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August 25, 2025 • 25 mins
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Episode Transcript

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Speaker 1 (00:02):
A journey into the realm of the strange and jell abide.
I hope you will enjoy the chap that it.

Speaker 2 (00:10):
Will till you a little and kill you a little.

Speaker 1 (00:14):
So settle back, get a good grip on your nerve.
Where are we going? You'll find out when we get there.
And now the Molley Mystery the Good Evening.

Speaker 2 (00:52):
This is Jeffrey barn welcoming you to the Molay Mystery Theater,
the program that presents the best mystery and detective fiction.
The Night's Story by Joseph Roscoe features the return of
our Mystery Theatre's most popular comedy character, Kenny Angle, the
delightful little Broadway taut who has an angle for every situation,

(01:14):
will always land behind the eight ball, and Carl Eastman
will again play the title role in the Night's Story
Kenny Angles and the Queen of Diamonds. Kenny's troubles are
started by a play written by a seventeenth century French playwright,
jeh Rassine. I remember that name, Jean Racine, or only
Kenny Angles could get into hot water because of the

(01:35):
works of a man who died two and a half
centuries ago.

Speaker 1 (01:41):
And now for tonight's Moley mystery, Kenny Angles and the
Queen of diamonds?

Speaker 3 (01:56):
Such stay, shit happened to me? To me, Kenny, I
always know the right time I give me the two?
So why am I always landing behind the eight ball?

Speaker 1 (02:06):
You lappen?

Speaker 2 (02:06):
Huh?

Speaker 1 (02:07):
But's something to laugh. They're gonna chuck me up by Hamburger.

Speaker 3 (02:10):
You're here for hamburger, all right, only a couple of
days ago.

Speaker 1 (02:20):
Everything's normal.

Speaker 3 (02:21):
See keeping my nose clean this and not doing the
best they can with a scratch sheet went low. I'm
picked up at the racetrack from Rush the police headquarters
were Inspector Macy seizes me with the most amazing rama.

Speaker 1 (02:32):
Alright, anger yourself out of this, Kenny. Where is the
queen of diamonds? The queen of diamonds? Where is she?
Where is she? Who is she? Who is she? You
tell me tell me that too? Who and where is she?

Speaker 3 (02:45):
Oh my goodness, it's double talk. Who and where is
the queen of sheet of diamonds?

Speaker 1 (02:50):
Kenny Angle? I'm talking about diamonds and a gang of
international jewel thieves. You're mixed up with? He me. This
is like a dream, like a crazy looking glass. Inspector.

Speaker 3 (03:00):
Remember me, I am just a simple horse player. I
don't even know what you're talking about.

Speaker 1 (03:04):
Oh no, well, I'm talking about a jewel ring that
smuggled a million dollars in hot rocks out of the
country in the past year. Famous heirlooms that no fence
would touch with a ten foot pole, A ring headed
by a mysterious dame we long would try to lay
our hands on, called the Queen of diamonds.

Speaker 3 (03:20):
We believe you can tell us her identity. Me, my goodness,
that this like a double feature.

Speaker 1 (03:26):
Who was the Queen of diamonds? Kenny? You'd tell me,
I can use a put myself, Kenny, you were at
Mindy's last night at seven pm? Yeah, so what so
you just cooked your own goose. You coaborate the testimony
of another weirdy. I'm holding on suspicion cock eye Romanov,
cocked eye Romanov yees so confesses under oath that you

(03:47):
accosted him at Mindy's at seven o'clock last night and
promised that for a fee you could put him next
to a fortune, something real hot. Whereupon you whispered into
his ear the Queen of diamonds, the Queen Diamonds, the
Queen of Diamonds. I ain't go your way out of
that tenny oh in cherious? So that's what inspected?

Speaker 3 (04:07):
That was a horse running at Hiliah in the three
what along shot one hundred to one? Bed honest?

Speaker 1 (04:14):
Check it? Go ahead, get a racing for him. I
will corkscrew, don't worry. Wait will I tell this one?
And mister Fopfle, yeah, you better consult your syste lawyer
because even if I see it, I won't believe it.
And I still think you know more than you're willing
to tell. Get it a lot more. Now, now get
out of here. What are you think of that? Mister Popple?

(04:44):
That a hot one? Did you ever hear any tired?
I'm thinking yeah, but that's stricken dumb. But I'm absolutely
in the clearing. I don't know. Take a few off
my pads. So I wasn't a long shot named the
Queen of diamonds. You think inspect the mess? You'll let
it go with? That smells a new rash Trump, So
I've cut out my heart? What do I know about
your these? Mister Foffley? You mean this thing something? To

(05:07):
worry about it? What am I? You? Crook? Quiet? Get
locked yr me. It comes the hard way, Kenny told
me before I go out of my mind. Yeah, mister Fowl,
do you manage to get in the middle of everything?
How is it nothing never happens without you in the
wood pile? How is it I stay out of jail
of defending a client like you? But mister Foffle, I'm
in the clean and clear. Don't you realize the inspector

(05:27):
is convinced you're mixed up with the Queen of Diamonds gang.
So maybe they don't call you angles for nothing? Kenny,
I haven't sold your talent short, perhaps, mister foff Yeah. Anyhow,
he won't rest till he gets you behind pile. He'll
haunt you, have your tail, you make one false he
let go of my little pair. Well, what do you

(05:48):
advise me to do? Take cares? Develop them all? You
won't tell me, mister Foffle advised me, all right, get
out of my lap. Can you stay out of trouble
for twenty four hours? It's a crucial period, just twenty
four hours. Can't be sure how he alway from the angles?
Your known haunts lay off races, poor rooms, two headquarters,
go somewhere you can't get into trouble and phone me

(06:10):
every hour. Go to a library, maybe a lot, that's it?
What a brainstorm? A library? What can possibly happen to
you there? Yeah? Get culture? Go to the public library.

(06:35):
Huh hey, yeah? What's that book you're eating? Pow the
merchant of Thinness goodnesstery, I can go nuts and heal
like a morgue?

Speaker 4 (06:53):
Say bow, do you think I can get a racing
for him?

Speaker 5 (06:56):
Here?

Speaker 4 (06:58):
Do you think I can get him?

Speaker 1 (07:02):
This is the public lover, it's better with jail. I'm
gonna speak to that female would and maybe she's said
one at that? Yes? I oh say you're the librarian.

Speaker 4 (07:19):
Librarian?

Speaker 1 (07:20):
Yeah, and I've been wasting my time with horses? May
I help you? What do you got in mine? Now?

Speaker 4 (07:26):
Look here, I'm busy.

Speaker 1 (07:26):
What do you want? Okay? Okay, wouldn't just point out
my heart? What I want? Is it? Do you happen
to have a race?

Speaker 4 (07:34):
Racine?

Speaker 1 (07:36):
Yeah? A race racine? Racing? Since one done it?

Speaker 5 (07:44):
Donce o game, I have it for you here racing
all that race taked?

Speaker 1 (07:50):
This book? This book? What a form?

Speaker 4 (07:54):
Stop flirting? Dunce get going what ages nine to twelve
page sees.

Speaker 1 (08:00):
This is it I wanted, you know, the one that calls.

Speaker 5 (08:03):
All the plays on race yet the place of Rathine
in one volume. Hit the book and scram and don't
tippity go get your head knocked off, get to the airport.

Speaker 4 (08:12):
Quicker?

Speaker 1 (08:22):
Did you ever?

Speaker 3 (08:23):
I made a librarrian right away? She wants to dance.
I talk about racing. She makes with racin.

Speaker 1 (08:28):
I ask for racing form.

Speaker 3 (08:29):
She gives me a big fat book and tells me
to scram. So in the days I scram. Or just
as I stanger out of the library, I snap out
of it and I ask myself, one, is this why
am I in errant?

Speaker 1 (08:40):
Boy?

Speaker 3 (08:41):
She wants me to deliver this square fire is mustache,
and I'm just thinking to throw the book in the gutter.
When a voice accusts me out of nowhere. I said,
just a moment talking donce you two donce here in
the street.

Speaker 1 (08:59):
What is this a craze? Hey? Wait, ain't shoot a
mention in the finish the guy in the library there,
I was just he is not done shoot. I don't
think so him anyway, But in you the past word
seeing how find out can't put down that gun? Let's
have it quicks and you're a funny business.

Speaker 4 (09:15):
Hand it over.

Speaker 1 (09:15):
Oh my golly, what is this a stake up? Looking?
I'm smart? Hand over that book the police you read there?
See we are held up free, don't shoot him and
innocent by stand up a way. Let's make a break
for Come on, Oh mama, what did I fall into?

Speaker 3 (09:33):
Now get around the corner and I'm safe.

Speaker 1 (09:50):
Ro Why Kenny angles nches? My boy? Hey, way you're rushing,
don't stop you. Hey, wait a minute, No, it's after you.
We'll take your carry you huh am? I seeing things?
A book? A book? Oh, a book with a deep book? Hey,
what's the matter?

Speaker 3 (10:06):
No plenches, but there's something about it must be worth
a fortune a couple of months.

Speaker 1 (10:10):
We're just about to put me off of it. Are
you kidding? For this book? For this book? Let's see it? Yeah?
The pleas racing? Oh hossebook? Huh yeah right, only you
call it racing racing? Since when? Since that's the height
tall way to say it. Hey, Jenny, look some pages
stuck here? Yeah, three pages set of glued together from

(10:32):
nine to twelve? Yeah, n what's the matter?

Speaker 3 (10:37):
I don't know, but that damn in the library she
want me something about it, but I I don't remember what.
Such funny things she said, like she says, don't dip it,
don't tip it.

Speaker 1 (10:45):
I'll get my head knocked off, very mysterious. Some look,
I'm tipping it. So on.

Speaker 3 (10:50):
It's a funny girl, impulsive, you know right away she
wants to start dancing, dancing.

Speaker 1 (10:55):
My dann a library. You're in a library. But the
funniest thing plenches yeah them stick of guys? What am
I sore? Reading the mystery in the library? He wanted
to donce to with the librarian. No, with me out
on the street.

Speaker 3 (11:08):
Then the stoge makes with some strange remarster. I don't
know how to dodge at all, and no dods. That's
when they stick me up for this book. But then
the cops come shooting. We all take on a lambon
here I am.

Speaker 4 (11:18):
Hey, Kenny, you sure your head's wound up?

Speaker 1 (11:20):
Right? We begin to wonder, let's see that horse book again.
It's white mid Why No, it's diamonds. I can give
it here. You don't trust me your own pound? Look,
we'll both hold on to it. Okay, let's give it
to one. So what's this? Why it's a poem. It's

(11:40):
all poems. And what's that got to do with racing?
Very mysterious. Let's teat one maybe it'll give a clue.
Resh Man, where wouldst thou go? Beware thou do not
step beyond this spot. I don't get it, need it
to lie rash? Wait a minute, wait a million? Holy

(12:03):
well I see it now?

Speaker 4 (12:04):
Yes?

Speaker 1 (12:05):
What did I say that? Strange? Like? Very and warm me?
I get I had not talked not to tip it?
Lie fun, don't give away the tips. He won't read
this here faceline again, read it? Go on, rash Man,
don't you see it?

Speaker 3 (12:17):
Hows he one the angle? I'm a main man, a millionaire.
Anyone would come it writer by this book? It is
on racing, but it's a secret codes Who are fire winners?

Speaker 1 (12:26):
Lenses My life?

Speaker 3 (12:28):
Little Rashes Running in a six Santa Nita Today at
forty two.

Speaker 2 (12:32):
One, Kenny Angrels and Blinter's Malloy have gone to a

(13:03):
bookie joint to place a bet on a horse called
Little Rash. As our play resumes, Kenny is in a
pone booth calling his lawyer Alexander Poppo.

Speaker 3 (13:13):
Oh, Alexander, mister Popple this is Kenny a miracle.

Speaker 1 (13:17):
Just lend me girls you you crumb onum you I
told you to pon me regularly. Are the jam where
right in.

Speaker 3 (13:25):
The bard boat suffocate where the public library has sent me?

Speaker 1 (13:30):
What a lucky thing? Very what's a noise? Here's the
booky joint. They hurry Kenny fixture signed by the way
Brinces post the doll. Will you listen, mister Popple. I'm
gonna hurry. I called to say. Everything's hockey, see worry.
I'm gonna get fabulous. Oh wait, it all happened like
a dream for the book. I got it here in
the library reading it now I put them to the test.

(13:52):
Just wait, I gotta hang up now under nay, did
you know the libary surround it right now? On you place?
Looking for you for me?

Speaker 2 (14:00):
Oh you're a king of What are you doing there?

Speaker 1 (14:02):
What thegle? How could you did it a library? I'll
throw yourself. Mister Kenny, it's over the race and he
win it, little rash, little rash, What I tell you say, Kenny?
It is his sister and you will let me your tooose. Hey, Kenny,
h let me look at the book again. Give it
here deve you the book. Give him the book. That's

(14:25):
your hoble. I just want to look at it, want
to look at it for free. I got a formula
here to the land me report, Henny.

Speaker 3 (14:32):
You wouldn't hold out of a pal cout me in
on that book? You got ready cash finn? Okay for
five bucks? I'll tell you one page?

Speaker 1 (14:39):
One page? Okay? Sold?

Speaker 3 (14:43):
Hey, and that gives me another angle. I got a
nice fat book here, and I need a quick title.

Speaker 1 (14:48):
Hey, what are you tearing more around?

Speaker 3 (14:50):
Let's just straight away circulate amongst the boys and past
the news a finer page to one and all.

Speaker 1 (14:55):
Hey, hey for co I'm say give me that my loy?
Here you hollow with my buck? What's this my liy?
Come back here? You're quick? I want all alive. Flea
skinne with me? Who moves that behind me? What you're doing?

(15:20):
What's sticking in my back? A gun?

Speaker 6 (15:23):
Click the bank or march from the police. I will
save you you WHI Where are you taking me? The
name is dance? Here it all he dance as I
am taking you to. It's the Queen of diamonds. Also

(15:50):
we have arrived. Come on, you get in, mister dance
for guy's sakes. I tell you, hey, you guys, hike
my ribs.

Speaker 1 (15:58):
Now blind for old I shall remove from your eyes?
Allow me? What am I? What are you gonna do
with me?

Speaker 4 (16:05):
Listen?

Speaker 1 (16:06):
I swear this is some terrible mistake. What would the
Queen of diamonds want with me? Who is it's off? Here?
She is the clean of diamonds? Befo?

Speaker 2 (16:16):
Are you you.

Speaker 1 (16:20):
Impossible? May I help you? Sir? The librarian and without
the blinders? I said, love there Venice, very sleek, and
this guy's manual? You do gorilla stuck me up? And
that that that Daunce character? Oh man, what are you

(16:40):
doing in such company? In my book? I had you
down his soul?

Speaker 4 (16:44):
So where is that book?

Speaker 1 (16:48):
Quick? With the book? I don't know. Talk, we'll fix that.

Speaker 4 (16:53):
Who hired you for the hijacking job?

Speaker 1 (16:55):
The ruffle ganger? What? What job? What gang? What are
you talking about?

Speaker 4 (16:59):
Figure out?

Speaker 1 (17:00):
Squam?

Speaker 4 (17:01):
Thank you? What's your name?

Speaker 2 (17:05):
Little man?

Speaker 1 (17:06):
Kenny? Angles?

Speaker 4 (17:08):
Kenny? I have here a lighted cigarette.

Speaker 1 (17:12):
Watch it.

Speaker 4 (17:13):
It's coming slowly towards your nose.

Speaker 1 (17:18):
Now talk Where is that book? I don't know? Where
is that book? I'll tell you, I don't know. I
lost it. I forget.

Speaker 4 (17:24):
We're coming closer to.

Speaker 1 (17:27):
Where is that book? You had it when I trailed
you into that bookie choint? What did you do with that? Please?

Speaker 4 (17:33):
Where is it?

Speaker 1 (17:35):
Where is it? It will come to me in a minute. Hello, Sorry,
you're worrying. I go away to tips. You wrong? My
mother is green nose. Don't give away to tips my
mouth to seal up the little resh with right near
your nose. Now in my nose, don't he fainted? There's

(17:55):
three hundred thousand dollars worth of diamonds grew together on
the pages of that book. That know that. What's he
holding out for?

Speaker 4 (18:03):
What's he done with that book?

Speaker 1 (18:05):
Those diamonds, that's.

Speaker 4 (18:08):
What give us the diamonds. You scrammed to the other room,
boys and leave me alone with this jerk.

Speaker 1 (18:14):
I'll get result. Yes, my pet, my baby, there there one.

Speaker 4 (18:30):
Hush sure in my arms?

Speaker 1 (18:32):
Do you it's all right? Oh? The librarian? Hm M.
Keep doing what you're doing. This is your dream, this
is your dream.

Speaker 4 (18:45):
It's no dream.

Speaker 1 (18:48):
Hold me tired, the queen of diamonds, a librarian and host,
the queen of diamonds.

Speaker 4 (18:55):
My twin sisters.

Speaker 1 (18:56):
What happened? Sister? Whatever happens to twins.

Speaker 4 (18:59):
I don't know what that question speak to you.

Speaker 1 (19:02):
Do you know who I really am? Wait? It all
comes back like a myst right here in this room,
just now.

Speaker 4 (19:10):
You were torchy, justin Kenny. Please believe me. My life's
in danger.

Speaker 1 (19:15):
You must help me.

Speaker 4 (19:16):
I'm pretending to play their game.

Speaker 1 (19:18):
See.

Speaker 4 (19:19):
But they want that book, Kenny, and they want it bad.

Speaker 1 (19:22):
Oh the book. And as I lay subconscious, I heard
somebody mentioned diamonds. Did you read pages nine to twelve? Oh?
They were stuck. The diamonds are a stall.

Speaker 4 (19:30):
If you've read those pages, you know what they're playing for,
to know espionage. They're after our military secrets.

Speaker 5 (19:38):
Your military secret person, No, Wady, you're talking about this
blueprints hidden in that book?

Speaker 1 (19:43):
I gave you plans of our country's defense. Is the
book itself is from hunger? What I think? What hips?
Of course not all along I thought five.

Speaker 4 (19:55):
That's why the eye placed me here to expose them.

Speaker 1 (19:57):
And you will tell me. Oh gosh, during the next room.

Speaker 4 (20:03):
Oh, I'm so scared.

Speaker 1 (20:04):
Hold me closer.

Speaker 4 (20:06):
Do you like me better without my glasses?

Speaker 1 (20:09):
The shame happening to me.

Speaker 4 (20:10):
You've only got a minute to kiss me.

Speaker 1 (20:12):
Here, But oh m kid, I wake up, She'll be
gone like a mist Then why I wake up? What's
your name? Elston? Then host a queen of diamonds? My
twin sister? Then what happened at twin sisters? Whatever happens

(20:33):
the twin sister? Who are you?

Speaker 5 (20:34):
I barian?

Speaker 1 (20:35):
Oh? I didn't get it the first time.

Speaker 5 (20:37):
The mob only thinks I'm the queen of diamonds because
I'm identical see with my sister, and I get you.

Speaker 4 (20:42):
Don't kill me when they find out.

Speaker 1 (20:43):
I can't go wait till my duty. Don't get it.
That's why I have to move fast. That's why you
got to help me. Do you want to sure?

Speaker 5 (20:48):
To save your country?

Speaker 1 (20:49):
Sure? But how we got to catch these crooks red handed?

Speaker 4 (20:52):
We talk about that's why we've got to let them
get hold.

Speaker 5 (20:54):
Of that book so we can bull the wood and
calling me a fi Now.

Speaker 1 (20:57):
Where is it? Where is that book? You're sure ain't
a horses? Absolutely not? And how it counts a little
rare to get in by mistake? Somehow? Well are you Padria?
Are you with me? Think of the fund we.

Speaker 4 (21:10):
Could have together?

Speaker 1 (21:11):
What else are you? Darling?

Speaker 5 (21:15):
Well?

Speaker 1 (21:15):
Now, where is it? Where is it?

Speaker 3 (21:16):
Now, Lynch, what's that pile? He swipe it from me
at the bookie joint Binches.

Speaker 5 (21:20):
Mylonlin, mylon Now, Kenny, no matter what I say or do,
trust me.

Speaker 1 (21:27):
Trust you all right, boys, come on out, it's a plan.
How come on, we're all on.

Speaker 4 (21:34):
Our way over to see blintzs malloy.

Speaker 2 (21:50):
This is Jeffrey Burns again. In just a moment, we'll
bring you at three of Kenny Angles and the Queen
of diamonds.

Speaker 1 (22:09):
Come on, Blensis. What did you do with that book
you cut for me?

Speaker 3 (22:12):
What did you do with it?

Speaker 1 (22:13):
Who are these characters with you? Kenny? Have my mind?
What did you do with it? The book on racing?
The book on racing? I sold one hundred and twenty
two pages, and then then she Finnegan snatched.

Speaker 4 (22:23):
It from me.

Speaker 3 (22:23):
Oh come on now, which he wanted to go with
that book we lost to my friends. Here, turn you
to two, Kenny, I better done at pages. Business was
gone like hotcakes and cut though Grimes.

Speaker 1 (22:36):
Ran out with the book. So help me, Kenny. There
was only to cover and three pages left by the
time I fell into my hand.

Speaker 4 (22:46):
Ask your friend what three pages?

Speaker 1 (22:47):
Kenny? Such ma sister, I can't even read anyhow they
was pasted together? What did you do with those three pages?
Sold her for a dude? So who throw a myth piece?
I know my name Alexander Foffel. You sure this is

(23:08):
where Papa lived? Kenny? Sure? Uspert right here? A bit
of a ch or else?

Speaker 4 (23:13):
All right, boys, except for some fast word, the book
is ours.

Speaker 1 (23:17):
See ring the bell. You're all coming, all right, be president?
Won't you walk into my father? Said the spider to
the Queen of diamonds. You've got me, inspector, but can
you keep me? Queen of diamonds? Oh spur dry up,

(23:39):
funny brain. I thought you'd come for the diamonds queen,
But you see I had the same idea, so I
came one step ahead to welcome you with pages nine
to twelve. Pages nine, Oh well, split such purity? Poor
hello angles, I knew you'd lead us. See your boss, boss,

(24:00):
very clever queen getting a job in the public library.
She ain't identical? Shut up you you watch criminal me now?
Who would have thought the case a library for stolen jewels?
Inspector Macie, my golly, I hope you don't think that
I had anything thrown out of Angles. Kenny, Well, then
we rounded up the whole Queen of Diamonds gang.

Speaker 5 (24:21):
Take him away.

Speaker 1 (24:22):
Oh hey, wait, this is terrific. Where's my lawyer, where's
mister Popple? Take him away, throw him in the clay.

Speaker 3 (24:38):
So you're like my lawyer, mister Popple. So I'm telling you,
like he said, know something, saw your fault draw You
advised me to go drop the library to stay out
of trouble. My gosh, it shouldn't happen to a dog,
mister Popple.

Speaker 1 (24:50):
This time, I'm really on the spot.

Speaker 3 (24:51):
They're gonna chop me up for Hamberger, hit for Hamburger,
cry that do something. You don't see what you can
do for me? As you had the book inspector thought
you were involved too. And why are you my shellmate,
mister Foffle. Don't just sit there with your head in
your hands.

Speaker 1 (25:10):
Say something. Kenny Angles commit suicide. The original music for
the Vestry Theater is composed and conducted by Alexander Sandler.

(25:33):
Kenny Angles and the Queen of Diamonds was written by
Joseph Russkall and starred Carl Eastman. Elsebeth Eric and Ralph
Bell were featured in tonight's performance. Any similarity between the
names and characters used on this show and any actual person's,
living or dead, is purely coincidental.
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Dateline NBC

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Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Follow now to get the latest episodes of Dateline NBC completely free, or subscribe to Dateline Premium for ad-free listening and exclusive bonus content: DatelinePremium.com

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