Episode Transcript
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Speaker 1 (00:02):
You are listening to w M and H.
Speaker 2 (00:06):
World premiere.
Speaker 3 (00:11):
Hey, my name is Santino Dimanti and this is my
new single, Summer in the Sky out now thanks to
Hatchet X and Saw Records. You heard it here first
on ninety five point three f M, w m n.
Speaker 4 (00:21):
H s Sounder Day So Long by Push, That's in
your run Stain and the sun sunting colors the world
with the sound of the music play.
Speaker 5 (00:39):
And I'm gone. That's so, the s go away with
(01:23):
the dream and sons.
Speaker 4 (01:26):
Brot to it the dress not perfect time to dreams
that the dams will the shoe streams the same season
stream nd Stone Face the Breed, that sound in Snop.
Speaker 5 (02:08):
Song and storm So snot Son and stop So Spot.
Speaker 6 (02:57):
Sad and now exclusively on w m n H ninety
five point three FM, Matt Connorton Unleashed presents the world
radio premiere of the new single from Ryan Redwood, The
(03:18):
back Room, a.
Speaker 7 (03:20):
Rest ee ratio project for the soul and Man, I'll
go wherever my.
Speaker 2 (03:28):
Body takes me now and yeah, no lay out this time,
no plans to escape. Keep using miln now every.
Speaker 7 (03:44):
Day, everyday, web web day, and I'll keep watching it.
Speaker 2 (04:11):
I tell jem bouncing boy.
Speaker 5 (04:16):
Sam again.
Speaker 8 (04:18):
Taps droning, said to set the music and the disc.
Speaker 5 (04:29):
Team on again.
Speaker 2 (04:33):
Well going over weekend weel renover weekend, well renumber again.
Speaker 9 (04:53):
She put it one food inside of the other. She
told her to catching do so much remans and this job.
So you attack job at its own.
Speaker 5 (05:08):
We have it sun to process of God, give me
a story to dream about.
Speaker 2 (05:17):
Watch back a sad dreams.
Speaker 4 (05:27):
Play.
Speaker 2 (05:28):
Sam again.
Speaker 5 (05:31):
Tack the job being sent.
Speaker 2 (05:37):
To the sad music guy over again. On another weegad
one over weekend.
Speaker 4 (05:53):
We we gad.
Speaker 5 (06:28):
The dream of watching.
Speaker 2 (06:35):
And so the dream got to.
Speaker 8 (06:37):
The way somebody job SI to decide down the music.
Speaker 5 (06:52):
Started to pio dream of watching.
Speaker 2 (07:24):
Over again.
Speaker 6 (07:28):
And now a w m n H ninety five point
three FM exclusive, Matt Connorton Unleashed presents the world radio
premiere of the new single from White Ash Round we Go.
Speaker 5 (08:15):
I'm moving today. He don't aware. I'll move it.
Speaker 10 (08:18):
Tad gives some movement, but I he't know what. Won't
you be too mad to please you? Evict be far
if we were not.
Speaker 5 (08:40):
Where to my defa.
Speaker 4 (08:45):
I'm afther mad in a in a ad in ady.
Speaker 1 (08:50):
Go won't you give me too mad to please you.
Speaker 4 (08:56):
He was be fun.
Speaker 5 (09:01):
Good man.
Speaker 11 (09:04):
What you see it now?
Speaker 4 (09:08):
Wat you get it too mad?
Speaker 5 (09:11):
Lets you relas me.
Speaker 12 (09:13):
Far you fata side you fantashiting are mad?
Speaker 5 (09:29):
You see the trooper? Can't you see the light house?
Speaker 13 (09:34):
All the things that have clicked up from the head
want a hard or that don't lie.
Speaker 4 (09:48):
You let me go? You get it too bad?
Speaker 5 (10:00):
Things from.
Speaker 4 (10:05):
Man?
Speaker 11 (10:07):
Let you see it now?
Speaker 4 (10:11):
You to give me too mad?
Speaker 5 (10:21):
Give it too mad, give it too mad, Give it
to me. I'll give it too mad, Give.
Speaker 4 (10:29):
It too mad, give it too mad, give it to me.
Speaker 2 (10:35):
Give it.
Speaker 5 (10:43):
Your to give it too bad. Let's name fa.
Speaker 9 (10:54):
Let you see now.
Speaker 2 (10:59):
Your too.
Speaker 14 (11:11):
You're listening to macconnorton unleashed on w M n H
ninety five point three. Why me at six am looks
(11:31):
like god over slept again?
Speaker 5 (11:34):
Chun got me dressing.
Speaker 4 (11:36):
Out the door and and.
Speaker 13 (11:40):
Like traffic at its worst swear and got must be
cursing joined the rights day.
Speaker 2 (11:47):
I was that screaming sons.
Speaker 15 (12:00):
Go work, go to work, Go to work, Go to work,
work so you can't feel the hurt till it makes
you go berserve.
Speaker 1 (12:11):
Go to work, Go to work, Go to work, Go
to work.
Speaker 2 (12:17):
In the covert, your face.
Speaker 1 (12:19):
Covered in turn, go to work.
Speaker 13 (12:27):
The bun gis me a shout, says, I'm just a
burnt out my altance to the confederations him down.
Speaker 2 (12:38):
Well, I say, hey, you're right, old man, flip the burning.
Speaker 4 (12:42):
Of the ramp. But there's now as cat chaste, thus
hard of a love happy.
Speaker 2 (12:48):
That's a redo in my screaming sounds that I say, Wow,
we trying to.
Speaker 1 (12:57):
Tool work, Go to work, go to works, go to work,
or till.
Speaker 5 (13:05):
You can feel the hurt till it makes you go deserve.
Speaker 1 (13:10):
Go to work, go to work, go to work, go
to work.
Speaker 2 (13:15):
Head in the concert, your face covered and do.
Speaker 4 (13:20):
No work.
Speaker 11 (13:22):
Learning where you do que boy, yeah, got d.
Speaker 2 (13:49):
In my house scream itself while we tou to.
Speaker 4 (13:58):
Go work, go.
Speaker 5 (14:00):
Work, gone to work, go do work.
Speaker 2 (14:03):
Work so you can't feel the hurt till it makes
you go berserk.
Speaker 1 (14:08):
No work, go work, go to work, go do work.
Speaker 2 (14:14):
Head in the clouds with your face covered.
Speaker 4 (14:17):
In gout and walk out and work out.
Speaker 1 (14:22):
You work work, What do you.
Speaker 13 (14:25):
Get feel the tall it makes you come beside go
wuck come wak.
Speaker 4 (14:33):
Work work and and I go with got bras comedy.
Speaker 16 (14:41):
Work work, I didn't want to talk over the end there.
Speaker 6 (14:55):
I love that. I love that so much. That is
working Class Punk and the band is Jersey Call, and
that was released officially on Labor Day, very very appropriate,
and we played it on the show. I think we
might have been the first American radio station to play it.
But let's see here, so we've got I believe we
have Josh and Victoria with us via Microsoft teams. Hello,
(15:15):
Hi hear us? Yes, yes, can you hear me? Okay? Awesome, perfect, welcome,
It's wonderful to It's wonderful to have you on again.
Of course you're with us. I think it was a
two or three months ago when you were in the area,
but then you released a song and Jenny and I
were like, well, we got we gotta have them on
to talk about this because this is this is so good,
you know, and we're fans anyway, but I love that song.
(15:39):
I think it's very relatable. I think it's extraordinarily appropriate
that you released it for Labor Day. Obviously, working Class Punk,
the newest single from a Jersey Calling. So very excited
to have you both on the show today. And we
should tell we should tell our listeners who so you can.
Can each of you explain your roles in the band,
what you do in the band for people who might
(16:00):
not be familiar or perhaps didn't hear our previous conversation
when you were on the show.
Speaker 14 (16:05):
All right, we'll go best foot forward, go for it.
Speaker 17 (16:09):
So I'm Victoria and I sing and help bring some
stuff and the help do stuff.
Speaker 5 (16:16):
Yeah, okay, one.
Speaker 14 (16:21):
Oh, I'm Josh. I'm also a co lead singer, and
I played rhythm guitar, and I write some songs.
Speaker 6 (16:28):
To absolutely no great stuff. Uh So, can you tell
us about the inspiration? I mean, you know, probably kind
of obvious, but can you tell us about the inspiration
behind the song working class Punk and why you decided
to write that? And it's such a great track by
the way, I mean, you know, even if people don't
understand or you know, vibe with the meaning behind it
(16:49):
and whatnot and what it's trying to say, it's also
just really really catchy. Uh So you probably can't help
but sing along to it. But but can you tell
us about the inspiration for that song?
Speaker 14 (16:59):
Yeah? Yeah, for sure, you know it's funny. Is our
friend Brian mulhern from Jackson and the Pharmacist like a
local local radio thing in our area. He was talking
this morning. As he put he posted something on Facebook
this morning about how, like, you know, it's really hard
to be working class right now, that like wages of
(17:20):
stagnated and they've been stagnating for years, and everything is
more expensive. You know, inflation is out of control, rent
is up, the price of buying a house is up,
groceries are more expensive, and like, you know, we're really
feeling the squeeze right now. And I wrote this song
a year ago and it's only gotten worse than the
(17:41):
last year. The song has only gotten more relatable. And
I think when I wrote it, it was right in
that period. I'm a teacher, so in February and March,
those are days. Those are months when like teachers really
don't there's no like there's no break, and it's right
in the middle of the year. There's no days off,
(18:01):
and the kids are feeling it, the teachers are feeling it,
and it's just like it's it's kind of an endless
grind and I don't know, man, it's you know, I
feel like there are other cultures in the world where
they work to live, and it feels like we have backwards.
We're living to work, and it just gets it just
(18:25):
gets frustrating.
Speaker 15 (18:25):
Man.
Speaker 14 (18:27):
I was doing another interview the other day, and you know,
like the problem the American dream is like, you know,
you work for like thirty years and then you get
to retire with your white picket fence in your house
and your family whatever. I am forty three years old.
I've never owned a house. We're living We're coming to
you live from our apartment this morning. And I've been
(18:47):
working since i was like fifteen years old. Yeah, so
I'm not great at math, but that's that's almost thirty years.
And I'm definitely not going to retire at forty five,
you know, but I'll be lucky if I can get
out at sixty or sixty five. Well, we'll see. And man,
like I know some people like there's a there's a
(19:09):
maintenance guy at my job. I mean, he's seventy five
years old and he is no intention of quitting, you know,
Like we're we we we make dark jokes about like
one day we're gonna walk in and we're just gonna
find him down on the floor and hopefully it's us
and not one of the like kindergarten kids. That we
have at the school, right, it's you know, it's it's frustrating,
(19:31):
and we wanted to write a song that like vented
that frustration, but in like a catchy, fun kind of way.
We didn't want it to seem like a downer.
Speaker 1 (19:40):
Yeah.
Speaker 14 (19:42):
Like, like a lot of the songs that I write,
the lyrics are super down, but the you know, we
try and keep the tempo up beat.
Speaker 6 (19:51):
Yeah. Yeah. Have you had a chance to play it?
I know it's a new song. Have you had a
chance to play it out live?
Speaker 1 (19:58):
Yeah?
Speaker 14 (19:59):
So we played it a couple of times at eight
and Sand, which is a local brewery in our area.
It's eight and Sand Brewing Company, and it's in Woodbury,
New Jersey. So we played that there because you know,
it's like our hometown. It's like, you know, we we
know that even if we even if we mess it up,
our friends and family are not going to judge us. Plus,
(20:21):
it's a brand new song. How are you going to know.
Speaker 15 (20:22):
If we messed it up?
Speaker 6 (20:23):
That's true. That's a good point. I was curious because
I just imagine it's such a it's a song that's
so easy to sing along to that I would imagine
it gets pretty good response from the crowd.
Speaker 14 (20:36):
Yeah, I've actually, yeah, we've We've gotten a couple of
cool clips where like there are a couple of people
singing along in the crowd and it's like their first
time hearing the song, and I'm like, that's that's a
good sign.
Speaker 6 (20:45):
Yeah, yeah, that's validation, right, I mean, that's like, uh,
you know, when you see people reacting to it in
real time the first time they're hearing it, That's that's fantastic.
Speaker 14 (20:56):
Anything that can make my fragile ego just a little
bit bigger.
Speaker 6 (21:02):
I'm curious if if the two of you have I mean,
I'm curious about influences. And I know we you know,
we talked about influences the last time you were here,
But are there are there other punk bands? I mean
I can certainly think of some, but I'm curious about
are there other bands that even not necessarily punk bands,
but bands that you kind of look to for inspiration
when you're writing a song like Working Class Punk? Are
(21:24):
there are there bands you can think of that might
have influenced you that also address these types of issues
and concerns.
Speaker 14 (21:33):
Oh? Absolutely, Specifically, when I was writing Working Class Punk,
I was listening to a lot of Large and Grace.
She's the singer for the Against Me and Against Me.
I don't think is playing shoes any longer.
Speaker 6 (21:48):
Okay, but Large and.
Speaker 14 (21:49):
Grace wrote all those songs, so she still performs them
live with her band.
Speaker 6 (21:53):
Yeah.
Speaker 14 (21:54):
And then I mean, you know, like Dropkick Murphy's have
been been all over the news and social media lately
for their outspoken, you know, defense of the working class
and critique of the current administration in the US.
Speaker 6 (22:09):
Yeah.
Speaker 14 (22:09):
So yeah, there's I mean, I feel like, you know,
punk music has always been a you know, one outlet
for the working class. I mean, it's certainly not the
only music that speaks to the working class, but it's
always been there. I mean, you know, you think of
bands like, you know, like Reagan Youth, the Dead, Kennedy's.
You know, these are some of the old school punk
(22:31):
bands that always always talked about like punching up, fighting
against the oppression and the oppressive forces that really keep
us all down and try and divide us up into
you know, red team, blue team, when really it's like
it's the top team versus the bottom team. And I
(22:51):
like to think of all of us as power bottoms. Right, honey. Yea.
Speaker 6 (22:57):
The sex Pistles also come to mind. Obviously not an
American band, but but you know, a lot of their
their stuff also really addressed, uh, you know, things going
on in the UK. God Save the Queen is one
of my favorite punk songs of all time.
Speaker 14 (23:10):
But so I like the sex Pistols, like I like
some of their music, and I like the message, but
for me, it's like tainted by the disingenuousness of the
fact that like they were they were put together as
like they were put together as a boy band. Man,
they were like they were to promote the like there
was a store out there called sex I think, and
(23:32):
the idea was the band was basically a big commercial,
a live commercial, if you will, for that store.
Speaker 6 (23:40):
I didn't know about that, about that part of that. Yeah,
well that's interesting.
Speaker 14 (23:46):
Yeah, it's almost like it's it's like a it's like
an astroturfed punk And like, you know, I do appreciate
some of their songs, I mean, yeah, God Save the Queen,
Anarchy in the UK, these are all classics, you know. Yeah,
but I also like like the like anarchy in the
UK bothers me a little bit, just because, like I
(24:07):
I like a lot of the ideas of anarchism, like
the socio political movement specifically, that anarchism is actually just
opposing hierarchy, Like it's it's an opposition to hierarchy. It's
not chaos, right, and it often gets conflated with chaos,
and it's like, no, that's not what anarchists are fighting for.
(24:28):
They're just fighting for a you know, to get rid
of that class division. We should all be equal. It
shouldn't be some people are you know, to quote animal farms,
some people are more equal than others.
Speaker 6 (24:40):
That's yeah, yeah, yeah, no, I agree, I agree. Now
this is so this came out on Labor Day obviously,
and that's was that kind of the plan all along,
Like like when you first because the song had been
around for a little while, right, you said you would
you had written it last year.
Speaker 14 (24:58):
Yeah, that that was definitely not the plan. So right
now we're kind of on a show break. I mean,
we're doing that. We have a show with Marky Ramone
coming up September twenty twenty fourth at our More Music Hall,
and that's gonna be that's gonna be super rad. But
that kind of like that kind of fell into our laps.
We got offered that show, and you know, despite the
(25:19):
fact that we're on a show break until twenty twenty six,
we were like, all right, well, I mean we have
to take that, right it's one of the ramones. Yeah,
it's a really cool venue, Like, we can't turn that down.
So we're doing We're doing that one as an exception
to the little break that we're taking because for a while,
we were, like for two years straight, we were pretty
much playing out constantly. Yeah, right now we're focused on
(25:42):
like writing more music and then you know, trying to
do that that life balance man, Like we've all got families,
we've all got careers, and trying to focus on that,
give that a little bit extra love. So the original
plan was we released ex Americana right before we were
on your show the first time, and we were gonna
(26:04):
hold off on working We recorded it at the same
time as Working Class Punk and Working Class Punk. We
were going to release in twenty twenty six when we
started playing out again. Oh okay, but yeah, but like,
I don't know, the idea came to us to that,
like labor Day was right around the corner, and we're like,
that would actually be kind of a perfect time to
release a song called working Class Punk.
Speaker 6 (26:26):
Yep.
Speaker 14 (26:27):
That kind of speaks to the idea of the labor
movement and you know, the idea of the owner class
versus the working class. So we we went ahead and
pulled the trigger on it. You know, we came to
that decision probably two weeks before Labor Day. So you know,
(26:47):
I got on my computer and rushed out the distribution
and made a bunch of promo and stuff like that,
and we and we got it out and I'm happy
we did outstanding.
Speaker 6 (26:57):
Yeah, I'm glad. Yeah, No, it's it's such a great track.
So the so the show break other than you know,
you mentioned the Marquie Ramone show. But that's that's gonna
be it for the rest of twenty twenty five, Is
that correct?
Speaker 13 (27:08):
Yeah?
Speaker 14 (27:09):
Again, unless we get something that's like, you know, just
too sweet to refuse, you know what I mean. Like yet,
like if if if the Descendants decide that they that
they want us to open for them, I am I'm
not going to turn that down. If a Windowa Fighter
decides that they want an opening band, We're not going
to turn that down. We need to pay for you know,
(27:31):
we're we're planning on recording an album in twenty twenty six,
releasing that'll be our uh our fourth album on Screaming
and Our. I don't know how many times we've been
in the studio because like you know, like before Jersey Calling,
Sean and I were in another band called burn Kate.
I've played in other bands well during during Jersey Callings Hiatus.
(27:53):
I don't know, like it's like we're gonna go with like,
you know, our double digit time in the studio maybe
like twelve or something like that. Yeah, we're really looking
forward to doing a full length and yeah, we're kind
of we're kind of focused on that and trying to
save money for that. So you know, if if a
gig falls into our lap where they're like, oh we're
going to pay you you know, X amount of dollars
(28:15):
and it's and it's money that we can put toward
that record, then you know, yeah, all available, Why wouldn't
you take it?
Speaker 6 (28:22):
You know, right right, no doubt, no doubt. Yeah, where
do you record? Because obviously you're in an area where
you know there's a lot of music. Uh, like, where
where did you record Working Class Punk? Because it sounds
great too? You know, I'm I'm a trained audio engineer,
and I pay a lot of attention to you know,
not everyone pays attention to production, but I do. And
I love the production. I love everything about it. But
it just sounds so good. So I'm curious where you
(28:44):
recorded it.
Speaker 14 (28:46):
So Working Class Punk and X we're both recorded at
Montgomery count County Community College. We got this offer from
Randy's sister's friends Kid. So I thought originally that this
this is this guy Noah, I say, Kid, he's like
twenty two, twenty three years old. Yeah, but he's a
(29:08):
student at Montgomery count Montco Community College. That's just easier
to say it that way. Montgomery County Community College out
in PI. And he is is a you know, music
engineering major, and he wanted to record a band and
he knew of our band from a Randy's sister and
(29:29):
he asked if he could record us for his final project,
and you know, we said yes, and he yeah, he
tracks both ex Americana and Working Class Punk with us.
And you know, it was a different experience because usually
we record at the Gradwell House Recording studio and had
in Heights, New Jersey, and those guys have been doing
it forever. They know what they're doing. They like they've
(29:51):
been nominated for Grammys, like they they're pros. And Noah
is a student. You know, he's just getting started with this.
It was a very different experience, but still enjoyable, and
it kind of challenged us some Sean pointed out in
a recent interview, we did that, like it kind of
challenged us to like make sure that we know our parts,
(30:13):
because you know, studio magic can be done when someone
knows what they're doing, Like, hey, you messed up a
guitar part, Hey, no problem, we can copy and paste
that from another take that you did. But Noah was
a little more inexperienced, so it was like, if you
don't get it right, then it's just not going to
be right on the on the track. And he did
(30:34):
an amazing job. And then what we did after that
was we took Noah's rough mix and we sent it
to the Gradwell House for like a little remix makeover,
just so they could like put some put their hands
on it, put some love to it, and they did
what they usually did, and they and they took our music, which.
Speaker 6 (30:52):
You know, is what it like.
Speaker 14 (30:54):
Honestly, Noah's mix was great, but grad well just makes
it sound so much more professional, just because they know
what they're doing. Oh yeah, they've been doing it for long.
Yeah yeah, so yeah, they mixed it, they mastered it,
and uh, once we got that track, we you know,
we we even sent it over to know and we're like, hey,
(31:14):
here's what they did with it, and that way he
can learn more from it. He did get an A
on his final project, though, so I'm really happy about that.
I was like, Man, if this kid doesn't get an
A for all the hours he put into recording us,
that's really awful.
Speaker 15 (31:28):
You know.
Speaker 6 (31:29):
Well, it's cool too that it came out so well,
because obviously in a scenario like that, you know, you're
you're used to working with pros, and then this this
opportunity comes up, and I mean, I don't know, I
just know in my mind i'd be thinking, Okay, we'll
try this, but a student, I don't know, we'll we'll
see what happens, you know, and and then uh, and
then it came out great. So that's that's awesome.
Speaker 14 (31:52):
I'll think too that Noah. Noah came up with some
really cool ideas too, like end of working class punk.
You mentioned that didn't want to talk over the ending
because you love the like little out take part at
the end. That was Noah's idea. He was like, oh
my god, you guys should keep that in the song somewhere.
It would be kind of fun. And I was like,
oh yeah, like like maybe at the end, and we
(32:13):
you know, we kept it at the end because he
had originally suggested it, because you know, otherwise and mess
ups usually get deleted, right right right.
Speaker 6 (32:22):
Yeah, Oh that's that's very cool, And I'm glad you
got an a well well well deserved. That's that's fantastic.
Speaker 14 (32:28):
Yeah, yeah, is definitely rocks.
Speaker 6 (32:30):
I didn't think to look, is there a video for that?
If you have? You made a video for that song?
Speaker 14 (32:33):
Or I did?
Speaker 13 (32:35):
I did?
Speaker 14 (32:36):
I did this. I did the same thing that I
did with Working Class or sorry, I did the same
thing that I did with ex Americana. Yeah, and I
made the video on my phone. This this is like,
this is probably the last video that I'll make on
my phone, just because I feel like I'm kind of
you know, I I don't want to. I don't want
our all of our videos to look exactly the same.
(32:58):
But it's another very similar video to x Americana where
where I took pictures of the band stills of the band,
and I crudely animated them south Park style to the music.
And I think it's really fun. It's got lyrics in
the video, which is something a little bit different from
(33:18):
working from x Americana's video. It does have some throwbacks
to x Americana's video, because I mean I think the
two songs do have a little bit of common messaging
with like being anti billionaire. Yeah, so you know X style.
Elon Musk absolutely makes an appearance in the video.
Speaker 6 (33:38):
Nice. Nice, Yeah, yeah, oh that's very cool. Yeah. I
encourage people to check out the Jersey Calling YouTube page
and oh yeah, you got lyrics in there too, very
very nice. So what's so, what's kind of the future. Well,
we should mention again too, especially for people who might
be uh in your area. I assume that's where the
(33:59):
Marque Ramone show is where you guys are.
Speaker 14 (34:01):
Yes, yeah, it's at Ardmore Music Hall, which is it's
just outside of Philadelphia. It's on the main Line. I
would say, if you're in the city, it's probably a
twenty minute drive something like that. Okay, if you're where
we live, it's about forty five minutes to an hour,
but well worth it because Ardmore Music Hall is a
(34:22):
it's it's a big venue, it's legitimate, like and there's sound.
Their sound systems amazing. Plus, like, you know, after you
see our set, which is pretty substantial, I thought maybe
like for a for an act like MARKI Ramone, they
would give us like twenty minutes or something, but like,
we're getting a full forty five minute set.
Speaker 6 (34:39):
Oh good.
Speaker 14 (34:39):
And then after us you get to see yeah, yeah, yeah,
I'm pretty I'm pretty excited about that.
Speaker 6 (34:44):
Yeah.
Speaker 14 (34:44):
And then uh, right after we're done, you get to
see MARKI Ramone play some classic Ramone songs and that's
that's rat.
Speaker 6 (34:51):
Oh that's very cool. That's very cool. Boy. How old
is it now?
Speaker 14 (34:54):
He's going to be in his seventies right, Oh yeah,
I would imagine yeah, and hopefully hopefully he's still got
it because I remember a few years ago I saw
Iggy Pop. He was doing like a reunion show with
the Stooges, and I was like, all right, this guy's like,
you know, seven hundred years old. There's no way he's
(35:16):
going to have the energy out. He was running around
like a maniac with no shirt on. You know, he's
got that like his skin looks like old leather, but
like he is, he was rocking, man, Like, I couldn't
believe that Iggy Pop still had all that energy. I
don't think I have as much.
Speaker 6 (35:33):
Energy as he Pop does when he's on stage.
Speaker 14 (35:35):
Like, and I like to think I'm pretty active on stage.
Speaker 6 (35:38):
But yeah, yeah, Iggy Pop.
Speaker 14 (35:40):
Was on a different level. He really was.
Speaker 6 (35:42):
It actually doesn't surprise me just because of I've never
seen Iggy Pop live, but just from what I've heard,
you know, over over the decades that, Yeah, there's just
something about him. He just has endless energy no matter
how old he gets, that's one thing that never changes.
Speaker 14 (35:55):
Yeah, I'm guessing it's like residual drugs flowing through his bloodstream, like,
you know, like there's that guy's done so much that
like he's never going to come down.
Speaker 6 (36:07):
Right, Maybe that's what it is, And that's that's my guess.
Speaker 14 (36:11):
The only thing keep me keeping Keith Richards alive, That's what.
Speaker 6 (36:14):
I'm sure of that, right, Yeah, he's gonna outlive us
all I think. Yeah, Well, very good, very good. So
where should uh where should people go online to keep
up with everything? The Jersey Calling is doing.
Speaker 14 (36:27):
So, I mean our social media. We're on uh, we're
on Instagram, Facebook, TikTok, threads, and it's just at Jersey Calling.
It's just at and then the band name okay, and
then we have a YouTube channel that's also at Jersey Calling.
We have a website and that is Jerseycalling Music dot com.
Speaker 6 (36:50):
Very good, very good now in a moment, So we're
gonna when we end our conversation, I want to play
ex Americana because that I love that song as well,
and I think I even told you both when when
you were here in studio that time that that's my
favorite of the songs that you sent us. So we'll
end the segment with that. I'll probably play uh, I'll
probably play working Class Punk though again later in the
show in the second or third hour somewhere else sneaking
(37:11):
in because I love that song too, and we want
to keep pushing that. That's such a great track. But
what should we know about ex Americana? And again, I know,
I know we talked all about it when you were
here in studio with us. But for people who are
new listeners or people who are not familiar with Jersey Calling,
what can you tell us about this song that we should.
Speaker 14 (37:28):
Know so ex Americana. I mean, even though we were
recording at the same time as Working Class Punk, it
was like the opposite with the writing process. Sean sent
me some lyrics he had scribbled down on the train
on the way to work, and it were, you know,
we are about Elon Musk. And it was right when
he had been you know, appointed to the position of
(37:48):
the head of DOGE. Yes, you know, right right after
Trump was elected to a second term. And like, I
love the lyrics, and I was like, yeah, I think
I can work this into something. And I had a
progression that I like, a guitar a chord progression that
I was that was gonna that was saving for something.
I wanted to use it for something I didn't know
what yet. Yeah, So I took Sean's lyrics, I took
(38:10):
my progression. I kind of fused them together, and UH
came up with came up with the basic structure of
the song, and then we rushed that out because I
was like, you know what, we need to get this
out before it's irrelevant because Trump and Musk, like, there's
no way that those two egos are going to last.
(38:32):
There there's gonna there, Yeah, there's I was like, there's
gonna there's gonna be a falling out. Yeah, there's gonna
be an excommunication. We need to you know, no no
Pun intended with that, right and like I'm like, we
need to get it out before before this is completely irrelevant,
and they're like okay, And that's when, you know, we
got the opportunity to record with Noah at Monco and uh,
(38:56):
you know, we had practiced that song I think like
twice before going into the studio, So like that one
was particularly rough recording it because we were like we
were still learning it while we were recording it. But
I'm really happy with how it turned out. And we
couldn't have time to release more perfectly, man, because we
released it like a day after Trump and Elon had
(39:19):
that falling out, Like it was perfect perfect it was
and and and it came out a day before Trump's birthday.
Speaker 13 (39:29):
So like it was oh man, it was.
Speaker 15 (39:33):
It was.
Speaker 14 (39:36):
Honestly, I got lucky. It was a cool idea, but
it could have it could have gone wrong, you know,
they could have like the Trump Elon break up, the
divorce could have happened earlier. But it also happened at
like a great time because that's when the chatter was
really high about him online. So then when you made
the the post that was, yeah, we awesome, we made
(40:02):
a we made a Trump tweet. We we we we
made it well. We made it look like he was
insulting the band on truth social and and that post
went viral because everyone thought it was real.
Speaker 6 (40:16):
Oh that is so smart, that is genius.
Speaker 14 (40:19):
Yeah, it was, it was.
Speaker 18 (40:21):
It was.
Speaker 14 (40:22):
I couldn't believe how many people thought it was really like,
it's still getting traction to this day. It's got almost
like a million views. It's crazy. And I mean, I
think I basically attribute that to the fact that, like
ex Americana in the you know one, in the first
month it was released, became our number one song.
Speaker 6 (40:40):
Yeah, like it.
Speaker 14 (40:41):
It boosted our numbers by a lot, and working class punk,
you know, I'm like, looking at it, I'm like, yep,
we're back to normal. We're just back to regular numbers again.
But but you know, like it's stut to get lightning
to strike twice. It is what it is, you know.
And I'm still proud of music that we make, and
we've always made it for us, not necessarily for the accolades, you.
Speaker 6 (41:05):
Know, sure, sure, well, very good. Well listen, Josh and Victoria,
thank you both so much. Always wonderful to talk with you,
and I look forward to the next time. And again
working class Punk. Great track. We were very happy to
play it here and and of course, well, like I said,
I'll probably sneak it in again later in the show
and we're gonna end the segment with this track. Again.
(41:27):
I love this song so much, ex Americana. But we'll
let you go, but thank you both for joining us
this morning. Really appreciate it.
Speaker 14 (41:35):
Thanks man, appreciate you man.
Speaker 6 (41:37):
You got it, you got it, Okay, take care, bye bye.
All right, So that was Josh and Victoria from a
Jersey calling such a great band, and I love this song.
Let's give this a spin if you haven't heard this
one yet, this is ex Americana.
Speaker 17 (42:14):
D physicities, a mock care of the people that you
stay at don that survival chau say wod cashing a
broken pat for citizens from pail. It's O weekend Goldies
against your creator.
Speaker 2 (42:34):
Retro fu ship sir say okay, n I could he
acts Americana.
Speaker 13 (42:41):
As American hi to be as American creates.
Speaker 5 (42:47):
A last step.
Speaker 2 (42:51):
Tradition is your weapon. We're all at a fall flocking
a Patreon you call rebind women. I never say this.
Speaker 17 (43:01):
What's hard to see you on TV? If you put
them in that place a sunst bet. It's a fear catch.
Speaker 4 (43:10):
As she's high because.
Speaker 2 (43:12):
He acts America Hi, because she asks America that, because.
Speaker 13 (43:18):
She acts America up. Click a green and dads a
last Epiday. So many times the conditions up bloud. A
strong clouds gather over this skuys ways actual razing.
Speaker 5 (43:38):
Efficiency. He says something to see I fell. You're this guy.
Speaker 4 (44:14):
There's not your choice, not guess elion.
Speaker 6 (44:23):
There's have enough trust in the Roman.
Speaker 1 (44:26):
Why say one boss?
Speaker 2 (44:28):
We've been sold online.
Speaker 1 (44:31):
I think it's time we say free.
Speaker 5 (44:34):
Lie like Jos and I do. As Americana.
Speaker 13 (44:41):
Americana through the Acts of Americana click.
Speaker 2 (44:45):
On the cree and as a last Daday through.
Speaker 13 (44:48):
The Americana, Through the Americana to the Americana, click on
agree tant.
Speaker 2 (44:57):
A last Dad, yes said take your last You can't
die by trying.
Speaker 4 (45:02):
To that, can't jail.
Speaker 5 (45:13):
You want nothing to do that.
Speaker 11 (45:16):
I don't want to be like you.
Speaker 8 (45:19):
I recognizable from the persons shouldn't know better.
Speaker 5 (45:27):
It's sounded for a while. Now probably try.
Speaker 4 (45:31):
To do I s don't want to BacT sound, don't
really shill, no way chill that a long guy had
a long guy?
Speaker 5 (45:53):
How body.
Speaker 4 (45:56):
That ain't long?
Speaker 11 (45:57):
Guy that you love?
Speaker 5 (46:04):
Can say, I ain't hit the resaid, but I don't
want to start.
Speaker 8 (46:08):
John said, ain't no please like child, please start like you?
Speaker 5 (46:14):
Stod who wasn't what you want?
Speaker 7 (46:18):
Said?
Speaker 4 (46:18):
Don't like Joe is.
Speaker 5 (46:21):
We can't waste a minute. We want to waste some minutes.
Speaker 4 (46:24):
Jays some man, don't wait, Chow that ain't Longuy, I
ain't long?
Speaker 5 (46:38):
Nobody art that ain't long? Guy that ain't love.
Speaker 2 (47:00):
I've got that sick chif feeling, but of wes to ealing.
Speaker 6 (47:05):
I don't know what to do.
Speaker 5 (47:08):
I still love you, suit you.
Speaker 2 (47:11):
I got that sick chef feeling out now I don't ways.
Speaker 5 (47:17):
I don't know what sometime sell.
Speaker 4 (47:46):
No way that ain't long, Guy that ain't long, don't
play cat sant jem.
Speaker 5 (48:11):
Always so.
Speaker 6 (48:25):
Love that track so much. That is piece of view.
The band is Rivia, another great band from the UK,
and they are now being added to college radio stations
across the country. In the United States, so very cool.
But we were the first American radio station to play
that here at wmn H on this very program, Matt
Connorton unleashed. Love that band and love that song, such
(48:46):
a great track. If you are listening live on Saturday again,
thank you so much to Victoria and Josh from the
band Jersey Calling for joining us. I love that song
ex Americana. And of course we opened that segment with
Working Class Punk, which is their brand newsingle, which came
out appropriately enough on Labor Day. So I really enjoyed
talking with them and I love their music and I
can't wait to hear the next one. Sounds like they're
(49:08):
but they've they've been busy, so they've got that big
show coming up with Markey Ramon. So cool, so good people,
and I'm glad to see them having success. And let's
see again if you are listening Saturday. Coming up in
the second hour today, we have Brides, another great band
from the UK who's going to be joining us via WhatsApp.
Looking forward to speaking with them. We're gonna at the
(49:29):
top of the hour, we're gonna play their newest single
and really interesting band, unique sound. I can kind of
hear some influences there, but very very cool, a little
bit mis serious. I don't know much about them, so
that'll be very interesting. So Brides is coming coming up
in the second hour, and then in the third hour
today we have Pulsifier, great band from Portland, Maine, and
(49:50):
I believe they are making the trip and they're gonna
be here with us live in studio in the third
hour today of Matt Connorton Unleashed. But I'm gonna give
you a little preview because if you are listening live,
this is the track of theirs called Venomous Thing, and
I love this song, so I'm gonna play this now.
You might hear it again in the third hour when
the band is here with us. But little teaser for
you of Pulsifier coming up today in the third hour,
(50:12):
great track called Venomous Thing, and I just want to
hear it, So I'm gonna be a little bit selfish.
I'm gonna play this one now. Like I said, you
might hear it again later, but here it is Pulsifier.
Speaker 2 (51:11):
He tighten memory, some cloons within him, A mutch.
Speaker 5 (51:20):
Hold shadows cool yesterday dancing with.
Speaker 2 (51:31):
You can't be saved from said ours really.
Speaker 1 (51:39):
When you came up to.
Speaker 4 (51:43):
Say can you all find? Then all third.
Speaker 1 (51:51):
Chegard from where.
Speaker 4 (51:57):
Then hurt me again?
Speaker 5 (52:02):
You been a girls come back to pray?
Speaker 2 (52:10):
So why shot back and don't get places you don't
want to go, put it by face and.
Speaker 5 (52:28):
I don't want to know.
Speaker 2 (52:32):
You're gonna missed Cloison cut say.
Speaker 5 (52:40):
I'm getting my blustery.
Speaker 2 (52:43):
Now it's just sup.
Speaker 5 (52:46):
I try Sam.
Speaker 4 (52:56):
Chugar s we okay, you fasday come about okay, So
why can't.
Speaker 1 (53:16):
You get.
Speaker 5 (53:21):
A victim't y say.
Speaker 2 (53:25):
Lay control shooting your venom like shots of control?
Speaker 5 (53:37):
Hold on't me.
Speaker 2 (53:41):
Try not to dry and step call me under choice
spible down O said off last show he is gone.
Speaker 4 (54:04):
From leave.
Speaker 11 (54:08):
Okay?
Speaker 4 (54:10):
Can you're the.
Speaker 1 (54:16):
Home back?
Speaker 4 (54:18):
Kay?
Speaker 5 (54:20):
So why not you go again?
Speaker 4 (54:24):
Ninety says go just let's let go.
Speaker 19 (55:41):
No no.
Speaker 11 (55:45):
Have shallow could be show.
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Speaker 20 (56:25):
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Let's raise a slice on mine with top and tall
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It's a pizza Barto mine.
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Luigi keeping the tradition alive since nineteen seventy five.
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Pizza for every one.
Speaker 13 (56:54):
Come join a piece Tonight we eat slice sense off
in everything fel tho by.
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You are listening to w M and H.
Speaker 2 (00:06):
World premiere.
Speaker 3 (00:11):
Hey, my name is Santino Dimanti and this is my
new single, Summer in the Sky out now thanks to
Hatchet X and Saw Records. You heard it here first
on ninety five point three f M, w m n.
Speaker 4 (00:21):
H s Sounder Day So Long by Push, That's in
your run Stain and the sun sunting colors the world
with the sound of the music play.
Speaker 5 (00:39):
And I'm gone. That's so, the s go away with
(01:23):
the dream and sons.
Speaker 4 (01:26):
Brot to it the dress not perfect time to dreams
that the dams will the shoe streams the same season
stream nd Stone Face the Breed, that sound in Snop.
Speaker 5 (02:08):
Song and storm So snot Son and stop So Spot.
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Sad and now exclusively on w m n H ninety
five point three FM, Matt Connorton Unleashed presents the world
radio premiere of the new single from Ryan Redwood, The
(03:18):
back Room, a.
Speaker 7 (03:20):
Rest ee ratio project for the soul and Man, I'll
go wherever my.
Speaker 2 (03:28):
Body takes me now and yeah, no lay out this time,
no plans to escape. Keep using miln now every.
Speaker 7 (03:44):
Day, everyday, web web day, and I'll keep watching it.
Speaker 2 (04:11):
I tell jem bouncing boy.
Speaker 5 (04:16):
Sam again.
Speaker 8 (04:18):
Taps droning, said to set the music and the disc.
Speaker 5 (04:29):
Team on again.
Speaker 2 (04:33):
Well going over weekend weel renover weekend, well renumber again.
Speaker 9 (04:53):
She put it one food inside of the other. She
told her to catching do so much remans and this job.
So you attack job at its own.
Speaker 5 (05:08):
We have it sun to process of God, give me
a story to dream about.
Speaker 2 (05:17):
Watch back a sad dreams.
Speaker 4 (05:27):
Play.
Speaker 2 (05:28):
Sam again.
Speaker 5 (05:31):
Tack the job being sent.
Speaker 2 (05:37):
To the sad music guy over again. On another weegad
one over weekend.
Speaker 4 (05:53):
We we gad.
Speaker 5 (06:28):
The dream of watching.
Speaker 2 (06:35):
And so the dream got to.
Speaker 8 (06:37):
The way somebody job SI to decide down the music.
Speaker 5 (06:52):
Started to pio dream of watching.
Speaker 2 (07:24):
Over again.
Speaker 6 (07:28):
And now a w m n H ninety five point
three FM exclusive, Matt Connorton Unleashed presents the world radio
premiere of the new single from White Ash Round we Go.
Speaker 5 (08:15):
I'm moving today. He don't aware. I'll move it.
Speaker 10 (08:18):
Tad gives some movement, but I he't know what. Won't
you be too mad to please you? Evict be far
if we were not.
Speaker 5 (08:40):
Where to my defa.
Speaker 4 (08:45):
I'm afther mad in a in a ad in ady.
Speaker 1 (08:50):
Go won't you give me too mad to please you.
Speaker 4 (08:56):
He was be fun.
Speaker 5 (09:01):
Good man.
Speaker 11 (09:04):
What you see it now?
Speaker 4 (09:08):
Wat you get it too mad?
Speaker 5 (09:11):
Lets you relas me.
Speaker 12 (09:13):
Far you fata side you fantashiting are mad?
Speaker 5 (09:29):
You see the trooper? Can't you see the light house?
Speaker 13 (09:34):
All the things that have clicked up from the head
want a hard or that don't lie.
Speaker 4 (09:48):
You let me go? You get it too bad?
Speaker 5 (10:00):
Things from.
Speaker 4 (10:05):
Man?
Speaker 11 (10:07):
Let you see it now?
Speaker 4 (10:11):
You to give me too mad?
Speaker 5 (10:21):
Give it too mad, give it too mad, Give it
to me. I'll give it too mad, Give.
Speaker 4 (10:29):
It too mad, give it too mad, give it to me.
Speaker 2 (10:35):
Give it.
Speaker 5 (10:43):
Your to give it too bad. Let's name fa.
Speaker 9 (10:54):
Let you see now.
Speaker 2 (10:59):
Your too.
Speaker 14 (11:11):
You're listening to macconnorton unleashed on w M n H
ninety five point three. Why me at six am looks
(11:31):
like god over slept again?
Speaker 5 (11:34):
Chun got me dressing.
Speaker 4 (11:36):
Out the door and and.
Speaker 13 (11:40):
Like traffic at its worst swear and got must be
cursing joined the rights day.
Speaker 2 (11:47):
I was that screaming sons.
Speaker 15 (12:00):
Go work, go to work, Go to work, Go to work,
work so you can't feel the hurt till it makes
you go berserve.
Speaker 1 (12:11):
Go to work, Go to work, Go to work, Go
to work.
Speaker 2 (12:17):
In the covert, your face.
Speaker 1 (12:19):
Covered in turn, go to work.
Speaker 13 (12:27):
The bun gis me a shout, says, I'm just a
burnt out my altance to the confederations him down.
Speaker 2 (12:38):
Well, I say, hey, you're right, old man, flip the burning.
Speaker 4 (12:42):
Of the ramp. But there's now as cat chaste, thus
hard of a love happy.
Speaker 2 (12:48):
That's a redo in my screaming sounds that I say, Wow,
we trying to.
Speaker 1 (12:57):
Tool work, Go to work, go to works, go to work,
or till.
Speaker 5 (13:05):
You can feel the hurt till it makes you go deserve.
Speaker 1 (13:10):
Go to work, go to work, go to work, go
to work.
Speaker 2 (13:15):
Head in the concert, your face covered and do.
Speaker 4 (13:20):
No work.
Speaker 11 (13:22):
Learning where you do que boy, yeah, got d.
Speaker 2 (13:49):
In my house scream itself while we tou to.
Speaker 4 (13:58):
Go work, go.
Speaker 5 (14:00):
Work, gone to work, go do work.
Speaker 2 (14:03):
Work so you can't feel the hurt till it makes
you go berserk.
Speaker 1 (14:08):
No work, go work, go to work, go do work.
Speaker 2 (14:14):
Head in the clouds with your face covered.
Speaker 4 (14:17):
In gout and walk out and work out.
Speaker 1 (14:22):
You work work, What do you.
Speaker 13 (14:25):
Get feel the tall it makes you come beside go
wuck come wak.
Speaker 4 (14:33):
Work work and and I go with got bras comedy.
Speaker 16 (14:41):
Work work, I didn't want to talk over the end there.
Speaker 6 (14:55):
I love that. I love that so much. That is
working Class Punk and the band is Jersey Call, and
that was released officially on Labor Day, very very appropriate,
and we played it on the show. I think we
might have been the first American radio station to play it.
But let's see here, so we've got I believe we
have Josh and Victoria with us via Microsoft teams. Hello,
(15:15):
Hi hear us? Yes, yes, can you hear me? Okay? Awesome, perfect, welcome,
It's wonderful to It's wonderful to have you on again.
Of course you're with us. I think it was a
two or three months ago when you were in the area,
but then you released a song and Jenny and I
were like, well, we got we gotta have them on
to talk about this because this is this is so good,
you know, and we're fans anyway, but I love that song.
(15:39):
I think it's very relatable. I think it's extraordinarily appropriate
that you released it for Labor Day. Obviously, working Class Punk,
the newest single from a Jersey Calling. So very excited
to have you both on the show today. And we
should tell we should tell our listeners who so you can.
Can each of you explain your roles in the band,
what you do in the band for people who might
(16:00):
not be familiar or perhaps didn't hear our previous conversation
when you were on the show.
Speaker 14 (16:05):
All right, we'll go best foot forward, go for it.
Speaker 17 (16:09):
So I'm Victoria and I sing and help bring some
stuff and the help do stuff.
Speaker 5 (16:16):
Yeah, okay, one.
Speaker 14 (16:21):
Oh, I'm Josh. I'm also a co lead singer, and
I played rhythm guitar, and I write some songs.
Speaker 6 (16:28):
To absolutely no great stuff. Uh So, can you tell
us about the inspiration? I mean, you know, probably kind
of obvious, but can you tell us about the inspiration
behind the song working class Punk and why you decided
to write that? And it's such a great track by
the way, I mean, you know, even if people don't
understand or you know, vibe with the meaning behind it
(16:49):
and whatnot and what it's trying to say, it's also
just really really catchy. Uh So you probably can't help
but sing along to it. But but can you tell
us about the inspiration for that song?
Speaker 14 (16:59):
Yeah? Yeah, for sure, you know it's funny. Is our
friend Brian mulhern from Jackson and the Pharmacist like a
local local radio thing in our area. He was talking
this morning. As he put he posted something on Facebook
this morning about how, like, you know, it's really hard
to be working class right now, that like wages of
(17:20):
stagnated and they've been stagnating for years, and everything is
more expensive. You know, inflation is out of control, rent
is up, the price of buying a house is up,
groceries are more expensive, and like, you know, we're really
feeling the squeeze right now. And I wrote this song
a year ago and it's only gotten worse than the
(17:41):
last year. The song has only gotten more relatable. And
I think when I wrote it, it was right in
that period. I'm a teacher, so in February and March,
those are days. Those are months when like teachers really
don't there's no like there's no break, and it's right
in the middle of the year. There's no days off,
(18:01):
and the kids are feeling it, the teachers are feeling it,
and it's just like it's it's kind of an endless
grind and I don't know, man, it's you know, I
feel like there are other cultures in the world where
they work to live, and it feels like we have backwards.
We're living to work, and it just gets it just
(18:25):
gets frustrating.
Speaker 15 (18:25):
Man.
Speaker 14 (18:27):
I was doing another interview the other day, and you know,
like the problem the American dream is like, you know,
you work for like thirty years and then you get
to retire with your white picket fence in your house
and your family whatever. I am forty three years old.
I've never owned a house. We're living We're coming to
you live from our apartment this morning. And I've been
(18:47):
working since i was like fifteen years old. Yeah, so
I'm not great at math, but that's that's almost thirty years.
And I'm definitely not going to retire at forty five,
you know, but I'll be lucky if I can get
out at sixty or sixty five. Well, we'll see. And man,
like I know some people like there's a there's a
(19:09):
maintenance guy at my job. I mean, he's seventy five
years old and he is no intention of quitting, you know,
Like we're we we we make dark jokes about like
one day we're gonna walk in and we're just gonna
find him down on the floor and hopefully it's us
and not one of the like kindergarten kids. That we
have at the school, right, it's you know, it's it's frustrating,
(19:31):
and we wanted to write a song that like vented
that frustration, but in like a catchy, fun kind of way.
We didn't want it to seem like a downer.
Speaker 1 (19:40):
Yeah.
Speaker 14 (19:42):
Like, like a lot of the songs that I write,
the lyrics are super down, but the you know, we
try and keep the tempo up beat.
Speaker 6 (19:51):
Yeah. Yeah. Have you had a chance to play it?
I know it's a new song. Have you had a
chance to play it out live?
Speaker 1 (19:58):
Yeah?
Speaker 14 (19:59):
So we played it a couple of times at eight
and Sand, which is a local brewery in our area.
It's eight and Sand Brewing Company, and it's in Woodbury,
New Jersey. So we played that there because you know,
it's like our hometown. It's like, you know, we we
know that even if we even if we mess it up,
our friends and family are not going to judge us. Plus,
(20:21):
it's a brand new song. How are you going to know.
Speaker 15 (20:22):
If we messed it up?
Speaker 6 (20:23):
That's true. That's a good point. I was curious because
I just imagine it's such a it's a song that's
so easy to sing along to that I would imagine
it gets pretty good response from the crowd.
Speaker 14 (20:36):
Yeah, I've actually, yeah, we've We've gotten a couple of
cool clips where like there are a couple of people
singing along in the crowd and it's like their first
time hearing the song, and I'm like, that's that's a
good sign.
Speaker 6 (20:45):
Yeah, yeah, that's validation, right, I mean, that's like, uh,
you know, when you see people reacting to it in
real time the first time they're hearing it, That's that's fantastic.
Speaker 14 (20:56):
Anything that can make my fragile ego just a little
bit bigger.
Speaker 6 (21:02):
I'm curious if if the two of you have I mean,
I'm curious about influences. And I know we you know,
we talked about influences the last time you were here,
But are there are there other punk bands? I mean
I can certainly think of some, but I'm curious about
are there other bands that even not necessarily punk bands,
but bands that you kind of look to for inspiration
when you're writing a song like Working Class Punk? Are
(21:24):
there are there bands you can think of that might
have influenced you that also address these types of issues
and concerns.
Speaker 14 (21:33):
Oh? Absolutely, Specifically, when I was writing Working Class Punk,
I was listening to a lot of Large and Grace.
She's the singer for the Against Me and Against Me.
I don't think is playing shoes any longer.
Speaker 6 (21:48):
Okay, but Large and.
Speaker 14 (21:49):
Grace wrote all those songs, so she still performs them
live with her band.
Speaker 6 (21:53):
Yeah.
Speaker 14 (21:54):
And then I mean, you know, like Dropkick Murphy's have
been been all over the news and social media lately
for their outspoken, you know, defense of the working class
and critique of the current administration in the US.
Speaker 6 (22:09):
Yeah.
Speaker 14 (22:09):
So yeah, there's I mean, I feel like, you know,
punk music has always been a you know, one outlet
for the working class. I mean, it's certainly not the
only music that speaks to the working class, but it's
always been there. I mean, you know, you think of
bands like, you know, like Reagan Youth, the Dead, Kennedy's.
You know, these are some of the old school punk
(22:31):
bands that always always talked about like punching up, fighting
against the oppression and the oppressive forces that really keep
us all down and try and divide us up into
you know, red team, blue team, when really it's like
it's the top team versus the bottom team. And I
(22:51):
like to think of all of us as power bottoms. Right, honey. Yea.
Speaker 6 (22:57):
The sex Pistles also come to mind. Obviously not an
American band, but but you know, a lot of their
their stuff also really addressed, uh, you know, things going
on in the UK. God Save the Queen is one
of my favorite punk songs of all time.
Speaker 14 (23:10):
But so I like the sex Pistols, like I like
some of their music, and I like the message, but
for me, it's like tainted by the disingenuousness of the
fact that like they were they were put together as
like they were put together as a boy band. Man,
they were like they were to promote the like there
was a store out there called sex I think, and
(23:32):
the idea was the band was basically a big commercial,
a live commercial, if you will, for that store.
Speaker 6 (23:40):
I didn't know about that, about that part of that. Yeah,
well that's interesting.
Speaker 14 (23:46):
Yeah, it's almost like it's it's like a it's like
an astroturfed punk And like, you know, I do appreciate
some of their songs, I mean, yeah, God Save the Queen,
Anarchy in the UK, these are all classics, you know. Yeah,
but I also like like the like anarchy in the
UK bothers me a little bit, just because, like I
(24:07):
I like a lot of the ideas of anarchism, like
the socio political movement specifically, that anarchism is actually just
opposing hierarchy, Like it's it's an opposition to hierarchy. It's
not chaos, right, and it often gets conflated with chaos,
and it's like, no, that's not what anarchists are fighting for.
(24:28):
They're just fighting for a you know, to get rid
of that class division. We should all be equal. It
shouldn't be some people are you know, to quote animal farms,
some people are more equal than others.
Speaker 6 (24:40):
That's yeah, yeah, yeah, no, I agree, I agree. Now
this is so this came out on Labor Day obviously,
and that's was that kind of the plan all along,
Like like when you first because the song had been
around for a little while, right, you said you would
you had written it last year.
Speaker 14 (24:58):
Yeah, that that was definitely not the plan. So right
now we're kind of on a show break. I mean,
we're doing that. We have a show with Marky Ramone
coming up September twenty twenty fourth at our More Music Hall,
and that's gonna be that's gonna be super rad. But
that kind of like that kind of fell into our laps.
We got offered that show, and you know, despite the
(25:19):
fact that we're on a show break until twenty twenty six,
we were like, all right, well, I mean we have
to take that, right it's one of the ramones. Yeah,
it's a really cool venue, Like, we can't turn that down.
So we're doing We're doing that one as an exception
to the little break that we're taking because for a while,
we were, like for two years straight, we were pretty
much playing out constantly. Yeah, right now we're focused on
(25:42):
like writing more music and then you know, trying to
do that that life balance man, Like we've all got families,
we've all got careers, and trying to focus on that,
give that a little bit extra love. So the original
plan was we released ex Americana right before we were
on your show the first time, and we were gonna
(26:04):
hold off on working We recorded it at the same
time as Working Class Punk and Working Class Punk. We
were going to release in twenty twenty six when we
started playing out again. Oh okay, but yeah, but like,
I don't know, the idea came to us to that,
like labor Day was right around the corner, and we're like,
that would actually be kind of a perfect time to
release a song called working Class Punk.
Speaker 6 (26:26):
Yep.
Speaker 14 (26:27):
That kind of speaks to the idea of the labor
movement and you know, the idea of the owner class
versus the working class. So we we went ahead and
pulled the trigger on it. You know, we came to
that decision probably two weeks before Labor Day. So you know,
(26:47):
I got on my computer and rushed out the distribution
and made a bunch of promo and stuff like that,
and we and we got it out and I'm happy
we did outstanding.
Speaker 6 (26:57):
Yeah, I'm glad. Yeah, No, it's it's such a great track.
So the so the show break other than you know,
you mentioned the Marquie Ramone show. But that's that's gonna
be it for the rest of twenty twenty five, Is
that correct?
Speaker 13 (27:08):
Yeah?
Speaker 14 (27:09):
Again, unless we get something that's like, you know, just
too sweet to refuse, you know what I mean. Like yet,
like if if if the Descendants decide that they that
they want us to open for them, I am I'm
not going to turn that down. If a Windowa Fighter
decides that they want an opening band, We're not going
to turn that down. We need to pay for you know,
(27:31):
we're we're planning on recording an album in twenty twenty six,
releasing that'll be our uh our fourth album on Screaming
and Our. I don't know how many times we've been
in the studio because like you know, like before Jersey Calling,
Sean and I were in another band called burn Kate.
I've played in other bands well during during Jersey Callings Hiatus.
(27:53):
I don't know, like it's like we're gonna go with like,
you know, our double digit time in the studio maybe
like twelve or something like that. Yeah, we're really looking
forward to doing a full length and yeah, we're kind
of we're kind of focused on that and trying to
save money for that. So you know, if if a
gig falls into our lap where they're like, oh we're
going to pay you you know, X amount of dollars
(28:15):
and it's and it's money that we can put toward
that record, then you know, yeah, all available, Why wouldn't
you take it?
Speaker 6 (28:22):
You know, right right, no doubt, no doubt. Yeah, where
do you record? Because obviously you're in an area where
you know there's a lot of music. Uh, like, where
where did you record Working Class Punk? Because it sounds
great too? You know, I'm I'm a trained audio engineer,
and I pay a lot of attention to you know,
not everyone pays attention to production, but I do. And
I love the production. I love everything about it. But
it just sounds so good. So I'm curious where you
(28:44):
recorded it.
Speaker 14 (28:46):
So Working Class Punk and X we're both recorded at
Montgomery count County Community College. We got this offer from
Randy's sister's friends Kid. So I thought originally that this
this is this guy Noah, I say, Kid, he's like
twenty two, twenty three years old. Yeah, but he's a
(29:08):
student at Montgomery count Montco Community College. That's just easier
to say it that way. Montgomery County Community College out
in PI. And he is is a you know, music
engineering major, and he wanted to record a band and
he knew of our band from a Randy's sister and
(29:29):
he asked if he could record us for his final project,
and you know, we said yes, and he yeah, he
tracks both ex Americana and Working Class Punk with us.
And you know, it was a different experience because usually
we record at the Gradwell House Recording studio and had
in Heights, New Jersey, and those guys have been doing
it forever. They know what they're doing. They like they've
(29:51):
been nominated for Grammys, like they they're pros. And Noah
is a student. You know, he's just getting started with this.
It was a very different experience, but still enjoyable, and
it kind of challenged us some Sean pointed out in
a recent interview, we did that, like it kind of
challenged us to like make sure that we know our parts,
(30:13):
because you know, studio magic can be done when someone
knows what they're doing, Like, hey, you messed up a
guitar part, Hey, no problem, we can copy and paste
that from another take that you did. But Noah was
a little more inexperienced, so it was like, if you
don't get it right, then it's just not going to
be right on the on the track. And he did
(30:34):
an amazing job. And then what we did after that
was we took Noah's rough mix and we sent it
to the Gradwell House for like a little remix makeover,
just so they could like put some put their hands
on it, put some love to it, and they did
what they usually did, and they and they took our music, which.
Speaker 6 (30:52):
You know, is what it like.
Speaker 14 (30:54):
Honestly, Noah's mix was great, but grad well just makes
it sound so much more professional, just because they know
what they're doing. Oh yeah, they've been doing it for long.
Yeah yeah, so yeah, they mixed it, they mastered it,
and uh, once we got that track, we you know,
we we even sent it over to know and we're like, hey,
(31:14):
here's what they did with it, and that way he
can learn more from it. He did get an A
on his final project, though, so I'm really happy about that.
I was like, Man, if this kid doesn't get an
A for all the hours he put into recording us,
that's really awful.
Speaker 15 (31:28):
You know.
Speaker 6 (31:29):
Well, it's cool too that it came out so well,
because obviously in a scenario like that, you know, you're
you're used to working with pros, and then this this
opportunity comes up, and I mean, I don't know, I
just know in my mind i'd be thinking, Okay, we'll
try this, but a student, I don't know, we'll we'll
see what happens, you know, and and then uh, and
then it came out great. So that's that's awesome.
Speaker 14 (31:52):
I'll think too that Noah. Noah came up with some
really cool ideas too, like end of working class punk.
You mentioned that didn't want to talk over the ending
because you love the like little out take part at
the end. That was Noah's idea. He was like, oh
my god, you guys should keep that in the song somewhere.
It would be kind of fun. And I was like,
oh yeah, like like maybe at the end, and we
(32:13):
you know, we kept it at the end because he
had originally suggested it, because you know, otherwise and mess
ups usually get deleted, right right right.
Speaker 6 (32:22):
Yeah, Oh that's that's very cool, And I'm glad you
got an a well well well deserved. That's that's fantastic.
Speaker 14 (32:28):
Yeah, yeah, is definitely rocks.
Speaker 6 (32:30):
I didn't think to look, is there a video for that?
If you have? You made a video for that song?
Speaker 14 (32:33):
Or I did?
Speaker 13 (32:35):
I did?
Speaker 14 (32:36):
I did this. I did the same thing that I
did with Working Class or sorry, I did the same
thing that I did with ex Americana. Yeah, and I
made the video on my phone. This this is like,
this is probably the last video that I'll make on
my phone, just because I feel like I'm kind of
you know, I I don't want to. I don't want
our all of our videos to look exactly the same.
(32:58):
But it's another very similar video to x Americana where
where I took pictures of the band stills of the band,
and I crudely animated them south Park style to the music.
And I think it's really fun. It's got lyrics in
the video, which is something a little bit different from
(33:18):
working from x Americana's video. It does have some throwbacks
to x Americana's video, because I mean I think the
two songs do have a little bit of common messaging
with like being anti billionaire. Yeah, so you know X style.
Elon Musk absolutely makes an appearance in the video.
Speaker 6 (33:38):
Nice. Nice, Yeah, yeah, oh that's very cool. Yeah. I
encourage people to check out the Jersey Calling YouTube page
and oh yeah, you got lyrics in there too, very
very nice. So what's so, what's kind of the future. Well,
we should mention again too, especially for people who might
be uh in your area. I assume that's where the
(33:59):
Marque Ramone show is where you guys are.
Speaker 14 (34:01):
Yes, yeah, it's at Ardmore Music Hall, which is it's
just outside of Philadelphia. It's on the main Line. I
would say, if you're in the city, it's probably a
twenty minute drive something like that. Okay, if you're where
we live, it's about forty five minutes to an hour,
but well worth it because Ardmore Music Hall is a
(34:22):
it's it's a big venue, it's legitimate, like and there's sound.
Their sound systems amazing. Plus, like, you know, after you
see our set, which is pretty substantial, I thought maybe
like for a for an act like MARKI Ramone, they
would give us like twenty minutes or something, but like,
we're getting a full forty five minute set.
Speaker 6 (34:39):
Oh good.
Speaker 14 (34:39):
And then after us you get to see yeah, yeah, yeah,
I'm pretty I'm pretty excited about that.
Speaker 6 (34:44):
Yeah.
Speaker 14 (34:44):
And then uh, right after we're done, you get to
see MARKI Ramone play some classic Ramone songs and that's
that's rat.
Speaker 6 (34:51):
Oh that's very cool. That's very cool. Boy. How old
is it now?
Speaker 14 (34:54):
He's going to be in his seventies right, Oh yeah,
I would imagine yeah, and hopefully hopefully he's still got
it because I remember a few years ago I saw
Iggy Pop. He was doing like a reunion show with
the Stooges, and I was like, all right, this guy's like,
you know, seven hundred years old. There's no way he's
(35:16):
going to have the energy out. He was running around
like a maniac with no shirt on. You know, he's
got that like his skin looks like old leather, but
like he is, he was rocking, man, Like, I couldn't
believe that Iggy Pop still had all that energy. I
don't think I have as much.
Speaker 6 (35:33):
Energy as he Pop does when he's on stage.
Speaker 14 (35:35):
Like, and I like to think I'm pretty active on stage.
Speaker 6 (35:38):
But yeah, yeah, Iggy Pop.
Speaker 14 (35:40):
Was on a different level. He really was.
Speaker 6 (35:42):
It actually doesn't surprise me just because of I've never
seen Iggy Pop live, but just from what I've heard,
you know, over over the decades that, Yeah, there's just
something about him. He just has endless energy no matter
how old he gets, that's one thing that never changes.
Speaker 14 (35:55):
Yeah, I'm guessing it's like residual drugs flowing through his bloodstream, like,
you know, like there's that guy's done so much that
like he's never going to come down.
Speaker 6 (36:07):
Right, Maybe that's what it is, And that's that's my guess.
Speaker 14 (36:11):
The only thing keep me keeping Keith Richards alive, That's what.
Speaker 6 (36:14):
I'm sure of that, right, Yeah, he's gonna outlive us
all I think. Yeah, Well, very good, very good. So
where should uh where should people go online to keep
up with everything? The Jersey Calling is doing.
Speaker 14 (36:27):
So, I mean our social media. We're on uh, we're
on Instagram, Facebook, TikTok, threads, and it's just at Jersey Calling.
It's just at and then the band name okay, and
then we have a YouTube channel that's also at Jersey Calling.
We have a website and that is Jerseycalling Music dot com.
Speaker 6 (36:50):
Very good, very good now in a moment, So we're
gonna when we end our conversation, I want to play
ex Americana because that I love that song as well,
and I think I even told you both when when
you were here in studio that time that that's my
favorite of the songs that you sent us. So we'll
end the segment with that. I'll probably play uh, I'll
probably play working Class Punk though again later in the
show in the second or third hour somewhere else sneaking
(37:11):
in because I love that song too, and we want
to keep pushing that. That's such a great track. But
what should we know about ex Americana? And again, I know,
I know we talked all about it when you were
here in studio with us. But for people who are
new listeners or people who are not familiar with Jersey Calling,
what can you tell us about this song that we should.
Speaker 14 (37:28):
Know so ex Americana. I mean, even though we were
recording at the same time as Working Class Punk, it
was like the opposite with the writing process. Sean sent
me some lyrics he had scribbled down on the train
on the way to work, and it were, you know,
we are about Elon Musk. And it was right when
he had been you know, appointed to the position of
(37:48):
the head of DOGE. Yes, you know, right right after
Trump was elected to a second term. And like, I
love the lyrics, and I was like, yeah, I think
I can work this into something. And I had a
progression that I like, a guitar a chord progression that
I was that was gonna that was saving for something.
I wanted to use it for something I didn't know
what yet. Yeah, So I took Sean's lyrics, I took
(38:10):
my progression. I kind of fused them together, and UH
came up with came up with the basic structure of
the song, and then we rushed that out because I
was like, you know what, we need to get this
out before it's irrelevant because Trump and Musk, like, there's
no way that those two egos are going to last.
(38:32):
There there's gonna there, Yeah, there's I was like, there's
gonna there's gonna be a falling out. Yeah, there's gonna
be an excommunication. We need to you know, no no
Pun intended with that, right and like I'm like, we
need to get it out before before this is completely irrelevant,
and they're like okay, And that's when, you know, we
got the opportunity to record with Noah at Monco and uh,
(38:56):
you know, we had practiced that song I think like
twice before going into the studio, So like that one
was particularly rough recording it because we were like we
were still learning it while we were recording it. But
I'm really happy with how it turned out. And we
couldn't have time to release more perfectly, man, because we
released it like a day after Trump and Elon had
(39:19):
that falling out, Like it was perfect perfect it was
and and and it came out a day before Trump's birthday.
Speaker 13 (39:29):
So like it was oh man, it was.
Speaker 15 (39:33):
It was.
Speaker 14 (39:36):
Honestly, I got lucky. It was a cool idea, but
it could have it could have gone wrong, you know,
they could have like the Trump Elon break up, the
divorce could have happened earlier. But it also happened at
like a great time because that's when the chatter was
really high about him online. So then when you made
the the post that was, yeah, we awesome, we made
(40:02):
a we made a Trump tweet. We we we we
made it well. We made it look like he was
insulting the band on truth social and and that post
went viral because everyone thought it was real.
Speaker 6 (40:16):
Oh that is so smart, that is genius.
Speaker 14 (40:19):
Yeah, it was, it was.
Speaker 18 (40:21):
It was.
Speaker 14 (40:22):
I couldn't believe how many people thought it was really like,
it's still getting traction to this day. It's got almost
like a million views. It's crazy. And I mean, I
think I basically attribute that to the fact that, like
ex Americana in the you know one, in the first
month it was released, became our number one song.
Speaker 6 (40:40):
Yeah, like it.
Speaker 14 (40:41):
It boosted our numbers by a lot, and working class punk,
you know, I'm like, looking at it, I'm like, yep,
we're back to normal. We're just back to regular numbers again.
But but you know, like it's stut to get lightning
to strike twice. It is what it is, you know.
And I'm still proud of music that we make, and
we've always made it for us, not necessarily for the accolades, you.
Speaker 6 (41:05):
Know, sure, sure, well, very good. Well listen, Josh and Victoria,
thank you both so much. Always wonderful to talk with you,
and I look forward to the next time. And again
working class Punk. Great track. We were very happy to
play it here and and of course, well, like I said,
I'll probably sneak it in again later in the show
and we're gonna end the segment with this track. Again.
(41:27):
I love this song so much, ex Americana. But we'll
let you go, but thank you both for joining us
this morning. Really appreciate it.
Speaker 14 (41:35):
Thanks man, appreciate you man.
Speaker 6 (41:37):
You got it, you got it, Okay, take care, bye bye.
All right, So that was Josh and Victoria from a
Jersey calling such a great band, and I love this song.
Let's give this a spin if you haven't heard this
one yet, this is ex Americana.
Speaker 17 (42:14):
D physicities, a mock care of the people that you
stay at don that survival chau say wod cashing a
broken pat for citizens from pail. It's O weekend Goldies
against your creator.
Speaker 2 (42:34):
Retro fu ship sir say okay, n I could he
acts Americana.
Speaker 13 (42:41):
As American hi to be as American creates.
Speaker 5 (42:47):
A last step.
Speaker 2 (42:51):
Tradition is your weapon. We're all at a fall flocking
a Patreon you call rebind women. I never say this.
Speaker 17 (43:01):
What's hard to see you on TV? If you put
them in that place a sunst bet. It's a fear catch.
Speaker 4 (43:10):
As she's high because.
Speaker 2 (43:12):
He acts America Hi, because she asks America that, because.
Speaker 13 (43:18):
She acts America up. Click a green and dads a
last Epiday. So many times the conditions up bloud. A
strong clouds gather over this skuys ways actual razing.
Speaker 5 (43:38):
Efficiency. He says something to see I fell. You're this guy.
Speaker 4 (44:14):
There's not your choice, not guess elion.
Speaker 6 (44:23):
There's have enough trust in the Roman.
Speaker 1 (44:26):
Why say one boss?
Speaker 2 (44:28):
We've been sold online.
Speaker 1 (44:31):
I think it's time we say free.
Speaker 5 (44:34):
Lie like Jos and I do. As Americana.
Speaker 13 (44:41):
Americana through the Acts of Americana click.
Speaker 2 (44:45):
On the cree and as a last Daday through.
Speaker 13 (44:48):
The Americana, Through the Americana to the Americana, click on
agree tant.
Speaker 2 (44:57):
A last Dad, yes said take your last You can't
die by trying.
Speaker 4 (45:02):
To that, can't jail.
Speaker 5 (45:13):
You want nothing to do that.
Speaker 11 (45:16):
I don't want to be like you.
Speaker 8 (45:19):
I recognizable from the persons shouldn't know better.
Speaker 5 (45:27):
It's sounded for a while. Now probably try.
Speaker 4 (45:31):
To do I s don't want to BacT sound, don't
really shill, no way chill that a long guy had
a long guy?
Speaker 5 (45:53):
How body.
Speaker 4 (45:56):
That ain't long?
Speaker 11 (45:57):
Guy that you love?
Speaker 5 (46:04):
Can say, I ain't hit the resaid, but I don't
want to start.
Speaker 8 (46:08):
John said, ain't no please like child, please start like you?
Speaker 5 (46:14):
Stod who wasn't what you want?
Speaker 7 (46:18):
Said?
Speaker 4 (46:18):
Don't like Joe is.
Speaker 5 (46:21):
We can't waste a minute. We want to waste some minutes.
Speaker 4 (46:24):
Jays some man, don't wait, Chow that ain't Longuy, I
ain't long?
Speaker 5 (46:38):
Nobody art that ain't long? Guy that ain't love.
Speaker 2 (47:00):
I've got that sick chif feeling, but of wes to ealing.
Speaker 6 (47:05):
I don't know what to do.
Speaker 5 (47:08):
I still love you, suit you.
Speaker 2 (47:11):
I got that sick chef feeling out now I don't ways.
Speaker 5 (47:17):
I don't know what sometime sell.
Speaker 4 (47:46):
No way that ain't long, Guy that ain't long, don't
play cat sant jem.
Speaker 5 (48:11):
Always so.
Speaker 6 (48:25):
Love that track so much. That is piece of view.
The band is Rivia, another great band from the UK,
and they are now being added to college radio stations
across the country. In the United States, so very cool.
But we were the first American radio station to play
that here at wmn H on this very program, Matt
Connorton unleashed. Love that band and love that song, such
(48:46):
a great track. If you are listening live on Saturday again,
thank you so much to Victoria and Josh from the
band Jersey Calling for joining us. I love that song
ex Americana. And of course we opened that segment with
Working Class Punk, which is their brand newsingle, which came
out appropriately enough on Labor Day. So I really enjoyed
talking with them and I love their music and I
can't wait to hear the next one. Sounds like they're
(49:08):
but they've they've been busy, so they've got that big
show coming up with Markey Ramon. So cool, so good people,
and I'm glad to see them having success. And let's
see again if you are listening Saturday. Coming up in
the second hour today, we have Brides, another great band
from the UK who's going to be joining us via WhatsApp.
Looking forward to speaking with them. We're gonna at the
(49:29):
top of the hour, we're gonna play their newest single
and really interesting band, unique sound. I can kind of
hear some influences there, but very very cool, a little
bit mis serious. I don't know much about them, so
that'll be very interesting. So Brides is coming coming up
in the second hour, and then in the third hour
today we have Pulsifier, great band from Portland, Maine, and
(49:50):
I believe they are making the trip and they're gonna
be here with us live in studio in the third
hour today of Matt Connorton Unleashed. But I'm gonna give
you a little preview because if you are listening live,
this is the track of theirs called Venomous Thing, and
I love this song, so I'm gonna play this now.
You might hear it again in the third hour when
the band is here with us. But little teaser for
you of Pulsifier coming up today in the third hour,
(50:12):
great track called Venomous Thing, and I just want to
hear it, So I'm gonna be a little bit selfish.
I'm gonna play this one now. Like I said, you
might hear it again later, but here it is Pulsifier.
Speaker 2 (51:11):
He tighten memory, some cloons within him, A mutch.
Speaker 5 (51:20):
Hold shadows cool yesterday dancing with.
Speaker 2 (51:31):
You can't be saved from said ours really.
Speaker 1 (51:39):
When you came up to.
Speaker 4 (51:43):
Say can you all find? Then all third.
Speaker 1 (51:51):
Chegard from where.
Speaker 4 (51:57):
Then hurt me again?
Speaker 5 (52:02):
You been a girls come back to pray?
Speaker 2 (52:10):
So why shot back and don't get places you don't
want to go, put it by face and.
Speaker 5 (52:28):
I don't want to know.
Speaker 2 (52:32):
You're gonna missed Cloison cut say.
Speaker 5 (52:40):
I'm getting my blustery.
Speaker 2 (52:43):
Now it's just sup.
Speaker 5 (52:46):
I try Sam.
Speaker 4 (52:56):
Chugar s we okay, you fasday come about okay, So
why can't.
Speaker 1 (53:16):
You get.
Speaker 5 (53:21):
A victim't y say.
Speaker 2 (53:25):
Lay control shooting your venom like shots of control?
Speaker 5 (53:37):
Hold on't me.
Speaker 2 (53:41):
Try not to dry and step call me under choice
spible down O said off last show he is gone.
Speaker 4 (54:04):
From leave.
Speaker 11 (54:08):
Okay?
Speaker 4 (54:10):
Can you're the.
Speaker 1 (54:16):
Home back?
Speaker 4 (54:18):
Kay?
Speaker 5 (54:20):
So why not you go again?
Speaker 4 (54:24):
Ninety says go just let's let go.
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No no.
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Have shallow could be show.
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Charge Woo down bow.
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Luigi's Pizza Barren Grill got for e breed one.
Speaker 9 (56:29):
Let's raise a slice on mine with top and tall
the round.
Speaker 5 (56:34):
It's a pizza Barto mine.
Speaker 20 (56:37):
Luigi's Pizza Barren Grill, seven twelve Valley Street, Manchester, Come
on in or call six two two one zero two one.
Luigi keeping the tradition alive since nineteen seventy five.
Speaker 5 (56:51):
Pizza for every one.
Speaker 13 (56:54):
Come join a piece Tonight we eat slice sense off
in everything fel tho by.
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Speaker 6 (58:34):
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