April 27, 2023 • 12 mins
We start minute 109 with Limbo saying Farewell Spaceman and ends with a rising shot of the remaining survivors of Planet of the Apes.
The “Planet of the Apes” is kicked off in only the way Tim Burton can kick off a franchise, by adding Dirk Diggler to the world of apes!
Facebook @MinuteOfTheApes
Twitter @MinuteOfTheApes (Shows post but no interaction here because Elon Musk sucks)
Email: podcast@minuteoftheapes.com
Website: https://www.minuteoftheapes.com/
http://moviesbyminutes.com/
https://www.zeuscomics.com/
http://divebarboombox.com/
“Antibody” by Chris Williams (shorturl.at/ctNY4)
The “Planet of the Apes” is kicked off in only the way Tim Burton can kick off a franchise, by adding Dirk Diggler to the world of apes!
Facebook @MinuteOfTheApes
Twitter @MinuteOfTheApes (Shows post but no interaction here because Elon Musk sucks)
Email: podcast@minuteoftheapes.com
Website: https://www.minuteoftheapes.com/
http://moviesbyminutes.com/
https://www.zeuscomics.com/
http://divebarboombox.com/
“Antibody” by Chris Williams (shorturl.at/ctNY4)
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
(00:00):
On today's minde Apes. Oh Igot kissed by a girl. I'm gonna
run back and hide in my spaceshipdrinking. Hello and welcome to minut of
(00:49):
the Apes, the daily podcast wherewe break down every minute of the plan
of the Ape movies one minute atime. I'm Todd and now I'm of
the mind of I kissed a girl. I thought, I really thought you
were going to sing, because youknow how much I love it when you
sing on these episodes, And Ithought, so that's where we're going.
That was Richard teasing us once again, Sean, what are you are you
playing? On? The checklist emailjust went out just you know, Oh,
(01:12):
that's how good my husband's working.Yes, the checklist being that if
you don't know, well, Ihave a comic bookstore and every single week
we send out an email that hasa listing of all the comics on there.
You can click on a link andactually pick your choices for the week
and have them help feel on Wednesday, so you don't have to rush and
love a name on Wednesday. Youcan get your choices today and you're the
name of your comic book store isZeus Comics, and the website for Your
(01:32):
comic is Zeuscomics dot com and we'returning twenty three this July twenty three and
located on Inwood Road and down thirteenthirty foot in a Road, Dallas.
But you can also find us onlineand together we got this average usement down.
And so if you use the discountcode m m OTA when your check
out, oh my goodness, Seanwill get nothing. You get my giving,
(01:55):
my husband war work. Anybody forget the combook store ever listen to
this every say anything to you aboutit? No, I don't think so.
I've talked about the podcast plenty oftimes, have you. Well,
we need people. We just needto put a sign behind Richard that heads
errors pointing at him and says cohost of Minute of the that's right,
that's what we need. We needrunning tally on him that says I've done
(02:15):
this many episodes and listened to thismany bring it back to that again.
Here we are a minute one onine. It is Thursday. We are
getting ever so close to the endof this film. One hundred or six
hundred and sixty two episodes been releasedso far, so I got and I
want more to come out. AndI think you joined roughly about thirty minutes
(02:37):
into the first one something like that. And so you've done roughly six hundred
and thirty with us. I wastelling that to Shelley. She's like,
you've done how many? I said, well, then I did that podcast
or Jeff and that was one hundredeighteen. So I'm getting close to a
thousand hours of podcasting. Wow,that's when you get your podcast license.
I know, I actually get tolike get a tattoo on my butt.
This is podcaster alright, alright,so here we are a minute one o
(02:58):
nine. Sean, it's your job, my friends, tell us what's going
on. We start minute one ohnine with Limbo saying farewell, space Man,
and ends with a rising shot ofthe remaining survivors of Planet of the
Apes. All right, here wecome minute one o nine, Marky Mark
leaving the Planet of the Apes.Oh space man? Alright, catch who
(03:19):
wants to lie some ash for maybeyou'll come back as men one or nine.
(04:15):
We have an oberon's worth of apesand humans who display spots with humans
and apes. So many wild humansand apes city minus two grillas and a
piece among humans and apes. Visually, Markut Mark leaves the capsule running to
the right of camera, Limbo inthe background, which is really a pretty
nice edit when you look at thecut in on that Limbo pulls out some
aspirin because you know, he knewwhat aspirin was and he's got to be
(04:38):
the pervert selling it to the kiddies. We didn't get Estella standing up.
She walks to market mark. Theyhave a moment where they don't say a
damn thing and just stare at eachother before basically she says, maybe you'll
come back and smacks him. Hey, this time she's moving in on his
space. She's the aggression, buteither because this is Leo's way of handling
shit, he go see and heruns off. It gets in his capsule,
(05:02):
The capsule goes back. He nodsat the kid, who, once
again, really, what the fuckis the kid done in this movie besides
being an annoyance. We go toa shot as the capsule pulls away and
we watch everybody down below as theywatch him blast off. So, so,
yeah, they don't they know whata zoo is, but they know
what aspirin is. Yeah, so, and he knows what aspirin is he
(05:26):
and it also knows the pervy haye, kids who wants some aspirin? When
did the kids all su become sofriendly with the apes? I know,
I mean, I can understand theadults maybe okay, we we understand that
we haven't accord, so we mighthave a cold agreement between us. But
these kids probably would terrified of theseapes originally because they would be kidnapping their
families and put and now they're gotall this stuff. I'm going to go
(05:49):
over doctor and push your man's gotthe pills. Let's go seriously telling drugs
to kids. That's what it is. What money do they have? Wow?
Well, then quite put that togetherthat I did that Limbo's basically just
a pill pop or a pill pusher. Lovely, that's a great never mind.
I went back and read some ofthe reviews of this, and the
(06:09):
reviews were not ugly to anyone performer. But then you go when you look
at all the nerdy shit where theywere just you know, a still a
warrant got just savage in the earlydays of the internet. And I had
already said I think one of thereasons she's true that way is because her
character's written so bad. She hasgiven nothing to do even in this moment
outside of and I'm going to speakvery matter of factly when I say this,
(06:32):
I can look and say there's aboot shot. She's in a hot
uniform. She's a beautiful woman,but she's also given open mouth moment where
it's like, well, she hasnothing to say or do they don't really
have any dialogue? Yea. Tome, it almost feels like the characters
saw Davidson kissing Ari and said,well, I can do it better.
(06:53):
I can do it better. Look, well, we should have seen that
shot at least, and I wouldhave liked it, but we could least
see that shot. This is oneof those moments where they don't have any
real dialogue. Well, you said, Davidson runs away. She runs away
first, she kiss them and justhope we are going to get a manager
monkey or something like that. Itwas a little weird for her to run
away and then for him to likerun away to really quickly. You know
(07:15):
the thing that stood out you talkabout them not having dialogue or is this
idea that um both of them havethat mouth open for the entire scene and
I'm just like, can just closeyour mouth? Why is her math?
Well, I granted I want tosee your teeth. I think from like
I think for photography, stuff likean open mouth is seen as inviting on
(07:36):
a female, So you're supposed soyou're just supposed to be because it makes
it look like like you're grant tosuck a dick at some point. I
oh my goodness, there you go. Yeah. So it's almost like the
only thing she's given to do ishave that pondering look of like is he
leaving me? And man again getsgood performances from people, and this one
(07:57):
it's just does nothing. I mean, it's almost comedic when she goes,
maybe you'll come back, because Ijust wanted him to just give a look
like this. No sorry, babe, you're hot, but nope, I
ain't coming back. But okay,let's go back to again. She's given
nothing to do. He's he's asbad in this moment, if not worse
(08:20):
right, and she is right.He has nothing to say, no nothing.
Let me find it because I thinkshe actually had more of a line.
Uh while you're looking that up,you know, salute to the kid.
What the hell the kid, yeah, you pointed out in previous minutes
serves no function in this none andhe if you're gonna cut Limbo. I
(08:43):
cut him too. I mean,the only reason I can see they have
the kid is if they had plannedon doing a sequel and he was gonna
be an adult when they come backand he you know, why did you
leave me? We need that Itdidn't go as well as you wanted.
There was a piece for a littlewhile, but then everything turned bad when
they showed back up. The onlything, the only purpose he served was
(09:03):
for Leo to rescue him in thatfirst month. Yeah, would that not
have been a stronger moment If thathad been Estella that he rescued, then
they would have a connection. Hewould have rescued her, She would feel
indebted to him. There would beyondthe potential love. There's that. But
instead we wasted on the kid thatlooks like he should be in Peter Pan
instead of Monkey movies. What you'relooking off to the side. Dana tries
(09:26):
to stand proudly. Leo goes toher. She finally breaks down, wraps
her arms around him, and holdshim tight. Leo, you know I
can't take you with me, Dana, Um, then you'll have to come
back. She kisses him deeply,then runs off. That's better, that
would be better. Yeah again,you know, he looks around one last
time and then climbs to the pod, slips on them. If if they
okay, let's let's we cut thekid. It's Estella that follows that he
(09:48):
rescues her, so there's that connectionthat then give them one other real human
connection. Then this moment and hesays, I can't take you with me.
Okay, but there's none that yedid they have a single moment of
real connection in this movie? No, no, I can't find one.
So when this occurs, that's whyI think why it feels so stupid.
(10:09):
It's just just like, um,she's like, she's got to love the
pretty the pretty lady has to lovethe pretty boy. We were complaining about
the fact that they haven't really donemuch of building any romance or any triangle
between these three characters and a fewglut ari and all of this, and
this just really brings all that backto the four that there's just nothing other
than the fact that they're attractive castmembers. That's and everybody's pretty, that's
(10:31):
great. I mean, the littlekids, a pretty little boy we got,
you know, even everywhere you turnHelen and Bottom, Carter even tho.
Yeah, she's very pretty. Thatalmost hammers this movie. Everybody's too
fucking pretty. You don't have anycan you sing again? That'll make me
happy? You don't have any uglywaitch I say, we don't have any
(10:54):
like ugly apes like we did inthe fifth movie. You know where they
they look mouth form, Yeah,they'd be the equivalent of seventies actors.
But as an ape, you don'thave any of those people in here.
You know what I'm missing is Iwish there was somebody in one of these
movies like Caesar Romero would do withthe Joker back in the day where he
left them the mustach. They wouldjust paint over a mustache like that.
(11:16):
That would be funny. Anyway,I think that's it for a minute.
One or now. We got onemore minute to go, and then we
got an in between, and thenwe are into the final recording session for
this movie. Two weeks to go. Well, well that's what I mean.
If we if we do what weusually do was just two weeks,
we'd be found a recording session.Just follow me, Sean, I'm looking
for hope, you're looking for reality. Stop it all right, Princess Leia
(11:41):
hope. That's right. Okay,now, Sean made me happy. He
called me Princess Leah. I getto be Lea for a day. I'm
gonna put on my bikini. Watchout, you've seen me in the bikini?
Right? No, do you have? Are you? Are you kidding
me? He'll take off his shirtand show you right now? No?
No, no, Sureity would NoI put it. I put it on
(12:01):
for one of the various episodes.No I did. It was one of
a cheap costume, but I worelayout there. Okay, well I gotta
see that. Okay, okay,I know what we're doing in the INVI.
That's about I don't nine. We'llbe back tomorrow. Everyone have a
great day. Bye bye, everybody.
On today's minde Apes. Oh Igot kissed by a girl. I'm gonna
run back and hide in my spaceshipdrinking. Hello and welcome to minut of
(00:49):
the Apes, the daily podcast wherewe break down every minute of the plan
of the Ape movies one minute atime. I'm Todd and now I'm of
the mind of I kissed a girl. I thought, I really thought you
were going to sing, because youknow how much I love it when you
sing on these episodes, And Ithought, so that's where we're going.
That was Richard teasing us once again, Sean, what are you are you
playing? On? The checklist emailjust went out just you know, Oh,
(01:12):
that's how good my husband's working.Yes, the checklist being that if
you don't know, well, Ihave a comic bookstore and every single week
we send out an email that hasa listing of all the comics on there.
You can click on a link andactually pick your choices for the week
and have them help feel on Wednesday, so you don't have to rush and
love a name on Wednesday. Youcan get your choices today and you're the
name of your comic book store isZeus Comics, and the website for Your
(01:32):
comic is Zeuscomics dot com and we'returning twenty three this July twenty three and
located on Inwood Road and down thirteenthirty foot in a Road, Dallas.
But you can also find us onlineand together we got this average usement down.
And so if you use the discountcode m m OTA when your check
out, oh my goodness, Seanwill get nothing. You get my giving,
(01:55):
my husband war work. Anybody forget the combook store ever listen to
this every say anything to you aboutit? No, I don't think so.
I've talked about the podcast plenty oftimes, have you. Well,
we need people. We just needto put a sign behind Richard that heads
errors pointing at him and says cohost of Minute of the that's right,
that's what we need. We needrunning tally on him that says I've done
(02:15):
this many episodes and listened to thismany bring it back to that again.
Here we are a minute one onine. It is Thursday. We are
getting ever so close to the endof this film. One hundred or six
hundred and sixty two episodes been releasedso far, so I got and I
want more to come out. AndI think you joined roughly about thirty minutes
(02:37):
into the first one something like that. And so you've done roughly six hundred
and thirty with us. I wastelling that to Shelley. She's like,
you've done how many? I said, well, then I did that podcast
or Jeff and that was one hundredeighteen. So I'm getting close to a
thousand hours of podcasting. Wow,that's when you get your podcast license.
I know, I actually get tolike get a tattoo on my butt.
This is podcaster alright, alright,so here we are a minute one o
(02:58):
nine. Sean, it's your job, my friends, tell us what's going
on. We start minute one ohnine with Limbo saying farewell, space Man,
and ends with a rising shot ofthe remaining survivors of Planet of the
Apes. All right, here wecome minute one o nine, Marky Mark
leaving the Planet of the Apes.Oh space man? Alright, catch who
(03:19):
wants to lie some ash for maybeyou'll come back as men one or nine.
(04:15):
We have an oberon's worth of apesand humans who display spots with humans
and apes. So many wild humansand apes city minus two grillas and a
piece among humans and apes. Visually, Markut Mark leaves the capsule running to
the right of camera, Limbo inthe background, which is really a pretty
nice edit when you look at thecut in on that Limbo pulls out some
aspirin because you know, he knewwhat aspirin was and he's got to be
(04:38):
the pervert selling it to the kiddies. We didn't get Estella standing up.
She walks to market mark. Theyhave a moment where they don't say a
damn thing and just stare at eachother before basically she says, maybe you'll
come back and smacks him. Hey, this time she's moving in on his
space. She's the aggression, buteither because this is Leo's way of handling
shit, he go see and heruns off. It gets in his capsule,
(05:02):
The capsule goes back. He nodsat the kid, who, once
again, really, what the fuckis the kid done in this movie besides
being an annoyance. We go toa shot as the capsule pulls away and
we watch everybody down below as theywatch him blast off. So, so,
yeah, they don't they know whata zoo is, but they know
what aspirin is. Yeah, so, and he knows what aspirin is he
(05:26):
and it also knows the pervy haye, kids who wants some aspirin? When
did the kids all su become sofriendly with the apes? I know,
I mean, I can understand theadults maybe okay, we we understand that
we haven't accord, so we mighthave a cold agreement between us. But
these kids probably would terrified of theseapes originally because they would be kidnapping their
families and put and now they're gotall this stuff. I'm going to go
(05:49):
over doctor and push your man's gotthe pills. Let's go seriously telling drugs
to kids. That's what it is. What money do they have? Wow?
Well, then quite put that togetherthat I did that Limbo's basically just
a pill pop or a pill pusher. Lovely, that's a great never mind.
I went back and read some ofthe reviews of this, and the
(06:09):
reviews were not ugly to anyone performer. But then you go when you look
at all the nerdy shit where theywere just you know, a still a
warrant got just savage in the earlydays of the internet. And I had
already said I think one of thereasons she's true that way is because her
character's written so bad. She hasgiven nothing to do even in this moment
outside of and I'm going to speakvery matter of factly when I say this,
(06:32):
I can look and say there's aboot shot. She's in a hot
uniform. She's a beautiful woman,but she's also given open mouth moment where
it's like, well, she hasnothing to say or do they don't really
have any dialogue? Yea. Tome, it almost feels like the characters
saw Davidson kissing Ari and said,well, I can do it better.
(06:53):
I can do it better. Look, well, we should have seen that
shot at least, and I wouldhave liked it, but we could least
see that shot. This is oneof those moments where they don't have any
real dialogue. Well, you said, Davidson runs away. She runs away
first, she kiss them and justhope we are going to get a manager
monkey or something like that. Itwas a little weird for her to run
away and then for him to likerun away to really quickly. You know
(07:15):
the thing that stood out you talkabout them not having dialogue or is this
idea that um both of them havethat mouth open for the entire scene and
I'm just like, can just closeyour mouth? Why is her math?
Well, I granted I want tosee your teeth. I think from like
I think for photography, stuff likean open mouth is seen as inviting on
(07:36):
a female, So you're supposed soyou're just supposed to be because it makes
it look like like you're grant tosuck a dick at some point. I
oh my goodness, there you go. Yeah. So it's almost like the
only thing she's given to do ishave that pondering look of like is he
leaving me? And man again getsgood performances from people, and this one
(07:57):
it's just does nothing. I mean, it's almost comedic when she goes,
maybe you'll come back, because Ijust wanted him to just give a look
like this. No sorry, babe, you're hot, but nope, I
ain't coming back. But okay,let's go back to again. She's given
nothing to do. He's he's asbad in this moment, if not worse
(08:20):
right, and she is right.He has nothing to say, no nothing.
Let me find it because I thinkshe actually had more of a line.
Uh while you're looking that up,you know, salute to the kid.
What the hell the kid, yeah, you pointed out in previous minutes
serves no function in this none andhe if you're gonna cut Limbo. I
(08:43):
cut him too. I mean,the only reason I can see they have
the kid is if they had plannedon doing a sequel and he was gonna
be an adult when they come backand he you know, why did you
leave me? We need that Itdidn't go as well as you wanted.
There was a piece for a littlewhile, but then everything turned bad when
they showed back up. The onlything, the only purpose he served was
(09:03):
for Leo to rescue him in thatfirst month. Yeah, would that not
have been a stronger moment If thathad been Estella that he rescued, then
they would have a connection. Hewould have rescued her, She would feel
indebted to him. There would beyondthe potential love. There's that. But
instead we wasted on the kid thatlooks like he should be in Peter Pan
instead of Monkey movies. What you'relooking off to the side. Dana tries
(09:26):
to stand proudly. Leo goes toher. She finally breaks down, wraps
her arms around him, and holdshim tight. Leo, you know I
can't take you with me, Dana, Um, then you'll have to come
back. She kisses him deeply,then runs off. That's better, that
would be better. Yeah again,you know, he looks around one last
time and then climbs to the pod, slips on them. If if they
okay, let's let's we cut thekid. It's Estella that follows that he
(09:48):
rescues her, so there's that connectionthat then give them one other real human
connection. Then this moment and hesays, I can't take you with me.
Okay, but there's none that yedid they have a single moment of
real connection in this movie? No, no, I can't find one.
So when this occurs, that's whyI think why it feels so stupid.
(10:09):
It's just just like, um,she's like, she's got to love the
pretty the pretty lady has to lovethe pretty boy. We were complaining about
the fact that they haven't really donemuch of building any romance or any triangle
between these three characters and a fewglut ari and all of this, and
this just really brings all that backto the four that there's just nothing other
than the fact that they're attractive castmembers. That's and everybody's pretty, that's
(10:31):
great. I mean, the littlekids, a pretty little boy we got,
you know, even everywhere you turnHelen and Bottom, Carter even tho.
Yeah, she's very pretty. Thatalmost hammers this movie. Everybody's too
fucking pretty. You don't have anycan you sing again? That'll make me
happy? You don't have any uglywaitch I say, we don't have any
(10:54):
like ugly apes like we did inthe fifth movie. You know where they
they look mouth form, Yeah,they'd be the equivalent of seventies actors.
But as an ape, you don'thave any of those people in here.
You know what I'm missing is Iwish there was somebody in one of these
movies like Caesar Romero would do withthe Joker back in the day where he
left them the mustach. They wouldjust paint over a mustache like that.
(11:16):
That would be funny. Anyway,I think that's it for a minute.
One or now. We got onemore minute to go, and then we
got an in between, and thenwe are into the final recording session for
this movie. Two weeks to go. Well, well that's what I mean.
If we if we do what weusually do was just two weeks,
we'd be found a recording session.Just follow me, Sean, I'm looking
for hope, you're looking for reality. Stop it all right, Princess Leia
(11:41):
hope. That's right. Okay,now, Sean made me happy. He
called me Princess Leah. I getto be Lea for a day. I'm
gonna put on my bikini. Watchout, you've seen me in the bikini?
Right? No, do you have? Are you? Are you kidding
me? He'll take off his shirtand show you right now? No?
No, no, Sureity would NoI put it. I put it on
(12:01):
for one of the various episodes.No I did. It was one of
a cheap costume, but I worelayout there. Okay, well I gotta
see that. Okay, okay,I know what we're doing in the INVI.
That's about I don't nine. We'llbe back tomorrow. Everyone have a
great day. Bye bye, everybody.
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