FADE to BLACK host: Jimmy Church guest: Leo Walton

Tonight, researcher and author Leo Walton joins us to talk about his work looking into how ancient pyramids were used to end the last ice age... amazing conversation!

Episode Transcript

Speaker 1 (00:27):
This Hope Radio for the Masses. Headline of this move.

Speaker 2 (00:30):
July late nineteen forty seven.

Speaker 3 (00:33):
The Laudie Airport has an ounce but applying this has
been found and there's now in the possession of the
abbe that.

Speaker 1 (00:39):
The game is really changed, the game game Changer.

Speaker 4 (00:43):
I occasionally think how quickly our difference is worldwide would
vanish if we were facing an alien threat from outside
this work.

Speaker 2 (00:59):
This is Day to Black.

Speaker 4 (01:01):
It's your host, Jimmy Church on the Game Changer Radio Network.

Speaker 2 (01:08):
All right, welcome, How you doing Fade to Black? That's right,
how you doing? How you doing? It's Monday, September eighth,
twenty and twenty five. I am your host, Jimmy Church. Yeah,
let's do this, Mayana. So earlier today I was at
the dentist office and didn't do the live breaking news,

(01:30):
didn't have a chance to post it. There was going
to be no breaking news. I got a paniced email
from Renee what's going on? And yeah, I was in
the dentist's chair. But I'm okay, numbness has worn off
and I am here, So let's do this. All right,
We're kicking off another week here on Fade to Black,

(01:51):
and this week is a short week. There will be
no show on Thursday because I'm going to be off
taping some more episodes of Beyond Belief. Yeah, I'm doing
that for you kids, all right. But tonight, Captain Leo
Walton is here. We're gonna be talking about ancient pyramid
technology and a bunch of other subjects too that fall

(02:13):
into and underneath that category. Tomorrow night, Colton Scribner, PhD
is with us. We're gonna be talking about tomorrow night,
why do we crave the creepy? Yeah, this scary? Why
do we do this? This is what we're gonna talk
about Tomorrow night and then Wednesday night. Check this out.

(02:36):
I know this seems strange, first time he's been on
the show, and I don't know why. Ryan Bloodsoe is
here and I've called the show the Bledsoe Family because
that's what we're gonna be talking about. His paranormal and
supernatural and ET and alien contact experiences and his own

(02:59):
take on it, plus his family and what is going
on out there and what they have gone through and experience.
So all of that. Big show on Wednesday night, big
show every night this week, and then of course Thursday night,
no show. We are off air. Yeah, I wish I
could say it was taking a break, but no, I'm

(03:20):
up early in the morning on a plane doing my thing.
And I'll be back just in time to work this
weekend right and get ready for Fade to Black next week.
And I do have six events coming up, and all
of these are in twenty twenty six. Conscious Live Fax
Bofebruary twentieth through the twenty third of the Lax Hilton.

(03:42):
Then I've got the Contact Modalities Expo May first through
the third in Delavan, Wisconsin at Delavan Lake. Then I've
got Contact in the Desert May twenty eight through June first,
tickets available on Thanksgiving Day. Then I go south for
the Peru Inca Celebrate of the Sun with Brian Forster
that is June twenty third through July first, twenty twenty six.

(04:06):
Come back from that head over to the UK for
the Monty Python Tour of Scotland and that is August
first through the ninth of twenty twenty six. That's a
game changer for me. We're going to all of the
set locations and all of the castles and everything else
from Monty Python in the Holy Grail, and I gotta

(04:26):
tell you. If you want to do a tour, that's
the tour right there, man, So come and join us
over in Scotland. I come back from that and head
back to Peru and Eastern Island. And that is November
twenty twenty six. All right, all right, So that sets
the stage. Here we go for another week. I'm fate
to black tonight, Captain Leo Walton is here. And now

(04:51):
here's the thing, my how do I say this? How
do I say this correctly? And night we're gonna deal
with advanced energy systems and what the pyramids may be
and I think that we can all agree that most
of them are not tombs. But we're going to talk

(05:12):
about that tonight. In his research, we're going to talk
about Osiris. We're going to talk about the shaft. We're
gonna go all the way to Nasca in Peru, which
I'll be visiting a couple of times next year. I
went twice this year. Very fascinating research. We're going to
talk about new translations of hieroglyphics. We're going to talk

(05:36):
about that and all of the research and how he
has gotten into this. Now his links are below so
you can click on that we've got them over on
our website and throughout social media, and there you go.
And so I would like to welcome for the first
time to Fade to Black Captain Leo Walton. He's right there,

(05:58):
live from the United Kingdom. Welcome to the show, Leo.
How you doing.

Speaker 5 (06:03):
I'm doing great, man. How are you love the guitars?

Speaker 2 (06:06):
Dude?

Speaker 1 (06:07):
I'm a guitarist.

Speaker 2 (06:08):
Myself, are you really?

Speaker 1 (06:11):
Yeah? I'm a fingerpicker.

Speaker 2 (06:12):
Yeah, everybody, Leo, Leo, let me tell you something I have.
I have one hundred guitars in this room, okay, and
they're hanging all over the place, right, They're all over. Now,
here's the deal. Every guest, every guest that I have

(06:33):
on the show, you're not planning a flag. Every guest
that comes on this show goes yeah. Man, yeah, play.
I used to play. I play. I got a guitar? Yeah, okay,
all right, all right? What kind of guitar do you have?

Speaker 1 (06:49):
How many? No?

Speaker 2 (06:50):
What kind have?

Speaker 1 (06:53):
Oh? What kind?

Speaker 5 (06:55):
My favorite is? I've got six guitars and one on
my I've head since I was twelve years old. But
my favorite, I've got a tailor T five that I
fell in love with. Yeah, that's my favorite one. I
like the Resignator guitar since I'm a finger pick.

Speaker 2 (07:16):
Yeah, yeah, those are those are cool too.

Speaker 5 (07:18):
Yeah, Fender Fender with the big you know, singing ball
within it. So my style was kind of like Lizzie
Buckingham or Mark Knoppler, you know, the whole picking style.

Speaker 2 (07:33):
Yeah, that's that's awesome.

Speaker 5 (07:34):
But I have a Joe Satriani attitude.

Speaker 2 (07:39):
O man. Yeah, yeah, finger picking and acoustic guitar work.
I've got a few acoustic guitars. It's not really uh,
it never really was what I focused on. I didn't
have the time too, but I really appreciate somebody that can,

(08:01):
you know, play the acoustic guitar. It's a it's a
total different approach what I do on these things. You
can't translate it over to I have over here. I've
got an acoustic stratocaster and I also have an acoustic
telecaster and they're over there. Those are Fender guitars. They

(08:23):
are really nice and that they both play closer to
an electric neck but have an acoustic sound. Yeah, and
they're pretty cool. They're pretty cool. But you get the
first time guest disclaimer, So let's get that out of
the way before we start talking guitar all night, Leo.

(08:44):
It's just you and I sitting on my couch having
a conversation as friends. And where the conversation starts, it starts,
and where it ends it ends. But we're gonna end
as friends. So you have to accept so we can
move forward. You accept, Let's go all right? Cool?

Speaker 1 (08:59):
Yes, sir?

Speaker 2 (09:02):
I do a lot of shows, Leo, on the Pyramids
and alternative uses and so forth. I do a lot.
It's something that I've always been fascinated with over the years.
What got you into this.

Speaker 5 (09:20):
Well, what happened with me, Jimmy, was in two thousand
and seven. I never had any real drawl to the pyramids,
other than one day I'd like see the Great Pyramid,
you know. But in two thousand and seven, I suffered
a significant electrical shock. I was knocked thirteen feet was

(09:43):
unconscious for I actually was in now Wacoma for three weeks,
and when I came out of a coma, it took
me a long time to get my head straight and everything.

Speaker 1 (09:56):
But all of a sudden I started.

Speaker 5 (10:00):
Reading a little bit on pyramids, and the next thing
I know, I became the mashed potato Man on the
Great Pyramid and dove into the Great Pyramid. Really seriously,
I've been doing this research about seventeen years. I actually
introduced my theories for the first time at Edgar Casey's

(10:23):
Are in Virginia Beach, Virginia, which was a real honor
to go there, and that was in twenty fifteen. So
I've been putting things together for a good while. And
what I felt, I'm a really good person because of
my experiences at being able to kind of reverse engineer things.

(10:46):
But I started having visions that I would see things
in my mind, and I have hundreds and hundreds of
drawings that I've drawn over the years that led me
to a lot of my hypothesis that I've come up
with and led me to kind of were signpost along
the way to look over here and investigate this, consider

(11:10):
this perspective. I was a own my own company for
fifteen years. I was a marine forensics investigator, so I
looked at things in detail. I did over two thousand
and five hundred forensics investigations. Two hundred and fifty of
them or more were lightning investigations, so I have a

(11:33):
lot of experience with lightning plus, I've been in five
lightning strike events. Two of them struck me directly. One
of them blew a crown off my tooth. So I
had this real crazy relationship with energy from a number
of perspectives. But it made me into a They call

(11:55):
me a geo mansion or electromagneto guy because I can
close my eyes. I'm so sensitive to frequencies that I
can tell you the four corners precisely, which is an
interesting trait to have, but it makes you sensitive energies.

(12:18):
But when I did that presentation in twenty fifteen at AR,
I was convinced that the Great Pyramids function was to
create hydrogen hydrogen gas, and I ended up over time
learning that I was correct and wrong at the same time.

(12:40):
The main purpose of the Great Pyramid it's multifunctional. I
call it the Swiss Army Knife of pyramid systems, and
that's why it will always be the Great Pyramid. The
other three systems I figured out on their purpose, the
Bossian Pyramids and two UoN or much more simpler in design.

(13:04):
But the Great Pyramid is just a magnificent device. But
what I learned was ultimately that you what I didn't
realize at the time, is it you need to make
hydrogen to make plasma. And so I had found the

(13:24):
first real stage of the process. And then I learned
that ultimately the Great Pyramid is creating plasma in many
many ways and that's its main function.

Speaker 1 (13:38):
And that is why.

Speaker 5 (13:39):
The Sahara Desert was green. You can't grow foliage and
sand unless you've got a real good top soil and
a lot of rain, you know, to make it green.

Speaker 1 (13:55):
But plasma.

Speaker 5 (13:56):
And I know this for a fact because I had
a friend of mine, British guy that was living in
the Caribbean when a hurricane hit about ten years ago
down there, and his passion is plasma. He makes all
kinds of plasma devices, formulas that you drink and whatnot.
And after the hurricane they went and just basically made

(14:20):
tons of plasma water that all the crops have been destroyed.
That they took an area, and man, the crops just
took off growing anywhere. So they were able to recover
having fresh vegetables in a really short period of time.

Speaker 2 (14:38):
What is the plasma? What is plasma water?

Speaker 5 (14:42):
Plasma water? He hits an electrical process that he does
that he creates. It's kind of like you've seen these
little bottles that you make hydrogen in their little tiny jars.
You pour a little water in and you hit the button.
It's an electrolysis process and it makes hydrogen in the water. Well,

(15:02):
it's another process that goes with that that he makes
the plasma. So like I say, you need hydrogen. Vita
Austin you may have heard of her. She's become real
famous lately with her consciousness where she actually Jesus consciousness
in water.

Speaker 1 (15:23):
She'll have thoughts or be.

Speaker 5 (15:26):
Have an idea in her mind and she'll imprint that
into water and put it in the freezer and it
literally makes the images. If you haven't gotten into Vita Austin,
you're gonna be blown away with her techniques.

Speaker 1 (15:39):
And she trains everyone to be able to do that.

Speaker 5 (15:42):
But she has a statement that I kind of coin
from her influence. She says, plasma is the brains of hydrogen.
So it's really really really interesting concept. And plasma is everywhere.
Our eye, own sphere is plasma. Our blood system is

(16:06):
fifty five percent plasma, the male semen is ninety five
percent plasma. So plasma is all over. It's the number
one ingredient in universe. As a matter of fact, in
outer space because of where I live, I know a
lot of scientists and whatnot in NASA, and lots of

(16:28):
astronauts out of the Hampton, Virginia area and physicists whatnot.
But the International Space Station, before the astronauts go out
and do the floating in space, you know, like they
do experiments or repairs or whatever. Before they go outside
into the environment, they have an electrical grid that they

(16:52):
built outside the International Space Station that they power up
because if the astronauts go out without powering up this grid,
they get covered with what they're called. They call them
plasma jellyfish. And plasma most likely is going to be

(17:13):
in a positive category and humans are negatives, so they're
most likely attracted to our energy field, and that's why
they get covered in these plasma jellyfish. It's kind of
a bizarre story, but that's what I hear through the
grapeviond Okay.

Speaker 2 (17:29):
So, water water plasma is a term referring to water
that has been exposed to a plasma state of matter,
a highly ionized gas which creates plasma activated water pa W.
The PAW contains a variety of reactive chemical species like

(17:50):
reactive oxygen and nitrogen species rons such as hydrogen peroxide, nitrate,
and night trite and night trait. Due to these active constituents,
PAW is used for applications like surface disinfection, food decontamination,

(18:10):
and enhancing plant growth. There you go, that's and there
you go.

Speaker 1 (18:15):
Man, I'm telling you it's that stuff.

Speaker 2 (18:17):
Yeah, pretty.

Speaker 1 (18:19):
Yes.

Speaker 5 (18:20):
Number one ingredient in New Universe is plasma and its abundance.
Where you have plasma, you have life.

Speaker 2 (18:28):
Okay, so let's back up. Let's back up. That's very interesting.
I love learning something on the show, and I just
learned something, and so did the rest of the audience.
You said that you figured out the first stage at
the Great Pyramid, which led you to right, what was
that first the first stage that you discovered? And did

(18:49):
you did you check out Christopher Dunn's work?

Speaker 5 (18:53):
Oh yeah, yeah, yeah, of course. Yeah. I've been at
two conferences now with Chris, and what happen with me
is I was stumbling around and bumbling around reading all
these different texts and everything, and like I said, I
fell in the deep end of it and I actually
contacted I.

Speaker 1 (19:13):
Want to talk.

Speaker 5 (19:14):
There's some people with the Eggar Casey group that is
big at the Pyramid Research and all. And I wanted
to talk to the gentleman there involved in that. And
I contacted Aar and they didn't send me his information.

Speaker 1 (19:29):
This has been some time ago.

Speaker 5 (19:31):
This has been seventeen eighteen years ago probably. Anyway, they
sent me information on Christopher Done. I said, why'd you
send me information on Christopher Does? I was interested in
the other guy, but I read his book and it
hit me right in the face being you know, I
come from a nuclear building, nuclear reactors, mechanical engineering background,

(19:56):
pumps the fire suppression system pump into twin towers. I
was the project manager engineer that went and removed those
that pump out of there, rebuilt and put it back
prior to nine to eleven. So my pump that I
did probably saved over sixty thousand people's lives.

Speaker 1 (20:20):
That allowed them time to.

Speaker 5 (20:21):
Escape the buildings and everything, which is something that I
didn't plan on for certain. Let me tell you, it
really surprised me when all of that occurred. And we're
right here at that date to again, so it's kind
of an interesting period for me. Well, the question was
with the mechanical background developed Leo.

Speaker 2 (20:43):
The first stage that you figured out what was it?

Speaker 5 (20:47):
Okay, it was well. I figured out the Great Pyramid
and how it worked. Chris Dunn kind of keyed me
to see that it was not a tomb because I
always believed it was a tomb like everyone else. And
I just started putting components together until I figured it out.

(21:08):
John Cabin figured out the pump in the bottom. I
started working the mechanics, the dynamics. I'm real good at that,
being a pump, a vertical pump engineer. I knew how
the dynamics and flows. I put the whole system together,
how the water moved through all of the different areas

(21:29):
in the Great Pyramid, and I figured out a lot
of the way the water moves through there and prior.
There's fourteen systems in Egypt I've identified, and they all
line up with a Taurus constellation. But anyway, I ended
up figuring out that the water was circulating through there.

(21:52):
You know the circophicus in the King's Chamber, which I
call the reaction chamber. You've been in there, I'm sure
I seen it, and you see how worn it is.
It looks like it's had some kind of chemical or
caught on fire or something. But we must realize that
that sarcophagus is fifty five percent quartz crystal clear course crystal,

(22:16):
which means it's pso electric. It's floating in a water environment.

Speaker 2 (22:23):
And the.

Speaker 5 (22:25):
I learned this from Chris Dunn. The floor of the
King's Chamber is not solidly fixed in there. It kind
of just sets there loose. So when that pump that's
one hundred feet below the Great Pyramid, when it makes
that it's a simple pump, and when it makes that

(22:46):
big boom, every second it beats sixty times a minute.
So every time it does this, if you look at
John Cabin's work, it sends resonance up through the whole
pyramid because it's one hundred feet below the ground below
the pyramid. Okay, so if you go underneath the reaction chamber,

(23:13):
the King's Chamber, there's a big void in there, so
it's like a big sub wolfer. So you've got this
residence being captured in this pyramid shape. It's being sent
up to the top of it. All of that energy
from that pump. And this pump they figured out the
technical engineering on it's three thousand two hundred psi is

(23:37):
what it's capability. That's a lot of juice. So you've
got a lot of force running through that pyramid system.
Now what happens is the water gets disassociated and the
whole system is designed from Lake Malice. There's two tunnels
at Lake Malice. I don't know if the images that

(24:01):
they showed it looked like a little island setting in
Lake Maulurice with two little small kind of like pyramids
on them with statues on top. Those systems that are
actually at the bottom of Lake Maulurice right now. They've
actually been verified with this satellite archaeology some years agoing

(24:22):
to say statues are still there. I believe those are
actually a system that opens up the water from Lake Maurice.

Speaker 1 (24:33):
To flow through the tunnels. You've got to understand.

Speaker 5 (24:36):
The nile fly funting flows from south to north, which
is backwards for most rivers, So it means Lake Mauly's
is at a much higher altitude than the Giza Plateau,
so water drains downhill. So all these tunnels that have

(24:56):
been built from Lake Maurice that go to all the
other systems scattered about. I've identified each one of them
and all the whole focus like what's a gentleman's name, Drumming,
Jeffrey Drumming found the chemicals being made in the Red
Pyramid and whatnot. And I can tell you I've been

(25:20):
in the Red Pyramid and it still takes your breath.
They closed that in nineteen sixty seven because people were
fainting in there from ammonia smell, so they didn't open
that again until nineteen ninety seven. Took them thirty years
to try and get to stink.

Speaker 1 (25:36):
Out of it.

Speaker 5 (25:37):
But anyway, all of these things are chemicals. They are
rough environments, like the serapeum with all of those big
circophicus in it, that is designed to structure the water
and disassociate it. And it's seawater. Lake Maurice is a

(25:57):
salt water aquafer and you need salt water to make hydrogen.
So if you started the source from Lake Maurice, you've
got the fuel right there that you need. And it's
got like four special ions in it that because it's
salt water that others don't have. So all of this

(26:18):
is designed to take the water, structure the water, do
things to it chemically, and with the kinetic energy flowing
through the tunnels with the pressures. All of this, the
design of the inside of the pyramids all designed to
disassociate the water molecules, to separate the hydrogen and oxygen.

(26:42):
That way you have hydrogen. Therefore you can create plasma
from it. So what's going on. Also, let's go back
to the King's chamber. Above the King's chamber, there are
five seventy ton red granite blocks above, stacked on top

(27:06):
of each other with an air gap between them. They've
estimated these red granite. They are seventy tons and fifty
five percent clear Courtz crystal. That means if you've got
five times seventy you're ending up with over two hundred

(27:26):
tons of piezo electric clear Courtz crystals. Now, if you've
got to understand what pizo electric means a clear Courtz crystal,
Nikola Tesla said, they're not a stone, they're not a mineral,
They're a living being.

Speaker 1 (27:48):
They are used.

Speaker 5 (27:50):
You know, the little grill later we have. It's got
the clicker on with a long barrel. When you're going
out to cook your barbecue, you that grill lighter to
light your grill. Everybody thinks it has a battery in it.
It does not. It has a little tiny quarter inch
sliver of crystal, and when you hit that trigger, it's

(28:12):
a hammer and an anvil, and every time that anvil
hits that crystal, it sends a spark out. It creates
mechanical energy, creates the electric energy, and that wire that
comes at the end of that thing is glued to
that crystal, so it takes that spark that it generates

(28:36):
when you click it and sends it to the end
to light the flame. One of the gentleman that introduced
me and invited me to speak at the AR to
introduced my pyramid theories is a NASA retired rocket scientist

(28:58):
and he was dominated for the Nobel Prize because he
invented our global GPS satellite system. His name's Neo hem
and he was attracted to my theories. I guess he'd
never seen anything quite like it before, an interest and
allowed me the opportunity to speak there at AR. Anyhow,

(29:22):
he told me because we were talking about pzo electric energy,
and he says, Leo, and this is something that attracted
him to me is because of my interest in pzo
electric he says, LEO. Every satellite orbiting the Earth, the
navigation system is not like an electric battery. It's pzo electric.

(29:47):
We have quartz crystals in every satellite that controls the
navigation system. And the reason being that they use the
quartz crystal is every time you hit that Courtz crystal
if it if that crystal lasted a million years and

(30:08):
you hit it every minute, it is going to give
you the exact same voltage out of it. And that's
why they use Courtz crystals. And the only way it's
going to quit working is to have a mechanical failure
with the anvil or either the crystal itself becomes compromised.

Speaker 2 (30:31):
So yeah, let me let me jump in, Let me
jump in. Just say one thing really quick. You mentioned
the stones above the King's chamber there. Uh, I just
want to be very clear on this and transparent. There
are there are five relieving chambers above the King's chamber,

(30:55):
each each level, and there are five has nine granite
blocks in it. There are a total of forty granite
blocks above the King's chamber, not five.

Speaker 5 (31:10):
Okay, I haven't heard.

Speaker 2 (31:11):
That's very important news. Yeah, yeah, no, no, no, that's that's
that's been known for quite a while. I've been I've
been in the King's Chamber a few times, and I
just want to be very clear about that. All yeah,
all right, So there's yeah, there's forty blocks, average weight

(31:33):
of around seventy tons for sure, and all of those
came from allegedly from Oswan about five hundred miles away.

Speaker 5 (31:42):
So we're talking even more piezy electric.

Speaker 2 (31:45):
Well yeah, and then you have the King's Chamber itself.

Speaker 5 (31:49):
Yeah, well, everybody thinks that, go ahead. Everybody thinks that
the Great Pyramids capstone was stolen. Well, my theory is
the Great Pyramid never was designed to have a capstone
because you've got all this piezoelectric that's inside.

Speaker 1 (32:12):
So it's basically our grill lighter.

Speaker 5 (32:16):
So we've got the mechanism at the pump in the bottom.
It's creating the mechanical force. It resonates up through and
it causes a discharge of all that. Man, can you
imagine of old tach that must be coming out the
top of the Great Pyramid. Okay, why is it doing this?

(32:36):
It's because I believe in twenty twenty four last year,
we had a real rash of coronal mass injections from
the sun, okay, which are plasma injections okay, and these
plasma injections are coming in a powerful rate in our

(32:58):
Iona sphere, which is a membrane full of plasma. It
penetrates that membrane. Okay, typically the Iona sphere of the Earth.
I'm all over the place because it's many, many facets
to this, but I'll bring it, bring it closer together,
so you can see. Our plasma membrane operates as a

(33:22):
diurnal system. The temperature range in that between daytime and
night time is about five hundred degrees. It actually goes
below zero. It's really cold in there. But maximum temperature
during the day typically on the average is four hundred
and forty degrees fahrenheit. Okay, that's how hot the energy

(33:48):
is in our membrane floating protectness from the Sun's rays.
All right, So what happens like you remember all the
Aurora Borea and you can see them so much further south, Well,
the Aurora borealis is you're actually seeing the plasma. That's

(34:08):
the literally the IONI sphere. So the Iona sphere at
night is this big. During the day, it's this big,
and that's the mechanism that happens on the Great Pyramid.
So the Great Pyramid is sending this about a fourteen golly.

(34:29):
I forget the exact measurements off my head, but that
square on top of the Great Pyramid shoots an pisio
electric discharge up. Now, the difference in the relationship, the
closeness to the Earth.

Speaker 1 (34:47):
During the day, the Ioni.

Speaker 5 (34:50):
Sphere is thirty seven miles above the Great Pyramid. At
night time it's fifty four miles away. So I believe
that is actually the diurnal system that they move thee
bonisphere past the range of the piezo electric. Thing about plasma,

(35:13):
and here we're talking pizo electric, lightning, plasma and pisio
electric are all plasma.

Speaker 2 (35:27):
What's it used for?

Speaker 5 (35:31):
What's it used for? It's to bring the heat down
to the earth. Like I said, my theories are all
based on heat and melting the ice.

Speaker 2 (35:44):
So melting the ice age was the reason.

Speaker 5 (35:47):
But it's like I said, it's complicated system. We've got
to go to the Osirus's tomb to really get to it.
But the Great Pyramid, like I said, it's so many
components to it.

Speaker 1 (35:57):
If it's shooting up, okay.

Speaker 5 (35:59):
It's so Basically when the the coronal mass injections when
they hit the Ioni sphere. The scientists at mass I
read the reports that they did from all the analysis
on the influence that the coronal mass injections last year
had on the ioner sphere. It raised the temperatures in

(36:23):
the ionosphere up to two thousand degrees. The sphere was
factor so that's why you can see it so much
further south because that membrane is expanded. So that is
what the the Great Pyramid was doing too, That was
the influence it had on the Iona sphere.

Speaker 2 (36:44):
Okay, let's stay talking. Okay, hold on, let's stay focused here.
Let's stay focused. I like where you're going with this.
So what you're suggesting, let's let's put this in a
you know, let's just put put a bow on this
and wrap this up, all right. So what you're suggesting
is that the Great Pyramids and other pyramids, not just

(37:05):
the Great Pyramid around the world were constructed during or
even before, but during the last ice Age to end
the Ice Age? Am I understanding you correctly?

Speaker 5 (37:21):
Yes, I've determined five pyramids I believe were involved in this,
and possibly more. Now I've only written this first book
I've come out with. There's two more behind it. Already written.
I just got to update them and publish them. But
I've got about it's gonna be about fifteen hundred pages,

(37:44):
three manuals. That's going to explain the entire system pretty much,
and probably some satellite books come out of it from there.
But the back, you know, the younger driest period is
a real mystery. A Graham Hancock came up, you know,

(38:04):
with the comet impact in Greenland, and I've done the
extensive comet impact research in the largest comet to impact
the North American continent is the one that formed the
Chesapeake Bay.

Speaker 1 (38:21):
And I did all of.

Speaker 5 (38:23):
The research that the scientist said on how much heat
came from that, what influence it had on the Earth
as far as elevating the temperature or whatever. And yes,
it changed the local area as far as the geography
when you take something that big and run in to
the ground, But the significance overall, the scientists claimed it

(38:49):
never affected the heat and temperature of the Earth, not
for a minute. And so when I look at comets
and I realized that, let's talk about the ice sheet,
that it's two miles thick in the Pacific Northwest and
most of the North hemisphere. We literally have a two

(39:10):
mile thick block of ice on the entire and any
kind of impact from a meteor is it's gonna burn
out really quickly. And so you're talking about having to
melt a two mile sheet of ice. And the Ice
Age lasted between two point four to three million years, depends.

Speaker 1 (39:29):
On who you talk to.

Speaker 5 (39:32):
So I believe that whoever there are brains bigger than
ours that decided where to put these systems and how
to make them function and work together. I believe that
humans on this planet were really really held to a

(39:55):
low level of abundance and lifestyle during the Ice Age,
and we weren't allowed If I considered the Earth as
an experiment, and we are experiments, the Homo sapien, they say,
according to Smithsonian, we are the twenty first edition, and
they already have decided what the twenty second is going

(40:18):
to be. It's Homo superiors. But anyway, not getting off
on that tangent, so I started saying, Okay, somebody came
up with a plan to try and get so you're
talking about the whole Ring of Fire volcanoes. It's like
over four hundred and fifty active volcanoes there they were frozen.

(40:41):
Magma is seventy percent water, so they were frozen. They
were dysfunctional. They could create any heat on the Earth
with the volcano system. What happened with me once I
figured out the Great Pyramid and all the other systems there,
I've decided to really dive into os Cyrus's tomb. And

(41:03):
the thing that got me on o Cyrus's Tomb that
really caught my eyes. All of the systems at Geezer
aligned perfectly, except the wall of the crow is not
aligned perfect. And there's a temple right in front of
the sphinx. You've been there, you know that temple that
aims right at the sphinx. Okay, there's a lot to

(41:24):
that anyway, So I said, o Cyrus's tomb. You know
a tsarih washed jj Hertack and his bride Desiree. They
actually the first to discover o Cyrus's tomb in nineteen
ninety six or ninety seven, I believe it was. And

(41:46):
then after they were there, they tell a really interesting story.

Speaker 1 (41:51):
They were down there and we're survey in the area
to see it was so much mud. Then this is.

Speaker 5 (42:00):
What I heard from all these people when I got
into Cyrus' tomb. It was so full of water nobody
could really get down there and see anything thing. So
I heard that they pumped it out, so I said, okay,
I'm going to start calling around. I'm going to find
somebody that was involved in this. It can give me
the information I found out.

Speaker 2 (42:19):
The respont You haven't been down there.

Speaker 5 (42:22):
No, I haven't been down there myself. I used all
of the information that Zaiyah Wash did. He went and
surveyed the whole area, so I used his measurements, and
my hats off Tony did it looks like a pretty
good job on that actually, But I used all of
those measurements to come up with what I needed to

(42:43):
figure it out because it's three levels and it would
bring the plasma water off of the causeway that's where
the entrance is, off of the second pyramid. I believe
that the Great Pyramid shoots a beam of piezoelectric up
every second into the IONI sphere. When that energy retracts,

(43:08):
it's going to have plasma attached to it because that
piezoelectric is negative, so you're shooting it into a plasma
environment a positive They're going cling to anything in there
and when it retracts, it's coming back to the Giza Plateau.
The second Pyramid. They've always said the foundation for it

(43:31):
is much larger, that there must have been a larger
pyramid built on it. I say no, it's a heat sink.
That pyramid was designed to capture this stray plasma energy,
which we're talking four hundred and forty degrees at least
coming down on the Giza plateau. Plasma loves limestone limes,

(43:56):
and that's limestone bedrock. I mean the sphinx is carved
out the limestone. Plasma is faster than light. It is
a scalar energy because I know nuclear radiation.

Speaker 2 (44:11):
Okay, it's faster than it's faster than.

Speaker 5 (44:14):
Light, faster than the speed of light. If you blink
your eyes, energy coming from that Ocyrus tomb could go
all the way through the Earth and be back at you.
And the time it takes you to blink your eye
how fast it is. People don't realize. In nuclear energy,
let's talk alpha rays, beta raised. They are particles, gamma,

(44:39):
lots of gamma in plasma, and gamma is produced. It
is a wave. It is electromagnetic frequencies just like an
AC motor. With an armature and all that is how
Osirius Tombe works circulating plasma water around. When they first

(45:01):
went into Cyrus's tomb, there used to be four columns
built in there that were knocked down. Somebody destroyed them
on purpose to make that system dysfunctional. I found the
same thing in Bosnia. They made the systems dysfunctional by

(45:22):
filling up the tunnels full of gravel so they would
not work. So this system in o Cyrus' tomb is broken.
We would have to put those columns back up because
it's magnetic. The water circ You've got an electromagnetic gamma

(45:42):
water plasma circulating, and the O Cyrus' tombs one hundred
and eight feet underneath that is three big openings that
drain into another tunnel below it that comes out of
the tomb of the birds and runs straight to the sphinx.

(46:06):
The sphinx has got a hit a hole in it
about this big and its head that they filled up
with concrete to keep it from flooding the tunnels. Okay,
that's where a lot of water.

Speaker 2 (46:19):
Okay, let me let me stay with you on this.
I I understand and know about most of this. So
what you're saying is that the tunnels, the cave system,
I should say, from the Tomb of the Birds goes
underneath the Great Pyramid and is connected to the Osiris shaft.

Speaker 5 (46:45):
Okay, the the from the Great Pyramid, it goes to
a Cyrus's tomb with the water it's created there.

Speaker 2 (46:55):
No, I'm saying, you've got back. You know, you said
from the Tomb of the birds though, that's.

Speaker 5 (46:59):
Where right right, Well, the Tomb of the Birds is
underground and it feeds. It doesn't feed O Cirus' tomb.
It goes below it and it captures the water coming out.
That's where the water goes O Cirus' tomb. It all
drains in this tunnel that runs to the Sphinx.

Speaker 2 (47:20):
Okay, but you mentioned the Tomb of the birds, so.

Speaker 5 (47:24):
Oh yeah, Well, the Tomb of the Birds is kind
of like a distribution point. That's where the water comes
out of the Great Pyramid and its distributed to the
other two pyramid systems and two goes underneath O Cyrus's
tomb and goes to the Sphinx. So it literally is
the distribution center for that whole Giza plateau. And that

(47:50):
is what its function was is it comes out there
and then sends it and everything's designed to be metered
to have a certain flow. Is really really like I say,
I've done all of the design components on this, and
everything is so perfectly perfectly designed. I've discovered over one

(48:11):
hundred scaler energies on the Giza Plateau area that all
come together and work together. You know, the hermes. You know,
if we take all of these energies and mix them together,
we'll have something really powerful.

Speaker 1 (48:26):
And that's exactly what they did. It's ingenious, ingenious.

Speaker 5 (48:32):
But what happens is all of that heat that they're
capturing is going in that big slab of limestone and
heating the earth there. And what's below all of that,
it's a car system. Are you familiar with car systems that.

Speaker 1 (48:49):
Are all over the Earth.

Speaker 5 (48:51):
The mammoth caves, the largest caves on the planet, are
car systems, which means they're limestone. The thing about limestone
is if you have any water like rain water that
goes through them, it eats all these caverns in them
that was all he roded away by water that used to.

Speaker 1 (49:13):
All be stone.

Speaker 5 (49:13):
To mammoth caves, this is all what's underneath the great
pyramid systems in Giza. It's this same thing and water
it's circulating through there, and it's low level there. You know,
we're talking real low elevation at the Great Pyramid down there.
That's not a real you know, you're close to sea

(49:34):
level there, you know, within one hundred feet or so,
So you're talking about a lot of water infiltration. The
Nile used to run by there, so you know, it
would saturate anything in the ground through there. But with
the new dam that they put in.

Speaker 1 (49:50):
There some years.

Speaker 5 (49:51):
Ago, they moved the nile or it's eight miles away
from the Giza plateau. Now that system's not even anywhere similar.
But anyway, what happens is that water we're getting kind
of back and forth. But that water that flows out

(50:12):
of there goes out in straight into the sphinx and
it goes out the head. The sphinx I have listed
as what they call a ground based cloud seating device,
And I figured up the all of the formulas on
the water pressure shooting out the head at thirty two

(50:33):
hundred psi plus an eighteen inch hole, it would shoot
the water up between six thousand and six thousand, five
hundred feet. This is Why so you're shooting plasma water
up in the air six thousand feet twenty four hours
a day, two hundred and ninety five days a year,
your Coreyalis effect, the Mediterranean cyclone, the directions and all

(50:58):
of that of the weather systems, way they come over,
Hurricanes come out of the medi ranean sea, all of
them form there. Okay, so what we're doing is we're
Corelis effect. We're rotating around, We're spraying water up in
the air. That is what made this a hard desert green.

(51:18):
You had this operating for I figured these systems operating
two cycles, beginning in thirty two thousand BC, and the younger,
driest period is when they shut them down. And I
claim that because there was an event in America, and
it was a really catastic event in fourteen thousand, five

(51:41):
hundred BC called the Bonneville Flood. Scientists still can't figure out.
Typically when you have floods, it's numerous times, it's repeated
over and over and over again. This was just one flood,
and it was magnificent flood. And it was all underneath
the ground, okay, all underneath the ground, and it created

(52:01):
the great basin that they used to water all the crops.
It's all in the midwest of America. That's where that
came from. It came from all this water. It melted
in fourteen and a half thousand BC. So scientists just like, well,
we can't figure it out. You know, where did it
come from? It was a two mile thick block of

(52:23):
ice and we had this huge flood underneath.

Speaker 1 (52:26):
Well, my theory saw that saves all that.

Speaker 5 (52:29):
What happened at Ocyrus's tomb, Now let's go back there
is I said, why is this tomb not aligned perfectly?
I said, why is this tomb aligned? I figured it
up and it was actually one point twenty one point
five to the east and two hundred and forty three
degrees to the west. So I said, why in the

(52:53):
world is this system one hundred and eight sacred? That's
sacred geometry one hundred and eight. It's a very special number.
The relationship between the Earth and one hundred and eight
and the sun, it's all one hundred and eight. And
now we've got Ocyrus's tomb at one hundred and eight
feet deep. The water is captured off of the causeway

(53:15):
that comes out of the second pyramid, and it's one
hundred and eight degrees. It's pointed at one hundred and
eight degrees. I'm like, we got all this sacred geometry.
It's related to our universe. What's going on here? Why
is it pointing? I said, okay, So I went to

(53:35):
Google Earth. I said, let's take this two hundred and
forty three degree measurement from right at o Cyrus's tomb
and see where the hell it goes.

Speaker 1 (53:46):
So I went and I pretty.

Speaker 5 (53:48):
Much traveled all the way across Africa, and pretty much
all saw was sand everywhere. I didn't see no other structures,
no anomalies that caused me to want to stop and investigate.
And I ended up this is going to blow you by, okay.
I ended up on the shore of the Atlantic Ocean

(54:09):
in Casablanca. I said, all right, I've gone all the
way across Egypt. I found nothing. So I'm going across
the Atlantic Ocean and see where this goes. So I
head across the Atlantic Ocean and I'm taking my time
and making sure I'm staying on so I'm really being

(54:30):
stopping and looking every once in a while where I'm at.
So I go across and I land in Ocean City, Maryland,
in the harbor in Ocean's right in the harbor in
Ocean City, Maryland, like it was. I was taking my
boat there anyway, I said, Okay, well I'm in America.

Speaker 1 (54:46):
Now I'm going to check.

Speaker 5 (54:48):
I'm going to set my mile aage to zero now
that I'm here in Ocean City, Maryland, and let me
continue on two hundred and forty three degrees and see
what we hit. I went one hundred and eleven miles, Jimmy,
and uh uh, I thought I was insane even, Okay,

(55:12):
one hundred and eleven. Another sacred number right landed on
top of the Washington Monument.

Speaker 1 (55:18):
Jimmy figures, this is what's also Freemasons.

Speaker 2 (55:23):
You know what they're doing. Yeah, Freemasons.

Speaker 1 (55:25):
Yeah, somebody knows what's going on. And let me tell
you this.

Speaker 5 (55:29):
The Washington Monument is on the lawn of the White House. Okay,
you know they're looking right at the Washington Monument. Guess
what cosablanca means in English?

Speaker 2 (55:41):
I thought that capital. I thought the Capitol building was
behind it.

Speaker 5 (55:46):
Well, the Capitol it's on one side of it. White
House is the other side.

Speaker 2 (55:50):
Okay, because that's look they put the Lincoln Memorial behind you.
And yeah, you've got the mirror pools. In front of you,
there's the Washington Monument, and then that's right the Capital building,
and behind it's the Cafoel building.

Speaker 1 (56:02):
But the White House is off to.

Speaker 5 (56:05):
The left, to the right, so I can't looking at
the other side.

Speaker 2 (56:09):
I can't remember I've been there. I've been. There's so
many times.

Speaker 5 (56:13):
Look at it's looked now you go look at differently when.

Speaker 2 (56:18):
You go there and this, yeah, yeah, I know, right right.

Speaker 1 (56:21):
That's right.

Speaker 5 (56:22):
So White House, the White House lawn now has this
the largest Egyptian obelisk in the world, five hundred and
fifty five feet tall, and it's the Phallas of Osiris.
And if you look at it a little bit further
you from above, you'll see they actually put it inside
the Vesica Pisces, which is a big, big Christian religious

(56:47):
symbol in the Catholic Church. Most people, you say, what
is the Vesca Pisces, They don't even know. But there's
lots of religious stuff that shows Jesus being born in
the Vesica Pisces and all of that, so it's very Christian,
is very symbolic. But the thing of it is Casablanca
want back up there, so we left Africa from Casablanca.

(57:12):
If you translate Casablanca its white house. Yes, so very
white house is what Casablanca means. So we've got a
white house in Casablanca and it ends up at the
obelisk in front of the White House in America. Something
is going on here that people know more than what

(57:34):
we know.

Speaker 2 (57:36):
Is it there to melt the next ice age? No?

Speaker 5 (57:41):
I think America was built there as an extension of Egypt.
As a matter of fact, we can go into the
name America America itself. It had nothing to do with
any Italian explorers. It's actually I translated. Well, I'm pretty
good at high and like Nascar lines. I got nine

(58:02):
of them figured out higher glyphs. I figured out four
major higheroglyphs in Egypt. Papyrus of Annie is going to change,
probably a thousand of them once people start looking at
it and seeing it. The symbolic that Wallace Bulge had
over one hundred years ago was a little off base.
He didn't have the experiences I did to be able

(58:25):
to figure this stuff out. And he, you know, he's
born in a Christian nation. He's going to have his
own belief system. So I believe my goal is in
a few years to rewrite the Egyptian Book of the
Dead and updated, which is going to be a large task.
It's going to require probably a team of people to
do that because it's going to require so many more

(58:47):
higher glyphs be retranslated with a different format. But anyway,
nothing like a big plan. But what I discovered from
I left the Washington Monument. I said, here we are,
but you want to go into the name of America first.

Speaker 2 (59:03):
Well let's do that after the break. Let's take our
break right here. This is fade to black Man. Oh Man. Well,
you know, here's the thing, though, Leo, it's about It's
about me learning. That's what this show is about. The
show has never been about I love it when I

(59:23):
really do. I love it when it goes. Somebody comes
up and he goes, man, your show. You know, it's
just it's it's done for me. I'm like, no, it's
not done for me. I don't give a crap about it. No,
I am here to learn. I have been researching these

(59:46):
subjects since I was a little kid. I've been doing
this for over fifty years. I am learning. Have I
answered any questions for myself. No, I've jumped down every
rabbit hole. I've interview the very best of the best,
and I'm here to learn. That's it. And if I learn,
everybody else learns too. Don't think I'm doing this show

(01:00:10):
for other people.

Speaker 1 (01:00:11):
I'm not.

Speaker 2 (01:00:13):
I'm not. When somebody, when somebody somebody Leo, if somebody
writes me or or whatever and says, hey man, you
know what you should do. As soon as I see that, right,
I block block. I don't read it. I'll delete the email,

(01:00:34):
I will block the sender. I will block because I don't.
I don't. No, no, no, no, stop thinking that way.
I will only do what I want to do. I
don't want to. Well, it's it's not about doing, you know.
That's like you know you want to go? Do you

(01:00:57):
think John Lennon and Paul McCartney we're sitting down writing songs, going, okay,
what do you think that people want? Let's write for that. No, no, no,
those songs are there the books. You know, as soon
as you respond to somebody that is going, hey man,

(01:01:21):
you know what you should do on your show. You
know how you should write your next record, you know
how you should play your guitar. Solos, let me tell
you how you should dress. You know what, go bleep yourself. Yeah, yeah,
I know, right, right right. But I am here to learn.

(01:01:42):
That's all I want. I want alternative ideas pumped in
my head. I want to uh consider everything and see
how I come out the other side. And the people
that come to this show, UH know my process. They
know they know my next question. They've been with me

(01:02:04):
for years and years. They're inside my head. They know
how I am navigating all of this and they appreciate that.
And so again, if I can just just just somehow
learn something, just learn a little piece that I can
add to all of this that I've won, and that's

(01:02:26):
why I do the show. So you stay right there, Leo.
Great conversation so far. When we come back, I guess
we'll figure out how America was named. We'll do all
of that next, Leo. Stay right there. I'm your host,
Jimmy Church. This is Fade to Black. Stay with us.
We'll be right back after this short break. Subscribe to

(01:03:13):
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(01:03:53):
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(01:05:00):
with Brian Forrester and Hidden INCA tours. Amazing tour so far, Brian,
but we're here to announce what we're gonna do next year.
In twenty twenty six what's going on?

Speaker 3 (01:05:10):
Okay, November twenty twenty six, we're going to have our
major tour of Peru and Bolivia, either a pre or
post tour of Parakas and Nasca on the coast, and
then after that six days.

Speaker 2 (01:05:23):
In Easter Island bucket list, Easter Island. Come join Brian
and Ian his amazing team here at Hidden Incoturs four Peru,
Bolivia and Easter Island. Signing out, say goodbye Brian, Bye gang.

Speaker 5 (01:05:39):
Yeah.

Speaker 2 (01:05:45):
Rivermoon Coffee makers of the Fade to Black Blend, truly
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the best and it's doc again Rivermoonwellness dot Com. All right,

(01:06:36):
welcome back, Fat to Black. I am your host, Jimmy Church. Tonight,
Captain Leo Walton is with us. We're talking about his
research into ancient pyramid energy systems and his ideas. What's
pretty interesting, I'm digging it that they were used. He's

(01:07:00):
found five locations around the world. We've been discussing the
Great Pyramid in the Assyris shaft. But to use plasma
to pulse generate energy into the ionosphere, return it back

(01:07:20):
to Earth and to melt and and the last ice age.
Pretty interesting concept. Pretty interesting. I'm digging the conversation. Let's
get back into it now, Leo, you mentioned America. I
want to jump ahead though and talk about the Nasca Lines.
If we have time, we'll circle back to the renaming

(01:07:43):
or the naming of America. But the Nasca Lines, I've
been there too a few times now, and very interesting.
I'm going to say this about Nasca, and it's the
truth if you go back to UH at least for me,

(01:08:03):
Chariots of the Gods and the way that von Danakin
in that film presented the Nasca Lines, and so for
all of it, for me, I was just glued to it.
Right the airplane going over, you saw the shadow of
the airplane down on the Naska planes and you look,
you're looking at it, and you're looking at the well.
But it changed me and that narrator right with that

(01:08:27):
and that Naska along, I mean, sure, you know, I'm
just man was so anyway, I did that, right, I
flew over the Naska lines a couple.

Speaker 1 (01:08:39):
Of times I haven't done.

Speaker 2 (01:08:40):
Oh man, So this is but this is what people
don't get. They don't understand the size of Naska. You're
looking at those glits, you're looking at the monkey, you're
looking at the honey bird. Okay, all right, it goes
horizon to horizon as far as you can see. The

(01:09:04):
lines are are and it is giant. And so you
sit back and you go, you know what the bleep? How? How?

Speaker 1 (01:09:14):
How?

Speaker 2 (01:09:15):
Somebody explained that when you look at an absolute straight
line and you're in an airplane and you see a
straight line go and then disappear, right, miles miles and
miles and miles and miles and miles a mile straight.
But there's not one. There's thousands of them. There isn't two,

(01:09:40):
there isn't three. There are thousands of them, and they
are all over It is mind blowingly huge. So let's
go back to your research. Okay, So how did how
did you tie the NASCAR lines into all of this?

Speaker 1 (01:09:55):
Okay?

Speaker 5 (01:09:56):
Well, I got interested in and ask lines too. You
can't get involved in this in this genre and not
find a connection to the Nasca lines and I started
doing research on them, and over a period of several years,
I ended up with theories on nine of them, but

(01:10:18):
the one There was two of them that really attracted
me that I thought were particularly the Nasca monkey. Let's
talk about the Naska monkey.

Speaker 1 (01:10:31):
Okay.

Speaker 5 (01:10:31):
I wrote about a lot in my book, and it's
going to require an entire book to detail all of
the information I learned on the Nasca monkey and its
relationship to the number three sixty nine and to the
relationship of Egypt.

Speaker 1 (01:10:51):
I took an analyze.

Speaker 5 (01:10:53):
I literally went to Nasca, got all of the coordinates
where it was at on the planet, and I moved
all of that with the monkey to the giz A plateau.
And you won't believe how the monkey aligns up on
the Giza plateau. But if you look at the geez
A monkey, his tail, his tail has four circles in it.

(01:11:18):
And in a vortex, and I see you do a
show about vortexes, you know that the first circle in
a vortext they call the seed. They don't consider that
as part of the vortex. So if you remove the seed,
which is going to grow into the energy or the plant,

(01:11:41):
you have three rings. Okay, if you look at the
monkey's toes, he has three toes on each foot, there's six.
If you look at his hands, one hand has five
fingers on it, one hand has four three six nine.
I made a whole I don't know, fifty t shirts

(01:12:02):
back in two thoy eighteen twenty nineteen with a Naska
monkey and with a three six nine on it. I said,
I've done figured out the three six nine. But anyway,
if you look at the Naska monkey glyph, there's three
pyramids on that glyph, and it took a lot of

(01:12:22):
figuring out how all those systems work. You've got a
bunch of squiggly lines. It's in front of the monkey line.
You got all them loops and all of that stuff
in there. So it's literally two glyphs in one and
they connect together. They both I've taken it to where
it stopped. If you look at that, it looks like

(01:12:43):
it was designed with a three D printing machine. That
the monkey starts here and it's one line that goes
all the way round ends here, and the same way
with the second glyph. It has a starting point and
a finishing point and they're all related together. I believe

(01:13:04):
the second glyph, and I detail this in my book
is telling you the system, how it functions, the cycles
of it, the duration of it. It tells you all
that information. But the monkey I took and there you go, yeah,
all these quickly ones.

Speaker 2 (01:13:22):
I took this picture. I took cool. I took that
picture myself, so I wanted to look at what you
were really look at it. So there's the three fingers
or three toes. Oh, no, he's got five fingers, he's
got five. But he does have three toes though, you're

(01:13:42):
right about that.

Speaker 5 (01:13:43):
Yeah, yeah, he's got four on one hand.

Speaker 2 (01:13:46):
Yeah, he's got four on one hand.

Speaker 1 (01:13:47):
Four and one and five on the other.

Speaker 2 (01:13:50):
Yeah. Why yeah, why would you make a mistake like that? Yeah,
you know, you go when you make this, h that's right, Yeah,
why do you make this mistake?

Speaker 1 (01:14:02):
Would you give him one a deformed hand?

Speaker 2 (01:14:05):
Now? I want to show it. So as I backed
this picture, that's what the picture looks like that I
took out of the plane window, and that is the
monkey right here. And so if you look in the back,
these are all lines that are heading off in different directions.
But there's there's the monkey right there.

Speaker 5 (01:14:23):
And then there's a system that's telling you eight cycles.

Speaker 1 (01:14:29):
It's eight cycles.

Speaker 2 (01:14:30):
Yeah, very interesting, telling you how.

Speaker 5 (01:14:32):
The pyramid system functioned. It's a diurnal system. But I
drew all this out in my book. I took and
laid all this out that you can see it. I
found literally about fifty fifty alignments from the Naska lines
that lines up perfectly to the Giza plateau. But I

(01:14:52):
took the Naska monkey and I moved him to Giz
and aligned him on the Giza plateau exactly where he
was at the Nascalnes as far as the coordinates, what
degree he was this way and what, and he fits
it perfectly.

Speaker 2 (01:15:11):
That's interesting.

Speaker 5 (01:15:12):
His tail actually resides over the Great Pyramid, which a
great pyramid, you've got to remember, is eight sided.

Speaker 1 (01:15:22):
It's not four sided.

Speaker 5 (01:15:24):
And the reason it's eight sided is because it's catching
the electromagnetic frequency of the Earth and sending it straight
up the top.

Speaker 1 (01:15:36):
So from all four sides.

Speaker 5 (01:15:38):
You've got the South energy, you've got the North energy,
the east and west. All of these energies, these scalar
energies are being sent up and creating a vortex is
what they're creating, which creates a low press. Sure, weathers

(01:16:00):
sell in the Giza Plateau. Now we take the sphinx
and pump water up into it, we've got us a
solar storm creation of maximum maximum effect. And it's if
we go offshore on it's part of the system the

(01:16:24):
largest vortexans you're into var Texas. The UVG one vortex
is off of the coast of Port saiad Okay, which
also lines up with the Taris constellation stars.

Speaker 1 (01:16:40):
It's part of the system.

Speaker 5 (01:16:42):
That is the largest vortex, most powerful vortex on Earth.

Speaker 1 (01:16:48):
Do you think that had.

Speaker 5 (01:16:49):
Something to do with why they decided to build it
on the in Egypt.

Speaker 2 (01:16:54):
Yeah, it's pretty interesting. And if you if it kind
of looks and I I pointed this out before to
friends of mine, kind of looks like the monkey is
facing the pyramids.

Speaker 1 (01:17:07):
Three pyramids, Yes, exactly right right there.

Speaker 2 (01:17:10):
And I always found that interesting. This whole construction here,
if you look at this is what I'm referring to.
You can see this line here and see this line
those are those are not roads. This thing goes on
for miles and so what I had done this is, uh,

(01:17:33):
there's another shot. I took the monkey there when when
I flew around the the plateau. There's the monkey that
looks like a road and it's not and neither is this.
And but so anyway, as I flew around, what I

(01:17:54):
was like, musk X, Yeah what so look at this here?
Look look at that that just goes to the horizon.
I was so fascinated. Look at that.

Speaker 1 (01:18:06):
Look at that.

Speaker 2 (01:18:07):
That is not a road. That is a line in
the desert. And and they crisscross and they go on forever.
And so when you go look at look at it
just you know, and these coming down. So anyway, as
as I flew around, look at that. So you fly around, yeah,

(01:18:32):
you fly around, and and you start to look at that.
That's not a road. This is not a road. It
looks like a highway, it's not. And and here's and
it's like that all over Nasca, everywhere you go, every angle,
and so look at this amazing. It's it's it's uh

(01:18:54):
when look at that's that's the airplane wheel right here.
That's just me photographing out the window and trying to
capture you see the horizon out here in the distance. Yeah, okay,
and then look look at what's going on out here.

(01:19:15):
Look at this. Look look, look, look there's just thousands
of these lines going on. Rowing somebody. If you if
you look here, I'll find there's a there's a couple
of I photographed these houses, and I'm looking at the

(01:19:35):
houses and I'm thinking to myself, you have a there's
the shadow of our plane right there. Okay, okay, now
look what's look look at this? Just look at how
many lines are just right here.

Speaker 1 (01:19:49):
Incredible.

Speaker 2 (01:19:50):
Yeah. Yeah, and to just go and and blow all
of this. Okay. So anyway, if you look here, there's
a house. Right, there's another house. But look, could you
imagine having your house and having people come over for
like this house right here? Right, that's a house. This

(01:20:12):
is a house, right, and you go, hey, man, check
out my backyard. Look what's over here? You know what
I mean? You bring some friends over right, you have
a barbecue, and you go, dude, dude, check out my
Nasca lines in the backyard.

Speaker 1 (01:20:29):
That's awesome.

Speaker 2 (01:20:32):
Yeah, that's uh. When we say that these things look
like a runway and stuff, well, it's pretty bizarre how
these turnarounds and you see the you know, it's just
really weird to me. But that's that's Naska. Naska is

(01:20:53):
absolutely fascinating. It is It's called the Nasca Plateau for
a reason. It is just a big flat Look at that.
Just look at just look at how look at that?
You know, you know, and so you have to imagine
an ancient culture out there creating this, you know, thousands

(01:21:14):
of years ago. They want to date it and say
it's this old and this old. I just don't see this,
uh being created so easily. No, when I say that's
help on earth. Yeah, when I say it goes to
the horizon, do you now understand that? Yeah, it's just

(01:21:36):
it's and I'm in an airplane. Yeah there's the famous
spiral r. Yeah that's pretty incredible. And uh so yeah,
this is just me flying around and Naska and this
will give you. Okay, so check this out. Those are
semi trucks right right. Okay, that's the highway and comes

(01:21:58):
around and you're just driving path. Look at this and
just look at the window and it's right there, and
think about what think about what they destroyed to build
this road. It's heartbreaking. You know, there's a line that
goes across here, right you see all this, You see this,

(01:22:18):
you know that's ancient stuff and you know you can't
you can't beat progress. But anyway, so I captured those
just to give you a concept of the size of
what we're looking at.

Speaker 5 (01:22:32):
Look at that, yeah, just sitting out I can't wait
for the opportunity to go out there and fly over it.

Speaker 2 (01:22:39):
It's it's it's mind blowing. One of the things that
I found really interesting. And I've done this now a
few times, and I'll be doing it twice again this year.
I'm always looking forward to It is the pilot, well,

(01:23:00):
go okay, look out the window, looking, He'll go, and
there is the astronaut waving at you.

Speaker 1 (01:23:10):
Right right.

Speaker 2 (01:23:10):
So now why would your guide, right, your guide, this
is the pilot, right And so he's turning the plane
and he's aiming the windows down and he says, okay,
now look and you'll see it. And then he'll go, okay,
now look out the window, and there is the astronaut

(01:23:33):
waving at you. Why would they call it the astronaut
if it's pop culture, if it is pseudoscience, if it's
this is that ancient astronaut theory is? But why say
that to tourists? But he's right, because when you look

(01:23:53):
and you look out the window, and on the side
of this mountain, is this giant being standing on the
side of this mountain looking up and he's it's flat.
It's the mountains like this, so it's it's pointing up right.
So you have to fly over it at the right

(01:24:14):
angle with the airplane to see it. You can't see
it from the ground, Leo, you can't, So you see
it from the air. And what do you see from
the air? You see this dude going like this? All right,
who's he waving at? And what's the purpose of that?
He's waving at somebody in the sky.

Speaker 5 (01:24:37):
And that's well, he's one I introduced in my book.
I introduced the astronaut, and then ask a monkey in
this book. I'll probably introduce one in all my books
to just fill people in when they're appropriate. I've identified
we spent my wife and I we've been in thirteen

(01:24:59):
countries six hundred and fifty locations the last five years,
and when we travel, we travel for weeks and months
at a time. We spent five months in Belize and
in Mexico and toured all the ton of my insights
out there, and Tia too kind of visited four times,

(01:25:20):
and I even flew over it in the hot air balloon.
So I got a real experience like you did in
the airplane, except over the Tiatocon Pyramids, which helped me
with a lot of my research.

Speaker 2 (01:25:33):
But the uh, I wanted a lot. I wanted to
show you this real quick.

Speaker 1 (01:25:40):
Oh go ahead, No, no, no.

Speaker 2 (01:25:42):
It's okay. Here's here's your pilotry Okay, yeah, that's me. Yeah,
there you go. It doesn't get any better than that.
It doesn't get any better than that, does it.

Speaker 1 (01:25:56):
That's really cool, dude. Yeah yeah, fly boy.

Speaker 2 (01:26:00):
Well so you captain okay, So back to the astronaut, all.

Speaker 5 (01:26:06):
Right, astronaut Okay. One thing I did when I was
in Mexico. I spent some time in Mexico City going
to all the museums and stuff like that to see
what their heritage is. And the main park in the
largest city in the world, Mexico City, and this huge
park in the middle of it, and all of the statues,

(01:26:31):
all of the symbolism was Greek, and so I said, okay,
so we know the Greeks was here. And then there
was a guy did a lot of research on that
I forget what it was called, anyway, talking about the
Greek civilization. So I started researching how long the Greeks
had been in Mexico, and they had literally been in

(01:26:54):
Mexico in huge populations.

Speaker 1 (01:26:58):
From the fifteen hundreds.

Speaker 5 (01:27:00):
So the Greeks have been in Mexico a long long
time and has had significant influence. So I look at
the Naskam astronaut and I see, now I'm a big
hermis trisma gistus fan. Okay, And I see this thing
standing on the side of the mountain. It's got the

(01:27:23):
same exact pos as hermies trismagistus. This guy's right hand
up in the air holding the armillary. These guy's left
hand pointing at the ground exactly like her. His feet
are even turned the same direction. I said, what if, okay,
this I don't know the composite of the mountains there,

(01:27:45):
that they might be sandstone somebody climbed up bearing carved
out on the side of the mountain. It has to
be soft enough that people can cling for their life
on that steep grade and chisel that out to make that,
I said, but Hermei's had this big cloak, this big
hood on and it's big drape overing. So we see

(01:28:08):
it and we look at it as it's eroded away.
It's easy to say it looks like a space helmet,
so it's easy to say he's he's spaceman. But I also,
I really I look at that area as close as
I could without actually going and climbing down the mountain.
But if you look at the astronaut's right hand, it

(01:28:32):
goes right to the very rig the top of that mountain,
And if you look at it really zoom in, it
looks like something has been broken loose out of it.

Speaker 1 (01:28:46):
I think that it used to.

Speaker 5 (01:28:47):
Have an armillary on it, and somebody went and broke
it off of there. So somebody has that armillary off
of that. You look at it yourself, you've been there
when you fly by.

Speaker 2 (01:29:01):
I've got I've got pictures of it. I literally already
we no, I have two thousand and three thousand pictures
of Nascar. Yeah, so each year that, each time that
I'm there, just I unload. Uh So, I've got so
much video. I'm going to show you another image that

(01:29:21):
is it's kind of what we're talking about, and I
want you to I want your opinion on this. This
is called the Candelabra and it's in Perracas, Peru, and
so the first image I'm going to show you. This
is when you approach it by boat, and that's it

(01:29:45):
off in the background, and it's painted on the painted
carved in the side of the sandstone hill. And the
reason why I thought of it is.

Speaker 5 (01:29:54):
Because ite you just mentioned sandstone.

Speaker 2 (01:29:58):
So there it is. And then we pull it closer
to the boat and I zoom in. But this thing
is giant. They don't know who carved it or how
old it is, but it is huge, all right, yeah.

Speaker 1 (01:30:13):
Yeah, yeah, uh huh. I've seen images of that.

Speaker 2 (01:30:15):
Yeah. And so when you see this up close when
you're when you're cruising by, that's the ocean right here,
that's the Pacific Ocean. And that's how big it is.
It is huge. I don't know, quarter mile tall, you know,

(01:30:37):
I don't know, eight hundred yards wide, I have no idea.
But carved in sandstone, it's filled in, uh you know,
with loose sand over the years. But there it is.
And they have no idea how old it is. There's
been a few guesses thrown on it, but nobody knows.
Now here's the thing though, it it's marking something I

(01:31:03):
don't know what, but it is marking something from the sky.
All right, so you know what I mean. So above
you look down and you see this because it's flat,
it's not pointed up for like passing ships. And it
was carved before there were ships, you know what I mean.
So and all of that. But here's the other interesting

(01:31:27):
part about this, And it isn't it beautiful? It's obviously
what you know, what it appears to be. It's a candelabra.
But this is where the perakas elongated skulls come from.

Speaker 1 (01:31:45):
All right, this is elongated skulls too.

Speaker 2 (01:31:49):
Yeah, this is Paracas. This is procus. So the skulls
come from the other side of this hill, from the Hindus.

Speaker 1 (01:31:55):
Okay, yeah, yeah.

Speaker 2 (01:31:57):
But there it is the candle they ca the lobbrary. Man.
Look at that. Isn't that incredible?

Speaker 5 (01:32:03):
I do a lot of research over for uh for
a decade. I've been doing research on fogo rights. Do
you know what fog rights are? I tell us the
fog right is literally a petrified lightning bolt.

Speaker 2 (01:32:20):
Oh yeah, yeah, yeah, I have one. I have one.

Speaker 1 (01:32:22):
Oh good, yeah, yeah, yeah, yeah, I got was Oh
oh that's a nice one.

Speaker 5 (01:32:29):
I got some big ones on Atlantis and ib's office.

Speaker 1 (01:32:34):
Side of the mountain there.

Speaker 5 (01:32:35):
They're about this size, uh, you know, in their hollow
and uh uh. But I was involved in a beach reclaimant,
a reclamation project where harbor was dredged and all of
the all of the stuff was pumped up, and these huge,

(01:32:59):
huge pipes on the beach and they literally made the
beach ten feet tall from this beach reclamation project. And
I went out there walking on the beach every day.
I lived on a boat. I'm a boat guy, and
I just go over.

Speaker 1 (01:33:17):
There and walk on the beach on the every day.
And I noticed that they were pumping up the I.

Speaker 5 (01:33:23):
Would find these fragments that was coming out of this
pipe as they were dredging this harbor out, and I
got looking at them.

Speaker 1 (01:33:32):
Some of them were hollow toobs. I said, what the
hell have I found here?

Speaker 5 (01:33:36):
I found some kind of an extinct volcano, right, you know,
That's all I could think about. We actually contacted the
Virginia Marine Institute, sent them some pictures of it and
told them I donet found this, and they just blew
me off, you crazy old man, and never looked at

(01:33:58):
But I over ten years, I collected probably three hundred
and fifty four hundred fragments of this and I put
it together and I'll send you a picture of it
what I.

Speaker 1 (01:34:11):
Did with the art with it.

Speaker 5 (01:34:12):
But it literally looks like lightning. When I put all
the fragments together, kind of pieced them together. How they
might have gone from under This is under the water.
Now all this came from. And some of them are solid,
some of them are like this. But what I had
that I discovered in this same batch was a rubber casket. Okay,

(01:34:37):
it's a rubber gasket. Even had the serial number on
the rubber gasket that the fogarite had melted around the
rubber without melting the rubber. So I'm looking at this
when I discover it, and it took me forever to
figure out they were fogle riites. But a fog rite

(01:34:58):
is a ground lightning bolt that comes out of the ground,
and people don't realize. Like I said, I'm probably an
expert on lightning on the whole planet because I've done
so many I did over two hundred and fifty forensics
lightning investigations, and I learned a lot about lightning, and

(01:35:19):
no two strikes are alike, but they do have a similarity.

Speaker 1 (01:35:24):
And what I learned with lightning.

Speaker 5 (01:35:26):
When you see that lightning bolt, you hear it, you
can feel it, that bolt. Lightning came from the ground. Okay,
it's called a ground leader. And people don't realize this,
and we go see more of this because getting off
on it, like I say, I've hooked this whole system

(01:35:50):
to where it's cosmically energized. The Earth's core is the
size of the moon. It's eighty five percent iron and
ten percent nickel. And and the thing about it drove
me crazy for a while is it rotates the opposite
direction of the Earth. And it's ten thousand degrees, which

(01:36:13):
is the surface.

Speaker 1 (01:36:14):
Of the Earth of the Sun.

Speaker 5 (01:36:17):
So why is the core of the Earth rotating backwards?
And it's the temperature of the Sun inside our planet. Uh,
it's not getting its energy from the Sun. If it was,
we'd be crispy crutters. If you go to the Sumerian
texts and read what they discovered, they said the Earth

(01:36:38):
was a black under when they came to it.

Speaker 2 (01:36:43):
Means they had to make why does our core rotate opposite?

Speaker 5 (01:36:50):
Well, I figured it out to be if you get
into the I believe we have a binary solar system.
We have two sons. We have our son and Cyrus. Okay.
So Cyrus is a negative energy, so it's having that polarity.

(01:37:10):
And if you look at the Vesica paces, you go
into the Eastern Indian Vedic science and they have what
they call the Great Year, which is the Vesica Pisces,
and it is the relationship between the orbit of Cyrus

(01:37:30):
and the orbit of our son. Okay, and that's what
they got this phallus of Osiris in is the Great
Year in the Vesica Pisces in the middle of it
in Washington, d C. But the Great Year is a
cycle of twenty four thousand years.

Speaker 1 (01:37:48):
Okay.

Speaker 5 (01:37:50):
The Vedic system actually up until about one hundred years
ago set was twenty six thousand. But one of my
I'm a yogi, one of my yoga he's lineage guys,
sure Yukta Swar one hundred years ago found a mathematical
era and changed it to twenty four thousand years. And

(01:38:11):
Walter Cruttington, who owns the Binary Institute out there in California,
your way, I did his conference that he did out
in Palm Springs, I think two years ago twenty three.
But anyway, he's used modern computer equipment and testing and
updated science, and he pretty much had confirmed that it

(01:38:34):
is twenty four thousand.

Speaker 2 (01:38:36):
Yeah, it's It's part of the main focus of his research.

Speaker 5 (01:38:41):
Walter's brilliant the mathematics and Walters wist you lost you goadablip.

Speaker 2 (01:38:48):
But anyway, that's brilliant.

Speaker 1 (01:38:52):
What I think happened.

Speaker 5 (01:38:53):
With the Mayans the calendar ended December twenty first, twenty twelve.
They said all the world's coming to an end. Because
the Mayans didn't predict any further than this. You got
to realize this date was long after the Mayans were gone,
that they only chose this distance.

Speaker 1 (01:39:13):
And if you look at.

Speaker 5 (01:39:15):
The relationship of twenty four thousand years, the whole time
we've been on this planet.

Speaker 1 (01:39:21):
Cyrus and the.

Speaker 5 (01:39:23):
Sun have been moving further away from each other. Okay,
I believe the Mayans. I'm really impressed with the Mayans.
They were great astronomers.

Speaker 1 (01:39:34):
You know.

Speaker 5 (01:39:34):
They find mercury in the bottom of the pyramids, say
it was a river of it. They used mercury to
make lenses so they could see the stars better. That's
an old technique used in binoculars and microscopes and all.
They put mercury on the glass, and there's lots of
glass in Mercury and both of those in Mexico, and

(01:39:55):
so they were great astronomers.

Speaker 1 (01:39:57):
I believe they predicted.

Speaker 5 (01:40:00):
Because they had five calendars, just exactly like the Egyptians,
which is odd. They say these one was Egyptians came first,
and then for three thousand years, and then here came
the Mayans. I disagree. I think they were all on
the planet at the same time. I believe these systems

(01:40:21):
were operating and functional together, all of them.

Speaker 1 (01:40:25):
Anyway.

Speaker 2 (01:40:25):
Uh so, well, let me yeah, that's okay. I wanted to.
I wanted to. I wanted to go back in and
ask you about the Papyrus of Annie. Okay, you said
that it would rewrite history. Have you how much of
it have you translated yourself?

Speaker 5 (01:40:49):
Uh?

Speaker 1 (01:40:49):
Well, translate all of them myself, okay?

Speaker 5 (01:40:52):
And what I figured the papyrus, it's Papyrus of Honie
Plate two. I actually went to the British Museum and
requested to see this papyrus since I changed the translation
on it. If you go into British Museum, the Papyrus
of Annie is a lot of information and they have

(01:41:14):
pretty much a lot of the papyrus of Annie. Like
when you're walking up the stairway, you're looking at plates
of the Papyrus of Annie. But the one that's missing
is plate number two. And this is a really prized
possession of the Brits and they've got in loot. But
even when I went and asked if I could see it,

(01:41:35):
the people didn't even.

Speaker 1 (01:41:37):
Know what I was talking about.

Speaker 5 (01:41:39):
But anyway, moving on, So I start looking at the
Papyrus of Annie, plate number two, and it's called sunrise. Okay,
what's big in Egypt? What do they have still have
festivals over is the helical rise Cirrus.

Speaker 1 (01:42:00):
Here we go now talk.

Speaker 5 (01:42:02):
About Cirrus, our other star, our other son. Okay, so
helical Rise of Cirrus, which occurred in the period of
from Summer Solders to the lions Gate portal, let's say
eight to eight lions Gate okay, August. And anyway, so

(01:42:27):
here we're dealing with Cirrus again. And if you go
and look at a dogging tribe, which is an ancient
tribe in Africa, they actually knew about Cirrus b second
planet around Cyrus before we ever had telescopes to even
be able to look and prove that they were correct,

(01:42:47):
and the information passed down from them as they got
them from people. Information came from somebody from space, so
apparently some alien maybe. But anyway, so getting back to
the cycle.

Speaker 2 (01:43:04):
Again, no two plate two plate two plate two.

Speaker 5 (01:43:08):
Yeah, yeah, well that's part of it. So I combined
all this information together. I'm looking at o Cyrus' tomb,
I'm looking at the Papyrus of Annie, and it looked like,
because I've been doing all this design work on o
Cyrus's tomb, it looked like the two queens are setting

(01:43:28):
in o Cyrus's tomb. If you look at the parameter
of the structure they're setting in and set it up
to the third level of o Cyrus's tomb, it's really coincidental.
That's got that shape and design to it. And you've
got you've got you've got, uh, the two female queens,

(01:43:52):
they've got their hands up like this. Then you've got
three monkeys on each side doing this same thing, and
they're holding their hands like this. I said, so, if
they're doing reiki, if they're trying to send energy, is
this symbolic?

Speaker 1 (01:44:12):
What is it?

Speaker 5 (01:44:12):
Why is everybody, every living creature in that symbol symbolic
representation doing this, and I said, it's all about energy.
They're telling us that there's energy that they've named it sunrise.
Sun's big energy. So I said, okay, I'm going to

(01:44:34):
really deeptael this and what I learned I got to
bounce around a little bit because it's a multiple.

Speaker 1 (01:44:45):
I'll come back.

Speaker 5 (01:44:46):
But that temple I told you about in front of
the Sphinx, Okay, the alignment of that temple is sixty
three degrees. Guess what some aer soltis. The Sun's a
tropic of cancer. Guess what the angle of the sun
is sixty three degrees. This is where Jerusalem is.

Speaker 1 (01:45:08):
Sixty three degrees.

Speaker 5 (01:45:11):
I call it the Jerusalem Line. You can draw a
line all the way from Jerusalem straight to the Sphinx.
It'll go right through that temple and hit the Sphinx
right in the chest as sixty three degrees on summer soldiers.
And that coincidental? You think that You think that's why

(01:45:32):
the Israel wants Jerusalem to be on that line. It's
their relationship to their Egyptian heritage.

Speaker 1 (01:45:41):
Very interesting, could be?

Speaker 2 (01:45:43):
Could be?

Speaker 1 (01:45:44):
It could be?

Speaker 2 (01:45:45):
Well, if that's the case. See, this is the way
I look at it. All right, I don't look at
it that way.

Speaker 1 (01:45:54):
Okay.

Speaker 2 (01:45:54):
I'm not debating you at all, Okay, Okay, no, no,
just hear me out. Hear out. The Egyptians as we
know them today inherited this ship. You're right, it was
already there. You're correct, Go Beckley Tepe. It's not Turkish. No,

(01:46:18):
but it's not they Turkey inherited. Go Beley Tepi. It's
not Turkish. That Turkey is six hundred years old, Okay,
it's a modern country. Way before all of that, it
was the Armenian Island, you know, eight thousand years ago,

(01:46:39):
and before that it was something else, and so the
same things with the Egyptians. So that that is that
is my The question is who and why you know?
Those I don't I don't have those answers. But I
just think that with the evidence that has been on

(01:46:59):
the t in front of me and what I have
seen personally, it was they were already there, absolutely. Yeah.
So who constructed it? I don't know. I don't know.
Would there be Okay, if there is a line of
sixty three degrees from Jerusalem to the chest of the

(01:47:20):
Great Sphinx, which I find completely fascinating by the way,
how would that have gotten done back then without a
knowledge of longitude, latitudes, circumference of the earth, probably doing
it from altitude, and and doing all of this stuff,

(01:47:42):
and you would have to have a very very firm
grasp of grasp of geometry, algorithms, calculus. Yeah, all of
those things would have to come from.

Speaker 1 (01:47:54):
It's amazing amount of information.

Speaker 5 (01:47:58):
Genius it took to construct these systems and make them fun.
Of the greatest thing about all of these systems I've
learned is they are environmentally friendly. They use natural energies
and combine them together in an ingenious method to do

(01:48:20):
something for the humans on this planet. I consider this
as the greatest system. The OSS's Tomb has to be
the greatest discovery on the Earth.

Speaker 2 (01:48:34):
Well what about those reasons? What about the recent tars
scans of of Geesa? What do you make of that?

Speaker 5 (01:48:41):
I Okay, we're talking char system here. Okay, we're talking limestone.
It has been flooded with water for thousands and thousands
of years plus. We're talking about bringing a plasma, heated
plasma into the ground and heating it up with scale

(01:49:02):
or energy. It came straight from our own Eyeon spirit.
We got all kinds of things that could be created.
I believe that the stars technology. I've been following this
for about ten years with that satellite archaeology because the
United Nations, International Money Fund, Bank of International Settlements, all

(01:49:25):
these people have a task force for a long time now,
they've been using this satellite archaeology to basically go around
to every country and find out what this country's value
is if they've got gold or silver or petroleum products.

(01:49:46):
And they've pretty much analyzed in this whole great financial
system research based on all the discoveries they've had. But anyway,
not to get on that tangent. So I've been following
this for a while, and what I learned from this technology,
it's a great tool, great tool. We haven't determined exactly

(01:50:07):
what they're seeing with it. I know that the actual
beam from the satellite antenna it's like three hundred and
seventy five miles up in the sky. But from if
you look up the specs on how far it penetrates
the Earth, it's not very deep. And those guys will

(01:50:27):
tell you themselves that the technology that they've got, it's
limited to what it can penetrate.

Speaker 1 (01:50:36):
But what they do they use.

Speaker 5 (01:50:39):
Another system in combination with it that measures. It's like
a liedar system, is what it is, where they send
sound into the earth and they bounce it back, you know,
sonar on a submarine, same thing going on. So they're

(01:51:00):
using that system to just penetrate the Earth to try
and use the other system to pick up the energy
bounce back.

Speaker 2 (01:51:10):
They've written their own software program to to do the
interpolation of the two systems.

Speaker 5 (01:51:20):
They've got some right, but uh, what are they basing
their interpretations on. I think most of their drawings are
an artist rendering of what they think they found under there.
But the sad part about it one, I'd like to
work with these guys. I've contacted them and communicated with them.

(01:51:42):
I'm going to be in the stage with them in Chicago,
uh in another two weeks, so I'll get to meet
them personally and sit down and chat with them.

Speaker 1 (01:51:50):
But what I'd love to do.

Speaker 5 (01:51:55):
Is to set up a controlled experiment using this technology
to where we go into places that we can measure.
I believe what they're picking up more than anything is
the gamma radiation. It's like a plasma imprint. You know,
if you're penetrating the Earth, and my guesstimation is two

(01:52:18):
cycles that added up to twenty nine thousand, one hundred
years of operation. That you've been pouring plasma. The ion
is sphere down in here that's going into a car
system that loves plasma. It's like a sponge. It loves it.
It just sucks it into it. Okay, so it's gonna

(01:52:41):
make it fly through there. I think you're gonna get
all kinds of energy imprints in that charse limestone system.
Plus you've got water draining for millions of years through there,
so it's going to drain where it eroads out, and
we're talking gravity pulling it down all the time. So

(01:53:05):
do I think that they found an ancient structure. I
believe it when Egypt says, yes, you can go dig
and and bring me pieces up and show me you're correct.

Speaker 1 (01:53:17):
They're never gonna get that.

Speaker 5 (01:53:19):
I have my wave guides that I used to check
the electromagnetic fields with I've been using for years. They
wouldn't even let me take those on the Giza Plateau
to do my energy experiments. Well, they say, oh no, no,
you can't take those in there. We got to confiscate them.
I said, well, I don't want to get us, I said,
I just won't go.

Speaker 2 (01:53:37):
I won't go to the How big are they? How
big are they?

Speaker 1 (01:53:41):
Hold on? Hold on?

Speaker 2 (01:53:42):
Well? No, no, right at the end of the no,
right at the end of the show. Oh oh sorry,
all right.

Speaker 5 (01:53:50):
You see the You see the the pharaohs standing in
that pose, and they're holding these rods in their hands.

Speaker 1 (01:53:59):
Right, I've been experiment with them for over a decade.

Speaker 2 (01:54:02):
You can take those that You can take those on
the Giza Plateau.

Speaker 5 (01:54:06):
They wouldn't let me anyway where you go into the
Giza Plateau where you pay your admittance. Oh yeah, they
wouldn't let me take it in I was They called security.

Speaker 2 (01:54:20):
No, no, you need you need to be running around
with somebody like me.

Speaker 1 (01:54:25):
All right, buddy.

Speaker 2 (01:54:27):
I mean I'm being I'm being serious. I do whatever
you want them. The Kisa Plateau really many.

Speaker 5 (01:54:36):
But it was the funny thing about it was when
I went back to pick them up. I went back
to the same person and they said, well, don't you
want to give us a nice tip for taking good care?

Speaker 1 (01:54:51):
Did uh not? Today?

Speaker 2 (01:54:53):
I don't know. You could do whatever you could do.
Bong rips At the pause of the Great if you
wanted to, where isn't anybody around to uh, you know,
and most of the security that is there, I mean
my personal security. And the guys that are running around

(01:55:14):
with me, you know, with the machine guns and all this,
they're paid by me. Those guys are you're you know,
you're right. You can do whatever you want. A pack
of cigarettes will get you. You can climb the Great
Parrade for a carton of cigarettes if they're American, a
carton of American spirits. You can do whatever you want

(01:55:35):
in the Great But in Egypt, I'm being facetious. I
don't want to if I love the people of Egypt,
and I'm not in any way. What I'm trying to
say is a pack of cigarettes to get you anything
in Egypt. What I'm trying to say is that I

(01:55:55):
think by and large, Uh, they they want tourism. That's
the first thing, because that's the economy. Egypt doesn't export.
They don't want anything. But they allow a certain amount
of freedom.

Speaker 5 (01:56:14):
Uh.

Speaker 2 (01:56:14):
They don't want tourists to feel strapped or confined or anything.
And if you if you're around the right people at
the right time, uh, you can you can go.

Speaker 5 (01:56:26):
You can go and explore got the connections there. I
never had to connect I just showed up. You know,
I was not in a tour I was just an
individual that wanted to carry these strange looking devices on.

Speaker 2 (01:56:40):
I have no idea you're talking about, you know, buying
tickets for that. I no, I've only arrived at the
plateau by bus, uh privately at the at the front
of the Great Pyramid of the Sphinx, and and walked
in and had the run of the place. You know,
there were no tourists there, so, you know, so if

(01:57:02):
you had that stuff with you, you know what. You
know what happened to me though once. Uh this is
a few years ago. So I come out of the
Great Pyramid. I'm by myself alone. Okay, I'm the Giza
Plateau and nobody's there, and I'm walking in front of
the Great Pyramid. It is beautiful. I'm out there with

(01:57:22):
the dogs. You know, it's just me and the dogs,
those those Giza platters.

Speaker 1 (01:57:26):
Yeah, a lot of dogs out there.

Speaker 2 (01:57:27):
They're wonderful. The dogs are so cool. Anyway, So I'm
walking and I decide I'm gonna walk around to the
back of the Great Pyramid. I'm shooting a long video.
And I'm shooting the video and I'm talking and I'm
walking and I go around the corner and I get
to the edge and I turn left. I'm alone. There's

(01:57:50):
nobody there. It's ten o'clock at night, eleven o'clock at night.
And uh. And I turned the corner and my security guy,
his name was d yells at me, Hey, I stopped.
Get your rest back here, I go. I'm walking. No, no, no,
not alone. You're not doing it alone. So but I

(01:58:12):
had the freedom to walk around. I could have climbed it.
I could have climbed Okay, I could have awesome. Yeah,
And so that that's how you want to do that.
And if you had those with you, you can get
whatever you want. You can go down to the Sphinx
and you could do it. You know, No, there's nobody there.

Speaker 5 (01:58:32):
That was my plan to walk around and see what
the energy felt like. Well, like I say, I'm real
sensitive to energy, and I use those as antenna that
really boost Boo the amplitude, so to speak. And I've
got another book coming out on that.

Speaker 2 (01:58:49):
When when's it coming out?

Speaker 5 (01:58:52):
Oh, it's probably will be next year, all right. I've
been researching it for ten years. As I've got a
number of manuscripts. I've got a dozen more manuscripts to
get in circulation doing this.

Speaker 2 (01:59:06):
But I was going to say, as as we're winding
down here, we've got about ten seconds left. But it's
really strange how much energy is in and around the Sphinx.
You know, you there's a very spiritual thing that happens there.
I don't get a spiritual vibe inside of the Great Pyramid.
I don't want to blow anybody else's mellow on that.

(01:59:28):
You know, If you get some out of it, that's fine.
I don't. But the Sphinx that's powerful, man, that is powerful.
When you walk down there and walk around it is
it's majestic. Yeah, it is. It's so powerful.

Speaker 5 (01:59:43):
It's an awesome place, it really is. It's mind boggling
and just the massiveness of it.

Speaker 2 (01:59:48):
Yeah, it's so much more to discover. And Trevor Grosse
he's doing really great work there. And I know you
know Trevor, and you'll see him up there. Bill Brown, Yeah,
Bill Brown's amazing.

Speaker 1 (02:00:00):
Yeah.

Speaker 5 (02:00:00):
Yeah, I've been to his house was tore down. I
did some I took my guides there. He wanted me
to come out and measure see what kind of energy
I felt. And I told him what I felt, and
uh was underneath it A couple of locations there, he
says Leo. He said, you nailed it. Yeah, nailed exactly. Yeah,

(02:00:20):
those Scotts are.

Speaker 2 (02:00:21):
Doing great work. Have a good time up there in Chicago, Leo.

Speaker 1 (02:00:25):
All right, thanks, and I.

Speaker 2 (02:00:26):
Look forward to our next conversation here on the show.
But I just had a fantastic time tonight.

Speaker 1 (02:00:32):
Thank you so too.

Speaker 5 (02:00:33):
Thanks for having me pal, Yeah, coos to you, man Homsa.

Speaker 2 (02:00:39):
All of us, all the thank you so much, Leo.
Enjoy the rest of your day over there in the
United Kingdom. Bye for now. All right, path perfect night
on the show. And we've got Leo's links below, and
you get head over in his books and everything else
in his research are all right there in the description

(02:00:59):
box below. I do want to remind everybody that tomorrow
night on the Show of Colton Scriver PhD is here
with us tomorrow night, and we're going to talk about
why do we, especially me, crave the creepy you know

(02:01:20):
we do? And that's what we're talking about tomorrow night
on the show. Until then, all I've got is go
Beckley Teppee. Ada Black is produced by Hilton J. Palm,
Renee Newman and Michelle Free. Special thanks to Bill John Dex,

(02:01:43):
Jessica Dennis and Kevin Webmaster is Drew the Geek. Music
by Doug Albridge. Intro Spaceboy. Ada Black is produced by
kJ c R for the Game Changer Network. This broadcast
his own and copyrighted twenty twenty four by Fade to

(02:02:03):
Black and the Game Changer Network, Inc. It cannot be rebroadcast, downloaded, copied,
or used anywhere in the known universe without written permission
from Fade to Black or the Game Changer Network. I'm
your host, Jimmy Church Go, beck Lee, Tappy