FADE to BLACK host: Jimmy Church guest: Amanda Romania

Tonight, author and researcher Amanda Romania discusses what the Akashic Field has taught her about Ancient Egypt... a truly fascinating conversation!!!

Episode Transcript

Speaker 1 (00:00):
Yeah, this hope radiate for the masses headline of US

(00:31):
July eighth, nineteen forty seven, the Army Air Force has
an outstart applying to Purpin found and there's now in
the possession.

Speaker 2 (00:38):
Of the arm with the game is really changed, the
game Game Changer.

Speaker 3 (00:44):
I occasionally think how quickly our difference is worldwide would
vanish if we were facing an alien thread from outside
this work.

Speaker 4 (01:00):
This is Day to Black.

Speaker 2 (01:01):
It's your host, Jimmy Church on the Game Changer Radio Network.

Speaker 4 (01:08):
All right, good evening, how you doing. It's Fade to Black.
Today is Monday, December twenty ninth, twenty twenty five. Let's
do this man. Yeah, I'm your host, Jimmy Church. Who
what a weekend? This week? On Fade to Black. Tonight,
Amanda Romania joins us Akashak Records in Egypt this evening

(01:31):
Tomorrow night, the Leo King returns because twenty twenty six
is here. Yeah, yeah, crazy, I don't know where the
year went. Everybody says that, but I really really mean
it this time. Where did the year go? Wednesday night,
we're off air because it's New Year's Eve. Thursday off

(01:53):
air because it's New Year's Day. Friday, we never do
a show. And uh yeah, it's weird how Christmas and
New Year's timed out the way that it did. With
Wednesday and Thursday Friday. That's a long weekend for everybody,
even me. And it did nothing but rain out here everybody.

(02:14):
Just so you know, I did. The sun came out
a little bit on Saturday, so I got to ride
for a few minutes. And then I went out to
ride yesterday and it was so cold, and I thought
I was all, you know, had all my gear on,
I go, I was going up and I was like, well,
this is going to be short. I just rode through

(02:37):
down slow as I could, try and avoid the wind anyway,
circle back in and park the bike. And then it
turns out it's going to rain again this week on
New Year's Eve and New Year's Day. There you go.
Now New Year's Day, I will, I'll shoot some video

(02:59):
and uh take some pictures. But New Year's Day, me
and this group that I ride with, Yeah, it's our
it's our gang, our biker gang. Everybody. Oh man, I
say that so loosely. Anyway, we're gonna we're gonna do
a long ride. We're gonna leave at six am on

(03:20):
New Year's Day and we are driving east. I'm not
gonna say where because if I say where, Stalker's gonna
show up and UH be sitting at the table of
where we are going. It's happened. Okay, it's literally happened.

(03:41):
Ah man, yeah one. Uh. I said, you know, I'm
gonna be at this restaurant, you know, on Friday night,
and i''m gonna go. It's gonna be great. And I
show up at the restaurant, you know, and I know
everybody there, and the hostess goes, your guest is waiting

(04:03):
for you. She's sitting in your booth. I said, what what?
And you know, I was with a couple of friends
and I'm walking to like, what's going on? What what? Yeah? Yeah?
Yeah yeah. So I can't do that anymore. I can't.

(04:24):
But New Year's Day, I'm going to be spending with
friends and we're going to go somewhere really really cool.
So there you go. Hey, I wanted to mention really
quick before I jump into things on Thursday night, because
tonight's show is going to be amazing. Amanda Romania is here.
My two favorite subjects right The Acostak Records in Egypt

(04:45):
and all in one show tonight. So buckle up, kids,
it's going to be great. But on Thursday night, and
I want Amanda to hear this. She's backstage at the
end of the show on Thursday night with Dave Schrader,
at the very end of the show. If you didn't
catch it, go back and watch the last ten minutes

(05:08):
of the show where this very loud noise happened. Now,
if I don't speak like this, you don't hear anything.
Because this is a soundproof professional studio. It's it's dead
in here, right, there's nothing. Everything is acoustically tuned, and

(05:32):
so it's dead. And I'm used to this, right, there's
no noise. And at the end of the show, there
was a loud crash, like something very large was dropped
from a great height. That's what it sounded like to me,
like something crazy. Just felt like a refrigerator tipped over

(05:52):
or something. It was loud, and you saw me take
off the headphones and I looked around and nothing had moved.
It was pretty crazy. I asked Dave. It was from
his end. He didn't hear it, which was strange, but
all of you did, and it was very loud. So
after the show, I spent a good thirty minutes looking

(06:17):
at everything. Now I'm gonna go and edit that video
down and post it. Well, I won't edit it, somebody will,
but but I'm gonna have that last portion of the show.
I didn't go back and listen to it, but I
spent a chunk of time looking for There was nothing.

(06:39):
When I say nothing, there wasn't a pen out of place.
I don't know what could have made that sound. And
I'm perplexed. I'm perplexed. So if you heard it, you
know what I'm talking about. I'm if you're wondering, nothing moved,

(07:03):
not a single thing, nothing, nothing, I am. It's strange,
isn't it always when we're talking about ghost on this show? Right?
Remember the creek. So that's my follow up, and it
was just very very bizarre. Yeah yeah, okay, so it's

(07:27):
not resolved. My next event coming up is the Conscious
Life Expo, which is February twenty through the twenty third,
twenty twenty six at the lax Hilton. The links for
that are below. Over on our website and throughout social media,
just go to Conscious Lifexpo dot com. You've got a
full schedule speakers. There's two hundred speakers there. So when

(07:51):
you have that many speakers in that many rooms and
you have twenty five thousand attendees, there's lots to do.
So go visit Conscious Life Expo and start to figure
things out and map things out. But I'll see everybody
there at the Lax Hilton and pay special attention to

(08:12):
what is going on Saturday night because we are going
to do a play. And I'm in the play. It's good.
I mean, it's one of those things where you know, okay,
I mean, you just think you're just gonna, you know,

(08:32):
just go through this, and no, it is written so well,
it is so good. I'm very excited about this. So
it's myself, Danny and Brinkley and Debbie. What was I
going to say, Oh oh, oh oh, I got ahead
of myself. It's it's it's one act three people, is

(08:55):
what I meant to say. So it's Danny and Debbie myself,
and it's just really well done. It's well written. So
please come and check that out on Saturday night. With
that man all long winded because I never do this
at the beginning of the show, but that thing on
Thursday night and that noise bothered me, and it bothered

(09:19):
me all weekend. Nothing nothing out of place, very strange,
very strange. All right tonight, Amanda Romania joins us A
Kascak Records with some Egypt thrown in just for good measure.
And I love the Akashak Records. She's got a new
book out, Return to Egypt, So we're going to go

(09:39):
through all of that soul contacts and past life stuff
and Egyptian wisdom. We're gonna do all of that and
much more. Her links are below, and there you go.
I'm gonna welcome for the first time to Fade to
Black Amanda Romania. She's right there, Amanda, Welcome.

Speaker 5 (09:57):
How are you, Jimmy, I'm great, Thank you so so much.
I'm so excited to be here with everyone.

Speaker 4 (10:03):
Yeah, it's great to have you here. And you're live
from Sedona. Hey, did you guys, uh, before I ask,
did you have a great Christmas and stuff? Did you
guys get a taste of the rain that we had
out here last week?

Speaker 5 (10:17):
Yeah, we've had we call it like a late summer,
and then it's gone into rain. And what's interesting is
all of the clouds come down, so literally all of
the Red rocks are submerged in clouds, and that means
the frequencies are shifting. Things are shifting in the Votexas
because they keep the people more or less out. They

(10:38):
can't hike. So, yeah, we've had a lot of activity.

Speaker 4 (10:41):
Wow, wow, fantastic. It's already the most beautiful place in
the world. What does the rain bring out the colors
even more so?

Speaker 5 (10:52):
The rain kind of resets everything in a different alignment
here in Sedona. And when you're watching the cloud formations,
you're getting a lot of cosmic galactic activities. So I
don't know if you remember, Jimmy, one of the ascension
events a few years ago, we actually had the snow
come in and that was in March. Yeah, yeah, I

(11:16):
was there.

Speaker 4 (11:16):
I was there, Yeah you were.

Speaker 5 (11:18):
And so it's things like that where when the snow
comes in or the rain comes in, everything kind of
shifts around because of it's a little bit about the
chemical structure of the red rocks. So it's all that
copper and magnesium and the things in the rocks that
when you start putting water on at the altitude with

(11:39):
the walls, everything starts to amplify.

Speaker 4 (11:43):
But okay, I loved the answer, and I just learned something.
But I was asking, what was the beauty like with
the with the rain. Is it enhanced?

Speaker 5 (11:56):
Yeah, the beauty is spectacular. And where I live, it's
you kind of come up over into West Sidonna. Anyone
that's been there, so you have the full thunder Mountain
panorama and you can see all the way up as
it kind of goes up into the valleys and it's
just so clear. And Christine, you see everyone go out

(12:16):
with their cameras. They're doing photos right, a photography delight.

Speaker 4 (12:22):
There is nothing like selfie's in Sedona. I mean, you
get the perfect backround no matter where you're facing. Right,
you could be at the McDonald's there in the parking
lot and you've got a great backdrop.

Speaker 5 (12:34):
You know, that's one of the most photographed McDonald's. Yes,
because it's the only one with a green arch. Yes,
everyone else has yellow.

Speaker 4 (12:46):
We have green, of course you do. It's Sdona. It's Sedona.
I was gonna say it should be Lotus flower blue.
That was a good joke. That was Dona joke. Nobody else,
but yeah, no, Sedona. Right now, they're cracking up. They're
cracking up. That was a good Sedona joke. You get

(13:09):
the first time guest disclaimer before we get started. So
let's get that out of the way. Which is this, Amanda.
It's just you and I sitting on my couch having
a conversation as friends, where the conversation starts at starts
where it ends at ends. But we're gonna end as friends. Now.
You have to accept, so we can move on.

Speaker 5 (13:29):
I totally accept. I can see all day with you.

Speaker 4 (13:33):
You see you say that now we haven't gotten the
end of the show English. That's true, that's true. I
can I say one thing about England before we get
into tonight's show. Of course, the English people are about
the coolest m efforts on the planet. I mean, I cannot.

(13:56):
I just love going to England. I just absolutely love it.
And what one of the things that I really appreciate.
First Off, you guys have had thousands of years to
figure it out, and that's very evident. But the second
thing is, you guys love community, you guys love food,

(14:18):
you guys love laughter, and England is one of the
most cookiest, haunted, craziest historical places on the planet. Everybody
lives there and just it's just a great place. I
just I just love England. I just love you. I

(14:40):
didn't even have a bad joke about England. I would
feel guilty about it.

Speaker 5 (14:44):
Jimmy, I think it's your past lives. I think they're
they're reminding you it's a hometown for you as well.

Speaker 4 (14:50):
Well. Next year, I'm going to uh lead a tour.
It's the Monty Python Tour and we're going to be
up in Scotland going to all of the castles from
the Holy Grail. And and so when the tour company
approached me about this and they said, you know, I said,

(15:11):
you know what, I would only do that if we
could go to all of the castles from the Holy Grail.
And they went, you got it, and they put this
whole thing together, and we're gonna we're going to go
to the Bridge of Death from the Holy Grail. Yeah yeah, yeah, yeah, yeah,
We're going to watch the movie. It's gonna be great.

(15:32):
I am just in love with with England. And you're
right about that where it could be a past life thing.
I don't know why I relate to it. My ancestry
is from there, but I just relate to all things England.
I get it. I don't vibe with Germany or Sweden
or Denmark or you know, I just know I don't

(15:56):
resonate with Czechloslovakia, Romania, well a little bit with Romania.

Speaker 5 (16:03):
That's just my name. It's an inherited name. Everyone asks
me if that's where I'm from, but it's not.

Speaker 4 (16:08):
Well it's a great last name, by the way, But yeah,
I really, I really do resonate within It may be
a past life thing, and it's the same thing with
me for Egypt and dealing with with what you do,
and I want to do a little of Kastrik records
one on one if we can for everybody.

Speaker 1 (16:29):
But.

Speaker 4 (16:31):
The DNA of us, you know, it slowly trickles down
to originating from a few sources, and one of them
is there in the Middle East, Mesopotamia, ancient sumer and
of course Egypt are there. Is it just like an

(16:53):
automatic thing. I don't want to sound naive here, but
is it just an automatic thing where all of is
really do have ties back to that area and it's
easier for us to access some of that because of
the origins of humans.

Speaker 5 (17:13):
You know, I think for a lot of us, we
sometimes grow up with the mysteries of Egypt and we've
kind of been fascinated with it. But in my experience
with doing past life progressions with people or doing ancestry
work with people, Egypt is often something that comes up
as a theme, and it's often times of change or consciousness.

(17:36):
And I think that's the movement that people are looking
at now where they resonate with that, because it's for me,
Egypt's the only place you can see the past in
the present that helps you with the future. And there's
something psychological, biological that just resonates with a large group

(17:56):
of people with that. And I think when you're taking
people to the sacred places, some of them will go
through as a tourist, and then some of them will
go through as if they're living in the dream.

Speaker 4 (18:08):
Oh, I've done it. I didn't think I would have
I'm going to say thinking thoughts in the same sentence,
I didn't think I would have these thoughts what I
was there. But once in a while, it's a big
country with a lot to see and explore and learn,
but there are certain spots where you're walking through and

(18:32):
you're like, I know where everything is. Yeah, you know,
it's like this weird thing is I used to live here?
You know, it's weird. It's you actually can have those thoughts,
and I've had them, and surely I'm not the only one,
am I?

Speaker 5 (18:50):
No, definitely not, because with Egypt very much, when you're
there and you're tapping in and you have how do
I describe it? It's when you have it like in
your passport. So you're entering a temple, the temple recognizes
your frequency, and that could be with the physical temple,
as it is all temples from three four to ten

(19:12):
thousand years ago. It recognizes that and then it opens information.
It opens your antenna to the Akashik field and your
registering information and so it's a little bit like turning
on the Wi Fi or the Google of that location.

Speaker 4 (19:31):
I was at the Temple of horse isis in Have
you been there?

Speaker 5 (19:40):
Are we talking Isis as in Fila? Yeah?

Speaker 4 (19:42):
Yeah, have you been there?

Speaker 5 (19:44):
As at food?

Speaker 4 (19:45):
No? No? Feelee?

Speaker 5 (19:47):
Okay?

Speaker 4 (19:49):
Actually both that's a but anyways, it was a big
for you, well it was it was the island for me.
So anyway, let me just briefly tell you what happened.
And I didn't understand it. But anyway, I'm there and
we have about eighty people. But normally, I like to

(20:09):
separate off of things. I let somebody else lead and speak,
and I like to go and get lost by myself.
And I was off doing that, and I walked in
the main entrance and into the courtyard there and I
started to spin. It's the best way I can put it.

(20:31):
And I walked out, and I was just there's no
place to sit or anything. I wasn't really looking for that,
but there was nothing to do I had, So I
walk out and I go down to the gift shop
down at the bottom, and I get a big thing
of cold water poured on my head, thinking that was it.
Of course that was. And I was changing colors, acting weird.

(20:57):
It's kind of fun. But I walked up to the
where the cliff is next to the other smaller temple,
the really nice one, and that overlooks the nile. And
I'm sitting on that cliff and I've got my eyes
closed and everything is pink. It's the only thing I
can explain anyway. I opened up my eyes and everything

(21:18):
is panchromatic color. It was weird. And I'm just sitting there,
dangling my feet and enjoying it, going what is going on?
I just walked through like a vortex. And a friend
of mine comes up and taps me on the shoulder
and says, hey, man, can I sit here with you?
I go, this is what I said, not now, man,

(21:42):
I'm doing my thing. I put up my hand and
he's he backs out. I didn't even and so he
sits and I just let it ride out for like
twenty minutes. Incredible. It was just absolutely incredible. It's a
very special place. It's very spiritual. Well, but I don't

(22:02):
have a I didn't have a guide with me like
you to go, Okay, this is what's happening. You know,
let's talk through this. But I didn't. I did it
by myself. But that's what Egypt does when you least
expect it, and different sacred sites around the world, even
in Sedona, this can happen to you, can it.

Speaker 5 (22:23):
Yeah, And it's I call it. It's like a hidden
veil that's ready to be revealed when it's the right time.
And so I see lots of people go and they're
trying to do ceremonies, and you know, it's getting difficult,
and they're trying to control what they're needing to do.
And my thing is I'm going to give you the information.

(22:43):
I'm going to give you the hotspots. But then you're
freestyling because you need to connect. You've come back home
and you're regridding. You're reconnecting with it. And it's very
often for the experience of where you're located is where
we would do the morning greeting with the sunrise, and

(23:04):
that's where it all changes color, and significantly it goes pink.
It's like a rose color that we resonate with the
rose quotes frequency really and so yeah, and so I've
tested that theory with people. What color are you seeing?
I'm seeing a pink dome. I'm seeing rose quotes again

(23:26):
and again and again.

Speaker 4 (23:28):
It's it's usually pink with me too. Also, I don't
like talking about this because I don't want to contaminate
other people's experiences or expectations, so I keep most of
this stuff fairly personal. So I'm just speaking a general way.

(23:50):
Two colors enveloped me pink and turquoise, like an aquamarine,
not sky blue like you know what I mean, like
like like a turquoise agua marine. Those are the two
colors that come in. It's like London fog, it's like,

(24:15):
those are the two colors. I don't want to please everybody,
have your own experience, but what does that say to you.

Speaker 5 (24:23):
One of the experiences that I provide, or if I'm
doing private session or regressions, and I've even done this
with groups, is we will kind of show them an
image of that temple. And because I remote view people
into locations, it will often always go through what color

(24:44):
is that you're seeing, you're working with, and so the
color represents the frequencies of the soul path that's there.
So for you, it's pink that's often hot, divine, feminine gentleness,
and with the blue it's often throat speaking truth. But
if it's a turquoise. With the ancient Egyptians, they had

(25:07):
turquoise in their signature colors. So there was the lapis blue,
the turquoise blue, the Carnelian. These were frequencies. You see
them on Tutanka Mun's mask, you see them on the
mummies where that was their signature colors, And so that
gives us a clue. Then this is what you would
have been doing, who you could have been, where you

(25:29):
were at, and chances are we had children in those temples.
We had babies. People were born into temple, and that's
where they were nurtured in that love and light, very
early on age.

Speaker 4 (25:43):
Turquoise is so special to the special now to us,
but back then it was the rarest of the rare.
There was no turquoise in Egypt. Okay, all right, here's
a little history lesson for all of you fatter notts.

(26:05):
Turquoise came from the Sinai. So the pharaohs would get
little small armies together and they would leave Egypt. They
didn't leave Egypt too often, there was no reason to.
Egypt had everything right. They loved their country. But once
and they would march up to Sinai and on the

(26:29):
top and there is a temple that that's been buried,
but it's up there, a temple for the turquoise. I
forget the name of the specific turquoise god that was there.
But anyway, little tiny tunnels and they would go in
and mine the turquoise. But the turquoise wasn't chunks. Turquoise

(26:50):
was little, you know, And they these these miners would
be in there all day long to get a little
handful of turquoise. It was precious to the Egyptians, so
they would have to send armies out to the Sinai
get a few bags of turquoise and bring it back.
And that's how that was a real precious stone to them.

(27:13):
It's an incredible part of Egyptian history. There's no turquoise
in Egypt.

Speaker 5 (27:20):
And there's another interesting fact with I don't know if
you visited the Step pyramid out in Sakara area. It's
one of the oldest pyramids. A few years back. Most
people come in from the top and you can look
down right, and I was working with some archological teams
and so I was really lucky they let us go

(27:42):
in from underneath. And so you go down, down, down.
You're on the levels looking up and you go through
these tunnels and it's all turkoise, little like little tiles, Yeah,
little tiles, and there's rows of them and they're tea
I'm teeny tiny, so I can run through there. But

(28:05):
I kept imagining what it must have been like for
the priests with maybe a lit candle in the dark,
trying to navigate these tunnels and they go down and
down and down.

Speaker 4 (28:17):
Those tunnels are frightening, frightening, scary, scary. You need to
have like a roll of string. You do you go
in there with a roll of string, It's it's a
kilometers of tunnels kilometers there. It's just incredible. I am

(28:39):
sure you could. I'm not speaking as fact, but I'm
feeling pretty confident about this. You could be walking in
those tunnels underneath and come across the body and go,
look it's a mummy. No man, that's a that's a
German tourist from twenty fifteen. Yeah, it's just it's it's

(29:02):
like that down there. It's pretty incredible. And and the
other when you go in from the top, I as
cool as other pyramids are and other sites in Egypt.
But when you go in and you look down into that,
you know that round uh, well, I guess that's the

(29:23):
burial chamber because the anyway, that part doesn't matter how
big it is. It's ginormous, and you don't you don't
get that. And that the step pyramid for me. People
dismiss it because it looks shabby in photographs and it's
it doesn't have the elegance of other things. When you

(29:45):
see it in person, it is beautiful outside and inside
it is absolutely incredible. But what you don't understand is
how complex and how large it is on the inside.
It's ginormous. When you go up to the edge and
you look down, like, holy, how did they do this.

Speaker 5 (30:07):
Underneath?

Speaker 4 (30:08):
Yeah? Yeah, it is. It truly is kilometers of tunnels.
I forget the number, but I think it's like ten
ten kilometers of tunnels. It's a lot of tunnels.

Speaker 5 (30:19):
There's a lot of tunnels. I think for me, there's
a hole in a city that was there at some point.
A lot of people now are tracking Egypt back into
like twelve thousand years ago, so some of the sites
they've seen in Malta they're uncovering now, and people are
kind of in their aggressions seeing these timelines that there

(30:42):
was something there even before this.

Speaker 4 (30:44):
It feels. What's your take on the way I listen.
I listened to my eyes. I believe what my eyes see. Okay,
that's I trust that more than when somebody says something
to me, when I read something or whatever. But when
you're there, doesn't it just feel older? Then we're taught

(31:13):
And I don't want to get all conspiratorial. I would
love to do that, but I'm not even inside. What
I'm saying is you just walk and you see something
that looks old, and then you see something that looks
ridiculously old, you know what I mean. And you can
see it right there where something's not quite right. You're

(31:36):
looking at a stone block that's a couple of thousand,
few thousand years old, and it's pristine, and they're right
next to it. You're looking at something that's completely worn
down and weathered and has lost its shape. Clearly one
is thousands and thousands and thousands of years older than
the other stone. Right do you get that same feeling?

Speaker 5 (32:00):
So I describe it as most of the temples that
we see in Egypt now at fu Fila, we kind
of equate them back to I think it's like three
hundred BC when we had Alexander the Great come over
and he did a lot of rebuilding. But for me,
when we're tracking them, it's we're tracking them under We're

(32:21):
tracking what's in the crypt We're tracking where the ley
lines would have been, where things were then placed in
or modernized that we currently see with our eyes now.
So there's in Connac Temple you enter in and every
pharaoh kind of did their mark and rebuild, rebuilt, but
there's a very specific old stone. There's a massive piece

(32:46):
of it's almost like a white granite as you walk in,
and there's something that's very different frequency wise with that
stone to all of the other stones. So for me,
I've always seen that other aspects of I call it
things were moved because we know that Egypt thousands of

(33:08):
years ago wasn't just the dry continent it is now.
We know that there were waterways, so if that's been
waterways from the Mediterranean, know waterways from the Atlantic Ocean.
We were able to move things in most stones through
those water caverns to bring them to certain places that
they would activate, and then they got left behind.

Speaker 4 (33:31):
The book, which is called Return to Egypt. How did
you approach that or did the book come to you?

Speaker 5 (33:42):
So I've been working on this project a long long time,
and I started it with a sister book that was
called Return to the Temple. And what I did was
I took my experience through Glastonbury. I took my ex
experience with the oracles, the priestesses, the journeys that I took,
and I kind of wrote a storyline about that. So

(34:04):
it's my life that's woven into a story about a
character called Anna and her discovery of Glastonbury Psychic Gifts
as she's preparing to go to Egypt. And so the
sequel book that's coming out is Return to Egypt, and
that's when she actually starts to go to Egypt and

(34:25):
she's visiting the temples. She's experiencing firsthand, like I did this,
I think I'm going crazy. What is this? I'm seeing things,
feeling things, knowing things, and I have no business in
this world. But then I had every business in this
world because that was the role I was supposed to do.
So that's why I wrote it to kind of give

(34:48):
up a biography, but in an easy reading for someone
to kind of follow the journey.

Speaker 4 (34:55):
I'll tell you something scary. If I have a Pandora's box,
here's one. It's a scary thought that we almost didn't
find out about Egypt. Egypt was forgotten for almost two
thousand years, from Cleopatra all the way up to Napoleon buried. Understand,

(35:21):
nobody visited. There was no reason, nothing, not rumors, right,
there were rumors, but nobody went there. Everything that we
now know about Egypt is in a modern context because
of what Napoleon did and you know, him getting his
butt kicked by Horatio Nelson getting stuck in Egypt, right,

(35:43):
so he goes and explores the country and did so much,
and of course the Rosetta Stone and everything else. But
in four hundred AD four is actually four twenty four
eighty the last hieroglyph was carved down a temple by
a priest. That was the last one, and we can
date that after that. That was it. That was the

(36:05):
last person that could read or write ancient Egyptian sacred script.
Isn't that crazy? Like it just fate, the most powerful
advanced country in the world, just faded to black. I
can't believe I snuck that in.

Speaker 5 (36:20):
But I was just going to say that it's incredible.

Speaker 4 (36:23):
How doesn't it? It? Almost it makes me anxious to
think that, man, what if Napoleon didn't What if? Right,
we were pretty close to not knowing anything.

Speaker 5 (36:36):
So he has my take on that. When I've done
my regressions and my kind of historical fact detective work,
especially in the Akashik field, what I found out was
that while Cleopatra, the last true pharaoh of Egypt, Cleopatra
the seventh, she kind of tried to bring Egypt together.

(36:58):
She tried to do the ritual with the Temples, but
then you mix it with Rome, and you start to
mix it with Julius Caesar, you start to mix it
with Mark Anthony, and so she's trying to kind of
navigate this Egypt Greek Roman bringing it all together. She
had a very powerful sister called Arsinowa, and our Sinowa

(37:21):
actually captured Julius Caesar at one point in Alexandria, so
we could have changed history. And this is around forty
four to fifty base. Our Sinawa was sent away and
she was sent to Ephesus, and she was sent to
the mystery school in Ephesus, which removed a lot of
the sacred oracles, the mystery schools, and it was at

(37:44):
that point the priests and priestesses we had no where
to go, so we all kind of departed in our
own way. We tried to come back through biblical times
in reincarnation, and then we've been trying to come back
for the last two thousand years now. Napoleon, it was
said that his wife Josephine was an oracle, a gifted

(38:07):
intuitive in her own right. So she was seen as
you know, maybe in earlier days they would have called
her a sorceress, but she was seen as very powerful.
She had a lot of insight that would guide him
so that when he got to Egypt and he was
bringing things back, he came back with things such as

(38:29):
the Dendera zodiac. And you know, these kind of things
have all been moved into various different museums around the
world for safe keeping until perhaps one day they can
all go back. So do you think you think.

Speaker 4 (38:47):
Do you think do you think that will happen? I mean, honest,
I'll give you one example of well, why I don't
think it will happen. You know, think of Neferteen's bus.
Go to the Met in New York and go through
the Egyptian wing. They took half the country man and
brought it to New York. It's it's all right there.

(39:09):
They have a whole temple from Dendera at the Met.
Have you have you gone? Have you seen that Dendera temples? Yeah? Right,
And you walk in and you're like wow. And then
they show all the photographs and how they you know.

Speaker 5 (39:25):
Removed it, how you rescued it, and it maid.

Speaker 4 (39:28):
They rescued it underworld.

Speaker 5 (39:32):
You know, Jimmy, this is how I'm able. I'm British,
so well I'm American, actually I'm an American citizens, but because
I have that Britishness, we can use certain words to navigate,
so I can be in, you know, different camps in
different places, and so that's how I find out the
things that I need to find out to help in
the ways that I do. But here's something about the

(39:54):
artifacts that have gone. So went into Berlin. That was
Nepertiti's bost you know, there was two of them. There
was two, and so one went to Berlin the other one.
The deal was with the Egyptians that anything you found,
if there was two of them, the excavators got one

(40:14):
in Egypt got the other. The Germans kind of took
the one with the color. So the blank one that
wasn't painted, she stayed in Egypt and she's kind of
probably buried somewhere under the Cairo Museum. Then things went
to Paris, things went to London, things went to New York.

(40:35):
And what's interesting about all of those cities is they
have very very strong mystery school, theosophical society, links and
a lot of hidden society. And what they also have
is they have those obelisks. So they have these Egyptian
markers that are placed. So it's my aspect that perhaps

(40:59):
these things chose that they wanted to go there, because
then that sends a grid of energy out around the world.

Speaker 4 (41:06):
I like I like your positive I like your positive thinking. Yeah, yeah,
I like that, except man, people were just stealing ship
from Egypt, and it just makes me angry. It just
makes me to go through the effort to load up
an obelisk on a ship that you are stealing, right,

(41:29):
all of that effort that goes into it. It's it's
just it's it's it's not it's it's not right. The
row of sarcophagus at the met at the British Museum.
You look at all, you're like, man, it's cool. I
appreciate that I can look at it, but you stole it. Right,
it's And here's the other thing. I'm so glad around

(41:53):
the subject because I love the subject. When Napoleon got
his butt kicked, and he did, and I was his
first loss, right was in Egypt. And in eighteen oh
one when they negotiated, the British negotiated the peace treaty there,

(42:13):
this is what they did. They said, Okay, Napoleon France,
you can keep your leaves and your twigs and your animals,
you get all that stuff. Everything else goes to Britain,
all of it. And that's how they got the Rosetta stone,
you know. And and the British are not going to

(42:35):
give it up. I know you're I understand, I'm not,
but no, no way, it's ever going back to Egypt.

Speaker 5 (42:43):
Yeah, and this is why for me, it's a comic
aspect that there's more life and more energy and frequency
in these sacred pieces that they're doing the work that
they have to do. When they've completed their work, completed
their mission, perhaps they'll come back. But at the moment,

(43:04):
they're busy, they're active, they're working, and they're helping those
that come to visit that maybe don't get that chance
or opportunity to come to Egypt. So it's sparking that interest,
it's sparking that activation. You know, in the Louver, how
they've displayed the Dendera zodiac is very beautiful, very powerful,

(43:26):
and it's actually a stargate. So I wrote about that
in my Return to Egypt book, how my character she
goes in and she starts seeing it because where it's
positioned from Dendera Temple is actually in one of the
levels where there were birthing rooms up to after life rooms.

(43:47):
So all those layers in Dendera and that's where the
zodiac was which created that energy portal.

Speaker 4 (43:56):
Can we talk about the Denayer zodiac for a second. Okay,
First off, it's just so everybody understands when you go
to Dendera. Oh, by the way, when you walk on
the roof of Dendera right to go into those rooms
on the top, is that the most beautiful thing you've
ever seen in your life is that whack. You don't

(44:18):
realize how big of a temple and the construction you
don't appreciate until you walk on the roof and walk
around and it's it's insane anyway. So when you go
into that room where the zodiac was on the ceiling,
the zodiac is there. It's a cast, right, so they

(44:40):
were kind enough to make a cast of it and
put that in Dendera on the ceiling. It should be
the opposite. We'll make a cast and keep it for
ourselves and we'll give you the original back. That's that's
that's my take. Anyway, when you look at I've only
seen the facsimile U there a zodiac but when you

(45:02):
look at it, it is as modern of the zodiac
as anything that you can imagine. How how is this
knowledge possessed by them? And what were they seeing? Something
that is absolutely anybody that looks at it would know
that they're looking at a zodiac. It's pretty incredible what

(45:23):
knowledge is in that zodiac, isn't It's incredible?

Speaker 5 (45:28):
Yeah, And because they were so gifted in astronomy, but
they were also gifted that for me, they had et contact.
They were able to connect into their cosmic brothers and sisters.
And when you go up onto that top, there's that
small little temple to they call it to the goddess Hathol.

(45:49):
But if you look at them, it's kind of like
these ety heads where it's connected to other extraterrestrial races.
And people were trained or gifted where their senses were
open to receiving cosmic knowledge and cosmic wisdom. I don't
know if you've ever in Egypt been able to go

(46:12):
there and stay over night in any of the temples.

Speaker 4 (46:15):
I can't. I can't talk about that publicly.

Speaker 5 (46:18):
Yeah, okay, I've spent time being there, and when the
dock and their stars are there, it's a very different
frequency when I go to feel like we go in
in the light and we go in in the nighttime,
in the dark, and it's two different, entirely different teachings.
So for me, if I'm able to access that, if

(46:40):
you're someone that's living there all the time and you're worshiping,
and you know, they would take the blue lotus, they
would take the you know, the enhancements, you're going to
be able to receive it in the same way we
do now with the sky Guide apps on our phones.
And this is how they marked it, and they marked

(47:02):
it with the different systems, and I think on the
Dendera zodiac there's actually they have timelines of prophecy and
eclipses hidden into it.

Speaker 4 (47:11):
Well, there's a whole story, there's a whole origin story there.
You can see it. I can't read it, but you
can see the flow and the intention.

Speaker 5 (47:21):
Yeah, so it's about knowing what's there and then going
section bisection as it resonates with you. But for a
lot of them, they believed in the afterlife. So you
were going home to your style lineage, you were going
home to your brothers and sisters. You weren't passing on
or you know, going into a grave of such you
were going into an afterlife?

Speaker 4 (47:42):
Did you? Uh, well, I'm going to ask you directly.
I don't know what your answer is going to be.
Have you been to the underground baronic lake behind Dendera. Yes,
you've been down there. You're the first person that I have.
I've been there.

Speaker 5 (48:04):
I've been to that area, not necessarily down there, but
i've oh. Oh, because that's one of the on the
back of Denderra. There's like a massive head to hassle
with the gods going to each side, and so that
is the portal of light that actually opens that temple.

(48:25):
So even though you've got everybody coming in the front,
there's a party in the back.

Speaker 4 (48:30):
So in the back, which it's it's for the audience,
it's very large, and there is an ancient wall that
protects the back half of the temple. It's very, very large.
I have no idea. It's big. It's big. It's big
many many football pitches. But out in the middle, towards

(48:53):
the back, towards the wall, in the sand is a
one hundred foot ran it staircase that goes ten stories
underground to a lake, and it's as sacred as anything
you can experience. You can't wear shoes. The priest won't
let you. No electricity, no flashlights, no electronics, nothing, and

(49:21):
you're not allowed to talk. Yeah, and I went down there.
It was incredible, incredible, incredible, especially what happened to me
when I came back out of there. And so the
priest said to me, as we were descending the stairs
into the into the darkness, he says to me, he goes,

(49:43):
this is where the Pharaohs came to get their questions answered.
I was like, man, you're putting a lot on this. Man,
you put a lot of but it was all of that.
So anyway, went down, had this crazy spiritual experience, came
back out. It went further anyway. So I called when

(50:05):
I got back to the States because I've been to
Dendera a few times, that was the only time. It
was on my birthday. So they did this special thing
and took me down there. But I got on the phone,
I called all of my I want to say this corectly.
I called my alchemist friends, my real the friends that

(50:30):
I have that are truly alchemists, and I described what happened.
They said, dude, that is pure alchemy. Everything that you
just said, is step by step a ceremony is sacred
ceremony in alchemy. And my answer was, how how is
it possible to have this kind of knowledge at that level?

(50:55):
Today we have technical knowledge about our bodies and chemistry
and the sun and light and what is interactive. We
have that knowledge. We can apply all of that alchemical
stuff and figure it out. But back then, you know,
you're going back four thousand years. Where did this knowledge
come from that all of these things would happen? And

(51:19):
I back up, and so my question was it taught
to them? Did it come from out there or did
it come from the distant past? Is this the mystery
schools that everybody refers to. It's a fascinating thought.

Speaker 5 (51:34):
I don't have the answers, So my take on that
would be yes, it's definitely mystery school that either you
were there before or you've tapped into the frequency and
the memory that's still there in that location. So there's
two ways that you can be there. And basically they

(51:55):
would have created these areas. So when you go down
into these shafts, and there's various different ones around Egypt,
we know them, or I describe them as wells of souls,
So it's where well the souls pass through. There was
often guardians. They would often be an oracle that was

(52:16):
there and that you're consulting with them, and or there's
some kind of knowledge of wisdom that's stored from an
ancient realm that would come to you as you made
that pilgrimage climb down. And that's the alchemy of it,
because it's a magical sequence that you go down in.

(52:38):
Because I've been under the Sphinx, it's kind of similar
to that energetic feel or when we've gone down in
the crypts of Dendera similar that it's a different force
field of energy, different world. And so there's what happens
on the top, what happens above, but then there's what

(52:58):
actually happens below. And in those steps, it's like the
staycases that you would have been taken down for knowledge
and wisdom because it was your time. You needed to
know something or be aware of something. That puts you
on your tangent of discovery of what alchemy is. Again,
but for me, that goes twelve to fifteen, even twenty

(53:21):
thousand years before we even know that it's there. When
we are far old.

Speaker 4 (53:27):
Yeah, when we look at and I'm wondering what the
Costuerk records has to say about this. But the Builder's text,
if we take it literal, we should. I don't think
it's like in metaphor or anything. But if we take
it literally, it clearly states that the founders of Egypt

(53:51):
arrived there. Now that approximately twelve thousand years ago. If
we we plot that out right, that's all up in
the air too as well. It could be much older.
But the point is that somebody came there already complete

(54:11):
with knowledge and upright. And it feels that way to
me when we think about all of these advanced concepts
that we have about the soul and spirituality and the
afterlife and mathematics and engineering and everything else that comes
along with that. Of course, that somebody taught somebody brought

(54:34):
that knowledge to Egypt. Am I wrong in taking it
so literally?

Speaker 5 (54:40):
No, You're absolutely correct. There was a lot of knowledge
and wisdom that kind of If you take the continents,
the continents have changed so much from that, and now
as we know that it carries through water, through heat,
through frequency, through lay lines. What I I've often seen

(55:01):
is there were tribes and groups of people that at
some point in history, they spread out, you could say
ancient Atlanteans, and they moved to various power spots around
the world. And this is why for me, you see
so many things of different cultures, different locations. However, they

(55:21):
seem to have these pyramids, they have ancient knowledge and wisdom,
they have healing techniques. It all must have come. And
this is what I would say from the records is
it came from a central source, a central hub that
at one point was not able to be there, and
so therefore it dispersed. And that's been carrying on throughout

(55:44):
history that it would look for power points of magnetic energy,
and Egypt as a hotbed for that. That's why the
pyramids were built where they were or created where they were,
because that energetic of the magnet was needed to create
that force field of energy. And that's what they saw

(56:05):
is getting into the afterworld or the afterlife. They needed
that knowledge and wisdom and that ancient technology, and that's
what they desired so that they could finish their earth
incarnation and go to the better place.

Speaker 4 (56:21):
Why is it that professional academics, and we can go
from Egyptologists to geologists, anthropologists, archaeologists, Why did they fight
this so hard. It's just like a why do they
fight this when they should explore these concepts and these ideas.

Speaker 5 (56:44):
Sometimes I think it's the it's the knowledge and the
wisdom that's presented in front of them that it's a
little bit easier to dispute it or dismiss it then
kind of look into it. That it might OpenD everything
that they've been taught, it might OpenD their schools, their universities.

(57:06):
I'm fortunate enough that I work with archaeologists that are
open to certain things of language of wow, that's really
interesting how that works, And if you can come from
a scientific point, they will sometimes have that conversation. It's
not so scary because what they don't want is they

(57:28):
don't want it going down into witchcraft or sorcery or
something that they don't understand, because they've built their whole
careers and lives and reputations on a three day construct.

Speaker 4 (57:39):
But that three D construct is right there on the
temple walls, right it's right there. You can read. You
can see the Egyptians not only took this seriously, but
it was so respected by the citizens of each all

(58:00):
the way up to the Pharaoh and the priests and
everything else, that it was something that would stabilize the
country for almost three thousand years three that we I
think that you need to really look at this and
try to understand instead of being black and white with

(58:21):
it and dismissing all of it. Right, it's just a
belief system. It's just to believe there's nothing. No, there
is something to it, and you should approach it that way.
They there's a reason why they left all of this
historical record for us carved in stone, right.

Speaker 5 (58:41):
Yeah, it's one of the only places. This is why
for me, I've led groups around many different sacred sites
in the world, and each of my number one, because
there's so much this day that you can tune into
and you can read and connect yourself. When I'm working
with the archaeological teams and those guides, they will pull

(59:02):
me aside very quietly and they'll say, I had a
dream in here. We have some things, like you said
at the beginning, go bang, and we couldn't explain it.
Why did our cameras not work? Why did this not work?
And so they're open to it. But because of the
constraints of the environment they're in, it's not something that

(59:24):
they feel comfortable moving into. And this is why for me,
when I'm in Egypt, very often we're cloaked, we're just
going through like tourists. We're just going through and observing,
but we're having a whole backstory. And so in that way,
I choose to have the access rather than the confrontation

(59:46):
or work with it so that we kind of like
I say, you put a little you know, honey or
sugar on it rather than vinegar. And a lot of
people want to put the vinegar on it because they
want the shock. And I'm right with this. I know
this is and sometimes it gets driven by the ego
and the thing with an archaeological team, they're so trained

(01:00:08):
in this. When the ego steps in, their ego goes
up and nobody gets anyway.

Speaker 4 (01:00:14):
So yeah, no, it's funny how that works there. I
can't say which site, but I was with the director
of one of the sites. Okay, take your pick, it
doesn't really matter. And you know, we're just talking off
to the side about this and that, having a great time,
and he goes he looks around. He's like, okay, so Jimmy, listen, man,

(01:00:38):
I'm with you when I say that I'm with you.
I'm saying I'm with you on all of this, but
when we're facing the public, I have to read from
a script. Okay, he said, but all of us we
know that there's something strange here, we know that there's
more to this, but we have to read from the script.

(01:01:00):
And that's what he told me and I you know,
and he likes his job.

Speaker 5 (01:01:05):
They like their job, they like their security, they like
their you know. I've I've had private conversations with some
of the most infamous of the archaeologists in Egypt, and
I remember one conversation was about the Sphinx and the
Great Pyramid, and it was a little bit like, so,

(01:01:28):
there's no tunnels under the Sphinx. No, absolutely not.

Speaker 4 (01:01:32):
There's nothing to say nothing.

Speaker 5 (01:01:34):
Here, there's nothing here, but there's shafts. And my thing is,
what's the difference between a shaft and a tunnel? So
it's carefully placed language that if you can read between
the lines and you know, just be easy, breezy with it,
you can garners so much more information. But yeah, definitely,

(01:01:55):
those those people, I love them. I've been taking groups
to eat for over twenty years and I never stop
loving it. All the new discoveries that come, all the
new discoveries that we find. But when you try to
push the doors, you often find that they're shut. They're locked,

(01:02:16):
and there's no way to get through. So it's having
that term of unlocking it when it's appropriate.

Speaker 4 (01:02:23):
I got probably the same personality that we're talking about here.
We don't need to name names. I got into a
very spirited, compassionate argument, debate conversation at the serrapem and

(01:02:44):
right there and we drew a crowd and people, you know,
they're like, oh shit, here goes Jimmy. Okay, let's go
right anyway, But it was just I just wanted to
understand how their mind was. Egyptologists is completely blocked off

(01:03:08):
to any when when you can't explain and you just
dismiss instead. Right, So, anyway, this thing of all places,
it's that place which is insane. Right anyway, we walk away,
puts his arm around me, We walk away from the crowd.
There's like fifty people man around and he goes, look, man,

(01:03:30):
everybody's videotaping. I can't I can't say anything right, that's
going to be on social media. He goes, man, but
just use your imagination You're probably pretty close and left
it at that, you know, without admitting you know what.
But it was funny, he goes, Man that everybody's video.
I can't It'll be on and it'll be on Facebook.

Speaker 5 (01:03:50):
I can't say anything, you know, It's it's calmer. These
places have comic guardians, they.

Speaker 4 (01:03:57):
Have for sure, people that.

Speaker 5 (01:04:00):
Have responsibility for these different places. And this is why
you'll have some people have an experience of everyone gets
to go where they need to go, and some people
come back and they go, I never got to do
anything that I thought I was going to do. And
it doesn't mean that it's wrong. It just means that
it maybe wasn't the right time or it wasn't the

(01:04:21):
right energy or frequency for them to go through. And
so for me, Egypt is your own self discovery. It's
your own sole return if you like. And that's why
it's so special, and it's an easy place for me
to teach how energy works.

Speaker 4 (01:04:37):
This is the best show I've done in a while.
Every show that I do is great, Amanda, Every show
I do is great. This is smoking, This is smoking.
You stay right there, let's take our break. You stay
right there. Our guest tonight Amanda Romania and the new
book returned to Egypt. I we'll talk more about that,
the Akashak records and everything else. This is a perfect

(01:04:59):
man Fade to Black. Stay right there and we're gonna
take a short break. Subscribe to our YouTube channel to

(01:05:37):
get your alerts and access to over two thousand videos.
Click that subscribe button right now. Go to Jimmy Church
Radio dot com and get the Fade to Black Official
Podcast two thousand episodes, all of them commercial free for
just two dollars a month. I am hosting, speaking, and

(01:06:00):
presenting once again for the Conscious Life Expo, the largest
conference of its type in the world, February twentieth through
the twenty third, twenty twenty six at the lax Hilton
Speakers Event and schedule easy. Just visit Consciouslifeexpo dot com.

(01:06:22):
I will be hosting and speaking at the Sedona Ascension
Retreat March twentieth through the twenty second, twenty twenty six
in Sedona, Arizona. An amazing list of speakers and its
beautiful Sedona. Come and hang out with us and just
go to Sedona Ascensionretreats dot com. I'm heading back to

(01:06:45):
the Midwest for the Contact Modalities Expo May first through
the third, twenty twenty six in Delavan, Wisconsin at the
Lake Resort. It is beautiful. This is a great conference
right in the heart of the Midwest where I'm from.
I'll see you there. Just go to Contactmodalities Expo. That's
xpo dot com. I will be hosting and presenting once

(01:07:11):
again at Contact in the Desert that's May twenty eight
through June first, twenty twenty six, the largest UFO conference
in the world. Come and hang out with us June
twenty third through July first. Tickets and everything else that
you need is at Contact Inthedsert dot com. Want to

(01:07:32):
change your life, Want that paradigm shift, Then visit Peru
with Brian Forrester and myself for the INCA Celebration of
the Sun June twenty third through July first, twenty twenty
six of full ten days of visiting the country, all
of the amazing sites and of course the celebration of
the winter Solstice. It's all simple to do. Go to

(01:07:55):
Hidden incaturs dot com. Join us for the Monty Python
Scotland Tour August first through the ninth, twenty twenty six.
This is a once in a lifetime event where you
get to go to the castles from Monty Python and
the Holy Grail. August first through the ninth, twenty twenty six.

(01:08:16):
Just visit Hayleyaamsey dot com. Watch Into the Vortex on
guy A TV. It's fade to Black For the screen.
Simple to do, go to Guya dot com search Jimmy
Church or click on the link below. Follow Fade to
Black on Twitter at ja Church Radio. Get all of

(01:08:39):
the show updates every single day. It's it's now called X.
But who cares? Go to Jimmy Church Radio dot com
and become a fade or not. Get a membership. That's right.
Everything is commercial free. You have access to downloads and
you get to call yourself fade or not. Jimmy Church

(01:09:03):
Skuy TV. Fade to Black here at Machupchu with Brian
Forrester and Hidden INCA tours. Amazing tour so far, Brian,
But we're here to announce what we're gonna do next
year in twenty twenty six. What's going on?

Speaker 6 (01:09:17):
Okay, November twenty twenty six, we're going to have our
major tour of Peru and Bolivia, either a pre or
post tour of Perakas and Nasca on the coast, and
then after that six days in Easter Island.

Speaker 4 (01:09:33):
Bucket list Easter Island. Come join Brian and Iroan his
amazing team here at Hidden Koturs four Peru, Bolivia and
Easter Island. Signing out, say goodbye Brian, Bye Gang Yeah.
River Moon Coffee, makers of the Fade to Black Blend,

(01:09:56):
truly the best coffee on planet Earth. Just visit Rivermoonwellness
dot Com or their Amazon story. It's all simple to do.
You can check out the Fade to Black Blend, the
game Changer Blend, or any of their Black Moon Wellness products.

Speaker 2 (01:10:09):
It's the only coffee I drink. It is the best
and it's doc again Rivermoonwellness dot Com.

Speaker 4 (01:10:42):
All right, welcome back Fade to Black. I'm your hostimme
Church tonight. Amanda Romania is here at Kashrik Records in Egypt.
My two favorite things all in one show. I want
to remind if it get your Fade to Black Blend
coffee right, This is it. This is what you get
right right right there. My picture is right there. Go
to Amazon. Go to Amazon, just simple to search Fade

(01:11:04):
to Black Coffee pops right up. Help support the show
and one of the best company's River Moon Coffee in
this great country of ours. All right, fade to black
Blend and let's get straight back to it, Amanda. So
we were just talking about the thieving of antiquities out

(01:11:25):
of Egypt, and I'm guilty too. I'm guilty too. I
stole some stuff. And I'm going to show you this
priceless artifact that I have. I smuggled it out of Egypt,
got searched in Jordan, and customs almost got arrested for
this artifact. I'm going to show it to you now.

(01:11:47):
And here it is. It is Horace the Duck. Isn't
that incredible?

Speaker 5 (01:11:54):
That's so cute?

Speaker 4 (01:11:56):
Five thousand years old, Horace the Duck.

Speaker 5 (01:12:00):
Say that I can say that, Yeah.

Speaker 4 (01:12:02):
Yeah, they wanted this in the louver. I wouldn't give
it up. But there it is, Horse the Duck. Look
at the craftsmanship of those ancient Egyptians. They are so good,
so good. Yeah, this is a pink Oswan granite that's
been painted. There you go, Horace the Duck. What is

(01:12:25):
the Okay, let's have some fun. What does the Akashak
records say? What are the memories say about Akinten e
t e t is something funky going on there? Uh?
And and before you answer, we know so much about Egypt, right,

(01:12:52):
And what is crazy about Akinten is there's no record
of his birth, there's no talking about him being the
child of a pharaoh, all the all the other siblings
are there except him. And then he, as a teenager right,

(01:13:15):
starts to co lead Egypt with his father. And the
crazy part about it is when we look at Akanaten,
after that, Nephertiti comes into play. He upends religion, builds
a new capital, does all of these things, and then

(01:13:36):
just disappears. And it's the imagery and what he stood
for a new god from the stars. You know, that's
really really strange stuff. What is the ecostic records? What
do the memories say about that?

Speaker 5 (01:13:56):
So the memory actually for me, when I've looked into
the records for him, it starts with his father and
his father and they're just unveiling this in the area
of the West Bank, across from Luxor and Karnak Temple,
and normally we see the two big statues and they're
unearthing all of the kind of tributes to Ramses the second.

(01:14:20):
But you start going back into Amenotep, which was Akin
Alton's father, and he was starting to bring this new thought,
this new idea forward, and this was about a multi
dimensional world. So you had Connac Temple the three D,
you had Value of the Kings the five D, and
then you had this fourth dimensional world that was in between.

(01:14:45):
Oconnaughton took that on. When I've checked into the records
about Nefertiti, no one quite knows exactly where she came
from either. So for me, she was someone that came
from High Borne, but she also carried a very specific
bloodline group that I saw it kind of going back

(01:15:07):
into Atlantean timelines. So she was like of this special
blood group that her and Aknatin come together, they're seeing
themselves in different frequencies, different costumes, and then they move
everybody to Telemana. And because that then created a revolt
in the temples, because the priests of a Moon they

(01:15:28):
can't control everything.

Speaker 4 (01:15:30):
They're unemployed, they employed.

Speaker 5 (01:15:33):
And what was interesting with that, which is quite topical,
is that those that have visited that Karnak Temple, most
people go into the Sekhmet shrine. You know, it's that
little shrine where sec mead is, and there's actually stargates
and portals behind that to different worlds, different dimensions. And

(01:15:55):
so for me, that whole thing that it had been
in ballet in those temples. The priests and priestesses didn't
know what to do. And so when Oarcnnatin and Nefertiti
are setting up Telemanna, then what you've got is they're
creating another dimensional world. And this I believe was then

(01:16:19):
connected to visitations from cosmics from eighties. Why else would
you be there. It's a little bit like when you
go to Las Vegas. You've got those expansive areas where,
thank goodness, I'm not driving, but sometimes I feel like
I've been teleported out when you're driving through those areas

(01:16:41):
because there's a lot of cosmic activity. And of course
then there was the revolt. We don't know exactly what
happened to Arcinatin's body. They talk about his mummy being
brought back and it's placed on display in some kind
of damaged form. But for me, I believe that he

(01:17:03):
was kind of taken out onto another plane. Nefertiti came
back and she became the reigning pharaoh, just in name only,
and so For me, it's more than just a pharonic
line a time of a golden age. For me, it
really was a battle of light and shadow of those

(01:17:23):
kind of like the Asiris and set the light and
the dark. I believe that it was a timeline shift
of that, and it was a prophecy timeline as well.

Speaker 4 (01:17:34):
It was such a powerful when you think about how
a single person, personality this case of talking on can
come in and literally upend two thousand years of established tradition,
just tip it over all of it. There are three

(01:17:55):
things that you don't mess with in Egypt three, right,
the army, the religion, and the pharaoh. That's it, right,
and just keep all of it. And it was all
stable for two that Aconatin comes along and goes, you
know what, screw this man, this is what this is
what we're gonna do now. And he did it. It's

(01:18:18):
very powerful. And the other part about it is the
artistic stuff. I want your opinion on this, because Egypt
had a very traditional way of art and it's beautiful.
We've all seen it. He came in and goes, you
know what what you want? Right? It was like bizarre

(01:18:41):
artistic freedom. Just do your thing. We're gonna We're gonna
go from Polly tomno religion, Uh, We've got it was
just insane what he did. He tipped it all over
one single person and nearly succeeded. Actually too is seventeen
years right, they built that city.

Speaker 5 (01:19:04):
Yeah, when I've worked in Telemanna, what I was able
I saw was large you could call it like mica
or mirrors, and they were playing with what we call
cosmic energy. They were harvesting energy of the moon, the sun,
the stars. And what I saw in my visions was
people kind of like standing there worshiping to this as

(01:19:28):
if they'd been literally lifted out off the planet. And
again there were something specific about these ancient bloodlines that
they were trying to recreate that then they would show
themselves in these different statues, these different models, and it

(01:19:49):
was very very different to what we ever had before.
And if you've ever gone into Tutanka moons like his
shrine and value of the kings, the artistic temperaments very different.
And for me, we have to ask why is it
that he was so protected his grave was never robbed.

(01:20:10):
I believe that there were so many kind of energetic
forces at play, or other forces at play that moved
through those valley of the kings and queens at night,
that come from a cosmic realm that most people don't
really tap into. So for me, there was a lot
of advancement, There was knowledge, but there was still a

(01:20:33):
lot of this ety activity that most of the priests
and priestesses because they're just going through their rituals, that
was kind of advanced and scary even for them.

Speaker 4 (01:20:45):
With your knowledge. I love this. I hope you can
appreciate that. I do a lot of research into the
subject of Egypt. This is something you know, I've been
there many times.

Speaker 5 (01:20:55):
And happy place.

Speaker 4 (01:20:56):
Yeah, it's just it's what I do. Okay, So I
have a few things that just sit on top of
my head that I can't figure out. All right, So
what does the ecosmic records think about this? And you
personally too as well. There has never been a crown

(01:21:21):
found now and what is strength every depiction of a
pharaoh right upper and lower Egypt, the dual crown, it's
all over Egypt, it's everywhere. We don't have one, not
one out of all of that time, all of those pharaohs,

(01:21:42):
you know, all that royalty, No crown exists and then
we look at King Tut. I'm glad you brought up
King Tut's tomb because everything was there, thousands of artifacts,
everything that he needed, everything was there. But the crown.
What does the Akasha record say about that? Was there

(01:22:04):
only one crown that was handed down and is lost
to time, which I find very strange. I would think
that every pharaoh had his own custom, you know, went
to the habitasher. Okay, that I need my crowd.

Speaker 5 (01:22:18):
The man that made the hat.

Speaker 4 (01:22:20):
Yeah, the man that made the hats. But why is that?
Why have we not found a crown.

Speaker 3 (01:22:27):
For me?

Speaker 5 (01:22:28):
When I'm looking back in ancient Egypt, there's very much
where that kind of area of the body the king
or the pharaoh would not want that restricted. So yes,
he will wear the crown, which is the upper and
lower Egypt. If he wears it together, he has both,

(01:22:49):
which is a symbolism to his people that we're controlling
all of Egypt. But what I have seen is in
kind of private regressions with people sometimes that they would
have like a metal with a certain stone, but for them,
a lot of the crown was a little bit like

(01:23:09):
restrictive that if you have something like that, you're not
communing with the universe, and so for them, this is
something that sometimes what you will see is the Pharaohs
often depicted with like the mask that you kind of
see with Tutankamun. But when I've been in the Tutankamon exhibit,

(01:23:34):
there was a very interesting photo and you're not supposed
to take photos that you weren't with the original museum,
and I was with my Chinese students and one of
them took a photo, and what's interesting is when the
photo came out, there's a reflection of me, four of
me literally around this headdress. So for me, the Egyptians

(01:24:01):
believed that we were earth, fire, air, water, They believed
that we had all these different parts of ourselves. So
it wouldn't necessarily have been a crown, but there would
have been certain headdresses that they wore when they're in
secret ceremonies, when they're consulting with their advisors, that were

(01:24:21):
actually bringing their consciousness together. So I think that these
were things that they were then incorporated into their mummy
because they needed that to get to the other side,
to get on the boat, to get to the fifth
to the tenth dimension. And so I feel that a
lot of them were probably buried with them and carried

(01:24:45):
on and then you know, it wasn't until kind of
in certain ages medieval that we started to see the
traditional crown, which was a symbolic aspect of a ruler.
So that would be my take on it. If I
was reading the.

Speaker 4 (01:25:01):
Record, I think there's one in Buckingham Palace. I'm just saying,
I'm just saying, you know, but even horse the duck
has the crown.

Speaker 5 (01:25:13):
See even horse the duck has the crown. But you know,
a lot of the the princesses, the high born princesses,
they would wear it's like a I think it's called
a diadem, where it's like a piece of metal, and
they would have different symbology, different crystals, and that was
to also show their lineage, because if you were high

(01:25:35):
born as a female back then, you had two options.
You either became a wife or you became a priestess,
and so you followed into both of those rules of
creating that lineage of that family. And so for me,
it was often maybe the oracles or the chosen ones

(01:25:57):
that wore something to symbolically show who that they were
and that they had this high divine connection.

Speaker 4 (01:26:05):
I'm gonna quote from the movie Stargate real quick. I
love that movie. By the way, I love that movie.
In the beginning of the movie, James Spader, I think
he's like at the met in New York and he's
giving a talk and ancient Egypt and languages and stuff.
And one of the best scenes in the whole movie
is good. But this one scene, somebody raises their hand

(01:26:26):
and goes, yeah, okay, that's great. That's great. But he
even talks about Howard Weiss, right, and the graffiti was
really good. Roland Emerick really did some good research. Anyway,
somebody raised it. He goes, okay, that's all good. But
who do you think built the pyramids? And Spader goes,
I don't know, and the room empties right. That's what everybody,

(01:26:50):
that's the question. That's the question. What did the ecostrac
records say about this the age of the Pyramids? And
who built them?

Speaker 5 (01:26:57):
Thank you? I love that movie too. I actually have
an eight foot by eight foot stargate in my studio here.

Speaker 4 (01:27:04):
Love it.

Speaker 5 (01:27:05):
It's a full size physical one.

Speaker 4 (01:27:06):
Does it work?

Speaker 5 (01:27:08):
Oh yeah, of course it does. I can't disturb the camera,
so I can't move.

Speaker 4 (01:27:14):
It, right, I would love to say, when I come
to Sedona, will you show it to me?

Speaker 5 (01:27:18):
Yeah, you have to come visit. Check out the studio.
We have all the weird and wonderful things here. For me,
I loved about that movie because he's tracking in through
time and through my research. Again, it's that these pyramids
were not just something that popped up overnight. They were
literally built from within the ground, and then there was

(01:27:43):
monuments built around them. So when you're in the Great
Pyramid and you're in the subterranean chamber, that can be
a very dark place, light or dark. I've had people
have very weird and difficult experiences down there, and then
you're making the climb up. So for me, there was

(01:28:03):
advanced technology. They used the water, they used the leverage. Yes,
there was a lot of people. I've been to the
workmen's villages and seen the shrines and the tombs, and
what's interesting is they all have alchemy on outside their tombs,
like protection statements and protection spells, So they knew they

(01:28:24):
were working with something that was out of this world
as well as in this world. And our logical brains
tell us, well, it was workmen. They moved these stones.
But you know, like you just showed in that amazing
clip from Peru, how on Earth did they move some
of these megalithic stones and create these different timelines that

(01:28:47):
they were aligned to the stars. They were aligned with
this and those go back twelve fifteen thousand years, and
I'm thinking of the ones in Malta that are there
to sound and frequency, and so we just have to
be a little bit more open minded. And then over

(01:29:08):
time history starts to reveal that, and there's people doing
kind of experiments and location finders all over these places
now where they've got the radar and they're able to
do that. I first visited Egypt, I think it was
about two thousand and we went down under the area

(01:29:29):
not far from the Sphinx, and it was where they
were doing the keyhole surgery and they were seeing all
of these strange and anomalies that they couldn't explain. But
it takes a little bit of research now and they're
starting to reveal more and more. Like the shaft that's
above the King's chamber in the Great Pyramid, I think

(01:29:52):
it's the Japanese with their thermal imaging. Yeah, yeah, that's
a really interesting project. It is it is because I
saw that that was actually an open shaft, and I
started to see priests moving where they would actually come
out and do ceremony, but they're really up high. They're

(01:30:14):
not going from the outside, they're going up from the inside.
And I found that in Sakara, because you're going from
the bottom, you're coming out to the top, which is
how the energetic of that place works.

Speaker 4 (01:30:27):
Yeah, it's fascinating to me. It's fascinating. But how old
do you think the pyramids are? And we can go
with the step the red we can throw that into
as well, and the bent Pyramid, the Black Pyramid, but
of course Giza as well. What do you think of

(01:30:51):
the ages of these? Do we go with a traditional
timeline that's been placed on it.

Speaker 5 (01:30:58):
Or are they timelines like you know Cofu And but
for me, what's under there is so much older, and
it's older than even time. So I think it was
twenty nineteen. I'd had my experience in a temple called
Medina Haboo, which was opposite Karnak on the other side,

(01:31:22):
and that's where I had my arkinatin and nevertety vision
of what had happened. And then I kind of came
back to Egypt up to Cairo, sorry, and we're at
the Sphinx. I'd finished all the ceremony. Everyone was doing
their selfies on the other side, and I was able
to climb down underneath, and I stood there in the dark,

(01:31:46):
in the rubble, and you can't really see anything, but
I just had these matrixes of light coming through me,
and my work kind of changed profoundly in twenty twenty.
So I knew that's something that had been activated and
something else was there, and that's where I started to
see that. When we're looking at the Great Pyramid, we're

(01:32:08):
looking at it from this dimension, but when we start
to tracking before that, we're looking at something probably fifteen
to twenty thousand years ago, because nobody's necessarily tracking. That
is what that was and what that kind of stargate
was that was down there, And that's an area that

(01:32:30):
fascinates me.

Speaker 4 (01:32:33):
When I look at Okay, this is I know you've
been doing the same thing that I do. Is I
will watch or read the debunkers and the skeptics about
Egypt and some of the theories and ideas that are
out there. And I watched that just so I have

(01:32:56):
bullets in my gun Okay, all right, I watch this
and they will one hundred percent of the time dismiss, embarrass, personally, attack,
do all of the call names and all of this.
But they don't give any answers to the things that

(01:33:17):
we put forward because they can't. And one of the things,
let's go back to the Akashak records, one of the
things that truly this is up there with the crown.
The missing crown thing is messing with me. I can't
figure it out. Here's another one. Out of all of
the stuff that is documented from Egypt, from taxes to

(01:33:41):
laundry lists and grocery shopping, we got all that stuff.
Everything is they wrote everything down except for three things,
the most important things. How they built the temples, how
they built the pyramids, and mummification. There is no documentation

(01:34:03):
on the three most fascinating, craziest parts about Egypt. It
doesn't exist. So any skeptic that says, well no, well, okay,
then you tell me, because the Egyptians certainly didn't. And
anything that you say is a theory. Right. Why did

(01:34:24):
the Egyptians not document this? Was it meant to stay secret?
Was it? It's so important to them? But yet it's
not there. Why.

Speaker 5 (01:34:38):
I think when you're documenting, there's reading the record of it,
and that was a very very close society that messages
and information was passed on verbally. What they did do
was they left us behind the clues. You mentioned the
afterlife in the mummification process. And there's a really interesting

(01:35:04):
tomb to a king called Seti, the first Ramsey's the
Second's father. And when you follow his tomb and you
go into it, when you start to look at the
Kashak records that are at the pictures and the storytelling
on the on the walls, that's what it's literally telling you.
You know, we've taken the scarab and now we're going

(01:35:26):
down the snake and we're going into the afterlife. And
then in Seti's tomb there's all these beautiful stars on
the ceiling and there's a lion. There's a lion's gate
that's actually a constellation there. And so you just sometimes
have to read the clues. But if you're from a
type of background or teaching or training that hasn't been

(01:35:49):
shown how to read these clues or read them in
this way, then you're not going You're just going to
see pictures and you're going to read the hieroglyphs in
the way that you see say them. I speak, I
teach all across the world, and I can barely say
two words in each language. But that doesn't might matter,

(01:36:10):
because there's a universal language that we all have, and
it's a smile and it's an open heart. And what
I found is that when I started to just read
the signals and the signs of these, I was kind
of decoding the Akashak record without having to sit and go,
this is what the hieroglyphics say when you sit and
try to do it like that of this king at

(01:36:32):
this time of this date. Because that information comes from
the Rosetta stone, and we don't know exactly how true
that is for me. They left their stories. If you
wanted to tune into the mummification, there's an interesting shrine
to a Nubis that's on one of the lower levels

(01:36:54):
at the Hatchupsu tempo. And again when you stand there
and you kind of start to look at it from
the Akashak field, you can actually see what's going on
in that sacred area. So you've got Hathor on one side,
she's life and creation and a Nobus on the other
side death and resurrection. And so then they had these systems,

(01:37:17):
these ways, and that was about preserving the body in
a certain way, doing certain things with the organs because
they carried the frequency, and they carried the memory, because
the soul was departing, and we kind of in our
societies think that, you know, it's one life and done,
but they certainly didn't necessarily believe in that. So this

(01:37:39):
is kind of where you've got to look at the
backstory and open the imagination a little bit. And I
like to listen to the conspiracies and the stories and
what everybody else has because I find that it's education
and some of them I'll go, No, that doesn't sit
with me. Are that's a possibility. That's kind of interesting.

(01:38:00):
And if you can use the frequency words of interesting
observation imagination, you can tap into the akashak field, and
the Akashak field, like an energetic Wi Fi will start
to send you messages of things that you see with
your eyes open, our eyes closed. So I remember that

(01:38:21):
Stargate movie. It opened all of us to this, Oh,
we can travel to other worlds, and other worlds can
travel to us. And yeah, it's one of my favorites
as well. From an educational point of view, you know,
with the Galactics, they teach us through movies and through

(01:38:42):
things that we actually see on TV. They teach us
through social media. Not all of it's great, not all
of it's easy, but it's light and shadow because that's
where our universe is built from. So that's how I
loved it.

Speaker 4 (01:38:56):
I just it is an absolute fascinating fact. There is
no documentation on any of this. It's it's just not there.
Tapping into the acastic fields for answers is as legit
as anything out there. It is, it's not there. I mean,

(01:39:21):
I have to ask why, and then let's go. You
just brought up Akat and again let's circle back to
that at. I'm sure you've been there. The New Egyptian
Civilization Museum. Yes, Oh is that incredible? Man? Yeah? Yeah,

(01:39:41):
just absolutely amazing, all the royal mummies and and everything.
You know, they say, okay, you can't talk, this is
a sacred space, no photography. I'm like, okay, well you
just told me the two things I need to do
down here. I'm gonna talk and take pictures, you know,
and they're watching everybody. I'm just snap snap anyway, I

(01:40:03):
sing to them.

Speaker 5 (01:40:04):
I hummed to them and sing to them when we
go down, because it is it's a sacred.

Speaker 4 (01:40:10):
Place, very music playing.

Speaker 5 (01:40:14):
You know, it's serene, and you know it's interesting because
if you watch the procession of how they moved them.
I did watch the whole museum. Yeah, that for me
was I know, it's the hype and it's the you know,
it's it's made for TV. But for me, there was
something so ceremonial there very and for me that was

(01:40:40):
where I'd not being able to go to the Mummy
Room in the Cara Museum, which is one of my
favorite places, the Mummy Room as they've created it now
because of the way that it's moved and you see
the different families, but you move through them and I
hummed to them so nobody notices. And then they start
talking and they start to give you their stories about

(01:41:02):
how life was for them and how they're in the
afterlife now, but they're still here present as guides and
teachers when we want to open up to that. So
I always pay attention to where my group is because
it's often on a pivotal pharaoh or Queen Hatchepsu's there
because they'll take us like a guide. And again you're

(01:41:24):
just walking through, no big deal, but you're acknowledging them
on the sole levels.

Speaker 4 (01:41:30):
So funny you go down there and if you don't know,
you don't know, but you're going to find out. You
go down there and you're like, wait a minute, how
many king Tuts were there? Jesus, It's like fifty. It's
pretty crazy pretty much anyway back to aking Notton. So
the statue that they have Upsurde, the famous one right

(01:41:53):
with his head suspended above. I don't know how tall
that is, but it's probably fifteen eighteen foot tall. It's
a big statue. But when you look at that, everybody
sees the same thing. They don't necessarily talk about it,
but you see it either. There's two things, one of
two things going on there. He wanted himself depicted, not

(01:42:20):
his real self, and he directed this artist to carve
it this way that didn't look like him, or it's
exactly like him, which makes it even stranger because he's
got boobs, he's got hips, he's got an elongated fit,

(01:42:43):
his lips, his nose, his eyes, the proportions, it is
the craziest, you know, and it's a he's a pharaoh.
So why would you depict a pharaoh that way? Well,
one of two reasons, right, you were told to depict
him this way, or that's really who he was. What's

(01:43:06):
your take?

Speaker 5 (01:43:07):
Are you talking about the one in the Civilization Museum?

Speaker 4 (01:43:11):
Yes?

Speaker 5 (01:43:12):
Yes, okay, So within that one, for me, he's depicting
how he actually saw himself. So for me, there was
to have been a time when he's had this awakening.
He's dealing with a father that's opening all these different
dimensional portals. So for him, this is his cosmic avatar,

(01:43:36):
who he truly is. This is him from an advanced civilization,
you know, and we think of this as our first
Earth planet. Last week I was in Taiwan teaching on
Maldec and Peru the connection between them, and many of
my students were seeing themselves in different kind of bodies

(01:43:58):
and types, and you know, that's thousands and thousands of
years ago, and we know that Egypt very much connects
into that Milky Way. So for me, it makes it
very probable that is our Canatan's tuning in. He's connecting
with his queen for an effer tity of royal lineage,

(01:44:19):
but also mystery school, because nobody really knows where she
came from. And therefore, in that sacred union when they
would have come together as a couple, we talk about
it engaging that Condalini energy that was an ancient, ancient
thing that was taught in file temple, Temple of Atho.

(01:44:41):
It lifts us into a different consciousness. So all of
a sudden, you want to be known as who you
truly are, and this is that one that art and
this is my true self here. And so I didn't
necessarily see it from an ego or an elite perspective,
although I think it was probably from a very innocent,
narrow minded that this could be something that would be

(01:45:05):
achieved in that time. But again, he's here today, He's
not there the next day. But he wanted to be
seen as this as he truly is, like this avatar
version of himself. And I believe that that was shown
to him.

Speaker 4 (01:45:21):
I like the avatar idea that you know, leads into
fifty other questions, who is it that he was emulating?
What did he see or what have you? But then
the other part I brought up the boobs. He's pulling
down his shirt right and showing you his breast. That's

(01:45:46):
not something a raw a king would do, is it?

Speaker 1 (01:45:52):
No?

Speaker 5 (01:45:52):
And I feel for him as he shows himself in
that cosmic frequency. It's a little bit like, do you
hear that? Are we getting? You got ghosts?

Speaker 4 (01:46:07):
I hear hunting, But it's not it's not coming from
in here.

Speaker 5 (01:46:11):
No, I'm not hearing.

Speaker 4 (01:46:13):
It's a yeah, there it is again.

Speaker 5 (01:46:17):
It's visitations.

Speaker 4 (01:46:19):
Man, look listen. No, okay, man, my place is haunted.
I need I need, I need to sage this joint
tonight and throw some salt by the doors.

Speaker 5 (01:46:32):
You might need some powerful friends. So for me, in
him actually projecting that imagery, this is a little bit
about this collective society that saw themselves as this ascended race,
this race that probably first came into the earth and
its incarnations and then moved through generations. And therefore, if

(01:46:56):
he's connecting with someone of ancient royal Blas blood and
she's giving him that information, this is where his daughters
are coming through. And if you look at the daughters,
they're kind of shown with those elongated all of them,
and everything's pronounced. So we have to then go back
and start to say, okay, where in our cosmic lineages

(01:47:18):
on this planet. I think the last time we've really
seen those elongated heads is in Peru, those different skull lines,
those different skull types, And so for me, it makes
sense that that's where he saw himself, and this is
how he wanted other people to see them, and that
the further out they got from political hierarchy in Knnak Temple,

(01:47:44):
the more advanced that they became. But at the same time,
they've created this illusion where the rest of Egypt is going, well,
who's going to do the rituals. We need the food,
we need the water, we're going in to drought for them,
that's what the pharaoh's job was, was to preserve the economy,

(01:48:05):
to preserve the protection, and all of a sudden he's gone,
he's left, he's on this ascension journey. And that didn't
resonate with a lot of people back then.

Speaker 4 (01:48:17):
Yeah, all of his imagery was in direct contrast with
all of the traditional depictions of all the royal families
and wives and kids and even their dogs that were
you know, presented, or cats. Their pets were prominently displayed
underneath their chairs. All of that was and then Acontin

(01:48:39):
comes along and suddenly these you know, he's walking down
to that sculptor and saying, okay, man, cool, but bigger hips.
You know, that's literally what's going on.

Speaker 5 (01:48:54):
And you asked about you know, why would it be
the kind of you know, he's got this protruding stomach
and these the big lips and these certain like feminine features. However,
when I've done regressions with people and we've gone really
way back in the records, some kind of people would
associate that, like they call it Lumerian times. They've often

(01:49:15):
seen themselves as androgynous light being bodies coming into a
physical container. So therefore they're not male, they're not female.
So I'll often ask the question and the regression are
you male or you female? And they go, I don't know.
I think I'm both. And so then I know that
in the record I'm tracking them back to an even

(01:49:37):
older time or possibly a cosmic frequency that hadn't quite separated.
We think that we've always been in these male and
female containers, but what if we were in containers where
they were both. And we're seeing this a lot with
our younger generations, where you know a lot of people

(01:49:58):
will say, well, they don't know who they want to
be and they just will say, well, I don't want
to be identified as male or female or this or
the other. And what I've come to discover in their
records is at some point they were light bodies and
light beings, and they're coming back at a time when
we're starting to merge that masculine and feminine self together

(01:50:23):
so that we can be who we truly are. And
some people, you know, it's taken very literally for them,
but that's why we have a lot of young people
that sometimes they're confused in their own bodies.

Speaker 4 (01:50:33):
This this must have shocked that not only the people
of Egypt, but the priests at that time. You go
around Egypt, and it doesn't matter you know, old Middle
New Kingdom, intermediate periods, it doesn't matter where every you know,

(01:50:54):
any timeline you go to. You're looking at Ramses or
Seti the first and these perfect depictions, standardized way of
doing things. And then you stand in front of that
statue of Bakha Nottn and you back up and it's
not like anything else that was done in Egypt. And

(01:51:15):
I'm not I'm not sticking on this subject everybody this point,
but you got to listen to me. Everybody that goes
at the Civilization Museum, that's the they go, well nipple, right,
It's just you know what I mean, It's just it's
it's right there and you cannot help it because it

(01:51:37):
goes against everything else that you can see throughout the country.
It's it's it's absolutely bizarre to me. And I'm thinking
et how he showed He showed up with no background.
There's no history of his birth, there's no history of
his death. It's like he just came in went man

(01:52:00):
like David Bowie, you know, just showed.

Speaker 5 (01:52:03):
Up and for you know, in that I think in
that Civilization Museum, there's kind of like a prayer or
a script, but it's so highly elevated that it's almost
like you're communicating from something or someone from another world.
And I think that's what's scared the priests, the priestesses,

(01:52:25):
the cults, because all of a sudden, we're going back
further in the timelines, and rather than the mysteries being hidden, unspoken, revered,
here's a king that's front and center giving us this.
Because with Tutankamoon, he was seen as the Golden Child,
he was seen as bringing of the Golden Age, and

(01:52:47):
we've seen this time and time again, like with King Arthur.
He's bringing the Golden Age. Jesus is bringing the Golden Age.
And as a society and humanity, we've not really responded
in such a great way. They've all ended in challenges
or tragedies, and we've seen this through history. It's kind

(01:53:08):
of in that's in the history books.

Speaker 4 (01:53:10):
Would you call Acatina a heretic pharaoh?

Speaker 5 (01:53:14):
Too many of them that was what he was. They
saw him as a heretic. He brought in this this
new lineage. He's only had the daughters that we know of.
With this queen, he's securing certain bloodlines because his daughter,
the one that was married to Tutankhamun. The general sought

(01:53:36):
to covet her for himself because this was a power line.
It was a power lineage. If you could control that,
you could control Egypt. And I think that's what Alkinatin
was doing, is it's a little bit like he was
taking divine direction. Rather than going and standing in front
of the gods and goddesses one by one, he was

(01:53:58):
in direct contact. And I don't think it was necessarily
the arten. I think it was more through extraterrestrial races.

Speaker 4 (01:54:07):
Yeah, I think I'm okay with that. It's really I've
done so much research in ancient Egypt and I more
probably as much as any Egyptologists, all right, And as
I get into it more and more, I start to
really have these bigger questions that that just the puzzle

(01:54:32):
pieces don't fit unless you go with et, unless you
go outside of the box, and then things make much
more sense. It's very strong. Okay, in the time that
we have left speed round with the Acasta records, you ready, okay,
are we? Where is Cleopatris Tomb?

Speaker 5 (01:54:55):
Cleopatris Tomb? I would place her a little bit around where,
just outside Alexandria. I think it's is it a Cyrus magna?
That's where they're excavating those kind of areas, in that
kind of space. That's where I've felt her presence. That's

(01:55:15):
where I've seen the visions of her in the teachings,
because they again had the shafts.

Speaker 4 (01:55:20):
Alexander the Great?

Speaker 5 (01:55:21):
Where's he Alexander the Great? For me, he's kind of
somewhere where they've tried to bring him back. But I
believe that he was moved into around possibly the Holy Lands.
I believe that he went through the mystery schools, the
Babylonian teachings. I believe that he was trying to get
to Tibet into India. So for him, this is a

(01:55:45):
little bit like if he was going to be anywhere,
it would be. What they're giving me is kind of
around that kind of Sinai area. And then I believe
that Potelomi, who worked for him, the general and the people,
came back kind of to leave him off that trail.

Speaker 4 (01:56:04):
And I'm going to make this really quick because we're
out of time. I have one more thing I want
to ask you. But Ptolemy, most people don't know, Okay, Cleopatra,
the Greeks, all of that was because of Alexander going
to Egypt doing his thing, taken over the country, and
and when when, when the chips were starting to go,

(01:56:25):
he gives the country to Ptolemy, And that whole lineage,
that whole Greek part of all of that was Alexander's
boyfriend that he grew up with.

Speaker 5 (01:56:38):
And I think with Ptolemy he'd gone through the mystery
schools with Alexander. Sure, if you're in the back shrine
of look So Temple, that's where I've channeled Alexander the Great,
and there's actually signage in the back there that actually
gives you information about him. But right in the back,

(01:57:00):
just before you like kind of hit the street, that's
often where I felt his spirit in his presence. But
it's a powerful temple because it's one of the only
ones that has very clear depictions of say Shat, the
goddess of the Akashak records and though the scribe it's
on the back of a Ramses the second statue, so

(01:57:21):
we know that this was a record house and pieces
of information. And I believe that Alexander the Great wanted
this kept in the mystery school lineage that came from
his mother and father that he wanted brought through an
honored then in Egypt. So that for me is a
sacred space where his kind of spirit resolves around.

Speaker 4 (01:57:44):
Fascinating conversation Tonight, Now we're going to be in Sedona
for the Ascension Retreat. What do you you're going to
be doing? What three three three three events? What are
you going to be talking about? What's going on?

Speaker 5 (01:57:59):
So I'm doing two speaking events and I'm talking about
love portal stargates, cosmic frequencies of how love and universal
connection comes in, and I'm also doing an outward journey,
a hike to the House of Apache Fire, which is

(01:58:20):
in State Park. It's one of the sacred areas, but
you actually get the panorama there with Thunder Mountain. So
it's the lay lines where we do a remote view
brewing journey out through the portals of the Inner Earth,
and we take that into frequencies of Lameria. So lots

(01:58:40):
to talk about, and I'm vending there. I'm kind of
meet and greet there, so I love to see the
people that connect and come through.

Speaker 4 (01:58:47):
I love that. So are you saying you can take
me to a portal where I can find love?

Speaker 5 (01:58:54):
I'm sure we could.

Speaker 4 (01:58:55):
That's what I'm talking about.

Speaker 5 (01:58:57):
You have to check in your records, see what's see what.

Speaker 4 (01:59:00):
Say for you, Amanda, What a great conversation tonight at
the time, just blew by. I want to get I'll
have Michelle get with you and come back and let's
do a deeper dive into these subjects. Just just a
perfect night for me on the show. I really enjoyed it.

Speaker 5 (01:59:16):
Thank you, my pleasure, thank you.

Speaker 4 (01:59:19):
And Horace the Duck says, thank you.

Speaker 5 (01:59:23):
My relics do too.

Speaker 4 (01:59:25):
Yeah, I'll show you my other stuff sometime. Have a
great night. Thank you so much, Enjoy the rest of
your evening out there in Sodona and happy New Year. Yea,
thank you so much. Absolutely, I'll see you in a
couple of months.

Speaker 5 (01:59:41):
Okay, see you soon.

Speaker 4 (01:59:44):
Perfect night on the show. That's what you do here
at Fade to Black. Amanda Romania Now her links are below,
over on our website and throughout social media. Go and
check out all of her stuff, and of course come
out to Sedona and hang out with us at the
Sedona Ascensioned Retreat. Links for that are below on social

(02:00:05):
media and over at our website. All right, so there
you go. It is New Year's week here at Fade
to Black. Tomorrow night, David the Leo King Palmer is here.
Why well, we do this every year with the Leo King.
Twenty twenty six is upon us. So that will be
the discussion tomorrow night with the one and only David

(02:00:26):
the Leo King Palmer. Thank you, Amanda Romania, perfect night
on the show. All of you faderor nots, I'll see
you right here tomorrow night. But for now, all I've
got is go Beckley Teppy Bedea. Black is produced by
Hilton J. Palm, Renee Newman, and Michelle Freak. Special thanks

(02:00:50):
to Bill John Dex, Jessica Dennis and Kevin Webmaster Is
Drew the Geek music by Doug Albridge intro Spaceboy. Fade
to Black is produced by kjc R for the Game
Changer Network. This broadcast is owned and copyrighted twenty twenty

(02:01:11):
four by Fade to Black and the Game Changer Network, Inc.
It cannot be rebroadcast, downloaded, copied, or used anywhere in
the known universe without written permission from Fade to Black
or the Game Changer Network. I'm your host, Jimmy Church
Go Beckley, Tappy