September 7, 2025 • 9 mins
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Full episode here!
https://www.spreaker.com/episode/217-decoded-doenut--67650150
Get access to every Raised by Giants episode!
Podcast
https://spreaker.page.link/Q1qN1M4A9Ve8QqaX8
Forbidden Knowledge Network
https://forbiddenknowledge.news/
Become a supporter of this podcast: https://www.spreaker.com/podcast/forbidden-knowledge-news--3589233/support.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:02):
This is a clip from Raised by Giants. You can
access the entire episode now on our website and all
podcast platforms.
Speaker 2 (00:11):
And one of those boards does the horn thing.
Speaker 1 (00:16):
Real? Me too? I want to get one so I
can have dolphins. I don't know, that's not the horse.
I'll be studying all the different animals.
Speaker 2 (00:27):
You know, they got Illuminati animals everywhere.
Speaker 1 (00:30):
Then they are all over the place. I mean, look
at like the grove. It's the owl, right, so you
definitely got the owl connection. Even the emblem of the
illuminatus is the owl.
Speaker 2 (00:45):
So yeah, then you got bluecifer d I a brown.
Speaker 1 (00:51):
Bro the blue sifer. You know, the blue is all
over the place right now. My thoughts are just at
a twenty four page report on the blue light frequency
of the television set from the nineties leading it all
the way up to twenty ten in the collapse of intimacy.
(01:11):
So my brain is really focused right now on the blue.
And it has been like, why all the blue lights?
And now we need blue chew for or we need
freaking blue drip, the blue stuff, the methylane blue, you
know for what? Why why do we need all these things?
(01:35):
From this deep, deep fatigue? And I think it's not
what we're told. I think it runs deeper psychologically.
Speaker 2 (01:44):
Well, not only that, isn't it a lot of the
things that you eat that are like colored blue. Doesn't
it make your mouth blue? Like fruit by the foot?
You remember those as a kid, whenever we put it
out and do the circles, and it looked like we
were doing like headbangs or whatever. Remember those old commercials
always stain your tongue blue, dude.
Speaker 1 (02:02):
That's interesting. Yeah, and the blue stuff, Yeah, I've been
looking at for a while. But when it comes to
those product placements of when we were younger and kids,
those commercials were like MTV music videos.
Speaker 2 (02:20):
Well, it's weird because really nothing else that isn't blue
besides like red, Like even blue gatorade kind of like
stains your mouth and turns your tongue blue like, but
nothing else really does. I mean, the red will make
your mouth and tongue a little bit more red, but
nothing really stains your mouth like the blue collaring us.
Speaker 1 (02:44):
Yeah, so back in the day the ancients, like the
movie Apocalypto by the head of Hollywood, Mel Gibson. He
made that movie about everyone being painted blue, which is
actually true symbol of the Aztecs to use as a
ritual sacrifice for the rain, like the rain god chalk
(03:08):
is blue, or even the Cali's got the blue tongue.
I think maybe not the blue tongue, maybe it's just blue.
But yeah, there's symbolism too that even when it comes
to the food that we eat. Shout out to paranoid American.
He was just showing like how Capri sun is the
(03:28):
sun god Capri. So there's like tons of ancient, subconscious
symbols for us to purchase these products. And the reason
why is a psychological reason because it leaves us sort
of empty. That's what all the parading is about. When
(03:50):
you see a commercial of bud light or whatever commercial,
there's always a parade full of people as we are
in this lifeliness epidemic, where this product is going to
fix all that, not only like spiritually, well, it's gonna
(04:13):
fix it spiritually. Like you see the KFC commercial where
they put a chicken on an altar and sacrifice it
and then baptize a man and then he turns into
a chicken leg Like this.
Speaker 2 (04:25):
Bro, that whole thing was wild, And I'm convinced that
I and not to make myself seem like I start
trends and start things because people always get mad at
me and say, oh, bro, you you act like you're
too full of yourself. You didn't do all this, And
I'm just making a statement, that's all that I'm doing.
(04:45):
But I think that I kind of started the hole
where the meat isn't meat thing because I did it
a long time ago, and then all of a sudden
it just kind of took off. And then I started
and everyone talking about this, like how there's not enough
cows to supply all of the meat in the United States,
(05:06):
and it went on and on and on, and I
did the math. None of it adds up. It doesn't
add up. You would have to be slaughtering thousands upon
thousands of cows and then also bringing in new calves
and raising them every single day in order to keep
up with demand. So it's like, what are what are these?
And then that KFC commercial comes out and has basically
(05:28):
showing you they're turning people into chicken, like what is
going on here? But also with the blue thing, you
have the avatar as well, James Cameron, all those people
are blue. Then Raye just brought up blue bloods, which
is another really interesting aspect of this because I don't
(05:50):
know whenever you were growing up or not, Donut, but
I distinctly remember being taught that our bloodlood is blue
until it hits the surface and then it turns red.
But that's not true. It's always red. It's even red
(06:10):
inside of your body. But I was kind of shocked
whenever I found that out because I was always told
and a lot of other people I'm not the only one,
have believed that our blood inside of our veins is
blue until it hits oxygen and then it turns red.
(06:31):
But apparently that's not true. It's always been.
Speaker 1 (06:35):
I mean it was in Las Vegas and I heard
that too. Now talk about conspiracy.
Speaker 2 (06:44):
I don't know if that's with these concepts, Yeah, exactly, Yeah.
Speaker 1 (06:49):
And it's not only something like that that's all over
the you know, at least America where we believe this.
I believe that too, But even peopleeople that we want
to research or look into academia shies away. And the
truth or collective that's my new coin term for the
(07:12):
truth or movement who does not care about the truth whatsoever.
The truth or collective, the collective conscience of mass hysteria,
because you got the mass hysteria of the world, right
that be freaking out. The same thing happens as well
in this like truth or collective as well, where we're
(07:36):
not allowed to look into certain psychologists or whatever, and
academia banishing a lot of these different psychologists and whatnot.
So there's something going on. There's something strange going on.
Speaker 2 (07:59):
Yeah, And speaking of a strange, what's the deal with
this uh to seventeen stuff. I've seen a lot of
people posting about the two seventeen and immediately what kind
of stood out to me was, of course Stanley Kubrick
and Stephen King's novel The Shining in the Room, And
I think you already have it in your presentation, but
(08:21):
don't mean to stop on that, but just uh, that's
what it reminded me of was the two seventeen. It
was in Stephen King's novel of the Shining, and then
Stanley Kubrick, whenever he was directing the Shining, he then
changed the name of the number of the hotel room
to two three seven instead of two seventeen, and then
(08:42):
all this, uh, this two seventeen stuff kind of starts
popping up again, So what's going on there?
Speaker 1 (08:49):
Well, it's that two seventeen code. Uh, there's a new
film that was released that I was very excited to
see because of the marketing around it. They released this
new movie called Weapon, and the whole thing is about
the number two seventeen where you got seventeen kids go
missing from this classroom at two seventeen in the morning.
(09:13):
So when I saw the movie, we did this big
breakdown on the two seventeen and all that with anyasaru
Ana Nicole Wordsmith. So a lot of the stuff I'll
bring to the table. Shout out to them because they
connected a lot of these dots. And right there's the
(09:34):
movie Weapons. I saw somebody show how the symbol is
the compass and square, so I kind of just drew
it myself because I didn't see that until someone else
shared it. But it is there. But this is that
movie which seems to be very symbolic in a lot
of ways.
This is a clip from Raised by Giants. You can
access the entire episode now on our website and all
podcast platforms.
Speaker 2 (00:11):
And one of those boards does the horn thing.
Speaker 1 (00:16):
Real? Me too? I want to get one so I
can have dolphins. I don't know, that's not the horse.
I'll be studying all the different animals.
Speaker 2 (00:27):
You know, they got Illuminati animals everywhere.
Speaker 1 (00:30):
Then they are all over the place. I mean, look
at like the grove. It's the owl, right, so you
definitely got the owl connection. Even the emblem of the
illuminatus is the owl.
Speaker 2 (00:45):
So yeah, then you got bluecifer d I a brown.
Speaker 1 (00:51):
Bro the blue sifer. You know, the blue is all
over the place right now. My thoughts are just at
a twenty four page report on the blue light frequency
of the television set from the nineties leading it all
the way up to twenty ten in the collapse of intimacy.
(01:11):
So my brain is really focused right now on the blue.
And it has been like, why all the blue lights?
And now we need blue chew for or we need
freaking blue drip, the blue stuff, the methylane blue, you
know for what? Why why do we need all these things?
(01:35):
From this deep, deep fatigue? And I think it's not
what we're told. I think it runs deeper psychologically.
Speaker 2 (01:44):
Well, not only that, isn't it a lot of the
things that you eat that are like colored blue. Doesn't
it make your mouth blue? Like fruit by the foot?
You remember those as a kid, whenever we put it
out and do the circles, and it looked like we
were doing like headbangs or whatever. Remember those old commercials
always stain your tongue blue, dude.
Speaker 1 (02:02):
That's interesting. Yeah, and the blue stuff, Yeah, I've been
looking at for a while. But when it comes to
those product placements of when we were younger and kids,
those commercials were like MTV music videos.
Speaker 2 (02:20):
Well, it's weird because really nothing else that isn't blue
besides like red, Like even blue gatorade kind of like
stains your mouth and turns your tongue blue like, but
nothing else really does. I mean, the red will make
your mouth and tongue a little bit more red, but
nothing really stains your mouth like the blue collaring us.
Speaker 1 (02:44):
Yeah, so back in the day the ancients, like the
movie Apocalypto by the head of Hollywood, Mel Gibson. He
made that movie about everyone being painted blue, which is
actually true symbol of the Aztecs to use as a
ritual sacrifice for the rain, like the rain god chalk
(03:08):
is blue, or even the Cali's got the blue tongue.
I think maybe not the blue tongue, maybe it's just blue.
But yeah, there's symbolism too that even when it comes
to the food that we eat. Shout out to paranoid American.
He was just showing like how Capri sun is the
(03:28):
sun god Capri. So there's like tons of ancient, subconscious
symbols for us to purchase these products. And the reason
why is a psychological reason because it leaves us sort
of empty. That's what all the parading is about. When
(03:50):
you see a commercial of bud light or whatever commercial,
there's always a parade full of people as we are
in this lifeliness epidemic, where this product is going to
fix all that, not only like spiritually, well, it's gonna
(04:13):
fix it spiritually. Like you see the KFC commercial where
they put a chicken on an altar and sacrifice it
and then baptize a man and then he turns into
a chicken leg Like this.
Speaker 2 (04:25):
Bro, that whole thing was wild, And I'm convinced that
I and not to make myself seem like I start
trends and start things because people always get mad at
me and say, oh, bro, you you act like you're
too full of yourself. You didn't do all this, And
I'm just making a statement, that's all that I'm doing.
(04:45):
But I think that I kind of started the hole
where the meat isn't meat thing because I did it
a long time ago, and then all of a sudden
it just kind of took off. And then I started
and everyone talking about this, like how there's not enough
cows to supply all of the meat in the United States,
(05:06):
and it went on and on and on, and I
did the math. None of it adds up. It doesn't
add up. You would have to be slaughtering thousands upon
thousands of cows and then also bringing in new calves
and raising them every single day in order to keep
up with demand. So it's like, what are what are these?
And then that KFC commercial comes out and has basically
(05:28):
showing you they're turning people into chicken, like what is
going on here? But also with the blue thing, you
have the avatar as well, James Cameron, all those people
are blue. Then Raye just brought up blue bloods, which
is another really interesting aspect of this because I don't
(05:50):
know whenever you were growing up or not, Donut, but
I distinctly remember being taught that our bloodlood is blue
until it hits the surface and then it turns red.
But that's not true. It's always red. It's even red
(06:10):
inside of your body. But I was kind of shocked
whenever I found that out because I was always told
and a lot of other people I'm not the only one,
have believed that our blood inside of our veins is
blue until it hits oxygen and then it turns red.
(06:31):
But apparently that's not true. It's always been.
Speaker 1 (06:35):
I mean it was in Las Vegas and I heard
that too. Now talk about conspiracy.
Speaker 2 (06:44):
I don't know if that's with these concepts, Yeah, exactly, Yeah.
Speaker 1 (06:49):
And it's not only something like that that's all over
the you know, at least America where we believe this.
I believe that too, But even peopleeople that we want
to research or look into academia shies away. And the
truth or collective that's my new coin term for the
(07:12):
truth or movement who does not care about the truth whatsoever.
The truth or collective, the collective conscience of mass hysteria,
because you got the mass hysteria of the world, right
that be freaking out. The same thing happens as well
in this like truth or collective as well, where we're
(07:36):
not allowed to look into certain psychologists or whatever, and
academia banishing a lot of these different psychologists and whatnot.
So there's something going on. There's something strange going on.
Speaker 2 (07:59):
Yeah, And speaking of a strange, what's the deal with
this uh to seventeen stuff. I've seen a lot of
people posting about the two seventeen and immediately what kind
of stood out to me was, of course Stanley Kubrick
and Stephen King's novel The Shining in the Room, And
I think you already have it in your presentation, but
(08:21):
don't mean to stop on that, but just uh, that's
what it reminded me of was the two seventeen. It
was in Stephen King's novel of the Shining, and then
Stanley Kubrick, whenever he was directing the Shining, he then
changed the name of the number of the hotel room
to two three seven instead of two seventeen, and then
(08:42):
all this, uh, this two seventeen stuff kind of starts
popping up again, So what's going on there?
Speaker 1 (08:49):
Well, it's that two seventeen code. Uh, there's a new
film that was released that I was very excited to
see because of the marketing around it. They released this
new movie called Weapon, and the whole thing is about
the number two seventeen where you got seventeen kids go
missing from this classroom at two seventeen in the morning.
(09:13):
So when I saw the movie, we did this big
breakdown on the two seventeen and all that with anyasaru
Ana Nicole Wordsmith. So a lot of the stuff I'll
bring to the table. Shout out to them because they
connected a lot of these dots. And right there's the
(09:34):
movie Weapons. I saw somebody show how the symbol is
the compass and square, so I kind of just drew
it myself because I didn't see that until someone else
shared it. But it is there. But this is that
movie which seems to be very symbolic in a lot
of ways.
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