Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:02):
Another journey into the rail of the straight and kill afy.
I hope you will enjoy the chap, that it will
thrill you a little and kill you a little. So
settle back, get a good grip on your nerve. Where
are we going? You'll find out when we get there.
Speaker 2 (00:46):
Flaky, someone at the doors for me.
Speaker 3 (00:49):
It is my Mary, twelve hours to go away. I
said we were going to the there tonight, and I meant.
Speaker 2 (00:54):
I believe we're going after we get there.
Speaker 4 (00:58):
That's my girls.
Speaker 5 (00:58):
Got that package for Boston Blackies. Valuable package. Funny valuable
you Boston black Uh huh Okay, sign here and you
get the package.
Speaker 4 (01:06):
All right, thing so valuable. Lose the problem.
Speaker 6 (01:09):
I can't say who it's from, and I don't know
what's in it.
Speaker 5 (01:11):
Only I got order to tell you something to don't
lose this package and what's in it, and get it
to the police as fast as you can get a
nimble up.
Speaker 4 (01:17):
On a thousand dollars and it'd be a trouble hold on.
Hey wait a minute, Oh.
Speaker 7 (01:22):
I'm not good things coming small packages, but trouble country
small packages too.
Speaker 4 (01:26):
This is something kind of a gag marriage.
Speaker 8 (01:28):
A valuable gag. You'recording to messengers.
Speaker 3 (01:32):
No, if this could be a frame up, I'm not
taking into the police until I see what it is.
Speaker 7 (01:37):
Well, if it's valuable, maybe defender wants to take me
to the police to say keeping.
Speaker 4 (01:41):
I wonder what's so valuable.
Speaker 8 (01:43):
Get a box of money, million dollars.
Speaker 4 (01:45):
Oh, jewelry, No, that's too light for that.
Speaker 3 (01:49):
The something wrapped cap leyen I might be priceless.
Speaker 8 (01:52):
Okay, here goes what wicky am I seeing?
Speaker 2 (02:00):
Somebody gave you a thousand dollars to take this to
the police.
Speaker 9 (02:03):
Yeah, and all it is a shoe, a warm and
battered old shoe.
Speaker 10 (02:17):
And now back to Dick Calmer as Boston Blackie. Enemy
to those who make him an enemy, friend to those
who have no friends.
Speaker 11 (02:30):
A lot, Blackie.
Speaker 12 (02:31):
It's fair enough when you clutter up my office with
a bunch of worthless things, including yourself, that you're going
to bring me an old shoe.
Speaker 3 (02:37):
Now, wait a minute, I bought this shoe was some
kind of a gag too, But I was paid one
thousand dollars to deliver it to you.
Speaker 4 (02:42):
So someone has a good reason for wanting you to
have it.
Speaker 11 (02:45):
Let him send a mate to it.
Speaker 12 (02:46):
Now, wear with an old shoe at wait a minute,
I just thought of something that Listen, Matthews, there was
a case about nine or ten years ago.
Speaker 11 (02:56):
That's still the case in calling a shoeprint. We never
found a shoe that.
Speaker 4 (02:59):
Might all right, I think you remember something about it.
Speaker 11 (03:02):
Inspect that we'll check the piles with him. Tell me
what kept it was?
Speaker 10 (03:05):
Yes, right away?
Speaker 11 (03:07):
Wow, like an already think.
Speaker 4 (03:08):
Of that wonderful Friday. If this is the shoe that
figures in.
Speaker 11 (03:10):
That case, sime, shoe made that print. We never found
the shoe.
Speaker 12 (03:13):
Why would anyone want to shoot rup the police unless
it was some kind of evidence in some case?
Speaker 4 (03:17):
Well, there might be other reasons.
Speaker 11 (03:18):
Why not that reason?
Speaker 4 (03:20):
I don't know. Seems just a little too simple that
this shoe is evidence in the murder case.
Speaker 11 (03:25):
You always want to make things complicated, don't you. Well
listen is one time?
Speaker 4 (03:30):
Yeah, yeah about that case?
Speaker 11 (03:33):
What was it?
Speaker 6 (03:34):
Could you find it? Yes?
Speaker 10 (03:36):
The only unsolved case we have involved in the shoe
Prince the Richards case.
Speaker 6 (03:39):
It was ten years ago.
Speaker 11 (03:41):
Thanks, Matthew's that well? I want to open I remember
the rest.
Speaker 13 (03:43):
Of the case.
Speaker 4 (03:44):
Yes, memories, Well he's short day, isn't thay?
Speaker 11 (03:47):
Yes, I know all about this.
Speaker 14 (03:48):
Now the person who sent the shoe to who knows
that it's evidence and doesn't want to be mixed up
in it, which is also the reason it was delivered
to you and not directly to me.
Speaker 11 (03:56):
We still have the plaster impression of that shoe.
Speaker 4 (03:58):
Well take the shoe and see if it matches. Brind Now,
by the way, who was the chief suspect in the
Richards murder?
Speaker 6 (04:03):
Don't tell me what to do.
Speaker 14 (04:06):
The chief sutspect was Eddie Meylee. He was a park
at that time, but he's an east Side big shot.
Speaker 4 (04:10):
Now, Eddie may.
Speaker 3 (04:13):
Well, while you have a little conference with your footprint expert,
I think I'll go down and have a little talk
with Eddie Maye.
Speaker 14 (04:25):
Mister Mellie, I heard over it joint that Mickey Elvis
is looking for you when I count of that diamond
robbery we.
Speaker 4 (04:30):
Pulled looking for me? Yeah, well he knows where to fine.
De White is dropped in because he knows we'll drop him.
I did, and I'm gonna takes you got money off.
Mister Mellie is bost black.
Speaker 11 (04:44):
So I see what the idea of coming through the
wind that Blackie.
Speaker 3 (04:47):
I wanted to get see you want some guy to
go on different idea.
Speaker 4 (04:51):
I didn't catch you when you're busy, Melee.
Speaker 14 (04:53):
I'm never too busy to see an old eneme blackie.
Speaker 3 (04:57):
You later, there's sure, mister mal I'm like, oh, thank you.
Speaker 4 (05:01):
We'll go to stand. That's up to you. I do
for you. Just remember a few things about the Richards.
Mercise maman the Richards.
Speaker 3 (05:10):
For ten years, the plaster impression of a footprint has
been waiting police headquarters for shoot.
Speaker 4 (05:14):
It would fit it. Well. We think that shoe turned
up this evening, and it might be your shoe.
Speaker 14 (05:21):
Don't look at me for instanding. I'm not the Cinderella
you want.
Speaker 3 (05:24):
Nearly you were never brought to trial in the Richard's case,
but you were Richard's only enemy.
Speaker 4 (05:29):
You don't know that that's my plaster impression.
Speaker 3 (05:32):
And if Paraday can prove that shoe belonged to you,
you'll go to trial.
Speaker 4 (05:36):
Let me say thanks for the warning. Belong may I'll
be seeing you. You'll be sorry to hear.
Speaker 6 (05:42):
The wind is open. Why don't you go out the
way you came in.
Speaker 3 (05:45):
If you're going out of this world the way you
came in, you're gotta be carried out.
Speaker 6 (05:55):
Yeah, mister Mallie, I'm black.
Speaker 4 (05:57):
He just left my office. You want us to must
him up as he can to the door.
Speaker 14 (06:01):
No, let him go, but send them down the Airlines's
office right away, and let me a ticket to Mexico
on the first to fly it out.
Speaker 8 (06:16):
In a lovely evening.
Speaker 2 (06:17):
Not going to the theater therey.
Speaker 3 (06:20):
I'm sorry, honestly, I promise you we'll see that play
tomorrow night.
Speaker 7 (06:24):
But sure, I'm sure we will un lest tomorrow and
I could get another priceless.
Speaker 3 (06:28):
Shoe in case of the priceless shoe is just about
open merry. If Paraday was table to trace its owner,
and if it fits a certain class.
Speaker 4 (06:35):
To impress him, I'm gonna run in and see him for.
Speaker 2 (06:38):
A minute to get the good news while wait in
the car.
Speaker 8 (06:40):
If you don't mind, Okay.
Speaker 4 (06:42):
Look at the time to go to a news reel theater.
If that's any consolation better than nothing, I'll be right back.
I'll use Parady's private entrant so I won't get tangled
up with the boys.
Speaker 3 (06:51):
But they don't whistle in any characters while I'm gone. Hello, Pardy, Wow, Blankie,
what do you know you didn't take it out of here? Wow,
And I know why too. You want to thank me
for helping you save the Richard's case.
Speaker 4 (07:10):
Yeah, so ten.
Speaker 3 (07:10):
Years para Richard's case. All right, Well, bat shoe put
the plaster impression, didn't you know?
Speaker 4 (07:16):
That's what?
Speaker 12 (07:17):
No, no, no, no, why you got shoe on? Only
didn't fit the impression of the print in the Richard's case.
But it's a style of shoe that wasn't made of
four years ago, and the print in the Richard's case
is ten years old, so that of blank, you're not laughing.
Speaker 11 (07:31):
That old shoe gave a pery a good swift kick, Parady.
Speaker 3 (07:34):
You have a right to be wrong, but I know
you want well wet to forget about the Richard's case.
Speaker 4 (07:39):
Something else. Somebody sent me that shoe for.
Speaker 3 (07:41):
A that positively brilliant logic, Blackly. I know that messenger
had split orders to deliver that shoe directly to me,
but it was told that he was carrying something banguful,
and I believe it too.
Speaker 11 (07:53):
Yeah, thank your old shoe and get out of here.
Speaker 3 (07:55):
And you're all right, Paraday, But I'll be back with
it man if I can find the listen to you
who brought it to me.
Speaker 4 (08:01):
I'll be back with proof that it's valuable to.
Speaker 6 (08:10):
Paper.
Speaker 4 (08:11):
Paper who buy a paper from the Norman?
Speaker 6 (08:14):
Oh MSUs Brown?
Speaker 13 (08:15):
Hey, you never.
Speaker 11 (08:17):
Failed to get a paper from me?
Speaker 5 (08:18):
Do you?
Speaker 6 (08:20):
Same is?
Speaker 10 (08:21):
It's been in mine, understand every night since you bought
my first paper?
Speaker 4 (08:25):
Yeah, here you are, how's mister Brown?
Speaker 2 (08:30):
Fine?
Speaker 13 (08:30):
Thank you?
Speaker 4 (08:32):
Good night, paper pap Ladies.
Speaker 12 (08:35):
Paper likes to change in a minute at cross hairs,
anywhere else but paper. Buy a paper pee, gentlemen, why
don't you get lost in this position?
Speaker 11 (08:45):
You got rod by a paper from the guy.
Speaker 4 (08:47):
Get lost for your grandpa this one by not buy paperney,
keep the change? Thank you, thank you very much.
Speaker 6 (08:54):
Paper.
Speaker 4 (08:55):
Hey, come on, bill lights change that's crossed?
Speaker 11 (08:57):
Come on will you?
Speaker 2 (08:58):
Hey?
Speaker 11 (09:00):
Holy Macro, what a disposition you've got?
Speaker 4 (09:02):
Do you inherit that in your old man? I inherited
nothing from him.
Speaker 11 (09:07):
I love he with an old man worth.
Speaker 4 (09:09):
I have a many of bucks and I haven't got
to die.
Speaker 11 (09:11):
We'll get the money soon, your lawyer, I can promise that.
So what do you care?
Speaker 6 (09:14):
Yeah?
Speaker 4 (09:15):
Because I want to know.
Speaker 11 (09:16):
I want to feel out my pocket.
Speaker 6 (09:17):
I want to spend it. I want to be rich.
Speaker 4 (09:19):
I was born to be rich Phield, and until I am,
I'm going to be miserable. I wonder if you won't
still be miserable after you get the old man's money.
Speaker 6 (09:34):
For Yes, Vicky, we have a messenger that description.
Speaker 4 (09:38):
Well, I like to see him, you say, getting.
Speaker 2 (09:41):
I hope he's the one.
Speaker 8 (09:42):
We've been almost every messenger service in town.
Speaker 4 (09:44):
We just unlocked. The guy who delivered that shoe wasn't
from a messenger service at all. This boy me, yes,
he is. I had quite hell. Then, what's your name is?
Harry Young?
Speaker 2 (10:01):
Well?
Speaker 11 (10:01):
Harry, yeah?
Speaker 4 (10:02):
Do you know what was in the package that you
delivered to me earlier this evening?
Speaker 2 (10:05):
No?
Speaker 11 (10:05):
I didn't.
Speaker 4 (10:07):
Was this so shoe?
Speaker 10 (10:09):
Huh?
Speaker 4 (10:10):
Who told you to bring it? I can't tell you that, Blacky,
I promise they wouldn't. Well, give me the address of
the place where you picked up the package. The shoe
may be involved in the murder, Harry.
Speaker 5 (10:20):
Well, in that case, I went to twenty one hundred
twenty first Street, first Street.
Speaker 4 (10:26):
Yeah that's ranky. Come on, Mary, kay, Okay, we're going
to twenty one twenty first Street so we can learn
something new about an old shoe.
Speaker 2 (10:39):
I love the way we went to the newsreelsa they're Blackie, Harry, I.
Speaker 4 (10:42):
Know, don't go four in the morning. There's twenty one ten,
twenty first straight.
Speaker 2 (10:47):
Twenty one away, went on four going going down two
next to twenty one hundred h there.
Speaker 4 (10:55):
There is the real estate. Time says, yeah, that twenty
one hundred is an.
Speaker 7 (11:01):
Empty lot, so I think, And it's one time when
a lot tells us nothing.
Speaker 13 (11:05):
Now back to Boston, Blackie.
Speaker 10 (11:24):
Blackie receives a package, the contents of which are supposed
to be valuable, but all the package contains is an
old shoe. Blacky surmises that the shoe was the one
which made a footprint in a ten year old still
unsolved murder case.
Speaker 2 (11:37):
It isn't.
Speaker 10 (11:38):
Blackie then finds out of what appressed the shoe was
picked up for delivery. The address is an empty lot.
As we return to our story, it is the next day.
No man is selling papers that it takes on our news.
Speaker 11 (11:52):
Paper.
Speaker 6 (11:53):
Who buy papers from mister? Oh? Hello, there's none. I
was imagine your business today, Grandpa.
Speaker 11 (12:00):
Hey, but look, I gotta talk to you.
Speaker 10 (12:01):
Why did something go wrong?
Speaker 4 (12:02):
Everything went off?
Speaker 10 (12:03):
Okay, you delivered that package, bought and flaky and you
told him to take it to the please.
Speaker 11 (12:07):
Yeah, sure, I took your dough to do it, so
I did it.
Speaker 4 (12:09):
Take a look, Graham, what cook?
Speaker 11 (12:11):
What do you mean?
Speaker 5 (12:12):
You said that package was valuable, but all it was
in it was a crummy looking old shoe.
Speaker 4 (12:15):
Man, I told you not to look at what was
in that package.
Speaker 8 (12:17):
It didn't But Blackie came.
Speaker 4 (12:19):
And told me what was in it, and then you
told him you delivered it for me.
Speaker 6 (12:22):
No, no, I didn't do that.
Speaker 5 (12:23):
I didn't know my Yeah, Graham, I even told Blackie
that I picked up a package from it an empty lot.
Speaker 13 (12:28):
No, thank you, thank you.
Speaker 10 (12:30):
You'll be rewarded for what you've done.
Speaker 11 (12:32):
But that dough you came, he was puny for the job.
Speaker 4 (12:35):
But I sure wish I knew it.
Speaker 6 (12:37):
Was such hot stuff about that old shoe, my boy.
Speaker 10 (12:40):
Yeah, someone in this town it's worth five hundred thousand dollars.
Speaker 6 (12:54):
Dollars Mexico Earth. Say they were?
Speaker 4 (12:57):
They said, oh today you don't mind, Maybe I do.
Speaker 6 (13:04):
Well, maybe you better not go on somewhere.
Speaker 4 (13:06):
Maybe, but you know my name.
Speaker 6 (13:07):
I maybe my business to know the names of guys
like you.
Speaker 14 (13:10):
In the faces two my car A badge Williams is
the name, Maylee, Deputy Inspector Williams.
Speaker 6 (13:17):
Now that we're old friends, maybe you'd like to.
Speaker 10 (13:19):
Come along with me by the time, Williams, I have
other plans right now.
Speaker 6 (13:23):
Plans for a trip on a plane, I May.
Speaker 12 (13:25):
I don't think you'll like it in Mexico, but Chilicon
Carling might not agree with it. Besides, I don't think
Inspector Parady would like you leaving town. I'm not doing
anything wrong now, but there's the chance you did.
Speaker 14 (13:37):
Do something wrong and very recently. Come on Melee, Inspector
Parady wants to talk to you. You have any right
to take me in.
Speaker 6 (13:43):
I know, isn't that a Come on, Maylee, Let's go
over to wait a minute. If my planes leave, it
is your planes. He's so you oh know you're heading
in different directions.
Speaker 11 (14:03):
Homicide. Pataday is picking speaks Paradise.
Speaker 4 (14:05):
This is Tippany inspect you Williams at the airport?
Speaker 11 (14:07):
Yes, yes, who was.
Speaker 4 (14:08):
Down here getting ready to board the plane for Mexico.
Speaker 11 (14:11):
Oh a Mexican guy.
Speaker 6 (14:12):
We don't like you, and they won't like in Mexico.
Speaker 11 (14:15):
May. I'm glad to talk to him yesterday about the
Richard Grene case.
Speaker 6 (14:20):
Yeah, I know, but I have bought a lot of
stolen diamonds on him. Stop taking the big hold up.
Last week.
Speaker 4 (14:26):
In a jay coming at the door.
Speaker 11 (14:35):
All right, you answered, how lazy kN a guy?
Speaker 13 (14:39):
Jack?
Speaker 4 (14:40):
All right?
Speaker 2 (14:40):
All answer.
Speaker 6 (14:43):
Yeah him, I'm reported from the Star Journal.
Speaker 4 (14:46):
I'd like to talk to Roger Holliston.
Speaker 6 (14:48):
Okay, I mean projects reported. Talk to you air talk
Bill my lawyer.
Speaker 4 (14:53):
Well, i'd like to talk to.
Speaker 6 (14:54):
You, mister Hollis.
Speaker 4 (14:55):
Then what about about the money you're coming into next week?
Speaker 6 (14:58):
I understand it's quite a lot, and that you get.
Speaker 4 (15:00):
He mattered too, David Llia, I hate with horror.
Speaker 2 (15:03):
We can't hear.
Speaker 4 (15:03):
What's the matter with you? It won't do you any
time to talk.
Speaker 11 (15:05):
Well, you talk to him if you want to Bill,
you want to read it.
Speaker 4 (15:09):
It's a lot of a great day.
Speaker 12 (15:10):
Nothing.
Speaker 4 (15:11):
He's just usual disagreeable self wall.
Speaker 6 (15:13):
Maybe you'll tell me what I want to know.
Speaker 11 (15:14):
Maybe young House gets his god'stone.
Speaker 4 (15:17):
Next week, right, yeah, meeting the day. I understand. Nobody
knows what the old Hollis is. No one knows for sure.
Just got home for his office one morning.
Speaker 12 (15:25):
We've never heard from or seen again, neither he nor
his body have ever turned up anywhere.
Speaker 4 (15:29):
But it'll be seven years of the day next Wednesday.
Speaker 14 (15:32):
And at the end of seven years, old Hollis to
legally dead and young Hollis that goes from rags to.
Speaker 4 (15:36):
Rich am, from bachelor her to married life.
Speaker 12 (15:38):
Some break for the day's name, young Hollis to inherits.
Whether he could go it is do Yeah, Rogers the
only living heir. His mother was killed in an auto
accident two years agow. Neither she nor the sun could
touch a cent of the old guy's money all the
years he's been.
Speaker 4 (15:53):
Missing, not a dime of it. But next week Roger
gets it all. Well, some guys get all the greats.
Speaker 8 (15:58):
Yeah, I know, but why there is a drink that
it's generally the wrong guys.
Speaker 2 (16:09):
Shoe, Baggie, were just stopping.
Speaker 8 (16:13):
You know, you've been sitting there staring at that shoe
for a half hour.
Speaker 4 (16:16):
I know Mary looked at it sitting there on the table.
Speaker 2 (16:18):
Now, what'n be interested in an old shoe?
Speaker 7 (16:21):
And it's so much in the newspaper, Roger Hollis is
getting married.
Speaker 4 (16:27):
Shoe old shoe.
Speaker 2 (16:30):
M hmmm. Roger the sole survivor of.
Speaker 8 (16:34):
The famous product their family, the family certainly had tough luck.
Speaker 7 (16:40):
Roger's mother was killed in an accident two years ago,
and his father disappeared nearly seven years ago.
Speaker 10 (16:46):
Rogers coming in.
Speaker 8 (16:47):
Were half a million dollars a week in the day
when his father was.
Speaker 4 (16:50):
Legally did Mary, why would an old shoe be valuable?
Speaker 8 (16:53):
I don't know. Wouldn't it be funny if a man
Hollister were alive? I got anythink his son would be
getting married next week three. He's now in Sally Lawrence.
And now it's from at once a year.
Speaker 4 (17:04):
Mary, Mary, the shoe, the shoe. I think I've got it,
You got it it. Mary's impossibly. It just can't be true.
Speaker 6 (17:11):
I know it.
Speaker 4 (17:14):
All I can say is, if it is, I know
why that shoe was sent to me, what it means,
and how that one shoe is going to walk right
down the island break up our wedding. Yes, are you
Roger Hollison?
Speaker 6 (17:33):
So what if I am?
Speaker 4 (17:34):
So? You're just I want to see nobody at your vitation? Granted?
And Boston black.
Speaker 3 (17:39):
People, Boston black Yeah, what do you want with me
that much? From what I hear of you, You're not
worth much, but you will be a week from today.
Does this shoe look to many at you?
Speaker 2 (17:51):
No?
Speaker 4 (17:52):
Should it not? Especially? What would you say with the
sign of shoe your father will?
Speaker 6 (17:56):
How should I know?
Speaker 4 (17:57):
I haven't seen my own man for almost seven years,
and you've really missed it. Look what had you come
up here for it?
Speaker 6 (18:02):
And soult me?
Speaker 2 (18:03):
No?
Speaker 11 (18:04):
You mention it sent me?
Speaker 4 (18:05):
Isn't a bad idea? That is, if it's possible to
insult someone like you, tell.
Speaker 6 (18:09):
You what is possible?
Speaker 4 (18:10):
You're going to be thrown up here on your ear?
Which particular about which one I land on? Might people
might dear?
Speaker 6 (18:19):
Here?
Speaker 4 (18:20):
Coople might hin pleasant visit? Alistay, I'm going to see
Paraday now. I'm going to see Paraday now. But if
I were you, I wouldn't mention the fact that I
was here. If you do, I might come back. Well, Paraday,
(18:46):
whose fingerprints were on the old shoe?
Speaker 11 (18:48):
You only drive back an hour ago? When you think
we have nothing else to do but check it plant?
Speaker 4 (18:51):
No, but I think you didn't.
Speaker 11 (18:53):
We did your prank of prints were on it, and
yours h and the labs and a lot of print too.
Speaker 4 (18:58):
How fresh is that print?
Speaker 11 (19:00):
Very was made on the last day or two, I'd say,
and made very definitely.
Speaker 4 (19:05):
Do you know whose print that is?
Speaker 11 (19:06):
Yeah, you have a duplicate on a lot of criminal fire.
Speaker 4 (19:09):
Naturally, I had to tell you who it was.
Speaker 11 (19:11):
You won't believe me.
Speaker 4 (19:12):
I'll tell you whose it was?
Speaker 11 (19:14):
Oh ahead, whose it was?
Speaker 4 (19:15):
Martin Hollises? What a man missing so long? Give me
an envelope and a piece of paper. Lend me a
policeman and I'll find him for you too, paper paper, Hello, Yeah.
Speaker 2 (19:36):
And this time I got one for you me.
Speaker 5 (19:38):
A man came into the office, mask form and he
gave me this envelope and told me to deliberate.
Speaker 11 (19:42):
Whoever sent that old shoe to Boston?
Speaker 6 (19:43):
Black?
Speaker 8 (19:44):
Oh?
Speaker 6 (19:44):
I see?
Speaker 5 (19:44):
Maybe you better open it, hut, and maybe you want
to take a message that the guy said he's waiting, Yes, yes, open.
Speaker 2 (19:50):
Look Greendpa what cook?
Speaker 11 (19:52):
I don't know.
Speaker 8 (19:53):
I couldn't sleep last night.
Speaker 4 (19:54):
I think it's about that old shoe. Are you not
or something?
Speaker 6 (19:58):
No?
Speaker 10 (19:59):
But there are certain people who I think so something work. Look,
there's no message in this ndlou Quart a piece.
Speaker 6 (20:04):
Of blank paper.
Speaker 4 (20:05):
Maybe agreed to a plucky Thanks for making it easy
for me to follow you, Harry, And if you want
to know who gave you that Dondolop. But that was
a policeman.
Speaker 10 (20:16):
Okay. I didn't want anyone to find me. But you
know who I am doing, Yes I do. You're Martin Holistics,
Yes I am.
Speaker 3 (20:23):
I'm glad you know you're alive, which is a sentiment
I don't think will be shared by your son.
Speaker 2 (20:38):
How to feel to be back from the dead room.
Speaker 10 (20:41):
Never having been dead, I wouldn't know, but as black
it probably told you. My whole scheme was to make
it known that I was still alive, but not to
give up my disguise as the old news stand owner
on the corner.
Speaker 3 (20:52):
Point at the break through of the guys broke my theory.
The paradase is Holista. I may have brought you out
of fighting, but I didn't up such your primary purpose
and sending me that shoe.
Speaker 2 (21:01):
Oh was that guy the move? He was alive so
his son Roger couldn't get his money.
Speaker 4 (21:06):
Hollister was going to continue to let the world think
him dead. If his son Roger changed his ways, Yeah,
but he didn't change its.
Speaker 10 (21:12):
Firstly, I opened my newstand on a corner that he
passed every day, just so I could watch him. But
he continued to be the same Roger Hollisfare. I ran
away from him, and my wife was.
Speaker 4 (21:22):
Just liking him.
Speaker 8 (21:23):
I see what your son's marriage to gold digging Sally
Lawrence has been called off.
Speaker 13 (21:27):
Yes, I read that.
Speaker 8 (21:28):
No money, no love.
Speaker 4 (21:30):
I assure you my son isn't upset about it. I
don't imagine he is.
Speaker 6 (21:34):
Oh.
Speaker 3 (21:35):
I like the way you tied up your fortune so
that couldn't be inherited, and their view were declared legally dead.
Speaker 10 (21:40):
My family deserved to live in comparative poverty, blackies, as
you guessed. I hope it would change him. But when
it didn't, I decided never to let me see me again.
Speaker 8 (21:49):
No, let you remain here, get your money when you
send me.
Speaker 2 (21:52):
Accomplished your purpose.
Speaker 8 (21:53):
But I can't understand why your son never recognized you
if you passed your newstand every day.
Speaker 4 (21:58):
See, I have changed a lot.
Speaker 10 (22:00):
I left town at first and came quite ill. I
had lost a lot of weight, my harry turned quite white.
And then I came back to open the newstand when
I was sure I wouldn't be recognized and could watch
Roger without him seen me.
Speaker 6 (22:14):
Oh well, mister Hollis, and I.
Speaker 4 (22:15):
Guess that's that he accomplished everything we said out to,
did we, Blackie? He catch We never did get to
the theater.
Speaker 8 (22:24):
Oh, he never even got to a news reel.
Speaker 4 (22:27):
I got an idea. Suppose you and I am mister
Hollis to go to the Fitter tonight.
Speaker 10 (22:30):
No, no, thank you, Black Yeah.
Speaker 4 (22:31):
I don't care to get to the theater, and.
Speaker 2 (22:34):
That takes mister Hollis to buy all means, come with us.
Speaker 8 (22:36):
We'll never get there either, boy,
Another journey into the rail of the straight and kill afy.
I hope you will enjoy the chap, that it will
thrill you a little and kill you a little. So
settle back, get a good grip on your nerve. Where
are we going? You'll find out when we get there.
Speaker 2 (00:46):
Flaky, someone at the doors for me.
Speaker 3 (00:49):
It is my Mary, twelve hours to go away. I
said we were going to the there tonight, and I meant.
Speaker 2 (00:54):
I believe we're going after we get there.
Speaker 4 (00:58):
That's my girls.
Speaker 5 (00:58):
Got that package for Boston Blackies. Valuable package. Funny valuable
you Boston black Uh huh Okay, sign here and you
get the package.
Speaker 4 (01:06):
All right, thing so valuable. Lose the problem.
Speaker 6 (01:09):
I can't say who it's from, and I don't know
what's in it.
Speaker 5 (01:11):
Only I got order to tell you something to don't
lose this package and what's in it, and get it
to the police as fast as you can get a
nimble up.
Speaker 4 (01:17):
On a thousand dollars and it'd be a trouble hold on.
Hey wait a minute, Oh.
Speaker 7 (01:22):
I'm not good things coming small packages, but trouble country
small packages too.
Speaker 4 (01:26):
This is something kind of a gag marriage.
Speaker 8 (01:28):
A valuable gag. You'recording to messengers.
Speaker 3 (01:32):
No, if this could be a frame up, I'm not
taking into the police until I see what it is.
Speaker 7 (01:37):
Well, if it's valuable, maybe defender wants to take me
to the police to say keeping.
Speaker 4 (01:41):
I wonder what's so valuable.
Speaker 8 (01:43):
Get a box of money, million dollars.
Speaker 4 (01:45):
Oh, jewelry, No, that's too light for that.
Speaker 3 (01:49):
The something wrapped cap leyen I might be priceless.
Speaker 8 (01:52):
Okay, here goes what wicky am I seeing?
Speaker 2 (02:00):
Somebody gave you a thousand dollars to take this to
the police.
Speaker 9 (02:03):
Yeah, and all it is a shoe, a warm and
battered old shoe.
Speaker 10 (02:17):
And now back to Dick Calmer as Boston Blackie. Enemy
to those who make him an enemy, friend to those
who have no friends.
Speaker 11 (02:30):
A lot, Blackie.
Speaker 12 (02:31):
It's fair enough when you clutter up my office with
a bunch of worthless things, including yourself, that you're going
to bring me an old shoe.
Speaker 3 (02:37):
Now, wait a minute, I bought this shoe was some
kind of a gag too, But I was paid one
thousand dollars to deliver it to you.
Speaker 4 (02:42):
So someone has a good reason for wanting you to
have it.
Speaker 11 (02:45):
Let him send a mate to it.
Speaker 12 (02:46):
Now, wear with an old shoe at wait a minute,
I just thought of something that Listen, Matthews, there was
a case about nine or ten years ago.
Speaker 11 (02:56):
That's still the case in calling a shoeprint. We never
found a shoe that.
Speaker 4 (02:59):
Might all right, I think you remember something about it.
Speaker 11 (03:02):
Inspect that we'll check the piles with him. Tell me
what kept it was?
Speaker 10 (03:05):
Yes, right away?
Speaker 11 (03:07):
Wow, like an already think.
Speaker 4 (03:08):
Of that wonderful Friday. If this is the shoe that
figures in.
Speaker 11 (03:10):
That case, sime, shoe made that print. We never found
the shoe.
Speaker 12 (03:13):
Why would anyone want to shoot rup the police unless
it was some kind of evidence in some case?
Speaker 4 (03:17):
Well, there might be other reasons.
Speaker 11 (03:18):
Why not that reason?
Speaker 4 (03:20):
I don't know. Seems just a little too simple that
this shoe is evidence in the murder case.
Speaker 11 (03:25):
You always want to make things complicated, don't you. Well
listen is one time?
Speaker 4 (03:30):
Yeah, yeah about that case?
Speaker 11 (03:33):
What was it?
Speaker 6 (03:34):
Could you find it? Yes?
Speaker 10 (03:36):
The only unsolved case we have involved in the shoe
Prince the Richards case.
Speaker 6 (03:39):
It was ten years ago.
Speaker 11 (03:41):
Thanks, Matthew's that well? I want to open I remember
the rest.
Speaker 13 (03:43):
Of the case.
Speaker 4 (03:44):
Yes, memories, Well he's short day, isn't thay?
Speaker 11 (03:47):
Yes, I know all about this.
Speaker 14 (03:48):
Now the person who sent the shoe to who knows
that it's evidence and doesn't want to be mixed up
in it, which is also the reason it was delivered
to you and not directly to me.
Speaker 11 (03:56):
We still have the plaster impression of that shoe.
Speaker 4 (03:58):
Well take the shoe and see if it matches. Brind Now,
by the way, who was the chief suspect in the
Richards murder?
Speaker 6 (04:03):
Don't tell me what to do.
Speaker 14 (04:06):
The chief sutspect was Eddie Meylee. He was a park
at that time, but he's an east Side big shot.
Speaker 4 (04:10):
Now, Eddie may.
Speaker 3 (04:13):
Well, while you have a little conference with your footprint expert,
I think I'll go down and have a little talk
with Eddie Maye.
Speaker 14 (04:25):
Mister Mellie, I heard over it joint that Mickey Elvis
is looking for you when I count of that diamond
robbery we.
Speaker 4 (04:30):
Pulled looking for me? Yeah, well he knows where to fine.
De White is dropped in because he knows we'll drop him.
I did, and I'm gonna takes you got money off.
Mister Mellie is bost black.
Speaker 11 (04:44):
So I see what the idea of coming through the
wind that Blackie.
Speaker 3 (04:47):
I wanted to get see you want some guy to
go on different idea.
Speaker 4 (04:51):
I didn't catch you when you're busy, Melee.
Speaker 14 (04:53):
I'm never too busy to see an old eneme blackie.
Speaker 3 (04:57):
You later, there's sure, mister mal I'm like, oh, thank you.
Speaker 4 (05:01):
We'll go to stand. That's up to you. I do
for you. Just remember a few things about the Richards.
Mercise maman the Richards.
Speaker 3 (05:10):
For ten years, the plaster impression of a footprint has
been waiting police headquarters for shoot.
Speaker 4 (05:14):
It would fit it. Well. We think that shoe turned
up this evening, and it might be your shoe.
Speaker 14 (05:21):
Don't look at me for instanding. I'm not the Cinderella
you want.
Speaker 3 (05:24):
Nearly you were never brought to trial in the Richard's case,
but you were Richard's only enemy.
Speaker 4 (05:29):
You don't know that that's my plaster impression.
Speaker 3 (05:32):
And if Paraday can prove that shoe belonged to you,
you'll go to trial.
Speaker 4 (05:36):
Let me say thanks for the warning. Belong may I'll
be seeing you. You'll be sorry to hear.
Speaker 6 (05:42):
The wind is open. Why don't you go out the
way you came in.
Speaker 3 (05:45):
If you're going out of this world the way you
came in, you're gotta be carried out.
Speaker 6 (05:55):
Yeah, mister Mallie, I'm black.
Speaker 4 (05:57):
He just left my office. You want us to must
him up as he can to the door.
Speaker 14 (06:01):
No, let him go, but send them down the Airlines's
office right away, and let me a ticket to Mexico
on the first to fly it out.
Speaker 8 (06:16):
In a lovely evening.
Speaker 2 (06:17):
Not going to the theater therey.
Speaker 3 (06:20):
I'm sorry, honestly, I promise you we'll see that play
tomorrow night.
Speaker 7 (06:24):
But sure, I'm sure we will un lest tomorrow and
I could get another priceless.
Speaker 3 (06:28):
Shoe in case of the priceless shoe is just about
open merry. If Paraday was table to trace its owner,
and if it fits a certain class.
Speaker 4 (06:35):
To impress him, I'm gonna run in and see him for.
Speaker 2 (06:38):
A minute to get the good news while wait in
the car.
Speaker 8 (06:40):
If you don't mind, Okay.
Speaker 4 (06:42):
Look at the time to go to a news reel theater.
If that's any consolation better than nothing, I'll be right back.
I'll use Parady's private entrant so I won't get tangled
up with the boys.
Speaker 3 (06:51):
But they don't whistle in any characters while I'm gone. Hello, Pardy, Wow, Blankie,
what do you know you didn't take it out of here? Wow,
And I know why too. You want to thank me
for helping you save the Richard's case.
Speaker 4 (07:10):
Yeah, so ten.
Speaker 3 (07:10):
Years para Richard's case. All right, Well, bat shoe put
the plaster impression, didn't you know?
Speaker 4 (07:16):
That's what?
Speaker 12 (07:17):
No, no, no, no, why you got shoe on? Only
didn't fit the impression of the print in the Richard's case.
But it's a style of shoe that wasn't made of
four years ago, and the print in the Richard's case
is ten years old, so that of blank, you're not laughing.
Speaker 11 (07:31):
That old shoe gave a pery a good swift kick, Parady.
Speaker 3 (07:34):
You have a right to be wrong, but I know
you want well wet to forget about the Richard's case.
Speaker 4 (07:39):
Something else. Somebody sent me that shoe for.
Speaker 3 (07:41):
A that positively brilliant logic, Blackly. I know that messenger
had split orders to deliver that shoe directly to me,
but it was told that he was carrying something banguful,
and I believe it too.
Speaker 11 (07:53):
Yeah, thank your old shoe and get out of here.
Speaker 3 (07:55):
And you're all right, Paraday, But I'll be back with
it man if I can find the listen to you
who brought it to me.
Speaker 4 (08:01):
I'll be back with proof that it's valuable to.
Speaker 6 (08:10):
Paper.
Speaker 4 (08:11):
Paper who buy a paper from the Norman?
Speaker 6 (08:14):
Oh MSUs Brown?
Speaker 13 (08:15):
Hey, you never.
Speaker 11 (08:17):
Failed to get a paper from me?
Speaker 5 (08:18):
Do you?
Speaker 6 (08:20):
Same is?
Speaker 10 (08:21):
It's been in mine, understand every night since you bought
my first paper?
Speaker 4 (08:25):
Yeah, here you are, how's mister Brown?
Speaker 2 (08:30):
Fine?
Speaker 13 (08:30):
Thank you?
Speaker 4 (08:32):
Good night, paper pap Ladies.
Speaker 12 (08:35):
Paper likes to change in a minute at cross hairs,
anywhere else but paper. Buy a paper pee, gentlemen, why
don't you get lost in this position?
Speaker 11 (08:45):
You got rod by a paper from the guy.
Speaker 4 (08:47):
Get lost for your grandpa this one by not buy paperney,
keep the change? Thank you, thank you very much.
Speaker 6 (08:54):
Paper.
Speaker 4 (08:55):
Hey, come on, bill lights change that's crossed?
Speaker 11 (08:57):
Come on will you?
Speaker 2 (08:58):
Hey?
Speaker 11 (09:00):
Holy Macro, what a disposition you've got?
Speaker 4 (09:02):
Do you inherit that in your old man? I inherited
nothing from him.
Speaker 11 (09:07):
I love he with an old man worth.
Speaker 4 (09:09):
I have a many of bucks and I haven't got
to die.
Speaker 11 (09:11):
We'll get the money soon, your lawyer, I can promise that.
So what do you care?
Speaker 6 (09:14):
Yeah?
Speaker 4 (09:15):
Because I want to know.
Speaker 11 (09:16):
I want to feel out my pocket.
Speaker 6 (09:17):
I want to spend it. I want to be rich.
Speaker 4 (09:19):
I was born to be rich Phield, and until I am,
I'm going to be miserable. I wonder if you won't
still be miserable after you get the old man's money.
Speaker 6 (09:34):
For Yes, Vicky, we have a messenger that description.
Speaker 4 (09:38):
Well, I like to see him, you say, getting.
Speaker 2 (09:41):
I hope he's the one.
Speaker 8 (09:42):
We've been almost every messenger service in town.
Speaker 4 (09:44):
We just unlocked. The guy who delivered that shoe wasn't
from a messenger service at all. This boy me, yes,
he is. I had quite hell. Then, what's your name is?
Harry Young?
Speaker 2 (10:01):
Well?
Speaker 11 (10:01):
Harry, yeah?
Speaker 4 (10:02):
Do you know what was in the package that you
delivered to me earlier this evening?
Speaker 2 (10:05):
No?
Speaker 11 (10:05):
I didn't.
Speaker 4 (10:07):
Was this so shoe?
Speaker 10 (10:09):
Huh?
Speaker 4 (10:10):
Who told you to bring it? I can't tell you that, Blacky,
I promise they wouldn't. Well, give me the address of
the place where you picked up the package. The shoe
may be involved in the murder, Harry.
Speaker 5 (10:20):
Well, in that case, I went to twenty one hundred
twenty first Street, first Street.
Speaker 4 (10:26):
Yeah that's ranky. Come on, Mary, kay, Okay, we're going
to twenty one twenty first Street so we can learn
something new about an old shoe.
Speaker 2 (10:39):
I love the way we went to the newsreelsa they're Blackie, Harry, I.
Speaker 4 (10:42):
Know, don't go four in the morning. There's twenty one ten,
twenty first straight.
Speaker 2 (10:47):
Twenty one away, went on four going going down two
next to twenty one hundred h there.
Speaker 4 (10:55):
There is the real estate. Time says, yeah, that twenty
one hundred is an.
Speaker 7 (11:01):
Empty lot, so I think, And it's one time when
a lot tells us nothing.
Speaker 13 (11:05):
Now back to Boston, Blackie.
Speaker 10 (11:24):
Blackie receives a package, the contents of which are supposed
to be valuable, but all the package contains is an
old shoe. Blacky surmises that the shoe was the one
which made a footprint in a ten year old still
unsolved murder case.
Speaker 2 (11:37):
It isn't.
Speaker 10 (11:38):
Blackie then finds out of what appressed the shoe was
picked up for delivery. The address is an empty lot.
As we return to our story, it is the next day.
No man is selling papers that it takes on our news.
Speaker 11 (11:52):
Paper.
Speaker 6 (11:53):
Who buy papers from mister? Oh? Hello, there's none. I
was imagine your business today, Grandpa.
Speaker 11 (12:00):
Hey, but look, I gotta talk to you.
Speaker 10 (12:01):
Why did something go wrong?
Speaker 4 (12:02):
Everything went off?
Speaker 10 (12:03):
Okay, you delivered that package, bought and flaky and you
told him to take it to the please.
Speaker 11 (12:07):
Yeah, sure, I took your dough to do it, so
I did it.
Speaker 4 (12:09):
Take a look, Graham, what cook?
Speaker 11 (12:11):
What do you mean?
Speaker 5 (12:12):
You said that package was valuable, but all it was
in it was a crummy looking old shoe.
Speaker 4 (12:15):
Man, I told you not to look at what was
in that package.
Speaker 8 (12:17):
It didn't But Blackie came.
Speaker 4 (12:19):
And told me what was in it, and then you
told him you delivered it for me.
Speaker 6 (12:22):
No, no, I didn't do that.
Speaker 5 (12:23):
I didn't know my Yeah, Graham, I even told Blackie
that I picked up a package from it an empty lot.
Speaker 13 (12:28):
No, thank you, thank you.
Speaker 10 (12:30):
You'll be rewarded for what you've done.
Speaker 11 (12:32):
But that dough you came, he was puny for the job.
Speaker 4 (12:35):
But I sure wish I knew it.
Speaker 6 (12:37):
Was such hot stuff about that old shoe, my boy.
Speaker 10 (12:40):
Yeah, someone in this town it's worth five hundred thousand dollars.
Speaker 6 (12:54):
Dollars Mexico Earth. Say they were?
Speaker 4 (12:57):
They said, oh today you don't mind, Maybe I do.
Speaker 6 (13:04):
Well, maybe you better not go on somewhere.
Speaker 4 (13:06):
Maybe, but you know my name.
Speaker 6 (13:07):
I maybe my business to know the names of guys
like you.
Speaker 14 (13:10):
In the faces two my car A badge Williams is
the name, Maylee, Deputy Inspector Williams.
Speaker 6 (13:17):
Now that we're old friends, maybe you'd like to.
Speaker 10 (13:19):
Come along with me by the time, Williams, I have
other plans right now.
Speaker 6 (13:23):
Plans for a trip on a plane, I May.
Speaker 12 (13:25):
I don't think you'll like it in Mexico, but Chilicon
Carling might not agree with it. Besides, I don't think
Inspector Parady would like you leaving town. I'm not doing
anything wrong now, but there's the chance you did.
Speaker 14 (13:37):
Do something wrong and very recently. Come on Melee, Inspector
Parady wants to talk to you. You have any right
to take me in.
Speaker 6 (13:43):
I know, isn't that a Come on, Maylee, Let's go
over to wait a minute. If my planes leave, it
is your planes. He's so you oh know you're heading
in different directions.
Speaker 11 (14:03):
Homicide. Pataday is picking speaks Paradise.
Speaker 4 (14:05):
This is Tippany inspect you Williams at the airport?
Speaker 11 (14:07):
Yes, yes, who was.
Speaker 4 (14:08):
Down here getting ready to board the plane for Mexico.
Speaker 11 (14:11):
Oh a Mexican guy.
Speaker 6 (14:12):
We don't like you, and they won't like in Mexico.
Speaker 11 (14:15):
May. I'm glad to talk to him yesterday about the
Richard Grene case.
Speaker 6 (14:20):
Yeah, I know, but I have bought a lot of
stolen diamonds on him. Stop taking the big hold up.
Last week.
Speaker 4 (14:26):
In a jay coming at the door.
Speaker 11 (14:35):
All right, you answered, how lazy kN a guy?
Speaker 13 (14:39):
Jack?
Speaker 4 (14:40):
All right?
Speaker 2 (14:40):
All answer.
Speaker 6 (14:43):
Yeah him, I'm reported from the Star Journal.
Speaker 4 (14:46):
I'd like to talk to Roger Holliston.
Speaker 6 (14:48):
Okay, I mean projects reported. Talk to you air talk
Bill my lawyer.
Speaker 4 (14:53):
Well, i'd like to talk to.
Speaker 6 (14:54):
You, mister Hollis.
Speaker 4 (14:55):
Then what about about the money you're coming into next week?
Speaker 6 (14:58):
I understand it's quite a lot, and that you get.
Speaker 4 (15:00):
He mattered too, David Llia, I hate with horror.
Speaker 2 (15:03):
We can't hear.
Speaker 4 (15:03):
What's the matter with you? It won't do you any
time to talk.
Speaker 11 (15:05):
Well, you talk to him if you want to Bill,
you want to read it.
Speaker 4 (15:09):
It's a lot of a great day.
Speaker 12 (15:10):
Nothing.
Speaker 4 (15:11):
He's just usual disagreeable self wall.
Speaker 6 (15:13):
Maybe you'll tell me what I want to know.
Speaker 11 (15:14):
Maybe young House gets his god'stone.
Speaker 4 (15:17):
Next week, right, yeah, meeting the day. I understand. Nobody
knows what the old Hollis is. No one knows for sure.
Just got home for his office one morning.
Speaker 12 (15:25):
We've never heard from or seen again, neither he nor
his body have ever turned up anywhere.
Speaker 4 (15:29):
But it'll be seven years of the day next Wednesday.
Speaker 14 (15:32):
And at the end of seven years, old Hollis to
legally dead and young Hollis that goes from rags to.
Speaker 4 (15:36):
Rich am, from bachelor her to married life.
Speaker 12 (15:38):
Some break for the day's name, young Hollis to inherits.
Whether he could go it is do Yeah, Rogers the
only living heir. His mother was killed in an auto
accident two years agow. Neither she nor the sun could
touch a cent of the old guy's money all the
years he's been.
Speaker 4 (15:53):
Missing, not a dime of it. But next week Roger
gets it all. Well, some guys get all the greats.
Speaker 8 (15:58):
Yeah, I know, but why there is a drink that
it's generally the wrong guys.
Speaker 2 (16:09):
Shoe, Baggie, were just stopping.
Speaker 8 (16:13):
You know, you've been sitting there staring at that shoe
for a half hour.
Speaker 4 (16:16):
I know Mary looked at it sitting there on the table.
Speaker 2 (16:18):
Now, what'n be interested in an old shoe?
Speaker 7 (16:21):
And it's so much in the newspaper, Roger Hollis is
getting married.
Speaker 4 (16:27):
Shoe old shoe.
Speaker 2 (16:30):
M hmmm. Roger the sole survivor of.
Speaker 8 (16:34):
The famous product their family, the family certainly had tough luck.
Speaker 7 (16:40):
Roger's mother was killed in an accident two years ago,
and his father disappeared nearly seven years ago.
Speaker 10 (16:46):
Rogers coming in.
Speaker 8 (16:47):
Were half a million dollars a week in the day
when his father was.
Speaker 4 (16:50):
Legally did Mary, why would an old shoe be valuable?
Speaker 8 (16:53):
I don't know. Wouldn't it be funny if a man
Hollister were alive? I got anythink his son would be
getting married next week three. He's now in Sally Lawrence.
And now it's from at once a year.
Speaker 4 (17:04):
Mary, Mary, the shoe, the shoe. I think I've got it,
You got it it. Mary's impossibly. It just can't be true.
Speaker 6 (17:11):
I know it.
Speaker 4 (17:14):
All I can say is, if it is, I know
why that shoe was sent to me, what it means,
and how that one shoe is going to walk right
down the island break up our wedding. Yes, are you
Roger Hollison?
Speaker 6 (17:33):
So what if I am?
Speaker 4 (17:34):
So? You're just I want to see nobody at your vitation? Granted?
And Boston black.
Speaker 3 (17:39):
People, Boston black Yeah, what do you want with me
that much? From what I hear of you, You're not
worth much, but you will be a week from today.
Does this shoe look to many at you?
Speaker 2 (17:51):
No?
Speaker 4 (17:52):
Should it not? Especially? What would you say with the
sign of shoe your father will?
Speaker 6 (17:56):
How should I know?
Speaker 4 (17:57):
I haven't seen my own man for almost seven years,
and you've really missed it. Look what had you come
up here for it?
Speaker 6 (18:02):
And soult me?
Speaker 2 (18:03):
No?
Speaker 11 (18:04):
You mention it sent me?
Speaker 4 (18:05):
Isn't a bad idea? That is, if it's possible to
insult someone like you, tell.
Speaker 6 (18:09):
You what is possible?
Speaker 4 (18:10):
You're going to be thrown up here on your ear?
Which particular about which one I land on? Might people
might dear?
Speaker 6 (18:19):
Here?
Speaker 4 (18:20):
Coople might hin pleasant visit? Alistay, I'm going to see
Paraday now. I'm going to see Paraday now. But if
I were you, I wouldn't mention the fact that I
was here. If you do, I might come back. Well, Paraday,
(18:46):
whose fingerprints were on the old shoe?
Speaker 11 (18:48):
You only drive back an hour ago? When you think
we have nothing else to do but check it plant?
Speaker 4 (18:51):
No, but I think you didn't.
Speaker 11 (18:53):
We did your prank of prints were on it, and
yours h and the labs and a lot of print too.
Speaker 4 (18:58):
How fresh is that print?
Speaker 11 (19:00):
Very was made on the last day or two, I'd say,
and made very definitely.
Speaker 4 (19:05):
Do you know whose print that is?
Speaker 11 (19:06):
Yeah, you have a duplicate on a lot of criminal fire.
Speaker 4 (19:09):
Naturally, I had to tell you who it was.
Speaker 11 (19:11):
You won't believe me.
Speaker 4 (19:12):
I'll tell you whose it was?
Speaker 11 (19:14):
Oh ahead, whose it was?
Speaker 4 (19:15):
Martin Hollises? What a man missing so long? Give me
an envelope and a piece of paper. Lend me a
policeman and I'll find him for you too, paper paper, Hello, Yeah.
Speaker 2 (19:36):
And this time I got one for you me.
Speaker 5 (19:38):
A man came into the office, mask form and he
gave me this envelope and told me to deliberate.
Speaker 11 (19:42):
Whoever sent that old shoe to Boston?
Speaker 6 (19:43):
Black?
Speaker 8 (19:44):
Oh?
Speaker 6 (19:44):
I see?
Speaker 5 (19:44):
Maybe you better open it, hut, and maybe you want
to take a message that the guy said he's waiting, Yes, yes, open.
Speaker 2 (19:50):
Look Greendpa what cook?
Speaker 11 (19:52):
I don't know.
Speaker 8 (19:53):
I couldn't sleep last night.
Speaker 4 (19:54):
I think it's about that old shoe. Are you not
or something?
Speaker 6 (19:58):
No?
Speaker 10 (19:59):
But there are certain people who I think so something work. Look,
there's no message in this ndlou Quart a piece.
Speaker 6 (20:04):
Of blank paper.
Speaker 4 (20:05):
Maybe agreed to a plucky Thanks for making it easy
for me to follow you, Harry, And if you want
to know who gave you that Dondolop. But that was
a policeman.
Speaker 10 (20:16):
Okay. I didn't want anyone to find me. But you
know who I am doing, Yes I do. You're Martin Holistics,
Yes I am.
Speaker 3 (20:23):
I'm glad you know you're alive, which is a sentiment
I don't think will be shared by your son.
Speaker 2 (20:38):
How to feel to be back from the dead room.
Speaker 10 (20:41):
Never having been dead, I wouldn't know, but as black
it probably told you. My whole scheme was to make
it known that I was still alive, but not to
give up my disguise as the old news stand owner
on the corner.
Speaker 3 (20:52):
Point at the break through of the guys broke my theory.
The paradase is Holista. I may have brought you out
of fighting, but I didn't up such your primary purpose
and sending me that shoe.
Speaker 2 (21:01):
Oh was that guy the move? He was alive so
his son Roger couldn't get his money.
Speaker 4 (21:06):
Hollister was going to continue to let the world think
him dead. If his son Roger changed his ways, Yeah,
but he didn't change its.
Speaker 10 (21:12):
Firstly, I opened my newstand on a corner that he
passed every day, just so I could watch him. But
he continued to be the same Roger Hollisfare. I ran
away from him, and my wife was.
Speaker 4 (21:22):
Just liking him.
Speaker 8 (21:23):
I see what your son's marriage to gold digging Sally
Lawrence has been called off.
Speaker 13 (21:27):
Yes, I read that.
Speaker 8 (21:28):
No money, no love.
Speaker 4 (21:30):
I assure you my son isn't upset about it. I
don't imagine he is.
Speaker 6 (21:34):
Oh.
Speaker 3 (21:35):
I like the way you tied up your fortune so
that couldn't be inherited, and their view were declared legally dead.
Speaker 10 (21:40):
My family deserved to live in comparative poverty, blackies, as
you guessed. I hope it would change him. But when
it didn't, I decided never to let me see me again.
Speaker 8 (21:49):
No, let you remain here, get your money when you
send me.
Speaker 2 (21:52):
Accomplished your purpose.
Speaker 8 (21:53):
But I can't understand why your son never recognized you
if you passed your newstand every day.
Speaker 4 (21:58):
See, I have changed a lot.
Speaker 10 (22:00):
I left town at first and came quite ill. I
had lost a lot of weight, my harry turned quite white.
And then I came back to open the newstand when
I was sure I wouldn't be recognized and could watch
Roger without him seen me.
Speaker 6 (22:14):
Oh well, mister Hollis, and I.
Speaker 4 (22:15):
Guess that's that he accomplished everything we said out to,
did we, Blackie? He catch We never did get to
the theater.
Speaker 8 (22:24):
Oh, he never even got to a news reel.
Speaker 4 (22:27):
I got an idea. Suppose you and I am mister
Hollis to go to the Fitter tonight.
Speaker 10 (22:30):
No, no, thank you, Black Yeah.
Speaker 4 (22:31):
I don't care to get to the theater, and.
Speaker 2 (22:34):
That takes mister Hollis to buy all means, come with us.
Speaker 8 (22:36):
We'll never get there either, boy,
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