August 30, 2025 • 59 mins
w/Replaced By Robts
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Episode Transcript
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Speaker 1 (00:01):
Right now. A w m n H ninety five point
three FM exclusive, Matt Connerton Unleashed presents the world radio
premiere of the new single from Brides. This is called
creature culture.
Speaker 2 (00:17):
You are listening to Wumnah.
Speaker 3 (00:21):
World premiere start creature mutation. But it's sad test like
(01:06):
mad skinIn smills down the grado. It's still goode being paid, But.
Speaker 4 (01:11):
How did you take place some right?
Speaker 3 (01:12):
Just put back like you talk.
Speaker 5 (01:17):
It's map skins, pretty skin lead at me too, shit
you guys, good nay chill and stop.
Speaker 3 (01:22):
Ain't by that ts its tick, your sensation creacher chock chup,
(01:43):
creature shop shot strutching it what TuS you get your
stish line, you put a little don't.
Speaker 5 (01:55):
Two of your eyes but your right tess's about.
Speaker 3 (01:57):
It's like the subtest not mask strolling the brothers struggle
in the bay.
Speaker 4 (02:08):
But haven't you go so much.
Speaker 3 (02:10):
To stop by face.
Speaker 5 (02:15):
This man skins and friskin leading me to me that
smation something my face causes.
Speaker 2 (02:22):
Like a sensation shave me away showing.
Speaker 3 (02:38):
And I get loud at the drenching as people. It's
const mind to destry. Custis the g T man sen
so may.
Speaker 6 (02:48):
The Sons of Mind face the Man's Rain in My Friends,
it's when behind a man, That's why behind and You're.
Speaker 3 (02:55):
Not drunk, a Mousers gay.
Speaker 4 (02:57):
Rights bag and see.
Speaker 1 (03:36):
There it is. That is a brand new track from
Brides that is called Creature Culture. They are all the
way from the UK and they are going to be
here with us on the show next week online, not
in person, but really looking forward to that. But you
heard it here first the first time ever on any
radio station, the world radio premiere of the new track
from Brides that is called Creature Culture. And this is
(03:57):
Matt Connorton Unleashed. We are live from the studios of
w m n H ninety five point three FM and
Glorious Manchester, New Hampshire. It is August thirtieth, twenty twenty
five and I am not alone.
Speaker 7 (04:20):
Good morning Sunshine.
Speaker 1 (04:22):
Jenny is here at the news table present account at
four and well it's our last show in August. You know,
I love that song. Basically the last show of summer
makes me kind of sad. Unofficially sorry, I do love
that song, tood. I'm looking forward to talking with them, yeah, yeah,
next week next week, yes, but right now, joining us
live in studio. Let me get these mics up. We've
(04:43):
got replaced by robots. This here, welcome, thanks for having us,
and hello, and there's an actual role let me get
that hammer on you for those watching online. And we
have an actual robot in studio with us too.
Speaker 3 (04:56):
Here okay, man or.
Speaker 8 (05:06):
He is new to this planet.
Speaker 1 (05:08):
Wow is a robot an official member of the band or?
Oh wow? Okay, excellent? So you're actually a four piece?
Speaker 8 (05:14):
Yes, Gulcasan will drive back home if he forgets him
a gig.
Speaker 1 (05:20):
So we have uh so the the three primary members
are Gulcazi and Heather Joy Morgan and Adam Wade, who
are all here in studio with us, and of course
the robot. What's the robot's name? I assume the robot.
Oh what's the matter. Oh your MIC's not working? My
MIC's Oh I hear it. Oh you're just low in
the you're low apologized. I can hear it now, Yeah,
(05:43):
now I can hear you?
Speaker 9 (05:44):
Can you hear me?
Speaker 5 (05:45):
Now?
Speaker 1 (05:46):
We've got we've got an extra mic set up because
these guys are gonna play live for us in a
few minutes and really looking forward to that because you
know what, I'm interested in is because listening to the
tracks and I love these songs, but I'm very curious
to hear how you sound with an acoustic guitar. After
after hearing these studio tracks, you know, yeah.
Speaker 7 (06:04):
We are too at it. And it was like, yeah,
let's do this, and I was like.
Speaker 8 (06:09):
Everything, So this.
Speaker 1 (06:11):
Is this is an unusual uh scenario here with the
first really Oh yes, yes, we do like that very much,
very much.
Speaker 8 (06:19):
I have so few firsts left now, that's never true.
Speaker 1 (06:24):
There's always something good. And uh, where are you all from?
I assume you're you're probably a little bit scattered, right,
but you're based where? Where are you? Where do you
say you're based out of Portsmouth? Sportsmouth?
Speaker 3 (06:37):
Yeah?
Speaker 1 (06:37):
Great, great music scene there, Sportsmouth.
Speaker 8 (06:40):
I feel, yeah, we're the best of it.
Speaker 1 (06:42):
I mean as far as as far as New Hampshire goes.
I think I think Portsmouth is kind of in terms
of the music scene, the coolest, the hippest place in
the state, really coolest well in terms of music. Yeah,
just just like like Portsmouth. To me, I've always kind
of thought of it as like Boston North, you know
what I mean, It's like nor I don't know that
Portsmouth would agree, that's that's you know, I don't know.
(07:05):
I certainly mean it as a compliment. Oh I know,
I know.
Speaker 8 (07:08):
But on their way through Ride did come by there
and play who did Ride?
Speaker 1 (07:15):
Ride?
Speaker 8 (07:16):
The British shoegaze bend?
Speaker 10 (07:18):
Uh?
Speaker 1 (07:18):
Yeah, well there you go. Yeah, they didn't come to Manchester,
did they?
Speaker 11 (07:22):
No?
Speaker 8 (07:22):
They did not.
Speaker 1 (07:25):
Well, what's what's I'm gonna let you all pick what
should we play for a studio track, and then we'll
you send me I love these songs, and then we'll
actually maybe can I pick? Can I be Selfish? And
can we play Lonely Nights?
Speaker 3 (07:38):
Yeah?
Speaker 1 (07:38):
Okay, because that's my favorite? I usually let the guest pick,
but that's my personal favorite. I love this song so much.
It it's catchy as hell.
Speaker 8 (07:45):
Wasn't that what we were going to play on? And
the acoustic?
Speaker 3 (07:50):
That's okay?
Speaker 8 (07:54):
That's a bit.
Speaker 3 (07:57):
Maybe.
Speaker 1 (07:58):
Well I don't know, all right, Well we can we
can play something else?
Speaker 12 (08:01):
So confusing?
Speaker 3 (08:05):
We could?
Speaker 1 (08:06):
We could? Yeah, that's true, we could. We could play
the Ouiji board song. What's the full title of that?
Speaker 8 (08:12):
Since you broke my wija board?
Speaker 1 (08:15):
I have a question too before we play this. Now,
I've always heard of pronounce wigi, but you pronounce it
more like it's actually spelled.
Speaker 8 (08:21):
Yes, that's because I actually speak German. Probably, Oh, no.
Speaker 1 (08:25):
Kidding, Okay, so that is so so so the way
you're saying it is the correct pronunciation osia. Yeah. I
always wondered because growing up, so my mother had one
and we in the summer when I would I would
spend the summers with her because she lives in another
part of the country, and uh, she would uh, she
would pull out the Wiji board or wija. I don't
know if I can get used to say, well, I
can't pronounce it exactly the way you say it anyway,
(08:46):
because I can't do the accent. But much to the
consternation of my father, who found out many years later
that that we were doing that, my great devout Catholic
father did not approve. But but then so that was
what I thought about the first time I saw that
song title and the night I played it, and I
was like, oh, she pronounces it differently, but the way
she pronounces it is it looks like the way it's
(09:06):
actually spelled. Because I always wondered, are we saying it wrong.
Speaker 8 (09:09):
Because well, it's just yes in French, and yes in
German we.
Speaker 1 (09:14):
And yeah, so I knew that.
Speaker 3 (09:17):
Yeah.
Speaker 8 (09:17):
Actually, if you were pronouncing it then it would be we. Yeah,
but that's that's not for an English person to get
involved with. So just stop at wee jaw.
Speaker 1 (09:28):
Okay, all right, let's give this a spin and then
we're going to come back and talk a little bit.
And uh, here it is, and the band is replaced
by robots.
Speaker 3 (10:21):
Seagroqueijao can talk to those numb.
Speaker 13 (10:29):
You, Loueigian boy can do that does not as unchables
you ever Rueigia not.
Speaker 4 (10:41):
Taste the.
Speaker 3 (10:58):
Sad.
Speaker 4 (11:43):
The show.
Speaker 3 (11:50):
No su.
Speaker 13 (12:11):
Sunston was the game advice, the Evening Dusk Summers some moments.
Speaker 1 (12:22):
Now, that part at the end is such a cool touch,
(13:24):
not not what you were doing green casing, but the.
Speaker 7 (13:28):
Little Adams Adams insane piano.
Speaker 1 (13:32):
Yeah, yeah, that's that's really cool. I like the way
it because it's kind of it's kind of a surprise.
You don't expect to hear that at the end, but
it fits a song perfectly. The band, of course, is
replaced by robots who are here with us live in studio,
and the song Heather, how do you pronounce it correctly? Again?
Speaker 8 (13:47):
Wija wija since you broke my wija board.
Speaker 1 (13:52):
Since you broke my wija board. All right, so do
you want to tell that you were telling it off?
Are you want to tell?
Speaker 14 (13:56):
Yeah?
Speaker 8 (13:56):
We were in the middle of a rehearsal, and then
I went into the little terror room on the side
where we used to where we record, and I've got
all my little relics and oddities laying around there, and
I noticed that Gulcassian had taken my antique weijaboard and
stuffed it into a bag and and he broke it.
(14:19):
And I was so upset, and I went back into
the room, and you know, we're all just kind of
jamming and and they're like lyrics Morgan. So then I
just started singing, since he broke my wee jabb, I
can't talk to the ghost no more. And we just
kept going. We just wrote the whole thing right there.
That's cool channeling my marital rage, ye.
Speaker 1 (14:43):
Are are was? It wasn't the robot.
Speaker 8 (14:48):
It's not really broke, it's broken.
Speaker 7 (14:51):
It was italy like a little like a little ding
in the side of it.
Speaker 8 (14:56):
I was wondering, Yeah, it was perfect before I met you.
It was perfect since nineteen nineteen.
Speaker 1 (15:03):
Oh wow, it really is?
Speaker 15 (15:04):
Oh wow?
Speaker 1 (15:05):
Yeah? And then so what it's good? So it's just
got a ding in it or a crack or what broken?
Speaker 7 (15:09):
This little overly dramatic.
Speaker 1 (15:12):
Okay, okay, yeah great for song lyrics? Yeah, absolutely, absolutely
very cool. Well, I'm dying to hear you all play live.
Uh if you are just joining us replaced by robots?
Is here with us live in studio?
Speaker 8 (15:24):
And uh and we're somewhat alive?
Speaker 1 (15:26):
Yeah it is.
Speaker 16 (15:27):
Uh.
Speaker 1 (15:27):
Is this the earliest uh you as a band have
ever played live? Yes? Yes, but we and also je okay, gotcha,
well well done, We've got Adam brought his guitar so
which which was a surprise. I didn't know you're gonna
play live, but I'm very happy about it. So, so
what are you gonna What are you gonna play for us?
Speaker 7 (15:49):
I think we'll play.
Speaker 3 (15:52):
Lonely Nights. Little song called Lonely Nights.
Speaker 1 (15:54):
Awesome. I love this song and I'm very excited to
hear it played acoustic live in studio.
Speaker 17 (15:58):
So we are yeah, cruel morning for a long Adam
sprung this on us at like seven, Oh wow, I
was still asleep and basically responded, Okay, yeah, here I
am yeah, yeah, you.
Speaker 8 (16:16):
Were having a dream googlecase in you were punching a lamp.
Speaker 1 (16:20):
Oh my goodness, but he does okay, all right, well,
fair enough, whatever, whenever you're ready, all right.
Speaker 10 (16:43):
Lonely, lonely, lonely, lonely, nice, lonely, lonely, lonely, lone lay, nice.
Speaker 7 (17:02):
Smoke a funny cigarette. Walked into the discothech, trying not
to act strange, dancing like a freak. I'm trying to
be discreek as trying to catch your name.
Speaker 14 (17:16):
Lola, lol, lonely, lonely, nice, long letlone no lo let,
lonely nice.
Speaker 8 (17:36):
The tons and the spieger, the tons and guns a line.
I couldn't find you anywhere, findedly so fine circles getting smaller,
running out of time, the unclinas.
Speaker 18 (17:47):
I want you to be mine, lone man, lonely, lonly nice.
Speaker 3 (17:55):
On the Lol, lo man, loely, lonely.
Speaker 18 (17:59):
Nice, lonely, running out of time, lo lay, lone.
Speaker 16 (18:30):
Man, lonely, lonely nice, lay, low man, lonely, lonely.
Speaker 3 (18:38):
Nights it Lola, LOLd man, lonely, lone.
Speaker 16 (18:44):
Me nice, no lay, lone man, loly, lonely, nice, long lay, lonely, lonely.
Speaker 3 (18:57):
Lonely nice.
Speaker 1 (19:01):
Oh my god, I love it.
Speaker 3 (19:02):
That was awesome. That was awesome.
Speaker 1 (19:05):
Wow. I can't wait for you guys to hear your
souls on playback. Yeah, like that was really awful. Yeah, yeah,
that was great. Well done. If you are just joining us,
we have replaced by robots here with us live in
studio on this Saturday morning, and that sounded fantastic.
Speaker 8 (19:20):
I put my toe out of line. I'm gonna get
it later.
Speaker 1 (19:23):
Oh my well, no, no, no worries. So now how
do you Everyone always say it's this question, but how
do you describe your music to people who haven't heard it?
Because there's obviously a tremendous mix of influences and you have,
you know, you've all played in other bands and have
different backgrounds and ear least I assume so. And by
the way, Heather, are you you're also an oil painter? Correct?
Speaker 11 (19:45):
Yes?
Speaker 3 (19:46):
I am trained?
Speaker 8 (19:47):
Yeah, trained trained.
Speaker 1 (19:49):
Jenny's an artist. I am not trained, but so I'm curious,
So how do you describe your or do you even try?
Or do you just play it and say I spam?
Speaker 8 (20:01):
When I send out males about our about our upcoming shows,
I always say the world's most prominent rock band if
you're interested in in that. But usually I say, you
can tell what we love. You can tell that we
love nineties alternative. You can tell we like the Pixies,
the Cure and and Girl Group. I gotta ask punk rock.
Speaker 1 (20:23):
Are you influenced by Blondie?
Speaker 3 (20:25):
Oh?
Speaker 8 (20:26):
Absolutely, because like I thought, I'm like.
Speaker 1 (20:28):
She's gotta be I was a Blondie family. Oh yeah,
and I can hear with you like that is.
Speaker 8 (20:32):
So called first concert I ever went to? Was was
it Meadow Lens brendan Burn Arena? It was rand opening
for Blondie. Yeah, of course yeah. I was like nine, Wow, yes,
of course.
Speaker 3 (20:50):
So did we ever? Yeah?
Speaker 1 (20:52):
So I mean what do you so, what do you
call it?
Speaker 3 (20:54):
Like?
Speaker 1 (20:54):
Do you try to put a label on what you.
Speaker 8 (20:56):
Do or well that's usually what what we hear in
our reviews is kind of genre busting. But you can
tell what we like. You know, if you if you
like the uh, you know Bauhaus, you're like, oh, you know,
I hear a little of that. I mean, Adam over
here is an encyclopedia of underground music, so he can
just pop in whatever influences we're thinking about that day.
Speaker 1 (21:21):
Nice. Nice. We're kind of pop goth, Yeah, dance dance
pop god dance pop goth. I like that. Yeah.
Speaker 7 (21:27):
And one of the things that when we came up
with the name Replaced by Robots, what we kind of
loved about it was like it didn't higeon hold us
into anything because it and like we'll write songs and
then we're like, this is not like what we do,
but it fits in, Like everything fits in with that name,
(21:49):
you know what I mean, it's not constrained.
Speaker 8 (21:53):
I love it a good pigeon hole.
Speaker 1 (21:56):
Well where so where does the name come from? Replaced
by Robots?
Speaker 8 (21:59):
I mean, I uh, we were tossing around ideas and uh,
I just came up with that out of kind of
out of the blue. But uh, it had something to
do with a kind of disappointment in the algorithm driven
of today, neiss of music and uh, you know, and
also people's livelihoods and just everything. Yeah, and uh and
(22:23):
to me that was I mean, it could be a
way of saying that we're robots, or it could be
a way of saying we are obsolete bohemians, and you know,
maybe a little of both. We play with, we play
with all of those ideas. And once we picked up
on that concept, it became so much fun to play
with with our videos, with our writing and uh so yeah,
(22:47):
right guys, Yeah absolutely.
Speaker 1 (22:50):
And and and what about the themes like lyrical themes
in your songs? I mean, is there anything specific that
you're trying to convey or are you trying to I saw,
you know, the word when I was reading about the band,
The word futuristic came up quite a bit. But I
don't know if I mean a song like Lonely Nights
that's not that's not anything futuristic. That's just something relatable.
Maybe that's why I like that song so much. Aside
(23:11):
from that, it's very catchy. It's something everyone can relate to, right.
Speaker 8 (23:14):
But yeah, Heartbreak and the Apocalypse go.
Speaker 7 (23:20):
Yeah, like I feel like at a core, always like
very emotional, you know, like like I love soul music,
but I don't like listening to it. But I like
the concept.
Speaker 1 (23:33):
Oh okay, very interesting, very interesting. What's your what's your
live show like? Because because what you do lends itself
to I assume the robot is part of the live show.
Speaker 7 (23:46):
Big He's like we put him out front and he
just kind of dances and then people kind of want
to come dance with him.
Speaker 1 (23:53):
Oh that's cool.
Speaker 7 (23:54):
Yeah, but we just have fun.
Speaker 3 (23:56):
Man.
Speaker 8 (23:56):
We're very high spec control and uh and and uh
and luminous mesmerizing. We've been told things mesmerizing and uh
and I mean we're we're a tough actor. Follow Literally,
bands who have to go on after us are like,
oh man, like what what am I going to do?
(24:18):
Those guys that they're weird and they're also like so
driving that it may take a couple of songs for
for a person to reclaim the space.
Speaker 1 (24:26):
Sure, and that's cool. Oh yeah, that's that's very cool.
Speaker 16 (24:32):
Yeah.
Speaker 7 (24:33):
Both Adam and I come from really intense like uh,
like punk rock band.
Speaker 1 (24:38):
Yeah, so you were in the elevator drop okay because
I remember that band? Yeah, and oh go ahead.
Speaker 7 (24:46):
Yeah. And Adam was in a funeral party, which was
and we knew each other in Boston. Oh no, kidding,
can make the whole thing makes no sense. We shared
a rehearsal space and he reminded me I I have
like the worst memory.
Speaker 1 (24:59):
Yeah, and I was like, oh my god.
Speaker 7 (25:01):
So we were like like we shared oursal space together
in Boston. Then he was like, my neighbor up here.
Speaker 1 (25:06):
No, kidd oh wow, So this is there is an
element of fate to this, right, you were destined to
be at a band together.
Speaker 8 (25:12):
We all came together at a we we hosted the
Chameleons in their kind of acoustic form, a Chameleons Box,
play a show at our house, and and we invited
Adam to the party. He's a huge band, and it
was it was a great night. It was a it
was a great show. And then we ended up deciding
to play together at that show.
Speaker 1 (25:33):
Okay, okay. And then how long after you decided to
play together, how long did it take to get the
project rolling? Not too long? No, like a month? Really
that's quick, Yeah, that's quick. But that's when you know
you've got something, right. I always say this when you
when you have something that you know, gels quickly, you know,
and it's not a lot of effort, you know, to
try to put something together. It just kind of happens,
(25:53):
and you know you've really got something totally.
Speaker 16 (25:55):
I think it was forty three days.
Speaker 8 (25:59):
Yeah, I'mikeka and Adam has a very good memory apparently. Yeah,
and it's like a soup, everything is all mixed together.
He just dips the ladle in and spills it out
and all years intermingled all the fact.
Speaker 3 (26:16):
How this is the spoon on the bowl.
Speaker 8 (26:18):
Yeah, I.
Speaker 1 (26:21):
See, I see.
Speaker 8 (26:24):
We are for his madness.
Speaker 1 (26:26):
Okay, okay, well I think we should play another studio track.
So we talked off air about this. So this is
not one of the ones you sent me, but I
do have a queue up I did where do you
get here? It is are we falling in Lover? Am
I just losing my mind? I really like this song too?
And this is of course we haven't talked about this yet.
We'll talk about the experiment, the the EP that you've
(26:48):
released a little bit on the other side of this.
But but let's give this a listen, because I really
like this song a lot. And if you are just
joining us, we do have replaced by robots, replaced by
robots here with us in studio and uh, let's uh,
let's give this a spend. This is called are we
falling in love? Or am I just losing my mind?
Speaker 3 (27:14):
Dancing around the machinery? Coming rights? We'll give me asking
times to sens spending now the altar case.
Speaker 11 (27:53):
God, this is such a beausiful nice sometimes.
Speaker 2 (27:58):
A list of the sector to.
Speaker 3 (28:02):
Come right, but give you asking the times to send.
Speaker 11 (28:07):
To as we're born to another dimension.
Speaker 10 (28:51):
So ask.
Speaker 1 (29:23):
Are we falling in love? Am I just losing my mind?
The band is replaced by robots, and we have replaced
by robots here with us live in studio. What are
you going to say, Jenny?
Speaker 10 (29:31):
Oh?
Speaker 1 (29:32):
Sorry, I wasn't gonna say anything. Oh okay. I thought
about it for a moment and then went down. Oh okay.
It was like it was a fleeting thing. I understood, understood. Okay,
all right, sounds nice.
Speaker 3 (29:42):
You say things.
Speaker 7 (29:42):
Well, were you going to say, I'm not telling you?
Speaker 1 (29:45):
Okay? Fine?
Speaker 8 (29:48):
Great, nobody said you you promised you would behaved.
Speaker 17 (29:53):
Devis surprises that he doesn't talk about Oh my goodness,
you're less shortening.
Speaker 8 (30:00):
Yes, oh you may growl now.
Speaker 19 (30:04):
But you.
Speaker 1 (30:10):
So tell us about the the EP uh the experiment?
Where did where did you record this? And how did
you record it? And it sounds great? We recorded it
at our house, okay.
Speaker 7 (30:22):
But then like, uh, it was really good. So like
we had certain songs where we we brought that song
that you just played to uh Hagar that uh he
was in elevator drops. He's in Devo down. He's really. Yeah,
he's great, he's the producer. His brother's nuts he uh
(30:43):
he does like all the Miley Cyrus records and Josh's
is his brother. And we were, you know, Elevator rops
forever and so we mixed that there, and then we
mixed Lonely Nights with Colderry, who's amazing, he's not all
the Pixies records and the Go Gos and yeah and there.
(31:07):
It's funny because there was one part originally in that
song which there was a little snippet of a Go
Go song. We didn't know what it was. Adam was
playing it and we knew or he probably knew, and
he pulled it out and and I found out later
that he also uh produced.
Speaker 19 (31:26):
Oh wow, So he wanted to bury It was my
intentional nod to the Go Gosh and he kind of
wanted to bury in the mix as to avoid any litigation.
Speaker 8 (31:35):
Oh really, Actually I think it was more like, hey,
you didn't want to pull focus off our amazing tune,
and and suddenly being like, oh, I want to listen
to the Go Gos.
Speaker 7 (31:46):
I want the Go Go effect because I for for
a lot of years I would always pull in quotes
from other songs, and when it was really enlightening, I was,
you know, like you learned from a producer. And I
really like that that input because like it makes you
(32:07):
strive to stay original, which is hard in this day
and age with all the influences of other music around you.
So it's awesome. It's like, especially with what we do,
we definitely have a lot of influences, but we do
we work hard to make it.
Speaker 1 (32:23):
Still be you know, right right, yeah, yeah, that could
be a challenge, of course. Yeah, absolutely absolutely. And you've
got a lot of shows coming up too. You're talking
about that off here, right, You got some uh yeah.
Speaker 8 (32:35):
We're playing September eighteenth at the Stone Church excellent, and
we're playing in October on the tenth at the Appohadian
in Portland.
Speaker 3 (32:44):
Yeah.
Speaker 7 (32:45):
And the one that's coming up in stone Church, we've
got like the Glimmer Stars. It's their first date of
their tour. They're from La Hollywood area, Okay, and they're
coming out here and that's the first date. And so
we're kind of and we're playing with us Polana versus
the Man, Polana versus.
Speaker 1 (33:03):
The Man okay, and the.
Speaker 7 (33:07):
Cretans who are like they have. There's some like they're
like a punk rock they're they're friends with the queers
and all that that that whole old Boston Hampshire, Boston scene.
So it's it's gonna be.
Speaker 8 (33:22):
David, have you coughing? Paint? What's going on?
Speaker 11 (33:26):
This is?
Speaker 8 (33:26):
This is a new rasp that we don't usually have, well,
but it is.
Speaker 1 (33:31):
It is nine a I'm on on a Saturday morning.
Needs something to get you going in the morning. That's right,
there you go, there you go.
Speaker 8 (33:38):
I just picked this guy up at a truck stop.
It's not the actual is.
Speaker 15 (33:44):
Dave, the real Dave actually coming by?
Speaker 1 (33:47):
Oh boy, paint?
Speaker 3 (33:55):
Sorry, I can help it.
Speaker 1 (33:57):
You gotta blame retro, right right? So are there are
there plans to record new more music sooner? This hasn't
been out for very long actually, right, so you're probably
still Yeah, we'll got some new stuff in the works.
Speaker 7 (34:10):
We're super excited that we have a couple of tracks
already done. Yeah, and we might We're trying to figure
out what this day and age is, so like bonkers,
we might just release like a single because putting out
a record is so weird it doesn't even make sense.
No one wants records. They want like they want song
and they want another one. So we might just put
(34:32):
them out and then collect them into a bin and
put the bin outside and package it and make a record.
Speaker 1 (34:42):
Yeah, dump it out all over the street, come get
it kids. Well that is though, I mean, that's how
a lot of I mean, there's so many different ways
you can release music now, right, But but that but
that approach of kind of the inverse of what it
used to be, right, because it used to be, you know,
you have an album and then you have a bunch
of singles from the album. And now a lot of
artists do they put out a series of singles and
eventually co all less into an album.
Speaker 19 (35:04):
And yeah, it's really retro too, because that's really you know,
the old fifties rock and.
Speaker 9 (35:08):
Roll, it was all about singles.
Speaker 3 (35:09):
That's true.
Speaker 1 (35:09):
You know, I hadn't even thought about a full circle
back to the beginning. Yeah that's a good point. Yeah,
that's true.
Speaker 8 (35:15):
Grab our dollar and go into the studio box music
walk out in our little forty five.
Speaker 1 (35:20):
Yeah yeah, no, that makes sense. And then do you
have any have you done any videos yet for any
of these songs? Oh, they all have videos I'm gonna
I'm gonna have to go check those out. Yeah, yeah,
because I'm really curious about that.
Speaker 7 (35:33):
You can see all of them that replaced by robots
dot space. We couldn't afford dot com.
Speaker 3 (35:41):
Oh.
Speaker 1 (35:41):
I had my son's dress up as ghosts for the
Ouiji board video. Oh really Yeah, Oh, I gotta check
that out. I gotta check that out. Uh, let's play
another one. I want to get these all in before
we run out of time, because, like I said, I
love your sound. Uh the title track, Oh no, it's
not the title track. I'm sorry, but laboratory. I don't
know why. No, the the ev is called the experiment.
I don't why I was thinking this was the title track. See.
(36:01):
I also at you know, nine am on a Saturday.
I have issues on my own, but but plus I
only had like two SIPs of my Monster Energy drink
so far. That's that's my issue. But let's give this
a listen. This is a short song. This is under
two minutes, but but it's it's good stuff. And then
we'll come back and talk a little more. If you
are just joining us, we have replaced by robots here
(36:22):
with us a live in studio on this Saturday morning
on Matt Connorton on leash Here it is laboratory by
Replaced by Robots. That is a short song. The Indians
(38:24):
snuck up on me there, but I like it laboratory
And uh so, what what are you saying?
Speaker 3 (38:29):
In those?
Speaker 1 (38:30):
Because we were talking off their about this. This is
a common question, what are you What are you saying there?
Speaker 8 (38:33):
Either in those lads, I'm saying ha ha ha okay
ha ha because it is funny, yes to say ha
ha ha.
Speaker 1 (38:46):
We were talking about Yeah, how people people always wonder
what it is that you're saying. I wondered it too
when I was listening to it. I thought when I
listened to it the first time, I thought, it sounds
like she's just saying ha ha ha. But I'm not
sure you know that, and my ears don't always hear
everything correctly.
Speaker 3 (38:59):
Either.
Speaker 8 (39:00):
Experience mirth with me, see as you are doing. Yes,
we are all very happy.
Speaker 12 (39:09):
Yeah.
Speaker 1 (39:13):
Replaced by Robots is here with us live in studio.
And where should people go online? We want to make
sure everybody knows where's the best place to find you
online for to keep up with everything that you're doing.
Speaker 7 (39:24):
Replaced by Robots. That's space Space. I actually we did
try to buy dot com, but he wasn't a vibelt.
It was like six seven dollars more, but that ended
up every month, well not.
Speaker 1 (39:38):
Only that year, not only that. But I think because
you've got kind of a futuristic vibe, right, I think
space is better anyway, right, I agree? Yeah, yeah, you know,
why not? I like that? And I yeah, I like
that song a lot too. I was saying, it's got
got a little bit of a surf punk vibe there,
with the guitar and everything in the whole vibe of it.
I really like that a lot. That must go over
one live. Do you play that one live?
Speaker 3 (39:58):
Oh?
Speaker 1 (39:58):
Yeah, yeah, yeah, that's an often Oh no, no kidding, Okay, yeah,
that's like three or four times. And I said, yeah,
oh oh my, do you uh well it is it
is a short song.
Speaker 3 (40:10):
One more time.
Speaker 1 (40:12):
I reminds me of a you remember this is totally
off subject, but do you remember lou Bega Mamo number five?
Speaker 15 (40:20):
Yeah? I love that.
Speaker 1 (40:21):
I saw lou Bega one time at at the time,
I was working at a record store and I got
invited to go to one of those all day radio
station shows. One of the Boston Stations was doing this
was a long time Agoes was. This was when Mamo
number five was on the radio, and uh so it's like,
you know, like fifteen different artists throughout the day and
they've all got really short, like twenty minute sets because
(40:41):
of so many of them. And lou Bega was one
of the one of the performers and he actually played
Mamo number five twice. He opened with it, and I thought,
he's opening with his big hit. This is a bold move.
And then I thought, oh, maybe he's closing with a cover.
That's the one time. That's the only way that makes sense.
(41:01):
He must be closing with a cover that goes over
really well. So he's going to open with his big hit.
He didn't he So he opens with Mamo number five,
then he plays like one other song from his album,
and then he closes with Mamo number five. He actually
played it twice and I and it was like it
was kind of weird, but but I also remember thinking,
I respect it in a way that he understands, he
(41:22):
knows he's a one hit wonder, he understands he's on
the you know, thirteenth or fourteenth of his fifteen minutes
you know what I mean. I saw Men Without Hats
a couple of years ago and they opened with safety Dance.
Yeah they no kidding? Yeah, all right, you don't have
to do that, guys.
Speaker 8 (41:38):
They have a lot of good songs.
Speaker 1 (41:40):
Come on, I but that's their only hit, right yeah?
Speaker 3 (41:43):
Yeah?
Speaker 8 (41:45):
Oh no? Actually what was that one? The apocalypse one.
Speaker 1 (41:53):
From Men Without Hats? Yeah, I don't even remember that.
Oh that's kind of familiar.
Speaker 8 (41:59):
It's a tear jerk okay, all right, yeah.
Speaker 1 (42:02):
I think they did that twice too, because you got
to fill that time, get that get that check. Yeah.
Oh that's funny. So when's just remind people too? I
know we just talked about it, but for people just
joining us, when is your next show? When is the
next opportunity of eighteen September eighteen.
Speaker 20 (42:18):
Slimmer stars Plana Versus the Man, the Cretans.
Speaker 1 (42:23):
And us and you and very good, very good by
the way. So and then all the how do you
how do you handle the percussion and everything in the
when you're on stage? Is that is that programmed or
how do you approach that?
Speaker 7 (42:35):
Michael Mike Walsh, who is uh Jazz Virtual.
Speaker 1 (42:40):
So yeah, lays oh excellent, excellent and.
Speaker 7 (42:46):
Uh and Adam what the funniest part of all this
is Adam you know, he's been playing the guitar is
you know, fantastic. And then one day we're at practice
and we had a drummer time and he's like, hey,
let me let me just show you this part. Adams
up behind the drums. Yeah, Adam, it might be the best,
one of the best drummers that I seen. Yeah, and
(43:08):
it was like a secret secret, no idea. Oh wow,
so Adam played.
Speaker 8 (43:16):
Never heard him drum his fingers on a table before. No, kid,
he just yeah busted out.
Speaker 1 (43:21):
Oh that's cool.
Speaker 21 (43:22):
Yeah.
Speaker 3 (43:23):
It's been easy too because we can just late.
Speaker 22 (43:25):
We don't have to.
Speaker 7 (43:26):
Uh, the three of us can just write and record
and play everything.
Speaker 12 (43:29):
And you know, Michael, Mike will probably start.
Speaker 8 (43:33):
Mikey's great though. Yeah, he can do he can do
anything that you point him at.
Speaker 1 (43:37):
Yeah. Yeah, excellent, excellent, very good, very good. Well listen,
I want to thank you, thank the three of you
for joining us here today, all the four of you,
because the robots here as well. Yeah, I forget I
asked you if the robot had a name. I can't
remember what you said.
Speaker 7 (43:50):
Does the robot have a name Boris Boris Excel two
four Excel two four.
Speaker 1 (43:55):
Yes, I had a Do you remember to excel? I
had a two excel when I was a kid to
play the A tract You put the A tractapes in
was I am to excel?
Speaker 7 (44:04):
One thing I'll put out there. Our sort of secret
hope that we have is eventually people will come to
our shows and bring their robots so that they can
all dance in the front together.
Speaker 1 (44:15):
That's that's such a cool idea.
Speaker 3 (44:18):
Together.
Speaker 7 (44:19):
If you come to the Stone Church, bring a robot
and we'll give you free.
Speaker 1 (44:25):
That's a very cool idea. Does it have to be
a robot? What if it's like like like what what what?
Speaker 7 (44:31):
Anything robotic like like that? That would be awesome, that works,
That would be hilarious because I think, actually, it's funny
you say that, because.
Speaker 3 (44:40):
I want to.
Speaker 8 (44:44):
Like it'll be it'll be like survival research laboratories, only
without the fighting.
Speaker 7 (44:50):
Yeah, it's funny to say that. Because one of the
new videos that we're working on, like I'm always like
trying to find something it's a little different, and I
was looking at Room the uh footage. Yeah, it's gonna
make it in there. Yeah, it has nothing to do
with this song. The next song that we're releasing is
really organic and beautiful, but it is yeah, oh.
Speaker 1 (45:15):
Is oh, that's not on the EP. It's not.
Speaker 7 (45:17):
No, we're done, it's recording.
Speaker 1 (45:19):
Okay.
Speaker 7 (45:20):
It's a masterpiece.
Speaker 1 (45:21):
Adam.
Speaker 7 (45:21):
The guitar. I feel like I'm like stroking the guitars.
It's the guitar. It's a guitar like show piece.
Speaker 3 (45:32):
Yeah.
Speaker 1 (45:32):
Nice. Nice. When's it coming out?
Speaker 7 (45:35):
I don't know.
Speaker 1 (45:36):
All right, Well, sender to us when it's ready. We'll
do We'll do a world premiere for it.
Speaker 3 (45:41):
Some surprises in the fall.
Speaker 1 (45:42):
Absolutely awesome, awesome, excellent, excellent, Well again, thank thank you all,
all three of you, and I think we'll close the
segment with the studio version of Lonely Nights again. This
is my favorite. It's just so catchy. But uh, I
really appreciate you all coming in this morning. Thanks for
having absolutely absolutely we will do it again in the future.
And if you are listening live on Saturday, we have
(46:03):
Are they in the building? Jenny Silent Season? Silent Season
is coming up in the second hour, but we will
close out this segment again. This is Lonely Nights and
this is replaced by robots.
Speaker 21 (46:17):
Long nights, Hollo Lo nights, look funny cigarette walk down
(46:38):
to the discotect, trying not to.
Speaker 3 (46:41):
Act strange, dancing like a breach, trying to.
Speaker 7 (46:46):
Beat street today?
Speaker 3 (46:47):
Is it trying to catch a nice Benson in speaker?
Speaker 8 (47:14):
The TODs and Gods Aline, I couldn't find you anywhere
for the so far stuffs getting smaller.
Speaker 3 (47:21):
Than running out of time?
Speaker 8 (47:23):
The a China Houser, How would you do?
Speaker 3 (48:10):
Love? Pay play, no play, not play, lass play.
Speaker 10 (48:26):
Some plays now play.
Speaker 5 (48:31):
Love love plays some play no play.
Speaker 3 (48:41):
May only.
Speaker 22 (49:04):
I should should look to your right and thought for you,
but thouse aides should give me more side.
Speaker 3 (49:22):
And needs. No you know that I think sho I
shall do?
Speaker 5 (49:43):
What can't you start? You chant always good?
Speaker 3 (49:54):
A sure?
Speaker 5 (49:55):
How I fell you hudect? I can't say jot.
Speaker 19 (50:11):
This.
Speaker 3 (50:12):
No one who should chose him killed him.
Speaker 23 (50:17):
Soon way, sir, you can make up? Then I can't
shot him? Go go, but I fan my dream.
Speaker 5 (50:43):
I'm sup?
Speaker 3 (50:50):
What can't go? Start a built jack?
Speaker 5 (50:55):
My boy got.
Speaker 3 (51:01):
My song.
Speaker 5 (51:04):
Girls girl songs. John Rogers said, good Joe, Joe still
(51:52):
suns John.
Speaker 3 (52:00):
Show charsca A tract A lot of you starts.
Speaker 22 (52:14):
If you shouts, get a voice, your s.
Speaker 3 (52:50):
Strass beneath the white of the creature said his name.
Real mutilation is an it shud taste like whin skin
smells out and grab up and strut got the paper
(53:11):
hoppen take place. So I just come back a joke.
It's ma t gonna take friend speak leading me to
a s me. That's the nation. It's not pain't back
that choice. It's how your sensation.
Speaker 2 (53:38):
Creature chop chump.
Speaker 3 (53:44):
Creature struct sup.
Speaker 20 (53:48):
Strutch my name, the white chosky get interest in this
on the line, and you tell not don't do your eyes,
but your right teas is about a little slow.
Speaker 6 (54:04):
The subtas like redskin shad than grubbers struggle in the paper.
Speaker 3 (54:09):
How mut you go? So I just come back bash.
Speaker 6 (54:16):
This man skins a friskin leading me to s. That's
then s the South been FDA's cause just lack of sensation.
(54:36):
Take me away, show me.
Speaker 3 (54:38):
The other a good loud of the creatures being more the.
Speaker 2 (54:42):
Culture of mind to astract customized.
Speaker 3 (54:45):
To take me sense. The sun's in mine face, the
man's rain in my shoes. It's win behind me.
Speaker 10 (54:53):
And there's win behind you.
Speaker 3 (54:55):
But not drunk. Upon said stay by, you may give me.
Speaker 4 (55:00):
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Speaker 7 (59:00):
Midnight.
Speaker 4 (59:01):
Seven times out of ten we listened to our music
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Speaker 12 (59:11):
Late Night to Light with DJ Midas right here on
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Right now. A w m n H ninety five point
three FM exclusive, Matt Connerton Unleashed presents the world radio
premiere of the new single from Brides. This is called
creature culture.
Speaker 2 (00:17):
You are listening to Wumnah.
Speaker 3 (00:21):
World premiere start creature mutation. But it's sad test like
(01:06):
mad skinIn smills down the grado. It's still goode being paid, But.
Speaker 4 (01:11):
How did you take place some right?
Speaker 3 (01:12):
Just put back like you talk.
Speaker 5 (01:17):
It's map skins, pretty skin lead at me too, shit
you guys, good nay chill and stop.
Speaker 3 (01:22):
Ain't by that ts its tick, your sensation creacher chock chup,
(01:43):
creature shop shot strutching it what TuS you get your
stish line, you put a little don't.
Speaker 5 (01:55):
Two of your eyes but your right tess's about.
Speaker 3 (01:57):
It's like the subtest not mask strolling the brothers struggle
in the bay.
Speaker 4 (02:08):
But haven't you go so much.
Speaker 3 (02:10):
To stop by face.
Speaker 5 (02:15):
This man skins and friskin leading me to me that
smation something my face causes.
Speaker 2 (02:22):
Like a sensation shave me away showing.
Speaker 3 (02:38):
And I get loud at the drenching as people. It's
const mind to destry. Custis the g T man sen
so may.
Speaker 6 (02:48):
The Sons of Mind face the Man's Rain in My Friends,
it's when behind a man, That's why behind and You're.
Speaker 3 (02:55):
Not drunk, a Mousers gay.
Speaker 4 (02:57):
Rights bag and see.
Speaker 1 (03:36):
There it is. That is a brand new track from
Brides that is called Creature Culture. They are all the
way from the UK and they are going to be
here with us on the show next week online, not
in person, but really looking forward to that. But you
heard it here first the first time ever on any
radio station, the world radio premiere of the new track
from Brides that is called Creature Culture. And this is
(03:57):
Matt Connorton Unleashed. We are live from the studios of
w m n H ninety five point three FM and
Glorious Manchester, New Hampshire. It is August thirtieth, twenty twenty
five and I am not alone.
Speaker 7 (04:20):
Good morning Sunshine.
Speaker 1 (04:22):
Jenny is here at the news table present account at
four and well it's our last show in August. You know,
I love that song. Basically the last show of summer
makes me kind of sad. Unofficially sorry, I do love
that song, tood. I'm looking forward to talking with them, yeah, yeah,
next week next week, yes, but right now, joining us
live in studio. Let me get these mics up. We've
(04:43):
got replaced by robots. This here, welcome, thanks for having us,
and hello, and there's an actual role let me get
that hammer on you for those watching online. And we
have an actual robot in studio with us too.
Speaker 3 (04:56):
Here okay, man or.
Speaker 8 (05:06):
He is new to this planet.
Speaker 1 (05:08):
Wow is a robot an official member of the band or?
Oh wow? Okay, excellent? So you're actually a four piece?
Speaker 8 (05:14):
Yes, Gulcasan will drive back home if he forgets him
a gig.
Speaker 1 (05:20):
So we have uh so the the three primary members
are Gulcazi and Heather Joy Morgan and Adam Wade, who
are all here in studio with us, and of course
the robot. What's the robot's name? I assume the robot.
Oh what's the matter. Oh your MIC's not working? My
MIC's Oh I hear it. Oh you're just low in
the you're low apologized. I can hear it now, Yeah,
(05:43):
now I can hear you?
Speaker 9 (05:44):
Can you hear me?
Speaker 5 (05:45):
Now?
Speaker 1 (05:46):
We've got we've got an extra mic set up because
these guys are gonna play live for us in a
few minutes and really looking forward to that because you
know what, I'm interested in is because listening to the
tracks and I love these songs, but I'm very curious
to hear how you sound with an acoustic guitar. After
after hearing these studio tracks, you know, yeah.
Speaker 7 (06:04):
We are too at it. And it was like, yeah,
let's do this, and I was like.
Speaker 8 (06:09):
Everything, So this.
Speaker 1 (06:11):
Is this is an unusual uh scenario here with the
first really Oh yes, yes, we do like that very much,
very much.
Speaker 8 (06:19):
I have so few firsts left now, that's never true.
Speaker 1 (06:24):
There's always something good. And uh, where are you all from?
I assume you're you're probably a little bit scattered, right,
but you're based where? Where are you? Where do you
say you're based out of Portsmouth? Sportsmouth?
Speaker 3 (06:37):
Yeah?
Speaker 1 (06:37):
Great, great music scene there, Sportsmouth.
Speaker 8 (06:40):
I feel, yeah, we're the best of it.
Speaker 1 (06:42):
I mean as far as as far as New Hampshire goes.
I think I think Portsmouth is kind of in terms
of the music scene, the coolest, the hippest place in
the state, really coolest well in terms of music. Yeah,
just just like like Portsmouth. To me, I've always kind
of thought of it as like Boston North, you know
what I mean, It's like nor I don't know that
Portsmouth would agree, that's that's you know, I don't know.
(07:05):
I certainly mean it as a compliment. Oh I know,
I know.
Speaker 8 (07:08):
But on their way through Ride did come by there
and play who did Ride?
Speaker 1 (07:15):
Ride?
Speaker 8 (07:16):
The British shoegaze bend?
Speaker 10 (07:18):
Uh?
Speaker 1 (07:18):
Yeah, well there you go. Yeah, they didn't come to Manchester,
did they?
Speaker 11 (07:22):
No?
Speaker 8 (07:22):
They did not.
Speaker 1 (07:25):
Well, what's what's I'm gonna let you all pick what
should we play for a studio track, and then we'll
you send me I love these songs, and then we'll
actually maybe can I pick? Can I be Selfish? And
can we play Lonely Nights?
Speaker 3 (07:38):
Yeah?
Speaker 1 (07:38):
Okay, because that's my favorite? I usually let the guest pick,
but that's my personal favorite. I love this song so much.
It it's catchy as hell.
Speaker 8 (07:45):
Wasn't that what we were going to play on? And
the acoustic?
Speaker 3 (07:50):
That's okay?
Speaker 8 (07:54):
That's a bit.
Speaker 3 (07:57):
Maybe.
Speaker 1 (07:58):
Well I don't know, all right, Well we can we
can play something else?
Speaker 12 (08:01):
So confusing?
Speaker 3 (08:05):
We could?
Speaker 1 (08:06):
We could? Yeah, that's true, we could. We could play
the Ouiji board song. What's the full title of that?
Speaker 8 (08:12):
Since you broke my wija board?
Speaker 1 (08:15):
I have a question too before we play this. Now,
I've always heard of pronounce wigi, but you pronounce it
more like it's actually spelled.
Speaker 8 (08:21):
Yes, that's because I actually speak German. Probably, Oh, no.
Speaker 1 (08:25):
Kidding, Okay, so that is so so so the way
you're saying it is the correct pronunciation osia. Yeah. I
always wondered because growing up, so my mother had one
and we in the summer when I would I would
spend the summers with her because she lives in another
part of the country, and uh, she would uh, she
would pull out the Wiji board or wija. I don't
know if I can get used to say, well, I
can't pronounce it exactly the way you say it anyway,
(08:46):
because I can't do the accent. But much to the
consternation of my father, who found out many years later
that that we were doing that, my great devout Catholic
father did not approve. But but then so that was
what I thought about the first time I saw that
song title and the night I played it, and I
was like, oh, she pronounces it differently, but the way
she pronounces it is it looks like the way it's
(09:06):
actually spelled. Because I always wondered, are we saying it wrong.
Speaker 8 (09:09):
Because well, it's just yes in French, and yes in
German we.
Speaker 1 (09:14):
And yeah, so I knew that.
Speaker 3 (09:17):
Yeah.
Speaker 8 (09:17):
Actually, if you were pronouncing it then it would be we. Yeah,
but that's that's not for an English person to get
involved with. So just stop at wee jaw.
Speaker 1 (09:28):
Okay, all right, let's give this a spin and then
we're going to come back and talk a little bit.
And uh, here it is, and the band is replaced
by robots.
Speaker 3 (10:21):
Seagroqueijao can talk to those numb.
Speaker 13 (10:29):
You, Loueigian boy can do that does not as unchables
you ever Rueigia not.
Speaker 4 (10:41):
Taste the.
Speaker 3 (10:58):
Sad.
Speaker 4 (11:43):
The show.
Speaker 3 (11:50):
No su.
Speaker 13 (12:11):
Sunston was the game advice, the Evening Dusk Summers some moments.
Speaker 1 (12:22):
Now, that part at the end is such a cool touch,
(13:24):
not not what you were doing green casing, but the.
Speaker 7 (13:28):
Little Adams Adams insane piano.
Speaker 1 (13:32):
Yeah, yeah, that's that's really cool. I like the way
it because it's kind of it's kind of a surprise.
You don't expect to hear that at the end, but
it fits a song perfectly. The band, of course, is
replaced by robots who are here with us live in studio,
and the song Heather, how do you pronounce it correctly? Again?
Speaker 8 (13:47):
Wija wija since you broke my wija board.
Speaker 1 (13:52):
Since you broke my wija board. All right, so do
you want to tell that you were telling it off?
Are you want to tell?
Speaker 14 (13:56):
Yeah?
Speaker 8 (13:56):
We were in the middle of a rehearsal, and then
I went into the little terror room on the side
where we used to where we record, and I've got
all my little relics and oddities laying around there, and
I noticed that Gulcassian had taken my antique weijaboard and
stuffed it into a bag and and he broke it.
(14:19):
And I was so upset, and I went back into
the room, and you know, we're all just kind of
jamming and and they're like lyrics Morgan. So then I
just started singing, since he broke my wee jabb, I
can't talk to the ghost no more. And we just
kept going. We just wrote the whole thing right there.
That's cool channeling my marital rage, ye.
Speaker 1 (14:43):
Are are was? It wasn't the robot.
Speaker 8 (14:48):
It's not really broke, it's broken.
Speaker 7 (14:51):
It was italy like a little like a little ding
in the side of it.
Speaker 8 (14:56):
I was wondering, Yeah, it was perfect before I met you.
It was perfect since nineteen nineteen.
Speaker 1 (15:03):
Oh wow, it really is?
Speaker 15 (15:04):
Oh wow?
Speaker 1 (15:05):
Yeah? And then so what it's good? So it's just
got a ding in it or a crack or what broken?
Speaker 7 (15:09):
This little overly dramatic.
Speaker 1 (15:12):
Okay, okay, yeah great for song lyrics? Yeah, absolutely, absolutely
very cool. Well, I'm dying to hear you all play live.
Uh if you are just joining us replaced by robots?
Is here with us live in studio?
Speaker 8 (15:24):
And uh and we're somewhat alive?
Speaker 1 (15:26):
Yeah it is.
Speaker 16 (15:27):
Uh.
Speaker 1 (15:27):
Is this the earliest uh you as a band have
ever played live? Yes? Yes, but we and also je okay, gotcha,
well well done, We've got Adam brought his guitar so
which which was a surprise. I didn't know you're gonna
play live, but I'm very happy about it. So, so
what are you gonna What are you gonna play for us?
Speaker 7 (15:49):
I think we'll play.
Speaker 3 (15:52):
Lonely Nights. Little song called Lonely Nights.
Speaker 1 (15:54):
Awesome. I love this song and I'm very excited to
hear it played acoustic live in studio.
Speaker 17 (15:58):
So we are yeah, cruel morning for a long Adam
sprung this on us at like seven, Oh wow, I
was still asleep and basically responded, Okay, yeah, here I
am yeah, yeah, you.
Speaker 8 (16:16):
Were having a dream googlecase in you were punching a lamp.
Speaker 1 (16:20):
Oh my goodness, but he does okay, all right, well,
fair enough, whatever, whenever you're ready, all right.
Speaker 10 (16:43):
Lonely, lonely, lonely, lonely, nice, lonely, lonely, lonely, lone lay, nice.
Speaker 7 (17:02):
Smoke a funny cigarette. Walked into the discothech, trying not
to act strange, dancing like a freak. I'm trying to
be discreek as trying to catch your name.
Speaker 14 (17:16):
Lola, lol, lonely, lonely, nice, long letlone no lo let,
lonely nice.
Speaker 8 (17:36):
The tons and the spieger, the tons and guns a line.
I couldn't find you anywhere, findedly so fine circles getting smaller,
running out of time, the unclinas.
Speaker 18 (17:47):
I want you to be mine, lone man, lonely, lonly nice.
Speaker 3 (17:55):
On the Lol, lo man, loely, lonely.
Speaker 18 (17:59):
Nice, lonely, running out of time, lo lay, lone.
Speaker 16 (18:30):
Man, lonely, lonely nice, lay, low man, lonely, lonely.
Speaker 3 (18:38):
Nights it Lola, LOLd man, lonely, lone.
Speaker 16 (18:44):
Me nice, no lay, lone man, loly, lonely, nice, long lay, lonely, lonely.
Speaker 3 (18:57):
Lonely nice.
Speaker 1 (19:01):
Oh my god, I love it.
Speaker 3 (19:02):
That was awesome. That was awesome.
Speaker 1 (19:05):
Wow. I can't wait for you guys to hear your
souls on playback. Yeah, like that was really awful. Yeah, yeah,
that was great. Well done. If you are just joining us,
we have replaced by robots here with us live in
studio on this Saturday morning, and that sounded fantastic.
Speaker 8 (19:20):
I put my toe out of line. I'm gonna get
it later.
Speaker 1 (19:23):
Oh my well, no, no, no worries. So now how
do you Everyone always say it's this question, but how
do you describe your music to people who haven't heard it?
Because there's obviously a tremendous mix of influences and you have,
you know, you've all played in other bands and have
different backgrounds and ear least I assume so. And by
the way, Heather, are you you're also an oil painter? Correct?
Speaker 11 (19:45):
Yes?
Speaker 3 (19:46):
I am trained?
Speaker 8 (19:47):
Yeah, trained trained.
Speaker 1 (19:49):
Jenny's an artist. I am not trained, but so I'm curious,
So how do you describe your or do you even try?
Or do you just play it and say I spam?
Speaker 8 (20:01):
When I send out males about our about our upcoming shows,
I always say the world's most prominent rock band if
you're interested in in that. But usually I say, you
can tell what we love. You can tell that we
love nineties alternative. You can tell we like the Pixies,
the Cure and and Girl Group. I gotta ask punk rock.
Speaker 1 (20:23):
Are you influenced by Blondie?
Speaker 3 (20:25):
Oh?
Speaker 8 (20:26):
Absolutely, because like I thought, I'm like.
Speaker 1 (20:28):
She's gotta be I was a Blondie family. Oh yeah,
and I can hear with you like that is.
Speaker 8 (20:32):
So called first concert I ever went to? Was was
it Meadow Lens brendan Burn Arena? It was rand opening
for Blondie. Yeah, of course yeah. I was like nine, Wow, yes,
of course.
Speaker 3 (20:50):
So did we ever? Yeah?
Speaker 1 (20:52):
So I mean what do you so, what do you
call it?
Speaker 3 (20:54):
Like?
Speaker 1 (20:54):
Do you try to put a label on what you.
Speaker 8 (20:56):
Do or well that's usually what what we hear in
our reviews is kind of genre busting. But you can
tell what we like. You know, if you if you
like the uh, you know Bauhaus, you're like, oh, you know,
I hear a little of that. I mean, Adam over
here is an encyclopedia of underground music, so he can
just pop in whatever influences we're thinking about that day.
Speaker 1 (21:21):
Nice. Nice. We're kind of pop goth, Yeah, dance dance
pop god dance pop goth. I like that. Yeah.
Speaker 7 (21:27):
And one of the things that when we came up
with the name Replaced by Robots, what we kind of
loved about it was like it didn't higeon hold us
into anything because it and like we'll write songs and
then we're like, this is not like what we do,
but it fits in, Like everything fits in with that name,
(21:49):
you know what I mean, it's not constrained.
Speaker 8 (21:53):
I love it a good pigeon hole.
Speaker 1 (21:56):
Well where so where does the name come from? Replaced
by Robots?
Speaker 8 (21:59):
I mean, I uh, we were tossing around ideas and uh,
I just came up with that out of kind of
out of the blue. But uh, it had something to
do with a kind of disappointment in the algorithm driven
of today, neiss of music and uh, you know, and
also people's livelihoods and just everything. Yeah, and uh and
(22:23):
to me that was I mean, it could be a
way of saying that we're robots, or it could be
a way of saying we are obsolete bohemians, and you know,
maybe a little of both. We play with, we play
with all of those ideas. And once we picked up
on that concept, it became so much fun to play
with with our videos, with our writing and uh so yeah,
(22:47):
right guys, Yeah absolutely.
Speaker 1 (22:50):
And and and what about the themes like lyrical themes
in your songs? I mean, is there anything specific that
you're trying to convey or are you trying to I saw,
you know, the word when I was reading about the band,
The word futuristic came up quite a bit. But I
don't know if I mean a song like Lonely Nights
that's not that's not anything futuristic. That's just something relatable.
Maybe that's why I like that song so much. Aside
(23:11):
from that, it's very catchy. It's something everyone can relate to, right.
Speaker 8 (23:14):
But yeah, Heartbreak and the Apocalypse go.
Speaker 7 (23:20):
Yeah, like I feel like at a core, always like
very emotional, you know, like like I love soul music,
but I don't like listening to it. But I like
the concept.
Speaker 1 (23:33):
Oh okay, very interesting, very interesting. What's your what's your
live show like? Because because what you do lends itself
to I assume the robot is part of the live show.
Speaker 7 (23:46):
Big He's like we put him out front and he
just kind of dances and then people kind of want
to come dance with him.
Speaker 1 (23:53):
Oh that's cool.
Speaker 7 (23:54):
Yeah, but we just have fun.
Speaker 3 (23:56):
Man.
Speaker 8 (23:56):
We're very high spec control and uh and and uh
and luminous mesmerizing. We've been told things mesmerizing and uh
and I mean we're we're a tough actor. Follow Literally,
bands who have to go on after us are like,
oh man, like what what am I going to do?
(24:18):
Those guys that they're weird and they're also like so
driving that it may take a couple of songs for
for a person to reclaim the space.
Speaker 1 (24:26):
Sure, and that's cool. Oh yeah, that's that's very cool.
Speaker 16 (24:32):
Yeah.
Speaker 7 (24:33):
Both Adam and I come from really intense like uh,
like punk rock band.
Speaker 1 (24:38):
Yeah, so you were in the elevator drop okay because
I remember that band? Yeah, and oh go ahead.
Speaker 7 (24:46):
Yeah. And Adam was in a funeral party, which was
and we knew each other in Boston. Oh no, kidding,
can make the whole thing makes no sense. We shared
a rehearsal space and he reminded me I I have
like the worst memory.
Speaker 1 (24:59):
Yeah, and I was like, oh my god.
Speaker 7 (25:01):
So we were like like we shared oursal space together
in Boston. Then he was like, my neighbor up here.
Speaker 1 (25:06):
No, kidd oh wow, So this is there is an
element of fate to this, right, you were destined to
be at a band together.
Speaker 8 (25:12):
We all came together at a we we hosted the
Chameleons in their kind of acoustic form, a Chameleons Box,
play a show at our house, and and we invited
Adam to the party. He's a huge band, and it
was it was a great night. It was a it
was a great show. And then we ended up deciding
to play together at that show.
Speaker 1 (25:33):
Okay, okay. And then how long after you decided to
play together, how long did it take to get the
project rolling? Not too long? No, like a month? Really
that's quick, Yeah, that's quick. But that's when you know
you've got something, right. I always say this when you
when you have something that you know, gels quickly, you know,
and it's not a lot of effort, you know, to
try to put something together. It just kind of happens,
(25:53):
and you know you've really got something totally.
Speaker 16 (25:55):
I think it was forty three days.
Speaker 8 (25:59):
Yeah, I'mikeka and Adam has a very good memory apparently. Yeah,
and it's like a soup, everything is all mixed together.
He just dips the ladle in and spills it out
and all years intermingled all the fact.
Speaker 3 (26:16):
How this is the spoon on the bowl.
Speaker 8 (26:18):
Yeah, I.
Speaker 1 (26:21):
See, I see.
Speaker 8 (26:24):
We are for his madness.
Speaker 1 (26:26):
Okay, okay, well I think we should play another studio track.
So we talked off air about this. So this is
not one of the ones you sent me, but I
do have a queue up I did where do you
get here? It is are we falling in Lover? Am
I just losing my mind? I really like this song too?
And this is of course we haven't talked about this yet.
We'll talk about the experiment, the the EP that you've
(26:48):
released a little bit on the other side of this.
But but let's give this a listen, because I really
like this song a lot. And if you are just
joining us, we do have replaced by robots, replaced by
robots here with us in studio and uh, let's uh,
let's give this a spend. This is called are we
falling in love? Or am I just losing my mind?
Speaker 3 (27:14):
Dancing around the machinery? Coming rights? We'll give me asking
times to sens spending now the altar case.
Speaker 11 (27:53):
God, this is such a beausiful nice sometimes.
Speaker 2 (27:58):
A list of the sector to.
Speaker 3 (28:02):
Come right, but give you asking the times to send.
Speaker 11 (28:07):
To as we're born to another dimension.
Speaker 10 (28:51):
So ask.
Speaker 1 (29:23):
Are we falling in love? Am I just losing my mind?
The band is replaced by robots, and we have replaced
by robots here with us live in studio. What are
you going to say, Jenny?
Speaker 10 (29:31):
Oh?
Speaker 1 (29:32):
Sorry, I wasn't gonna say anything. Oh okay. I thought
about it for a moment and then went down. Oh okay.
It was like it was a fleeting thing. I understood, understood. Okay,
all right, sounds nice.
Speaker 3 (29:42):
You say things.
Speaker 7 (29:42):
Well, were you going to say, I'm not telling you?
Speaker 1 (29:45):
Okay? Fine?
Speaker 8 (29:48):
Great, nobody said you you promised you would behaved.
Speaker 17 (29:53):
Devis surprises that he doesn't talk about Oh my goodness,
you're less shortening.
Speaker 8 (30:00):
Yes, oh you may growl now.
Speaker 19 (30:04):
But you.
Speaker 1 (30:10):
So tell us about the the EP uh the experiment?
Where did where did you record this? And how did
you record it? And it sounds great? We recorded it
at our house, okay.
Speaker 7 (30:22):
But then like, uh, it was really good. So like
we had certain songs where we we brought that song
that you just played to uh Hagar that uh he
was in elevator drops. He's in Devo down. He's really. Yeah,
he's great, he's the producer. His brother's nuts he uh
(30:43):
he does like all the Miley Cyrus records and Josh's
is his brother. And we were, you know, Elevator rops
forever and so we mixed that there, and then we
mixed Lonely Nights with Colderry, who's amazing, he's not all
the Pixies records and the Go Gos and yeah and there.
(31:07):
It's funny because there was one part originally in that
song which there was a little snippet of a Go
Go song. We didn't know what it was. Adam was
playing it and we knew or he probably knew, and
he pulled it out and and I found out later
that he also uh produced.
Speaker 19 (31:26):
Oh wow, So he wanted to bury It was my
intentional nod to the Go Gosh and he kind of
wanted to bury in the mix as to avoid any litigation.
Speaker 8 (31:35):
Oh really, Actually I think it was more like, hey,
you didn't want to pull focus off our amazing tune,
and and suddenly being like, oh, I want to listen
to the Go Gos.
Speaker 7 (31:46):
I want the Go Go effect because I for for
a lot of years I would always pull in quotes
from other songs, and when it was really enlightening, I was,
you know, like you learned from a producer. And I
really like that that input because like it makes you
(32:07):
strive to stay original, which is hard in this day
and age with all the influences of other music around you.
So it's awesome. It's like, especially with what we do,
we definitely have a lot of influences, but we do
we work hard to make it.
Speaker 1 (32:23):
Still be you know, right right, yeah, yeah, that could
be a challenge, of course. Yeah, absolutely absolutely. And you've
got a lot of shows coming up too. You're talking
about that off here, right, You got some uh yeah.
Speaker 8 (32:35):
We're playing September eighteenth at the Stone Church excellent, and
we're playing in October on the tenth at the Appohadian
in Portland.
Speaker 3 (32:44):
Yeah.
Speaker 7 (32:45):
And the one that's coming up in stone Church, we've
got like the Glimmer Stars. It's their first date of
their tour. They're from La Hollywood area, Okay, and they're
coming out here and that's the first date. And so
we're kind of and we're playing with us Polana versus
the Man, Polana versus.
Speaker 1 (33:03):
The Man okay, and the.
Speaker 7 (33:07):
Cretans who are like they have. There's some like they're
like a punk rock they're they're friends with the queers
and all that that that whole old Boston Hampshire, Boston scene.
So it's it's gonna be.
Speaker 8 (33:22):
David, have you coughing? Paint? What's going on?
Speaker 11 (33:26):
This is?
Speaker 8 (33:26):
This is a new rasp that we don't usually have, well,
but it is.
Speaker 1 (33:31):
It is nine a I'm on on a Saturday morning.
Needs something to get you going in the morning. That's right,
there you go, there you go.
Speaker 8 (33:38):
I just picked this guy up at a truck stop.
It's not the actual is.
Speaker 15 (33:44):
Dave, the real Dave actually coming by?
Speaker 1 (33:47):
Oh boy, paint?
Speaker 3 (33:55):
Sorry, I can help it.
Speaker 1 (33:57):
You gotta blame retro, right right? So are there are
there plans to record new more music sooner? This hasn't
been out for very long actually, right, so you're probably
still Yeah, we'll got some new stuff in the works.
Speaker 7 (34:10):
We're super excited that we have a couple of tracks
already done. Yeah, and we might We're trying to figure
out what this day and age is, so like bonkers,
we might just release like a single because putting out
a record is so weird it doesn't even make sense.
No one wants records. They want like they want song
and they want another one. So we might just put
(34:32):
them out and then collect them into a bin and
put the bin outside and package it and make a record.
Speaker 1 (34:42):
Yeah, dump it out all over the street, come get
it kids. Well that is though, I mean, that's how
a lot of I mean, there's so many different ways
you can release music now, right, But but that but
that approach of kind of the inverse of what it
used to be, right, because it used to be, you know,
you have an album and then you have a bunch
of singles from the album. And now a lot of
artists do they put out a series of singles and
eventually co all less into an album.
Speaker 19 (35:04):
And yeah, it's really retro too, because that's really you know,
the old fifties rock and.
Speaker 9 (35:08):
Roll, it was all about singles.
Speaker 3 (35:09):
That's true.
Speaker 1 (35:09):
You know, I hadn't even thought about a full circle
back to the beginning. Yeah that's a good point. Yeah,
that's true.
Speaker 8 (35:15):
Grab our dollar and go into the studio box music
walk out in our little forty five.
Speaker 1 (35:20):
Yeah yeah, no, that makes sense. And then do you
have any have you done any videos yet for any
of these songs? Oh, they all have videos I'm gonna
I'm gonna have to go check those out. Yeah, yeah,
because I'm really curious about that.
Speaker 7 (35:33):
You can see all of them that replaced by robots
dot space. We couldn't afford dot com.
Speaker 3 (35:41):
Oh.
Speaker 1 (35:41):
I had my son's dress up as ghosts for the
Ouiji board video. Oh really Yeah, Oh, I gotta check
that out. I gotta check that out. Uh, let's play
another one. I want to get these all in before
we run out of time, because, like I said, I
love your sound. Uh the title track, Oh no, it's
not the title track. I'm sorry, but laboratory. I don't
know why. No, the the ev is called the experiment.
I don't why I was thinking this was the title track. See.
(36:01):
I also at you know, nine am on a Saturday.
I have issues on my own, but but plus I
only had like two SIPs of my Monster Energy drink
so far. That's that's my issue. But let's give this
a listen. This is a short song. This is under
two minutes, but but it's it's good stuff. And then
we'll come back and talk a little more. If you
are just joining us, we have replaced by robots here
(36:22):
with us a live in studio on this Saturday morning
on Matt Connorton on leash Here it is laboratory by
Replaced by Robots. That is a short song. The Indians
(38:24):
snuck up on me there, but I like it laboratory
And uh so, what what are you saying?
Speaker 3 (38:29):
In those?
Speaker 1 (38:30):
Because we were talking off their about this. This is
a common question, what are you What are you saying there?
Speaker 8 (38:33):
Either in those lads, I'm saying ha ha ha okay
ha ha because it is funny, yes to say ha
ha ha.
Speaker 1 (38:46):
We were talking about Yeah, how people people always wonder
what it is that you're saying. I wondered it too
when I was listening to it. I thought when I
listened to it the first time, I thought, it sounds
like she's just saying ha ha ha. But I'm not
sure you know that, and my ears don't always hear
everything correctly.
Speaker 3 (38:59):
Either.
Speaker 8 (39:00):
Experience mirth with me, see as you are doing. Yes,
we are all very happy.
Speaker 12 (39:09):
Yeah.
Speaker 1 (39:13):
Replaced by Robots is here with us live in studio.
And where should people go online? We want to make
sure everybody knows where's the best place to find you
online for to keep up with everything that you're doing.
Speaker 7 (39:24):
Replaced by Robots. That's space Space. I actually we did
try to buy dot com, but he wasn't a vibelt.
It was like six seven dollars more, but that ended
up every month, well not.
Speaker 1 (39:38):
Only that year, not only that. But I think because
you've got kind of a futuristic vibe, right, I think
space is better anyway, right, I agree? Yeah, yeah, you know,
why not? I like that? And I yeah, I like
that song a lot too. I was saying, it's got
got a little bit of a surf punk vibe there,
with the guitar and everything in the whole vibe of it.
I really like that a lot. That must go over
one live. Do you play that one live?
Speaker 3 (39:58):
Oh?
Speaker 1 (39:58):
Yeah, yeah, yeah, that's an often Oh no, no kidding, Okay, yeah,
that's like three or four times. And I said, yeah,
oh oh my, do you uh well it is it
is a short song.
Speaker 3 (40:10):
One more time.
Speaker 1 (40:12):
I reminds me of a you remember this is totally
off subject, but do you remember lou Bega Mamo number five?
Speaker 15 (40:20):
Yeah? I love that.
Speaker 1 (40:21):
I saw lou Bega one time at at the time,
I was working at a record store and I got
invited to go to one of those all day radio
station shows. One of the Boston Stations was doing this
was a long time Agoes was. This was when Mamo
number five was on the radio, and uh so it's like,
you know, like fifteen different artists throughout the day and
they've all got really short, like twenty minute sets because
(40:41):
of so many of them. And lou Bega was one
of the one of the performers and he actually played
Mamo number five twice. He opened with it, and I thought,
he's opening with his big hit. This is a bold move.
And then I thought, oh, maybe he's closing with a cover.
That's the one time. That's the only way that makes sense.
(41:01):
He must be closing with a cover that goes over
really well. So he's going to open with his big hit.
He didn't he So he opens with Mamo number five,
then he plays like one other song from his album,
and then he closes with Mamo number five. He actually
played it twice and I and it was like it
was kind of weird, but but I also remember thinking,
I respect it in a way that he understands, he
(41:22):
knows he's a one hit wonder, he understands he's on
the you know, thirteenth or fourteenth of his fifteen minutes
you know what I mean. I saw Men Without Hats
a couple of years ago and they opened with safety Dance.
Yeah they no kidding? Yeah, all right, you don't have
to do that, guys.
Speaker 8 (41:38):
They have a lot of good songs.
Speaker 1 (41:40):
Come on, I but that's their only hit, right yeah?
Speaker 3 (41:43):
Yeah?
Speaker 8 (41:45):
Oh no? Actually what was that one? The apocalypse one.
Speaker 1 (41:53):
From Men Without Hats? Yeah, I don't even remember that.
Oh that's kind of familiar.
Speaker 8 (41:59):
It's a tear jerk okay, all right, yeah.
Speaker 1 (42:02):
I think they did that twice too, because you got
to fill that time, get that get that check. Yeah.
Oh that's funny. So when's just remind people too? I
know we just talked about it, but for people just
joining us, when is your next show? When is the
next opportunity of eighteen September eighteen.
Speaker 20 (42:18):
Slimmer stars Plana Versus the Man, the Cretans.
Speaker 1 (42:23):
And us and you and very good, very good by
the way. So and then all the how do you
how do you handle the percussion and everything in the
when you're on stage? Is that is that programmed or
how do you approach that?
Speaker 7 (42:35):
Michael Mike Walsh, who is uh Jazz Virtual.
Speaker 1 (42:40):
So yeah, lays oh excellent, excellent and.
Speaker 7 (42:46):
Uh and Adam what the funniest part of all this
is Adam you know, he's been playing the guitar is
you know, fantastic. And then one day we're at practice
and we had a drummer time and he's like, hey,
let me let me just show you this part. Adams
up behind the drums. Yeah, Adam, it might be the best,
one of the best drummers that I seen. Yeah, and
(43:08):
it was like a secret secret, no idea. Oh wow,
so Adam played.
Speaker 8 (43:16):
Never heard him drum his fingers on a table before. No, kid,
he just yeah busted out.
Speaker 1 (43:21):
Oh that's cool.
Speaker 21 (43:22):
Yeah.
Speaker 3 (43:23):
It's been easy too because we can just late.
Speaker 22 (43:25):
We don't have to.
Speaker 7 (43:26):
Uh, the three of us can just write and record
and play everything.
Speaker 12 (43:29):
And you know, Michael, Mike will probably start.
Speaker 8 (43:33):
Mikey's great though. Yeah, he can do he can do
anything that you point him at.
Speaker 1 (43:37):
Yeah. Yeah, excellent, excellent, very good, very good. Well listen,
I want to thank you, thank the three of you
for joining us here today, all the four of you,
because the robots here as well. Yeah, I forget I
asked you if the robot had a name. I can't
remember what you said.
Speaker 7 (43:50):
Does the robot have a name Boris Boris Excel two
four Excel two four.
Speaker 1 (43:55):
Yes, I had a Do you remember to excel? I
had a two excel when I was a kid to
play the A tract You put the A tractapes in
was I am to excel?
Speaker 7 (44:04):
One thing I'll put out there. Our sort of secret
hope that we have is eventually people will come to
our shows and bring their robots so that they can
all dance in the front together.
Speaker 1 (44:15):
That's that's such a cool idea.
Speaker 3 (44:18):
Together.
Speaker 7 (44:19):
If you come to the Stone Church, bring a robot
and we'll give you free.
Speaker 1 (44:25):
That's a very cool idea. Does it have to be
a robot? What if it's like like like what what what?
Speaker 7 (44:31):
Anything robotic like like that? That would be awesome, that works,
That would be hilarious because I think, actually, it's funny
you say that, because.
Speaker 3 (44:40):
I want to.
Speaker 8 (44:44):
Like it'll be it'll be like survival research laboratories, only
without the fighting.
Speaker 7 (44:50):
Yeah, it's funny to say that. Because one of the
new videos that we're working on, like I'm always like
trying to find something it's a little different, and I
was looking at Room the uh footage. Yeah, it's gonna
make it in there. Yeah, it has nothing to do
with this song. The next song that we're releasing is
really organic and beautiful, but it is yeah, oh.
Speaker 1 (45:15):
Is oh, that's not on the EP. It's not.
Speaker 7 (45:17):
No, we're done, it's recording.
Speaker 1 (45:19):
Okay.
Speaker 7 (45:20):
It's a masterpiece.
Speaker 1 (45:21):
Adam.
Speaker 7 (45:21):
The guitar. I feel like I'm like stroking the guitars.
It's the guitar. It's a guitar like show piece.
Speaker 3 (45:32):
Yeah.
Speaker 1 (45:32):
Nice. Nice. When's it coming out?
Speaker 7 (45:35):
I don't know.
Speaker 1 (45:36):
All right, Well, sender to us when it's ready. We'll
do We'll do a world premiere for it.
Speaker 3 (45:41):
Some surprises in the fall.
Speaker 1 (45:42):
Absolutely awesome, awesome, excellent, excellent, Well again, thank thank you all,
all three of you, and I think we'll close the
segment with the studio version of Lonely Nights again. This
is my favorite. It's just so catchy. But uh, I
really appreciate you all coming in this morning. Thanks for
having absolutely absolutely we will do it again in the future.
And if you are listening live on Saturday, we have
(46:03):
Are they in the building? Jenny Silent Season? Silent Season
is coming up in the second hour, but we will
close out this segment again. This is Lonely Nights and
this is replaced by robots.
Speaker 21 (46:17):
Long nights, Hollo Lo nights, look funny cigarette walk down
(46:38):
to the discotect, trying not to.
Speaker 3 (46:41):
Act strange, dancing like a breach, trying to.
Speaker 7 (46:46):
Beat street today?
Speaker 3 (46:47):
Is it trying to catch a nice Benson in speaker?
Speaker 8 (47:14):
The TODs and Gods Aline, I couldn't find you anywhere
for the so far stuffs getting smaller.
Speaker 3 (47:21):
Than running out of time?
Speaker 8 (47:23):
The a China Houser, How would you do?
Speaker 3 (48:10):
Love? Pay play, no play, not play, lass play.
Speaker 10 (48:26):
Some plays now play.
Speaker 5 (48:31):
Love love plays some play no play.
Speaker 3 (48:41):
May only.
Speaker 22 (49:04):
I should should look to your right and thought for you,
but thouse aides should give me more side.
Speaker 3 (49:22):
And needs. No you know that I think sho I
shall do?
Speaker 5 (49:43):
What can't you start? You chant always good?
Speaker 3 (49:54):
A sure?
Speaker 5 (49:55):
How I fell you hudect? I can't say jot.
Speaker 19 (50:11):
This.
Speaker 3 (50:12):
No one who should chose him killed him.
Speaker 23 (50:17):
Soon way, sir, you can make up? Then I can't
shot him? Go go, but I fan my dream.
Speaker 5 (50:43):
I'm sup?
Speaker 3 (50:50):
What can't go? Start a built jack?
Speaker 5 (50:55):
My boy got.
Speaker 3 (51:01):
My song.
Speaker 5 (51:04):
Girls girl songs. John Rogers said, good Joe, Joe still
(51:52):
suns John.
Speaker 3 (52:00):
Show charsca A tract A lot of you starts.
Speaker 22 (52:14):
If you shouts, get a voice, your s.
Speaker 3 (52:50):
Strass beneath the white of the creature said his name.
Real mutilation is an it shud taste like whin skin
smells out and grab up and strut got the paper
(53:11):
hoppen take place. So I just come back a joke.
It's ma t gonna take friend speak leading me to
a s me. That's the nation. It's not pain't back
that choice. It's how your sensation.
Speaker 2 (53:38):
Creature chop chump.
Speaker 3 (53:44):
Creature struct sup.
Speaker 20 (53:48):
Strutch my name, the white chosky get interest in this
on the line, and you tell not don't do your eyes,
but your right teas is about a little slow.
Speaker 6 (54:04):
The subtas like redskin shad than grubbers struggle in the paper.
Speaker 3 (54:09):
How mut you go? So I just come back bash.
Speaker 6 (54:16):
This man skins a friskin leading me to s. That's
then s the South been FDA's cause just lack of sensation.
(54:36):
Take me away, show me.
Speaker 3 (54:38):
The other a good loud of the creatures being more the.
Speaker 2 (54:42):
Culture of mind to astract customized.
Speaker 3 (54:45):
To take me sense. The sun's in mine face, the
man's rain in my shoes. It's win behind me.
Speaker 10 (54:53):
And there's win behind you.
Speaker 3 (54:55):
But not drunk. Upon said stay by, you may give me.
Speaker 4 (55:00):
Clown cross clowns.
Speaker 12 (55:29):
Luigi's Pizza Barron Grill.
Speaker 4 (55:31):
You're a brief.
Speaker 23 (55:33):
Let's praise a class mine with Tommins the ground Pizza Pizza.
Speaker 4 (55:39):
Bar Yo Mind.
Speaker 12 (55:41):
Luigi's Pizza Barren Grill, seven twelve Valley Street, Manchester. Come
on in or call six two two one zero two
one Luigi keeping the tradition alive since nineteen seventy five.
Speaker 3 (55:55):
Pizza for every one.
Speaker 6 (55:58):
Come join a piece to n with these slye sets
of it, everything feels.
Speaker 3 (56:04):
So right.
Speaker 11 (56:08):
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Speaker 9 (56:09):
You need a law firm that stands by your side.
With over forty years of experience, Craigan Getsulis is dedicated
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(56:30):
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Visit craigatzulis dot com for a free consultation. Craigan Getsulus,
your advocates, your.
Speaker 15 (56:42):
Allies, bring your kitchen to life with Queen City Cabinetry,
located at eighty seven Elm Street in the historic Sunbeam
Wall in Manchester. Open Monday through Friday nine am to
five thirty pm, in Saturdays ten am to two pm.
They can be reached at six three two two two
(57:02):
to zero zero seven. We're on the web at Queen
citycabinatree NH dot com.
Speaker 12 (57:09):
Come see the possibility. It's Queen City Cabinet Tree, another
crowd sponsor of w MNH.
Speaker 24 (57:16):
Hey everyone, there's Rob Azevedo host a Granite State of Mind,
and I want to tell you about Pembrook City Limits
and the Historic Suncook Village. PCL's an award winning bar,
restaurant and music venue where there's live music five days
a week and twice on Saturdays, everything from blues, country, folk, funk,
and a whole lot of jazz. We have twelve craft
beers on tap dedicated to the local brewers in the
area and some of the friendliest bartenders around.
Speaker 7 (57:38):
Please come visit.
Speaker 24 (57:39):
Pembrook City Limits at one thirty four Main Street, the
historic Suncook Village, only six miles outside of Manchester, Open
Tuesdays to Wednesdays four to ten, Thursday's a Sunday eleven
to ten Pembrook City Limits.
Speaker 7 (57:51):
Where it's all about the music.
Speaker 12 (57:53):
Business Cafe is the place to put a smile on
your face. Judy and the crew will take care of you.
Bring your appetite, intrigue your taste. Bus Right Business Cafe
is always a winning choice. Breakfast, lunch or supper Dizze's
Cafe at eight sixty Elm Street in downtown Manchester. Dine in,
take out or make a reservation call six oh three,
(58:15):
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be happy Dizze's Cafe.
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your own personal or business computer needs, trust growl In Computers,
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Speaker 7 (59:00):
Midnight.
Speaker 4 (59:01):
Seven times out of ten we listened to our music
at nights on the titled business program.
Speaker 12 (59:11):
Late Night to Light with DJ Midas right here on
WMNH Manchester wonder because Saturdays and Sunday nights midnight to
four am.
Speaker 1 (59:22):
This hour on WMNH is sponsored by CGI Business Solutions,
located at five Dartmouth Drive in Auburn.
Speaker 9 (59:31):
They serve all your business needs including employee benefits, planning,
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