Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Hollywood Casting Office, Lights camera action.
Speaker 2 (00:09):
Ready on stage six for the lineup.
Speaker 3 (00:17):
Hollywood Casting Office, Henry Hockboomer. Yes, we can use you
tomorrow eight thirty weather permitting pays five dollars. Wear your
fall suit? What's that you say? You won't do falls
for five dollars? All right, then wear a summer suit.
(02:03):
Come in, Come in, my goodness, how do you do?
Speaker 4 (02:06):
Madam? I am an actor of Adam twenty years with
having madam is the casting director in Madam?
Speaker 3 (02:11):
No, Madam? That is he went out to lunch?
Speaker 4 (02:14):
Will he be back after lunch?
Speaker 3 (02:15):
No, that's what he went out after motion pictures.
Speaker 4 (02:18):
Bah, I should never have left Broadway. Hegad On's Budkins
and Gadzooks.
Speaker 3 (02:22):
Oh here comes the casting director. Now, oh, mister Jamison,
this is mister gad Zook.
Speaker 1 (02:26):
So how do you do? Missus Zukes? What experience have
you had?
Speaker 4 (02:29):
Experience? I'm a good man. For twenty years I trooped
with the traveling show, and I'll have you understand that
I received letters from ladies all over the.
Speaker 3 (02:37):
Country land ladies.
Speaker 5 (02:38):
I suppose, mister Zeukes, would you give us a sample
of your ability with pleasure?
Speaker 4 (02:45):
All the twenty years ago was the time forever the
good man to come to the end of his party.
And alas pooric I knew him.
Speaker 5 (02:53):
Well just a minute, just a minute. That was fair.
But you didn't put enough fire into your speech.
Speaker 3 (02:58):
Now to me, like he didn't put enough of his
speech in the.
Speaker 4 (03:00):
Fire picture studios casting officers by and the pie on
both of you.
Speaker 3 (03:06):
All quick, Willy the fire swater, Bah.
Speaker 5 (03:10):
Poor fellow, when he sees those other people out there,
he'll be green with envy.
Speaker 3 (03:13):
Well, at least his coat's green.
Speaker 5 (03:15):
Now, yes, now, Mishaf, I have to rush next door
to stage six. They're shooting a sequence in that Tahitian
picture boy or boy what boy? And I want to
see how that quartet of Native boys I hired last
week to see how they're getting along. All right, mister Jamison,
Hello Sam, How is everything going?
Speaker 3 (03:32):
Oh?
Speaker 2 (03:32):
Hello, Bud? Pretty good if I don't say something.
Speaker 1 (03:36):
Are you just about ready to shoot that musical sequence?
Speaker 3 (03:38):
Yeah?
Speaker 4 (03:38):
We were held up all morning waiting for the grass
scutch and that was the last straw.
Speaker 2 (03:43):
Already all right, a caveat by it all right, go.
Speaker 4 (03:49):
Ahead, lights and them speed action, Take five production age misch.
Speaker 6 (04:02):
If you know, hey, fine, I don't have if you know,
don't he shouldn't how he shouldn't she had any over
put on party?
Speaker 2 (04:12):
You know, hey fine, I'm but hey finn' let's.
Speaker 6 (04:18):
Listen a boom stop for who's the book say when
to say?
Speaker 3 (04:22):
But I'm annoying my.
Speaker 6 (04:25):
Hey fine, I don't have your enemy. But you know,
hey fine, I don't have her any Yeah, ah, she
(05:06):
is here. Oh v retaro toni oh v retaroani.
Speaker 7 (05:18):
To h.
Speaker 1 (05:23):
Yeah native.
Speaker 2 (05:28):
Native purky pretty is a good one.
Speaker 1 (05:41):
There's all right, Bird.
Speaker 2 (05:42):
I'm glad you dug him up for this picture, but
I wish you had that French star back.
Speaker 1 (05:47):
Why are you still having trouble with her? Acent are we?
Speaker 2 (05:49):
She's had the English tuta for six weeks and you
can still tell.
Speaker 4 (05:52):
She comes from Brooklyn and those eccentric dances I hired
from you one funny either.
Speaker 1 (05:57):
I know, Sam, but we all make mistakes. That's why
we have we know. Besides, etcentric dancers don't grow on trees.
Speaker 3 (06:03):
I know that.
Speaker 2 (06:04):
Whoever saw three with bubbly limbs?
Speaker 5 (06:06):
All right, well, I've got to get back to my auditions.
Thanks for inviting me over, Sam, Well I'm back, miss half.
Why what's the matter with you?
Speaker 1 (06:14):
You look ill?
Speaker 3 (06:15):
No, I don't feel well, mister Jamison. I think it's
the orsters I ate last night?
Speaker 1 (06:19):
Were they fresh?
Speaker 3 (06:21):
Why? Oorsters can't talk? Silly?
Speaker 1 (06:23):
No, but you can look.
Speaker 5 (06:24):
What I mean is maybe the oysters were spoiled or
why did what did they look like when you opened them?
Speaker 8 (06:30):
Oh?
Speaker 3 (06:30):
Do you have to open them?
Speaker 5 (06:32):
A fine assistant, I've got Well, if you don't feel well,
perhaps you'd better.
Speaker 3 (06:36):
Go home or I can't go home? Why because I'm
in the end of this program?
Speaker 1 (06:40):
Yeah, miss half please? Now are there any more people
to be interviewed today?
Speaker 3 (06:45):
Yes, there are three waitresses from the Commissaria that want
to sing. They've studied in Paris.
Speaker 5 (06:49):
Waitresses and they've studied in Paris. Well well, who paid
for their trip?
Speaker 3 (06:53):
Their neighbors?
Speaker 1 (06:54):
Very well? Let me hear them?
Speaker 3 (06:55):
All right? All right, girls, come in mister Jamison, little
heear you know all look that us tell you that
that that that.
Speaker 1 (07:11):
That that tell you that they talk about that that
that that us that.
Speaker 7 (07:19):
All birthdays birthdays, But jail die, it's any one fine.
He didn't the same of carolineas.
Speaker 2 (07:37):
To remain You know me o day? How I that
be a game.
Speaker 7 (07:50):
Really, you tell me every night?
Speaker 2 (07:56):
Why do why care? Because my dynamie? Change your mind about.
Speaker 3 (08:04):
The dynamite, change mine about me? Die if you want
me to echime?
Speaker 1 (08:13):
How would happened oceanized.
Speaker 6 (08:16):
It to be the.
Speaker 7 (08:17):
Dynas Papada Papa by loses today?
Speaker 8 (08:22):
Is there anyone.
Speaker 7 (08:23):
Sign uh in the state of Caroline?
Speaker 4 (08:27):
Uh?
Speaker 2 (08:28):
Then the sugar baby died? She's the whole Okay, holda.
Speaker 7 (08:31):
Hey, I just see it about the christ and positive
guys place and how well of you seen days into
those tempting eyes of dynamy.
Speaker 2 (08:44):
Tell me why was I want under the god to
be charmed? I those.
Speaker 3 (09:04):
All that.
Speaker 4 (09:06):
Is me?
Speaker 3 (09:12):
All Lord green bag My?
Speaker 2 (09:32):
What hell is meant to say?
Speaker 1 (09:34):
He read? Say I had him, but the word the
boy's fun than the mada?
Speaker 7 (09:39):
He say him, and say I had sayd talk from
around the BOUNTI that moms not far out? Oh my dad,
my gene, mother, my baby?
Speaker 3 (09:54):
Now will just don't my jine.
Speaker 2 (09:56):
Don't listen?
Speaker 1 (09:57):
How would I know that? Well? Thank you girls, that
was splendid.
Speaker 5 (10:18):
I'll just fill out those cards and leave them with
Miss hap and I'll call you when I have something
for you.
Speaker 1 (10:22):
Miss happ Who's next.
Speaker 3 (10:23):
Well, mister Green, the director is waiting to talk to
you about some people he needs for his next picture.
And there's a singer to see you too.
Speaker 5 (10:29):
Fine, I'll go out and talk to both of them. Well, well, hello,
mister Green, glad to see you. Oh is this the singer?
Speaker 1 (10:36):
Miss happen?
Speaker 5 (10:37):
Yes, sir, all right, my man, this is mister Green,
one of our ace directors that is so far.
Speaker 1 (10:42):
He's just directed one picture. I'd like to have you
sing for him.
Speaker 2 (10:46):
My name is jesseic Crime, mister Green, and I'd like
to sing for him.
Speaker 1 (10:49):
Well, I'm glad to know you. But did you sing
for someone else this afternoon? Elsa?
Speaker 3 (10:54):
Then?
Speaker 1 (10:54):
How did you get your eyes rolling like that?
Speaker 3 (10:56):
Oh?
Speaker 1 (10:56):
Dad, you see I'm mad, mister Green. I mean you
fight with your wife. I suffered with matrimony dyspeps, matrimonial despaps.
Speaker 3 (11:04):
You what is that?
Speaker 1 (11:05):
My wife don't agree with you? You do comedy too.
I think you think I thought you wanted to sing?
I do, well, then sing?
Speaker 2 (11:13):
Yes, I want to dedicate this song to my wife.
Speaker 1 (11:17):
You mean a cut of your right? Yes?
Speaker 2 (11:20):
I don't see him.
Speaker 8 (11:21):
Lovely, lady, be good, Oh lady, be good to me.
I have been so miss understand, old lady be.
Speaker 1 (11:35):
Good to me.
Speaker 8 (11:38):
Won't you please have a little pity because I'm all
alone in this big city.
Speaker 2 (11:48):
I'm like a baby.
Speaker 8 (11:49):
That's been lost in Old lady, be good to me.
Speaker 2 (11:57):
That's very nice.
Speaker 8 (11:57):
You see what we need in this third Rea, another
picture is a distinct nomy, something out of the ordiner.
Speaker 3 (12:03):
What how would you lad to hear me?
Speaker 5 (12:05):
You and play the guitar?
Speaker 3 (12:07):
I know you, but you have no guitar.
Speaker 8 (12:10):
But don't you have my dad?
Speaker 1 (12:11):
Mister Green?
Speaker 2 (12:12):
You just leave out at the met.
Speaker 8 (12:15):
Oh, sweet hell, lovely, old lady, Old lady, I've been
so missunderstool, Old lady.
Speaker 3 (12:29):
Be good.
Speaker 2 (12:42):
I'm leaving man fast.
Speaker 8 (12:44):
Long, Old lady go to.
Speaker 2 (12:51):
Hell.
Speaker 5 (12:51):
That was fine, mister Crier. I'm afraid of this, but
I'll take a chance. Come in, mister Camerson. Yes, and
you're the fellow who keeps breaking into my office.
Speaker 1 (13:00):
All the time.
Speaker 2 (13:01):
Well, there had to be a laugh here somewhere.
Speaker 1 (13:03):
Besides, I only came in to borrow a dollar. You
have a lot of nerve asking me for a dollar.
Most fellows only ask for a dime.
Speaker 5 (13:08):
Look, mister Jamieson, either give me the dollar or don't
give me the dollar, but don't try to tell.
Speaker 1 (13:12):
Me how to run my business. Isn't that too bad? Well, goodbye, everybody.
Speaker 2 (14:29):
Never heard
Speaker 3 (14:34):
The
Hollywood Casting Office, Lights camera action.
Speaker 2 (00:09):
Ready on stage six for the lineup.
Speaker 3 (00:17):
Hollywood Casting Office, Henry Hockboomer. Yes, we can use you
tomorrow eight thirty weather permitting pays five dollars. Wear your
fall suit? What's that you say? You won't do falls
for five dollars? All right, then wear a summer suit.
(02:03):
Come in, Come in, my goodness, how do you do?
Speaker 4 (02:06):
Madam? I am an actor of Adam twenty years with
having madam is the casting director in Madam?
Speaker 3 (02:11):
No, Madam? That is he went out to lunch?
Speaker 4 (02:14):
Will he be back after lunch?
Speaker 3 (02:15):
No, that's what he went out after motion pictures.
Speaker 4 (02:18):
Bah, I should never have left Broadway. Hegad On's Budkins
and Gadzooks.
Speaker 3 (02:22):
Oh here comes the casting director. Now, oh, mister Jamison,
this is mister gad Zook.
Speaker 1 (02:26):
So how do you do? Missus Zukes? What experience have
you had?
Speaker 4 (02:29):
Experience? I'm a good man. For twenty years I trooped
with the traveling show, and I'll have you understand that
I received letters from ladies all over the.
Speaker 3 (02:37):
Country land ladies.
Speaker 5 (02:38):
I suppose, mister Zeukes, would you give us a sample
of your ability with pleasure?
Speaker 4 (02:45):
All the twenty years ago was the time forever the
good man to come to the end of his party.
And alas pooric I knew him.
Speaker 5 (02:53):
Well just a minute, just a minute. That was fair.
But you didn't put enough fire into your speech.
Speaker 3 (02:58):
Now to me, like he didn't put enough of his
speech in the.
Speaker 4 (03:00):
Fire picture studios casting officers by and the pie on
both of you.
Speaker 3 (03:06):
All quick, Willy the fire swater, Bah.
Speaker 5 (03:10):
Poor fellow, when he sees those other people out there,
he'll be green with envy.
Speaker 3 (03:13):
Well, at least his coat's green.
Speaker 5 (03:15):
Now, yes, now, Mishaf, I have to rush next door
to stage six. They're shooting a sequence in that Tahitian
picture boy or boy what boy? And I want to
see how that quartet of Native boys I hired last
week to see how they're getting along. All right, mister Jamison,
Hello Sam, How is everything going?
Speaker 3 (03:32):
Oh?
Speaker 2 (03:32):
Hello, Bud? Pretty good if I don't say something.
Speaker 1 (03:36):
Are you just about ready to shoot that musical sequence?
Speaker 3 (03:38):
Yeah?
Speaker 4 (03:38):
We were held up all morning waiting for the grass
scutch and that was the last straw.
Speaker 2 (03:43):
Already all right, a caveat by it all right, go.
Speaker 4 (03:49):
Ahead, lights and them speed action, Take five production age misch.
Speaker 6 (04:02):
If you know, hey, fine, I don't have if you know,
don't he shouldn't how he shouldn't she had any over
put on party?
Speaker 2 (04:12):
You know, hey fine, I'm but hey finn' let's.
Speaker 6 (04:18):
Listen a boom stop for who's the book say when
to say?
Speaker 3 (04:22):
But I'm annoying my.
Speaker 6 (04:25):
Hey fine, I don't have your enemy. But you know,
hey fine, I don't have her any Yeah, ah, she
(05:06):
is here. Oh v retaro toni oh v retaroani.
Speaker 7 (05:18):
To h.
Speaker 1 (05:23):
Yeah native.
Speaker 2 (05:28):
Native purky pretty is a good one.
Speaker 1 (05:41):
There's all right, Bird.
Speaker 2 (05:42):
I'm glad you dug him up for this picture, but
I wish you had that French star back.
Speaker 1 (05:47):
Why are you still having trouble with her? Acent are we?
Speaker 2 (05:49):
She's had the English tuta for six weeks and you
can still tell.
Speaker 4 (05:52):
She comes from Brooklyn and those eccentric dances I hired
from you one funny either.
Speaker 1 (05:57):
I know, Sam, but we all make mistakes. That's why
we have we know. Besides, etcentric dancers don't grow on trees.
Speaker 3 (06:03):
I know that.
Speaker 2 (06:04):
Whoever saw three with bubbly limbs?
Speaker 5 (06:06):
All right, well, I've got to get back to my auditions.
Thanks for inviting me over, Sam, Well I'm back, miss half.
Why what's the matter with you?
Speaker 1 (06:14):
You look ill?
Speaker 3 (06:15):
No, I don't feel well, mister Jamison. I think it's
the orsters I ate last night?
Speaker 1 (06:19):
Were they fresh?
Speaker 3 (06:21):
Why? Oorsters can't talk? Silly?
Speaker 1 (06:23):
No, but you can look.
Speaker 5 (06:24):
What I mean is maybe the oysters were spoiled or
why did what did they look like when you opened them?
Speaker 8 (06:30):
Oh?
Speaker 3 (06:30):
Do you have to open them?
Speaker 5 (06:32):
A fine assistant, I've got Well, if you don't feel well,
perhaps you'd better.
Speaker 3 (06:36):
Go home or I can't go home? Why because I'm
in the end of this program?
Speaker 1 (06:40):
Yeah, miss half please? Now are there any more people
to be interviewed today?
Speaker 3 (06:45):
Yes, there are three waitresses from the Commissaria that want
to sing. They've studied in Paris.
Speaker 5 (06:49):
Waitresses and they've studied in Paris. Well well, who paid
for their trip?
Speaker 3 (06:53):
Their neighbors?
Speaker 1 (06:54):
Very well? Let me hear them?
Speaker 3 (06:55):
All right? All right, girls, come in mister Jamison, little
heear you know all look that us tell you that
that that that.
Speaker 1 (07:11):
That that tell you that they talk about that that
that that us that.
Speaker 7 (07:19):
All birthdays birthdays, But jail die, it's any one fine.
He didn't the same of carolineas.
Speaker 2 (07:37):
To remain You know me o day? How I that
be a game.
Speaker 7 (07:50):
Really, you tell me every night?
Speaker 2 (07:56):
Why do why care? Because my dynamie? Change your mind about.
Speaker 3 (08:04):
The dynamite, change mine about me? Die if you want
me to echime?
Speaker 1 (08:13):
How would happened oceanized.
Speaker 6 (08:16):
It to be the.
Speaker 7 (08:17):
Dynas Papada Papa by loses today?
Speaker 8 (08:22):
Is there anyone.
Speaker 7 (08:23):
Sign uh in the state of Caroline?
Speaker 4 (08:27):
Uh?
Speaker 2 (08:28):
Then the sugar baby died? She's the whole Okay, holda.
Speaker 7 (08:31):
Hey, I just see it about the christ and positive
guys place and how well of you seen days into
those tempting eyes of dynamy.
Speaker 2 (08:44):
Tell me why was I want under the god to
be charmed? I those.
Speaker 3 (09:04):
All that.
Speaker 4 (09:06):
Is me?
Speaker 3 (09:12):
All Lord green bag My?
Speaker 2 (09:32):
What hell is meant to say?
Speaker 1 (09:34):
He read? Say I had him, but the word the
boy's fun than the mada?
Speaker 7 (09:39):
He say him, and say I had sayd talk from
around the BOUNTI that moms not far out? Oh my dad,
my gene, mother, my baby?
Speaker 3 (09:54):
Now will just don't my jine.
Speaker 2 (09:56):
Don't listen?
Speaker 1 (09:57):
How would I know that? Well? Thank you girls, that
was splendid.
Speaker 5 (10:18):
I'll just fill out those cards and leave them with
Miss hap and I'll call you when I have something
for you.
Speaker 1 (10:22):
Miss happ Who's next.
Speaker 3 (10:23):
Well, mister Green, the director is waiting to talk to
you about some people he needs for his next picture.
And there's a singer to see you too.
Speaker 5 (10:29):
Fine, I'll go out and talk to both of them. Well, well, hello,
mister Green, glad to see you. Oh is this the singer?
Speaker 1 (10:36):
Miss happen?
Speaker 5 (10:37):
Yes, sir, all right, my man, this is mister Green,
one of our ace directors that is so far.
Speaker 1 (10:42):
He's just directed one picture. I'd like to have you
sing for him.
Speaker 2 (10:46):
My name is jesseic Crime, mister Green, and I'd like
to sing for him.
Speaker 1 (10:49):
Well, I'm glad to know you. But did you sing
for someone else this afternoon? Elsa?
Speaker 3 (10:54):
Then?
Speaker 1 (10:54):
How did you get your eyes rolling like that?
Speaker 3 (10:56):
Oh?
Speaker 1 (10:56):
Dad, you see I'm mad, mister Green. I mean you
fight with your wife. I suffered with matrimony dyspeps, matrimonial despaps.
Speaker 3 (11:04):
You what is that?
Speaker 1 (11:05):
My wife don't agree with you? You do comedy too.
I think you think I thought you wanted to sing?
I do, well, then sing?
Speaker 2 (11:13):
Yes, I want to dedicate this song to my wife.
Speaker 1 (11:17):
You mean a cut of your right? Yes?
Speaker 2 (11:20):
I don't see him.
Speaker 8 (11:21):
Lovely, lady, be good, Oh lady, be good to me.
I have been so miss understand, old lady be.
Speaker 1 (11:35):
Good to me.
Speaker 8 (11:38):
Won't you please have a little pity because I'm all
alone in this big city.
Speaker 2 (11:48):
I'm like a baby.
Speaker 8 (11:49):
That's been lost in Old lady, be good to me.
Speaker 2 (11:57):
That's very nice.
Speaker 8 (11:57):
You see what we need in this third Rea, another
picture is a distinct nomy, something out of the ordiner.
Speaker 3 (12:03):
What how would you lad to hear me?
Speaker 5 (12:05):
You and play the guitar?
Speaker 3 (12:07):
I know you, but you have no guitar.
Speaker 8 (12:10):
But don't you have my dad?
Speaker 1 (12:11):
Mister Green?
Speaker 2 (12:12):
You just leave out at the met.
Speaker 8 (12:15):
Oh, sweet hell, lovely, old lady, Old lady, I've been
so missunderstool, Old lady.
Speaker 3 (12:29):
Be good.
Speaker 2 (12:42):
I'm leaving man fast.
Speaker 8 (12:44):
Long, Old lady go to.
Speaker 2 (12:51):
Hell.
Speaker 5 (12:51):
That was fine, mister Crier. I'm afraid of this, but
I'll take a chance. Come in, mister Camerson. Yes, and
you're the fellow who keeps breaking into my office.
Speaker 1 (13:00):
All the time.
Speaker 2 (13:01):
Well, there had to be a laugh here somewhere.
Speaker 1 (13:03):
Besides, I only came in to borrow a dollar. You
have a lot of nerve asking me for a dollar.
Most fellows only ask for a dime.
Speaker 5 (13:08):
Look, mister Jamieson, either give me the dollar or don't
give me the dollar, but don't try to tell.
Speaker 1 (13:12):
Me how to run my business. Isn't that too bad? Well, goodbye, everybody.
Speaker 2 (14:29):
Never heard
Speaker 3 (14:34):
The
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