DLBSP Work Husband???? Blasphamy

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03):
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Now put your hands together for my father and y'all's faith.

Speaker 5 (00:56):
Mister Sad Wilfair, d d L.

Speaker 6 (00:59):
Marshall.

Speaker 7 (01:01):
Hey, hey, hey, what's happening? Y'all know what time it is?

Speaker 8 (01:04):
It's your tree the voice mister Sad wire Fair Deep
DL Marshall, And man, do we have a show for
you today? But hey, I want to jump into this
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(01:54):
having me bad?

Speaker 7 (01:56):
All right? What's happening youtubees? Hey, what's happening in face books?
What's happening? How y'all doing? All right?

Speaker 8 (02:04):
Man, you're to the voice Missus sadwa Fair, the d
L Marshall sitting in with you on the Realist Gospel
Show Anywhere. It's the award winning DLS Backstage past. Will
we give you the hottest music interviews, talk and topics
this out of heaven and all the funny you can handle. Hey, man,
we've been missing just for a tad bit, just for

(02:26):
a little bit.

Speaker 7 (02:27):
Leonard the Watchman, what's happening? Brother? Y'all just keep your
boy Missus sadwar Fair in prayer.

Speaker 8 (02:34):
I want to make this show dedication to none other
than Ian and Meeky and the family know what's happening,
and so yeah, that's what we're gonna get ready to do.
We're gonna give you all the funny you can handle.
So we hope you saddled in. We hope that you've
got your depends on, because we're gonna make you pee

(02:54):
just a little bit. Yeah, I want to say shout
out to my bro Black Walk who had his first
national podcast appearance and interview on Boss Talk Radio Boss
Talk Radio with Boss man E and Miss Lady Jamaica.
So yeah, y'all go check those episodes out on YouTube.

(03:16):
Look for Boss Talk Podcasts and look up Black Walt
also Bitcourt, Holding Court from Holding Court Podcasts. Y'all go
check them out. Man, they got Tech nine on there,
everything and a lot of Kansas City love being shown
from Houston's own Boss Talk one hundred. All right, as always,

(03:37):
y'all know, I have beautiful co hosts and it's no
different on tonight. So we're going to get ready to
straight off of winning something on today. The Curve Effect
is in the building. Atl's Hottest and she just picked
up another title for modeling that we're going to give

(03:58):
her an opportunity to share and as well as the
Queen of Questions, The Smile that Glows and Glows give
it up for Paris and Cole Hilton's oldest Black sister
none other than Hotel Motel Holiday in Daphney, Hilton.

Speaker 10 (04:19):
What's up, ladies, Hey y'all, wow, hey, hey.

Speaker 7 (04:31):
Hey, it's been a while.

Speaker 8 (04:32):
Man, oh man, it's been a long, long, long time coming.
When I know a change is gonna come Camille, Thomas, Alexander,
how you doing. Go ahead, guys, if you're just now
for the first time, make sure you come in. Say
hello in the comments. Let us know where you're watching
us from in the comments, and we might.

Speaker 7 (04:52):
Get you if you in care City a ticket one
because you're gonna buy another.

Speaker 8 (04:58):
But we're gonna give you one ticket to comedy show
possibly maybe perhaps, But ladies, I got a chance to
check out Sinners.

Speaker 11 (05:08):
Okay, I want to hear all about it and all
that nonsense about Christians beware of the demonic aspects.

Speaker 7 (05:22):
Come on, man, it ain't even like that.

Speaker 8 (05:25):
And your Christianity and your study and your knowing of
the word will just heighten your awareness as to the
different storytelling that it's going on. And if you really
are entuned with God and who you are, peoples they
look like me, you gonna catch it straight off the back, That's.

Speaker 7 (05:48):
All I'm saying. Yeah, I'm gonna catch.

Speaker 8 (05:51):
It straight off the bat because we wrestle, not in
this world against.

Speaker 7 (05:54):
Flesh and blood.

Speaker 8 (05:56):
Come on, but of principalities and high hours things are
the airwaves. So should nothing catch us off guard?

Speaker 5 (06:04):
No? But I mean.

Speaker 8 (06:08):
You're holding in a gloat. Tell us what has you
so happy, ma'am?

Speaker 12 (06:14):
Oh, I am fresh off the runway.

Speaker 4 (06:17):
I just I just did the Battle of the Boutiques
fashion show and it was a boutique.

Speaker 8 (06:23):
Did you say, did you say booty boutique boutique?

Speaker 12 (06:26):
My booty bo oh boutique boutique.

Speaker 13 (06:32):
Yeah.

Speaker 8 (06:32):
I didn't hear that queue at the end though, I just,
you know, okay, all boutique, Yeah, because you just said
off the runway and then I didn't know how y'all
was running away, So all.

Speaker 4 (06:43):
Right, yeah, oh that we was doing it too, I know.

Speaker 7 (06:46):
It was Yeah, it was great.

Speaker 14 (06:48):
It was great.

Speaker 15 (06:49):
Great.

Speaker 7 (06:49):
Yeah.

Speaker 4 (06:49):
So my dear friend Terry Stevens and her boutique, Sonny
Beast Boutique, who I am also a branded back before
we flung runner up the Battle of the boute they
did also have a model competition who had the best
walk and your girl got the top spot.

Speaker 12 (07:08):
Okay, okay, okay, I.

Speaker 7 (07:10):
Knew, I knew it had something to do with a walk.

Speaker 8 (07:12):
I knew it has something to do with a turn
a twist around about a something.

Speaker 7 (07:18):
All yeah, okay, all right, okay. I put the sauce
on it. I put on it in the most holy
way possible to in the most st Yeah, it's a
it's a it's a videotist.

Speaker 16 (07:31):
This DJ is chosen, chosen DJ. Missy. I'm no lady Ben.

Speaker 5 (07:40):
It's that cleve roam standing here.

Speaker 17 (07:42):
I'm a sunken change, sometimes a belation.

Speaker 5 (07:45):
We ain't on the horizon.

Speaker 18 (07:47):
Christ on every saying sun, I know tasing sometimes so nice,
kind of me, so loud.

Speaker 16 (07:53):
But the mind is above the one.

Speaker 18 (07:55):
We stay down because coming home the gods had controul
And now it's how that I remember who I have
yet my head up down.

Speaker 19 (08:05):
Cover it is doesn't ally's up now stop, that's the
way it is.

Speaker 5 (08:10):
People playing a face shoe don't have to quit.

Speaker 19 (08:13):
Baby doesn't know this great shops covered bother and girdles mother,
little gn mother and little mother, little damn.

Speaker 5 (08:23):
Can't you see me as white? You know what it is?

Speaker 16 (08:27):
Baby less on the screens.

Speaker 5 (08:29):
I'm coming in now I am the hay and I'm
not the tail. Hang down and play it down to
see them bless me.

Speaker 18 (08:38):
Well, I believe it, but I'm still the bout I've
been from mon bag along came and playing the calls.
How give a head up, I've got some coffer it is.
Doesn't tell me up, never stop.

Speaker 5 (08:50):
That's the way. Keep playing a face shoe. Don't have
to quit for baby.

Speaker 19 (08:56):
Doing his great down covers bother and little mother, little
jem consciousness mother and middle mother, middle down.

Speaker 5 (09:04):
Covert it when you see me on his way, you
know what it is? Baby's lessons on his screen share.

Speaker 20 (09:10):
I'm covered in whoa.

Speaker 5 (09:14):
You can plain on him, blaming on your blaming on
his graze. You can blame it on his favors. You
can blame it on I say, are you clinting fingers?

Speaker 10 (09:23):
There got some good nose?

Speaker 5 (09:25):
He interests from me. Baby can be for you. You
can play us and blaming on them, blaming on his grace.
He can playing a thing, So why are you playing?
And he just it can be for you too.

Speaker 18 (09:42):
He my head up, Gil'm covered in, come.

Speaker 5 (09:45):
On, always up and now stuck. That's the way it is.
I keep on playing out the face. You don't have
to quit Baby's lessons on.

Speaker 19 (09:53):
His great shall I'm covered in father, dal mother, viddle,
Jil's consciousness.

Speaker 6 (09:58):
His father and medial mother.

Speaker 16 (10:02):
When you see me, honest way.

Speaker 7 (10:03):
You know what it is.

Speaker 16 (10:05):
Jesus listens.

Speaker 5 (10:06):
Love. Don't love like that.

Speaker 17 (10:08):
I can't look like that. I can't hurt like that.

Speaker 15 (10:12):
I can't like that.

Speaker 14 (10:13):
Love don't I can't look like that.

Speaker 21 (10:17):
I can't hurt like that.

Speaker 5 (10:18):
Came like that, love.

Speaker 1 (10:21):
That that that.

Speaker 5 (10:27):
Life. I can't tell her that fun. I can't love
like that.

Speaker 22 (10:36):
Talking behind yu back told me to love on you,
how you're gonna hate on that?

Speaker 5 (10:41):
Trying my melody things.

Speaker 22 (10:43):
But I found me a better thing. God saying I'm
your a remedy. Just gotta remember me. This is the
first Corinthius banger. He ran into that angle change. I
ain't worry about stranger danger. I'm trying to help you
with danger. Stranger A wise man gonna say sorry a
lot of time.

Speaker 10 (10:56):
I don't doing no spot.

Speaker 5 (10:58):
God.

Speaker 14 (10:58):
I need what you got.

Speaker 5 (10:59):
Love.

Speaker 14 (10:59):
Don't love like that like that, like that like that,
love don't.

Speaker 5 (11:08):
Like like.

Speaker 17 (11:14):
Ole so price lander.

Speaker 14 (11:28):
I can't take my man nurse you can.

Speaker 17 (11:31):
I love you I can't shake your hand first.

Speaker 14 (11:34):
Let's get on this lord, I let your hand work.

Speaker 23 (11:36):
It's way too ti.

Speaker 14 (11:38):
He's going this cat sir, No your go No that
we want it, But how we all gone if.

Speaker 20 (11:45):
We don't confront you, let go say that hiro don't
play dummy.

Speaker 14 (11:49):
No, I can't quote the body, but I can funny
lost what she told me to say her favorite song.

Speaker 18 (11:56):
So she can't have let me or she rather eat
out shut your blood shine al rays.

Speaker 17 (12:01):
No, mystery couldn't leave your wrong love.

Speaker 14 (12:05):
Don't love like that like that like that like that love,
don't like like.

Speaker 2 (12:15):
Like like.

Speaker 24 (12:25):
You know, yell k styles, where's my struggle bleeding it out?
That's something that to be drove up, got in to moor.
I climb up to the tree. I don't no, I
cannot sleep.

Speaker 25 (12:35):
Him now, I'm up on my feet.

Speaker 24 (12:36):
Now, came on another dress on that I got up,
came up.

Speaker 26 (12:39):
I can be thousand.

Speaker 14 (12:42):
Yeah, he got me.

Speaker 5 (12:42):
I can take I know it ain't gonna kill me
if you wi me, I know I can face it.

Speaker 24 (12:47):
Oh No, I can't stand gonna race for tough my
nature pat, I'm getting it out.

Speaker 5 (12:51):
You nobody turning figure it out. I gotta find out
to her a round planning. They finished him out.

Speaker 24 (12:57):
Yeah, I can't go to pen in tidery route, so
the im proyer.

Speaker 5 (13:00):
I'm sitting in the mouth.

Speaker 27 (13:01):
You walk home, y'all been in about They told you
that you couldn't do it because your horseshop and let
them backs that you should get your soul.

Speaker 16 (13:09):
So but I got this playing and you might not understand.
I'm a god as a kid and I'm gonna be
the balls of it. Just watch me, dude. It's putting
on the limits.

Speaker 27 (13:18):
Only swag on it right up to the front where
I belong, and brag on it go to the top.

Speaker 16 (13:24):
I'm gonna kill you all like that. Collod ain't gonna
le stop believe I'm something special.

Speaker 5 (13:33):
Can't take that from me.

Speaker 16 (13:35):
So you can see what you hold a stronger be
who I'm spoke.

Speaker 5 (13:43):
I can't.

Speaker 16 (13:50):
No hoping English say prayer catch your cord can be.

Speaker 5 (13:59):
My body can't. Because I.

Speaker 16 (14:09):
Dream about it.

Speaker 5 (14:09):
I go get it.

Speaker 16 (14:10):
That's how I do it. Not in the stars. I'm
not lucky.

Speaker 27 (14:14):
I just prayed through it and follow my face and
might be mistakes, but I don't let it break me
because I'm a play.

Speaker 16 (14:25):
Can't take that from me, so you can see strong
whom I'm supposed to be.

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Speaker 31 (15:46):
Hey, this is miss Tiffany, and I'm listening to the
Hallmide the Voice the DL Marshall on DL's Backstage Pass
Radio show on iHeartRadio and Spotify.

Speaker 5 (15:56):
Day the l.

Speaker 7 (16:00):
Stage Past Radio Show. And look here it is time.

Speaker 8 (16:08):
Fur the most fastly growing favorite infament stagment h d
L one more.

Speaker 14 (16:18):
Time girl, Dang d L.

Speaker 7 (16:21):
Yeah, I like it like that.

Speaker 8 (16:22):
I like it when you call my name like that. Yeah,
uh huh, sounds like you're praying for me. Y'all, get
your mind out to get he got.

Speaker 5 (16:28):
It all right? Here we go.

Speaker 8 (16:30):
My dang del today is like dang huh. Yeah, don't
say DL on this work and d L ain't did nothing,
I ain't had nothing to do with it.

Speaker 5 (16:39):
Dang uh.

Speaker 8 (16:40):
Now you sit up here, and you talked about Donielle
Rollins fooling around and having a kid, a son with
a girl that was young.

Speaker 7 (16:49):
Enough for him to date her mama.

Speaker 8 (16:51):
And you, at fifty six years old, just now getting
out of relationship, find yourself being sued by a twenty
two year old that you.

Speaker 7 (16:59):
Cooked up with when she was nineteen. Come on shop,
dang uh, what's happening with you?

Speaker 15 (17:06):
Man?

Speaker 8 (17:06):
You sit up here and you got you a girl
that is a only fan model, and you surprised?

Speaker 7 (17:12):
Is she trying to stick you for your paper?

Speaker 8 (17:16):
Ling to say, oh see, this is what happened Tammy Dasney. See, oh,
UNC must not have had a lot of game before
he got into the game.

Speaker 7 (17:33):
He did, he probably didn't have a bunch.

Speaker 8 (17:35):
Of ladies before his Denver Bronco old days. And now
when he got on TV, he really once they started
hearing them zeros behind his name, they really really really
started looking at unk as a he wrote.

Speaker 7 (17:47):
But I'm here to tell you y'all please take old
Uncle d L's advice.

Speaker 8 (17:54):
Quit leading to these females representing yourself which your paper?
You become a trick. Ain't nothing beautiful a bout being
no trick. Ain't nothing respectable about being no trick? And
all don't get it twisted. Women of all ages, from
grandma to nan Uh, to Auntie to little sister, even

(18:14):
a five year old, we'll play you for your paper.

Speaker 7 (18:17):
Yes, if you leave with that paper, Hey, little girl,
how you doing? Oh you won't talk to me? I
got five dollars for ye mister?

Speaker 16 (18:26):
How'd you say that?

Speaker 5 (18:27):
My name is?

Speaker 8 (18:28):
She'll talk to you for five dollars. That's just they
it's a lot of behavior. I got two beautiful women
right here on the stage. But you tell them I'm
on cash after a hundred dollars and y'all have lunch
on me. They don't go have lunch with that hundred dollars.
Ain't nobody turning down no cash apps. But see what
you got to do.

Speaker 7 (18:47):
You got to go back them jive turkey days. You
got to go back to them sixties and the seven days.
But they used to them black exploitation conversations when they
was like, look, mama, you out of pocket. Now it's
time for you to go off there in the other room.

Speaker 12 (19:05):
But oh, look here out and told you it's an
expiration on your conversation.

Speaker 7 (19:09):
It's time for you to declare yourself absent.

Speaker 12 (19:13):
Why you john it cooling, mama, you're thinning out my patient.

Speaker 5 (19:21):
Yeah, that's what you got to do.

Speaker 8 (19:23):
You got to come with You can't be like, hey, girl,
you're so beautiful, I'll buy you whatever you want.

Speaker 7 (19:31):
No, you're tricking now.

Speaker 8 (19:34):
She automatically reduced you down to how much is in
your bank account? You are as cute as the zeros
in your bank account. What you got to do is
maintain the dream.

Speaker 7 (19:45):
That you are to catch in her eyes are.

Speaker 15 (19:49):
Dang dear.

Speaker 5 (19:52):
You got to let her know.

Speaker 7 (19:54):
That you were the privilege.

Speaker 8 (19:58):
To look at it. Look at it, look at it.
See umph at your pay scale. Women are a diamond
dust at your pay scale. Unc there, your oyster and
your playground.

Speaker 7 (20:14):
Just run up and find a millionaire on any and
every corner. You are up to two percent a DM.

Speaker 8 (20:22):
Are you sitting down here playing around with these dogs
gonna munk urchins?

Speaker 15 (20:29):
Ain't got no business.

Speaker 8 (20:30):
You ain't got no business even in that same area
code as this little girl.

Speaker 5 (20:36):
Listen here.

Speaker 8 (20:37):
If you grew up on the flintstones and she grew
up on telortubby, she's too young.

Speaker 7 (20:44):
Not the tallor pubby. She's too young for y'am not.
But you you gave her more so you you broke
one of the scriptures.

Speaker 8 (20:58):
You gave her the ability to think more highly of
herself than she opted.

Speaker 15 (21:04):
You.

Speaker 7 (21:04):
You you, you, you, you catch your pearls amongst the swine.

Speaker 8 (21:11):
All you had to do is just say, look here,
I ain't paying you ohe it. I'm paying you to
leave after you shared it.

Speaker 3 (21:22):
Oh pay you to be quiet?

Speaker 7 (21:29):
No I'm.

Speaker 8 (21:31):
Here's the deal. You need me more than I need you.
I'm more of a catch for you than you are
for me. So here's the deal.

Speaker 7 (21:41):
It's on the nice stay sweetheart, have.

Speaker 15 (21:43):
A good day.

Speaker 7 (21:46):
Home.

Speaker 8 (21:47):
I mean, if they gonna come at you for that reason,
you treat them that way. Like that girl we did
the show the other day. The girl said, I you
got to have five five million dollars?

Speaker 7 (22:01):
Are better to date?

Speaker 5 (22:02):
Yell dang dal.

Speaker 1 (22:08):
For what.

Speaker 7 (22:10):
For me to have a reason to go take a shower?

Speaker 15 (22:15):
Yeah?

Speaker 7 (22:17):
Oh my god, I'm just saying.

Speaker 8 (22:20):
And then for all y'all is talking about my god
to be ashamed of hisself standing up there messing with
this nineteen year old he and his fifties. Well, if
you feel that way, did you have the same energy
when Tracy Ellis Rowl said that she messed with young boys.

Speaker 7 (22:43):
Around in the tang Dal?

Speaker 8 (22:47):
Did y'all say anything to Drea Michelle that is now
a mother to a child that is by a guy
that's the same age as her son. Name deal, So
if it ain't disgusting enough for her to be a
cool girl, then it's all right for him to be

(23:08):
a sugar day. Don't let that be the reason why
y'all turn y'all back home. ANCK did not make a
wise decision. First of all, you can't be you can't
be playing racial sex games. I mean you could, but
it always end up like that. You cannot be playing
games like that with no little white girl. You can't

(23:29):
even do that with a white woman. You can't even
do that with a white elderly. You can't do that
as a big old black man. Tell some little old
white girl that I'm about to choke you, and you
could do.

Speaker 25 (23:39):
About Dyell you'all one hundred tonight.

Speaker 7 (23:44):
You got to tell me, you got to tell me
where's that safe in America?

Speaker 8 (23:49):
Dang dear, I'm just saying that Sheven and Sharp should
have realized that for coming up in the seventies in
the eighties, that we have face to face conversations unless
you just don't care about what's coming out. Now, we

(24:11):
heard him say what he said, but was it taken
out of context because if you read the script.

Speaker 7 (24:20):
The tech script that he shared, they had some Look.

Speaker 8 (24:25):
Now, now, now, man, i'm missing You know your daddy'll
strang me up if he's to catch me coming down
around these quotas they had that kind of.

Speaker 7 (24:33):
Play going on.

Speaker 8 (24:34):
So she sent him something said, Daddy, I want you
to put a dog chain around my neck and choke me.
That ain't godly at all, shin that ain't gotten You
ain't got no bed in to treat nobody like that.

Speaker 32 (25:00):
See I sure, I just want to drop the topping

(25:27):
fill the sun on my face, washing away. If you
think of a face with the scripture delivered, the picture
to remember its grace, the sacrifice that.

Speaker 33 (25:34):
Allows you to skate you telling them my story, giving
the glove we got, made it through the crash out,
made it through the window. I spring in the summer,
the longer going on, and I'm waiting doing what life
and the duft the greatest truth in the healing bloom.
Don't as soon that the gloom is doomed in every room,
God booms the bloom.

Speaker 5 (25:50):
My smoke clouds I remember went up down to the wait.

Speaker 33 (25:53):
The little trying to fake out of my face with
your got out of my weight on the glay.

Speaker 23 (25:58):
I'm cure setting the straight. So when you gonna take
some pure.

Speaker 31 (26:03):
PA wrote my name in the sand with the tie

(26:36):
came through. Then you carved it in souls that I'm staying.

Speaker 16 (26:38):
With you in the world.

Speaker 23 (26:40):
Will annoys you to come.

Speaker 16 (26:41):
I know when my faith ran though, you still made
me glad.

Speaker 31 (26:44):
The pieces of my past turned them into a hand
that show me love main't a cage, but the strength
is standing your chains on my soul. Yeah, you sent
me free, got me dancing in the fire. Yet I
still believing on leave the world call it love, but
I call it your grace.

Speaker 17 (26:56):
Can't recept that I take.

Speaker 31 (26:57):
I can feel your embrace when the lights fade down
in the crowd booz one, You're the one still here,
keep me hoping on. No lord that can ride with
your truth.

Speaker 5 (27:05):
I'm you asking in.

Speaker 16 (27:06):
The world like the son in the booth. You're the
muse in my mind every verse time write, I just.

Speaker 29 (27:10):
Want along you every day.

Speaker 5 (27:12):
And everything names.

Speaker 16 (27:15):
Yeah you see.

Speaker 34 (27:31):
Jes Let's figure, Let's figure words, chess, j wall, my god,

(28:28):
my god.

Speaker 5 (28:29):
My god, my god, my god, my god.

Speaker 23 (28:36):
Tap the fire by how you got your glass? He
made me?

Speaker 31 (28:39):
Then he shake me, never ever forsake me, set me
on that path, never held me to my past. Ain't
whatever I ask promises ever last, and it's glory.

Speaker 5 (28:48):
I will bad shut right.

Speaker 31 (28:49):
You got your blast he pulled me out of the ash,
So let you stop the mask selling piece the good chepherd.

Speaker 5 (28:58):
You ain't never got to ask him, my.

Speaker 35 (29:04):
God, my god, my god, my god, my god, my god,
my god, my god, my god.

Speaker 5 (29:23):
Shut him out.

Speaker 23 (29:24):
You got your blood makes you?

Speaker 36 (29:25):
Did he shake you?

Speaker 16 (29:26):
Did he ever forsake you set you on that path?

Speaker 5 (29:29):
Did he hold you to your past?

Speaker 31 (29:30):
Every time that you needed he gave the things that
you asked. Didn't his promise last in his glory?

Speaker 15 (29:35):
You get bad?

Speaker 16 (29:37):
Didn't he pull you out the ash?

Speaker 31 (29:40):
So you can take off the mask here, row, don't
tell him. Yeah, he's still a good chepherd. You ain't
never got a question.

Speaker 5 (29:46):
Then, my god, my.

Speaker 35 (29:51):
God, my god, my god, my god, my god, oh
my god, my god, my god, my god, my god,
oh my god, my god.

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Speaker 30 (31:18):
With a fat Walllet eight hundred ninety four to two
three oh seven eight, eight hundred ninety four to two
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two thirty seventy eight.

Speaker 5 (31:34):
When you're born again, you're free of it.

Speaker 7 (31:40):
Oh yeah, I am.

Speaker 5 (31:48):
That believe I was full and now I'm freezing busy.
Say y'ah.

Speaker 33 (32:08):
As a little kid that had the mind to shine,
rooted in face before I understood the grind, tripping and
grace face to face with the reality that I might
not make it, yore black and give you.

Speaker 23 (32:18):
So many lives are taken for Still, I had the force.

Speaker 33 (32:21):
Sight to go forth right, dealing with all the drama
before the commerce was we weren't in coming with the
same perspective before you plant it had it on me
with a different objective. For still, I kept the focus
with the same director and beat the eyes when I
changed directions.

Speaker 23 (32:37):
Coming by God many times, wait for you. Yeah, the
things go with you.

Speaker 5 (32:43):
See, I'm difference.

Speaker 33 (32:44):
The lessons earned the life and shape your future. Blessings
earned the lifeless for you to bless the future. But
they sunned about greed, the clouds, the vision when the
vision was to save the children.

Speaker 23 (32:55):
Open your eyes seeing I'm born a kid.

Speaker 5 (33:00):
Rob hearing me, I was.

Speaker 16 (33:05):
I was free fcause he.

Speaker 23 (33:10):
Who he took it, He took it.

Speaker 5 (33:13):
I'm just glad down he took it.

Speaker 23 (33:17):
Took Yeah, hey, y'all he yo. Vizine can't clear.

Speaker 33 (33:21):
And when the stinches in smim it veryan's making it
hard for you, So to get them in. No debta
seek shelter. Let the elders pull you from the smell
to I ain't fighting. I'm just writing because I'm past that.
That rock life int the rock life.

Speaker 5 (33:34):
If you don't rock right.

Speaker 23 (33:35):
Because in the spotlight, that rock light will.

Speaker 5 (33:37):
Make you right life.

Speaker 23 (33:38):
He died from me.

Speaker 33 (33:39):
He pushed through the pain the right for me, washing
the flood through the mud so I.

Speaker 23 (33:43):
Can feed his face to face with evil.

Speaker 33 (33:45):
I protect the stumment and let the bells ring, telling
Lujah to free my people.

Speaker 23 (33:50):
Pushing purpose below the surface, says, ain't the water laid
down the burdens, un the shame? That ain't My father's
repeating and brooken, believing and hoping.

Speaker 33 (33:58):
I'm keeping the focus to mequal get you from the ocean,
speak with emotion, baptized and I'm persleep.

Speaker 5 (34:04):
In the boh was kept sized.

Speaker 23 (34:05):
But believe you from I believe, I believe I was born.

Speaker 16 (34:12):
I believe I believe.

Speaker 23 (34:17):
Her was now because it exactly touch he looking for me.
So yeah, I'm so glad.

Speaker 39 (34:28):
I'm so glad making a wall. He took it away,
He sisto away. They're coming the god.

Speaker 40 (34:46):
To be on a shade.

Speaker 5 (34:49):
You are a shame to take yours too.

Speaker 41 (35:03):
Hey, beautiful people, this is your brother Major, my mama's
favorite hawk dealer, and I'm always keeping it locked with
my brother d Here. That's right on DL's backstage past
radio show.

Speaker 7 (35:16):
Not aps Major.

Speaker 8 (35:18):
It's a lot of behavior. I got two beautiful women
right here on the stage. But you tell them I'm
a cash after one hundred dollars and y'all have lunch
on me. They don't all have lunch with that hundred dollars.
Ain't nobody turned down no cash, Apps.

Speaker 7 (35:34):
But see what you got to do. You got to
go back them jive turkey days. You got to go
back to them sixties and the eleven days. But they
used to the black suploritation conversations when they was like,
look here, mama, you out of pocket.

Speaker 8 (35:50):
Now it's time for you to go off there in
the other room. But all look here out and told
you it's an expiration on your conversation. It's time for
you to declare yourself.

Speaker 5 (35:59):
Apps, why you John drink it?

Speaker 12 (36:03):
Cool it, mama, you're thinning out my patience.

Speaker 5 (36:09):
Damn, that's what you got to do.

Speaker 8 (36:11):
You got to come with. You can't be like, hey, girl,
you're so beautiful, I'll buy you whatever you want. No,
you're tricking now. She automatically reduced.

Speaker 7 (36:23):
You down to how much is in your bank account.

Speaker 8 (36:26):
You are as cute as the zeros in your bank account.
What you got to do is maintain the dream that you.

Speaker 7 (36:33):
Are to catch in her eyes unc.

Speaker 23 (36:37):
Dang dear, you got to let her know that you
were the privilege.

Speaker 7 (36:46):
Look at it, Look at it, look at it.

Speaker 8 (36:47):
See un at your pay scill women, or a diamond
dusky at your payscill unk there, your oyster.

Speaker 5 (36:59):
And your blake.

Speaker 7 (37:01):
Just run up and find a millionaire on any and
every corner.

Speaker 8 (37:05):
You are up to two percent a d Are you
sitting down here playing around with these dogs.

Speaker 7 (37:13):
Gonna monck urchins not urcue.

Speaker 15 (37:16):
Ain't got no business?

Speaker 8 (37:18):
Yeah, you ain't got no business even in that same
area code as this little girl.

Speaker 7 (37:23):
Listen here.

Speaker 8 (37:24):
If you grew up on the flintstones and she grew
up on Tellor Tubby, she's too young, not the Tellor Pubby.

Speaker 7 (37:34):
She's too young for y'am.

Speaker 5 (37:38):
But you you gave her more.

Speaker 8 (37:42):
See you, look, you broke one of the scriptures. You
gave her the ability to think more highly of herself.

Speaker 5 (37:49):
Than she opted.

Speaker 42 (37:52):
You.

Speaker 7 (37:52):
You you, you, you, you cast your pearls amongst the swine.

Speaker 8 (37:58):
All you had to do was just say, look here,
I ain't paying you. Oh it, I'm paying you to
leave after you shared.

Speaker 42 (38:10):
It, pay you to be quiet?

Speaker 15 (38:17):
No, I.

Speaker 7 (38:19):
Here's the deal. You need me more than I need you.
I'm more of a catch for you than you are
for me. So here's the deal. It's on the nice
stay sweetheart, have a good day.

Speaker 42 (38:33):
Home.

Speaker 7 (38:35):
I mean, if they gonna.

Speaker 8 (38:36):
Come at you for that reason, you treat them that way.
Like that girl we did the show the other day.
The girl said, I you got to have five better today.

Speaker 41 (38:52):
Dang deal.

Speaker 29 (38:56):
For what.

Speaker 7 (38:58):
For to me to have a reason to go take.

Speaker 8 (39:00):
A Showeryeah, oh my god, I'm just saying. And then
for all y'all's talking about my God to be ashamed
in hisself standing up there messing with this nineteen year
old he in his fifties. Well, if you feel that way,

(39:21):
that you have the same energy when Tracy Ellis Row
said that she messed with young boys around in the
Twain dal did y'all say anything to Drea Michelle that
is now a mother to a child that is by

(39:42):
a guy.

Speaker 7 (39:42):
That's the same age as her son blames deal.

Speaker 8 (39:48):
So if it ain't disgusting enough for her to be
a cool girl, then it's all right for him to
be a sugar day. Don't let that be the reason
why y'all turn y'all back home. God did not make
a wise decision. First of all, you can't be you
can't be playing racial six games. I mean you could,

(40:12):
but it always end up like that. You cannot be
playing games like that with no little white girl. You
can't even do that with a white woman. You can't
even do that with a white elderly. You can't do
that as a big old black man. Tell some little
white girl that I'm about to choke you, and you
could do it.

Speaker 12 (40:30):
Yell you'all one hundred tonight.

Speaker 7 (40:32):
You got to tell me, you got to tell me
where else that's safe in America.

Speaker 15 (40:36):
Dang deal.

Speaker 8 (40:39):
I'm just saying that Shernon Sharp should have realized that
coming up in the seventies in the eighties, that we
have face to face conversations unless you just don't care
about what's coming out now messages. We heard him say

(40:59):
what he said, but was it taken out of contact,
because if you read the script, the text script that
he shared, they had some Look now now now man,
i'm missing You know your daddy strang me up if.

Speaker 7 (41:17):
He's to catch me coming down around these quotas. They
had that kind of play going on.

Speaker 8 (41:22):
So she sent him something said, Daddy, I want you
to put a dog chain around my neck and choke me.
That ain't godly at all, Shannon, That ain't godly. You
ain't got no business treating nobody like that. You ain't
got no business, Shannon, with your bad helping all. You
take me walking the dog with your baddy.

Speaker 7 (41:49):
But we understand why he is now being the ambassador
for them pills DMN.

Speaker 8 (41:58):
So I'm just saying, we got to do better you. You,
you're wiser. You're supposed to be wiser than that. You're
supposed to have been doing better than that, Shannon. Ain't
nothing wrong with getting you whatever you feel you want
to get. But again, you got to let them know

(42:20):
that you are the gold.

Speaker 7 (42:22):
Gets up. You are the big kahuna. You're the big fish,
and she got the gold. When it's time to go.

Speaker 8 (42:32):
Now she talking about I want you to choke me,
and then I want you to I want you to well,
I can't even say that part because we saved.

Speaker 5 (43:01):
I set a prayer for you.

Speaker 41 (43:05):
I set a prayer, I set a prayer for you.
I set this prayer. I prayed you take the moment.
I prayed you take the time to see that you
is special.

Speaker 5 (43:24):
And always on my mind. I pray for you.

Speaker 7 (43:29):
I sang a song for you.

Speaker 5 (43:32):
I sang a song.

Speaker 7 (43:36):
I sing a song for you.

Speaker 41 (43:39):
I sing this song as a flowers feel the God
and the ocean greeds ashore.

Speaker 23 (43:49):
The horizons of the sunshine that of you.

Speaker 14 (43:52):
I do a door.

Speaker 6 (43:54):
I pray for you.

Speaker 15 (43:58):
Yes I did.

Speaker 5 (44:01):
Can I pray for you?

Speaker 14 (44:05):
I will.

Speaker 43 (44:10):
I spoke a word for you. I spoke a word.
I spoke a word for you. I spoke this word.

Speaker 41 (44:22):
I said, in this senseless violence, put a rest to
pride for gain.

Speaker 5 (44:29):
There's a message in the silence that can.

Speaker 44 (44:33):
You lot hurt the pain?

Speaker 39 (44:35):
I pray for you, Yell, yes.

Speaker 5 (44:39):
I did. Can I pray for you?

Speaker 1 (44:44):
You?

Speaker 5 (44:46):
You know how we will?

Speaker 45 (44:49):
I say, Holy Waters, Sons and Daughters, revive.

Speaker 5 (44:58):
My land, that we may rise again. Holy Waters Sons
and Daughters, revive our land, that we may rise a again.

Speaker 44 (45:19):
Holy Waters Sons and Daughters, revive my land, that we
will rise again.

Speaker 5 (45:31):
Walk Holy Holy Waters Sons, and revive my land.

Speaker 41 (45:45):
Praid you take the moment I prayed you, take the
time to see that you were special and always.

Speaker 5 (45:56):
On my heart and my mind.

Speaker 7 (45:58):
I prayed for you.

Speaker 15 (46:03):
Hm. I know I have a past to make me

(46:26):
feel this way. I know I've did some wrongs.

Speaker 21 (46:29):
I need some love today. A little craze had some mercy.
Your brother really hurt and I really need to love it.
I'm tired of touting myself, fighting myself to see anybody here.
May Lord, I'm calling you, know you because your word
tells me to.

Speaker 5 (46:49):
Did you tell me you love me from the beginning me?

Speaker 15 (46:56):
Because father you know is me?

Speaker 5 (47:00):
Father, you know his me. You faith for me from
the beacon name.

Speaker 16 (47:10):
Because father, you know his father, you know is me.

Speaker 21 (47:19):
I meditate on your herd day and night. I gotta
focus on how to live right. I gotta be strong
and courageous. Few it's your greatness, because sain't nobody starving me.
I gotta remind myself not to be broken. I gotta
remind myself that Jesus died for me. I gotta remind

(47:40):
myself Tuesday, hold out all that you love me from
the beacon meme.

Speaker 36 (47:52):
Because father you know his me.

Speaker 5 (47:56):
Mother, you know his me. You fath me from the bacon.

Speaker 15 (48:06):
Because father you know his me.

Speaker 5 (48:10):
Father you know is me. Oh you notice me? You
knowice me?

Speaker 8 (48:24):
Oh?

Speaker 16 (48:28):
Come on, don't you notice me?

Speaker 7 (48:30):
You notice me?

Speaker 5 (48:31):
Hey? Hother younounce me for the molidation No the world.

Speaker 17 (48:36):
Do you notice me in my mother's will you notice me?

Speaker 5 (48:40):
Yeah? Noticed me from the bacon.

Speaker 46 (48:46):
From the Big Uther.

Speaker 15 (48:49):
You know, mother, you know you noticed me?

Speaker 21 (48:56):
You face me from the beys fu.

Speaker 6 (49:08):
Yeah, because you love me?

Speaker 5 (49:12):
From the Big Father. Hobby is.

Speaker 8 (49:23):
You fave?

Speaker 5 (49:26):
From the Big Father fed?

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Speaker 30 (50:27):
Eight hundred two five seven three six seven two eight
hundred two five seven three six seven two eight hundred
two five seven three six seven two. That's eight hundred
two five seven thirty six seventy two.

Speaker 26 (50:47):
Money, a little.

Speaker 5 (50:53):
Keeper able to carry under.

Speaker 39 (51:13):
The lord way, calling you, colling you from page to see.

Speaker 48 (51:22):
I see, yes he will?

Speaker 5 (51:27):
You'll do it? You doing ooo? Yes?

Speaker 8 (51:39):
See?

Speaker 5 (51:40):
Will o man of you do the naughty.

Speaker 45 (51:54):
En?

Speaker 5 (51:55):
Say yes he is? What's some flown all of your.

Speaker 15 (52:15):
Listen? Wid'll do?

Speaker 5 (52:17):
He'll sell you.

Speaker 26 (52:19):
I wasn't had a witness when the storms of life
already did?

Speaker 7 (52:23):
Will I know what he can do?

Speaker 5 (52:25):
Because I haven't tried to make Can I get all
in the hill? That's now he's able? You I knowing
the world? You see we don because they're doing it
over and over and all again. Alice, come back around

(52:50):
and jail the world can do it? You're doing it?
Yes he will. Can I tell you what you'll do?
He'll need your man, He'll come.

Speaker 39 (53:10):
Your dear, healed your man a trial dees call man.

Speaker 26 (53:19):
You'll encourage your heart, give you a time to start,
give you peace her man sell me And it's a nicko.

Speaker 5 (53:30):
Too, ol call it a kill me Kathay couldn't take
me out. The present couldn't feed me. That's why.

Speaker 49 (53:44):
Something else A citizen in student diseased and described me
lost and mistam and kill me because.

Speaker 5 (53:55):
He a free and depend on Hill whatever to call him.
Oh he'll dude and avoid.

Speaker 12 (54:36):
Hey, what's happening?

Speaker 42 (54:37):
This is yielded in Houston, Texas.

Speaker 4 (54:40):
We're locked backstage with d l's backstage past radio show.

Speaker 42 (54:44):
If you're not locked in, I don't like it.

Speaker 41 (54:47):
Hey, beautiful people, this is your brother Major, my mama's
favorite hope dealer, and I'm always keeping it locked with
my brother d Hill. That's right on d l's backstage
past radio, your shop, that Major.

Speaker 7 (55:04):
I they called you, Daphne, they caught you, they called you,
they called you. All right, so let's do this. Uh, Daphne,
what did you want? What did you want me to
make a part of a topic? Like, what did you

(55:26):
want me to do?

Speaker 5 (55:27):
Yeah?

Speaker 42 (55:28):
That post you posted and Alicia she reposted.

Speaker 25 (55:34):
I'm like, oh, this is like real and you had
so many people comment and I'm looking up looking for now.

Speaker 42 (55:40):
And it was about a man doesn't step a man.

Speaker 7 (55:44):
I didn't. I didn't. I didn't ask you. I didn't
ask you to present it. That's my job. I just
asked you, what what did you want me to talk about?

Speaker 42 (55:52):
I want you to talk about the post. D l
all of it, don't they? That is not funny.

Speaker 8 (56:04):
While you jibe turkey, let me tell you something, sucker.

Speaker 25 (56:10):
Sometime I cannot stand you DM. But anyway, talk about
the post.

Speaker 5 (56:14):
All right, all right, here you go.

Speaker 7 (56:16):
Here's the post.

Speaker 8 (56:20):
The post is as such, and y'all tell me in
the comment if y'all agreed, disagree, or.

Speaker 7 (56:26):
Your take on it as well. And we want to
get into some of the comments that was under this
post as well too.

Speaker 8 (56:32):
But a man doesn't step because his lady is broke, Nah,
it's when he's unappreciated, disrespected, undervalued and unloved.

Speaker 7 (56:45):
Period. Wendy Anderson, wells, how you doing? Lynn Woolich?

Speaker 48 (56:49):
How you doing?

Speaker 8 (56:50):
Antoniobala, Tracy Williams, thank you so much?

Speaker 7 (56:56):
So what do y'all think about that?

Speaker 5 (57:00):
Uh?

Speaker 8 (57:00):
Temmy Daphne? Daphne says you wanted this one. A man
doesn't step because this lady is broke. Now, it's when
he's unappreciated, disrespected, undervalued and unloved.

Speaker 7 (57:13):
What do you think about that?

Speaker 15 (57:15):
Well?

Speaker 25 (57:17):
I totally agree with that because I say this a
lot a man needs just in his position as a man.
And when you devalue him just being a man. What
what are you saying about your king? What are you
saying about our kings, our black kings, our kings in general?

Speaker 42 (57:37):
And not nothing?

Speaker 25 (57:38):
It doesn't have to be your significant other or well
that's what we're talking about though. That said, he a man,
don't step so yeah, but yeah, I feel like when
you take how to say this, when you put shade on.

Speaker 42 (57:54):
His position, that's devaluating him.

Speaker 25 (57:58):
When you are not allowing him to stand in his
position as a man, as our lead, as our king,
then you are.

Speaker 42 (58:06):
Not appreciating what he is bringing to you.

Speaker 25 (58:10):
And if that's the case, then maybe that's not a
good fit. Find someone that will be able to bring
what you need in a relationship.

Speaker 42 (58:20):
I feel like that's what I got confused with. That's
what I'm saying. You always do that, all right.

Speaker 8 (58:25):
We started to see you getting confused, So I'm gonna
step in and help you, untie yourself.

Speaker 7 (58:31):
Tell me what did you think about that? I agree wholeheartedly.
I mean I completely agree.

Speaker 4 (58:39):
I actually tell people that I tell other women that
you know a man, a true a man that knows
his position, a man that takes pride in his position
as a king wants to provide, wants to wants to provide.

Speaker 12 (58:56):
So no, if.

Speaker 4 (58:59):
We the woman is broke, that is not a concern
to him. But what he needs from us is just
to know that, yes, baby, I got you in every
other way, you know what I'm saying.

Speaker 7 (59:15):
And got you.

Speaker 8 (59:16):
Yeah. So I'm sorry some of my gas and listening
to you is going towards what my response is. Listen, ladies,
if you have I want to hear what your thoughts

(59:37):
are on this. I really do fellas as well, But ladies,
I really want to hear your.

Speaker 7 (59:42):
Thoughts on this.

Speaker 8 (59:42):
But don't bring it like well men, because don't put
your validation. Don't make your point based off of what
men don't do or men do it too.

Speaker 7 (59:57):
No, stand on the.

Speaker 8 (01:00:00):
Fact of what the topic is, the fact that men
really don't leave their women because the women ain't got
no money.

Speaker 18 (01:00:10):
Right.

Speaker 8 (01:00:10):
When men usually leave is because of the emotional detachment,
the lack of respect, value, appreciation, and love that they
are feeling.

Speaker 7 (01:00:21):
Right.

Speaker 8 (01:00:22):
We are not saying all men are king, we understand that,
but we're talking about when women have a man that
is their king. Okay, that's what we're talking about. When
you're in a relationship for no matter how the span is,

(01:00:42):
and when it went sour, you saw different. When we're
talking about the relationship. When you accepted this guy, you
were crazy about it, you were Google eyed about it.

Speaker 7 (01:00:53):
He gave you butterflies.

Speaker 8 (01:00:55):
Your view of him, your perception of him was I
found my king, okay, because what I could have done
and what a lot of people do. And y'all know
I'm on this campaign black men, black women. We are
not opponents. We're teammates. And that's the reason why I said, hey,
it's not about what you got in the bank account,

(01:01:19):
but what are you depositing in the emotional account?

Speaker 50 (01:01:22):
Right?

Speaker 7 (01:01:23):
So I just like every man ain't a king. We
understand every woman ain't a queen.

Speaker 8 (01:01:29):
But we're talking about in this situation, the value that
a person is to the person they're in a relationship.

Speaker 7 (01:01:38):
You can't ask an opinion and then tell how to give.

Speaker 8 (01:01:41):
I can do whatever I want backstage because I said
the rooms, and I can say when I asked a
question about is that man.

Speaker 7 (01:01:56):
Not leaving because she's broke but he leaves?

Speaker 15 (01:02:00):
Is that true or not?

Speaker 8 (01:02:03):
And him not being a king him doing it too
is not an answer to that question. The question is
men will not leave a woman a ninety nine point
nine point eight percentile of the time.

Speaker 7 (01:02:19):
He will not leave it because of financial latin.

Speaker 8 (01:02:25):
He will lead because he's not appreciated, he's undervalue, he's unloved,
and he's out.

Speaker 7 (01:02:34):
As it's.

Speaker 45 (01:02:47):
Catified some of the things that ia benigre and all
of the trials that you brought me through, you never
to remain the same, no greater keep up, hey, hey,
leave your work creeping. Your pastor has to trusting God.
I know my playing line. I'm holding up than God.

Speaker 5 (01:03:10):
Change every word. She said, I'm holding on, holding on.
They're really badly. We have to do more. They go

(01:03:38):
mouse and believe that I'm trusting and believe that. How
are you trusting to believe?

Speaker 45 (01:03:50):
Listen for God's love the world that he gave.

Speaker 7 (01:03:54):
His side.

Speaker 5 (01:03:57):
And who woever believe it?

Speaker 51 (01:04:00):
You believe in the.

Speaker 45 (01:04:05):
Amazing You'll tell me come on every word to say.

Speaker 39 (01:04:16):
I'm rolding on ding on the really barely a thirsty
more happens in the Believe dance.

Speaker 7 (01:04:38):
I'm trusting, I believe that?

Speaker 5 (01:04:41):
Are you trusting to believe? He said?

Speaker 6 (01:04:50):
I believe that I trust?

Speaker 5 (01:04:53):
Say I believe that. Say I believe, I.

Speaker 6 (01:05:03):
Believe that. I'm I believe that.

Speaker 7 (01:05:08):
See I believe.

Speaker 23 (01:05:12):
Listen everywhere God says the street, it's night.

Speaker 7 (01:05:20):
With the situation, they look like.

Speaker 26 (01:05:24):
You gotta keep on pushing, You gotta keep on going.

Speaker 5 (01:05:27):
You gotta keep on timing that hell, even though it
may seem high. I don't know about too hard, but
I gotta keep that trust in God.

Speaker 52 (01:05:39):
Everywhere else to say true, Hey, everywhere, to say just
true Hey.

Speaker 5 (01:05:51):
Everywhere it says says true.

Speaker 6 (01:06:08):
Can I get a little pray?

Speaker 15 (01:06:11):
Can I get a little percy? Cake?

Speaker 14 (01:06:14):
You pray phone?

Speaker 5 (01:06:16):
Can't you pray phone?

Speaker 8 (01:06:19):
Can't I get a little pray?

Speaker 15 (01:06:22):
Can I get a little Percy?

Speaker 5 (01:06:25):
Can't you pray fall? Can't you pray fall? Get word
to be bess?

Speaker 23 (01:06:33):
We stumble and fall.

Speaker 5 (01:06:36):
No one here is falling. We each have a cold
call for super godsa with wistom to.

Speaker 15 (01:06:45):
Him, polve to love one another.

Speaker 5 (01:06:50):
With the to you in hard.

Speaker 6 (01:06:53):

Speaker 15 (01:06:56):
Can I get a little Percy?

Speaker 16 (01:06:59):
Can't you pray ball?

Speaker 5 (01:07:01):
Can't you pray ball? Can't I get a little gray?

Speaker 15 (01:07:07):
Can't I get a little Percy? Say you pray fall?

Speaker 5 (01:07:13):
Cat?

Speaker 8 (01:07:13):
You pray fall in a daily journey where those are
inner twine.

Speaker 23 (01:07:21):
Let's set aside judgment to embrace.

Speaker 5 (01:07:25):
Well we bar for the Bible features kind.

Speaker 41 (01:07:28):
Of compassion and can let's treat one another with love
beyond the bed?

Speaker 6 (01:07:38):

Speaker 15 (01:07:41):
Can I get a little percy?

Speaker 14 (01:07:44):
Says pray Fall?

Speaker 5 (01:07:47):
Can't you pray? Fall?

Speaker 16 (01:07:49):

Speaker 15 (01:07:52):
Can I get a little percy? Say you pray Fall?

Speaker 5 (01:07:58):
Can't you pray?

Speaker 26 (01:08:00):
All?

Speaker 6 (01:08:01):
Can get a little bras?

Speaker 42 (01:08:04):
Come on?

Speaker 5 (01:08:06):
See wanma sa you pray Fall?

Speaker 33 (01:08:10):
You pray?

Speaker 5 (01:08:11):
Follow me? Can get a little pray? Pray follow me?
Cat you pray for me?

Speaker 15 (01:08:23):
Canna get a little cray? Can y'all just give a
little bit of graces?

Speaker 39 (01:08:28):
Come on, y'all, we need to say your fedyall me
and you pray follow me?

Speaker 15 (01:08:43):
It's the second hour?

Speaker 5 (01:08:45):
Well, now the first is done of d.

Speaker 15 (01:08:50):
L's backstage pass. It's the second hour.

Speaker 7 (01:08:55):
Now, hey, y'all, what be to the second hour? Deals
backstage pass?

Speaker 29 (01:09:00):
Yes, attention, this message is for all of you out
there that are self employed or small business owners. We've
discovered a company that can help offer you health vision,
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Speaker 23 (01:09:14):
That's right.

Speaker 29 (01:09:14):
For less than thirty dollars a week, you could qualify
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(01:09:35):
self employed or you run a small business and you
want to learn how you could qualify to get quality
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call this number. Race may very based on location and
coverage options.

Speaker 30 (01:09:46):
Call eight hundred two eighty five nine five eight nine,
eight hundred two eight five nine five eight nine eight
hundred two eight five nine five eight nine. That's eight
hundred two eight five ninety five eighty nine. I paid
for it by Benda path.

Speaker 53 (01:10:13):
I was young, but now I'm older, old enough to
know that I need your glory.

Speaker 18 (01:10:19):
I want to stand in your glory.

Speaker 53 (01:10:23):
I want to find a trail where he stays. I
hear it's a heavy way until you can find it.
But I want to be the one who finds it,
to be in your glory. The stunning your glory, to
be in your glory, the standing your glory?

Speaker 5 (01:10:45):
Hello?

Speaker 6 (01:10:46):
Are you so?

Speaker 5 (01:10:50):
And Molis is a.

Speaker 6 (01:10:53):
Super bad are your trash ways?

Speaker 39 (01:11:00):
Make haste?

Speaker 15 (01:11:01):
I will follow you to.

Speaker 6 (01:11:06):
Hell be bay your side.

Speaker 31 (01:11:11):
I hear the back rolls are wide and crying, and
the folks are shut off, one blinded.

Speaker 16 (01:11:17):
They refuse your glory? Is they neglected your glory? I
hear the people are lost and bound, unable to speak
to make sound. They refuse your glory? Is they neglected
your glory?

Speaker 5 (01:11:33):
Hello you?

Speaker 13 (01:11:36):
Solis is a sad trash shut days.

Speaker 5 (01:11:47):
We make haye.

Speaker 15 (01:11:49):
Ail follow you.

Speaker 5 (01:11:54):
He little?

Speaker 16 (01:11:59):
I want You're fine? Where he stays here it's a
never road.

Speaker 5 (01:12:06):
Here's a never.

Speaker 53 (01:12:10):
Want to find where hedays?

Speaker 5 (01:12:14):
Here is a nero?

Speaker 14 (01:12:17):
Here is a never?

Speaker 5 (01:12:21):
Hello? Are you? And what is a.

Speaker 54 (01:12:29):
Sure?

Speaker 6 (01:12:30):
Bade your trash short ways?

Speaker 54 (01:12:35):
How we may paste away allow you to ride all
right by your side?

Speaker 8 (01:12:49):
All right, welcome back to the hottest music talk and topics.
This out of having all the funny you can handle,
and it's time for another excitement edition of Backstage Past
Church Announcements with none other than your favorite Auntie aunt
t Sister Jodine Bishop hey d l all those introductions.

Speaker 5 (01:13:08):
For me is getting gooder and gooder head. Look here,
I hold it.

Speaker 55 (01:13:12):
Everybody in the Kansas City Metropolitan and surrounding areas.

Speaker 42 (01:13:17):
Is staying warm and stay safe and staying off them roads.

Speaker 5 (01:13:21):
And Pastor just wants us.

Speaker 55 (01:13:23):
To let everybody know that if you have not been
the church in twenty twenty four November, in the October,
November December, and you find yourself out in about and
you can't come to church and you get stuck in
the snow, don't call him, don't call the deacons, don't

(01:13:44):
call no church members trying to help you get out
the snow. Because if you could find yourself anywhere else
but to the church, you make sure you call the
people youre going to see that you helped them get
out to Jay help you get out the snow.

Speaker 5 (01:13:56):
Don't you call Jeezus. You wasn't going to see jez
You couldn't make it Jesus house.

Speaker 42 (01:14:01):
So don't call Jesus.

Speaker 55 (01:14:02):
If you can find anywhere to go, put the House
of the Lord. That's all pastors want to say.

Speaker 7 (01:14:06):
I want to say.

Speaker 55 (01:14:07):
Congratulations to Denzel Washington. Denzel he got baptized, who he
went down in the water and he just wanted to
give God all the good I'm so happy for Denzel,
Denzel one of the good ones.

Speaker 5 (01:14:22):
He said, if y'all dip me rover.

Speaker 42 (01:14:25):
Too low, you gonna be going up.

Speaker 55 (01:14:27):
Pellaganess Bay, I love it, he said, I got the
Holy spirit that struggle the King come in this baptisma.

Speaker 5 (01:14:36):
Y'all yeah, uh huh.

Speaker 23 (01:14:38):
So, y'all make sure that.

Speaker 55 (01:14:40):
Y'all hold close to the Lord in twenty twenty five
and we see y'all at church on Sunday till this.

Speaker 42 (01:14:47):
Mom says to jil D Bishop and this is the
backstage past church. Announce me back to you, nephew DM.

Speaker 8 (01:14:54):
Thank you, Sister Jerild and we're gonna get back to
more of this hot music this side of heaven and
all the funny you can handle.

Speaker 7 (01:15:02):
And just a moment, we'll be back.

Speaker 8 (01:15:03):
More yeahs, backstage, past conversations, new music, deep wal.

Speaker 6 (01:15:13):
So, I'm glad. One time, I'm blast. One time.

Speaker 5 (01:15:32):
I was living in the world.

Speaker 41 (01:15:35):
I see but grace and mercy to me and it
plays my feet ones.

Speaker 5 (01:15:44):
I haven't been the same since today. I could have
been there. Sleep again, my grade, stand back and behave.

Speaker 25 (01:15:59):
Time.

Speaker 5 (01:16:00):
When I look back my life. I know yourself. Time
anybody be like me?

Speaker 14 (01:16:09):
Yet me say so.

Speaker 5 (01:16:11):
I'm like every time I could have been.

Speaker 6 (01:16:19):
I'm play so pant to deep.

Speaker 18 (01:16:22):
One moment in time, you could have been Daddy, come
steep and there in my grade.

Speaker 36 (01:16:26):
And I'm never saying I would have known how to you.

Speaker 15 (01:16:31):
Watch your showy.

Speaker 5 (01:16:34):
Ye mom? One one mom? Everybody, come on, come on
to clap your ways God till come on to clap
your head. Come up this world this long time. Come
on the time I break somebody to say it. Here

(01:16:56):
the day have his mad and I'm Will Johnson. Let
me ask you.

Speaker 56 (01:17:12):
I'm so bad about all.

Speaker 8 (01:17:34):
Right, ladies and gentlemen, get ready, it is time for
the most soothing voice and radio. We're gonna get into
some gospel news and the top ten countdown with our
sister Nina Taylor.

Speaker 7 (01:17:46):
Hey, how you doing, Nina?

Speaker 3 (01:17:48):
How you doing?

Speaker 15 (01:17:49):
Everybody?

Speaker 3 (01:17:50):
I'm Nina Taylor with this week's gospel News. Dynamic voice.
Gospel singer, songwriter and arranger Kenny Lewis forgeous his musical
minuge from the rich cultural heritage of Chicago with his
group Kittting Lewis in One Voice. He is released a
series of passionate and uplifting albums, beginning with two thousand

(01:18:11):
and two's The Bridge, The Mission in two thousand and nine,
The Way of Escape in twenty fifteen, and Refocused in
twenty seventeen. Throughout his career and through the twenty twenties,
he released Undefeated and its hit song He's Been Good.
The Kimbrell Assistant called His Name arrived in twenty twenty
four ahead of Lewis's next album, The Healing Project. After

(01:18:33):
forming One Voice in nineteen ninety nine on Mark seven Records,
introducing audiences to Lewis's bright, energetic style of contemporary gospel.
A live recording from Chicago West Point Baptist Church was
released in two thousand and seven under the title of Everybody, Everybody.
For his next studio album, in two thousand and nine,
The Mission, Lewis scored another hit with a single I Am.

(01:18:56):
After several years of writing, performing and porny his skills,
he and his group returned in twenty fifteen with a
Way of Escape. Refocus arrived in twenty seventeen. In early
twenty twenty, he began building toward his next release with
the singles Victory and Undefeated, the latter of which served
as the titled track of his fifth album with One Voice,

(01:19:18):
but it was released in September of that year. Undefeated
yielded a number one gospel hit, Which He's Been Good,
featuring and including Charles Jenkins and Fellowship Chicago and Bridgid Hurt.
A deluxe version album appeared in twenty twenty three, after
which Lewis focused on the new singles twenty twenty fours
Called His Name with Kimbarell and The Holy Ghols. Both

(01:19:41):
songs appeared on twenty twenty four's The Healing Project. Karen
Clark Sheard his beloved gospel singer on songwriter from Detroit
who rose to fame as the youngest member of the
Clark Sisters beginning in nineteen ninety seven, the Grammy nominated
Finally Karen Karen Clark Sheard launched a song career of
her own, consistently crossing over into the pop charts with

(01:20:04):
releases like The Second Chance from two thousand and two,
It's Not Over in two thousand and six and Destined
to Win in twenty fifteen. She's also the mother of
gospel powerhouse Pierra Shear, with whom she frequently elaborates and
who portrayed her in this twenty twenty movie The Club
Sisters First Ladies of Gospel. Clark Sheard released her seventh

(01:20:27):
solo album entitled Still Caring in twenty twenty four. She
was inspired to strike out on her own by producer
songwriter Stanley Brown. With the blessing of her sisters. Karen
Clark Sheard decided to make a solo record for Island
Inspirational Records, and the result was her first smash album. Finally, Karen,
do you have a summer shape up program in progress?

Speaker 1 (01:20:50):
Well?

Speaker 3 (01:20:50):
Does it include regular cardio, strength training, a balanced diet
and adequate sleep? While you should focus on incorporating activities
you enjoyed to make it sustainable and gradually increase the
intensity and duration of the workouts over time. Your workout
plan should include some cardio. Allow twenty to thirty minutes
a day for cardio or one hundred and fifty minutes

(01:21:12):
per week. Consider activities like running, swimming, cycling, and even
a brisk wall. It should also include strength training. Incorporate
strength training at least two days per week. Don't forget
your core work. Include core exercises to improve strength and stability.
Don't forget to warm up and cool down before every exercise.

(01:21:32):
Make sure you warm up and cool down after workouts
to prevent injury. Your diet should include balanced meals, hydration,
limited process food, and consider portion control. A few other
small tips. Sleep at least seven to eight hours. Consistency
is the key. It's better to work out regularly or
even if it's a short session, than to overdo it

(01:21:55):
and then stop. Listen to your body intention to any pain,
comfort and adjust your workouts accordingly. Here's this week's top
ten gospel songs. Number ten Gods Still working on Me,
Carbon Winings, nine, I Can Marcus Jordan eight, I Prayed
for You Major seven, Amen Pastor Mike Junior, six All Yours,

(01:22:17):
Kiara Sheard and Anthony Brown five, You've been so Faithful
ten and Sherry four, Don't give Up, Ernest Pugh three
Deserve to win, Tamila Man two, Only one Way Home,
the Mississippi mass Squire and number one Now for four weeks,
change your mind, Fred Hammond, Keith Stayton and Marcus Cole. Well,
that's your top ten songs, your summer shape up plan,

(01:22:40):
and your gospel news A Nina Taylor let's get back
to more great gospel music on this great station.

Speaker 5 (01:22:58):
My Ma, Ma, Ma, man.

Speaker 20 (01:23:01):
World, come on, yeah, yeah, what you need, you can
have it. All you got to do is get up
and get that. Don't you worry about yesterday. Focus on tomorrow.

Speaker 5 (01:23:23):
Just keep the say.

Speaker 20 (01:23:26):
Everything's don't to get there for the Lord is my shepherd.

Speaker 25 (01:23:30):
You know A.

Speaker 20 (01:23:32):
No, I'm getting ready from my messine for the Lord
is my shepherd.

Speaker 5 (01:23:38):
You know A.

Speaker 20 (01:23:40):
Yeah, everything's long to get there for the Lord is
my shepherd.

Speaker 5 (01:23:46):
You know ask, Yeah, I'm getting many for my messings.

Speaker 14 (01:23:53):
For the Lord is my shepherd.

Speaker 5 (01:23:55):
You know A yeah, you gotta have. I gets spirit
of fear. He's my strength, my rock, my sword, sm
get hard. I might be done, I know, but I'm
don't know. You can turn it around. Yeah, I've been

(01:24:17):
a loving him to the west. Gig me and charmed me.
I love that you love me, shout and I'm staying
in here. I can tell you night and think it's
going to get better because the log is my shelf.

Speaker 15 (01:24:36):
But you look.

Speaker 16 (01:24:39):
Long.

Speaker 20 (01:24:40):
I'm getting ready for him, let's say, because the lady
is my sheep.

Speaker 15 (01:24:45):
But you.

Speaker 5 (01:24:47):
Oh, let me show it again. E every thanks do
I get there. For the lady is my shepherd, you
know from no, yeah, you'll go.

Speaker 16 (01:24:59):
It's me.

Speaker 5 (01:25:01):
No sis on the spellrow.

Speaker 6 (01:25:07):
Yes that's high.

Speaker 5 (01:25:08):
Look at it now and everything everything.

Speaker 29 (01:25:13):
You know.

Speaker 5 (01:25:14):
I'm getting ready for a blessing the bard and my ship.
But you know, no, no, everything is gone if you're dead.

Speaker 8 (01:25:25):
For the Lord is my cheper.

Speaker 20 (01:25:27):
You know about no, no, no no, everything is going
to get the bed, get the bard and my shepherd.

Speaker 21 (01:25:35):
You know.

Speaker 5 (01:25:37):
I just want to tell you all what you know.
Tell us that the Lord the Lord, I know the ball,
I know the Lord.

Speaker 20 (01:25:44):
Shut auto, God, he is abdy, he is my chepher, and.

Speaker 16 (01:25:52):
I shun now long.

Speaker 5 (01:25:56):
I don't have to action know nobody.

Speaker 1 (01:25:59):
I know.

Speaker 23 (01:26:01):
I know myself.

Speaker 51 (01:26:10):
God, God, it's great. This is how close I'm kidding

(01:26:36):
because I.

Speaker 7 (01:26:36):
Want what iss response ability?

Speaker 5 (01:26:43):
What is the role uh of a uh?

Speaker 7 (01:26:49):
The work husband technic.

Speaker 8 (01:26:52):
You were going to teach this class all of us
to know what makes the work husband the work husband,
and like what is his duty to make him classified
as the work husband?

Speaker 7 (01:27:05):
Go for it, damn.

Speaker 12 (01:27:08):
The work husband.

Speaker 4 (01:27:10):
Uh okay, okay, So my work husband was just he
was just my He was just my buddy.

Speaker 14 (01:27:21):
He was just my friend at.

Speaker 7 (01:27:22):
Work, you know.

Speaker 4 (01:27:24):
He we laughed and we talked and he brought me.
He brought me lunch almost every day. And I never
talked to him outside of work. And say, I never
talked to him outside of work, but he was like
he'd come to my cubicle and we just talk and
his trip and talk about you know, the folks at work,

(01:27:45):
and you know, and lunch time, he's like, what you're
doing for lunch or where you.

Speaker 7 (01:27:49):
Go up, what you're doing for what you eat for lutch.
I'm like, whatever you buying and there's lunch.

Speaker 5 (01:27:55):
You know, I mean, But then that was it.

Speaker 4 (01:27:59):
After I left, sometimes he walked into my car.

Speaker 7 (01:28:02):
But then.

Speaker 12 (01:28:04):
I ain't talked to him outside of work, like.

Speaker 4 (01:28:06):
Literally didn't even have his phone number, never talked to
him about.

Speaker 8 (01:28:13):
That's why he so was his responsible was his responsibility
to feed you and to make your workday goal expediently
smooth or he made it.

Speaker 4 (01:28:28):
I actually hated the job, so he had he made
the job bearable. He made me laugh and he and
he fit me and that was my work.

Speaker 42 (01:28:36):
And he put you in his budget.

Speaker 7 (01:28:39):
Now, let me let me ask you a question.

Speaker 36 (01:28:42):
After what I got your work husband.

Speaker 7 (01:28:44):
I So were you, Tammy, Tammy? Were you in a
relationship when you had his work husband? Yeah?

Speaker 8 (01:28:54):
Yeah, yeah, yeah, you know that face craft all else?

Speaker 7 (01:29:02):
Then Now see that's why I got the problem. See,
So is it y'all put it in the chat? Is
it the work husband in this situation the need is
behind wook?

Speaker 8 (01:29:14):
Or is it the woman that is undervoluing the husband's
row or the man's role in the relationship? Is that
really showing him love by going to work and classifying
herself as some other man's lady.

Speaker 7 (01:29:31):
If only but for an eight hour shift.

Speaker 4 (01:29:34):
Everybody knows the work husband ain't no relationship with the
work husband.

Speaker 8 (01:29:38):
In the world, right you as any you as any
man or husband in America. If he found out who
his wife or lady's work husband was, what he do
to him?

Speaker 7 (01:29:51):
Can you tell me?

Speaker 51 (01:29:52):
I tell you what?

Speaker 7 (01:29:53):
I tell you?

Speaker 29 (01:29:54):
What?

Speaker 7 (01:29:54):
Tell me? I'll tell you what?

Speaker 8 (01:29:55):
What if you had a came home one day and
you saw you saw a sack and a to go
box from Papa Dolls.

Speaker 7 (01:30:05):
Is going in the garbage and you said, oh, you
have Poppa dos And he was like, oh, you're my
work wife got for me? You don't bring no the
word is work work. You don't know, Well, he brought
it home for you. What if he brought it home
to you?

Speaker 42 (01:30:23):
I was going in the garbage.

Speaker 7 (01:30:24):
No she's feeding us.

Speaker 36 (01:30:27):
No she ain't.

Speaker 15 (01:30:29):
No she's not she's feeding him.

Speaker 7 (01:30:31):
No she's not feeding us. No he brought that. He
you know, this is us baby?

Speaker 15 (01:30:35):
Fix it? What what?

Speaker 7 (01:30:37):
I don't get it?

Speaker 41 (01:30:38):
Like?

Speaker 7 (01:30:39):
What's up? James Earl Williams, Sasha made black Walk? One second?

Speaker 23 (01:30:44):
What's up?

Speaker 8 (01:30:44):
James Earl Williams, Sasha made Blackwall. Stephen Lewis, Michael BARRELLO,
what's up? Michael Lowe shout out and again, Uh, that's
my brother black Watt.

Speaker 7 (01:30:54):
Y'all can go check him out on the Boss Talk
one hundred podcast. Check him out. He did a stellar job.
Made me proud.

Speaker 8 (01:31:04):
I uh tell me.

Speaker 7 (01:31:06):
Oh what a tangled web we know when first.

Speaker 8 (01:31:09):
We set out to deceit. So did you ever hold on?
Did you ever tell your man about your work husband?
Did you ever tell him that you didn't have to
even bring or buy lunch because of your work husband?

Speaker 15 (01:31:31):
Oh?

Speaker 14 (01:31:32):
My god?

Speaker 7 (01:31:33):
Did you even feel did you tell me?

Speaker 8 (01:31:35):
You know, I feel safe walking to the car because
my work husband escorts me there and gets me there.

Speaker 7 (01:31:42):
My coworker walked me to my car. Oh that's so
so you lied. No, it's my coworker. Your work husband
is what you classified worker?

Speaker 8 (01:31:54):
You CLASSI okay, all right, I'm glad you said that because.

Speaker 7 (01:31:59):
She ain't my girlfriend. She my friend girl.

Speaker 4 (01:32:03):
See that's different because girlfriend, work husband and girlfriend two
totally different things.

Speaker 7 (01:32:08):
That's my work homie. She's my work home.

Speaker 5 (01:32:11):
This was my this was that's he.

Speaker 7 (01:32:13):
Basically, he's my homie.

Speaker 8 (01:32:15):
Because so if I'm at the gym, If I'm at
the gym and you'll be like, who you at the
I'm with my work homie.

Speaker 7 (01:32:22):
Just say let's just say. Let's say her name is.
Her name is Tony. Let's say her name is Tony.
Where are you at? I'm out to lunch with Tony? No, okay.

Speaker 8 (01:32:33):
Then all of a sudden, you see one day at
the office Christmas party, did Tony the work husband is
about five? It's about five five style touched in favorite
by the hand of God.

Speaker 7 (01:32:51):
No, No, that ain't I can't put my I don't know,
I I can't.

Speaker 51 (01:32:58):
I can't.

Speaker 8 (01:32:59):
Hey, Obrounia says, she hear you tell me because she
got her a church husband.

Speaker 7 (01:33:04):
Now, why am a church husband?

Speaker 8 (01:33:11):
Is it the guy that you got married to at
the church or is this somebody that y'all just feel
feel a flame of passion when y'all hear the word
of God.

Speaker 7 (01:33:20):
And I'm so glad she dropped in. Now we can
we can focus on her and her church husband, because.

Speaker 42 (01:33:27):
She already told me that she I wasn't her hero
no more.

Speaker 8 (01:33:31):
But but but y'all see, y'all see the point I
was able to make that going all the way back
to Drel Michelle and and and Tracy ellis ross being
okay with dating younger men and being a cougar opposed.

Speaker 7 (01:33:46):
To shame, shame, shame, Shannon, It's okay for you to
have a work husband because in a woman's mind, I
don't want him. But what y'all don't realize is it
ain't what you want. It's what he feels. He's gaining
to get and he's got one up on me.

Speaker 42 (01:34:07):
So I don't want her.

Speaker 7 (01:34:08):
But in your mind you thinking he want me. But
when I show up, he ain't running to the cars. Im, Hey,
what's up, g man? You get our girl home safe?

Speaker 8 (01:34:17):
No, he sit back and be like a right sweet man,
he don't even know you got you got him making
me look like a fool because everybody at the.

Speaker 7 (01:34:27):
Job, no, that's your work boot. Everybody, whether they say
they know, everybody know.

Speaker 8 (01:34:32):
And now here I come every day riding up to
pick you up or when I do bring you lush
or when you.

Speaker 7 (01:34:37):
Do bring me to the job functions. Everybody looking at
me like that. Poor man. Love that girl to death.
And here she is running around folcking the office with
this new you got me out here looking foolish.

Speaker 51 (01:34:48):
I don't know.

Speaker 7 (01:34:49):
I'm undervalued, undappreciated.

Speaker 5 (01:34:52):
I loved.

Speaker 42 (01:34:52):
Oh I'm watching that.

Speaker 25 (01:34:54):
I have to agree with him, Tammy, all right, I
gotta agree with that when I've been on both sides,
she said.

Speaker 7 (01:35:01):
She wrote a different she said, you and Tammy are
her heroes.

Speaker 8 (01:35:08):
Yeah, well that wasn't heroic behavior at Tammy's job, I
tell you that.

Speaker 7 (01:35:13):
Okay, So now I underappreciated because yeah, yeah, yeah.

Speaker 8 (01:35:24):
Now when you go to church, he's sitting up there
making Google eyes and sharing his his communion wafers and juice.

Speaker 7 (01:35:34):
Ah, y'all, we got a little time. We're gonna get
into the grill old story time with the Grillo.

Speaker 41 (01:35:42):
D L.

Speaker 7 (01:35:43):
True or false? I got a story for y'all.

Speaker 8 (01:35:46):
Don't y'all go nowhere. Y'all gotta tell me is this
story I'm about to share?

Speaker 7 (01:35:52):
Is it true or no? Y'all? Man, thank y'all so
much for hanging out tonight with us.

Speaker 8 (01:35:58):
It is the award winn DL's Backstage Past radio show.
It's the only realist guys will show you gonna get.
I'm trying to think, Jess, in case you have a
work husband, y'all might need this. I'm gonna pull this
one up. Come on with the average job. Yes, your man,
missus sadwarfare d D. L. Marshall and I want you,

(01:36:21):
guys to make sure.

Speaker 7 (01:36:22):
That wherever you go, you have a peaceful relaxation and rest.

Speaker 8 (01:36:27):
I want you to be able to go somewhere that
you feel comfortable to use the restroom. I want you
to feel comfortable kicking off your shoes and walking across
the carpet in your room. I want it to be
able to smell lemon and e fresh like faboloso when
you first walk in. I want you to feel safe
to leave your car park in the parking lot. And
I want you to feel that way by calling my
friends over at Hotel Whiz. That's right, Hotel Whiz one,

(01:36:49):
eight hundred six one nine eight nine one seven. That's
Hotel Whiz one, eight hundred six nine eight.

Speaker 7 (01:36:56):
Nine one Steven. Tell them you heard it on Deal's
backstage path.

Speaker 57 (01:37:02):
I got joy, I got Dad's love down in my heart. Guys,
I don't know where to start. Let me just play
my part.

Speaker 5 (01:37:09):
And I've been so in love with you since they one.

Speaker 57 (01:37:12):
I had family praying for me even when I ain't,
saying that I ain't have to pay nothing to pay
Christ already? Did I know He let the kids you
know who shy to seem.

Speaker 5 (01:37:22):
Trying to go raise the charts? Living this life is hard.

Speaker 15 (01:37:25):
You need some loving in your heart.

Speaker 45 (01:37:27):
Joy, it's what do you bring me?

Speaker 5 (01:37:30):
Peace?

Speaker 7 (01:37:31):
It's what you kids to me?

Speaker 5 (01:37:35):
Whoa my heart? Love?

Speaker 36 (01:37:41):
It's so amazing.

Speaker 17 (01:37:43):
Praise keeps making away.

Speaker 5 (01:37:52):
When they had me comes against me. Just then your
spirit you by before me day and nine nine day.

Speaker 15 (01:38:01):
I'm here to say that I.

Speaker 7 (01:38:09):
Am so we love with you.

Speaker 5 (01:38:15):
I also love with you.

Speaker 39 (01:38:21):
I am so we love with you.

Speaker 42 (01:38:30):
Now.

Speaker 5 (01:38:30):
My soul is on fire. Oh you are might desire
to live for you follow.

Speaker 16 (01:38:38):
No, No, I can't go bask no mom in shame
because you loved you know my name, day and night
nine to day. I'm here here to say that I
am so in love with you.

Speaker 5 (01:38:56):
Oh, I also we love with Let's go So I
am so playing skinky, I am so playing.

Speaker 57 (01:39:18):
Day and I'm gonna do everything they got say. I
ain't need to worry about what my pride say, even
if it's on Friday, while you only picked Sunday. Walking
there the church so sideways. He had the pressure my
problems yet even if I can't stop stuff, But I'm
still gonna solvell.

Speaker 36 (01:39:34):
Might as well eat marble, see something go day and night.

Speaker 7 (01:39:37):
You know that's night days.

Speaker 5 (01:39:39):
I ain't even got time to play.

Speaker 42 (01:39:47):
I am.

Speaker 5 (01:39:50):
I'm so, I am so.

Speaker 6 (01:39:59):
With I am love.

Speaker 1 (01:40:04):
Julius, I love you.

Speaker 11 (01:40:09):
Man.

Speaker 5 (01:40:09):
I think about Jesus.

Speaker 16 (01:40:12):
I am a lost.

Speaker 5 (01:40:16):
Things he's done.

Speaker 16 (01:40:18):
I am lost and exam lost.

Speaker 5 (01:40:27):
Oh, I am so.

Speaker 36 (01:40:41):
One honey and I'm gonna chip for one honey, one honey.
I'm gonna chip for one honey, one honey. I'm gonna
keep for one honey, one honey. That gonna keep for
one honey.

Speaker 23 (01:40:50):
He got much, I'm gonna keep it one honey, because
he's try some day.

Speaker 36 (01:40:53):
I gotta keep this one honey for him and the
one before they get you are possible. Keep praising God
way he's the ways that as throw that Joe. You
can't let Joe the way that he's in the light.

Speaker 58 (01:41:03):
So hold y'all, hold y'all in the Lord, and be strong, strong,
because we got a light and we toring a field.

Speaker 36 (01:41:10):
Famlies to pay.

Speaker 58 (01:41:11):
Telling me those say sliding up upper room lives and
take jugs.

Speaker 36 (01:41:15):
Doubling up the leaf is the most r t o
people's up on honey, and.

Speaker 58 (01:41:20):
I'm gonna keep any one honey, one honey, and I'm
gonna keep no pon honey, one honey. Brother Lord names
Jesus Christ because hee the way the cook in the
light of my life. Oh honey, I'm a chiepo honey,
one honey, one.

Speaker 36 (01:41:31):
Honey, and I'm cheapo one honey.

Speaker 15 (01:41:33):
One honey.

Speaker 36 (01:41:33):
Brother Lord named Jesus Christ because.

Speaker 15 (01:41:35):
See the way the cook in the light of my life.

Speaker 5 (01:41:38):
Every honey, trying to keep it.

Speaker 7 (01:41:41):
Try to keep it.

Speaker 5 (01:41:44):
Everywhere, honey, Try to keep it. Honey.

Speaker 59 (01:41:48):
You know, the King of It's never upout no pay,
so as it is to make me yover like make
Joe the man stayable out from but we stay low
moving how you moving through? Whatever you say, finish the risk,
kin let it take yo. We hood come in connection
just like some case opinion. No man to opinions on
those lave Bolles said, he gave me in the fird
told me.

Speaker 15 (01:42:06):
The case close.

Speaker 23 (01:42:07):
Oh can't tell the future.

Speaker 5 (01:42:08):
Boy he knows so being smoke. He everywhere that we go.

Speaker 23 (01:42:11):
We got number one.

Speaker 14 (01:42:13):
He's the only he won.

Speaker 23 (01:42:14):
Without him number one, we nothing.

Speaker 5 (01:42:15):
We double sleep ro want honey honey, one honey.

Speaker 36 (01:42:19):
Want honey, and that chep go wan honey, one honey.

Speaker 58 (01:42:21):
Brother, good names Jesus Christ. Cau see the way to
cook in the light of my life.

Speaker 5 (01:42:26):
Oh honey, go.

Speaker 36 (01:42:27):
Wan honey, one honey, Wan honey, and not much you
go wan honey, one honey. What the Lord named Jesus Christ.

Speaker 8 (01:42:33):
Let's see what we get up like seeing something some pain,
but not this man.

Speaker 7 (01:42:39):
Not with your lanes.

Speaker 16 (01:42:40):
Let's show trust in.

Speaker 50 (01:42:41):
Him who knows everything, because we come this by face leaning.

Speaker 5 (01:42:44):
On the Lord.

Speaker 50 (01:42:45):
SA get caught up with those foolish thinks. The waves
of the word of reference. We repew saying the name
of Jesus. He always willing to God, let those cheap
ut on in my byke and we go ride, run
it out till I tee I eat no.

Speaker 16 (01:42:57):
When I got my cont and not before he turned
to see I got.

Speaker 50 (01:42:59):
Outa beyah my buddy, y'ama been right ninety nine and
now I won't do I'm.

Speaker 58 (01:43:03):
Gonna keep one honey, one honey, one honey.

Speaker 36 (01:43:08):
I'm gonna keep go one honey, one honey.

Speaker 58 (01:43:09):
But the Lord name Jesus Christ because see the way
the cook in the light of my life.

Speaker 36 (01:43:14):
Oh honey, I'm gonna keep go one honey, one honey,
one honey. And I'm gonna keep on one honey, one honey.

Speaker 58 (01:43:19):
But the Lord named Jesus Christ because see the wind
and tooth and the light of my life.

Speaker 60 (01:43:23):
Boo hey, y'all, it is shan Lee House of Shanlee
House Photography, and I'm backstage enjoying my favorite radio show
and podcast deals backstage past on marsh Media, backstage entertainment.

Speaker 8 (01:43:42):
That time that y'all said, y'all really starting to enjoy
and uh it is time for story time with the
grill d D L.

Speaker 7 (01:43:54):
Marshall.

Speaker 8 (01:43:55):
All right, I'm gonna tell a story, and at the
end of the story that and Tammy are going to
say if this story is true or false, as you
guys put it in the comments section, if you believe
this story is real of faith, true or false. And
right now I am winning for the two on Daphne

(01:44:19):
and Tammy. So let me see, yes I am and
all that, Yes I am. You won the first two
weeks and you done lost every week after that. So
it's for the two and we are going to get
ready for story time with the Grill. Y'all ready for
this in my in my DC voice, y'all ready for this.

Speaker 7 (01:44:43):
Story time with the Grillo.

Speaker 8 (01:44:45):
D L All right, Look here Lawrence Kansas. A lot
of y'all know that is raw. Jae, hey, you or
Harry y'all said, But we was on our way as.

Speaker 7 (01:45:05):
Some teenagers down the Lawrence Kansas to.

Speaker 23 (01:45:09):
A body bent old body and it was me and Suv.

Speaker 15 (01:45:15):
I want to say.

Speaker 7 (01:45:16):
It was a rage rope just full of the homies
from the block.

Speaker 8 (01:45:20):
And we pull up and it's printing women everywhere, I mean,
just God's favorite sprinkled all around, please, just everywhere you look.

Speaker 7 (01:45:30):
It was one of them.

Speaker 8 (01:45:31):
There was a dime of better and they was smelling good,
and skin had that back that avon skin so soft,
you know what, They had that face where they were
rubbing the skins so soft all over them.

Speaker 7 (01:45:44):
Did y'all realize that that was for mosquitoes?

Speaker 12 (01:45:46):
But I digress.

Speaker 7 (01:45:47):
So we look at the lion and we're like, man,
we know we ain't drove.

Speaker 8 (01:45:52):
All the way to Lawrence, Kansas standing in the line
to get all the way to the door for them
to tell us it's fo So I'm looking.

Speaker 7 (01:46:02):
I think it's about five, six, maybe seven of us.
I'm like, y'all this too me fine women in this line?
Can you imagine what they look like inside?

Speaker 8 (01:46:12):
If these can't get in and they looking like this,
can you imagine how good the ones that's made.

Speaker 15 (01:46:18):
It in looking how can we get in?

Speaker 7 (01:46:22):
Tik tok is on the clock and how can.

Speaker 39 (01:46:24):
We get in?

Speaker 7 (01:46:24):
Were smelling good, we looking good.

Speaker 5 (01:46:27):
We fly and all of a sudden, ah, it hit me.

Speaker 7 (01:46:33):
It touched me from the top of my head to
the soles of my feet.

Speaker 12 (01:46:36):
I mean it was like a fire that was shut
up in these bombs.

Speaker 7 (01:46:42):
I said, hey, y'all, we ain't gonna be waiting in
this line. Long follow me? I'll walk up to the doorman,
big God, and what's up?

Speaker 8 (01:46:52):
I say, Hey, man, this is how y'all do celebrities
look at this line? Man, y'all expect us to stay
in this line.

Speaker 7 (01:46:59):
Woar you?

Speaker 55 (01:47:00):
What's up?

Speaker 7 (01:47:02):
Sweetheart? How you doing?

Speaker 5 (01:47:02):
Baby? Who are we?

Speaker 7 (01:47:06):
We played by the Kansas City Chiefs. I can't say
the name because I still might get trouble. I don't
know statue of limitations on that. But I said who
I was playing like I was that night?

Speaker 8 (01:47:16):
Who I resembled the most on the Cancae chief Then
I'm turning around on one of my homies and I.

Speaker 7 (01:47:20):
Said, not that is, And I said a name that
they look like.

Speaker 8 (01:47:23):
And I said, man, we came all the way down
here to this college town to look at this game
because we trying to see such and such might get
brought to the Chiefs.

Speaker 7 (01:47:31):
We come down here, and this is how y'all treat us. Okay?
And I got ready to walk away, said who woah, woah, woah, woah,
my bad, and we tripped hold on and he walked
us up in there. Oh, what a sight of excellent
delight wall to wall. Hm. The music I'm talking about

(01:47:53):
the music. The music was just yeah yeah.

Speaker 15 (01:47:58):
And so.

Speaker 8 (01:48:00):
They gave us a table, they gave us some champagne,
put us behind a velvet rope, and they treated us
like stars.

Speaker 7 (01:48:10):
Oh night, we didn't want for nothing.

Speaker 8 (01:48:18):
That is the night d L and the Fellas took
over the club in Lawrence, Kansases.

Speaker 7 (01:48:28):
Y'all put it in the comments, what you'all think? Was
that a true story? Was that a truth?

Speaker 45 (01:48:32):
Or?

Speaker 7 (01:48:32):
Don running up? Running up? Running up? Was that a
true story? Yes'm no some I want to know, was
that a true story? Before we go to Tabby, before
we go to Dashney?

Speaker 45 (01:48:44):
Was that.

Speaker 7 (01:48:46):
A true story?

Speaker 14 (01:48:48):
I got to know you?

Speaker 7 (01:48:50):
In the words of Joe, I want to know, Yeah, yeah, yeah.
What was it true or was it not? Yeah? Tammy,
was that a true story?

Speaker 42 (01:49:07):
I'm gonna say it's a true story.

Speaker 14 (01:49:10):
Okay.

Speaker 36 (01:49:11):
You just seem like you would just be bold enough
to just go in there and do something like that, just.

Speaker 7 (01:49:16):
To see if you could do it.

Speaker 12 (01:49:18):
Okay, okay, okay.

Speaker 7 (01:49:20):
I look at the comments and Broun he says false.
She says false. Yeah, yeah, she says false. Deafitely what
say ye?

Speaker 42 (01:49:28):
I say it's false.

Speaker 25 (01:49:30):
I look up the range ruffle, but they were out
in nineteen seventy, so you weren't lying about that piece.

Speaker 8 (01:49:36):
Now, I told you as they just in case they
may not know. I'm either gonna tell the whole truth
or a complete lie. So if some of it is false,
that means all of it was gonna be false. And
if some of it was true, then I guess I was.
But you said false, you said false.

Speaker 7 (01:49:53):
I wasn't.

Speaker 8 (01:49:54):
As my bro in here black is black wall in here?
Say something in the comments if you hear yeah, I
want to see if he in here before I move
on to the next possible aspect of this story.

Speaker 7 (01:50:14):
Tammy, Daphne, what you one of y'all do?

Speaker 40 (01:50:21):
Do you really think that le Bronia is correct? Daphne, Yeah,
you think she's correct.

Speaker 42 (01:50:31):
I think it's false. Listen to the story. I think
it's false.

Speaker 7 (01:50:35):
What about that story that started to make you say, nah, dal.

Speaker 42 (01:50:40):
Line, it's Kansas City. I mean, the guys should know
who play on the team.

Speaker 25 (01:50:49):
He should And then you said you guys were teenagers,
so I know he know y'all ain't playing on a team.

Speaker 61 (01:50:57):
And y'all teenagers It was about nineteen, were about nineteen Okay, yeah, okay,
Uh tell me tell me why you.

Speaker 36 (01:51:08):
Think it's true, because I just.

Speaker 15 (01:51:14):
Can.

Speaker 51 (01:51:15):
I can.

Speaker 7 (01:51:15):
I can just see you doing that.

Speaker 4 (01:51:17):
I could see y'all going in there and just thinking
y'all could just just just to see if y'all could
pull it off, just to see if y'all could do it.

Speaker 61 (01:51:26):
So, yeah, that's why I think it's true.

Speaker 8 (01:51:30):
Well, Tammy Daphne Broya, the story was true. Okay, Yep,
story was true.

Speaker 7 (01:51:43):
I did say we went to Lawrence, Kansas, Kansas.

Speaker 8 (01:51:49):
No that that's about forty five minutes forty five minutes away. Yeah, No,
it's in Kansas, right. I live in Missouri, Chiefs Playing, Missouri,
and I told you about that.

Speaker 7 (01:52:00):
It's serious.

Speaker 8 (01:52:01):
I'm telling you it's real down here. It's real down here.
But like Tammy said, uh, it hit me. Yep, Mike saying, Yep,
it's true. It hit me because his younger brother is
my brother like like and his I think his younger brother, Uh,
my brother Duck was one of the ones with us.

(01:52:22):
Uh black Wall.

Speaker 7 (01:52:23):
That's why I put black Wall in the comments because
I think he drove that night.

Speaker 8 (01:52:27):
But I started like, man, this we not driving all
the way up here, and he got turned all way
right back around. What can I do to get us
up in there before the fire? Marshall say, can't nobody
else get up in there?

Speaker 7 (01:52:40):
It was just that thick and.

Speaker 23 (01:52:46):
Aba bonn and see.

Speaker 7 (01:52:48):
Shipping in.

Speaker 5 (01:52:52):
Being held hostage.

Speaker 8 (01:52:56):
And mean.

Speaker 5 (01:52:58):
Main this thing.

Speaker 17 (01:53:01):
I had no value.

Speaker 46 (01:53:04):
And I would never have it a pece imagine, And
he changed me.

Speaker 23 (01:53:16):
I was blind, would now I say he.

Speaker 39 (01:53:24):
He remote show me me on the lad be wanted
man show.

Speaker 8 (01:53:36):
That he.

Speaker 5 (01:53:39):
So that I couldn't know how much he.

Speaker 48 (01:53:44):
Let me see him ladies and gentlemen out of my life.
Negative things were waiting on me. But he had a plane,
a plan to prosper me, A gave me hurt.

Speaker 7 (01:54:01):
In the favor of going.

Speaker 62 (01:54:02):
Indeed, I put my trust in him because he knows
what's best from me. When I missed Chieves, he changed me.

Speaker 39 (01:54:16):
I was right, But now I can see her, SHU.

Speaker 5 (01:54:30):
Cons change.

Speaker 7 (01:54:35):
You missing?

Speaker 8 (01:54:37):
You're missing what I'm saying, Daphne, that sir, sir, before
before you jump on that real little.

Speaker 7 (01:54:43):
Bus, I'm saying I was right five times, you were
wrong three. I'm not counting how many times you were right.

Speaker 42 (01:54:52):
You're so smart, you are absolutely right.

Speaker 15 (01:54:54):
But we both got a bus.

Speaker 25 (01:54:57):
We had the conversations on a bus every day, the
yell do.

Speaker 7 (01:55:00):
That, I don't get up. Hey, I'll be white. I'll
be waving the dabney as the bus go by. Andy,
she be pressed up against the widow like on the
big bus. Hey, take you out so much for joining us.
Tell me where can they find you at? Sweetheart?

Speaker 55 (01:55:21):
You can?

Speaker 5 (01:55:22):
You can find the ad I see Candy B.

Speaker 4 (01:55:26):
Taylor Facebook, Camp Taylor. My website is www dot can
she a w w W dot Cammydtaylor dot com and
you can google Cammy Dtail like Google myself.

Speaker 36 (01:55:37):
I'm just all over in there, but you can cool.

Speaker 15 (01:55:39):
Google Sammy Dtail.

Speaker 12 (01:55:41):
It's the other day.

Speaker 7 (01:55:43):
Well gone girl, see everything.

Speaker 41 (01:55:45):
Huh.

Speaker 8 (01:55:46):
Fans only page too. Huh yeah, now I said fans only.
I didn't say only fans. See fans only is a
new site where band artists and uh talents go on.

Speaker 7 (01:55:59):
So they're fans askin reach out.

Speaker 8 (01:56:02):
Yeah see here you don't uh huh little bus I
mean that where can they find you? Hey, y'all?

Speaker 25 (01:56:14):
Hey, you can find it at Daphne Hilton d A
p h n E y Hilton like the Hilton Hotel.
You guys all my social media is Daphnel Hilton. Google
Daphneilton with with the y h I L t O
N like the Hilton Hotel. I cannot stand year. Lord Jesus,
that's how you can find me.

Speaker 7 (01:56:32):
Just Google me, y'all talking about y'all talking about all
this Google. I'm scared to Google myself. I don't know
what might be. Hey, but you can catch me everywhere.
Mister sadwiffare on social media. T h E N I
was d d L Marshall. That's th h e E

(01:56:52):
d L Marshall And uh yeah, man, we know made
it through and true to another and another one, y'all.

Speaker 8 (01:57:00):
I can catch us every Monday through Friday on one
of our radio markets, whether it's GSSL, whether it's JQULM,
whether it's w j I C, whether it's Spreaker, whether
it's iHeart, whether it's Spotify.

Speaker 7 (01:57:12):
Check us out and you will always catch us every.

Speaker 8 (01:57:16):
I want to say Monday, I want to say Thursday,
I want to say Saturday, and I want to say Sunday.
I'll catch it right here Facebook, and then always go
over there to the youtubes.

Speaker 7 (01:57:27):
You know, don't tie youtubes. Go over to the youtubes and.

Speaker 8 (01:57:30):
Subscribe and you can catch us clipping and cutting up
all right, and then also you can catch.

Speaker 7 (01:57:39):
Unedited shows. Well we really talk about what the church
folk be doing.

Speaker 8 (01:57:46):
Over at patriarchs patreon dot com, backslash Marsh Media, Backstage
e n T. You can catch my thirty minute and
a half hour special. I guess thirty minutes is a
half in the hour, but you can catch my special
only five dollars gone over there right now, man, and y'all.

Speaker 7 (01:58:03):
Thank y'all so much, ladies, great job as always.

Speaker 8 (01:58:06):
Hey man, I want to give a shout out to
my nephew in rest in heaven, rest in peace to
my cousin Micky.

Speaker 54 (01:58:14):
Uh.

Speaker 8 (01:58:15):
It's been a tough one that both of these was
a shocker, but hey, love you forever. Y'all right here
and we're gonna get through it. No, y'all never be forgotten,
and we're gonna get out of here. Remember the gospel
Jesus Christ is contagious. Catch it all that you do,
do it godly until the next time.

Speaker 7 (01:58:34):
Y'all stay off that little bus.

Speaker 8 (01:58:35):
You hear me

Speaker 5 (01:58:43):
Deals Backstage Pass Radio show

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