June 4, 2025 • 65 mins
On this episode of the Nonsense Podcast, we're asking the big, important questions—like why did the U.S. try to nuke the moon?! 💣🌕 Kelly drops a mind-melting Strange Fact revealing that the U.S. Air Force actually had a plan to detonate a nuke on the moon after WWII. Naturally, FNBob and Henvincible spiral into a glorious mess of ideas, from Project Star Wars (the Reagan kind, not Jedi) to drone striking pirates like it’s Call of Duty. Then FNBob drops a casual truth bomb: Forest Whitaker has a twin-like brother who's also an actor. Henvincible spirals trying to figure out which Whitaker was in what movie. 🤯🎬 And just when you think the chaos is over—we throw in a brand new Nonsense game: 🎤 Finish That Lyric — Millennial Edition! From Smash Mouth to 50 Cent, even a few Disney bangers show up. It’s a musical mess of nostalgia, confusion, and total mayhem. Play along at home (and try not to yell at your speakers). 🔥 Highlights: ☢️ Why the U.S. almost nuked the moon 🛰️ Project Star Wars & Pirate drone attacks 🎭 Forest Whitaker has a twin?! 🎵 Finish That Lyric: Smash Mouth, 50 Cent, Disney and more 😅 Kelly actually tries to sing ❓ Question of the Day: What’s one random fact that always blows your mind? 🤯👇 (And yes, it can be weirder than nuking the moon.) 📱 Follow us on social media for more updates and behind-the-scenes fun: Instagram: fnbobfnentertainment Twitter: @FNBOB36 Website: https://www.fnentertainment.com All the Other links: https://linktr.ee/FNBoB & https://linktr.ee/Henvincible & https://linktr.ee/rk9trainingllc #NonsensePodcast #StrangeFacts #finishthelyric #Millennial #Music #ForestWhitaker #nuke #moon #PopCulture #Games #PodcastGames
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
The US once planned to nuke the Moon.
Speaker 2 (00:08):
There was a project in nineteen fifty eight to blow
nuclear bombs on the Moon for tides.
Speaker 3 (00:18):
Right, No, I don't know what I remember. They had
an issue with rising tides at one point. I remember
somebody discussed about blowing up the Moon to subsidize the
rising tides.
Speaker 4 (00:31):
Try that too.
Speaker 2 (00:34):
No, this was an Air Force mission or plan anyway
to learn about nuclear weapons so that they can use
it for war.
Speaker 3 (00:45):
Makes sense, not to blow up us, blow something else,
something spit right, Not necessary to blow up the Moon. No,
there's plenty of brown countries we could have.
Speaker 5 (00:55):
Look, man, I was, I was finna say some unhanged
but then you beat me allway, like you over unhinged me.
Speaker 2 (01:07):
But the project was called A one nine and it
was after the Soviet Union. Yeah, there was the race
to get to the Moon or space anywhere. So this
was kind of their way to uh to get that.
Speaker 3 (01:27):
So this is pre Nixon, so that's before he had
I think it was Golden Dome at that point. And
this is before Obama, which was Project star Wars. You know, yeah,
Project star Wars, because Obama wanted to build a death star.
(01:48):
You think that the things you think around while it
be the wrong ones. Obama wanted to build a death
star because he was kind of getting bored with regular
drawn strikes.
Speaker 5 (01:57):
If if a black man, I can just look, I
know this, don't mean ship the ship and don't come
after me because I'm severely.
Speaker 4 (02:09):
Non terror or take terroristic. I think that's the word.
Speaker 5 (02:14):
Okay, if a black man would have been responsible for
the first Gundam, I out of fucking lost my mind,
like come oh, gayun just death stars working.
Speaker 3 (02:28):
No, he just wanted to. He wanted a planet size
moon to blow up brown countries. Look, man, I don't
make the rules. I don't make the rules. I'm just
spitting the facts that other there. The man had the
most grown strikes of every president, and man thought he
was very success. Now he was sucking up a brown
(02:49):
country or two. I want you to specifically known that
the black man was bombing the most ground people. Okay,
if anybody comes at me, niggas be doing doing other niggas.
That's all I'm saying. That motherfucker played Model Warfare two
was like I kind of like this, just keep it going.
Speaker 5 (03:12):
I mean, man fucked that because the motherfucker Somalians also
try him. Oh, motherfucker's trying to try to seuch for
the one piece and found it.
Speaker 3 (03:25):
He definitely said it to him, I got one piece
for you, finking with a joy stick. Fuck it. So
what do we get out of I'm just curious. Did
you have any information of what we got out of
almost nuke in the moon? Did we get anything from that?
Speaker 1 (03:43):
No?
Speaker 2 (03:44):
So it was scrapped because they were uh concerned about
future explorations of the moon.
Speaker 4 (03:52):
That makes sense.
Speaker 1 (03:53):
I haven't gone there yet. They want to spe.
Speaker 3 (03:57):
Look man in fifty eighth, they definitely still thought that
motherfucker was made of cheese.
Speaker 5 (04:03):
Memewise, maybe, but I don't think so. I don't know
about jail. Back then, memes was delivered via newspapers.
Speaker 3 (04:12):
No, they had pamphlets, legit. I read a few of them.
Oh I say that. For an other episode, I found
like a website that had a bunch of like pamphlet
it memes. Boy oh boy, where they go from? Like
the eighteen hundreds and up? I got memes from the
eighteen hundreds. Boy, you're gonna love them. I'm gonna say
them for later.
Speaker 4 (04:28):
The school counters memes somebody that was educational. That was
definitely trolling politicians, yes.
Speaker 3 (04:37):
But we didn't turn them into means so well after
so it might have because every cartoon of that era
was just like the government sucks, just so you know.
And then nobody really called on because they threw it
behind a great jingle, and then we were just like,
wait a minute, wait a minute, they were kind of
schooling us on something. I forgot where I was going that. No,
(05:00):
I was gonna say. I thoroughly enjoyed the Space Race.
I don't know if y'all care about the space race
too much, but the Space Race it might be the most.
Speaker 5 (05:09):
About in space with Gil Gil King and oh I.
Speaker 3 (05:14):
Can talk about that too. Real quick Bob's quick take
on that. It's actually the exact opposite of what everybody
else is thinking. I'm sorry to tell y'all them bitches
is astronauts. As much as you were expecting me to
shoot on them for not to not be asked, they
are astronauts.
Speaker 5 (05:32):
So Bill, I ain't a scientist, no butt whatever.
Speaker 3 (05:38):
Look, man, the legal definition, the classified definition of an
astronaut is someone who travels to outer space. Them niggas
don't work for NASSA. But they did travel. That's not
on me.
Speaker 4 (05:53):
You don't think engineering is a science or something.
Speaker 3 (05:56):
You think that you looked it up and confirmed it.
Even Google said them niggas ain't scientists. Don't get mad
at the messenger. I'm just reading the definitions, baby, So
read the definition. Them bitches astronaut they travel, and I
double tech just to make sure, because I want to
know how high did they go? Did they actually get
out of the strata? They made it out of stratosphere,
(06:16):
They made the past threshold. They technically travel based on
what they said. Now if you want to go conspancy theory,
and I don't think they made it. I think it
was a video simulation. But based on information they gave us,
they checked, they crossed all the t's and dotted all
the eyes and bitches astronauts.
Speaker 4 (06:32):
I'm sorry.
Speaker 3 (06:33):
I hate for breaking to you the astronauts. I don't
like it. I don't like it.
Speaker 1 (06:40):
I'm more mad at their attitudes when they got packed.
That's my thing.
Speaker 3 (06:45):
I'm fifty to fifty on that too. I'm fifty no
see you see man, because they acted like they did,
like the greatest experience of all time.
Speaker 1 (06:53):
They said they did the greatest thing.
Speaker 5 (06:55):
I want to know what everybody call Katy Perry as
specifically out of all there, but though the trip specifically
got nobody likes.
Speaker 3 (07:03):
Katy Perry to begin with, and you ate an extra layer.
Speaker 4 (07:06):
Damn. I thought that nobody liked King. Anybody says ship
to her.
Speaker 3 (07:09):
Niggas don't like Gail King. Everybody hates Karry Perry.
Speaker 4 (07:14):
I thought they just kissed the girl that liked it.
What the fuck y'all got against Katy Perry?
Speaker 2 (07:17):
Now?
Speaker 3 (07:19):
I know why they hate her now, I know exactly
what hit her now because she got married, had a
child and changed her life. She's she is semi normal brand.
Speaker 2 (07:30):
That was one of the big things too, because she
was like the trip to space was taught me about
love and we're just like your mom.
Speaker 3 (07:38):
That sing that's the hippie part that y'all don't want.
Speaker 4 (07:40):
Yeah, she's high. That's that was that she was stoned
when she was up there.
Speaker 1 (07:44):
That's why we're mad.
Speaker 3 (07:46):
It's what I don't know, man, I'm saying, talk to
any astronaut you know, we're ever ever seen on TV.
Don't none of the niggas come back. Don't none of
them come back normal? That's a you gotta think about
that on a constant Literally, you stop aging up there.
For not stopping, it's just relative time load. It's slow
(08:06):
time aging. It's different. But you know what I'm saying
is that's an experience that only a handful of people get.
Your experience. As of right now, you have seen something
that nobody else has seen before. You've physically felt something
that nobody else has felt before. No matter what you
told them, you sound like a witch.
Speaker 5 (08:23):
Also, what if it's fucked up out there and you
signed some shit that you gotta keep playing exactly?
Speaker 4 (08:29):
You don't know.
Speaker 3 (08:31):
Everybody that goes to space come back a little weird.
They ain't no different from them.
Speaker 4 (08:35):
So all the waves from all that machinery in there.
Speaker 3 (08:38):
And it's crazy, it's too much. It's gotta be some
radiation and them fucking I don't know. And that's why
I'm like, you know what, They came back acting just
like every other astronaut until one of them, as soon
as want them start shitting themselves on a plane. Then
I'm like, Okay, they definitely went to space. I know
they went to space now because they like the psychopaths
so far, everything that they was, it all just started
(09:01):
bar fights every night after he came back from space
because he was just like you niggas don't know what
I've seen up there, and just started beating people's asses.
The first nigga that went with nuts immediately bullshit, bullshit, No,
space is crazy. I'm gonna stay in my black ass
on the ground for a minute. I'm gonna let a
few more white people go. I need like sixteen most
(09:24):
successful trips there back.
Speaker 4 (09:26):
I was just saying, imagine, imagine being in.
Speaker 3 (09:30):
The cockpit of the Sasabi as shar the first time
he hit go on that bitch, they.
Speaker 4 (09:36):
Got every molecule in his body shifted.
Speaker 3 (09:39):
That's what I'm saying, Like, that's weird, and I'm okay
with them being weird coming back. I'm okay with them
being weird coming back. I don't know if I'm ready
for that experience. I don't even did a flight where
you get to do zero gravity, Like, let me start
that first, let me do the zero gravity flight first.
Any of the trainings barely because they were only passengers
(10:01):
so they didn't have to do all that. All they
did was the basic bit ship go come back. If
you die, you die. Wow, it's a lot of that's
there's a lot of toll on your body. They signed away,
so I found them being astronauts. I'm fine. They did it.
Speaker 4 (10:19):
Katy Perry or something.
Speaker 3 (10:22):
That was was it Windy's. It was another company that said,
I think it's windy Whenny's wild for that, you're wild
for that. And I love it though, I.
Speaker 4 (10:30):
Mean, Katy Perry do j before so and also had.
Speaker 3 (10:35):
Some Whinny's not been the wildest company on the face
of the earth for the last like ten years.
Speaker 4 (10:40):
They did put pop tarts in their frosty.
Speaker 3 (10:44):
Speaking of pop tarts, you see the new pop tart
ice cream sandwiches.
Speaker 4 (10:47):
Nigga, I wont them.
Speaker 5 (10:48):
I just ain't been to a mart find them looking
for It's only a Walmart.
Speaker 3 (10:54):
We gotta start, God damn it. All right, Well, there
you go. Space Race is dope and we win. Let's
start the show. Welcome back to another episode of the
(11:50):
Nonsense Podcast. I'm half drunk, Bob Whitney is tipsy, Henny
back then, Kelly over here, his Chad just watching sober.
He probably upset the moment I went to an ap
Delhi is delicious. It is and I used my like
(12:11):
stream name he was like, I an'ta bring me some
hand on when you come back? Do you use your
like fake? I was gonna ask you that I be.
Speaker 5 (12:22):
I don't be feeling like because motherfucker sick Garland still
funks up a lot of people, more people than you
would think.
Speaker 4 (12:28):
So I just tell him him most mostly and Starbucks.
Speaker 3 (12:33):
I use Bilbo Baggins.
Speaker 4 (12:37):
Why not.
Speaker 3 (12:38):
They gotta say it, they gotta write it all my
ship and that's how it's doing it. Yeah, I get
all my Starbucks orders is Bilbo Baggins. Who ship that
burned a little bit. It's gonna be a fun episode today.
It's gonna be a real good episode. It is the
(13:00):
second episode in a while that I've written down and
I got notes for. We got a whole plan. But
before we get to this plan, I would like to
know how y'all doing at home, Kelly, how you doing.
We're gonna start with you today. We're gonna switch it
up on them. Flip mode squad. Flip mode is the greatest.
Speaker 4 (13:16):
I'm alive. It's a thing.
Speaker 3 (13:19):
Damn. You're just trying to sell merch ain't you, even
though we have a merch though at the f and
Shop y'all should just go buy something. It's nice.
Speaker 5 (13:27):
Yeah, this this, this podcast has become too automated. I
miss doing live drops, but.
Speaker 3 (13:34):
Damn it because when we false we did live drops
and then we would forget that automated a little bit.
This is Smitch here and there? How you doing him?
Speaker 5 (13:44):
I am second tired of being second tired. But the
grind never stops, Sigma male grind set gotta. I don't
remember what that shit means, but.
Speaker 4 (13:56):
You know.
Speaker 3 (13:59):
Well what they say, never stop, never what never give.
Speaker 4 (14:03):
Up, can't stop, won't stop.
Speaker 3 (14:06):
Young money because we get Damn baby, Damn.
Speaker 4 (14:11):
That isn't that a diddies God, damn you can't. You can't.
You can't run from you can't tell him no, but
you can't run.
Speaker 3 (14:23):
Who's more diabolical? Diddy of Big Dick Randy? You know
not no Big Dick Randy.
Speaker 4 (14:29):
I know Big Dick Buster. You don't know Big Dick
Randy as you don't know Big Dick Buster.
Speaker 3 (14:35):
Though I know Big Big Buster. I'm talking about Big
Dick Randy. Man, Damn man, if.
Speaker 4 (14:40):
You don't know Big Dick Buster, go watch godfither Harlem.
Speaker 3 (14:45):
I think mind you and I know like.
Speaker 5 (14:48):
The fires that sound crazy, but that's why, that's why
the fires get back. You fucked my daughter, I got
a nigga fuck you. No, well, very well, Sid to
Forrest Whittaker whatever wherever you are.
Speaker 3 (15:03):
It wasn't for this twin brother looking thing. What you know,
it's two of them niggas, right, No, yeah, there's two
Whittakers that look exactly like them niggas.
Speaker 4 (15:12):
Sweet bro.
Speaker 5 (15:13):
After watching say this, motherfuckers asked me if it's to
Michael B. Jordan's So I just I just need to confirm, No,
it's it's okay, because.
Speaker 4 (15:21):
It was like, are you sure it's not Michael C.
Speaker 3 (15:24):
Jordan?
Speaker 4 (15:24):
That was a bit and you should not have fallen
for that. That was a complete bit.
Speaker 3 (15:30):
Let me look at that up real quick, Forrest, they
both have the no. I think one does and the
other one doesn't.
Speaker 5 (15:37):
If y'all both went through the same accident, that's fucked up.
Forrest Whitaker, I would niggas know not to not give
me a twin I would do exactly what they did
in sentence. We would join two gangs, rob both of
them bitches and just be just playing against each other
and they're run to Mississippi. Yeah, that's exactly what the
(15:59):
fun it would be, exactly said it.
Speaker 3 (16:01):
So it's three of them. They look exactly like two
of them niggas in movies.
Speaker 4 (16:06):
Yeah that niggas and movies.
Speaker 3 (16:07):
And hold on, this is that that's the same nigga
right there? Different, that's different, right, But these two are
two different dudes.
Speaker 5 (16:19):
So they both have the eye though the two niggas
a there got the eye. So you're telling me every
time it's glasses is a different dame. It's a different dude,
and the same Forrest.
Speaker 3 (16:32):
And Ken Whitaker them two different dudes. You might have
to do an I m dB A deep dive everything.
What Yeah, that's two of them.
Speaker 5 (16:43):
If it's yo, that's the crazy lord if because what
if the one without glasses gotta play in the movie,
whether nigga work glasses, then you.
Speaker 4 (16:51):
Just I don't like it. I don't like it. Gotta
kill one, I don't like it. I don't like it.
I just I get fervorently, I just like it.
Speaker 3 (17:04):
Yeah, No, it's to them once. Definitely a lot of.
Speaker 4 (17:07):
Fun didn't come out like that.
Speaker 5 (17:09):
Why they didn't why they didn't break out and movies
and announced that they was twins.
Speaker 4 (17:15):
No, I ain't. I thought that Nigga was the only child.
Speaker 3 (17:20):
And two of them boys is famous.
Speaker 4 (17:21):
No, no, no, no, I don't like it.
Speaker 5 (17:23):
You gotta pop out. That's like your tears. Amaric kept
it a secret for decades.
Speaker 2 (17:28):
No, you wasn't the girl and Terminator the twins too,
Sarah Connor, this is the opposite of parent trap.
Speaker 4 (17:37):
I feel lied to.
Speaker 5 (17:40):
No, I just didn't know because I thought it was Yeah,
it's not one bitch playing two bitches.
Speaker 4 (17:45):
It's on.
Speaker 5 (17:46):
It's two niggas playing one nigga, two niggas living the
life of Forrest Whitaker.
Speaker 4 (17:53):
That's what That's what's going on.
Speaker 3 (17:56):
The class. They two different actors. They're both cited separately.
We just don't read.
Speaker 4 (18:05):
Don't read. That's all it is.
Speaker 5 (18:07):
In deceit. I've never heard of a fucking king. And
you used to see Whitaker.
Speaker 3 (18:11):
You're like, I know that bald ass names. And you
know how I found out it was real simple because
I looked at him once and I was like, man,
he look a little different at this time this time.
And then I seen another movie like Come Out not
too long after. I'm like, damn, he switches style up.
(18:32):
That fast lait a minute, and I'm like, you got
cancer some ship, and they looked at him like, oh no,
it's just twities.
Speaker 5 (18:39):
Boys, feel because I've probably seen both of them, niggas
and some ship.
Speaker 3 (18:44):
Yeah, no, for sure, you don't know which one. You've
been calling Forest way too long. It's two of them.
It's the fun that I land with. I gotta be
with the mama. How I land with Forrest? And you're
king like, well, come on, come the fuck off, Come
the fuck on.
Speaker 4 (19:03):
What's the other one name? Damon, I'm slapping. I'm slapping
the ship under somebody.
Speaker 5 (19:12):
So you just saying you go wild out on the
first I'm assuming where Forrest's oldest.
Speaker 3 (19:17):
I guess I don't know.
Speaker 5 (19:18):
You go wild out on your first, try and get
it right the other two times?
Speaker 4 (19:24):
Kenny David? Are you fucking kidd? Be yo outrage?
Speaker 3 (19:31):
But but which one has the more memorable name?
Speaker 2 (19:35):
You know?
Speaker 3 (19:35):
Forrest Winnaker.
Speaker 4 (19:38):
Was still like the regular niggas is hading on his coattails.
Speaker 5 (19:43):
They might be you know, ken Is one thousand, said
rying his brother's coattails, because niggas don't even know he exists,
and he is probably the greatest out of all of us,
because I think he can move simultaneous.
Speaker 4 (19:54):
He could be multiple.
Speaker 5 (19:55):
Niggas because I'm just doing all four ship I'm ana
get paid the same and my brother gets all the
notoriety or the flak.
Speaker 4 (20:04):
I don't give a fuck. Yeah, no, Ken needs to
be studied.
Speaker 5 (20:12):
Because that's some bullshit. That's some bullshit, or that's the
Heights of the Century, one of the other.
Speaker 3 (20:18):
And you thought the Wayn's brothers was killing it in
the game, that ain't got no twins, because baby, it's
always been a wino because from day one, I literally
gotta go back and and go to Wikipedia for all
of the movies I like him.
Speaker 4 (20:34):
Man, was that nigga really in Black Brandther.
Speaker 3 (20:40):
Which? Man, I don't know. Oh my goodness, you said
she was good Kelly. I'm sorry, I'm angry. You're very
UPSETLL lied to I'm sorry. I'm fine. If anybody's wondering,
I'm okay. I apologize that I dropped the bomb of
the century apparently on this episode. Yeah, I hate that
(21:04):
this might end up being a daily dose. That was
unwarned that this was not playing. I just castually dropped
winker information on you. I was not ready to blow
your mind a hard y'all because the niggas are twins. Like,
it's not even that's my little brother age. I don't
even know if they're twins or not. All right, let
me because they might just be twins.
Speaker 5 (21:27):
And we just over all three of them niggas really
look alike, but the one with glasses and one without no.
Speaker 4 (21:34):
Hell no, oh my god, they gotta just I just
want to find their age. I'm never being me. I'm
never being me. I'm wilding the fuck out on the
forest like I've never been myself. Are you crazy?
Speaker 3 (21:48):
So Forrest Whitaker is sixty three, Damn ken Wardaker sixty one.
They are not biological twins at all.
Speaker 4 (21:59):
I'm freaking the ship out of that. Oh, I gotta
take the glasses off of my and I'm my brother,
fuck it.
Speaker 3 (22:09):
And then Damon Winterers fifty four, so he came way later.
But the other two they are two years separate. They
are two years separate. Okay, you're gonna be all right.
Speaker 4 (22:21):
I will be some life changing information I didn't know.
Speaker 1 (22:29):
I'm sorry.
Speaker 3 (22:29):
I feel bad, old boys for just dropping the bomb
on you.
Speaker 4 (22:33):
Agree.
Speaker 3 (22:35):
How we doing on time? By the way, twenty two
sounds like a good feel.
Speaker 5 (22:39):
I still feel like y'all need to see sentence that
is one of the funniest. It's great, like.
Speaker 3 (22:47):
Wait until it hit a streaming service. I probably catch
it then. It's because.
Speaker 4 (22:55):
Bro, so many quotables.
Speaker 3 (22:56):
I believe it. It seems like it's quite popular. I'm
gonna watch it.
Speaker 4 (22:59):
I'm dee. They gave a description of how to eat
Koucie in the movie.
Speaker 3 (23:03):
Like now, it's even definitely a best time to hit commercial.
This is gonna roll right in the commercial right away.
Speaker 5 (23:12):
What's good Nonsense Nation, it's your boy invincible. And I
just wanted to remind you all of the lovely places
that you can continue to listen to The Nonsense Podcast,
including Spotify, Apple Music, Google Podcast, and spreaker, the home
of the podcast.
Speaker 4 (23:30):
But if all of that is.
Speaker 5 (23:32):
Too difficult, you can make your way to www dot
f and entertainment dot com, where you can listen, watch,
and check out our lovely merch.
Speaker 4 (23:43):
Now back to the show.
Speaker 3 (23:45):
Welcome back to the Nonsense Podcast. I'm still Bob, that's
still Heney. I hope.
Speaker 4 (23:53):
Chad hr got a gatestolins.
Speaker 3 (23:58):
He is he probably falling fun out from all the
shitty keep hearing man, it's dying slowly, all right. So
on this episode, I had a cool new idea, a
very fun idea that we are going to eat up
the rest of this episode with. I've been watching a
(24:20):
lot of finish the lyrics. I love finishing the lyrics.
You like finish the lyrics a little bit? Yeah, I
hope so. So I wanted to put a little little
bit of a nonsense spend on it, a little little
little twist to it. This might be a multi part episode.
We might have to run this one back, but I'm
still working the kinks out of the nonsense version. But
(24:40):
we're gonna keep it kind of simple. Finish that lyric.
I took songs that are extremely popular and extremely well
known to the millennial era. So this is an episode
for the millennials. Damn Damn the gen Z, Damn Jen Alpha,
and Damn Sure damn gen X. Although I'm still robbing
you a little bit, but I got some lyrics from
(25:03):
all of all, a bunch of well known songs.
Speaker 4 (25:06):
We're gonna do it my way. Are you a shitzammer?
Speaker 3 (25:09):
I'm a no, because I don't have I've never downloaded
to saying once in my life.
Speaker 5 (25:13):
Oh no, never once in my life, because I'm a
music lover and i'd be getting I don't be getting
put on playing heating my presence.
Speaker 3 (25:24):
So I just use like the Google equivalent once or twice,
but it's never often enough where I'm like, oh, I
do that consistently. It's like, no, but I hear it.
I heard it on the radio where there's words or something.
Speaker 4 (25:36):
Like that crazy ship.
Speaker 5 (25:37):
I don't know if Sam Suck did this or if
I did this, but I haven't in my fucking dropped
down menu.
Speaker 1 (25:43):
Yeah.
Speaker 3 (25:44):
No, they had it where it could be in the
drop down.
Speaker 4 (25:46):
All right, cool, I thought. I was like, I'm a fan, Yeah.
Speaker 3 (25:50):
A little bit probably so the nonsense version of the
lyrical game, We're gonna play it this way. One person
goes first. I'm gonna give you the lyric. You will
answer it the best of your ability. If you are
not and I means this not spot on, I'm giving
(26:10):
the other person the chance to steal. If they are
also just not spot on. It goes back to the original.
The original person gets the point. The spin is the
next question, same song, but I found the slightly more
obscure bar in that song make you think a little bit,
make you think a little bit. So it's kind of
(26:30):
like a hint to the harder one. You start off
with some easy then you get a little bit of
a harder one.
Speaker 4 (26:35):
I kind of think I'm about to do terrible. You might,
you might not.
Speaker 3 (26:38):
You got a pen and paper. I didn't even bring
no pen and paper. I just thought about it.
Speaker 4 (26:44):
No, I'll do pen and paper.
Speaker 3 (26:45):
It's fine. You ain't gotta do it unless you want
to keep scoring. I'll do pen and paper, or you
can keep scoring either or so, what you will get
is a point for the lyric. If you can give
me the song title and artists you will give me,
you will get a second point.
Speaker 5 (27:01):
God damn.
Speaker 3 (27:02):
So you have pretty much an opportunity to.
Speaker 4 (27:04):
To produce you know it.
Speaker 3 (27:09):
Oh my god, they have double double points available to it.
The hell they do have double points available to it.
So you'll get a point if you can give me
the artist, the lyrics parent.
Speaker 5 (27:22):
What I'm fucked because the only song going through my
head right now is how many licks does it take
to get?
Speaker 2 (27:30):
Oh?
Speaker 4 (27:33):
I don't know why ray J is on my brain
right now? Wild, but I might be fuck game.
Speaker 5 (27:39):
So you know what, play along, Pauls, don't cheat, Paul's
please after each one and let us know how I'm
going against.
Speaker 3 (27:48):
You're going against? Why would you?
Speaker 4 (27:50):
I don't like this because as a black man, I
feel like I couldn't easily be just.
Speaker 3 (28:00):
You could be easily advantageous, So you don't know I
would say that this show. I have curated this list
to be as balanced as I possibly could, and I've
thrown a nice little mixing there and some surprises. You
guys are gonna like this one, so I'm gonna give
you the first one. The first one is gonna be
kind of a trial, so you guys kind of get
(28:21):
the feel of it. Ready, who's going first? Let's let's
throw Let's throw it towards Anny first. You ready? First one? Simple?
The lyric is somebody once told me the world was
gonna roll me.
Speaker 4 (28:39):
Next line is, uh, I want to go someplace where
everybody knows me.
Speaker 3 (28:51):
I'm gonna read that lyric people at home.
Speaker 4 (28:55):
Everybody does. Chance.
Speaker 3 (28:59):
Yeah, maybe ship to drink that last shot one more
time for the people at home, just so you can
thoroughly understand how weird that The next bar was Somebody
once told me the world was gonna roll me. I'll
hit you with you. Should I give him a least
the rhythm the Happy Days? No, no, it's not TV. Okay,
(29:21):
I'll give him. I'll give him a rhythm at least.
Speaker 4 (29:24):
Like I didn't know what we was doing, like theme song.
It might be later on.
Speaker 3 (29:29):
I'll give you the rhythm. So oh okay, So now
you're right Jesus.
Speaker 4 (29:37):
Christ souse, you say that was like.
Speaker 5 (29:40):
Song body, the World's gonna roll me. I have no
idea who the fuck sang the track song?
Speaker 3 (29:47):
But that's Can you at least give me the theme
the next lyric?
Speaker 4 (29:51):
Sir? Oh no, so body was told me? Damn no,
I can do the damn Kelly.
Speaker 3 (30:05):
Can you finish this one off four so we can
go to the next one.
Speaker 1 (30:09):
I ain't the sharpest tool in the shed.
Speaker 3 (30:11):
There you go, So Kelly gets the point. Do you
know the name of the song and artist? By any chance.
Speaker 1 (30:20):
That I don't know?
Speaker 4 (30:21):
Oh?
Speaker 1 (30:21):
No, oh no, I'm terrible with with names.
Speaker 4 (30:26):
Okay, I was close with TV shows close.
Speaker 3 (30:32):
You know what I'm gonna do. I'm gonna give you
a half a point. I'm gonna I'm gonna give you. No,
it's Okay, I'll give you a half a point for
because most people know the song from Shrek, I'll give
you a half.
Speaker 4 (30:42):
Who were the artists smash mouth?
Speaker 3 (30:44):
The song is all start.
Speaker 5 (30:46):
Hey now oh yeah, damn, I'm doublely trashed because I
feel like they definitely used that in the Ditchy Mama
and use that.
Speaker 3 (30:54):
A lot in a lot of movies. So now we're
gonna roll in into the second part. Now, gonna give
you the second hard lyric still on you good luck.
Speaker 4 (31:02):
I didn't get the first. I didn't get the chorus.
Speaker 3 (31:07):
The course, that's the first line. So the next line,
the next part, I'm gonna give you. Here's here is
the clue. All that glitters is gold only shooting stars
break the mode? What's the next line?
Speaker 4 (31:32):
They got the ship off after I remember them kidding,
they shit off after that.
Speaker 3 (31:37):
So no, Kelly, do you have a chance? Do you
have a chance to steal?
Speaker 1 (31:42):
I think it's a cool place, but it's about to
get cooler.
Speaker 3 (31:47):
Kelly's got it. That's too I thought you were gonna
get it just based on couch hop. Yeah, yeah, that
sounds like all right, that might be a good one.
So I think you guys kind of got the cases.
So how this game is gonna go? I thought that
was gonna be an easy one because.
Speaker 4 (32:04):
I gave up and seeing Shrek at like fifteen years.
Speaker 1 (32:06):
I was Shrek.
Speaker 3 (32:09):
Card.
Speaker 5 (32:10):
Damn if I got it, indulge in somebodys. I'm probably
gonna go to Austin Powers before I go to Shrek.
Speaker 3 (32:17):
I'll take that. I was hoping that was gonna be
your first kind of easy one, because the next one
is easy one, going to Kelly. You ready, Oh we're
halfway there.
Speaker 4 (32:30):
Oh we're living on What about you? Crazy?
Speaker 3 (32:36):
Sadly enough, it wasn't your.
Speaker 1 (32:40):
That's okay, give it to him.
Speaker 3 (32:42):
You just gave the answer, are you? Are you re
sending your your answer friend? Have it?
Speaker 4 (32:48):
Yeah?
Speaker 3 (32:48):
He did it, Okay, I'll give it to him.
Speaker 1 (32:51):
I'll take the first one. You got this one?
Speaker 3 (32:53):
Okay? Do you, by any chance fuck me the name
of the artist or song.
Speaker 1 (33:03):
You just said it?
Speaker 5 (33:06):
Living on a Prayer is the name of the song
artists I'm a road of dice and say a c
DC no, but.
Speaker 3 (33:15):
I'll give you the point for getting Living on a
Prayer just to give you kind of a fighting chance.
Bon Jovi is the name of the band all right.
So the second lyric, she says, we've got to hold
on to what we've got, doesn't make a difference if
we'll make it or not.
Speaker 1 (33:36):
Kelly, No, it's his Turney, it's his point.
Speaker 3 (33:41):
He stole it, will give him the steal. It's still
your turns, ma'am.
Speaker 1 (33:46):
Okay, do it again.
Speaker 3 (33:48):
She says, we've got to hold on to what we've got,
doesn't make a difference if we'll make it or not.
Next lyric.
Speaker 5 (33:58):
I think that's the down beat. And then the next
part is when they go back up. So that's hard
as hell.
Speaker 3 (34:05):
That's how I wanted to be. I wanted to be
a little difficult one more time.
Speaker 1 (34:16):
She's got each other and that's you know what.
Speaker 3 (34:20):
It's it.
Speaker 1 (34:21):
We've got each other, and that's a fact of life.
Love close.
Speaker 3 (34:29):
You want to take a chance to steal, that's pretty close.
We've got each other and that's a lot for love.
So we'll give it a shot. Was the next lyric
after that. But you got most of it, so I'll
give you the point. Not bad, not bad, handy back
to you. This's a classic. Sweet dreams are made of this.
(34:56):
Who in min to disagree? Next lyric sweet dreams are
made of this? Who am I to disagree? I felt
like this was something natural. Mm hmmm, oh.
Speaker 1 (35:19):
Nothing, man, Travel the World and the Seven Sees.
Speaker 3 (35:24):
There you go. I want to give me the next
line just in case. Walk it in. Travel the World
in the Seven Seas. I'll give you the point regardless.
So I just want to see if you know the
next one.
Speaker 1 (35:41):
Everybody uh huh, uh huh looking for something.
Speaker 3 (35:48):
There you go, everybody is looking for something. Jeez, man,
I thought these were gonna be the easy ones. So
I guess the next that's gonna be the easier ones.
All right? The hard part of this one, though, Sweet
dreams I'm made of this? You got that lyric? Do
you know the name of the song sweet dreams? Do
(36:10):
you know the band that multiple? Give me one? I'll
give you Marilyn Manson next lyric. Some of them wanted
to use you. This is going for Garland first or
hitting sorry. Some of them wanted to use you. Some
of them wanted to get used by you. Some of
(36:34):
them wanted to abuse you.
Speaker 6 (36:38):
So much of it.
Speaker 3 (36:40):
That's sometimes trying to give them good hints. Pay attention, buddy,
I'm giving you the answer that seems like you're reading
too much. Some of them wanted to use you, some
of them wanted to be used by you. Some of
them wanted to abuse you. Some of them wanted to
(37:01):
be abused by you. I have no fucking clue that's exact.
Who wrote that or the or the titles the same?
It's the same song. Remember it's the same song twice.
Speaker 4 (37:10):
Oh. I was like, what the fuck is that?
Speaker 6 (37:14):
Jeez?
Speaker 3 (37:16):
All right, this might be a good chance for steal.
This is going to Kelly first. You ready for this?
Go Shawty. It's your birthday. God, We're gonna Marty like
it's your birthday. We gonna sit Bacardi like it's your birthday.
Speaker 6 (37:36):
I don't know what. I don't know.
Speaker 2 (37:44):
No, I know.
Speaker 4 (37:46):
You don't. We don't get what's dealing, my man said, saying,
and to make it love, don't get me up and
get real song and artists, please the club. It was
upside down. I guess I was just.
Speaker 3 (38:06):
Keeping on anything. Yeah, you ready, my flow, My show
brought me the dough that brought me all my fancy things.
Speaker 4 (38:16):
My cars, my jewels, my shoes, and I'm still paid.
Speaker 3 (38:23):
Lott off. Kelly, you want to give it a shot
to steal. You're like that, every.
Speaker 1 (38:31):
Is him mumbling understand.
Speaker 3 (38:35):
I actually had to look this onenough to make sure
I got it right. The actual answer is my crib,
my cars, my clothes, my jewels brought me the dough,
or not my crib, my cars, my jewels. Look, nigga,
I came up and I ain't changed. It's the actual lyric.
I'll give you the point because you were still closer
than Kelly. Not bad though, we get we getting. I
(38:59):
think you're actually back.
Speaker 4 (39:00):
In the lead.
Speaker 3 (39:00):
Now, Kelly, you gotta you gotta come on. Now, he
had a rough start. You let him come back. He
had a really rough start, and you let him come
back and then lost it off smash mouth, all right,
ready for this one? And then I saw her face.
Now I'm gonna.
Speaker 1 (39:19):
Believe, not a trace of doubt in my mind.
Speaker 3 (39:25):
There you go, who that by name of the song?
I'll give you half a point for at least the
name of the song.
Speaker 1 (39:33):
Mm hm, A believer.
Speaker 4 (39:38):
There you go. You are loving your pie.
Speaker 3 (39:42):
I thought I was gonna uh ma, that's universal, that's universal.
In fact, I wanted to keep it kind of fun.
I don't want to get all basic big songs, Kelly,
since you got it, just stick with you for this
one next part. I thought love was only true and
fairy tale. M hmmm. I'll give you a small hint.
(40:09):
It's the first line of the song. I thought love
was only true in fairy tales. I don't know, damn.
I want to give it a shot. No, no, that
(40:32):
was the That was the last lyric. Oh, one more shot.
Speaker 4 (40:44):
I forgot the lyric.
Speaker 3 (40:45):
I thought love was only true in fairy tales.
Speaker 4 (40:49):
Uh, I'm a believer.
Speaker 3 (40:51):
Nod meant for someone else, but not for me. Henny, God, damn.
I think I gave you the simplist of setups to
the part where I can only write four words. Is
your clue. Don't go chasing waterfalls.
Speaker 5 (41:11):
Don't go chasing waterfalls, sticking to the rivers and the
streams that you used to.
Speaker 3 (41:21):
Super close, Kelly, do you think you could steal it?
Don't go chasing waterfalls. I thought that was it was
very close. It was very close.
Speaker 1 (41:41):
I don't know that, damn.
Speaker 3 (41:44):
Please stick to the rivers and the lakes that you're
used to. I gave I was only gonna give you
the chance to steal if you can get it.
Speaker 4 (41:53):
Accurate.
Speaker 3 (41:54):
That's all it is. You get a chance, that's all please.
And then it was that's all, that's all.
Speaker 4 (42:01):
He missed this lyric.
Speaker 3 (42:04):
I picked next for the same for the same song.
What is the song entitled? If you can give it
to him?
Speaker 4 (42:08):
TLC waterfalls?
Speaker 3 (42:10):
All right, that's one more point. I thought she was
gonna be a little worse at this with you killing
it the next lyric I had to I was really
kind of disturbed by it. Honestly, the entire song to
lyrics is very disturbing. If you want to be to
start slightly, go look up for the lyrics of that song.
Speaker 4 (42:24):
And I mean the premise is the grass doesn't grinned
on the other side.
Speaker 3 (42:28):
That's what I thought. So the next lyric goes one day,
he goes and takes a glimpse in the mirror, but
doesn't but he doesn't recognize his own face.
Speaker 4 (42:42):
What is the next lyric? Fuck? Is this tea boss verse?
Because I have no fucking club.
Speaker 3 (42:55):
One day he goes and takes a glimpse in the mirror,
but he doesn't recognize his own face.
Speaker 4 (43:03):
I can only imagine that they rhyme, they will place.
I can't think of the lyric.
Speaker 3 (43:07):
Place is one of the words so far so good.
Kelly got anything, nothing, not a clue. His health is fading.
He doesn't know why three letters took him to his
final resting place. Damn, you got HIV baby or maybe AIDS.
We don't know. But I'll give you the finish of
your half a point for that because you got place.
(43:29):
I'll be fair Kelly that you're gonna like this one.
It's getting hot in here, so hot, so take off
all your clothes. Give me something, don't do this? No
(43:53):
hold on, okay, she needs to cook it up. She's
thinking it's getting hot in here, so hot, so take
off all your clues.
Speaker 1 (44:07):
It's the girl's part.
Speaker 2 (44:08):
Yeah, because I am getting too hot and I want
to take my clothes off.
Speaker 3 (44:17):
Is that it very close?
Speaker 4 (44:20):
I am get this so hot. I don't want to
take my clothes.
Speaker 3 (44:24):
Out steal one more time. I'm gonna give you a chance.
I want to. I want to keep this fair because
you you start a trail, can you give it a name?
An artists.
Speaker 1 (44:36):
That's Nelly?
Speaker 3 (44:39):
Mm hmm?
Speaker 1 (44:41):
Is it just hot in you get here?
Speaker 3 (44:47):
You're like, I'm all h e r r there you
Let's make sure I'm gonna get i'ma let her have that.
I'm gonna let her have that next lyric. Since he
got the lyric, I'm gonna stick with him. Warm uh sweating. Uh,
(45:10):
it's hot up in this joint vodka tank top on
on at this point, warm sweating.
Speaker 4 (45:28):
Damn, it's that little is that right there? A little
slick run right there? Uh? How does knt kon? Yeah? No,
that's all.
Speaker 3 (45:44):
You want to throw?
Speaker 4 (45:44):
Guess up during that point.
Speaker 3 (45:49):
I'm gonna give you another half point forgetting King Kon.
At least you you would have winn. So, Baby, you
can't lose. I guess your secrets can't leave, can't. That's
a tough lyric again, another one I had to look
up to verify all the beats. All right, let's see
(46:13):
if you can pull this one off. See if you
can pull us one off. It might be a good
steal for Kelly.
Speaker 4 (46:19):
But I don't know.
Speaker 3 (46:20):
I don't know, Okay, I know you, I don't sorry,
I don't know your name, but excuse me, miss I
saw you from across the room.
Speaker 4 (46:38):
I don't know your name, but excuse me, miss I
saw you from across the room, And I gotta be
with no fuck, wait, no, wait, no, oh oh, he's slipping.
Speaker 3 (46:51):
He's slipping, folks, Kelly old that like I think I
got him. No, I'm struggling.
Speaker 4 (47:01):
Fuck I singing all because I'm singing all the time.
I'm throwing excuse me, he doesn't do, by the way,
and I.
Speaker 5 (47:13):
Gotta admit that you got my attention. You're making me
want to say, yoh ship word for word bar for
to pull that up? So I actually fucked that whenever
I didn't pick a secondary lyric.
Speaker 4 (47:27):
For that one.
Speaker 3 (47:27):
I apologize. But do you know the name of the song.
Speaker 4 (47:32):
And artists Chris Brown?
Speaker 2 (47:34):
Yo?
Speaker 4 (47:35):
Exclamation point?
Speaker 3 (47:38):
Kelly, you want to try and steal that one? What
I told you word for word.
Speaker 4 (47:43):
Bar for bar that is on a lot of a
lot of ship. Just your exclamation and.
Speaker 3 (47:49):
Kelly, you wanted to give it a shot for a steal?
Speaker 1 (47:51):
Is it just your excuse me?
Speaker 3 (47:55):
Oh? Good, brackets, the brackets got to the steel I
told you were for word bar for both for this game,
I need it all, I need it all. Okay, Kelly,
I think you drew the short strong this one. But
we're gonna see what you got. A millionaire, I'm a
(48:19):
young money millionaire.
Speaker 4 (48:20):
Oh oh boy, oh baby, one.
Speaker 3 (48:27):
More time a millionaire.
Speaker 1 (48:30):
I'm a young money millionaire, tougher than Nigerian hair.
Speaker 3 (48:38):
Oh okay, you got the name of the artist and
song title?
Speaker 1 (48:50):
Is it just a million?
Speaker 3 (48:52):
Goddamn it, God damn it. Didn't see that coming. But
can you pull this one off? Can you pull us
one off from the same song. He's a beast, he's
a dog, he's a motherfucking problem.
Speaker 2 (49:15):
Okay, but what's a gon? No, It's okay, I'm a goon,
But what's a goon to a cop?
Speaker 3 (49:24):
That's very close you want to take you want to
steal it from I'm very impressed.
Speaker 4 (49:31):
By the way. What was the.
Speaker 3 (49:35):
He's a beast, he's a dog, he's a motherfucking problem.
Speaker 4 (49:38):
Not drunk the gun? I know he is going, But
what's up going to a god? Nothing? Nothing, You ain't
scaring nothing on some bullshit call him that.
Speaker 3 (49:50):
It's robbing. Kelly gets it.
Speaker 4 (49:53):
You're off.
Speaker 3 (49:54):
Okay, you're a goon, But what's a goon to a gopa?
She was only one word off, you were two. Okay,
you're a goon, but what's a goon to a goblin?
Kellie's stealing a MILLI was not on my fucking Mingo
card for this game at all at all. Holy wee shit,
I like that. I like that little fitch. I'm not
(50:18):
gonna lie. That's crazy. That's crazy. All right, Another good one,
another good one. Let's get drunk. Oh this is for him,
by the way, let's get drunk. Forget what we did.
I'm gonna buy you a drink.
Speaker 4 (50:35):
And I was taky, old way man, and.
Speaker 3 (50:39):
He's getting a point. I was really saying, if you
somebody's gonna say, ooh wee not right it is and
en nah, alright, name of the song, and I buy
your drink?
Speaker 4 (50:55):
What the fuck? T Payne, let me buy you.
Speaker 3 (50:59):
A drink, Kelly, you want to give a shot and
steal it?
Speaker 4 (51:03):
I thought that was it ain't no parentheses on that
ship feature Young jock like.
Speaker 3 (51:12):
Full song, buy you a drink? Shorty snapping by t
pain what I said, word for word, ball for I'm
giving him the point still, I just want to give
you a chance to steal. If you could have just
said shorty snapping, you would have took it from him.
Next bar, next bar, talk to me, I talked back.
Speaker 4 (51:33):
Let's talk money. I talked stacks.
Speaker 3 (51:38):
Say it again. Let's talk money, I'll talk back. Trunk shoes,
bouce old a shade of that class hope behaves. I
told it just gonna be kind of interesting. I wanted
to give it a good mix up, but now we
going a little while. Now, now I'm gonna have some
nonsense fun with this one. Let's see how y'all do
with this one, Kelly. Acuna matata. What a wonderful phrase.
(52:05):
Acuna matata ain't no passing craze. It means no worries
for the rest of your days. See, I couldn't give
it to you too easy. It's too easy. What's I
need you to get? Those slightly difficult lyrics? Wow? One
(52:29):
more time? Akunamatata? I know, but if I alright, first
of all, I thought about that too, and I know
if I started anywhere else in that line, somebody was
gonna be pissed. So funk I was like, i' gonna
give you a whole damn thing. Akuna matata. What a
wonderful phrase. Kunamatata ain't no passing craze because it means
(52:50):
no worries for the rest of your days?
Speaker 2 (52:57):
Is it?
Speaker 4 (53:05):
Oh?
Speaker 3 (53:05):
He itching.
Speaker 5 (53:08):
Shut side problem free philastophy going in with that.
Speaker 3 (53:16):
Can you give me something to name? Name, name of
the song, possibly an artist.
Speaker 4 (53:20):
I'll take just the movie if you want to performed
by Jason Weaver, Lion King, can't wait to be King,
just can't wait to be king. I just can't wait
to be king.
Speaker 3 (53:33):
Damn it, Golly, what is the name of that song?
You tweet that alcohol fucks you up on that one,
and Kelly gets the name of the artist.
Speaker 1 (53:48):
This is the last one.
Speaker 3 (53:49):
Now, I gotta like a couple good more. We're gonna
speak through these. I'm gonna see if you can get
a little bit of this one. We're gonna skip. We're
just gonna skip to the nat one next song. Be
a man, We must be swift as a coursing river.
Be a man with the force of a great typhoon, and.
Speaker 6 (54:13):
With wait be ah man, uh and uh be ah man,
all the force of a great typhoon, with a raging
fire theory in saying the dark side of theumble, I
(54:36):
know it up.
Speaker 3 (54:37):
A little bit, Kelly, can you give me some clean lyrics.
Be a man, We must be swift as a coursing river.
Be a man. What's all the force of a great typhoon,
be a man.
Speaker 1 (54:54):
Like the course of a raging fire.
Speaker 3 (55:00):
It's not it. Nope, with all the strength of her
raising fire, mysterious as the dark side the moon. You
were very close. I just want to give her a shot,
all right, all right, next one, you're unsuited for the
rage of war, so pack up, go home.
Speaker 1 (55:23):
You're through.
Speaker 3 (55:25):
How could I.
Speaker 4 (55:27):
Make a man out of you? All right?
Speaker 3 (55:31):
I don't think anybody's gonna get this one, but I'm
gonna throw it out there anyway, just for just for
the people at home. Well, I never thought that it
be so simple, but I found a way. I found
a way. Well, I never thought it be so simple,
(55:53):
but I found a way. I found a way.
Speaker 4 (55:58):
Well, you open your eyes, the look inside so close.
Speaker 3 (56:05):
You skipped the lyric Kelly, Damn, I'll let you out
on You get nothing for that man. That's the wrong
ass show, Drake Bell. I found a way, Drake and
jo you got my secondary lyric, the secondary lyric use
you technically skipped the finish finishing that was. I thought
(56:28):
it be too crazy, but I found the way.
Speaker 4 (56:30):
It was.
Speaker 3 (56:30):
The next lyric after that is, if you open up
your mind, see what's inside next one, Kelly, you gotta
have this one. Please, for the love of God. I
thought I had everybody on my side, but then I
went and blew it all sky high. Now she won't
(56:52):
even spare a passing glance. Oh, no, oh, no, I'm
gonna give you one more chance because this is this
is my favorite one. This is my favorite one. I
(57:12):
thought I had everybody on my side, but then I
went and blew it all sky high. And now she
won't even spare a passing glance.
Speaker 1 (57:25):
Oh, because here you go.
Speaker 3 (57:29):
I was like, that was too much fun. I'll give
you the secondary one because I just love that song.
I love that it's on this list. Now I learned
a lesson. I won't soon forget, so listen and you
won't regret. Be true to yourself. Don't miss your chance.
(57:52):
Come on, killer, h I don't one more time and
you can steal no is it.
Speaker 4 (58:05):
Don't be like me and rip your pants.
Speaker 3 (58:08):
No no points for either. That was close, though, and
you won't end up like the fool who ripped his pants. Hanny,
real quick, let's keep it going. We got two more left,
three more left, and he's on my face. These are
the best ones of the group. The winner takes all.
It's the thrill of one more kill.
Speaker 4 (58:35):
I know what that is, but I don't know what's next.
Speaker 3 (58:37):
No, Kelly, when it takes all, it's the thrill of
one more kill.
Speaker 1 (58:45):
The last one to fall.
Speaker 3 (58:47):
Mm hmm, I don't know.
Speaker 1 (58:49):
The next port.
Speaker 3 (58:50):
I'll give you. I'll give you. I'll give you a
point for it. You can't. At least you gave me something.
The last one to fall never sacrifice their will? Hey
for the extra point. And it's sweet, sweet sweet victory. Yeah,
(59:13):
and sweet sweet sweet victory.
Speaker 4 (59:23):
Also a SpongeBob. But I do not name, no, no,
no thing.
Speaker 1 (59:30):
Give me to give me the lyric thing for the taking,
something about a fight.
Speaker 3 (59:42):
It's ours for the taking. It's ours for the fight,
sweet victory SpongeBob. By the way, Kelly, this one, I
don't really have to give you much for this one.
I think you got this one with a landslide. I
want to be the very best brother?
Speaker 4 (01:00:01):
Is that it?
Speaker 3 (01:00:01):
That's all I'm giving you can do? I need to
give you anything else?
Speaker 1 (01:00:07):
Okay, one more time.
Speaker 3 (01:00:09):
I want to be the very best?
Speaker 1 (01:00:14):
Oh why am I forgetting the next word?
Speaker 3 (01:00:19):
Sing? Sing it out like I want to be the
very best.
Speaker 1 (01:00:31):
Oh my god, I don't know.
Speaker 4 (01:00:33):
Oh no, oh no. To catch them all is our
real test, to train them as our calls.
Speaker 3 (01:00:40):
God, damn it, you're both son. Your one line off, baby,
you skip the line like no one ever was. You
skip the lines.
Speaker 4 (01:00:51):
Stop.
Speaker 3 (01:00:52):
No, it's not you can't give it a lyric, buddy,
Doom doom, doom doom. All right, handy for the finish.
I picked this one especially for you. You and me
will always be tight family every single day and night.
Speaker 4 (01:01:14):
Every single day and night, acting like a food loving ship.
Speaker 3 (01:01:22):
You give me something I love.
Speaker 4 (01:01:26):
It is what you do. Family, family.
Speaker 3 (01:01:32):
Exactly right. Now you know that one at all? Okay,
you and me will always be tight family every single
day and night. And even when you start acting like
a fool, you know I'm loving everything single thing you do. See,
if you can get this one, then they'll push your
buttons and make you want to hug them.
Speaker 4 (01:01:54):
Alight.
Speaker 3 (01:01:54):
This is the easiest part.
Speaker 4 (01:01:56):
Family, family, proud, proud family.
Speaker 3 (01:02:01):
And now you go, and now you have it, starting
off on a high note with the ending off with
the high note of proud family.
Speaker 4 (01:02:08):
That wasn't too bad.
Speaker 1 (01:02:09):
It's hard because you're not hearing like the music and what.
Speaker 3 (01:02:13):
I didn't want to make it too too easy. Some
of those were just like, I don't want to give
it away too easy. I thought you were Henny. I
literally put the rest of the song for Pokemon by
the way, so Mikel's gonna run and see a whole
damn song.
Speaker 1 (01:02:25):
I was like, I literally just forgot the next part.
The rest of the song is in my head.
Speaker 3 (01:02:30):
That's crazy. So let's do a quick tally one two three, four, five, six,
seven eight nine, ten eleven, twelve, thirteen, forty fifteen, sixteen
and a half for Anny, one two three full, five
six seven, eight nine, ten eleven, twelve thirteen, forteen fifteen,
sixteen and a half for Kelly, A fucking tide that
(01:02:55):
was not playing, that was not playing it all. We
have not had a winner of a game, and at
time almost every game we play it recently is all
and in ties. I don't like this, but I like
it though. It's fine. It's the nonsense family way to
end it, But damn do I want the animosity?
Speaker 2 (01:03:16):
Though?
Speaker 3 (01:03:16):
I want the animosity because that was a great game.
That was a great game. Some steals that I wasn't
expecting to be stolen Kelly with a MILLI Kelly with
a Million is crazy? Whoa Goddamn? That was a lot
of fun. I think we gotta run it back. I
picked a good mix. I wanted to make sure it
was some regular songs, some goofy shit. I think I
(01:03:37):
might run it back one more again. I think I
might have to comment below. Let us know what you think.
How did you feel about that, Kelly? Because you were like,
you know, I was gonna do something stupid, but you
had no idea what I was gonna pull off.
Speaker 4 (01:03:48):
What do you think.
Speaker 2 (01:03:49):
I kind of got a hint because you were watching
a video of that, so I was like maybe, but no.
Like I said, it was hard because you're not here.
Speaker 3 (01:04:00):
And I didn't want to sing along too much because
I feel like it gives too much away. And I
picked words I know, but I felt like, if I
give you too much of the melody, I don't want
to leads you to the water, like you gotta at
least walk yourself to the damn lake.
Speaker 4 (01:04:17):
What do you think?
Speaker 2 (01:04:17):
Man?
Speaker 3 (01:04:17):
That was decent, decent mixed. I like it. I had
a lot of fun. It was slightly stressful picking out
Obscure Ship.
Speaker 6 (01:04:23):
Though.
Speaker 4 (01:04:25):
Shows me how old I am.
Speaker 3 (01:04:26):
But I forgot a lot of stuff. I really thought
you were gonna eat eat proud Family to bitch stuff.
I thought that was gonna be super simple. I didn't
even ask you for the name of the song and
artists of that one.
Speaker 4 (01:04:38):
But that was kind of.
Speaker 3 (01:04:38):
Solon actually has more credit shot, which is crazy. I
did not know that. Yeah, so that's decent. We might
run it back one more time. Comment below, how what
was your score? We got two six scenes and a halfs.
Did you do any better? And on that note, I
guess that's the perfect way to in the show. Let's
(01:04:59):
not even drag it along, man, what's the yalla next time?
The US once planned to nuke the Moon.
Speaker 2 (00:08):
There was a project in nineteen fifty eight to blow
nuclear bombs on the Moon for tides.
Speaker 3 (00:18):
Right, No, I don't know what I remember. They had
an issue with rising tides at one point. I remember
somebody discussed about blowing up the Moon to subsidize the
rising tides.
Speaker 4 (00:31):
Try that too.
Speaker 2 (00:34):
No, this was an Air Force mission or plan anyway
to learn about nuclear weapons so that they can use
it for war.
Speaker 3 (00:45):
Makes sense, not to blow up us, blow something else,
something spit right, Not necessary to blow up the Moon. No,
there's plenty of brown countries we could have.
Speaker 5 (00:55):
Look, man, I was, I was finna say some unhanged
but then you beat me allway, like you over unhinged me.
Speaker 2 (01:07):
But the project was called A one nine and it
was after the Soviet Union. Yeah, there was the race
to get to the Moon or space anywhere. So this
was kind of their way to uh to get that.
Speaker 3 (01:27):
So this is pre Nixon, so that's before he had
I think it was Golden Dome at that point. And
this is before Obama, which was Project star Wars. You know, yeah,
Project star Wars, because Obama wanted to build a death star.
(01:48):
You think that the things you think around while it
be the wrong ones. Obama wanted to build a death
star because he was kind of getting bored with regular
drawn strikes.
Speaker 5 (01:57):
If if a black man, I can just look, I
know this, don't mean ship the ship and don't come
after me because I'm severely.
Speaker 4 (02:09):
Non terror or take terroristic. I think that's the word.
Speaker 5 (02:14):
Okay, if a black man would have been responsible for
the first Gundam, I out of fucking lost my mind,
like come oh, gayun just death stars working.
Speaker 3 (02:28):
No, he just wanted to. He wanted a planet size
moon to blow up brown countries. Look, man, I don't
make the rules. I don't make the rules. I'm just
spitting the facts that other there. The man had the
most grown strikes of every president, and man thought he
was very success. Now he was sucking up a brown
(02:49):
country or two. I want you to specifically known that
the black man was bombing the most ground people. Okay,
if anybody comes at me, niggas be doing doing other niggas.
That's all I'm saying. That motherfucker played Model Warfare two
was like I kind of like this, just keep it going.
Speaker 5 (03:12):
I mean, man fucked that because the motherfucker Somalians also
try him. Oh, motherfucker's trying to try to seuch for
the one piece and found it.
Speaker 3 (03:25):
He definitely said it to him, I got one piece
for you, finking with a joy stick. Fuck it. So
what do we get out of I'm just curious. Did
you have any information of what we got out of
almost nuke in the moon? Did we get anything from that?
Speaker 1 (03:43):
No?
Speaker 2 (03:44):
So it was scrapped because they were uh concerned about
future explorations of the moon.
Speaker 4 (03:52):
That makes sense.
Speaker 1 (03:53):
I haven't gone there yet. They want to spe.
Speaker 3 (03:57):
Look man in fifty eighth, they definitely still thought that
motherfucker was made of cheese.
Speaker 5 (04:03):
Memewise, maybe, but I don't think so. I don't know
about jail. Back then, memes was delivered via newspapers.
Speaker 3 (04:12):
No, they had pamphlets, legit. I read a few of them.
Oh I say that. For an other episode, I found
like a website that had a bunch of like pamphlet
it memes. Boy oh boy, where they go from? Like
the eighteen hundreds and up? I got memes from the
eighteen hundreds. Boy, you're gonna love them. I'm gonna say
them for later.
Speaker 4 (04:28):
The school counters memes somebody that was educational. That was
definitely trolling politicians, yes.
Speaker 3 (04:37):
But we didn't turn them into means so well after
so it might have because every cartoon of that era
was just like the government sucks, just so you know.
And then nobody really called on because they threw it
behind a great jingle, and then we were just like,
wait a minute, wait a minute, they were kind of
schooling us on something. I forgot where I was going that. No,
(05:00):
I was gonna say. I thoroughly enjoyed the Space Race.
I don't know if y'all care about the space race
too much, but the Space Race it might be the most.
Speaker 5 (05:09):
About in space with Gil Gil King and oh I.
Speaker 3 (05:14):
Can talk about that too. Real quick Bob's quick take
on that. It's actually the exact opposite of what everybody
else is thinking. I'm sorry to tell y'all them bitches
is astronauts. As much as you were expecting me to
shoot on them for not to not be asked, they
are astronauts.
Speaker 5 (05:32):
So Bill, I ain't a scientist, no butt whatever.
Speaker 3 (05:38):
Look, man, the legal definition, the classified definition of an
astronaut is someone who travels to outer space. Them niggas
don't work for NASSA. But they did travel. That's not
on me.
Speaker 4 (05:53):
You don't think engineering is a science or something.
Speaker 3 (05:56):
You think that you looked it up and confirmed it.
Even Google said them niggas ain't scientists. Don't get mad
at the messenger. I'm just reading the definitions, baby, So
read the definition. Them bitches astronaut they travel, and I
double tech just to make sure, because I want to
know how high did they go? Did they actually get
out of the strata? They made it out of stratosphere,
(06:16):
They made the past threshold. They technically travel based on
what they said. Now if you want to go conspancy theory,
and I don't think they made it. I think it
was a video simulation. But based on information they gave us,
they checked, they crossed all the t's and dotted all
the eyes and bitches astronauts.
Speaker 4 (06:32):
I'm sorry.
Speaker 3 (06:33):
I hate for breaking to you the astronauts. I don't
like it. I don't like it.
Speaker 1 (06:40):
I'm more mad at their attitudes when they got packed.
That's my thing.
Speaker 3 (06:45):
I'm fifty to fifty on that too. I'm fifty no
see you see man, because they acted like they did,
like the greatest experience of all time.
Speaker 1 (06:53):
They said they did the greatest thing.
Speaker 5 (06:55):
I want to know what everybody call Katy Perry as
specifically out of all there, but though the trip specifically
got nobody likes.
Speaker 3 (07:03):
Katy Perry to begin with, and you ate an extra layer.
Speaker 4 (07:06):
Damn. I thought that nobody liked King. Anybody says ship
to her.
Speaker 3 (07:09):
Niggas don't like Gail King. Everybody hates Karry Perry.
Speaker 4 (07:14):
I thought they just kissed the girl that liked it.
What the fuck y'all got against Katy Perry?
Speaker 2 (07:17):
Now?
Speaker 3 (07:19):
I know why they hate her now, I know exactly
what hit her now because she got married, had a
child and changed her life. She's she is semi normal brand.
Speaker 2 (07:30):
That was one of the big things too, because she
was like the trip to space was taught me about
love and we're just like your mom.
Speaker 3 (07:38):
That sing that's the hippie part that y'all don't want.
Speaker 4 (07:40):
Yeah, she's high. That's that was that she was stoned
when she was up there.
Speaker 1 (07:44):
That's why we're mad.
Speaker 3 (07:46):
It's what I don't know, man, I'm saying, talk to
any astronaut you know, we're ever ever seen on TV.
Don't none of the niggas come back. Don't none of
them come back normal? That's a you gotta think about
that on a constant Literally, you stop aging up there.
For not stopping, it's just relative time load. It's slow
(08:06):
time aging. It's different. But you know what I'm saying
is that's an experience that only a handful of people get.
Your experience. As of right now, you have seen something
that nobody else has seen before. You've physically felt something
that nobody else has felt before. No matter what you
told them, you sound like a witch.
Speaker 5 (08:23):
Also, what if it's fucked up out there and you
signed some shit that you gotta keep playing exactly?
Speaker 4 (08:29):
You don't know.
Speaker 3 (08:31):
Everybody that goes to space come back a little weird.
They ain't no different from them.
Speaker 4 (08:35):
So all the waves from all that machinery in there.
Speaker 3 (08:38):
And it's crazy, it's too much. It's gotta be some
radiation and them fucking I don't know. And that's why
I'm like, you know what, They came back acting just
like every other astronaut until one of them, as soon
as want them start shitting themselves on a plane. Then
I'm like, Okay, they definitely went to space. I know
they went to space now because they like the psychopaths
so far, everything that they was, it all just started
(09:01):
bar fights every night after he came back from space
because he was just like you niggas don't know what
I've seen up there, and just started beating people's asses.
The first nigga that went with nuts immediately bullshit, bullshit, No,
space is crazy. I'm gonna stay in my black ass
on the ground for a minute. I'm gonna let a
few more white people go. I need like sixteen most
(09:24):
successful trips there back.
Speaker 4 (09:26):
I was just saying, imagine, imagine being in.
Speaker 3 (09:30):
The cockpit of the Sasabi as shar the first time
he hit go on that bitch, they.
Speaker 4 (09:36):
Got every molecule in his body shifted.
Speaker 3 (09:39):
That's what I'm saying, Like, that's weird, and I'm okay
with them being weird coming back. I'm okay with them
being weird coming back. I don't know if I'm ready
for that experience. I don't even did a flight where
you get to do zero gravity, Like, let me start
that first, let me do the zero gravity flight first.
Any of the trainings barely because they were only passengers
(10:01):
so they didn't have to do all that. All they
did was the basic bit ship go come back. If
you die, you die. Wow, it's a lot of that's
there's a lot of toll on your body. They signed away,
so I found them being astronauts. I'm fine. They did it.
Speaker 4 (10:19):
Katy Perry or something.
Speaker 3 (10:22):
That was was it Windy's. It was another company that said,
I think it's windy Whenny's wild for that, you're wild
for that. And I love it though, I.
Speaker 4 (10:30):
Mean, Katy Perry do j before so and also had.
Speaker 3 (10:35):
Some Whinny's not been the wildest company on the face
of the earth for the last like ten years.
Speaker 4 (10:40):
They did put pop tarts in their frosty.
Speaker 3 (10:44):
Speaking of pop tarts, you see the new pop tart
ice cream sandwiches.
Speaker 4 (10:47):
Nigga, I wont them.
Speaker 5 (10:48):
I just ain't been to a mart find them looking
for It's only a Walmart.
Speaker 3 (10:54):
We gotta start, God damn it. All right, Well, there
you go. Space Race is dope and we win. Let's
start the show. Welcome back to another episode of the
(11:50):
Nonsense Podcast. I'm half drunk, Bob Whitney is tipsy, Henny
back then, Kelly over here, his Chad just watching sober.
He probably upset the moment I went to an ap
Delhi is delicious. It is and I used my like
(12:11):
stream name he was like, I an'ta bring me some
hand on when you come back? Do you use your
like fake? I was gonna ask you that I be.
Speaker 5 (12:22):
I don't be feeling like because motherfucker sick Garland still
funks up a lot of people, more people than you
would think.
Speaker 4 (12:28):
So I just tell him him most mostly and Starbucks.
Speaker 3 (12:33):
I use Bilbo Baggins.
Speaker 4 (12:37):
Why not.
Speaker 3 (12:38):
They gotta say it, they gotta write it all my
ship and that's how it's doing it. Yeah, I get
all my Starbucks orders is Bilbo Baggins. Who ship that
burned a little bit. It's gonna be a fun episode today.
It's gonna be a real good episode. It is the
(13:00):
second episode in a while that I've written down and
I got notes for. We got a whole plan. But
before we get to this plan, I would like to
know how y'all doing at home, Kelly, how you doing.
We're gonna start with you today. We're gonna switch it
up on them. Flip mode squad. Flip mode is the greatest.
Speaker 4 (13:16):
I'm alive. It's a thing.
Speaker 3 (13:19):
Damn. You're just trying to sell merch ain't you, even
though we have a merch though at the f and
Shop y'all should just go buy something. It's nice.
Speaker 5 (13:27):
Yeah, this this, this podcast has become too automated. I
miss doing live drops, but.
Speaker 3 (13:34):
Damn it because when we false we did live drops
and then we would forget that automated a little bit.
This is Smitch here and there? How you doing him?
Speaker 5 (13:44):
I am second tired of being second tired. But the
grind never stops, Sigma male grind set gotta. I don't
remember what that shit means, but.
Speaker 4 (13:56):
You know.
Speaker 3 (13:59):
Well what they say, never stop, never what never give.
Speaker 4 (14:03):
Up, can't stop, won't stop.
Speaker 3 (14:06):
Young money because we get Damn baby, Damn.
Speaker 4 (14:11):
That isn't that a diddies God, damn you can't. You can't.
You can't run from you can't tell him no, but
you can't run.
Speaker 3 (14:23):
Who's more diabolical? Diddy of Big Dick Randy? You know
not no Big Dick Randy.
Speaker 4 (14:29):
I know Big Dick Buster. You don't know Big Dick
Randy as you don't know Big Dick Buster.
Speaker 3 (14:35):
Though I know Big Big Buster. I'm talking about Big
Dick Randy. Man, Damn man, if.
Speaker 4 (14:40):
You don't know Big Dick Buster, go watch godfither Harlem.
Speaker 3 (14:45):
I think mind you and I know like.
Speaker 5 (14:48):
The fires that sound crazy, but that's why, that's why
the fires get back. You fucked my daughter, I got
a nigga fuck you. No, well, very well, Sid to
Forrest Whittaker whatever wherever you are.
Speaker 3 (15:03):
It wasn't for this twin brother looking thing. What you know,
it's two of them niggas, right, No, yeah, there's two
Whittakers that look exactly like them niggas.
Speaker 4 (15:12):
Sweet bro.
Speaker 5 (15:13):
After watching say this, motherfuckers asked me if it's to
Michael B. Jordan's So I just I just need to confirm, No,
it's it's okay, because.
Speaker 4 (15:21):
It was like, are you sure it's not Michael C.
Speaker 3 (15:24):
Jordan?
Speaker 4 (15:24):
That was a bit and you should not have fallen
for that. That was a complete bit.
Speaker 3 (15:30):
Let me look at that up real quick, Forrest, they
both have the no. I think one does and the
other one doesn't.
Speaker 5 (15:37):
If y'all both went through the same accident, that's fucked up.
Forrest Whitaker, I would niggas know not to not give
me a twin I would do exactly what they did
in sentence. We would join two gangs, rob both of
them bitches and just be just playing against each other
and they're run to Mississippi. Yeah, that's exactly what the
(15:59):
fun it would be, exactly said it.
Speaker 3 (16:01):
So it's three of them. They look exactly like two
of them niggas in movies.
Speaker 4 (16:06):
Yeah that niggas and movies.
Speaker 3 (16:07):
And hold on, this is that that's the same nigga
right there? Different, that's different, right, But these two are
two different dudes.
Speaker 5 (16:19):
So they both have the eye though the two niggas
a there got the eye. So you're telling me every
time it's glasses is a different dame. It's a different dude,
and the same Forrest.
Speaker 3 (16:32):
And Ken Whitaker them two different dudes. You might have
to do an I m dB A deep dive everything.
What Yeah, that's two of them.
Speaker 5 (16:43):
If it's yo, that's the crazy lord if because what
if the one without glasses gotta play in the movie,
whether nigga work glasses, then you.
Speaker 4 (16:51):
Just I don't like it. I don't like it. Gotta
kill one, I don't like it. I don't like it.
I just I get fervorently, I just like it.
Speaker 3 (17:04):
Yeah, No, it's to them once. Definitely a lot of.
Speaker 4 (17:07):
Fun didn't come out like that.
Speaker 5 (17:09):
Why they didn't why they didn't break out and movies
and announced that they was twins.
Speaker 4 (17:15):
No, I ain't. I thought that Nigga was the only child.
Speaker 3 (17:20):
And two of them boys is famous.
Speaker 4 (17:21):
No, no, no, no, I don't like it.
Speaker 5 (17:23):
You gotta pop out. That's like your tears. Amaric kept
it a secret for decades.
Speaker 2 (17:28):
No, you wasn't the girl and Terminator the twins too,
Sarah Connor, this is the opposite of parent trap.
Speaker 4 (17:37):
I feel lied to.
Speaker 5 (17:40):
No, I just didn't know because I thought it was Yeah,
it's not one bitch playing two bitches.
Speaker 4 (17:45):
It's on.
Speaker 5 (17:46):
It's two niggas playing one nigga, two niggas living the
life of Forrest Whitaker.
Speaker 4 (17:53):
That's what That's what's going on.
Speaker 3 (17:56):
The class. They two different actors. They're both cited separately.
We just don't read.
Speaker 4 (18:05):
Don't read. That's all it is.
Speaker 5 (18:07):
In deceit. I've never heard of a fucking king. And
you used to see Whitaker.
Speaker 3 (18:11):
You're like, I know that bald ass names. And you
know how I found out it was real simple because
I looked at him once and I was like, man,
he look a little different at this time this time.
And then I seen another movie like Come Out not
too long after. I'm like, damn, he switches style up.
(18:32):
That fast lait a minute, and I'm like, you got
cancer some ship, and they looked at him like, oh no,
it's just twities.
Speaker 5 (18:39):
Boys, feel because I've probably seen both of them, niggas
and some ship.
Speaker 3 (18:44):
Yeah, no, for sure, you don't know which one. You've
been calling Forest way too long. It's two of them.
It's the fun that I land with. I gotta be
with the mama. How I land with Forrest? And you're
king like, well, come on, come the fuck off, Come
the fuck on.
Speaker 4 (19:03):
What's the other one name? Damon, I'm slapping. I'm slapping
the ship under somebody.
Speaker 5 (19:12):
So you just saying you go wild out on the
first I'm assuming where Forrest's oldest.
Speaker 3 (19:17):
I guess I don't know.
Speaker 5 (19:18):
You go wild out on your first, try and get
it right the other two times?
Speaker 4 (19:24):
Kenny David? Are you fucking kidd? Be yo outrage?
Speaker 3 (19:31):
But but which one has the more memorable name?
Speaker 2 (19:35):
You know?
Speaker 3 (19:35):
Forrest Winnaker.
Speaker 4 (19:38):
Was still like the regular niggas is hading on his coattails.
Speaker 5 (19:43):
They might be you know, ken Is one thousand, said
rying his brother's coattails, because niggas don't even know he exists,
and he is probably the greatest out of all of us,
because I think he can move simultaneous.
Speaker 4 (19:54):
He could be multiple.
Speaker 5 (19:55):
Niggas because I'm just doing all four ship I'm ana
get paid the same and my brother gets all the
notoriety or the flak.
Speaker 4 (20:04):
I don't give a fuck. Yeah, no, Ken needs to
be studied.
Speaker 5 (20:12):
Because that's some bullshit. That's some bullshit, or that's the
Heights of the Century, one of the other.
Speaker 3 (20:18):
And you thought the Wayn's brothers was killing it in
the game, that ain't got no twins, because baby, it's
always been a wino because from day one, I literally
gotta go back and and go to Wikipedia for all
of the movies I like him.
Speaker 4 (20:34):
Man, was that nigga really in Black Brandther.
Speaker 3 (20:40):
Which? Man, I don't know. Oh my goodness, you said
she was good Kelly. I'm sorry, I'm angry. You're very
UPSETLL lied to I'm sorry. I'm fine. If anybody's wondering,
I'm okay. I apologize that I dropped the bomb of
the century apparently on this episode. Yeah, I hate that
(21:04):
this might end up being a daily dose. That was
unwarned that this was not playing. I just castually dropped
winker information on you. I was not ready to blow
your mind a hard y'all because the niggas are twins. Like,
it's not even that's my little brother age. I don't
even know if they're twins or not. All right, let
me because they might just be twins.
Speaker 5 (21:27):
And we just over all three of them niggas really
look alike, but the one with glasses and one without no.
Speaker 4 (21:34):
Hell no, oh my god, they gotta just I just
want to find their age. I'm never being me. I'm
never being me. I'm wilding the fuck out on the
forest like I've never been myself. Are you crazy?
Speaker 3 (21:48):
So Forrest Whitaker is sixty three, Damn ken Wardaker sixty one.
They are not biological twins at all.
Speaker 4 (21:59):
I'm freaking the ship out of that. Oh, I gotta
take the glasses off of my and I'm my brother,
fuck it.
Speaker 3 (22:09):
And then Damon Winterers fifty four, so he came way later.
But the other two they are two years separate. They
are two years separate. Okay, you're gonna be all right.
Speaker 4 (22:21):
I will be some life changing information I didn't know.
Speaker 1 (22:29):
I'm sorry.
Speaker 3 (22:29):
I feel bad, old boys for just dropping the bomb
on you.
Speaker 4 (22:33):
Agree.
Speaker 3 (22:35):
How we doing on time? By the way, twenty two
sounds like a good feel.
Speaker 5 (22:39):
I still feel like y'all need to see sentence that
is one of the funniest. It's great, like.
Speaker 3 (22:47):
Wait until it hit a streaming service. I probably catch
it then. It's because.
Speaker 4 (22:55):
Bro, so many quotables.
Speaker 3 (22:56):
I believe it. It seems like it's quite popular. I'm
gonna watch it.
Speaker 4 (22:59):
I'm dee. They gave a description of how to eat
Koucie in the movie.
Speaker 3 (23:03):
Like now, it's even definitely a best time to hit commercial.
This is gonna roll right in the commercial right away.
Speaker 5 (23:12):
What's good Nonsense Nation, it's your boy invincible. And I
just wanted to remind you all of the lovely places
that you can continue to listen to The Nonsense Podcast,
including Spotify, Apple Music, Google Podcast, and spreaker, the home
of the podcast.
Speaker 4 (23:30):
But if all of that is.
Speaker 5 (23:32):
Too difficult, you can make your way to www dot
f and entertainment dot com, where you can listen, watch,
and check out our lovely merch.
Speaker 4 (23:43):
Now back to the show.
Speaker 3 (23:45):
Welcome back to the Nonsense Podcast. I'm still Bob, that's
still Heney. I hope.
Speaker 4 (23:53):
Chad hr got a gatestolins.
Speaker 3 (23:58):
He is he probably falling fun out from all the
shitty keep hearing man, it's dying slowly, all right. So
on this episode, I had a cool new idea, a
very fun idea that we are going to eat up
the rest of this episode with. I've been watching a
(24:20):
lot of finish the lyrics. I love finishing the lyrics.
You like finish the lyrics a little bit? Yeah, I
hope so. So I wanted to put a little little
bit of a nonsense spend on it, a little little
little twist to it. This might be a multi part episode.
We might have to run this one back, but I'm
still working the kinks out of the nonsense version. But
(24:40):
we're gonna keep it kind of simple. Finish that lyric.
I took songs that are extremely popular and extremely well
known to the millennial era. So this is an episode
for the millennials. Damn Damn the gen Z, Damn Jen Alpha,
and Damn Sure damn gen X. Although I'm still robbing
you a little bit, but I got some lyrics from
(25:03):
all of all, a bunch of well known songs.
Speaker 4 (25:06):
We're gonna do it my way. Are you a shitzammer?
Speaker 3 (25:09):
I'm a no, because I don't have I've never downloaded
to saying once in my life.
Speaker 5 (25:13):
Oh no, never once in my life, because I'm a
music lover and i'd be getting I don't be getting
put on playing heating my presence.
Speaker 3 (25:24):
So I just use like the Google equivalent once or twice,
but it's never often enough where I'm like, oh, I
do that consistently. It's like, no, but I hear it.
I heard it on the radio where there's words or something.
Speaker 4 (25:36):
Like that crazy ship.
Speaker 5 (25:37):
I don't know if Sam Suck did this or if
I did this, but I haven't in my fucking dropped
down menu.
Speaker 1 (25:43):
Yeah.
Speaker 3 (25:44):
No, they had it where it could be in the
drop down.
Speaker 4 (25:46):
All right, cool, I thought. I was like, I'm a fan, Yeah.
Speaker 3 (25:50):
A little bit probably so the nonsense version of the
lyrical game, We're gonna play it this way. One person
goes first. I'm gonna give you the lyric. You will
answer it the best of your ability. If you are
not and I means this not spot on, I'm giving
(26:10):
the other person the chance to steal. If they are
also just not spot on. It goes back to the original.
The original person gets the point. The spin is the
next question, same song, but I found the slightly more
obscure bar in that song make you think a little bit,
make you think a little bit. So it's kind of
(26:30):
like a hint to the harder one. You start off
with some easy then you get a little bit of
a harder one.
Speaker 4 (26:35):
I kind of think I'm about to do terrible. You might,
you might not.
Speaker 3 (26:38):
You got a pen and paper. I didn't even bring
no pen and paper. I just thought about it.
Speaker 4 (26:44):
No, I'll do pen and paper.
Speaker 3 (26:45):
It's fine. You ain't gotta do it unless you want
to keep scoring. I'll do pen and paper, or you
can keep scoring either or so, what you will get
is a point for the lyric. If you can give
me the song title and artists you will give me,
you will get a second point.
Speaker 5 (27:01):
God damn.
Speaker 3 (27:02):
So you have pretty much an opportunity to.
Speaker 4 (27:04):
To produce you know it.
Speaker 3 (27:09):
Oh my god, they have double double points available to it.
The hell they do have double points available to it.
So you'll get a point if you can give me
the artist, the lyrics parent.
Speaker 5 (27:22):
What I'm fucked because the only song going through my
head right now is how many licks does it take
to get?
Speaker 2 (27:30):
Oh?
Speaker 4 (27:33):
I don't know why ray J is on my brain
right now? Wild, but I might be fuck game.
Speaker 5 (27:39):
So you know what, play along, Pauls, don't cheat, Paul's
please after each one and let us know how I'm
going against.
Speaker 3 (27:48):
You're going against? Why would you?
Speaker 4 (27:50):
I don't like this because as a black man, I
feel like I couldn't easily be just.
Speaker 3 (28:00):
You could be easily advantageous, So you don't know I
would say that this show. I have curated this list
to be as balanced as I possibly could, and I've
thrown a nice little mixing there and some surprises. You
guys are gonna like this one, so I'm gonna give
you the first one. The first one is gonna be
kind of a trial, so you guys kind of get
(28:21):
the feel of it. Ready, who's going first? Let's let's
throw Let's throw it towards Anny first. You ready? First one? Simple?
The lyric is somebody once told me the world was
gonna roll me.
Speaker 4 (28:39):
Next line is, uh, I want to go someplace where
everybody knows me.
Speaker 3 (28:51):
I'm gonna read that lyric people at home.
Speaker 4 (28:55):
Everybody does. Chance.
Speaker 3 (28:59):
Yeah, maybe ship to drink that last shot one more
time for the people at home, just so you can
thoroughly understand how weird that The next bar was Somebody
once told me the world was gonna roll me. I'll
hit you with you. Should I give him a least
the rhythm the Happy Days? No, no, it's not TV. Okay,
(29:21):
I'll give him. I'll give him a rhythm at least.
Speaker 4 (29:24):
Like I didn't know what we was doing, like theme song.
It might be later on.
Speaker 3 (29:29):
I'll give you the rhythm. So oh okay, So now
you're right Jesus.
Speaker 4 (29:37):
Christ souse, you say that was like.
Speaker 5 (29:40):
Song body, the World's gonna roll me. I have no
idea who the fuck sang the track song?
Speaker 3 (29:47):
But that's Can you at least give me the theme
the next lyric?
Speaker 4 (29:51):
Sir? Oh no, so body was told me? Damn no,
I can do the damn Kelly.
Speaker 3 (30:05):
Can you finish this one off four so we can
go to the next one.
Speaker 1 (30:09):
I ain't the sharpest tool in the shed.
Speaker 3 (30:11):
There you go, So Kelly gets the point. Do you
know the name of the song and artist? By any chance.
Speaker 1 (30:20):
That I don't know?
Speaker 4 (30:21):
Oh?
Speaker 1 (30:21):
No, oh no, I'm terrible with with names.
Speaker 4 (30:26):
Okay, I was close with TV shows close.
Speaker 3 (30:32):
You know what I'm gonna do. I'm gonna give you
a half a point. I'm gonna I'm gonna give you. No,
it's Okay, I'll give you a half a point for
because most people know the song from Shrek, I'll give
you a half.
Speaker 4 (30:42):
Who were the artists smash mouth?
Speaker 3 (30:44):
The song is all start.
Speaker 5 (30:46):
Hey now oh yeah, damn, I'm doublely trashed because I
feel like they definitely used that in the Ditchy Mama
and use that.
Speaker 3 (30:54):
A lot in a lot of movies. So now we're
gonna roll in into the second part. Now, gonna give
you the second hard lyric still on you good luck.
Speaker 4 (31:02):
I didn't get the first. I didn't get the chorus.
Speaker 3 (31:07):
The course, that's the first line. So the next line,
the next part, I'm gonna give you. Here's here is
the clue. All that glitters is gold only shooting stars
break the mode? What's the next line?
Speaker 4 (31:32):
They got the ship off after I remember them kidding,
they shit off after that.
Speaker 3 (31:37):
So no, Kelly, do you have a chance? Do you
have a chance to steal?
Speaker 1 (31:42):
I think it's a cool place, but it's about to
get cooler.
Speaker 3 (31:47):
Kelly's got it. That's too I thought you were gonna
get it just based on couch hop. Yeah, yeah, that
sounds like all right, that might be a good one.
So I think you guys kind of got the cases.
So how this game is gonna go? I thought that
was gonna be an easy one because.
Speaker 4 (32:04):
I gave up and seeing Shrek at like fifteen years.
Speaker 1 (32:06):
I was Shrek.
Speaker 3 (32:09):
Card.
Speaker 5 (32:10):
Damn if I got it, indulge in somebodys. I'm probably
gonna go to Austin Powers before I go to Shrek.
Speaker 3 (32:17):
I'll take that. I was hoping that was gonna be
your first kind of easy one, because the next one
is easy one, going to Kelly. You ready, Oh we're
halfway there.
Speaker 4 (32:30):
Oh we're living on What about you? Crazy?
Speaker 3 (32:36):
Sadly enough, it wasn't your.
Speaker 1 (32:40):
That's okay, give it to him.
Speaker 3 (32:42):
You just gave the answer, are you? Are you re
sending your your answer friend? Have it?
Speaker 4 (32:48):
Yeah?
Speaker 3 (32:48):
He did it, Okay, I'll give it to him.
Speaker 1 (32:51):
I'll take the first one. You got this one?
Speaker 3 (32:53):
Okay? Do you, by any chance fuck me the name
of the artist or song.
Speaker 1 (33:03):
You just said it?
Speaker 5 (33:06):
Living on a Prayer is the name of the song
artists I'm a road of dice and say a c
DC no, but.
Speaker 3 (33:15):
I'll give you the point for getting Living on a
Prayer just to give you kind of a fighting chance.
Bon Jovi is the name of the band all right.
So the second lyric, she says, we've got to hold
on to what we've got, doesn't make a difference if
we'll make it or not.
Speaker 1 (33:36):
Kelly, No, it's his Turney, it's his point.
Speaker 3 (33:41):
He stole it, will give him the steal. It's still
your turns, ma'am.
Speaker 1 (33:46):
Okay, do it again.
Speaker 3 (33:48):
She says, we've got to hold on to what we've got,
doesn't make a difference if we'll make it or not.
Next lyric.
Speaker 5 (33:58):
I think that's the down beat. And then the next
part is when they go back up. So that's hard
as hell.
Speaker 3 (34:05):
That's how I wanted to be. I wanted to be
a little difficult one more time.
Speaker 1 (34:16):
She's got each other and that's you know what.
Speaker 3 (34:20):
It's it.
Speaker 1 (34:21):
We've got each other, and that's a fact of life.
Love close.
Speaker 3 (34:29):
You want to take a chance to steal, that's pretty close.
We've got each other and that's a lot for love.
So we'll give it a shot. Was the next lyric
after that. But you got most of it, so I'll
give you the point. Not bad, not bad, handy back
to you. This's a classic. Sweet dreams are made of this.
(34:56):
Who in min to disagree? Next lyric sweet dreams are
made of this? Who am I to disagree? I felt
like this was something natural. Mm hmmm, oh.
Speaker 1 (35:19):
Nothing, man, Travel the World and the Seven Sees.
Speaker 3 (35:24):
There you go. I want to give me the next
line just in case. Walk it in. Travel the World
in the Seven Seas. I'll give you the point regardless.
So I just want to see if you know the
next one.
Speaker 1 (35:41):
Everybody uh huh, uh huh looking for something.
Speaker 3 (35:48):
There you go, everybody is looking for something. Jeez, man,
I thought these were gonna be the easy ones. So
I guess the next that's gonna be the easier ones.
All right? The hard part of this one, though, Sweet
dreams I'm made of this? You got that lyric? Do
you know the name of the song sweet dreams? Do
(36:10):
you know the band that multiple? Give me one? I'll
give you Marilyn Manson next lyric. Some of them wanted
to use you. This is going for Garland first or
hitting sorry. Some of them wanted to use you. Some
of them wanted to get used by you. Some of
(36:34):
them wanted to abuse you.
Speaker 6 (36:38):
So much of it.
Speaker 3 (36:40):
That's sometimes trying to give them good hints. Pay attention, buddy,
I'm giving you the answer that seems like you're reading
too much. Some of them wanted to use you, some
of them wanted to be used by you. Some of
them wanted to abuse you. Some of them wanted to
(37:01):
be abused by you. I have no fucking clue that's exact.
Who wrote that or the or the titles the same?
It's the same song. Remember it's the same song twice.
Speaker 4 (37:10):
Oh. I was like, what the fuck is that?
Speaker 6 (37:14):
Jeez?
Speaker 3 (37:16):
All right, this might be a good chance for steal.
This is going to Kelly first. You ready for this?
Go Shawty. It's your birthday. God, We're gonna Marty like
it's your birthday. We gonna sit Bacardi like it's your birthday.
Speaker 6 (37:36):
I don't know what. I don't know.
Speaker 2 (37:44):
No, I know.
Speaker 4 (37:46):
You don't. We don't get what's dealing, my man said, saying,
and to make it love, don't get me up and
get real song and artists, please the club. It was
upside down. I guess I was just.
Speaker 3 (38:06):
Keeping on anything. Yeah, you ready, my flow, My show
brought me the dough that brought me all my fancy things.
Speaker 4 (38:16):
My cars, my jewels, my shoes, and I'm still paid.
Speaker 3 (38:23):
Lott off. Kelly, you want to give it a shot
to steal. You're like that, every.
Speaker 1 (38:31):
Is him mumbling understand.
Speaker 3 (38:35):
I actually had to look this onenough to make sure
I got it right. The actual answer is my crib,
my cars, my clothes, my jewels brought me the dough,
or not my crib, my cars, my jewels. Look, nigga,
I came up and I ain't changed. It's the actual lyric.
I'll give you the point because you were still closer
than Kelly. Not bad though, we get we getting. I
(38:59):
think you're actually back.
Speaker 4 (39:00):
In the lead.
Speaker 3 (39:00):
Now, Kelly, you gotta you gotta come on. Now, he
had a rough start. You let him come back. He
had a really rough start, and you let him come
back and then lost it off smash mouth, all right,
ready for this one? And then I saw her face.
Now I'm gonna.
Speaker 1 (39:19):
Believe, not a trace of doubt in my mind.
Speaker 3 (39:25):
There you go, who that by name of the song?
I'll give you half a point for at least the
name of the song.
Speaker 1 (39:33):
Mm hm, A believer.
Speaker 4 (39:38):
There you go. You are loving your pie.
Speaker 3 (39:42):
I thought I was gonna uh ma, that's universal, that's universal.
In fact, I wanted to keep it kind of fun.
I don't want to get all basic big songs, Kelly,
since you got it, just stick with you for this
one next part. I thought love was only true and
fairy tale. M hmmm. I'll give you a small hint.
(40:09):
It's the first line of the song. I thought love
was only true in fairy tales. I don't know, damn.
I want to give it a shot. No, no, that
(40:32):
was the That was the last lyric. Oh, one more shot.
Speaker 4 (40:44):
I forgot the lyric.
Speaker 3 (40:45):
I thought love was only true in fairy tales.
Speaker 4 (40:49):
Uh, I'm a believer.
Speaker 3 (40:51):
Nod meant for someone else, but not for me. Henny, God, damn.
I think I gave you the simplist of setups to
the part where I can only write four words. Is
your clue. Don't go chasing waterfalls.
Speaker 5 (41:11):
Don't go chasing waterfalls, sticking to the rivers and the
streams that you used to.
Speaker 3 (41:21):
Super close, Kelly, do you think you could steal it?
Don't go chasing waterfalls. I thought that was it was
very close. It was very close.
Speaker 1 (41:41):
I don't know that, damn.
Speaker 3 (41:44):
Please stick to the rivers and the lakes that you're
used to. I gave I was only gonna give you
the chance to steal if you can get it.
Speaker 4 (41:53):
Accurate.
Speaker 3 (41:54):
That's all it is. You get a chance, that's all please.
And then it was that's all, that's all.
Speaker 4 (42:01):
He missed this lyric.
Speaker 3 (42:04):
I picked next for the same for the same song.
What is the song entitled? If you can give it
to him?
Speaker 4 (42:08):
TLC waterfalls?
Speaker 3 (42:10):
All right, that's one more point. I thought she was
gonna be a little worse at this with you killing
it the next lyric I had to I was really
kind of disturbed by it. Honestly, the entire song to
lyrics is very disturbing. If you want to be to
start slightly, go look up for the lyrics of that song.
Speaker 4 (42:24):
And I mean the premise is the grass doesn't grinned
on the other side.
Speaker 3 (42:28):
That's what I thought. So the next lyric goes one day,
he goes and takes a glimpse in the mirror, but
doesn't but he doesn't recognize his own face.
Speaker 4 (42:42):
What is the next lyric? Fuck? Is this tea boss verse?
Because I have no fucking club.
Speaker 3 (42:55):
One day he goes and takes a glimpse in the mirror,
but he doesn't recognize his own face.
Speaker 4 (43:03):
I can only imagine that they rhyme, they will place.
I can't think of the lyric.
Speaker 3 (43:07):
Place is one of the words so far so good.
Kelly got anything, nothing, not a clue. His health is fading.
He doesn't know why three letters took him to his
final resting place. Damn, you got HIV baby or maybe AIDS.
We don't know. But I'll give you the finish of
your half a point for that because you got place.
(43:29):
I'll be fair Kelly that you're gonna like this one.
It's getting hot in here, so hot, so take off
all your clothes. Give me something, don't do this? No
(43:53):
hold on, okay, she needs to cook it up. She's
thinking it's getting hot in here, so hot, so take
off all your clues.
Speaker 1 (44:07):
It's the girl's part.
Speaker 2 (44:08):
Yeah, because I am getting too hot and I want
to take my clothes off.
Speaker 3 (44:17):
Is that it very close?
Speaker 4 (44:20):
I am get this so hot. I don't want to
take my clothes.
Speaker 3 (44:24):
Out steal one more time. I'm gonna give you a chance.
I want to. I want to keep this fair because
you you start a trail, can you give it a name?
An artists.
Speaker 1 (44:36):
That's Nelly?
Speaker 3 (44:39):
Mm hmm?
Speaker 1 (44:41):
Is it just hot in you get here?
Speaker 3 (44:47):
You're like, I'm all h e r r there you
Let's make sure I'm gonna get i'ma let her have that.
I'm gonna let her have that next lyric. Since he
got the lyric, I'm gonna stick with him. Warm uh sweating. Uh,
(45:10):
it's hot up in this joint vodka tank top on
on at this point, warm sweating.
Speaker 4 (45:28):
Damn, it's that little is that right there? A little
slick run right there? Uh? How does knt kon? Yeah? No,
that's all.
Speaker 3 (45:44):
You want to throw?
Speaker 4 (45:44):
Guess up during that point.
Speaker 3 (45:49):
I'm gonna give you another half point forgetting King Kon.
At least you you would have winn. So, Baby, you
can't lose. I guess your secrets can't leave, can't. That's
a tough lyric again, another one I had to look
up to verify all the beats. All right, let's see
(46:13):
if you can pull this one off. See if you
can pull us one off. It might be a good
steal for Kelly.
Speaker 4 (46:19):
But I don't know.
Speaker 3 (46:20):
I don't know, Okay, I know you, I don't sorry,
I don't know your name, but excuse me, miss I
saw you from across the room.
Speaker 4 (46:38):
I don't know your name, but excuse me, miss I
saw you from across the room, And I gotta be
with no fuck, wait, no, wait, no, oh oh, he's slipping.
Speaker 3 (46:51):
He's slipping, folks, Kelly old that like I think I
got him. No, I'm struggling.
Speaker 4 (47:01):
Fuck I singing all because I'm singing all the time.
I'm throwing excuse me, he doesn't do, by the way,
and I.
Speaker 5 (47:13):
Gotta admit that you got my attention. You're making me
want to say, yoh ship word for word bar for
to pull that up? So I actually fucked that whenever
I didn't pick a secondary lyric.
Speaker 4 (47:27):
For that one.
Speaker 3 (47:27):
I apologize. But do you know the name of the song.
Speaker 4 (47:32):
And artists Chris Brown?
Speaker 2 (47:34):
Yo?
Speaker 4 (47:35):
Exclamation point?
Speaker 3 (47:38):
Kelly, you want to try and steal that one? What
I told you word for word.
Speaker 4 (47:43):
Bar for bar that is on a lot of a
lot of ship. Just your exclamation and.
Speaker 3 (47:49):
Kelly, you wanted to give it a shot for a steal?
Speaker 1 (47:51):
Is it just your excuse me?
Speaker 3 (47:55):
Oh? Good, brackets, the brackets got to the steel I
told you were for word bar for both for this game,
I need it all, I need it all. Okay, Kelly,
I think you drew the short strong this one. But
we're gonna see what you got. A millionaire, I'm a
(48:19):
young money millionaire.
Speaker 4 (48:20):
Oh oh boy, oh baby, one.
Speaker 3 (48:27):
More time a millionaire.
Speaker 1 (48:30):
I'm a young money millionaire, tougher than Nigerian hair.
Speaker 3 (48:38):
Oh okay, you got the name of the artist and
song title?
Speaker 1 (48:50):
Is it just a million?
Speaker 3 (48:52):
Goddamn it, God damn it. Didn't see that coming. But
can you pull this one off? Can you pull us
one off from the same song. He's a beast, he's
a dog, he's a motherfucking problem.
Speaker 2 (49:15):
Okay, but what's a gon? No, It's okay, I'm a goon,
But what's a goon to a cop?
Speaker 3 (49:24):
That's very close you want to take you want to
steal it from I'm very impressed.
Speaker 4 (49:31):
By the way. What was the.
Speaker 3 (49:35):
He's a beast, he's a dog, he's a motherfucking problem.
Speaker 4 (49:38):
Not drunk the gun? I know he is going, But
what's up going to a god? Nothing? Nothing, You ain't
scaring nothing on some bullshit call him that.
Speaker 3 (49:50):
It's robbing. Kelly gets it.
Speaker 4 (49:53):
You're off.
Speaker 3 (49:54):
Okay, you're a goon, But what's a goon to a gopa?
She was only one word off, you were two. Okay,
you're a goon, but what's a goon to a goblin?
Kellie's stealing a MILLI was not on my fucking Mingo
card for this game at all at all. Holy wee shit,
I like that. I like that little fitch. I'm not
(50:18):
gonna lie. That's crazy. That's crazy. All right, Another good one,
another good one. Let's get drunk. Oh this is for him,
by the way, let's get drunk. Forget what we did.
I'm gonna buy you a drink.
Speaker 4 (50:35):
And I was taky, old way man, and.
Speaker 3 (50:39):
He's getting a point. I was really saying, if you
somebody's gonna say, ooh wee not right it is and
en nah, alright, name of the song, and I buy
your drink?
Speaker 4 (50:55):
What the fuck? T Payne, let me buy you.
Speaker 3 (50:59):
A drink, Kelly, you want to give a shot and
steal it?
Speaker 4 (51:03):
I thought that was it ain't no parentheses on that
ship feature Young jock like.
Speaker 3 (51:12):
Full song, buy you a drink? Shorty snapping by t
pain what I said, word for word, ball for I'm
giving him the point still, I just want to give
you a chance to steal. If you could have just
said shorty snapping, you would have took it from him.
Next bar, next bar, talk to me, I talked back.
Speaker 4 (51:33):
Let's talk money. I talked stacks.
Speaker 3 (51:38):
Say it again. Let's talk money, I'll talk back. Trunk shoes,
bouce old a shade of that class hope behaves. I
told it just gonna be kind of interesting. I wanted
to give it a good mix up, but now we
going a little while. Now, now I'm gonna have some
nonsense fun with this one. Let's see how y'all do
with this one, Kelly. Acuna matata. What a wonderful phrase.
(52:05):
Acuna matata ain't no passing craze. It means no worries
for the rest of your days. See, I couldn't give
it to you too easy. It's too easy. What's I
need you to get? Those slightly difficult lyrics? Wow? One
(52:29):
more time? Akunamatata? I know, but if I alright, first
of all, I thought about that too, and I know
if I started anywhere else in that line, somebody was
gonna be pissed. So funk I was like, i' gonna
give you a whole damn thing. Akuna matata. What a
wonderful phrase. Kunamatata ain't no passing craze because it means
(52:50):
no worries for the rest of your days?
Speaker 2 (52:57):
Is it?
Speaker 4 (53:05):
Oh?
Speaker 3 (53:05):
He itching.
Speaker 5 (53:08):
Shut side problem free philastophy going in with that.
Speaker 3 (53:16):
Can you give me something to name? Name, name of
the song, possibly an artist.
Speaker 4 (53:20):
I'll take just the movie if you want to performed
by Jason Weaver, Lion King, can't wait to be King,
just can't wait to be king. I just can't wait
to be king.
Speaker 3 (53:33):
Damn it, Golly, what is the name of that song?
You tweet that alcohol fucks you up on that one,
and Kelly gets the name of the artist.
Speaker 1 (53:48):
This is the last one.
Speaker 3 (53:49):
Now, I gotta like a couple good more. We're gonna
speak through these. I'm gonna see if you can get
a little bit of this one. We're gonna skip. We're
just gonna skip to the nat one next song. Be
a man, We must be swift as a coursing river.
Be a man with the force of a great typhoon, and.
Speaker 6 (54:13):
With wait be ah man, uh and uh be ah man,
all the force of a great typhoon, with a raging
fire theory in saying the dark side of theumble, I
(54:36):
know it up.
Speaker 3 (54:37):
A little bit, Kelly, can you give me some clean lyrics.
Be a man, We must be swift as a coursing river.
Be a man. What's all the force of a great typhoon,
be a man.
Speaker 1 (54:54):
Like the course of a raging fire.
Speaker 3 (55:00):
It's not it. Nope, with all the strength of her
raising fire, mysterious as the dark side the moon. You
were very close. I just want to give her a shot,
all right, all right, next one, you're unsuited for the
rage of war, so pack up, go home.
Speaker 1 (55:23):
You're through.
Speaker 3 (55:25):
How could I.
Speaker 4 (55:27):
Make a man out of you? All right?
Speaker 3 (55:31):
I don't think anybody's gonna get this one, but I'm
gonna throw it out there anyway, just for just for
the people at home. Well, I never thought that it
be so simple, but I found a way. I found
a way. Well, I never thought it be so simple,
(55:53):
but I found a way. I found a way.
Speaker 4 (55:58):
Well, you open your eyes, the look inside so close.
Speaker 3 (56:05):
You skipped the lyric Kelly, Damn, I'll let you out
on You get nothing for that man. That's the wrong
ass show, Drake Bell. I found a way, Drake and
jo you got my secondary lyric, the secondary lyric use
you technically skipped the finish finishing that was. I thought
(56:28):
it be too crazy, but I found the way.
Speaker 4 (56:30):
It was.
Speaker 3 (56:30):
The next lyric after that is, if you open up
your mind, see what's inside next one, Kelly, you gotta
have this one. Please, for the love of God. I
thought I had everybody on my side, but then I
went and blew it all sky high. Now she won't
(56:52):
even spare a passing glance. Oh, no, oh, no, I'm
gonna give you one more chance because this is this
is my favorite one. This is my favorite one. I
(57:12):
thought I had everybody on my side, but then I
went and blew it all sky high. And now she
won't even spare a passing glance.
Speaker 1 (57:25):
Oh, because here you go.
Speaker 3 (57:29):
I was like, that was too much fun. I'll give
you the secondary one because I just love that song.
I love that it's on this list. Now I learned
a lesson. I won't soon forget, so listen and you
won't regret. Be true to yourself. Don't miss your chance.
(57:52):
Come on, killer, h I don't one more time and
you can steal no is it.
Speaker 4 (58:05):
Don't be like me and rip your pants.
Speaker 3 (58:08):
No no points for either. That was close, though, and
you won't end up like the fool who ripped his pants. Hanny,
real quick, let's keep it going. We got two more left,
three more left, and he's on my face. These are
the best ones of the group. The winner takes all.
It's the thrill of one more kill.
Speaker 4 (58:35):
I know what that is, but I don't know what's next.
Speaker 3 (58:37):
No, Kelly, when it takes all, it's the thrill of
one more kill.
Speaker 1 (58:45):
The last one to fall.
Speaker 3 (58:47):
Mm hmm, I don't know.
Speaker 1 (58:49):
The next port.
Speaker 3 (58:50):
I'll give you. I'll give you. I'll give you a
point for it. You can't. At least you gave me something.
The last one to fall never sacrifice their will? Hey
for the extra point. And it's sweet, sweet sweet victory. Yeah,
(59:13):
and sweet sweet sweet victory.
Speaker 4 (59:23):
Also a SpongeBob. But I do not name, no, no,
no thing.
Speaker 1 (59:30):
Give me to give me the lyric thing for the taking,
something about a fight.
Speaker 3 (59:42):
It's ours for the taking. It's ours for the fight,
sweet victory SpongeBob. By the way, Kelly, this one, I
don't really have to give you much for this one.
I think you got this one with a landslide. I
want to be the very best brother?
Speaker 4 (01:00:01):
Is that it?
Speaker 3 (01:00:01):
That's all I'm giving you can do? I need to
give you anything else?
Speaker 1 (01:00:07):
Okay, one more time.
Speaker 3 (01:00:09):
I want to be the very best?
Speaker 1 (01:00:14):
Oh why am I forgetting the next word?
Speaker 3 (01:00:19):
Sing? Sing it out like I want to be the
very best.
Speaker 1 (01:00:31):
Oh my god, I don't know.
Speaker 4 (01:00:33):
Oh no, oh no. To catch them all is our
real test, to train them as our calls.
Speaker 3 (01:00:40):
God, damn it, you're both son. Your one line off, baby,
you skip the line like no one ever was. You
skip the lines.
Speaker 4 (01:00:51):
Stop.
Speaker 3 (01:00:52):
No, it's not you can't give it a lyric, buddy,
Doom doom, doom doom. All right, handy for the finish.
I picked this one especially for you. You and me
will always be tight family every single day and night.
Speaker 4 (01:01:14):
Every single day and night, acting like a food loving ship.
Speaker 3 (01:01:22):
You give me something I love.
Speaker 4 (01:01:26):
It is what you do. Family, family.
Speaker 3 (01:01:32):
Exactly right. Now you know that one at all? Okay,
you and me will always be tight family every single
day and night. And even when you start acting like
a fool, you know I'm loving everything single thing you do. See,
if you can get this one, then they'll push your
buttons and make you want to hug them.
Speaker 4 (01:01:54):
Alight.
Speaker 3 (01:01:54):
This is the easiest part.
Speaker 4 (01:01:56):
Family, family, proud, proud family.
Speaker 3 (01:02:01):
And now you go, and now you have it, starting
off on a high note with the ending off with
the high note of proud family.
Speaker 4 (01:02:08):
That wasn't too bad.
Speaker 1 (01:02:09):
It's hard because you're not hearing like the music and what.
Speaker 3 (01:02:13):
I didn't want to make it too too easy. Some
of those were just like, I don't want to give
it away too easy. I thought you were Henny. I
literally put the rest of the song for Pokemon by
the way, so Mikel's gonna run and see a whole
damn song.
Speaker 1 (01:02:25):
I was like, I literally just forgot the next part.
The rest of the song is in my head.
Speaker 3 (01:02:30):
That's crazy. So let's do a quick tally one two three, four, five, six,
seven eight nine, ten eleven, twelve, thirteen, forty fifteen, sixteen
and a half for Anny, one two three full, five
six seven, eight nine, ten eleven, twelve thirteen, forteen fifteen,
sixteen and a half for Kelly, A fucking tide that
(01:02:55):
was not playing, that was not playing it all. We
have not had a winner of a game, and at
time almost every game we play it recently is all
and in ties. I don't like this, but I like
it though. It's fine. It's the nonsense family way to
end it, But damn do I want the animosity?
Speaker 2 (01:03:16):
Though?
Speaker 3 (01:03:16):
I want the animosity because that was a great game.
That was a great game. Some steals that I wasn't
expecting to be stolen Kelly with a MILLI Kelly with
a Million is crazy? Whoa Goddamn? That was a lot
of fun. I think we gotta run it back. I
picked a good mix. I wanted to make sure it
was some regular songs, some goofy shit. I think I
(01:03:37):
might run it back one more again. I think I
might have to comment below. Let us know what you think.
How did you feel about that, Kelly? Because you were like,
you know, I was gonna do something stupid, but you
had no idea what I was gonna pull off.
Speaker 4 (01:03:48):
What do you think.
Speaker 2 (01:03:49):
I kind of got a hint because you were watching
a video of that, so I was like maybe, but no.
Like I said, it was hard because you're not here.
Speaker 3 (01:04:00):
And I didn't want to sing along too much because
I feel like it gives too much away. And I
picked words I know, but I felt like, if I
give you too much of the melody, I don't want
to leads you to the water, like you gotta at
least walk yourself to the damn lake.
Speaker 4 (01:04:17):
What do you think?
Speaker 2 (01:04:17):
Man?
Speaker 3 (01:04:17):
That was decent, decent mixed. I like it. I had
a lot of fun. It was slightly stressful picking out
Obscure Ship.
Speaker 6 (01:04:23):
Though.
Speaker 4 (01:04:25):
Shows me how old I am.
Speaker 3 (01:04:26):
But I forgot a lot of stuff. I really thought
you were gonna eat eat proud Family to bitch stuff.
I thought that was gonna be super simple. I didn't
even ask you for the name of the song and
artists of that one.
Speaker 4 (01:04:38):
But that was kind of.
Speaker 3 (01:04:38):
Solon actually has more credit shot, which is crazy. I
did not know that. Yeah, so that's decent. We might
run it back one more time. Comment below, how what
was your score? We got two six scenes and a halfs.
Did you do any better? And on that note, I
guess that's the perfect way to in the show. Let's
(01:04:59):
not even drag it along, man, what's the yalla next time?
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