Temptress | Matt Connarton Unleashed

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Episode Transcript

Speaker 1 (00:00):
W m n H ripsmos no bad and I'm dead.

Speaker 2 (00:17):
Then's the tampassion boss.

Speaker 3 (00:20):
No one sent me no word for wedding.

Speaker 4 (00:26):
No it's not bad, no nothing. The shop man taking
compos What the world against me? I think I have

(00:51):
to say my own You don't want to send.

Speaker 3 (00:53):
Me no me, Jess goes. It's getting closer.

Speaker 4 (01:01):
I am when wars was so, but sure your way.

Speaker 3 (01:38):
Sways sum.

Speaker 5 (01:42):
We sup, but sure.

Speaker 3 (02:13):
I can think that way of masters, so.

Speaker 5 (02:24):
I can take the cross the escape.

Speaker 3 (02:28):
I can't hear about swim When where's your man?

Speaker 6 (02:59):
Where's welcome everybody? We have entered our number three new

(03:32):
Mirrow trace of Matt Connorton unleashed and we are live
from the studios of w m n H ninety five
point three FM Glorious, Manchester, New Hampshire. Jenny is here,
of course, at the news table, President and accounted for.

Speaker 7 (03:43):
I really love that song.

Speaker 6 (03:44):
I really do. I really do.

Speaker 8 (03:46):
I'm excited to see you guys play live.

Speaker 6 (03:47):
I really am. So We've got with us a live
in studio. The band Temptress is here and that is
their song that is called Wish and Temptress is going
to be with us at Swarmyfest November fifteenth, right across
the street at Jewel.

Speaker 9 (04:00):
Welcome guys, Hey, thanks for having us.

Speaker 6 (04:03):
So let's do this. Let's start here. If you could
each tell us who you are and what you do
in the in the band?

Speaker 9 (04:07):
Got it?

Speaker 7 (04:08):
I am Anthony and I do most of it.

Speaker 6 (04:12):
Oh wow, look at you.

Speaker 7 (04:13):
Let's let's start. We could talk about it more later.
I play guitar live, okay, okay, all right, and you
I'm Jake. I do vocals and I guess the rest
of what he doesn't do.

Speaker 6 (04:24):
Okay, there you go. That's a good division of labor.

Speaker 8 (04:26):
And you, sir, I'm Brian, and I keep it together.
I play the drums and temptrists.

Speaker 6 (04:30):
Okay, outstanding. And is there anyone else involved or is
it just the three of you?

Speaker 10 (04:34):
Oh?

Speaker 6 (04:34):
Wonderful, very cool. So I love your sound. As soon
as I listen to these, I was like, yeah, I really,
I really dig this a lot. You sent us a
few songs later in the show, so people who've been
listening all morning, if if they were listening live, they
heard I played Carly two in the second hour because
we had a spot to sneak something, and I was like,
I gotta play this. This is so good, it's so catchy.
But I love all of them. I mean, how do

(04:55):
you guys describe your sound? Do you describe it as
kind of a I mean, obviously there's an industrial vibe,
but it's metal, but it's it. There's a mix of
influences there, a little bit of hip hop and some
of it. I mean, how do you guys describe it?
Everyone always hates this question, but how do you describe
your music?

Speaker 7 (05:09):
It's a fun question that we've never really found a
solid answer for.

Speaker 6 (05:13):
Yeah.

Speaker 7 (05:14):
So I write Romstein songs, okay, and then Jake takes
them and does whatever he does with them, and that's
what you get. Okay, that's more or less what's happening? Okay, Okay,
would you agree with that, Jake?

Speaker 9 (05:26):
I would, yeah, ok a Romstein song and making it
less Romstein?

Speaker 6 (05:29):
Yeah yeah. And then so Brian, yes, Brian, so you
what you're are? You live on these tracks as far
as drums or what.

Speaker 8 (05:39):
Some of the tracks that we released recently. Yeah, but okay,
the other stuff was you know, I came into the
band a little bit later. Yeah, I was been doing
the local scene forever. I've been in various bands okay, okay, yeah,
and this kind of stuff. Then.

Speaker 6 (05:53):
Okay, So so you're the newest member, I assume.

Speaker 9 (05:56):
Yeah.

Speaker 6 (05:56):
Yeah, So did the project start with with the two.

Speaker 9 (05:58):
Of you or yes and no? Yeah, it's been through
its phases. I was part of let's let's call it
phase two, oh okay, and now we're here and we'll
call it phase three phase three?

Speaker 8 (06:09):
Yeah, all right, three point zero.

Speaker 6 (06:11):
I like it. So how did it start?

Speaker 11 (06:13):
So?

Speaker 7 (06:14):
So, Jake and I have been together for ten years
doing our own thing. Okay, it wasn't always Temptous oh okay,
my the band I was imprevious to this that we
talked about that I played with Steps ten twelve years ago. Yeah,
the singer from that started another band and needed a
bass player, which is what I do. Okay, so I
joined that singer couldn't do what we were looking for. Yeah,

(06:38):
so he stepped down and I immediately just called Jake. Okay,
that was Temptress one point oh oh okay. Then that
fizzled out and Jake and I just kept it going
with the songs we already had, and that's where we're at.

Speaker 6 (06:51):
Okay, okay, cool, So how long ago? What was that
that it started it. It sounds like it's been around
for a while then.

Speaker 7 (06:58):
Right, twenty eight, twenty eighteen, Yeah, yeah, that sounds about right.

Speaker 9 (07:02):
Okay, I would have joined in what twenty nineteen something
like that, Okay, okay.

Speaker 6 (07:07):
And then so, Brian, how long have you been when
did you step in?

Speaker 8 (07:10):
I would say I've been with these guys now maybe
a year.

Speaker 6 (07:13):
Oh okay, yeah it was really new. Yeah.

Speaker 8 (07:15):
Yeah.

Speaker 6 (07:16):
Is it challenging to play this kind of music live
because it's different, it's not. I mean, I don't know
what other kinds of bands you've been in, but you know,
it's it's obviously it's more sophisticated from a production standpoint
than you know, just playing in a straightforward rock band or.

Speaker 8 (07:29):
Yeah, I mean it's different than what I normally do. Yeah,
but I'm an all around musician. I can play various
styles of music.

Speaker 6 (07:38):
Yeah.

Speaker 8 (07:38):
You become better when you try something different.

Speaker 6 (07:41):
Yeah.

Speaker 8 (07:42):
So I mean I come from metal background and jazz blues.

Speaker 6 (07:46):
Yeah.

Speaker 8 (07:47):
So I'm I'm a groove orient the drummer. Yeah, so
this band is all about the groove and yeah, I
kind of fit right in. I enjoy playing it.

Speaker 6 (07:54):
Yeah, excellent, excellent. So what's the live show, like, I mean,
because the music that you guys do would seem to
lend itself to some sort of theatricality maybe or maybe not.
I don't know. I mean, do you have any do
you just get up and play or is there is
there something else going on on stage? I don't know.
It's I can I can imagine. I can imagine different things.

Speaker 7 (08:18):
But I mean with it's time and time and money.

Speaker 6 (08:24):
Yeah these days, so true, it's expensive to be theatrical. Yeah, yeah,
it is.

Speaker 7 (08:30):
You know, I've always tried to. I like, I liked
dressing up, like doing the paint and doing the cool stuff,
not like kiss paint, but like, yeah, you know, I
enjoy doing something more with it. But we haven't really
touched that as much as I would like to. That
I hope to in the future.

Speaker 9 (08:44):
Okay, there is an aesthetic that we would like to
achieve that we just haven't prioritizing the music itself.

Speaker 6 (08:50):
Yeah, so now that makes sense. That makes sense. Has
the sound I mean again, there's such a mix of
influences here to begin with, but has the sound kind
of changed and evolved over the years, Like like if
I were to hear like Temptress one point oh, would
that be like drastically different?

Speaker 9 (09:06):
Absolutely?

Speaker 7 (09:06):
Yeah, kill switch, engage, kidd okay, Yeah, to a t okay.
But that was the guitar player at the time, oh
okay doing the songs. So these are the songs that
Jake and I have been doing together before Temptress this style, So.

Speaker 6 (09:22):
Was it kind of always the idea to bring in
these other elements and and yeah, okay, yeah, absolutely, yeah, No,
I like it a lot. Uh Where where did you
record these or maybe maybe different places? I don't know.
Are these tracks from different periods or are they all
kind of from the same.

Speaker 7 (09:35):
Definitely different period, different periods, And all of them are
recorded in our closets and bedrooms.

Speaker 9 (09:41):
Yeah, all home studio. Nice, with the exception of Chemical
oh okay.

Speaker 7 (09:45):
Which was produced in the home studio but recorded at
an actual studio.

Speaker 9 (09:50):
Oh, that is one of the Temptress.

Speaker 7 (09:55):
Two point oh.

Speaker 9 (09:56):
It is the oldest of the bunch.

Speaker 6 (09:58):
There, I gotcha, I got you okay. Where where was
that one recorded?

Speaker 9 (10:02):
I was recorded with Dave Gannon. I feel like at
the name of the.

Speaker 7 (10:08):
Spot, feel like that's the name I've heard, you know,
it's island oh okay.

Speaker 9 (10:16):
Okay, bandstand live?

Speaker 5 (10:17):
Is that it?

Speaker 9 (10:18):
Yes? And wherever that town I had to think about.

Speaker 6 (10:21):
It is Is it important to to you guys to
to kind of handle that yourselves.

Speaker 9 (10:26):
More now than it ever was?

Speaker 7 (10:27):
Yeah?

Speaker 6 (10:27):
Yeah, why is that?

Speaker 5 (10:29):
Like?

Speaker 6 (10:29):
Do you just because it's it's interesting?

Speaker 4 (10:31):
You know?

Speaker 6 (10:31):
Some people I talked to that are the opposite. They're like, oh, no,
I need I need input from other people, or I
need you know, I need an engineer who can also
be a producer and this and that. But but but
some artists like really want to have that control.

Speaker 7 (10:43):
Like I think it's just as much that we wanted
to sound like exactly what we wanted to sound like. Yeah,
but also there's a learning curve that is satisfying to
see kind of changing over and over.

Speaker 6 (10:56):
No, that makes sense because when you're doing it yourself,
you learn, You learn a lot. You don't have a choice,
right you have to.

Speaker 9 (11:01):
Yeah, there's a lot of trial and error, and that's
the best way to learn from me.

Speaker 6 (11:04):
So yeah, yeah, one hundred percent. Yeah, Well we should
play another I love these songs. I'm axious to play
another one. But I'll let you guys pick of the
of the ones you sent, which which one. Should we
play next?

Speaker 7 (11:16):
Jake wants to hear the radio edit for Carly.

Speaker 6 (11:18):
Okay, yeah, I only have to.

Speaker 8 (11:20):
Uh, I want to hear it too, because I'm not
even sure which.

Speaker 6 (11:23):
There's Yeah, this is one. This is one word in
that I had to Uh, I had to do the old.

Speaker 9 (11:30):
I'm sorry.

Speaker 6 (11:30):
Oh no, no, not not a problem. No, But I
love this song of the four. This is my my
personal favorite. I listened to it like when I was
listening to the songs getting ready for today. I listened
to this one like four times in a row.

Speaker 9 (11:41):
I love that.

Speaker 7 (11:41):
I love to hear it.

Speaker 6 (11:42):
Yeah, yeah, this is really good.

Speaker 8 (11:43):
All right, let me hear it.

Speaker 6 (11:45):
Absolutely so. We've got time tress here with us alive
in studio, and here it is. This is called Carly.

Speaker 12 (12:01):
Sh Shorts riding.

Speaker 5 (12:20):
Gave fine.

Speaker 13 (12:29):
Wants right, that's fine, go right, gave sat.

Speaker 5 (12:55):
The sage, get all.

Speaker 3 (13:05):
They say, the flight song, keep the look song.

Speaker 1 (13:08):
They say a second, I'm gonna show you where the
snake is gone.

Speaker 3 (13:11):
You see the lion strong duck on.

Speaker 14 (13:13):
The side walk and they'll remember to get the suicide off.
The night times out should take enough we drop among
the send a message and blood you do because we
let the kingdom come and.

Speaker 5 (13:24):
The sound more the lesson.

Speaker 3 (13:26):
Never be one of them.

Speaker 5 (13:28):
So so.

Speaker 3 (13:48):
Just sound the same.

Speaker 15 (14:00):
A poem called.

Speaker 14 (14:01):
Apple what a b The comma is getting on at
difference between long and screaming with my guy and I
cast it through the park.

Speaker 2 (14:08):
That's the guy I'm putting in.

Speaker 6 (14:09):
If someone slowly gone, you got stuck.

Speaker 14 (14:12):
Him down, I want to call coming left along the
fork and got nothing.

Speaker 3 (14:17):
Only wanted to feel like I don't be long. I
guess I'm just a sinner.

Speaker 15 (14:20):
I'm gonta stream the bar.

Speaker 5 (14:22):
So that's just the SA spot. So so.

Speaker 6 (16:13):
I love it. The band is Temptress and that is
called Carly and we've got Temptress here with us alive
in studio. No, that is such a great track. That
is catchy as hell. I love the hook that everything
about that is awesome. Thanks great job, guys. We mentioned
Sepsis earlier because of Swarmy Fest coming up November fifteenth
at Jewel and Sepsis is in the chat room and

(16:34):
says love the keyboards synth. I hope to hear this
one at Swarmy Fest.

Speaker 7 (16:40):
Oh you will.

Speaker 6 (16:42):
It also says screams and the arrangement is on ohwa
is on point. You guys rock absolutely absolutely so, So
how did this come about? You guys working with Sepsis
on Swarmy Fest? How did that? How did that?

Speaker 8 (17:00):
Well?

Speaker 7 (17:01):
I am personally friends with the guy who owns Jewel.

Speaker 6 (17:04):
Oh well that helps, it does.

Speaker 7 (17:06):
So I was just chatting to him and I was like, hey,
I think Brian reached out to the guy at Loud.
So we're working with Loud Entertainment. Oh yeah, we had
we had Loud here last week, the first time we
ever have. He's been great.

Speaker 6 (17:18):
Yeah.

Speaker 7 (17:19):
I think Brian reached out and he's like, yeah, you
got to do this and this and this, and I
was like, eh, you know, I'm weary about working with
some promoters, so we tend to do it ourselves.

Speaker 6 (17:28):
Yeah, so we're like, man.

Speaker 7 (17:29):
So I reached out to the owner and I was like, hey,
we're curious about Swarmy looking for bands like we were free,
and he's like, all right, cool, so go ahead and
reach out to him. I just talked to him. So
I did, and he said the same thing to me
because apparently we're just, you know, a random band. So
I went back to him and I was like, hey,
he told me no, and he's like, wait a minute,

(17:51):
and then he called to me and he goes, you
guys are all set please?

Speaker 6 (17:54):
Oh oh okay.

Speaker 7 (17:55):
It was like a big back and forth. But he's
been very great to work with thus far, and we're
excited about it.

Speaker 6 (18:01):
Yeah, yeah, very cool. No, and I think you fit
the lineup, you know, like really well, really well. Yeah.

Speaker 9 (18:07):
Yeah.

Speaker 7 (18:07):
We're really good friends with the guys in Scarecrow Hill,
oh excellently, So we try and get with them as
much as we can everywhere.

Speaker 6 (18:12):
Yeah. We had them on a number of months ago
and really good. And there were another band I'd never
really listened. It's kind of been aware of them because
they've been around a long time, but I never really
heard them. And I listened to the music, I was like,
oh my god, these guys are amazing. So yeah, looking
forward to that too.

Speaker 7 (18:25):
We have a couple of songs with h Tyler that
we could couldn't send you because they don't even bother
radio ed It would.

Speaker 6 (18:31):
Have been too much, too much.

Speaker 9 (18:33):
Yeah, yeah, I think I've got one with them too
that I'm pretty sure is in the same boat.

Speaker 6 (18:36):
Oh okay, gotcha, gotcha? So, now, how many songs have
you guys recorded, like in terms of what what you've
released because been around a little.

Speaker 9 (18:45):
While, Well, I think we have a definitive answer somewhere
around sixty seven.

Speaker 6 (18:50):
More than I thought.

Speaker 7 (18:51):
Wow, that's that's very low. So I think Jake and
I had seventy ish before Temptress even exists. Oh no,
kidding that we've pulled from to write Temptress songs.

Speaker 9 (19:03):
Okay, sixty seven published my apologies.

Speaker 6 (19:05):
Oh yeah, yeah, that's that's a lot though. Now that's
an impressive But is.

Speaker 7 (19:09):
That your list with your swear songs removed or with
o that was before?

Speaker 9 (19:13):
Okay, that's all of them?

Speaker 7 (19:14):
Yeah, I'd say probably close to one hundred realistically.

Speaker 6 (19:17):
Yeah. Oh that's amazing. By the way, Sepsis in the
chat room says, Scarecrow Hill, under the Horizon and Pulsifier
are all nominated for Rock Metal Act of the Year.
They are the New England Music Awards and they're all
playing Swarmy Fest. Yeah, we love Under the Horizon and
of course, uh Pulsifier we had them on a few
weeks ago too.

Speaker 5 (19:37):
Yeah.

Speaker 6 (19:37):
Now, this is so much incredible talent around here. Sepsis
also says we're so glad that we scored with Temptress.
You guys are great, absolutely, Oh, you guys are a
great fit.

Speaker 7 (19:49):
Sorry, it's it's been a hot minute. I believe we
played with them at some point, but it's been a
long time. So this is going to be a really
fun time Okay, yeah with everybody? Yeah, absolutely right for this.
So where does the name come from?

Speaker 6 (20:04):
Temptres?

Speaker 5 (20:04):
Like?

Speaker 16 (20:04):
What?

Speaker 6 (20:05):
Why?

Speaker 9 (20:05):
Why?

Speaker 10 (20:05):
That?

Speaker 12 (20:07):
So?

Speaker 7 (20:08):
The uh, the story goes, we were five dudes and
we thought it'd be really funny because people would assume
there's at least one hot girl in the band, but
there's not.

Speaker 6 (20:17):
I'll be completely honest with you. When when when I
first saw the name, that's what I assumed.

Speaker 7 (20:21):
Yeah, perfect, that's that's the story. Plus, we really wanted
like one solid word, like a power word, right, not
like six you know, like the Jimmy Hendrix project, which
is fine, but like we we didn't want that, you
know what I mean, like one word. And then we
thought that was funny.

Speaker 6 (20:37):
Yeah, yeah, that's cool. Oh so I meant to ask
you this coming out of the track, and then I forgot.
So what is Carly about? What are those lyrics about?
Because I think you guys were talking about it when
I had to run out of the room for a second.
But what what is the cause? I couldn't figure it out.

Speaker 9 (20:52):
It's based on Karl Morgenthau from the Captain America series.
Oh okay, and just choosing to what she did. Yeah, yeah, okay,
pretty pretty nerdy song through and through.

Speaker 6 (21:03):
No, that's cool, though, that's cool. How do you decide
what to write about? I mean, I would imagine it's uh.

Speaker 9 (21:10):
Half of it comes from the tracks that that Anthony
works on senys to me, yeah, and then the other
half comes from personal experience what I'm going through at
the time. I don't feeling that day.

Speaker 6 (21:19):
Yep.

Speaker 9 (21:20):
It could be random, it could be methodical. Sure, it
depends on the song.

Speaker 6 (21:23):
Sure, sure, excellent. Well, do you guys want to play another?
I'll let you pick again because we got a couple more.
We'll save one for the end of our conversation, of course.
But you guys want to pick another studio track?

Speaker 9 (21:35):
Yeah, I think we'll go with five six five The
five six five.

Speaker 7 (21:38):
That one's heavy, five six five.

Speaker 6 (21:39):
This one presented an interesting dilemma because I had to
play it. This is a this file type is now
I'm getting nerdy? What what file type is this? It
does play, it will play, But what is it telling?

Speaker 7 (21:52):
It came through like a wave?

Speaker 9 (21:54):
Yeah, yeah, it's not.

Speaker 6 (21:56):
It's weird. It came through. The other tracks all came
through his wave. This one for some reason. It actually
says five file on it and it's and it's not.
It doesn't have I can even I can even turn
this and show you. That's how it looks on my monitor.

Speaker 9 (22:11):
I think it took one of the periods from the
song title. It might have used it as the extension.
It must that makes sense, that wave at the end.
It would probably work.

Speaker 6 (22:18):
Oh okay, Well the good news is I can play
it on here, okay, because it just looks really weird,
but it will it will actually play, so but that
that makes sense. That okay. Yeah, well now we know
we learned something, all right, So we're gonna hit this
track next. This is five six five and the band
is temptous. Oh what does that mean? By the way,
what's the meaning of the We should talk about the
song before I play it? What does that mean?

Speaker 9 (22:40):
Yeah, it's I have no idea being in between normal,
it's being in limbo on the spot. I'm struggling to
find the explanation. But it's a a take on six
sixty six. Oh, but not to the full extent of

(23:02):
what it represents.

Speaker 6 (23:03):
Oh, I gotcha, Okay, okay, between yes, No, that makes sense.
I like that. Sorry, I'm stalling. I'm trying to remember
how I played it and I figured it out. Oh,
here we go. Here it comes five six five. The
band is Temptress's.

Speaker 3 (23:53):
Ways. Well we like so lost. It's been something.

Speaker 15 (24:14):
By sax fine on my gott Jester, I'm not. They
tell their why my sex fine?

Speaker 5 (24:22):
Oh my gott die?

Speaker 15 (24:25):
I call it sex ye got Jeter, I know, tell
their wi my sax fine.

Speaker 5 (24:34):
I'm going, I'm gott die.

Speaker 3 (24:52):
It's been so long, spent journey and it's been so long.
There were the same discuss the stiffs, the.

Speaker 15 (25:15):
Wind by sax ye on my bottle Jack sard all
their Wi Fi sax sine on the cottic, I call
it sax sie on my dot.

Speaker 3 (25:32):
Jackuar no, tell their wi by.

Speaker 15 (25:36):
Sax line on cotton dotting.

Speaker 5 (26:02):
The shy.

Speaker 15 (26:08):
Like gold got that?

Speaker 3 (26:20):
Why have gods?

Speaker 5 (26:29):
The cry? Why stack sign on my calling count.

Speaker 3 (26:38):
Tier I go?

Speaker 15 (26:40):
They tell their wife by stacks fine, I'm calling you John,
I'm not calling Don sax signer. They tell their wife
Lie Sacks, fine, uncle going John.

Speaker 6 (26:58):
M five six five the band is Temptress, and Temptress
is here with us, alive in studio and Jake, is

(27:19):
it hard to sing that way without hurting.

Speaker 9 (27:22):
Your voice or I mean that's why we cater the
sets how we do, Yeah, to play to my strengths. Yeah,
so it isn't if it's you know, timed, right, I mean,
if I'm gonna do that at the end of the set,
maybe it's yeah, a little different, but yeah.

Speaker 6 (27:36):
I'm always impressed with singers who can do that, you know.

Speaker 9 (27:39):
Yeah, I try not to completely blow it out right right.

Speaker 6 (27:43):
Yeah, absolutely absolutely if you are just joining us. We
do have Temptress here with us in studio and they
are going to be performing at Swarmyfest coming up November
fifteenth at Jewel right here in Manchester and Matt Connorton
Unleashed is one of the official sponsors of the show
once again. Is this our third or fourth year in
a row? Fourth? Yes? Yeah, the time goes fast, but yeah,

(28:07):
so really looking forward to seeing you guys live.

Speaker 3 (28:11):
Do you play out a lot?

Speaker 6 (28:11):
Like what's the show schedule?

Speaker 2 (28:13):
Like?

Speaker 6 (28:13):
Currently are you playing out a lot of shows or we.

Speaker 7 (28:17):
All had kids, well, Jake and I had kids during COVID. Yeah,
that kind of shudder down a little bit. Yeah, just
harder because I gotta find places for other people to
live for the night. Yeah, so not as often as
we want. Now this is probably on the second show
of the year.

Speaker 9 (28:32):
Oh no kidding, Oh wow, We've got a lot going
on in the background. But it's it makes it easy
when we do have home studios. We can do that
and still feel productive even if we're not playing out
as much as we want.

Speaker 6 (28:43):
Yeah, absolutely, absolutely. I assume in previous bands, you guys
probably all played more right, Yeah, but yeah, you know, yeah,
life gets in the way of that, that's for sure.
Plus it's you know, it's expensive now to you know,
like a lot of a lot of bands don't even
want a tour anymore because it's it's become cosper amitive
to do so. But no, but we're really looking forward

(29:03):
to seeing you guys live. Have you made any I
didn't have a chance to look. Have you made any
music videos for.

Speaker 9 (29:08):
Any of these or anything? I wish has one? Yeah,
wish does, Okay, chemical does. No, Chemical does as well.
Ye might be the only two out of.

Speaker 7 (29:15):
The video for Chemicals like a like a real video.
Oh yeah, the Wish ones like a like a AI
lyric video.

Speaker 6 (29:21):
Oh o kidding, okay, but we we do have a couple. Okay,
but the one for Chemical is a full, fully produced video.

Speaker 8 (29:26):
Yep.

Speaker 6 (29:27):
Oh cool.

Speaker 9 (29:27):
Wish is not a lyric video. It's my creation of lyrics,
very clear.

Speaker 6 (29:33):
Whatever whatever burn. So, so Chemical is when did that
come out? The video for that?

Speaker 9 (29:42):
It was much later than the song itself.

Speaker 6 (29:44):
Oh really? Yeah?

Speaker 7 (29:45):
Yeah, I mean it was during COVID because your brother
yelled at us going to your house.

Speaker 6 (29:49):
Ah, so did you guys, you guys producer yourselves.

Speaker 9 (29:53):
Yeah, film the video.

Speaker 7 (29:54):
We had two videos. Oh what else do we have?

Speaker 9 (29:57):
We have the live one from Manchester?

Speaker 7 (29:59):
Oh that no, No, the in the store that's part
of Chemical.

Speaker 9 (30:04):
Yeah, there's two different videos.

Speaker 7 (30:05):
Well this is like a live version and like the
actual version. So our friend Amy, who's one of the
Scarecrow Hill group people who does photos, she's amazing. Hire her.
She filmed half of it. We filmed half of it,
and then we kind of collaborate on putting it together.

Speaker 6 (30:22):
Oh okay, gotcha, gotcha? And then so what's kind of
the well, actually the songs that we're hearing, so are
they part of an album or are they a part
of an EP? Or have you just released singles.

Speaker 9 (30:33):
Or they're all part of different albums?

Speaker 7 (30:37):
Okay, yeah, that was on purpose.

Speaker 9 (30:39):
Okay, that was the kind of showcase a little bit
from each But have.

Speaker 6 (30:42):
You guys released because there's so many different ways to
release music now, you know, you can do an album,
you can do an EP, you can do you know
some of the guests we have now they just release
a series of singles or a series of singles that
eventually coalesce into an album or an EP. Like, what's
kind of been the strategy with you guys? So because
you said these are all from different albums, So do
you do consistently do albums or do you have any
that are just singles?

Speaker 9 (31:03):
Or Wish was one of those singles leading up to
the album? Oh okay, I know that's pretty popular right now,
is multiple singles leading up to an album. Yeah, which
does sound like a good idea, But I think wishes,
we have three Wish hex and I don't know with
Arms Wide Open.

Speaker 6 (31:21):
Oh okay, that are full length albums or though those
are the single? Oh, those are the singles? Okay, gotcha?

Speaker 7 (31:27):
Yeah, we we pay the same amount. This is getting
into the business side. We pay the same amount to
release a single as an album. Yeah, so I try
not to do that because if I released thirteen songs,
I pay the same amount to put it on Spotify
as one, right, right, so it doesn't make as much sense.

Speaker 6 (31:43):
Yeah, I gotcha, that's true. I hadn't thought of it
that way, and thought of it that way. Yeah, there's
so many ways to do it now. But is it
what when you when you guys do an album, is
there a theme to the album? Do you try to
do you try to make it a consistent theme because
the summer that's important. And to some it's like, well, no,
it's a collection of songs, what's the matter?

Speaker 7 (32:04):
But only for the last.

Speaker 9 (32:05):
Two really yeah yeah, I mean there's there's a loose
running theme to each I guess, but the last two
have been specifically themed.

Speaker 6 (32:13):
Oh okay, which is new for me? Really Yeah.

Speaker 8 (32:17):
I haven't a band that right, so based on a
team it's it's pretty cool. It's a good concept.

Speaker 6 (32:21):
Yeah, yeah, absolutely, It's just.

Speaker 7 (32:23):
It's easier for me. I'm I found it easy. So
the Time Travelers Continuum the album that we released, that's it.

Speaker 6 (32:31):
That's the newest one.

Speaker 7 (32:33):
No oh, that's that's the one before the newest one.
Okay okay, but that that was like, that was the
first one we did when I had like an idea
of what I wanted them all to do and to
be yeah ahead of time okay. And I found it
nice and that that was a like thirteen songs okay,
and we just kept adding to it. It was like
it was eight, and it was nine, then it was eleven,
and then it was thirteen.

Speaker 9 (32:51):
I was like, all right, this is it. I mean,
there was a nostalgic element there that kind of kept
pushing us for more though.

Speaker 7 (32:56):
There was and that was the first time I'd ever
use an eight string And honestly, I love album front
to back.

Speaker 6 (33:01):
Oh wow, so good. Oh that's cool.

Speaker 9 (33:03):
What was the theme h legend of yes?

Speaker 6 (33:08):
Okay? Okay?

Speaker 9 (33:08):
Yes?

Speaker 6 (33:09):
And then what so what's the newest album?

Speaker 7 (33:12):
The newest album is Mother Mother okay a six song EP.

Speaker 6 (33:16):
Oh that's an ep okay, gotcha?

Speaker 7 (33:18):
And what's the theme of that resident evil village?

Speaker 6 (33:21):
Okay okay? Cool? Yeah, you guys are in a so
no one would like unless you're does anyone well, let
me ask the question this way, does anyone ever figure out, like,
does anyone ever say to you, hey, I listened to
this EP or I listened to this album and then
they start talking to you like they like they got it,

(33:41):
like they they understood the theme.

Speaker 9 (33:44):
I like, there's been a couple but has it?

Speaker 6 (33:46):
Has it happened? Yeah?

Speaker 7 (33:47):
Not as much as i'd hope.

Speaker 6 (33:49):
I mean, it's cool if it has. I'm super curious
if anyone's ever come up with you and said, yeah,
I like that, I like that legend of Zelda.

Speaker 7 (33:56):
You know, if somebody really looked at it and listened, yeah,
that was a fan of the game, they would know. Yeah,
like I did that on purpose. We separated it just
enough that I wasn't we weren't calling the songs exactly
what it was.

Speaker 2 (34:10):
Yeah.

Speaker 7 (34:10):
So like if you didn't know, you're like, oh, here's
a zolda, right, But if you looked at it and
you were a fan and you listened, you would figure
it out.

Speaker 6 (34:17):
That's pretty cool though, Yeah, So that must be. So
if somebody does actually approach you and say, you know,
I identifies that they at least have some idea. That
must be pretty gratifying, right, because it's like, Wow, they
really paid attention and and you know that's validating.

Speaker 9 (34:32):
It really is. And I mean the writing was coming
from a nostalgic perspective of playing through that game, yeah,
and like kind of where my head was at as
a child. Yeah, and so that made it fun. So yeah,
I added a whole another element.

Speaker 6 (34:43):
And Zelda's kind of multi generational too, so yeah, so
that has a broad appeal. That's really cool. And then
so what's kind of the future trajectory, like do you
guys have because your musical output already for is pretty
broad for a relatively short period of times. I assume
you're always writing, right, Oh.

Speaker 7 (34:59):
Yeah, we already have eleven songs ready for new no kidding, yeah,
no kidding.

Speaker 9 (35:05):
More than that, yeah, more.

Speaker 6 (35:08):
Than have you started recording those yet?

Speaker 9 (35:09):
Or oh yeah, we're sitting on a lot Okay.

Speaker 6 (35:13):
Okay, excellent, And Brian, you're gonna be on on these
very cool, very cool?

Speaker 5 (35:18):
Yeah.

Speaker 11 (35:18):
Yeah.

Speaker 6 (35:19):
Does that change the sound with a live drummer, like, like,
is it or does it change your how you guys
write these?

Speaker 9 (35:27):
Are it changes the feel?

Speaker 6 (35:30):
Yeah?

Speaker 7 (35:30):
You can sure it can because he can interpret. So
when I say I do I do everything, I don't
actually do it. I make the songs start to finish.
The guitar is the bass, the keyboards, what I'm thinking
for drums, and I have to put them in there.
For Jake because it doesn't sound like a song. He
has trouble like where it starts, where it ends, So

(35:52):
I put them. I put them in there, and.

Speaker 6 (35:57):
For some of these can tell you guys have known
each other a lot time.

Speaker 7 (36:01):
He just called me stupid, but they'll call me stupid.
Some of these whole albums are just Jake and I.
There's no live drums at all. Yeah, and that's just
what I thought went there. So what I like about
having a live drummer and Brian's cool for it is
I have them there, but I'll bounce him one with

(36:22):
no drums and let him cook. Yeah, but we have
the one aside. Yeah, so we know what's supposed to
be happening, and then we can let him do it
and have the conversation. And sometimes he feels a section
completely different than I do, which is great. Yeah, but
we have that extra level of conversation piece of what
we're doing.

Speaker 9 (36:40):
Yeah, it's almost nice to have that cookie cutter drum
build and then do what I want with it, and
then hear his take and be able to adjust what
I've done to cater today more.

Speaker 6 (36:49):
Yeah, that makes sense. But it's also a little bit
of an unconventional approach. You know, you don't usually hear
you know, usually it's you know, the drums are already
there when you're or a scratch track of a demo.
But but but it's interesting that you're writing lyrics influence
somewhat by what he's doing. That's interesting.

Speaker 9 (37:07):
Yeah, yeah, definitely one of the many interesting approaches I take.

Speaker 6 (37:11):
Yeah, yeah, no, that's cool. And then so Anthony, how
many like what was your first instrument? Because you obviously
you play a lot of stuff.

Speaker 7 (37:18):
Yeah, I'm a I'm a bass player.

Speaker 6 (37:20):
Okay, is that your first instrument?

Speaker 9 (37:22):
Yeah?

Speaker 7 (37:22):
Oh interesting, Yeah, I taught myself playing a lot of
chili peppers in high school. My mom was at work
really loud because nobody cared. So that's where it all started.

Speaker 9 (37:32):
Yeah, oh wow.

Speaker 6 (37:32):
Yeah. And then what was what was your next from there?

Speaker 7 (37:36):
So you started on bass and then you think I
got a keyboard, like one of those couple hundred dollars
ones with all the different noises. Ye, yep, I've always
been into Romstein, so that was like I had to
go there next. Yeah, and keyboard stuff. Yeah, and then
I got a guitar because you can complete bass, you
can kind of play guitar.

Speaker 8 (37:50):
Yeah.

Speaker 7 (37:50):
So a lot of this sounds like Romstein because like
I'm not I'm not a Damien shout out. I'm not
like a guitar virtuoso. Yeah, I'm playing power chords and sure,
but like, if you can do one, you can do
the other. And that's kind of where I'm at with it.

Speaker 6 (38:05):
Yeah. Yeah, interesting, you make it work, I do. Yeah.
So so every all all that is you and then
all the vocal and then Jake, are you the only
like are all the vocals you?

Speaker 5 (38:16):
Or do you?

Speaker 6 (38:16):
Does anyone else sing back up?

Speaker 9 (38:18):
Or maybe that's all you?

Speaker 6 (38:19):
Okay, excellent, excellent.

Speaker 7 (38:21):
I'd like to do it, but I'm not as good
as I should be.

Speaker 9 (38:23):
Okay, I mean you can stay toned up. It's okay.

Speaker 7 (38:27):
It's one of those deals. That's fine.

Speaker 8 (38:30):
Oh my goodness.

Speaker 6 (38:31):
So the so the eleven songs, like, have you started
recording them yet?

Speaker 7 (38:35):
Or where where we do it ourselves? I generally there's
only two versions, Like, we make a demo which is
honestly radio quality, yeah, and then I do a mastered
version with everyone's final takes and mixes and levels, and.

Speaker 6 (38:50):
So you do you do the mastering too. Wow, you
guys really do do it all. Wow.

Speaker 7 (38:55):
I hate paying people for stuff I can do myself.

Speaker 3 (38:58):
Yeah.

Speaker 7 (38:58):
That's in every facet of my life.

Speaker 6 (39:00):
Yep, yep.

Speaker 9 (39:01):
And if it's uh, you know, something that we can
put under our belt used down the road, it makes
it that much more valuable to do it ourselves and
learn that one hundred Yeah. I mean it's a time
sink for sure, but it's worth it at the end
of the day.

Speaker 6 (39:11):
Yeah, absolutely, one hundred percent. No, that's great, that's great.
And then you you probably don't know right at this point,
like any kind of an eta on when the next album.

Speaker 9 (39:21):
I mean it's I'll say I've got vocals on three okay,
so yeah.

Speaker 7 (39:29):
And uh, chemical we wrote entirely in one day. Yeah,
so that's not saying it's not going to be done
next week.

Speaker 9 (39:37):
Yeah, I mean it really the mood could hit me
and I could, you know, go in and knock out
three more songs today.

Speaker 6 (39:43):
Yeah, yeah, yeah, Yeah.

Speaker 8 (39:44):
I've worked on a couple of the songs already drum wise, okay,
And I'm always switching up my ideas every time I
go back and listen to a drummer's track.

Speaker 6 (39:53):
Yeah.

Speaker 8 (39:53):
Yeah, but based on what you said earlier, we go
on what his idea is, and then I'll build off
of that.

Speaker 6 (40:00):
Okay. Yeah, So probably some sometime in twenty six, I
would assume the new one, probably early twenty five, early
twenty six.

Speaker 7 (40:07):
Yeah, we're doing the show in November. We have our
own show in December. Oh, we're doing that jewel as well.

Speaker 6 (40:12):
Oh, tell us about that.

Speaker 7 (40:14):
So we're gonna do the back room. I wanted to
do more of like a I don't know. I keep
having the show in my head. Is h People didn't
know it was nine Inch Nails, but I think it
was like six or seven where they just sent like
flyers to certain people. Yeah, and no one knew what
it was, and a bunch of people showed up in
a really wild warehouse in the middle of Manhattan somewhere.

Speaker 6 (40:33):
I remember hearing about this.

Speaker 7 (40:34):
Yeah, that's people are gonna know. But like right like
someone comes out and starts berating everybody in the crowd.
You don't even know why you're here.

Speaker 6 (40:41):
Why are you here?

Speaker 7 (40:42):
We could we could be robbing murdering you And then
uh nine Nails starts playing. Yeah, so like I want that,
like industrial tiny loud club vibes were shooting for that.
So it's right now, it's us in Scarecrow. I'm trying
to find a couple other bands. Okay, okay, that's the
twelfth of December.

Speaker 6 (41:00):
Okay, I love the concept.

Speaker 7 (41:01):
Yeah, so we're we're doing those so I'm probably thinking
early twenty six.

Speaker 6 (41:05):
Okay, okay, extremely cool. Well, the time goes quickly. I
want to make sure we have time to get the
get the last track, and because Chemical is one we
didn't play yet, right right, right, So before we start
to wind up, though, I want to make sure so
everybody knows exactly. Well, first of all, we want to
remind people about November fifteenth swarm me Fest. Where should
people go online to find out, well, to keep up

(41:28):
with everything that you guys are doing, not just swarm
me Fest, but if they just want to get your
music and follow your follow everything that you do.

Speaker 7 (41:35):
It's on every streaming platform available.

Speaker 6 (41:37):
Okay, that's easy.

Speaker 9 (41:39):
Social media handle Temptress Official.

Speaker 7 (41:41):
Temptress Official Okay, Facebook, Instagram, porn Hub. We're all over
the place Pornhub.

Speaker 9 (41:46):
All right, well I'm not going to go there, but okay,
he's not kidding.

Speaker 6 (41:52):
I did not know that.

Speaker 7 (41:55):
I want the music everywhere possible people can find it.

Speaker 6 (41:59):
Yeah, yeah, outstanding. All right, Well, we're gonna close out
with Chemical in just some moments. So what should we
know about this before we hear it?

Speaker 9 (42:07):
It's about toxic relationships.

Speaker 6 (42:09):
Okay, Okay. I remember listening to the lyrics and kind
of thinking it's it's sort of relatable, like it's something
that probably everybody can can relate to at some point
or another.

Speaker 9 (42:18):
Yeah, I'm going further, but it's I mean, at the
end of the day, that's right, right, A good explanation, right,
very good.

Speaker 6 (42:24):
So we're going to close out with this track with
these guys check this out, and then after that, Jenny
and I are going to come back and wrap up.
Got a couple of things to tell you about. But guys,
thank you again so much. It's wonderful to meet all
three of you, and I love your sound and we'll
definitely do this in the future and really looking forward
to seeing you on November fifteenth. Thank you, that's gonna
be amazing. Absolutely, but check this out. This is Temptress

(42:45):
and the track is chemical.

Speaker 3 (42:48):
Come cam, come, it's chimming. Come it's chemmic. Come no man,
say you can go?

Speaker 17 (43:04):
Quin the SAgs a most small and weak can back.

Speaker 10 (43:13):
That's nowhere at all from my friend coming clear that
this will be the honey.

Speaker 3 (43:27):
And bodies do in time. Jesus's good.

Speaker 16 (43:37):
A meaning miney morn, maybe murder, Get to lie him
by the free, get to lie him by the poor.

Speaker 9 (43:44):
If they hollen, don't let go, if they hard, don't
let go?

Speaker 3 (43:47):
All he goes, Why oh you.

Speaker 18 (43:51):
It's comic? S this bolga, it's Kevin. It's Kevin.

Speaker 2 (44:11):
Month old.

Speaker 3 (44:16):
You brought a man and take and roll over Quin.

Speaker 17 (44:22):
The SAgs almost small and wait can bat.

Speaker 3 (44:30):
Let's go man at all?

Speaker 5 (44:31):
From my friend.

Speaker 10 (44:36):
Coming clear on that this will be the honey.

Speaker 15 (44:41):
To let us oil.

Speaker 16 (44:46):
To a meaning ninety morning ny murder, Get a lie
about the third, get a lie of by the boy.

Speaker 3 (45:00):
If we hoke, don't let go, if the hop don't
let go, how goes? Why oh you? It's coming comes.

Speaker 11 (45:14):
This bull, it's killing Colet's call it gos al.

Speaker 5 (45:34):
Ll time.

Speaker 3 (45:58):
Where let's come and go.

Speaker 5 (46:05):
No, Sam, this bull gangle.

Speaker 2 (46:15):
Let's come it dry, Let's call it come. That's all
the wino.

Speaker 18 (46:28):
It's coming from.

Speaker 2 (46:31):
Its sna

Speaker 5 (46:34):
Back