124. MI PRIMERA VEZ DE VARIAS COSAS FT. @CRIISROBERTS & @NIQUITOBEATZ

En esta nueva entrega los filósofos invitaron a dos grandes amigos de Los Muchachones Cris Roberts a.k.a Morenay & El Gordo a.k.a Niquito Beatz, con ellos contaron algunas anécdotas de como fue la primera vez que se enamoraron, de su primer trabajo y hasta de su primera locura. Esperamos que lo disfruten.

Episode Transcript

(00:00):
You have to see your team toone more episode of their favorite podcast street
philosophy with their host José Mañón andhis and his server was Mommy. I
' ll give you my minutes,too. But here, here, I

(00:22):
believe you' re another fact.Don' t stand there A tiger cha.
They complained that in the last episodeyou want me to say that no
good venúti que bien menuto do notsay what welcome. I told him to
ask it all counts. You cantell all twenty- three episodes that I
already gave him that makes Maldio.Not that I like to say. I
don' t know where it camefrom, but me or r episode.
In the first episode I greet younaturally as if she speaks the language,

(00:45):
but she means you know there was, but she says so that they know
she will have sent. Mr Laws, you obviously know he' s a
good- bye, because he's already stayed and that' s another
official greeting. Welcome to a newepisode of street philosophy, your favorite space,
to scrub, to spend some time, to pass the plug, and
I don' t know where youstay to make the moment and today we

(01:07):
have as guest already extremely It isa very special choir. I didn'
t have the choir as divided,that is, we' ve had it
as palpated.“ If we bringhim in,” everyone said together,
“ you are not going to putup with him and let’ s not
finish tordo, don’ t finishmontito de la cabeza” What a train
that' s going through the pass. Well, that' s the wink
the wink came today had a smallmishap and the lancel how drant you see

(01:32):
that, because the bone would bebefore once. Sir, as you have
here on behalf of the Morena boysand the Gallows Womits Wei nominated the podcast
homino a little of the year bymy sovereign sys. Thank you very much,
thank you very much, great everything. I' ll go to a
climate later. There' s whythere' s no outfits for or half

(02:00):
- time this stylist that we're going to pass the measure. There
' s no bride' s cloth, that' s all you' re
looking at. There was twenty-one more weight here. It' s
season. Don' t bandit me. I say what I love a suit.
With that we will see how tomake it pobble, with what goes
for the sovereigns, for the redterminal shovel. I still don' t
know if I' m really goingall good Wait for me I' m

(02:21):
fucking doing it very well. Okay. I, really in my life is
a little complicated and we are analyzingthe possibility of attending such a magna prea
from the start. I don't expect you have several awards or you,
you' re in several lines.Which lines, because you select tomos
as Podcast of the year. We' re also on the show, I

(02:42):
mean, not you, not thehard night, and that' s so
gross. That' s five,of course, too. But no one
saw a client your day that nowwith the Mexican tolete charges me. Yeah,
well, I don' t scarehim and everyone. But in that
Cruso Dora monster, the pesetadora tellsyou, she says that you know how
much the difference by one mountain likethe other, and the difference between a

(03:07):
mountain a rooster and a kiss.Aha, but the difference and I tell
her that the mountain and the roosterhave beak and the kiss here for when
she decides hahahahahaha, she can understandand understand what happens was so much that
part And this I really have liewhat is happening and that no, but

(03:29):
that there is answer. They havethat monkey I said it with another respect.
Nothing, I thought I' dsay I' d make the boss,
I' d make a dick outof the hijacker. I have to
ask myself aha because here were newthings. That dances another in other countries
yes, I did not, buthere no, that that knows exactly,
no, because she had introduced itshe that I died. Well, that
' s what that scabbard says tothe gentlemen Well, if I see that

(03:55):
maña, I don' t knowwhy I' m crazy. I don
' t know, or I lookat him with yarns. I' ve
got mine in there. I haveeverything, gentlemen, but not because you
don' t know. I don' t know if they haven' t
announced it. They' re cousins, they' re chas. We'
re about to raise, but wegive you that they' re pres,
so he said that they' reand not cousin, cousin brother, that

(04:18):
' s really what dad and mymom are sea or. How the boys
got here, you two guys.How you guys got to the crazy guys.
Really. I studied with ale,i e with ale and Guillermo.
We studied together, we were atthe Baccalaureate together and all the gallows,
like my cousin, he always wentto the choirs. And one day here
is what one more hahahahahahahahahahahahahahahahahaha has missed, as it is already light, because

(04:43):
if not you do not tell goeshere what is going on as a misfortune
and I want to start it witha misfortune. The last ones that happened
to him. I think you know, because they' re asking already or
they' ve suffered it the pontushears, I avoid golo. I'
ve been suffering a lot, alot, a lot from you what are
ceaseless lecin don' t give youcrazy and that you were. I think

(05:04):
it was comao I tell you forthe vega and they ate a nancho and
they were all ticked and recorded beforebecause you ask that you ask to see,
you go and look. Let's see, let' s have
a treat. I' m gonnago and they' re here. I
' m looking at a silver oneand I want to see the, that

(05:26):
' s a talk for when you' re ticking. I want to start
getting to the food. I seecurry' s foot, uh, don
' t be that trolling tonces footthat I have a friend like that,
then guilla asks and that eh asksI say a street and also meat like
a father chi i e, theonly big dish, the truth, that
of the dog' s goal.A very good dish ay food, really.
But I always say a quality sheath. No lack of exact quality,

(05:51):
I don' t like to seea lot of date much happens to me
they tell me no and I seea cho. I mean pussy, I
don' t want to laugh,they' re not pink pair either.
I' m telling you listen tothe coolness of the case, because the

(06:11):
goal doesn' t ask for thenacho and he asks for a nacho and
says good. There' s anacho service there and there' s one
that' s nacho for two shittycoronielano was at twenty, it was the
bow thing or not, but Iask him for a year and he asks
him a little. He always saysyou think those years are over that.
That juboteyo nura, sure, cif you' re going to shit,

(06:34):
eat but not us. Knowing thebook from us and we say hey my
mommy will bring him a standing axehahaha who will eat it. Yes,
because I told Mira and the Pensonin Aleje I saw where I dedicated myself,
I say tra le dolo. Hey, I' m thinking because a

(06:58):
saucer, a little heifer cheats onyou, he hears you so big.
No, well, a plate that' s twice that, from that man
to that guy, from that dobleis when I don' t know what
you did for one or two.In the end, well, you'
ll have it bitten, but Idon' t think so. You split
it up. In the end I' m feeding you and the bowl kept

(07:20):
playing it. I gave him whatI told you being what we go hungry
and touch us but I said Iwant or hard and I hard map because
I have been given a meat treatment. It doesn' t kill him,

(07:44):
Jun wait for you already a littlebit. I' m telling you,
you have to have a story,since you' re visiting a lot of
town. I imagine that I amcrazy to know the story of you can
a people body has been a fuck, that is to say or you have
gone to pain it is scary chido, I have won we arrive to love

(08:09):
the magician duel Iolo Mom saw Santiago, that is to give you script that
is to carnal tip and they arechao. Indeed, you do not even
announce that on the same day youannounce it on the ton day when,
thank God, when we announce italready so almost full, that is,
who can give you a complaint tokill. Thank you, Dad God,
thank you, Ehey, the villagesare a flow. Right. I'

(08:30):
m gonna tell people. I havetwo things to reveal. The first mo
I' m going to look fortrouble with that I can. The most
beautiful women of the sy Bao notso prettied. Aha that they told me
not mine now that coffee oey yes, campeamo, changes flow I am already
beautiful women, but I was goingto deriveu where they are God came,

(08:52):
I know how I will tell youwhere they are in the bay in the
mocha vega, ah I saw themI will go the three. We work
the day gives time. Now Idon' t miss, I don'

(09:13):
t understand a bullet in there orno more, no, no, I
don' t drink the lads.I know where it was or the bucket
was or and I just watch orsay a lot, but I really was
here and they' re not theowner. Yes, I did, I

(09:33):
said where the alcohol sings and Ianswer there and I answer with me to
why you are and this you dohave oh no more Coya and I oh,
I' m going to o oand I proto us I' m
going to tell you something. Imean. It has always been said that
the women of yes Bao are thehouse, so that you taking out is

(09:56):
not vigorous specifically Santiago. So nowit' s wider to see the most
journey are like paradise that everything islike an exact viral beach, yes,
truth, and it' s asbad as the upload, as you see
it as the sul, as wellas the whole titty note. So it

(10:16):
' s got a lot of bacanbar and they' re good people too
look at you liano and docete,that is, they' re bars that
you go and you have fun yougo nine I said it doesn' t
have prejudice either. She' sgoing to have all the command of Chile.
Don' t check I' lltell you something. Look who'
s gone out in Santiago. Ididn' t go out in La Vega,
but I did go out in Santiago. And the one who' s
gone out in Santiago knows it's the most heavy thing that everybody already
has a room. No one hasto go so far, have to be

(10:39):
pretended or have to deprive in little. That' s where the most chilling
tubea is loaded in cash. Sono one' s in that or.
I had two. People had atop- notch ticker. He' s
not a white- haired little kidon the side and he' s walking
around or he' s not looking. The best thing is that I'
ve given myself and that crazy mojicain Santiago people trip the sheath of bellity.

(11:00):
No one' s going to understandor take another or. Here,
here, on Holy Sunday attention.The custom of bars has been lost.
Not you can there make chorus andtrippies shocking like a people who ok to
yes, now everyone touched and Ilower everything missing from the way tired old
truth that I say that you arethere tired, that you are furnished hand
and you do not speak. Iuse that then if you dance it is

(11:24):
I know that I with the furniture, because we have finished it between people
and you end up standing. Ifa mad Leo doesn' t wait and
then the village gorge is that italways happened. The last waitress stopped me
or turned on me. I don' t know what they lost or what,
but take that all away. Ithink you' re going to say

(11:45):
lower something and you know cape thatgood all the videos of any disco and
ta everyone in it. I mean, you watch the video of any dichoteca
and I don' t know ifpeople think they' re motivational, but
when I kiss video in the dichotecathat are all women sitting on the table,
nobody dancing the tiger bottle and saidno. You can' t imagine
us. It' s kind ofgood it wasn' t that big.
All or Auntie' s. She' s an auritory that you think she

(12:09):
' s throwing at me the night, but if you' re there for
me, you know, the nightwe spent the 13 months for the three
of us, they do understand mewhen you take out the oufide it was
a night that auffie. You haveto take photos and bumps and that audio,
because there' s a day yourmangelay an investment. You think that
I' m going to invest ina oufie to settle in a dichotheque sometimes

(12:31):
that what we' re going toborrow lends, but look but loaned us
more than when we' re sitting, you know that the guy sees the
n or I don' t takesome cars, we all do hoses and
hemo done hoes. We know whata house does, I mean, I
know we have. Chosa Juan onThursday we had a host together on Wednesdays

(12:52):
the three hundred, that is,the boys with the rolls and I remember
that at that moment the only thingthat we had on the album teaca loch
Pol and Polk and and it washow gua Güey put it. No,
no, we don' t putit danced, we don' t call
you with what we did a Morenoand da veen competition We' re in
this corner and we were and killthis corner and Morena and Davidl went down

(13:16):
the hallway or the same blanket andwe' re going to leave. But
I say so come what doesn't jump him. This came out the
Moor. I think it was whatwas the one that was glued help,
it was that it was glued andseveral came to him these boy hey I
say you will do it. Thishas everybody. That was it and I
didn' t. The egg doesn' t look today and he says the

(13:39):
wheels, the boy not just oneyou were wearing, I say teak like
they' re chaco or what theythink is going on with that, gentlemen,
because the saliva looks at my son. I understand, because you can
go out and have a good time, you can do something, yes,
I mean, you don' thave to stay in just one. I
remember that for my time as adicotheque, true, for my time I
really burned the dicotheque that was PriyaVaina my crazy flow head. The women

(14:01):
went out with lotaco in their handand foot and what happened in their hand
and feet gave themselves so much thateverything had to be taken away, and
I said manuel Le Di Tell herthat she has to be painted by the
po r can' t even pleasedon' t go up. And you
see these drunk women, you alreadyhad to leave her, because no matter
what. And now women right now. No, no, no, no,
with so no, no, wedon' t have a good one

(14:26):
I looked for it already I slutand ice cream didn' t sweat it,
because you said no more dancing withyour girl I go but go now
I have to go sweat because Iwas in nothing I say or hey hear
that good I go to people andlearn to dance. Don' t listen
to me I' m here becauseI hear. I turn him over and

(14:50):
I turn him over because he hearsmanly. Here are three people to tell
you that they dance a salsa andhe asks but literal that hears the easiest
and I get closer to that thereare people who dance machata still with the
boat aha loco, look crazy,come bramme I am tempted there when I

(15:11):
get truth a jevita meringue. Theyalways call me ay to love it,
that' s like you danced prettyI kind of shot you don' t
just leave and that polte were all. It doesn' t get you ma
not in my house dagger deserves exactlyyear, or ox the boat you know
everything. I don' t giveyou the sauces, but he' s
gonna throw it at the fireman,too. But this says it or wait
just dance salsa but if you putin a pompol taste brought him you,

(15:31):
you, you don' t seeI go I carry everything in salsa only
that I don' t like itand or look. I don' t
have anything against new Dumbo dances,because there are some new steps that are
flowing. But crazy, people can' t dance more than that. People
prefer to learn the sheath or thesheath than to learn crazy to really dance
that. But that we have i- eliminators, as we have. Moore

(15:52):
either danced and danced to me andtold me that listen they' re going
to take out bullets and you don' t learn to sail and I'
m good and that said it.I' m going to go and learn
the silly stuff. Out back shecan act as a witness who already knows
that they' re a guy.My aunt looks at the day I'
m calm. So it' sbad what everything is and there' s
sick everything that I have that we' re moving. I say something else.

(16:12):
I pass it just because what thehell I get out of my house
for. It' s not forthat one now. It' s just
that I was going to ask himwith the question. You' ve passed
him some strange sheath like that ofyour hosts. I want to know.
I saw it hin the Sing,yeah, you' ll see it because
I know I had it you blewup. It was amazing. The thing
about you, I love it It' s potadopent. Or what happened to

(16:33):
the nobel pop and the lads wasa sheath overnight, I mean, people
went crazy after all of you,even I' m leaving I' m
not one of them, don't wait. I' m going to
go further I' m, uh, they were a fan of us dowry
or not them out or what Iwas doing puts to write and or the
sheath doesn' t know. Iknew, I know sorry, I wanted
to, but I kept an eyeon them. He' s always on
the lookout, watching me say pussy, because I' m not going to

(16:56):
hit him hard anymore. Then laterhe was nominated, because it was that
they started, that they added himto them, they grumbled to crisis cricket.
He went to look at the firstone. It was because he said
he' s talking about women.It was and it started to end on
Facebook, so it was the goal. He didn' t make a story
about an exono that you threw himout and he also went to look at
the like a background like that,but in the first iral video it was
him from the mute. I don' t know if I' m moving

(17:17):
you or not. Time for themute mover was that I was falling in
love with a mute. Hahahahahahahahahahahahahahahahahahaha?And so you had melo moro one dead.
I didn' t know love wasgoing. I' m talking to

(17:38):
Baile, but she doesn' thave that weird bitch if I end up
hating myself the way I want totalk about it. It wasn' t
because I' m feeling there,but I was already talking to me by
sign or bagel and I never usedit. This was like in one already

(18:03):
I have high weddings and I couldtry not to talk about it or that,
that was the first one says no. I didn' t hug you
the doubt hahaha ay I' velearned these s mine wow, not me,

(18:27):
but standing by I didn' tknow how that I lost That was
the first viral video. Tell meabout that sense of change, because it
was something of the kind. Obviouslyyou already had time that you knew each
other in the networks, but theboom, the boom celebrates and you get
that damn dancer or that' sall and seriously speaking, you already in
the other book already because it doesn' t happen you passed the puddle already

(18:48):
they are up and it doesn't really feel potty. What happens is
with me that I always lived themovie, that' s when I didn
' t, that means we passedall this in front of us. I
was the cocky black, it's that g or and you have your
crazy flode oil, I give itto me pile I sheath then I already
bottom came and I had the calmcare I swear when we said it to

(19:15):
the brunette and we' ll see, we go to the campio and say
no cho, I don' twant to be able to go there to
catch pol I say no, no, I say, I feel like I
' m saying, I feel likethere' s nothing to look for there
anymore. For me it was yes, it wouldn' t be. I
saw myself six o' clock,man, now I' m humbler,
for my opening now that I'm so turned on. Now they'
re not humble. Well, I' m saying a thousand times you'

(19:37):
ve told her to think that yes, that she' s grown up,
that I' m grown up.Don' t go down with everyone.
By axis, no, sir thatwas, but really bacan if yes,
yes hard. But there is onenight and I still put a car to
the public to see it and theythrow spotlights they walk around big, you
remove me you and your little nequitopitz you really produce crazy, yes or

(19:59):
you produce your produce good what Itell you, yes, the rooster produced
once I theme and as you foryour name, the typical quito. Neither
quito beats or because even Quito comesfrom Nico, because Nico is my favorite
producer ok was the only friend clique. Of course it is people who are

(20:21):
rich, then I did as thesheath say I' m going to put
on a nest to see that Godcomes from that it goes there, but
that it sleeps of I have producedthe boys of the neighborhood. There was
even a capel participation of two thousandfourteen that was triga and the crazy t
did not produce it. The samegirls are and they' re browned.
I gave myself a romantic song,a wez to dedicate February legs. They

(20:45):
don' t love to be,they sing a little bit or no or
they teach more than the beloved patriotor you' re going to put it
or not. Listen to what's going on. He knows that I
was a boy hovey and I droppeda pot of the devil, a pot
that was taking me the devil.Well, I had a relationship to get

(21:07):
back to. You know how haha, I didn' t have a purpose
to be clear, so there's nothing more than creative than a man
in pot. I already say Ithrow everything, I calculate it and I
say I don' t have aweight. If I tell Mommy I'
m not cool she' ll give, I say I have a cousin who
producer the other cousin who has astudio. Oh, but I' ve
got everything. I say I haveeverything. We' re going to trüeya

(21:30):
tanto, a pulse, a pulse, not here. I say ok le
puo lyrics I tell you to writemy song when that we didn' t
have exact cell phones I say podto write my song. I take what
I study when we' re lookingfor that topic and I said vollo is
your cell phone, uh, youhave that theme. I make you a
jack. I got it Faewolkchi Wow. It' s not like I want
you to dance She' s gonnatie you up. I want to listen.

(21:51):
I don' t have, Iteach, but I came back and
I say I' m not all, I can take my relationship, my
imagination or when I' m finishingeverything wait, uh, if I already
have it, no, not thegirl, no, no, but the
song, the song. But atthat moment I' m asking. No.
No, no, I' ma girl who has her whole family
and I think a son of congratulations, hahahahaha. We know about family,

(22:15):
greetings, the boy, what youmissed not ordinary, has the name ja.
No. No. I' mfine, I' m fine,
I' m going to do itand we' re going before, but
not or getting tired. Very good, Marito. When we' re thus
finishing the song, one of mycousins sticks with a little brother plug like
without wanting I hadn' t savedthe project. And of course not,

(22:37):
but no, no, no,no, no, no, no,
no, no, no, no, no, no. When that'
s the case, the computer wentout with you and the project manito and
I all and I' m goingto not go to the canchón saw that
Barrica sings and since it seems thatagain blooppone project for Anda only my con

(23:02):
to tell me, because in thosetimes remember that the Internet was not what
I do. No, no,no, no, hey, I run
the song for the Iman, butone po songs I say and the song
say nothing. We do the songagain. Take voices I' ll take
you parrot sheath. Yeah, shutup, we' re already at the
singer' s already because the light' s gone. It happened to you

(23:22):
that whole day. That was Godprotecting me, but I didn' t
understand. He went to the lightand arrived at other days the fourteen that
gives, but I give we arriveat the cousin of tretus, we have
the study. We arrived at aboutthree o' clock in the afternoon,
from three days of running the computerat four and nine days, seven at

(23:47):
night. It went out into theopen, but that was that we paid
for a job and ja it waslike I didn' t appreciate it.
Maneto hey, Jay, golea te. I' m saying don' t
yell at yourself for this, thenfor after you pass, you fight that,
if I want to erase the projectand the guy who likes it,
I don' t remember you witha handle I' m sending the song

(24:07):
and I can' t send itto him because it doesn' t get
to him, because it doesn't fall, because it doesn' t
go up, because it doesn't go away from me it can.
And I say it fat, becauseof that cell phone? Let' s
go to that cell phone? That' s where I take the cell phone.
Give me the pullie. I'm gonna sing the song. Record,
Record, Record My friend a graroa lot of the arrival of or
never that I' m getting upfrom my song. I got careless,

(24:32):
sad prome got sick for an hourI heard a video. I' m
not gonna send him in now.No. Oh wow, what a cute
locula prepares that was looka- ha- ha- ha- ha- ha

(24:56):
- ha- ha- ha wow, not now that message lin uh erase
that crazy tip the tip oh,I don' t say no, but
it was for you. I couldn' t send. If I command to
delete it, that I do nottell you, since it did not seem
romanti I say tato, not tothe chive lowers the link. I sent
it to him when he got tocry. Wait easy hand for the good
is that I lay or you arebut tiger we are more accurate. The

(25:19):
thing doesn' t hear you thereis that your story of Villaga begins,
not to the struggle that was caughtso that you loved you could get there
and we were going on foot tohis house, we the pink soul and
they live in Villafaro. I passeda satel and tempo there I had left

(25:41):
to piles you did not go withthe and if you were that I came
that classa, crown the turn.But I have come to that house to
make half an hour of table,which is the most that you have done
so much in love. Oh IBella, I covered it done whether waiting
does not expect what things like that, but what a pity that to hunk

(26:07):
it out, for you were fatbecause the linden cholos were left apart.
I understand that before I didn't screw up that cumida went to the
taxi, but I used to sayleavenant next door and you' d walk
in a square and run out andout the back. That' s not
what I used to do. Isaid I paid ah to the truth.
I too ah I bread going outin the only eaters and or the bone
collectors, because I was going tothe field. He was in love.

(26:32):
I was going to be there withfifty and then it was time and you
were caught once. They told younot to keep you paying us no.
I' ve always had you looklike Mongols. You know, and I
' m on top of it I' m on top of it I'
m on it. Güey ha haha ha ha ha ha. I'

(26:53):
m not mad at her, butI really have one in love. That
' s not it. I don' t know one, because when they
fell in love with you, Ididn' t stop, I didn'
t even leave bon or. Iwas an Earth Pepe when I was fifteen,
because my ex was there with whichI lost my Vesenity and she was
with her best friend. And Iremember that I made a bibi in five
hundred pesos, a vivi, thatis, there' s a key in

(27:17):
five hundred pesos. Imagine in theyear that was about two thousand nine,
two thousand ten. Out there Itarnish the vivre then julo and how you
arrive wait estimate already you are callingyourself ce lularmente. There was a passage
for me that I arrived on Earthat that time was half a dozen or
twelve- fifty pesos. You knowa hundred and fifty, because that and
I had me end up side anda half to see you survive. Oh,
on the ground. I' msure of what I did. What

(27:40):
I did was the first night Iwoke up in a pool in a residence
that was open. He went toget us into residential there was no boss.
It' s still where d wentthere but in the morning a friend
of us passed the pasora and sawus sleeping. You know what she did.
No sandwich, I said ox forbreakfast we already have half of the
or you mega a di ma ofme and already already discount. I got

(28:06):
loose and still haven' t seenmy jevita fua I see my hemy from
her tells me come to the villaof us that her dad left us an
apartment just for us or line.Thanks, Dad already shot. Third,
I' ve been watching and I' m still a half past all this.
When it' s those times,or I' m not going to
overwhelm. I wasn' t aprotea ditile. It wasn' t or

(28:27):
it didn' t show up.Now I don' t know the cameras
and I' m going to finda millet bread and I' m going
to tell you look, I havea hundred a pot and he told me
I have not a half and Isay good. With two hundred we bought
a liter of white brig in itat that time and bought twenty- five
of two cool stalks I give sixounces, it looks not malca, no

(28:49):
one aha and twenty- five youknow and blessed and come singa pass of
ice, manita we did not thinkto Drink and Baby and where it takes
good it was foot and from methere came one you were like us.
There was a carmen Paris. Itell him you' ll see how Jon
Thoma gave birth to the carmen.We tell each other a panita outside on
bread bread bread tells me I haveattacks, but they are farce. They

(29:11):
want to enter no, it didn' t pass fu didn' t see
botaquella entered for the father and againstthat faenza also only that drafa that oy
mara goes. That time was notgiven ah ta we hugged him and that
hears the tigriso. So for daduff we come in boy for going in
multima. Thank you. So,pam pam. I' m telling the
boys I can' t take anotherday, I' m getting a hundred

(29:33):
weight, and that' s hard, hard enough. Then I tell them
already after the father and you whatyou' re going to dry. They
go more at the stop, Parisis over seven o' clock in the
morning and the go bo comes outI feel it because at the stop,
so to pass everyone was the guaguaarrived. She was a little girl from
that banana tree in the house andI said ta chamo la do oye that

(29:56):
I brought it down by paying ita hundred and we went down here,
for the capital of Muno and Medio, when all the ci so you charge.
I said, but why do Ialready say I pay you twice well
and I say I do look andbut say that pocket I said because I
don' t have a room becauseI didn' t ride. I already
paid and maybe you weren' there anymore You' re charging me.
I didn' t think that riskierI was crossing dark mountain by horse.

(30:21):
Ah no, but passion of Gavilanes, what do you know it cowed on
your horse and already or I wegive you on vacation in the country when
you pull because in the house yes, because in her house there was no
light it was a work and Ihad nice to win, because I already

(30:44):
lived there. It was in thesheath in the most already saba and I
little ja hear me horse man Igo for love. I lied in my
house hand, but lies wow thatI didn' t that lie too when
I had my first job, Istarted working. What was your first job?

(31:04):
He then I worked as a cookand goatherd of chipole. It'
s like I would' ve toldyou cla. That' s why it
has a gla name. I wasout with the chors ors ok like acly

(31:27):
a cool to chicks poor grandson bootcries I say not I was in my
house, I got tired and Iworked with my dad. First, my

(31:48):
dad demanded a lot and paid little. I' m sorry I needed to,
I said I needed to. Hewas telling me I don' t
give you food. I say pairof pesos I don' t say no.
I want how much I went outto work I got into that restaurant,
but I had studied teletourism. Thefirst three months I was trying to
get my relationship back. The samegoes you never have decided no more than

(32:15):
I said I do or, butI just say better it is, because
I tried and couldn' t.No. I didn' t, because
I didn' t try. Ihf what if these from there to go.
I never tried it again You don' t love yourself anymore. I
' ll make sure of that.I say more already, but that was

(32:37):
the turn. I say not crazy. I' m starting work. I
invite the girl out and I tellher look, we' re going out.
That' s right, we cango out bunny. I say I
' m going to work and allthat work is for that date. I
worked for three months working tomorrow,but three months tied up so much.
He even left one of the cooksand I took both. I said so.

(33:00):
Dad I, I, Dad I, I, I, I,
I, it' s me withme, and I conjure it up because
it was me I understand inside.Hahahahahahahahahahahaha, ay nando because you all ne
are the cousins of those cousins whoare together in all Tola we have an

(33:22):
agreement. Sometimes you sneak, youdon' t see, we throw a
lotico. I' m saying ifyou earned it, you know you have
to pick up crazy. I don' t have to say yes, I
' m good with that, buta button here How it was, how
it was its dynamic, its facewait for you, wait for you.
I think we' re going toeverything else that' s left. Okay
they want yes, because I wantto know in pattern. I want to

(33:44):
know your carajito cousin dynamics, becauseif I can get that p tremingo now
I imagine what they were like whenthey were carindo and soul ay ay Ay
well, gentlemen, thank you forbeing here team. Yes, thank you
for really joining us, thank youfor nothing and thank you to Nequito Pitz,
who is your inspiration or what youlike. These gentlemen remember that we

(34:05):
have a pattern, or we're done now, so shadow patrol is
eight dollars. Lord tea, theymay have exclusive dollar content. The women
' s, oh the faith familieslet' s make an only fan that
doesn' t educate you you who' ll only make you no pocket of

(34:27):
lords, don' t remember itanymore. The boys on their platforms are
already big and Chris Roberts with doubleKito Beachz with Q with b Yes,
because they can with vi tom beatsand not gentlemen. This was street philosophy.
Episode number one hundred and twenty-four ro