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June 6, 2023 114 mins
Inner Journey with Greg Friedman welcomes Kaliyani Sundari. Kaliyani is a spiritually inspired visionary. As a producer, artist and founder of Stargate Alliance Films & Media, she inspires humanity through offering alternative visions, information and empowering tools for self, as well as for global soul transformation.

It is Kaliyani's dream to offer her Self as an instrument for the betterment of humanity and uplifting of consciousness on the planet.

Her deep heartfelt connection with Source is the driving force and fuel in everything she co-creates and assists in bringing forth.

You can find her music and so much more at: https://kaliyani.com/
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Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
(00:03):
Hi, this is Greg Bryden,Jack Canfield, Marian Williamson, James Van
Prod. Hi everyone, this isNeil Donald Wolfs and I'm happy to tell
you that you're listening to Inner Journeywith Greg Friedman. Stick around. Your
life could change any minute. Welcome. You are listening to Inner Journey with

(00:23):
Greg Friedman on k x F Mfour seven, broadcast from Laguna Beach,
California, all over the world.If you can't find us live on FM,
check us out on streaming on everyplace, from iHeart to any major
streaming platform. All Right, youguys, you know the gig, sex,

(00:44):
relationships, dream interpretation. We talkabout everything. We don't tell you
what to do, and we don'ttell you how to do it. And
there's one very good reason for that. It's not our friggin lives. It's
your life. It's your choice,it's your happiness, and it's your love.

(01:04):
So what do you choose? Doyou choose the day's divinity, choose
the moment's divinity. Do you chooseto be in alignment, or do you
choose to swim upstream? It's entirelyup to you, and all we do

(01:26):
and all we want for you isto help you realize that you are the
magic and we just help you seeit. And we'll be back with more
Inner Journey and our guest Kailani afterthis. Hi, this is great Braden

(01:49):
and you're looking to Inner Journey.Oh, no morning, I'm an ego

(02:13):
hell i ever I am. Ilove playing a Delo Smoli any more than
I'll be also your son? Whatdid I went to? And the makeup

(02:36):
I'm almost said, until I'm gonnamake us I have one up? U
s theod ike. I don't knowthat somebody go from my hat to you

(03:19):
body come from my love. MyFrancisco let given the tool said yes,
don't get it. I went tosee I can't get it at all,

(03:40):
and no, Mam said, Itell like one candore, we done.

(04:46):
Welcome back. You are listening toInner Journey with Greg Friedman on k x
FM. Social media is Inner Journeywith Greg Friedman and the website Greg Friedman
dot com. I wonder how Icame up with that crazy all right,
y'all you know during the song breakwell, let me let me talk about
it this way. When I firststarted doing this program a long time ago,

(05:12):
I would write out monologues pages andpages and pages, and then I
turned it down to paragraphs. ThenI turned it down to bullet points.
Then I turned it down to decidingwhat I wanted to talk about. And
then I just turned me up insteadof turning everything else down. And I
walk in and every single week thetopic offers itself up. If you are

(05:39):
in alignment, if you are listening, then you were going to be aware
of what's presented to you. Andeverything that is presented is not an obligation.
You've heard me say this a gazilliontimes. One of the greatest gifts
that we have is the g ofchoice, and yet we abdicate that gift

(06:04):
so often. We're so afraid ofthe responsibility of our choices and fear.
More than any other energy on thisplanet is contracting where love is expansive,
and the more you open yourself upto love, the more it's going to
become evident when you are both inalignment and out of alignment. And one

(06:30):
of the things that I've found,the more in alignment that I get,
the more it feels like a twoby four upside my head. When I'm
out of alignment, it becomes moreabrasive than it ever used to be.
And that's because before I had layersand layers and layers. Think about a

(06:55):
night in armor. It may beshiny, it may protect to a certain
level, but I'm going to telly'all, it gets stinky in there.
And you can never have anybody hugyou from in there. You cannot be
touched and you cannot feel, andat some point, in order to really

(07:16):
experience being alive, it's a necessityto take off the armor. You are
going to feel more, and you'regoing to feel more, not only on
the level of pain or suffering,but you're going to feel more. And
this is the screwed up thing aboutus humans. You're gonna feel more happiness
and more joy, and that feelingoften frightens us as humans much more than

(07:44):
it ever does to be feeling pain. Just think about that. We are
shifting. This universe is shifting inour lifetimes more rapidly, more graphically,
more viscerally than we have ever experiencebefore. We are coming into a time

(08:05):
where we're going towards instead of runningaway from. And that is very exciting
and that is something to look to, and that is something to fall in
love with, not something to beafraid of And that song that we just
played was from Lowe Super seven andDon Foster is coming on to talk about

(08:30):
low Super seven doing a charity eventand so much more. Right after this
break, you're listening to Inner Journeywith Greg Friedman and we'll be right back.
Hi. I'm Caroline Math and you'relistening to Inner Journeys with Greg Friedman.

(09:00):
My love, love of money,my love love. But listen,
seers, who's not your buny bysee? I don't even what he said?
What he said? What he said? So mighty little you're money,

(09:24):
don't I'd be done, God bedone by bye m bye by But my
lot love money, mustiness and wholoves you by by la la myness is

(10:37):
from ba Yeah, baby, welcomeback. You are listening to Inner Journey

(11:37):
with Greg Friedman on k x FM one O four seven. Check us
out on I Heart, check usout over the air chest check us out
already? Will you all right?True night, We're gonna be hanging out
with a lot of very special people. First on is Don Foster. Don
Welcome to Inner Journey. Greg,Thank you so much. I'm really enjoying

(12:01):
the show. I'm glad to hearthat now there is a reason we played
low Super seven and we played LaBamba just now done. What's that reason
again? That is our second annualConcert for Democracy, which is coming up
on Friday, not this coming Friday, but the one right after it,

(12:24):
June sixteenth, at the Ukrainian CultureCenter in La and East Hollywood. It's
a as it turns out, it'smy organization is called Texas Turnout. We're
a voter registration outfit, nonpartisan nonprofitin the Texas Rio Grande Valley, and
so we're celebrating our second year,their second entire full year registering eighteen to

(12:50):
twenty four year olds. I'm gonnaI'm gonna jump in here, don The
reason I'm jumping in is you're soexcited about this. And I love that
you're excited about it, but Ineed you to slow down so people could
hear what you're talking about, allright. It's that it's really important because
what you're doing is you have afive O one C three, you have

(13:11):
a charity, and you are goingout to get people to vote. You're
getting people to be registered to vote. Why is that so important? I
think you spoke to it earlier,right, It is the gift of choice.
It is our power, it isour agency. And what we are

(13:35):
hoping to do in the Valley isto empower people, to turn them on
to the power that they have toinfluence their community and to help their neighbors.
And that one of the ways,obviously that is done is through the
power of voting. And we havea every district, every state, every

(13:58):
nation has a constituency, and thatconstituency is perfectly represented across the demographic spectrum.
And unfortunately, we are at apoint in our politics we've never been
too far afield from this where ourelected representatives and our legislature does not always

(14:18):
reflect the demographics of their constituency.Among other reasons are that the poorer you
happen to be, and the youngeryou happen to be, the less likely
you are to vote, the lesslikely you are to feel agency. Okay
and done all of these things fortunatelyor unfortunately right now. And this paradigm

(14:41):
takes some money to run, andthey take some money to get people to
get out there and get the votegoing. But you're doing something that makes
it really fun to be able toparticipate. What's that? That is what
I was speaking to earlier and thankyou very much for phrasing it that way,
because our motto is we bring joyto the good fight. We bring

(15:05):
joy to the field, knocking ondoors, going into high schools, registering
kids, informing them of their theirvoting rights, their voting ability. And
our fundraisers, our fundraisers are notwhite tablecloth, fancy sit down things,
but they are things like this eventon June sixteenth that we're having at the

(15:26):
Ukrainian Culture Center, which is abig twenty fifth anniversary of Low Super seventh
concert. And we're not going tooversell the place. We're going to give
people room, a little elbow roomto dance. This is our second time
we've invited Low Super seven out andnow word has gotten out because we have

(15:48):
special extra guests who will be participating. It's very exciting, it will be.
The show will start seventh around seventhirty. You know, rock and
roll time. Count on it startingat eight o'clock on Friday. Uh,
we've it's it's a mirror. Fortydollars. Tickets are available at Texas Turnout

(16:10):
dot org. If that's our organizationsdot org. Say it one more time,
a little bit more slowly again,please you bet. Thanks for staying
on me about that, Greg.It is Texas Turnout dot org. And
where is the Ukrainian Cultural Center.It is at forty three thirty five.
I believe Melrose East Hollywood. Ishould know. I drive by there all

(16:33):
the time. We're as long aswe're somewhere in Hollywood. We groovy.
It's okay you Oh, I loveit. I love it all right?
Give the pertinent information one more timeif you don't mind, please absolutely the
event. Let's count on its startingaround seven thirty on Friday, June sixteenth.

(16:55):
It is Los Super seven, whichfeatures members of Los Lobos our Rosas
David Hidalgo, Steve Berlin, aswell as Rick Travino, Ruben Ramos,
Gabby Moreno, Dave Alvin, membersof Cambolachia Gabby Moreno if I didn't say
Gabby, and then be accompanied byVan Dyke Parks. Okay, and the

(17:21):
website one more time is Texas Turnoutdot org. Perfect, Don, thank
you so much for what you do, and thank you for taking the time
to share with us. Thanks forletting me be here really enjoying it great,
absolutely a pleasure. All right,you guys. I only have people
on that are doing good things inthe world. Your voice matters. When

(17:44):
one person stands up, they getknocked down. When two they probably are
still going to get knocked down.But if enough of us stand up,
then there's no other alternative but tolisten. We'll be back with more Inner
Journey right after this. M M. The World's tea. The turn's waying.

(18:22):
Do I trust the fun? Let'scooling me down and do so?
Lay cold sun snow, good men? What I'm here to know? A

(19:00):
saint? You about? Can meas I learned? You love this out?

(19:33):
I've touched you him your fee I'llbe a brushed. I'm steep the

(19:57):
door you love. The place issurrounder eye surround eyes surrounder usanbo bo care

(21:00):
to blow about? Learn to loveabout the time? Welcome back. You

(22:44):
are listening to Inner Journey with GregFriedman on k x F M one O
four seven, broadcast from Laguna Beach, California, all over the world.
We have an incredibly special guest withus this evening. Kaliani is a spiritually
inspired visionary. She's a producer,an artist, a founder of Stargate Alliance

(23:10):
Films, and really it's we're talkingabout this before the show began, and
I love when people respond this way. What she wants more than anything is
to inspire, to help you bedriven, be excited, to be the

(23:33):
best version of you, the mostexcited alive, not just relegating yourself to
an existence version. Did I oversellit? Or is that pretty close?
Now? You're right, You're righton. So I am going to begin
how I always begin. We havehad authors and artists and shaman and medicine

(23:56):
men and people of service of allkinds, of different walks of life,
everybody from Carolyn Mace to Greg Bradento James Van Prague, all over the
board. To a person, therewas an event or a series of events
that acted like a catalyst to thrustthem on a very important aspect of their

(24:17):
journey. Now, when I talkedto you about this before the program,
you said, choose a card,any card, which one you want me
to talk about? And I said, it's up to you, so tell
the story you want to tell.Well that it was nice that you prepped
it that way, because you know, there's so many aspects of my life
and a few catalysts, but Ithink at the bottom of it all is

(24:41):
my relationship with spirit, and oneof the most incredible events that happened.
I was very young. I wasabout eight and a half years old.
I came home from school and Iwas a super active child, super sugar
active child. I used to nevereven walk on the floor. My mother

(25:02):
used to say, it's like walkfrom furniture to furniture. And my best
place to play was on top ofthe wardrobe. Sometimes my grandma would go
around calling my name, and Iwould just like pretend I wasn't there.
I just didn't want to be disturbed. I just like to be, you
know, somewhere else. And Ilove climbing trees and being on top of

(25:26):
buildings, and people would have tocall, you know, my my mother
or my grandma, come see this, she's walking on top of the building.
Right. But one day I justgot home and I just do nothing.
I just go, you know,straight to my bunk. Bad.
I was all of course I pickedthe top. Of course it's during the
bottom. So I go to thetop of the bunk. Bad. I

(25:48):
lay down and I just look atthe ceiling and I start to feel my
body kind of come out of mybody or something, and I just I
just didn't see the ceiling anymore.I saw the universe, and then I
was taken out into the cosmos,you know, and there was this curious

(26:15):
question rolling on my head, whichI think started everything. You know.
There was this question of what wasbefore this? Where am I? And
what was before now? And howwas the world way way back when,
way back when, so and asand and as I started to see,

(26:41):
um, you know, the Earthfrom above, um it looked older,
like greener and and and I keptgoing farther back and farther back, and
the question showed me before, Ishowed me before. The more I that
question rolled, the further back Iwould go. And then I started to

(27:02):
see other planets in the Solar System, and the questions still line and and
then UM started to see um,um, the planets pop. This planets
pop, pop, like disappear becauseI was like, what was there before?
And so then I saw galaxies everywhere, you know, and then those

(27:23):
galaxies started to pop, like Ijust in stars. I'm in the middle
of the cosmics, right, andyou're eight or nine at this point,
yeah, yeah, and um,and then I everything disappeared, and the
questions like but before, It's likeI was intensely you know in this quest

(27:45):
for like until I found myself inthis black void and I thought to myself,
and I was very spiritual. Mymother taught me to pray when I
was like, yeah, in thecrib literally I remember, you know,
crying because she was teaching my sister, who was two and a half years
older, the sign of the Cross. And I started to cry and she

(28:06):
came to me and I grabbed herhand. I could barely speak and smeared
it on my face because I wantedher to do that. And you know,
she's mild, She's like, okay, you know, but I couldn't
even speak. And then she taughtus to pray, pray, pray.
I prayed a lot all my life, you know, and I think this
curiosity about God and spirit, youknow, it was very remarkable for me

(28:29):
for who I am, how youknow, my soul. So in this
event, I said, well,this must be where God is because I
was in this black void, right, I said this must be where but
there was nobody there but myself.Right, I said this must be where
Goddess. And then I, inmy innocence, fearless, completely fearless,

(28:51):
showed me before God. Oooh okay, yeah, that's always a good one.
When the hair on me on myarm stands up, that means we
go and place. Because I keptsaying he showed me before, and I
was like, I didn't have anyfears, like show me before, God,
Oh my god. Okay. Icame flying down speed that was incomprehensibly

(29:17):
back into my body jeep and Ilanded and I sat up on the bed.
My heart was bounding bound and Iand I opened my eyes, and
I had no idea where I was, who I was, what that was,
what anything was? My complete erasureof my memory and relationship to anyone

(29:41):
or anything. And I was terrified. It wasn't a blissful experience like oh,
I lost my identity and now I'mone with the universe now. It
was like where the who the am? I had amnesia? Like and I
did know what to do. Iwas staring at my bedroom, not knowing

(30:03):
what a wall was, what wasthe name of a door or a window?
There was nothing in my mind.I didn't know I had a name
or even names existed. Do youunderstand what I'm saying? The profoundness of
complete loss of identity and memory andanything. I never remember. I had

(30:25):
a grandmother, or mother or assistednothing, No grandparents, grand grandfather nothing.
It's all gone. You can't leaveus there with all gone? Where
did we go from all gone?Well? You know, it was terrifying.
I don't know how long that lasted. Eventually I found my way down

(30:45):
to the floor because I was onthe top bunk, and grabbed the door
knob opened it started running. Istarted running. I ran out of it
was an apartment building, and Iran down the stairs and I ran to
the street and I started to run. I was I just didn't know what

(31:06):
to do. I started to run, run, run, run, and
I then I started skipping and hopping. I don't know, I think,
you know instinct because I just wantedto find out what's happening, and I
wanted to belong. There was asense of like something is not right?

(31:26):
Is it? Wait? So thatbrings that's curious for me. Well,
first of all, you went fromrunning to skipping and hopping. So was
that transition from fear to joy onany level? Or was that just help
me understanding? No, it wasn'tjoy. I was terrified still, I
was trying to make something happen,like I just you know, And eventually

(31:52):
I started to remember and to havea memory of a connection in the heart,
to remember my mother that I hada mother, to remember my you
know, my grandma, and myname. Oh, my god, Ah,

(32:14):
there was a relief. You know, this was a question that for
my entire life. I was soterrified that I thought if I told the
story to anybody, they would thinkI was crazy. You know, I
just wanted to forget and I carrythis for for years decades. Did you

(32:35):
ever tell it? I mean,obviously you did. When did you tell
people? You know? I andI think it's two thousand and eight.
I during my USM program Vercial Psychology, I I started to remember the event

(32:57):
right. It's almost like I amI'm because I was digging so much memory
right right, and trauma and releasingit. And then in twenty ten I
met Himalayan Guru and I felt comfortableat the time to share that experience with

(33:17):
him because I still did not understand, well, before you tell us what
he said about it, I wantto know what you thought about it from
before you heard anybody else's feedback.I just thought I had, um,

(33:38):
you know, like an an astroprojection of some kind. That was my
simplest explanation, and it was definitelyyou know, um it was. It
was a question mark for me fora long time. Do you want my

(34:00):
two cents? Before I even hearwhat the Himalayan person said. So I
teach often according to the Native Americanmedicine wheel. On the medicine wheel,
every cardinal and there's in between aswell. But every cardinal direction has a
people and energy of plant life anda mineral life, so many different qualities

(34:24):
about it. And you go aroundthe wheel and everything has something, and
then you go to the center.The center of the wheel is the void.
It's the place of nothing and thereforethe possibility of everything and anything.
It's the place of alchemy. It'sthe place of wizards and magicians and shaman

(34:45):
and medicine men and mythical creatures.So much that is in the process of
birthing and as a part of youryour journey. From what I'm hearing,
you asked for that. Then youasked for more. Most people don't have

(35:08):
the waves or the energy or theconsciousness to ask for more. And you
were very fortunate in that you gotmore. And what you got is you
asked to go to the place wherethere was no God, there was no
universal energy. And from that placeyou got to a place of nothing,

(35:32):
no identity, no being, noconnection, no relationship. And so much
of who we are on this planetis experiential developed through relationship. And you
requested that experience and you had whoa, you better be careful what you ask
for, a girl, and andso you got exactly what you asked for.

(35:59):
Absolutely. Now tell me what thedude in the Himalayas said. He
said, I had a spontaneous nervocalsomebody experience. Okay, no, no,
no, So what's your first ofall? Will you speak up a
tiny bit please? You're very Yeah, I'm very self spoken. I apologize.

(36:19):
I'll try my best. Thank you? All right? So you had
a what nervocalp somebody and contain hisnervocalp somebody experience experience. So what you're
understanding of what the heck that means? Um? I think it is.
Um. You know, there's ifyou if you ever studied somebody class classifica

(36:45):
issue. I think it's the secondor third from the top one, the
the maha soboti or something. Yeah, I don't know, you like or
something or other. I read hisbook. So I went to check it
out. But you know, Ithink it does this classification stuff, it's

(37:07):
really not relevant. I feel likeI'm not asking you to classify it.
I'm asking you to communicate your understandingof because yes, I understand where you're
going in that there are some thingsthat if you put into verbiage only makes
them, they only diminish them.Yeah, however, this is what we

(37:28):
got for now. Yeah, we'removing into a different age where glyphs and
frequency are going to be more ofour communication devices. But we ain't there
yet. So will you indulge meand to the best of your abilities communicate
what that experience was to me.I feel, you know, as I

(37:52):
matured and I came to be morewilling to look back at it because I
all of a lot of trauma fromchildhood and I didn't feel responsible over anything,
or guilty or anything. So Ijust I figured why last question before
I came back down and was completelyno no identity whatsoever, was show me

(38:17):
what was there before God? Sothe answer was this nothing in us right
the void. So it was ananswer to my question. They didn't take
me to Paradise or take me toso whatever. It was just black,
you know, and I realized thatbefore God, there is no sense of

(38:42):
exactly what you said. Relationship Godis in relating, in belonging and feeling
your heart right and being in connectionand having a sense of meaning. Because
what terrified me is that nothing hadmeaning. I was walking and running in
a body at the same time,in a vacuum of existence, you know,

(39:06):
And this may parallel whatever some peopleactually live, like, oh yeah,
I'm absolutely sure it's that people.I mean, so often, because
of a multitude of different factors,we are being encouraged to be zombified.
And also we relegate ourselves to thatbecause again, fear it contracts us to

(39:30):
the point where what we want isto not feel, to not experience,
to not relate, to not love, because all of that happiness, all
of that joy is to a lotof people too much responsibility, too much
to hold, too much to breatheinto, too much to celebrate, and

(39:52):
it becomes overwhelming. But what peopledon't understand is, baby, you don't
have to eat the whole cake inone sitting. You can. You know,
the way you eat an elephant isone bite at a time, and
what you can do is taste it. And it's what I always say,
with this show, try it on. If it works for you, groovy

(40:13):
and if it doesn't, throw thatsucker back up on the shelf, like
it's a piece of clothing that youtried on and said, what the heck
was? I thinking, it's nomore, no less. And if we
could just if we could just giveourselves the allowance to not be caught up,

(40:34):
because the the paradigm of right,wrong, good, bad is false.
If we could just understand that aswe grow into ourselves, there is
what's appropriate and what's inappropriate, andwhat may have been appropriate in the last
second literally may not be right now. And if we could give ourselves that

(40:55):
kind of an allowance, then wecould maybe reach for a relationship with ourselves
and with others. I know,I just went on a tirade. Sorry
about that. I do that fromtime to time. So here you are,
you're running down the street, you'rehopping, you're skipping. When did
you How did you get back intoyour body? How did you get back

(41:17):
into this plane? This existence?You know, it's it's you know,
I don't want to flower it.It was very simple. I was back,
and I was so glad to beback. I was so glad to
know that I belonged somewhere, thatI had a mom that loved me,

(41:39):
that I had a family, thatI had a name, and that I
had a reason to exist, andthe things had meaning. I didn't start,
you know, I didn't grow specialgifts or visions or anything like that.
But I continue to pray, andI became intensely, intensely curious about

(42:04):
the nature of reality and spirituality.And I was a bit of a mystic
child. And I read the wholecollection of Kaludubrun because my mother's a big
fan. When I was like twelvethirteen, you know, yeah, people
would look at me, going,you're reading what Kaludbrun? Yeah, the
prophet. It's like, you know, it's just it's profound, profound,

(42:29):
transforming book. And I read itas thirteen. And then Brasil's a very
mystic country. There's a lot ofspirituality. You know, it's Catholic country,
but it also has you know,there's a long cardax spiritus, which
is profound. You know. Ifyou guys have not seen the movie Astro
City, Astro City Unbelievable, Yeah, it was distributed by Universal Studios of

(42:51):
Brazilian film about the nozzola, whichis how we say it in Portuguese.
But it's a huge spiritual sacked thata lot of members of my family would
from time to time attend and takeus. And then there's the African heritage,
which is the um bunda, youknow, and and and there's um

(43:14):
you know, drum trance dancing.I went to those things. Then I
visited as a I grew up,got a little more independent. As a
teenager, I visited Rosa Crucian centers. I wanted to eat up everything.
I read a lot. I wasnot a normal teenager, never went to
the movies. People wouldn't my girlfriendsand guy friends like I let students think

(43:36):
I'm kind of busy reading. Youknow. My Muther's like, what do
you want for your birthday? Youknow, your Forteketh parthday. I want
to become a member of a bookclub. Isn't that what you want?
Yeah? Then I was reading IsaacEismov, you know, choose the Catastrophe
and um, you know, withthe God's Astronauts, you know, like

(43:57):
I have those books in Portuguese stealsstill to previ this is it um.
It's like a cherished you know,keepsake that I have. Anyway, I
was devouring all this information. ThenI started reading. I dove deep into
tarot calligraphy analysis, um ki romancy, which is reading palm. I was

(44:19):
obsessed with your coat, what's behindthe veil? Um. I did yoga
like um, you know, withrosa Cruscian master actually um, and he
just called everybody a little angel,and he read the Palm of my Hands.
And he had a library from RoseCrushian Library. They had three shelves
that the yogi you know, theyoga students could go and pick from.

(44:44):
But he said, you know,you have to start on shell number one,
number one, you know. AndI every once in a while I
would sneak like one from shelf toon. No, and I said,
but one day I did. Ijust picked one from shelf three, you
know, and I took it home. But yeah, it's this is me.
I just wanted to know, wantedto know, wanted to know,

(45:07):
and I wanted to experience it.And I guess, you know, there
is one other experience that Okay,yeah, was a catalyst, A huge
catalyst as an adult, you know, as my life proceeded and I came
to the United States, when Iwas in college, I got married and

(45:27):
then you know, I was marriedfor sixteen years. We're together sixteen years.
We're a year and a half notunmarried. But he asked me to
marry him a week and a halfafter he met me. That's what I
had to get to know you anyway. So we had four beautiful children,
and it didn't work. And youknow it worked, it worked, yeah,

(45:51):
it worked. It did until ituntil you just as we had to
move home, one had to haveits own home, right, That doesn't
mean that it didn't work. AndI think people get caught up in that
too often. It's a we werehere, yeah, you know for a
moment, a day, a year, or a lifetime whatever. We're here
for a reason. And you knowwhat, when that is played out,

(46:12):
that's okay. And there was alearning and an exchange of teachings. You
know, we both learned from eachother, you know. Yeah. So
after the ass the as the powerscrumbling, right, and and I realized
that, you know, it's it'sthe end of the road. And you
know, I married somebody who wasHe claimed to be an atheistum. He

(46:39):
was born from a Christian mother anda Jewish father, and he was caught
between and in the end he thought, you know, religion's crazy and he
has no reason to believe in anything. But he was reading a book about
God as first bleeding Bee. No, he was an agnostic in a sense,
and you know I stopped, youknow, I had him my mystical

(47:05):
side from him because I was afraidto create, because they said religion the
worst things. Sixteen years you weren'tone of the greatest aspects of your being.
I sat on the spring. Butthe good part is, well,
I was, you know, thisside of me became. I became really
grounded, and I had kids,and that to me is a prayer when

(47:29):
you love your children and you're havingyou know, I was completely devoted to
the family, and to me,that was my new form of spirituality.
Well, I think it's important tolearn a normy life in order to be
spiritual, because we're here on thisplanet in this form to participate of earthly

(47:49):
delights. And you know, ifwe're going to just be ethereal, we're
missing out a great aspect of thisjourney for ourselves. But here's what happened.
Um as the car is crumbling,I felt this intense desire to pray,
but I didn't want to pray allthose five six prayers my mother had

(48:13):
taught me, you know, thatwere very classic Christian prayers, church prayers,
and I wanted something different. AndI remembered um a prayer I had
heard growing up that was very long, and I thought it was the most
beautiful prayer I've ever heard. It'scalled Kaditas Kaditas prayer. You guys can't
look it up. I think it'sit came from somebody wrote it in France,

(48:40):
I don't know. Yeah, andand it's one of the most beautiful
prayers I've ever written. And yeah, it's it's just beautiful. And I
called home and I wrote it downthree page long paper by hand, and
I did it every night and everymorning, and the last thing I was

(49:01):
guided to before after I took myfeet off the ground, and I was
not bad. I would just readit off the paper and I did that
for weeks, and before I gotup in the morning, before I put
my foot on the ground, Ihad to do it. So I did
it twice in the morning and atnight for several weeks. I don't even
remember how many. But eventually whatstarted happening is I started having these visions

(49:27):
and dreams. It's about this beingthat was around me and I never heard
of it, and you know,I would see it through the glass windows.
You know, we had a sunroom and there were glass etched glass
windows, and I would see thisGeisha Geisha woman on the other side,

(49:47):
and you know, and I startedgetting like, you know, tupping on
my shoulder, you know, likeand and a lot of strains, synchronicities
and dreams, you know, orshe would appear in one dream, you
know, she appeared in front ofme and I had blackbirds fly over my

(50:08):
head and her head turned three hundredand sixty degrees and she had laser eyes.
Her laser would zap all these blackbirdsflying. It would disappear pulverized.
Yeah, okay. And I atthat time, I was also fascinated with
this jewelry that had wings, youknow, from this designer from from Bali

(50:34):
and I had been mystified because ithad Egyptian things on it. And then
I saw this coiny and pendant youknow, that is she and I came
to the spending. You know,it didn't have any colors, it was
completely transparent, it had no wings. I usually would spend a long time
looking at them feeling and had allcombination of crystals. Each one. I

(50:59):
had a man message. I wasjust like, you know all this and
when I saw this one on topof actually a large clear crystal courts and
it was a clear crystal medallion withoutanything. It's plain as plain as could
be. And I said, Kate, Kate, you know who actually moved

(51:21):
from where she was, which wasjust a kiosk on the mall, and
now she has a store in Venice. You know, it's a beautiful store.
Um. And I said, Kate, what what is that that rock
up there? Said, Oh,that's a Queyan medalion. I said,
what is Quinnyan? Is this twothousand and three? Yeah, with all
that I had read, it wasmore like, you know, Western mysticism,

(51:45):
that I was into an African herddudgeon. I did, you know,
you know, a lunkrdack and allthat. But I never got into
the East, right, I wasa virgin when it comes to the East.
So this is two thousand and threeand I'm like, and she says,
oh, it's a Bodhisattva. Isaid, what is bodhisatva? Oh,

(52:07):
it's a being that is in betweenworlds, not here and there.
It's like, you know, andI'm like, what is that? And
so I said, well, um, can I see the medallion? And
she said yeah, let me goget a hook because she had to bring
it down. And this lady comesnext to me. I got like,

(52:27):
how much is it? And Ilooked at her. I said, how
dare you? I said, Isaid, Kate, I'm taking it.
I didn't know what it costs.I had never touched it. I had
to have that medallion, okay.And once I put that medallion on,

(52:47):
I couldn't take it off for months, you know. And the whole marriage
fallen apart. And I traveled toBrazil to tell my family, you know,
I'm getting divorced. So I takethem a dealing with me and I
said, mom again to Brazil,I want you to take me to her
shaman because I want a talisman,you know, to protect me. And

(53:09):
how was she about that? Imean, was she okay or it was
fine? She just said, honey, I don't know any shaman's. I
said, ask your friends, Brazil'sfool shramans. Somebody must know a sraman,
you know in Brazili called paijsanto youknow Saints father um or Saints mother,

(53:30):
you know um. And she calledaround and she found one and I
went there and he was doing thequarry shells and readings like no, I
don't care, oh because it happened. I said, I don't care about
the story. Did my mother tellyou why I came? Did you make
it the talisman? And he's lookingat and being like whoo she what is
she doing? I said, Iam here for the talisman because i'd demanded

(53:54):
protection twenty for seven. I'm achild of God. And I put my
fists on the table right. Mymother is sitting over there and she goes,
honey, why are you doing this? Is a doing what she said?
You're holding her pandant away. Iwas with my left hand holding the
pendant away from my chest and talkingto him like this, and I said,

(54:16):
and I didn't realize, so Ilooked down and said, oh,
I don't know, and I think, oh, it was burning my skin,
was it? And she got up. Yeah, it was burning so
much that I could not bear.But I wasn't paying attention. I just
lifted off the skin. My mothercomes and she she says, let me
feel and she puts the hands soit's cold, and I just shrugged,

(54:40):
yeah whatever, and I moved.I didn't give it much thought because there
was so much drama happening in mylife at that time. I wasn't doing
it like, oh, yeah,this is a spirit talking to me.
I just know I couldn't take thatnecklace off for some reason, you know,
And I just I felt it burnedwhen I said here, because I

(55:01):
need a talisman to protect me andmy children twenty four seven. I'm a
child god of God, and Idemand protection. I deserve an edman protection.
And that's when the medallion was burninginto my skin. I had to
lift it to talk to him.But I you know, I was on
the autopilot basically and just and mymother was the one who noticed. So

(55:22):
that began this incredible journey of myrelationship with Quinnian. Perfect way to end
for right now, because believe itor not, we have whipped through an
hour. So two things I wantfrom you, if you don't mind,
please, I want you to giveyour website out because I want people to

(55:45):
understand that you have so many differentofferings and one of the things that we
haven't even touched, your angelic voice. I mean it really is. And
you never sang before or you werenever trained before. And wait till you
here. So your website is Kalidot com ka a l I y a

(56:08):
n I, and you guys aregonna find it on my social media,
so don't worry about it. Spellit one more time, please, k
A l I y a n I. And we're gonna play a little excerpt
from something you did called Temple ofGoddess. She's shaking her head. No,

(56:30):
go ahead, I didn't create anythingabout him. Oh you're talking about
Oh that's not a song. That'sno, it's not okay. And we'll
be back after the top of thehour. Hello, oh come, I

(57:20):
like now she go to h anaspect of me and of my heart.

(57:43):
She's my mother, my angel.There was no Suppi di f song di
Luisa accomplishing at the time. Ihad very young children, and I had

(58:16):
a nanny helping me. I hadfour children. And one day she told
me the Buddha Lady is with me. I see her around you. And
I said, what do you mean, and she said, well, she's
protecting her. You know, Isay, the lady appeared to the Lord

(58:37):
and the lady appears, and Iprayed in the Western world, in the
Western prayer, and the East showsup. And I think this is a
clear sign to me that the timeshave come and the reintegration of the feminine
is unstoppable. There's nothing that canstop it. It's unavoidable. It's gonna

(59:04):
permit everything. It's part of everything. I was being taken on a journey
not to become a singer, andI still don't want to do this.
But when the mother wants me tosing, I sing, you know,
just like drawing it and drawing itin. I can do this. I
can do this. I can dothis. I can do this. I

(59:28):
am doing this. You and Iare one. I'm doing this for you
now. And it's like everything disappears, you know. K x r N

(01:00:04):
LPGA member supported k x FM onone h four point seven k XFM radio
dot org. This disclaimer is astatement notifying listening audiences that any opinions expressed
in our shows are not representative ofLaguna Radio, Inc. Its management,
or its board of directors. Myname is Greg Friedman. I am a

(01:00:24):
modern version of those that have existedin every culture. I am a guide
for years, I have taken peopleall over the world to work with indigenous
elders and exotic locations only to showyou that you are the magic and we
just help you realize it. Itcould be terrifying to look at our fears

(01:00:45):
and sometimes even more so to lookat our strengths. I take you out
into the wild, into the unknownfore an Inner Journey. Yeah, baby,

(01:01:10):
welcome back. Here we go.You are listening to Inner Journey with
Greg Friedman on k x FM oneoh four point seven broadcast on air in
southern Orange County and all over theworld streaming. And I think Aliyah for
joining in and listening in. Andwe have a very special guest this evening.

(01:01:35):
What's you'll name again, girl,Kalliani Kalianiki. So there are so
many things that you have done,and one of them that we didn't even
touch on in the first hour atall because we were busy exploring so many
of your mystical experiences was singing.Now, you have said all along that

(01:02:06):
you were here to inspire, Youwere here to bring light, to bring
people into their own version of beingalive. And one of the ways that
you do that is through your voice. But you never had any formal training.

(01:02:28):
You were never a singer. Isthat correct? That's correct. After
I recorded the Moose invocation, Iactually took maybe ten lessons vocal lessons to
see for you, you know,I felt like I need to I need
to know what singing is like.But the truth is, you know,
I dropped out after a while.I thought, you know, this is

(01:02:51):
it's probably never gonna happen again.And you know, I'm just gonna it's
silly. I don't want to bea singer anyways. Whatever, and then
here comes, you know, tearsFreendonna, and then here comes because you
know, the invitation comes from spirit. And I think the most important thing
first to understand is do not beafraid. And I don't care if you're

(01:03:15):
eighty five or ninety, if you'realive and you're feeling the time is now,
just do it, say yes andfigure it out later. My favorite
Richard Branson cup quote. If somebodyoffers you an opportunity that you want to
do and you don't know how todo it, say yes and figure it
out later. Later, It's like, just do it, go for it.

(01:03:37):
There's a gazillion reasons why you can'tstepping out of the fear into the
courage. It's the most important stepin becoming all that you will ever be.
Yeah, And you know what thefunny thing is, you don't even
need to step out of the fear. If you just step into love.
Love for yourself, love for yourfellow and love for being alive, love

(01:04:02):
for the energy, the universal energy, all of this, then it's not
like you're going away from something thatothers. Something just dissipates, It becomes
unimportant, It becomes a figment ofyour imagination. And love is the cancelation
of fear. Period. And loveor is a passion for your cause is

(01:04:24):
love. So whatever's moving it toact on this passion that moves you is
what's going to be. It's thelove that's going to give you the strength
and the fortitude and the courage todo something you never did before and just
do it. Period. All right. So along those same lines, you

(01:04:46):
felt all this love and something saidsing? What said? Sing? What
did you hear? I mean?Out of what's the story? How did
that come up? I explain kindof the best way I can. It's
the hardest thing, you know,I I feel you know, I don't
want to mix up stations, butI um I feel everybody has their dharma.
You can't live somebody else dharma dormaand somebody else you cannot kind of

(01:05:09):
your dharma. And I think theuniversal lines of things, you know,
in a certain extraordinary way sometimes,you know. And what I was doing
is, um, I had thisfire burning in my ballet for Divine Mother,
you know, in in her manyfaces, you know. And I
think the carrying, the carrying archetypewas Kinyane. But I I dove deep

(01:05:35):
deep, I did um you know, Um. I wanted to make this
love that I felt for Divine Motherknown and her love known. And I
didn't know how to put it intowords. And you know, at the
time, I already had my productioncompany Stargeting Alliance. Oh baby, you

(01:05:57):
got to give a better plug thanthat, Stargate Alliance. Yeah, Stargate
Alliance. It's a fun story howthat name came to me too, it's
very yeah. Fun. Um.So I I thought to myself, I
want to create a documentary because Ihad already created a co produced a documentary,
Secrets of Love, which actually MaryanWilliams and John Gray, John Hageling,

(01:06:19):
you know, lots of incredible peopleare there. It was a lot
of fun. Yeah, I'd coproduced that with Bill Wade, and I
said, you know, I wouldlike to do a documentary on the divine
feminine and I just need I'm goingto emplode if I don't find a way
to express the beauty and the powerthat I feel coming from this. And

(01:06:45):
and because um, you know,I knew that by doing already a documentary,
I knew that the power of music. And I said to myself,
you know, um, it isthe soul of anything, you know,
of any media, visual media,everything has not sound or it's dead.

(01:07:05):
So I thought, you know,I was really in love with Lisa Gerard,
you know, and her music,you know, especially one of her
albums, I think, some ImmortalMemory something like that. And I thought,
you know, if I could justlicense or music, but it would
probably be a fortune, you know. And I went into this deep meditation

(01:07:27):
of state, you know, whenI was meditating a lot. You know,
I had done crea meditation at SRAF, you know, I volunteered there
for several years and Pacific Palisades andyou know, and during my second year
view of sam and following that meditation, whenever I wanted answers, it's just

(01:07:47):
it you know. So I gotthis download that I was going to create
the music for this documentary and Isaid, no way, now you are
Yeah. It was I love thoseconversations because everybody has. It's. The
universe goes, here's what you're gonnado, and you go the hell I

(01:08:09):
am, and the universe goes,yeah, yeah exactly, And I was
like, no way, I don'tknow. I no, no, no,
yes you are No, I can'tno, it's you know, so
you know, a little by littleI stepped out of the way, and
I said, let me see whatI can do. You know, of

(01:08:30):
course, the universe when I saylet me see what I can do,
the universe is bored. Everything thatI needed in front of me. Okay,
like what I mean, because youwent from I don't sing to here's
the entire universe for singing. Tellme how that worked. Tell me the
story. Okay, I UM.I was invited to a premiere of UM

(01:08:55):
of a movie, a documentary asspearsial documentary, and and UM on stage
at the end, you know,they introduced his story, the guy who
created out all the music for it, and and I said, you know,
I got that nudge on my shoulderthat the finger like it's him.
M I said, okay, SoI had to rush home. It was

(01:09:17):
eleven pm. They're still like onthe panel. So I gave the director,
which at the time was you know, a friend of a friend,
and I gave him the car mycard, Target Alliance his card. I
sa, kid, you have himcall me? Said of course, you
know, and he did and heleft me a message the next day,

(01:09:39):
and I did not know what tosay. I'm like, what am I
going to tell him? I'm crazy. It's a good start. So he
leaves me a second message because youknow, because the universe went, yeah,
yeah, you thought you'd get awayof ignoring this. I don't think
so. And I said, well, I just have to call him back.
And I waited a couple board days, like I'm gonna do it.

(01:10:00):
So I call him back and Iexplained, you know, I came over.
Then I went to his studio andI said, this is what I
want to do. And I said, but you know, I want to
be next to you when you're composing, because I need to make sure you're
doing what I'm hearing. You know, are you comfortable with that? He
said sure? And you know,he's really extraordinary. He's really really good.

(01:10:21):
And he just sat there and hesaid, just give me three pieces
of music that has some kind ofsoul tone of what you're looking for,
right, gives you the flavor,the flavor. So it was like three
and a half hours later after sittingwith him, he said, do you
hear what I hear? And Isaid, yeah, I do? Said
what are you gonna do with this? You know, because it was like

(01:10:43):
paper higher, like you know,I come here, you're composing it smart,
I'm gonna go home. Tell mewhat you want, you know,
And it was how I was,you know, And I said, well,
I'm gonna take it home. I'mgonna listen to it, and I'm
gonna try to sing to it.So did you ever say, I'm like
Carol, okay, shower. Iknow, it's crazy. That's why I

(01:11:05):
say people don't be intimidated that youwere not born in a family or musicians
or singers or like please favorite,follow your heart favorite. Bruce Lee quotes
is the difference between a master anda novice is the master has failed more
times than the novice has even attempted. Be willing to be bad, and

(01:11:28):
that's how you'll get good. It'sthat simple, all right. So you
got this piece of music, youtucked it under your arm and ran home.
I ran home. I didn't evenhave to have a busy life.
I had four kids. Uh huh. Is that the excuse you're gonna stick
with? Or is it that Isaid, I'm doing this for mother?
Okay, I am doing this.Uh huh. He was in love with

(01:11:50):
a piece. He said, ifyou can't do it, I know people
who would love to sing to this. So I said, okay, I'm
getting a shot. Hmm. Okay. So I went home. I mean
I would listen to it before goingto bathad. I would just put it
in my ears. The instrumental isso enormous. If you listen Namos Invocation
without my vocals, it's so busyalready. I said, how am I

(01:12:11):
ever going to find room for myvoice? I never knew how it's done.
I didn't know what, but Ikept listening, and he was like,
I just lad. It become apart of me. And one day
I'm like alone and it's you know, I am sitting in the library and
I have a karaokeie system. SoI put the instrumental there. I had
my phone on record, and Iwas trying to vocalize to it, and

(01:12:36):
all of a sudden, I justspilled it out. It came out of
me in one NonStop M beginning toend. Okay, don't say another word.
It's queued up right now. Let'slisten this again. Please intro it
Namo's invocation. Welcome back. Youare listening to Inner Journey with Greg Friedman.

(01:16:55):
Website is Greg Friedman dot com andsocial media is Inner journe Ernie with
Greg Friedman l rhel do me afavor because there are some people that just
tuned in. Who sang that lastsong I did? I'm sorry? Could

(01:17:16):
you say that more quietly, please? Because there was a whisper that people
almost heard. Who sang that lastsong I did? I did? And
it came because you were called todo it? M yeah. And before
this point, no vocals, nonutting, maybe a little bit of karaoke,

(01:17:40):
a little bit of playing around,and certainly no songwriting M no.
And you found a composer that youwere called to reach out to, that
the universe was called to put inyour face, and you two sat down
and created something stunning, and thenyou individually said I have to let go

(01:18:10):
and I have to let God.And you did the vocals for that song,
the take for that song, theoriginal in one go. Is that
correct? Yeah? Tell me thereain't nohing bigger up there. Okay.
And there's something you said that Iactually object to. You said that you

(01:18:32):
had no choice. I believe wealways have choice. I think that you
were called to do something and it'sstill our option whether to pick up the
gift that's laid out before us orto walk beyond it. Tell me about

(01:18:56):
why you say you had no choicein this is the choice that has no
choice. I call it. It'sit's so moving. It's like I said,
I call it a fire in yourheart, to fire in your belly,
you know. And it's bigger thanyour any kind of resistance you could

(01:19:19):
ever offer. It just it movesyou. It moves you beyond any kind
of fear or resistance because the cause, the love, the passion you have
for the delivery, it raises,destroys everything. So again it's all back

(01:19:39):
coming to love, love for themessage, love for what you feel.
It's for you to do out ofthe love you feel for the cause.
Whatever your cause is right, andwhat's your cause? My cause is to
reawaken the reverence for the divine femininethat has been erased from culture. For

(01:20:01):
ye, So do you really feellike the divine feminine is not revered,
not respected? Well, look atthe objectification of women. Look at the
objectification of men these days from women. Why do you think it's happening.
Why do you think it's happening.It's a reaction to the you know,

(01:20:29):
object fication of women and women.How long has the objectification gone? Six
thousand years? See, you andI could differ on this. So if
you look at what was going onin the fifties and then into the sixties
and seventies, there was a femininecultural revolution that occurred, go ahead,

(01:20:53):
and so so what happened during thatis like end any pendulum shift, it
swung heavily to the other side inorder for it to find its balance.
And when I say heavily to theother side, my take on this is
that the feminine thought they would beempowered by emulating the masculine behavior, when

(01:21:17):
that, in fact is disempowering.And what's really powerful is women being women,
not when they're being some bad carboncopy of me. And what it
is to be a woman is notwhat we were told. So what is
it? It is to be intune with your your magic, you know,

(01:21:46):
the magic of love, the magicof nurturance, the magic of um
knowing yourself from a very profound place, which you know could apply for men
as well. But what I'm tryingto say is there's two things to this
conversation. One is, on areligious standpoint, the reawake any of the

(01:22:10):
divine feminine. A little more respecthas to be earned as well, because
the program that was delivered to womenfor a long time has made women believe
that they were actually you know,lessen or smaller, or less capable,
less intelligent, and all of that'sstill operating. No matter what revolution has

(01:22:33):
happened to women have been extricated fromall forms of divine authority. The catholicis
the Catholics still do not accept awoman priest. Some versions of Judaism does
so any does. There are manyEastern cultures that do. There are many

(01:23:00):
indigenous cultures that respect the heck outof the feminine and the power of the
feminine expressed through the feminine. Butyou see, the the industrial revolution,
the posts war thing did not orwar CAUs because women went to work during
the Second World War right because themen were war and that started everything in

(01:23:21):
a sense, but that didn't changethe perception for a long long time on
this spiritual aspect of women being shamans, transmitters and receivers of divine content,
divine transmission. M that's what I'mtalking about. It's it's hard for me

(01:23:43):
because it's not a world I livein the feminine and the one I live
in, I get it. SoChumash have two rules, two laws.
One is woman is creator and thesecond is do whatever you need to do
to protect the children. And whatI hear you saying is in recognizing the

(01:24:04):
ability of the feminine to do whatno masculine can do, which is create
life. And I don't mean thatin just the literal sense. I mean
that in so many different ways,and too often I think women just relegate
themselves to the tunnel vision of thatwhich is literally creating life instead of understanding

(01:24:29):
my babbel is this man is thehouse. Woman is the home. It's
the walls and the roof and soon and so forth. But the thing
that makes it a place that youwant to live is the feminine that creates
that is the art of life,the beauty of life, the flavor of
life, the taste of life thatis so delightful and so delicious, and

(01:24:55):
so often my frustration, how fewwomen want to embrace that energy. So
what do you do with that withembracing it? Not only embracing it,

(01:25:15):
but as you said, you area inspirer probably not a word, but
I'm using it anyway. Who cares? And so what do you do for
you to embrace it? And whatdo you do for others to be inspired
to embrace it? I devote myselfto learning. I feel like I'm an

(01:25:42):
eternal child. I'm always expanding myawareness and my capacity. And one of
the things that I did to divedeeper into this embodiment of the divine feminine
is to face my shod You know, I did the program that you was
sent for to your master's in spiritualpsychology. But they recommend anybody who wants

(01:26:06):
to catapult themselves forward to look itup. And then I also went to
um two years of training with thirteenMystery School. So I'm a vocalizer of
women's embodiment of the sacred feminine,and I hold circles for I have a

(01:26:27):
sisterhood called the Sister of the RisingPhoenix. And I also hold co ed
circles with beautiful natural spirituality, whichis Native American and Celtic which is Native
English, Irish, Scottish, sovery much into Native Native American spirituality is

(01:26:56):
not institutionalized, and that's the kindof spirituality I like to explore. And
in the women's circles, it's dealingwith archetypes of the divine feminine, like
exploring the colors of the rainbow.It's like if the Godhead was split by
the sunlight, the sunlight going througha diamond. Right, you have all
these different colors. Each one ofthem is a quality embodiment. And when

(01:27:20):
you go through each one of thesequalities and you integrate them, you become
the diamonds. So this is avery powerful training process that I went through.
And gosh, I just have tokeep, you know, toughening up
and kind of saying yes and kindof going you think it's toughening up that's
required. No, the toughening upto faces like the that's not the right

(01:27:45):
word I meant to say, likeum getting um, you know, um,
the courage, you know, justkind of keep pushing through and it
takes courage over and over again toexplore these things. And um yeah,
and it was extraordinary. It wasextremely transforming. And I found home when

(01:28:09):
I found this philosophy by the wall, by the way, I want to
bring her name up is a YelSpillsbury. Say it louder and prouder,
Baby are Yells Spillsbury. She isthe creator of um the Alchemy of Ecstasy,
which is a book she sells.You can go to her website,
um um hm. She has acouple of different websites. Look her up.

(01:28:33):
You could look it up. It'swritten books. And I'm just blanking
right now. No, it's okay. So here's what's going to happen after
the show. You The Holographic Goddessis one of them. You'll text it
to me. I'll give links.It's all groovy, all right. So
I have two more of your songsqueued up here. All right? Do

(01:28:53):
you want to play with Earth oryou know the other one? Which one
would you like? I don't know. I'll leave it up to you.
I have the newest release, thisone Earth. It's the one that's out

(01:29:13):
now. Do you want Tears orEarth? What would What do you want,
I'll leave it up to you.I don't want tears on one Earth.
Okay, So talk to me aboutEarth. Tell me the story.
How did this sun come about?What's the deal? Well, this is
um you know. I met umUm Ken Craigan in twenty twenty through an

(01:29:36):
acquaintance of mine and we um andand and Neil Morgan, who is the
CEO of Hands around the World andit's a nonprofit organization, and and it
was kind of exciting, you know, because he said, oh, they
want to meet you, you know, and we had this everybody was in

(01:29:57):
lockdown on it and we're like havingthese zoom meetings. And he's such a
fascinating person, you know. Unfortunatelywe lost him in November of twenty twenty
one, or December or December,and November just a month after before I
lost my mother. I'm sorry,yeah, sorry, um she's here right
now, I know, are youthe one? Yeah, she's a lot

(01:30:19):
of you know what. The funnything is, she's got a mic up
to or two. Yeah, yeah, you're bad. So um so um
they you know, during the meetings, I was trying to just like,
you know, be a Leahison andbring connections because I'm a producer as well,
and I brought a lot of peopleto the meetings. And then Neil

(01:30:41):
started like, I think you're goingto create a song for this project.
I think it's you. They hada few songs, they're not very happy
with it. It's gonna be you. I'm intuitive too, It's gonna be
you. And I was like,oh good, I'm going to step into
these shoes. This is the guywho created USA for Africa, Okay,
I'm talking about can you know,and Hands around the World or America,

(01:31:02):
Hands Around America. You know.He was a huge music agent, you
know, back in the day.And I'm like they wanted something similar to
We're the World. Okay. I'mlike, I don't even singing English.
How could you? How could youexpectly? You know? But he kept
singing like during like four consecutive meetings. At the end of the meeting,

(01:31:26):
so you're gonna write the song?Did you do what you did before?
Which is no, no, no. I was paralyzed by intimidated. I'm
gonna write a song like We're theWorld? Okay? For climate change?
It says yeah, Will and I'mlike, yeah, why not? Why
not? Let me give it atry, and then so it goes.

(01:31:48):
Then I was gardening a lot becauseI was in twenty twenty. I was
just like him. I like,I was so happy because there's nothing else
to do out there. I'm justgonna garden because I have a big garden.
And I swam every day. Youknow. It was just fun.
I was just in my element.And then this is like middle of the

(01:32:08):
summer, so towards the you know, the fall. And then I was
just getting the lyrics. They wouldcome in the middle of the night.
Some parts of it I would writeit had a pan in the paper next
to me, or sometimes I'm justI was stio tired, like I heard
this, you know, the verse, and I would just record it my
voice saying the verse without malady oranything. And the malady started to come

(01:32:30):
through with the verses. Sometimes it'slike that, you know. And then
I had this song done pretty much, and we shot the video in twenties
twenty one, and then it tooka long time to add it because this
was the hardest adit. Because thevideo was a hard edit. You would
not know it. You can't becauseI we First of all, I didn't

(01:32:53):
even want to be in the video. And my friend who was also a
huge producer back in the day,he's now living in Florida, Stephen Lawrence
Harvey. Hey, Stephen on purposeyou're living in Florida. What the heck
are you thinking? No, he'shaving a great, great life there.
So I was like, um,he said, tell you can't do that.

(01:33:14):
You know you can't. We're tryingto copy and paste, like I
wanted it to be all about environment, not me? Is it about But
you're the artist. They want tosee her face, They want to Why
don't you just go to North Lakeright now? I'm like, what are
you talking about? But you haveto go fast because it's gonna it's gonna
snow me four days? Is thatyou crazy? Said no, you should
go. It's so beautiful. Takea little go online. So I went

(01:33:36):
online, thanks Stephen, and Iwas like, oh my god, this
is so beautiful. And we calla couple of hotels. Wolfgang and I,
you know, Wolfgang's my producer onthis song, and I go producer
and I was like, let's calland he said, let's do it.
And I said, okay, wellare you up for us? Yes,
let's leave tonight, Like tonight,well like in the late in the afternoon,

(01:33:58):
late in the early evening. Wegot there like one o'clock in the
morning or something. But I literallyjust went to my closet picked up a
bunch of I knew I had towear white, so whatever white I had,
I took. I took my makeup. Kid, it was me and
Wolfe, that's it. And therewas no production, there was no huge
I did my own makeup and youknow, I did my own hair,
and we just went. You know, it was it was It was divine

(01:34:24):
because you could not have ever imaginedthis this. We were guided one hundred
percent of the day and we hadto shoot it quick because he was going
to snow the next day. AndI don't know, if you see some
of the photos, you can seesnow on the ground. And I was
wearing like this three quarter black coatall the way down, you know.
And when it starts, are youready, Okay, I'm gonna start playing

(01:34:45):
the song and I'll take the coatthrow and he would grab it, and
it's like and I had my ugs, you know, and I was like
pretending I'm not cold at all,but you know, when you're when you
were doing this kind of work.I'm sorry I kept moving away from the
mic. You even forget what thetemperature is because there is something else that's

(01:35:06):
working through you. You know absolutelyyou feel that heat. And the song
again is called one Earth, oneEarth. Here we go, ladies and
gentlemen and recompion. We're all partone world, one heart, one great

(01:35:51):
big family. It's dumb. Well, there's more than weekend. Can you
hear the light? Listen to thestart the saying, not alone the matter

(01:36:18):
where you are my head, andsing the song with me. Earthscapes collings,
and this time we can hear.Here we are surrounding you. We

(01:36:48):
hear you far come to here,we are surrounding you. We come to

(01:37:10):
you, holding hands with the waters. When the forests clean the hair underneath

(01:37:32):
the scrapeless sky. The people thatdo care were single plan rains great A
gender can't under the rain over skin. Listen, share the bed to a

(01:37:56):
little hole my and string the songwith me. Earthkeeps callings, and this
time we can be and here weare surrounding. We come to here,

(01:38:29):
we surrounding, We hear, cometo you can see beyond the col you're

(01:39:00):
being d in might we are hearus without borders, and it's love when
you not be. We are wellworld, when the time is we had

(01:39:32):
a love way. We're the ones. We're waiting for the WANs to co
queens. Hearing surrounding, we youcall hearing racy. We cry hearing surrounding.

(01:40:30):
We call so allo, hold myend and sing the song with me.
I'm gonna get youth keeps calling usin this time we can beat Yeah.

(01:41:00):
Baby. That was our guest thisevening who wrote and sung and just
and did the video, did everythingfor this. And you guys would have
laughed your tushies off if you'd seenus in the studio while she's singing,
because she's singing along and I turnon her mic and she looks at me

(01:41:26):
like I with the death look,and I just went, nope, sing,
just keep singing. And she indulgedme for a little bit. And
you're going to hear that if yougo back and listen to the podcast.
And it's a beautiful extra layer thatshe added on. And I want to
say it's special thank you to myamazing friend producer, without which I would

(01:41:48):
not have been made it ever ableto do this. And it's Wolf wolfkin
A'm adios, I love you,thank you for being there for me,
and Dia you dear Is. Sheis so much more than a pr person.
She is a beautiful, shining lightand she has brought so much love

(01:42:11):
and happiness and reassurance into my lifepersonally that I am beyond what I could
communicate in words grateful to her andfor her presence on this planet. All
right, we are getting really reallyclose to this place where it's going to
be the end of this program.I got one more song of yours that

(01:42:35):
I want to play, but Iwant to make sure that we're not remiss
that there is Was there anything?There's so much. I literally have pages
of questions, and you know howmany out of the pages of questions I've
asked zero zero If you want it, if I want to ask you,

(01:43:01):
you'll you can have me back,all right. I would absolutely love that,
including your name, which is stunning. And also I did some research
on your other name, and Icall they're so close in so many ways
when you break down the meanings ofthem and you do the etymology of it.

(01:43:24):
All right, So is there anythingthat you want our listeners to know
before we set up this last songfor you? I just want you to
know that you can do anything youwant in the world, any anything that
you love. Just don't even listento your head. Cut it off and
just listen to your heart and goforward. Follow your dreams. The universe

(01:43:47):
will lay it out, especially ifyou have a cause that is beyond your
self serving. The universe will puteverything in front of you. Just go
for it. Just don't even thinktwice. And if you want to know
more about me, go visit thewebsite and sign for the newsletters and we'll
be friends. You know, andyou hear my blog is length of months.

(01:44:08):
Once a month you'll be able toYeah, somebody's knocking on somebody's door.
I don't know what that is.That's fascinating here. No, I
was not here. I guess.Yeah. So that's all I have to
say. You know. Go toFacebook. I love Facebook. I'm not
a big instagrammer, but um Ihave a kali Ani music page, fan

(01:44:30):
page, and I have my personalpage kal Yannis. Soon, Darry,
you guys are gonna say it linksup the Yang Gang from me. In
the next couple of days. I'mgonna go back to something you said.
You said, don't even pay attentionto your head. Long time ago,
I walked into an elder's house.He didn't know me at all in any

(01:44:55):
way, shape or form. AndI walk in the door and he says,
hello, Greg. Remember he doesn'tknow me at all. So the
first thing I did was and thesecond thing he said is I'm going to
cut off your head. And Ican't say what I said back to him

(01:45:16):
on air because the FCC would bemad at me. But it starts with
f and it ends with you.And he, after I said that back
to him, laughed his tush off, and then he said, no,
I'm gonna tell you what I'm gonnado. You have gotten to the place
where you know that you can thinkyourself in or out of pretty much any

(01:45:42):
situation. It went. Yeah.He said, I'm going to take that
away from you. And once againI said those two lovely letters to him,
and he laughed again. He said, here's why you're out of balance.
That you need to learn to leadwith your heart. You take your
head along, but you lead withyour service. Say that louder and prouder.

(01:46:08):
That was good. The head isvery important, but in service to
the heart. Yeah, And fromthat point on there was a dramatic shift
and how I've approached things. AndI do lead with my heart and sometimes
I even bring my head along,sometimes not so much. It just depends

(01:46:29):
on the situation. Okay, thislast song is called Tears for Nana.
Tell me a story. Well thatwould be how much time do I have?
Come on? Just go for it? You know what. The good
news is the DJ that's normally followingus as a prerecord tonight, So we
good. We could go a tinybit longer. All right, Well,

(01:46:49):
it Tears for Nana came from asimilar place than a Mowsivocation came from.
It was my second release and it'sagain it's um um I feel like,
you know, one of Kaliani's musicmissions or in general, is to break

(01:47:10):
through limiting concepts of reality and totalk about, you know, um,
certain archetypal energies and to find feminineenergies like you know, the precursor goddess
to all goddesses. You know thatyou can find books out there like it's
it's I feel like she's a daughtertoo, and a moo which we didn't

(01:47:32):
talk about, which is really reallygood. Next. Yeah, so she
came through and um, there's manyideas about who she was. But it's
really Um embodying the your sensuality ina sacred way. Not there's been so
much dirty ing of the most powerfuland beautiful act of creation, okay,

(01:47:59):
which is secs. Can I saythat on air? Yes, that is
not a four ladd of word,it's a three and and love, you
know, love making and sexuality havebeen deprived, you know, and rolled
in the mud and made dirty.And there's all these you know, denigrating

(01:48:21):
associations. And you know, Anna, which is also known as Istar,
she is the goddess from ancient Mesopotamia, Um, and she embodies this freedom
and this you know. And shewas Um, the goddess that was in
the temples where you know, thekings would be anointed in the priestess.

(01:48:45):
You know, a king couldn't becomea king unless he conjugated with the priestess,
you know. And those temples areusually a star temples right on the
temples. And it's cleaning up thedirty ing of sexuality. So is Um
an enviodiment of the sacred sensuality.That's how the it shows to put it

(01:49:05):
Um, the sacred in in thatyou know, and and her embodiment of
it, and many many more things. Yes, the Native Americans have kudoshka
teaching, which is sacred sexuality teachings. And if we did that more instead
of being so afraid of it,the amount of honor and respect and and

(01:49:28):
the amount of ascending energy that wecan create through that magic would be just
earth blowing. And the music videodepicts like the ceremonial, you know,
anointing of the beloved. You know, I love it's really beautiful, So
alter your space. I am firstof all going to thank you. It

(01:49:54):
was just so much fun. That'sthe best thing I could say about it.
It was absolutely illuminating and entertaining,but more than anything, just a
lot of fun. Thank you forthat. Thank you I had last she
was beautiful. And what I'm gonnado is I normally sign off after the
song, but I'm going to signoff before this song. And as always,

(01:50:19):
I want to thank everybody that supportedus in putting this show together.
There's a lot of people that worktheir tushies off behind the scenes. Thank
you, and most of all,as I say every single week, I
thank you guys, the listening audience. This show does not exist without your
participation. For that and so somuch more, we I am hugely grateful.

(01:50:45):
And once again, this is Kalianiand this is tears for good night,
good night, and I, ohGod, my ak, the boh

(01:51:35):
you on my ship, What totell them? I don't tell that beady

(01:54:00):
he Now am im Latin num
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