SS 13. Donelli's Protection Racket (Parts 3 & 4)

Episode Transcript

Speaker 1 (00:00):
Shh horse able to leave twoll buildings in a single boom. Guy. Yes,

(00:20):
it's Superman.

Speaker 2 (00:21):
Strange visitor from another world who came to Earth with
power and abilities far beyond those of marvel Man. Superman
who can change the course of mighty rivers, then stealing
his bare hands, and who disguised as bart and mild
man of reporter for the Great Better Public newspaper write
the never ending magical book to Justice and the American Way.

Speaker 3 (00:57):
All right, everybody, welcome back to the podcast. Today we
continue our journey through the Superman Radio program with parts
three and four of the Danelly's Protection Racket storyline. If
you're having comments, you can send them to otr msh

(01:19):
at gmail dot com. All right, so let's go ahead
and get into part three. Here. This is Dannelly's Protection
Racket Part three, and it first aired April nineteenth of
nineteen forty.

Speaker 4 (01:36):
Enjoy ending the transcription feature Superman, I'm the guy the pain.

Speaker 1 (01:48):
It's Superman.

Speaker 4 (01:54):
And now Superman Defender of the Week and Champion of
the Your friend Superman who came to work from the
planet Krypton, resolved to dedicate his life to the cause
of truth and justice and mingled with ordinary men as
Clark Kent, meek reporter for the Daily Planet. At the moment,

(02:14):
Superman is fighting a petty racket. Gyp Dinnelly has been
extorting money from the small shop keepers along Spruce Street,
one of whom is Missus Olson, the mother of Jimmy Olton,
a coffee boy at the Daily Planet. Clark Kent as Superman,
forced Diannelly to return the money he had taken from
Missus Olson. Seeking revenge, Dinnelly ordered his henchman's spike to

(02:35):
waylay Jimmy and his mother on the street, but Superman
again intervened. Angered, Dennelly telephoned and, posing as Clark Kent,
arranged for Jimmy and Lois Lane, who was at the
Olton home, to meet him on a street corner, and
our story opens. It is the same night. Kent, unaware
of Dinnelly's latest move, is talking to Perry White, city

(02:57):
editor of the Daily Planet, in wife so office.

Speaker 1 (03:00):
This is awsome, so upset after Dannelly's men attacked her
and Jimmy, that I asked lowest thing to spend a
few hours there. Can you imagine men attacking a woman
and a boy.

Speaker 4 (03:07):
Mister White, dannelling this kind armed men? Can they are rats?
You know there's only one way to handle rats. Drive
them out in the open and shot them down.

Speaker 1 (03:15):
Unfortunately, we can't do that with bullets, no, but with words. Yes,
Now you get all the facts, Kent.

Speaker 4 (03:23):
All right, write this story as you've never written one before.
I'll give it all the front page space it will take.
I know you'd feel that way about it, mister White,
And why shouldn't I. The trouble with this country is
that we're too lenient with Dannelly and people like him.
They belong in a country where they have a dictator
and concentration camps. It makes my blood boil when I
think of the millions of decent.

Speaker 1 (03:44):
Men and women who would give anything to live here in.

Speaker 4 (03:46):
America, but instead they have to suffer while Dannelly rob's
poor shopkeepers. Hey, I'll put that in the story, mister White,
And you make every word saysle can stop at nothing,
but be sure of your facts.

Speaker 1 (03:59):
Well, jim is everything that's happened? I got them from him? Yeah,
who's that? I was like, Jimmy, mister Ken't Jimmy, what's
the matter? Miss Lane? I ran all away? Well, what happened.
The man called up said he was here, mister Ken.
What it didn't sound like you, but I believed What
did he say? He said to meet.

Speaker 4 (04:17):
Him at the corner of Spruce in Second Street to
bring miss Lane.

Speaker 1 (04:20):
Yes, yes, miss Lane didn't want to do it, but
I talked her into it.

Speaker 4 (04:24):
When we got down to the corner, two men jumped.

Speaker 1 (04:25):
Down on us. Go want Jimmy go. I got loose
and miss Lane yelled at me to run, but I
didn't know what I was doing and what happened to Laws.
They pushed her in the car and drove away, and
I looked around for a comfort. There wasn't any, so
he came here. Dannelly.

Speaker 4 (04:37):
It couldn't be anyone else. He's got Laws Ken, Where
are you going? Gotta look at us something, mister White.

Speaker 1 (04:42):
You keep Jimmy here and send someone over to State
with missus osin. I'll be back soon. Oh, I'm responsible
for all this. You've got to do something about a past.
The laws is at Danelly's place. I shouldn't have much trouble.
I had no time to take the elevator down. The
window will do up with it. And now, like an

(05:07):
arrow shot from a bow.

Speaker 4 (05:08):
The superman streaks across the darkened city in the direction
of Dannelly's headquarters. His only doctor rescue Lois Lane from
the racketpeers clutches. There's only hope that he reached there
before any harm comes to her. Faster, faster, until he
swoops down like a great bird and lands in the
concrete driveway alongside a three story house.

Speaker 1 (05:28):
There. I don't think anyone saw me. Those clouds were
conveniently low. Now let's see. Nelly's office was on the
third floor, and I'll climb up and sneak through a
window quietly. That's so easy, clinging to the sill. Now

(05:49):
up with the window shiny into the room looks dark
and deserted. I hope I'm not too late. Wait, I
hear something, a man talking in the next room. Okay, no, no, yeah, sure,

(06:12):
I'll bring the dough with me, the mine. You'll be
where in an hour? Hey, where'd you come from? Never
mind that? Where are you going? Get away? Get away?
And it won't do anything. I'll talk or I'll break
your part. Let me go, Let me go off where
we're just talking to him on the phone. Whereas where
I don't know we're not sure. Memory. Let's see whether
you bounce like your pox did up? Get on? Will

(06:36):
you talk? All right? Get up with your feet stop,
don't do that. Come back here, fol Go out the
window to the concrete driveway three stories below. This is
the last racket he'll ever be mixed up in clouds gathering.
I'm gonna go. Can't afford to be seen here, out

(06:59):
the back and away. Sorry, I had to leave it.
But suddenly, mister where earth? If you've been well? I
had an idea, but it didn't work. Close the door
and sit out. This is the time production can fast actor? Yes,
but what can we do? Why can we turn mister White? Lois?

(07:23):
Isn't it Dannelly's hangout? Oh? You know?

Speaker 4 (07:25):
Well, I I don't know, really, I just have a
hunchy can't We can't work on hunches.

Speaker 1 (07:32):
This is much too serious. Will have to notify the police.
Oh I wouldn't do that if I were you, mister White?
Why not? Well, I'm just afraid of what might happen
to Lois. Jimmy here can tell how Donnelly threatened his mother.
They said if she called the cops, they beat her up.

Speaker 4 (07:48):
Oh, maybe you're right, well, one thing we can do
is to make use of the Daily Planet. Oh, I've
got a story all set for the first edition tomorrow
had to rewrite. Man, get the facts from Jimmy here
and knock it out. Oh good, yeah, listen to this
ban ahead Planet reporter missiness like I dare believe responsible
for said he has twice speaking Clark camp there, Oh

(08:10):
Hork Canon, hold on, Ken, thanks you so much.

Speaker 1 (08:15):
Hello Clark Candle.

Speaker 5 (08:17):
The Daily Planet.

Speaker 1 (08:18):
Yes, I'm Clark Kent.

Speaker 5 (08:20):
Yes, one word about my business planet in your paper
and lower WAYE may run into trouble.

Speaker 1 (08:27):
Who is this talking?

Speaker 5 (08:28):
Dane?

Speaker 1 (08:29):
Is the name, mister White? Have this called trace? It's Danelly.
I'll keep him on. We we hadn't intended printing anything
about you, Dannelly. If you'll send miss Lane back, why,
I'm sure again not before you.

Speaker 5 (08:43):
Haven't me up too much bed time. I'm taking note, Canter.
I wait and see what your paper before I make
them Hold how on?

Speaker 1 (08:52):
Okay? Was that really Danelli? Mister Kent, I got it, Ken,
I've got a good on the other phone. Yes, he
was calling from a drugstore booth and Little Fall. That's
a town about fifty miles from here, I'll eave it
want mister White, hold on, I'm going with you.

Speaker 4 (09:05):
What, Yes, we can take my car this time. I'm
going to be in on the kill, mister White. I
want to crack of Dannelly personally. Mister What.

Speaker 1 (09:11):
I can get there much faster alone. Huh what do
you mean? Well? That is nothing going? Nothing going. I
am coming along you, of course not. Oh please, mister White.
I won't be in the way. Jimmy wants to learn
how to be a reporter, and after all, it is
his story. Are you mad? Ken taking a kid up
the wh Not a kid, mister White, I'm fourteen. Oh

(09:32):
well all right, but you're responsible for him Ken, I'll
watch him. Geez. Thanks right now before we leave, I
want to okay this story, mister White. You can't print
that story what I didn't tell you? But Dannelly said
if we printed one word about him, Lois would suffer, can't.
You're right right, He's got us blocked, but not prolonged.

Speaker 4 (09:55):
Come on, I am itching to get my hands around
Dennelly's store, and when I do, it'll be done. But
even as Clark Kent, editor White and Jimmy Olsen Steed
Northward through the night. Two men converse in the front
room of a cabin located on the edge of a
dense pine forest two miles above the town of Little Falls.

(10:15):
One of them is Gyp Danelli, the other his henchman's fight. Listen,
here's pretty near midnight.

Speaker 1 (10:22):
Let's keep it. Tony said he'd be here in an
r Well, maybe he had a flat chip. You can't tell. Oh,
what did that? Reporter can't have to say when you
call him up. Hey, what could he say? Don't you
worry that paper won't find nothing about me? Not? Well,
we got the lane girl.

Speaker 4 (10:40):
Well, what you're gonna do with her, Gyp? That all depends. Hey,
I heard her yelling lately. She all right, yeah, tied
up in the back room. I guess she got tired.

Speaker 1 (10:52):
Part of the briefcase, with the records and collections we
made from the storekeepers.

Speaker 4 (10:56):
I talked it in the back room. They could say
for her in her shure, she'd have to be who
they need to get loose Tony to get here with that, though,
I was a fool to leader in the house. LIAI, No,
I can start paying all of you guys and quiet
this thing out. He behead Jip unless he's dead. What
I mean, well, Gee was good. I was only kidding,

(11:18):
Jip Cat. She'd taken Jill. There's no time for joking.
See what the girl's doing.

Speaker 1 (11:23):
She's all right, Tip Chip, she's gone out the wind.
The break Jase is gone too, briefcase gone, Yeah, she
took it with it. Wait, here's a plashy. Look. You
can see your trikes on the button. She went into
woods after a quick suck out your pool. The Charousene's house. Oh,

(11:44):
I didn't see it, harsher than bipe. I'll look at it,
kerosene burning all over the floor. You can't put it out.
On's get you get back. Come on, I'll tide and
walk like a torch in a minute.

Speaker 4 (11:59):
Gee, sure's Verna. What about the girl in the woods, Chip,
forget about her. We gotta think about ourselves. We'll go
back to town and pick up that door. I can't
waiting longer for Tony chrisky hanging around here. Some of
them farmers will come running when they see this fire.
How about them, paper Chip. The win's in the briefcase.
The wind blown a fire over the woods. I don't

(12:21):
think there'll be very much left of them papers, fire,
consuming the cabin and creeping slowly toward the edge of
the dry pine wood, and in the tongues of flame
by the high wind on of lois alone in the
darkness of the forest. Don't fail to tune in next
time and follow the thrilling story.

Speaker 1 (12:41):
Of Superman up in the sky. Whoop, it's a bird,
it's a plain, It's Superman.

Speaker 4 (12:55):
Superman is a copyrighted feature appearing in Action Comics magazine.

Speaker 3 (13:03):
All right, everybody, welcome back. Well, that speech that Perry
White gave at the beginning of the play today was
very interesting and he went in sort of hardcore with it.
But you can kind of tell the historical context of
when this play aired. Obviously, even though America is not

(13:25):
involved in the war yet, people are aware that there
are other people in other countries that are really suffering
and are really facing oppressive situations. And Perry White is
basically like, why do rats like Danelli get to live

(13:45):
in such under such nice circumstances where they get to
steal and take from the week and live these comfortable
lives when other people are suffering. Now, I will say
the part about the concentration camps that was a little
bit much. That was a little bit hardcore. I don't

(14:06):
think Danelly and his kind deserve that. They definitely need
to be put in jail for a time, but I
don't think they deserve that. So that was a little
bit much, I thought. But you can definitely tell that
even though the Superman Radio program is not yet directly

(14:29):
getting into war issues and going in that direction, it
will eventually, by the way. But even though it's not
yet dealing much with a war, we can see, even
at this early stage in the radio program that there
is a little bit of awareness of what's going on
around the world. So Lois Lane is in trouble. And

(14:56):
I'm not even sure do we even hear from Lois Lane.
Do we even he her talking the storyline? I can't remember.
It seems like she's been playing pretty much a silent
role in this episode, in this storyline so far. But
it looks like Danelly and his partner have kind of
messed up here and they've set the woods on fire

(15:18):
in the cabin on fire, So definitely doesn't look good
for Lois Lane. Will Superman get there in time to
save the day?

Speaker 1 (15:28):
I don't know.

Speaker 3 (15:29):
I guess we'll find out in the next episode. All right,
we are going to take a quick break and then
we'll be right back with Part four of Danelly's Protection Racket. Okay, folks,
welcome back. Let's go ahead and get into Part four

(15:49):
of Dannelly's Protection Racket. This one aired April twenty second
of nineteen forty Enjoy.

Speaker 4 (16:00):
Presenting the transcription feature Superman.

Speaker 1 (16:06):
Up the sky Hoop. It's a play. It's Superman and
now Superman, Mighty visitor from the destroyed planet Krypton, who
had appeared on Earth as the Champion of the Week
and the oppress.

Speaker 4 (16:24):
Faster than a speeding bullet, stronger than a locomotive, with
a physical structure never before realized by mortal men. Superman
goes about among human beings as Miles Clark Kent, news
reporter for the Daily Planet. When we last saw him,
Superman was on the trail of the Gypp Danelly Gang
petty racketteers who had escaped from town after capturing Lois Lane,

(16:45):
feature writer for the Daily Planet, while Superman and his
character of Clark Kent sped northward toward the gang hideout
with editor White and young Jimmy Olsen, the Daily Planet copyboy.
Lois made good her escape from Danelly's cabin in the
deep woods, taking with her the evidence of Danelli's guilt,
but only to run into an even greater danger. In

(17:05):
leaving the cabin to follow her, Denelli and his henchman's
spike accidentally knocked over a kerosene stove, and at once
the flimsy wooden shack was a massive fire. Denellien'spike raced
for their car, leaving Lois to her faith while tongues
of flame licked hungrily toward the dry wood.

Speaker 1 (17:21):
And our story continues today, the.

Speaker 4 (17:23):
Racketeers are several miles from the burning cabin, headed back
to the city, speeding over the rough road in their
powerful black sedan.

Speaker 1 (17:30):
Listening listen, Spike, be sure that Lane girl took a
breecase with her, Well, you look like yourself. Then there
wasn't anywhere in that room. What difference does it make
if it's gone, it's gone in Yeah, if it's gone,
if it ain't, it can make a lot of difference.
How what's the matter you that Tom has papers in

(17:52):
that briefcase, and then papers tell all about our collections
back in town.

Speaker 4 (17:56):
Ooh, we tapped how much? What if somebody finds it.
I'm counting on the fire to fix those papers for good. Yeah,
but what if somebody gets in there to put out
the fire?

Speaker 1 (18:06):
Don't worry. They got a fine chance of doing that.
Why not for two? Eating spike number one in another
twenty minutes, the wood will be like a furnace. Number
two a road block. Oh that's what you was doing
while I get out the car. If anybody takes the
road back of that cabin spike, they'll find a big
tree down right in their way. Heah.

Speaker 4 (18:28):
And if they try to move the tree, well, it
will be the last thing they ever do move. I
can tell you that, honest, I'll come. Never mind, how come,
just believe what I'm telling you. Quite a while ago
I've figured on something like this happening. I'll say that
you figure all the angles, jip, I don't say I do.

Speaker 1 (18:51):
The blowouts, this washboard, roads block chip?

Speaker 4 (19:02):
Yeah, right, front shoe. We gotta spare, sure, we gotta spare.
Wait till I get the trunk hop here. This ain't
no time to get held up. How long will take?
Oh fifteen minutes maybe more?

Speaker 1 (19:13):
Step on it? Clear? Hey, wait, what's the matter? The
car coming up the road? And slow.

Speaker 4 (19:21):
What if they stop? They won't stop heynally, they're slowing down.
They're stopping to keep quiet. How handle is?

Speaker 1 (19:29):
Hey? There, you're fellow? You know this? Rolls bke, roll
upit color and keep your head down? Yeah? What do
you want to know? All borrows? It's a little ball
five miles you can't miss it. Okay, what's the buy?
All right? Who time? What's that look? Do you mean what?

(19:50):
He's the guy on the front seat next to the driver. No,
what of it?

Speaker 4 (19:54):
I ain't sure, but I think it was that newspaper guy.
What's his name but Clark Kent? Yeah, he didn't know
benish Trap, but I bet it was him, all right?
And didn't I see a kid in the back seat?

Speaker 1 (20:05):
Yeah? Yeah, there was a kid in there.

Speaker 4 (20:08):
I don't know who the old guy driving was, but
if I'm right, and the other fellow was Kent, one
of the Seine, the kid was young.

Speaker 1 (20:14):
Olson say, well, what are they doing up here? After
the lane girl? Of course? And she's out somewhere in
those woods with a fire getting closer every minute. Come on,
come on, don't stand there game. I'm gonna move on.
What are we gonna do next? This flat that's the
first thing. Then I'm gonna turn right around and head
back to Little Falls. What after them? You said it?

Speaker 4 (20:32):
It's too good a chance. We might get to knock
them all over at once. I would be left to
tell about the racket. Ten, come on, get.

Speaker 1 (20:40):
Hot with them tools. Mister cant are we anywhere near
Little Falls?

Speaker 4 (20:51):
Yet?

Speaker 1 (20:51):
Pretty near? Jimmy, was it five miles that fella said,
mister White?

Speaker 4 (20:55):
That's right, Ken, they covered about four of them already,
struck me. Now is how we're going to locate Gani's
height out when we get there.

Speaker 1 (21:04):
All they know so far is somewhere Little Falls are
near it. Look, mister White, we're not a gas station
up ahead, Yeah, we'll pull in. That's just going to
places I need to ask questions. All right, We're almost
not a gas anyway. It's a man inside. He's coming
out now, even.

Speaker 4 (21:20):
Jun go her up.

Speaker 1 (21:21):
You might as well. They don't know just how far
we're going, Say Little Falls anywhere around here? Yes, sir,
sure it is just about a mile down the road.
Keep right at the poor so I's mister yep left.
Ten goes into the wood. Go in there, and you
stand a mighty good chance of getting stuff, Doug, Why
probably money? Oh no, tain't mud. Just a mighty narrow,
mean road that's blocked, big tree down across it. How

(21:44):
do you know? Well, a couple of city fellas went
by heading for the city a while ago, and they
told me, how about how they knew now they got
a cabin in there. Look here, these two men. They
didn't buy any chance to come up from the city
about four or five hours ago, did they? Why? Gee,
it's three You must be a minor. What man, you're
dead right? They did go through just about four or
five hours ago. Only there were three of them men,

(22:07):
I know because they stopped for cigarette. Three of them.
Can't be here that This was the third person in
that car, a girl and i've quit your kid and
the friend of yours.

Speaker 4 (22:15):
You know them all the time.

Speaker 1 (22:16):
What was the third personal? Girl? She was? And they
drove back just now without her? Yep, Yes, they parked
through the cabin. Maybe they're coming back. Hey, hey, where
are you going? Where's your phone? Quick? I ain't got
no phone. I'm back here, ken, Look here, that was
Danelli on the road. That man you stopped to ask
directions of and he's left. Blow us up. In that cabin.
We've got to get her out and won the police.
Hey listen, I don't know what your talk never mind,

(22:38):
you will find out later. Hey listen, whatever it is
you can't get in that cabin, I'll tell you the roads. Brock.
That's right, mister Whiteley forgot I found us to White.
Look here, we've got to separate. What do you mean?
Can you take the car? Get to the nearest phone.
Where is it? Mister does she down a robin? Third
house of the leg All right, you've phoned the police,
mister White. Tell them to watch all roads back to
the city. Okay, what are you going to do going

(22:58):
up the road into the woods even if a car
can't get through? Maybe a man camp I'll go with you.
Mister Carton, Oh you stay here, Jimmy, I'll take it
with bea. No, you better stay right here, mister White.
What's the idea, Jimmy, You watch the road, keep your
eye out, but to Nelly's car, just in case he
takes it into his head to come back again. Mister Kent,
What'll I do if he does? Let's see, Hey, you
have you got a gun? Sure? I got a gun.
Only ain't going on don't mind that those two men

(23:20):
who warn that Cavin are crooks and racketeers. What's that?
You heard me? That car comes back again while I'm
up the road toward the camp fire. Your gun three times?
Get it? I get it, mister Kent. Sold on, mister White.
When I've made that boat call, I'll come right back,
sold I, mister White, mean while I'll see if that
tree can be cleaned off the road. I'll hurry all,
I come now. Then I'm on a few steps to

(23:46):
get out of sight poor Lois, and they're holding her,
and that Kevin would count for along. I want we
know where she is. I just ought to do it.
They can't see me from the gas station. Don't I
know anything at all? Anelli's blocked the road on purpose.
They can't block Superman up Up. Leaping into the air,

(24:14):
Superman streaks over the darkness of the pine wood, following
the dim ribbon of the dirt road below. An odor
of smoke is in the night wind, but he pays
no heed to that. Hung through the darkness, then sharply
down toward the impassable barrier of a huge fallen tree,
blocking off all entrance to the cabin. There what's that?

(24:39):
It looks like a tree? It is down right across
the road. Wow, it shouldn't take us too long to
get rid of that down down there. Now it's hard
to get out to working closer by the trunk time

(25:01):
seventy feet long? If it's an inch three feet thick,
dost weigh eight or nine tons? I wonder how far
I can throw this tree like hurling a javelin? What's
this so wire? This thing's wired down? That's funny. Uh

(25:25):
score one for Donelly wired that tree to a blasting charge.
Blew up right in my face. Anybody else can shutter
the bits. It's a good thing. Dynamite can't hurt me.
But maybe it wasn't so good for Dannelly. That blast
blew the tree right off the road. I can't get
to the cabin now. Three shots That beats couple back

(25:49):
at the gas station. Something's happening here comes the car.
Can't be Donelly. They never make a rout like that.
It must be the police, whoever it is. All they'll
find when they get here is Clark. Come to think
of it, I better go to meet them, just in case.
The now he's patted any more surprises hey all it.

(26:09):
What's the matter, great scott Man? Not explosive? Mister White,
how did you hear it? How did you get here? Well?

Speaker 4 (26:14):
I was all the way back after making the phone call.
What happened to Nelly's gang? Left to charge your blest?
He bought her under the pallen tree.

Speaker 1 (26:20):
He just went off. And are you all right? Is
Jimmy all right? Jimmy, Jimmy's back in the gas station? No, no,
he's not. The man said he went after you, but
he didn't. I told him to stay there. Oh, I
know what you told him. But the man said he
followed you anyway, If he was in that blast White,
it's not possible I would have seen him. He must
be in the wood. Jimmy, Jimmy off, Jimmy, Jimmy, give
me off, Jimmy. Where Rantick shouts and calls go off

(26:43):
into the darkness of the forest, and only mocking echoes
come faintfully back. Jimmy has vanished in the wood. Meanwhile,
stronger and stronger on the night, when the odor of
burning brush comes drifting from the direction of the cabin.
Jimmy is gone. Lois is gone somewhere and creeping up
through the Night, Stan Alien Spike are returning to see

(27:04):
what Kenvin White have found. The thrilling climax is not
far off.

Speaker 4 (27:08):
Tune in next time and follow the exciting, thrill packed
story of Superman.

Speaker 1 (27:16):
Up in the sky. It's a bird, it's a thing,
It's Superman. Superman is a copyrighted feature appearing in Action
Comics Magazine.

Speaker 3 (27:34):
All right, everybody, welcome back. Well, I'm kind of glad
that they're getting away from the city. I felt like
things were getting a little stale, a little boring with
the story there in the city, so I'm glad that
they are sort of changing it up here in the
second half of this storyline and getting away into a
more forest woodsy type setting. I love that part where

(28:00):
Superman the bomb blows up right there, and of course,
because he's Superman, it doesn't even phase him. I could
really see something like that happening on Smallville where Clark
tom Welling gets in the car and turns it on
or gets in the truck and the whole truck explodes
and he's just kind of sitting there like, h well,

(28:22):
that's not good.

Speaker 1 (28:25):
I love it.

Speaker 3 (28:25):
I absolutely love it. We also see that Jimmy Olsen's
proclivity to not follow orders and to not be obedient
continues to get him in trouble as he leaves the
gas station, and now both Lois and Jimmy are somewhere
out in the woods or cabin or whatever. With the

(28:47):
fire going on and Danelly's coming back, things are getting
crazy here. We've only got two more episodes left of
this storyline, so be sure to stick around for that.
All right, folks, that is going to be a rap today.
Thank you so much for tuning in, and I will

(29:07):
catch you next time.

Speaker 1 (29:09):
Peace out.