February 5, 2025 • 26 mins
We’re dissecting LL Cool J’s infamous verse on the *Flava in Ya Ear Remix*—the one that had hip-hop fans have finally realized that it might be super garbage. Was it a lyrical flop, or just ahead of its time? Spoiler: it’s probably trash. Join us as we roast, analyze, and maybe (just maybe) defend LL’s cringiest moment. Featuring hot takes, 90s nostalgia, and a whole lot of “What was he thinking?!” Tune in and decide: should this verse be buried or given a remix redemption arc? 🎤🔥
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
What up, homie? What up?
Speaker 2 (00:02):
Hey?
Speaker 1 (00:04):
I want to do a quick episode because we went
through some ship and I put up a post on
the Grumpy Old Trivia which said I was today years
old when I realized Lo's verse on Flavoring Year remix.
It's an absolute piece of trash.
Speaker 3 (00:20):
Damn.
Speaker 1 (00:22):
It's absolute trash, bro and I had had few people agree,
few people disagree. What is what it is? And we're
gonna go over those lyrics in this episode of Grumpy
Oh Mixed.
Speaker 2 (00:33):
Say yes, yes, yes, I'm.
Speaker 1 (00:49):
Glad to welcome you all to another episode of Grumpyo
mixed tap on your host doubts. Now, I'm here as
always with my partner in crime, the motherfucking Dawn himself. Sir,
big Tie, you.
Speaker 3 (01:02):
Do you think you think you could have been there
in a whole.
Speaker 4 (01:06):
Team the world here with your boys, and.
Speaker 1 (01:11):
Before we get start, to make sure you follows across
all social media platforms. That's that Grumpy Old Mike stape
across the board. Be sure to joint Grumpy Old TV
on YouTube, and remember to like, rate, subscribe, and tell
a friend to tell a friend to tell one more
motherfucker that you're on d fucking with your cardtail boy. Yo,
(01:31):
when we are the to our crew podcasts, to fucking
know it because we give it to you. Face down, baby,
I like you. I like your.
Speaker 3 (01:44):
Oh ship.
Speaker 1 (01:45):
We're gonna get right into it, man, No no beating
around the bush. We're getting straight to the fucking bars ship. Okay,
let me read it right on, man, We're get right
into it. This is is you know, flavor year remixed,
great song, not taking nothing away some of the song.
(02:07):
It's a fucking great song. Shout out. He did he
putting this ship together. Damn it is what it is, Bro,
he did. He has given you timeless class, did he?
Speaker 3 (02:19):
I got something but it comes late in the verse.
Speaker 1 (02:23):
All right, this is LL's cool Jay's verse flavoring. Yeah,
we're gonna get into these balls with the talk all right.
Speaker 3 (02:30):
He blow titious Let start right there, all right? What
the fuck was.
Speaker 4 (02:39):
Blow Titius means? I don't know, bro exactly. Okay, I
got another.
Speaker 1 (02:43):
Word on somebody. When people music say like blowing balls,
I don't know, man, the people be talking. We'd ship man,
Lord Jamal on.
Speaker 4 (02:52):
The mind and I never I never thought that either, Skivy.
Speaker 1 (03:00):
I don't know, bro, Delicious.
Speaker 3 (03:03):
Delicious skiv maybe some kind of food.
Speaker 1 (03:07):
I don't know.
Speaker 4 (03:08):
Yeah, it's probably some kind of food. Let's look it up,
look up, see, let's look it up, skivee.
Speaker 3 (03:12):
Because I'm already insulting a siri.
Speaker 1 (03:17):
What the skeevee? He a siri? Not you? What does
skeve mean? Damn skive it is not your ship is
interfering with myf No, man, that's.
Speaker 3 (03:34):
Ship fund up. No, don't even worry about it, because I.
Speaker 1 (03:39):
Just look it up. S k e e v y
all right, definition of what is it? S k s
k e e e e v y v y delicious, Ah, unpleasant, distasteful.
It's an actual word. That's what it means. Huh, unpleasant
(04:05):
or distaste.
Speaker 4 (04:05):
So I guess he's saying, is it skeve No delicious
makes sense? He never said noah, though he said mmm,
like this mean tastes good.
Speaker 1 (04:20):
But it's saying is like skiv delicious, Like, no, it
ain't skeevy, it's delicious. It makes sense. Though I don't
think that. I don't think. I don't think there's a
definition for blow tishes carrys.
Speaker 3 (04:37):
Gimme kushus coos couse coos coos. That's that's food.
Speaker 1 (04:41):
Is that?
Speaker 3 (04:41):
Look it up, because that's food. I looked that up.
Speaker 4 (04:44):
I forgot what the kind of food he said it was.
But that's the definition of Skivee's not food. You know,
it's not food, but it's either a little bad taste.
Speaker 3 (04:53):
Yes see SKV is ship ship.
Speaker 1 (04:57):
All right. It was what's cool coos or whatever? O
U U s c s c o U s o
U s. Yes, that is a type of North African
cuisine cous and all kind of bullshit. All right, that's
give me coos cools. Love me good, though, but co cous.
Speaker 3 (05:20):
Is something like some kind of sexual thing.
Speaker 1 (05:23):
Love me good.
Speaker 4 (05:26):
He's probably referring to a female something. Give me, give
me that good stuff, love.
Speaker 1 (05:32):
Me, love me good.
Speaker 3 (05:36):
Damn holls the Hollywood.
Speaker 1 (05:39):
But is he good? So good?
Speaker 4 (05:43):
I feel like LA was really in his head in
this because he didn't It's like he left left ship
out to me. It's like, I don't know, but anyway,
I hollers the Hollywood.
Speaker 1 (05:54):
Okay, I understand that.
Speaker 3 (05:56):
But is he good? I don't know. I guess like
the gens huh yeah, flavor like pray Lean, I love
pray Leans.
Speaker 1 (06:05):
Sick daddy, Yeah, I mean yeah, I mean.
Speaker 4 (06:08):
It's a lot well, never said a lot of words. Okay,
Papa love it when he does it, that's right. Hold on, yeah,
that's you.
Speaker 1 (06:20):
Know, these are these are just ten foil hats.
Speaker 3 (06:24):
He says, Papa. Is he referring to him or is
he referring to Big Papa.
Speaker 1 (06:29):
I don't know, because you know, they tried to say
the girl was in the video with Big Pop and
it wasn't really thir Man, I know that's what I'm saying.
Speaker 3 (06:36):
Though, Papa love it when he does it, that's right.
Speaker 1 (06:40):
Well, niggas buzz wait wait, wait, wait, wait what does
all right? Papa love it?
Speaker 3 (06:44):
Cool?
Speaker 1 (06:44):
But when he does it, when he does what what
the is going on? Like I said, l in his head?
Speaker 3 (06:50):
He ain't tell us a lot of ship on this.
It's a lot of fuzz.
Speaker 1 (06:52):
It's a puzzle. Keep going, niggas buzz it. I don't know,
but but you guess what, But tell me what it really?
Speaker 2 (07:05):
What?
Speaker 1 (07:05):
It really?
Speaker 4 (07:06):
Just the flavor that be clogging years mm hmm. The
most healthy behavior is to stay in the clear because he'll.
Speaker 1 (07:14):
Fuck you up. All right, I can break down down, Okay, pretty.
Speaker 4 (07:18):
Cool, it's all for you. It's really all for you,
now what? Hunchback, close your eyes, try to munch that.
It's a lot of bullshit going on in this wrap though.
Speaker 1 (07:30):
They're talking about eating ass in this wrap.
Speaker 3 (07:32):
Hunch back, close your ass.
Speaker 1 (07:35):
No, it's delicious about she's talking about eating.
Speaker 3 (07:40):
As, but it's delicious.
Speaker 4 (07:43):
Give me coolse cools. Okay, God damn. So it's off
of you. It's really off for you, now what. Hunchback,
close your eyes, try to munch that this is the
puffy part.
Speaker 1 (07:59):
Wait, but why is the puffy bar. I'm not going
to know. I'm not because you said something about Puffy
and the oil early, cause I didn't say nothing by
puffy and oil earlier.
Speaker 3 (08:09):
It's just connect him now.
Speaker 1 (08:12):
I just said he gave us timeless.
Speaker 4 (08:14):
I can't buy baby oil in the stuff. I just
walked by this ship cash. So it says, all up
your ankles, let your tim's.
Speaker 1 (08:25):
Tap your ankle. Ain't making this job, don't know what.
Speaker 4 (08:37):
All up your ankles. Let your tim's tap bite the flaces.
It reacts to your gold caps.
Speaker 3 (08:50):
I love you, bro. This wrap full of.
Speaker 1 (08:52):
Ship this rappers a bullshit bro.
Speaker 4 (08:56):
All up your ankles, Let your tim's tap bite the flavor.
Because the flavor reacts to your gold caps. Word the mama.
Speaker 1 (09:08):
I tell him kiss the parana, let your cute, let
you cute a bar racoda.
Speaker 3 (09:19):
I'm here to bring the drummer now.
Speaker 1 (09:21):
Yeah, yeah, flavors in your ass crease. See that's what
that's how must Around come in.
Speaker 3 (09:26):
But this is crazy, yass crease, that's what he's saying.
Speaker 1 (09:29):
Yeah, that's what. After that verse, bust Around says, flavors
in your ass crease. You don't believe me. I got
to listen.
Speaker 3 (09:39):
I feel like I feel like you're just doing say it.
I just read it.
Speaker 1 (09:44):
I just read it.
Speaker 3 (09:46):
Oh my god, Oh this rap is terrible.
Speaker 4 (09:52):
I mean it sounded that he performed it so well
because it took thirty years for niggas the dco.
Speaker 1 (10:00):
This ship, this ship is fucking horrible. Bro.
Speaker 3 (10:02):
Ah, your all up your ankles that your TEMs to
What the fuck?
Speaker 1 (10:05):
Bro? What does that happen?
Speaker 3 (10:08):
Never order up an ankle?
Speaker 1 (10:09):
And what the fun?
Speaker 3 (10:11):
The fun? Bite the flavor reacts to your gold caps.
Speaker 1 (10:16):
Hunch, hunch back, close your eyes, try to munch that.
Speaker 3 (10:20):
It's crazy, bro. Wow man, start and.
Speaker 1 (10:24):
Then Buster comes in with flav and your gass crease.
Speaker 4 (10:28):
Maybe that's what it got to do it because it's
saying flake damn. It's called flavoring year though.
Speaker 1 (10:32):
Yeah, it's the wise flavoring your ass crease? What Buster say?
Speaker 4 (10:35):
Fuck itisode yo yo, yo yo, your ass crease, bust rhyme,
about to bring the noise.
Speaker 1 (10:47):
Don't cease so so so cease, let me lose from
the belly of the beasts. Everybody.
Speaker 3 (10:53):
Hey, hey, hey, you better believe it's Buster rhymes. The
great were about to rip the tray, I state, yo yo, hey,
hey hey, I'll.
Speaker 4 (11:03):
Splitch your face and give you stitches. Throw niggas and ditches.
Slap the ass of fat bitches.
Speaker 1 (11:08):
Bust the wrapping.
Speaker 4 (11:11):
Wait one seconds, I get down. I'm rolling with the heavyweight.
Connect the stomp to the stomping ground. Now, don't get
don't you get suspicious wishes every time?
Speaker 3 (11:22):
Okay, bring your bitches when a bust a rhyme word
is bond.
Speaker 4 (11:26):
I know one thing the whole world least expected is
how we all connected high to bring to break food
on the same record. Five new flavors on the beat.
Feel the fucking heat? Whoa, I really think you should
retreat while we blow up the street. Hey, instead, of copping.
Please just freeze high, Freez, maintain the focus while we
(11:49):
smoking marijuana trees.
Speaker 3 (11:51):
When I get down, I.
Speaker 4 (11:52):
Disappear, reappear and blow up everywhere, fucking with these flavors
in your ear.
Speaker 3 (11:58):
He got to see he you know that he came
in how he came in. But then he got to it.
Speaker 1 (12:04):
He got to the business.
Speaker 3 (12:05):
I guess he kind of had to go off the
l verset so we hear ll verse.
Speaker 4 (12:08):
He kind of was like, Okay, what LLLL is talking about,
so let me kind of let me talk about it together.
Speaker 3 (12:14):
He had to tie in.
Speaker 4 (12:15):
Picked this and this is what he came up with,
your ass, Chris, because you got to think they probably
they talking. It's old school rappings ship they ring on
pass and ship, so they talked. He's like, what the
fuck what Steve?
Speaker 1 (12:30):
What skivy?
Speaker 2 (12:32):
You know?
Speaker 1 (12:33):
You know they asked him about that she lied and
he was like, yeah, that's something. Me and my being
my man between us, we'd be like he's she and
he'd be like he's she.
Speaker 3 (12:43):
Back, because I felt like that could be just a
something like that.
Speaker 4 (12:47):
But when you when you added into the bullshit, it's
all grotitious.
Speaker 1 (12:53):
Fuck it. Well, who else is in this Biggie. Let's
fuck it. Let's see what biggie had to say about
this rap. See we know what bid about this rapp
We know, we already know. See he started, he started, Yeah,
I know, Uh, no niggas is damn Biggie rapped on.
(13:17):
Sometimes you need to just hear. Sometimes you need to
just know what rapping is. That ship l L was doing.
I don't know what the fuck words rhyme.
Speaker 3 (13:27):
That's why he's in the middleship in the middle dog.
Speaker 1 (13:31):
And he's LL. He's like L he's he was like,
if he gets sounded great, it's great. But he was on.
Speaker 3 (13:39):
One of the worst written verses.
Speaker 1 (13:40):
L E said, I think that's it, terrible, bro.
Speaker 3 (13:43):
But no, niggas is mad. I get more butt.
Speaker 4 (13:50):
Fucker fair one, I get mind the fast Way, Ski
mass Wave, Nigga ransom notes fall from handsome but damn
A nigga told, come on, I gotta go on, go on,
give us a few more more. What you talked, more
guns than roses. Foes is shaking in their boots.
Speaker 1 (14:08):
Invisible bully like the I had to explain that to
a motherfucker recently. Invisible bully like they don't know about
For those who don't know that, Goots was a bully
on the world famous show Different Strokes. And why is
he invisible? Invisible because you never ever saw this motherfucker
(14:30):
and he raised so much hell throughout many seasons of
the show. You goddamn invisible. But you ain't got to
do that. You ain't got keep it going, keep the party.
Speaker 4 (14:45):
Disappeared, the moose. You're whacked to me, take them rounds
back to the factory. I see the gimmicks, the whack lyrics.
The ship is depressive, pathetic. Please forget it. Huh you're
mad because my style, you're admired. Don't be mad, you
p This is how dog you should have been a cop.
Fuck you pop because with that freestyle you're bound to
(15:06):
get shot. Not from but I wrap a lot packed,
the gallo lot, the flavors, the flames about the drop.
Speaker 1 (15:14):
Yeah, bigg biggie, can't you see Biggie? Go on to
the next one here now, Craig mac another late great,
late great motherfucking over crab matches, flowers, Bronig, Craig Matt
set this ship, you.
Speaker 4 (15:33):
Get it today, but it let's go all right? Word up,
No wrap no crap, you bore me. I want to
grab my dick too, lazy hold it for me here,
I'm straight, wrap great, busting heads, straight in dreads last
and what like the toe? Like the toe on pro kids,
(15:54):
they take nine. Well, when I rhyme plus I climb
word is born, your album couldn't fuck with one line.
Speaker 1 (16:00):
I'm bad.
Speaker 3 (16:02):
That's crazy.
Speaker 4 (16:04):
It's been three years since you last here, but now
your heart pumps fear to your gut. What did your girls?
But I scraped it now she won't. I smashed teeth.
Fuck your beef, no relief. I stepped on stage. Girl
screamed like, I'm Keith.
Speaker 3 (16:24):
That's that. That's wrapping around next year.
Speaker 1 (16:28):
Rapt leave.
Speaker 3 (16:37):
Nigga bad boy was on that mother.
Speaker 1 (16:40):
Craig Matt don't get the flowers he deserved for setting
this ship off. Bro, who's the next rampage of somebody
you know?
Speaker 3 (16:49):
You don't even know what you know?
Speaker 1 (16:51):
You hate?
Speaker 3 (16:53):
Said niggas making minimum wage and was making it.
Speaker 1 (16:56):
You hate him from then on? I did so fuck.
Speaker 3 (17:01):
Talking about it?
Speaker 1 (17:02):
All right, let's go.
Speaker 3 (17:03):
I have no idea how this verse goes, but I
can read it.
Speaker 1 (17:07):
Go for it.
Speaker 4 (17:08):
Twenty one ninety four mad, motherfucking hardcore. It's my time
to burn. Now, explore the flavor in your ear. It's
the boys scout, I make outs, I make other rappers
have doubts.
Speaker 3 (17:20):
You're fucking with the wrong clan and the wrong man.
That's it. Now you got to get your bom split.
Speaker 1 (17:27):
Yep.
Speaker 3 (17:27):
I'm going into my knapsack with my gap, take off
my hat. Guess what I mean.
Speaker 4 (17:32):
Guess I'm just cool like that, the dangerous, the ruggedness
from the flat bush abyss.
Speaker 1 (17:38):
That's enough. Go what's next?
Speaker 3 (17:40):
Damn?
Speaker 1 (17:41):
It was all right, I fuck it. I don't wanted
that ship.
Speaker 3 (17:46):
That wasn't the best verse, No, it was not.
Speaker 1 (17:48):
And then yep, and then it was Buster and that's it.
Speaker 4 (17:52):
Ye cool ninety four East Coast represent bad boy Rock
on Mob Rock Off.
Speaker 1 (17:59):
That was Easy Mobile.
Speaker 3 (18:00):
Yeah, he's Mob Flowers bro ship.
Speaker 1 (18:05):
That's the nigga. That Easy Mobile is that big?
Speaker 3 (18:09):
Yeah, motherfuckers don't even talk about that.
Speaker 1 (18:12):
Yeah that that's that's flaving. Yeah.
Speaker 3 (18:15):
Man, the good the band Ugly.
Speaker 1 (18:16):
You're right, all right, the good Biggie Creg Matt, Yeah,
the bad Rampage.
Speaker 4 (18:24):
Case ram Page probably even sound. The cool j sounded
so good. I never would have thought, he said that
ship back then. That was one of the hardest verses.
Speaker 1 (18:36):
Because he was just so do you see the video
back in the he.
Speaker 3 (18:42):
Wrapped, He wrapped that motherfucker.
Speaker 1 (18:44):
You wouldn't And my thing is that rapped. I don't know, man,
we got that.
Speaker 3 (18:49):
We're gonna that might be ongoing soccer this year.
Speaker 1 (18:52):
The explore the verses. Yeah, maybe maybe maybe some of
the verses three two one, maybe something that surround yourself
around greatness. Right, it's kind of easy to slide through
the grass because that ship there is pretty bad to me.
(19:14):
He said, all up your ankles. I don't understand that mean,
just let your cut out, let your tims tap. It's
crazy angler, I mean like tims, I can see you
got yours on your tapping your foot. I can see that.
But the oil up your.
Speaker 4 (19:30):
Ankles, ankles was in there. But why didn't need to
be oil on ankles?
Speaker 1 (19:37):
And why you're hunching your back? What I mean? I
don't slot man, las wild ship man. I the more
information you forgot the part of this the best part
of the song that even started off.
Speaker 3 (19:52):
But make you come around bad, come on and play.
Speaker 1 (19:58):
You know he had rea track, but.
Speaker 3 (20:06):
That was it.
Speaker 4 (20:09):
Probably understood that ship. He understood that ship set the tone. Yes,
like you Rampage would have started this song off, it
could have been totally different, detrimental to the success of
Bad Records. It could have been a different song. It
could have been a different.
Speaker 1 (20:24):
Song, but Big starting that ship off. It's like, you
can say what you want about Puff and and his
oil saga.
Speaker 3 (20:32):
People can say they want to say.
Speaker 1 (20:33):
They can say they want to say, but I don't
give Man gave you time Puff. Yeah, a lot of
this ship.
Speaker 3 (20:39):
Without Puff, what would really hip hop? B Let's be real.
It's be real.
Speaker 1 (20:45):
You're right because he introduced a whole nother like genre
of hip hop.
Speaker 4 (20:50):
And then think of the people that I'm trying to
use the right verbise. I was gonna say the people
he touched, but no, think about the people that he's
brought into the game. Like the fucking Locks. So we
had a lot of Locks.
Speaker 1 (21:04):
The Locks would have possibly been on Bad Boys and
even Row because they're almost on it had been sucked up.
Speaker 3 (21:13):
They probably never.
Speaker 4 (21:14):
Even had one album. They probably had a feature on
some Tupac ship or something whatever. But yeah, man, yep,
Like the Locks would have been like the Outlaws, Like
now you know what I'm saying, like never really speaking
of the Outlaws. They this band, I know, but one
of the Outlaws made a song he did and then
(21:35):
he just band. Then he said that he will never
be I think because they probably was like dude, I
think he made.
Speaker 1 (21:41):
A song called all Tupac's label Euthanasia Euthanasian tions and
and I still I think.
Speaker 4 (21:52):
It's over because now he was saying something about it's
something about Hennessy.
Speaker 3 (21:57):
It's crazy, un ain't worth talking talking about.
Speaker 1 (22:02):
I never listened. I was disappointed with that ship.
Speaker 3 (22:05):
I never listened, So I don't know.
Speaker 1 (22:06):
I'm like, why, bro, it just wasn't There was no
time and place when you didn't do it.
Speaker 3 (22:11):
Fifty years ago, I fucked with the Outlaws band like
I was an Outlaws fan.
Speaker 1 (22:16):
Yes, back in the day. They used to be drama
citaling all this ship damn.
Speaker 4 (22:20):
And I was like, you know, boom, that's that's where
I think of when I think of the Outlaws. But
when I listened to that song and sucked all that up,
I fucked it up. Yeah, I fucked it.
Speaker 1 (22:32):
I think that's what happened to that. It is like dude,
why the fuck you do that?
Speaker 3 (22:35):
Fucking up the legacy that ship, like Nigga, you should
be trying to do a song with now.
Speaker 1 (22:39):
And now you're talking about this this band. Who are you?
Who you was telling us? Is this?
Speaker 3 (22:43):
I feel like, nah? Fuck? We love pop, So it's
like you damn n.
Speaker 4 (22:47):
It could be like, you know, hey, man, I know
you don't really you know what I'm saying, but I'm noble, young,
noble with the outlaws.
Speaker 3 (22:52):
Fuck with pop, but you know pop like Joe ship
or something. I don't know, Let's make a song.
Speaker 1 (22:57):
I don't know, but you want to miss them. I mean,
it happens. It happens, motherfucker make terrible decisions like l
with this verse, but it wasn't.
Speaker 4 (23:07):
Terrible because it's still the time of Forever Dog and
it still stands the time.
Speaker 1 (23:12):
Just because he said ship, come on, it's like, you know,
the verses fucked up, but.
Speaker 3 (23:18):
The words because I'm like boom boom, boom boom.
Speaker 4 (23:24):
And then the way he said blow, the way he
say that ship delicious. Ain't saying cous love me good,
ain't saying ship. But it's okay, he said. At least
he said it good. Ship some people.
Speaker 1 (23:38):
Papa love it when he does it. That's kind of
fucked up. That's something. It's something there.
Speaker 4 (23:44):
Do you think him and Biggie had some kind of
because you know, cool J was that nigga? Now like
cool J was that nigga to try to murk you.
Speaker 1 (23:51):
So he's saying, like, Biggie loves it when I do
what I do on the track. I don't know what
the is, but but yeah, J was that motherfucker.
Speaker 4 (23:59):
So because dog it's like this, he heard Biggie record
Biggie verse. He might have got offended by the ship
Biggie said, because Biggie rapped on that.
Speaker 3 (24:09):
He probably like.
Speaker 4 (24:09):
Ship Man niggas man get more butts held did this
god damn verse from radio my BRADYO believe me.
Speaker 1 (24:18):
I like it loud.
Speaker 3 (24:19):
I'm the man with the box that controls the crowd.
Ship Man do old verse? Ship a remix?
Speaker 1 (24:26):
It is a remix, But he wanted to say he
she and ship It's alright cooler now. I feel like
at the end it reacts to your gold caps.
Speaker 4 (24:38):
I feel like at the end when he was talking
about kissing a piranha and to rap, I feel like
he was finna wrap then, but the lead up to
it was just come on, jack Angles, I'm on Todd.
That's wild now, niggas had to be cause if I
(24:59):
was in the studio.
Speaker 1 (25:01):
Look your ankles, say your ankles.
Speaker 3 (25:06):
Though, big dog.
Speaker 1 (25:10):
Probably the tripping, yes, human little seeds laughing.
Speaker 3 (25:16):
The motherfucker drinking pepsi and smoking bunts.
Speaker 1 (25:22):
He said a little.
Speaker 3 (25:25):
I couldn't have stopped laughing, especially if I was high.
I would have laughed and cried, Oh.
Speaker 1 (25:32):
Well, that's what that's flavy. Flavy ain't got that remix
in the rest of the crew is what it is.
End up going in with the rest of the crew. Man, man,
you know that's it. That's it for this one. Fun
it if I tell you, wait a minute, let me
do God damn once again. Make sure you follows across
(25:53):
all your social media platforms. That's that Grumpy Old mixtape
across the board. Be sure to joined Grumpy Old TV.
And you remember to like, rate, subscribe and tell a
friend to tell a friend to tell one more motherfucker
to it that you're indeed fucking with your goddamn boys.
And we are the two Crewe podcast, and why because
we give it to you Oh my god. If I
(26:25):
tell you that a duck and pull a truck and
shut up and hoot the funk up babyan kick kicks
no good, damn
What up, homie? What up?
Speaker 2 (00:02):
Hey?
Speaker 1 (00:04):
I want to do a quick episode because we went
through some ship and I put up a post on
the Grumpy Old Trivia which said I was today years
old when I realized Lo's verse on Flavoring Year remix.
It's an absolute piece of trash.
Speaker 3 (00:20):
Damn.
Speaker 1 (00:22):
It's absolute trash, bro and I had had few people agree,
few people disagree. What is what it is? And we're
gonna go over those lyrics in this episode of Grumpy
Oh Mixed.
Speaker 2 (00:33):
Say yes, yes, yes, I'm.
Speaker 1 (00:49):
Glad to welcome you all to another episode of Grumpyo
mixed tap on your host doubts. Now, I'm here as
always with my partner in crime, the motherfucking Dawn himself. Sir,
big Tie, you.
Speaker 3 (01:02):
Do you think you think you could have been there
in a whole.
Speaker 4 (01:06):
Team the world here with your boys, and.
Speaker 1 (01:11):
Before we get start, to make sure you follows across
all social media platforms. That's that Grumpy Old Mike stape
across the board. Be sure to joint Grumpy Old TV
on YouTube, and remember to like, rate, subscribe, and tell
a friend to tell a friend to tell one more
motherfucker that you're on d fucking with your cardtail boy. Yo,
(01:31):
when we are the to our crew podcasts, to fucking
know it because we give it to you. Face down, baby,
I like you. I like your.
Speaker 3 (01:44):
Oh ship.
Speaker 1 (01:45):
We're gonna get right into it, man, No no beating
around the bush. We're getting straight to the fucking bars ship. Okay,
let me read it right on, man, We're get right
into it. This is is you know, flavor year remixed,
great song, not taking nothing away some of the song.
(02:07):
It's a fucking great song. Shout out. He did he
putting this ship together. Damn it is what it is, Bro,
he did. He has given you timeless class, did he?
Speaker 3 (02:19):
I got something but it comes late in the verse.
Speaker 1 (02:23):
All right, this is LL's cool Jay's verse flavoring. Yeah,
we're gonna get into these balls with the talk all right.
Speaker 3 (02:30):
He blow titious Let start right there, all right? What
the fuck was.
Speaker 4 (02:39):
Blow Titius means? I don't know, bro exactly. Okay, I
got another.
Speaker 1 (02:43):
Word on somebody. When people music say like blowing balls,
I don't know, man, the people be talking. We'd ship man,
Lord Jamal on.
Speaker 4 (02:52):
The mind and I never I never thought that either, Skivy.
Speaker 1 (03:00):
I don't know, bro, Delicious.
Speaker 3 (03:03):
Delicious skiv maybe some kind of food.
Speaker 1 (03:07):
I don't know.
Speaker 4 (03:08):
Yeah, it's probably some kind of food. Let's look it up,
look up, see, let's look it up, skivee.
Speaker 3 (03:12):
Because I'm already insulting a siri.
Speaker 1 (03:17):
What the skeevee? He a siri? Not you? What does
skeve mean? Damn skive it is not your ship is
interfering with myf No, man, that's.
Speaker 3 (03:34):
Ship fund up. No, don't even worry about it, because I.
Speaker 1 (03:39):
Just look it up. S k e e v y
all right, definition of what is it? S k s
k e e e e v y v y delicious, Ah, unpleasant, distasteful.
It's an actual word. That's what it means. Huh, unpleasant
(04:05):
or distaste.
Speaker 4 (04:05):
So I guess he's saying, is it skeve No delicious
makes sense? He never said noah, though he said mmm,
like this mean tastes good.
Speaker 1 (04:20):
But it's saying is like skiv delicious, Like, no, it
ain't skeevy, it's delicious. It makes sense. Though I don't
think that. I don't think. I don't think there's a
definition for blow tishes carrys.
Speaker 3 (04:37):
Gimme kushus coos couse coos coos. That's that's food.
Speaker 1 (04:41):
Is that?
Speaker 3 (04:41):
Look it up, because that's food. I looked that up.
Speaker 4 (04:44):
I forgot what the kind of food he said it was.
But that's the definition of Skivee's not food. You know,
it's not food, but it's either a little bad taste.
Speaker 3 (04:53):
Yes see SKV is ship ship.
Speaker 1 (04:57):
All right. It was what's cool coos or whatever? O
U U s c s c o U s o
U s. Yes, that is a type of North African
cuisine cous and all kind of bullshit. All right, that's
give me coos cools. Love me good, though, but co cous.
Speaker 3 (05:20):
Is something like some kind of sexual thing.
Speaker 1 (05:23):
Love me good.
Speaker 4 (05:26):
He's probably referring to a female something. Give me, give
me that good stuff, love.
Speaker 1 (05:32):
Me, love me good.
Speaker 3 (05:36):
Damn holls the Hollywood.
Speaker 1 (05:39):
But is he good? So good?
Speaker 4 (05:43):
I feel like LA was really in his head in
this because he didn't It's like he left left ship
out to me. It's like, I don't know, but anyway,
I hollers the Hollywood.
Speaker 1 (05:54):
Okay, I understand that.
Speaker 3 (05:56):
But is he good? I don't know. I guess like
the gens huh yeah, flavor like pray Lean, I love
pray Leans.
Speaker 1 (06:05):
Sick daddy, Yeah, I mean yeah, I mean.
Speaker 4 (06:08):
It's a lot well, never said a lot of words. Okay,
Papa love it when he does it, that's right. Hold on, yeah,
that's you.
Speaker 1 (06:20):
Know, these are these are just ten foil hats.
Speaker 3 (06:24):
He says, Papa. Is he referring to him or is
he referring to Big Papa.
Speaker 1 (06:29):
I don't know, because you know, they tried to say
the girl was in the video with Big Pop and
it wasn't really thir Man, I know that's what I'm saying.
Speaker 3 (06:36):
Though, Papa love it when he does it, that's right.
Speaker 1 (06:40):
Well, niggas buzz wait wait, wait, wait, wait what does
all right? Papa love it?
Speaker 3 (06:44):
Cool?
Speaker 1 (06:44):
But when he does it, when he does what what
the is going on? Like I said, l in his head?
Speaker 3 (06:50):
He ain't tell us a lot of ship on this.
It's a lot of fuzz.
Speaker 1 (06:52):
It's a puzzle. Keep going, niggas buzz it. I don't know,
but but you guess what, But tell me what it really?
Speaker 2 (07:05):
What?
Speaker 1 (07:05):
It really?
Speaker 4 (07:06):
Just the flavor that be clogging years mm hmm. The
most healthy behavior is to stay in the clear because he'll.
Speaker 1 (07:14):
Fuck you up. All right, I can break down down, Okay, pretty.
Speaker 4 (07:18):
Cool, it's all for you. It's really all for you,
now what? Hunchback, close your eyes, try to munch that.
It's a lot of bullshit going on in this wrap though.
Speaker 1 (07:30):
They're talking about eating ass in this wrap.
Speaker 3 (07:32):
Hunch back, close your ass.
Speaker 1 (07:35):
No, it's delicious about she's talking about eating.
Speaker 3 (07:40):
As, but it's delicious.
Speaker 4 (07:43):
Give me coolse cools. Okay, God damn. So it's off
of you. It's really off for you, now what. Hunchback,
close your eyes, try to munch that this is the
puffy part.
Speaker 1 (07:59):
Wait, but why is the puffy bar. I'm not going
to know. I'm not because you said something about Puffy
and the oil early, cause I didn't say nothing by
puffy and oil earlier.
Speaker 3 (08:09):
It's just connect him now.
Speaker 1 (08:12):
I just said he gave us timeless.
Speaker 4 (08:14):
I can't buy baby oil in the stuff. I just
walked by this ship cash. So it says, all up
your ankles, let your tim's.
Speaker 1 (08:25):
Tap your ankle. Ain't making this job, don't know what.
Speaker 4 (08:37):
All up your ankles. Let your tim's tap bite the flaces.
It reacts to your gold caps.
Speaker 3 (08:50):
I love you, bro. This wrap full of.
Speaker 1 (08:52):
Ship this rappers a bullshit bro.
Speaker 4 (08:56):
All up your ankles, Let your tim's tap bite the flavor.
Because the flavor reacts to your gold caps. Word the mama.
Speaker 1 (09:08):
I tell him kiss the parana, let your cute, let
you cute a bar racoda.
Speaker 3 (09:19):
I'm here to bring the drummer now.
Speaker 1 (09:21):
Yeah, yeah, flavors in your ass crease. See that's what
that's how must Around come in.
Speaker 3 (09:26):
But this is crazy, yass crease, that's what he's saying.
Speaker 1 (09:29):
Yeah, that's what. After that verse, bust Around says, flavors
in your ass crease. You don't believe me. I got
to listen.
Speaker 3 (09:39):
I feel like I feel like you're just doing say it.
I just read it.
Speaker 1 (09:44):
I just read it.
Speaker 3 (09:46):
Oh my god, Oh this rap is terrible.
Speaker 4 (09:52):
I mean it sounded that he performed it so well
because it took thirty years for niggas the dco.
Speaker 1 (10:00):
This ship, this ship is fucking horrible. Bro.
Speaker 3 (10:02):
Ah, your all up your ankles that your TEMs to
What the fuck?
Speaker 1 (10:05):
Bro? What does that happen?
Speaker 3 (10:08):
Never order up an ankle?
Speaker 1 (10:09):
And what the fun?
Speaker 3 (10:11):
The fun? Bite the flavor reacts to your gold caps.
Speaker 1 (10:16):
Hunch, hunch back, close your eyes, try to munch that.
Speaker 3 (10:20):
It's crazy, bro. Wow man, start and.
Speaker 1 (10:24):
Then Buster comes in with flav and your gass crease.
Speaker 4 (10:28):
Maybe that's what it got to do it because it's
saying flake damn. It's called flavoring year though.
Speaker 1 (10:32):
Yeah, it's the wise flavoring your ass crease? What Buster say?
Speaker 4 (10:35):
Fuck itisode yo yo, yo yo, your ass crease, bust rhyme,
about to bring the noise.
Speaker 1 (10:47):
Don't cease so so so cease, let me lose from
the belly of the beasts. Everybody.
Speaker 3 (10:53):
Hey, hey, hey, you better believe it's Buster rhymes. The
great were about to rip the tray, I state, yo yo, hey,
hey hey, I'll.
Speaker 4 (11:03):
Splitch your face and give you stitches. Throw niggas and ditches.
Slap the ass of fat bitches.
Speaker 1 (11:08):
Bust the wrapping.
Speaker 4 (11:11):
Wait one seconds, I get down. I'm rolling with the heavyweight.
Connect the stomp to the stomping ground. Now, don't get
don't you get suspicious wishes every time?
Speaker 3 (11:22):
Okay, bring your bitches when a bust a rhyme word
is bond.
Speaker 4 (11:26):
I know one thing the whole world least expected is
how we all connected high to bring to break food
on the same record. Five new flavors on the beat.
Feel the fucking heat? Whoa, I really think you should
retreat while we blow up the street. Hey, instead, of copping.
Please just freeze high, Freez, maintain the focus while we
(11:49):
smoking marijuana trees.
Speaker 3 (11:51):
When I get down, I.
Speaker 4 (11:52):
Disappear, reappear and blow up everywhere, fucking with these flavors
in your ear.
Speaker 3 (11:58):
He got to see he you know that he came
in how he came in. But then he got to it.
Speaker 1 (12:04):
He got to the business.
Speaker 3 (12:05):
I guess he kind of had to go off the
l verset so we hear ll verse.
Speaker 4 (12:08):
He kind of was like, Okay, what LLLL is talking about,
so let me kind of let me talk about it together.
Speaker 3 (12:14):
He had to tie in.
Speaker 4 (12:15):
Picked this and this is what he came up with,
your ass, Chris, because you got to think they probably
they talking. It's old school rappings ship they ring on
pass and ship, so they talked. He's like, what the
fuck what Steve?
Speaker 1 (12:30):
What skivy?
Speaker 2 (12:32):
You know?
Speaker 1 (12:33):
You know they asked him about that she lied and
he was like, yeah, that's something. Me and my being
my man between us, we'd be like he's she and
he'd be like he's she.
Speaker 3 (12:43):
Back, because I felt like that could be just a
something like that.
Speaker 4 (12:47):
But when you when you added into the bullshit, it's
all grotitious.
Speaker 1 (12:53):
Fuck it. Well, who else is in this Biggie. Let's
fuck it. Let's see what biggie had to say about
this rap. See we know what bid about this rapp
We know, we already know. See he started, he started, Yeah,
I know, Uh, no niggas is damn Biggie rapped on.
(13:17):
Sometimes you need to just hear. Sometimes you need to
just know what rapping is. That ship l L was doing.
I don't know what the fuck words rhyme.
Speaker 3 (13:27):
That's why he's in the middleship in the middle dog.
Speaker 1 (13:31):
And he's LL. He's like L he's he was like,
if he gets sounded great, it's great. But he was on.
Speaker 3 (13:39):
One of the worst written verses.
Speaker 1 (13:40):
L E said, I think that's it, terrible, bro.
Speaker 3 (13:43):
But no, niggas is mad. I get more butt.
Speaker 4 (13:50):
Fucker fair one, I get mind the fast Way, Ski
mass Wave, Nigga ransom notes fall from handsome but damn
A nigga told, come on, I gotta go on, go on,
give us a few more more. What you talked, more
guns than roses. Foes is shaking in their boots.
Speaker 1 (14:08):
Invisible bully like the I had to explain that to
a motherfucker recently. Invisible bully like they don't know about
For those who don't know that, Goots was a bully
on the world famous show Different Strokes. And why is
he invisible? Invisible because you never ever saw this motherfucker
(14:30):
and he raised so much hell throughout many seasons of
the show. You goddamn invisible. But you ain't got to
do that. You ain't got keep it going, keep the party.
Speaker 4 (14:45):
Disappeared, the moose. You're whacked to me, take them rounds
back to the factory. I see the gimmicks, the whack lyrics.
The ship is depressive, pathetic. Please forget it. Huh you're
mad because my style, you're admired. Don't be mad, you
p This is how dog you should have been a cop.
Fuck you pop because with that freestyle you're bound to
(15:06):
get shot. Not from but I wrap a lot packed,
the gallo lot, the flavors, the flames about the drop.
Speaker 1 (15:14):
Yeah, bigg biggie, can't you see Biggie? Go on to
the next one here now, Craig mac another late great,
late great motherfucking over crab matches, flowers, Bronig, Craig Matt
set this ship, you.
Speaker 4 (15:33):
Get it today, but it let's go all right? Word up,
No wrap no crap, you bore me. I want to
grab my dick too, lazy hold it for me here,
I'm straight, wrap great, busting heads, straight in dreads last
and what like the toe? Like the toe on pro kids,
(15:54):
they take nine. Well, when I rhyme plus I climb
word is born, your album couldn't fuck with one line.
Speaker 1 (16:00):
I'm bad.
Speaker 3 (16:02):
That's crazy.
Speaker 4 (16:04):
It's been three years since you last here, but now
your heart pumps fear to your gut. What did your girls?
But I scraped it now she won't. I smashed teeth.
Fuck your beef, no relief. I stepped on stage. Girl
screamed like, I'm Keith.
Speaker 3 (16:24):
That's that. That's wrapping around next year.
Speaker 1 (16:28):
Rapt leave.
Speaker 3 (16:37):
Nigga bad boy was on that mother.
Speaker 1 (16:40):
Craig Matt don't get the flowers he deserved for setting
this ship off. Bro, who's the next rampage of somebody
you know?
Speaker 3 (16:49):
You don't even know what you know?
Speaker 1 (16:51):
You hate?
Speaker 3 (16:53):
Said niggas making minimum wage and was making it.
Speaker 1 (16:56):
You hate him from then on? I did so fuck.
Speaker 3 (17:01):
Talking about it?
Speaker 1 (17:02):
All right, let's go.
Speaker 3 (17:03):
I have no idea how this verse goes, but I
can read it.
Speaker 1 (17:07):
Go for it.
Speaker 4 (17:08):
Twenty one ninety four mad, motherfucking hardcore. It's my time
to burn. Now, explore the flavor in your ear. It's
the boys scout, I make outs, I make other rappers
have doubts.
Speaker 3 (17:20):
You're fucking with the wrong clan and the wrong man.
That's it. Now you got to get your bom split.
Speaker 1 (17:27):
Yep.
Speaker 3 (17:27):
I'm going into my knapsack with my gap, take off
my hat. Guess what I mean.
Speaker 4 (17:32):
Guess I'm just cool like that, the dangerous, the ruggedness
from the flat bush abyss.
Speaker 1 (17:38):
That's enough. Go what's next?
Speaker 3 (17:40):
Damn?
Speaker 1 (17:41):
It was all right, I fuck it. I don't wanted
that ship.
Speaker 3 (17:46):
That wasn't the best verse, No, it was not.
Speaker 1 (17:48):
And then yep, and then it was Buster and that's it.
Speaker 4 (17:52):
Ye cool ninety four East Coast represent bad boy Rock
on Mob Rock Off.
Speaker 1 (17:59):
That was Easy Mobile.
Speaker 3 (18:00):
Yeah, he's Mob Flowers bro ship.
Speaker 1 (18:05):
That's the nigga. That Easy Mobile is that big?
Speaker 3 (18:09):
Yeah, motherfuckers don't even talk about that.
Speaker 1 (18:12):
Yeah that that's that's flaving. Yeah.
Speaker 3 (18:15):
Man, the good the band Ugly.
Speaker 1 (18:16):
You're right, all right, the good Biggie Creg Matt, Yeah,
the bad Rampage.
Speaker 4 (18:24):
Case ram Page probably even sound. The cool j sounded
so good. I never would have thought, he said that
ship back then. That was one of the hardest verses.
Speaker 1 (18:36):
Because he was just so do you see the video
back in the he.
Speaker 3 (18:42):
Wrapped, He wrapped that motherfucker.
Speaker 1 (18:44):
You wouldn't And my thing is that rapped. I don't know, man,
we got that.
Speaker 3 (18:49):
We're gonna that might be ongoing soccer this year.
Speaker 1 (18:52):
The explore the verses. Yeah, maybe maybe maybe some of
the verses three two one, maybe something that surround yourself
around greatness. Right, it's kind of easy to slide through
the grass because that ship there is pretty bad to me.
(19:14):
He said, all up your ankles. I don't understand that mean,
just let your cut out, let your tims tap. It's
crazy angler, I mean like tims, I can see you
got yours on your tapping your foot. I can see that.
But the oil up your.
Speaker 4 (19:30):
Ankles, ankles was in there. But why didn't need to
be oil on ankles?
Speaker 1 (19:37):
And why you're hunching your back? What I mean? I
don't slot man, las wild ship man. I the more
information you forgot the part of this the best part
of the song that even started off.
Speaker 3 (19:52):
But make you come around bad, come on and play.
Speaker 1 (19:58):
You know he had rea track, but.
Speaker 3 (20:06):
That was it.
Speaker 4 (20:09):
Probably understood that ship. He understood that ship set the tone. Yes,
like you Rampage would have started this song off, it
could have been totally different, detrimental to the success of
Bad Records. It could have been a different song. It
could have been a different.
Speaker 1 (20:24):
Song, but Big starting that ship off. It's like, you
can say what you want about Puff and and his
oil saga.
Speaker 3 (20:32):
People can say they want to say.
Speaker 1 (20:33):
They can say they want to say, but I don't
give Man gave you time Puff. Yeah, a lot of
this ship.
Speaker 3 (20:39):
Without Puff, what would really hip hop? B Let's be real.
It's be real.
Speaker 1 (20:45):
You're right because he introduced a whole nother like genre
of hip hop.
Speaker 4 (20:50):
And then think of the people that I'm trying to
use the right verbise. I was gonna say the people
he touched, but no, think about the people that he's
brought into the game. Like the fucking Locks. So we
had a lot of Locks.
Speaker 1 (21:04):
The Locks would have possibly been on Bad Boys and
even Row because they're almost on it had been sucked up.
Speaker 3 (21:13):
They probably never.
Speaker 4 (21:14):
Even had one album. They probably had a feature on
some Tupac ship or something whatever. But yeah, man, yep,
Like the Locks would have been like the Outlaws, Like
now you know what I'm saying, like never really speaking
of the Outlaws. They this band, I know, but one
of the Outlaws made a song he did and then
(21:35):
he just band. Then he said that he will never
be I think because they probably was like dude, I
think he made.
Speaker 1 (21:41):
A song called all Tupac's label Euthanasia Euthanasian tions and
and I still I think.
Speaker 4 (21:52):
It's over because now he was saying something about it's
something about Hennessy.
Speaker 3 (21:57):
It's crazy, un ain't worth talking talking about.
Speaker 1 (22:02):
I never listened. I was disappointed with that ship.
Speaker 3 (22:05):
I never listened, So I don't know.
Speaker 1 (22:06):
I'm like, why, bro, it just wasn't There was no
time and place when you didn't do it.
Speaker 3 (22:11):
Fifty years ago, I fucked with the Outlaws band like
I was an Outlaws fan.
Speaker 1 (22:16):
Yes, back in the day. They used to be drama
citaling all this ship damn.
Speaker 4 (22:20):
And I was like, you know, boom, that's that's where
I think of when I think of the Outlaws. But
when I listened to that song and sucked all that up,
I fucked it up. Yeah, I fucked it.
Speaker 1 (22:32):
I think that's what happened to that. It is like dude,
why the fuck you do that?
Speaker 3 (22:35):
Fucking up the legacy that ship, like Nigga, you should
be trying to do a song with now.
Speaker 1 (22:39):
And now you're talking about this this band. Who are you?
Who you was telling us? Is this?
Speaker 3 (22:43):
I feel like, nah? Fuck? We love pop, So it's
like you damn n.
Speaker 4 (22:47):
It could be like, you know, hey, man, I know
you don't really you know what I'm saying, but I'm noble, young,
noble with the outlaws.
Speaker 3 (22:52):
Fuck with pop, but you know pop like Joe ship
or something. I don't know, Let's make a song.
Speaker 1 (22:57):
I don't know, but you want to miss them. I mean,
it happens. It happens, motherfucker make terrible decisions like l
with this verse, but it wasn't.
Speaker 4 (23:07):
Terrible because it's still the time of Forever Dog and
it still stands the time.
Speaker 1 (23:12):
Just because he said ship, come on, it's like, you know,
the verses fucked up, but.
Speaker 3 (23:18):
The words because I'm like boom boom, boom boom.
Speaker 4 (23:24):
And then the way he said blow, the way he
say that ship delicious. Ain't saying cous love me good,
ain't saying ship. But it's okay, he said. At least
he said it good. Ship some people.
Speaker 1 (23:38):
Papa love it when he does it. That's kind of
fucked up. That's something. It's something there.
Speaker 4 (23:44):
Do you think him and Biggie had some kind of
because you know, cool J was that nigga? Now like
cool J was that nigga to try to murk you.
Speaker 1 (23:51):
So he's saying, like, Biggie loves it when I do
what I do on the track. I don't know what
the is, but but yeah, J was that motherfucker.
Speaker 4 (23:59):
So because dog it's like this, he heard Biggie record
Biggie verse. He might have got offended by the ship
Biggie said, because Biggie rapped on that.
Speaker 3 (24:09):
He probably like.
Speaker 4 (24:09):
Ship Man niggas man get more butts held did this
god damn verse from radio my BRADYO believe me.
Speaker 1 (24:18):
I like it loud.
Speaker 3 (24:19):
I'm the man with the box that controls the crowd.
Ship Man do old verse? Ship a remix?
Speaker 1 (24:26):
It is a remix, But he wanted to say he
she and ship It's alright cooler now. I feel like
at the end it reacts to your gold caps.
Speaker 4 (24:38):
I feel like at the end when he was talking
about kissing a piranha and to rap, I feel like
he was finna wrap then, but the lead up to
it was just come on, jack Angles, I'm on Todd.
That's wild now, niggas had to be cause if I
(24:59):
was in the studio.
Speaker 1 (25:01):
Look your ankles, say your ankles.
Speaker 3 (25:06):
Though, big dog.
Speaker 1 (25:10):
Probably the tripping, yes, human little seeds laughing.
Speaker 3 (25:16):
The motherfucker drinking pepsi and smoking bunts.
Speaker 1 (25:22):
He said a little.
Speaker 3 (25:25):
I couldn't have stopped laughing, especially if I was high.
I would have laughed and cried, Oh.
Speaker 1 (25:32):
Well, that's what that's flavy. Flavy ain't got that remix
in the rest of the crew is what it is.
End up going in with the rest of the crew. Man, man,
you know that's it. That's it for this one. Fun
it if I tell you, wait a minute, let me
do God damn once again. Make sure you follows across
(25:53):
all your social media platforms. That's that Grumpy Old mixtape
across the board. Be sure to joined Grumpy Old TV.
And you remember to like, rate, subscribe and tell a
friend to tell a friend to tell one more motherfucker
to it that you're indeed fucking with your goddamn boys.
And we are the two Crewe podcast, and why because
we give it to you Oh my god. If I
(26:25):
tell you that a duck and pull a truck and
shut up and hoot the funk up babyan kick kicks
no good, damn
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