Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Ready.
Speaker 2 (00:05):
Mountain Dew has predicted unintentionally bad occurrences since two thousand
and one.
Speaker 3 (00:12):
Let me explain so somewhere, go ahead.
Speaker 2 (00:16):
Yeah, so every time Mountain Dew pushes a new product,
something occurs a few months later that correlates to the
product that they have. So Code Red came out in
two thousand and one. We all know what happened in
two thousand and one.
Speaker 3 (00:38):
I saw your face, I saw your base.
Speaker 2 (00:46):
They had a Mali burst before the fires star Spangled splash.
There was a bridge that fell. It's called the Francis
Scott Bridge.
Speaker 1 (00:58):
And you know black people, you know that's where that
came from.
Speaker 2 (01:06):
They had Pitch Black that came out a little bit
before a huge it t blackout.
Speaker 4 (01:12):
Yeah that now that's when I started kicking in all that.
Speaker 3 (01:16):
I know, co Red, I know Pitch Black, all this
in the middle.
Speaker 4 (01:21):
Bet that it was bust them.
Speaker 1 (01:23):
I mean it was Mountain Dew.
Speaker 4 (01:24):
Damn, that's crazy. They got a Cobo one. Now there's
two more.
Speaker 2 (01:30):
Hold on, we have a tropical squirrel that hurricanes in
South America and the newest one that came out this
year was called Mango Rush. And can you guess from
Mango Rush. What happened.
Speaker 1 (01:48):
Something already happen.
Speaker 3 (01:51):
Mango Rush and Trump one, they both orange.
Speaker 2 (01:56):
It's the Texas floods that killed a bunch of peace.
Speaker 1 (02:00):
That's right, because they produced mangos.
Speaker 4 (02:06):
That's not even the most recent flavor to come out.
Speaker 1 (02:09):
Two flavors is the since mango.
Speaker 3 (02:12):
I feel you they've had They've dropped two flavors this month.
Speaker 1 (02:15):
Well, then there's new things in the next month.
Speaker 3 (02:19):
So this is summer summer Blitz or some ship and
dragon fruit already.
Speaker 1 (02:26):
If Summer Blitz is and then and that means for
sure that probably call us with the heat wave that
we were, the dry heat wave that we've dealt with.
And what's the other one?
Speaker 4 (02:34):
Dragon Fruit? That's a Walmart exclusive?
Speaker 1 (02:38):
But do Walmart ones account? I feel like Walmart one
shouldn't count.
Speaker 4 (02:41):
It's only been a handsel.
Speaker 2 (02:43):
Do you want to count Taco Bell flavors because.
Speaker 3 (02:46):
They Taco Bell kind of started Baja Blitz and then
it went to market.
Speaker 2 (02:51):
Yes, it used to be blasted. Now they got a
Baja Midnight.
Speaker 3 (02:55):
Yes, and and don't even give me into this dirty
soda append all of that.
Speaker 1 (03:01):
It's better than it should be. But it's also quite disgusting.
Speaker 3 (03:06):
I haven't even tried it because why the fucker and
coffee cream with a soda.
Speaker 4 (03:10):
It sounds like too much. That sounds like beaties.
Speaker 1 (03:13):
Yeah, that's exactly what it is. That's all it is.
It's discussing it works. I was curious if it worked
at all, because I'm like, this shouldn't even work. It works,
it's just too much of everything.
Speaker 3 (03:26):
Also, y'all niggas have y'all not y'all niggas, but y'all
niggas have have done so much negative pr for the
lean community, the rap community, and by osmosis from those two,
the black community, just for whites to adopt dirty, dirty sodas.
Speaker 1 (03:51):
Okay, wait a minute, that was a hell of a
rich say. I would like you to say that again
out loud, because I really want to make sure you
believe the shit you just said. Ain't no way you
said that's sittings out loud and believed yourself. Are we
on the same pace, the.
Speaker 3 (04:08):
Lean community, the rap community, and the black community? Because
who you are?
Speaker 1 (04:15):
Coffee cream and soda?
Speaker 3 (04:17):
I'm talking about the name. Okay, the fuck are you
talking about it? I thought you was just comparing it
to the drink. It's I'm talking about them stealing the
name of Lean and using it for coffee creamer.
Speaker 1 (04:27):
I mean they called it dirty soda. Lean is coming
completely different. And it's also, I don't know, something that's
supposed to funk you up, whereas was just gonna kill you.
Speaker 3 (04:37):
Maybe don't steal the name of some ship that's a
war against drug topic.
Speaker 1 (04:43):
I've never heard that used as a drug term. Dirty
soda is a drunk term for Lean. Yes, never I've
heard Lean. I've only heard Lean.
Speaker 3 (04:53):
So you thought after all these years lean and handle nickname? No, well,
it has brother updates you. It's fine as.
Speaker 4 (05:02):
And now they have white over.
Speaker 3 (05:05):
It's like, oh, no, coffee creamer, cocoa lime, cocaut lime.
Speaker 1 (05:11):
I mean one, no offense. I wasn't fucking with Lean
in the first place. Jason's is a crazy rebrand. I mean, yeah,
it's a rebrand. Sometimes you just got a rebrand stuff. Yeah,
I've never heard that before. I've I heard people to
this day still call it Lean. So the nickname how
old is the nickname?
Speaker 4 (05:31):
Dirty? Right? As fun? Like one?
Speaker 1 (05:35):
Never the fuck never in my life heard that.
Speaker 4 (05:38):
I mean you adjacent to all three of those communities.
Speaker 1 (05:40):
I mean, I one, I was not sadly enough. I
was mixed with niggas consistently and still never heard that
term at all, not at once. Yeah, no, sucks should
have came up with something better, I guess. I mean
either way, if you can go away.
Speaker 3 (06:02):
About coffee mate, coffee mate, yeah yo, I still feel
like the company is crazy.
Speaker 4 (06:13):
Companies.
Speaker 1 (06:14):
Well, like you said you want representation, we'll say you
got it. There you go.
Speaker 4 (06:20):
The representation I asked for, But you got it.
Speaker 1 (06:24):
Now, Enjoy, enjoy, enjoy your representation.
Speaker 4 (06:29):
Beats, I'm cool.
Speaker 2 (06:31):
Like people getting mad at us saying Jeffrey Dahmer is
gay when he's actually gay and people don't want to
claim him.
Speaker 1 (06:38):
Right, Like, yeah, the game really hates that gay community
hates when when like Jeffrey Dahmer movies and TV shows
or labored on an LGBT.
Speaker 3 (06:49):
Maybe they don't remember they was trying to fuck like
America was really attracted to Jeffrey Dahmer at the time,
like men and men and women was trying to fuck him.
That that's an overall beef I have with this entire
fucking generation from twenty twenty on down. I am pissed
(07:12):
at revisionism. I feel like you, I'm pissed that revisionism, nigga,
you can't rewrite some shit we were here for, rewrite
some ship that niggas was here for is diabolical, like
like like at that point, you're just a compulsive liar,
(07:34):
like you can't help but lie for you to rewrite
some niggas.
Speaker 1 (07:38):
Around for Again, you gotta give me examples, because there's
also been stuff that people claim his revisions history that
was just fact checking. So I will say there's a
mix of both. There's a been a thorough mix of
fact checkings.
Speaker 3 (07:53):
Niggas fact check because they remember being around and niggas
are trying to revive it. I'm not trying togga go
fact check because I don't remember it like that.
Speaker 1 (08:04):
But that's what I'm saying, somebody, some people don't.
Speaker 3 (08:06):
Remember mad at the fact checkers check all the time,
But that's what I'm saying, Like people are mad at
considering fact checking.
Speaker 1 (08:12):
Revision is history. That's what I'm like. When anybody says
the revision history, I'm like, give me an example, because
I want to make sure on the same.
Speaker 3 (08:17):
To me, fact checking is a result of revisionism. Not
about not not something alongside. It's a result.
Speaker 1 (08:26):
Some people consider it that way. Some people all.
Speaker 3 (08:29):
Niggas trying to rewrite shit, which leads others to go
fact check, because no, we were there right.
Speaker 1 (08:36):
What I'm saying is people consider the Jeffrey Dahmer thing revisionists.
But all that was was Hey, that was gay. By
the way, here's the proof.
Speaker 3 (08:45):
I'm saying the outrage is revisionism because y'all wanted to fuck.
Y'all wanted to fuck now that now that niggas are
out of see post not clarity. Don't always happen when
you bus. Sometimes it's a fucking just a period of time.
(09:06):
Y'all was horny. Y'all are less horny now, so y'all
are trying to rewrite the horny time.
Speaker 4 (09:13):
No, the horny time was still there.
Speaker 3 (09:17):
They were sending in letters to the nigga they was
putting on his books. They wanted to fuck Jeffrey Damer.
Speaker 1 (09:24):
For real, saying, what the dude who killed the guy
from the health care I can't wait for that room.
Speaker 4 (09:28):
Yeah, like y'all like.
Speaker 3 (09:32):
We're attracted to monstras sometimes, like, but damn, don't fucking
don't back out.
Speaker 4 (09:37):
Of it.
Speaker 1 (09:38):
Don't say we, because so far I'm human. I know
sometimes I want to make sure that I'm clarified and
the we don't include me. That is one y'all. Oh yeah,
just like I want to one of the few people
outside our Kelly's court room. That's myself and baby oil. Okay, y'all,
let me ask you this.
Speaker 3 (09:58):
Do you think this trial is gonna st any pussy
puffin's gonna get in the future.
Speaker 4 (10:04):
No, I don't.
Speaker 3 (10:05):
I don't think it's gonna stop any pussy get it off.
I think you might get an influx of bitches and niggas.
So mothers gonna provise that mother beaers. I've already tried
to revise that Castle was on the stand, trying to
revise that.
Speaker 4 (10:24):
Come on, there were there.
Speaker 1 (10:27):
I would just like to also reiterate to my stance
on mountain dew, which is where we started is discussing anyway,
So y'all can keep mountain dew and your dirty creamer
and I like that. That's fine. I'm not knocking anybody
like it. But if you like a big bowl of
sugar with your watery'll by y'allselves.
Speaker 3 (10:44):
But I'm looking for somebody said add cream.
Speaker 1 (10:49):
Had said it worked in the orange soda, worked in
the orange soda.
Speaker 3 (10:52):
I mean I'm anti cream secle in all fourmats you
are start the show.
Speaker 1 (11:42):
Welcome back to the Doncise Podcast. I'm your host, e
F and Bob because we gotta get this show going.
That's my co host, Henny Invincible. Over there? You missing
all the buttons? You mean? Okay, I'm about over there
as hand. Oh he's still here. There you go. Kelly's
(12:08):
over there barely pushing the buttons. Chad and the duck
is back here. Everybody is here. Hopefully you had a
good week or weekend. I'm sorry, and moving into a
decent week, because why not? How you doing today?
Speaker 4 (12:29):
In a thousand?
Speaker 1 (12:30):
Bet in a thousand? That's good?
Speaker 4 (12:33):
Right?
Speaker 1 (12:33):
I don't fucking know baseball? I watch it. I don't know.
That's funny for me to wear a white Sox shirt
and then be confused on baseball terms. How you doing, Kelly?
Speaker 2 (12:44):
I'm good?
Speaker 4 (12:45):
Sure, still live. That's a thing shirt.
Speaker 1 (12:50):
Nobody cares about. Chad, fuck you, you might. He might
get fired one of these days. I might fire him.
But I need HR because if I don't have HR,
then we look bad on the internet, and time we
look bad on the internet, I'm like, we'll talk to hr.
That's the only reason why you hit Chad. Supposed to
be doing customer surface work. That's it. And if you
don't do it well enough, you five.
Speaker 3 (13:10):
I got the motive. I don't know what emotion is
there for you.
Speaker 1 (13:15):
I'll figure it out. Mascot, I could do better than
a Teddy Bear, though, I feel like we could do
better than a Teddy Bear.
Speaker 4 (13:23):
I don't think they got it no.
Speaker 1 (13:24):
More, probably not. But there's no famous there's no famous
actual I was famous, like top tier mascots that are.
Speaker 3 (13:33):
Bears Ted top tier. Okay, so ted ted is fucking
the smoke smoke?
Speaker 1 (13:43):
Don't nobody even listen to that?
Speaker 4 (13:44):
Nowhere?
Speaker 3 (13:45):
That is the most unheard on this planet. The there
bear definitely the most unheard of on this planet. They
they removed marijuana from the there thing.
Speaker 1 (13:54):
Don't give a fuck.
Speaker 4 (13:56):
Still hear niggas are not doing No one is doing
fitting all on purpose?
Speaker 1 (14:01):
Well, why do I get commercials to help niggas with fendanol?
Maybe if y'all just stay away from fitting on relationship, they.
Speaker 3 (14:07):
Ain't putting fentanyl and non fetanyl relationship.
Speaker 1 (14:12):
Maybe don't do any of that ship I gotta break
the cycle.
Speaker 4 (14:15):
Maybe you don't do it.
Speaker 1 (14:17):
Okay, I'm not so far. I've been decent. I ain't
got to carry no extra EpiPens with me.
Speaker 4 (14:24):
That's for allergies.
Speaker 1 (14:25):
Niggas, nigga fetanel pen. It's the same ship.
Speaker 4 (14:28):
Fuck.
Speaker 1 (14:31):
They made a whole ass fitting on EpiPen and made
sixteen commercials, just like, don't let your friends die over
fitting on. If my friend, if you passed out right
now from a final over those sucks for you, I
call avalanche.
Speaker 4 (14:42):
Out right now. You would have no idea what it
was from.
Speaker 1 (14:45):
Nope, and wouldn't give a shit.
Speaker 4 (14:47):
I wouldn't give it. It's crazy.
Speaker 1 (14:54):
What are you going to say?
Speaker 4 (14:55):
Though? I don't know. He told me and me die
then I lost track.
Speaker 1 (15:06):
Mostly was demanent. No, we were talking about famous bears.
Top I'm saying top tier mascot bears smoking. The Dear
Bear is definitely out because I'm the Pepsi. PEPSI had
a bear, the polar that's coke, okay, and they got
replaced by Santa Claus. So them niggas is out.
Speaker 4 (15:29):
I've seen them. Motherfuckers put the Bear in the Santa outfit.
Speaker 1 (15:33):
I've not seen that. That's new to me. I've not
seen that. Still Charman Sharman might be. Okay, Sharman might be.
I don't know if that's top tier Bear, but top
tiers I don't know about that. That ain't no Benny
the Bull or whatever the fuck.
Speaker 4 (15:50):
The Benny the Bull.
Speaker 1 (15:52):
We're ass Yeah, but he's I'm saying, mascot in general.
The fact that he's still famous with a terrible team
behind him. There's a lot about Bennie. Bennie's goaded. Everybody
know Bennie inside and outside Chicago.
Speaker 3 (16:06):
I look at Benny the way I look at suicide.
You have no fucking clue who's under that mask. No,
it could literally be any multiple of people.
Speaker 1 (16:14):
I don't give a shit, but we know Bennie.
Speaker 4 (16:16):
You think it's been one Benny for my entire life?
Speaker 1 (16:18):
Of course not. But my thing is is that's how
pristine and great Benny the Bull is. I don't give
a fuck who's on the inside. No one cares. If
once you're done the Bennie and costume, you better be
fucking Benny.
Speaker 4 (16:31):
I'm glad that we got an easy layup.
Speaker 3 (16:34):
No pun intended as far as mascots, because Oklahoma City
Thunder is a fucking buffalo, and I don't get it.
Speaker 1 (16:42):
That's not that they have Sparky. It's not a buffalo,
it's an alien.
Speaker 3 (16:48):
Can we start the show we have started to show.
She's the dumbest shit I've ever heard.
Speaker 1 (16:53):
I was just saying, when the fuck was it ever
a buffalo?
Speaker 4 (16:55):
Why the fuck is it an alien?
Speaker 1 (16:58):
Why does any think any mascot any mask?
Speaker 3 (17:01):
I know because we're the Bulls and have a bull. True,
but not every team does Weather have to do it
extra Not every team has a mascot that matches the team.
Speaker 4 (17:14):
That's dumb.
Speaker 1 (17:16):
The White Sox don't have a giant sock or a
cow or is it a bull that is a white cow?
White Sox are bears. I'm sorry, White Sox are bears.
We talked about that on this show how many years ago,
literally three episodes ago.
Speaker 3 (17:30):
I did not with baseball literally talking about mascot episodes.
Speaker 1 (17:38):
We just because I quickly mentioned to you. It was
just a quick mention. We were talking about the socks,
a quick mass no, because we were talking about sports
in general, and I mentioned to you that the White
Sox are bears, because all three of our teams were Bears.
Speaker 4 (17:51):
The Cubs.
Speaker 1 (17:52):
Cubs, the Bears, and White Sox are a type of bear.
And we had that conversation right here, and you're like,
I learned something today. Those are words that came out
of your mouth right after I said so. See, this
is why we have to have full episodes of recollecting
what has been said on the show. I know I'd
(18:14):
be forgetting Ship, but I don't forget SIT from three
episodes ago.
Speaker 3 (18:17):
Aspiration is one day for niggas to start a podcast
off of this podcast.
Speaker 1 (18:22):
I prefer not. I prefer not. That's nice that you
like that much.
Speaker 3 (18:27):
Gonna start a podcast to break down our podcast episode.
Speaker 1 (18:31):
Now, I'm gonna hit you with a season susist. I'm
telling you that right now you are getting quick and
cease and desists if you start a podcast breaking down
the show.
Speaker 4 (18:37):
God damn crazy.
Speaker 1 (18:40):
This is what happens when you start an LLC. I
can sue. You are getting sued immediately.
Speaker 4 (18:49):
No, you, I feel like you're not looking at it
at correct.
Speaker 1 (18:53):
I'm looking at it in the correct place. I understand.
Speaker 4 (18:54):
You could drow other audiences.
Speaker 1 (18:58):
You can join the shows. You can you can.
Speaker 4 (19:02):
We're not hiring, nigga. What do you mean they can
join the show?
Speaker 1 (19:05):
Nigga? If you want to make money off of my name,
then you better join the program.
Speaker 4 (19:13):
Motherfucker ain't post put up what job poster? Talk about?
Enjoy the show?
Speaker 1 (19:17):
What I want to show that I ain't. If you
want to make money off of my name, nig you
better call better talk to me first, because I hit
you with a Ceasars assistant, a heartbeat. Boy, you thought
messing with the mouse was back. I come bust your
ass personal be able to be a straight jay and
silent bob. Try to get you in the doorigg I'm
(19:42):
not Kendrick, nigga. You cannot use my ship frivolously. I
will bust your ass of the way you meat comit
the subscribe. You could send an email. You can do
a lot of ship before you just talk. Start telling
my content. Absolutely not no, that's not how we do that.
(20:05):
Season to said sir, Absolutely fuck do I look like ye?
Go ahead remix my ship? Nah No I sent out too.
I an't sent out to the copyright disclaimers for a
remixed short. Fuck No, I hate remix shorts. I hate
a remix short. I don't know some random ass nigga
(20:28):
that just did the like green screen in point bullshit. Well,
I copyright that ship immediately. That ship the fuck up
out of here, don't you dawn sit on my video
and point at me while I'm talking to get the
fuck out of here. I don't remember which one of
us I took that ship down right away. I see
remix and I'm like, oh, he might' you know a
(20:49):
little commentary. I don't mind a little reaction. Maybe I'll
let it slide, but just that nigg at that point,
no funk out of here. Do something else. I'm a
team paint yo shit, do something.
Speaker 3 (21:00):
Else, alright. No moral of this story is boss Man
ain't fucking with y'all.
Speaker 1 (21:04):
No, I ain't fucking with you like that. You can
enjoy the show, you could comment, you could talk about
it with your friends, share your ship. But if you're
gonna splice my ship, you better be fucking bringing the
egg game you can. I'll be sign tangent it. I
wouldn't trip.
Speaker 3 (21:20):
I'd be having to fight back from not having to
curse out your comments.
Speaker 1 (21:26):
You can. Why ain't my comment? Is you wanna shoot?
Speaker 4 (21:29):
Because go to your analytics. Niggas. That's just just don't
show up with my dad's boy.
Speaker 1 (21:37):
I don't mind what what what is upset you?
Speaker 3 (21:41):
It wasn't upset. It's just my brain be working too
fast for y'all. Niggas talk like we face to face.
My brain gonna work like we face the face. It's
to be quick waiting from a young age, and I
ain't gonna let your niggas slip eeople.
Speaker 1 (21:58):
I mean, it's fine if you want to talking to
I'm not gonna stop you. I don't ignorant shit, don't
FaZe me nothing.
Speaker 3 (22:06):
So I still remember that lady told us we should
pod on fucking.
Speaker 1 (22:11):
I don't even remember that because it was funny. That's
been my thing. If you're gonna be funny, cool, that's
about us. That's literally my only thing. You could talk
all the shit you want, but you better be funny
enough to make me chuckle. You can't just talk shit
and then it be dry. I can't. I can't have that.
That'd be a swift delete after that, because I'm like,
(22:32):
you ain't funny. I don't have a decent response to it,
because you don't even set me up for funny. Ain't
out of here, or I'll leave it so other niggas
can look at it and be like, all right. Well
he didn't respond to that, so no point in me
being ignorant behind it. How are you doing? I'm fine
minus watching some ignorant niggas make food today, I'm all
(22:52):
coposthetic and deleting a remix video. I'm all good today.
Everybody's good. Hopefully the audience is good today. Well, tomorrow
for those at home is Kelly's birthday, hence the happy
Birthday banner, so we wish Kelly a happy birthday. Early
(23:14):
is early birthday time. And then it's been an action
pack few weekends. So I figured today we just catch
up because we ain't caught up on at least the
audience on the last two weekends. The audience had no
idea what's been going on for the last weekend? Yeah,
this weekend? In the previous weekend.
Speaker 4 (23:33):
I don't know. I don't know what happened this weekend either. Jeez, man,
were you with me at the concert that was Monday?
Speaker 1 (23:40):
Yeah, that was last week which they didn't know that
we went to.
Speaker 3 (23:43):
Yet it should happened this weekend. Nothing that I watched
it all out, I mean all in.
Speaker 1 (23:48):
Well, I mean you could also update about that. That's why.
But let's start off with the concert then, because I'm
sure we mentioned that we were going to a retain
concert and then there was no update on it because
we had record fourth of July, so that was previous
to win. It actually happened, So I would like YO
take first, because.
Speaker 4 (24:08):
I would like YO take first. I went to the
last one.
Speaker 1 (24:11):
What you mean?
Speaker 3 (24:13):
It was the exact same show as last year, minus
run the Jewels, Daylight and Niles.
Speaker 1 (24:20):
I would have definitely not liked to go to that. Actually, no,
I do like Daylight. I do like Daylight was the opener.
Speaker 3 (24:27):
That's crazy they were sharing with NAS.
Speaker 1 (24:30):
That's even crazier. But I understand. I guess I understand that.
So now I think it makes more sense because then
you just give a a quick synopsis of your thoughts
and then I can talk the rest of the way through.
Speaker 4 (24:43):
It was a fun show.
Speaker 3 (24:45):
It was the The wull tame portion was the exact
same this last time, same stage, no stage was different.
Speaker 4 (24:56):
They didn't have like the memorial portion. I don't think.
Speaker 1 (25:00):
Okay, yeah, you seem very unenthusda about it.
Speaker 2 (25:09):
It was just like whatever it was, it was a show.
Speaker 4 (25:13):
No, it was Wou Tang. But I've been.
Speaker 3 (25:17):
I'm glad that I could say I went to the
to the final two Wu Tang tours.
Speaker 4 (25:21):
Whether they didn't change much of shit.
Speaker 1 (25:24):
That's their person, all right, that that'll feed into my
my portion of it then, because that's actually kind of
upsetting because I've been in multiple bands multiple times. The
show is always different when I go to battle concerts
and I've seen them within a year's time frame.
Speaker 4 (25:42):
I think the only difference was it was a sirp.
Speaker 3 (25:49):
We didn't so the last Wu Tang concert was during
the actors strike, okay, so we didn't know if Meth
was going to be there, so they played into that
and Meth came out a lot later.
Speaker 4 (26:04):
That was the only difference.
Speaker 1 (26:08):
That's interesting. Was the actor strike keep him from doing music?
Speaker 3 (26:13):
No, we didn't, so we assumed that he was free,
but we didn't know if he was part of the tour.
I didn't advertise him because he didn't go to all
the dates because of right, okay, and if the strike
was off, he probably would not have been there.
Speaker 1 (26:28):
Yeah, that's what I say. I felt like once the
strike was on. I felt like it was more likely
that he should have been there.
Speaker 3 (26:34):
I mean, we didn't know. I don't be clocking thing
like that. I mean, I don't be clocking meth like that,
but checking that niggas geo locations. I got him on
Facebook like that, which is really he went to a
lot less dates last year.
Speaker 1 (26:51):
That's crazy. Well, I'm glad he was at ours, so
it was at least on my This is my first
hip hop concert. Oh, I've never been to a hip
hop concert before that.
Speaker 4 (27:05):
You had complaints.
Speaker 1 (27:06):
I have a thorough withst of complaints. But as I
was always taught, say something nice before you throw throw
our complaints.
Speaker 3 (27:15):
All right, if this episode is gonna be shitting on
Wu Tang, I think I might leave.
Speaker 1 (27:18):
No, I'm not shitting on Wu Tang. I'm definitely finished
it on everything around it though. So first of all,
Runner Jules did exactly what I expected them to do,
which was solid. That was pretty impressive.
Speaker 3 (27:31):
See that was now okay, So that portion I could
talk more about I bucks with Killer Mike heavy. Yeah,
Killer Mike has gone to have a beautiful solo career,
but I believe the the most funny has is the
longest homie in the D day.
Speaker 4 (27:52):
That was.
Speaker 3 (27:54):
That portion was great. They gave a lot of energy.
I feel like they.
Speaker 4 (27:57):
Were a lot better of an opener.
Speaker 3 (28:03):
Than daylat Soul because they Daylight is a lot less
high energy, like Daylight is some mellow ship, and I
don't really want to get mellow before Wu Tang.
Speaker 4 (28:21):
I don't want to get mellow before Tang.
Speaker 3 (28:23):
I feel like Run the Jewels is very much in
line with later two thousands Wou Tang, where they were
going more electric drum, electric guitars type ship, high energy.
So yeah, that I was really happy to see, and
I didn't with the show being damn near completely the same.
(28:46):
I don't know if I missed NAS or not, but
I I'm pretty.
Speaker 4 (28:50):
I like more. I like Nas more than you do.
Speaker 3 (28:52):
Clearly we went with I would like toss some. I
don't know how crazy it feels about now.
Speaker 1 (29:03):
I was gonna say like he seemed like he was
luke warm, at least in the hype of you talking
about him. He seemed lukewarm, whereas me and my game.
Speaker 3 (29:12):
One thing Crazy ain't gonna do is not put himself
in line for a joke that motherfucker is going to safeguard.
Throw everybody throw it, put everybody else up, all right,
I didn't gona stay at the corner.
Speaker 1 (29:26):
Can I say this real quick? That man threw you
under the bus so like I didn't. I was kind
of mad because I'm like I got my.
Speaker 3 (29:34):
Bro on the buses that I didn't even call for it,
like he lied to get some jokes off.
Speaker 4 (29:40):
He did.
Speaker 1 (29:42):
The biggest. We didn't need it. We had, we did extrasist,
but I mean shout out to crazy I guess for
throwing you under the multiple bus, like not even multiple buses,
but he threw your ass in traffic for no fucking reason.
Speaker 4 (30:00):
Father's sake of the joke was Yeah.
Speaker 1 (30:03):
I would just like to reiterate me and Rucker don't
need help on jokes. If y'all watched early Nonsense, we
never needed help. We got this. We are insult Navy seals.
We've been doing this shit since birth, and this is
a long lineage of insult artists. We got this ship.
No sis needed. Man. Thanks for the love. I'll take it.
If you want me to look like Sean Kemp in
(30:24):
a fourth and dunk on a nigga and then throw
my hand out talking about get me the five. I'm
gonna take it, but you ain't gotta do that. I
can run full court too, by the way, Honestly, that's
all that was. That was just Sean keptn shack dunking
on niggas for two hours straight and then ourselves a
lot of it, like a lot of Kelly even said
half of the people just hanging around us not paying
us attention with laughing because me and my brother are
(30:47):
problem children. But yeah, no, he had no tell yod
to that mini busses. That Uci Wally bit was crazy,
father way.
Speaker 4 (30:57):
Yeah, I really had to defend myself.
Speaker 3 (30:59):
Yeah, like niggas like a nigga accusing you of throwing
Ucci Wally during the set.
Speaker 4 (31:07):
It's crazy. It is crazy.
Speaker 3 (31:12):
First of all, most niggas don't even request us, and
you're gonna go to.
Speaker 1 (31:16):
Ucci No, and why would you first?
Speaker 3 (31:20):
If Ucci Wally is my first set, I'm just going
to ignore you and not do a nonset.
Speaker 1 (31:25):
No, I think you should actually just not do a
set at all. Honestly, as soon as they played that,
last time I heard Uchi Wally was when they played
at the Peloton thing.
Speaker 4 (31:35):
I don't mix it in some ship that's barely but if.
Speaker 1 (31:40):
You mix it, give me like thirty seconds at best, Yeah,
and then turn that shit off like that's like, oh,
I remember that era of music. Turn that ship.
Speaker 3 (31:49):
I would do that, but because that beat has been sampled,
so I would too many times play that and then
going to some ship that sampled it.
Speaker 1 (31:56):
And mind you, apparently that was a sample too, like
like three levels of example.
Speaker 4 (32:00):
Which.
Speaker 1 (32:01):
Oh, anyway, back to the concert, after multiple minutes of
road sessions on the way though, while we were there,
seeing Running Jews was actually kind of decent. I enjoyed
Running Jewels music.
Speaker 4 (32:18):
At the warehouse.
Speaker 1 (32:20):
That's crazy. I did not know that that.
Speaker 4 (32:21):
Was your exact reaction when I told you on the
way to the cost.
Speaker 1 (32:24):
Yeah, I did not know that. I'm glad I did.
It's it's solid because I like Killer Mike, that's all
it was. I like Killing Mike all the way back
to when he was doing it withoutcasts and shit like that.
So anytime I heard Killer Mike, I'm like, well, I'm
gonna get at a solid listen. Killer Mike was decent.
Running Juices decent. They hold energy, like you said, was great.
(32:47):
Woo Tag did exactly what I wanted them to do.
They played the hits. They kept you got to a minimum.
They played one thing too many of you guys, which
was one song, and that's still too much you got.
I could done with know you guy, and I'd have
been happy. But that's cool, y'all. Y'all kept him to
a minimum. Nice, thank you. I appreciate that. Maybe a
little more master Killer is all I was asking for.
(33:09):
But I understand that too. They showcase to show.
Speaker 3 (33:16):
That's second fact, that's the second year in a row.
Ghost Face got his own segment.
Speaker 1 (33:21):
Yeah, but I understand ghost Face getting his own segment
next to Math. Ghost Face probably had the best solo career.
Speaker 3 (33:28):
Math didn't get a solo segment. It's what I'm saying,
so and you know the fucking side he did. But
all he got but all that was was method Man
and You're all I Need, all I Need, And he.
Speaker 1 (33:43):
Did two seconds, like two bars worth of damn. What's
the other song to cal he did? He did it
real quick to Cal.
Speaker 3 (33:52):
No, he did not to Cal re enterprizes lyrics from
method Man.
Speaker 1 (34:00):
I gotta re listen to and some.
Speaker 4 (34:01):
Ship that he says on both because Nigga, I am
meth Man.
Speaker 1 (34:05):
But yeah, because he did methad Man Separate and then
I could have sorted they started with Release of Death,
which kind of said because they started Release of Death
and I thought they moved into Colt right away. I
don't think so I got the video. I double chat.
Speaker 4 (34:19):
I could have. He could have gave me some rock
Wilder like you could have get.
Speaker 1 (34:22):
Him, but you ain't doing rock Wall without Red. And
for the love of God, I really people need people
to understand method method man are not Wu Tang. Just
method Man is wou Tang. Red methods do different things.
I'll be having to check niggas on that ship consistently
Red Man like I actually almost A won't say almost
I did pushing nigga down the stairs.
Speaker 4 (34:41):
Fact, I don't even know where Red is from.
Speaker 1 (34:45):
I think he's from Staten Island. Oh, no, Jersey, He's
from Jersey, one hundred percent from Jersey. I remember I
watched Cribs. Niggas from Jersey, still from Jersey, but again Jersey.
Speaker 3 (34:58):
Jason sa, I know that we all right. So one
great that Bob had was the commercials. They didn't have
the commercials last year.
Speaker 1 (35:09):
Yeah, and I don't like commercials.
Speaker 3 (35:10):
They had commercials at the concert. One of the commercial
The reason I'm bringing us up is one of the
commercials was the Ray Kwan story. Don't and I would
like a Method Man documentary. I need to I was
not cognizant. I would like to know how Methan red
formed was Was it some Wu Tang tension around that time?
Speaker 4 (35:35):
Did you squad up with it outside the family.
Speaker 3 (35:37):
I need to know that story, and I would like
to do it before methand Man dies.
Speaker 1 (35:43):
I can understand that.
Speaker 3 (35:45):
So if we just spent a parlay from Wu Tang
and the Wu films, I'm glad y'all getting Ray Kwan.
Speaker 4 (35:52):
I need meth next.
Speaker 3 (35:53):
I think, don't don't give me, don't give me justit next,
don't give me Hysmine. I don't Rizza. They did that
on Hulu. I don't need the res one either, give
me meth.
Speaker 1 (36:07):
I think Jesup wouldn't be a great story, though, don't
get me wrong.
Speaker 3 (36:09):
They kind of covered that also on the Hulu thing.
Though no Hulu thing was mainly about resid but it's
mostly residents mostly.
Speaker 4 (36:18):
But Jesus was the second there he be there.
Speaker 1 (36:20):
That ship was mostly Rizza, ghost Face and Rake one. Yeah,
because them the three headed niggas. Other group any damn
way says what they understand them three niggas getting it
getting some kind of documentary.
Speaker 4 (36:33):
Mathem Man was a tall nigga crushes.
Speaker 1 (36:36):
Like he had bars. I ain't mad at it, but
I don't some people I just don't need the backstory
of because.
Speaker 4 (36:42):
Like a very interesting nigga.
Speaker 3 (36:46):
Yeah, but let him tell what you want to parlays
into now with his current fucking sex symbol workout ship.
Speaker 1 (36:55):
Yeah, I.
Speaker 4 (36:57):
Don't even know.
Speaker 3 (36:58):
The nigga used to have blacked out. Early Myth was
like early Tyler the Creators. So seeing that nigga as
a sex symbol now is a little weird. I don't
even love. I felt like they have baggy clothes going
to school. But bitches always loved Myth. That was normal.
I felt like, again, I bitch is loving Meph and
(37:20):
then they could be in a sex humble niggas on
GQ and then turned into a sex symbole. I'm not
saying he has from Staten Island.
Speaker 4 (37:29):
This is wild to me.
Speaker 1 (37:30):
I'm just saying, missus tastes don't change. They always liked them,
and that I'm saying, bitch, they like them. Men are
looking at GQ, so why wouldn't you put meth where
he belongs. I'm just doing that out though, I'm just
doing that out there. But no, Wan, did they ship
the crowd energy was exactly what I expected.
Speaker 3 (37:52):
I would have liked a little mold footage of the
Wou Tang game since they played that commercial like Twitter, Yeah.
Speaker 1 (37:57):
They played the commercial thirty times, and they anything more
than what I've seen the summer games. First, So since
we go on that route, let's go right into Bob's like,
what the hell am I looking at? How are we
looking at?
Speaker 4 (38:09):
On time?
Speaker 1 (38:09):
By the way, damn all right? Commercial? And then I'll
get into the negative for the whoop. Welcome back to
the Nonsense Podcast, Bob Hanny Kelly. So, first of all,
commercials at a concert is blast for me. That's that's
nasty work.
Speaker 4 (38:26):
But you're promoting your own ship. Though I like giving
a fun.
Speaker 3 (38:32):
Promoting my Like, it's okay if I got a Coca
Cola commercial of my ship.
Speaker 4 (38:36):
If I'm promoting my ship, that's kind of fly.
Speaker 1 (38:38):
No. No, I know that they have their own promotions,
but you do that ship at the folio set or
after your set.
Speaker 3 (38:47):
They were doing it in between sets. I don't know
you you are. Set is when you walk on stage.
You shouldn't be walking a funk off. Wool Tang has
nine members and guess that are secondn't get all they section.
Speaker 4 (39:01):
They said.
Speaker 1 (39:01):
What I'm saying is to me, a set is when
the artists get on stage. Wool got on stage.
Speaker 3 (39:07):
And then walked off, and then there was the ghost
face turned and then everybody came back and then they
walked off again.
Speaker 4 (39:17):
But that's kind of a wrap concert. That was kind
of that.
Speaker 1 (39:20):
Then that's what I'm saying. So now now we can
get into the native gritty. A set is it was
two sets Run the Jewels, who there's two niggas sets
and niggas on stage. There's two sets. If I go
look at your set list, it should be this is
what rand run the Jewels players. When say randed Jewels,
that's crazy past it and then what play.
Speaker 3 (39:42):
No, I'm not I'm not mad at Woo because it's
nine niggas that do have solo careers. They could have
that each one one of their careers. We could have
been that way.
Speaker 1 (39:54):
Let's be careful of saying that you hate you guys.
Speaker 4 (39:57):
And I think.
Speaker 1 (39:57):
Anybody's going to a Master Killer concert.
Speaker 3 (39:59):
Either okay or Cappadonna okay, out of the out of
the or inspect the deck. Out of the nine, five
of them had enough joints that we could have been
there for another four years.
Speaker 1 (40:11):
Three niggas four hours. Three niggas could have did a
solo set. I think only meth. You probably would have
to mix Raykwan and Ghost together. They did, which what
I'm saying like I wouldn't put them separate, and then
you might do a riza just a set together.
Speaker 4 (40:28):
That's what happened.
Speaker 1 (40:29):
But what I'm saying, but here's you see, you're missing
my point.
Speaker 4 (40:32):
That's not one set.
Speaker 1 (40:34):
That's one that's not one set. I'm looking at WU.
That's not when niggas came out together. You are this
one set.
Speaker 3 (40:40):
Let me explain to y'all how the sets actually went six.
So we had the run, the run the Jewel set.
And the thing is, with the Run of Jewel set,
I would have been pleased if they extended that and
(41:01):
let Killer Mike get.
Speaker 1 (41:02):
Some joints on absolutely, because that's no longer running jewels.
Then you have three. Then you're section off between more performers.
Speaker 3 (41:08):
If if we're in a duo, if me, if me
and you just start rapping and we're a duo and
then I get a Grammy by myself. I'm sorry, nigga,
I'm doing some solo shit at our show.
Speaker 1 (41:24):
But that's the thing.
Speaker 4 (41:25):
I got a Grammy. Nigga, come off, that's great.
Speaker 1 (41:27):
But what I'm saying at that point, that's your ship,
not my ship. It's our show. It's not our show anymore.
It's you. Maybe we can do some ship together and
then it fades into your show.
Speaker 4 (41:40):
That's you know what. That's a call a separate set,
which is what happened.
Speaker 1 (41:44):
But here's the thing. Then, what you would not have
put on there is run the jewels and Wu tang.
You should have been put run the jewels, do.
Speaker 3 (41:52):
Not put run kill Mike, okaying me off. Don't say
run the jewels and killing. That's disrespectful to the other
two niggas.
Speaker 1 (42:01):
Too bad, nigga, because who got the Grammy's just like
you said.
Speaker 3 (42:04):
But we're not gonna We're going to show reverence, but
we're not gonna be different.
Speaker 1 (42:09):
You know who's gonna get who's gonna get the paycheck?
MIC's bring he the one that brought the set, this
nigga getting the paycheck out the set, just like if
we because I'm putting the same terms. If me and
you continue to do this podcast ship, and let's just
say your streams do phenomenal, that's your ship. And if
we did some live ship together, which you want me
(42:29):
to take a cut of your stream and ship, that's ridiculous.
Speaker 3 (42:32):
If we do some live ship together and the group's
numbers are based are based off my rising and popularity,
I'm not going to tell you.
Speaker 4 (42:44):
To give me a bigger cut.
Speaker 1 (42:45):
Yes you should. No, I'm not bad.
Speaker 4 (42:47):
It's our it's on our.
Speaker 1 (42:50):
Platform, it's on your platform.
Speaker 4 (42:52):
But that you realize that's but you realize that that's
by design.
Speaker 1 (42:56):
But that's the thing.
Speaker 3 (42:57):
The reason, part of the reason why I you'll go
out and do all that it is to drive viewers here.
Speaker 1 (43:03):
That's great, But what you should be doing is if
it ends up being your ship is number one, as
a businessman, I wouldn't take part of that. I'm like, now,
it's in our numbers. If our numbers make it, that's
one thing. If our numbers increase for some ship, I do.
But here's the difference. If your numbers exceed the numbers
of the duo, is what I'm asking. I'm telling you, yes, but.
Speaker 4 (43:28):
Raised all ships exactly.
Speaker 1 (43:29):
And at the same time, the ship's on top of
the fucking tide.
Speaker 3 (43:34):
Yes. So if you get if you get up based
off some ship I do, I'm not you are to
say on this platform, give me a bigger cut.
Speaker 1 (43:46):
I'm not.
Speaker 3 (43:46):
It's yours. If you it's still your platform. This platform
boost some ship up.
Speaker 1 (43:51):
That does not. That's does not effect what I'm saying.
If we were to do live ship, the name, the
name they're coming to see is you. So then what
we do smartly.
Speaker 3 (44:02):
Neo NASA's podcast at the bottom.
Speaker 1 (44:07):
On top, I wouldn't let you. We ain't got to
do the show no more.
Speaker 3 (44:10):
I wouldn't even let you because this is about the group.
It's about the group. But the group is under just
like eminem is on top of the twelve. That is
a horrible sometimes but what I'm saying that is a
horrible comparison. And because nobody's ever going to see D twelve.
And on top of that, these over g every sentence
(44:31):
over g unit. I'm sorry, yes, but I'm watch Young
Buck and the rest of them niggas. But if Buck
blew up, which then I caused a positive effect for
G unit overall, the nigga can't say, all right, get
me half a G unit.
Speaker 4 (44:51):
No, no, it's not yours.
Speaker 1 (44:53):
Because it's still at the end of the day, fifties
over is what I'm saying.
Speaker 4 (44:57):
You're over this, so.
Speaker 1 (44:58):
I'm over this. So what I can say is I
can give you a bigger cut because I wouldn't ask,
I would have to, would not even ask. So that again,
what I'm telling you is that's bad business for one
and has, by the way, nothing to fuck with to
do with war. Where I'm telling you about Woo Tank,
what time.
Speaker 4 (45:15):
Point is, you're right that was to a certain point.
Speaker 3 (45:19):
My point is they split the nine group into individual sets.
Speaker 4 (45:24):
They had the.
Speaker 3 (45:26):
Because the first set started out as a Rizer set,
and then more members joined, so it became a full
Woo Tank set. Then they all exited, They had a
commercials because niggas wanted to do wardrobe changes. Then that's
when it was the ghost Face set, and then the
niggas walked off again, and then that's when and then yes,
(45:47):
they got to another commercial, and then that's when Rizza
came up and did the memorial ship.
Speaker 4 (45:52):
That was the start of the good Bye set. So
there was.
Speaker 3 (45:56):
Three sets within one. It was one act, but there
were three sets from the one act.
Speaker 1 (46:01):
So what I'm telling you is that's that's.
Speaker 4 (46:03):
Not how rock concepts work. And I get that.
Speaker 1 (46:05):
But what I'm saying is it makes more sense to
me that way because I know what I'm looking at
and b at the end of the day, niggas get
paid different.
Speaker 3 (46:14):
So you were so you were taking a back that
ghost Faces getting his own set.
Speaker 1 (46:18):
No, I'm saying again, you took that one minor issue
I had to a much bigger thing. All I said
was no commercial breaks. It's one long set. My issue
with the sets or the costume changes. Do that ship
When two niggas on stage, there should be no need
for a break. If everybody exits lead two niggas on stage,
(46:39):
I'm sorry, it's too many. I don't give a fuck.
I've watched I just watched eight year old niggas do
show Bro and didn't take as long as a break.
Speaker 3 (46:48):
Are not Ozsie, I'm sorry, Well, that's different. It's a
completely different. Even love for the game like that nigga
would that nigga would probably I've already died if it
was not for the stage.
Speaker 1 (46:59):
True rappers are different, damn. And all I'm doing is
comparing concerts. I've gone to platho of concerts. This is
my first hip I've I've went to hip hop. I've
went to some pseudo country bullshit. I've gone to comedic
concerts and shit done enough different concerts. I even went
to go see Kenny G. Which still Kenny G Is
(47:19):
probably has the best show I've ever been to, probably Barnutt.
What I'm saying is is there's a difference in concert
and I'm only critiquing the concert. My issue is not
with the members themselves or what they did or their pay.
My issue is commercial break suck. You could do better
than a commercial break. I don't give a fuck what
you're promoting. Do that shit. Later. I came to see
(47:41):
you perform My biggest grape, my biggest grape overall, and
you could say this is a hip hop issue or not.
Y'all niggas need to learn how to and I'm speaking
to hip hoppers and rappers in general. Yah, niggs need
to learn how to use microphones. Y'all got to learn
how to use microphones. You know what we do pretty well,
talk into the talk into the mic. If you need
(48:01):
to be loud on the mic, you can be loud
on the mic. When you want to insinuate a point,
you might get a little closer to the mic and
talk a little loud. But you see how quickly I
went from this voice to this voice. As soon as
I got a little closer to the mic. Y'all got microphone.
Speaker 3 (48:17):
Talking from back here. All got damn concept. They had
their mouth on that bitch.
Speaker 1 (48:22):
I hurt flicks of the lipt on the fucking mic
all goddamn night.
Speaker 3 (48:28):
Mike's amplify sound. It's a simple concept.
Speaker 1 (48:33):
So you know what. I don't need you niggas doing.
Speaker 4 (48:34):
At me yelling.
Speaker 1 (48:36):
Sn't don't yell, don't spit into the mic, don't grab
the mic from the front. That shit. Irk the fuck
out of me. I watched phone niggas do that shit.
Follow y'all niggas grab It's a nice silver and or
black part on the front of the microphone that's not
for your hands, the handles.
Speaker 3 (48:57):
It makes it even funnier with Wou Tang doing that
because they supposed to know how to help.
Speaker 1 (49:03):
To know how to do shit, y'all. Niggas as wild
for the niggas that whole swords, y'all be definitely grabbing
the blade. This is this is asinine, nigga.
Speaker 3 (49:11):
Don't scream make me New York at the nigga, I'm.
Speaker 1 (49:16):
Asking you to be a musician, a performer, whatever the
fuck you want to call yourself. Take your hand off
to the silver part of the mic.
Speaker 3 (49:23):
Speak normally we can't get you.
Speaker 1 (49:27):
Your at the wind guard. That's a great idea. There's
so many steps you can take.
Speaker 4 (49:31):
No, they had the wind guard on, but that's what
my fuckers put.
Speaker 3 (49:34):
The Take your hands off that bitch, it's wrong speak
sing rap.
Speaker 1 (49:41):
A little further away.
Speaker 3 (49:42):
That lady was kicking ass. She was not part of
the last year. No, she kicked ass.
Speaker 1 (49:47):
She happens to be a performer. You know what I noticed?
She didn't have her fucking hands on the mic. Real
simple ship, Just real simple ship. I don't need your
niggas yelling at me. I've been to a Plethoro concerts.
There's typically one to two sound stages. Nowhere niggas big
as I've seen at this concert. None of your niggas,
(50:08):
no audio balancing, whoever was running the audio balance in
that day should be fucking fired.
Speaker 4 (50:14):
It's weird.
Speaker 1 (50:17):
I don't give a fuck who's in charge, because normally
when I go to concerts, it's normally that group's sound
guy handling the sound. So I don't know if it
was or it wasn't. I'm just saying that niggas specifically,
or them faux niggas that I looked at, because I
took pictures of them niggas. It was five niggas at
one station, two of which were on their phone, and
I'm like, one of you niggas could have moved to die.
I can't hear none of you niggas. It's nine niggas
(50:38):
on stage, and I get that first of all, if
it's nine to you, I don't need all nine you
niggas talking at the same time. Take turns so I
can hear. We can talk about Asia later than I guess,
because I really gotta get this shit off. I need
niggas to one at a time with the mic if
you want to sentuate thatgas mike needs to be lowered.
Speaker 3 (50:56):
And the other thing is I have also done audio
visual work out of church where you got a you
got a live to a choir here. Yeah, yeah, you
did it by yourself. Yeah, it's crazy hard, It's not hard,
it's just paying attention. Headphones, headphones, health crazy concept, crazy contest,
(51:20):
Kelly with.
Speaker 1 (51:21):
No audio background, make sure our audio works by wearing headphones,
moving a dill up and now real quick. So all
you really gotta do? I heard, I don't know if
you did. I barely heard a fucking beat all night.
Somebody said, I'm gon gonna hand crank that base up
to ninety nine and then Mike's and we could leave
it ninety eight. Fucking trouble and everything the fuck else.
Speaker 3 (51:42):
So part of so part of the reason to that
is because Woo Tang doesn't you doesn't use TV tracks.
That's great, So a lot of that ship was just
the instrumental. So it's on top of that. Yeah, it
would have been worse if they was using TV tracks.
I'm saying that niggas do that, and they do be worse.
Speaker 1 (52:05):
And I'm saying even with doing better, you still miss balancing.
You still have to balance the audio. I don't give
a fuck.
Speaker 4 (52:14):
And also that might have been part of the design.
Speaker 3 (52:17):
Like Wu Tang has always been a very rugged rungs
gully underground type sounding.
Speaker 4 (52:24):
Maybe that was what they was going for.
Speaker 1 (52:25):
It's a bad idea, So that's if that's was I'm
going to one hundred saying that. If that was who's design,
I don't know. I don't know whose design it was,
But if you're saying it, I'm saying, if it might be,
I'm saying to say fault right now, I'm saying it's
a sound guy's fault because you should know better. You
should know better. Balance that ship. They Who's got some
incredible fucking beats, some of the best beats I've ever
(52:48):
heard in my life. I'd still like to hear them, shits.
I like to hear them ships over five niggas mumbling
into a microphone. I love Cappa Donna. Y'all didn't need
him there. That nigga has no stage performance whatsoever.
Speaker 4 (53:04):
Like that.
Speaker 1 (53:05):
Nigga literally just screamed in his mic all night long,
and I'm like, you, you need to stop. I hate
to admit this as much as I hate the nigga.
You guy was the only one who knew how to
use a microphone out of all of them niggas. And
that's including running jewels. The only nigga that I knew
how to use a microphone, was you guy?
Speaker 3 (53:23):
That's crazy. No, I felt like there was a all right,
so you might have been right. That might've been just
a wool tang guy, because I felt like the Run
of Jewels portion was a lot clearer.
Speaker 1 (53:37):
No, it was just as mumble it was.
Speaker 3 (53:40):
But I think that was not not that audio wasn't beats.
Speaker 1 (53:44):
The beats were clear, clear, a little clear, but that's
also because their beats are, for lack of better term,
it's loud, basy, bullshit, it's noise. It's hip hop noise.
I'm sorry, I like it sometimes. I just like deep beats,
some noise. It worked for them. Nothing was coming through clear,
(54:05):
but it worked. It worked for them if they just
toned it down. I don't even want them to tone
it down a lot, but just bring it down, asmidget
because them niggas was running and no offense of killing.
Like nigga, you are too old and too fat to
be running. Com yo ass Now, like I heard this
nigga breathe into his microphone, I'm like, you ain't gotta
dance every song, just just rap, just like some of you.
(54:28):
Niggas ain't in shape enough to do all that extra shit.
But no, my biggest honesty Grete was commercial breaks sound design.
The rest of the shit was nigga shit that I expected.
So I'm not mad at that. It was just like, eh,
not for me. I couldn't see because there was a
glossy He is a weed everywhere to each his own.
(54:51):
I understand. So I ain't mad at that, you know
what I mean? Some people could be mad.
Speaker 2 (54:56):
At the.
Speaker 4 (54:57):
Butherfucker's old is telling you.
Speaker 1 (55:00):
Yeah, that's what I'm saying. I can't be mad at that.
That ain't got That's why I can't include that my
list of grapes. That's just me being like, oh, that
wasn't for me. But I understand. This is here y'all
do y'all ship. I ain't mad at y'all do your thing.
But damn I couldn't see if.
Speaker 4 (55:14):
So some of it was act. They also had a smoke.
Speaker 1 (55:18):
Smoke machine, right, so yeah, it was a mix of both. Again,
probably wouldn't do the smoke machine indoors personal thoughts.
Speaker 4 (55:25):
No, they one thing we ain't gonna have smoke machine.
Speaker 1 (55:30):
Yeah, I think you could, knowing knowing your crowd, knowing
that they're finna smoke it up for you. You ain't
got to. I appreciate them not having fire because.
Speaker 3 (55:39):
I think it's because they are not. They weren't sure
if niggas was gonna light up, so they do want
the at the static of weed smoke.
Speaker 1 (55:51):
I get that, and that's t on. I just wouldn't
do it indoors. It just it's hazy. It's a hazy
look and then you got lights a lord like. It's
a bad look. That's all I'm saying. I was all right,
I'm again, I don't dislike any of this. It was right.
(56:13):
My biggest issue commercials and sound, literally the fuck it.
So if that's that's what I said, like, they're not
negative harsh gripes I expected. I have seen rap concerts
before niggas yelling the mics. I knew it was gonna happen.
I just thought, whoa of all people, woo was gonna
be like, Nah, we ain't gonna do that. We know
what we're doing now, y'all ain't no better? All right,
(56:35):
enough of mine, that's just rap concert shit. I assume
I would just wish I would learn to use microphones.
But that sound design pissed me off. I was mad
from song one and I'm like, y'all ain't gonna it's five.
I looked, I zoomed in, I got the photo. I
zoomed in so I can count how many niggas was
sitting staring at screens and knobs and dials, and I'm like,
(56:56):
ain't none of y'all finna just go real quick, I
ain't gonna kill you. Ain't nobody gonna be mad. I
almost cussed out Riza because that nigga said, turned it up, mo,
and I'm like, no, balance it first, and then the
just the volume. We need to get that ship together. First,
y'all niggas are not audible properly. That's just Mike rapes.
(57:18):
I don't know if you had any gripes outside of that,
or did you expect me to have gripes outside of that?
And so because that I've said that, I was like,
that was a solid concert. It just wasn't a good concert.
I expect showmanship. Niggas coming out the ground with a
bottle of cheap ass champagne. I zoomed in on that
ship too, just to see if I can see what
(57:38):
brand of champagne was. Couldn't tell, couldn't tell. I tried
to reverse himage search the funk out of that, couldn't
find a bottle for Andre. Was is that expensive?
Speaker 4 (57:47):
No?
Speaker 1 (57:47):
I didn't think so. It looked like cheap wine. I
was like, nah, that's not stage performance. But good for you.
Speaker 3 (57:53):
Mad to break the bottle for some ship. I'm going
to pour on niggas like he brought that bad purely
to pour on the crowd.
Speaker 1 (58:01):
Hey, they drank, all three of them that was on
stage at the moment, drank some of that shit. I mean,
you drink some cheap ass shit, drink the good shit
for yourself, poured the cheap shit on somebody else. I
don't give a fuck. Smoking mirrors a little bit of
stage performance. Don't like that the screen was washing. The
screen was tilted directly at the bottom, and I'm like,
you are in a stadium, my friend, think about shit
(58:24):
like that. That's all. It was like little shit like that.
I was just like, this is not what I expected.
That's all. I thought they were gonna do a little
bit better with the stage. Shut up minor grapes, minor gpes.
When I say shit like that's other hip hop as,
they like, oh, you just hating on the woo. No,
these the grapes of a nigga that go to concerts.
That's all it is. It was very simple, but I
got a lot of back flat for that because I'm
just like cousin was all right. I enjoyed it, had
(58:46):
some critiques, that's all. It wasn't a metal thing. It
wasn't a metal versus hip hop thing. It was just
I've seen this at these concerts. I've seen this at
other concerts and audio bouncers. Please, that's my biggest one.
Did you have anything that you were curious about because
that was your only hip hop concert?
Speaker 2 (59:04):
Yeah, and that's the last one.
Speaker 1 (59:07):
I hated the lights.
Speaker 2 (59:08):
The lights really threw me off. I've never experienced Verdigo
before and that happened and I was out for like
a day. Yeah, so yeah, no, I'm good on No,
it was the lights, freaking It was the lights, uh
messing with my head.
Speaker 1 (59:26):
They definitely went a little hard on the strobe lights.
I can I'll it was a little hard on the strobs.
That's it though.
Speaker 2 (59:37):
I mean I I studied for a week to go
to that stuff to know like what was going on.
So yeah, I mean it wasn't my music, not my crowd.
So I was just there to enjoy the show.
Speaker 1 (59:54):
But yeah, yeah, I wasn't.
Speaker 2 (59:58):
I I wasn't emotionally into it.
Speaker 1 (01:00:02):
I guess no, But I understood that I just want
you to go for the concert experience because I was like,
all right, I want to see what this is like
and see that's all I was there for. It was
wu and it was honestly not that it's my last.
I don't think I would ever go to another hip
hop concert, to be honest, Ain't nobody I would want
to see that bad? I don't think. Maybe because I
(01:00:24):
was like, I wouldn't maybe say Snoop or Dre and them,
I'm good I seen the super Bowl that the super
Bowl did them some justice. Yeah, I don't know. You
said she was going to Wayne concert though.
Speaker 3 (01:00:37):
Uh yeah, I'm trying to make that happen for the
end of August, so that might be decent. I don't
necessarily have the absolute highest hopes. Two out of three openers,
I don't know who the fuck they are, damn. The
other opener is Tiger, which Tiger got hits, but it
(01:00:58):
depends on how much time they give him. And Wayne
is a little notorious for him in the stage late.
Speaker 1 (01:01:05):
So yeah, I would say that I was actually kind
of surprised at the punctuality of the groups. They pretty
much started right on time, and I hear a lot
like you were saying, like hip hop concerts are notorious
for starting late for no reason.
Speaker 3 (01:01:19):
So I was kind of like, all right, that was
pretty punctual. Pretty punctual. So I got goods and bads.
I just don't think there's they were the concert. I
was definitely like, all right, I'm going to see them.
I don't think there's anybody else I would go to
see though, and.
Speaker 1 (01:01:35):
Now that I got killing Mike out the way too.
Unless they reunite Outcasts somehow, it might be the fuck
hit for me, Like I might go to Outcast show
the Beastie Boys. I don't know if I go to
now because they missing they missing Mike.
Speaker 4 (01:01:55):
D never mind coming out the license deal.
Speaker 1 (01:01:58):
You don't like License Dell at all. That's that's kind
of crazy, I understand, but that's still kind of crazy.
These boys are solid. They solid. I wouldn't put him
like on Mount Rushmore or none, but Thia is.
Speaker 3 (01:02:12):
Good from the Beastie Boys AUIJI board at least three swords.
I don't know if I go to an Eminem concert,
I don't know if Eminem has ever touring.
Speaker 1 (01:02:25):
No, so I mean he barely toured to begin with.
I mean, actually it might be the other way around.
He might start touring heavier now that pretty much watched
his daughter grow up, and that's all he really wanted. Yeah,
but I think he might just want.
Speaker 3 (01:02:42):
To be Nelly going on the world tour. I'm not
counting Eminem out. I don't even going on the world tour.
Speaker 4 (01:02:49):
That's partially because he just had a new kid.
Speaker 1 (01:02:51):
Ye need money the.
Speaker 3 (01:02:52):
House, Oh no, he ain't.
Speaker 4 (01:02:57):
No, he got bread, the nigga trying to get out
the house talking.
Speaker 1 (01:03:01):
He got money for him and his bitch. He ain't got.
Babies are expensive.
Speaker 4 (01:03:06):
And his baby mother's a shanty. I know.
Speaker 1 (01:03:09):
And when's the last time she put down album? Because
I was trying to don't remember, not.
Speaker 4 (01:03:12):
That long ago, and really he's a shanty. But I
get I.
Speaker 3 (01:03:19):
Just went on a tour for an album that came
out twenty years ago, and I heard it was fire.
So wild rappers are legacy acts now, bro, especially early
two thousands, And I'm not saying this kids ain't doing
Look the kids. The kids are not the future. Damn
not the future of rap. Anyway, y'all niggas have fucked it,
(01:03:41):
and y'all haved fucked it so hard. Y'all have brought
our greats out of retirement. So thanks.
Speaker 1 (01:03:47):
I guess I don't think they ever went into retirement.
A lot of these niggas just didn't they.
Speaker 3 (01:03:53):
They went on tour retirement and they were like, oh no,
these niggas is not doing ship.
Speaker 4 (01:03:57):
Yeah, y'll niggas is.
Speaker 3 (01:04:00):
Taking Rod three on a twenty line festival lineup, like,
let me go go make some some some stadium money.
Speaker 4 (01:04:09):
Showed me young weapon snappers how to do it.
Speaker 1 (01:04:11):
Yeah, I don't think it's anybody that could put out
a stadium.
Speaker 3 (01:04:14):
Because I don't know what. I don't know nobody that
could that could feel. I was concerned on if Wu
Tang was gonna fail the United Center. I don't know
nobody that ship was. I saw some seats we could
have snucked too.
Speaker 4 (01:04:27):
At first. I later looked back at those things like,
oh no, we would have a fight. But I don't know.
Speaker 1 (01:04:33):
I don't think anybody was running to see run at
jewels is what it was.
Speaker 3 (01:04:36):
I don't think niggas is I don't think current niggas
are selling out the United Center.
Speaker 4 (01:04:41):
No, no, not at all, not current niggas, which is
a shame.
Speaker 1 (01:04:46):
To do better should But I'm gonna say I've had
that conversation. But I feel like if old niggas just.
Speaker 4 (01:04:53):
That's why niggas don't even come. I was shocked. Niggas
don't even come to United Center no more.
Speaker 1 (01:04:58):
Not rappers. But again, like you said, I mean what
rappers are there that I don't know?
Speaker 4 (01:05:04):
Legacy that is it?
Speaker 3 (01:05:06):
I don't even think because you want to know who
killed the United Center? Three days before we went to
Wu Tang Keisha co Yes, Keija Cole was at the
United Center and sold that bitch out.
Speaker 1 (01:05:16):
That's crazy? Are we that board?
Speaker 3 (01:05:20):
I feel like this is not our era was the
best Quija col came out in four Yeah, I hear
that that.
Speaker 4 (01:05:32):
The song says that.
Speaker 3 (01:05:33):
Kicking ass the older acts of kicking ass, and the
new kids are lazy.
Speaker 4 (01:05:38):
I don't know niggas want to be fashionistas. I don't know.
I don't know.
Speaker 1 (01:05:42):
I've had that conversation with young stars and old stars
with a lot of people, and I think I blame
the old stars a little bit. I blame both, But
I think nobody wants to put the blame on older
people at all.
Speaker 3 (01:05:54):
I don't, And I'm like, it's some of your I
don't put the blame on the older people. I put
to blame on the younger people, because if you want
to know how to move, all you gotta do is
look backwards and make adjustments. But no, these niggas can't
tell nobody nothing. They all want to be fucking independent superstars.
(01:06:16):
Not all of you niggas are good. Most of your
niggas ain't. And most of you niggas don't even have
the love of the game. Y'all trying to get three
songs and then go be stream us. Get out my
fucking lane, Get out of my lane.
Speaker 1 (01:06:30):
That I get that, some of that I do understand.
But I also what I said was the blame is
not one on one side of the other. It's sixty split.
Speaker 3 (01:06:40):
It's like everything is wrestling. Niggas don't even want to
wrestle no more. They just want to be on TV
four years. I can go be getting the movie.
Speaker 1 (01:06:47):
I'm saying that's the case. But my thing is I
blame both sides. I blame both sides, just one side
a little harder than the other. Cause again, if the
movie niggas will stop hiring the same ass wrestling bullshit
actors who can't act, mind you, then that wouldn't be
a career path and that's disgusting. And but my problem
(01:07:14):
is is it's not that it's it's already a dumb
thing to do. But my problemise is people is gonna
go watch it. And that's where I have, like, all right, now,
blame both. If you don't go watch it, then they
don't do it.
Speaker 3 (01:07:26):
Nothing of Roman Reigns screams Akuma at me at all,
and a lot of Cody Rhoades screams Goyle to me.
I just don't think the nigga could be Gyle.
Speaker 1 (01:07:40):
He can't act. But again, who's gonna sell the tickets?
Because who's gonna go watch it? If it one of
them two pieces to the puzzle, then we wouldn't have
this issue. It's the same issue I give for the
the artist. If you stop, if you get an other
nigga's a chance, or you give the right people a chance,
then you pay. Then the world get gets paved.
Speaker 3 (01:08:02):
But what if someone fucks up the chance you give them.
Then you keep giving niggas chances and say I'm gonna
do it myself.
Speaker 1 (01:08:12):
No, sometimes you gotta keep giving a nigga chance.
Speaker 3 (01:08:14):
I'm sorry, I'm not giving niggas a million chances.
Speaker 1 (01:08:20):
Never said you gotta give a million. But you have
to understand development. Nobody came out great at Shiit.
Speaker 4 (01:08:25):
No, they're not doing artists development anymore.
Speaker 1 (01:08:28):
But that's what I'm saying is so that's part of
the problem.
Speaker 3 (01:08:32):
I mean, part of the problem is record labels. But
these all these niggas are trying to be independent anyway.
Speaker 1 (01:08:38):
So you can't you can't be mad at both. You
complain about the record label. So then niggas went independent
and you.
Speaker 3 (01:08:44):
Niggas don't know because because they didn't go to other
independent niggas, they say, oh, I could do this.
Speaker 1 (01:08:52):
But my thing is is what hockme? Nobody's hoping these
niggas do it.
Speaker 3 (01:08:57):
Why do I have to take my time out of
mind business schedule to help someone that didn't ask.
Speaker 1 (01:09:02):
Again, So my thing is, you can't be mad on both.
I'm saying it's not one side of the other. I'm
saying it's both. I'm saying both parts are part of
the problem.
Speaker 4 (01:09:11):
I okay, I feel it's a sixty forty split. I
feel they're both wrong.
Speaker 3 (01:09:16):
As an instructor by trade, I put more. I look
down harder on the motherfucker that don't that need help
and don't ask than the motherfucker that got knowledge and
don't give.
Speaker 1 (01:09:33):
I blame both. That's what I'm saying. I blame both.
I think both of you all are wrong and you're
in destructor. So that to me, you're just as bad
as a person that needs the help and won't ask,
then the person than you not teaching. The motherfucker you
have the ability to teach, you have the desire, is
you won't teach.
Speaker 4 (01:09:52):
Is living by an example of not a form of teaching.
Speaker 1 (01:09:55):
Not always because some because again nobody knows the problem
if I'm out loud in real life, because you can
take a look. But my thing is, is the path
clear that you took. The path is always money, hindsight
is always twenty twenty. All of that shit this man said.
Nobody knows what you did to get to where you are.
(01:10:15):
They only see where you are, and all they trying
to do is chase where you got. They don't know
the path, so you can't get mad at them for
trying to figure it out and doing it wrong, and
then you also not telling them well, no, hold on,
do this. By the way, here's another option.
Speaker 3 (01:10:33):
Because the there are people that do that and then
get their version of burned.
Speaker 4 (01:10:42):
And be like, all right, I'm not doing this more.
Speaker 1 (01:10:44):
But my thing is is so then there's another person,
and then there's another It's not one person that can teach,
there's multiple people that can teach.
Speaker 4 (01:10:52):
You have to be yes, you have, But my.
Speaker 1 (01:10:57):
Thing is, I feel like there's a lot more gatekeepers
that bitch, is what I'm saying, Like I gatekeeper. I
also don't bitch at the niggas that I leave you
behind either. I'm like, no, I left you off my ass.
Speaker 3 (01:11:10):
I look at that differently because I don't keep.
Speaker 1 (01:11:15):
So what I'm saying is if you don't gatekeep, then
your job.
Speaker 3 (01:11:19):
I don't gate keep, and you then also don't come
to me or don't follow my example or don't ask shit.
Speaker 4 (01:11:27):
I don't feel the need to come help you.
Speaker 1 (01:11:29):
That's part of your job, sirs. You're supposed to reach.
Speaker 4 (01:11:32):
You can't touch me as a gatekeeper, though.
Speaker 1 (01:11:34):
I can't because you're also the same person as bitching.
Speaker 3 (01:11:38):
I'm not I'm saying all this is on the podcast.
I know, actually the future can be fucked for air.
Speaker 1 (01:11:45):
But what I'm saying most of the people for.
Speaker 3 (01:11:49):
I also see a lot of people that complain that
are gatekeepers. That's not fair.
Speaker 1 (01:11:54):
I don't think you should. There's a lot though, And
then again, I'm against that too. Come against that too.
I don't complain while i'm gate keeping. I only complain
if I'm gatekeeping and I'm failing because I'm like, no,
I'm trying to keep you the fuck out of here
and you're coming in and fucking my shut up.
Speaker 4 (01:12:09):
I don't consider it a failure on me.
Speaker 3 (01:12:11):
If I have the knowledge open for you, you don't
take it and then complain about not knowing what to do.
I have the knowledge, I know you don't want to
even open yourself up to look at like you're willing
to fornowledge them niggas that hate knowledge.
Speaker 1 (01:12:29):
Yeah, I'm not Again, I'm not saying that that's the case,
But I'm also saying it's on you to reach out
and teach. I'm sorry, that's part of teaching. Part of teaching,
regardless is if you got one bad student, you still
gotta teach that nigga. Yes, I'm sorry, And that's what
I'm saying. It's a lot of teachers don't still teach
that bad nigga.
Speaker 3 (01:12:47):
You're right, but you want another caveatter that it's a
nigga still coming to class.
Speaker 1 (01:12:54):
Sometimes sometimes I.
Speaker 3 (01:12:56):
Can't teach the truit nigga. I can't teach the motherfucker
that's that's down the street, that's.
Speaker 1 (01:12:59):
Seven again, that's on YouTube.
Speaker 4 (01:13:02):
Can't I cannot, I cannot.
Speaker 1 (01:13:05):
You can't.
Speaker 3 (01:13:05):
I cannot teach in the classroom and then teach the
niggas outside of the class.
Speaker 1 (01:13:09):
Did you reach out to find out why this is
niggame in the classroom? Did you call it truth?
Speaker 3 (01:13:13):
That's too much work your top of teaching. That's still
your job. So I teach adults, so maybe not so.
Speaker 1 (01:13:19):
What I'm saying is, but if the don't don't show up,
you still got to be like, hey, you didn't show up,
why didn't you show up?
Speaker 4 (01:13:26):
If you feel like there's no extent to that, No,
there's no cutoff. You're tired.
Speaker 1 (01:13:32):
You are a teacher, I'm sorry.
Speaker 4 (01:13:34):
Teaches the people. If people get tired.
Speaker 1 (01:13:35):
And I'm telling you, when it comes down to the job,
you gotta do your job.
Speaker 4 (01:13:39):
Wu Tang been doing it fifty years.
Speaker 3 (01:13:42):
They don't have to take anybody under their under their
wing that didn't already and shut or didn't come after.
So what I'm saying, take eight complain to nobody.
Speaker 1 (01:13:51):
You know what I'm saying is I'm not speaking to
what I'm saying. For the people are complaining who are
looking at the younger generation and saying they ain't doing enough.
That's on you two. That's all I'm saying.
Speaker 3 (01:14:02):
I was also taught, if you build the church, they
will come. But if they don't come, you gotta worry
about the people.
Speaker 4 (01:14:09):
In the church.
Speaker 1 (01:14:10):
And that's why jehovah Witnesses s exists.
Speaker 3 (01:14:12):
They go out and who the fuck answers the door
for Jehovah's witnesses.
Speaker 1 (01:14:16):
But I'm saying, but what I'm saying is some people do,
and so.
Speaker 3 (01:14:18):
Them niggas are yelling into the clouds because no one answers.
Speaker 1 (01:14:22):
But their job, as they understand, is if.
Speaker 3 (01:14:26):
You I'm going to you, I feel you, and I'm saying,
are wonderful souls.
Speaker 1 (01:14:31):
I was not raising Jeovah's witness.
Speaker 3 (01:14:33):
I'm saying, but they're beautiful souls and God bless them
for it.
Speaker 1 (01:14:38):
And I'm just saying, you know, that ship that they
are following is in the same Bible. Somebody looked at
that line and said, you know what, that's important.
Speaker 4 (01:14:47):
Them Niggas also said for Christmas and birthdays.
Speaker 1 (01:14:51):
Yeah, so sometimes I'm not saying everybody's right, but I'm
saying when they are, when they are developed teachers, they
reach out and teach. That said, and a show