May 6, 2025 • 116 mins
🎸 DOUBLE TROUBLE RADIO – MAY 6, 2025 🎸
Hosted by the one and only Paul Trezza, this week’s Double Trouble Radio Show is bringing you the raw, unfiltered sound of unsigned bands from every corner of the planet. From gritty garage rockers to high-voltage metal acts, this show is a global stage for the underground. Whether you’re looking for the next big thing or just love discovering hidden gems, Double Trouble Radio is your backstage pass to the world’s loudest, boldest, and most authentic new music. Crank up the volume, support real artists, and get ready to meet the future legends of rock.
Become a supporter of this podcast: https://www.spreaker.com/podcast/double-trouble-radio-show--4515351/support.
Hosted by the one and only Paul Trezza, this week’s Double Trouble Radio Show is bringing you the raw, unfiltered sound of unsigned bands from every corner of the planet. From gritty garage rockers to high-voltage metal acts, this show is a global stage for the underground. Whether you’re looking for the next big thing or just love discovering hidden gems, Double Trouble Radio is your backstage pass to the world’s loudest, boldest, and most authentic new music. Crank up the volume, support real artists, and get ready to meet the future legends of rock.
Become a supporter of this podcast: https://www.spreaker.com/podcast/double-trouble-radio-show--4515351/support.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03):
Trouble.
Speaker 2 (00:28):
Good evening and welcome to another edition of Double Trouble Radio. Well,
it's like everything in life, all things must come to
an end. I got three shows left, and I'd like
to start tonight's show up with playing some great music
(00:51):
for you.
Speaker 3 (00:52):
I've got some brand.
Speaker 2 (00:54):
New stuff for you from Suicidal Tendencies.
Speaker 3 (00:58):
Check it out on Double Trouble Radio.
Speaker 4 (01:19):
Who letsten let's doings?
Speaker 5 (01:27):
You know in one rage, I want to do what
you say.
Speaker 6 (01:35):
I'll tell you because I'm telling me about its.
Speaker 1 (01:52):
Shot.
Speaker 6 (01:56):
You can't lunch, give us parts.
Speaker 7 (02:02):
It's itself, it's not.
Speaker 1 (02:23):
Dream some tell me that is.
Speaker 8 (03:07):
It's useless, said the JUDGM. So I'm gonna destroyed.
Speaker 9 (03:22):
Track about its.
Speaker 10 (03:43):
Track, the house track, the track, the op out, it's
got to talk.
Speaker 1 (03:51):
Tell me about it.
Speaker 11 (04:41):
I want you to be nice.
Speaker 12 (04:44):
Until it's time to.
Speaker 13 (04:46):
Not be nice.
Speaker 14 (04:48):
Well, uh, how we supposed to know when that is?
You won't. I'll let you know. You are the bouncers.
Speaker 15 (04:56):
I am the cooler.
Speaker 16 (04:57):
All you have to do is watch my back hand
at each other's.
Speaker 7 (05:02):
Take out the tracks.
Speaker 5 (05:16):
When the song all time? Now you will when.
Speaker 8 (05:26):
You're over.
Speaker 17 (05:32):
Look at my place in the fell time always of
the world.
Speaker 1 (05:48):
Oh, no, not all him on the world.
Speaker 8 (05:56):
Load. I'll call again, can sad me.
Speaker 18 (06:03):
You can't check the memory, it's my melacy can check
the memory is it's not medicy can check the memory.
(06:26):
It s just check the memory.
Speaker 8 (06:41):
Tst know so operations.
Speaker 19 (07:05):
Tis not tens all fine long yell bar one after.
Speaker 1 (07:21):
A catch, it's catching catching catch never.
Speaker 20 (08:29):
She so.
Speaker 1 (08:32):
Away. She said, just check them. It's my say, just
check them.
Speaker 21 (08:48):
Real's fine, Just check them, said.
Speaker 11 (09:16):
He said, stuff no, no, still nolling stuff No.
Speaker 22 (10:01):
Then because one now those nights when you turn those
the lunch and then bresident comes into them. She was
taking her time. I was losing my mother. There's nothing
that she wouldn't do.
Speaker 16 (10:17):
It.
Speaker 8 (10:17):
I wasn't the first, I wasn't last.
Speaker 21 (10:21):
She really make you love, I would start satisfied you don't.
The same night I had a last say.
Speaker 8 (10:33):
That tas so bad.
Speaker 1 (10:40):
Saying like that, but tacks so bad.
Speaker 8 (10:48):
Till I should so. I saw that that's not one
of t d me. I saw she not at chest.
Speaker 1 (11:00):
Too much.
Speaker 22 (11:06):
I would She had a facial like Rangel smiling the
stuff the body your fenu sip dealing with Drangel stroking
using the thing down a mantis and start.
Speaker 21 (11:23):
And b of the Beast was of the last.
Speaker 8 (11:27):
You wuson and.
Speaker 21 (11:31):
She wanted you waw wanted in the past.
Speaker 8 (11:35):
To Rangel, don't mean in your way, says like touch
tanks too much. She's like Sash.
Speaker 7 (11:50):
Just's too much, too much, shut the body too.
Speaker 21 (11:57):
Much, Shauna fright. This downs a sad chat.
Speaker 8 (12:05):
A judge too much.
Speaker 23 (12:09):
Chasm like judge, touch is not too fus teams.
Speaker 8 (12:40):
I didn't let a touch team. You know you're getting
me us.
Speaker 5 (12:48):
I'll say, Chad, just tell you chat.
Speaker 1 (12:56):
And then.
Speaker 8 (12:59):
Jus still that still.
Speaker 1 (13:04):
Saying that.
Speaker 21 (13:07):
Satilla sat still East sat.
Speaker 8 (13:46):
Tacks exact.
Speaker 16 (13:56):
Hey, guys, I want to introduce you to an amazing
discovery that I made for those in the construction industry
or anyone dealing with em cleaning services.
Speaker 14 (14:20):
All right.
Speaker 16 (14:20):
They specialize in delivering meticulous clean up solutions for construction sites,
construction trailers.
Speaker 24 (14:26):
Team.
Speaker 25 (14:27):
Because I'm a hard ass and if a kid gets
out of line, I got a line, the chase.
Speaker 7 (15:02):
And from the country change son.
Speaker 1 (15:07):
Chime, some rice.
Speaker 13 (15:22):
Fail and some fights up face and.
Speaker 1 (15:29):
A back nat.
Speaker 20 (15:43):
It's not a buckshot.
Speaker 19 (16:00):
I need.
Speaker 1 (16:05):
Mass.
Speaker 8 (16:09):
I'm not a cho I'm not saying.
Speaker 10 (16:24):
They said fun that fucking I don't fun out fucking back.
Speaker 26 (16:30):
You don't want to buy me, I'm not sign thanks,
I don't want to buy me.
Speaker 1 (16:38):
I'm not going. I know.
Speaker 6 (17:03):
I'm not.
Speaker 1 (17:06):
I'm not.
Speaker 27 (17:08):
I'm I'm not.
Speaker 1 (17:21):
I'm not an.
Speaker 8 (17:36):
A safie.
Speaker 1 (17:40):
When you're single, tell.
Speaker 28 (17:46):
Through the.
Speaker 7 (17:50):
Witless filsers through.
Speaker 29 (17:56):
So light.
Speaker 9 (18:06):
What is.
Speaker 8 (18:11):
Jumps se s this change.
Speaker 1 (18:31):
He wat you say.
Speaker 8 (18:37):
Sipy so crey your mind West may show.
Speaker 1 (18:58):
That's true.
Speaker 14 (19:02):
She d have sent to most.
Speaker 7 (19:08):
Slide by s slide one song.
Speaker 1 (20:04):
Goes, I don't one, next song.
Speaker 23 (20:24):
Go save again, say again, save at.
Speaker 1 (20:39):
Save again, say save, run again, save got say right.
Speaker 8 (21:00):
Let you single time.
Speaker 1 (21:08):
The filches through and true.
Speaker 21 (21:19):
But all of bull ship.
Speaker 8 (21:23):
You are a goddam show.
Speaker 5 (21:28):
They call you that I owed your fucket.
Speaker 8 (21:33):
Show hope who that with what you've done to me?
Speaker 29 (21:43):
I did bed.
Speaker 8 (22:39):
Were the red line was not the the bay.
Speaker 21 (22:47):
With thest a line of full.
Speaker 30 (22:51):
With all this to it's slaying helpl the blues a
command down.
Speaker 1 (22:59):
I prayed.
Speaker 30 (23:02):
My feeling is not so complicated that which.
Speaker 8 (23:07):
That put it face done it to her on the
way I feel.
Speaker 9 (23:17):
I know I.
Speaker 8 (23:19):
Really need someone and I need something that read that week.
Speaker 1 (23:36):
Is world.
Speaker 7 (23:40):
Crashhamper, crash emper.
Speaker 8 (24:11):
Lot may mask me come away a lie.
Speaker 30 (24:17):
As you turned off your TV said go shut up all.
Speaker 8 (24:23):
De stray him.
Speaker 21 (24:25):
But there are things that help you.
Speaker 1 (24:28):
Is a may.
Speaker 8 (24:32):
It's for you, but let's call. He's gonna runs to
pre re lies your brain.
Speaker 1 (24:40):
Don dream.
Speaker 8 (24:43):
Full away, you feel.
Speaker 14 (24:47):
You all.
Speaker 8 (24:48):
It's freely all you need to breathe that him dread,
But we your shepherd with fashion. It's cushion.
Speaker 24 (26:45):
Sash nineteen Fiftyfore.
Speaker 2 (26:57):
The Village Pub at Massapequa has been a favorite neighborhood
cabin located at nine to twenty three North Broadway in Massapequa.
It's just a half mile south of Exit thirty on
the Southern State Parkway. Happy Hour Monday through Friday from
(27:18):
eleven thirty am to seven pm with specials on domestic buckets,
free pool every Tuesday night. The food trucks there from
Thursday to Sunday with some killer burgers, tacos, and wings,
among other things. Watch all the games and sporting events
(27:41):
on Amazon Prime. And yes they're OTB friendly, so you
could play the ponies while enjoying.
Speaker 14 (27:49):
Some food and drink.
Speaker 2 (27:51):
Iron Maiden Trooper beer and also many other new beers
on tap and we have love live music every single weekend.
Check out the Village Pub of Massa Peak was facebook
page and see if some of your favorite local bands
are performing there on the weekend. That's the Village Pub
(28:16):
and the Massa Peak were nine to twenty three North Broadway.
If you can't have fun with them, you just can't
have that.
Speaker 7 (28:24):
Hey, this is Kara from Nataka and you're listening to
Double Trouble Reachi Travel.
Speaker 2 (28:39):
And welcome back to Double Trouble Radio. I'm your host,
Paul Tara, and I got two more shows after this evening.
I've been doing this for five years now and I've
had a great time and I really appreciate it. So
this up weekend we have a big February's Reunion show.
(29:07):
Februaries was a club on Long Island in Elmont, which
a lot of us cut our teeth in when we
were younger to.
Speaker 3 (29:18):
Get to where we are today.
Speaker 2 (29:20):
If we're still doing it, at least some of us are,
and some people made it pretty big, and God bless them.
I'm glad somebody got off Long Island and did something.
But where I'm from on Long Island, there are a
lot of talented musicians, and for some reason we never
(29:40):
got our do like La or Seattle or that Whole
Deal or London, and we're basically known for Twisted Sister
and Billy Joel. Not that Twisted Sister is a bad thing.
Billy Joel, I guess to each their own, let's keep
it like that, and basically too much of that music
(30:05):
is what inspired me to start this. And then playing
original bands and promoting and supporting them was great, and
then the word got out and for the past five
years with Double Trouble, I've been doing that and to
(30:25):
this date, I have played seventeen hundred, three hundred and
sixty six seventeen thousand, three hundred and sixty six bands,
and I'm proud of that accomplishment and I hope I
(30:45):
helped out a lot of people. And I've had some
great sponsors over the years, All Music, Village Pub, Massapequa,
which we did a thing at last weekend, Village Pub
in Lyndon Hurst, Whiskey Rocks, Dare Music. I've had a
lot of sponsors through the years and seriously would like
(31:06):
to thank them all. Right, now, let's get back into
some music. I've got some fu manchew and I've got
some Kilo tunes in a set, so check it out
and come the nine o'clock hour, we'll be rocking with
some original bands, so stick around for that. Here's Evil
(31:27):
Eye by Fu Manchuw on Double Trouble Radio. Cranky Kids.
Speaker 5 (32:10):
Says out the floor, we didn't even friends.
Speaker 31 (32:16):
Matter, break yourself, bring away on grind, drown bottom side,
never wake their bow, never got his friend, or about.
Speaker 1 (32:31):
Your ball not just save this dril or racey now
I can save this rim or Ra say, now go
(32:57):
to the p what you got fir that right a pie?
Don't stock a fir where your b s in the
factory fall.
Speaker 27 (33:14):
Eve Ali said, no, w.
Speaker 9 (33:17):
About your phaone.
Speaker 1 (33:21):
Save the driver. Race now save his tray. Pra said,
now lie fall ball a.
Speaker 21 (34:46):
Balla.
Speaker 23 (35:01):
I want you get a job for Cooley, look for
you need money, all ideas and.
Speaker 30 (35:09):
Tasty ebbs, cool buzz and I'm fine.
Speaker 1 (35:15):
Too much, too much, too much.
Speaker 8 (35:23):
I don't want a woman's gonna get a feel nice way.
Speaker 1 (35:28):
Too much.
Speaker 23 (35:29):
You don't like to.
Speaker 32 (35:30):
Say thumb sat I say something? Must I say.
Speaker 1 (35:43):
So much? Check much.
Speaker 7 (35:55):
Because much he gets the clo sent the chill.
Speaker 32 (36:01):
Please please domtach I shave so much, pleasese domtas I shave.
Speaker 33 (36:11):
So much.
Speaker 32 (36:44):
Well, I don't know why she's gonna cross me because
I have in the easy sneaking.
Speaker 13 (36:50):
Up stairway right age and then to shake hay An
the first time to the churches.
Speaker 8 (36:57):
Among myself, I'm saying.
Speaker 7 (36:59):
So much welcome junk. You know what lacks them all?
Speaker 8 (37:03):
Now please go touch a shame some much.
Speaker 1 (37:10):
Please such a shame.
Speaker 28 (37:15):
So much.
Speaker 30 (37:19):
At you about them said, that's a long ago, mister
(38:57):
Longda made.
Speaker 21 (38:58):
It as dad.
Speaker 8 (39:00):
No songing a stabs, something goes. Try these pells?
Speaker 5 (39:05):
Are they going to make you die?
Speaker 12 (39:08):
Everybody's running when the lurs gone, the dead and out.
Speaker 34 (39:15):
And the gone is gone over that it's on again the.
Speaker 35 (39:19):
Sound run out of space.
Speaker 12 (39:25):
Youta around these run out of space.
Speaker 4 (39:32):
Spring master shouts, and the show became saying in the
cot the way, follow those on the baby's face spring again,
a sight of again on the ridge.
Speaker 33 (39:54):
Sanda take a ride on the din Merry around only
pad on a rival Bumba dives some again.
Speaker 1 (40:05):
The buse.
Speaker 8 (40:08):
Roe out of space.
Speaker 1 (40:12):
In the sound.
Speaker 35 (40:15):
From out of space.
Speaker 36 (40:20):
As can be and.
Speaker 33 (40:24):
Up the sign a tack a round for die your
all go mother loose.
Speaker 1 (41:09):
All the go around.
Speaker 8 (41:10):
What do you see?
Speaker 1 (41:12):
Tell me? Let me come up to bad.
Speaker 8 (41:16):
Come and shows to New York. Sweat falling on them. Yeah,
where do you remember water?
Speaker 1 (41:25):
This is going down.
Speaker 8 (41:31):
On the dikes on the kind of down.
Speaker 12 (41:36):
Run out of her space, cannon, run out of space, Shanna.
Speaker 1 (41:47):
Shout, can show get a shout shout.
Speaker 9 (42:51):
I'm made no not brown?
Speaker 1 (42:54):
Why just get a red tide?
Speaker 8 (42:57):
Why grands brads that boys e great?
Speaker 1 (43:01):
Thanks sometime. I let my not get sane.
Speaker 23 (43:05):
I'm gonna rocketing and dom bating. We got get's got.
Speaker 1 (43:16):
Tents show you.
Speaker 14 (43:25):
To do so myself.
Speaker 9 (43:30):
I'm getting man come good day.
Speaker 17 (43:33):
We're just tucked Oay, I'm gonna bustand it and prostrated.
Speaker 8 (43:37):
God, I feel so so what can I feel it?
Hoday gets turned to me.
Speaker 23 (43:44):
I've got that cut myself fan wa godn't get done.
Speaker 1 (43:51):
I'm sorry.
Speaker 23 (43:53):
You's got checks show.
Speaker 1 (43:57):
For you.
Speaker 14 (44:06):
Guys.
Speaker 1 (44:07):
Out o your mouth again?
Speaker 17 (44:10):
A squirl cannot break it you over your mouth, My.
Speaker 8 (44:15):
God, I cannot take it. Shot shut up, shut up, bush.
Speaker 1 (44:20):
You up, shut up, shut up?
Speaker 14 (44:24):
Shot out most you.
Speaker 8 (44:26):
S side mob sig side something side.
Speaker 9 (44:34):
Saw sign sign side sail side something sign.
Speaker 1 (44:44):
Sir, I sai, I.
Speaker 6 (45:07):
Go, I go, I know.
Speaker 10 (45:31):
Here with you?
Speaker 33 (45:32):
Oh well, actually these guys are nice enough to let
me in, so it's really up to them.
Speaker 7 (45:37):
I guess, melon, buddy, what do you say?
Speaker 33 (45:40):
Let me in?
Speaker 6 (45:41):
Okay, I don't think so osborn melan about your friend here?
Speaker 7 (45:45):
Straighten them out, Look, chess, A lot of people waiting.
Speaker 8 (45:48):
They wouldn't really be fair.
Speaker 1 (45:49):
You know.
Speaker 7 (45:50):
I'll tell you what.
Speaker 2 (45:51):
Maybe if you got a note from each and every
one of these people saying that it was all right.
Speaker 14 (45:55):
Then we'd reconsider.
Speaker 25 (45:57):
But until that day, take a hike.
Speaker 11 (45:58):
You ell lead us fraternity, scum.
Speaker 8 (46:00):
I ain't got nothing to say I feel your baby
today that I'm not out my strea as long as
this day I got something to say, I right, You'm
out of today because I'm not out.
Speaker 1 (46:18):
My stres long as see Fred going up there.
Speaker 8 (46:24):
When don't sweep that warm after.
Speaker 23 (46:44):
Going up the swaying boy, don't.
Speaker 1 (46:50):
Sweat that warm after.
Speaker 8 (46:56):
I got something to say, I feel your baby today.
Speaker 1 (47:01):
That's no matter how fund to me. Day day when
are y'all.
Speaker 8 (47:12):
Don't sit that one mast last every day?
Speaker 1 (47:18):
Yo?
Speaker 8 (47:21):
Yo, get really facet not the day you're back.
Speaker 20 (47:34):
I said, never the fast me see your m I said,
fair gray up, that's a summer.
Speaker 8 (47:47):
Do not award the day.
Speaker 1 (47:51):
Brother, that's just not really good. I never never not
a better time that like that feel like running?
Speaker 8 (48:03):
Then just say right out bet up, Yo, that's the
second out.
Speaker 37 (48:07):
Now I'm finding out you're recidings out and I'm like, no,
it's nothing out out O.
Speaker 20 (48:11):
Say that and it's not out O.
Speaker 1 (48:14):
God, I mother right out out that stas. I wanta
do it cause I like that time.
Speaker 8 (48:21):
I know your lord, the justn't run away from it.
Speaker 1 (48:25):
And not not run I know.
Speaker 37 (48:31):
They really first, I can sit in your thout something.
People said, yeah, they really first, that you will land it.
Speaker 1 (48:44):
SI said, right.
Speaker 38 (48:48):
Said that's someone go like that.
Speaker 9 (48:50):
Now I know your old.
Speaker 1 (48:52):
You haven't run away from it.
Speaker 8 (48:55):
But I said, I don't running gold.
Speaker 1 (48:57):
That said that's some dogs.
Speaker 19 (49:22):
WHOA what are you doing trying to leave the house
wearing that You look like an Eskimore hooker.
Speaker 39 (49:27):
That's the point.
Speaker 8 (49:28):
You want to look like a just the key with
the crazy dream. Once it all get for a sevuntin.
Speaker 24 (49:44):
Don't know where.
Speaker 3 (49:46):
To begin.
Speaker 8 (49:52):
The wild body ignores the facts.
Speaker 17 (49:57):
WHOA, there's No, look, anybody, you just gotta stand up.
Speaker 1 (50:04):
Make it read. How does you.
Speaker 14 (50:11):
Sup?
Speaker 5 (50:19):
Just gotta keep it in for a.
Speaker 35 (50:22):
Wall sep people make it anothers.
Speaker 27 (50:34):
Don't try.
Speaker 8 (50:36):
They seem happy to you out of that. I'm ride here.
Speaker 22 (50:44):
On my own.
Speaker 8 (50:49):
I'm again, I'm doing.
Speaker 10 (50:51):
I'll pay for my sin. I've been there on my
back again. Just gotta stay of mad, Sup, it's gotta.
Speaker 8 (51:23):
Let's still.
Speaker 7 (51:28):
Stop sipping up.
Speaker 1 (51:32):
Let's supper stay.
Speaker 8 (51:58):
Super es gond.
Speaker 38 (52:09):
Saw Thus.
Speaker 16 (52:37):
S.
Speaker 40 (52:45):
Yes, guy, they can't blame your friends.
Speaker 41 (53:48):
You gotta take a little responsibility about it. But you
gotta watch friends. Man, they're fucking out of the moun
out of their minds. You know they'll let you piss
in your fucking suitcase in front of you. Don't you
remember when he's pissing your suitcase last night?
Speaker 24 (54:02):
Man, you're so drunk.
Speaker 40 (54:03):
No now, I don't fucking remember that.
Speaker 7 (54:08):
I thank you guys for letting me do it.
Speaker 41 (54:11):
Thanks buddies, I'm glad I could be the fucking home
entertainment center for everybody. I'm glad you let me show
everybody my fucking dick and pissing my fucking suitcase.
Speaker 7 (54:22):
That must have been in a big laugh.
Speaker 40 (54:24):
For the whole fucking room. Thanks Budday's Nine's alive. Hey,
I got off light.
Speaker 41 (54:31):
I was at a Christmas party about six weeks ago.
This guy falls asleep on the fucking count. You know
he's on the count.
Speaker 1 (54:38):
He's gone.
Speaker 41 (54:39):
He's drunk out of his fucking mind. His mouth's white
over these guys getting around his face. They pulled their
dicks out, they put them around his face and take
some little polaroid shots of justticipation in the dicks.
Speaker 40 (54:49):
That's all he said.
Speaker 41 (54:55):
Now that's what she wanted blown up, copied and handed
around the office.
Speaker 28 (54:59):
You know, a picture of you looking like you've got
to take in here hasn't.
Speaker 40 (55:04):
Fucking mound white a little look. He's an ecstasy.
Speaker 9 (55:06):
He loves this.
Speaker 41 (55:08):
Three dicks in your face.
Speaker 14 (55:09):
You just look at you.
Speaker 41 (55:10):
Go, Bob, could you come to the office and bring
everything in your desk with you. That is some photos
of the service here at work and all.
Speaker 1 (55:23):
That's my friends.
Speaker 14 (55:25):
Yeah, yeah, somebody's.
Speaker 40 (55:29):
Ship.
Speaker 41 (55:29):
Some of you are sticking up to your I'm writing
that down. That's my next party prank. I know who
we're gonna do that to.
Speaker 40 (55:35):
It'll last time. He gets drunk and sleeps in my
bugging out.
Speaker 7 (55:55):
You yet dream.
Speaker 14 (55:59):
Down it something out line.
Speaker 8 (56:02):
You gotta ruin the big scheme. Now you're ready to shine.
Speaker 15 (56:08):
Yoda one so it Yoda water last sort try Yoga
one that so you live it?
Speaker 8 (56:18):
Yoda one last sult?
Speaker 9 (56:20):
Tell you why nothing?
Speaker 7 (56:23):
You don't beginning?
Speaker 21 (56:25):
Why up so cloud?
Speaker 1 (56:28):
Yoga Walter?
Speaker 8 (56:30):
So you midte Yodo water that so try? Now you've
brought like a fray train. You're about why.
Speaker 7 (56:49):
I see you're driving me in song.
Speaker 38 (56:53):
And I couldn't get high.
Speaker 9 (56:55):
Yoda wanna that?
Speaker 25 (56:57):
So mit it?
Speaker 1 (56:59):
Yoda?
Speaker 9 (56:59):
Water that's so tied.
Speaker 8 (57:02):
You're the wall that soul and you met it your
water that soult and why the.
Speaker 14 (57:11):
From beginning?
Speaker 1 (57:13):
Why so many? You're the one?
Speaker 8 (57:17):
So you made your father so many.
Speaker 9 (57:21):
Time you won't don't the water stop?
Speaker 1 (57:29):
You're the one that song? You met it. You're the
wan that.
Speaker 9 (57:34):
Song the beginning.
Speaker 1 (58:30):
I want to get.
Speaker 9 (58:36):
Cloud the word that song, women.
Speaker 1 (58:41):
That song.
Speaker 2 (59:28):
Looking to get out of the house for a good time,
then you need to check out the Village Pub of Lindenhurst,
located at one seventy four North Wellwood Avenue. The Village
Pub has great live entertainment every weekend original bands, upper bands,
(59:50):
tribute bands. Check out the Village Pub for their live
music schedules. Tuesday nights we have bingo with prizes at
eight Thursday night is pool Night, also starting at eight
pm every night every day, real fresh pizza and pretzels,
(01:00:11):
and of course we have the daily Shot special IPA
beers with Sand City Diamond and Oops, I did it
again in my pants. Check out some more IPA beers
at the Village Pub of Lyndenhurst, always a good time
(01:00:32):
one seventy four North Wellwood Avenue. Check them out and
you'll have a great time.
Speaker 8 (01:00:39):
Trustman.
Speaker 1 (01:00:42):
Yeah.
Speaker 42 (01:00:45):
When my band and I started recording, we knew we
needed more than just a studio. We needed a place
that understood musicians, a place where we could really unleash
our creativity. We found all of that and more at
Dare Studios. For over forty years, Dare has been the
go to spot for artists who want their sound to
stand out. Walking into Dare Studios, you feel the vibe
right away. State of the art equipment, rooms designed for
(01:01:08):
perfect acoustics, and engineers who know music inside and out.
But it's not just the equipment or the space that
makes DARE special. It's the people. They truly care about
the craft. They listen to what you want and work
with you to bring out the best in every track.
From recording and mixing to mastering. Dare is there every
step of the way. They understand that every note, every beat,
(01:01:32):
every lyric matters, and they help you capture that perfect
sound you've been chasing. Whether you're a full band, a
solo artist, or a voiceover talent, Dare Studios has what
you need to bring your vision to life. It's a
space where creativity thrives and where musicians feel at home.
If you're ready to take your music to the next level,
you've got to check out Dare Studios. Visit Dare studios
(01:01:55):
dot com, or give them a call at six three
one two four three two three seven. Trust me, this
is where music comes alive.
Speaker 2 (01:02:06):
Whiskey Rocks, Long Island's newest music venue. Located at four
nineteen Great Eastneck Road in West Babylon.
Speaker 1 (01:02:21):
New York.
Speaker 2 (01:02:22):
Whiskey Rocks live music every weekend, original bands, tribute bands,
cover bands, also twenty televisions to watch every sporting event,
along with pool dots and some great food from the
(01:02:42):
Whiskey Rocks Kitchen. Bartenders and bands wanted. Contact Whiskey Rocks
at twenty two forty gmail dot com. That's Whiskey Rocks,
Long Island's newest music venue. We are Specter and you're
(01:03:10):
listening to Double Trouble Radio Double.
Speaker 1 (01:03:14):
Travel.
Speaker 2 (01:03:22):
All right, guys, guess what time it is. That's right,
it's time for Double Troubles Unsigned bands. Every week we
play six unsigned bands from around the world, and once
again I've got some great ones for you this evening.
(01:03:44):
We're gonna start off with a band by the name
of Chase the Bear and the name of the song
we're going to play is called Fool and they are
from British Columbia in Canada. After that, we have a
band called the Bed Valentines and they have a song
(01:04:05):
we are gonna hear called Maria and they are from Sweden.
After that, we have a band's called Dark Flow and
Dark Flow is also from Sweden. So let's start off
with those three bands on Double Troubles Unsigned bands.
Speaker 15 (01:04:31):
Gig it.
Speaker 1 (01:04:39):
Now, I've got.
Speaker 43 (01:04:43):
Time, we beliveaw we can haste got away.
Speaker 7 (01:05:00):
You think that you got to sad, I think by
you really do?
Speaker 1 (01:05:08):
Horse you do how leal, So.
Speaker 36 (01:05:13):
It's no must.
Speaker 10 (01:05:18):
Man, you will, mister saint under that so sackcause I
should say it over six feet Also you you're.
Speaker 21 (01:05:26):
No wre but out of time.
Speaker 31 (01:05:31):
Oh yeah, they happen to a little more.
Speaker 21 (01:05:38):
Saying that you got to say for you say you
read the left Lena Horse you do it?
Speaker 8 (01:05:47):
Howls so.
Speaker 1 (01:05:54):
Well to you, no miss your ass s Oh now, don't.
Speaker 8 (01:06:12):
Say that you got to say? Do you say that
you show really want.
Speaker 36 (01:06:18):
You really rely what you do?
Speaker 26 (01:06:21):
How we all saw to show these don't say that
you got to set. Don't say, hey, Joe, really what
you do?
Speaker 8 (01:06:35):
How males for frostl how mal so well for Fostle.
Speaker 7 (01:06:53):
Do you believe these guys will be here?
Speaker 35 (01:06:55):
Loveday?
Speaker 33 (01:07:00):
Do you believe?
Speaker 28 (01:07:01):
So?
Speaker 21 (01:07:02):
Just go go Willy?
Speaker 1 (01:07:05):
Do you really in the end of the time, I'll.
Speaker 8 (01:07:08):
Be written by Rinio Rensel.
Speaker 36 (01:07:12):
To come with her air and the bath.
Speaker 38 (01:07:16):
Have a ragga.
Speaker 1 (01:07:19):
In your dreams.
Speaker 27 (01:07:21):
That's not good bye, eat it.
Speaker 1 (01:07:24):
In a dreams.
Speaker 5 (01:07:26):
This is a doll or taget in a dreams.
Speaker 14 (01:07:30):
This on.
Speaker 34 (01:07:31):
So see how the sovereignts go to you, Ray Solf.
Speaker 38 (01:07:42):
Just let down the house, very soul, just say tell.
Speaker 1 (01:07:52):
The house.
Speaker 38 (01:08:07):
This.
Speaker 7 (01:08:07):
Won't you be crying on the line, taking.
Speaker 9 (01:08:09):
By the evil.
Speaker 13 (01:08:14):
Then you survived from the bar and down from the sky.
Speaker 7 (01:08:19):
The ya dreams, that's no lot bid.
Speaker 1 (01:08:24):
In your dreams every game, YA dreams. This water is
the street.
Speaker 34 (01:08:33):
How the Simon's gone to a game.
Speaker 7 (01:08:41):
I so just to these.
Speaker 13 (01:08:50):
My souls, our dreams, this is say this so.
Speaker 5 (01:09:10):
Our dreams, this work, this all, this is this one.
Speaker 21 (01:09:43):
So just let tell them the soldier traps.
Speaker 7 (01:10:46):
General or rebatching.
Speaker 1 (01:10:48):
Here read copy.
Speaker 8 (01:10:51):
I'm coming to u f ressent.
Speaker 7 (01:10:54):
You want so precret that time.
Speaker 14 (01:10:58):
I'm trying to leave, Yeah, said god, alright, just sis
(01:11:21):
time way Yeah you cry is the c p.
Speaker 1 (01:11:33):
R.
Speaker 8 (01:11:34):
Just do what I say, no, will be out.
Speaker 9 (01:11:42):
A sigh, I bos my god, your head, what you
do it?
Speaker 1 (01:11:54):
I mean, alright you I'm resting. But in nam.
Speaker 8 (01:12:05):
H not took in that side zero chill.
Speaker 1 (01:12:10):
Ma god.
Speaker 14 (01:12:14):
W w four so pretty bright, I thought, A my, just.
Speaker 9 (01:12:22):
Do what I say, no, missile penis will be don't you.
Speaker 39 (01:12:30):
Outside bood my hands sat grass.
Speaker 8 (01:13:15):
You know how I got got astor.
Speaker 1 (01:13:20):
Or yours?
Speaker 9 (01:13:27):
I should I should, I should have died.
Speaker 16 (01:14:00):
And let me tell you something. Let me share some
of the insights into what makes them stand out. First off,
they're expert.
Speaker 9 (01:14:07):
Yes, I guess.
Speaker 1 (01:14:17):
Sound as.
Speaker 44 (01:14:25):
Ultimate destination for musicians and music lovers alike at All
Music Inc. For over forty years, All Music Inc. Has
been a cornerstone of the Long Island music scene, offering
an extensive range of high quality instruments, from top brand guitars,
basses and drums to rare and vintage finds that will
make any musician's heart race. Whether you're a beginner excited
(01:14:49):
to start your musical journey, a seasoned pro searching for
that elusive perfect sound, or just someone with a passion
for music, All Music Inc. Has everything you need. Their
team of expert staff lives and breathes music, providing knowledgeable
guidance to help you find exactly what you're looking for.
Need a repair or a custom set up their in
(01:15:10):
house repair shop as you covered with professional, high quality service.
Located at three nine seven South Oyster Bay Road in Plainview,
New York, just a short drive south of the Long
Island Expressway, All Music Inc. Is more than just a store.
It's a community hub where musicians come to connect, learn
and grow. Stop by or give them a call at
(01:15:31):
five one six four three three six nine sixty nine
to chat with their friendly team or visit them online
at www dot allmusicianc dot com. From beginner gear to
prograde equipment, they're committed to keeping music alive and accessible
for everyone. Let All Music Inc. Be your partner on
your musical journey and see why they're trusted by musicians
(01:15:53):
across Long Island and beyond.
Speaker 2 (01:15:55):
Nineteen fifty four of the Village Pub in Massapequa has
been a favorite neighborhood cabin located at nine to twenty
three North Broadway in Massapequa. It's just a half mile
south of Exit thirty on a Southern State Parkway. Happy
hour Monday through Friday from eleven thirty am to seven
(01:16:20):
pm with specials on domestic puckets, free pool every Tuesday night.
The food trucks there from Thursday to Sunday with some
killer burgers, tacos, and wings, among other things. Watch all
the games and sporting events on Amazon Prime. And yes,
(01:16:44):
they're OTB friendly, so you could play the ponies while
enjoying some food and drink Iron Maiden Trooper Beer and
also many other new beers on tap. And we have
live music every single weekend. Check out the Village Pub
(01:17:05):
of massa peak was Facebook page and see if some
of your favorite local bands are performing there on the weekend.
That's the Village Pub and the Massapeaqua nine to twenty
three North Broadway. If you can't have fun with them,
you just can't have fun the Village Pub.
Speaker 42 (01:17:26):
Hey, this is Kara from the Talker and you're listening
to Double Trouble Radio.
Speaker 8 (01:17:32):
Travel way.
Speaker 41 (01:17:39):
Half a Penish girls, half of v Vagina.
Speaker 2 (01:17:42):
Well, thank you for sharing that with us and we
appreciate that. So from bottom to top we heard from
Darkflow and their song Pressed the Button from Sweden. Before
that we had Bad Valentines with Maria who are also
from Sweden, and we started it off with Chase the
(01:18:05):
Bear with their song Full from British Columbia, Canada. Up
next a band from Brooklyn, New York, Elephant Killer with
get Me Out of Here. That's my sometimes co host,
mister Chris Borgia aka mister facin Hole and his band.
(01:18:29):
After that we have a band called raw Foyle and
their song Defends and they are from Italy. And finishing
off tonight is a band called Goot No, not Groot.
Speaker 1 (01:18:49):
Groot No.
Speaker 2 (01:18:50):
They are called goot and the name of the song
is called the toll remains the same. And when I
ask these gentlemen in from where they're from, they basically
told me international. We're from everywhere, so from everywhere we
have goot. Let's start it off with Elephant Killer, a
(01:19:15):
song that kind of reflects my mood right now, because
I am hungry, So get me out of here. On
double Troubles Unsigned bands.
Speaker 45 (01:20:00):
I'm by my god, my god, I haven't rock direct
that my robb don't.
Speaker 1 (01:20:07):
Get me half my rob.
Speaker 45 (01:20:09):
Rob got the scab warter for a bucket man, I'd
up the jugging down.
Speaker 14 (01:20:22):
Oh who.
Speaker 19 (01:20:50):
Don't.
Speaker 3 (01:20:50):
Oh no, my mom, I haven't that crop.
Speaker 1 (01:20:52):
I'm my mom that I'm not.
Speaker 5 (01:20:56):
Bother, don't want to get me out.
Speaker 1 (01:20:58):
I'm Ron Rock.
Speaker 14 (01:21:03):
Was not a whit my bird not?
Speaker 1 (01:21:05):
What did I ever cry?
Speaker 28 (01:21:45):
Oh?
Speaker 8 (01:21:45):
Now say I'm learning young as an.
Speaker 23 (01:21:50):
Aposting a test for a mile.
Speaker 1 (01:21:53):
The one said I'm a way because tell me no
mother rock my rights not body.
Speaker 9 (01:22:02):
So I sorry, I just say enough.
Speaker 1 (01:22:05):
To up their first.
Speaker 8 (01:22:07):
I don't not rem brand rubber plaster right come out story,
I stop, baby.
Speaker 1 (01:22:13):
Stem story is pretty.
Speaker 14 (01:22:16):
I told you the job the smory don't.
Speaker 1 (01:22:19):
Care min say stamp.
Speaker 9 (01:22:21):
When I saw you in my sing.
Speaker 8 (01:22:22):
Miss I cast stamp.
Speaker 1 (01:22:24):
I'm let me go. Lord, this man just make.
Speaker 7 (01:22:27):
Me feel sound so Lord sumter.
Speaker 1 (01:22:34):
No lord cows, no Lord drum no Lord, no mo braend,
no lord cows no Lord. Girl's play.
Speaker 38 (01:22:59):
No, I'm oh.
Speaker 46 (01:23:03):
So so live and I'm that one and not amazing Lea.
Speaker 8 (01:23:21):
You'll have to take her.
Speaker 23 (01:23:23):
My life is Africa made my banda something long.
Speaker 1 (01:23:40):
Go hold the.
Speaker 5 (01:23:43):
Way you know more.
Speaker 7 (01:24:08):
I didn't feel.
Speaker 29 (01:24:11):
Say you fail the fuck up? Get to play.
Speaker 1 (01:24:18):
Well you can spouse.
Speaker 8 (01:24:21):
I can't snap starts.
Speaker 1 (01:24:24):
Is the hots break sus and bones.
Speaker 8 (01:24:27):
But the never to home, screaming, wear.
Speaker 23 (01:24:32):
That soup that sis don't get sid don't try away
all but try and racing.
Speaker 1 (01:24:42):
Suck we spots out there.
Speaker 9 (01:24:44):
I say let itself.
Speaker 8 (01:24:46):
Says, so don't see me after.
Speaker 21 (01:24:48):
Shut up here know it spas.
Speaker 1 (01:24:54):
Sa but you'll.
Speaker 36 (01:25:04):
So say.
Speaker 21 (01:25:16):
May say you send funny fingers.
Speaker 22 (01:25:19):
We have said a fat fair man of consequences say.
Speaker 7 (01:25:26):
Said a mess.
Speaker 29 (01:25:27):
Who they want every little First that fasting may.
Speaker 1 (01:25:33):
Will SI made a mess, but that.
Speaker 8 (01:25:38):
Silest changed to flow.
Speaker 19 (01:25:41):
It s.
Speaker 8 (01:25:43):
Screaming where I stop the mere thats why house I
see some man that's.
Speaker 23 (01:25:49):
That swell the lover conscious sticking out the bad case.
Speaker 1 (01:25:55):
My y'all said, what is mine?
Speaker 5 (01:25:58):
The stopping start.
Speaker 8 (01:25:59):
Of almost way, get out of the holly.
Speaker 36 (01:26:03):
I'm old man, so serve what youll A man so safe?
Speaker 2 (01:26:20):
So looking to get out of the house for a
(01:27:29):
good time, then you need to check out the Village
Pub of Lindenhurst, located at one seventy four North Wellwood Avenue.
The Village Pub has great live entertainment every weekend. Original bands,
coupper bands.
Speaker 3 (01:27:49):
Tribute bands.
Speaker 2 (01:27:51):
Check out the Village Pub for their live music schedules.
Tuesday nights we have bingo with prizes at eight pm.
Thursday night is pool Night, also starting at eight.
Speaker 47 (01:28:04):
Pm every night every day, real fresh pizza and pretzels,
and of course we have the daily shot special IPA
Beers with Sand City Diamond and Oops, I did it
again in my pants.
Speaker 2 (01:28:23):
Check out some more IPA beers at the Village Pub
of Lyndenhurst. Always a good time, one seventy four North
Wellwood Avenue.
Speaker 3 (01:28:35):
Check them out and you'll have a great time.
Speaker 14 (01:28:38):
Trustman.
Speaker 1 (01:28:41):
Yeah.
Speaker 42 (01:28:44):
When my band and I started recording, we knew we
needed more than just a studio. We needed a place
that understood musicians a place where we could really unleash
our creativity. We found all of that and more at
Dare Studios. For over forty years, Dare has been the
go to spot for artists who want their sound to
stand out. Walking into Dare Studios, you feel the vibe
right away. State of the art equipment, rooms designed for
(01:29:07):
perfect acoustics, and engineers who know music inside and out.
But it's not just the equipment or the space that
makes DARE special. It's the people. They truly care about
the craft. They listen to what you want and work
with you to bring out the best in every track.
From recording and mixing to mastering, Dare is there every
step of the way. They understand that every note, every beat,
(01:29:31):
every lyric matters, and they help you capture that perfect
sound you've been chasing. Whether you're a full band, a
solo artist, or a voiceover talent, Dare Studios has what
you need to bring your vision to life. It's a
space where creativity thrives and where musicians feel at home.
If you're ready to take your music to the next level,
you've got to check out Dare Studios. Visit dare studios
(01:29:54):
dot com, or give them a call at six three
one two four three two three seven seven.
Speaker 7 (01:30:00):
Trust me.
Speaker 42 (01:30:00):
This is where music comes alive.
Speaker 2 (01:30:06):
Whiskey Rocks, Long Island's newest music venue located at four
nineteen Great Eastneck Road in West Babylon.
Speaker 8 (01:30:20):
New York.
Speaker 2 (01:30:21):
Whiskey Rocks live music every weekend, original bands, tribute bands,
cover bands. Also twenty televisions to watch every sporting event,
along with pool dots and some great food from the
(01:30:41):
Whiskey Rocks kitchen. Bartenders and bands wanted contact Whiskey Rocks
at twenty two forty gmail dot com. That's Whiskey Rocks,
Long Islands new music venue.
Speaker 8 (01:31:05):
He travel.
Speaker 2 (01:31:15):
All right, So we just heard from Goot with the
toll remains the same and they're from everywhere. Before that,
we had raw Foyle with Defense from Italy and we
started it off with Elephant Killer Get Me out of
(01:31:38):
Here from Brooklyn, New York. I'm hoping to get uh
mister Boyd here on the show.
Speaker 8 (01:31:43):
In these next two weeks.
Speaker 2 (01:31:45):
If you would like to have your music played, what
you need to do is send me an MP three
with the name of the band, the name of the song,
and where you're from, and you can send that to
Paul Treasa Music twenty four at yahoo dot com and
if it rocks, I shall play it. You got about
(01:32:06):
two weeks to do so we actually less than that.
So anyway, it is now time for a classic Track
of the Week, and this week we have the one
and only Motdoople mont Theoopo, a band that David Bowie
(01:32:29):
helped inspire by writing their first hit song All the
Young Dudes and Mick Ronson and also Mick Rouths who
later went on to form Bad Company, which I'm kind
of thinking about doing a Bad Company thing right now,
(01:32:49):
because tribute bands make money, and sometimes with music you
have to separate your money making music and the love
of music as two separate things. And some people could
comprehend that, some can't, and it's all good to each
(01:33:12):
their own, but we're not walking in each other's shoes,
so it is what it is. Anyway, Mata Hoopl I
have brand new music from Mammoth.
Speaker 7 (01:33:23):
This is the deal.
Speaker 2 (01:33:25):
This video came out and it's just a video with
a two minute opening that goes to the audio. Now,
let's talk about the audio. The past couple of years,
Wolfgang has been let me tell you that last album
was phenomenal. I thought it was fantastic, and he's been
(01:33:45):
crying in the press. Don't compare me to my father.
Don't compare me to my father. And that album sounded
nothing like Van Halen, and it sounded fantastic, So kudos to.
Speaker 8 (01:33:57):
You kid, you did a great job.
Speaker 2 (01:33:59):
But with the all this crying, don't compare me to
my father. The next single you put out is basically
three minutes of you.
Speaker 24 (01:34:07):
Doing eruption.
Speaker 1 (01:34:10):
Over vocals.
Speaker 2 (01:34:11):
So if you've gotta cry about people comparing you with
your dad, stop playing fucking songs that sound y'all like
your dad. I mean, Jesus Christ, talk about a douchebag. Anyway,
I'll hopefully try to cut those first two minutes off.
If not, I'm just gonna can the song. I also
have new music from Shadows full What do we got
(01:34:33):
twenty five minutes? I think I'll throw in some Mad
Season and anything else I could throw in the field
of time. Anyway, guys, you're a classic track.
Speaker 14 (01:34:46):
Of the week.
Speaker 35 (01:34:47):
Two words.
Speaker 2 (01:34:49):
Mata hoopo all the way from Memphis on Double Trouble Radio.
Speaker 8 (01:35:30):
Forgot my six.
Speaker 27 (01:35:31):
String rais up in the sky.
Speaker 48 (01:35:37):
Have waged a Memphis for Abby realized.
Speaker 1 (01:35:44):
Blow raight.
Speaker 48 (01:35:44):
Now inflamation my axe is called. They said ship that
it's a trip to Aureo.
Speaker 23 (01:35:57):
Now it's somebody always trap and the sun fens off
on the coast raid and.
Speaker 27 (01:36:04):
I looked like a barn and I crawled like a snail.
Speaker 24 (01:36:10):
All the way.
Speaker 29 (01:36:19):
I got up.
Speaker 8 (01:36:20):
Oh, you know, took a month.
Speaker 1 (01:36:26):
And there was my gt.
Speaker 8 (01:36:28):
Tar legend chump.
Speaker 48 (01:36:33):
Some spade said, rock 'n' rollers, you're all the same man,
might shall extrament. I felt so ashamed, and you.
Speaker 17 (01:36:53):
Look like a stop Just still up the door. There's
(01:37:35):
a club of the mountains of the.
Speaker 21 (01:37:37):
Car that hose.
Speaker 3 (01:37:40):
All the ways of this is.
Speaker 8 (01:37:49):
You got to stay young man.
Speaker 5 (01:37:50):
You can never be old.
Speaker 29 (01:37:54):
Another way.
Speaker 1 (01:38:03):
You love not to stop to marry?
Speaker 2 (01:38:05):
How a welcome that this.
Speaker 39 (01:39:45):
Maybe what he needs for you to pop your titty
out of his mouth and let the.
Speaker 47 (01:39:50):
Boy grow up.
Speaker 2 (01:39:51):
So I found the way to play this van handlin.
Speaker 7 (01:39:54):
So let's see.
Speaker 2 (01:40:00):
I'm sorry, mammoth son.
Speaker 1 (01:41:01):
How was brock? The hoss.
Speaker 27 (01:41:05):
Said, was not the turn the buck?
Speaker 21 (01:41:23):
Stay with me?
Speaker 1 (01:41:32):
No clean?
Speaker 8 (01:41:36):
How to clean and over.
Speaker 1 (01:41:40):
Dry?
Speaker 5 (01:41:41):
She call you me?
Speaker 8 (01:41:48):
How you got tell about me?
Speaker 1 (01:41:51):
Shop to.
Speaker 21 (01:42:09):
Shop, stop stans stop.
Speaker 2 (01:42:57):
And wait, wait my guitar, and that was the new
(01:43:33):
Mammoth song The End Here Shadows fall on Double Trouble Radio.
Speaker 1 (01:44:00):
On Dan's Breathe Bray.
Speaker 8 (01:44:03):
Woe wel spray.
Speaker 39 (01:44:07):
Hide its latch wat A growl like so he got
myself out that b class you are.
Speaker 14 (01:44:16):
Bad, that flies red way.
Speaker 28 (01:44:18):
Yelps, So it's not love right song loud, black.
Speaker 8 (01:44:21):
Dot al got black doom stop so black.
Speaker 46 (01:44:24):
Dog Sorry, got's go my dance breathe Bay.
Speaker 9 (01:44:32):
Boys, boots ray, the ote ticks all blotchow what.
Speaker 28 (01:44:39):
Sart A growl like wow, jacks all right up, it's
not story y'all black no whit so a ray whack
y'all a black dot SATs start by a silas.
Speaker 8 (01:44:50):
Sun a very wow y'all by eyes Well why side
bags of glassy.
Speaker 1 (01:45:01):
One nine think so down away? Why don't tell you
the one not out giving sony ninety six something long away?
(01:45:26):
Why where you're not the way? Then? Why bob?
Speaker 8 (01:45:40):
Why part don't they have to die?
Speaker 1 (01:45:48):
Why not? Why whatever? Oh like myst.
Speaker 23 (01:46:31):
Were like glass sissot why not class?
Speaker 1 (01:46:40):
Why not? God?
Speaker 9 (01:46:41):
So what don't say the class.
Speaker 14 (01:46:55):
Nine six a way.
Speaker 28 (01:47:05):
Not s?
Speaker 7 (01:47:16):
What if I was just to kick the ever love sh.
Speaker 1 (01:48:00):
Out of space.
Speaker 15 (01:48:02):
I don't know space.
Speaker 1 (01:48:05):
I don't know space.
Speaker 15 (01:48:10):
While we have the faily so much ever, dang, why
my ever coming?
Speaker 1 (01:48:25):
Now I'm gonna face.
Speaker 15 (01:48:43):
I don't know space.
Speaker 7 (01:48:45):
I don't know space.
Speaker 8 (01:48:48):
I don't know space.
Speaker 1 (01:48:51):
Out of.
Speaker 15 (01:48:53):
Child in space, out of space, out O say out
while we are so by day every day.
Speaker 1 (01:49:15):
Wild.
Speaker 21 (01:49:17):
Then I come down and I sat where the just
go over out down my man.
Speaker 1 (01:49:39):
And I leave.
Speaker 9 (01:49:42):
B I don't know.
Speaker 1 (01:50:23):
I don't know space.
Speaker 15 (01:50:26):
I don't know as fan.
Speaker 1 (01:50:29):
I don't know why.
Speaker 29 (01:50:31):
I don't know any thing.
Speaker 15 (01:50:34):
I don't know anything. I don't know anything. I don't
know would have been why we have ever? Somebody say
every day?
Speaker 1 (01:50:50):
Oh yeah, why the fly and then come in. I
don't have my face.
Speaker 15 (01:51:00):
I well let the jah, but then.
Speaker 1 (01:51:08):
My hand I land.
Speaker 8 (01:51:14):
Frob my, I believe felt.
Speaker 29 (01:52:17):
To look atlas. Here she comes the god that girl again.
Speaker 5 (01:52:24):
Run out the cutest if.
Speaker 14 (01:52:25):
I don't know when.
Speaker 29 (01:52:27):
But you don't honest me when I mas and you.
Speaker 5 (01:52:30):
Put on the gods by my head on my glass.
Speaker 8 (01:52:33):
But I can't stop me by my thinking to myself
to shave.
Speaker 29 (01:52:37):
I look a man, it's someone else, look alare Russ.
There's a cop.
Speaker 8 (01:52:51):
Fil jas to hold a couple your rochery.
Speaker 30 (01:52:56):
For by Now I can't apart the gas a brand.
Speaker 1 (01:53:00):
You can go to La down on my glass.
Speaker 49 (01:53:02):
That can't stop me from my thinking to myself because
I look a man, that's someone else.
Speaker 9 (01:53:15):
You look at them, just.
Speaker 8 (01:53:16):
Wait and see.
Speaker 5 (01:53:19):
What kind and save my door.
Speaker 8 (01:53:22):
I'm finding a count.
Speaker 29 (01:53:23):
Then I'm running the shoe shot me and I got.
Speaker 30 (01:53:26):
A wiggle round and around with the real shop.
Speaker 29 (01:53:29):
With a white top down.
Speaker 5 (01:53:31):
I keep all I dreaming out.
Speaker 15 (01:53:33):
I'm thinking to.
Speaker 29 (01:53:33):
Myself, well I'll come through. Man, Wow, got something else?
Look at al, what's up this?
Speaker 49 (01:53:48):
Never thought I do this before, but here I have
my knucking on the door.
Speaker 8 (01:53:53):
My goddamn run from.
Speaker 49 (01:53:55):
The top, mine supt you one job matter, troops, Deny,
goddamn girl did I'm thinking to myself to Chivalagaman, Wow, she's.
Speaker 3 (01:54:06):
Now all right, and that's a rap. Let's do the rundown.
Speaker 2 (01:54:21):
We just heard from mister sid Vicious with something else.
Before that, we had Mad Season with I Don't Know Anything,
which seems to be the theme music for twenty twenty five.
Because there's a lot of dumb, feat fucking people walking
out there. I tell you, pretty Scary, brand new music
(01:54:44):
from Shadows Fall in the Gray, brand new music from
Mammoth the End, a classic track of the Week from
Manta Hoopo with All the Way from Memphis. Before that,
we had our unsigned bands and I'd like to thank
every one of them for submitting music. We had Black
Country Communion with One Last Soul, Deep Deep Cut from
(01:55:07):
UFO looking out for Number One, Metallica doing the Misfits,
Last Caress and Green Hell. We had Corn doing Right Now.
We had the band the Dickies. Yes, do you remember
those guys from the eighties doing the theme music for
(01:55:28):
this Really Be? Or maybe even c movie called Killer
Clowns from out of Space. I think d Snyder's wife, Susette.
Speaker 3 (01:55:43):
Was the star of that movie.
Speaker 2 (01:55:45):
It's a bit of nostalgia if you'd like to check
it out.
Speaker 3 (01:55:48):
Pretty cool.
Speaker 2 (01:55:49):
It's called Killer Clowns from out of Space. Before that,
we had a Motorhead and Girls' School together doing Please
Don't Touch fu Man with Evil I Pat Travis Band
with Crash and Burn. That's Tommy Older Jon drums on
that one. Kids Chevelle with Red the Sex Pistols with
(01:56:11):
Body ac DC Touch Too Much, The Dead Daisies with
Holy Ground, and we started tonight's show off with a
brand new music from Suicidal Tendencies Adrenaline Addict. I will
be back next week, god Spare at eight pm. I
(01:56:31):
hope you all tune in and I'll have more of
the same. I got a couple of shows left, so
I'm thinking about doing maybe half all original, half not.
Speaker 14 (01:56:44):
I don't know.
Speaker 2 (01:56:44):
I'll figure it out, but either way, I'll see you
next week. Until then, baby, I love you long time. Yes, indeed,
Trouble.
Speaker 2 (00:28):
Good evening and welcome to another edition of Double Trouble Radio. Well,
it's like everything in life, all things must come to
an end. I got three shows left, and I'd like
to start tonight's show up with playing some great music
(00:51):
for you.
Speaker 3 (00:52):
I've got some brand.
Speaker 2 (00:54):
New stuff for you from Suicidal Tendencies.
Speaker 3 (00:58):
Check it out on Double Trouble Radio.
Speaker 4 (01:19):
Who letsten let's doings?
Speaker 5 (01:27):
You know in one rage, I want to do what
you say.
Speaker 6 (01:35):
I'll tell you because I'm telling me about its.
Speaker 1 (01:52):
Shot.
Speaker 6 (01:56):
You can't lunch, give us parts.
Speaker 7 (02:02):
It's itself, it's not.
Speaker 1 (02:23):
Dream some tell me that is.
Speaker 8 (03:07):
It's useless, said the JUDGM. So I'm gonna destroyed.
Speaker 9 (03:22):
Track about its.
Speaker 10 (03:43):
Track, the house track, the track, the op out, it's
got to talk.
Speaker 1 (03:51):
Tell me about it.
Speaker 11 (04:41):
I want you to be nice.
Speaker 12 (04:44):
Until it's time to.
Speaker 13 (04:46):
Not be nice.
Speaker 14 (04:48):
Well, uh, how we supposed to know when that is?
You won't. I'll let you know. You are the bouncers.
Speaker 15 (04:56):
I am the cooler.
Speaker 16 (04:57):
All you have to do is watch my back hand
at each other's.
Speaker 7 (05:02):
Take out the tracks.
Speaker 5 (05:16):
When the song all time? Now you will when.
Speaker 8 (05:26):
You're over.
Speaker 17 (05:32):
Look at my place in the fell time always of
the world.
Speaker 1 (05:48):
Oh, no, not all him on the world.
Speaker 8 (05:56):
Load. I'll call again, can sad me.
Speaker 18 (06:03):
You can't check the memory, it's my melacy can check
the memory is it's not medicy can check the memory.
(06:26):
It s just check the memory.
Speaker 8 (06:41):
Tst know so operations.
Speaker 19 (07:05):
Tis not tens all fine long yell bar one after.
Speaker 1 (07:21):
A catch, it's catching catching catch never.
Speaker 20 (08:29):
She so.
Speaker 1 (08:32):
Away. She said, just check them. It's my say, just
check them.
Speaker 21 (08:48):
Real's fine, Just check them, said.
Speaker 11 (09:16):
He said, stuff no, no, still nolling stuff No.
Speaker 22 (10:01):
Then because one now those nights when you turn those
the lunch and then bresident comes into them. She was
taking her time. I was losing my mother. There's nothing
that she wouldn't do.
Speaker 16 (10:17):
It.
Speaker 8 (10:17):
I wasn't the first, I wasn't last.
Speaker 21 (10:21):
She really make you love, I would start satisfied you don't.
The same night I had a last say.
Speaker 8 (10:33):
That tas so bad.
Speaker 1 (10:40):
Saying like that, but tacks so bad.
Speaker 8 (10:48):
Till I should so. I saw that that's not one
of t d me. I saw she not at chest.
Speaker 1 (11:00):
Too much.
Speaker 22 (11:06):
I would She had a facial like Rangel smiling the
stuff the body your fenu sip dealing with Drangel stroking
using the thing down a mantis and start.
Speaker 21 (11:23):
And b of the Beast was of the last.
Speaker 8 (11:27):
You wuson and.
Speaker 21 (11:31):
She wanted you waw wanted in the past.
Speaker 8 (11:35):
To Rangel, don't mean in your way, says like touch
tanks too much. She's like Sash.
Speaker 7 (11:50):
Just's too much, too much, shut the body too.
Speaker 21 (11:57):
Much, Shauna fright. This downs a sad chat.
Speaker 8 (12:05):
A judge too much.
Speaker 23 (12:09):
Chasm like judge, touch is not too fus teams.
Speaker 8 (12:40):
I didn't let a touch team. You know you're getting
me us.
Speaker 5 (12:48):
I'll say, Chad, just tell you chat.
Speaker 1 (12:56):
And then.
Speaker 8 (12:59):
Jus still that still.
Speaker 1 (13:04):
Saying that.
Speaker 21 (13:07):
Satilla sat still East sat.
Speaker 8 (13:46):
Tacks exact.
Speaker 16 (13:56):
Hey, guys, I want to introduce you to an amazing
discovery that I made for those in the construction industry
or anyone dealing with em cleaning services.
Speaker 14 (14:20):
All right.
Speaker 16 (14:20):
They specialize in delivering meticulous clean up solutions for construction sites,
construction trailers.
Speaker 24 (14:26):
Team.
Speaker 25 (14:27):
Because I'm a hard ass and if a kid gets
out of line, I got a line, the chase.
Speaker 7 (15:02):
And from the country change son.
Speaker 1 (15:07):
Chime, some rice.
Speaker 13 (15:22):
Fail and some fights up face and.
Speaker 1 (15:29):
A back nat.
Speaker 20 (15:43):
It's not a buckshot.
Speaker 19 (16:00):
I need.
Speaker 1 (16:05):
Mass.
Speaker 8 (16:09):
I'm not a cho I'm not saying.
Speaker 10 (16:24):
They said fun that fucking I don't fun out fucking back.
Speaker 26 (16:30):
You don't want to buy me, I'm not sign thanks,
I don't want to buy me.
Speaker 1 (16:38):
I'm not going. I know.
Speaker 6 (17:03):
I'm not.
Speaker 1 (17:06):
I'm not.
Speaker 27 (17:08):
I'm I'm not.
Speaker 1 (17:21):
I'm not an.
Speaker 8 (17:36):
A safie.
Speaker 1 (17:40):
When you're single, tell.
Speaker 28 (17:46):
Through the.
Speaker 7 (17:50):
Witless filsers through.
Speaker 29 (17:56):
So light.
Speaker 9 (18:06):
What is.
Speaker 8 (18:11):
Jumps se s this change.
Speaker 1 (18:31):
He wat you say.
Speaker 8 (18:37):
Sipy so crey your mind West may show.
Speaker 1 (18:58):
That's true.
Speaker 14 (19:02):
She d have sent to most.
Speaker 7 (19:08):
Slide by s slide one song.
Speaker 1 (20:04):
Goes, I don't one, next song.
Speaker 23 (20:24):
Go save again, say again, save at.
Speaker 1 (20:39):
Save again, say save, run again, save got say right.
Speaker 8 (21:00):
Let you single time.
Speaker 1 (21:08):
The filches through and true.
Speaker 21 (21:19):
But all of bull ship.
Speaker 8 (21:23):
You are a goddam show.
Speaker 5 (21:28):
They call you that I owed your fucket.
Speaker 8 (21:33):
Show hope who that with what you've done to me?
Speaker 29 (21:43):
I did bed.
Speaker 8 (22:39):
Were the red line was not the the bay.
Speaker 21 (22:47):
With thest a line of full.
Speaker 30 (22:51):
With all this to it's slaying helpl the blues a
command down.
Speaker 1 (22:59):
I prayed.
Speaker 30 (23:02):
My feeling is not so complicated that which.
Speaker 8 (23:07):
That put it face done it to her on the
way I feel.
Speaker 9 (23:17):
I know I.
Speaker 8 (23:19):
Really need someone and I need something that read that week.
Speaker 1 (23:36):
Is world.
Speaker 7 (23:40):
Crashhamper, crash emper.
Speaker 8 (24:11):
Lot may mask me come away a lie.
Speaker 30 (24:17):
As you turned off your TV said go shut up all.
Speaker 8 (24:23):
De stray him.
Speaker 21 (24:25):
But there are things that help you.
Speaker 1 (24:28):
Is a may.
Speaker 8 (24:32):
It's for you, but let's call. He's gonna runs to
pre re lies your brain.
Speaker 1 (24:40):
Don dream.
Speaker 8 (24:43):
Full away, you feel.
Speaker 14 (24:47):
You all.
Speaker 8 (24:48):
It's freely all you need to breathe that him dread,
But we your shepherd with fashion. It's cushion.
Speaker 24 (26:45):
Sash nineteen Fiftyfore.
Speaker 2 (26:57):
The Village Pub at Massapequa has been a favorite neighborhood
cabin located at nine to twenty three North Broadway in Massapequa.
It's just a half mile south of Exit thirty on
the Southern State Parkway. Happy Hour Monday through Friday from
(27:18):
eleven thirty am to seven pm with specials on domestic buckets,
free pool every Tuesday night. The food trucks there from
Thursday to Sunday with some killer burgers, tacos, and wings,
among other things. Watch all the games and sporting events
(27:41):
on Amazon Prime. And yes they're OTB friendly, so you
could play the ponies while enjoying.
Speaker 14 (27:49):
Some food and drink.
Speaker 2 (27:51):
Iron Maiden Trooper beer and also many other new beers
on tap and we have love live music every single weekend.
Check out the Village Pub of Massa Peak was facebook
page and see if some of your favorite local bands
are performing there on the weekend. That's the Village Pub
(28:16):
and the Massa Peak were nine to twenty three North Broadway.
If you can't have fun with them, you just can't
have that.
Speaker 7 (28:24):
Hey, this is Kara from Nataka and you're listening to
Double Trouble Reachi Travel.
Speaker 2 (28:39):
And welcome back to Double Trouble Radio. I'm your host,
Paul Tara, and I got two more shows after this evening.
I've been doing this for five years now and I've
had a great time and I really appreciate it. So
this up weekend we have a big February's Reunion show.
(29:07):
Februaries was a club on Long Island in Elmont, which
a lot of us cut our teeth in when we
were younger to.
Speaker 3 (29:18):
Get to where we are today.
Speaker 2 (29:20):
If we're still doing it, at least some of us are,
and some people made it pretty big, and God bless them.
I'm glad somebody got off Long Island and did something.
But where I'm from on Long Island, there are a
lot of talented musicians, and for some reason we never
(29:40):
got our do like La or Seattle or that Whole
Deal or London, and we're basically known for Twisted Sister
and Billy Joel. Not that Twisted Sister is a bad thing.
Billy Joel, I guess to each their own, let's keep
it like that, and basically too much of that music
(30:05):
is what inspired me to start this. And then playing
original bands and promoting and supporting them was great, and
then the word got out and for the past five
years with Double Trouble, I've been doing that and to
(30:25):
this date, I have played seventeen hundred, three hundred and
sixty six seventeen thousand, three hundred and sixty six bands,
and I'm proud of that accomplishment and I hope I
(30:45):
helped out a lot of people. And I've had some
great sponsors over the years, All Music, Village Pub, Massapequa,
which we did a thing at last weekend, Village Pub
in Lyndon Hurst, Whiskey Rocks, Dare Music. I've had a
lot of sponsors through the years and seriously would like
(31:06):
to thank them all. Right, now, let's get back into
some music. I've got some fu manchew and I've got
some Kilo tunes in a set, so check it out
and come the nine o'clock hour, we'll be rocking with
some original bands, so stick around for that. Here's Evil
(31:27):
Eye by Fu Manchuw on Double Trouble Radio. Cranky Kids.
Speaker 5 (32:10):
Says out the floor, we didn't even friends.
Speaker 31 (32:16):
Matter, break yourself, bring away on grind, drown bottom side,
never wake their bow, never got his friend, or about.
Speaker 1 (32:31):
Your ball not just save this dril or racey now
I can save this rim or Ra say, now go
(32:57):
to the p what you got fir that right a pie?
Don't stock a fir where your b s in the
factory fall.
Speaker 27 (33:14):
Eve Ali said, no, w.
Speaker 9 (33:17):
About your phaone.
Speaker 1 (33:21):
Save the driver. Race now save his tray. Pra said,
now lie fall ball a.
Speaker 21 (34:46):
Balla.
Speaker 23 (35:01):
I want you get a job for Cooley, look for
you need money, all ideas and.
Speaker 30 (35:09):
Tasty ebbs, cool buzz and I'm fine.
Speaker 1 (35:15):
Too much, too much, too much.
Speaker 8 (35:23):
I don't want a woman's gonna get a feel nice way.
Speaker 1 (35:28):
Too much.
Speaker 23 (35:29):
You don't like to.
Speaker 32 (35:30):
Say thumb sat I say something? Must I say.
Speaker 1 (35:43):
So much? Check much.
Speaker 7 (35:55):
Because much he gets the clo sent the chill.
Speaker 32 (36:01):
Please please domtach I shave so much, pleasese domtas I shave.
Speaker 33 (36:11):
So much.
Speaker 32 (36:44):
Well, I don't know why she's gonna cross me because
I have in the easy sneaking.
Speaker 13 (36:50):
Up stairway right age and then to shake hay An
the first time to the churches.
Speaker 8 (36:57):
Among myself, I'm saying.
Speaker 7 (36:59):
So much welcome junk. You know what lacks them all?
Speaker 8 (37:03):
Now please go touch a shame some much.
Speaker 1 (37:10):
Please such a shame.
Speaker 28 (37:15):
So much.
Speaker 30 (37:19):
At you about them said, that's a long ago, mister
(38:57):
Longda made.
Speaker 21 (38:58):
It as dad.
Speaker 8 (39:00):
No songing a stabs, something goes. Try these pells?
Speaker 5 (39:05):
Are they going to make you die?
Speaker 12 (39:08):
Everybody's running when the lurs gone, the dead and out.
Speaker 34 (39:15):
And the gone is gone over that it's on again the.
Speaker 35 (39:19):
Sound run out of space.
Speaker 12 (39:25):
Youta around these run out of space.
Speaker 4 (39:32):
Spring master shouts, and the show became saying in the
cot the way, follow those on the baby's face spring again,
a sight of again on the ridge.
Speaker 33 (39:54):
Sanda take a ride on the din Merry around only
pad on a rival Bumba dives some again.
Speaker 1 (40:05):
The buse.
Speaker 8 (40:08):
Roe out of space.
Speaker 1 (40:12):
In the sound.
Speaker 35 (40:15):
From out of space.
Speaker 36 (40:20):
As can be and.
Speaker 33 (40:24):
Up the sign a tack a round for die your
all go mother loose.
Speaker 1 (41:09):
All the go around.
Speaker 8 (41:10):
What do you see?
Speaker 1 (41:12):
Tell me? Let me come up to bad.
Speaker 8 (41:16):
Come and shows to New York. Sweat falling on them. Yeah,
where do you remember water?
Speaker 1 (41:25):
This is going down.
Speaker 8 (41:31):
On the dikes on the kind of down.
Speaker 12 (41:36):
Run out of her space, cannon, run out of space, Shanna.
Speaker 1 (41:47):
Shout, can show get a shout shout.
Speaker 9 (42:51):
I'm made no not brown?
Speaker 1 (42:54):
Why just get a red tide?
Speaker 8 (42:57):
Why grands brads that boys e great?
Speaker 1 (43:01):
Thanks sometime. I let my not get sane.
Speaker 23 (43:05):
I'm gonna rocketing and dom bating. We got get's got.
Speaker 1 (43:16):
Tents show you.
Speaker 14 (43:25):
To do so myself.
Speaker 9 (43:30):
I'm getting man come good day.
Speaker 17 (43:33):
We're just tucked Oay, I'm gonna bustand it and prostrated.
Speaker 8 (43:37):
God, I feel so so what can I feel it?
Hoday gets turned to me.
Speaker 23 (43:44):
I've got that cut myself fan wa godn't get done.
Speaker 1 (43:51):
I'm sorry.
Speaker 23 (43:53):
You's got checks show.
Speaker 1 (43:57):
For you.
Speaker 14 (44:06):
Guys.
Speaker 1 (44:07):
Out o your mouth again?
Speaker 17 (44:10):
A squirl cannot break it you over your mouth, My.
Speaker 8 (44:15):
God, I cannot take it. Shot shut up, shut up, bush.
Speaker 1 (44:20):
You up, shut up, shut up?
Speaker 14 (44:24):
Shot out most you.
Speaker 8 (44:26):
S side mob sig side something side.
Speaker 9 (44:34):
Saw sign sign side sail side something sign.
Speaker 1 (44:44):
Sir, I sai, I.
Speaker 6 (45:07):
Go, I go, I know.
Speaker 10 (45:31):
Here with you?
Speaker 33 (45:32):
Oh well, actually these guys are nice enough to let
me in, so it's really up to them.
Speaker 7 (45:37):
I guess, melon, buddy, what do you say?
Speaker 33 (45:40):
Let me in?
Speaker 6 (45:41):
Okay, I don't think so osborn melan about your friend here?
Speaker 7 (45:45):
Straighten them out, Look, chess, A lot of people waiting.
Speaker 8 (45:48):
They wouldn't really be fair.
Speaker 1 (45:49):
You know.
Speaker 7 (45:50):
I'll tell you what.
Speaker 2 (45:51):
Maybe if you got a note from each and every
one of these people saying that it was all right.
Speaker 14 (45:55):
Then we'd reconsider.
Speaker 25 (45:57):
But until that day, take a hike.
Speaker 11 (45:58):
You ell lead us fraternity, scum.
Speaker 8 (46:00):
I ain't got nothing to say I feel your baby
today that I'm not out my strea as long as
this day I got something to say, I right, You'm
out of today because I'm not out.
Speaker 1 (46:18):
My stres long as see Fred going up there.
Speaker 8 (46:24):
When don't sweep that warm after.
Speaker 23 (46:44):
Going up the swaying boy, don't.
Speaker 1 (46:50):
Sweat that warm after.
Speaker 8 (46:56):
I got something to say, I feel your baby today.
Speaker 1 (47:01):
That's no matter how fund to me. Day day when
are y'all.
Speaker 8 (47:12):
Don't sit that one mast last every day?
Speaker 1 (47:18):
Yo?
Speaker 8 (47:21):
Yo, get really facet not the day you're back.
Speaker 20 (47:34):
I said, never the fast me see your m I said,
fair gray up, that's a summer.
Speaker 8 (47:47):
Do not award the day.
Speaker 1 (47:51):
Brother, that's just not really good. I never never not
a better time that like that feel like running?
Speaker 8 (48:03):
Then just say right out bet up, Yo, that's the
second out.
Speaker 37 (48:07):
Now I'm finding out you're recidings out and I'm like, no,
it's nothing out out O.
Speaker 20 (48:11):
Say that and it's not out O.
Speaker 1 (48:14):
God, I mother right out out that stas. I wanta
do it cause I like that time.
Speaker 8 (48:21):
I know your lord, the justn't run away from it.
Speaker 1 (48:25):
And not not run I know.
Speaker 37 (48:31):
They really first, I can sit in your thout something.
People said, yeah, they really first, that you will land it.
Speaker 1 (48:44):
SI said, right.
Speaker 38 (48:48):
Said that's someone go like that.
Speaker 9 (48:50):
Now I know your old.
Speaker 1 (48:52):
You haven't run away from it.
Speaker 8 (48:55):
But I said, I don't running gold.
Speaker 1 (48:57):
That said that's some dogs.
Speaker 19 (49:22):
WHOA what are you doing trying to leave the house
wearing that You look like an Eskimore hooker.
Speaker 39 (49:27):
That's the point.
Speaker 8 (49:28):
You want to look like a just the key with
the crazy dream. Once it all get for a sevuntin.
Speaker 24 (49:44):
Don't know where.
Speaker 3 (49:46):
To begin.
Speaker 8 (49:52):
The wild body ignores the facts.
Speaker 17 (49:57):
WHOA, there's No, look, anybody, you just gotta stand up.
Speaker 1 (50:04):
Make it read. How does you.
Speaker 14 (50:11):
Sup?
Speaker 5 (50:19):
Just gotta keep it in for a.
Speaker 35 (50:22):
Wall sep people make it anothers.
Speaker 27 (50:34):
Don't try.
Speaker 8 (50:36):
They seem happy to you out of that. I'm ride here.
Speaker 22 (50:44):
On my own.
Speaker 8 (50:49):
I'm again, I'm doing.
Speaker 10 (50:51):
I'll pay for my sin. I've been there on my
back again. Just gotta stay of mad, Sup, it's gotta.
Speaker 8 (51:23):
Let's still.
Speaker 7 (51:28):
Stop sipping up.
Speaker 1 (51:32):
Let's supper stay.
Speaker 8 (51:58):
Super es gond.
Speaker 38 (52:09):
Saw Thus.
Speaker 16 (52:37):
S.
Speaker 40 (52:45):
Yes, guy, they can't blame your friends.
Speaker 41 (53:48):
You gotta take a little responsibility about it. But you
gotta watch friends. Man, they're fucking out of the moun
out of their minds. You know they'll let you piss
in your fucking suitcase in front of you. Don't you
remember when he's pissing your suitcase last night?
Speaker 24 (54:02):
Man, you're so drunk.
Speaker 40 (54:03):
No now, I don't fucking remember that.
Speaker 7 (54:08):
I thank you guys for letting me do it.
Speaker 41 (54:11):
Thanks buddies, I'm glad I could be the fucking home
entertainment center for everybody. I'm glad you let me show
everybody my fucking dick and pissing my fucking suitcase.
Speaker 7 (54:22):
That must have been in a big laugh.
Speaker 40 (54:24):
For the whole fucking room. Thanks Budday's Nine's alive. Hey,
I got off light.
Speaker 41 (54:31):
I was at a Christmas party about six weeks ago.
This guy falls asleep on the fucking count. You know
he's on the count.
Speaker 1 (54:38):
He's gone.
Speaker 41 (54:39):
He's drunk out of his fucking mind. His mouth's white
over these guys getting around his face. They pulled their
dicks out, they put them around his face and take
some little polaroid shots of justticipation in the dicks.
Speaker 40 (54:49):
That's all he said.
Speaker 41 (54:55):
Now that's what she wanted blown up, copied and handed
around the office.
Speaker 28 (54:59):
You know, a picture of you looking like you've got
to take in here hasn't.
Speaker 40 (55:04):
Fucking mound white a little look. He's an ecstasy.
Speaker 9 (55:06):
He loves this.
Speaker 41 (55:08):
Three dicks in your face.
Speaker 14 (55:09):
You just look at you.
Speaker 41 (55:10):
Go, Bob, could you come to the office and bring
everything in your desk with you. That is some photos
of the service here at work and all.
Speaker 1 (55:23):
That's my friends.
Speaker 14 (55:25):
Yeah, yeah, somebody's.
Speaker 40 (55:29):
Ship.
Speaker 41 (55:29):
Some of you are sticking up to your I'm writing
that down. That's my next party prank. I know who
we're gonna do that to.
Speaker 40 (55:35):
It'll last time. He gets drunk and sleeps in my
bugging out.
Speaker 7 (55:55):
You yet dream.
Speaker 14 (55:59):
Down it something out line.
Speaker 8 (56:02):
You gotta ruin the big scheme. Now you're ready to shine.
Speaker 15 (56:08):
Yoda one so it Yoda water last sort try Yoga
one that so you live it?
Speaker 8 (56:18):
Yoda one last sult?
Speaker 9 (56:20):
Tell you why nothing?
Speaker 7 (56:23):
You don't beginning?
Speaker 21 (56:25):
Why up so cloud?
Speaker 1 (56:28):
Yoga Walter?
Speaker 8 (56:30):
So you midte Yodo water that so try? Now you've
brought like a fray train. You're about why.
Speaker 7 (56:49):
I see you're driving me in song.
Speaker 38 (56:53):
And I couldn't get high.
Speaker 9 (56:55):
Yoda wanna that?
Speaker 25 (56:57):
So mit it?
Speaker 1 (56:59):
Yoda?
Speaker 9 (56:59):
Water that's so tied.
Speaker 8 (57:02):
You're the wall that soul and you met it your
water that soult and why the.
Speaker 14 (57:11):
From beginning?
Speaker 1 (57:13):
Why so many? You're the one?
Speaker 8 (57:17):
So you made your father so many.
Speaker 9 (57:21):
Time you won't don't the water stop?
Speaker 1 (57:29):
You're the one that song? You met it. You're the
wan that.
Speaker 9 (57:34):
Song the beginning.
Speaker 1 (58:30):
I want to get.
Speaker 9 (58:36):
Cloud the word that song, women.
Speaker 1 (58:41):
That song.
Speaker 2 (59:28):
Looking to get out of the house for a good time,
then you need to check out the Village Pub of Lindenhurst,
located at one seventy four North Wellwood Avenue. The Village
Pub has great live entertainment every weekend original bands, upper bands,
(59:50):
tribute bands. Check out the Village Pub for their live
music schedules. Tuesday nights we have bingo with prizes at
eight Thursday night is pool Night, also starting at eight
pm every night every day, real fresh pizza and pretzels,
(01:00:11):
and of course we have the daily Shot special IPA
beers with Sand City Diamond and Oops, I did it
again in my pants. Check out some more IPA beers
at the Village Pub of Lyndenhurst, always a good time
(01:00:32):
one seventy four North Wellwood Avenue. Check them out and
you'll have a great time.
Speaker 8 (01:00:39):
Trustman.
Speaker 1 (01:00:42):
Yeah.
Speaker 42 (01:00:45):
When my band and I started recording, we knew we
needed more than just a studio. We needed a place
that understood musicians, a place where we could really unleash
our creativity. We found all of that and more at
Dare Studios. For over forty years, Dare has been the
go to spot for artists who want their sound to
stand out. Walking into Dare Studios, you feel the vibe
right away. State of the art equipment, rooms designed for
(01:01:08):
perfect acoustics, and engineers who know music inside and out.
But it's not just the equipment or the space that
makes DARE special. It's the people. They truly care about
the craft. They listen to what you want and work
with you to bring out the best in every track.
From recording and mixing to mastering. Dare is there every
step of the way. They understand that every note, every beat,
(01:01:32):
every lyric matters, and they help you capture that perfect
sound you've been chasing. Whether you're a full band, a
solo artist, or a voiceover talent, Dare Studios has what
you need to bring your vision to life. It's a
space where creativity thrives and where musicians feel at home.
If you're ready to take your music to the next level,
you've got to check out Dare Studios. Visit Dare studios
(01:01:55):
dot com, or give them a call at six three
one two four three two three seven. Trust me, this
is where music comes alive.
Speaker 2 (01:02:06):
Whiskey Rocks, Long Island's newest music venue. Located at four
nineteen Great Eastneck Road in West Babylon.
Speaker 1 (01:02:21):
New York.
Speaker 2 (01:02:22):
Whiskey Rocks live music every weekend, original bands, tribute bands,
cover bands, also twenty televisions to watch every sporting event,
along with pool dots and some great food from the
(01:02:42):
Whiskey Rocks Kitchen. Bartenders and bands wanted. Contact Whiskey Rocks
at twenty two forty gmail dot com. That's Whiskey Rocks,
Long Island's newest music venue. We are Specter and you're
(01:03:10):
listening to Double Trouble Radio Double.
Speaker 1 (01:03:14):
Travel.
Speaker 2 (01:03:22):
All right, guys, guess what time it is. That's right,
it's time for Double Troubles Unsigned bands. Every week we
play six unsigned bands from around the world, and once
again I've got some great ones for you this evening.
(01:03:44):
We're gonna start off with a band by the name
of Chase the Bear and the name of the song
we're going to play is called Fool and they are
from British Columbia in Canada. After that, we have a
band called the Bed Valentines and they have a song
(01:04:05):
we are gonna hear called Maria and they are from Sweden.
After that, we have a band's called Dark Flow and
Dark Flow is also from Sweden. So let's start off
with those three bands on Double Troubles Unsigned bands.
Speaker 15 (01:04:31):
Gig it.
Speaker 1 (01:04:39):
Now, I've got.
Speaker 43 (01:04:43):
Time, we beliveaw we can haste got away.
Speaker 7 (01:05:00):
You think that you got to sad, I think by
you really do?
Speaker 1 (01:05:08):
Horse you do how leal, So.
Speaker 36 (01:05:13):
It's no must.
Speaker 10 (01:05:18):
Man, you will, mister saint under that so sackcause I
should say it over six feet Also you you're.
Speaker 21 (01:05:26):
No wre but out of time.
Speaker 31 (01:05:31):
Oh yeah, they happen to a little more.
Speaker 21 (01:05:38):
Saying that you got to say for you say you
read the left Lena Horse you do it?
Speaker 8 (01:05:47):
Howls so.
Speaker 1 (01:05:54):
Well to you, no miss your ass s Oh now, don't.
Speaker 8 (01:06:12):
Say that you got to say? Do you say that
you show really want.
Speaker 36 (01:06:18):
You really rely what you do?
Speaker 26 (01:06:21):
How we all saw to show these don't say that
you got to set. Don't say, hey, Joe, really what
you do?
Speaker 8 (01:06:35):
How males for frostl how mal so well for Fostle.
Speaker 7 (01:06:53):
Do you believe these guys will be here?
Speaker 35 (01:06:55):
Loveday?
Speaker 33 (01:07:00):
Do you believe?
Speaker 28 (01:07:01):
So?
Speaker 21 (01:07:02):
Just go go Willy?
Speaker 1 (01:07:05):
Do you really in the end of the time, I'll.
Speaker 8 (01:07:08):
Be written by Rinio Rensel.
Speaker 36 (01:07:12):
To come with her air and the bath.
Speaker 38 (01:07:16):
Have a ragga.
Speaker 1 (01:07:19):
In your dreams.
Speaker 27 (01:07:21):
That's not good bye, eat it.
Speaker 1 (01:07:24):
In a dreams.
Speaker 5 (01:07:26):
This is a doll or taget in a dreams.
Speaker 14 (01:07:30):
This on.
Speaker 34 (01:07:31):
So see how the sovereignts go to you, Ray Solf.
Speaker 38 (01:07:42):
Just let down the house, very soul, just say tell.
Speaker 1 (01:07:52):
The house.
Speaker 38 (01:08:07):
This.
Speaker 7 (01:08:07):
Won't you be crying on the line, taking.
Speaker 9 (01:08:09):
By the evil.
Speaker 13 (01:08:14):
Then you survived from the bar and down from the sky.
Speaker 7 (01:08:19):
The ya dreams, that's no lot bid.
Speaker 1 (01:08:24):
In your dreams every game, YA dreams. This water is
the street.
Speaker 34 (01:08:33):
How the Simon's gone to a game.
Speaker 7 (01:08:41):
I so just to these.
Speaker 13 (01:08:50):
My souls, our dreams, this is say this so.
Speaker 5 (01:09:10):
Our dreams, this work, this all, this is this one.
Speaker 21 (01:09:43):
So just let tell them the soldier traps.
Speaker 7 (01:10:46):
General or rebatching.
Speaker 1 (01:10:48):
Here read copy.
Speaker 8 (01:10:51):
I'm coming to u f ressent.
Speaker 7 (01:10:54):
You want so precret that time.
Speaker 14 (01:10:58):
I'm trying to leave, Yeah, said god, alright, just sis
(01:11:21):
time way Yeah you cry is the c p.
Speaker 1 (01:11:33):
R.
Speaker 8 (01:11:34):
Just do what I say, no, will be out.
Speaker 9 (01:11:42):
A sigh, I bos my god, your head, what you
do it?
Speaker 1 (01:11:54):
I mean, alright you I'm resting. But in nam.
Speaker 8 (01:12:05):
H not took in that side zero chill.
Speaker 1 (01:12:10):
Ma god.
Speaker 14 (01:12:14):
W w four so pretty bright, I thought, A my, just.
Speaker 9 (01:12:22):
Do what I say, no, missile penis will be don't you.
Speaker 39 (01:12:30):
Outside bood my hands sat grass.
Speaker 8 (01:13:15):
You know how I got got astor.
Speaker 1 (01:13:20):
Or yours?
Speaker 9 (01:13:27):
I should I should, I should have died.
Speaker 16 (01:14:00):
And let me tell you something. Let me share some
of the insights into what makes them stand out. First off,
they're expert.
Speaker 9 (01:14:07):
Yes, I guess.
Speaker 1 (01:14:17):
Sound as.
Speaker 44 (01:14:25):
Ultimate destination for musicians and music lovers alike at All
Music Inc. For over forty years, All Music Inc. Has
been a cornerstone of the Long Island music scene, offering
an extensive range of high quality instruments, from top brand guitars,
basses and drums to rare and vintage finds that will
make any musician's heart race. Whether you're a beginner excited
(01:14:49):
to start your musical journey, a seasoned pro searching for
that elusive perfect sound, or just someone with a passion
for music, All Music Inc. Has everything you need. Their
team of expert staff lives and breathes music, providing knowledgeable
guidance to help you find exactly what you're looking for.
Need a repair or a custom set up their in
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house repair shop as you covered with professional, high quality service.
Located at three nine seven South Oyster Bay Road in Plainview,
New York, just a short drive south of the Long
Island Expressway, All Music Inc. Is more than just a store.
It's a community hub where musicians come to connect, learn
and grow. Stop by or give them a call at
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across Long Island and beyond.
Speaker 2 (01:15:55):
Nineteen fifty four of the Village Pub in Massapequa has
been a favorite neighborhood cabin located at nine to twenty
three North Broadway in Massapequa. It's just a half mile
south of Exit thirty on a Southern State Parkway. Happy
hour Monday through Friday from eleven thirty am to seven
(01:16:20):
pm with specials on domestic puckets, free pool every Tuesday night.
The food trucks there from Thursday to Sunday with some
killer burgers, tacos, and wings, among other things. Watch all
the games and sporting events on Amazon Prime. And yes,
(01:16:44):
they're OTB friendly, so you could play the ponies while
enjoying some food and drink Iron Maiden Trooper Beer and
also many other new beers on tap. And we have
live music every single weekend. Check out the Village Pub
(01:17:05):
of massa peak was Facebook page and see if some
of your favorite local bands are performing there on the weekend.
That's the Village Pub and the Massapeaqua nine to twenty
three North Broadway. If you can't have fun with them,
you just can't have fun the Village Pub.
Speaker 42 (01:17:26):
Hey, this is Kara from the Talker and you're listening
to Double Trouble Radio.
Speaker 8 (01:17:32):
Travel way.
Speaker 41 (01:17:39):
Half a Penish girls, half of v Vagina.
Speaker 2 (01:17:42):
Well, thank you for sharing that with us and we
appreciate that. So from bottom to top we heard from
Darkflow and their song Pressed the Button from Sweden. Before
that we had Bad Valentines with Maria who are also
from Sweden, and we started it off with Chase the
(01:18:05):
Bear with their song Full from British Columbia, Canada. Up
next a band from Brooklyn, New York, Elephant Killer with
get Me Out of Here. That's my sometimes co host,
mister Chris Borgia aka mister facin Hole and his band.
(01:18:29):
After that we have a band called raw Foyle and
their song Defends and they are from Italy. And finishing
off tonight is a band called Goot No, not Groot.
Speaker 1 (01:18:49):
Groot No.
Speaker 2 (01:18:50):
They are called goot and the name of the song
is called the toll remains the same. And when I
ask these gentlemen in from where they're from, they basically
told me international. We're from everywhere, so from everywhere we
have goot. Let's start it off with Elephant Killer, a
(01:19:15):
song that kind of reflects my mood right now, because
I am hungry, So get me out of here. On
double Troubles Unsigned bands.
Speaker 45 (01:20:00):
I'm by my god, my god, I haven't rock direct
that my robb don't.
Speaker 1 (01:20:07):
Get me half my rob.
Speaker 45 (01:20:09):
Rob got the scab warter for a bucket man, I'd
up the jugging down.
Speaker 14 (01:20:22):
Oh who.
Speaker 19 (01:20:50):
Don't.
Speaker 3 (01:20:50):
Oh no, my mom, I haven't that crop.
Speaker 1 (01:20:52):
I'm my mom that I'm not.
Speaker 5 (01:20:56):
Bother, don't want to get me out.
Speaker 1 (01:20:58):
I'm Ron Rock.
Speaker 14 (01:21:03):
Was not a whit my bird not?
Speaker 1 (01:21:05):
What did I ever cry?
Speaker 28 (01:21:45):
Oh?
Speaker 8 (01:21:45):
Now say I'm learning young as an.
Speaker 23 (01:21:50):
Aposting a test for a mile.
Speaker 1 (01:21:53):
The one said I'm a way because tell me no
mother rock my rights not body.
Speaker 9 (01:22:02):
So I sorry, I just say enough.
Speaker 1 (01:22:05):
To up their first.
Speaker 8 (01:22:07):
I don't not rem brand rubber plaster right come out story,
I stop, baby.
Speaker 1 (01:22:13):
Stem story is pretty.
Speaker 14 (01:22:16):
I told you the job the smory don't.
Speaker 1 (01:22:19):
Care min say stamp.
Speaker 9 (01:22:21):
When I saw you in my sing.
Speaker 8 (01:22:22):
Miss I cast stamp.
Speaker 1 (01:22:24):
I'm let me go. Lord, this man just make.
Speaker 7 (01:22:27):
Me feel sound so Lord sumter.
Speaker 1 (01:22:34):
No lord cows, no Lord drum no Lord, no mo braend,
no lord cows no Lord. Girl's play.
Speaker 38 (01:22:59):
No, I'm oh.
Speaker 46 (01:23:03):
So so live and I'm that one and not amazing Lea.
Speaker 8 (01:23:21):
You'll have to take her.
Speaker 23 (01:23:23):
My life is Africa made my banda something long.
Speaker 1 (01:23:40):
Go hold the.
Speaker 5 (01:23:43):
Way you know more.
Speaker 7 (01:24:08):
I didn't feel.
Speaker 29 (01:24:11):
Say you fail the fuck up? Get to play.
Speaker 1 (01:24:18):
Well you can spouse.
Speaker 8 (01:24:21):
I can't snap starts.
Speaker 1 (01:24:24):
Is the hots break sus and bones.
Speaker 8 (01:24:27):
But the never to home, screaming, wear.
Speaker 23 (01:24:32):
That soup that sis don't get sid don't try away
all but try and racing.
Speaker 1 (01:24:42):
Suck we spots out there.
Speaker 9 (01:24:44):
I say let itself.
Speaker 8 (01:24:46):
Says, so don't see me after.
Speaker 21 (01:24:48):
Shut up here know it spas.
Speaker 1 (01:24:54):
Sa but you'll.
Speaker 36 (01:25:04):
So say.
Speaker 21 (01:25:16):
May say you send funny fingers.
Speaker 22 (01:25:19):
We have said a fat fair man of consequences say.
Speaker 7 (01:25:26):
Said a mess.
Speaker 29 (01:25:27):
Who they want every little First that fasting may.
Speaker 1 (01:25:33):
Will SI made a mess, but that.
Speaker 8 (01:25:38):
Silest changed to flow.
Speaker 19 (01:25:41):
It s.
Speaker 8 (01:25:43):
Screaming where I stop the mere thats why house I
see some man that's.
Speaker 23 (01:25:49):
That swell the lover conscious sticking out the bad case.
Speaker 1 (01:25:55):
My y'all said, what is mine?
Speaker 5 (01:25:58):
The stopping start.
Speaker 8 (01:25:59):
Of almost way, get out of the holly.
Speaker 36 (01:26:03):
I'm old man, so serve what youll A man so safe?
Speaker 2 (01:26:20):
So looking to get out of the house for a
(01:27:29):
good time, then you need to check out the Village
Pub of Lindenhurst, located at one seventy four North Wellwood Avenue.
The Village Pub has great live entertainment every weekend. Original bands,
coupper bands.
Speaker 3 (01:27:49):
Tribute bands.
Speaker 2 (01:27:51):
Check out the Village Pub for their live music schedules.
Tuesday nights we have bingo with prizes at eight pm.
Thursday night is pool Night, also starting at eight.
Speaker 47 (01:28:04):
Pm every night every day, real fresh pizza and pretzels,
and of course we have the daily shot special IPA
Beers with Sand City Diamond and Oops, I did it
again in my pants.
Speaker 2 (01:28:23):
Check out some more IPA beers at the Village Pub
of Lyndenhurst. Always a good time, one seventy four North
Wellwood Avenue.
Speaker 3 (01:28:35):
Check them out and you'll have a great time.
Speaker 14 (01:28:38):
Trustman.
Speaker 1 (01:28:41):
Yeah.
Speaker 42 (01:28:44):
When my band and I started recording, we knew we
needed more than just a studio. We needed a place
that understood musicians a place where we could really unleash
our creativity. We found all of that and more at
Dare Studios. For over forty years, Dare has been the
go to spot for artists who want their sound to
stand out. Walking into Dare Studios, you feel the vibe
right away. State of the art equipment, rooms designed for
(01:29:07):
perfect acoustics, and engineers who know music inside and out.
But it's not just the equipment or the space that
makes DARE special. It's the people. They truly care about
the craft. They listen to what you want and work
with you to bring out the best in every track.
From recording and mixing to mastering, Dare is there every
step of the way. They understand that every note, every beat,
(01:29:31):
every lyric matters, and they help you capture that perfect
sound you've been chasing. Whether you're a full band, a
solo artist, or a voiceover talent, Dare Studios has what
you need to bring your vision to life. It's a
space where creativity thrives and where musicians feel at home.
If you're ready to take your music to the next level,
you've got to check out Dare Studios. Visit dare studios
(01:29:54):
dot com, or give them a call at six three
one two four three two three seven seven.
Speaker 7 (01:30:00):
Trust me.
Speaker 42 (01:30:00):
This is where music comes alive.
Speaker 2 (01:30:06):
Whiskey Rocks, Long Island's newest music venue located at four
nineteen Great Eastneck Road in West Babylon.
Speaker 8 (01:30:20):
New York.
Speaker 2 (01:30:21):
Whiskey Rocks live music every weekend, original bands, tribute bands,
cover bands. Also twenty televisions to watch every sporting event,
along with pool dots and some great food from the
(01:30:41):
Whiskey Rocks kitchen. Bartenders and bands wanted contact Whiskey Rocks
at twenty two forty gmail dot com. That's Whiskey Rocks,
Long Islands new music venue.
Speaker 8 (01:31:05):
He travel.
Speaker 2 (01:31:15):
All right, So we just heard from Goot with the
toll remains the same and they're from everywhere. Before that,
we had raw Foyle with Defense from Italy and we
started it off with Elephant Killer Get Me out of
(01:31:38):
Here from Brooklyn, New York. I'm hoping to get uh
mister Boyd here on the show.
Speaker 8 (01:31:43):
In these next two weeks.
Speaker 2 (01:31:45):
If you would like to have your music played, what
you need to do is send me an MP three
with the name of the band, the name of the song,
and where you're from, and you can send that to
Paul Treasa Music twenty four at yahoo dot com and
if it rocks, I shall play it. You got about
(01:32:06):
two weeks to do so we actually less than that.
So anyway, it is now time for a classic Track
of the Week, and this week we have the one
and only Motdoople mont Theoopo, a band that David Bowie
(01:32:29):
helped inspire by writing their first hit song All the
Young Dudes and Mick Ronson and also Mick Rouths who
later went on to form Bad Company, which I'm kind
of thinking about doing a Bad Company thing right now,
(01:32:49):
because tribute bands make money, and sometimes with music you
have to separate your money making music and the love
of music as two separate things. And some people could
comprehend that, some can't, and it's all good to each
(01:33:12):
their own, but we're not walking in each other's shoes,
so it is what it is. Anyway, Mata Hoopl I
have brand new music from Mammoth.
Speaker 7 (01:33:23):
This is the deal.
Speaker 2 (01:33:25):
This video came out and it's just a video with
a two minute opening that goes to the audio. Now,
let's talk about the audio. The past couple of years,
Wolfgang has been let me tell you that last album
was phenomenal. I thought it was fantastic, and he's been
(01:33:45):
crying in the press. Don't compare me to my father.
Don't compare me to my father. And that album sounded
nothing like Van Halen, and it sounded fantastic, So kudos to.
Speaker 8 (01:33:57):
You kid, you did a great job.
Speaker 2 (01:33:59):
But with the all this crying, don't compare me to
my father. The next single you put out is basically
three minutes of you.
Speaker 24 (01:34:07):
Doing eruption.
Speaker 1 (01:34:10):
Over vocals.
Speaker 2 (01:34:11):
So if you've gotta cry about people comparing you with
your dad, stop playing fucking songs that sound y'all like
your dad. I mean, Jesus Christ, talk about a douchebag. Anyway,
I'll hopefully try to cut those first two minutes off.
If not, I'm just gonna can the song. I also
have new music from Shadows full What do we got
(01:34:33):
twenty five minutes? I think I'll throw in some Mad
Season and anything else I could throw in the field
of time. Anyway, guys, you're a classic track.
Speaker 14 (01:34:46):
Of the week.
Speaker 35 (01:34:47):
Two words.
Speaker 2 (01:34:49):
Mata hoopo all the way from Memphis on Double Trouble Radio.
Speaker 8 (01:35:30):
Forgot my six.
Speaker 27 (01:35:31):
String rais up in the sky.
Speaker 48 (01:35:37):
Have waged a Memphis for Abby realized.
Speaker 1 (01:35:44):
Blow raight.
Speaker 48 (01:35:44):
Now inflamation my axe is called. They said ship that
it's a trip to Aureo.
Speaker 23 (01:35:57):
Now it's somebody always trap and the sun fens off
on the coast raid and.
Speaker 27 (01:36:04):
I looked like a barn and I crawled like a snail.
Speaker 24 (01:36:10):
All the way.
Speaker 29 (01:36:19):
I got up.
Speaker 8 (01:36:20):
Oh, you know, took a month.
Speaker 1 (01:36:26):
And there was my gt.
Speaker 8 (01:36:28):
Tar legend chump.
Speaker 48 (01:36:33):
Some spade said, rock 'n' rollers, you're all the same man,
might shall extrament. I felt so ashamed, and you.
Speaker 17 (01:36:53):
Look like a stop Just still up the door. There's
(01:37:35):
a club of the mountains of the.
Speaker 21 (01:37:37):
Car that hose.
Speaker 3 (01:37:40):
All the ways of this is.
Speaker 8 (01:37:49):
You got to stay young man.
Speaker 5 (01:37:50):
You can never be old.
Speaker 29 (01:37:54):
Another way.
Speaker 1 (01:38:03):
You love not to stop to marry?
Speaker 2 (01:38:05):
How a welcome that this.
Speaker 39 (01:39:45):
Maybe what he needs for you to pop your titty
out of his mouth and let the.
Speaker 47 (01:39:50):
Boy grow up.
Speaker 2 (01:39:51):
So I found the way to play this van handlin.
Speaker 7 (01:39:54):
So let's see.
Speaker 2 (01:40:00):
I'm sorry, mammoth son.
Speaker 1 (01:41:01):
How was brock? The hoss.
Speaker 27 (01:41:05):
Said, was not the turn the buck?
Speaker 21 (01:41:23):
Stay with me?
Speaker 1 (01:41:32):
No clean?
Speaker 8 (01:41:36):
How to clean and over.
Speaker 1 (01:41:40):
Dry?
Speaker 5 (01:41:41):
She call you me?
Speaker 8 (01:41:48):
How you got tell about me?
Speaker 1 (01:41:51):
Shop to.
Speaker 21 (01:42:09):
Shop, stop stans stop.
Speaker 2 (01:42:57):
And wait, wait my guitar, and that was the new
(01:43:33):
Mammoth song The End Here Shadows fall on Double Trouble Radio.
Speaker 1 (01:44:00):
On Dan's Breathe Bray.
Speaker 8 (01:44:03):
Woe wel spray.
Speaker 39 (01:44:07):
Hide its latch wat A growl like so he got
myself out that b class you are.
Speaker 14 (01:44:16):
Bad, that flies red way.
Speaker 28 (01:44:18):
Yelps, So it's not love right song loud, black.
Speaker 8 (01:44:21):
Dot al got black doom stop so black.
Speaker 46 (01:44:24):
Dog Sorry, got's go my dance breathe Bay.
Speaker 9 (01:44:32):
Boys, boots ray, the ote ticks all blotchow what.
Speaker 28 (01:44:39):
Sart A growl like wow, jacks all right up, it's
not story y'all black no whit so a ray whack
y'all a black dot SATs start by a silas.
Speaker 8 (01:44:50):
Sun a very wow y'all by eyes Well why side
bags of glassy.
Speaker 1 (01:45:01):
One nine think so down away? Why don't tell you
the one not out giving sony ninety six something long away?
(01:45:26):
Why where you're not the way? Then? Why bob?
Speaker 8 (01:45:40):
Why part don't they have to die?
Speaker 1 (01:45:48):
Why not? Why whatever? Oh like myst.
Speaker 23 (01:46:31):
Were like glass sissot why not class?
Speaker 1 (01:46:40):
Why not? God?
Speaker 9 (01:46:41):
So what don't say the class.
Speaker 14 (01:46:55):
Nine six a way.
Speaker 28 (01:47:05):
Not s?
Speaker 7 (01:47:16):
What if I was just to kick the ever love sh.
Speaker 1 (01:48:00):
Out of space.
Speaker 15 (01:48:02):
I don't know space.
Speaker 1 (01:48:05):
I don't know space.
Speaker 15 (01:48:10):
While we have the faily so much ever, dang, why
my ever coming?
Speaker 1 (01:48:25):
Now I'm gonna face.
Speaker 15 (01:48:43):
I don't know space.
Speaker 7 (01:48:45):
I don't know space.
Speaker 8 (01:48:48):
I don't know space.
Speaker 1 (01:48:51):
Out of.
Speaker 15 (01:48:53):
Child in space, out of space, out O say out
while we are so by day every day.
Speaker 1 (01:49:15):
Wild.
Speaker 21 (01:49:17):
Then I come down and I sat where the just
go over out down my man.
Speaker 1 (01:49:39):
And I leave.
Speaker 9 (01:49:42):
B I don't know.
Speaker 1 (01:50:23):
I don't know space.
Speaker 15 (01:50:26):
I don't know as fan.
Speaker 1 (01:50:29):
I don't know why.
Speaker 29 (01:50:31):
I don't know any thing.
Speaker 15 (01:50:34):
I don't know anything. I don't know anything. I don't
know would have been why we have ever? Somebody say
every day?
Speaker 1 (01:50:50):
Oh yeah, why the fly and then come in. I
don't have my face.
Speaker 15 (01:51:00):
I well let the jah, but then.
Speaker 1 (01:51:08):
My hand I land.
Speaker 8 (01:51:14):
Frob my, I believe felt.
Speaker 29 (01:52:17):
To look atlas. Here she comes the god that girl again.
Speaker 5 (01:52:24):
Run out the cutest if.
Speaker 14 (01:52:25):
I don't know when.
Speaker 29 (01:52:27):
But you don't honest me when I mas and you.
Speaker 5 (01:52:30):
Put on the gods by my head on my glass.
Speaker 8 (01:52:33):
But I can't stop me by my thinking to myself
to shave.
Speaker 29 (01:52:37):
I look a man, it's someone else, look alare Russ.
There's a cop.
Speaker 8 (01:52:51):
Fil jas to hold a couple your rochery.
Speaker 30 (01:52:56):
For by Now I can't apart the gas a brand.
Speaker 1 (01:53:00):
You can go to La down on my glass.
Speaker 49 (01:53:02):
That can't stop me from my thinking to myself because
I look a man, that's someone else.
Speaker 9 (01:53:15):
You look at them, just.
Speaker 8 (01:53:16):
Wait and see.
Speaker 5 (01:53:19):
What kind and save my door.
Speaker 8 (01:53:22):
I'm finding a count.
Speaker 29 (01:53:23):
Then I'm running the shoe shot me and I got.
Speaker 30 (01:53:26):
A wiggle round and around with the real shop.
Speaker 29 (01:53:29):
With a white top down.
Speaker 5 (01:53:31):
I keep all I dreaming out.
Speaker 15 (01:53:33):
I'm thinking to.
Speaker 29 (01:53:33):
Myself, well I'll come through. Man, Wow, got something else?
Look at al, what's up this?
Speaker 49 (01:53:48):
Never thought I do this before, but here I have
my knucking on the door.
Speaker 8 (01:53:53):
My goddamn run from.
Speaker 49 (01:53:55):
The top, mine supt you one job matter, troops, Deny,
goddamn girl did I'm thinking to myself to Chivalagaman, Wow, she's.
Speaker 3 (01:54:06):
Now all right, and that's a rap. Let's do the rundown.
Speaker 2 (01:54:21):
We just heard from mister sid Vicious with something else.
Before that, we had Mad Season with I Don't Know Anything,
which seems to be the theme music for twenty twenty five.
Because there's a lot of dumb, feat fucking people walking
out there. I tell you, pretty Scary, brand new music
(01:54:44):
from Shadows Fall in the Gray, brand new music from
Mammoth the End, a classic track of the Week from
Manta Hoopo with All the Way from Memphis. Before that,
we had our unsigned bands and I'd like to thank
every one of them for submitting music. We had Black
Country Communion with One Last Soul, Deep Deep Cut from
(01:55:07):
UFO looking out for Number One, Metallica doing the Misfits,
Last Caress and Green Hell. We had Corn doing Right Now.
We had the band the Dickies. Yes, do you remember
those guys from the eighties doing the theme music for
(01:55:28):
this Really Be? Or maybe even c movie called Killer
Clowns from out of Space. I think d Snyder's wife, Susette.
Speaker 3 (01:55:43):
Was the star of that movie.
Speaker 2 (01:55:45):
It's a bit of nostalgia if you'd like to check
it out.
Speaker 3 (01:55:48):
Pretty cool.
Speaker 2 (01:55:49):
It's called Killer Clowns from out of Space. Before that,
we had a Motorhead and Girls' School together doing Please
Don't Touch fu Man with Evil I Pat Travis Band
with Crash and Burn. That's Tommy Older Jon drums on
that one. Kids Chevelle with Red the Sex Pistols with
(01:56:11):
Body ac DC Touch Too Much, The Dead Daisies with
Holy Ground, and we started tonight's show off with a
brand new music from Suicidal Tendencies Adrenaline Addict. I will
be back next week, god Spare at eight pm. I
(01:56:31):
hope you all tune in and I'll have more of
the same. I got a couple of shows left, so
I'm thinking about doing maybe half all original, half not.
Speaker 14 (01:56:44):
I don't know.
Speaker 2 (01:56:44):
I'll figure it out, but either way, I'll see you
next week. Until then, baby, I love you long time. Yes, indeed,
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