FADE to BLACK host: Jimmy Church AMA/AJA Ask Jimmy Anything!

Tonight is our once-a-month AMA/AJA... Ask Jimmy Anything!!!

Episode Transcript

Speaker 1 (00:36):
This Hope radio for the NASSIS headline of this July eighth,
nineteen forty seven. The Yauni Air Force has an outstart
applying this help be found and there's now in the possession.

Speaker 2 (00:46):
Of the YadA that the game is really changed. The
game Gage.

Speaker 1 (00:52):
I occasionally think how quickly our difference is worldwide? Would
venge if we were faced an aien thread from outside
just working?

Speaker 2 (01:08):
This is Day to Black.

Speaker 3 (01:09):
It's your host, Jimmy Church on the Game Changer Radio Network.

Speaker 2 (01:16):
All right, good evening, How you doing? How you doing? Yeah,
fade to Black. Today is Thursday, January thirtieth. We made
it through the month. Tomorrow's the first, by the way,
made it through the month. Yes, twenty twenty five. And

(01:37):
oh I'm I'm looking. It doesn't matter right now, nothing matters,
Nothing matters, No, No, Tonight's our once a month, amaa
ja ask me anything, ask Jimmy anything. That's what the
j is for. So we do this once a month
and you can post your questions up in our life chat.

(02:01):
Let me get over here now into the chat. Okay,
I'm there. Tomorrow's the thirty first, is it? Tomorrow's not
the first. Tomorrow's the thirty first. Is that right? Yeah,
I think that's how it goes. You know, I'm gonna check.
I'm gonna Jona Side really really likes to Yeah, he's right. Yeah,

(02:25):
I knew that. I knew that before the words came
out of my mouth. And that's how fast Jona Side is.
And I've just noticed this isn't charging my stand. I
redid the studio. Something didn't get plugged in. I am
all about removing cables right now and I'm in the

(02:46):
middle of that. So yes, that's what we're doing tonight.
Post your question in all caps and that way I
can see it. I do a lot of scrolling during
shows like this. Can you say bespoke radio for the messes? Yeah,

(03:08):
I remember that. I remember those days. I do. There's
no reason why.

Speaker 4 (03:14):
Uh to to to to to to Okay, I uh wow, okay,
all of these questions.

Speaker 2 (03:25):
I'm now going to scroll backwards. Okay, I think I've
got everything for now for now, okay, anyway, post your
questions in all caps. Where was I what was I doing? Oh? Yes,
So we do this once a month. Post your questions
in the chat in all caps so I can see
it and uh and we'll get through this tonight. It's

(03:48):
gonna be a lot of fun. I will try to
get to everything I always do. Uh, there's always stuff straggling.
I talk too much, I give I give long answers. Okay,
so that's that I forget what I was going to say. Oh, okay,

(04:09):
since you know the AMA, it's my night to talk, right,
I don't get a chance to talk too much. I
asked questions. But anyway to that end, I was in
a couple of conversations this week with some people about

(04:33):
TV shows. It was weird that it would come up.
Recall up by the way, I'm addicted to him, and
I caught myself trying to remember what I am watching

(04:54):
at the moment and or what I have seen. And
here's here's the irony in that when I look and
search for something to watch, I've seen everything, And how
is that possible? I scrolled through this is over the weekend.

(05:20):
I scrolled through on Amazon Recommended movies or something. I
was inside and I went through. I don't know how
wide that is, right, that scroll, but it's a lot,
you know, it's probably fifty one hundred movies. I had
seen every single one. Everyone not part of it or anything,

(05:48):
and right now, with like TV series, so I have
I I have a few different categories. Yeah, of course, comedy, drama,
all right, science fiction, documentary stuff, true crime, love it,

(06:11):
but I have different levels of where I want to
go that excites me. Science Fiction in a TV series
is kind of rare, not for me to watch. It's
rare to now, and we have the X Files coming
up and it's pretty exciting news. But so when it

(06:33):
comes to that, it seems my mind says there's a
lot of science fiction out there, and then you stop
and you go to think about it, and I caught
myself it's not. And I was searching for it because
I always say the expanse right, Orville was great. Space Force,

(06:58):
the comedy thing lasted two seasons. It wasn't that good,
but I watched it because it was called Space Force.
But anyway, my point being that I think I've seen
any science fiction TV series that's really ever been offered.
I've seen them all, all of it. And I wanted

(07:20):
to do a compilation video and I was thinking about
that this week, so I could, you know, just do
a video and get it out there. It would help
me remember and go back and look at different science
fiction TV series and maybe remember some stuff that I
had forgotten about or wanted to forget about, like that,

(07:43):
you know, Resident Aliens great, but have you seen Roswell? Okay,
that you know and not the old Roswell and yeah
Aliens and this and that. It took a couple of
really weird turns a couple of seasons in and I

(08:07):
never went back to it, right, But my point being,
do a compilation video, and I think I'm gonna go,
you know, maybe my top ten what did I watch
this year? You know, top ten for twenty twenty four,
and then maybe all time top ten. All time top
ten will be easier to get to because I can

(08:27):
tap into UFO and Space nineteen ninety nine and Battlestar
Galactica and which star Trek I preferred and so forth.
But as far as stuff that's airing now, I couldn't remember,
and I know it's not my mind. There isn't just
a whole lot out there comedy, you know, And I

(08:49):
was like, wow, and this is where this is what
I'm leading up to. It's kind of strange for me
to say this. There are about five comedy TV series

(09:11):
that don't have a liugh track. By the way, I
hate that shit that are so great. I go back
and rewatch all the time, and I'll Benjamin order, they're
that great. I'm talking about The Good Place, one of

(09:32):
the best TV series ever made period, Brooklyn nine, Arrested Development,
Kimmy Schmidt, and Parks and Recreation just so good, so good,

(09:53):
so good. And they're all made by the same company, Formulus. Yeah,
that weird. I think, I think. I think Formulus is
Kimmy Schmidt, same cast members. Oh oh, thirty Rock also Formulus,
I believe, and good enough, great enough to just go

(10:15):
back and watch for the millionth time. I can't tell
you how many times I've seen Brooklyn nine, nine and
in The Good Place all of them actually thirty Rock,
oh man. Okay, So anyway, I bring that up because
my mind I don't want I don't want to start

(10:37):
forgetting stuff. And how do you know if you have
forgotten something, how do you know if you've gotten to
that point of age that memory starts to slip. I'm
pretty sharp still, I am, but I've got this paranoid

(11:00):
yeah in the back of my head. I do, I do.
I'm admitting to it. Right now. I am paranoid about that.
I just am. I am. I don't want to that's
pretty funny. Actually, okay, let's get to the questions I've got.

(11:25):
It looks like I've got twenty or thirty West Ducker.
Thank you for that, brother, very very very very cool.
Thank you so much, And alright to to to too. Man.
These are great questions. Look at you, guys, these are

(11:52):
these are really really good. Okay, all right, I'm going
to start over. Let's get to the top and okay,
all right, okay, all right, okay, all right, that's good.

(12:16):
I'm marking them so they're all highlighted. That is a lot.
There's a lot of questions. Okay, so let me get
let me get through all of these. So last night
I'm gonna start with this. Last time, we have Richard
Dolan on the show, and Richard I brought up PBS

(12:41):
and I brought a PBS because they have a new
should I do this? Should I do this? Should I
do this? No, I'm gonna do this. I'm gonna do
this because this way, this way, you can't tell where
my eye line is. Here, you can tell you can

(13:03):
see that I'm looking at the questions, and I'm looking
down right, I'm looking over here the camera. I'm pointing
straight at the camera. The camera's right there, so I'm
looking here and you can see that. You can see
that I'm reading down and then I have to look
up at the camera when I give the answer. I

(13:25):
don't like that. If I do this, I can do
whatever I want. Yeah, except for it's pointed in the
wrong direction just a little bit. Let mean move ah,
let's see. Is that better? Yeah? See that's better. Maybe
a little more. I got to reach for it. Okay,

(13:45):
how's that that much better? Yeah? Okay, I'm gonna do that.
I'm gonna I'm gonna do it this way. It looks better.
You can't tell because the camera's up there, but I'm
not looking there. Cameras over here is up here, but
I'm not gonna it doesn't look that way, all right.
First question from Renee Jimmy, if it's not too personal,

(14:12):
did you have any New Year's resolutions? Oh? Here, let
me do this so uh you guys can see it. Okay,
there it is, Jimmy, if it's not too personal, did
you have any New Year's resolutions that you thought about
making or actually made or have broken already. None of
the above. I don't think I've ever No, I've never

(14:38):
had a New Year's resolution. I've never made one to break.
I hear about them, I hear about people doing them.
I guess I guess it's a thing. Do people actually
make them? I don't know of anybody personally. No, So
I've never No, I've never made one. So I've never

(15:00):
broken one, and I've never thought about having one. There
you go, night, I hope I'm yeah. Now do I
have a reason for that? I am not. I don't.
I don't know. It's weird. Never no, no, see, I

(15:26):
guess my attitude about it is. I'm not weak. I
don't have issues. My weaknesses are Italian food, coffee, guitars, music.

(15:49):
Those are my weaknesses, real weaknesses, real things that I needed. No, no,
oh no, no, no, I've never really had any issues.
I've had friends that have I could see that have

(16:09):
had issues. I've never really had any. All right, Yeah,
it's weird. I've never had the need and hopefully I won't.
I guess you know. Okay, there you go. It's from Marty.
How are you feeling? Are you taking expectorance? I don't
know what an expectorant is, so I don't know if

(16:31):
I'm taking them. What's an expectorant? It sounds like something
my grandmother would say. Yeah, I don't know. I don't
know what that is, and I'm not going to look
it up. Maybe somebody can pop it up in the chat.
What an expectorant is?

Speaker 1 (16:48):
All?

Speaker 2 (16:48):
Right? From Gizmo, would you say, we the seekers of
the truth, are disclosure, Well, of course I would. Yeah, yeah,
I love that. Actually, well done, Gizmo. Yeah, now, yes,

(17:08):
Dolan and I were talking about this last night. It
is so funny when you turn back the wheels of
time and you look at the UFO researchers and the
people that were cranking up the heat back in the day,
and I'm talking about the fifties and the sixties. Disclosure

(17:32):
was just as big a subject as it is right now.
It was it was. We had presidents talking about it,
we had candidates talking about it, we had Congress talking
about it, we had the Pentagon talking about it, we
had Project blue Book, we had press conferences from the
Pentagon's strictly about you about flying saucers. Right, and so

(18:00):
the disclosure movement is nothing new, it's not. I think
that the public today has a different attitude about it.
Where so much of the establishment was bent on personal attacks, accusations,

(18:24):
questions of character and mental stability and other things too
as well, that the world was afraid of talking about
the subject. But it's not that way anymore. So that's
because of us for sure, keeping the pressure on. Yeah,

(18:44):
I like that a lot, Gizmo I do. That's really
it's really well said. Okay, When I set the TV volume,
it has to be an even number. Is that right?
In my Is that right? I'm going to respond to

(19:06):
that in in the family room downstairs, I've got the
gnarly surround sound system in there. Gnarly okay, And that
set at nineteen is a fraction too low. The way

(19:32):
I've got it set up in the center channel and
the back speakers and everything, twenty is about perfect. If
I want to turn it up, it kind of jumps.
But twenty one is starting to get loud. It's not
too loud. I enjoy twenty one. Twenty two is ripping

(19:55):
twenty three. My neighbors can hear what I'm wanting watching
on TV. It's loud, so it's weird. So nineteen twenty
it's like the balance point twenty one, I will do
twenty two is rite out twenty three, twenty three. They

(20:16):
know I'm watching the Golden Girls. Yeah, I like that.
That's a really good point. Okay, let's see Philip Shephard.
Who do you think is responsible for the megalithic work
in Peru? I know, but I don't. I can tell

(20:40):
you that officially. The officially it's like official not I
mean for real. The indigenous cultures down there insist that

(21:01):
when they got there, this is before the Incas, most
of this stuff was already there. So we're pushing these
dates back, and it depends on what part of the
country that you're in, but the dates are for real
and pretty solid two thousand and three thousand and four

(21:23):
thousand years ago for some of the stuff in and
around Paracas. There's been a lot of study there when
it comes to the megalithic Now, let me explain something
to everybody. You have three layers of construction in Peru
and you can clearly see it, and they they are.

(21:44):
The top layer is Spanish, the second layer is Inca.
The oldest layer that is there, the biggest and the
old is called megalithic, so they refer to all of
those cultures as the megalithic. All right, that's the period megalithic.

(22:10):
I think that some of that is so old, and
it could be anywhere from five ten twenty thousand years
old or older. And what cultures were there, we don't know.
A whole lot we don't. It's really strange. The rocks

(22:34):
and the work that is there is so precise and
so huge that it hasn't gone anywhere. And you see
the precision of it. There's a fine precision. We talk
about it all the time, but when you see it
up close, and I have taken so many pictures of

(22:57):
megalithic there, and when you do that, and you take
these pictures of thousands of stones so perfectly square and
laid like they are, and then you look above it
and you see what the INCA tried to do. They're

(23:18):
trying to replicate it. It's not even when I say
it's not in the ballpark, it's not in the same county,
not the same ballpark, it's not in the same casts,
not even remotely. And they did their best. I have
no idea how those cultures got it done in the

(23:39):
megalithic age. I don't. It's incredible, but I can tell
you who it wasn't. Oh, it wasn't the Inca. Certainly
wasn't the Spanish. And it's one of my favorite things
to do is to go and look at this, you know, firsthand,
and just scroll through. I have a new let me
try something. I have a new computer here, or a

(24:02):
new screen, I should say. And sharing screens before was
easy because of because of okay, let me let me
do do do do do do do do do do.

(24:22):
I thought that was cusco. It should have been a
different set of pictures. Mm hmmmm mmm mm hmmmmmm. Okay,
all right, enough of this. I'm just gonna pull something
up to see if I can uh share a screen. Okay,

(24:42):
So if I pull this up, how is this done?
How do I share this screen? Let's leave this over here,
so we'll be sharing a window. That's what I'm wondering.
So let's see how this is done. Okay, yeah like that,
No that doesn't work. Okay, okay, yeah, we can do

(25:10):
it this way. All right, So this is what I'm
referring to. Okay, so share screen. Well, this works, I
can do it with a curved monitor. Look at this, bam,

(25:31):
I have a curved monitor. This is a portion of
the curved monitor. So this is what I am referring
to here. This is a wall in Cusco, and I
am just so fascinated with this type of precision. This
is a wall. And let me that's a bigger stone.

(25:54):
This stone here is a flat wall. It's an extreme
close up of these groups. Let's see what else I
have here. And so when you look at this underneath
down here, that's really strange. It's really strange. But I
have no idea where this comes from. And look that's

(26:16):
a modern window. It's an ancient stone wall in downtown Custco.
So when you see something like this, it boggles the mind.
See the street, the street is new, okay, all right,
this is old. That is so old, and all of

(26:38):
these little notches. When you see this, dude, dude, that's
that's the most impressive. And this just winds around. You
go all over Cusco and see this type of construction.
It's all over the city. It's everywhere. There's a famous
twelve sided stone and nobody knows a whole lot look

(27:05):
at this video. So yeah, I don't know. I don't know.
This is where I do my PBS voice. So the
ancient cultures of Peru use construction techniques that confuse modern construction.

(27:31):
Look at this, I mean, look at I still those
notches at the bottom. I have no idea. So there
you go. I don't know. I look at this corner. Okay,
so let me stop this right there? All right, this
is inca. That's inca. This is megalithic. All right, everybody

(28:00):
picking up what I'm putting down. So if I bring
this back, let's go back to play that up. There
is inca. This is inca with the megalithics sticking out
of it right there. So yeah, I have no idea.
I know. I can just tell you who didn't who

(28:22):
didn't do it. It wasn't the Spanish, and it wasn't
it wasn't the Inca. That's the megalithic. Kenny saved the
spoke radio for the Masses West Decker between South America
and Egypt. Which would you wreck? Which would your recommend

(28:42):
someone to tour first? Mmm? Coin toss, coin toss, I'll
tell you. Let me let me say this, all right,
you have to see Egypt first because you need to

(29:05):
get your yayahs out. You've heard about it, you've seen
you know all the sensation, the Great Pyramid, the mummies,
the Great Sphinx. You know, you just gotta go lux Here, Karnak,
you gotta go. You gotta go, all right, no question
about it. Then go to Peru. All right, But after
you see both, then answer that question for yourself, because

(29:32):
you're gonna you're gonna struggle with it. I'll say this,
and it's not going to change people's minds. Peru is
equal to or more cooler than Egypt. There's more stuff,

(29:53):
it's more spiritual, it's it's much more powerful, and we
know less. We know less about Peru. The crazy stuff
about Peru, the megalithics that we don't know any We
don't know anything about the peoples that built that. At

(30:13):
least with with Egypt, we know what happened at Karnak,
We know what happened at Luxer, We know these things.
Ben Pyramid little questionable, you know action there, Red Pyramid
a little bit questionable, of course, Dozer. I think it's questionable.
The Great Pyramid, Cafre Cufu, mancare there's questions about the

(30:35):
dating on that, yeah, for sure. And the Sphinx. Yeah yeah,
but in a general sense, right, but when it comes
to Peru, we know nothing, and Peru it's all over
the place everywhere. So after you see both, like I
have to me, yeah, I needed to. I've been to

(30:57):
Egypt twice. I've been all over the country and it's amazing.
I love it. Peru's got more action. But you cannot
And there's nothing I can say that's going to change
somebody's mind, Like, okay, or I'll go to Peru first, No,
you shouldn't. You really want to go to Egypt? Come on,

(31:21):
all right, I get that, I get that, all right,
I do. But after you go to both places, you're
gonna be just like me. Well, I don't know, man,
Egypt's cool, but and people don't want to hear that.
People don't, they don't, they don't, And I get it
because I'm that way. You know, No, no, no, no,

(31:45):
there's no way that Peru was cooler than Egypt. Well, okay,
you haven't been there, so you can say that I've
been to both. Peru's they shit, Pru's amazing, It's amazing.
Who's absolutely amazing. Your thoughts and Droid Paranormal, your thoughts

(32:11):
on Jake Barber's SkyWatch Skywatcher team revealing the night of
the mass Ufo siding in Palmdale was the same night
that they did their psionic experiment. Okay, there was no
mass Ufo siding in Palmdale. I've already addressed this all right,

(32:33):
so you can tell Jake Barber he's wrong. So that's that.
I'm set. There's only one object in the sky that night,
and that's it. Jake wants to give me a call
or come on the show and discuss it, we can.

(32:55):
I've looked at the videos from Palm that didn't happen,
and there was no landing Edwards and Palmed and no man.
I told everybody what happened exactly. I should have videoed.
I didn't video that night because I got bored with it.

(33:18):
I saw what it was. Now, could it have been
some I thought about this. You know that strobing light
lights that I keep talking about, is that part of
the propulsion system with something anti grived. It could be?
Could be. It was a weird thing to see constant strobing.

(33:39):
You know, it wasn't fast, it was rapid right on
all three corners. Was that part? I don't know, I
don't know, but it wasn't the other that's no, no, No,
there wasn't six objects landing and taking No, it just
didn't happen. Didn't happen, all right. So uh so I'll

(34:02):
tell Jake wants to talk about it, that's fine. But
there was no psionic experiment. Those were drones, a single drone.
I don't even know if it was a drone. It
was something flying and I'm ninety nine point nine percent

(34:22):
sure it was man made, and it was flying over
Skunkworks in the corridor over Skunkworks. It did fly over
my house, but I'm just, you know, a mile away.
So what's that?

Speaker 4 (34:38):
You know?

Speaker 2 (34:39):
Just I don't know. I don't know, but it was
There was no psionic experiment dealing with what I saw
and what was happening over Palmdale. It was just some
regular testing. So you want to tell Jake to give
me a call, have him do that. The MW What

(34:59):
is I say, the MWL? If you could bring one
thing back that's gone, what would it be? Bring back
one thing that's gone? Bring back the original McDonald's deep

(35:25):
fried apple pies. I said it, I said it right there. Wait,
bring back something that's gone. Led Zepplin be pretty cool.
Led Zeppelin would be pretty cool. Wes Decker, thank you, man.

(35:50):
I appreciate you, brother, I really do. That's so cool. Okay,
let's see here. Your thoughts on this is less Sweet,
not Les Paul less Sweet. Your thoughts on guitar smashing, smashing, etc.
By bands live rock and roll. Man, nothing wrong with that.

(36:14):
I've seen it happen a few times. Michael Landau. You
guys don't know who Michael Landau is, but he's probably
the number one session guitarist here in LA and had
a couple of really cool rock bands. He's just amazing.

(36:36):
So one night, I'll just make this really quick. He
calls me up during the day he says, hey, man,
I'm playing the Coconut Teaser tonight. You want to come out?
And I said yeah. So I go to the show
and I won very many people there. I forget the
name of his band, The Amazing Honkys or something, it

(36:56):
was the name of the band. And I'm standing right
in front of him. Here's only like ten or twenty
people there as it should be. And he's in the
middle of the first song for a song, and he's

(37:18):
wailing bending this note, and he breaks his string. He
turns to me, hands me the guitar and says, string it.
Take his guitar. I go down. He grabs his second guitar,

(37:41):
and I'm over. I'm stringing up Michael Landau's guitar on
the top of this thing on the side of the
stage at the coconut teaser and I do it. Man,
I string it up. I break out a string, tune
it up, stretch it. I get it ready to go.
I go back to the stage. I've got his guitar.
I'm standing in the audience. Man, I got his guitar.

(38:03):
It's all good, and he's betting this note on this
backup guitar. Pops the string and I'm standing there with
his other guitar. He takes that guitar, spins around and
spears it headfirst into his guitar cabinet, right into the

(38:26):
speaker and walks off the stage. First song. He walks
out and is gone, and I'm standing there holding his
guitar like and but that thing's feeding back and man

(38:48):
Abe Le Boreal Junior was his drummer. Abe's great plays
for Paul McCartney Now or somebody Abe l Boreal keeps
playing and his bass player was like his brother. I
think Gir's cousin. They play for another couple of minutes.
They quit shows over right, and I walk out on

(39:09):
the patio and I thought, you know, Michael Man, he's
just so pissed. I wonder he's laughing. I just wasn't
worth it tonight. But it was a It was the
ultimate rock and roll move. Loved it. I saw the
Who Market Square arena and Pete Townsend I think it

(39:30):
was like Eminence Front and Pete Townsend goes up to
sing and there was feedback in his monitor and he
jumps back, looks at the monitor. Guy comes back and
does it again. He backs off and he's you know,
and he goes up and get third time, can't start
the song, and he turns to the mix. I see

(39:52):
him going, you know, and now he's pissed and he
goes up again. Er Pete takes his hit, I think
it tell caster takes his telecaster, smashed it, smashed it,
smashed it, smashed it into pieces, kicking stuff, throws it
and I was like, yeah, a few times a broken guitar.

(40:12):
It was amazing. And so he goes up his guitar. Tek.
He had a drawer like a chest of drawers, and
they opened up a drawer, pulled out another guitar, handed
it to me and went out, and he's saying there
was no feedback. Yeah, I love that's rock and roll, man,
that is rock and roll. Nemo's odyssey. What is your

(40:36):
favorite topic to research but not talk about? Ooh ooh,
well then I can't talk about it. I can't say it.
Trick question, reverse psychology. You thought you were going to
get it out of me? Well done, well played. Yeah,

(41:02):
what's your favorite topic to research but not talk about? Hmm,
it seems like there's something there I like. I liked
the question, but I can't think of anything if I really,
I'm I don't think I've ever held back. There are

(41:25):
a few things that I researched now, probably that I
don't think are as interesting as it used to be.
I used to ask guests, even privately too as well,
so who do you think is running the illuminati? Who

(41:49):
is it? What families are? And I never got an
answer on anybody. I never It wasn't like as people
were naming names. So then when you go backwards off
of that and you go to these different organizations that

(42:11):
and you know, build a Bergs for example, is a
really good example of that. But if you jump into
each every one of these groups and you start cross
referencing and looking at the names and looking at the families,
that was one of the things for me that was
a real eye opener for me. But I think boring

(42:32):
to everybody else. It wasn't like I've felt it of
interest to everybody that they would be as freaked out
as I was. And that is the names of these
old established families that are all over Europe, some in
the United States that are old old money. I'm not

(42:59):
talking about the wroth Child's, right, and the wroth Child's
are easy, that's an easy one to go after. But
the wroth Child's never really had money or power. They didn't.
They had a myth. That was it. It was myth.
It was rumor. Well, I mean, man, so of me. Yeah, okay,

(43:21):
all right, but but no that's not the case. Go
deep into it and look at these families in Europe
that you've never heard of. Their name old money, deep

(43:44):
pocket money. Yeah, it's crazy. And that's what I found out.
And just just going now, is that interesting? Man, I don't.
I don't know if it's worth talking about. It's interesting.
There is a definite culture of wealth. What you see,

(44:08):
you know, Monaco in New York, and you know, you
see these ways and you see this money, and so
that's that's the visible, the real, the real stunt. Now. Man, No,
they don't want no, no, no, no, no no, they
don't want you to know who they are. They run
in a whole nother circle, independent and insulated from the world.

(44:32):
Trust me. You know, you had a five ten thousand
acre estate somewhere in Europe that your family has owned
for five hundred years, you know, walled in security. You
you have no you can't see the house, you know,
from the street. You have no idea who owns it,

(44:53):
who lives there, or what they're doing. And they don't
want to see you. Yeah, it's trippy and I I
did a lot of research into that. And they are
the ones running the world. They're not the Illuminati, but
they got the juice. I don't think they look at
himself that way. R CS fragrance, r CS fragrance is

(45:17):
that real. Let's see, what are the chances of you
getting Professor and remote Viewer Courtney Brown on your show.
And by the way, rock on brother, I've had Courtney
on the show many, many, many times, and I like Courtney.
I think Courtney. I mean I could, I could reach
out to Courtney. He's just a phone call away. But

(45:41):
I think I think Courtney just wants to teach. You know,
he's really good on camera, and he's really good. He's
got such a great personality. He's great. He's a great
teacher because that's what he does. He's a teacher. Not
only have remote viewing, but he's a professor, okay, and

(46:03):
he knows how to handle himself. And I just don't
think that he he enjoys that as much as he
just like and so when he completes a project, and
that's what I used to do with him many years ago.
He would complete some big project now and would bring
him on. But he wanted a reason to come on

(46:24):
the show. But Courtney's great. Been on the show many times,
many many many times. Go and search Courtney Brown, fade
to black. You will see. Let's see, Jimmy, what do
you believe the huge hes in Peru stand for? Oh,
I think you're talking about the h blocks those are

(46:46):
in Bolivia. They're not in Peru. They're in Bolivia. And
at Puma Punku. Don't know, don't know, they're they're frigging old.
Puma Punku is really, really old, and we're pushing the

(47:07):
boundaries of what is possible when we talk about that.
It's old, and so what what what was the purpose?
It's very difficult. It's so old. The entire site is old.
And you look at the h blocks and you see

(47:32):
there is an obvious it's obvious there's an construction there
that is a puzzle that was taken apart. You can
see how things fit together. You can see the joints,
you could see the metallurgs, you can see you know,
and I've done lots of videos on that. And let

(47:55):
me see if I can show you what I'm talking about,
bu bu bu bu. But by let's see here, let
me find a movie. No, I have a movie. Let's
see image image image. I need movies. Where are my
movies of Puma Punku? To to to? I can't tell

(48:20):
is this a movie? Oh? Okay, all right, So it
seems just totally freaked out, so funny. Now this is
what I find so interesting. God, this is just great

(48:43):
man one monitor, not multiple monitors, so cool. Okay. So
those are the H blocks right there in the background.
These are the H blocks right here, okay, right now,
and you can see more in the background there there's

(49:05):
another row. You can see them going back here. Okay,
these are the first two when you enter. But see
how this is lying on its side, and then you
look at everything in the background is also lying on
its side, and you can see where these joints and
purpose of these walls. This is sitting on a wall,

(49:29):
all right. So now that you've seen that, let's go
through this for a second. There is a purpose here.
This is Puma Punku. This is the backside. The H
blocks are to my right in this image. So the
H blocks being such a small part of these are

(49:53):
different clips from the documentary I'm putting together. But the
site itself is he huge. Okay, So we talk about
the H blocks. The H blocks are at the very beginning.
Look at this precision. Nobody knows this is the backside
of Puma Punku. It's a huge rectangular square and it's giant. Okay.

(50:18):
Now the H blocks are over the hill from this.
Now I'm on the backside of Puma punku. And this
continues and continues and continues and continues. Look at the
precision work of this. I'm walking, take a corner, come up,
turn the corner, and this is the foundation of this

(50:39):
and the stones are just look at this. It's huge.
It takes a good sixty minutes to walk around Puma
Punku the foundation of it. So this is a square, right,
there's some notches in it, but if you're looking at

(51:00):
this from the air, this is a giant square. And
I'm walking down each edge of it and then coming
up to the corner and then turning the corner. Puma Punku.
Those H blocks are on the top of this hill,
which could have been at some point uh. And I'm
guessing here could have been a pyramid. Look at this.

(51:21):
There's a tunnel. There's a tunnel a Puma punku. Look
at that. So and these are things that people don't
talk about when they talk about Puma Punku. These are
the stairs on the back side of of the site,
melted and just crazy. Okay, So here Puma Punku. To

(51:47):
the left of this image is the uh, the H blocks.
But if you look closely, here there's a foundation floor.
The archaeologists have dug down to a certain point and
then you look and this stone is just sitting there.
And then you look at this far wall that's just
sitting there. They haven't done anything with this, with the

(52:09):
archaeology here, it's just sitting just left. It's kind of sad.
You know, this is obviously something right and it's just
sitting there. I have more images and more and lots
of ideas about what's going on here. Okay. So now

(52:32):
now of those walls that you just saw, those are
passing around in the background. This is now coming back
up over the top of the temple site, and you
see this just lying in the grass, just lying in
the grass. Look at the drill holes just lying there.

(52:57):
You know, what's the purpose? What's the purpose? So look
at this, just a pile of stuff, and it's just
so yeah, I think it's a it's a great question there.
It is just lying in the grass.

Speaker 5 (53:14):
Man.

Speaker 2 (53:20):
I mean, this is in stone. What's the purpose of
that in stone? I don't know. Okay, So here are
the h blocks now, and back to my point with this,
when answering this question, if you look in the background here,
that's where the stone square is. This is the h
blocks are at the very beginning, as is all of

(53:44):
the there's Brian Forrester, you know, and you you you
see this where all of this construction is. Everything is
tipped over, so you would have to tip it back
up and reassemble it. And there's not money. You would
think that there would be universities in the United States

(54:07):
that would be interested in what's going on there that
is there. The problem is the Bolivian government. The Bolivian
government has flipped from democracy and voting to dictatorship right
back and forth, and right now we're back into a

(54:30):
strange situation down there. So it's it's not that it's
a scary place to go to or anything, but it's
not it's not stable and to have a university and
a foundation dump a bunch of money into it. If
there is a stable foundation for universities to get behind there,

(54:56):
I think that there would be money pumped into Puma
Punku and Timunaku and it would be a different situation.
And that's the problem. There is so much there to see,
but there's no archaeology. You can you can observe it
and go, man, there's something here needs to make some sense.

(55:16):
But there isn't anything but love to go and spend
a couple of years there digging and going down there
with the team. But you can't do it the government.
It just doesn't work that way. It's Bolivia. It's not Peru.
Peru's a different situation altogether, different government and different different thing.
But Bolivia fun place to visit, though, fun place to visit.

(55:45):
I don't know. I don't know. There needs to be
a reconstruction of everything. Kelly. Kelly is at Bocock. Have
you heard the terms purple pigeons and wounded prairie chickens
when it comes to hiding programs that the government is
involved in? No, I have not. I have not. Very

(56:08):
It's interesting, I haven't. It's worth looking into, Nancy g
Are we ever going to get to the stars? Should
should et give us a boost? Or are they waiting
for us to invent some version of warp drive? All
of the all of your points are well taken, all

(56:32):
of your points are well taken. I would I would
suggest that we have propulsion systems that can do what
we need to do. Okay, I'm not saying that I
know of some secret space program of things that they

(56:53):
are doing. I don't know. I would I would like
to think that our government is doing that and his
case capable of doing that. You listen to Elon Musk
talk about this, and it's it's strange. He's trying to
get to Mars and you know, the starship and whatever

(57:13):
that's called, and then he goes in the other direction.
He doesn't feel he doesn't sound as confident, and he
also just plainly says, there is nothing going on out there.
I've never seen aliens. I've never seen any evidence of aliens.

(57:34):
There's nothing going on. And you know, but I want
to build cities on Mars and we're going to do
that soon. And he's got this thing about about traveling,
you know, to Mars and building the space program, and
he's doing it, and then on the other he doesn't

(57:58):
he doesn't daydream about it, or he doesn't fantasize, or
he doesn't consider, or he doesn't ponder. It's really weird,
you know, So is it Elon or is it just
Elon's money and there's other people that's doing then Elon
really doesn't give it crap or know anything about it.
That's the strange thing. So and Elon is still burning

(58:24):
lighting fires to get there. I would think that the
propulsion systems needed to make all of that efficient have
nothing to do with burning stuff and lighting fires. And
I think that we have those systems in place. Yeah,
it's it's really sad that I'm sixty one years old.

(58:45):
I wish that I was twenty or twenty five, thirty
years old, just for the reason, the very selfish reason
is that I wish I had another fifty years here
to see what's going to be going on on. You know,
what's going to be going on in twenty seventy. Yeah,
that'd be amazing, you know. And I don't know if

(59:09):
I'm going to see that kind of stuff in the
next five to ten years. I'll be seventy one. In
nine years, i'll be seventy and nine years. Am I
going to see Mars action by then? I don't know.
I don't know. I would like to say it's going
to happen in a couple of years, but that's a
really big step. But the warp drives the betting of space,

(59:30):
these considerations and entanglement, and you know, traveling to a
black hole. That's for generations on down the road that
are going to experience that yeah, yeah. Can you tell
I've thought about this a lot. I have, and I'm
more than a little bit bummed about it. And I've
also said that I've been robbed and cheated because we

(59:56):
were promised things in the nineteen sixties sevent right. We
were promised those moon bases and a Hilton Hotel space station.
We will promise those things, flying cars, all of this,
I mean, none of it happened, and we'ren't twenty twenty five.

(01:00:16):
It was supposed to be by the year two thousand
and when you go to nineteen sixty five. Here's the
reality of it. You go to nineteen sixty five and
you consider these things and you think about them, that's
thirty five years. Nineteen sixty five. We've got Gemini, Mercury,
the Apollo programs in place, We've got astronauts, we're you know,

(01:00:39):
we're heading out our first lunar landers and things have happened,
and we're looking at flying stuff to Mars and okay,
all right, okay, this is happening in thirty five years,
because then we're going to be on the Moon in
nineteen sixty nine. So you're thinking of yourself, where if

(01:01:01):
we did this in five years, eight years. Where are
we going to be in another five years? Right? Nineteen
seventy five, what's going to be? What's nineteen seventy five?
Space eight? Nineteen eighty, oh man, by nineteen eighty, it's
going to be on rights. These are the things that
you know. And the year two thousand came and win

(01:01:24):
nothing happened. Think of the movie two thousand and one
of Space Odyssey. That's where we were supposed to be.
Never happened. Here we are it is now twenty twenty five.
Still not back to the moon. Back to the moon. Yeah,

(01:01:44):
all right, let's see what's next. I need to take
a commercial break, so we'll do that now too. Roger White,
what is your thoughts about UFOs over California fires. There
were no UFOs over California fires. I didn't see it.
I was out there every night, so I didn't see
any Nobody, all of my UFO friends and skywatchers and

(01:02:10):
everybody here in southern California, nobody has told me anything,
and we were all looking. I never saw anything. So now,
if anybody reported UFOs over the California fires, they weren't
from California. They weren't here there you go, No, I

(01:02:30):
didn't see any I'm not being a Debbie downer. I
don't want to sound that way, but I didn't see anything.
I didn't see anything. Okay, Mitch Martin noticed the Immaculate
Constellation document used the term ARV and its description of
the phenomenon. How would one discern witchcraft fit into that category? Yeah, So, Mitch,

(01:02:58):
let me just say this, and I want you to
this is allow you to use discernment. When you see
a term like that in a document that is purported
to be of some official capacity, and then you see
that in their ARV, I just back up and go
the documents fake, it's not real, it's made up. Made up.

(01:03:23):
ARV is a term by researchers here in the UFO community. Legit.
Do I think ARVs are real? Yes, but that's a
term that this community and researchers have put on it.

(01:03:46):
I very seriously doubt the Department of Defense or Lockheed
skunk work. So whoever you want to point the finger
at is calling their work ar vs. Yeah, Immaculate Constellation
the idea behind it. Yeah, okay, but I think that

(01:04:08):
document is created by Yeah, Jimmy, how about firefly? Who
put that up there. I'm not feeling too confident about
about the Immaculate Constellation document. I want stuff like that
to be real. I base my life around that. It's

(01:04:29):
all I do is research this subject, and I have
seen things in the sky that I clearly cannot explain.
All right, all right. What I don't like is the misinformation,
disinformation and hoaxing of stuff. You know, throws us off

(01:04:49):
the scent. Carloson, what about Firefly? You damn skippy man.
It's such a good series, such a good series. The
movie he was good too, The movie was excellent. Yeah,
one hundred percent correct about that, Carl Olsen. All right
with that, I got to take a break. I am

(01:05:09):
going to do that, and I will be right back.
This is Fade to Black. Stay with us. Subscribe to

(01:05:37):
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(01:06:17):
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(01:06:40):
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(01:07:13):
access to downloads and you get to call yourself a
fad or Not. Today we're headed to Bolivia, to Yawinaku,
Peru and of course Bomba Punkoo. Brian exciting, Thank you

(01:07:37):
so much for everything, my friend always an honor.

Speaker 5 (01:07:40):
Right behind us is the sacred river of the Inca
that goes past Mantupichi. So we're going to be driving
up to its source at fifteen thousand feet above sea
level and then down to Lake tv kakak So.

Speaker 2 (01:07:52):
Today we hit fifteen thousand feet. Yes, crazy, and you
can do it with us all you have to do
is go to Hidden incotours dot com. Simple. We've got
two tours coming up next year, one in June for
the summer solstice, right and then another one right here
in November. So Hidney kotours dot com. Come and hang

(01:08:12):
out with Brian and I and his amazing team right on.
Rivermoon Coffee, makers of the Fade to Black Blend, truly

(01:08:33):
the best coffee on planet Earth.

Speaker 3 (01:08:35):
Just visit Rivermoonwellness dot com or their Amazon story.

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It's the only coffee I drink. It is the best,
and it's doc again Rivermoonwellness dot com.

Speaker 2 (01:09:18):
All right, welcome back Fade to Black Tonight's our Amaaja
asked me anything, post your questions in all caps in
our live chat. You guys know what to do. I
was watching the Brian Forrester commercial there and we mentioned
fifteen thousand feet all right, and probably when that video

(01:09:43):
was shot, we were at twelve thousand feet. There's a
documentary out and it has directly it is. It is
about the megalithic and everything that we're talking called Edith,
and go and watch it. I think it's a three

(01:10:05):
part documentary series. It's about Porsche, the company, taking a
car to the highest driving it to the highest point
and breaking the world record, and they go to Peru
to do it all. Right, now, the struggles we're talking

(01:10:26):
about Porsche and this car that they put together. They
put together three and the car is called Edith, and
it's a nine to eleven four wheel drive nine to
eleven special built but it's got to be a gas
burning four wheel drive car, right, and the struggles that

(01:10:46):
they went through to and so they start documentary starts
seven thousand feet eight thousand feet base camp, and you
know they're twelve thousand feet and struggling with the altitude
and oxygen, not only the car but the team members
right struggling to get this car to go higher and higher.

(01:11:09):
And now in this video you can see we go
to fifteen thousand feet and we do. And I'm telling you, you
get to fifteen thousand feet and you're like man, you know,
and to struggle and to speak and to get a
word out where you've got to take a breath in
between three or four words and just try to get
the oxygen in. And I've been in country, you know,

(01:11:33):
for over a week and trying to get acclimated to
these altitudes anyway. So in this documentary they get to
fifteen thousand feet and these dudes are struggling, man, and
you feel it when you've been there and you understand it.
I'm watching this documentary and I'm like, wow, and they're

(01:11:53):
trying to you know, they're just trying to go another
five hundred feet up, you know, to get to fifteen
five get to sixteen thousand feet and just the struggle that,
you know, and they're trying to get to I think
the mark is twenty two thousand feet and what they

(01:12:16):
go through at sixteen thousand feet and seventeen thousand feet
and then you just wait a minute. How did the
ancients do this? Right? And I'm watching the documentary and
I'm thinking to myself, this is exactly what we're talking

(01:12:37):
about this right here, and Porsche's doing it with a
nine to eleven and trying to get this four wheel drive.
How were the ancients slapping around these one hundred ton rocks,
poring them and moving them at these altitudes to the

(01:13:00):
tops of these mountains in Peru, and it's all over
the place. And that's one of the reasons why you
can go to Egypt. You're at sea level, you're in
the desert. You can contemplate and theorize a number of
different ways how these stones were moved around. It was
magic whatever they were doing, for sure. But that's a
sea level in warm weather, all right, Okay, you know

(01:13:26):
you've got a river right there with fresh water, and
at the nile there are things, you have resources and
food and everything. Go to the high desert in Peru
into the Andes mountains and go up to those altitudes.
And so when you're driving around at fifteen thousand feet

(01:13:50):
fifteen thousand feet and you get up there and you
look and there's construction and megalithic everywhere, it's like how
and And I think that this documentary by Portia and
the team and the struggles that they went through is

(01:14:13):
evidence for us about how technology that we have today
isn't the answer for that that I don't know. I
don't know, but you can see the megalithic everywhere in
Peru at altitude crazy stuff. And then watch this, watch

(01:14:34):
this movie and watch how they are struggling to breathe
to think. They're on their walkie talkies, repeating themselves, not
realizing that they just said what they just said, and
they're wondering if they heard what they heard. Their brain
isn't working right. That's you know, oxygen and everything else

(01:14:58):
that is tied to that. It's resources, it's food, it's
the weather and ice sheets and storms and how did
the ancients do it? Yeah? Yeah, all right, let's see
sky Hawk. When in Delavan, Wisconsin? Are you going to

(01:15:20):
take a side trip to the Harley Davidson headquarters in
the museum. Yeah, I've thought about this, thought about this.
My plane tickets are already booked. Oh man, I've thought
about this. I'm going to be right there. Yeah, I'm
going to be right there. I wonder how it can't

(01:15:40):
be too far away. It's our drive. Maybe we can
squeeze that in. Yeah, fifty minute drive from Delavan. Okay,
are you going to be there? You want to take
me Skyhawk. Let's go to the museum. Yeah, yeah, why not?
It's an hour so we just escaped right in your car. Yeah,

(01:16:06):
that's a good idea. I'm gonna be right there, right,
It's it's it's the Motherland. Ken priest in the house. Hey, Ken,
how you doing? Brother? What is a conspiracy theory that,
as a younger man you believed but now you know
to be false? Mmm? Now, Ken, I'm not going to

(01:16:35):
disappoint with this answer. I don't think there is one.
I don't think that there is one. Yeah, I'm not. No, Now,
there are a few things here and there. Uh, but no,

(01:17:01):
when it comes to ancient history and that I think
that is getting more and more solidified, those conspiracy theories
about previous cultures, and that even goes in with Atlantis.
I think that stuff is stronger today than it's ever
been before. And jump into modern stuff and we talk
about the secret space program or I don't know about

(01:17:26):
us being to Mars already, but Apollo eleven and the
Moon missions, and I'm not so sure. Yeah, yeah, I haven't.
I haven't uncovered the breaking thing. And I had just mentioned,
you know, here we are twenty twenty five, still haven't
been back to the Moon and the struggles that we

(01:17:48):
have with Artemis. But apparently it was pretty damn easy
in nineteen sixty nine with the technology that we have
back then. And people talk about this all the time.
But yeah, yeah, I don't think. I don't think there
is I don't Yeah, No, I'm still I'm still the
king of conspiracy when it comes to that stuff. I

(01:18:11):
see the evidence on both sides, but it's weird. You
can't prove it one way or the other on either
side of the fence. Can't do it, can't do it.
So Ken, Yeah, and I'm still I'm still on the conspiracies,

(01:18:32):
you know. Yeah, yeah, I don't know. I don't know.
So if you want, post another question about a conspiracy
theory specifically, and I'll address it. But I'm not so
sure that I have been convinced one way or the other.

(01:18:56):
Let's see, this is Johnson, what question do you want
to be asked? But has not been asked yet. I
have no idea. Jonaside asked me anything about? What about? What? No?
Bob Lazar questions tonight, isn't that strange now that I

(01:19:18):
mentioned it? Uh? Did I see the prey to planets? Yes?
I did? Yeah, pretty cool? Huh. Yeah. I tried to
take pictures. I don't know why. Uh, iPhones are not
good at taking pictures of the night sky unless you

(01:19:43):
get out there. For some reason, iPhones suck for that.
Samsung has got the ability to take pictures of the stars.
iPhones don't. So I tried to take pictures of the
Parade of Planets. It's pretty cool. I love that stuff,

(01:20:05):
absolutely love it. Jimmy, this is Tara Ray. Imagine standing
in a large open field watching mothership's land, knowing it's
happening worldwide. What song would you be listening to? Mine? Oh,

(01:20:28):
what's yours? Kashmere? Yeah, that's that's pretty good. Uh uh man, Yeah,
it's it's kind of weird you say Cashmere. I kind
of hear led Zeppelin in a lot of that stuff.
How I Danced the Night Away? That'd be pretty good. Yeah. Yeah.

(01:20:52):
So I live in Palmdale, as everybody knows, and back
in Burbank, I've told the story before, but we had
our next door neighbor, the family there. One of the boys,
I think they had like four five five boys in
this family. One of them his name was Mikey. And

(01:21:18):
one day Mikey was over. He was helping me do
some stuff, move some bricks around or something in the backyard,
and he goes, hey, man, did I ever tell you
about the UFO I saw in Palmdale, said what And
he tells me that he was out here with his family.

(01:21:40):
They were having a birthday party or something in the backyard.
And the party ends and he goes to bed, and
he wakes up in the middle of the night and
is drawn. It's three in the morning, and he goes out.
Something is telling him to go outside, and he goes
outside and he looks up and he said he was
looking at the Imperial star Cruiser in Star Wars, this

(01:22:06):
giant triangle thing that was miles long, right above his house.
And he says that he was confused. I think he
said he was thirteen or something. He was young, and
he had said that he was confused. He knew that

(01:22:29):
Edwards Air Force Base was nearby, and he didn't understand
why the police and the military weren't there shooting at it.
And he panicked and he went and knocked on his
neighbor's doors. I was trying to get people to wake

(01:22:50):
up and come outside. He was trying to wake up
people in his house. He went back out in the
yard after banging on doors and watched it rise up
and fly away, and he said it was huge, big
as the city. That's what you're talking about here, Tara.

(01:23:11):
I wonder all the time what that moment would feel like. Yeah, yeah,
to see something like that, I wonder about that. I
think about it, and it's going to be when you
least expect it. It truly is. I remember being down

(01:23:36):
in Orange County and I was going to a UFO conference.
I can't remember what it was, but it was down
deep in Orange County near the beach, and we're driving
up the boulevard there, MacArthur Boulevard next to John Wayne
Airport and heading and anyway. We had to make a

(01:23:59):
U turn. But as we were try to get to
the hotel, which was on the other side of the street,
and right in front of us was this blue turned
out to be a rocket launch right SpaceX or something,
but it was going across the sky this way, and
it was bright blue. This is that night black sky

(01:24:20):
stars and this blue just and I didn't know what
I was looking at, and I had that moment like
what you know, and I jump out of the car
and I'm videotaping, and then I saw the like the
separation of one stage to the next, and then I

(01:24:41):
saw it kind of turn and go out. I went, oh,
it's a rocket launch. But at first and the shape
of it and it was blue and it wasn't moving.
It was just I had that panic. Yeah, not scared,
but just that oh man, and it's happening feeling and

(01:25:02):
it was pretty cool. I really enjoyed it. And then
when I figured out it was I got launched it,
you know, it was like, okay, whatever, But yeah, I
want that moment. I do. I really do. I want
to know what that feeling would be like to to
just like it's happening. Here it goes. It's just wow, Jimmy,

(01:25:24):
who are you rooting for in the Super Bowl? Not
the team in red they're called They're called the Chiefs
of Kansas City, I think, yeah, yeah nah. So they're
playing the Eagles. Yeah, I like to see the Eagles win. Yeah. Yeah,

(01:25:48):
I'm not for the team Taylor Swift. I'm not for
Team Swift. Just not just don't feel right. It doesn't
feel right to me personally. I hope I didn't offend
anybody out there. I don't don't really care if I did.
But yeah, okay, I'm just pulling these up and reading them. Okay, Zach, Jimmy, man,

(01:26:10):
do you have an opinion on breakaway civilizations and what's
your take on Von Braun naming the Mars guy in
his book Elon? Oh oh oh oh yeah yeah yeah, okay, yeah,
these are good points. Yeah that Elon thing was pretty strange,

(01:26:30):
wasn't it. Yeah? For sure, breakaway civilizations another conspiracy. This
is kind of like what Ken brought up earlier. I
don't have now. When you go and you watch the
British TV show documentary three, I forget the first part

(01:26:57):
of it something three and the idea that our scientists
are disappearing, right and where are they going and apparently
leaving leaving the planet all right, Now, the idea is
a fascinating one and is it possible to pull that

(01:27:22):
off without us knowing? Well? Okay, uh, that is going
out there a bit, isn't it? Or is it? This
is this is the part where I've talked about this before,
so I'll bring it up right now. Go and look

(01:27:47):
at these are public numbers. Go and look at how
many people go missing every year. Go look at those numbers.
You can do it country by country. You can break
it down by demographics and age group and everything else.

(01:28:07):
You can go look at those numbers. I had no
idea how many, And it's in the millions of people
on this planet each year disappear. Now, is this evidence
of a breakaway civilization? No, of course not. But what

(01:28:30):
it is is something to contemplate into this idea of
a breakaway civilization. Could people just disappear? Yeah, the answer
is yes. So when we throw in the idea of

(01:28:53):
them leaving this planet and going somewhere else and supporting
another civilization somewhere else, other is apostle. Yes, it is
very much so. But Jimmy, how could this type of
program go on? And okay, all right, let me answer
that too without us knowing? It would be a huge secret.

(01:29:16):
Let me give you you want an example of that
right now. We have a secret space program that's happening
right now. Okay. And when you think about the possibility

(01:29:45):
of oh man, I just typed in the wrong. When
you talk about these ideas and the possibility of this happening,
I'm going to give you this. When somebody says, but Jimmy,

(01:30:09):
how is it possible? Is it? You know? Wait? You know, okay,
I'm going to give you this. Oh where to go?
Oh there it is right there. I'm going to give
you this, and if this isn't an example of what

(01:30:29):
is possible without you knowing, let me break this down. Okay,
the X thirty seven B, the X thirty seven B
not only goes on secret missions and is up in

(01:30:51):
orbit for a year or two at a time. All right,
I'll take a look at this. We don't know what
the missions are. All right. I can accept that we
don't know. We don't know its purpose. Why is something

(01:31:16):
orbiting the planet for a year or two? What's it
doing up there? Don't know, but we do it. That's
not what's important when we talk about the ideas of
a breakaway civilization and the ability to have a secret
space program that nobody knows about. Well, I give you

(01:31:39):
the X thirty seven B. The X thirty seven B,
by definition, has to have a design team, an engineering team,
a piloting team, a control center, logistics, a support staff,

(01:32:01):
thousands of people in this program, and nobody is talking. Nobody.
This is a secret space program by definition. So if
all of those people and there are thousands involved in

(01:32:22):
the X thirty seven B program, they're not talking. Nobody's
broke rings. We don't know what its missions are. We
don't know anything about this program. Nothing. It's a secret
space program. So if this can happen, and this is

(01:32:42):
what we're told about, what is going on that we
don't know about, is it possible? Yes, because we have
the X thirty seven B period. You can let your
imagination run wild with this. So I don't take anything

(01:33:03):
off of the table because of situations like the X
thirty seven B and the idea behind a breakaway civilization.
I there you go. I just simply don't have answers
when it comes to this to Tru, I just don't.

(01:33:27):
Is it okay to ask to wish me a happy birthday?
Happy birthday, Jennifer? There you go, Happy birthday. How many
shout outs for a happy birthdays have I done? In
fade to block half a dozen? You are in very

(01:33:48):
rarefied air, Jennifer, Happy birthday? Now? How old are you?
Give up the secrets? Give up the secret? Okay, let's see,
Stella gotta give us a brief history of your musical career.
Would love to understand that about you. Brief history that

(01:34:19):
would take about five shows. It's long. But my father,
he's still around, is a musician? Was? I don't think
he plays anymore? But went to school for music, went
into the army Army band, and so I was around

(01:34:45):
when people say, you know, my parents were music. Now
your parents weren't musicians, is stop of that. But mine were.
And so I grew up with watching my father play
in bands and orchestras and who's band leader of the
army band and conducting and doing all of these things

(01:35:07):
concerts and whatever, and so we lived in a music household.
I was a late bloomer when it came to playing,
though I couldn't really settle on what I wanted to play.
I liked everything. I loved watching my dad's band's rehearse.
And I mean from the age of like four or

(01:35:28):
five years old, I was watching this stuff go on.
And I was always intrigued by percussion and drums. I
really dug that a lot. I love the sound of horns, jazz,
Miles Davis, Coltrane, all that stuff in that era, and
I was totally still am but that wasn't cool to me.

(01:35:54):
And what was cool to me was rock and roll.
And my dad didn't play rock and roll, played jazz.
He played some stuff, you know, but and he would
play music for me recordings. He was into things. But
but I went in the other direction. He was getting

(01:36:16):
older and things were happening around me like led Zeppelin
and Black Sabbath and Deep Purple and Kiss and whatever,
Peter Frampton and can go on and on. So I
was pulling towards that, and suddenly I was I wanted
I wanted to play guitar, and so this is fourteen,

(01:36:37):
I'm thirteen, fourteen years old, but my dad couldn't really
help me there. So I went off into another direction,
and guitar is what I wanted to do. That was it.
I focused on that and art, and I came out
to California and in the middle of the sunset strip stuff,

(01:36:57):
played in a bunch of bands, did every thing? Played
all the clubs in Hollywood. Did that? Came out of
that in around eighty nine or ninety I started in
an eighty seven eighty eight, I should say, it started
producing and I started playing less and less and I

(01:37:20):
was producing bands and engineering and I got really, really,
really good at that, and I pulled out of that.
I was gonna say fairly recently. I would say probably
around two thousand two, two thousand and three. It's hard
to believe that was twenty two to twenty three years ago,

(01:37:41):
still had all of my guitars, had the equipment, had
the gear. And that's when, you know, I kind of
phased out of that, knowing I wanted to do this
what I'm doing right now. Yeah, So it was about
going back to school and learning broadcasts and journalism, but

(01:38:04):
still having all of this around me, you know, all
of the guitars and the engineering stuff. So that's a
very short version of stuff. It's it's much more detailed
and complex than that, of course, and names and people
and places and things. But that's what I did. So

(01:38:24):
I took the knowledge of engineering and microphones and signal
path and applied that to building a radio studio. And
which is this studio? Here? It's a radio studio for sure.

(01:38:46):
And there's a video production here of course, you know,
I've got video cameras here and and all of that.
But this isn't any different than a music studio. Same microphones,
same signal paths, same compressors. I've got a drum machine

(01:39:08):
right here. Can you see it? Oh? You can't let
me hold it up? See so sitting right here? Oh,
the cables, I mean, which way do I go with it.
I'm hold, I can't the cables. Can I pull it out?
This way? So here is here's a drum machine. Oh man,
you still can't see it. There it is. There's a

(01:39:30):
drum machine there on top of an interface. So that's there, right.
So I'm able to write, produce play. I've got you know,
amps and instruments obviously, and I have the capability to
do albums or full music production here, which I do do.
So the music side of me is never left. It's

(01:39:52):
still here obviously. Look all right, Look I was I
was thinking, yeah, can you see in this shot? Here?
All right? So this is this camera is firing over
this way. There is a long table. This is many

(01:40:12):
feet away. This is way I gotta roll over here
to this is sitting here. Okay, So you can see
the lights and stuff lighting up there, and there's more
computers and you can see what's happening. All of this
is interconnected. But anyway, that's a long table that's about
fifteen feet long. It covers this wall. You can see
the guitars above it. And I walked in. I was like, man,

(01:40:34):
I'm gonna clear all that stuff out and I'm gonna
put guitar stands in front of these other guitars and
wouldn't that look I just want this around me. Yeah,
music is my life, and so I want to play more.

(01:40:55):
I need time, you know. I need time to get
back into playing shape, and it just takes time. I
don't have it. I want to have it, I just
don't have it. I want to write and play more,
and I've got ideas in my head and I've got things.

(01:41:16):
So I've got three movies that I'm working on right now,
and I'm piecing them together. I've been talking about it,
and I'm going to do the music for all of this.
So it's going to be pretty cool, and I'm going
to spend the time to do it. When you look
at James Fox and the amount of time that he's

(01:41:36):
spent editing and working on all of these things that
he's and I'm like, man, if he passionately is working
on a film for a year, I want to do
a film in a week, right. I just want to
rush it and get the edits done, throw up some
titling and put it out right. It's not no, I

(01:41:56):
can't do it that way. I've got to just make
it beautiful and perfect and that includes the music, and
I'm going to do that, all right. I'm going to
do it, and I'm excited about it. So let's see, Jimmy,
what was the last movie you were blown away by?
You know what? I was blown away by? Sector thirty one.

(01:42:22):
Have you guys seen that? Came out last week? Sector
thirty one, the New Star Trek. It's bleeping, amazing, amazing,
so good. It's the story, it's the story is great,
not that big of it. The cast is great, who

(01:42:43):
you know, but a small ensemble cast. You know, the
Sector thirty one crew. I think it's like five or six,
seven of them. A couple of them die pretty early.
I'm gonna let you know that right now. First one,
first cast member, died in like two minutes into the movie.
I was like, wow, I thought she was gonna hang

(01:43:04):
out a little longer. Anyway. Sector thirty one really good,
really good, really good story. Yeah. Yeah, so check that out.
I'm trying to think, uh, what's the lift? I haven't
has anybody seen Wicked? I haven't. I haven't done that.

(01:43:25):
I haven't. I can't do it. Oh, I just oh Nosferatu.
I was talking about that the other night. Nosparatu is
gnarly terrifying movie. And it's not why there are some
some horror movie moments to it, but it's not that

(01:43:49):
that is psychological and it's so deeply psychological because of
the music and the soundtrack and Nosparatu's voice and his accent.
At is that message with your head? Yeah? No Spratu.
But anyway, Sector thirty one, Yeah, it's really good. If
you haven't seen it, I highly recommend it. Really cool.

(01:44:10):
You just have to get past a couple of things
with it. I'm not seeing anything negative, but you can
tell it's a green screen acted film, like everything has
done these days, by the way, everything is green screen,
so get just But the story is great. A story

(01:44:31):
is great. There there's a moment. There's a few moments
in there, some entanglement moments and extra dimensions and stuff
and frequency and what is visible and what is not
and what is real and how they do that? So good.
I'm not gonna that's it. That's all I'm gonna says it.

(01:44:52):
It's it, that's it. Some black hole stuff, some vortex
opening portal woof really cool, really cool. So yeah, what
type of TV do you have? Brand? I don't know.
In the the big one. I've got two big ones.

(01:45:16):
I've got probably five or six TVs here, So the
big one, in the fact, I don't know. I think
it's I don't know, big one, LG, Samsung, Sony. I've
rotated them just so you know. Uh yeah, And I
don't mean I'm uncomfortable in saying how big it is,

(01:45:38):
but it's it's a big one. And uh but I
swapped it out so same size, but I went from
one brand to another. I can't I can't remember what's
in there now. And I did the same thing upstairs
my bedroom. It's got the biggest freaking TV. It's great.

(01:46:03):
So that my guest rooms upstairs have ginormous TVs in
them now, yeah, they had small ones and and that's it.
That's it. I'm uncomfortable talking about this. Yeah, but anyway,
I don't know, I don't know. I know that's a
weak answer. I would have to go out and physically

(01:46:26):
look at uh, look at them again. Johnny's free man.
What's your favorite UFO case to discuss again and again? Hmm,
I gotta go Rendall Shim on that. Lannie Zamora SoCoRo

(01:46:48):
is always great. The Yeah, Rendall Shim love that case.
Love that case. Phoenix Lie are also a that's a
crazy case. But but yeah, I'm gonna go Randal Shim.

(01:47:09):
It's not Nima, it's it's not the Roosevelt because I'm
not so sure that that's UFO stuff. But yeah, yeah,
Randal Shim. I love that case. Love that case. I'll
never stop discussing it. Let's see, Jimmy, what's your favorite

(01:47:35):
guitar pick, size of ah holding it in my hand.
Dunlop Tortex yellows. I have the purples, I have the blues.
There's a different things. They get thicker. I used to
only play the purples back in the eighties, but the

(01:47:56):
last twenty years or so, I've switched down to the
slight lea thinner, still very stiff, but I like it
so tour text. But I sharpen them so they don't
have a normal round tip. They're they're pointed, so I
sharpen each one and I've been doing that since the eighties.

(01:48:18):
Uh So the picks are you can see it's like
an arrow. Let me see see they're sharpened. But yeah, Dunlop,
Dunlop yellow tor texes. I can't read what the thickness
is but yellow, tor text that's my pick. Yeah, I
like the I like Fenders. I like the Fender h picks.

(01:48:43):
But when you do a string scrape, you get a
notch in it and it's worthless. It's a brand new
pick and you put a notch in it, you can't
play it and you got to throw it away. Tor
Texas don't do that. You don't notch them. No. As
a matter of fact, string scraping makes them polished, makes
the smooth. So that's what I use. Great question, though, Yeah,

(01:49:06):
it's a great question. That's a legit. They're all legit.
But that's really good. Jessica Rodriguez in the house, do
you believe we all have the abilities and we're cut
off from them and now we are slowly getting back
to the knowledge we once had on our own. Do
you think the government suppresses our abilities more? Yes? Yes, yes,

(01:49:30):
and yes, Jessica. Jessica is always flying over the target.
She knows Jessica's lights are on. Yeah, yeah, I agree
with all that. What was I just saying about Portia
and Edith and watch that documentary in Peru trying to

(01:49:54):
get up to where the ancients were already moving These
they're trying to get a Porsche up there. But the
megalithic cultures were already up there with you know, one
hundred ton stones, fifty ton stones, and they can't get
a Porsche up the hill, right, So how was that done?

(01:50:15):
That's an ability, Jessica that we've like, Oh, I don't know,
was and they were levitating? I don't know. Probably Okay,
there is something else happening, Jessica. Yeah, yeah, and that
includes Egypt, you know, Ah, man, And I'm telling you

(01:50:37):
when you go, and I am not kidding, go to Oriente, Tombo,
go to Saxi Juaman, go to Saxi woman, and just
stand back and look at that stuff and look at
me with a straight face and go, ah, that's nothing
anybody could do that. No. No, those stones would break,

(01:51:03):
a truck, would break, a train, would flatten anything you
put it on. You're not they didn't have the wheel, right, Oh,
but they rolled it on trees. They would crush trees.
So I don't know.

Speaker 1 (01:51:21):
I I.

Speaker 2 (01:51:26):
Yeah, that's an a bill. I'm telling you there's some
kind of and that's just moving the stones. What about
forming them and quarrying them and making them fit? Tell
me there wasn't some technology that they had to get
all of that stuff done? And an ability? Was it
the mind? I don't know. I don't know because we've forgotten.

(01:51:49):
That's crazy to me. Yeah, Jennifer, you're absolutely right. And
would the government want us to know this? No? Would
they suppress that apps They are suppressing it right now. Okay, Jimmy,
do you know if Christopher Dunn has been to Peru?
I think he has. I think he has. That's worth

(01:52:15):
asking Christopher Dunn about. Yeah, yeah, well done. Is that
a Star Trek logo? Is that what that is? Or
is that the Randy Rhodes Roswell Jackson. I can't see it,
but it's one of the other. Yeah, Christopher Dunn is

(01:52:36):
so good at that. He's so good. I'm so glad
that it makes me feel great that Christopher Dunn feels better.
Jennifer Rodriguez. Only one question tonight, Jennifer, except for you.
Do you think our consciousness has a lot to do
with our supposed junk DNA? Hey, I don't even need

(01:53:03):
to read the rest of the ability to use to
build the pyramids. Here's what's crazy when I think about
DNA these days. I made this announcement yesterday. Why no
I reported the news yesterday about the cargo that was

(01:53:29):
brought back from the asteroid Benu. All right, now that
sample from Benu, and I've read it again today. It
was on another news Fourteen of the twenty amino acids
on planet Earth, there's twenty that are known here on Earth.

(01:53:50):
Fourteen of those twenty we're just found in that sample.
Fourteen that's insane surviving in the vacuum of space amino acids,
you know, proteins. I was talking about this last night
with Richard Dolan. This so if that is the case,

(01:54:19):
the idea of life and DNA, as soon as I
see DNA, I think about that immediately. DNA's universal. Nobody
talks about this. Why am I the only one that
is like, put this piece this together. I'm going to
yell from the mountaintops with this. DNA is the same

(01:54:44):
on the other side of the universe as it is here.
It's the same on the other side of the Milky
Way as it is on this side of the Milky Way.
It's the same in Zeta Reticuli or Andromeda. It doesn't
matter we manage to get to That's crazy about our technology,
fly a land route to Benu, a little rock floating

(01:55:05):
around the Solar system right and land on it, scoop
up some stuff and get it back here to Earth.
That's crazy. And what did we find we found on
that asteroid? What is here? Let that sink in the

(01:55:28):
five the five components, there's not four of the five
the five components of RNA and DNA were found in
that soil sample, that rock sample. That's insane. You know,
it's one thing, it's carbon, it's all of that was there,

(01:55:50):
but two to say, oh, we found rhodium, we phone platinum,
we phone gold, we found this areay, okay, all right,
that's kind of good. No, to find the building blocks
of life. So if that's the case, then that would
mean that there are advanced civilizations out there that know

(01:56:12):
what consciousness is. Can you imagine, well, what if they
were more advanced than us? How about a billion years
more advanced? I was just talking about how we were
robbed from nineteen sixty nine to the year two thousand.
Right now, we've come a long way. Here we are
in twenty twenty five, have made it back to the moon.

(01:56:33):
But we're doing some pretty fantastical things and We've got
the James Webspace satellite parked out there, you know, and
taking pictures of the deep universe. Yeah, that's great. We
have this ability to look for exoplanets. We are looking
at life everywhere right now. And so that life is

(01:56:55):
out there. Asteroids like Benu are carrying this stuff around
the you just carrying it crashing. But so how much
is out there? And how much and if you are
we are on the cusp. We are on the edge
of understanding one of the last evolutionary things that we

(01:57:18):
need to get through, and that is consciousness. What it
is and where, where does it come from? How does
it happen, how does it start? What is there? What
is thought? Right? What is memory? What is stored? Yeah,
we're right there, and and dvanced civilization would have a
grip on that did We have civilizations in our past

(01:57:42):
that were using consciousness in different ways, you know, And
that's where we are, Jessica. That is amazing. One last
question this is from Amy and I'm going to get
out of here. Jimmy, Now that you've been to both
Egypt and Peru multiple times, what agent sites are on
your radar and why? Oh man, that is really that is.

(01:58:08):
That is really good. It's a really good question. That's
a really good question. I want to explore more of Mexico.
I want to go to some Mayan sites, Honduras, Belize, Mexico. Uh.
There's so much instability in Honduras and Guatemala right now,

(01:58:32):
but I would love to get down there and check
it out. Belize is wide open when it comes to that,
and of course you have Costa Rica and Panama too
as well, but I would like to I would like
to get into more of the Mayan stuff that's right
here in our backyard now.

Speaker 4 (01:58:50):
Uh.

Speaker 2 (01:58:51):
Mayan focus for me as next there. There are some
sites in Brazil too as well. I would like to
go and check out. But right now, right in our
own backyard, all of Central America is just covered with
Mayan stuff and before the Mayan too as well. But yeah, yeah,

(01:59:12):
I would like to do that. I'm going back to Peru,
as everybody knows, two times this year. I want to
also get to New Zealand. I want to get to
Australia and see what's going on out there. It's extremely old,
as we know, and I would like to get up
into the northwest of Australia and see what's going on

(01:59:35):
over there with those ancient cultures and the same thing.
Oh oh oh oh oh. And I'm doing this now.
It's being booked. I am going to Easter Island and
that is going to be in early twenty twenty six,
and is a possibility that I'm going to take a
few people with me, but I'm going. It's booked, it's booked.

(01:59:57):
I'll make the announcement later on in twenty twenty five.
And how many seats are available for that? Okay? So yeah,
Easter Island, So Mayan stuff Central America and then heading
over to Easter Island. What a great show tonight. Let
me see if I can squeeze in one more. I'm
just gonna scroll and grab, scroll and grab. What is

(02:00:22):
your preferred disclosure path? Yeah? That's well, that wasn't a
quick and fast one, was it. I'm just gonna scroll
and stop. You ready, I'm gonna scroll and stop and
answer here. I thought that was all caps, Jimmy. If

(02:00:43):
every action has an equal and opposite reaction, what is
traveling opposite a light wave? That's from Philip RIVERA. That's tasty.
I'm gonna think about that. Overnight and I'm gonna give
you an answer on Monday. Maybe I'll post it on

(02:01:03):
social media. So with that, everybody, this is my Friday,
your Thursday. Have a great, safe, fun and amazing weekend.
We've got a short week next week. We're only broadcasting
on three nights. Thursday, I'm heading down to the Conscious
Life expos. So everybody, have a great, say, fun and

(02:01:25):
amazing weekend. I'll see you right back here on Monday.
Have a good one, Go back, Lee Tappy. Aideen Black
is produced by Hilton J. Palm, Renee Newman, and Michelle Free.
Special thanks to Bill John Dex, Jessica Dennis and Kevin

(02:01:47):
Webmaster is Drew the Geek. Music by Doug Albridge. Intro Spaceboy.
Aida Black is produced by kJ c R for the
Game Changer Network. This broadcast is owned and copyrighted twenty
twenty four by Fade to Black and the Game Changer Network, Inc.

(02:02:08):
It cannot be rebroadcast, downloaded, copied, or used anywhere in
the known universe without written permission from Fade to Black
or the Game Changer Network. I'm your host, Jimmy Church,
Go Beck, Lee Tappy