002. "NO LE GUSTAS TANTO" LAS FÉMINAS by Filosofía De Calle.

Episode Transcript

(00:00):
They' re the same. OrI come to one more episode of his
podcast and favorite segment. The feminass hosst Rosal and Rubio and their servant
was Mommy Ley. Of course Ido I love them already. We'

(00:23):
re back. We are back veryhappy, happy, not only happy,
but also grateful, satisfied and gratefulfor the love we receive with only our
first episode above only motivation we lovethat they are not only girls, but
also boys. They were commenting notabout riding rich pot, riding PoTA.

(00:46):
To a lot of people tell thetruth is no. We don' t
blame him. It' s gonnabe okay. The crazy one of you
trying to be a little more neutralat the time of houlínale which is riding
pot for what you got those doubtsfor putting that pot? It puts that
pot and it' s a goodpot. If it is your country,
you do not use the term potpo you have been being jar in other

(01:10):
countries any kind of phrase or thatis sloppy personal, no, but nothing.
We' re still on the subjectof what you have a des Today
we have a very interesting topic.Yes, very interesting. Mine melted last
night there was a smelter and Ithink also among the same topics that had
been sent to us. People werevery interested in knowing how you handle yourself.

(01:30):
When a person doesn' t feelmaybe the same as you do or
notice or doesn' t have thesame interest as you do, then I
feel like we were talking about bHin the sens that many times we are

(01:51):
with a person and it' sbecause we understand that what we' re
getting is what we deserve. Yeah, I feel what that is. She
feels like she' s also comingfrom whether you' re used to getting
little and you' re comfortable inyour discomfort. You understand that' s
what you deserve. But you're unhappy, because you' re not

(02:12):
being happy. You are constantly questioningwhether the other person feels the same as
you in the relationship, who isgiving the most in the relationship. So
sometimes we get stuck in people becausewe understand that' s what we deserve.
So, that' s where youstop and you yourself analyze how much

(02:36):
you' re giving, what you' re putting on the table. You
are a person who is looking fora fifty, fifty or You are looking
for your eighty, go one,eighty twenty. Yeah, that' s
why we named it this important chapter. I say it' s a chapter.
I think we' re going toswallow a lot of information here,
as usual, but it' scalled you He doesn' t like you

(03:01):
so much And maybe this isn't what I deserve, too. That
is, to what extent You realizewhat You deserve, that You do not
deserve, and this comes precisely fromthe film Hishust Nat Darin. Yeah,
it' s a very famous movieand it' s not only been like
trending in Tiktok, so Tiktok comesback, so it' s like bringing
stuff from the two thousand brings inlike things that were perhaps valuable that said

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good content in their time, andthat obviously, one of those movies and
it generated everything, it untied,all like a whole circle of information about
what it carries, that is,how I act a person who' s
in you and what it does andwhat it doesn' t do. And
I' ve been living with thistheory that it' s not for me

(03:46):
a resounding yes, so it's a no, I mean, what
if I have, if I haveto put myself in doubt about something because
it' s not a yes.And now and that I always talk about
it with mojica that when you havedoubts about our relationship, we' re
better off ending it, because Idon' t want to be with someone

(04:08):
who is doubting what you feel forme, because if you' re not
doubting it and the other person isdoubting it, what does it mean that
we feel the same way about youeven though it flies, although it does,
because you know, you have toget that couple going, you have
to stay with that wall and youyourself analyze it, because that person doesn
' t feel the same as Ido. No and one lives like an
eternal, like having clear denial,because you don' t want to accept

(04:30):
it is dedicating it to calculus love, not to expect that I calculate it.
If you don' t count it, you won' t. Let
' s get something. You can' t go with a kamac twing cover
to a King California bed, Kingbad exactly to tetricating the equine, because
then, when you' re goingto put the corner of the other one
was there. And the truth isso And so literally, and you know
that there is that too, aswe let ourselves be fooled, because there

(04:55):
' s already the case that hebegins to introduce you to friends, to
love, to his most important people. And that makes you feel like,
well, yeah, it' simportant. If he' s introducing me
to his important people, it's why, because I' m important.
Yeah, and it' s verytrue what you told me was crazy

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that and how many older people won' t be doing it. Yes,
I mean, he won' tbe introducing him. And friends, because
they' re your friends, becausethey' re your people matter, they
' re going to keep up.You understand because I had a lot of
positions where my best friend wanted tointroduce me to friends and you had to
make her crazy, faith or atate, the oil of the madman and

(05:40):
the asshole, as Don Galece says, does is crazy and literally flow with
the situation, because ay no andI' m going to leave you friend
full, I have to brag formy friend. You didn' t shut
me up on the charge. Itbrought you exactly the work of you good
and oh yes the world a movie, but really not. But not really.
Then don' t let yourself befooled by the same sheath of stories,

(06:00):
the same sheath of stories. Ahnos, Fulano, he' s
the first to see my story.So, since he' s the first
to see my story. If theI D' s there, it'
s not done. If you haveto take that or I have to upload
a photo for you to react,because that' s how I capture your
attention. If I have to dothat to capture your attention, I don
' t want it, not badI don' t want it, what

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a curse and what bad rules tomeasure what to think. And for me
that' s not a stick tomeasure a person' s interest. I
know that also an extremely digital socialera, whatever you want social networks.
But I don' t feel thatthat' s like the way to measure
things and put you in the middleof someone, because the truth is that
the algorithm does such crazy things asthat one day an altita that I went

(06:47):
crazy with him mestor that day becauseit happened to me and saw her that
day. But that doesn' tmean that it' s pending me three
that background or that there' sa reason. Maybe it' s no
reason for anything, or it justreacted in that story because you look tough.
But that doesn' t mean there' s an interest more ad i
e, over there, it goesthat way exactly then and it' s

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important to understand the fact that youlook at when you like a person,
specifically like this for women, butwe also have different girls. That'
s it, that' s cool. But when you put a person together,
that person doesn' t give spacesfor you to doubt, that person
is going to run, he's going to change, he' s
going to get better, he's going to fly, he' s
going to fly, he' sgoing to cancel, he' s going

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to move things, just so youdon' t have the simple doubt,
the least doubt is that it's the one that you crazy, you
know that when a girl I started, obviously, at that stage of my
life I noticed in an exact relationshiptruth, I noticed in a clear relationship,
I took running through my life,I walked the living room. You
understand I had come out of you, I mean, obviously it wasn'

(07:59):
t that recent, but for meI had a lot of time without officially
single ta. You understand me andI was living and woman who was also
at that same crazy stage and Ithink what made us flow that usually doesn
' t work. Actually, ohwhat are you talking about. Baby one
says it' s flowing. Itlaughed exactly, but or we were genuinely

(08:22):
flowing. But what got us pastis flowing. Miella. This is a
real thing. It' s becausehe wasn' t afraid to make me
a pussy that he wanted to seeme and I was saying and I was
saying ay, but how toxic tobut such ay, but it' s
toxic And I liked that because Isaid to me the first one is teaching

(08:43):
me who really is second, notbeing afraid to tell me what I want
to see I understand then that gossipof not is that he doesn' t
really have much time. Oh,no, he' s really busy.
He' s very busy. Thenwhat can I be? But a corduroy,
when genuine loves me, what's that crazy when a panata in
you is that he' s goingto let you know by that means,

(09:05):
in every way and he' sgoing to want to be with you twenty
- four seven is going to lookfor the way. I mean, she
was so crazy that we literally splitup and right there he was telling me
what she' s doing, Idon' t know what. And,
well, when I' m outof my mind, and that' s
what I remember telling you. Butcome here and you' re sick of

(09:26):
us, because I, I mean, I' m getting away from me.
I told him, but come onthat you' re not fed up,
like we' re always seeing eachother, like I, I mean,
I didn' t get a clickon a person who wants to flow
so much, but who wants tobe with me always, always clear,
because this flow is just right,that what happens is also the concept of
flowing shop to turn into a sheathas much as so lacking, as of

(09:52):
empathy with the other I mean,and as lacking as of affective responsibility,
that is, the fact that youprefer and we' re going to flow,
that you tell me what and maltthat I really want to tell you
right now I don' t wantanything with you, I like you,
but I just like you lack yourcompany. I enjoy your company. We
had a good time and you knowwhat' s going on. Let this
also be rooted in the fact thatpeople do not want to communicate. You

(10:13):
don' t know that I havea recent experience with a person that I
realized was not interested in giving informationbecause I was afraid of that, how
I thought of him aha and youknow that I came from being a person
too expressive, because I don't like people around me to understand that
I wasn' t op op opengenough because I want them to be that

(10:35):
way with me. And why not, that is, why you have to
feel vulnerable where you' re lettingme know that you feel. You feel
and that' s the sheath thatpeople have a fear of rejection, because
there it comes, there it comes, here comes the detail. Yes,
you don' t want to talkopenly about how you do to a person
or their feelings, because you're afraid of being rejected or genuinely rejected.

(10:58):
You know they' ll turn youdown or they' ve already left
you. You know they don't want what happened to you, or
you' ve had a lot oftrouble. He knows they don' t
want that with you. But then, until you do that, you don
' t cut that link, becauseif you already tell me, if I
tell you what I feel, youobviously won' t stay with someone else.
Tell me how you feel, itwon' t keep you doing,
it won' t keep you fromanother. Because, I mean, if

(11:20):
you don' t know how itfeels, the other one talks about how
you feel, you, because ifI' m telling you how I feel,
it' s not that you're forced. But you' re
opening up. But there' san opening, an opening. Do the
exact ice. You' re breakingthe ice where you can already know to
me that you do, what doyou feel? And you know something else
too that when someone, when youlike a person, that person does everything
possible to know what you' remade of, does everything possible to know

(11:43):
what' s in your head?Who are you in your head, who
are you why are you going through? Because you' re not going through
what point you' ve come toin your life in various ways, that
is, obviously various aspects. Ittakes time. You know, crazy,
and I' m gonna tell you, but I also had people who taught

(12:05):
me to wait for you. Thisisn' t what I deserve most 100
percent, that is, I alsohad that, which is because sometimes they
don' t see so sure thatthey think you' ve never had a
foe than a. You' venever been bounced. One took his rebounds.
He also took his rebound. Thething is, that' s what
happens, it' s been different. I remember a corduroy that my god

(12:26):
when I made I was so excitedwhen I was we had and I was
uncle and I was love him,that crazy man, I was crazy with
that tiger. I don' tknow, I don' t know what
was going on, that I wascrazy about that corduroy and that thing about
it was just had like when acorduroy knows that he cares about him and

(12:46):
he kind of does these things,I passed you believe and that that yes
for truth always in candle lot thatwas look, I war you. But
I' m gonna do one thing. Let me tell you something in those
games, I tell you something,one is needed and one is asking for
it that I learned many, yes, it may be, but it doesn
' t cover these situations. LookRosall and after that man it was that

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I said, if you don't tell me with your mouth, yes,
I' m careful, you don' t show it to me with
your mouth with a card in hand. And I' m voting for it,
I' m voting for it.I' m not taking what I
know from pods. I have amoment. He told me to listen to
this song and he left a placeand I did what I built a movie

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and what also left me a movieand I said he dedicated that song to
me and I listened to the songand I said, wow, the tiger
song to be crazy percent And inthe end, in the end, not
even crazy, we didn' teven get there I mean, nothing even
happened. And you know that thankGod. Nothing happened, because that made
me realize it and I said pussy. After so much hints and so much

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sheath, so much mix signs thatare no mix of anything. It is
also clear the signs see the thingthat they are meclades, they are not,
do not look at the signs thatare mixed. There' s no
way, no way, no way, no way. Note clearly, it
doesn' t clear you up.I don' t feel clear and it
' s okay, but you knowwhat' s going on. The problem
is that we are the one whodamage the market so that we ourselves shadow

(14:15):
that we take the signals, weare of that there is no. But
I think look, I think therai error of the fan, of the
zoo, of the shark was toso much love forgiveness hid my life.
What it is is one' sproblem is that he loves cheating, I
don' t have and that wecheat with all the light we have there.

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Yeah,' cause we eat thecute thing like the cute thing.
With that we are, then youwill make it nice because the cute one
is not accurate. Then you're unable to see him as a woe.
He' s not doing it tohurt me, because you' re
not capable of doing that. Maybeanother person always a hundred you don'
t have or know or you wouldn' t just do that person exactly.
Then here he comes he' scheating on you. But in exchange for

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what I tell you, they're faster to tell you I love to
flow and than to suffer. Ilike you, I like you, but
I' ll always say one thingto you. He thinks he' s
got a lot of hairs He doesn' t. The one you do.
Why is it so hard for youto tell me straight I like you?

(15:18):
Why is it so hard for youto tell me you know that I feel
good about you, because all thesilence that you give me what I do
not understand, that you are nothere neither in time nor step, that
you are not as pleased anything asyou say, you have as much man
as you say, that you donot have as much grain as you say.
The one who doesn' t,the one who doesn' t have
a problem telling you he won't. I' ll tell you something.

(15:39):
Today I don' t know howI feel right now, I'
m confused, but you me,you have me vy crazy. It'
s just that me, that is, Mujiqui and I are together today,
because that boy said this is theone there is. So I sit down.
The day he told me it wassix in the morning before I went
to a recording, to record withjumbo, early morning girl. I went

(16:02):
to record with yumbo. And thelast thing that man tells me that we
are in love, that we arein love, that we are going to
do it. One hundred percent andit' s crazy scary and I know
he also told me because it wasalready a scream. It was a cry
for both of us. You understand, he yelled at him for both of
us. It was like that already. This is what we' re going
to do, what we have todo. Whatever this is, we'
re not going to the other side, that is, we' re going

(16:23):
to the other side. But ifhe hadn' t taken all the other
initiative from the beginning, we wouldn' t have gotten to that point because
he wasn' t afraid to sayI want to be with you. I
want to spend time with you.I was kissing you two minutes ago,
but it' s not enough,because I want to, I mean,
I like you so much that Iwant all the time with you. So

(16:44):
that sheath' s okay with him. Well, that' s something you
put on like that, because ifyou don' t, at least those
are the standards that I decided toraise, that' s what you have
to see, too. What arethe standards that you are going to raise
today, by the fans for thefalse loves of a past, for the
loves that did not do me well, for the loves that did not pro
you that they made, that theytaught me today. It' s just

(17:07):
that if you don' t putthe thing on me, how they are
right there, then I' mnot interested, because I' m like
that. I' m gonna callyou crazy. I feel that way.
So, with you and me notpresent. If I' m with you,
I just want to have sex rightnow. I just want to be
on that lap right now. Withyou like,' cause he' s
having a good time. With you, I lend you know, I'
m going to tell you everything well, so you don' t tend to,

(17:29):
you' re what you' rehiding a next tee, because the
truth is that and we' vesaid it here several times, that is,
we' ve said it before,but we said it also in the
past. First, the women sitwith you. When I said,"
Come on, get a pencil anda leaf" That' s what I
meant. What are your standards,what are your negotiable, one negotiable,
what are you going to allow yourself, that you are not going to allow,

(17:52):
and the truth is that one ofthe things I' m not going
to allow is for a person tounderstand that they can come in my video
saying that I deca loves me flowand you know why. Because what do
you say to you that we're going to flow. He' s
willing to leave you, to letyou go with the current aha or so
I see it if I see itas if you' re a bored one
and you and I take hold ofeach other and the moment I swindle he
' s going to leave me I' m going to do nothing to fight

(18:14):
for me And I' m goingto you because you don' t fight
at the beginning that no more methink about fighting for me at the moment
of the silly one, the momentthe current takes you when you' re
going to do it you' renot going to fight for me. Then
a little bit I have to doin the first place. So here?
We come here with the signs thatyou don' t like it If you
are being paid for it, youdon' t like it so non-

(18:36):
granita why. Because we already saidit is that a person who likes you
is not going to leave you roomfor you to fill with that space with
doubt. If you have to begfor love, that man doesn' t
have so much on. Not ifhe stops writing and says hello again my
love to what has been how manydays, it is not man, not
you so used, because because someonewho measures you wants to know, wants
to know every second like me yourmaster like you feel in my head how

(18:59):
I feel like I don' tfeel that I want to eat, that
is, when you like the personyou enjoy even the same details of that
conversation. Everything is that you wantto know everything because you see that there
are people who don' t detexate, because I' m not a textual
person, but when I like someone, I extote you ay. I'
m not a little what you've given to me. I' m
not talking about Whatsapp. I'm none of that. I mean,

(19:22):
that doesn' t exist. Butmujica I was together and we split up.
And right there, bread, bread, bread pan pan that burns it
uh uh such pod. And soit was myself, but who was it
that started taking all that initiative fromhim, because wait for you I want
to turn around and I already understoodthat I have to kick it. I
understood that what you have to doto get this round, this woman is
like this. You understand why Itell people clearly what I want from the

(19:44):
beginning. What I want is clarityand transparency. If you can' t
offer me that, then you havea door and you can go your way.
I' m not interested in anythingother than that. If you'
re not going to tell me howyou feel about the one that' s
there, the one that' sreally there, then I' m not
interested, because I already had tobe questioning myself. It happened to me
and I had you sick of thelittle girl, I told you that I

(20:07):
had to put the dots together andthat to make a prayer that you can
tell me, without me I hadthat for three so much master are not
interpreters, it has no Spanish,it is that you do not have the
real Spanish Academy of the Language.If you don' t know how to
speak Spanish, then throw it inEnglish. If they don' t speak
English, then we' re notgoing to understand each other anymore. There,
yes, it' s true thatwe' re not going to understand
each other. But that sign languageand mixed signals that I hate, that

(20:30):
I or course cholo, that's the expression of me pointing to mixed
love. I don' t knowif it' s because I believe when
it gets crazy. That' sit and you know that I' ve
realized in conversations with people in generalthat the human being is not ready to
listen. Actually, no, hehasn' t prepared you, but that
' s not the truth. Moreover, when I see a person like myself,

(20:52):
for example, but what happens tome, I know this woman intimacy
before how I am awesome, asI am, I have to stop at
my truth. I' m sorryfor what I' m sorry for,
and I' m faced with mytruth It' s exhausted me so much.
It goes on that more out everyday continues to cost and all day

(21:12):
I pay every day with my healthand such I pay every day with my
mental health. What it is tostand next to what I believe and what
I generally believe is that a personwho does not take the time to see
that it causes me pain, donot cover up my life. He doesn
' t deserve me. If youdon' t take the time to know
that it causes me pain and bothersme. And like it was mini,

(21:33):
it does it and it does notdeprive here and with all the bowl asks
for it is that I give mylittle book look, I gave my little
book, look at you the littlebook and I of the lacquer and the
crazy eto the crazy is composed.By all this you understand, it'
s not that you' re comingcrazy can get better at things because the

(21:56):
crazy woman decides, but not becauseyou' re going to get to impose
me, because what this is doesn' t understand. Then I no longer
have to learn what are the thingsthat are non- negotiable to you,
because when you know what is non- negotiable since fifty thousand omelta come to
you, you know which one goesand which one does not go. One
hundred percent. Which all is addedas water is separated from oil. It
' s an amazing thing. Youknow that I have come to the conclusion

(22:19):
that I would say that something thatturns me on or is a thing that
I like very much and gives youa pull that knows what it wants,
crazy look, that knows what itwants and that it comes. Hey,
hey, hey, get married,get married, go after me like I

(22:40):
did the prey, because I believewhat I do, I believe the nature
of the woman and the man andI, I' m usually sick of
my male energy. I' msick of what I want. We have
more to be too clear and tooaxl i e, before we take action
with the things I want. Youknow that it takes me, that you

(23:00):
marry me and that I don't have any left of another, that
it lowers my female energy, thatI have no other, that I don
' t stay of another, thatI let myself take care of you,
that I let you deliver, thatI give myself to me, I already
you Hartha of you would not beinteresting. We' re sick of you
getting away from the crazy one andthe woman down there. Comment if it

(23:21):
' s true, it' sall the same kind of Tigger that'
s doing even the interesting thing thatyou' re doing then because they'
re female, they' re femalemen, because that' s true.
They want you to go for theprice and you to go and lick him.
I' m not here to fight, just because you wait. I
' ll tell you one thing.You don' t even have a cello
clan to me. You just haveto be clear. Of course I mean,

(23:42):
that' s because people understand thatah but then you, you don
' t want to know the hardone, but you want to get meddling.
I' m not telling you sofar in the ass, because it
' s not the name your asswhen you show your interests with words and
actions. That' s what youlike. If you have the ability to
show me by word and act,you get interested then it means I'

(24:06):
m not worth so much to you100 percent. Not me. I don
' t do, because I whenyou want to, when you get so
hot, make a pizza that youmake, you scream, you don'
t go and ask and open theapp. If I don' t want
you to move your house, openthe app, find the foot of that
ball that I love like that,then if you can do all that,
when you like something that loves youwith you you want to do something,
then why can' t it bethe same. When you' re interested

(24:26):
enough. If you' re interestedenough, you go and do what you
have to do for that person.No, sir and clarity, that'
s a clear dick, because it' s so difficult, so uncomfortable to
generate uncomfortable conversations. If I,for my part, enjoy so much conversation
and that' s why I enjoyit very much. I came here.
You know that because you' remy friend and my sister and we always

(24:48):
sit down to that flow. ButI enjoy very much what communication entails,
that is, I communicate with you. You' re already understood how.
I feel like yes, no,where, where not, and I'
ll leave you the tiger. Theguys don' t want to say the
jas don' t have ja,because they can do you so much on

(25:11):
the days than what they are witha macula wound, the most damaging what
they are doing harming people in thestreet, truth and giving women who are
treating themselves, they go to thepsychologist, women who are spiritually flapping physically,
beautiful women and you who are spendingthe heart and the light, the

(25:32):
energy, the people who if theyare working on themselves and that the truth
is a crazy super cowardly act thatI was talking to the tigers. We
' re here already a lot withyou have it. Look, you guys
know the ones out of this bowl. You know who you are and what
you are inside is what stings you. Look clearly what you' re in
or you think it' s clear. We have a box of a hundred
hats start to put on all thatyou know who are accurate already because I

(25:56):
am going to tell you something andI have always told you and I say
it also in philosophy. I saythe same thing to the tiger. The
tiger really, really, really saysthe thing as they are to me tiger,
when you can say things as theyare. Now if you' re
saying things as they are and alreadyon the other side, the woman is
in a movie. You made,you cumute and another tea and then here

(26:17):
we come to where the woman inus. If the guy did his job,
he did what he feels, toldyou exactly what he wants and what
he doesn' t want, because, obviously, if he doesn' t
want you because he doesn' twant to be with you, that is,
if he doesn' t want tohave something, because he doesn'
t want anything with you, thenlet' s not get involved in the

(26:37):
ay movie but he treats me thatway. But like what he wants to
happen. I also saw that intiktok, from a pana saying pussy.
Sometimes you don' t know,because my way of dealing is good,
that is, even if you're a little ass, my way of
dealing is good. So, obviously, even if I tell you I don
' t have one. I don' t want other things like an eation,
I don' t have that intention, whatever you want they feel bad

(27:02):
because they say that my actions don' t match someone who doesn' t
have, doesn' t have theinterest. But what if those are his
ways of being affectionate. Because inthe end, if you and I are
ass, I will treat you well, because I don' t want to
have a little ass for me totreat him badly. But let' s
get you on that, let's get to that. I' m
going to ask you a question,because also, I mean, we'
re talking about liking, but forsomething more accurate, different, you,

(27:26):
but and liking when I ass namore what you think of that. From
what I understand, I understand indevil. I' ve come to a
conclusion and then I' m goingsuper male energy that that tiger I'
m you don' t sper tigers. But I' m one of the
people who thinks that who I haveto like and who I have to love.
It' s me now, ifI don' t negotiate, guess

(27:48):
what you' re talking about,what you' re using now, what
makes it so good, and wefigure out what the fuck is looking for
here. I do know what you' re looking for here and I'
m going to get what I wantexactly normal and not that' s me
and I' m going to tellyou something. People have a problem that
now we can' t have assand butane and no longer want to have

(28:11):
mana or you know the amount ofcorduroy, that is, my ass they
were butts, but right now they' re only a corduroy of mine,
because there' s clearly affection,because there' s amazing right now,
that there' s a love anda pretty one that tends and I knew
that the connection that you and Ihad was fully sexual and that no,

(28:32):
and that' s to normalize it. Yeah, you and I just like
each other and we know that ourgutano scenario is not that we' re
going to move in, it's not love or that tomorrow we'
re going to get married. Notthat' s too good. I mean,
I have a bond because right now, you were talking about that sometimes
you' re looking and I,personally sometimes nothing else. I want a
bond. You understand that it createsan obseculo, either, and I'

(28:53):
m not looking for anything anymore,and then that' s why there'
s also the sheath that men wanta lot to, but movie, because
they understand that there are women whoaren' t able to have that thing
that we' re ass and we' re just ass and we' re
heavy temos and we see each otheron the street and we don' t
say hello it' s more untilwe' re in ass. You Te,
you can tell me crazy pussy.I am in maltripoque and you can

(29:14):
give yourself of that biota and ventand sheath and with so many sheaths And
already, you put in loves,already you are pana again and there is
no mana fit we are, butthat I have entered to mitaba tugarvitas,
I have heard and today I coverI say Miralla, well, imagine and
and I have what to do thatcure, because the but it is applied
to me. No, ma'am, it' s just that I
am. So it' s eitherreality. I' m not healthy for
that, I know to be ableto hear, to be able to pray

(29:37):
ready, so that also I justsee you as a cool ass I mean,
and it' s really not alie, it' s not a
lie I mean? I only seeyou like this. When I call you
the twelve is really not for real, or when you call me, I
' ll get it for you.It' s not because I' m
desperate, because you' re notbecause I like it, I like to

(29:57):
impart that time with you. Yeah, it' s a that because tigers
once fill up and you know ohoh Pop and I uncle you that woman
in the throes. I always touchyou yes, but it' s not
me that I want to wear droI also don' t know that the
other day I went up a rialthat said that same thing like he thought

(30:19):
he was hitting on me, whichhe doesn' t know I gave it
to me. I was the onewho gave it to me. I understand,
but that' s okay and wehave to normalize and normalize it we
have, like tigers, we haveour societies as well. And if you
' re in a moment of singleness, I have a moment to set you
free say so and no and I' m going to tell you something.

(30:40):
And if a bond comes from aperson you feel good with, why if
we feel good as a friend andas a little ass, why does the
sheath have to be damaged that youthink I' m in a movie,
don' t take the crazy one. I don' t like it crazy.
I have a sheath that my bestasses, that is, that mature
asses with what I can tackle andnot cure and crazy bacchaneria because they didn

(31:02):
' t live on that mobile.It' s just that because we never
mean we never lived that damn movie, you know we didn' t enjoy
that moment, when we were therehim and me? What when we were
there him and me? Oh,the movie that or content hears me but
watch. There' s one,there' s one specific. What'
s crazy is that corduroy and I' m literally somo brown, that'

(31:25):
s for real, really bel canget there and he' s going to
create it so it' s areal ro and crazy corduroy twenty of ten
in everything. I just don't see you that way. You understand,
and I know you don' tsee me that way either. And
that' s fine. It's okay. That' s good.
I don' t love hanging outbecause people have a problem with one.
You can' t hang out withsomeone without having another intention of something else.

(31:45):
No advice, I mean, doesn' t everything have a deep reason
for that? We didn' tget a very deep person. Not everything
has a deep reason for that andnot everything has a meaning say no,
because then, the day you've already put so much ground, love,
I' m not making you happy. No, I' m not
going to ficis on you. Imean no, because I don' t

(32:07):
decide of all the pubs that Ican have decided to fuck you means that
I love you no, love,that I feel good, yes, that
I feel comfortable like that and thatI' m hearing, that I'
m healthy enough, psychologically enough,sexually and spiritually suffer. I want to
be your company. That, thatmakes me not a woman, a womanonas,

(32:29):
a womanonazo clear 100 percent, becauseagain it' s that it cost
me to get here. She toldme a lot of tears, she told
me a lot, I mean,I had a hard time depriving myself of
a lot of things to get here. So, now that we' re
here, you understand what' slike one of my virtues, not like
you' re selling. I'm putting you at risk for what I
have love with you, I'm not going to love you, you

(32:51):
don' t go to something.I' ll tell you something. You
' re never gonna love me asmuch as I love you. Not you
will never love me as much asI do not want. That' s
why I know what you have offeredand I know that I don' t
want it. What I want,that' s not what I want.
I love you like a little ass, but the other thing you offer is
not what I want. For arelationship and if it' s what I
want, believe me every two weeksI try to make Pa look Pa,

(33:13):
we' ll do tahano. Pabecause the truth is that sex the company
liked me, but I' mfalling in love and I understand that what
you I have, that is,we negotiate and we do, but little
we can sa lates you don't understand, then you have to be
healthy. Another important thing I have. I actually have here I' ve
written down and it' s leadm Theary, that I' ve been

(33:35):
hearing a lot about it and,in fact, I want us to have
like a separate chapter just to talkabout it. And it' s an
email podcast Robings that I listen to, I listen to a lot of podcast.
The truth and she was talking aboutthat, taking him and extrapolating him
to this subject of how you.If I had to if he didn'
t answer you, leave him alone, if I had to go away with

(34:00):
fulanite, with an anita of thepigeons, leave him, let him,
if he paired you pigeonlessly leave himaccording to what you understand it to be,
that' s true leave him,but above all with him show you
what he is and who he is. Leave it, but believe it,
believe it, because the truth isthat when you have a lot of light

(34:21):
inside you, you see calling love. But that' s me I'
m prime in life. So what' s going on in this life?
One wants again, as I said, to call at first for the calculations
to give him. Then we donot understand that in order for everything to
fall into its righteous, due toits just weight and in its right place,
we must let the thing pass oneperhaps because of the fact that we

(34:45):
are maternal. Eventually we are,we' ll be mothers. We want
to control a lot of things,but it' s not in us to
control that kind of situations, soyou have to read, you have to
leave. It comes from ideology,because then you, when you say,
believe it' s him, becausehe has to believe it' s him,
not him that you have in yourhead, or that you have in
your head, that you perfect Emma, the one you have in your head

(35:08):
is out there, but it's not love. It doesn' t
happen here because it' s bador bad there, it' s bad
for your dad for your dad's death. It' s just that
when you see it, it doesn' t even cause you anything, that
' s you see it and itgives you and it' s cool and
you come here and I was gonnahit you, I was crazy, yeah,

(35:30):
and then we came to the samething. It' s because you
' re idealizing and the corduroy thatyou have in your head believe me that
it exists, because it' sthe corduroy that you want as you deserve
it and that panata there, butit' s not the one that you
' re forcing to convert, becauseyou say. No. We, the
women, are the ones who straightenout the men. We' re the
one who got out. It's no lie that we empower a man

(35:52):
and we can bring him a lotof growth, but you' re not
going to change someone, you're not going to be able to mold,
you' re not going to geta man and you' re going
to put him like that, breadbread bread like you want him. That
' s yes, I am andI' m not and you can probably
do it. And but who you' re going to become during this mess,
when you' re going to tellyou what I' m saying,

(36:12):
you ask yourself to go to yourlight, you' re going to go
to your light, you' retrying to help someone else find their own
yet but if that person already foundtheir own light, simply the light of
it isn' t what you're looking for, no and that and
that everyone has their process for that. That' s why the theory of
letting things happen the way it hasto work works so beautifully. It'

(36:34):
s perfect. For the same reason, because the truth is that I'
m going to believe you when youleave me you know who you' re
crazy now take me and be surethat I' m going to be super
obs i e, as an observer, and I' m going to be
very attentive listening and seeing everything you' re doing, everything to believe,
everything for the moment. Or touchme that throwing doesn' t have.
I have no doubt, I donot have two sayings which way today.

(36:59):
I have a relationship. Because theytook everything from me. Because they took
everything out of me, because fromthe beginning he had the interest of knowing
who the lading is, who thelading wait for you to know who the
lairing. We have to show who. I am and I tend to these
days they' re not into thatyou know who. Not on that one,
not tiger on that one. Heunderstood that for him to get to

(37:21):
Laiding, he had to show mewho. He was clear because Laiden was
going to see everything and Lading,like Leding, is not looking for the
devil thread like lady, not lookingfor morino is looking for people and he
wasn' t in any of that. I had nothing to regret. It
was that I tooth at it,that literally and and and not and that
he said when he hears, whena man tells you that I think very

(37:44):
rarely I' ve talked about thestory, right, but one of the
things that marked me the most thanmy partner told me was when he told
me I manifested you. When aman calls you a sheath like that crazy,
when I was left dike, butwhat does he say also or come
here, here, come here,but what is he telling me? Like
you showed me yes, that hehad inhabited me and that I had told

(38:06):
her a friend and and crazy everythingis true, because everybody that is,
it was like that when I sawher like you didn' t point it
and you say pussy me, whenthe friend that he told me with told
me at a time that not evennothing I said wow, but to it
is very strong and that' swhat one can, only that a being
of light deserves a man to manifyyou, manifest you and do what he

(38:27):
has to do, because I said, I manifested it and I won'
t lose it, because I knowwhat. There' s only one chance.
Then who knows you' re thatkind of woman he manifested. Believe
me he' s not going toask you to flow, not that PoTA,
that he' s clearly looking atthe current, that leads you to
take me is love. Then letothers and this in general, not just

(38:49):
with the time you like. Letpeople talk their actions talk, allow them
to disqualify themselves, allow them toleave the balcony, because that' s
what you need. Sometimes you wantto control the Adamic system so much that
it doesn' t govern. Youwant power to rule? He says he

(39:09):
doesn' t rule, and it' s okay that I' m not
going to, because the truth isthat when I don' t like you
too much as focused on an idea, you understand that out there and out
there maybe I' m not andit' s okay that it' s
not out there maybe that person youwent through was just a puncture, a

(39:31):
bridge, bridges you get to takeyou to another growth and for you you
get to a person that you doalways deserve. But if you didn'
t go through that bridge, youweren' t going to get to mana,
because it was that same route,then you got it. You have
to go through each of those stagesfor you to get to what you deserve,
because if you don' t gothrough that another person and you don
' t go into the plane ofintrospection and that I deserve who I am

(39:51):
that I want what negotiable, whatnon- negotiable for me, what you
have to offer, what I want. There are men who start telling me
no, that there are women whoare attracting you to keep it. I
' m not against that, becausethat' s what she' s looking
for. Yeah, that' swhat he knows so much. If that
' s what she' s lookingfor, that' s what she'
s at least already clear about whatshe wants, she always understands. That

(40:13):
' s why I say everyone thatwhat has to be now what, what
you want, you want what youwant. I' m looking for a
person who disputes you to throw forwardwith me, who dares you to get
up when I fall, who willleave you to eat, gets up when
he falls so well percent and cantell me things exactly as they are,
even though they hurt me because theone who tells me the thing when he

(40:35):
knows it' s going to hurtme, because he genuinely has a 100
% intention of my well- beingand there' s no need for love
to bend. And obviously, partof what I was telling you about Ledem
is also let people lose you onthe general button let them lose you because
it doesn' t belong to you. Then I told him the last chapter

(40:55):
or he talks to you, surelyyes, but myself, as an artist,
as a woman, I understood thatI don' t have to keep
making myself soluble so that people candigest no. Not me. And that
happens a lot like one' salways getting pieces of one to fill up
another' s. The truth is, you don' t. It'
s because you feel at the moment, because person, what moment made you

(41:16):
feel that you were too much.But because they are not able to handle
so much, because they are little. Yeah, so they think you'
re so much and you think youhave to get smaller so the other one
would tell you. And that doesn' t give a hundred. percent I
' m gonna go it' sgonna look like a person who' s
gonna be able to digest you anda little bit me go and I'
m gonna, a little bit more, want to get you out that you

(41:37):
' re more than anything else.You' re 100% for what he
sees you, because you look andI always say that like I don'
t want you to love me.I want you to love me and you
see me. If you do thejob. To see me, to me
that love. I mean, that' s healthy for me. And the
truth I worked so hard on mybing island without a hundred percent, nora
served by vi without if they aresomeone sees you when someone capable of what

(42:00):
harms you, what makes you good, what makes you happy, you don
' t do what traveled so becauseit is that yes. Really, really,
really, you love me. That' s the wrong idea that love
is to cross into darkness and thatafter you don' t touch anything like
that. You don' t haveto be perfect because you wait, you

(42:21):
don' t have to be aprophet, because relationships aren' t perfect.
Now that sheath of that no,that love is supposed to hurt that
one has to be the mulberry.Love. Love doesn' t hurt,
love doesn' t hurt. I' m not grieving and I' m
telling you because I went through relationshipswhere I hurt from a lot of people
who hurt me. You person,you think you hurt a lot. You
know that the process hurts, thatyou pass as a person next to another

(42:45):
person who is growing up, whenyou pominate the person who is willing to
grow and who, naturally, hasto do. Since we are human beings,
that is, we are of ipotus, we are willing and supposed,
that painful evolution. Aha, butit is very different your evolution in love,
in love that make you suffer andthat you feel molded. Love is

(43:06):
not pain and the truth I speakfor myself, under my card. I
' ve worked too hard on myselfto settle for people who come into my
life and get out of my lifefor days that disappears appears as Houdini.
But above all, what do youunderstand that I ask too much? If
you understand that I ask too much, then surely you don' t have

(43:27):
to offer exactly, that you havevery little to offer exactly. And the
truth is that' s okay.It' s not okay. I give
you the means to believe me.Want me to see someone else goes to
other people than me, if Iam bringing with my energy, who is
going to come and say crazy theseavoids and everything I asked for, I,
everything I asked for, well,in some tea, everything I asked
for manifested and I said yes hear, is that those are words that I

(43:47):
will not forget Nun When that mantold me I manifested you. When a
man tells you a word like thatthat he manifested to you is that he
knows exactly what he has to mybrother, what he has to do.
Of course, you can do whathe has to do. And there you
were talking about what I also wanta person who is able to grow up

(44:08):
with me in all its areas,which is not the same. When you
want to change someone, a personwho' s willing to improve and be
their best version, because he understandsthat he' s kicking with you,
he wants to be his best version, because he' s level with you,
look, look, crazy. That' s very powerful, because you
know how well I feel sometimes whenthey tell me to say that wow.

(44:29):
But that' s not the samecorduroy I knew. But what but you
' ve done, he hasn't just done it on his own just
the motivation when I' m toldit' s crazy, but mujica is
so changed. I don' tknow what wow I' ve done.
He, he alone, he alonehas decided to want that better man for
his wife. Of course and notbecause I just pamper, also for himself,

(44:52):
because he says I want to bebetter, because I see her in
how she improves and how in whatshe has become, because she has told
me about her trip and told meabout everyone, everyone, all her skills,
all her coconuts and look at whatshe has been able to bloom.
Then another kind of man, becausethere' s a kind of man who

(45:14):
feels alluded to, feels uncomfortable,feels unmentioned, has a month, feels
less that that' s what's always happened to me. It'
s also always happened to me thatI seem to be too understanding and I
' m telling myself. He cameto question me, but the hell it
is that they' re really,really wrong that I' m too much.
And that' s where you say" Ay" first to go down
chi, I should bring down achingo there you have to be soluble.

(45:35):
No, no, he' snot. Hey, look at me if
you have to bring down who youare. I' m talking about your
good qualities, because we also needto know that there are areas where I
' m money. You have tomanage to see if you know that you
in all those areas, in yourpositive areas, you' re the one
hundred and there' s a personcoming you' re doubting that area.

(45:55):
Yours rolls the hard one. Yeah, you try the hard one, because
you don' t have to besoluble for other people to tell you that
' s not like that, no, and you know that with being intimidating,
I had a lot of topic inthat I said because apparently that'
s how people see me inside themiddle, in all the media, that

(46:20):
not everything that' s me walkingaround the world, not socially, and
apparently that' s something in commonabout how people see me as someone intimidating,
someone like mu with a lot ofcharacter, and that maybe sometimes I
kind of understand that I' mvoting a horn to go and pass us
both, it happens to us thatthat that that' s too much two

(46:43):
and that' s soundly afraid ofyou crazy. That' s just real
face, always true. That's just what you owe is security,
that' s because I' mme, that' s me riding because
I love myself so much and Ivalue myself so much and I like me
so much. I like it,I like it and I like it when
I get in and I like itall, when a lot more you understand.
I wake up, I saw love, but I told you I'

(47:05):
ll rip it off, I'll hit it. I kiss myself is
that I don' t lie evenmy stories. I put it on and
that might sound like a central drinkwhatever you want to me. You can
give it to me You can't tell me what you want. But
I' m a happy self-centered person because I don' t like
myself anymore. I love myself.I' m the woman of life.
I am or the love of mylife. It' s me and I
hear and when I have crazy argumentsand it may sound a little drastic.

(47:28):
When I have arguments with my partner, I tell him, hey, when
you don' t feel the sameway when you hesitate. Ah you'
re crazy tell me now, becauseI prefer that this is rolled with all
the feelings that I have to getto the point where I start to question
things that I shouldn' t,because I' m not going to question
anything, because what doesn' twork doesn' t work and you don

(47:49):
' t have for Pa, forinside, with the scratch, for inside
and oh no, because then,because I have I don' t think
so. There are times when thereare simply people who don' t kill
you your person and who may atone point do tata s connected, but
your rise goes the other one didn' t rise. He had a bad
time. That' s not bad, because everyone has their process just get
up and we know very well thatwe do, because we know what we

(48:15):
feel like wow. But because atone point if we didn' t understand
so much and because right now wedon' t understand so much because ua
Growl People. But that' sokay. And obviously tigers. I know
that the ba duristly episode has it, but again it' s not like
against you is simply to understand thefact that people carry completely different processes.
It' s not true that whatyou lived in your childhood was lived by

(48:37):
me. It' s not truethat you went through the same kind of
trauma I went through. Everyone goesthrough their fire in a different way.
There are people who prefer to walkthrough the fire, through the middle of
the fire and who more and moregrapple coco cuerito icing and others who prefer
to turn it around and others preferto throw a glass of water. That

(48:58):
doesn' t go to this water. Get him crossed. There are all
kinds of strategies and how there arefor you to cross your lomamo and say
you have or already cross one lomaand go the other and tell the truth
that I can catch. On theother hand, no, because we are
already going to make a hill andI, after the cross, realized that
there was another way. Sure,then it' s pure. It'
s strategy. So, in theend, it' s not like you

(49:19):
' re getting banged. Tedes issaying no,' cause you' re
underage and you' re all cockroaches. Some are cacato, cucaracho, coco
tibulapias, yes, they are someyes, but I mean, we'
re talking here in term in termsof who you like and the fact that
they don' t have level It' s also to understand that everyone lives
their process and that if I tellyou a little bit more washed, now

(49:40):
it may be that I' ma little lower. Then, exactly and
that simply, the fact that you' ve been leveled is going to be
that you don' t even haveanything to talk about. And it'
s okay and that and that oflife is about that one has to know
when to close that cycle. Thereare people who are a stage and a
cycle in your life and you haveto make up with that and give grace

(50:02):
to each person. I give graceto every failed love, for to every
unrequited love always to every person whocrossed my life. I thank her because
each one is a bit of whatbecame lady oy goes to you. You
deserve this one. We may beworth the trouble, that is, they

(50:24):
took me. I understood what Iwant, what I don' t want,
that I deserve, that I don' t deserve. I always feel
like I' ve been looking forwhat, because one thing you' re
not looking for imagines you' relooking for a no way to talk ahead
of you and sometimes I' mgoing to tell you something. Sometimes you
know that person is giving you whatyou don' t deserve. Te.
He' s treating like you don' t deserve. Te, he'

(50:45):
s giving everything you don' twant. He' s disrespecting you,
he' s doing everything that goesagainst what you want. And you'
re amazing, and you' restill behind what. But it' s
the same thing, Mom, uh, pure lack and it' s understanding
that I mean. In the end, I would say that to close it,
leave a message to women and others. I' d say something like

(51:06):
that feminizes these women. If Fulanomakes you feel bad every time you'
re vulnerable to him and take yourvulnerability and put it against you, if
he fills his ego with your vulnerabilitythere, don' t get out of
there. If Fulano is what's dripping at you. It doesn'
t give you, it gives younot only attention or time, but it

(51:28):
doesn' t take. It doesn' t give you your courage, it
doesn' t give you your courage, but it' s also super cliché,
but it doesn' t take thetime to see that it hurts,
that it bothers you there. It' s not there. Not then do
you already know that you have tospend a man there, that you have
to beg attention or do things toseek his attention there, or create the
moments, create a moment for somethingto be given, so that something is

(51:50):
given. No, and not thatyou have to tell him ay. You
know this weekend I have nothing tosee if they' re gonna ask you
out. No, for me theydon' t have time to share with
you. There, no, there, no, no. And we'
re also going to normalize the factthat if you don' t like it
yourself, what you are gives andsounds idle and just give it there and
understand that it' s okay,that is, that it' s okay

(52:13):
and that you also read right tolike how smart you are. So,
gentlemen, thank you for this episode. This is episode number two, remember
often throughout our platform, like thefeminas, the feminas points and in our
pattern that already in the next videowe will record your first mosco pattern.

(52:35):
Prepare the pocket that comes content andit will be worth everyone remember that in
the patron of philosophy there are goingto be two categories, that of the
feminas that in six dollars and thatof the patron of philosophy that of eight
dollars. Always so nothing, myloves, was a pass group. We

(52:55):
' ve got the black group examined. We also have a group of women
who enter the women' s party, because you know that it is one
of the things that we also offerin philosophy and, obviously, we are
going to offer it as well.And obviously, when he called me out
on the street, we don't have to fall for it, too,
and we' ve got each other. In the end, sir,

(53:16):
it' s very important that youknow. I love that some know that
this is your space, because inthe end, this space of Pa,
all of us, that is,the women, are all, because simply
somodo friend who are sharing experience andwe want to share experience that you have
also lived and we also want tobring one of you so that your experience

(53:37):
was great. So nothing, followus on our platform and remember we'
re going to put the mail inso they can send us their stories.
We like them, please, lookwhile the dramatic one we like more what
we' ll do novel, wewant as a detainee, so this was
Las Feminas. Episode two