Matt Connarton Unleashed 9-6-25 hour 2

Episode Transcript

Speaker 1 (00:00):
W M N h rips the normals.

Speaker 2 (00:05):
We're back from the grounds.

Speaker 3 (00:44):
Strass the name.

Speaker 4 (00:45):
The whites of the creature sack his name.

Speaker 5 (00:51):
Real mutilation is a very.

Speaker 3 (01:00):
It's shot taste like red skin, smell.

Speaker 5 (01:03):
Doun and grab up and strung.

Speaker 3 (01:04):
Out in paper. How did you place so I just
come back?

Speaker 5 (01:08):
I hate joke.

Speaker 3 (01:12):
It's map skin, take frett skin.

Speaker 5 (01:14):
Lead eat me too, should mean that's today?

Speaker 3 (01:17):
Should a shop ain't back that choice. It's like your sensation.

Speaker 5 (01:32):
Cree chop chop, chump, creat chump shop shop stretching it.

Speaker 6 (01:43):
The white chosky.

Speaker 3 (01:45):
Get you in thish on the line and you put
tell us.

Speaker 6 (01:49):
On the don't two of your.

Speaker 5 (01:50):
Eyes, but your right teas is about all those fine Wow.
The shop taste like ens, shreds and rubbers. Struggle the
pay boy happen you got sun? Just come back.

Speaker 7 (02:10):
This man skins a friskin leading me to to do
that's to make SI suthing.

Speaker 3 (02:16):
My things can just lack of sensation, shake me away.

Speaker 8 (02:32):
Show me any other a good line of your creature
as being its culture.

Speaker 3 (02:36):
Of mind to distract us the rest of the tab.
Since the sons of mine face the man's rain in
my shoes.

Speaker 9 (02:46):
It's win behind me and there's when behind you, but
not drunk upon sat strads right you bag, give me
see quest.

Speaker 10 (03:30):
I love it, especially the ending. That's really cool. You
kind of don't expect that. The track is called Creature Culture.
The band is Brides, another great band from the UK,
and we are in our number two Newmarrow dose of
Matt Connorton Unleashed and let's see who we have here
via WhatsApp from the band Brides, Hello, welcome to the show.

Speaker 1 (03:54):
Hello, thank you so much for having us on.

Speaker 10 (03:56):
Absolutely absolutely okay, So who do we have with us?
Please identify yourselves. Tell us who you are and what
you do in the band.

Speaker 1 (04:03):
So my name is Joe. I do the singing and
play the rhythm sole. Hi.

Speaker 11 (04:08):
My name is Alex and I play the leads and
to some backing vocals as well.

Speaker 1 (04:15):
Okay, and between the two of us we write all
the songs.

Speaker 10 (04:18):
Oh, very good, okay, so Joe and Alex yep, yeah, okay,
Well guys, yeah, welcome. It's wonderful to talk with you.
I really like the I really like the EP. I
listen to the whole thing online. And now how do
you how do you pronounce the title. What's the correct pronunciation.

Speaker 1 (04:33):
It's pronounced letche. It's milk in Spanish.

Speaker 10 (04:37):
Oh okay.

Speaker 1 (04:38):
And we started that because I had a roommate who
he's got an absolute phobia of people that drink milk.
I'm a man that likes a little glass of milk
every now and again.

Speaker 10 (04:48):
Sure, I used to.

Speaker 1 (04:51):
Come into the room pronouncing that, but that have a
big old pinea letche and it make his skin crawl.
And from there we just decided that was a good
enough name for the album.

Speaker 10 (05:00):
That's funny. I yeah, I used to drink a lot
of milk when I was a kid, and now the
thought of drinking milk is kind of repulsive to me.
But but he had a he had a total phobia
of it. That's funny. Uh yeah, yeah. So I'm really
curious to know more about about these songs and and
kind of what your inspirations are. And I'm glad that
I'm talking to the two members who who write everything

(05:20):
because it is so interesting. We're gonna play after our conversation.
We're gonna play. You also asked us to play We're
out of Gravy, and I also don't but I'm actually
gonna play two songs at the end because I'm gonna
play that, but I'm also gonna play because you picked it.
But there's another song from the EP that I'm also
gonna play, uh selfishly at the end because I love
it so much. But I'll wait till at the end

(05:42):
of our conversation ask you about that song. But yeah, yeah, no,
I love the whole thing. It's so cool and it's different,
you know, it's it's not something that you tend to
hear on the radio. You've You've got a style and
a sound that I think is unique. But I am
curious about uh, I'm curious abou out influences sonically because

(06:03):
I was reading online I saw I saw both Weezer
and The Wiggles mentioned in the same sentence. I don't
know if that's accurate or not, but I'm very curious.

Speaker 1 (06:16):
I mean, with with regards to the guitars and the bass,
I think we get a lot of inspiration from bands
like Weezer, my Bloody Valentine.

Speaker 11 (06:24):
The best band of all time that's radio Head as well.

Speaker 1 (06:27):
Sot a lot of driven guitars from that. But lyrically,
I mean, we we have we don't consider ourselves a
comedy BANDO.

Speaker 11 (06:33):
I say, we like, we like, we like funny bits,
we have fun as well.

Speaker 1 (06:38):
And I think that's what we like about the Wiggles,
the fact that they can turn these just really simple
concepts like a fruit salad into a banger that everyone
is screaming.

Speaker 11 (06:46):
Yeah, so with Wiggles, with the Dicky's energy.

Speaker 1 (06:50):
Yeah, yeah, we like we like to think of ourselves
as the Wiggles. But for gamers, oh.

Speaker 10 (06:55):
That's great, that's great. And I so I get a
sense too that these songs are kind of about celebrating
individuality and and and different and some of some of
that I might be getting from the song that I
haven't mentioned the name of yet that I love so
much that I'm gonna play later. But and I also
kind of get that from the cover art too. Uh well,

(07:15):
let's start actually, let's start there. So tell me about
the cover art for the EP. Who drew that and
what does it mean.

Speaker 1 (07:23):
The cover art was designed by a very very good
friend of mine, Richie Over at the Institute of Free Design,
And the cover art came about because when we were
on holiday, maybe about four years ago, we got these
old beer boxes and for whatever reason. We played a
chilly game. We turn them into robot heads.

Speaker 10 (07:41):
Yeah, we did it.

Speaker 1 (07:42):
We were going to throw them away and I just
thought they were and there. You know, one day, one day,
this piece of you know, rubbish is going to come
in great use. And then we were we were debating
what to do for the album cover. We knew it
was going to be good. Let chain and I had
to have something milk related. We liked the idea of
all of us riding on the back of a cow.

Speaker 12 (07:59):
But beyond that we needed to sort of capture the
We had to get like little propters. So you know,
on the on the cow, we're all sat on the cow,
and then I'm at the front as well. We all
like to do our silly little poses.

Speaker 1 (08:10):
And to ride a cow. Yeah, we have a stunt
cow to be able to ride for the reference images,
so it's all of us balancing precariously on an amp.

Speaker 5 (08:18):
Oh.

Speaker 1 (08:19):
We then sent to the artists and said, can you
just do this but pretend we're on a cow instead,
and then yeah, So we just wanted to get this
sense because the album was quite distorted and quite spacious,
so we wanted to get this sort of grandiose sense
to it, And I think the easiest way we saw that,
combined with the robot head is what if there was
a huge robot assessing the cow for whatever the farious reason?

Speaker 10 (08:40):
Yep.

Speaker 1 (08:41):
And I think on perhaps a future release, we might
get a sequel image to that showing what might happen
next between the robot and the cow.

Speaker 10 (08:48):
Okay, okay, I like that idea. Yeah, so I encourage
people who haven't seen it go online and check out
this cover and yeah, the robot, the guy with the
robot head is holding the cow. I actually didn't realize
it was a cow when I first looked at it.
I had to kind of study it to even even
figure that out. I was like, oh, yeah, I think
that is a cow that they're sitting on. Yeah, so

(09:16):
that's that's very cool. Do you have You must have
got a lot of questions about the cover, right, I
assume people ask you all the time.

Speaker 11 (09:22):
Yeah, that was a lot with a lot of fire.

Speaker 12 (09:25):
People seem to really be liking it, which is obviously great,
but then the comments to be bad about the cover
is actually I expected that.

Speaker 13 (09:32):
Yeah.

Speaker 1 (09:32):
We thought people were just looking at it and think, oh,
that's pretty cool, But people have really wanted to know
the rationale behind it. Yeah, I think we're lucky enough
to be able to work with just challenged artists who
did this for us. And I mean we We've got
a gig on the thirteenth September, our next headline show,
and for that, the same person who designed Richie, the
same person design the cover, has designed some tarot cards

(09:53):
that will be giving out to the audience members with
some of our faces on them and some artwork relating
to the songs.

Speaker 5 (09:59):
Oh wow.

Speaker 1 (10:00):
And we've we've made little milk cartons as well to
give out and the book Yeah yeah, it's got a
little robot head key chain in it and the couple
of sweeties. So yeah, we've we've leaned very hard into
this whole milk and robot thing, just because so many
people that come back so interested in it. I will
make the most situation.

Speaker 10 (10:19):
I think that's the first time anyone's ever used a
sentence like that on the show. We've leaned very hard
into this milk and robot thing.

Speaker 1 (10:26):
I'm only to be able to bring that to No.

Speaker 10 (10:29):
I love it. I think that it is so cool
if you can do something that you know that that
makes you stand out, but also creates this kind of
you know, over time, because I assume you're a relatively
new band, right, yeah.

Speaker 1 (10:44):
Yeah, we had our first concert in January this year.

Speaker 10 (10:47):
Really, oh yeah, okay, so you're very new. So over time,
you know, as long as you continue to to do
this type of thing with the cover and the you
know and and you know, these concepts that you know,
a mythology will kind of build around the band and
if that makes sense, and I it is definitely what
for Yeah, yeah, And I think that's a great thing
to have because you know, it creates interest and it

(11:09):
it uh, you know, if if you can even pull
you know, you might pull some people in who are
just kind of interested in the image and what does
it all mean, and then they they listen to the
music and then they're they're you know, then they become
permanent fans because of the music. But but yeah, having
having something that kind of pulls people in, I think
is a great strategy. And it's and it's underused. It's

(11:30):
it's not something a lot of artists really do. If anything,
a lot of artists try to kind of fit in
with whatever is going on at the time.

Speaker 1 (11:38):
I think there's a big trend towards at the moment,
especially with the big push for marketability on social media
and everything, a lot of people put an image of
themselves as the cover image because I helped boost engagement
and everything.

Speaker 10 (11:48):
Sure, but you know, you know, being admirers.

Speaker 1 (11:51):
Of the Beatles and Pixies and radiohead bands with really
iconic front images, we just the Yeah, we just we
just wanted something that lived up to the scope at
least what we thought of the record. And I'm really
really happy to just come about that.

Speaker 10 (12:05):
Well, yeah, absolutely so. In terms of the songs themselves,
I mean, are you are you? I mean I kind
of might have been reading into it a little bit.
I don't know what are the songs supposed to be about.
I mean, is there a cohesive theme or is it?
Is it just it seems like you're there's almost these
different like each song almost to me is kind of

(12:25):
like its own character in some sort of story that
I don't quite understand. Again, I don't know if I'm
reading too much into it. Tell me if I am.

Speaker 11 (12:32):
But really, yeah, well definitely they all kind of they're
all like, so how we do it?

Speaker 2 (12:40):
Is?

Speaker 11 (12:40):
Me and Joe, We like we come up with the
songs like on our own, and then we come together.
Then we put them together.

Speaker 12 (12:47):
I give any input or he gives any input back
to me, and then but they're they're all very like
individual to us personally, Like with lyrics, there's a lot
of a lot of things going on each one.

Speaker 1 (12:57):
I think we like to take like quite personal subject
matters and given a bit of a larger than life persona,
which is which we've done through sort of characterizing each
one of these songs. I mean, one of our tracks,
Common Inferno is all about two clones who fall in
love with each other and face the consequences for that.
Rebecca is about an angel that likes to have a
bit of a drink. And they're all based on people

(13:18):
we know really in real life who have had big
influences on us.

Speaker 11 (13:21):
Yeah, and we've.

Speaker 1 (13:22):
Dressed them up enough so that those people don't necessarily
know we're singing about them.

Speaker 10 (13:27):
Well, now, I'm curious, has anyone ever come to you
and said is it or asked you is that song
about me? Or did I have anything to do with
inspiring that song? Is that happened?

Speaker 1 (13:38):
Unfortunately we will be shot by a couple of people.
But I will say every person we have ever met
called Rebecca and the people at home another one of
our tracks called Rebecca. Everyone we've ever met named Rebecca
has reached out and said, oh my god, I can't
believe you wrote this song about me. I started off
denying it, saying, oh, no, it's unrelated, but in the
end I just thought, oh, well, they're going to listen
to it. Yeah, of course it's about about you. I

(14:00):
are honored that you let us write this about you.

Speaker 11 (14:03):
We aim for a sold out gig just with people
named Rebecca there.

Speaker 10 (14:09):
That would be great. That would be great. So the
album sounds really good. Where do you guys record?

Speaker 1 (14:16):
We recorded in two different studios. We did the drums
in a place called Arc, which we've had a lot
of experience with recording there. But then for the rest
of the track of the guitars and bass and vocals
and all the fun little sounds you here in the background,
we recorded at Brier Street Studios in Liverpool. Newer studio,
but it was absolutely fantastic. I had a really really
good atmosphere and energy. The owner was super super nice,

(14:38):
and we were lucky enough to work with just the
best producer in the World Rory Valentine, and he.

Speaker 11 (14:43):
Taught me how to make coffee there as well.

Speaker 1 (14:44):
He did. He taught you had to make a proper coffee. Yeah,
I had a screen properly into the mic without clipping it.
We've been really really lucky to work with the people
we have.

Speaker 12 (14:54):
Especially like there's a distortion layer on Common Inferno as well,
like just working that for a just as well, just
just being able to just blast that and just.

Speaker 1 (15:03):
Yeah, get it perfect. If you listen carefully, you'll find
a lot of the distortion layers are just Alex screaming
into his.

Speaker 14 (15:10):
Guitar pickups that the feedback really yeah, yeah, yeah, So
I like tune it so it's so it's in key
and then just like scream into it, run around the room,
smash it on the wall or something, and then just.

Speaker 1 (15:24):
Try and get as much as many mangled sounds as
we're good.

Speaker 10 (15:27):
That's interesting. That's interesting.

Speaker 1 (15:29):
Took some perfecting to get right, but we got there
in the end, and then a lot of the little
background sounds and monsters. This was again we were lucky
to work with Rory, who's who've been game for anything.
He if you listen in the right headphone nice and quiet.
He delivers a speech about an evil monster destroying reality
that took a lot of time to get right because

(15:50):
we were all just you know, wetting ourselves laughing through it.

Speaker 11 (15:53):
But that's when we were kind of like we were
linking in that that robot theme.

Speaker 1 (15:57):
Yeah, yeah, again, trying to bring it all back together. So,
I mean to go back to an earlier question, I
think the common theme of the release is just sort
of desperation, not in the negative sense, not in a
sad sense, but I feel, especially when you're younger, you're
just in such a hurry to get everything done because
you feel at the time slipping away from you and
whether that relates to you, you know, getting into a

(16:18):
relationship that might not be the best just because it's
the most comfortable thing, or going a bit crazy on
the old on the old beveroonies for a week or two. Yeah,
is that sort of annic behind it, And I think
we've tried to capture that, and as I say, take
the Wiggles inspiration as well and make it a bit fun.

Speaker 10 (16:35):
I'm curious, when you write these songs, do they end
up do any of these for example, on this EP,
did any of them come out differently in a significant
way than what you had in mind or expected when
you went in.

Speaker 12 (16:52):
Yeah, so definitely, because me and Job that we've been
writing them for like two two and a half years
to two and a half years, will say, But we
initially had like a full horn section the way we wanted.

Speaker 11 (17:07):
To incorporate into it.

Speaker 12 (17:08):
Really I didn't think it was Yeah, we did get
a trumpet in, yeah, well, but I think we just
didn't think it was bible.

Speaker 11 (17:17):
Really, it wasn't really the sound we were going for.

Speaker 12 (17:20):
But for this one, maybe later down the line, but
for this plus, like we realized probably like a year
ago that it was going to be like, well, I
don't know how you describe it, but it's like punk.

Speaker 5 (17:31):
Yeah.

Speaker 1 (17:31):
I think Cozer and James that sorry. Coz are our
basis and James our drummer. Joining was a big influence
because we were originally going to go for more of
a jazzier route, but once we got them in the band,
James smashes the kit hard than anyone ever, is amazing,
has these thundering basslines, So it just sort of pivoted
more into sort of a psychedelic hard rock thing without
a lot of effort. It just sort of came out

(17:53):
naturally that way. Yeah, and specific songwise, I mean, Rebecca
used to be I want to Attract Rebecca used to
be three separate songs. We're all perfectly fine, and we
just thought, and they're all right, we don't have any
of them. What if we just took the best bits
of each of them, let's slam them into each other.
And it ended up working right.

Speaker 11 (18:11):
Yeah, similarly all Teapot was very different.

Speaker 1 (18:14):
Yeah, Teapot started very very different.

Speaker 11 (18:16):
That was originally just that riff over and over again.
But yeah, I think we were having enough over and
over again.

Speaker 1 (18:24):
They can't be with us today because they're hugely influential
on the sound of the EP, but they were. They
were a big influence into an impact into why we
sort of went a bit heavier than we intended originally.

Speaker 10 (18:35):
Sure, sure, So I'm really curious, who about the live show?
What is the live show?

Speaker 5 (18:39):
Like?

Speaker 10 (18:39):
I mean, do you do you wear uh you know,
cardboard robot heads or like the show?

Speaker 1 (18:48):
Okay, so a lot of the lives. So my I
love singing on stage and I love playing guitar on
stage and running about like a fool. I hate talking
on stage so very very much. I'm no good at
it frees up. So the goal with our sets has
always been to transition from one song into the other
as smoothly as possible, which means for the live show

(19:09):
we have quite a lot of these sort of soundscaping sections.
I mean both they're really good to listen to, and
they let us use off our big fancy pedal boards
and our micro sequences and all the hologram stuff. But
it's not it's not. It is a lot of that.

Speaker 11 (19:22):
But Joe does put his like big boy pants on
sometimes and does talk to the audience.

Speaker 1 (19:28):
But yeah, all these soundscapes, I mean, they they worked
really well for changing.

Speaker 12 (19:32):
And we all we all kind of talk to each
other as well there as well. But the yeah, it's
just like live shows, just high energy. Joe's running around,
I'm on the floor.

Speaker 1 (19:42):
I like coming into the crowd to say to everyone.

Speaker 10 (19:45):
Yeah.

Speaker 1 (19:46):
We like it to feel like everyone is just hanging
out with the band. So when we do eventually have
to talk, rather than doing these sort of little speeches,
we just like to have a chat amongst ourselves, have
a little laugh, and people have been responding really well
to it. We're we're booking s across the country at
the moment, with more on the way, so keep an
eye out. If your fancy coming to watch us, they

(20:06):
will make.

Speaker 10 (20:07):
All way over to you, outstanding, I would love that.
So you're kind of an obvious question, but where does
the name come from? Brides or see?

Speaker 12 (20:17):
Joel'll tell you something. So the pub we go to
is called the Bride Well, that's just the one that
me and Joe have always gone to. And then Brian,
I think it came from them.

Speaker 1 (20:29):
Or something, and I like to say we were going
to be called Grooms, but that had some some negative connotations.

Speaker 10 (20:35):
Okay, so we pivoted.

Speaker 13 (20:38):
Yeah.

Speaker 1 (20:38):
No, we are named after the pub of the Bride Cup,
which we have been drinking and writing songs in since
we moved this city pretty much.

Speaker 15 (20:46):
Okay, okay, there it's a fairly it's the semi famous
pub around Liverpool.

Speaker 1 (20:52):
I just called Frankie Goes to Hollywood.

Speaker 10 (20:54):
Oh yes, yes, So the pub.

Speaker 1 (20:57):
Originally used to be some rehearsal rooms and that was
the rooms where Frankie Goes the Hollywood was formed. There's
a little bit of history to it. And yeah, it's
got a plaque of Frankie up at the moment. So
I'm hoping one day there can be a plaque a
little old Me and Alex watching over all the patrons
of the bar.

Speaker 11 (21:12):
Yeah, and a free pint would be nice.

Speaker 10 (21:14):
Yeah, yeah, Oh that's cool. Yeah. In America, Frankie Osa
Hollywood is best known for the song Relaxed.

Speaker 1 (21:21):
That was incredible.

Speaker 10 (21:23):
That was their huge hit over here, and I feel
like there might have been one or two others, but
that's like the big, big one that Americans are most
familiar with. Oh that's that's cool, I think, yeah.

Speaker 1 (21:34):
I think that's what made it big over here as well.
I would like to say we've got a bit of
Frankie about us, not necessarily musically, but only in the
sense that my hips to be moving around quite a
lot on stage, and if I be more confident, I
might whip out the gim mask. But yes, that new question.

Speaker 2 (21:52):
We we do wear that.

Speaker 1 (21:53):
We do wear the robot heads and one step.

Speaker 10 (21:57):
Down from the okay, okay, maybe save the gip ask
for you know, if you do the show with all
the Rebecca's or something. I don't know.

Speaker 1 (22:05):
If we ever make it to the US, we'll tell
the Rebecca only show all in gimp mask and you'll
be the guest of honor. We assure you.

Speaker 10 (22:12):
I would love that. I think sounds great. That's a
great idea. That's a great idea. Are you guys playing
a lot of shows? It sounds like you are right
you said you're starting book shows across the country.

Speaker 1 (22:24):
There, Yes, So we've got Liverpool headline on the thirteenth.

Speaker 15 (22:29):
Then we've got a few more Liverpool shows this year,
Manchester show this year.

Speaker 1 (22:32):
And then we're moving to London, Glasgow, Sheffield in early
next year. Excellent, and we might start walking to boys
the next EP.

Speaker 10 (22:42):
Don't tell anyone, oh okay, okay. By the way, so
I'm always curious about this what went into the decision
to record an EP, because, as you know, a lot
of artists now, especially new artists, they might just do singles,
or they might do a full album, or they might
do an EP. Was there anything that went into that?
Was it just a number of songs that you had
ready or what went into the decision to make an EP?

Speaker 13 (23:05):
Yeah?

Speaker 12 (23:05):
Well I think we have got an album planned like
further down the line. Obviously, it takes a bit more
like for resources and time to fully commit to it,
and we do have a theme, a proper theme that
we have set.

Speaker 11 (23:20):
Yeah, yeah, obviously we do with the EPs.

Speaker 12 (23:23):
But I mean, you could be a six song EP,
so you I mean, you could get away with calling
an album, but it's not like an album.

Speaker 11 (23:28):
To us is a it's like a full journey start
to finish.

Speaker 1 (23:32):
We didn't want to do an album ntil we were
ready to fully get it, and we didn't want to
do singles only because as you, I mean, you've listened
to the EP, I hope you'd agree that there's it's
quite a varied yeah sound. Oh, we didn't want to
put out any one song that pigeonholed us. We thought
we'd put out a good selection that showed a bit
of our range. And also we just have so many songs.

(23:53):
We've got these where the next we'll hopefully be producing
another EP within I'm not going to say how long.
I'm getting the look, I can't say how long. Before
long that will include another seven or eight songs which
will be combined with this EP. That will be the
totality of everything me and Alex wrote together before we

(24:14):
hired James and Kozer. So once we have that out
of the way we've started working on the.

Speaker 12 (24:20):
Album and which we were all doing together, like, well,
obviously they've all come up with their own parts, but
they're all like, we're just jamming the songs from the start, Yeah.

Speaker 1 (24:30):
Working through, working different instruments in. We've got introduced in
the keyboard and Alex has been getting really good on
the saxophone.

Speaker 11 (24:36):
Avenue Mate, Neighbors to.

Speaker 4 (24:43):
Go, We've got.

Speaker 1 (24:45):
Mandolin. Yeah. Even at this show on the thirteenth, we're
bringing in the Madeline Slide. I'll be ripping the back
Zoo solo.

Speaker 10 (24:51):
Nice.

Speaker 1 (24:53):
We just want to keep these gigs high energy as
we can, especially for our fans who've been to a
lot of us. It's good to keep things fresh for them.

Speaker 12 (25:02):
Yeah, definitely, because yeah, because we do a lot of
half of our shows as well, and with the ep
be and six songs, we try to get them all
on and then we might only get time for like
one or two that they haven't sinned, but with dicilms
like an hour.

Speaker 11 (25:15):
And yeah, yeah, so we can fully we well it's great,
it's a great set. But I say so myself.

Speaker 1 (25:20):
I think so, oh yeah, we didn't need to go
off our range and get more people interested in compacy
us live where they can see the rest of our songs.

Speaker 5 (25:28):
Yeah.

Speaker 10 (25:29):
Absolutely. Where should people go online? Where's the best place
for people to go to keep up with everything that
you guys are doing.

Speaker 11 (25:36):
The Instagram, for sure, or the TikTok.

Speaker 1 (25:38):
Yeah, the Instagram, the TikTok. We're on Twitter as well,
but sparsely use it, and we are at that band
bride on everything on YouTube, Twitter, TikTok. And speaking of YouTube,
there is a music video for Creature Culture that will
be dropping at three pm tomorrow, three pm GMT. So
your time, Okay, I do, of course, I know my

(26:03):
time conversions off my heart.

Speaker 10 (26:05):
You did say it with confidence. It sounds like, you know,
so that's good. Look forward to I look forward to
seeing that. That's very cool. Okay. So in a moment,
and I really appreciate you guys joining us today, we're
gonna play oh yeah, absolutely. We're actually going to play
two songs. But so the first one is the one
that you asked us to play to end the segment,

(26:25):
which is We're out of gravy. So the obvious question
before we play that one, I want to know, like,
is this literally about running out of gravy or what
what is this about?

Speaker 12 (26:37):
Yeah, when I came up with the title, it was
literally just me running out of gravy when I was
trying to put it on some chicken.

Speaker 10 (26:44):
Yeah.

Speaker 12 (26:44):
Then then it kind of it went from there with
the you know, the whole gravy train metaphor and okay,
just personal things in my in my life, and I
was reading I was also reading the Clockwook Orange as
well as I just finished reading it. Yeah, and yeah,
I just thought I had the you know that some
components that I could put together just to make make

(27:06):
a little tune out of it.

Speaker 1 (27:07):
So yeah, but that brings on to a good point.
Most of our songs are just start tend to start
with the song title we think sounds quite amusing, and
then from there we'll try and uh base it in
some sort of reality.

Speaker 10 (27:18):
Interesting, So you start with the title A lot of
the time, that's interesting.

Speaker 1 (27:22):
I helped people, the theme helps people. The theme Yeah, yeah,
can help me try and get me more creative.

Speaker 10 (27:28):
Yeah, no, that that makes sense. So we're gonna play
that one in a moment. And the one I'm gonna
sneak in after that too, is the one that ends
the EP. Hideous monsters and the people that love them.
I love the song. I enjoyed the I enjoyed the
entire EP, but this one really really kind of speaks
to me and anything we should know about this one.

Speaker 15 (27:47):
This was written a time in my life when I
started getting back into the dating and I had had
some it's had some issues about how I look like,
and I just wanted to write a song for myself
that encouraged me to get out there and see what
the world has to offer despite my own reservations.

Speaker 1 (28:05):
I just remember I was at.

Speaker 11 (28:07):
Work and then Joe he just sent me a text
saying that he's made a He's made a new one.
And then I was like, I think I was a
bit tired, and I came around and he got it.

Speaker 12 (28:18):
He'd like recording on his laptop, just like a little demo,
and then yeah, just it all just started coming from there,
and I was.

Speaker 11 (28:24):
Just super impressed. It was.

Speaker 1 (28:26):
I think we probably spent maybe seven eight hours just
sat in my room in thirty degree heat with no
windows trying to finish that song. Oh wow, and then
getting Coocer and James on it as well just propelled.

Speaker 12 (28:37):
It into that was a huge The baseline in the
verses on that is it's brilliant from Okay, and I'm
glad you like.

Speaker 1 (28:45):
That song as well because speaking of music videos, oh
yes we are.

Speaker 11 (28:49):
We are in the process of recording the video for
that one as well.

Speaker 1 (28:52):
Oh wow, that's likely to be.

Speaker 11 (28:54):
Yeah, my directorial debut will be We're all very proud
of you.

Speaker 10 (28:58):
Oh very cool. That is awesome. Okay, okay, well that
is excellent to here. So we're gonna play those tracks
in a moment, so i'll let you guys go. Joe
and Alex, thank you so much, both of you for
joining us today. This has been wonderful, absolutely absolutely, yes, yes,
and we will do this again in the future, especially
as you're releasing new music. So so we'll have you

(29:20):
back on but guys, thank you again so much and
we'll talk to you soon. Thank you, you got it.
Bye bye, all right, wonderful. So that was Joe and
Alex from the band Brides, and so let's listen to
these again. We're gonna play two of these, so we're
gonna finish well, we're gonna finish the segment with first
with We're Out of Gravy, another great track from the
EP la if I'm saying that correctly. And and then

(29:43):
we're also gonna play Hideous Monsters and the People that
love them, partly me just being selfish because I love
that song so much, so we're gonna give those both
of these a spin.

Speaker 5 (29:52):
And uh.

Speaker 10 (29:53):
And then if you are listening live on Saturday, coming
up in the third hour, Pulsifier, a great band from
Portland is gonna be here with us in studio. So
we have a lot left to go on today's show.
But here's a couple of tracks from Brides and we're
gonna play this one next. This is called We're out
of Gravy.

Speaker 6 (30:17):
At the station.

Speaker 9 (30:22):
As we're already out of vacation, and the tracks that
lead out from the side of my hands to the
carriage as we wait for the ending of marriage of
the outspy of passage.

Speaker 3 (30:45):
Do we get off this train at least by the.

Speaker 5 (30:50):
Words I don't know.

Speaker 16 (30:53):
It must be low.

Speaker 5 (30:54):
We can all this last.

Speaker 17 (30:55):
One time track by.

Speaker 5 (31:00):
This time, So it's not a conducted I just can't
sac the bat apony, it's true. The other one a ticket.
It's your money.

Speaker 1 (31:14):
Like you.

Speaker 5 (31:16):
Well, it's true. Others it's here.

Speaker 3 (31:20):
An extracting anything astricting me.

Speaker 5 (31:24):
I'm retire again. I resell you again.

Speaker 17 (31:33):
I retire again.

Speaker 6 (31:37):
I return again.

Speaker 5 (31:41):
I'm night the cot be carefull down to bring.

Speaker 3 (31:43):
Me to her this capstic but that wain.

Speaker 17 (31:46):
Pray school ways don't be tell me thot some about
this guy.

Speaker 5 (31:51):
I phone me. I got out. I'm finally got say
I basted, I fab done t me side. It's true
mother again, it's you know my money missing anyone any
wonder It's true. They say I'm missing. They are turning

(32:14):
me up for a over again. I return again.

Speaker 8 (32:23):
I'm fret over again, unret over over forever again. I
recover Its trying around me up veryazing, your ways.

Speaker 5 (32:37):
Up and no way up and crazy.

Speaker 3 (32:40):
So now's something I don't worry if.

Speaker 5 (32:42):
You've got that frenzy.

Speaker 2 (32:43):
But you guys, I'm very.

Speaker 5 (33:02):
Suss.

Speaker 1 (34:11):
It tastes.

Speaker 5 (34:13):
Gambling, a tempt out of tak.

Speaker 6 (34:18):
Your voice.

Speaker 10 (34:18):
Good on you got you al.

Speaker 3 (34:22):
I suppose your teeth fall you about them.

Speaker 4 (34:27):
For your lips, want them back tomb and I set
to them for the long hole. You'll cover the cabb
tees brown.

Speaker 5 (34:42):
And will wail here they got set for.

Speaker 9 (35:24):
My god, He's grown.

Speaker 3 (35:28):
A times cruel.

Speaker 6 (35:30):
Lots of fields.

Speaker 3 (36:29):
Not no time, It's time.

Speaker 5 (36:39):
Expanse time, It's time. Yes, say no some time? What
speex time.

Speaker 1 (37:10):
You are listening to w M and H.

Speaker 16 (37:14):
World premiere.

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H Sound So Long by Edition. That's Wresting.

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In the sun So running colors the world with the
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Speaker 6 (37:47):
And I'm running out that's.

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So And it's the sky.

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So s.

Speaker 6 (38:29):
So go away with the dream the sunset, rode to
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Dress the disu perfect time did dreams that the day
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Ratio project for the Soul and Man, I'll go wherever.

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And Yeah, no lay out this time, No place to whiskey.
Keep on using my man now every day.

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Every day we day, what day.

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Dreep watching, I sat dream bouncing bay saginawe dreaming sound.

Speaker 1 (41:33):
To the south mutue.

Speaker 5 (41:37):
Team you know region over other region.

Speaker 20 (41:45):
Tever recover region, welcoming over again.

Speaker 5 (42:01):
She put it one.

Speaker 3 (42:03):
Food inside of the other.

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She sold it.

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Catch do so much reman.

Speaker 5 (42:10):
And this job so tack jump at it its own.

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We had it sound to process of God.

Speaker 9 (42:20):
Give it a space.

Speaker 3 (42:24):
Dreamt sad dream bouncing.

Speaker 5 (42:35):
Play sam again, t.

Speaker 6 (42:41):
Fl job.

Speaker 5 (42:44):
Said to the side, must over again.

Speaker 2 (42:53):
We'll put another weekends.

Speaker 3 (42:57):
For every weekend.

Speaker 2 (43:01):
Welcome over again.

Speaker 9 (43:36):
The dream.

Speaker 5 (43:37):
By watching, I saw the tree got to the.

Speaker 20 (43:47):
Way st JOm side to decide down.

Speaker 5 (43:59):
The music stop stop them again.

Speaker 3 (44:36):
And now.

Speaker 10 (44:37):
A w M n H ninety five point three f
M exclusive, Matt Connorton Unleashed presents the world radio premiere
of the new single from White Ash Round we Go.

Speaker 5 (45:22):
I'm moming today.

Speaker 6 (45:24):
He don't know where I'll move it.

Speaker 5 (45:26):
Tad gives a moving but I didn't know what.

Speaker 21 (45:37):
Won't you be too mad to please to revict be back.

Speaker 5 (45:45):
If we were least whereto my defence.

Speaker 17 (45:53):
I'm about mad in a in ay Mo, won't you
get it too mad?

Speaker 22 (46:03):
Pa?

Speaker 23 (46:04):
Surely was farm.

Speaker 5 (46:08):
Gooden? What you see it? Wat? You get it too mad?

Speaker 2 (46:20):
Ulyask me far.

Speaker 5 (46:33):
You fata side you fantashit?

Speaker 6 (46:36):
You are mad?

Speaker 5 (46:37):
You see that you oper? Can't you see the light hat?

Speaker 8 (46:41):
All the things that have kicked up from the hat
want your heart or lie?

Speaker 5 (46:47):
Don't lie?

Speaker 17 (46:56):
Don't lad.

Speaker 5 (47:00):
As we god go to give it too bad. That's
last back.

Speaker 23 (47:11):
For Let you see now.

Speaker 5 (47:19):
Go to give me too mad?

Speaker 21 (47:23):
Last give it too mad, give it too mad, Give
it to me. I'll give it too mad.

Speaker 17 (47:36):
Give it too mad, give it too mad, give.

Speaker 5 (47:41):
It to me, give give it back.

Speaker 1 (47:47):
We go.

Speaker 17 (47:51):
Go to give it too bad, last bad.

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Let's just see.

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Because Saturdays and Sunday nights midnight to four am.

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Ninety five point three megahertz frequency modulation were transmissions M
and A from the ZNFM one thousand Elm Streets insure
into the hearts of our creative realm at one nineteen
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Innovation in sound collode.

Speaker 13 (53:08):
They're the impro moder of Manchester Public Television Service in
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with us through the digital channels or radio beconds eager
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Speaker 1 (53:38):
Won dude, w MNH rip the novels.

Speaker 13 (53:49):
You're listening to Mattconnorton unleashed on WM and H ninety
five point three.

Speaker 6 (54:23):
School to.

Speaker 30 (54:37):
School when they hear the crown, it has been decided.

Speaker 23 (55:08):
I love the mind for his wrong was someone who
lost before even fuck moving confidence till time forward without fear,
have to follow clear victory is so.

Speaker 31 (55:24):
Far chance to break me. I will not be changed.
High close binding Thames spear.

Speaker 3 (55:30):
As wild had to under stop, so I no longer
say my shid.

Speaker 17 (55:41):
All I dream way but does not follows me.

Speaker 32 (55:48):
To from careful less fight ok to coming when this
pless long the hell.

Speaker 22 (55:59):
Names sitting stuck to me, wor cry little here your
for cry, little pray your poor cry, scream, cry your
poor cry, carry.

Speaker 33 (56:32):
Out come quest as long as it takes till the
day truth jumnas not as sinless as you knew back then.

Speaker 30 (56:43):
I serve each time I baking again, unnerst.

Speaker 5 (56:48):
Me put allways prepared, sore camppares through armor.

Speaker 31 (56:52):
Aware that's sound.

Speaker 23 (56:55):
Ever's the band should cry when you're here, But that's
more and I turn I had to look so.

Speaker 34 (57:04):
So I ain't no thensy my shidl you away dns
thout bottles me.

Speaker 3 (57:16):
Well from careful mass FIGHTE a.

Speaker 6 (57:19):
Cattle she riend of me.

Speaker 17 (57:23):
When this burles long well.

Speaker 31 (57:27):
Pay cities have to me, Lo is a call to battle, cub.

Speaker 5 (57:42):
It'll fight to survive.

Speaker 31 (57:46):
Time has come to make choice.

Speaker 23 (57:49):
How you live before you die, how.

Speaker 3 (57:54):
You live before you.

Speaker 5 (58:29):
So I had to listen.

Speaker 17 (58:32):
So my God, I'll go see my child lunding away.

Speaker 34 (58:39):
When Don in this sad follows me two from stray
from this fight PoCA too well made. When this is
one their name cities after me walk, I'm.

Speaker 5 (59:05):
Welc up and stop up.

Speaker 11 (59:12):
What