and if you
hit the door in between. You remember how some of
the doors had the little before they start putting windows
in it, they had like the four squares in there,
and the squares was hollowed. Wow, she came down in it,

(01:35:37):
sure did.

Speaker 20 (01:35:38):
So.

Speaker 2 (01:35:38):
Now she didn't ruin that ninth she ruined that door.
And yeah, matter of fact, I tell you what. The
house that she ran that lady back in is the
house that actually burnt up in the Hide and Go
Seek story. Yeah, I wish walk was on here. He

(01:36:03):
was on a little earlier, but I wish he was
on here now so that he could attest to the
story I just told was true. Yeah, So, Janey, I
want you to say, see, Sish, you should have listened
to me. I'm gonna tell y'all I give clues within

(01:36:25):
the story as I'm telling it, if it's true or false.
I ain't gonna give y'all a clues because then I'll
start losing. Yeah.

Speaker 21 (01:36:34):
Mm hmm.

Speaker 2 (01:36:35):
Tell me I told you the secret. I told you
the secret. Yes, I did. I told you nine times
out of ten when I'm telling you a true story
what I do, and nine times out of ten if
it ain't something that I do, I told you, I
told you.

Speaker 28 (01:36:54):
M hm.

Speaker 2 (01:36:56):
You know I had to think back on she said,
tell me detail. I'm sorry, sirs you good Hey, Adrian
music box, I believe that's Mike said, let me catch
you from the start next. Hey, listen, uh, nine times

(01:37:18):
out of ten, most of my stories the true. But
it's a way you can tell. And I gave I
gave Temmy the sauce she done forgot, and I'm glad
you forgot. But you know the most important, you know,
the most important part of this story today. But I

(01:37:38):
got eight wins and you got.

Speaker 39 (01:37:51):
One honey, honey, honey, that many one honey, honey, one honey.

Speaker 5 (01:37:59):
That much for one honey.

Speaker 40 (01:38:00):
Hey, y'all say, I'm gonna keep it one honey because
she's trying some day. I gotta keep this one hundred
for him and the wonder when they keep you sure
possible trading good way, he's to waste the ole jo.
You can't let Joe the way that in the light.

Speaker 41 (01:38:14):
So whole y'all hold y'allus in the Lord and be
drawn wrong because we got a light. And we told
you all the field families to say telling me say
sliding the upper room lives and jugs doubling up him
elis the most r t o pop.

Speaker 25 (01:38:29):
What's up?

Speaker 2 (01:38:30):
One honey, I'm gonna tipple one hundred, one hundred.

Speaker 39 (01:38:32):
One honey, and I'm gonna tip no one honey, one honey,
Brother Lord name Jesus Christ, because the way the cook
get the light of my life. Oh one honey, I'm
a chip one hundred one honey, one honey, and I'm
keep no one honey, one honey, Brother Lord, dain't Tjesus Christ,
because the way the cook is the light of my life.

Speaker 43 (01:38:50):
Every honey, try to keep it, keep it everywhere, Keep it, honey.
You know the King of It's never about no pay.
So whatever it is to make me yover like may
Joe remain stable out from but we stay low moving
how you moving through?

Speaker 2 (01:39:07):
Whatever?

Speaker 43 (01:39:07):
He says, Oh, finish the risk and let the day. Joe,
we hood coping connection just like some change.

Speaker 2 (01:39:12):
Joe singing no man.

Speaker 43 (01:39:14):
To the opinions on those slave bolts, and said came
in the further told me the taste close. Oh can't
tell the toture. Boy he knows so being small, he
everywhere that we go.

Speaker 6 (01:39:23):
Got number one.

Speaker 2 (01:39:23):
He's the only he wrote.

Speaker 6 (01:39:24):
Without him number one, we nothing.

Speaker 5 (01:39:26):
We double sleep bro honey.

Speaker 39 (01:39:28):
Chip wanney one honey, one honey, and much chip go
wan honey.

Speaker 5 (01:39:32):
One honey. Brother Lord names Jesus Christ because he the
way to cook dinner.

Speaker 39 (01:39:35):
Light of my life, Oh honey, channey honey honey, and
not much keep no one honey, one honey.

Speaker 5 (01:39:42):
Brother Lord named Jesus Christ.

Speaker 37 (01:39:43):
That's good.

Speaker 6 (01:39:46):
Like seeing something some pain, but not this man, not with.

Speaker 44 (01:39:50):
Your lanes, showing him who knows everything, because we come
this by face leaning on the Lord can't.

Speaker 5 (01:39:56):
Caught up with those foolish states.

Speaker 18 (01:39:58):
The waves of the runner records.

Speaker 6 (01:39:59):
We review well saying the name of Jesus.

Speaker 44 (01:40:01):
He always willing to goelet those people up on my
bike and we gonna ride run it out.

Speaker 6 (01:40:06):
Till I be, I eat no and.

Speaker 44 (01:40:08):
I got my conterns before he turned the see I
got my honey.

Speaker 6 (01:40:11):
Yeah, my body.

Speaker 18 (01:40:11):
Yet my life been right ninety nine and nine half
on too.

Speaker 39 (01:40:14):
I'm gonna tell the one honey, honey, one honey, one honey,
and how much you go want honey one honey for
the Lord name Jesus Christ, because he the weak, the
cook in the light of my light.

Speaker 5 (01:40:24):
Oh honey, not much you go want honey?

Speaker 39 (01:40:27):
One honey, one honey, and not much you go want honey,
one honey for the Lord name Tesus Christ, because he
the weak, the tooth.

Speaker 6 (01:40:32):
In the light of my light. Boo boo.

Speaker 33 (01:40:40):
It's the hottest gospel music this side of Heaven and
all the funny you can handle.

Speaker 5 (01:40:45):
On Deal's Backstage Pass Radio show.

Speaker 2 (01:40:49):
The last segment which is tell me what is this segment?

Speaker 26 (01:40:55):
This segment is don't ask d M.

Speaker 2 (01:40:58):
Don't ask d M. Now you ask why we say
don't ask DL, and then they asked DL anyway because
they hard hitded. Don't ask DL is me letting you
know that I really don't care or either I'm really
not qualified or this is really really something of common

(01:41:20):
sense which isn't so common. So I'm going to purposely
you know, it's getting rich because I don't turn to
add around. I'm about to I'm about to intentionally purposely
give you some of the worst advice in this segment
that you can get so that you can stop asking
people and go to God with your problems. That's the

(01:41:41):
purpose of don't ask DL, all right, Temmy, as the
don't ask DL question, go for it, all right.

Speaker 26 (01:41:49):
So this question came from Derek. Derek is in Baltimore, Maryland,
and come on, Dere.

Speaker 2 (01:41:56):
Come on, Dere. Don't make the brothers look bad. Dere Derek,
he says.

Speaker 3 (01:42:00):
You know, I'm a single gentleman and I am trying
to find my soulmate.

Speaker 26 (01:42:05):
I'm ready to settle down.

Speaker 3 (01:42:07):
And I met this beautiful young lady and the first
date was amazing.

Speaker 26 (01:42:11):
We talked, you know, and I really like her. She's
very beautiful, very pleasant.

Speaker 3 (01:42:18):
And so when I went and picked her up for
her second date, I met her her six year old son.
And when I met him, he kept calling me daddy.

Speaker 6 (01:42:31):
I don't know. I don't know what to do with that.

Speaker 2 (01:42:33):
What should I do to you? All right?

Speaker 6 (01:42:37):
Deck?

Speaker 2 (01:42:38):
Look here, man, leave that lady because you ain't the
first date of the week. And she's done. Told him,
I'm about to go out with your new daddy. And
the little boy that came and gave you your warning.
Take heed to that six year old red flag. First
of all, the fact that you said you are a gentleman.
Don't be misrepresenting my brand like that. I am the

(01:42:59):
gentleman of comedy, and gentlemen don't mean foolish. And right
now you're being foolish because she give the fella and
she's amazing, chatsy, what's beautiful? This girl got a six
year old little old boy that know his mama going

(01:43:19):
out on a date. First of all, she a bad mama,
because I remember my aunties introduced folks as friend or
uncle Freddy. You say hello to uncle Freddy, then going
back in the room, Mama, see you something later on.
I might bring you something back. If I hear you
behaving and the kid didn't have you? What am I
meeting your kid for? First of all, the day over

(01:43:43):
with what I'm meeting him for? I digress, dog. It
sounds to me dead like you, anxious and desperate to
be somebody's man, just us. The situation ain't tailor for me.
Maybe it is Taylor for you. But don't you dare
write me back if you decide to go forth with

(01:44:05):
this lady and then talking about her son and from Satan,
he don't listen. She won't let me correct them. He
don't respect me because this girl right here ain't looking
for a man. She ain't looking for a husband, She
ain't even looking for a me. She looking for a
daddy for her boy. You know what you are to her,

(01:44:27):
a provider. You know what you offer her a free meal.
You know what you offer her time away from the son.
And if you become her man, she's still gonna need
time away from her son. Guess who's gonna be the
babysitter for her to get time away from her son?
I think the name of day. Come on, man, come

(01:44:54):
on right what what you wait time? Right now for?
You gonna do it any way? Because she beautiful, She's amazing.
Y'all better quit getting food by pretty. Pretty is dangerous?
Pretty well? Have you putting payments on stuff you don't
even use?

Speaker 10 (01:45:15):
Pretty well?

Speaker 2 (01:45:15):
Have you driving a neighborhood that ain't say pretty is dangerous?
Stop dating costs of pretty?

Speaker 6 (01:45:24):
Now.

Speaker 2 (01:45:24):
If you just so happen to find somebody pretty and fabulous,
than God bless you. But I'm telling you this ain't
the pretty for you. Because her son greeted you at
the door like that was her daddy. He just told
you who running the house. You ain't nothing but a
snack fruit snack supply for that little dude. That's it.

(01:45:46):
Live her alone, run. That's that's my take on the team.

Speaker 26 (01:45:52):
All right, y'all, y'all ask that's what she cat.

Speaker 2 (01:46:01):
The brothers killed me with. Pretty. You ain't never seen
a pretty woman before.

Speaker 3 (01:46:05):
Paul, Well, you know, but he said, you know, like,
could you imagine walking in the door and the boy
kept calling you daddy, and this.

Speaker 6 (01:46:17):
Is just your no.

Speaker 2 (01:46:18):
No, I'm gonna woke up.

Speaker 26 (01:46:21):
I'm gonna walk up.

Speaker 2 (01:46:22):
You're gonna say, hey, daddy, I'm gonna be like, oh,
I didn't know you had company, And then I'm gonna
get in my parleague.

Speaker 6 (01:46:30):
Oh but you're right though, Like when I was dating.

Speaker 2 (01:46:35):
And my you know, my kids were small, they didn't
even know. They didn't even meet.

Speaker 3 (01:46:40):
They didn't they didn't meet anybody that I dated until
we weren't.

Speaker 2 (01:46:44):
We were no longer dating.

Speaker 26 (01:46:46):
We were in a relationship.

Speaker 41 (01:46:47):
You know.

Speaker 2 (01:46:48):
That's when you meet my you know, he's not just
picking me up on a second date.

Speaker 26 (01:46:53):
As far as they knew.

Speaker 6 (01:46:54):
What y m hmm.

Speaker 2 (01:46:56):
This there, this could be a harsh pill for you
to swallow. But maybe this beautiful, attractive brilliant woman set
you up because she didn't know how to tell you
the first date was trash. So she sent her six
year old son to call you daddy, to run you away.

Speaker 6 (01:47:18):
Wow.

Speaker 2 (01:47:20):
Maybe that was her de Torrent saying this ain't gonna work.
And I know if I said little Raffie to the
door called this man daddy, I know he ain't gonna
stick around. Wow, come on, Derek, you're blinded by the
pretty deck.

Speaker 26 (01:47:34):
Come on, Derek, come on back to us.

Speaker 2 (01:47:37):
Derek, you come away from the light there. Don't listen
to the spoon hitting the coffee cup there, get out,
all right, that's todays. Don't ask DL thank you? Tell
me hey, y'all, harl said. He said, that's d D.

(01:47:59):
M Marshall, the deective. You know, I'm just trying to
help him out here. I'm just I'm just trying to
help him out.

Speaker 1 (01:48:05):
Bro.

Speaker 2 (01:48:07):
Wow. Yeah, man, who knows that probably wasn't her son.
That could have been her little midget man back. Oh lord,
oh my god, he wasn't six, he was party six.

(01:48:29):
He just know how to play the game. That's it,
You know how to play the game. Wow. Wow, Come on, deck,
Come on deck, Come on, you gotta do better. Dog,
go go keep keep the keep the dating game moving, deck,
keep it moving.

Speaker 27 (01:48:45):
Uh.

Speaker 2 (01:48:45):
When he led off that, when he led off that letter,
he said he is a single What do he say,
a single gentleman desperately looking to be in a relationship. No,
he was looking. He's looking for his soulmate. What is
a soul mate?

Speaker 26 (01:49:05):
That's a good question, because that's a good question. My
definition of a soul mate now has changed is.

Speaker 3 (01:49:15):
Because it's so much nonsense out there, so I don't
even think it's a thing any it's a thing, But
somebody that has found their soulmate probably would believe different.

Speaker 2 (01:49:24):
Who knows, nobody, tell me real quick in the comments. Anybody, somebody?
And if you watch this on replay, you can leave
it in the comment. We'll come back and check it.
Or you can go to DL's Backstage Past Radio at
gmail dot com. DLS Backstage Past Radio at gmail dot

(01:49:46):
com and let us know. I really want to know
what is a soul mad because I've seen so many
people say they found they soul mate and then next
week they done found their next soul mating. I'm like,
how many souls do you have? You got? Yeah?

Speaker 3 (01:50:02):
Like I said, I don't think it's a thing. I
don't think it's real. I think it's something we made up.
But you know I'm a little jaded right now.

Speaker 2 (01:50:10):
So yeah, you last person we're gonna take you, the
last person we're gonna take relationship.

Speaker 6 (01:50:37):
I got up and prayed.

Speaker 34 (01:50:39):
That's how it started off my day, jumped in.

Speaker 6 (01:50:43):
All right, nothing, I'm just clearing my mind. Took away
and spend some.

Speaker 2 (01:50:50):
Time alone with you.

Speaker 13 (01:50:52):
So over, dude, Madre been sofa Everidre now by.

Speaker 18 (01:51:00):
Allow your time please to enjoy a mat and fight.

Speaker 6 (01:51:04):
I mean, must you carry on?

Speaker 18 (01:51:06):
I don't take a bad simplehing to really get You
are the reason my imp.

Speaker 6 (01:51:15):
I am.

Speaker 10 (01:51:17):
Says I get in my vision. No, it's not playing
strip you ba my reas.

Speaker 49 (01:51:35):
I'm driving them a head and the mind began to
think and all the wagon maties them in.

Speaker 18 (01:51:45):
Medicane Tuesday, and I know it's world.

Speaker 49 (01:51:50):
You'll be content in my life seen smell. It's because
he's been that unto.

Speaker 18 (01:52:05):
Yeah, I don't make time to take it. Really my thanks.

Speaker 6 (01:52:19):
Say yeah.

Speaker 24 (01:52:33):
I am gay Igel, not Indangel, just say rat master
dang things really like.

Speaker 10 (01:52:52):
Inangel not.

Speaker 9 (01:53:04):
My wah.

Speaker 42 (01:53:13):
Priy you came by ways anam knowing it's not.

Speaker 10 (01:53:34):
You pay my ways any I.

Speaker 6 (01:53:45):
Don't let it dance.

Speaker 37 (01:54:17):
Oh Lord, there is a d be down in my soul.
He ris can be from saying made me home. He
guys my feet, shows me where.

Speaker 5 (01:54:36):
He carries all my burdens in my heavy low.

Speaker 2 (01:54:39):
I'm talking about Jesus.

Speaker 10 (01:54:42):
How talk about.

Speaker 36 (01:54:44):
Talking He's not so good to me, Mama, Oh about Jesus.

Speaker 2 (01:54:51):
Home about Jesus.

Speaker 10 (01:54:53):
Don't talk about.

Speaker 6 (01:54:54):
He's not so good to me.

Speaker 2 (01:54:56):
Let me take it off.

Speaker 6 (01:54:57):
He died for me. Now I I'm a story to
turn down.

Speaker 24 (01:55:02):
W't know he does you and where you have one?

Speaker 6 (01:55:08):
I want to see him and upon his face.

Speaker 10 (01:55:13):
It is not and it's wall and we're all comes out.

Speaker 6 (01:55:16):
Jesus.

Speaker 10 (01:55:17):
Don't talk about Jesus.

Speaker 6 (01:55:19):
I'm not talking about Jess.

Speaker 10 (01:55:21):
She's there talking to them.

Speaker 24 (01:55:24):
God, Jesus, don't talk about Jess. I'm talking about Jesus.

Speaker 6 (01:55:30):
I'm talking your mother. She's talking to me.

Speaker 2 (01:55:32):
Here we go.

Speaker 6 (01:55:33):
I'm talking about the Moe.

Speaker 2 (01:55:35):
He got one on me, son talking.

Speaker 24 (01:55:39):
About the one the water shot is mine, talking about
the one raps see the second.

Speaker 2 (01:55:48):
Of the man season.

Speaker 6 (01:55:49):
He has come all the manias, the one.

Speaker 2 (01:55:52):
Who stood the fires, the one who game is the one.

Speaker 6 (01:55:56):
Who rains on high is navery MORI fa a great.

Speaker 10 (01:56:05):
To give miss you and me.

Speaker 6 (01:56:09):
Now, I can't tell you something you should know.

Speaker 9 (01:56:15):
For you, We'll let you go.

Speaker 6 (01:56:18):
You believe you're a mad welcome in his life.

Speaker 24 (01:56:26):
This is let's talking about Jeeves, about talking about talking about,
talking about Jesus.

Speaker 6 (01:56:33):
Just something.

Speaker 10 (01:56:39):
The way.

Speaker 24 (01:56:41):
Jess, I tell you, I'm not to you about Jeans.
Had you at you, Prince?

Speaker 6 (01:56:49):
You talk about.

Speaker 24 (01:56:50):
Jesson, talking about Jeeves, talk about.

Speaker 6 (01:56:59):
About Jess.

Speaker 2 (01:57:09):
Wish and it's all right, King, you made it through
this war to go and fight another one tomorrow. Queen,
it's cool. You ain't nobody's baby's mother. You are a
mother that goes out and get it mm hm. And
that's help meeting leadership. We gotta put it back in order. Wep, y'all.
We've given y'all a solid two hours like that, the

(01:57:33):
award winning realist Gospel show Anywhere d L's backstage past,
giving you the hottest music, music videos, interviews, talk and topics,
this side of Heaven, all the funny you can't She's
the curve effect, Supermodel, Curvy Hottest tenn Tee and I

(01:57:53):
am mister Sad wildfare D D. L. Marshall and y'all
please go and subscribe YouTube, marsh Media, Backstage Past Well,
Backstage Entertainment Television. That's what you do and we'll see
y'all next time. To the next time. Remember the Gospel
of Jesus Christ. It is contagious catching all that you do,

(01:58:14):
do it godly. To the next time.

Speaker 19 (01:58:23):
And Bill's Backstage Pause radio show