Twin Peaks FINAL Analysis: Dale Cooper's Alchemy Journey, Laura Palmer Divine Goddess & Sex Magick Apocalypse! TP55

Episode Transcript
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(00:00):
Today we're wrapping it all up. The Twin Peaks Gray Lodge Analysis ends today.

(00:04):
One final look back on what we witnessed in Twin Peaks the return. We're going to look at the
big question though. Is Twin Peaks a lumineca firm? Is it a cult? We're going to look at Stanley
Kubrick, Eyes Wide Shut, the Animal Moondy. All exploring the occult aspects of Twin Peaks. Then

(00:27):
we're going to start zooming into various concepts we saw throughout the whole Twin Peaks series.
Spacetime disruptions, the idea of Saturnian time, the sacred spaces of Glastonbury Grove,
the Great Northern, the Black Lake, the Red Room, and of course the Twin Peaks Mountains. As the
twin pillars of Hermes and the pillars of the capitalistic tree of life, we're going to focus on

(00:49):
alchemy as we look at Dale Cooper's journey through the alchemical process and crossing the abyss
with the evil forces of Bob, Judy and Ball. Another look at season three will reveal a dream state
manifesting the entire realm to test Cooper's individuation and the dissolution of the ego.
And we'll consider the Jungian transcendent function as part of the process of manifesting the

(01:13):
symbols of the subconscious into the world of season three. We'll analyze listening to the sounds
as various theories of the cosmic breadth of Brahma and the eighth sphere of anthropocopathy.
Magic will play a key role in all of this as we consider the Wizard of Oz, electricity,
and the actual human emotion origin of Garmin Bogia that Bob is feeding off of.

(01:34):
Entity's nailings manifesting into our world is explored through Thalema,
Crowley Parsons and Sex Magic, and then we'll look at Sabia mythology displayed when Laura is the
one passion place of overcoming darkness, the goddess of the water, Sophia, Scarlet Woman of Babylon,
and the Divine Feminine will wrap up with the final theories that explain what is going on with

(01:58):
Twin Peaks. We're going to talk about the alchemical journey of Del Cooper attempting to become
an ascended master like Major Briggs and Philip Jeffries. Then we'll look at the cosmic
battle of Good and Evil through Sex Magic, opposing polarities coming together in the apocalyptic
end of the world. We'll look at the forces of Eros and Thanatos, Arboros and Sera, James Shelby

(02:19):
Daugler's King Kill rituals, Judy's Journey from Start to Finish and Crowley's description of
Twin Peaks from the Vision and the Voice. We'll look at Tracy Twymons research leading to origins
of Enoc and Kane opening up portals and Kenneth Grant's initiation to Asak to unlock the occult
powers. We're certainly not going to answer every single question about what is going on in Twin

(02:42):
Peaks, but I will shed light on the occult messaging found in this wonderful and strange world.
The dream of time and space all comes out now flowing like a river today in the final episode
of the Twin Peaks Grey Lodge.
Now a three minute intro should tell you all you need to know about today's episode. This is a

(03:07):
marathon not a sprint. And rightfully so, I've done 50, this is the 55th episode of the Grey Lodge
series. Can you imagine any other work that requires 55 separate episodes of analysis?
You can't. And if you've made it this far in the journey, I appreciate it.

(03:31):
If you are brand new and you're starting out with this episode, I'm going to tell you that
this is Plot Spoiler territory on the entire world of Twin Peaks. Please go back to the primer,
which is the first episode done. And I think it was like May of 2023 when we started this journey.
And you'll want to start there. Unless you've seen all Twin Peaks and you're

(03:54):
vet and you're like, I already know everything about Twin Peaks. What you got, player,
then I'm about to blow your mind. This is going to be something you've never heard before. I guarantee
it. Well, I can't guarantee it because I haven't listened to other people's
discussions. I just know because of the complexity of how deep into the occult I had to go.
That I, I mean, I'm pretty sure no one's done this before. I haven't seen the guy with the four-hour

(04:19):
deba- the four-hour decode of Twin Peaks yet. Maybe he does this. I would be highly shocked
if he went into this territory. I would be shocked because this is like black belt level of
occult knowledge. But I'm going to guide you through the whole thing. And then this is my disclaimer.
I'm going to tell you right now, you may end up leaving this analysis more confused than where you

(04:42):
started. I've done a cult symbolism breakdowns of, I mean, probably about 100 films. And I'm here to
tell you that Twin Peaks is packed with more cult symbolism than anything I've ever come across.
It's difficult to distill this message down to one or two points, which is frustrating because

(05:02):
I like to do that. And I could not do that here. I'm going to hit you with several possibilities.
And by the end of today's analysis, I'm going to give you my best guess if you forced me to
sum it up into a couple talking points. So my say all that because if I lose you along the way,
don't feel bad because I'm confused too. All right. Just hang in there till my conclusion.

(05:27):
It's going to be a long and wild ride. And obviously plot spoilers for season one, season two,
season three, fire walk from the secret diary, little farmer, secret history of Twin Peaks,
Final dossier, you know, the books. Basically, the entire Twin Peaks universe will be revealed and
ruined. And that goes against anything that David Lynch would have wanted, Rest in Peace,

(05:51):
or Mark Frost, you know. So by all means, if you haven't consumed all the Twin Peaks to get your
own thoughts about what's going on, I would beg and advise you to do so now. And then come back to here.
With your own, you know, what are your dreams manifesting?

(06:12):
And I'm going to hit that in the conclusion a little bit.
And if you've already consumed all of it and you're ready to go to the bottom of the rabbit hole,
stay with me because we're doing it. If you haven't called it full entire series, check them out.
You can get them currently as of this recording. The only place you can get them is on my
supporter feeds. I would recommend patreon.com/limonetewatcher. Unlock all of the mad free 55

(06:38):
episodes. My goodness. It'll take you a long time to get through them all. But this is kind of the
magnum opus, folks. I've been doing this in 2014, well, 2011. And this tested every bit of patience
and boundaries of what I could understand. It's amazing. So let's get into it. Part one.

(07:03):
I've got how many parts do I got? Well, I got four parts to this thing. Part one is going to be a quick
little is Twin Peaks occult. Is it a lumineca firm? All right.
Part two is going to talk about space time disruptions with sacred spaces and Saturn.
Part three is going to be about various occult arts. Cooper's dream journey, listen to the sounds,

(07:27):
magician longs to see, entity and aliens through the Trinity portal. We'll touch on that.
And then part four is the big banger, the final theories. If you forced me to tell you what I think
Twin Peaks is about, that's in the conclusion. That's part four of the final theories. Laura is the one
Cooper's alchemical journey. And then the big cosmological battle of Good and Evil and the opposing

(07:53):
polarities coming together in a sex magic ritual to end the world. Okay, are you still with me?
I hope so. So without further ado, part one is Twin Peaks occult. As you know, occult means hidden. All right.
And the message of Twin Peaks is sometimes clear, but there's always an underlying hidden story going on,

(08:20):
right? That the audience is trying to unpack. That's why we rewatch this series over and over and over.
Because we know there's something going on beneath the surface and we just can't quite figure it out. All right.
So to me, the answer is yes, it is occult, aluminum, and confirmed occult confirmed for the
variety of reasons that we've covered over this whole journey of 55 episodes. I'm going to add in

(08:46):
some more ideas today about arguably the most occulted part of Twin Peaks.
Twin Peaks, the return season three David Lynch's final work basically is his magnum opus.
And the final wrap up show here, we're going to have more of a I'm going to map out
what's going on more than a sort of linear walkthrough of Twin Peaks.

(09:10):
There's a ton of different avenues you can go down. I don't think there's one simple solution.
I'm going to shed light on a ton of esoteric ideas of what I saw in Twin Peaks.
Nobody's done this before. In my journeys of researching the occult and finding various examples

(09:33):
of symbolism and messaging in pop culture, I found that there is some standouts in this realm.
In this strange connection of David Lynch, Stanley Kubrick, and of course Twin Peaks. All three of these
subjects have us enter a world filled with symbolism layered with meaning, oftentimes very dreamy.

(09:59):
That's why these films and these works of art stick with us for so long. There's something
satisfying yet perplexing, simmering underneath the surface. And in fact, both of these directors
admired each other's works. Stanley Kubrick's screen lintches the racer head for his cast of the shining.
And the racer head was cited as Kubrick's favorite film, by the way. And Lynch cited Kubrick's

(10:27):
Lolita as his favorite Kubrick film. So these two were on similar wavelengths.
Now, Kubrick's eyes wide shut is filled with symbolism that you'll recognize from the Wizard of Oz.

(10:47):
All right. There's lots of references to Wizard of Oz and David Lynch is known for his
obsession of the Wizard of Oz as well. Evident by multiple references seen in Twin Peaks
that I talked about in the past already, the Emerald font of the credits, the visuals of a
sending and descending consciousness like in the pilot when Leeland drops the phone.

(11:10):
Audrey's red heels like Judy's Judy Garland references and the season three finale when Cooper
saves Laura tells her we're going home. Because there's no place like home, of course. And on a more
cult of angle, the planet Saturn is depicted in the red room of Twin Peaks as well as Cooper's 2001

(11:36):
space Odyssey, right? Because Saturn is the planet through which man becomes enlightened in 2001.
And what do you think Cooper's doing in that red room next to Saturn? It's trying to become enlightened.
Now during my deep dive research in Kubrick's eyes wide shut, I found myself pursuing

(12:03):
an obscure book from 1985 that Kubrick had read to prepare for his eyes wide shut,
Nostek or G scene. And this book, which is referenced in eyes wide shut Stanley Kubrick and the
making of his final film by Robert Culker and Nathan Abrams, this book from 1985 is called Cult

(12:25):
and O Cult edited by Peter Brooksmith. And in the making of eyes wide shut book, they specifically
cite a chapter called Sex, Sin and Sacrament from this book. So I was able to purchase a copy of
this book. It's very hard to find. And it was quite interesting because I saw elements

(12:46):
of the information presented in the DNA of eyes wide shut and Twin Peaks.
And I'll give you some examples here in a sec. But like in the table of contents,
you'll see that one of the consultants of the book was Jay Allen Heineck, right? He was the
scientific advisor throughout the whole Golden Age of Uofology with projects playing into the

(13:12):
mythology of Twin Peaks, Project Sign, Project Grudge, Project Blue Book of course, right? You
know all that because we talked about this with the secret diary, I'm sorry, the secret history
of Twin Peaks book. I don't remember what episode it was around episode 30 maybe.
So the book, Cult and O Cult, describes the occult perspective of reality through the

(13:41):
Anima Mundi, all right? It describes the Anima Mundi as an underground treasure chest reservoir
of memory, of humanity's past experiences, thoughts, dreams and hopes. And it claims that
Artisan Policis are able to manifest images into consciousness from this Anima Mundi.

(14:02):
And I believe this is referring to a dream world much like what is constructed in season 3,
Twin Peaks the Return, as Dougie in his journey manifests owls and coffee into the conscious world.
Carl Jung had a similar understanding to our reality through the framework that he called the

(14:26):
collective unconscious, which is very similar to the Anima Mundi. In that it holds archetypes that
can express themselves through dreams and visions. All this should sound very familiar if you
follow all of the Twin Peaks stuff like the dreamer who dreams and so on. And note that Peter
LeVenda describes similar processes in a book he wrote called The Dark Lord. And this book is

(14:52):
all about HP Lovecraft, Alistair Crowley, Aliens and Kenneth Grant and Kenneth Grant's Typhonian
OTO, which was a group, employing practices to reach into the dream world,
described oftentimes by HP Lovecraft, and manifest new realities or channel entities through it.

(15:14):
And we previously detailed the importance of Kenneth Grant's understandings of all of this
with the season 3 episode 8 episode The Atomic Blast. Remember we talked real deep about Kenneth
Grant. Then in the episode right after the episode of The Grey Lodge right after season 3 episode 8,

(15:35):
we went deeper into Kenneth Grant's works for outside the circles of time.
So the Anima Mundi, right? The whole idea is an artist making contact with this realm and
manifesting things into our consciousness, into the conscious world. Well, for one to make contact

(16:02):
with this Anima Mundi, it was believed to be facilitated by staring into eaching hexagrams or tarot cards.
And for the world of Twin Peaks, it reminded me of when Cooper and Annie,
when they got out to Glastonbury Grove, remember they both in the season 2 finale, season 2 episode 22,

(16:24):
they get out in the woods and they both did the same thing when they got near Glastonbury Grove.
They both locked up in their eyes, froze. You know, they were staring into the abyss
before entering it, before they entered the red room. They were staring into the abyss.
Now the red room is analogous to the Anima Mundi because spirits and archetypes of evil like

(16:53):
Bob could be manifested through this process. And the Anima Mundi is described as a realm containing good
and evil, which would make sense because sometimes in the red room you would see the giant
AK, the fireman, and sometimes you see Bob. That's why they call it the waiting room, I think.

(17:18):
But in the book called No-Cult, they provided an example of Nazis pulling primitive rage of
berserk vikings from the Anima Mundi. Now interestingly enough, David Lynch, who practices
transcendental meditation, describes a similar process of tapping into what he calls the unified

(17:39):
field to bring back inspiration for the art, which obviously is parallel to the Anima Mundi.
This is what I'm offering. And Lynch refers to the dreamer who dreams, and we all know Twin
Peaks is too dreamy. So when the book describes the dream state existing at a higher frequency,

(18:00):
it's possibly referring to this ascending and descending consciousness.
And it's all about breaking down barriers from the personal
to the collective, right? This is the personal unconscious to the collective unconscious in

(18:21):
youngy in terms. From the soul of the individual to the soul of the world, and that's what the
Anima Mundi is, it means the soul of the world. And magicians now, chemists over the years,
are constantly trying to get into that realm so they can magically charge up and create changes
in the real world. And Cooper goes through the red room slash Anima Mundi in an attempt to create

(18:48):
the change in the conscious world of saving Laura Palmer. Finally, Mark Frost did an Reddit
AMA and someone asked him about his favorite books on the occult. And Frost says, quote, "I've

(19:10):
read a lot, but I'm a tourist more than a resident. It's a fascinating worldview that almost always
teeters on toppling into the crackpot." And then later on in that same AMA, someone asks when he
got interested in Blavatsky, Alchemy, and the occult. And he said, "In my early 20s, personal interest."

(19:30):
So point being, is Twin Peaks a cult? Yes, it is. It's baked into the story, into the design of it,
because Mark Frost was able to achieve that. And furthermore, David Lynch was a master at tapping
into the unified field, aka the Anima Mundi, which is a sort of youngy in process on some levels.

(19:53):
Now, for people that are like, "Oh, I don't like the Illuminati, and it's Illuminati confirmed."
That's not what we're talking about here, okay? That's not what we're talking about.
We're talking about the aspects of the occult that suggest some of these practices can be real,
and can be powerful, and can resonate. And they were able to successfully do that with this Twin Peaks show.

(20:20):
All right, moving on to part two, space time disruptions. We're going to start out with sacred spaces,
because sacred spaces are important for all occult rituals. And we know there's something special
going on in Twin Peaks, because throughout the series we heard about the supernatural forces

(20:42):
of the Ghostwood National Forest, and in season three, all roads were converging and leading back
to Twin Peaks. You'll notice that was the journey. It was everybody heading back to Twin Peaks.
Because the Twin Peaks is where the Ghostwood National Forest was, and that's where a lot of the
action occurred throughout the whole show. You had the Glastonbury Grove, you had the Al Cave,

(21:06):
you had the Death of Laura Palmer, you had the entrance to the portals for the Fireman's Noces,
that he gave to Andy, and Cooper's attempt to steer Laura off of the timeline and save her from her death.
That all happened in the Ghostwood National Forest.

(21:26):
Now within the Ghostwood National Forest, at the Glastonbury Grove, we have the most iconic and
the most sacred of all sacred spaces, the Red Room, aka the Waiting Room, aka the Black Lodge, aka
the White Lodge, like no one knows what it's called. I think officially it's just called the Waiting

(21:49):
Room or the Red Room. And this is where Cooper obviously resides for 25 years in a state of
liminality, right? Not quite uninitiated, not quite fully initiated. That's my theory, right?
And it's based off of that theory I gave you in the season two finale, post finale show I did,

(22:12):
about him failing the coffee test. He failed to fully destroy his ego, thus he could not cross the
abyss. He still identified as Dale Cooper because he was like, "Coffee, oh yeah, I love coffee."
No, you're identifying with the ego, Cooper.
I mean, I love coffee too. I get it. But we know that this entire Red Room space was pulled straight

(22:38):
from the animal moon, straight from the dream world, because of David Lynch's vision of it when he
touched the hot roof of the car, remember? And the Red Room is a disorienting place where
there doesn't seem to be a sense of time or space. And Cooper traverses the same hallways and the same

(23:01):
curtains, right? He goes down that same hallway, pulls the curtains to find a completely different
room and completely different entities. It doesn't make any sense. It's a sacred space.
And it's from the dream world, right? And it's some kind of portal in a way

(23:23):
outside of space time, where people can meet in their dreams. We saw Cooper in the Red Room
comforting Laura Palmer after she dies and fire walked with me, but folks, he hadn't even gone
into him pigs yet. And the timeline of events? How, why would it be in there?
It's because space and time don't make any sense there.

(23:50):
We also learned that Maryweather Lewis was escorted to this Red Room by the Nez-Pierre Shaman,
and he brought back the Jade Ring with that al-cafe symbol on it that's featured throughout the story
of Twin Peaks. Now the Great Northern and the iconic falls, the White Tail Falls, they're called

(24:11):
for the show. Another main location to consider here as a sacred space.
There, if you look at the map, the black lake supplied moving water to the White Tail Falls.
And we know that moving water is a major source of generating energy and energy fields.

(24:33):
And people can even pick up on that. That's something described in that call, no-called book, by the way.
So the moving water is highly charged energetically. And the boiler room in the basement of the
Great Northern also turned out to be an entrance to another realm as Cooper went on his final mission.

(24:57):
And that was right there as well. Recall in season two, Ben Horn is a re-arranging
furniture in his office because he's trying to find the Feng Shui Resonance. And then in season three,
he hears the humming is that the resonance is that the energy fields picking up.
Was he tuning into the energy fields created by the moving water as he was becoming more enlightened

(25:23):
on his personal journey into becoming a better person because he was. That was the whole deal with
him coming out of the Civil War era thing and trying to make amends. And he apparently kept that up.
Even in season three, he could have slept with Ashley Judd and he did not do it.
The most obvious question to answer is regarding spaces. What exactly are Twin Peaks?

(25:54):
In fact, me and I was doing Donut show a little while ago and he asked me this and I said,
it's so, like hidden in plain sight. I was like, I'd never even thought about it.
Although I should have and you're going to find out why here in a second.
Now officially, there are two mountains in this town of Twin Peaks.

(26:18):
There's a blue pine mountain located east of Twin Peaks and then the white tail mountain
or the white tail peak to the west. And blue pine mountain is where a lot of the action takes place.
That's the location of Major Briggs is listening post alpha. It's also where Jack Rabbits palace was
and the accompanying portal to the fireman. And if you go to the Twin Peaks fandom website,

(26:44):
they'll tell you that Cooper was taking Laura towards this portal in season three episode 17.
And again, I'm going to reiterate the world of Twin Peaks, you could, I could do
300 more episodes trying to explain every little bit, every little component, every little piece of

(27:05):
the mystery. And it's actually quite amazing that they could create this level of intrigue, right?
We're going to stick to the occult stuff because that's what we've done so far.
But you can dig into any one of these topics and find a host of theories. I mean,
this is the gift that keeps on giving the rest of your life. You could rewatch this show over and

(27:27):
over and find new stuff constantly. So the white tail mountain is the source of the white tail falls
located at the Great Northern, right? Which is very important in season three episode 17.
Let's note that the black lake has a tributary that turns into those white tail falls.

(27:54):
And it runs south and in between the two Twin Peaks. Black lake is where Laura's body was found on the
shore where blue pine lodge is located, all right? Now I say all that, say this.
Based on my research of the cult and occult book, I'd argue that the water flowing between the

(28:16):
two peaks is charging up energy into that town and causing or contributing to paranormal activity.
There's various aspects we can consider here. First, you've got the idea that Twin Peaks
represents Twin Pillars, like the Pillars of Hermes. And in terms of alchemy, these pillars held the

(28:39):
wisdom teachings from Hermes Trismogistus aka Thoth, who was a deity.
And this pre-flood wisdom from Hermes was carved onto the Emerald Tablet, which would become a philosophy
used on esteric studies for centuries as a philosophy of the universe and who God is.

(29:04):
Now another idea about Twin Pillars comes from the capitalistic tree of life.
Kabbalah is Hebrew mysticism, believed to be, again the secret knowledge of the mysteries of God
in nature. And it uses a tree of life to depict the creation of our world through 10 emanations from

(29:28):
God and they refer to God as the one, right? A term also used to describe Laura Palmer by the way.
Now these 10 Sephiroth on the tree of life convey a lesson that man can learn to traverse the
material world, which is more on the bottom of the tree of life, up to the more ethereal location

(29:50):
of God at the top in the at Zeluth archetypal realm, which is represented with the element of fire.
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going to come back to that again later. But also you should know that there are 22 paths one can make
to traverse that capitalistic tree of life, which is interesting because in season two, there's 22
episodes. Conwinsonance, I think not. Now that tree of life has three upright pillars if you look at it,

(32:55):
three pillars or three columns. The left column is the pillar of severity, which represents the
feminine aspects of God, while the right column is the pillar of mercy representing the masculine
energies of God, which leaves the third, the middle pillar. And that is the pillar of equilibrium
representing the balance of the masculine and feminine. We're going to come back to that later

(33:20):
because that's a big part of these idea of merging opposing polarities to end the world.
And you see a similar concept with these twin pillars in Freemasonry with Boaz and Yakhine.
These twin pillars are used in reference to the Temple of Solomon, which marked the entrance

(33:42):
to Solomon's Temple, the entrance to the mystical place with these two twin pillars.
Anyone who walked through them was entering a new dimension of sorts, transcending the mundane world
and entering something new and mystical and mysterious, just like Cooper when he gets into Twin Peaks,
right? He professes to, I think, Sheriff Truman that it's, they're headed towards something mysterious

(34:07):
and wonderful. So Boaz and Yakhine represent the opposing forces of the sun and the moon,
and these two pillars combined represent balance and harmony in the world. Now Michael Hoffman,
a theorist I talked about at length in, I believe, the pilot episode show suggested that Boaz

(34:31):
was the new age mystical no-sus, that's the knowledge, and Yakhine was the authoritarian
new world order government. Now, fun fact, the white pillar Yakhine is masculine,
and the black pillar Boaz is feminine. So you have another black versus white duality,

(34:53):
again, just like Twin Peaks with the black and the white, right? Black lodge, white lodge.
You even have the black lake and the white tail mountain. So it kind of just goes on and on and on.
The symbol for a mountain is an upright triangle.

(35:17):
And the upright triangle is also symbolism of fire and alchemy, which is again the masculine force.
The water in alchemy is the feminine force represented by an inverted triangle.
Now in terms of sacred spaces to join the feminine water flowing through the masculine

(35:38):
fire, which is the mountain, right? It's to bring the opposing polarities together.
And throughout the series we see various symbolic arrangements of these triangles
from marks left on the skin, from contact with the entities,
you know, through the abductions, remember major brigs as is three upright,
yet that sweet neck, tat of the upright triangles and the log lady had the similar sort of twin

(36:03):
mountain tat on her calf. Cooper was doodling on that napkin to create a modified alcave symbol from
the tat, the, you know, tattoos or scarring or whatever you want to call it.
Even the cover of the secret history of Twin Peaks, we talked about its opposing triangle imagery
of upright and inverted triangles and the, even the black lodge symbol.

(36:27):
But there's a lot of focus on these things, right? And there's many ways one could view all these
symbols, but what I find most important is that there is a focus on these symbols.
Because this show is about speaking to the subconscious and being in dream states or even the
unified field of transcendental meditation. Because symbols speak to the subconscious,

(36:53):
it should be expected to see so many of these geometric shapes and patterns and symbols in
the show, which we did. And having the opposing polarities come together is very important as you'll
find out later. And it's typically described in vague terms as achieving a balance, you know,
but what it represents is the initiation process of mankind entering into a new realm.

(37:20):
The opposing polarities coming together is an expression of sex magic.
And, you know, Twin Peaks is a lot of romance going on there, okay?
And, you know, finally, we're getting deeper and deeper into this sacred spaces topic.
But Dion Fortun's mystical Kabbalah explained it simply as, quote,

(37:42):
"Here we meet with the idea put forth by Madame Blavatsky that there can be no manifestation
without differentiation into the pairs of opposites." And that's what the show is about,
it's about manifesting realities through opposing polarities, which you get with the mountain and
the water, the upright and the inverted, the masculine and the feminine, right? So my interpretation

(38:09):
of the passage is that in terms of a Gnostic worldview, God, you know, this is what the Gnostic
worldview, God creates in dualities and opposing polarities. This is what they call the CGs in the
Gnostic texts. The CGs of male and female opposing pairs, they were perfected opposing pairs,
which if you remember in the season three, the coffee shop that

(38:32):
Dougie wakes up a little bit more at is called Zyman's, right? That was where the cherry pie was
and the coffee and all that, very similar to Zeeji's, the spelling.
And this is the crux that we're carrying argument we see from what's called teachings that
you'll find over and over and over again. It's the saying that without darkness, there cannot be light,

(38:58):
which is true. Thus without fear, there cannot be love. You know, this is a free will argument.
Without the black lodge, you can't have a white lodge. And if you were an occultist seeking to become a
God through a apotheosis, you would attempt to go past this nature of duality and achieve unity

(39:20):
to become like God existing beyond the duality. And they depict this as the reconciliation
of opposing forces. So to zoom all of this back out, when we're talking about the show Twin Peaks,
we mustn't forget the main concept is about the Twin Pillars, right? The Twin Peaks.

(39:44):
And all these characters traversing this tree of life at different stages and bouncing between
the pillars of severity and mercy, masculine feminine, destructive and creative, white and black.
It's all a role to be played here. Everyone's on a different sort of journey, but they're all in the same realm.
So when you hear entering the town of Twin Peaks, it truly is entering a mystical place between

(40:12):
the Twin Pillars of Boaz and Joaquin. And when we rewatch it, that's the samsara, right? The samsara
repetition of trying to make your correct your wrongs, trying to understand, you rewatch it, you're on
the donut, you're not focusing on the whole, you're on the donut. When you're doing that, when you

(40:32):
rewatch it, you're continually going through a bit of an initiation of entering the mystical place.
That's why it feels sacred. That's why we don't skip the credits.
You're entering a sacred space. Next, Saturn and time. And then after this, we're going to part three.

(40:56):
So Einstein's theory of relativity says that time is actually the fourth dimension. And if one
desires to detail an event, you would need the three-dimensional location of length with the
night, obviously, but also the specific time position. Einstein created the concept of space time,

(41:19):
and this caused a bit of a conundrum when it comes to traveling near the speed of light,
or near black holes that have these strong gravitational fields.
You see that with Interstellar, the movie Interstellar. Because time changes at different rates,
based on various factors like these, which can be terrifying and disorienting. Like an

(41:43):
Interstellar, when the Astra enters the black hole, they experience this time dilation,
and a tremendous amount of time on Earth passes when they're on their very short amount of time.
It's because of that Einstein theory of relativity, which also, by the way,
guess what Matthew McConaughey's name is in Interstellar? It's Cooper.
And the film has several 2001 space Odyssey references. It also has the link to Saturn.

(42:10):
I mean, it's clearly, Christopher Nolan's clearly inspired by I would argue 2001 and Twin Peaks.
But in the World Twin Peaks, we see Saturn symbolism throughout the whole show.
You know, in the in the red room, you've got the actual thing of Saturn
at the on the end table next to Coupe. You've got rings all over the place.

(42:36):
You know, the killer's putting letters underneath the ring fingers.
In the first episode, Audrey makes a statement to Cooper to look at her ring. The giant takes Cooper's ring.
Mike says he and Bob had a golden circle. Remember that?
J&E's ring is in Briggs, stomach, and season three. And then of course, you've got the Jade ring, right?

(42:56):
And Sheriff Cable's phone. That's got a little ring.
And also, season two, there was a heavy focus, if you recall, on the conjunction of Saturn and Jupiter,
as the key to opening the gateway to the red room through Glastonbury Grove.

(43:18):
And these images were also depicted on the alcave map.
So what gives? What's the importance of Saturn and the symbolism we see in Twin Peaks? Well,
Saturn is considered to be father time, aka Kronos. And Saturn represents the building blocks of nature,
as well as the adversarial force, that brought about this exact constraint of space and time.

(43:43):
Time and measurements. So that the material world could be created to begin with.
And if you read Mark Booth's secret history of the world, he details the occult
history of evolution. And historically, the forces of Saturn, which represent death and the material world,
introduced the concept of time and entropy. The second law of thermodynamics. Second law?

(44:09):
First law, I don't remember. Everything dies. Everything dies. And we were given life through death.
And Booth describes it as an analogy of the human skull, which is actually a piece of dead matter.

(44:29):
But without that piece of dead matter, man could not have developed the frontal lobe, which gives us
our brains and our mind, which can be used to create reality. That is how we become
magicians more or less. So Saturn is described as a force of death and symbolizes the god of

(44:54):
Kronos. And Kronos is known for devouring children, which you could argue is the force that killed Laura,
because she was a child, right? And we talked about this concept in season three episode three,
when we looked at Kenneth Grant's books, which describe dream control and having sex with entities

(45:15):
from other dimensions. And he says, the artists are the dreamers who dream, and they can reach the
Moves Zone, which we talked about in season three, episode three, right? But they can only do this after
they can get past the limitations of Saturn. They have to surpass Saturn's limitations and become

(45:38):
gods, apotheosis. And from here we have the theory that maybe the forces of Jowdy, Judy,
and the Black Lodge are actually a reference to Saturnian powers. They are the sort of final boss to
becoming an ascended master of apotheosis. In fact, in season three episode five, there's a woman

(46:00):
trying to distract Dougie. And if you look, she's wearing the black hexagon necklace. That is again
a symbol for Saturn. Now Saturn was supposed to be associated with the auroboros. This is the
serpent that eats its own tail. And this is part of Blavatsky's Theosophy, which is the idea that we

(46:23):
are trapped in the somsara loop of death and reincarnation, until you can surpass Saturn and overcome
death and become a god. And the auroboros is symbolized as a bit of a sideways eight, which you recall,
we saw in the season three finale from Philip Jeffries, the percolator. There's a Philip Jeffries

(46:46):
in the percolator. And he gives Cooper instructions on how he can find Judy. And what does he show me?
He shows them the Black Lodge symbol, which transforms itself into an eight. It's like the auroboros.
Also know that Mr. C pays a visit to Philip Jeffries, the percolator, and we see that Philip Jeffries

(47:08):
is in Motel Room number eight. It's a reference to the auroboros. We also have the terrifying concept
of being in the red room and an unknown amount of time passing. This is very similar to
the astronaut Cooper and interstellar being in the black hole and terrifyingly decades are

(47:34):
passing by in minutes on Earth. So you've got the the terrifying concept of unknown
amounts of time passing in the red room and what's its opposing polarity known time passing.
When you see every one of these characters that we've loved for 25 years

(47:56):
and then one day season three comes out and it's 25 years later and you say
oh my gosh Cooper has been in there for 25 years. And it's I would compare it similar to
maybe going to I've never gone to a high school reunion but I imagine it feels the same way.

(48:17):
It's got to be an odd experience. You see people when they're 18 and you know you show up 25 years
later and you're like whoa. So it's kind of terrifying in a different way. Having the known
amount of time passing. And what's tragic and sad is that you've got all of these actors passing

(48:40):
away in between these seasons season two and three. That couldn't make it for season three. You got
Jack Nance who's you know Pete Martell Frank Silva who's Bob, Francis Bay they all died before
season three even started. Catherine Colson the log lady she died during the filming
and then soon after the Twin Peaks the Return of Season three was released. Miguel Ferrod

(49:04):
Robert Forster died Peggy Lipton and then just a couple years later Julie Cruz died,
Piper Laurie died and of course the man himself David Lynch just died.
I mean there's something terrifying about knowing how much time is passing as well.
And finally, Dada more confusion into the world of Twin Peaks. In a Mark Frost red

(49:28):
AMA he says that time travel doesn't occur until the end of the return and only to one character.
Is it Laura because she's the one and she transcends past the limitations of Saturn
or was it Bragg since he supposedly went to a place without time

(49:49):
or maybe it's Cooper since Laura is actually Carrie or is this Frost just
tossing us back on the somsara loop to go all the way back to the beginning to try to figure it out.
I don't have the answers but they're I mean there's something about Twin Peaks the return

(50:10):
is simply too dreamy. Moving on. Part three, occult arts. We start with Cooper's dream journey.
Now David Lynch's blue velvet has some parallels with the world of Twin Peaks.
Obviously you've got comic lockling and Lord Dern playing prominent roles in both universes

(50:35):
and then you've also got Angela Bidala mentees music and you've even got some themes of lumber right
you got the Packard sawmill and then also I think it's called lumber tin or something
the name of the town. Now if you look to
blue velvet's Roy Orbison you'll find a well he's not in blue velvet but his song

(51:02):
in dreams is featured in blue velvet any sings in dreams I walk with you which sounds relevant to
the dreams of Cooper mixed with the phrase fire walk with me.
Now the song came the song in dreams came to Roy Orbison in his dreams

(51:31):
just like Laura and Cooper meeting up in the red room and I post a the Lynch
may have had some dream state inspiration with all of these elements because the dream state is
so important in the world Twin Peaks right and earlier we talked about the animal moon D and all
that which is you know comparable. Now we need to walk through Twin Peaks the return

(51:56):
to look at it through the lens of what's going on with Dale Cooper because there's so many scenes
and side stories and subplots it's easy to get confused and lose sight of what's happening.
What world are we really in what year is it and so on because Twin Peaks the return is very much

(52:17):
like a dream world reminiscent to Super Mario Brothers 2 if you're old enough to remember that
and it's hard to follow just Cooper's movements and progress with all the noise going on with all
these stories so if we focus on just Cooper's journey because he is the king Arthur right we talked

(52:38):
about that in the season two post wrap up comparing Cooper to King Arthur we can try to make some sense
of it through that lens he is used by the forces of good and the white lodge to battle against the
black lodge because you've got some of the main characters that I believe are part of the white

(53:00):
lodge which include the fireman Phillip Jeffries major Briggs the I don't know Tulpa Duggie Laura Cooper
Freddie with the green glove in the black lodge we obviously have Mr. C slash Bob Tulpa Diane
Sarah and Jowdy Judy so that's like a Cooper through season three I started out with season three

(53:25):
episode two um after Leland tells Cooper to find Laura we hear Phillip say something is wrong
and or Mike Phillip Mike what everyone to call him the one armor he says something's wrong and the
whole area inside the red room starts to shake and reverberate evolution of the arm says my doppelganger

(53:51):
and it's only at this point that Cooper manages to open the curtain into the real world where he
can see Mr. C driving right then the floor opens up Cooper flies through space and he ends up in the
Manhattan glass cube this is before the experiment kills the couple in episode one I know time is

(54:14):
all over the place right then you hear the army all non-existent which simply means not real which
I think is a reference to the doppelgangers the Tulpas a realm or void outside of the real world
which arguably could be the abyss unified field animal moondy subconscious mind dream world

(54:38):
whatever right the area the the world beyond duality where dreams are made and magic originates
then it cuts to Sarah Palmer at 708 33rd Street at the Palmer Residence and she's drinking bloody
marries and watching lions prey upon animals and if you watch real closely there's a strange sort of

(55:03):
like jump cut it's not smooth like they cut the filming when the camera is panning and then they
restarted it's very strange I would argue it's similar to
when neo sees the black cat in the matrix right the deja vu something something in the code is changing

(55:26):
then you hear the chromatic song shadow one of my favorites playing at the roadhouse
and then in the next episode season three episode three Cooper continues falling his descent
ends up in that mob zone sequence he follows a woman with no eyes to an outer space cube
where he sees briggs's floating heads say blue rose he was back inside and a woman tells

(55:56):
sort of guides him to an electoral socket and says when you get there you will already be there
and note she says it in reverse speech no less indicative of more sort of black lodge
red room waiting room stuff so back on earth it's 253 which you remember that came up in the finale

(56:18):
and mr. c is vomiting up some garment bosia corn and he sees the entrance to the red
curtains manifesting and then he passes out duggy is in Las Vegas wearing the jade ring he had sex
with jade jade give two ride and he ends up in the red room and philip tells him someone

(56:40):
manufacturing him for a purpose and that's been fulfilled and he vanishes and leaves behind a gold orb
and at this point Cooper manifests into whatever this world is through the socket
and basically replaces duggy although his consciousness is significantly altered he can barely talk

(57:03):
he seems like he's not even thinking it's weird and from here until season three episode 16
for like 13 episodes for 13 hours it's a series of synchronicities that he experiences
synchronicities are the reminders of the realm of twin peaks from which he came in his original mission

(57:26):
for example he right away he's getting the ride with jade he sees the sign for sycamore street
the great northern key throughout the whole series he's seeing owls and coffee and he's obsessed with
the men of the law sees a bunch of 253s so the question here if Cooper came

(57:50):
can't leave the red room without mr. c returning how does that even happen i don't have an answer for
this it is strange right mr. c fought the return back to the red room yet somehow Cooper
is able to escape the red room even though he's told only one of his can be there in that world

(58:12):
one of these mr. c's got a return first so the top of duggy was apparently used as a way around
that situation i guess duggy somehow the top of final somehow fulfilled the requirement
anyway the next season three episode four okay

(58:33):
duggy as Cooper is still confused fill it manifest into duggy's room and tells him you were tricked
now one of you must die then a couple episodes later fill it manifest in duggy's living room
and tells him he has to wake up and he says don't die so philip is guiding

(58:56):
duggy Cooper to basically kill mr. c i guess then you got the season three episode eight sequence with
the 1945 judy jalday bug entering the body of sarah Palmer and we saw bob coming to earth you know
obviously several years before all this stuff all right so season three episode twelve

(59:24):
sarah is shopping at kerry's grocery store remember kerry kerry page those connections and she
sees that turkey jerky remember she freaks out she said something's changed right she says the
room seems different and something happened to me and she's freaking out there's an internal

(59:45):
battle over control of sarah Palmer i would argue it's kind of like bob taking over a human body maybe
like judy is in and out of the consciousness control of sarah Palmer and the turkey is the
reminder of lower Palmer remember and fire walk with me the turkey in the corn gobble gobble
i'm your host Isaac wisehob and while we're taking a little break from the show i want to take you

(01:00:08):
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(01:00:29):
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(01:00:50):
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(01:02:01):
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(01:02:22):
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day job a home life and a family and i'm a one-man army which is great because i actually don't

(01:02:47):
answer to anybody but you all right that means you can trust that i'm giving you my take and not some
political hack job angle or corporate slave master shilling or any other kind of nefarious
purposes but that requires you to support the show if you are in the position to if this is the last

(01:03:09):
five bucks of the month that you have i don't want it i want you to prioritize your health your
family your relationships that needs to be priority number one but if you got it you want to give
me a cup of coffee let's go and you also saw it on the alcave map in season three we made a big deal
about that one it happened so hawk visits Sarah and judy's in full control of Sarah at this point

(01:03:34):
and remember hawk heard glass breaking in the kitchen and Sarah says nobody else is in there
i would argue that this is possible i would argue that she was telling the truth there was nobody
else in there what he heard was a possible sound artifact of later on in the show when
Sarah judy is breaking the Laura Palmer picture frame or something like that i don't know

(01:04:02):
anyways and then Sarah of course later kills a man in the bar where like oh yeah that's definitely
judy with the black the the solace black sort of cavity where her face was
all right now season three episode 15 duggy Cooper he's still a full duggy
getting all these cues about what's going on in the world and he hears the name gordon colin tv and

(01:04:26):
that is the thing that wakes him up it prompts him to stick a fork into an electrical outlet
and he slips into the coma and the next episode 16 he wakes up fill up manifest and says finally
the other one he didn't go back in he's still out take this and he gives now Cooper fully conscious

(01:04:48):
the jade ring Cooper asks if he has the seed that's the gold orb left behind by duggy
when he re entered the red room and Cooper gets filled with a piece of his hair and
strikes him here make another one meaning this tells me that the original plan was for duggy the

(01:05:09):
manufactured entity atulpa played a role in all of this from the beginning
diana would later be revealed to be atulpa as well but apparently for the black lodge for mr c's
operations okay and we're called atulpa dians half sister was jane e who was topa w's wife oh it's

(01:05:32):
so confusing let's stick with Cooper though season three episodes 17 uh let's see here mr c
finally makes it to the coordinates and it's jack rabbits place the portal in the in the woods right
and this gets him into the white lodge where he manifests into a cage and the cage implies that it was a

(01:05:57):
trap he's then released from the trap by the forces of the white lodge into the parking lot of the
twin peak sheriff's department where he ends up meeting his demise at the hands of the entire white
lodge casting crew at exactly 253 the the time that he's popping up now what's interesting is that

(01:06:25):
bobby's father major briggs kind of saw all these events happening he was guiding everyone on
this sort of journey so i argue that briggs at the end of season two from what we read in secret
history of twin peaks employed operation mayday if you recall because Cooper came out of glass

(01:06:54):
and very grow as bob that was actually mr c when met with mr briggs major briggs briggs recognized
that he was like oh snap that's a that's a black lodge mr c it has manifested into the world
so he initiates operation mayday and i think operation mayday is basically what twin peaks the

(01:07:21):
return is and i think Cooper uh he if you were call on season three when Cooper first sort of wakes up
i am the FBI he seems happy to be back right but you'll notice that there's this apprehension
especially after they killed mr c and it shows and he he reunites with Diane

(01:07:47):
and then immediate apprehension when it's particularly the scene where his face is faded in the background
it's almost like his true emotions are being shown there like something's wrong
or he doesn't or he's got to do something he's not sure he wants to do
and he's and he's basically not himself in these numb and apprehensive all the way until he goes into

(01:08:14):
the entrance of the sort of portal underneath the great northern and he tells Gordon and Diane
see you at the curtain call and he's apprehensive the entire rest of the show all the way to the finale
the end of the finale and where is this portal and philope at the end of episode 17

(01:08:35):
where is he taking Cooper he takes him to see philope jeffries in the percolator right
and Cooper tells him he wants to go back in time to February 23rd 1989
philope jeffries tells him this is where you'll find jutey it's the showdown right
then shows him the black lodge symbol it transforms into the eight that's the orboros we talked about

(01:08:58):
and philope also says there may be someone did you ask me this but Cooper is silent and
philope jarage shakes his head no and i feel like this is important why don't they
address this question that philope jeffries has you know instead jeffries says
there it is you can go in now and tells him to remember electricity

(01:09:27):
what are we talking about
nonetheless Cooper zaps at this moment wakes up in the black and white sequence at the end of
fire walk with me with Lauren James in the woods and he intercepts Laura from going off with Leo
and company she takes Cooper's hand who he tells her he's taking her home right very wizard of

(01:09:52):
Oz and then you see all of the history of her death erased he gets to go fishing life is good
but then we see Sarah jutey smashing that photo the iconic homecoming photo of Laura
and all seems well because Sarah jutey jouty didn't get what she wanted Cooper apparently foiled the

(01:10:18):
plans but then as Cooper gets closer to the jackrabbits palace portal with Laura we hear the electrical
crackle from the season three episode one from the fire man telling Cooper listen to the sounds
and after the crackle we hear Laura screaming just like she did in the red room and she vanishes she

(01:10:41):
disappears then in the final episode seen three episode 18 Cooper goes from the woods straight to
the red room philope asks him is it future or is it past this is the identical scene from season three
episode two Cooper kind of breathes heavy like seriously what I finally made it out of here now he's back

(01:11:04):
yes Philip escorts him back to the evolution of the arm again does his whole bit about what he sounds like again
Laura leans into whisper in Cooper's ear he looks upset again and then she screams and leaves again
Cooper then takes on this intense look and leeline tells him find Laura again

(01:11:29):
Cooper then the only difference in this and the beginning of the season this time Cooper
has magical abilities he is able to open the curtain of the red room portal the hallway there
and he and he waves his hand and it the the curtain opens up to glass and merry grove
and he can exit now whenever he wants he's got he's unlocked some superpowers

(01:11:56):
and he meets Diane they go into the desert they go to the 430 mile marker as the fireman told them
and they zap into a new realm as Richard and Linda they get a motel room they have some weird sex
then they wake up in a different motel altogether Cooper who is now Richard
goes to find Laura aka carry page and he takes her back to her home in two and peaks

(01:12:24):
but her mother isn't there right when they get to the house it's one of the Tremond Alice Tremond
Cooper asks what year is it we hear some scratching phonograph listen to the sounds I talked about this
if you you got to listen closely you'll hear it and I made a big deal out of it on the season 3

(01:12:45):
episode 18 analysis we hear the same scratching sound listen to the sounds and then carry page freaks
out she hears her mother again you gotta listen closely you gotta listen to the sounds
she hears Sarah yelling her name which happened in the pilot at the beginning of all this and

(01:13:06):
the whole world collapses in on itself and remember Phil Jeffery said remember one thing he said
electricity and that's kind of how it all ends because as we talked about when we interviewed
Mary Reiber aka Alice Tremond she pointed out that at the final credits of the final episode is the

(01:13:28):
only time you saw the frost linch production where you did not hear the electricity crackle
so what's going on with Cooper well it feels as if Cooper and the white lodge were trying to out
with the evil forces of the black lodge in this entire battle Cooper being the loyal FBI man
waited his time out in the red room for 25 years after failing to cross the abyss after failing his

(01:13:51):
coffee test mean he still identifies as a guy named Dale Cooper who likes coffee he stuck there the whole
time and now he's being used as a soldier for the white lodge an eternal cosmological force
that is not concerned with the 25 year period the white lodge allows him to come back into the real

(01:14:13):
world but he struggles to re-identify as Cooper right so apparently he had been in fact losing his
egoic identity over that 25 year period but he had to reintegrate back into who Dale Cooper is
which he was able to do after the guidance of the gods of the white lodge are successfully
placing all these synchronicities of owls and coffee and shoes and Gordon coals and all kinds of

(01:14:37):
stuff so he finally wakes up fulfills the white lodge mission of getting Bob back into the red room
but then has to deal with Judy but Judy is the prime evil force she's the boss we heard about this in the
final dossier Mark Frost specifically talked about jowdy and ball aka the devil as the female male

(01:15:01):
consorts of evil that if they ever merged together in marriage it would end the world
well we will revisit that concept in my final part of the show when we analyze kind of grants
initiation of asak ayasic i know how to pronounce it so season three it's about Cooper's dream state

(01:15:23):
in the red room manifesting a new reality through which he could escape through individuation
which is all about finding an independent self that integrates the conscious mind with the
on with the subconscious okay he entered the red room as an initiate pursuing ego death
and connecting to the divine to become a integrated ascended master of theosophy that's one of the

(01:15:49):
enlightened ones which is what breaks became by the way that's why you see him streaming across
space and time and in season three Cooper comes back to the world on his hero's journey he comes
back with the boons the enlightenment the knowledge and he says i am the FBI i am is integrated ascended

(01:16:11):
master okay so he thought he had completed the mission i don't know if that's what happened
recall at the end of season two Cooper was on a spiritual journey of dissolution of the ego
the ego death he's trying to cross the abyss by detaching from all of reality and all of the egoic

(01:16:33):
ideas of the self the loss of the personal identity of who is Dale Cooper and he uses that coffee test
or he fails the coffee test in the red room where they offer him the coffee and Cooper's a hell
you i give him the coffee but he fails he's still identifying with the self he's trying to also
correct traumas of his whole life of trying to save women the white knight syndrome

(01:16:58):
so he failed all these tests stuck in the red room of 25 fireman found a purpose for him 25 years later
in the return in an order for Cooper to return to the real world he had to individuate reintegrate his
ego and become FBI special agent Dale Cooper again and that's what you're waiting for the entire third
season you're irritated with Dougie you're like i don't i didn't i didn't watch this to see Dougie

(01:17:24):
i want to see Dale Cooper and lynch doesn't give it to you until the very end
and the fork in the electoral sockets sparks the connections that let him fully individuate
now another possibility is that during that time in the red room Cooper was able to complete what's
called the youngy and transcendent function this is a form of individuation where one integrates

(01:17:49):
aspects of the shadow unifying the opposing forces of the conscious with the unconscious
and i believe that this is what all of season three could be about let me explain the background here
in 1912 Carl Jung broke off from sigma and Freud because Freud believed the inner psyche of man

(01:18:14):
was ruled by sexual desires repressant childhood that's where the term Freudian slip comes from
young was on board with all this until he analyzed his own dreams and saw nosticism and alchemy as
being a more revelant theory and young believed that symbols of alchemy and such were found in many

(01:18:34):
people's dreams that they didn't even understand what alchemy was they had no idea but why were they
having these same thoughts and symbols and ideas he then believed an idea called the collective unconscious
which exists which has all the myths and symbols of the entire world in its history
bringing those images and symbols into the manifesting them into the conscious world can promote

(01:19:03):
individuation so throughout season three Cooper or the fireman i'm not sure which one are bringing
images and symbols into duggy duggy Cooper's consciousness to promote individuation the owls
the two five threes all that it's a tale about pulling the you know because the the idea of the

(01:19:26):
collective unconscious is the same as the anima mundi the unified field then in season three episode
eight there you recall we talked about this ray shoots mr. c and if you watch it
it actually appears that he's doing it in reverse kind of like the reverse speech of the lodges

(01:19:51):
right which tells me that this world that all this stuff is happening in that we watch throughout
all season three is actually the black lodge it's the false role of evil it's the nostic demi urge
trick you and the ad of that idea what if Diane was never real to begin with

(01:20:17):
remember we talked about that in season one i i was like man when i first watched Twin Peaks i
thought before i got to season three i thought there's no way Diane can be real right i thought
Cooper was just talking into a cassette recorder as a sort of practice of a diary or something
because remember he requested earfomies to block out the noise in the great northern and somehow

(01:20:43):
he gets them the next night that's impossible he would have to record the cassette and mail it
Diane would have to get the cassette listen and then mail earfomies i would take many days
in the final dossier book we hear the Cooper has white knight syndrome and he's still identifying
with that del Cooper ego programming of saving women and that weakness was exploited by Judy

(01:21:06):
when he failed to fully destroy the ego in his alchemical process because he tries saving Laura
and Judy capitalizes on that then you've got the red room judgment um
this is interesting okay we're kind of shifting gears a little bit here i know it's getting very

(01:21:30):
complex and confusing but let me let me talk about the red room and then we're going to move on to
this listen to the sounds i got a couple things then we'll talk about listen to the sounds
if you look at any kind of magic ritual or ritual chamber room you set these up to induce a mood
and the red room is inducing a mood ironically it's very similar to a thalamic

(01:21:57):
alter room there's there's red curtains there's black and white elements
because the floor of the red room has black and white zigzags i realize it's a dark brown and not black
boat whatever but the idea is that rituals need to set a sacred space aside to create a different
subconscious feeling and then we look to father syruf him rose he's a controversial theory about

(01:22:23):
the after life called toll houses and his theory is that after we die our soul moves on to get judged
and the soul is meant by a variety of angels and demons and the demons interrogate the soul seeking
something evil or sinful within it and if they do if they can root that out god allows the soul to go
to hell to pay its penance now the orthodox church refutes roses claim how i don't know but it

(01:22:48):
exists nonetheless and the red room feels very much like the toll house for cooper similar to those
of best theories we talked about destroying the ego before crossing demons and angels are
confronting cooper we get evil doppelgangers of Laura leel in the arm but then you get good guys too
you get the fireman so what's going on the waiting room let's arguable the cooper is

(01:23:11):
suffering in this sort of hell state for 25 years
or maybe at the end of season three when the world ends at the Palmer House and the credits show
cooper is in the red room staring in horror as Laura whispers into his ear like he stuck there yet again
now to talk about the ego just a little bit more one characteristic of the ego is one's shoes

(01:23:42):
and you'll recall that cooper in season three get squeezed through that electoral socket that
cube out in space and he leaves his shoes behind in that sort of space realm in the the zen episode he's

(01:24:04):
in the woods yelling a bobby and says Leo needs a new pair of shoes i'm sorry let me back up in season
one i think it's episode three bobby and Leo bobby trying to like do drug deals with Leo and Leo says
Leo needs a new pair of shoes and then later in season two Leo's spitting out oatmeal repeating the
same thing because he loses his self his sense of self ego and also in the plot you remember and you

(01:24:31):
made a big deal about that hidden boot with the circle the one our man he's his old thing is selling
shoes well the shoes are tied to the ego that's that's one element of twin peaks that you'll see
another topic is if you recall in season regarding the ego season two episode 11 and this

(01:24:52):
was pretty important he is he talking about you remember those a clip where Cooper is talking to
FBI agent for his name Roger or something and he's talking about love is the law type elements he's
he's talking about confronting ones on shadow i believe agent Cooper it's showtime you've heard the

(01:25:19):
charges what do you wish to present his your defense i have no defense i am completely confident
in the rightness of my actions some of it occurred outside of bureau guidelines and i will pay
the price for that but i am innocent of any criminal wrongdoing if they wish to charge me i will
defend myself in the court of law

(01:25:41):
Dale there's a right way and a wrong way to do this and the first thing we expect is a
bureau man to stand up for himself now man who can't who doesn't even try

(01:26:05):
well he may be packing feathers where his spine is supposed to be
Roger i know the moves i'm supposed to make and i know the board so i'm doing a lot of thinking
lately and i've started to focus out beyond the edge of the board at a bigger game what game

(01:26:35):
the sound wind makes through the pies ascension of animals what we fear in the dark and what lies beyond
the darkness what the hell are you talking about
i'm talking about seeing beyond fear Roger about looking at the world with love

(01:27:02):
they're liable to extradite you from murder and drug trafficking these are things i cannot control
could be to bet philosophies implying that he is on his path of the one and he has a fate of
facing darkness like briggs told him in the woods before he got taken away all right and i compared

(01:27:23):
this in that episode to neo in the matrix so in some ways we've got two savior mythologies in
twin pigs you've got kuper and you've got Laura and kuper is very much an eastern
spirituality element kuper's trying to see through this maya this illusory nature of reality

(01:27:49):
and it's almost like he knows he's got a fate of being stuck in this red room and so on but he is
but my point is he's trying to become an ascended master that is going to save others with his
enlightenment he's very much the Buddha and there's lots of concepts found within blavatsky's theosophy
which is credited for popularizing all these concepts of reincarnation and karma and so on but

(01:28:13):
twin piece is also part of that and we're going to come back to that later i just wanted to sort of
point out kuper's whole journey throughout season three and his sort of battle for the ego stuff okay
all right the next section is exploring listen to the sounds a key phrase and there's one theory

(01:28:37):
that i kind of debunk in a minute i guess at this whole show is going to be a little bit of a
thrown a lot of things out there to prep you for my final sort of take all right
and the theory is that the sound you hear at the beginning of season three episode one when the
fireman says listen to the sound to kuper and you hear that sort of scratching sound well it sounds

(01:29:05):
very similar to the pilot when Audrey Horn puts that pencil in the cup and then you know
pulls it out as a prank and hot coffee hits the desk at the great northern
and the whole scene is about how Audrey's a brat but there are some major elements that are kind
of important to the show here to consider the man who comes to tell the worker who Audrey sitting

(01:29:32):
next to her name is julie the man comes and he says that the Norwegians are signing the contract
and to make sure that no matter what nobody mentioned to them that the girl named Laura Palmer is dead
and the man leaves and Audrey taunts him and she says okay bob okay bob

(01:29:52):
of course my ideas that maybe this is related to the bob right and she simultaneously putting a
pencil into the coffee cup that's the sound of the styrofoam tearing open that's the listen to the
sounds i argue and she removes the pencil and gets coffee all over the desk right and we know
Cooper would have hated this Cooper loves that coffee and he'd be very sad but another

(01:30:18):
oddity here in this scene is that there's an owl figure right next to Audrey when she is doing this
now it's also curious because we know there's multiple instances of you know carrot to like
they'll be like doppelgangers everywhere right like there's two mics um no you got bob bob bobby i

(01:30:42):
mean there's lots of sort of strange iterations in this movie or in the show excuse me
and i had sampled the two clips and put them next to each other and i got to confess they don't sound
exactly the same uh in fact the season three episode one clip slowed down to 25% is actually

(01:31:07):
we get closest to the sound of the Audrey scene but what's odd is that in this process
when i was chopping and screwing the season three episode one clip i can clearly hear
someone breathing or exhaling during the sound listen to the sounds

(01:31:38):
so
(watchkeeper clicking)
(watch player clicking)

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( does hear )
(watch member ratics)

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Because there's a lot of elements of going home in Twin Peaks that return.
You know, Cooper, Duggie, the audience, everyone.
Everyone wants to go back home to Twin Peaks, and you don't really get that until the very
end.

(01:39:57):
You get glimpses of what's going on in Twin Peaks here and there, and it's important
to the story of season three.
You don't get to go back home until the end of season three.
And even then, things are different.
Remember, Cooper grabs Carrie Paige/Lora's hand in this black and white 1989 in season
three episode 17.

(01:40:18):
He says, "He's taking your home."
And then we also had the black and white scenes of that episode switching over to color,
just like Wizard of Oz did.
And there's lots of focus on gold in Twin Peaks the return, being a color of attainment

(01:40:39):
or purity.
You know, because all the souls are depicted with gold, orbs or cosmic dust of sorts.
And you see it in the red room, whenever a Tulpa or a person dies.
When the bowl, in season three, the boy gets hit by the truck and has a gold spirit or
dust that ascends.
Laura is conjured up by the fireman in 1945 as a gold dust and it manifests into an

(01:41:06):
orb.
It's all about a chemical journey of lead into gold.
Man ascending, man becoming God.
And that's why the Wizard of Oz depicts the journey on that yellow brick road.
It's a road of gold.
And I saw that the Japanese have a legend of Hito Dama.

(01:41:28):
And these are the balls of fire that float around and they're believed to be the souls of
the dead separated from the bodies.
Which I thought, "Maybe that's kind of what's going on with the lynch and he's just adding
the gold flare to it."
Kenneth Anger was also interested in magic, as you know.
Not Kenneth Grant, don't be.
I know it's easily confused.
Two major occultists with the same first name and around the same timeframe of life.

(01:41:53):
But Kenneth Anger, the filmmaker, was very interested in magic and similarly was initiated
through the Wizard of Oz.
Which of course you already know the story.
I did a, what a four-part deep dive into it on my podcast.
L Frank Bombs, Theosophical indoctrination was the Wizard of Oz.

(01:42:16):
But Kenneth Anger wasn't into it since he was a child, which got him into Rosa Crucian
philosophy and such.
Kenneth Anger was a gnostic and he had dualistic concepts of the cosmos being an eternal
battle of good and evil as gnostics do.
Light versus dark.
And the gnostics believed that the light can win without going too deep into it.

(01:42:41):
This is why they always talk about the light and the light bearer and the admire Lucifer
as the light bearer and the liberator.
And they believe that Christianity in its supposed-equate false form that it is today turned
Lucifer into the devil to suppress people and keep us from evolving.

(01:43:01):
But anyway, Kenneth Anger was also into the Wizard of Oz.
The next sub, you know, talk about magic a little bit more.
And Kenneth, I guess I should put a bow on that.
Kenneth Anger was a ritual magician.
He did rituals with James Franco and Noor Sear from Twilight not too many years ago.

(01:43:24):
Very prolific.
Magician ties to Bobby Bosele and the powerhouse Oz band and Charles Manson.
I mean, it's a massive rabbit hole.
Again, I did a podcast when he died.
I did a podcast about him.
Fascinating character.
Now, let's talk about electricity in the end of the world, how this ties into magic.
Because the whole show, the entire time, keeps talking to us about electricity.

(01:43:49):
There's more so than others, some time, you know, and fire walk with me and so on.
And it's apropos that Cooper would enter the world again through in Twin Peaks the Return
through the electrical outlet.
And constantly we saw this idea of entities traveling through the electrical wires.
You constantly heard static electricity.

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And even if you go back to the pilot episode, back at the beginning of all this, when they're
in the morgue, the light is flickering.
And when they're looking at Laura's body, Leeland and Sheriff Truman, and they even make a whole
thing to be like, I sorry, the light bulbs going out.
And then you see all that again in Twin Peaks 3 episode one when they're looking in the

(01:44:35):
trunk and the detectives flashlight is flickering.
Now, electricity was considered a bit magical and terrifying as you would expect to people
when they first discovered it and started using it.
It was first put into homes in the 19th century and people were actually afraid to use it.

(01:44:56):
Then President Benjamin Harrison was scared of being electrocuted by turning the light switch
on and off.
So he had someone do it for him.
Now recall the events of season one and two where I went deep into the ideas of the
Battle of Man vs. Nature based upon Michael Hoffman's Secret Society's book.
So listen to those episodes.

(01:45:18):
And the plans for the local economy of Twin Peaks were part of this struggle between Man
and Nature with Ben Horn's Ghostwood project, the Packard's Sawmill literally tearing down
the woods and the woods were a haven for supernatural activity.
And it's interesting that Laura's polymer's body is found by a massive tree log in the

(01:45:42):
plastic, right?
Rapt in plastic, of course.
And danger is to be found in the woods at the Glastonberry Grove with the Black Goo Entrance.
But in the previous talk I had about it with the Secret Society's book from Michael Hoffman,
in the book he talks about the similar spiritual battle of Man vs. Nature and the technocracy

(01:46:06):
of elites or the Black Magicians seeking to control nature through magic.
And therefore control man kind.
And if you're paying attention to the world today, you can see the influence and the struggle
going on between Man and Nature, between technology taking us from our true purpose of connection,

(01:46:30):
connection to the divine connection to each other and all of that.
If we look up electricity from a call literature, you can see there's a spiritual element to
it as well, again referring to the book called the No Cult.
There's a chapter on gateways to other worlds.
And I took some notes on it.

(01:46:50):
This is me paraphrasing what it says.
Okay, and you're going to hear some things here and you're going to say, "Oh my God, that
is Twin Peaks."
It talks about moving water and how nature generates fields of static electricity in certain
places, often near the running water.
And these fields are capable of picking up and recording the thoughts and feelings of
humans and creatures and such.

(01:47:12):
This is the animal moondy.
That's why when people step into a room like ghost hunter types, they'll step into a room
and they can feel energy.
It's the same idea, I think.
It's this idea that there's a mild electrical field all around us.
Okay.
And it says in the book, this is a literal quote passage in the book that "Dreamstates

(01:47:37):
are at a higher frequency."
And I likened it to Inception, the movie Inception with the world's greatest actor, Leo
DiCaprio.
And because in that, there's like time dilation, there's sort of levels of abstraction from
the dream world to the real world.
It's very Twin Peaks-esque.

(01:47:58):
And our human bodies and even machines can be tuned to pick up on certain vibrations
or frequencies, kind of like an X-ray machine can interpret X-rays that you can't see with
the visible eye, kind of like sex, magic in a way of reaching an altered state or sort
of feeling into this other realm, which is arguably why religion was so repressive about

(01:48:24):
those things.
But magic itself, ritual magic, ceremonial magic, is about manipulating the forces of nature,
which we talked about.
I don't even know one.
Somewhere in this gray lodge series, I went deeper into this, the physics of it.
We had four forces of nature.
You got nuclear weak, you got nuclear strong, you got electromagnetism and gravity.

(01:48:45):
So electromagnetism obviously important.
And this is how the entities move.
This is how they absorb the fear from their victims.
They've always been able to do it.
It's an ancient primeval entity as Mark Frost describes in the books.
And in fact, the book that Frost read, Dion Fortune's psychic attack says this, says experimental

(01:49:11):
psychologists are already suspecting that emotion is closely akin to electricity.
They approve conclusively that emotional states alter the electrical conductivity of the
body.
And that's what Bob feeds off of.
The emotion, the electricity, he's an entity that can feed off of them.
And it talks about how the occultist believes that emotion is a force of an electrical type.

(01:49:36):
And that in the case of the ordinary man, it radiates out from him in all directions, forming
a magnetic field.
Now recall that electromagnetism is a law that says electricity and magnetism are connected.
They exude complementary forces, meaning they're connected, like a charged electrical
particle in movement, which is what they call current.

(01:49:56):
We have background in electrical engineering here.
When it travels through a conductor through a wire, there are fields of electromagnetism
that expand out from it.
And this magnetic field we can detect.
Electromagnets work in this way.

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The electromagnetic spectrum is just a sliver.
I'm sorry, the electromagnetic spectrum is this massive spectrum of frequencies.
And we can only detect a sliver of it called the visible light spectrum.
And the argument is that there's stuff all around that visible light spectrum that we

(01:50:39):
could detect if we had the right capabilities.
That's what the x-ray, the gamma rays, stuff like that, ultraviolet.
You know, like you've got a flashlight and you can see spots.
You need a tool for that.
But anyway, recall in the...

(01:51:00):
So we're talking about all this electricity stuff, right?
And recall in the end, I already talked about this, but at the end of season three, the
last episode, after the world seems to implode or destructor, stop, the flywheel stops.
At the credits, you see the frost-lens productions.
And every other episode that plays an electricity zapping sound but it's silent.

(01:51:24):
Why is it silent?
If emotional states can alter the electrical conductivity of the body, it tells me there
are no bodies to trigger the electricity.
Meaning the world has in fact ended.
Because there's no magnetic field emanating from the humans.
The laws of nature and physics have been suspended.

(01:51:45):
It's a wrap, folks.
Not a happy ending.
Bob and Judy win.
They get to restart and release from the eighth sphere of hell and sort of start all over.
Now in the case of the trained occultist, it can be concentrated into a beam and directed,

(01:52:06):
very much like magic, the emotions or electricity or whatever.
Now it says in the book that you're able to concentrate your whole attention onto a single
feeling you'll be able to achieve a pure emotional state undiluted and all this life force
coming into your soul will therefore flow in this single channel.

(01:52:32):
And it says the concentration will be terrific but it will only be achieved at a terrific price.
So I think that throughout the show, Bob and Judy and these evil forces are feeding off
of the fear of Laura and so on.
And maybe there are magicians on some level.
You saw that in the European pilot, Bob doing a mic and Bob in circles of candles in a

(01:52:59):
ritual sense.
And it's interesting because in the book it says in order to achieve this terrible concentration
that the saints of the West and the yogis of the East practice at torturing a set of
thisism.
And we heard Cooper talking about his interest in Tibet.
This is very much with the yoga nanda claims is that you can sort of unlock superpowers,

(01:53:21):
CDs with enough, you know, I don't know meditation, silence and so on.
You heard similar claims from Diana Pousalca's Invisible College of Uofology nerds who were
trying to summon entities and they say you have to have a clean antenna so like no coffee,
no alcohol, no drugs, lots of yoga, meditation, that sort of thing.

(01:53:50):
Then it says that we can readily change over from one state to another.
And it kind of goes on and on and I realize this is probably getting choppy so I'm just going
to keep it moving.
But it does say that if we have a concentration on the work of malediction and death in order
to achieve an act of revenge, our rage being satiated, we cannot immediately reverse the

(01:54:13):
spin of the soul and re concentrate upon works of wisdom and redemption.
We may like in the soul moving with a tide of evolution to a wheel spinning clockwise.
And I propose that's the fan and the iconic fan, the samsara fan blades.
And then it kind of goes into more I'm not going to like bore you with the details because

(01:54:34):
I, she's big words.
Deon fortune was that a male or female?
I feel like it's a female.
Anyway, talks about the position of an axle can be altered so that the wheel revolves
at any angle without the direction of its revolution being affected but the flywheel has to be
stopped before the engine can be reversed.
And a big flywheel takes a great deal of stopping.

(01:54:56):
More over in order to reverse the flywheel, we have to stop the engine.
So could it be to wrap this up the ending of party team where we see the power going out
the Palmer House and the lack of electricity in the credits.
Is this showing us?
First off, like the lack of electricity, I'm arguing is the lack of human life.

(01:55:18):
Everyone's dead.
But is it also showing us the flywheel coming to a stop?
And if that's true, then maybe there's a chance it's a happy story because Cooper saved
the world from Judy and Balls attempted annihilation into evil.

(01:55:39):
Or maybe it means that everyone's dead and they're going to start over but that also keeps
Bob and Judy from entering our world or ending it.
It's amazing how confusing this can all be, right?
And I got one more point and then we're going to wrap up and we're going to go into the
final theories.
Okay, so stick with me.

(01:56:00):
We're almost done.
All right.
So my idea was, so let me wrap up the flywheel talk.
So maybe Cooper was trying to stop Judy but inadvertently stop the flywheel.
Which means he didn't have all the noses he needed or realized it was too late.
That's why in horror he says what year is this?
Another idea, maybe the fireman was saving the world and had Cooper be the guy who had to

(01:56:24):
do it for the greater good, even without him understanding that he was going to have to kill
everybody on earth to protect it from Judy and Ball so they could restart a new world.
And that's why he has such apprehension at the end of Twin Peaks that returned.

(01:56:45):
Moving on entities, aliens, the Trinity portal.
We talked about this in depth.
So I'm not going to go too deep into it but I want to re-attack this in a way.
Specifically the connections of Alistair Crowley, Jack Parsons and Kenneth Grant.

(01:57:05):
We talked in depth about outside the circles of time.
I did a whole episode on it.
I wanted to touch on it briefly once more to reinforce the occult concepts of entities
though because the entire world was Twin Peaks is about aliens, nonhuman entities.
We see it clearly referenced throughout all of the show.
We see it spelled out in the Mark Frost books.
We discussed the intense occult beliefs that Crowley and Parsons had that one could summon

(01:57:30):
these entities, especially after the triggering event of the Trinity Atomic Bomb and Jack
Parsons' Babylon working rituals.
And the successor to the occult knowledge of entities from Crowley was Kenneth Grant
and we deep dive into his works, reiterating all these ideas.

(01:57:52):
So Twin Peaks was way ahead of its time describing these entities as nonhuman intelligence instead
of biological grays from another planet.
This is '89 when this was filmed.
'88, '89 something like that.
And furthermore, in season three episode eight we were given the only depiction of the Trinity

(01:58:15):
Atomic Bomb Test opening up a gateway that allowed the veil to open and allowed entities like
Bob and the experiment through.
It was so far out there and to this day most people don't know who Kenneth Grant is, much
less of read his books or understand the theories of portals opening up for aliens to come
through.
But if you look, all the components are there.

(01:58:37):
We did an interview with Paula Harris on her and Jack Valais book The Trinity Site Crash,
UFO Crash.
Like that was a literal event that happened.
Kenneth Grant suggested this is from the Atomic Bomb Test.
And that's what this shows about.
It's about bringing aliens into our world.
But the veil also brings about some esoteric and cosmological battles.

(01:59:02):
Now what's interesting is that on Mark Frost's Reddit AMA someone asked if the alien in the
secret history of Twin Peaks that Doug Milford sees with the help of President Richard Nixon
is related to the experiment from season three.
And Frost replied quote, "You may be on the right track."

(01:59:23):
Frost doesn't pull punches, so I feel like that might be accurate, right?
And someone else on the thread asked if sex in season three episode one, you know in front
of the glass cube, they're triggered that manifestation of the experiment, which draws
parallels to the Cooper-Dianne sex scene toward the end of season three.

(01:59:43):
And this whole idea of sex magic as part of this Parsons opening up portals through the
Babylon working sex magic rituals.
And Frost just said, "Hmm, maybe."
See nobody wants to take away the mystery and solve it exactly, right?
Which is what's great about this analysis.

(02:00:06):
There are 55 episodes I'm here to tell you that I'm not going to ruin the mystery for you,
because I don't know either.
I just see a whole lot of parallels that I'm like clearly this is an occult doctrine being
shown on a work of fiction.
I'll go out on a limb and say sex magic is being used in this story to bring about the end

(02:00:32):
of the world.
And that's what Jack Parsons goal was with his sex magic Babylon working ritual, if you
recall.
And if you recall in the secret history of Twin Peaks Frost at a passage, I'm going to
read you.
His colleague told me that Parsons used this area for his personal exploration of what he

(02:00:52):
called the explosive sciences of both the literal metaphorical varieties, because he believed
they would open the gate.
So this is also where, after founding JPL, Parsons first began enacting his bizarre thalema
rituals.
His associate told me, strictly off the record, those rituals were an attempt to summon

(02:01:12):
into human form the spirit of a figure central to the thalema pantheon, the goddess Babylon,
known as the mother of abominations.
So he told you specifically where to look.
We just happen to have been looking there already because this is the field of study with
the occult symbolism and pop culture podcast.

(02:01:33):
So Trinity opened the gate.
Rituals were conducted to summon the mother of abominations, and that was Judy.
And that's what you see in Twin Peaks.
Fun side note before we get into the final part for final theories.
I've never seen quantum leap before and I watched the first episode just to watch it for

(02:01:55):
no reason.
And at the beginning, at the very beginning of the show, there's a woman talking about
the atomic bomb test site.
And she talks about a top secret government program with deep space communications, just
like major breaks.
Could it be that these works of fiction have more truth to them than we suspect?

(02:02:17):
Maybe it's a way of soft disclosure of getting us to sort of warm up to these ideas because
maybe they're real than we think.
Finally we're at part four.
This is my final theories.
If you wanted to distill this entire analysis down to an hour or two, this is it.

(02:02:39):
And what I'm going to do is I'm going to walk through some of the big heavy hitter points
of how Twin Peaks dies into occultism.
And then I'm going to do a short little recap of what really matters.
What to take away from all of this, right?
The part one and arguably one of the most important is Laura Palmer.

(02:03:00):
Laura is the one.
And that is what this show is about.
And you'll find in her journey, she goes through this kind of death and rebirth situation
in this world of Twin Peaks with obvious parallels to the Christian story of Jesus Christ dying
and being resurrected on the third day.

(02:03:22):
And you'll also in terms of the occult see a concept of death and rebirth of Osiris.
A topic we've covered in depth.
I believe in the pilots.
I even compared some of Dale Cooper's King Arthurian legends into this whole mythology.

(02:03:43):
But it's all very similar, right?
Because King Arthur dies and is waiting for his return as the spring king to fulfill the
fertility of the earth.
But what's curious is that if you read a book from 1991, "Welcome to Twin Peaks, Access
Guide to the Towns."
Shout out, Skinny Fresh, one of my friends who provided me this book.

(02:04:06):
There's a page in there dedicated to what they call the Twin Peaks Passion Play.
And it describes the 12 Douglas Furs in a circle at Glastonbury Grove, as we all know.
And at this annual, or Pent annual, I should say, which means every five years, at this
Pent annual play.

(02:04:29):
Because the dates aren't specific.
This is what it claims in the book.
The dates aren't specific, but it says generally in April, you can gather around Glastonbury
Grove as entities emerge, all right?
An actual manifestation of entities.
Because again, that's kind of what this, this whole Twin Peaks is about.
Entities from another dimension from another world.
It says in the book, quote, "From the shadows half a dozen cassoct figures emerge bearing

(02:04:57):
sword, chrysanthemum, crucifix, and chalice."
There appears the mysterious garden at the gate.
To this day, no one knows where the guardian comes from or why it appears.
Now the guardian is probably a reference to the one we see in season two, the sort of
hooded white figure.
And what they call it, they call it a passion play, which brings our attention to the passion

(02:05:20):
of Christ, you know, the period before Christ's death on the cross, which he overcomes coming
back to life.
And the Twin Peaks version, it lasts through the night until the sun comes up at which time
good vanquishes evil, much like Christ overcoming evil and dying for mankind's sins.

(02:05:43):
Which, off top, it completely, but in Castlevania II, Simon's quest on the NES, the original
8-bit Nintendo, I believe they even say that, this just came to me.
I believe they even say that when, because in the game, it goes from daytime to nighttime
and nighttime, it's significantly more dangerous to all the creatures come out.
I believe when night ends, it says something about good vanquishing evil, something of that

(02:06:07):
effect.
I could be wrong.
Similar concept though.
And we have two sources of light overcoming the dark.
Only in Twin Peaks, it seems to be happening on a recurring basis, a ritualistic event
in a way.
And it's supposed to be sponsored by the bookhouse boys, which I found odd as well, the passion
plays are.

(02:06:29):
But it draws my mind to the circular repeating pattern of some Sara with Twin Peaks.
Again, this repeating cycle of a battle between good and evil, which I mentioned this in
the past somewhere.
Maybe I'm this already, I already forget what I've talked about.
Stephen King's It is a similar sort of motif of a recurring cyclical battle of good

(02:06:50):
and evil.
Now in season one, they ask, who killed Laura Palmer?
It was in all of the advertisements for Twin Peaks and so on.
Season two answers it kind of, right?
Bob, Lealand, whatever you want to call that.
But then season three asks, in my opinion, who is Laura Palmer?

(02:07:16):
Because work confused as to whether she's manufactured in the white lodge from the fireman's
consciousness like a Tulpa, which we saw in season three, episode eight.
She is not a naturally born human.
Or is she a savior figure sent to earth to combat the black, the black lodge forces?

(02:07:41):
Or maybe a bit of both.
Maybe her spirit was created by the fireman and sent to earth to be infused into this young
traumatized lady subjected to horrific abuse.
And now she's being used as a pawn in a cosmological eschaton battle.
She's always been the focus of the show because she is the white lodge's savior in the battle

(02:08:04):
between good and evil, no matter what you believe.
And if you recall the turkey talk and Hawks out cave map where we said, Laura is the turkey.
Sarah Palmer had the whole turkey jerky meltdown.
And previously we had the over analysis in the pilot with the name Laura being yelled out

(02:08:25):
by Sarah.
Right, I played over this whole gray lodge journey.
I played these clips of Laura, this garbled Laura, which turned out to be...
Laura!

(02:08:59):
And we now know Sarah is the black lodge's mother of abomination.
She is the jaudy, the Judy.
So when she says it, it has a different meaning.
And we also heard in season 1 episode 6 the garbled Laura of Sarah's voice on the audio tapes
of Waldo, the mine bird.

(02:09:19):
Again, present during the torture of Laura in the cabin.
Meaning Judy or Sarah may have been present over that abuse period.
In season 3 episode 10 we hear Laura again as Albert enters Gordon Cole's room.
And then of course the iconic final scream from Carrie Page, the final realization of who

(02:09:42):
she is in her role in the events of Sarah yells Laura right before the scream that shuts
the whole thing down, stops the flywheel.
And playing the black lodge isn't done fighting yet.
And Carrie and Cooper may have to go through another round of punishment, another round on
the some sorrow wheel.

(02:10:02):
And when you listen to the first scene of season 3 episode 1 the fireman said listen to the
sounds we could argue that the audio is the guide to this whole show.
And we have that scratching sound that we unpacked in season 3 episode 18 theorizing that
the white lodge is plan of reworking that dream world or the real world or whatever that was

(02:10:25):
is revealed when we hear the scratching.
And it's possible that the black lodge is working similar.
And we listen to the sounds of them antagonizing Laura when Judy is screaming for Laura.
Okay.
Now women are obviously the goddesses of the divine feminine of mythology.

(02:10:47):
And they're symbolized and represented by bodies of water right and you see the goddess
of Twin Peaks Laura Palmer wrapped in plastic on the waters of the black lake.
Now conversely the men are the gods of mythology and they are represented by fire which you
see with Bob and Ben Horn by the fireplace.

(02:11:13):
And it's also curious because Diane another major character in this show is the name of
a goddess princess Diana was the goddess sacrifice at the Ponte Dalmatonnel.
Because there's this recurring theme of sacrifice of the goddess in terms of a cult mythology
and pagan mythology.
And the owl is also a symbol of the goddess wisdom and narcissism you've got Sophia the goddess

(02:11:39):
and so on.
There's a rich history of our world and mythology and religion that ties into worshiping the
feminine goddess as the creator creator of our world.
There is a ritualized sacrifice of the May queen which would be the homecoming queen right

(02:12:01):
and what is Laura Palmer the photo we see of her throughout the entire show over and
over at the homecoming queen photo.
Now we already talked about some of the stuff in the season two wrap up so I'm not going
to go too deep but David Lynch said that the starting point for the creation of this whole
story was a dead girl washing up on shore right a female dead on a lake inside of the body

(02:12:30):
of water of course this is feminine symbolism maybe even the passage of the goddess.
And if you read through James George Frager's golden bow he talks about the May queen ritual
related to ancient tree worship maybe those magical Douglas furs and there's theories
about the blood sacrifice of the queen of the May queen.

(02:12:54):
And there's also a goddess in Hindu tantra called the Shina Masta who is a symbol of sexual
energy death and self sacrifice.
Now Laura I argue is the goddess of sacrifice mythologized in this show and you see it mythologized
in the whole town everyone knew who she was everyone seemed to know that she died without

(02:13:18):
even being told rewatch the pilot everyone knows she's dead before the words are ever uttered
everyone was crying hysterically I mean they had no doubts about it they didn't think maybe
maybe that's Laura Palmer that died they didn't think gee why is the cop why is the police
at the high school no they knew she was dead.

(02:13:43):
She was the goddess and the whole town was weeping over this.
And you know what I always found interesting watching the pilot at the very beginning when
Sheriff Truman answers the phone and Pete Martell and Pete Martell says she's dead wrapped
in plastic.

(02:14:03):
Sheriff Truman doesn't say who is in that interesting.
He doesn't say who he just wants to know where it is and he wants to rouse Andy out of bed.
I mean and then when they go upon her they don't it's not like they know it was Laura Palmer
but I just found that weird when when when when Pete says she's dead wrapped in plastic

(02:14:27):
if I'm Sheriff Truman I'm thinking Catherine what happened who what you know he just says
where and then he kind of hangs up and that's it it's very strange.
But everyone knows she is in fact the goddess of Twin Peaks.
Now she is also in a way the scarler woman and this is going to be a bit controversial because

(02:14:48):
Laura Palmer's character is sacred to the audience but bear with me but there is an
accolade belief in the goddess of Babylon a again the idea of a goddess incarnating to manifest
a higher purpose in the cosmological battles.
And the goddess of Babylon is used to facilitate occult practices sex magic to bring about

(02:15:13):
the end of the world.
Now the argument here would be that Laura was used by these forces as a vehicle for their
nefarious plans.
We heard that Laura was filled with secrets and these could be the mysteries associated with
Babylon the great aka the horror Babylon referred to in the book of Revelation and the verse

(02:15:34):
it said her forehead had the name mystery Babylon the great and in the red room we confirm
that Laura is filled with secrets and you hear all the characters say it throughout the
show she's filled with secrets.
Now one occult practitioner Aleister Crowley had the Nostigmatic Mass of Thelima and in
the Nostigmatic Mass they say and I believe in one earth the mother of us all and in one

(02:15:58):
womb where an all men are begotten and wherein they shall rest.
The mystery of mystery in her name Babylon because Babylon represents matter and it comes
from the Latin word for mother because she creates and incarnates life.

(02:16:19):
Babylon is on the other side of the abyss and if the initiate successfully crosses he will
be reincarnated as the master of the temple under the tutelage of Babylon the mother which
is what Jack Parsons claimed he accomplished and what I'm arguing maybe Dale Cooper was trying
to do in a way.
We know Jack Parsons conducted the Babylon working ritual with the in 46 1946 and 47 in an

(02:16:45):
attempt to incarnate the scarlet woman the horror Babylon with which he wanted to procreate
and manifest an antichrist child to bring about the end of the world.
All described in secret history of twin pigs by the way it was a sex magic ritual and Laura

(02:17:06):
could be the subject of the black lodge forces trying to groom her into becoming a similar
scarlet woman being used which is what Aleister Crowley did with his women he used them for
his gain.
She's being groomed and used for various sexual abuse and fire walk with me by drug dealers

(02:17:26):
pedophiles in sexual affairs with Bob Leeland then in season 3 the whole spiritual battle
happens and she's supposed to end the world which she does when she screams and the power
goes out.
Now there's a side no one things might go off track with that theory is in season 3 when
Diana appears as the flaming red haired scarlet woman meaning she might be the horror

(02:17:51):
Babylon and then Dale Cooper proceeds to have sex with her a sex magic ritual in the motel
as a form of the apocalypse ushering in the end of that reality when Dale wakes up and
he is now Roger and he's in an entirely different realm he's now in Odessa, Texas where
he goes to pick up Carrie Page.

(02:18:11):
It's like they're abstracting from reality using these sex magic rituals.
Now Laura Palmer she could be argued in this world this dream world of season 3 to be the
Sophia the goddess of wisdom because the Nostocism they believe in this world being a false
simulation world created by an evil force known as the Demi urge and part of that mythology

(02:18:36):
is that the Sophia the goddess is the female divine force of wisdom.
She was the twin or the CG as they call it the CG of Jesus according to the Nostocs and
again reference season 3's Zimons coffee.
What she showed up in our reality as the serpent and the Garden of Eden and Sophia is the

(02:19:03):
key according to the Nostocs the key for man to find salvation from this demonic material
realm and evolve past this material world and get back up to the spiritual pliaroma where
they deserve to be with the real God and Jack Parsons believe that Sophia is Babylon and

(02:19:24):
of course he was pursuing Crowley's ideas of creating moon child to end the world and
so on.
But if twin peaks is viewed through that Nostoc lens which you could Laura is the one
and she is the savior she is the the wisdom Sophia waking up man represented by Cooper to

(02:19:45):
the dream world he is living in a world of evil and she is the twin the CG of Jesus Christ
and all season 3 was Cooper living in Laura the Sophia's dream.
She is the dreamer the dreamer who dreams.
That's why she had the Zimons coffee shop be one of the keys to Cooper's awakening amongst

(02:20:11):
a bunch of other things right and Cooper being the white knight having white knight syndrome
his tendency is to seek the eternal Sophia.
Something else to talk about with this Laura dream world theory is that season 1 episode
3 we hear that Laura is in a place where a bird sings pretty songs and at the end of season

(02:20:35):
3 we hear NATO the the woman without the eyeballs who turns out to be Diane don't ask I
don't know and NATO is communicating with the bird chirping sound right and then you also
have that iconic bird the opening credits of season 1 season 2 but there's something

(02:20:59):
to season 3 that is basically weird abstractions and synchronistic pull from season 1 and season
2 manifesting in this dream world trying to wake Cooper up.
Now the one last thing on this topic here the log lady introduction for season 1 episode
2 listen to what she says she says all that we see in this world is based on someone's ideas

(02:21:25):
some ideas are destructive some are constructive some ideas can arrive in the form of a dream I
can say it again some ideas arrive in the form of a dream so it seems Laura Palmer is some
kind of guide assisting Dell Cooper through this dream world they meet up in the dream world

(02:21:47):
before she dies who's to say that that's not what's happening then finally some light connections
to Laura Palmer with the king Arthur thing carry page lived in Odessa Texas well there's
also in Odessa Texas a stonehenge stonehenge is part of the king Arthur legends they believe

(02:22:09):
that giants or merlin through magic transported those giant healing stones from Africa to where
they are today and Cooper who I compared to king Arthur in the season 2 wrap up Cooper goes
to Odessa stonehenge to find Laura or carry the divine feminine so she facilitates king Arthur's

(02:22:32):
search for the divine feminine and in his journey in season 3 from the red room into
duggy and then into Cooper there were all these references to king Arthur throughout the whole
season 3 he lived in Lancelot court which we heard from Bill shaker is near merlins market
jane e has to pay off mobsters at the corner of guinevere in merlin which is the wife of king Arthur

(02:22:59):
and obviously merlins the magician and it goes on and on right may no doubt about it all three
seasons a continuity that you'll find is king Arthur and Laura could be the role of the divine
feminine next major topic alchemy if you forced me to explain what twin peaks is in the simplest

(02:23:22):
manner I'd argue that it's about the alchemical journey of del Cooper and if you piggy back onto
the lower Palmer talk you could argue that he's going on a hero's journey an alchemical journey
with the guidance of the goddess because that's what Joseph Campbell talks about in the hero's
journey is the guidance guiding guiding our hero and he's attempting to save the world by becoming

(02:23:45):
an ascended master following the likeness of major breaks and Philip Jeffries but he ultimately fails
so let's talk about alchemy alchemy is the fusion of spirituality and science to magically cause
transformation or extend life it's concerned with turning lead into gold and finding the philosopher

(02:24:09):
stone which grants immortality so as you could see a lot of people are into this now the four elements
are the focal point of alchemy and twin peaks you've got air fire earth and water air is the ominous
pollution fire as in fire walk with me and fire throughout the show of course earth represented my glass

(02:24:31):
and berry grove in the woods and water which is the white tail falls so in alchemy you manipulate
and use all four elements but it's also about turning lead into gold which was the sort of overt
worldly rational explanation for what's going on with alchemy people would get this back in the

(02:24:59):
middle ages and you get burned at the stake so people were like oh we're just trying to figure out
how to make gold but the reality spiritually on a spiritual level they're trying to find immortality
and the lead into gold is a metaphor for spiritual enlightenment of the soul
you know there's many examples of gold we went through this already being a state of transcendence

(02:25:20):
or spiritual souls I guess with the gold orbs and the mists even doctor Amps shovels are gold
you know dig yourself out of the shit and you could argue that the entire twin peak story is about
Cooper's failed alchemical process and there are steps in alchemy for these alchemists to achieve

(02:25:42):
enlightenment or apotheosis which is becoming god and it is done through six steps the first one is
calcination this is the breaking down to the prime of material this is the prime
form of matter the simplest form of matter you want to break down the prime of material into the
ashes through intense burning and fire all right fire walk with me removing all the worldly

(02:26:07):
attachments removing impurities stripping away the false identity or the ego and this is Cooper
entering the red room and fire walk me and remember how in the in the end of season two I talked about
the red room scenes I said you know there's tons of fire and flashing lights I believe this is the

(02:26:29):
calcination the next step is dissolution and this is the dissolution of the ego or the abandoning
of the sense of identity and that is Cooper's failure that is his failed coffee test at the end of
season two Cooper has to attempt to cross the abyss which requires dissolution of the ego

(02:26:53):
but he fails to do so which sets him up to have disastrous consequences later on
then you've got separation this is separating thoughts and emotions to see oneself more clearly
this is Cooper literally separated from the world for 25 years in the red room during which time

(02:27:16):
energy is uh in alchemy they say it's time energies pulled from hardened souls and beliefs
and that energy is used to drive the spiritual transformation all right but like I said he already
failed he didn't show up to cross the abyss with his ego stripped out he drank the coffee at the
end of season two so that's why he was stuck there then you've got the conjunction these are the

(02:27:41):
separated elements recombined to find balance between male and female principles
arguably also physical and spiritual now this could be the bringing together of the opposing
forces this is the sex magic ritual of Dale Cooper and Diane in season three episode 18

(02:28:01):
this is what they call the royal marriage of the sun and the moon it's described in alchemy books as
and I quote the point of no return as in twin peaks the return
so where all that energy creates something new um in terms of the conjunction

(02:28:23):
it's supposed to have a more harmonious proportion with because the whole alchemical process is
breaking the material thing down to its basic constituency and then rebuilding it perfected as the phoenix
from lead into gold and what's interesting is that you know I want to check just a side fun note

(02:28:47):
I want to check in while I was building up this analysis I want to check in on the scene season three
episode 18 where Diane and Cooper are driving to the 430 mark and ironically it had been because I
bought the seasons on amazon I it had been saved it exactly the dialogue I was looking for like
apparently when I watched it in the past I stopped it here it's strange and the dialogue is

(02:29:11):
interesting because Diane says are you sure you want to do this you don't know what it's going to be
like once we and then Cooper says I know that we're at the point now this is the point of no return
they literally say it on the show the point of no return in the conjunction they share a kiss in

(02:29:33):
the show they cross dimensions they go to the motel they enact the royal marriage ceremony of
the sun and the moon they do the conjunction through sex magic the next the next part of the
alchemical process is fermentation this is the putrification where one's consciousness confronts

(02:29:54):
their darker side or shadow and what does that sound like that sounds like season three where
Dale Cooper confronts mr. C and finally conquering him now this confrontation with the shadow self is
done so that the conjunction of male and female can be done to birth the child the fusing of

(02:30:17):
spiritual material and again side note the alchemy theory I would argue is slightly out of order
which could be an honest mistake by David Lynch it could be an overanalyzation by me or
what truly happens when you take the steps of alchemy out of order it leads to failure right

(02:30:42):
which is what I argue season three is ultimately about Cooper's failure
so not only did Gordon Cole talk about Judy which you're not supposed to
Cooper didn't follow all the steps he wasn't prepared for the alchemical process he felt the
ego test he took the steps out of order the next step is distillation this is where the purity is

(02:31:08):
increased purging everything negative so that enlightenment can happen this is where man becomes
God this is the spiritual apotheosis this is where Cooper becomes a master of time and space
able to change reality now if you recall in season three episode 18 there was something interesting
that happened Cooper who was trapped in the red room for 25 years arguably pacing up and down

(02:31:34):
the same hallway going into variations of the same rooms in this episode according to his own will
very ritual magic he waves his hand in a magician's hand gesture which causes the
red room curtains to open up and he is able to leave on his own will and he enters back into glass

(02:31:55):
and very growth something changed throughout all that time it was the alchemical process
after being led down the same sequence of events we saw the beginning of season three right
remember he at the beginning of season three in the end of season three it's a symmetrical bookmark
almost same test he saw Leeland we're told him to find Laura he talked about the evolution of the

(02:32:20):
arm met him again Laura screams and ascends again but this time he's the master of time and space
or so he thinks then finally you've got the coagulation this is where the body spirit and soul
find perfect balance the body is made spiritual the spirit is made corporeal creating a new incarnation

(02:32:43):
surviving in all realms this is the final stage this is the phoenix and this is what Cooper wanted
right he wanted to become like briggs a spirit floating through the ether
philip jeffries living in the percolator this is the endgame for the occultist
re-spiritualizing matter and having us become one with the internet digital consciousness

(02:33:07):
Cooper failed though he wasn't fully prepared and this is actually warned about by folks like
alistar crowley which is where i think mark frost got this idea from crowley warned that trying to
cross the abyss without fully destroying one's ego is a dangerous endeavor so moving on another

(02:33:28):
main theme if you want a much this is a much deeper much more in depth answer on what twin peaks
is about i would also argue that not only is it telling us Laura is the goddess in this
passion play of the universe Cooper is going on an alchemical journey which he failed
but it's also about reconciling opposing forces to end the world

(02:33:52):
it's twin peaks is an eschataric tale and i i believe at this point in my analysis that the white
lodge is lost it's a dark ending now the show is similar to i's white show we talked about earlier

(02:34:12):
exploring themes of sex and death Freud's theories had there was two primal drives aerosynthenitose
sex and death we talked about it already now recall season one episode three when
ben horn walks into the inner chamber of one i jacks to sleep with the new female worker

(02:34:37):
he's a you know freshly sent it from the perfume counter remember that
well when he goes in you will see he goes to the back with the with the new uh worker and you see the
red curtains that he walks through to get back there and then these are just as prominent as the
ones you find in the red room or the waiting room and it's almost as if they're showing us the

(02:35:02):
penetration of the feminine which maybe that's what Dale Cooper is seeking in the red room he's
seeking that divine feminine as king Arthur and you'll recall the only time at the final season two
red room sequence that he talks is when he's talking to the women Caroline Annie and Laura

(02:35:24):
and Cooper being king Arthur seeking out the divine feminine because he's working on these opposing
polarities let me explain somewhat um very wild i interviewed her and she talked about
sigma Freud's 1920 book beyond the pleasure principle and it says that there's a tension between
aerosynthenitose that can result in good things it's described as a DNA helix

(02:35:50):
and this is where she also said that Cooper and Lynch were spiritual brothers of sorts right
and that's what i think that uh one major theme is the sex magic idea and i talked about this many
times in the past uh season one episode four if you recall Cooper's interrogating dr. Jacobi with
the map of Tibet behind him Cooper asked if Laura was seeing him because of cocaine addiction or

(02:36:15):
problems of a sexual nature Jacobi says that the problems of our entire society are of a sexual
nature now this is possibly a reference to the underlying struggle happening within Twin Peaks
and if you look at the story from that perspective you could argue dr. Jacobi is pointing towards that
clue and you know when you read the secret history that dr. Jacobi with his red and blue

(02:36:43):
glasses is about shifting consciousness awareness like he was kind of the most
sort of uh oh juganola wokes or there was
but you know sex magic appears in many occult processes because it's believed to be the gay way to
these deeper unconscious processes functioning below conscious thought and

(02:37:05):
sex magic and sex is believed to be the underlying force of all of the occult practices in western
esotericism which includes ritual magic and alchemy and it's about these opposing forces
much like we talked about narcissism it's in cabala it's in tantra with the shakti and shiva locked in union

(02:37:26):
and you know dr. Jacobi said his interest lie in the east as well and there's also a sexual
plierty in terms of the atomic bomb testing because the Trinity site atomic bomb was named
gadget and it was using nuclear fission which is the breaking apart of the male and female

(02:37:46):
perfected pairs that make up primordial matter it was kind of an alchemy breakdown as well
um you know in occult terms it's about splitting the cabalistic spark of creation or the moan ad
which want to be nerdy about it and we talked about the oraboros the symbol that could be
connected into the reconciliation of opposing forces recall and season three episode 18 Philip

(02:38:11):
Jeffries in the percolator gives Cooper the owl symbol on the ring and it rearranges into the
eight and the oraboros as we described earlier also note that bob b-o-b could be an anagram 808
in a way but James Shelby Downer wrote i'm going to read you a passage from apocalypse culture

(02:38:33):
one of his essays and it says alchemy synergizes concepts of the ancient Egyptian religion along with
Jewish and Jewish oriented christian mysticism that's kabbalah the king killing aspect of this rigour
moral is symbolized by a serpent crucified on a towel cross the serpent representing the cosmic
male female union the unified masculine and feminine powers and contention is symbolized by a

(02:38:58):
two headed androgyne their separation is affected by the death of the towel cross serpent
some have identified the snake as the cosmic reptile known as oraboros which was given to
putting its talon smouth in the way its folklore descendants called hoop snakes supposedly do
so there we are the crucified serpent symbolizes the king and the alchemical killing of the king

(02:39:24):
right now side note since we discuss the idea that cooper is king Arthur and cooper
possibly dies at the end of season three episode 18 along with everyone this would be the killing
of the king ritual which was intended to maintain cosmic balance and the idea was that it would

(02:39:49):
renew the land as a sacrifice to appease the gods and where the gods be the fireman so perhaps this
is why cooper is so apprehensive after waking up in odesite texas he knew on some level this was
it for him he had to be sacrificed to maintain cosmic balance was it a success i mean i don't

(02:40:12):
know i don't think so it doesn't seem like a happy ending so cooper and Laura combined as an
opposing polarity could be the process used to save the world or maybe create a new one
and to me there's clearly a link to between these two characters right between cooper and Laura

(02:40:36):
they experience each other in the red room they experience each other in a dream world
and fire walk on the lord dies somehow del cooper greeter even though they've never met
del cooper has all these visions about her before he even knows she's exists
and the connection continues as she seemingly guides him on his journey throughout season three

(02:40:58):
whispering in his ear kissing him and when these two come back together in odesia
they make their final journey into two in peaks and that's where things go haywire
so perhaps Laura being the all-knowing goddess is guiding cooper on his hero's journey
for the alchemical killing of the king to satisfy the higher purpose of maintaining cosmic balance

(02:41:23):
uh cosmic balance she was created by the fireman the god to combat bombs manifestation on earth
and i think that's why there's so many references to the pale horse in the whole series surrounding
the paulmers right you know part 18 we see the white horse that carries home they make a point to show us

(02:41:50):
that throughout season one season two you see the white horse in the living room season three
the white horses in the red room and it's pointing at attempts to bring about an apocalypse or the end times
now let's we're gonna talk a bit more about judy judy aka judy aka jowdy aka jowde
to bring it back to the wizards of odds judy could be a reference to judy garland of course because

(02:42:16):
you know in fact if you watch the lynch oz documentary he talks about her life
being a duality of good and bad because it is the um highest
it's the highest high and the lowest lows what he says and sort of opposing polarities right because

(02:42:41):
she had such high highs and low lows and we saw in season one a sketch of dorthy in the sheriff's
department and in season two episode one leeland sings a rendition of get happy getting ready for the
judgment day that's a judy garland song another weird synchronicity fun little side note
one of the many times i watched fire walk with me i needed a palette cleanser as one does so i i

(02:43:06):
i was on the hbo app which is where i watched the movie and i was just kind of scrolling through like
okay let's let's put something else on and they had looney tunes i was like oh i loved looney tunes
as a kid so i put on the first episode ever season one episode one of looney tunes and guess what
the opening credits were

(02:43:47):
get ready for the judgment day very strange now in the pilot oh wait i got another oz reference in season
two episode 21 brigs is escaping the woods and he's shaking off the drugs hawk season
takes him back to the sheriff's department Cooper asks brigs about what happened and he's rambling
on about judy garland and also i mean judy garland and garland brigs another similarity and we already

(02:44:16):
know that judy is Sarah Palmer's middle name and we know there's red hills i mean it goes on and on
so the pilot if you recall Cooper reads lore's diary trumnant confiscated her from her room and he
reads the last entry she did about how she had a sparigus for dinner and how much she didn't like it
and she says she's nervous about meeting jay tonight and they go through this whole thing about

(02:44:38):
you know trying to figure who jay is well is the jay judy i mean is it that
on the nose it doesn't really fit into a whole lot but it seems odd given the the immense weight
that the character judy has on the story and it makes more sense that it's james because that's who she

(02:44:58):
actually meets but i don't know it's very strange in season one episode two we we have the iconic
rock throwing scene using the Tibetan to bet and to bet method where Cooper is throwing the rocks
to determine who jay is if you recall and i don't know if i corrected this yet but back when i did
that episode review i talked about how it's 60 feet six inches away and i postulated that in kabbala

(02:45:19):
that's the number of cleapoth 66 but apparently it's the actual distance from a pitcher's mound
to the plate because frost was really into baseball which ironically also alistair
crowley was as well right he wrote a whole article that baseball in vanity fair baseball had a

(02:45:42):
thesophical background so i don't know that it fully rolls out that theory but it's interesting
another point i want to bring up is in the open and season one episode four in the funeral scene
Sarah judy says to lealand bob don't ruin this too when he's like ruining the funeral he's crying

(02:46:06):
and all that stuff right when he jumps on the casket what does this mean is it referring to
how because we know now lealand bob killed Laura and fire walk with me how would Sarah know
like why would she say don't ruin this too is it because she knew that lealand bob already killed

(02:46:28):
Sarah like she was part of the event she was the evil forces overseeing all that
because in fire walk with me you remember he said something like don't make me do this when he killed her
and one of the overarching theories is that they were supposed to siphon garment bogie from this

(02:46:48):
from Laura Palmer and he kind of i don't know got a little too into it and killed her
so that would make sense that that Sarah judy says don't ruin this too
and if you recall in our Kenneth grant episode i described from his writings about he said women are
particularly useful as vehicles for superhuman influence so Sarah is an ideal host for judy

(02:47:12):
and you already know that Sarah and Laura had these empathetic connections throughout the show
and listen to what Kenneth Grant said i want to reread this is comprehensible only if a woman
is regarded as a goddess or as the vehicle of a goddess as it is enjoined that she should be
during the tantric rights this surely is a very high form of asceticism it means that woman

(02:47:37):
is to be envisaged as a vehicle of divine or superhuman influence and if as suggested in night
shade of eden another book of his the sexual energies can be invoked to activate the
zone of deoth yesaad the key zone which gives access to the other side of the tree of life

(02:47:59):
so there's some what i'm trying to get at is that there's some deep uh judy female superhuman
influences of the divine ideal ideal vehicles okay also we're calling season three episode 18
Gordon Cole he's toasting to the FBI he's we heard Cole explain to the rest of the blueros task force

(02:48:20):
on major breaks told Cole Cole and Cooper about the entity discovered an extreme negative force by
the name of jowde in olden times which turned into judy and they had a plan to find judy but then
something happened to break the Cooper right now here's the fatal error Cole violated the rules he
talked about judy something jeffrey said we shouldn't do and recall the fireman said it cannot be

(02:48:44):
said allowed now in season three episode one something magical perhaps in the name because
of power names and and the spoken word and recall we talked about uh had one on one one ayala on
this podcast he found an interesting citation in the jundy and ever kill magical manuscripts

(02:49:05):
that they wrote down the names backwards d and kelly wrote down the names backwards in fear of
manifesting accidentally these guardian elementals and it's interesting because we heard multiple
references to sarah saying Laura throughout the show and it's the last word you hear before the
show ends before the world ends and it's almost like sarah can magically control Laura through her name

(02:49:28):
it's a very magical context so Cole saying the name judy out loud might include her in the
what was happening which is why sarah is seen smashing the photo of Laura Palmer frantically and she
also was no longer at the Palmer residence at the end of season three episode 18 she was hiding
out somewhere she got the upper hand she taunts Laura or magically controls her at the end by saying

(02:49:52):
her name you know final scream that's it it's a wrap and to be honest the final dossier he spells it
all out sarah judith no back Palmer is judy judy that being the samaritan demon feeding off the
suffering and this is where we start getting into more deeper demonic occult talk there's the male

(02:50:15):
and female demons in samaritan mythology right and yet female demon judy and the male consort ball
similar to malloc sacrifice and kids all that stuff so if ball and judy the belief is that if ball
and judy merged together in marriage that's the royal marriage of alchemy the sex magic it's the end

(02:50:40):
of the world right they talk about this in the gospel of philip the naghamadi the sacred mystery the
marriage sacrament the nub shul chamber man and woman embrace and spiritual unity is what they say
but it's about sex sexy time and it symbolizes as upright in vera triangles just like the symbols you

(02:51:02):
see in the black lodge or the al cave so the fireman wants to prevent judy and ball from merging to
together having sexy time so he creates a Laura as the guiding goddess to get dail cooper to partake
in the killing of the king ritual to maintain cosmic balance and prevent the sex magic of judy and ball
so did this mission fail when col said judy's name and she somehow was able to dodge this attempt

(02:51:29):
and turn it around on them and in fact maybe that's maybe that's where um judy was she wasn't
she didn't answer the door alistair mon answer the door where's judy's she's making sexy time with
bob and that's it it's over um now we're gonna get deeper into some nerd talk here uh so bear with

(02:51:53):
me and we're gonna we're gonna we're gonna wrap up here real soon recall in the season two wrap-up show
we talked about alistair crowley in the vision in the voice a book where he detailed his experience
crossing the abyss something i suggest cooper was trying to do because he said that abyss has no
duality and he did um he didn't set the abbey of thalemin in italy which they argued opened up a

(02:52:20):
UFO portal in the thirties by the way but listen to this summary of the vision in the voice book
that i read says the vision in the voice emphasizes the importance of embracing both light and darkness
on the spiritual path crowley recognizes that true enlightenment cannot be attained by suppressing
or denying certain aspects of one's being steady advocates for the integration and acceptance of

(02:52:46):
all aspects of the self including the shadow that's mr. c okay and and you know the shadow mr. c
because he's like a very uh like aggressive sexually with these women and like cooper was a nice guy
that's like kind of the under that's the dark cooper right crowley delves into his own personal struggles

(02:53:08):
and confrontations with his shadow self describes how these experiences ultimately led to his own
spiritual growth and evolution by embracing and integrating his darker aspects he was able to gain a
more complete understanding of himself and the cosmos in this exploration of the inner and out
of realms crowley also touches on the concepts of time and space he challenges conventional notions

(02:53:31):
of linear time and emphasizes the multi-dimensional nature of existence now if you're not hearing key
words we're gonna come we're i'm gonna explain it but we talked about space time earlier how important
that is in the show and um remember the evolution of the army says non-existent

(02:53:52):
throughout crowley's visions and experiences he's he suggests that there are infinite parallel
realities in states of being that exists simultaneously by expanding our under by expanding our
understanding of time and space we can tap into these other dimensions again a broader perspective
on the nature of reality furthermore crowley delves into the concepts of duality and the merging of

(02:54:15):
opposites he explores the interplay between masculine and feminine energies highlighting the
importance of balance and integration and spiritual development in his visions he encounters various
divine beings that embody these opposing forces such as the goddess Babylon and the god coronzo
so all of that seems to be elements of what we see we we have these roles of timelines we have

(02:54:46):
parallel realities states of being unionizing opposing polarities kupa absorbing the shadow of
mr. c it could all right be there right there you know and crowley also wrote that novel called
moon child which is very similar to season three you know it's about this magical battle between

(02:55:07):
magicians from the white and black launches using a girl getting inhabited by an entity that's
serabine inhabited by jutey in order to create a moon child that would be Laura to restore balance
and fight darkness now and jack parsons attempted that in reality called the battle on working and

(02:55:28):
crowley said that those atomic trinity bomb tests would lead to something important now let's go
back to james shelby downer let's shift gears a little bit we you know and you saw it in season
one kupa says who really killed jfk and that's a big clue into this i believe the synchromisticism

(02:55:49):
of james shelby downer because in king kill 33 there's mention of king Arthur there's mention of
ball right that's the counterpoint to jutey i'm going to read you from king kill 33 he says the magic
and mystery of words the bill on nomatology is rendered thus l bell ball bill bill bill

(02:56:11):
l is said to be one of the Hebrew names of god signifying the mighty one it is the root of many
other divine names and therefore many of the sacred names of free masonry approximately one mile from
lindis fern the holy island or the holy house is a barren place known as bill lindis fern is
associated with herodome and the legends of king Arthur the roundtable merlin and other camelot

(02:56:35):
stories as well as the scottish black watch now downer talks about magic and i'm assuming he's
referring to as black magic or evil the way he talks right and we we went deep into this already so
we're not going to go too deep into this again but the journey to death the hornata del muerto

(02:56:58):
this is the symbolic killing of the king the long road of alchemy and it's it's where the atomic
bomb was set off we know that there's alchemical processes and we know the kupa was well i'm
posh in the kupa was going on an alchemical journey now let's tie this into there's a researcher

(02:57:21):
named tracy twymand she passed away several years ago but she was deep into the world of the esoteric
she wrote a book called clock shavings and in it she talks about deep occult philosophies that include
the end of the world and if you read it she has these discussions with these demonic entities baffa

(02:57:42):
met king and looser for and i believe i believe what she wrote i believe she was really performing
these things for a variety of reasons people i know in the in the industry i guess confirmed it
yeah she was really into some trying researching some heavy duty stuff and i think it's all part of

(02:58:02):
the twin peak story all right she said in clockshave she says um no no no no no no no i see in all of
the scriptures myths legends fairy tales and esoteric literature that i have examined on this topic
a schema of the universe that involves a black cube beneath a white cube which both at the end

(02:58:24):
of times come together in some way in the midst of the white cube god's throne sits
i mean that's clearly a reference to the white lodge and the black lodge fireman being on the white cube
and in chapter 13 she reveals a dark plan of this secret society she had become involved with the

(02:58:44):
auto lapse of exilus which means the stone that fell from heaven referring to the jol of looser first
crown the matrea it goes deep but let's keep moving it's a symbol for the occult enlightenment basically
arguably you could argue that this is the jade jule in the ring of twin peaks

(02:59:06):
right because the stone from looser first crown was believed to be an emerald as well
anyway she says the plan for the auto lapse of exilus group is to usher in the supposed new
antichrist of the world through rituals as per baffin met's information it was to have a tithing
sacrifice and i'm not gonna say this person's name because i've heard to be careful about some of

(02:59:30):
these things but there's a person that she names in clock shavings a tithing sacrifice of this person
that would allow the spirit of canabaphimette to possess and rule the earth it required opening
gates of hades she realized it would open two dimensions and distort all of space time
obviously opening dimensions starting space time part of twin peaks right she goes very deep in the

(02:59:57):
book into the esoteric theories about the origins of enoc and can and metatron and she makes this
curious statement about can and these demons in hell one out and they want us to open up the gates
ritualistically in the end times and allow them back out which will also allow the heavens to open
up so the white cube of heaven will descend while the black cube of hell us ends they will co-mingle

(03:00:23):
for a period of time which is the the alchemical marriage right and this is connected to the symbolism
of the chess board that's the Moses pavement the black white checkered floor arguably the flooring
of twin peaks red room in a way but it's about the reconciliation of opposing forces this is the
ultimate chemical wedding the abyss will rise right dissolving reality into pure chaos

(03:00:49):
now during this section she says something interesting i tie into mandelo effect and the nine
inch nails she says it goes without saying as our time space dimension merges with those that are
outside of time our perception of time will stop this is why modern satanists refer to the

(03:01:11):
concept of year zero it is not really anosatanas the year the church of saint was created in 1966
is the future final hour that has yet to come and the nine inch nails had an album called year zero
strangely enough and remember the final words del cooper speaks in all of twin peaks

(03:01:35):
what year is this there's an issue with space time i'm going to sum up tracy's message
with the passage from her book she says the grail in the view of these secret societies seem to
symbolize the primordial a call power which was said to result from the union of opposite energies
particularly those of good and evil male and female fire and water and of course you know fire

(03:02:02):
walk with me i keep going back to that it's the feminine looking for the masculine jute looking for
ball to bring about the end of the world and finally we're going to go into this i mean again this is
like phd level discussion at least for me on the occult so i hope i'm interpreting this correctly
i could be wrong a little bit just depends on who you ask this is going very deep you're going to

(03:02:27):
bear with me for just a few minutes then we're going to zoom back out we're wrapping it up and we're
all going home and we're going to rewatch twin peaks okay let's revisit can't the grants
outside the circles of time there's a chapter called the initiation of a osc a osc and he talks
about finding inner peace and he talks about the keys to the occult power quote only by refining

(03:02:48):
the gross into the subtle the world of the object in the world of the subject the wake world into
the dream world only thus can we found the key to occult power it may be found only in total silence
when the mind has ceased thinking when the mouth has ceased speaking when the eye has ceased projecting
images only then can the formula of dream control lead to total awakening from the delusion of living

(03:03:16):
this is Dale Cooper in the red room silently unlocking the occult power keys right he's going
back and forth between the dream world and the wake world through the guidance of Laura Palmer
now these three keys to occult power are represented by one thought which is the refinement of the

(03:03:38):
waking state two dreaming which occurs in the subtlety of sleep three by the cessation of both one and
two in which absence their shines forth the silence of pure consciousness liberated from the thralled
them of waking and dreaming this is all a del Cooper is going through when we hear about the dreamer
idea the dreamer who dreams it's what this all is kind of crant says it is therefore necessary to

(03:04:04):
become habituated to the idea to live perpetually with the idea that the whole of an individual's life
all that can be remembered of it has been composed by the individual as a play is composed by a play
right and this explains all of season three it's all a play Cooper is getting cues to wake up these
are the synchronicities from the fireman god waking him up it's a fabrication and in fact that's

(03:04:33):
what they call it in the book says it's a lila a mask or dance in which the individual is the soul
actor and even this actor is but a figure in the play he is not real no object can be real there is
absolutely no thing at all no thing is new eat and she is no thing precisely in this particular
sense of a play of power the shock tea evolving an endless drama of light and shadow that appears

(03:04:59):
to enify a subject and object but objectivity objectivity is a dream for there is no subject no
dreamer there is but a dreaming it is only when this truth is profoundly aperceived that the dreaming
is resolved into its source which is the bendu known as hadit at the heart of new eat i thought

(03:05:20):
do we were home phd level i'm not going to lie to you and tell you i understand all that
i'm going to try to elaborate on it though because there's something there is this the resolution
of the whole show the dreamer who dreams doesn't exist since no thing exists this is very transcendental

(03:05:40):
meditation unified field right this is very play those cave remember the evolution of the arm says
non-existence Cooper thinks he's dreaming recall he failed the ego test because he's still
identifying with himself as the subject but the truth is there is no Dale Cooper there is no coffee

(03:06:02):
there is but dreaming and when he realizes this the dreaming is resolved into the source
so Cooper fails a second time to stop identifying with the ego because he gets back he gets his
second chance he gets brought back into consciousness and he foolishly says i am the FBI

(03:06:27):
we all celebrate but this is him failing yet again so he goes to save the day
but it ends up collapsing in on itself at the end that's why he's horrified in the final credits when
Laura whispers into his ear he failed he can't believe it so one last deep esoteric thing let's unpack that

(03:06:59):
statement that Kenneth Grant makes it is only when this truth is profoundly aperceived that the
dreaming is resolved into its source which is the bendu known as Hadid at the heart of new eat
what are these terms bendu in Hindu metaphysics it's the point at which creation begins
or the sacred symbol of the cosmos in its unmanifested state so it's very much like origin big banged

(03:07:27):
stuff in tantra it's the point at the back of the head where the bra means grow the they grow like
a single toughs of hair and this point is between two shock resets represented by a crescent moon
with a white drop and it represents the manifestations of creations such as consciousness again point of
consciousness the creation the origin of everything and to the bendu chakra sounds a lot like del cooper

(03:07:54):
with his pie and coffee hang in there says this chakra benefits eyesight quiet the emotions
and promotes inner harmony clarity and balance with the help of this chakra we are capable of
controlling hunger and thirst and gain the ability to overcome unhealthy eating habits

(03:08:15):
crazy huh i mean it's a cherry pie that'll kill you
the bendu chakra i should also point out is purple like the mob zone through it throughout
del cooper's journey here okay so that's the bendu now the hadith this is a thalama god this is the

(03:08:36):
speaker in the second chapter of the book of the law haadith identify himself as the point in
the center of the circle so bindu is the same point so hadith is basically a bindu a particular bindu
and then you have new eat again thalama goddess speaker of the first chapter of the book of law she's
based off of the Egyptian sky goddess newt a naked woman covered in stars and new eat is

(03:09:02):
symbolized by a sphere whose circumference is nowhere and whose center is everywhere
haadith is the infinitely small point at the center of the sphere of new eat
new eat and haadith constructed as gendered opposites in ritual literature and their divine
functions and attributes are linked to their sex so in conclusion let's wrap all of this up my

(03:09:29):
goodness it is only when this truth is profoundly aperceived that the dreaming is resolved into
its source which is the bendu known as haadith at the heart of new eat right the gendered opposites
means when this truth the truth that there is no subject or dream or only dreaming which i interpret

(03:09:52):
as full ego death is comprehended and it's resolved into its source this source is haadith the
bendu point where creation begins this is the sacred symbol of the cosmos in its unmanifestive say
what does this mean tell me Isaac tell me i hope i know i don't know what does it mean does it mean

(03:10:13):
the world collapses in on itself and restarts is that what happens at the end of season three
because a few paragraphs later in kind of grants book he describes a dream of a cave sigil sound
like the al cave to me aeosic and he says that crowley's work was to create the breakup of civilization

(03:10:36):
so that humanity can take the next step towards the full realization of the one self the reality of
no thing and he says the formula of shaytan misnamed satan the devil is the means of its
accomplishment which he equates that cave symbol to shaytan so the symbol of the black lodge in

(03:10:56):
the al cave is the satan the devil is the means with which to re because in kabbalah and stuff there's
this site in non-sticism there's this idea of spiritualizing matter and then turning matter back to
spirit i think that's what this is about it's about taking all of this material world back to no

(03:11:20):
thing and just being one sea of consciousness so in my final final takeaway i'll let you go after
three hours of yammering at you this is just my interpretation this is just my vision this is
just my dream i am the dream of her dreams this is my feeling about the show this is my interpretation

(03:11:43):
because solving the entire twin peaks mystery is i mean turns out to be impossible in a way
or maybe i'm not fully initiated enough to understand it i certainly didn't put every single
piece of the puzzle together i thought i could maybe when i started this journey no chance no chance

(03:12:04):
that's what makes this pretty amazing you know i i wanted the effort to stay strictly to occult symbolism
because that's my sort of forte and that's what i did and i mean this was a lot of hours of research
this was a lot i realized at some point i don't even want to solve it i don't want to solve the mystery

(03:12:28):
because the mystery is what keeps us coming back and staying on the samsara the donut circle
but i am happy to be able to provide some occult basis some dna baked into this whole thing
we were really successful that's clear to me the twin peaks had elements of a lot of synchromycesism
and occult esoteric guides throughout the whole show i mean we went through so many different

(03:12:53):
facets and ideas connected into the realm of the occult
it's it's amazing so in a way i think the gray lodge series the 55 episode gray lodge series
is a guide map for expanding and understanding the strange twin peaks world from the world of the
esoteric how these two are sort of mapped together putting nozzlesism theosophy kabala and thalema

(03:13:19):
and ritual magic and a blender and exploding onto the screen
and what i want to leave you with is um some quotes from the people that made this because that's who
you need to ask right mark frost said the idea for the last episode came in very late the natural

(03:13:43):
rounding off point would have been cooper braving and you might even say tempting fate and trying to go
back and erase the original sin of the death of lora sounds very much like what i'm talking about
right got a stuff and then you realize there's a certain amount of hubris involved in an act like that
which again supports the idea of presenting that cooper failed but when you add in that theme

(03:14:05):
that was so important to the Greeks hey buddy don't presume that you can mess in the gods play
around you are tempting fate there are untold consequences that attend every act of hubris
and that's where we end up with our ending i don't want to take you by the hand
i don't want to take you by the hand here and lead you to what that meant here's the point to take away

(03:14:27):
from it the actions that cooper takes have consequences and they're unforeseen and unanticipated
and they open an adored to all other sorts of strange or perhaps enigmatic things taking place
on whether the finale has a happy ending completely opposite or something in between
frost said something in between like life

(03:14:50):
then talked to david lich says for me it's very precious that everyone has their own feeling their own dream
about what happened she doing the lynch voice i don't really want to damage that it's really beautiful
maharishi often said the world is as you are the world is what it is like a film is what it is

(03:15:12):
every picture is the same but everyone perceives it in their own way the world is as you are there's
nothing more beautiful than mystery i think you make people unhappy by solving all the mysteries
one mystery solved you forget it and move on to the next one an unsolved mystery is frustrating but

(03:15:32):
it's like a gift it gives birth to ideas it makes you think dream and to put a bow on it i think
explaining what twin peaks is to someone is impossible i don't think you can do it i think that's
why we all struggle to explain it you know you get these fascinations with twin peaks people like

(03:15:53):
what is twin peaks and you're like i've watched it 25 times i don't know i mean why is that
if you ask me what the matrix is i'll be like yeah and that's a really complex movie too but i could
explain to you what it is but twin peaks the more the most accurate explanation if someone asks you
what is twin peaks is it's a rorschach test it is truly art in that we experience it it means different

(03:16:24):
things to different people it's what manifest in your dreams it's all of those lots of people
identify with lore palmer struggles of drug addiction and sexual abuse in her place as a woman in this
world and they're right some people see this pervasive occult meaning of magic and manifestation
and they're right some people see a soul proper true it's a subjective experience and the

(03:16:50):
interpretation will depend upon the viewer one main takeaway that i enjoy is the idea of the
dreamer who dreams and that is that there is an experience of consciousness we all experience in
this world and we kind of establish the filters of what we get out of this world and you could

(03:17:11):
be full of fear or you could be full of love you know and that's what the black lodge and white lodge are
this maya this illusory nature of reality can make us bogged down into the material
saturnian elements and we lose touch with the things that are most important in our lives
and twin peaks has this recurring message of attempting to wake us up from the slumber

(03:17:32):
and that's you know beautiful and the irony about all of this
twin peaks analysis i've done it's i don't think i've completed it i've presented a variety of
occult concepts that are evident in the story clearly but i keep needing to start over
and see how to elaborate on these and see what i missed and maybe what i got wrong

(03:17:56):
so i mean in an insane conclusion like i'm joining the Legion of the twin peaks fans restarting
the show over and over the wheel of samsara i mean it's amazing it really is
and the final takeaway isn't going to be for me i'm going to give it to you from our beloved and late

(03:18:17):
welcome to twin peaks my name is margaret plantarman i live in twin peaks
i am known as the log lady there is a story behind that
there are many stories in twin peaks some of them are sad some funny

(03:18:39):
summer stories of madness of violence summer ordinary yet they all have about them a sense of mystery
the mystery of life sometimes the mystery of death the mystery of the woods

(03:18:59):
the woods surrounding twin peaks to introduce this story let me just say it encompasses the all
it is beyond the fire though few would know that meaning it is a story of many but it begins with one

(03:19:22):
and i knew her the one leading to the many is laurel Palmer
laurel and that's it for me if you made it through 55 episodes of the twin peaks
gray lodge analysis i want to salute you and thank you your real one maybe you watched the whole

(03:19:45):
show maybe you'd never watched an episode you just listened which is even more amazing and
this show and this analysis has i mean it's insane to think something changes your life but it really does
it's fascinating i wish i wish i could give a definitive answer and move on with my life but

(03:20:11):
i don't think i can't i think i've got to rewatch the whole thing so thank you for listening thank you
for joining me on this journey and until next time stay positive
well let me tell you something brother i've told you that if you want to be like the holster

(03:20:32):
you've got to get your prayers training and vitamins be sure to take a lot of vitamins i mean a lot
of vitamins brother but now i got something else for you oh yeah you're listening to the free fee
which means two things listening to all those annoying commercials well i got a solution brother

(03:20:56):
you can support the podcast by signing up for one of the supporter feeds where you can get Isaac's
most popular books the dark path and Kubrick's code for free brother will also get bonus episodes
every month that the free feed losers never get to hear you've got a few options brother like
patreon.com slash illuminati watcher or the illuminati watcher.com VIP section dig it you can hit

(03:21:26):
the links in the show notes just code illuminati watcher.com hit the tab that says VIP read about the ways
you can unlock all the goods before it's too late yeah brother what you're gonna do when the illuminati
run wild on you

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