Whitechapel "Hymns in Dissonance" | Album Review

We get our BROOTAL gutterals on in this heavy installment of Metalology as the crew reviews the new Whitechapel album “"Hymns in Dissonance". From the start, the crew displays their surprise of how brutally heavy this album is and has many ‘wtf’ reactions to each song. Whether they enjoyed it or not is irrelevant as this album was a deathcore experience and it was all caught on the podcast. This is a can’t miss episode as you find out if a nu-metal guy, general music listener, metal elitist, and metal enthusiast together enjoyed this new record by Whitechapel.

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Episode Transcript

Speaker 1 (00:00):
What is up? Everybody? Welcome back. Today we are talking
about a brutal heavy.

Speaker 2 (00:07):
You want not Slayer?

Speaker 1 (00:11):
He thought, no, not Slayer. I don't think Slayer has
been heavy for like forty years.

Speaker 2 (00:17):
But that's just I mean, they're still Slay.

Speaker 1 (00:19):
They shouldn't be they should be retired because they're not retired.
Today we're talking about the new White Chavel album, White
Chavel the Chapel. Today we're talking about the new White
Chapel album here on Metalology.

Speaker 2 (00:47):
Why I just say White Chapel rhynd.

Speaker 1 (01:07):
Okay, let's just one White Chappelle, Which which one? What
I want? I want this one? So I want the
Mountain dew Uh. When I asked you if you have
like any diet beer or low car beer or anything
like that, this is what I was asking for and said,
I got a vodka selter nothing.

Speaker 3 (01:29):
This is zero sugar. So I'm still still sober. And
I have been drinksin your birthday?

Speaker 1 (01:35):
Why?

Speaker 3 (01:36):
Because I'm trying. I'm trying to be trying to break
this year.

Speaker 1 (01:40):
I'm breaking.

Speaker 2 (01:41):
I'm gonna drink to that.

Speaker 3 (01:42):
Yeah, I haven't drinks is your birthday? That was the
last time I drink?

Speaker 1 (01:45):
Okay, so now you're making I'm gonna drink for you. Okay,
so we're gonna drink hit the pen different. It was California,
Sober California, sober California. So yeah, speaking of a band
who's not California. Today we're talking about White Chapel's new album,
Hymns of Dissonance. Those who have known this podcast for

(02:07):
a while know myself and Alberta are very big White
Chapel fans, very big. I got into Whitechapel when during
the Mark of the Blade album I Think You were
the Same, Yeah, I loved I wasn't a big fan
of like their more death Cory earlier stuff. When they
started adding more like alternative metal styles to them, I
started to appreciate them a lot more than become one

(02:29):
of my favorite bands. I love White Chapel one of
my biggest influences when it comes to defy the Tyrants.
But funny enough, I said that with Spearbox too, so
it's like the two tie ins. I guess because you know,
you know, but you know, but I love I love
White Chapel. The White Chapels The Valley is still one
of my favorite metal records of all time. I love
the Valley. Andro you being excited about this episode surprises

(02:53):
me because you're normally not for death core bands very apparent.

Speaker 2 (02:59):
White chap Bull is probably like the most I've been
exposed because if you, guys, so the Valley, you know
the way of the Saw, like I know that, just
there's memories attached to that or like timestamps.

Speaker 1 (03:11):
Also brand and our drummer for Defib Taranty also is
a big White Chapel fan, So you've been exposed to
a lot of White Chapel.

Speaker 2 (03:17):
Yeah, so I'm definitely When I heard this album, I
was like, oh shit, there's a fucking vibe going on,
and I kind of dig this kind of vibe. Okay,
so I was take it back, I'll say that much.

Speaker 1 (03:29):
Okay. And Rudy, are you in the White Chapel Yeah yeah, okay, Yeah.

Speaker 3 (03:36):
I got into him during their earlier shit this is Exile,
Yeah yeah, That's when I got into them.

Speaker 1 (03:42):
So that was there more death courses, right, yeah, that
was way more death corrier. Okay, all right, all right,
I see what's going on here. I see what's going
on here. But before we get started, I just want
to remind you guys subscribe to us here on YouTube.
We're doing these album reviews, turning on very well for us.
You guys can also follow us on TikTok as well.
You guys can get some quick little clips of that,
including our good friend Alberta here dying on some weird hills,

(04:03):
such as being offended by the word d y I,
which was probably the weirdest conversation I've ever had in
my life.

Speaker 2 (04:10):
It was a little, uh, I don't know, it was
just one of those like and then instead of going down,
just plateaued. I was like, now, how are we going
to beat that?

Speaker 1 (04:20):
And uh, you know. We also have a clip going
not viral, but it's getting some views of me comparing
Lordie to teach Marine in the lord episode. And the
other one is Hondro basically telling me I'm not in
the real metal because I got a medal in two
thousand and one, not at birth, so I'm not a
real metal head.

Speaker 3 (04:41):
It's got to come from the womb man.

Speaker 1 (04:43):
So lots of fun little quicks for you guys on TikTok.
Also are reels as well on Instagram. You guys, subscribe
to us on Spotify, subcept to us, Subscribe to us
on Apple Podcast, leave us from rating and review our
resident rating and review and Baji the King Baji will rating, review,
writing and review. They were start calling him King Baji. No, no, no,

(05:04):
nokay Sultan Bashi known as the one, the one like Jetly,
the one. I am Nobody's bitch, you my bitch.

Speaker 2 (05:19):
Yeah, all back, I know.

Speaker 1 (05:22):
I know punk beach. No, that's Fresh Hour, Yeah, I
know PUNKI I'm not punk bitch, punk. I know punk
bis You got any you got any soul food? No,
no soult food. You guys got any fried chicken? Back?
There no no sult food. I'm like, what the fuck?
All right? Anyways, uh so this is gonna be a

(05:45):
fun episode. We just did spirarit Box, so it's very controversial. No,
we have. We all pretty much agreed for the most part.
Uh So this album is gonna be exciting because unlike
you guys. I also want to point out that today
the that we decided to record two episodes, the Spearbox
episode the White Chapel episode, because both of thems came
out the same day, but we're releasing the episodes about

(06:06):
a week apart from each other. I am the only
one of the four of us who listened to the
spear Box album the day I said it came out,
these three listen chose to listen to the White Chapel album.
So I feel like we're like reversed where I actually
haven't listened to the White Chapel album. I only heard
the first single and that's it. I haven't heard anything else,

(06:28):
nothing else. I think today what turned me off is
the and I think you guys arena the opposite of
this is the whole We're going back to being brutal
as fuck. That was kind of the turnoff for me
a little bit because I'm like, well, I kind of
already know what to expect, whereas before, like with the

(06:51):
Mark of the Blade the Valley Can, didn't quite know
what to expect. And I appreciated a lot of like
the other elements that was mixed into the brutalness, and
it just made the brutalness more unique, and it made
the other parts. It just made the band more unique.
When I heard, Oh, We're gonna go like all the
way back to just brutal shit, I'm like, I wasn't
a big fan of White Chapel, Like when they this
is excelling during that era interest. So I'm a.

Speaker 2 (07:13):
Little okay, so you heard one single? What track? Where
is it in the track listing?

Speaker 4 (07:18):
I think it's if it's the single, it's number two,
I believe.

Speaker 2 (07:22):
Okay, let me the second.

Speaker 1 (07:25):
Hymns of Dissonance I think was a single.

Speaker 4 (07:27):
Yeah, I think that's the second track.

Speaker 2 (07:28):
So that's the second track. Yeah, okay, so you haven't
heard the first track.

Speaker 1 (07:32):
I've heard anything on this album. So I'm going into blind.
So I'm you guys with fair of box now. I
mean they're gonna be like Bashi, where I would be
completely sol I be like Hundrew is Sold and I
like it, or I'll be like Rudy.

Speaker 3 (07:45):
And I hate it.

Speaker 2 (07:47):
Piece of Ship.

Speaker 3 (07:48):
I don't think you hate it, but I think it
might be possibly be like, oh I've heard this before, okay,
so just I like it.

Speaker 1 (07:57):
Yeah, well, I don't mind it being just like, oh,
we're calling back to the old soul. I care about
the quality of the songs, so I'm going with it,
not worry not worrying too much about the diversity, because
I know that I'm probably not gonna get that, but
I want to feel the quality of the song already.

Speaker 4 (08:13):
I feel like the quality production is is okay. I'm
not gonna say like it's it's like the best of
the you know, you know, it's the best of what's
been what's come out, but you know what, the quality
has improved from previous albums.

Speaker 1 (08:28):
So okay, all right, Well, before we get there, we
gotta get to my arch Nemesis Behemoth for the single
drop of the week. The new song the Behemoth has
just dropped. Nemesis. I am not a Behemoth fan. I
feel that they are extremely overrated. I feel like they

(08:48):
are an extremely overrated band, and there's not a lot
that they've done that sticks out to me.

Speaker 2 (08:53):
There's respect your paying.

Speaker 1 (09:00):
I mean, I don't get it.

Speaker 2 (09:03):
You've always made that clear for sure. Whenever we play like.

Speaker 1 (09:08):
He groans, here we go with this again, but here
we go again. But I'm gonna play this song the
single drop of the week. They call the Shadow Elite,
and it's not the first song. I believe it's from
their upcoming album. The first single was the Ship of God,
which will be of course, you know, black metal band,

(09:29):
of course typical.

Speaker 5 (09:32):
Uh.

Speaker 1 (09:35):
I fucking hate black metal. I think that's the worst
metal genre. We do know that it is poor performances,
poor song, poor production.

Speaker 2 (09:48):
Our production is definitely true.

Speaker 1 (09:50):
I remember you played a song and I was like, Alex,
if I recorded that guitar, you would make me re
recorded and you let it pass, and I will always
hold that over you head.

Speaker 2 (10:00):
There's a certain style, dude with a black metal.

Speaker 1 (10:03):
Well, maybe I want to have a certain style that's
lazy and off tempo and offbeat. But we're not going
to go to Jesus. It was lazy. It's like take
it was four notes out of time.

Speaker 2 (10:14):
I don't even know a song.

Speaker 1 (10:15):
It was a skeleton which song? Oh, it was like
a that's no, no, no, we.

Speaker 2 (10:22):
Have not any performances in that one.

Speaker 1 (10:24):
I'll go back to the episode because I.

Speaker 2 (10:28):
Actually they need to do like some more black metal.

Speaker 1 (10:32):
Oh I'm okay with doing a best of black metal
and for you guys to try and win me over.
I do like Cradle, like that's probably about it. I
like bands with elements of black metal because I think
the black metal style adds a lot too. But I
don't like when the whole song is just blasting tramelo
picking and just sounds like it was recorded in the shed.

Speaker 2 (10:55):
I could probably we could probably curate between us.

Speaker 1 (10:59):
Like like Bleeding Through some one of my favorite bands
because they have such a strong black metal influence. I
think that's kind of weird, Like I am not in
a black metal but I love bands that have a
black metal influence.

Speaker 2 (11:10):
Like I hear you, you know I'm not. That's how
I am too. It's like I don't listen to certain genres,
but like when they bleed over in certain stuff, like
I don't mind.

Speaker 1 (11:18):
It all right, all right, And I can't talk shit
because a lot of the songs that I'm kind of
bringing to the DeFi the Terents writing table this summer
has a lot of blast beats, so I'm focusing a
lot more on blast beets.

Speaker 2 (11:30):
I was like, holy shit, what the fuck?

Speaker 1 (11:32):
Oh you heard some of it already. Yeah, yeah, You're
like Tony blast beats.

Speaker 2 (11:36):
I was like, Tony, this is oh my god. I
get a little flask.

Speaker 1 (11:44):
I'm finding a new appreciation for blast beats. I've had
it for a few years now. But anyways, nice, all right,
So we're going to get into this new Behemoth song
and try to not make me hate it. This is
the Shadow. Well, hold on, do you guys? I want
to like the song you guys heard, I haven't heard it.
You don't think so you don't like well I did

(12:07):
like a Behemoth song when we did the playlist a
long time ago. The horn, the trumpets of Yeah, that
one I like that, the.

Speaker 4 (12:18):
One from the Battle Frost Fest.

Speaker 2 (12:26):
I love.

Speaker 1 (12:27):
Okay, so like no all or whatever? Pretty but yeah,
all right. I don't think Polish people.

Speaker 3 (12:37):
I know you would hate Ship of God for sure.

Speaker 1 (12:41):
Polish people the motherfuckers that you're talking about. I don't
like girls singing and metal. I don't like Polish dude singing,
but I mean like I can find a weird hill
to die onto.

Speaker 6 (12:52):
Polish.

Speaker 4 (12:53):
We have someone who do who don't like Ukrainian girls.

Speaker 1 (12:55):
You got you got back mood mood. So after this song,
we have to tell the back mood story because I'm
gonna be now that I remember the name, I'm gonna
be referencing that a lot.

Speaker 2 (13:05):
More back story, like a story of time talk story.

Speaker 1 (13:09):
The metologie lore. But before we get to backwood back,
what's gonna have to wait in Ukraine for a little
bit because we're gonna visit Poland with Behemoths. The shadow Elite.

Speaker 2 (13:28):
Close in my eyes for this one for no reason.

Speaker 1 (13:34):
So evil Mary Man, Oh wow, m.

Speaker 5 (14:02):
Johns so like yall? Nickball showing oh the Falling Yards.

Speaker 1 (14:10):
T y'alld all like Jackson.

Speaker 5 (14:12):
Y'all fire so like bad any Ball, Joe, John Giball,
John's showing the show.

Speaker 1 (14:24):
Way the shadow that.

Speaker 2 (14:28):
You like your name old name that where y'all where
symbol Johns.

Speaker 1 (14:35):
Mm shot the union guys where y'all just shadows. Well,
y'all just shout out.

Speaker 2 (14:50):
Hop out yeah back.

Speaker 1 (14:52):
To friends all at the lace Johnny wa Sorry about
that guy, So our podcast was interrupted. I parked directly
behind Brandon's Beyonce or wife. I'm sorry, stupid. I parked
directly behind Brandon's wife. He's coming back from Chicago right now.

Speaker 2 (15:11):
He's very angry.

Speaker 1 (15:13):
So there is on the way in the airport right now,
and I was parked right behind her. So I had
to step out of the room real quick while these
guys all look at each other very sexually like it
was really hard and so that was it. The Shadow
Elite of Behemoth. Uh Alberto Sultan thoughts on the Shadow late.

Speaker 4 (15:38):
I like it, okay, I mean it's it's nothing different
from what Behemoth has put out no, no, no, but.

Speaker 1 (15:48):
Uh I like it still, okay, okay, and.

Speaker 2 (15:56):
I think it's okay. I need to hear more from
this album because I mean, yeah, they've done like heavy
ship before, but I don't know. It was my first
time hearing it, and I thought their previous album was
not bad as well, like it was okay, So I
don't know, I need to hear more.

Speaker 1 (16:17):
Right, uh Rudy was all right? All right?

Speaker 3 (16:21):
Yeah, I mean it's behavior. I mean I liked it,
but it was nothing different, nothing, nothing that really stood out. Okay,
tell me what I'm gonna listening to the album though?
Hell yeah, that's just so sick though.

Speaker 1 (16:35):
That's this is the first single or second yeah, second one?
Should have God was the first one. The should have God,
you know God. So we're gonna we're gonna move into
the White Chopel album now, but yeah, perfect, What did
you think of it? What do I think of that ship?
Nobody ever asked me what do I think of anything?

Speaker 2 (16:56):
But no one asked who I was.

Speaker 1 (16:58):
Because I was just spew it. Did you like it? Uh?

Speaker 2 (17:01):
Huh?

Speaker 1 (17:01):
Did you like it? Look?

Speaker 5 (17:04):
Man?

Speaker 1 (17:05):
Look look look look look look you were actually rocking
out to You got really white teeth. By the way,
you got really white teeth. Kind of turning me on
a little bit. I just want you to grin at
me all night. Uh, what was the question?

Speaker 2 (17:21):
I like it.

Speaker 1 (17:22):
Yeah, you're a little ounce of it. I was. I
was doing this because of a blast, and all of
a sudden I like it, and that's difficult.

Speaker 3 (17:30):
Felt something.

Speaker 1 (17:31):
Well, I hear a blasting on the fucking it's fun
to fill your hands go.

Speaker 2 (17:34):
Like, yeah, that's a good feeling.

Speaker 1 (17:38):
A little well, no, that's that.

Speaker 2 (17:40):
Yeah, this feels good.

Speaker 1 (17:41):
You're right, all right, that's gonna that's gonna be you
with the Parkinson's head right for the ninth time in
the day.

Speaker 2 (17:47):
Just whoops had jacked up again.

Speaker 6 (17:51):
I gotta, I gotta, I gotta spot for yeah.

Speaker 1 (17:54):
So anyway, so we're gonna move on to the next
to the album, White like White Shape. Okay. I liked it.

Speaker 3 (18:02):
It was like it was hard.

Speaker 1 (18:05):
I like the crispiness of the production was the black metal.
I I appreciate that about but he meth is that
they actually put quality behind the production, and I think
that it helps the songs sound better obviously for sure.
So I liked it alright, liked.

Speaker 3 (18:22):
It good as you should.

Speaker 1 (18:24):
God damn it.

Speaker 4 (18:25):
Really look man, see when he tried to get you
on the train, he's trying.

Speaker 1 (18:29):
You are just like, you're just like trying to kick
me off. No I get I want him on.

Speaker 3 (18:35):
We're all on this train.

Speaker 1 (18:36):
I like, but no, you don't. I remember that you
said that, you said in the beginning. All right, all right,
it's okay. I'm here now, and I.

Speaker 3 (18:46):
Want you to be like when we say over and
go see Bahama, He's like, I'm down to I'm not,
fucking dude.

Speaker 2 (18:51):
They're amazing, really great life.

Speaker 3 (18:53):
I fucking dude. Like they're one of the loudest bands
for just four fucking people.

Speaker 1 (18:58):
Dude, I mean, but that's a thing. Like you guys
like want to hear Blasteaks for an hour and a half.

Speaker 2 (19:02):
I've seen him times library last year.

Speaker 1 (19:06):
We listen. We'll see one day you try it, we'll see.
It depends who the other three bands that they're playing
with to make my ticket work.

Speaker 2 (19:15):
When they play with Arch Enemy, that would have been
like perfect and Behemoth that was great.

Speaker 1 (19:20):
But he doesn't care much a man like me, I
don't even see them. But you wouldn't want to see him, right,
Like would you. I would not, like if it was
Arch Enemy headlining, Like, no, I'm not going to go
see Arch Enemy live like so cool? How many times
it's like I would never go see spare Box. I
told you you probably would see Spirit Balls. You probably

(19:41):
would depending on the line up. You would not be like, oh,
like that's a bad line up, but Spearbox is on,
So no, I don't want to go.

Speaker 3 (19:47):
No, I wouldn't do it like that. Like if there's
a band, legitimately, i'd go if you know, but like
them headlining, they wouldn't interest me. You know.

Speaker 2 (19:56):
We still time too, Okay, you on the train.

Speaker 1 (20:01):
Alright, so we're seeing now by fucking see the energy
just crashed. I do I really need to listen to
Heavy Ship again? Like I'm so in a spearboxing mediately.
I just want to go have a dream right now?
This this is pretty heavy. You're not really go to
the seventh Circles of Hell right now. I'm like gonna
like the Sandman like a dream stay like dream Morpheus. Okay,

(20:24):
So anyways, uh so we're gonna get into White Chapel's
Hymns of Dissonance real quick. Have we been looking forward
to this album? Me personally already. I already said at
the top, I was kind of little turned off when
they said we're gonna go full on brutal. Some of
the stuff I heard on Instagram seem kind of cool
when they were recording it. So I'm very curious about
my reaction to the album. Heard the single and even

(20:44):
I thought it was cool. Didn't do all that much
from me as far as like I need to listen
to the album right, Like, it didn't really do that
for me.

Speaker 2 (20:51):
So that's just me.

Speaker 1 (20:53):
So I'm kind of excited to go into this blind,
but I want to hear from you. Guys. Were you
looking forward to this album? Why be able to start
with you?

Speaker 4 (20:59):
I you just saw that they that they put that
the Hymns. They put that single out. It was on
the My New New New Songs and I saw it.
I was like, oh, they put a new album today,
So I was like, fucket.

Speaker 1 (21:13):
I had no idea for being a host of a
podcast called Metology. We need to subscribe you to like
Metal Injection or Revolver.

Speaker 4 (21:23):
Hey, like I said, they just gotta you know, when
they post it, just gotta be titties in it, and
then I'll grab grab my attention.

Speaker 2 (21:29):
There is no titties.

Speaker 1 (21:32):
I'm pretty sure, man, I'm gonna I'm gonna give you
three pages. I want you to follow the chap around.
Just got to keep your finger on the pulse. Goddamn it.
This almost have been a long time coming.

Speaker 2 (21:42):
Uh, honestly, not at all. But yeah, until you mentioned it. Honestly,
that's when when immediately when you said it this morning, right,
wasn't in this morning?

Speaker 1 (21:55):
This is this morning? Yeah, he said you.

Speaker 2 (21:58):
Said it this morning, and I was like, oh, okay,
like and then I checked that out, but yeah, I
didn't know.

Speaker 3 (22:03):
Okay, Rudy, did they have a recent music video for
like one of their singles through This or No. I
think hips are dissonance more more than the cave. I think,
because I remember the music video was pretty fucking crazy. Yeah,
I mean I was looking forward to it, but like
I was like on my top radar, you know.

Speaker 1 (22:21):
Okay, So for someone being kind of met about the Alma,
probably been waiting for this long. Jesus Christ, guys. I
gotta get you guys an email newsletter. We're gonna get
you guys. Like some fucking metal sites follow follow rock
feed Net, like.

Speaker 4 (22:36):
Put words of like things coming up and then just
put like a titties behind it.

Speaker 1 (22:40):
Then all all you won't pay attention to the information though,
you just look at the goddamn You don't know how
my brain works. I do know exactly how your brain went.

Speaker 2 (22:48):
The inside of it. I mean we dissected it when
you were sleeping.

Speaker 1 (22:52):
Your fucking wallpaper on your desktop is just fuda, and
you barely learn how to work obs.

Speaker 4 (23:00):
I'm working on it.

Speaker 2 (23:01):
That's freaking on it, all right.

Speaker 1 (23:04):
So we're gonna get into it. We're gonna get let's
let's help the energy a little bit. Yay, yeah, I
love it all right. So we're talking about we're listening
to him'n dissonance. We're gonna start off with the first track.
The first track is called Prisoner six six six s

(23:54):
intro takes a bit, let's take it a bit. That
was cool, okay, okay, alright, Oh.

Speaker 5 (24:41):
My brother, you'ther, sir sorcers.

Speaker 1 (24:49):
Fuck from drone down.

Speaker 5 (24:55):
Second world chat, don't drun.

Speaker 1 (25:07):
Let's fucking go.

Speaker 6 (25:13):
M oh.

Speaker 1 (25:49):
Ah those highs. Please tell me a breakdown it's coming soon.
Oh yeah, actually I need a breakdown. Who did you
give me the break down? Fuck? Oh? A little shreddy,

(26:21):
little freddy. I'll be honest, this opening track is like
a banger. Hell yeah, mm hmmm, we're let a ride. Yeah,

(26:41):
it's too hot to stop.

Speaker 6 (26:48):
That fucking nappy.

Speaker 1 (26:55):
All right, we're we're gonna stop it.

Speaker 7 (26:58):
We're gonna.

Speaker 1 (27:00):
Fucking ship. Listen. This is the White Chapel that I loved,
But this is the White Chapel that I love, but
amped like the brutality is amped up, but there's still
like the little distant a lootic sections and the little

(27:22):
ambient ship that I love. Phil is still my one
of my favorite metal vocalists. Like he's fucking I don't
care what anybody says, he's fucking rapping, but like death metal,
like like that kind of ship is fucking sick. That
that opening thing he did, just like that fucking grabby

(27:42):
by the nuts and fucking right here. Oh no bullshit,
no bullshit, Okay, we gotta stop it. We're gonna stop it.

(28:06):
But yeah, that that fucking ship he did way back
also beginning right yeah, what I looked about that breakdown.
A lot of bands right now are doing like very
intricate kind of breakdowns, which I love. But it's nice
to hear, just like just a fucking simple ass meaty
girthy whye dick dick breakdown. Sometimes you don't need candles

(28:31):
and wax and and and rope and ship, so you
just gotta get to the fucking That's what that was,
just getting straight to the right, right to the.

Speaker 6 (28:44):
Oh, that's just so fucking I'm telling y'all, it's the
year of the breakdown. That's the year of the breakdown. Breakdown.

Speaker 1 (28:55):
Like his flow, I just something with this flow. So overall,
I'm on board. I'm on the train. I I kicked
Rudy other way, so you're gonna let me back on
the train. Rudy, They're gonna let me on the train.
And now you're going. Now you're hugging me, and you're
telling me how much you love me, and I believe it.
And we're gonna see if we can keep this going
throughout Thoughts of Prisoners sixty six.

Speaker 4 (29:16):
When I heard that, when I when I when I
first heard the song at work, I was like I
had to stop.

Speaker 7 (29:21):
What I was doing.

Speaker 4 (29:21):
I was like, oh, this ship is fucking sick. Yeah,
I just I don't know. I like I heard this
and like I couldn't stop listening to it. Yeah, I
think I replayed at least like four times because I
was just like, I got it. I can't I can't
go I get I can't go past a song right now.

Speaker 1 (29:39):
Yeah, I just like.

Speaker 2 (29:42):
I need to clock out right now, and you need
to clock out and take a break.

Speaker 1 (29:45):
And this part of the ride, the ride, yeah, like
funk with your boy God damn Hondy. I'm surprised, listener,
you like this? But do you like this or are
you like it?

Speaker 2 (30:04):
I like the just looking at all the tracks and
like just how chaotic and dark it is. I don't know.
It just sounds like they're going for an evil vibe,
like a death metal, old school like vibe. I don't
know what it's about, you know. But throughout the tracks
there's these names that I was just like, oh, like
some satanic fucking venom band ship.

Speaker 4 (30:28):
I didn't look at the cover. That's pretty cool, of course.

Speaker 2 (30:32):
Yeah, Yeah, it was a good opener, dude, fucking production.
It's really cool. The guitars have a very distinctive sound.

Speaker 1 (30:40):
I took.

Speaker 2 (30:41):
I had to readjust my ears when I went from
listening to spearbear Box Yeah, and then went into this
and I was like, wait, what are the guitars doing.
I had to kind of like get used to it.
But it's not a bad thing. It's different.

Speaker 1 (30:55):
I love it, dude, I love it.

Speaker 3 (30:56):
I fucking that. That long ass bill up was like perfect, dude.
Once it finally dropped, it was worth it.

Speaker 6 (31:04):
Some build ups are worth it.

Speaker 1 (31:06):
This is a long ass build up, but it was
like it was, it was worth it. All right, we're
gonna kick into The single of the album, which is
also the title practice, is Hymns of Dissonance. H m

(31:33):
hmm jesus lo hell yeah, restaurant a little hardcore.

Speaker 6 (32:06):
M you fucking love that?

Speaker 1 (32:29):
Oh oh, just so like it's so it's so disgusting
that it's like, oh uh just stop, Nah, don't don't stop.

(32:59):
Hold oh why why not? Why why do you do

(33:23):
this to me?

Speaker 8 (33:23):
Benny?

Speaker 6 (33:28):
Just get just keep getting heavier and heavier.

Speaker 1 (33:32):
I'm having trouble finding spots of stuff at That ship
is so heavy and disgusting and filthy. It fucking stinks.
It's me. It smells like someone just took a ship
in the middle of the goddamn ming my face in it.
God damn. I was, uh, why is this hitting harder
this time around, when I'm not like hearing it from

(33:53):
the person watching the video.

Speaker 2 (33:57):
It's coming off of the first track into this track,
you're like, it's already set in motion. I don't know.

Speaker 1 (34:04):
I mean, I I love the shredding, right, but we
gotta stop at some point. We have to. I have to.
It's kind of It's kind of when when when you're
when you're fucking really knows what I'm talking about, when
you're fucking and it's a good fuck and you're you're
getting and you're hitting it right, but you gotta go
to work and you gotta I gotta stop it. It's
too good by I can't get rid of it. I'm

(34:25):
gonna lose my job.

Speaker 5 (34:26):
Four.

Speaker 1 (34:27):
I'm already an hour four. This be my my eighth
write up. I'm gonna lose my job. But God is
so good. So that's where I'm at right now. It's
just so good. I don't want to stop, but we
gotta keep the episode going. So Bajie thoughts on it
was a dissonance.

Speaker 4 (34:43):
Strangely enough, this is like, I think my third favorite
song off the album, oh Ship, and like the first
one is definitely like my picturing, like my first second,
but this one is definitely my third.

Speaker 1 (35:00):
Right here, I could hear it. It keeps getting better. Stop.

Speaker 2 (35:07):
Maybe if we ignore it it will go away, but
it won't.

Speaker 1 (35:11):
Don't look at it, don't look at any heavy here
to the place.

Speaker 2 (35:15):
Go to a happy place. Yeah, it's fucking sick. It
continues a fucking train wreck momentum of the first song,
and and fucking doesn't stop.

Speaker 1 (35:25):
Man.

Speaker 2 (35:26):
It's like it's like having sex with a gorilla. It
doesn't stop till the gorilla stops, you know what I mean?

Speaker 1 (35:31):
Like it feels like sell just kicking the ship out
of krilling, Like when when that fucking beast rolls in here,
I have no chance this This sounds like you're having
no chance against a beast. You're gonna get mold. Goddamn

(35:52):
uh Rudy.

Speaker 3 (35:53):
That breakdown is filthy, dude, That filthy fan is insane.
To dude, I don't know how he does it for
the whole song.

Speaker 1 (36:03):
Are you hearing the guitar the fucking right hands on
these and it's three dudes, it's they have three hell yeah.
But that the black metal is what makes the breakdowns
that when they finally hit, it just keeps going it's rising.
It's rising, and I love it when bands do that,
like they like the black metal is like the ramp up.

(36:23):
It's not just a rift in the middle of the song.
It's the ramp up to like those drops, and it
makes both parts just even more unique and epic. Phil
is fucking crushing.

Speaker 6 (36:34):
It is like, I don't know what he's doing.

Speaker 2 (36:36):
I don't know what he did some like rituals or something.

Speaker 1 (36:42):
You're talking about, like the hooks. The hooks are there,
like I'm catching the hooks, but he's doing different things too,
like the yelling. He hasn't done that since like Early
White Chapel, and then like the Super High Fries and
then he's going lower on this song too. I'm like,
what are you saying?

Speaker 4 (37:00):
Do you see.

Speaker 1 (37:02):
In the name of the beautiful? The fucking production production.
I gotta I'm gonna play the next on. I'm gonna
find out the producer. I think Mark Lewis did this
one too, but I'm gonna look it up. Anyways, we
gotta move on. We're gonna get to the next song,
Diabolic Slumber. Rudy Are you ready, I'm ready? You don't

(37:24):
look ready, I'm ready. Give me your nasty face. You
just smiling, man, give me, give me your best filthy
faith when you stank face.

Speaker 2 (37:38):
Stank face that I saw in the recent photos.

Speaker 1 (37:41):
There you go.

Speaker 2 (37:42):
I got some photographs. I was like, okay, that's my
stank face.

Speaker 1 (37:45):
All right, there you go, h Boji, you give me
your best stank face. You gotta look at the camera.

Speaker 2 (37:52):
That's exactly how it is.

Speaker 1 (37:53):
Show me your face. That's not a war face.

Speaker 2 (37:59):
Show me your that's that's the best you can do.
Damn it.

Speaker 1 (38:03):
All right, we're gonna do. We're gonna go to diabolic slumber.
I'm gonna look at the producer for this album. Here
we go. M I love that.

Speaker 2 (38:52):
That's cool.

Speaker 1 (38:54):
H m hmm, Mary, what the fuck? Ah?

Speaker 2 (39:19):
I just love it.

Speaker 1 (39:21):
What do you? What's going on?

Speaker 2 (39:58):
What?

Speaker 6 (40:01):
Yes? Just nothing but heaviness, start disgust.

Speaker 1 (40:21):
Okay, okay, okay, okay, be heavy, fuck be heavy.

Speaker 6 (40:26):
They shall fuck just.

Speaker 3 (40:28):
Like every song gets heavier, dude, like the bad but
it's like not.

Speaker 2 (40:35):
Really the like literally going downhill like each circle until
you reach Malbolgia.

Speaker 1 (40:42):
Like, dude, I'm gonna oh dirty, dude, where was it?
Where is it? I'm finding it? Okay, look, look it

(41:03):
sounds brutally symphonic. Yes, yeah, yeah, absolutely, for surely this
is the sound of a band who has figured out
their sound and how to just amplify it in whichever
way they want. I feel like when they first started out,
the band itself was more generic in death core, and

(41:24):
I feel like when they went to Mark the Blade,
they wanted to do a little something different a lot
of the bands at the time were doing. They were
kind of going back to like more alternative metal, more
like new metal, groove metal kind of stuff. Valley, they
definitely had more of a raw kind of vibe, but
with the cleans and the singing sections, I think it
made it more unique. This is where they're like, we're
gonna take all that and we're just gonna stuff it

(41:46):
into the fucking most brutal things giving Turkey we can,
and we're just gonna stuff it with our dicks. And
they figured a way to amplify that brutal part of
their sound without losing what makes them what has made
them unique. On the past couple albums, listen, we can't,
we can't listen to every breakdown. It's a year of

(42:09):
the breakdown. Go on, you guys, just take the flour.

Speaker 6 (42:12):
Fucking amazing song, Like I don't.

Speaker 4 (42:16):
Like it was hard for me to choose like a
top three, let alone like a top five. Like these
songs are just fucking brutal, Like I'm not gonna lie.

Speaker 1 (42:27):
Yeah, like.

Speaker 4 (42:29):
This I think is one of the more brutal albums
of the year.

Speaker 2 (42:34):
Definitely a brutal album so far. This track was dope. Yeah, man,
it's just no Weeks song yet.

Speaker 1 (42:43):
No, No, I'm afraid of it all starting to sound
the same. That's what I'm afraid of. But I'm also
okay with it. I think I'll let it sing.

Speaker 6 (42:53):
Certain bands, you can be okay with it.

Speaker 1 (42:56):
I think this it's an album, like it's not like
this is like if it was every album like this.
I think the fact that they'd done they they went
so different with the last couple albums makes this album,
this album even more brutal. It makes more heavier. You know,
it's a welcome return, which I think is cool. Now,
don't want them. I don't want them to stay here
for the next album. I want them to keep pushing,

(43:17):
to try and do different things. But y god, damn,
I'm really loving when I'm here right now. Rudy where
you in a diabolical man slat diabolic slumber.

Speaker 3 (43:31):
Yeah, yeah, right, fucking it's only gonna keep getting better.

Speaker 1 (43:36):
Do you play Pokemon cards when you listen to Whitechapel,
Or do you listen to metal when you play Pokemon cards?
Or or you only collect?

Speaker 3 (43:44):
I mostly collect, like physical, just collect? Okay, yeah, play
the game pocket the mobile game.

Speaker 1 (43:52):
Got it? Yeah, all right, we're gonna be one of
the next one. The next one I think was the
first single a visceral wretch. So this one kind of
rings to like being the first single. I think I
got that mixed up with hymns of dissonance. Uh so
this is a visceral wretch. Are you ready?

Speaker 2 (44:10):
I'm ready for a visceral wretch.

Speaker 1 (44:12):
I don't think you're ready.

Speaker 2 (44:13):
I don't think well I need you to give you
just gave me the de Niro face. I don't think
you're ready.

Speaker 1 (44:20):
You I'm hearing things. Give me your best guttural. That
was not your best, that's not my forte. We're gonna
see if Phil gives us his best. Yes, there we go.

Speaker 2 (44:36):
I believe he can.

Speaker 7 (44:42):
Loving that.

Speaker 2 (44:45):
It's coming.

Speaker 1 (45:00):
I'm looking for it right now.

Speaker 6 (45:15):
That ride man, that fucking ride.

Speaker 1 (45:27):
There you go, then track your part. Can't be breakdowns
all the time. The riding is so creative.

Speaker 2 (45:58):
Fucking dives.

Speaker 7 (46:09):
Where to go?

Speaker 1 (46:11):
Where'd she go? We know where? You know where she went?

Speaker 2 (46:16):
She went that way?

Speaker 1 (46:17):
Sure, which way? That way?

Speaker 2 (46:20):
But that way till.

Speaker 1 (46:26):
Oh I found her.

Speaker 6 (46:28):
Oh she's bad. Oh, such happiness.

Speaker 5 (46:35):
H m hm m hmmm mm hmm.

Speaker 4 (46:48):
I'm telling you, there is so much greatness to this.

Speaker 1 (46:51):
What the fuck is going on, dude, what's going on?
What's going on? Roads?

Speaker 3 (46:57):
Breakdown after breakdown.

Speaker 4 (46:58):
We're not even halfway through.

Speaker 1 (47:00):
I'm realizing that the songwriting is so fucking good. It's
so good and creative, like they're like and then I
just quickly everything is so fast paced and moving in
different directions so quick. I'm having a hard time remembering

(47:21):
parts before because it's moving so quick. But it's so
exciting at the same time. It's like taking you for
a ride, like nothing is just a straight beat, nothing
is just They're like cutting in halfway through the section
and then stop, and then you know it's just fucking
weird shit. I'm looking for for Satan, she's she's a

(47:42):
female and I'm finding her in the breakdowns. So when
I'm looking for her, That's what I'm looking for. Do
you see her, Rudy, I feel her, I feel her,
feel it feeling. We can't keep talking about these breakdowns, man,
we can't keep doing this. This whole episode will just
be a fucking reaction to every song, and we have

(48:02):
to keep it moving. Rudy, go ahead, you were gonna
say something the breakdowns, dude, it's fucking oh God, just
stop so many different I know you see titties out
the window, but I just hear you gotta get to work.

(48:24):
Have we hit one of your favorite songs yet? One
of my favorites? It has? How many of these have
been your favorite? Let me let me see. We're a
visceral wretch. So we played Prisoners sixty sixty six. Hymns
are distance, diabolic slumber, and a visceral wretch. We're not
there in two more is my favorite. God damn, So

(48:44):
we're not even there yet.

Speaker 6 (48:47):
The ride is.

Speaker 1 (48:50):
Dude, all right, honey, thoughts on a visceral wretch.

Speaker 2 (48:54):
Fucking it was a visceral wretch. Indeed, indeed it.

Speaker 1 (48:59):
Was fi is her whole wretch so filthy it smelled
like a just taking a ship, asshole.

Speaker 2 (49:05):
Yeah, I mean this song is this album is just
taking a ship on me and just making me smell it.

Speaker 1 (49:14):
Just let it happening on kids.

Speaker 2 (49:20):
All right? Let him put it past them.

Speaker 1 (49:25):
Oh god, uh bojie.

Speaker 4 (49:28):
Al Right, next, let's move on. We gotta keep moving on.

Speaker 1 (49:33):
And the craziest ship about this album, The craziest ship.
It's forty three minutes. It's the exact same as almost
every album we've reviewed so far.

Speaker 2 (49:44):
Uh.

Speaker 1 (49:44):
The next one is X in Furnace And this is
the name of your favorite. Yet we're not there yet.
Fuck I don't have a favorite. Yeah, I'm just vibing
X and furnace spooky. Why are you looking at me

(50:04):
like that? Why are you looking at me like that?
So who he's looking at me?

Speaker 2 (50:09):
It's excited, dude.

Speaker 1 (50:11):
I feeling in the north men right now.

Speaker 2 (50:13):
It's your heritage, no of our heritage.

Speaker 1 (50:20):
I want to put my phone down before I throw it.
This is like cone and ship. Yeah, one of our
best things in life. Damn. This is an interlude, dude.

(50:40):
But it's at war, dude.

Speaker 2 (50:45):
It's the god of war.

Speaker 1 (50:46):
Start menu, one of our best things in life. Destroy
your enemies, seen them driven before you hear the lamentations
of the women.

Speaker 6 (50:57):
You gotta have a good internude.

Speaker 1 (51:00):
We're going to the next song. I hate cult ritual.

Speaker 2 (51:04):
That's my favorite. That's a good one.

Speaker 8 (51:07):
Dude.

Speaker 2 (51:09):
We let it happen.

Speaker 1 (51:09):
We're gonna let it happen. Just take a ship on me,
do it, slap it?

Speaker 2 (51:32):
There you go?

Speaker 1 (51:50):
Solo already already, dude, m oh please please.

Speaker 6 (52:16):
That fucking this part.

Speaker 8 (52:18):
I love it that bass.

Speaker 1 (52:42):
I feel like a breakdown is coming. Mm I can
feel her, she's coming. Nothing yet another Pello by the way,
I gotta cut it after the solo. Can we can
go a little forward on the breakdown?

Speaker 2 (53:04):
There'll be plenty of mortists.

Speaker 6 (53:11):
Like they're like, we need to stop the solo. Nope,
keep going.

Speaker 1 (53:21):
I fucking can't. Look. Are you hearing this ship? Yeah?

Speaker 3 (53:28):
I think we heard it for like four times today?

Speaker 1 (53:31):
Yeah, you sick animals? How many times I'm gonna here
listening to fucking spirit Box just up there waving and
then you guys are this is the fucking greatest death corps.
I'll never credit I'm gonna say this right now. I
have never listened to a death Corps. I can say

(53:54):
metal whatever, but I'm stick specifically with Death Corps. Never
have I ever listened to a death core album like this,
just track by track by track, with the exact same
fucking emotion the entire goddamn song, which is holy shit,
holy shit. If this stays with me for the remainder one, two, three, four,

(54:17):
four songs, I'm gonna probably consider this the greatest death
core album of all time because it is sticking with
me so fucking hard. There's been no watch up album
I've had this with, like I jump around and yeah,
I like wait for the spots and like he used
the songs. This is just like fuck, dude, dude. I
think it's the production, dude. They're so fucking good.

Speaker 2 (54:38):
Like production, it's like charmey and like it's not it's
not like raunchy or like messy. It's like it's well defined.
But the guitars are probably like the least shiny and
you know produced thing. Like it's very like fucking just
raw and nasty, but everything around it is like really
like crisp and clear. I don't know if I'm like

(54:59):
describing a little.

Speaker 1 (55:00):
I feel like it's just the songwriting is so high
quality and grand, like it's just so grand without having
like so much like ambient sense and all that. Like
it's all for the most part guitar ori into created.
Like when you hear the ambience in the background, it's
just like leads and stuff, and I know that there's
some very small electronics going on, but man, dude, like

(55:20):
it is. It's it's such high quality. It's high quality
songwriting at its finest. With Death Corps. I'm appreciating like
every moment, I'm I'm not seeing a reason to fucking
hit on this at all. Paji, what the fuck were
you gonna sayakdown, dude, listen, we gotta get to work,

(55:43):
please please, I'm you trying to get to work and
you have a hot hike on fucking you forgotta work.
Please just jump off the dick and go put on
your clothes, because I I can't you know how that feels. Right,
Rudy got to get to work, but you're preferently begging her,
please stop, please put the booty away. You've had enough

(56:07):
because I can't stop. I can't stop either, man.

Speaker 4 (56:09):
It's so fucking good, But god damn it, like this
is by Farm. That was that when I heard this,
that was like my I was like, this is my favorite.

Speaker 1 (56:17):
We're gonna go with the breakdown. We're gonna do it.
We're gonna do it for this one. That's sick. That's

(56:49):
fucking sick.

Speaker 2 (56:57):
That fucking car oh.

Speaker 1 (57:03):
Walk yeah, Rose rides. Yeah, alright, alright, I waiting for

(57:25):
the breakdown Boshi ah yeah, Thomas, it never comes. That's
a sick, fucking hook. The author Disciples of explain for

(57:46):
the Rose. It's like, Okay, that's not the breakdown, but
that's it to me.

Speaker 6 (57:54):
It's like a very It's like a breakdown, not a breakdown.

Speaker 1 (57:58):
I already have the hook in my head. That's the
person I've heard it. We fight, we kill, we we conquered.
We are the Disciples of X. In Furness, I'm like
already like any of the ways that we are. This
like it's like a fucking really cool flow, like a
chant hate hate cult No, my bad, hate cult, ritual,

(58:18):
my bad. The other song the inn lewis X and Furnace. Okay,
didn't you guys want to drop anything in that in
the chat? It was.

Speaker 2 (58:28):
Jesus, It's just brutal, man. It's one I I need
to listen to a high volume in my cars so
I can like dissect the riffs going on.

Speaker 6 (58:37):
That's my favorite song.

Speaker 4 (58:38):
The fucking the fucking ch is just so fucking like catchy.

Speaker 1 (58:43):
It's like it's gotta be so much fun, like them
playing that live and you were like being right in
the front and they're fucking like because that kind of
hook is not like a look what I listened to,
like we're you're like anthem a kind of like you know,
mid tempo. That kind of hook is like you're fucking
screaming out of the top of your lungs. Well, they're
playing as we fu, we kill, we wrap, we conquer.

(59:04):
That's gonna be so fun to just be there live. Uh,
I'm begging you for some some mercy, Mercy, Rudy, please
tell me there is a ballad on this album or
a clean section, a girl singer, an electronic drum loop.

(59:24):
I'm begging you on mercy.

Speaker 4 (59:27):
No.

Speaker 1 (59:28):
Please, my heart's gonna explode with I have so much
love right now for this. Please take pity upon this.

Speaker 8 (59:34):
Man.

Speaker 1 (59:35):
I feel like I'm I'm I'm I'm really I'm trying
not to over exaggerate this too much because I'm trying
to just be like like the feeling I had when
I heard like Machine Heads Blackening for the first time,
when I listen to the album from Top to Slipknots
to Iowa. You know, these albums that meant so much
to me and I like loved every song within the
first listen. I feel like I'm experiencing that right now

(59:55):
with this album. Like I'm just feel like I'm getting
this on like recorded, like this is I'd never seen
after this, So this is interesting.

Speaker 2 (01:00:04):
Hell yeah, it's funny how it's like the one album
we're all like kind of vibing, even me.

Speaker 1 (01:00:10):
Yeah, I mean why Chapel Is. They've been one of
my favorite metal bands for a long time, and so
like this isn't like an out of left field for me.
It's just like, ah, they're gonna be more brutal on
the next album and then like Holy Ship. Like the songwriter,
it's the songwriting, the song writing. It's not just like
heavy Restort for the sake of hey rest It's like
like a DJ set, Like how like you're responsible for

(01:00:33):
the flow of energy in the room. This is like
the flow of the energy. Like it's so imaginative and
creative and just keeping the vibe going. I'm sorry, I
got so much to say right now. Whose favorite song
was this the Abysmal Gospel? I feel like one of
you guys said or was no ner? Okay? So you

(01:00:55):
so you hate Colt Richel? Was your? So both of
your okay? So this is the Abysmal Gospel and we
are done of last four songs.

Speaker 4 (01:01:08):
I like this just sounds so girl dirty. Just need
to like bathe it and water. But it's just keep
getting dirty.

Speaker 2 (01:01:19):
This caught me.

Speaker 8 (01:01:33):
Oh h.

Speaker 1 (01:01:52):
Holy shit.

Speaker 4 (01:01:58):
Hey when I heard all this Hondra, I thought, if
you make concre is gonna love this.

Speaker 1 (01:02:01):
Ship, why won't it stark crazy?

Speaker 8 (01:02:08):
It hurt you?

Speaker 6 (01:02:08):
It said like, okay, we'll stop for you, Tony.

Speaker 1 (01:02:12):
Nope, nope. Oh let's fucking gold.

Speaker 2 (01:02:32):
My bad.

Speaker 1 (01:02:33):
I might have moved it the fucking ride.

Speaker 6 (01:03:11):
Solo for Alex.

Speaker 4 (01:03:14):
Like it's like it was like, you know, we're gonna
stop a bit, We're gonna relet you relax.

Speaker 6 (01:03:22):
It's like, nope, we're not.

Speaker 1 (01:03:29):
So beautiful. It is so beautiful.

Speaker 6 (01:03:37):
It just does not stop.

Speaker 1 (01:03:40):
We gotta stop somewhere.

Speaker 6 (01:03:43):
I think it's good. It's already more than halfway.

Speaker 1 (01:03:53):
I had to follow a complaint with Football's men for
being just so fucking good at what he did us Like, look, man,
m h, what are your thoughts on an abysmal gospel

(01:04:15):
that probably is my favorite song.

Speaker 3 (01:04:18):
I love how they've had the hardcore yes, yes, yes,
fucking hardcore.

Speaker 4 (01:04:24):
Dude, Like, this song just doesn't This album just hasn't disappointed.

Speaker 2 (01:04:32):
It just keeps going.

Speaker 1 (01:04:33):
Man.

Speaker 2 (01:04:33):
Yeah, this was a standout track to me, especially with
that intro, with that effect.

Speaker 1 (01:04:37):
On that guitar. I was like, Oh, I like this.

Speaker 2 (01:04:39):
That's a cool little way to uh, you know, kind
of give a new taste on your palate, you know,
to listening to this album. So that's a good track.

Speaker 6 (01:04:50):
Yeah, amazing.

Speaker 2 (01:04:51):
I can't it's amazing.

Speaker 4 (01:04:53):
It's just it doesn't it hasn't disappointed. It just keeps going.

Speaker 1 (01:04:57):
We need to mention this because I feel like we
also vibing when they do this thing on this album,
which is like, I think it's like a specific thing
that they're doing specifically for this album, because I haven't
heard them do it too much before, and I feel
like it's gonna get it's a little underrated. I feel
like it's gonna get lost in the discussion of people
talk about this album. Can we talk about those ride grooves,
the fucking.

Speaker 2 (01:05:19):
Well in place, well timed, just there's more than one,
like more than what you would hear in an album.
But but the placement is deliberate and it's like perfect
fucking even if it's momentary.

Speaker 1 (01:05:32):
Yeah, please don't kick me off the train. We're almost there.

Speaker 4 (01:05:40):
We're all going home on the same trains.

Speaker 3 (01:05:43):
I mean unless like, no, it's not it's not gonna happen.

Speaker 1 (01:05:46):
What if I don't have a home, stay with you, Well,
you let me live in the corner of your apartment,
have my little cot. You can put a little bowl
form merg.

Speaker 2 (01:06:00):
Fight them to the death, hollow up those treats. That way,
when he shoots treats you.

Speaker 3 (01:06:07):
You can go to work and you'll be at home
and I'll shoot your treats.

Speaker 1 (01:06:10):
Look at my new pet, and you gotta talk. You
gotta dress me like you're like you're a Mexican. It's
like you're do like give me another breakdown, that's my boy.
And then you start playing one of these songs, any
fucking song so far, and I'll be like, I'll just
lay down and listen. All right, we're gonna go to

(01:06:30):
the next one people. The next one is called bed Lim.
Do I need to you, guys, how many times you
listen to this album before we got here?

Speaker 2 (01:06:41):
It was three three the way the track before it
was the last track I heard.

Speaker 1 (01:06:47):
Okay, so the rest of this is gonna be blind
and you.

Speaker 6 (01:06:53):
Twice?

Speaker 1 (01:06:54):
Okay? Is there anything I need to know about Bedlam?
Both of you? This is about Thom's going. It's a shock.
I did really had a seizure.

Speaker 8 (01:07:12):
We're just laughing.

Speaker 1 (01:07:15):
Why are you laughing? O that ship, that fucking huck

(01:07:39):
let's go phil.

Speaker 7 (01:08:02):
Oh that chorus, Oh, that chorus is mad.

Speaker 5 (01:08:31):
Uh uh.

Speaker 1 (01:08:43):
That's sick as fuck, dude, that's sick as fuck.

Speaker 6 (01:08:47):
It doesn't Yeah, you need to stop it. You need
to just stop it.

Speaker 7 (01:09:01):
Gets it.

Speaker 6 (01:09:02):
It doesn't stop.

Speaker 1 (01:09:03):
You needn't stop. Shut. Shut the fuck up, Shut the
fuck up, Stay in your lane. Why are you laughing? Look,
we gotta we gotta end the band. We gotta end
the band. Band. There's no fucking way we gotta. We
don't got a chance in hill. I mean we are krilling.
This is fucking uh perfect jeering. It was fucking jering.

(01:09:28):
Bro Jesus, We're we're we're toast there's no way we
could ever be heavier than that. That is heavy as fuck.

Speaker 2 (01:09:36):
I love the genre crossing and like, I don't know, man.

Speaker 1 (01:09:42):
It's Phils, Like I'm gonna get a lot of hate
for the but Phil would agree because he listens to
a lot of rap music and he said it does
play a big role in his in his writing, it's
the fucking flows, the like the fucking rhythms that mixed
in with just the Hey, the music is what's really
fucking selling me on this album.

Speaker 4 (01:10:03):
It's just goddamn Like this chorus definitely reminded me of
like Mark of the Blade chorus, Like it's very it
wasn't it wasn't as big, but like the heaviness just made.

Speaker 1 (01:10:15):
It feel it's the fucking hook. It's it's the hook.
It's proving that you can be brutal as hoot fuck
and chaotic as fuck and still have hooks. Chris Maddocks,
the original singer for To Fight the Terrence can suck
a fat fucking dick for many other reasons, but if

(01:10:37):
we just keep it music with musically related he's I
remember him telling me, uh, you cannot have hooks in
heavy extreme music. This album puts that statement to shame.
It's a good album. This is such a fantalitic hook
driven like this is so hooke driven. It is so
weird but so awesome at the same time. I'm loving

(01:10:58):
every fucking second time.

Speaker 2 (01:11:00):
I'm wondering, like, how many more songs do they do?
Like like I'm imagining, like, well, we're just pumping them out.

Speaker 1 (01:11:08):
I want to tell you guys something, look at me now,
look away beautiful.

Speaker 2 (01:11:17):
It's beautiful.

Speaker 1 (01:11:19):
When you guys said the heaviest thing you listened to
is limp biscuit, suck a dick, suck a fat dick.
It's not funny. Funny if I figure death punch. I've
been listening to White Chapel since before anybody in this room,
and Jesus Christ, guys like this is amazing. So when

(01:11:41):
I'm playing this in the car, whenever you think of
Tony doesn't listen to metal.

Speaker 2 (01:11:46):
I know because of what's the song that they wrote
back in the day. But you know what I'm talking about.
You were inspired by like White Chapel, and you fucking
wrote a song.

Speaker 1 (01:11:56):
Dominated descreate inspired that was big White chemplon.

Speaker 2 (01:12:00):
The only reason, well, I'm thinking the only reason I'm
maybe like down with this album is like you guys
have shown me so much why throughout the year is
that it's like like maybe I'm like comfortable with this
band and like this sound, and I'm like, do this.

Speaker 1 (01:12:14):
I think we've gotten you. Uh, you have an upsecond? Yeah,
of course not. I think you have an acquired taste
for death corps because the death core bands we have
shown you have not been suicide silence or like like
bands like that. We're showing you like fit for an
autopsy and like White Child bands who are death corps,

(01:12:36):
but they're different. They're more death metal or like tech that,
whatever you want to say. They're without more oriented. Listen,
I don't know. Okay, we've got two more songs. I
don't I don't think I'm gonna make it.

Speaker 2 (01:12:51):
It's gonna collapse.

Speaker 1 (01:12:52):
This next one is called Mammoth God. I love that title.
Mammoth God. Can you imagine heavy rolling up in the
goddamn riding? Hey man, you gotta turn off up the son.
You know what's it called? Memmoth God? Mammoth God? Just
I can imagine the rest of the Bend Telling film.
You just fucking stop. What are you doing. You're gonna

(01:13:14):
give Tony a heart attack. He's gonna die because he
has one testicle.

Speaker 2 (01:13:19):
Fan and I don't know if he can take it.

Speaker 1 (01:13:21):
You can't drop so many balls on Tony when only
has one to defend himself with, swinging around like krilling poor.
This is Jarrin, This is Jarrin. We're a shout suit.

(01:13:41):
We're all shout suit. Damn little shout zu all for
not all for not not even a scratch, mammoth God,
Oh there you go, little shots.

Speaker 3 (01:14:04):
Like look at him, gon.

Speaker 6 (01:14:13):
Harmonics on the neck.

Speaker 1 (01:14:16):
Actually, can we keep going?

Speaker 4 (01:14:24):
It's not gonna stop.

Speaker 1 (01:14:30):
I like this little melody.

Speaker 2 (01:14:40):
Interesting.

Speaker 1 (01:14:54):
I feel like I've been the woods.

Speaker 6 (01:14:59):
God have be years.

Speaker 5 (01:15:04):
At one lass.

Speaker 1 (01:15:23):
About that's fucking sick. That's a sick chorus.

Speaker 2 (01:15:54):
Of the back Me and White Chapel album.

Speaker 1 (01:16:14):
You ruined the song. I don't care, Seriously, don't walk.

Speaker 2 (01:16:21):
Anyways, no blocking of the cars.

Speaker 1 (01:16:25):
I don't get it. I'm gonna remember this ship, Brandon,
remember this ship.

Speaker 8 (01:16:38):
Anyway.

Speaker 3 (01:16:39):
Anyways.

Speaker 1 (01:16:41):
I can't see. We're listening to the new White Chapel album.
We're almost done, one song away, and you're ruining the
podcast room. Jesus, I hope you're jet lagged. I hope
you' jet lagged. I hope you're tired.

Speaker 2 (01:17:02):
Your fuel tank. Luckily it doesn't show uh fuel tank.

Speaker 1 (01:17:08):
That chorus hook was sick. That was sick chorus.

Speaker 6 (01:17:11):
It just doesn't stop.

Speaker 1 (01:17:12):
I don't know if I can take anymore. There's one song.

Speaker 2 (01:17:15):
Left, the surprise. How in the end of the album
that's ring. You're like, oh, we're slowing it down.

Speaker 1 (01:17:22):
Like that's slowing it down, right, That's just a little
more melodic, like a little like it's not even a lot,
it's just a slight melody. Thoughts on my new favorite
song titled Mammoth God, my favorite song. It's a good one,
most good. That's good good. I'm glad my God. Is

(01:17:47):
that anybody want to elaborate on about God?

Speaker 2 (01:17:50):
I mean, it's a fucking sick ass, fucking song title
and the song goes with it, and it's fucking brutal as.

Speaker 4 (01:17:58):
He doesn't like he is like once stop the flow,
like it just keeps going and going and going. Because
you think, oh, he'd stopping the song. True, Nope, He's like, no,
I'm gonna just keep going. I feel he's like he's
running a marathon. He's like, nah, I'm still good.

Speaker 2 (01:18:14):
You think this last track is gonna be like, hell,
I'm melonic, It's gonna be just fucking just straight breakdowns, mercy.

Speaker 3 (01:18:22):
Honestly, at this point, I don't remember it's midnight.

Speaker 1 (01:18:26):
We're gonna get to the last song because I don't
know how much Morenajiack could spend on this album. I'm
so like, I was so amped up, and I'm starting
to feel like not the album is bad at just
I already I don't know if I could take any more.
I don't know if I could stay in the fight.
We're gonna find out, get to the last one. This
is next episode. Nothing is coming for any of us?

Speaker 2 (01:18:46):
Got jesus?

Speaker 1 (01:18:49):
Rudy? What the fuck? What the fuck?

Speaker 5 (01:18:52):
Rudy?

Speaker 1 (01:18:55):
Can you imagine?

Speaker 8 (01:18:55):
Hey? You do?

Speaker 1 (01:18:56):
The last one was called Mammoth God. What's this one's called?
Nothing is Coming for Us? Can you imagine? Hopeless? What's
your favorite song for White Chapel? Nothing is coming for us?
And you want to say with the why that nothing
is coming for us? For us? That's my favorite White
Chapel songs?

Speaker 3 (01:19:13):
All all right?

Speaker 1 (01:19:16):
Really should I play it?

Speaker 2 (01:19:18):
Hit it rip? The band aid off.

Speaker 5 (01:19:22):
MM hmmm.

Speaker 8 (01:19:26):
Mm hmmm, hm, it's so good.

Speaker 5 (01:20:48):
I random like my fad.

Speaker 1 (01:21:02):
So dirty.

Speaker 6 (01:21:13):
Uh, nothing is real, nothing is coming for any of us.

Speaker 5 (01:22:00):
Mhm.

Speaker 1 (01:22:01):
That's such a big end. That's such a sick little solo.
Are we gonna chill here?

Speaker 6 (01:22:26):
Nice little?

Speaker 1 (01:22:37):
Oh my god, I like this part. I can't just
let it keep playing. It's a last song.

Speaker 5 (01:22:56):
Hm hm.

Speaker 2 (01:23:12):
Solo.

Speaker 1 (01:23:13):
I gotta stop it.

Speaker 2 (01:23:15):
He has to stop it.

Speaker 6 (01:23:16):
You have to stop it.

Speaker 2 (01:23:18):
But he won't.

Speaker 1 (01:23:20):
He will It's midnight. I have no more energy to
give to this. I have nothing. Nothing is going to
come for I quit the band.

Speaker 2 (01:23:31):
Okay, I quit.

Speaker 1 (01:23:33):
I can't like him with something like this out there
in the world. There's no way. How do we top that?

Speaker 8 (01:23:43):
Was it? Good?

Speaker 1 (01:23:44):
Motherfucker?

Speaker 2 (01:23:46):
Did you write it?

Speaker 1 (01:23:48):
So? That was a fucking fantastic finish, Like I could
tell where I was going. Fucking loved it. I love
that they say like the super melodic like part for
the end of them, because it ends on like a
big note. It's like you're going through like the deepest
circles of hell and then you're finally coming out. It's
so fucking good. I love the way it ended. But

(01:24:09):
I also love when albums end on those like high
melodic notes.

Speaker 8 (01:24:14):
Yeah, what.

Speaker 1 (01:24:16):
That you're looking for the breakdown and like the breakdown
is done, it's I know after I don't think my
phone can do anymore. Dude, I think fucking it's broken.
Rudy thoughts on nothing is coming for us.

Speaker 3 (01:24:30):
Great closing song that I feel like there wasn't too
much like that, like melodicness, and they definitely save the best,
you know, for last. I feel like I feel good closer.

Speaker 2 (01:24:45):
Great closer. Didn't expect that ending. It was really cool,
Like the build up alotic as fuck, big contrast against
the rest of the album, So putting out the end
is like, that's cool, really cool.

Speaker 4 (01:25:00):
We should really hear a hero.

Speaker 1 (01:25:09):
Fuck it, we're what's one more minute?

Speaker 3 (01:25:12):
What one more minute?

Speaker 6 (01:25:16):
Mh Then I fucking love this fellow.

Speaker 1 (01:25:32):
It's beautiful, it's gorgeous. It's so melodic and so good
and Hope returns, Hope return return. It's like the closing

(01:25:56):
to a set. We are White Chapel, thank you for
staying with us.

Speaker 2 (01:26:04):
I can say that, thank you.

Speaker 1 (01:26:06):
You bunch of pussies. There is a fade out, Okay,
I don't need to hear a fade out. We're done.
We're done. Okay, I was laying I thought was right.
Look awesome, awesome closing track. So we'll just get into

(01:26:26):
general thoughts and a rating. I'm gonna start because I
need a rest while you guys talk. Uh fucking so
closing thoughts. Stand out track of the album, and you're writing,
fucking amazing record, Like I am legitimate in love with
this record. Not one song. I think the only song
maybe that I wasn't vibing all that much it was.

(01:26:50):
I mean, I was vibing it a lot, but compared
to the other songs, Bedlam would probably be the only one.
And actually had to like really like figure out what's
gonna be the song that I'm not gonna vibe with
as much? But god damn, that was such a good
song too. I don't want to give it a ten
out of ten. I don't want to because I don't
know if I'm gonna love this album, Like ten out
of ten is like new, it's like a new classic.

(01:27:13):
Fuck it, I'm gonna give it a ten out of ten.
They're every song I fucking loved. I loved every everything
about this album, the chaos, the darkness of it. Yeah,
like from Prisoner sixty six all the way down. If
I would say, like a standout track for me, the
standout would probably be Prisoner six x' six just because

(01:27:37):
of that. That main verse hook just sticks out so
much for me.

Speaker 2 (01:27:41):
Ye, such a great open you do what?

Speaker 1 (01:27:43):
I take that back? Nothing is Coming for any of
Us is my favorite track because it mixes everything that
I love about the album plus what I love about
just like my personal taste with melody and like you know,
guitar solos and stuff. That song just encapulates everything that
I love and uh yeah, so nothing is coming for him.

(01:28:07):
It's my favorite track. I give the album ten out
of ten. Ten out of ten. That's me. I'm gonna
rest rest.

Speaker 6 (01:28:14):
Now, alrighty oh god, alrighty me. Personally, I fucking love
this album.

Speaker 4 (01:28:22):
When I when I first heard it, when I like,
after I saw that it come out, I was like,
I'm I here, bro. I did not want to stop
listening at work. I had to like fucking hide my
ear but in my ear, and I was like, fuck,
I need to listen to this. I give this a
fuck to I give it a ten out of ten.

Speaker 6 (01:28:36):
I think this is like this is like there there
there are no bad songs.

Speaker 1 (01:28:43):
On this album, now, you said with kill Switch, Now
I'm not right. No, yeah, that was your album of
the year probably yeah, But but then this came up
and I was like, fuck, this is probably my album
of the year, like no joke.

Speaker 4 (01:28:54):
Like it's like it's like I love kill Switch because
I love their melody, and but I love White Chapel
and I love the heaviness and the melody. So it's
like they're both really big for me, and it's just
like I give this it's I give.

Speaker 6 (01:29:10):
It a ten on ten.

Speaker 4 (01:29:11):
It's just like like I don't know, like like to me,
they both like they both stand out as album of
the year, which is like hard.

Speaker 6 (01:29:21):
I'm like, I don't know which one I would.

Speaker 4 (01:29:23):
Fucking choose, but fuck, it's just it's so good.

Speaker 6 (01:29:26):
It's so fucking good.

Speaker 4 (01:29:27):
Like I love the heaviness, I love the MMM, I
just love it.

Speaker 1 (01:29:33):
I just love it.

Speaker 4 (01:29:34):
No, I love the fucking like his his his patterns
that he does when he's rapping, Like it's fucking.

Speaker 6 (01:29:41):
It's like iconic Whitechapel, but it's fucking so.

Speaker 4 (01:29:45):
Brutal, and I'm just like, fuck, I can't like, I
can't like My favorite is the It's it's a two
for it's a infate talent.

Speaker 1 (01:29:54):
Pick one, it's no, no, no, no hate?

Speaker 8 (01:30:00):
What was it?

Speaker 1 (01:30:01):
Cult? Ritual? Hate cult richel I know you're gonna say
with the interview, but the song is just as good
without it.

Speaker 2 (01:30:07):
Yeah, yeah, it doesn't need it, all right, but.

Speaker 4 (01:30:11):
I like really want to get if I really want
to get that song you played with the So what
was your rating?

Speaker 1 (01:30:16):
Ten?

Speaker 3 (01:30:22):
I give it a nine out of ten. Really good album,
but I did feel like after a while it started
to sound the same after a while. Did after a while.
Besides that, this album made me feel like when I
first heard This is Exile, I felt like it was
the heaviest ship I ever heard. It felt very like,

(01:30:42):
holy fuck, I forgive you for your night. Out of ten, yeah,
I forgive you, thank you. Let's do better, better, go
into the world.

Speaker 1 (01:30:53):
And what song? What you said?

Speaker 3 (01:30:57):
The hate cult ritual?

Speaker 1 (01:30:59):
Okay, so we got to fort Rich, got it? Uh,
Hondy take us home please?

Speaker 2 (01:31:05):
So so stand out track, Let's just get that one
out of the way.

Speaker 5 (01:31:11):
Uh.

Speaker 2 (01:31:11):
Prisoner sixt sixty six. That was a great fucking opener, Like,
holy shit, had a little bit of everything there's like
some technical shit going on in there all throughout the
whole album. But as far as my rating, I was
thinking nine point two is going to be my rating.
It's not a band that I listened to religiously, but

(01:31:33):
this album is like the first of theirs where I'm like, dude,
that's fucking like whatever they set out to do, they
think they did it and like you can feel it,
so I need to listen to it more. This is
like I only went through it like one, so maybe
my opinion will changed later, who knows, But yeah, there's

(01:31:53):
something for me to as a guitar player to absorb,
you know, like take in and observe, and I don't know.

Speaker 1 (01:32:02):
All right, I want this shirt, I want this vinyl.
I just want this album so much. I'm gonna order
this vinyl probably tonight, order now. Yeah. Uh so Metology
absolutely loves this record. This is a very strong ten ten,
nine point two nine. This is probably the best for

(01:32:23):
you album we've done so far. Yeah, this is so
I think, just like across the board, what do you
guys think? Did this album hit you? I'm not like
I have to keep emphasizing this like I'm not over
exaggerating just how much I'm loving this record, Like I'm
so happy that I sat down with you guys and
did this whole kind of reaction and review because I

(01:32:45):
really feel like this is gonna be an album sticks
to me for a while. Like the last the last
time I had a feeling like this for an album
was Spearbox's Eternal Blue, which is ironic, like this is
the last time, and this is probably be like the
new norm for me. You know, I don't know.

Speaker 2 (01:33:02):
It's gonna live in hell, dude.

Speaker 1 (01:33:04):
Live in hell. Fuck Yeah. All right, guys, we're out.
I have no more energy. Follow subscriptions on YouTube. Uh,
follow us on Spotify, Apple Podcast. Leave us a five
star writing. We really appreciate it. I'm dying here, so
please leave us a five start.

Speaker 2 (01:33:19):
Writing, uh, five star for Tony who's dying.

Speaker 1 (01:33:22):
We just dropped a new album. It's not as heavy
as this. This is not I want to quit music,
but it's still good.

Speaker 2 (01:33:28):
It's still check it out.

Speaker 1 (01:33:29):
We're getting a lot of love for a lot of support.

Speaker 2 (01:33:31):
Five the Talents, self titled.

Speaker 1 (01:33:33):
All of the Links to all of Our Ship is
in the link tree in the description box of this episode.
Go follow our ship. You guys can follow our bed
defind turns out to five. The Terrans follow Metalgy on
Instagram at Menology podcast. You used to follow me at
Anthony UNDERSCOO seven String Rudy, have Mercy and take it Away.

Speaker 3 (01:33:48):
You can follow me as the one who knocks on Instagram.
The o's are zero's and underscore after every word yes.

Speaker 2 (01:33:54):
And you can follow me at Metal Underscore Handro and you.

Speaker 4 (01:33:58):
Can follow your boy yeah, slap on your score.

Speaker 1 (01:34:02):
Alright, guys, thank you so much for tuning in, and
we will see you guys on the next episode of
Menology