September 12, 2025 • 40 mins
Tilly Riddle, leader of the TillyRiddle band, presents InDetails, a show about music and literature, mannered reasoning with embedded songs in unknown Slavic languages. It won’t be too academic, with lots of good music and more!
www.fusionmusicradio.net
www.fusionmusicradio.net
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Hello, it's me Tilly Riddle, the first PhD talking on
the radio. And today I'd like to tell you more
about Russian soundtracks and we will start with our piano
genius I had told you about before. Kuchin. He also
(00:23):
composed several soundtracks for movies of his own and for
some others. For example, for the stylish decadent horror called
Mister Decorator that was almost an opera and the plot
of a story is a story of a living Dahel
taking the place of an a live woman, but half
(00:43):
of the suspense is made with the music of Curuchin.
I really love it.
Speaker 2 (01:02):
The couple pupon another colum.
Speaker 3 (02:10):
Alabama ba.
Speaker 4 (02:36):
Aaa yet.
Speaker 5 (03:14):
Says never asked, sad.
Speaker 3 (04:44):
S s.
Speaker 5 (04:57):
Just speaking.
Speaker 1 (06:06):
The second place I can give to Duartartemyev also a
pioneer of Soviet electronic music. He was an excellent movie
composer and he worked with famous Tarkovski for a Stalker.
If you have seen this movie, surely I chose a
part of Artemyev's best movie soundtrack. And here it is.
Speaker 6 (07:38):
Me you.
Speaker 1 (09:39):
S Maybe you know that we have one of the
(11:48):
best in the world. Sherlock Holmes TV series Our Homes
is an etalon of homes. I really think so, and
if you will see that serious you will agree with me. No,
mister Cumberbet or others can hold the stage after him.
And music in the movie is also prominent. The opening
(12:09):
music is a masterpiece. You will feel this as well
as in the Dog of the basketballs.
Speaker 3 (13:40):
You.
Speaker 1 (14:22):
We also have our own three mushke tiers. I won't
recommend you the movie itself, but the songs from the
musical were very good. We used to rearrange the words
in some of them where there were French parts because
we don't know French actually, so we turned these French
(14:43):
parts into strange Russian lines. For example, poor qua pa,
a French question, sounds similar to put klapa, which is
translated like the path of a bad bag. Yeah, it's
really funny for us, and we used to sing with
the heroes with these strange words. So Dunayovski, who wrote
(15:06):
this was also a good movie composer.
Speaker 7 (15:10):
Add scripp it but jority the Lord.
Speaker 8 (15:47):
If you care, you're run.
Speaker 7 (15:54):
Sooner and it is a lot.
Speaker 3 (15:58):
News.
Speaker 8 (16:00):
Backing back, Caramel no.
Speaker 9 (16:11):
Said locally, but usually do salad.
Speaker 10 (16:38):
Los m badger.
Speaker 11 (16:43):
Reason this.
Speaker 8 (16:48):
Coye Ritson, it's said gold, She's.
Speaker 2 (17:07):
My god.
Speaker 9 (17:08):
Jelah l see what wow.
Speaker 10 (17:32):
Jela mean.
Speaker 8 (17:36):
S rust.
Speaker 10 (17:40):
See then you're lasting your Then you last Issy.
Speaker 1 (18:25):
We Love. Our classical comedy about a student named Shurik
made of sketches on his study, his fancy and his adventures.
The music there was made by Alexander Zatzepin, who was
also famous in the industry, and he wrote this song,
which became the student's hymnal, a song which was sung
(18:48):
by an exquisite heroine of Shurik's adventures among the mountains
of Cacausus.
Speaker 12 (19:02):
Can be I'm sweeping Mars tod, I dim know you.
Speaker 13 (19:10):
Meme blue Booksta Yeah, but I don't.
Speaker 12 (19:14):
Maria Roots.
Speaker 3 (19:17):
Where kids.
Speaker 12 (19:19):
Blow, Yeah, pisail, cruelty, t strag virtue, the moon as
(19:42):
tobably blown Ranch, his creating Supercilow had nart range, nagodas
come lovely, Yes, lovel.
Speaker 10 (20:00):
Love.
Speaker 1 (20:14):
Let seen him leave your range trust.
Speaker 12 (20:19):
When she's leading.
Speaker 10 (20:23):
Boos there need.
Speaker 12 (20:28):
Wood to month who beat Bay Cannabi lance, Wait them
(20:54):
say that Marrow truths as you know you me mycle Bootstele, Yes,
but I know Maria there Tu saisis Yet they seen
(21:33):
him leave him r crass.
Speaker 6 (21:38):
Leaving no.
Speaker 2 (21:41):
Boo.
Speaker 12 (21:42):
The surpriser needs to cheesy boo. The Tomnclo beats daily crackers.
Speaker 1 (22:04):
Gia Cancilli is a Georgian composer who worked with a
famous Soviet and Georgian film director, Georgi Danelia. Gia used
Georgian local music and Georgian manner of singing to create
his musical movie Canvas.
Speaker 6 (22:42):
Song Sambari to My Summer, m Bara babes all about
(23:03):
Simo Hera to Dovana less admoto Sammy Simo Hera, I'm
(23:30):
semml ham, I'm that some shovel broad some rina, shory
down the matter about Jamie Bosha road some rina and
sam some o my sever tuk gool she shamodes farly sewn.
(24:00):
She does, she don't mind, She don't Jemmy Simo have
mama sveles she Debbie stavenna a samoima va I god
(24:33):
somebo she thought Belisa bodos to risageti simai tomoku the
rara na alma smay she dorito, She don't managato, she
(24:59):
don't mind.
Speaker 1 (25:11):
Alexey Ribnikov wrote the music for Evgueni Friedman's Treasure Island
movie it was when he was a young teacher at
the Moscow Conservatory. In this sweeping style, it was very
close to the works of Anny Americane, and to Rybnikov's credit,
it is in no way worse than them, and everything
(25:35):
here in this Treasure Island movie soundtrack is a real diamond,
especially atmospheric his Flint's Treasures and baroque pop, Oh My,
Poor Tommy, similar to the best hits of the European
stage of the nineteen sixties.
Speaker 8 (26:02):
A game.
Speaker 1 (29:15):
In my childhood, I used to listen to some of
the soundtrack. It is also made by Rybnikov, and he
wrote a very good soundtrack to our version of The
Red Riding Hood. And I still used to harm to
sing some from the songs of the soundtrack when I
wash the dishes or maybe when I do my housework.
(29:39):
And here is only one example of this beautiful soundtrack.
And it's a real pity that you cannot listen to
all of these songs.
Speaker 14 (29:54):
If it does ask don't you fast Doma? That's most emotional, emotional,
what's Africa preache?
Speaker 5 (30:15):
What freaking red?
Speaker 2 (30:16):
It was that?
Speaker 3 (30:19):
Ah?
Speaker 8 (30:20):
What freaky.
Speaker 4 (30:27):
Is young?
Speaker 10 (30:28):
It's your only bubble guy? Ah?
Speaker 14 (30:35):
It's your only bubble guy. He likens like alata pisci
fresca amoni mood, Yes, Ratio, that's really very very dress
(30:57):
glory a grass.
Speaker 10 (31:05):
Grass.
Speaker 15 (31:09):
I didn't you want it?
Speaker 10 (31:12):
Is young?
Speaker 14 (31:12):
USh wants it only? Papa ah, he's it only pab guy?
This is it as? This is it a propably see
it on my name to la mister again, that's a
(31:36):
gory wha your rackie.
Speaker 2 (31:41):
You know you.
Speaker 5 (31:43):
Sa feeling.
Speaker 10 (31:48):
Sare feeling your.
Speaker 15 (31:53):
Ah?
Speaker 11 (31:54):
I didn't you want it?
Speaker 5 (31:56):
Im his young? Is it only.
Speaker 14 (32:02):
As the only bubble flight.
Speaker 1 (32:09):
Krilatov also wrote many good soundtracks for children movies of
Soviet Union, and I especially loved the Adventures of Electronic,
about a robot looking like a young school boy, and
the songs there were brilliant, all of them. Also, So
let's listen.
Speaker 13 (32:43):
You she's seen a starry bashni paja ding jirashnilog coloja
your dim kirashni. You seen a starry pash booted board.
Speaker 10 (33:00):
You don't sing as.
Speaker 13 (33:23):
You She seen a starri Bush does do be asta set?
Speaker 5 (33:29):
And Sally really.
Speaker 8 (33:33):
Does do be crushing star?
Speaker 15 (33:36):
Its open stolen really lose mission.
Speaker 13 (34:01):
You seen a star refashion but immediate, do bash the
christ fishing near stable.
Speaker 15 (34:11):
Stood, immediate, do bash.
Speaker 1 (34:13):
The solutions for a fashion baldos h.
Speaker 6 (34:19):
Oh, she say, let.
Speaker 15 (34:26):
Stuff still stands this rest, So say.
Speaker 10 (34:47):
Be seen a star with fashion?
Speaker 4 (34:50):
Shall you? S?
Speaker 1 (35:10):
The heat comes to Saint Petersburg for more than two
weeks now I can't sleep, and really it is disgusting.
I'm all sticky. I sit here trying to wreck this show,
and a lonely fly is flying nearby. If you hear
something like zoo, it's my fly. Okay, it was just
(35:33):
some part of our lyrics, and let's return to the reality.
The last song for today, or maybe the last soundtrack,
it's better to say, but not the least is Alexandra Pamotova,
a woman who composed some famous songs of our gold
old movies. We still used to rewatch some of them
(35:54):
every year. For example, this tear jerker drama about love
was a hit when this song called the Tenderness came out,
and the main theme of the song's melody reveals the
coincidence of the first nine notes with a musical phrase
from the third movement of Benjamin Britain's Simple Symphony, first
(36:16):
performed in nineteen thirty four, although it was written in
a different key, with a different meter and signed with
a different author name. I think it's coincidence. Never mind,
the singer herself cried when she recorded this song because
her voice made the song airy and non earthy. This
(36:39):
song and instrumental composition Tenderness was included in the album
of the Belgian musician and composer Francis Goya. It was
a tribute to Alexandra Pamoto or a dedication to her.
Published in two thousand and two. Tenderness is a spell
(36:59):
of a woman, a loved friend of a pilot who
awaits his return. A pri stillistibil zimbil cacunius can cut
(37:29):
your soul for as.
Speaker 13 (37:33):
Ushavard list of sad.
Speaker 1 (37:40):
He could not suspic salt tax.
Speaker 11 (37:46):
Tuikpostnisibi nostibility by zero woosly so you nests.
Speaker 6 (38:06):
Taksha boost the willa similar.
Speaker 1 (38:13):
He cocdol little susy.
Speaker 11 (38:19):
Tugshapalist off sudden.
Speaker 10 (38:26):
Keep me do like see what similar.
Speaker 5 (38:32):
Copiet Disney w but cole.
Speaker 11 (38:39):
In allst disease me the sy you news.
Speaker 12 (39:39):
Purstie legistibil zubilon.
Speaker 1 (39:47):
Isli bus stacy
Speaker 3 (40:02):
Inst
Hello, it's me Tilly Riddle, the first PhD talking on
the radio. And today I'd like to tell you more
about Russian soundtracks and we will start with our piano
genius I had told you about before. Kuchin. He also
(00:23):
composed several soundtracks for movies of his own and for
some others. For example, for the stylish decadent horror called
Mister Decorator that was almost an opera and the plot
of a story is a story of a living Dahel
taking the place of an a live woman, but half
(00:43):
of the suspense is made with the music of Curuchin.
I really love it.
Speaker 2 (01:02):
The couple pupon another colum.
Speaker 3 (02:10):
Alabama ba.
Speaker 4 (02:36):
Aaa yet.
Speaker 5 (03:14):
Says never asked, sad.
Speaker 3 (04:44):
S s.
Speaker 5 (04:57):
Just speaking.
Speaker 1 (06:06):
The second place I can give to Duartartemyev also a
pioneer of Soviet electronic music. He was an excellent movie
composer and he worked with famous Tarkovski for a Stalker.
If you have seen this movie, surely I chose a
part of Artemyev's best movie soundtrack. And here it is.
Speaker 6 (07:38):
Me you.
Speaker 1 (09:39):
S Maybe you know that we have one of the
(11:48):
best in the world. Sherlock Holmes TV series Our Homes
is an etalon of homes. I really think so, and
if you will see that serious you will agree with me. No,
mister Cumberbet or others can hold the stage after him.
And music in the movie is also prominent. The opening
(12:09):
music is a masterpiece. You will feel this as well
as in the Dog of the basketballs.
Speaker 3 (13:40):
You.
Speaker 1 (14:22):
We also have our own three mushke tiers. I won't
recommend you the movie itself, but the songs from the
musical were very good. We used to rearrange the words
in some of them where there were French parts because
we don't know French actually, so we turned these French
(14:43):
parts into strange Russian lines. For example, poor qua pa,
a French question, sounds similar to put klapa, which is
translated like the path of a bad bag. Yeah, it's
really funny for us, and we used to sing with
the heroes with these strange words. So Dunayovski, who wrote
(15:06):
this was also a good movie composer.
Speaker 7 (15:10):
Add scripp it but jority the Lord.
Speaker 8 (15:47):
If you care, you're run.
Speaker 7 (15:54):
Sooner and it is a lot.
Speaker 3 (15:58):
News.
Speaker 8 (16:00):
Backing back, Caramel no.
Speaker 9 (16:11):
Said locally, but usually do salad.
Speaker 10 (16:38):
Los m badger.
Speaker 11 (16:43):
Reason this.
Speaker 8 (16:48):
Coye Ritson, it's said gold, She's.
Speaker 2 (17:07):
My god.
Speaker 9 (17:08):
Jelah l see what wow.
Speaker 10 (17:32):
Jela mean.
Speaker 8 (17:36):
S rust.
Speaker 10 (17:40):
See then you're lasting your Then you last Issy.
Speaker 1 (18:25):
We Love. Our classical comedy about a student named Shurik
made of sketches on his study, his fancy and his adventures.
The music there was made by Alexander Zatzepin, who was
also famous in the industry, and he wrote this song,
which became the student's hymnal, a song which was sung
(18:48):
by an exquisite heroine of Shurik's adventures among the mountains
of Cacausus.
Speaker 12 (19:02):
Can be I'm sweeping Mars tod, I dim know you.
Speaker 13 (19:10):
Meme blue Booksta Yeah, but I don't.
Speaker 12 (19:14):
Maria Roots.
Speaker 3 (19:17):
Where kids.
Speaker 12 (19:19):
Blow, Yeah, pisail, cruelty, t strag virtue, the moon as
(19:42):
tobably blown Ranch, his creating Supercilow had nart range, nagodas
come lovely, Yes, lovel.
Speaker 10 (20:00):
Love.
Speaker 1 (20:14):
Let seen him leave your range trust.
Speaker 12 (20:19):
When she's leading.
Speaker 10 (20:23):
Boos there need.
Speaker 12 (20:28):
Wood to month who beat Bay Cannabi lance, Wait them
(20:54):
say that Marrow truths as you know you me mycle Bootstele, Yes,
but I know Maria there Tu saisis Yet they seen
(21:33):
him leave him r crass.
Speaker 6 (21:38):
Leaving no.
Speaker 2 (21:41):
Boo.
Speaker 12 (21:42):
The surpriser needs to cheesy boo. The Tomnclo beats daily crackers.
Speaker 1 (22:04):
Gia Cancilli is a Georgian composer who worked with a
famous Soviet and Georgian film director, Georgi Danelia. Gia used
Georgian local music and Georgian manner of singing to create
his musical movie Canvas.
Speaker 6 (22:42):
Song Sambari to My Summer, m Bara babes all about
(23:03):
Simo Hera to Dovana less admoto Sammy Simo Hera, I'm
(23:30):
semml ham, I'm that some shovel broad some rina, shory
down the matter about Jamie Bosha road some rina and
sam some o my sever tuk gool she shamodes farly sewn.
(24:00):
She does, she don't mind, She don't Jemmy Simo have
mama sveles she Debbie stavenna a samoima va I god
(24:33):
somebo she thought Belisa bodos to risageti simai tomoku the
rara na alma smay she dorito, She don't managato, she
(24:59):
don't mind.
Speaker 1 (25:11):
Alexey Ribnikov wrote the music for Evgueni Friedman's Treasure Island
movie it was when he was a young teacher at
the Moscow Conservatory. In this sweeping style, it was very
close to the works of Anny Americane, and to Rybnikov's credit,
it is in no way worse than them, and everything
(25:35):
here in this Treasure Island movie soundtrack is a real diamond,
especially atmospheric his Flint's Treasures and baroque pop, Oh My,
Poor Tommy, similar to the best hits of the European
stage of the nineteen sixties.
Speaker 8 (26:02):
A game.
Speaker 1 (29:15):
In my childhood, I used to listen to some of
the soundtrack. It is also made by Rybnikov, and he
wrote a very good soundtrack to our version of The
Red Riding Hood. And I still used to harm to
sing some from the songs of the soundtrack when I
wash the dishes or maybe when I do my housework.
(29:39):
And here is only one example of this beautiful soundtrack.
And it's a real pity that you cannot listen to
all of these songs.
Speaker 14 (29:54):
If it does ask don't you fast Doma? That's most emotional, emotional,
what's Africa preache?
Speaker 5 (30:15):
What freaking red?
Speaker 2 (30:16):
It was that?
Speaker 3 (30:19):
Ah?
Speaker 8 (30:20):
What freaky.
Speaker 4 (30:27):
Is young?
Speaker 10 (30:28):
It's your only bubble guy? Ah?
Speaker 14 (30:35):
It's your only bubble guy. He likens like alata pisci
fresca amoni mood, Yes, Ratio, that's really very very dress
(30:57):
glory a grass.
Speaker 10 (31:05):
Grass.
Speaker 15 (31:09):
I didn't you want it?
Speaker 10 (31:12):
Is young?
Speaker 14 (31:12):
USh wants it only? Papa ah, he's it only pab guy?
This is it as? This is it a propably see
it on my name to la mister again, that's a
(31:36):
gory wha your rackie.
Speaker 2 (31:41):
You know you.
Speaker 5 (31:43):
Sa feeling.
Speaker 10 (31:48):
Sare feeling your.
Speaker 15 (31:53):
Ah?
Speaker 11 (31:54):
I didn't you want it?
Speaker 5 (31:56):
Im his young? Is it only.
Speaker 14 (32:02):
As the only bubble flight.
Speaker 1 (32:09):
Krilatov also wrote many good soundtracks for children movies of
Soviet Union, and I especially loved the Adventures of Electronic,
about a robot looking like a young school boy, and
the songs there were brilliant, all of them. Also, So
let's listen.
Speaker 13 (32:43):
You she's seen a starry bashni paja ding jirashnilog coloja
your dim kirashni. You seen a starry pash booted board.
Speaker 10 (33:00):
You don't sing as.
Speaker 13 (33:23):
You She seen a starri Bush does do be asta set?
Speaker 5 (33:29):
And Sally really.
Speaker 8 (33:33):
Does do be crushing star?
Speaker 15 (33:36):
Its open stolen really lose mission.
Speaker 13 (34:01):
You seen a star refashion but immediate, do bash the
christ fishing near stable.
Speaker 15 (34:11):
Stood, immediate, do bash.
Speaker 1 (34:13):
The solutions for a fashion baldos h.
Speaker 6 (34:19):
Oh, she say, let.
Speaker 15 (34:26):
Stuff still stands this rest, So say.
Speaker 10 (34:47):
Be seen a star with fashion?
Speaker 4 (34:50):
Shall you? S?
Speaker 1 (35:10):
The heat comes to Saint Petersburg for more than two
weeks now I can't sleep, and really it is disgusting.
I'm all sticky. I sit here trying to wreck this show,
and a lonely fly is flying nearby. If you hear
something like zoo, it's my fly. Okay, it was just
(35:33):
some part of our lyrics, and let's return to the reality.
The last song for today, or maybe the last soundtrack,
it's better to say, but not the least is Alexandra Pamotova,
a woman who composed some famous songs of our gold
old movies. We still used to rewatch some of them
(35:54):
every year. For example, this tear jerker drama about love
was a hit when this song called the Tenderness came out,
and the main theme of the song's melody reveals the
coincidence of the first nine notes with a musical phrase
from the third movement of Benjamin Britain's Simple Symphony, first
(36:16):
performed in nineteen thirty four, although it was written in
a different key, with a different meter and signed with
a different author name. I think it's coincidence. Never mind,
the singer herself cried when she recorded this song because
her voice made the song airy and non earthy. This
(36:39):
song and instrumental composition Tenderness was included in the album
of the Belgian musician and composer Francis Goya. It was
a tribute to Alexandra Pamoto or a dedication to her.
Published in two thousand and two. Tenderness is a spell
(36:59):
of a woman, a loved friend of a pilot who
awaits his return. A pri stillistibil zimbil cacunius can cut
(37:29):
your soul for as.
Speaker 13 (37:33):
Ushavard list of sad.
Speaker 1 (37:40):
He could not suspic salt tax.
Speaker 11 (37:46):
Tuikpostnisibi nostibility by zero woosly so you nests.
Speaker 6 (38:06):
Taksha boost the willa similar.
Speaker 1 (38:13):
He cocdol little susy.
Speaker 11 (38:19):
Tugshapalist off sudden.
Speaker 10 (38:26):
Keep me do like see what similar.
Speaker 5 (38:32):
Copiet Disney w but cole.
Speaker 11 (38:39):
In allst disease me the sy you news.
Speaker 12 (39:39):
Purstie legistibil zubilon.
Speaker 1 (39:47):
Isli bus stacy
Speaker 3 (40:02):
Inst
Popular Podcasts
On Purpose with Jay Shetty
I’m Jay Shetty host of On Purpose the worlds #1 Mental Health podcast and I’m so grateful you found us. I started this podcast 5 years ago to invite you into conversations and workshops that are designed to help make you happier, healthier and more healed. I believe that when you (yes you) feel seen, heard and understood you’re able to deal with relationship struggles, work challenges and life’s ups and downs with more ease and grace. I interview experts, celebrities, thought leaders and athletes so that we can grow our mindset, build better habits and uncover a side of them we’ve never seen before. New episodes every Monday and Friday. Your support means the world to me and I don’t take it for granted — click the follow button and leave a review to help us spread the love with On Purpose. I can’t wait for you to listen to your first or 500th episode!
Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.
The Joe Rogan Experience
The official podcast of comedian Joe Rogan.