Shakespeare famously wrote, what's in a name? But let's say it out loud. Jack Lemmon. It says it all right there in the name. Jack. Ordinary, the guy across from you on the subway. Lemon. The one that got the broken car. The bitter taste, yet the surprising brightly colored yellow sun inside of the bad luck. Jack Lemmon, arguably the greatest comic and dramatic actor to ever grace the screen, who is unrivaled as the everyman who trips, stumbles, triumphs and gets the girl. Or in the case of Some like it Hot, the guy.
Starting this week at one of my very favorite movie theaters, the Film Forum on Houston Street, Jack Lemmon turns 100. Can you believe it? And the Film Forum is opening its two week tribute on Friday, May 16th with the iconic story of opposites, the Odd Couple. But I'm not here to talk about Mr. Lemon's legendary roles in Days of Wine and Roses, Glengarry Glen Ross having a revival on Broadway now with Bob Odenkirk reprising Lemon's unforgettable Shelley Levine, The Front Page, Mr. Roberts, Bell, Book and A Candle. A personal favorite of mine, Some like it Hot, which I watched on VHS until the tape broke…
I am here to talk about one of the greatest comedies, if you can call a film about a mid level office drone working at an insurance company who lets his superiors bully him into letting them have his apartment for their affairs in hopes of him getting promoted and the suicidal elevator girl who whom he falls in love with. A comedy The Apartment. Legendary director Billy Wilder, coming off the wild success of Some like it Hot with Marilyn Monroe, wanted to keep his collaboration with Lemon going. So in 1960, Wilder and I.A.L diamond (Come on, is that the coolest name?) who wrote Some Like It Hot with Wilder were inspired by an infamous Hollywood murder story about agent Jennings Lange who was having an affair with actress Joan Bennett in an underlings apartment. So her husband, producer Walter Wanger, shot and killed Lange. Check out Karina Longworth's excellent podcast Love Is A Crime from You Must Remember This for the full retelling to you and I. This might not seem like source material for one of our greatest comedies, but in Wilder, Lemon and the adorable Shirley MacLaine's Hands, it was a box office smash, winning five Oscars out of ten nominations.
Now I could go on and on about Billy Wilder's meticulous directorial precision, Lemon's unreal comic timing and turn on a dime pathos why Ving Rhames spontaneously gave him his very own Golden Globe in 1998.
But I’m actually here to talk about a hat, a haircut, and a mirror. Let’s rewind to 1960 - President Kennedy just took office, Roy Orbison’s ‘Only The Lonely’ was on the radio, and the kids were doing Chubby Checker’s ‘The Twist’. The very seriously subversive theme and subject of The Apartment can not be over stated in this climate. The film, shot in gorgeous black & white by Joseph LaShelle of Laura and Marty fame, puts us smack-dab in what I’d call ‘Mad Men’ central - a heady swirl of cigarette smoke and ‘Tom & Jerry’ cocktail mix, office Christmas parties, wives holding on line 2 while executive husbands scheduled accepted trysts before dinner and kissing the kids goodnight. Lemmon plays ‘C.C. Baxter’, a hard-working, well-meaning drone who somehow gets himself turned into a sort of brothel landlord. His neighbors wonder how he can withstand being such a Lothario - the sounds coming through the walls everynight don’t match C.C. Baxter’s unassuming Brooks Brothers suit with a rumpled white shirt with rounded collars and tie-bar to boot.
But Baxter is caught in a hilarious cycle of paying his dues to climb the corporate ladder. This is what you must do. You must get out of bed at midnight to allow your boss to wine and bed his mistress in your Upper Westside apartment even if it involves you sleep
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