Hello World! We're Back!

On The Move Unscripted is back for it's 9th season. Cool TLC stopped by to speak with Patricia M. Goins and Mr. Stout and to help kick off the 2025 new season!

We are the original unscripted, uncut, uncensored, unfiltered radio podcast. We hope you missed us because we sure missed all of you. Join us as we travel all around the world with new guest interviews and indie music... Don't forget to stop by  AtlantaMuzicIndustry.com ,we did some cool changes to the site for 2025!

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Episode Transcript

Speaker 1 (00:07):
All around the well, all around the west, with.

Speaker 2 (00:19):
All on Lounda West.

Speaker 3 (00:23):
From Ohio to Chicago to Atlanta.

Speaker 2 (00:29):
What's going on?

Speaker 4 (00:32):
I want to move up scripted in the house was
that it was good with it because we haven't seen
you since twenty twenty. It's been right, I ain't seen
y'all since I've seen y'all.

Speaker 2 (00:47):
What's been on the corner.

Speaker 5 (00:50):
So it's been a long time since we even did
a want to move our scripted And there's been a
lot of changes going on. You know, uh, Block Talk
Radio shut down on the thirty first of January.

Speaker 4 (01:03):
Oh you see my sad face. You see my sad face.

Speaker 6 (01:07):
Oh, we gotta let everybody know who we are.

Speaker 2 (01:12):
So we're on the Yeah, we're doing the zoom right here, y'all.
Let me just see. Can y'all see say hi, say
the women, let me get it in the picture. It's
so ghetti fi say hi. Cook tells me.

Speaker 7 (01:24):
I'm not saying nothing. I'm bleeding six No. Hey, what up? Everybody?
What up? What up? Shout out to the people that's
tuning in that owe me money, shout out, I need
my money.

Speaker 5 (01:38):
Kiki, you said you need your money. So it's been
a long time. So since the last time eleven hundred
a m member the show that I.

Speaker 7 (01:52):
Was orange right right, shut.

Speaker 5 (01:54):
Down, spreaker, stop going live. They don't do live no more. Right,
They're still around, but they don't do that.

Speaker 6 (02:01):
They don't go live anymore. They are I think right now.
It's a lot of things that are like with the
visuals right now. So if you're using something from like uh,
what do you call it, like stream yard or something
like that, you know, zoom, you can call in if

(02:22):
you if you're using like a mixer that has or
interface that has Bluetooth capabilities.

Speaker 2 (02:28):
Oh okay, then now you are live.

Speaker 6 (02:31):
But then if you if you work with like whatever
server or I P, you know, whatever, you can you
can connect it to your your website. Now you can
have that that feel like you know, like the voice
op or b O I P, so that it goes
to you know, your your phone, your visual you know,

(02:52):
and then your your interface.

Speaker 2 (02:54):
So yeah, it changes a little bit, you know, but.

Speaker 6 (02:57):
It's it's they trying to make it so it's more
integri more simply to be integrated.

Speaker 7 (03:02):
Right, Yeah, A whole bunch of a whole bunch of shiggity.

Speaker 2 (03:07):
It's it was a call up, right, that's it's just
like it's a line.

Speaker 5 (03:12):
Oh yeah, yeah, people would call in, but I liked it.
It was fun to see people calling in from different places.

Speaker 7 (03:18):
It was fun.

Speaker 5 (03:19):
If you know, you you just gotta roll with the punchings.
Whenever something ends, that means something is about to begin,
you know, so right right right?

Speaker 2 (03:28):
So anyway, what's been going on with you? Cool? T
ling a frequent.

Speaker 4 (03:33):
Everything in some you know what I'm saying, like for real,
for real, everything in the in the in some you
know what I'm saying. Uh, I just uh appeared on Cops.
You know what I'm saying, like maybe two days ago, right, yeah, yeah, yeah,
it was an episode of Cops. My cousin got pulled
over from switching lanes without a turn signal.

Speaker 7 (03:54):
So it was like a reality show for real, for real.

Speaker 4 (03:58):
Okay, And if y'all believe that I got swamp Land
and I thought he was yeah, look these days you
never know, right, But but I had that serious look
on my faith, so you you really couldn't tell because
I had that serious I had that so serious look,
you know what I'm saying.

Speaker 7 (04:17):
But yeah, in reality that that ain't happened, you know
what I'm saying, because I would have been driving.

Speaker 2 (04:23):
But that's you know, no, not not not no, you
wouldn't have been driving.

Speaker 7 (04:28):
I mean why not?

Speaker 4 (04:29):
I mean listen, okay, you know what, Let me just
stop talking because I'll be blowing up my you know
the way I give money.

Speaker 2 (04:38):
So.

Speaker 7 (04:41):
Anyway, so yeah, just be doing what I do.

Speaker 4 (04:43):
You know what I'm saying, concentrating on being the rap
media r A P M E D A I N
you know cool TLC.

Speaker 7 (04:49):
That's all. I had to spell that.

Speaker 5 (04:51):
Fast like everybody, you know, like google me, baby, like
say it slower so people can write it down.

Speaker 2 (04:57):
Say it again, what you.

Speaker 4 (04:58):
Say O, and a lot of stuff and representing the.

Speaker 7 (05:06):
R RA P M ME D I A inn cotlsc.

Speaker 2 (05:16):
I.

Speaker 4 (05:16):
You know, I just made the right thing to that
someone's wrong with their own system, Like why is he
talking like that?

Speaker 7 (05:23):
Like yeah, yeah, but just been doing what I do.

Speaker 2 (05:27):
He's still promoting independent artists and stuff.

Speaker 7 (05:29):
Yes I do.

Speaker 4 (05:30):
The world famous Meltdown show is in a location near
you or I mean well not near you, but here
in your ear two and you can, you know, check
it out. I'm still supporting these independent artists that you
never heard or maybe you heard them. I don't know
what you do with your life, but I know what
I do in my life on the world famous Meltdown
Show is I play independent artists of all genre, from

(05:51):
hip hop, R and B, reggae, reggaeton, dance, hall, house,
ed m. I play some rockets, some country if it's
got an urban appeal for me, and uh, you know,
I just support the independent artists to the fullest, you
know what.

Speaker 5 (06:03):
I feel like we've gonnosaurs in this thing, right, I mean,
right now. There's a lot of different platforms that promote
independent artists, which is awesome, amazing. But when we first started,
and I'm not sure how long you've been in it,
who TLC. But I know I've been in it for
at least since two thousand and gosh, it's two thousand
and nine.

Speaker 6 (06:24):
I've been doing susand seven.

Speaker 4 (06:27):
I've been Yeah, I've been doing it like for real,
for real, all my life. So it wasn't never a beginning,
the beginning way back, if you want to go way
back back in.

Speaker 2 (06:37):
The nineteen hundreds, I'm from the nineteen hundred.

Speaker 4 (06:41):
Right right, Well, you know what I'm saying. So it
goes way back then, you know what I'm saying. I mean,
it's a lot of platforms that are out there, and
I'm gonna just say me. I'm not gonna say what
everybody else is doing, because I'm not listening to everybody
else's show.

Speaker 7 (06:56):
Sometime I do, sometime I don't.

Speaker 4 (06:58):
But on my show, I try to give you a
range of music and not just stay in one genre
because a lot of people that do have shows stay
in one genre.

Speaker 2 (07:06):
That's true, That's very true.

Speaker 6 (07:08):
I put a post out yesterday on the Mississtout channel
and were working with one on one point one of
the f f.

Speaker 2 (07:16):
M to find new music.

Speaker 6 (07:18):
And I got I got people who that was hit
me up from all around the world and they sending
us different different styles, different different music.

Speaker 2 (07:25):
And I cannot place this somewhere. Well, we already do.

Speaker 6 (07:28):
Have so many other places that have it, you know, say,
just like you know the Meltdown show, we can have
these songs. I probably had about like fifty people who
sent me some songs off of that post that I
posted up that was yesterday. I mean, wrong here, something
I was asking him sending e p K, send the

(07:49):
uh and where you're from? I did one of those
because that's what the thing they most most of the stations.
FM stations are asking where the artists are coming from,
so they'll know where, you know, where how the way
they can see what's going on in those markets right right,
like you know what you're doing for the Meltdown show,
like you know, we would always like to know, say

(08:10):
you a playlist and see what you'd like to see,
like you know, like because there's other folks that are
working with that's going along with this.

Speaker 2 (08:16):
I don't know if you're familiar with.

Speaker 6 (08:18):
Urban influences, I'm enjoying that that. Yeah, that's gonna that's
what they're doing right now. There's a lot of different
platforms that you can deal with that, you know, saying
if you've got gospel, you got hip hop, you got pop.
There's different shows they have every day of the week
basically where you can have those songs, submit it or
they'll send them to us and we can also like

(08:38):
you know, send the music to other shows or have
a way that you can actually like you know, get
your music, uh, running through a network of different stations.

Speaker 4 (08:49):
Right right right, Yeah, that's what that's what I'm doing
now because I'm syndicated on several stations now that I'm
playing my Meltdown show on, so it's gonna grow more
and more, you know what I'm saying, because it's a
whole different, unique style of show because of you know
how I designed it and do it.

Speaker 2 (09:06):
That's it.

Speaker 7 (09:07):
That's it.

Speaker 4 (09:07):
I'm not gonna say it's no different than anybody get
in front of Mike cracking it. But it's always your
signature or what you put into something that makes it unique.

Speaker 5 (09:16):
I'm gonna have to send my new song whatever we ask.
Did you say you do gospel too? Right?

Speaker 7 (09:22):
I do it all. It don't matter. Music is music.
I don't. I don't necessary because you gotta look at music.

Speaker 4 (09:29):
Music is generated to They make categories because they just
want to make it in categories. But it's just music.
Either you're going to enjoy it or you not. You
know what I'm saying, You really don't have a joy.
Some things you might like, some things you might not.

Speaker 7 (09:42):
I don't.

Speaker 4 (09:43):
Really a lot of stuff ain't for me. But I
play it because they're independent artists, so I don't judge
on what they do. I let the people hear it
because that's who they're trying to get it to so
I don't really judge it about.

Speaker 5 (09:58):
My new song. Look, I've been I've been torturing everybody.
Today's my birthday, Okay, birthday girls. The record is really
really good.

Speaker 7 (10:09):
Oh man, it's your birthday today.

Speaker 4 (10:11):
I would have sent you a cake through zoom, but
I ain't know how to open up my phone.

Speaker 7 (10:14):
But that's a whole different thing. So yeah, so.

Speaker 2 (10:20):
Yeah, my my, So.

Speaker 5 (10:24):
I have a new album that's going to be coming
out in May.

Speaker 2 (10:27):
Right, my goal is to release it on my daughter's birth.

Speaker 5 (10:32):
No, it's going to be in May. In Jesus name,
I'm claiming it. I'm writing it and made playing so
and I've already started working on the music.

Speaker 2 (10:40):
So.

Speaker 5 (10:41):
But the first single from the new album I released today.

Speaker 7 (10:44):
On my birthday, okay.

Speaker 5 (10:47):
And the cool thing is the song is called whatever
We Ask. And I feel like we're in that season
where we need to understand it. In spite of what's
going on around us.

Speaker 2 (10:57):
We still have this relationship with God that we can
go to him about anything, and.

Speaker 5 (11:02):
Whatever we ask, he will do it according to his
will and according to the purpose that He has for
our life.

Speaker 2 (11:08):
You know what I'm saying.

Speaker 7 (11:09):
Oh yeah, definitely, definitely, definitely.

Speaker 2 (11:11):
So I feel like God. I took a trip to
La in twenty twenty three. It was like a really fake.

Speaker 5 (11:19):
Move, you know, and I had this experience with God
on the beach and it was in that experience where
Psalms forty six came where it was like God said,
stand still and know that he is God. And then
you know Mark eleven twenty four where he's saying, whatever
you ask, you know, whatever you ask, right, The key

(11:39):
thing is believing because you can ask. But if you
don't really believe that God is real and He's gonna
do anything for you, then you.

Speaker 7 (11:45):
Know what, you know what we're talking about. Yeah, I
believe that what you.

Speaker 5 (11:49):
Ask for he's hearing you and he's going to release
it in the divine timing. Then whatever you ask, he's
going to do.

Speaker 2 (11:55):
So that's what the song. The basics of the song.

Speaker 7 (11:57):
Is okay, okay.

Speaker 2 (12:00):
Times we go through stuff and we're trying to figure
out is God even listen? Did this he hear us?

Speaker 7 (12:04):
Do you you know?

Speaker 5 (12:05):
And I guess God is just downloaded in my spirit
and whatever you ask, whatever it is, Oh.

Speaker 4 (12:12):
Yeah, yeah, because i'd be I'd be asking some straight
ridiculous stuff that I know he'd be like, for real,
bruhnna ask I'll.

Speaker 7 (12:20):
Be like, well you said anything, Like you already know
what I was thinking before I even asked you, So
why even you know, let it come out of my mouth?

Speaker 4 (12:27):
You know I was thinking anyway, So you know what
I'm saying. But I do be asking you whole ridiculous stuff. Yeah,
I'll be just trying it just to see, you know, like, hey,
you know, can you you know? And I know he's
gonna be like, nah, just just what.

Speaker 7 (12:48):
I know you ain't get it. Yeah, just how you
asking it? I know you ain't gonna get it.

Speaker 2 (12:54):
So I'm one thing, like what is the new way
for you know, podcasters and stuff?

Speaker 7 (13:02):
I mean that you do, you do what you want
to do.

Speaker 4 (13:04):
Everything is become uh, everything has become wide open now.
So you do whatever you want and the people that
you gain is who you gain as a as a fan.

Speaker 7 (13:15):
I'm not you know. It's like it's like you got
a whole pie. I don't want the whole pie.

Speaker 4 (13:21):
Just give me slice by slice because eventually I'm gonna
get the whole pie.

Speaker 7 (13:25):
I don't have to have a whole pie.

Speaker 4 (13:26):
First, just give me a slice of it, and I
keep getting slices when I want to get something, because
it's like, what are you trying to really achieve that
you're trying to get? You know, do you want loyal
people or do you just want people that just tune in?
Because everybody else is sooning?

Speaker 2 (13:44):
And you know what, the one thing.

Speaker 5 (13:47):
That when dealing with promoting independent artists, you know the
one thing. And I'm an artist too, so I'm speaking
not just for everybody else, but for myself. It's one
thing to get viewers, right, get a whole bunch of
viewers is on your thing. But those don't necessarily equal
loyal fans.

Speaker 4 (14:05):
You feel what I'm saying, Yeah, they don't equal money.
You know that's so bottom line. You in the game
to make it. You know, let's don't let's talk about
the elephant in the room. Everybody want to make money
off of their skill, you know what I'm saying. Everybody,
You know, because you got a right to you, you
put it out there. You want to make money off
of it. Now, how you make money off of it

(14:26):
is how much you put into it.

Speaker 2 (14:29):
And how many loyal fans are willing to support. So
so it's it's art.

Speaker 6 (14:34):
So it's how that subjective's like kind of subjective. Right,
it's art, it is right, it's still it's still an art.
And you're just asking people to buy into your art.

Speaker 5 (14:45):
To support or invest. It's like you're asking for a
whole bunch of little investors or not. You know, anytime
somebody plays or definitely buys or comes to your show
or purchase your merchandise, it's like they're your investor because
they're investing in your craft, they're investing in your gift.

Speaker 2 (15:05):
They're showing that we believe.

Speaker 5 (15:06):
In what you're doing enough that we're willing to give
you ninety nine cents or we're willing to give you
fifteen dollars or twenty dollars or like a gold fund.

Speaker 2 (15:15):
Right, it's yeah, is it really? Yeah?

Speaker 7 (15:21):
It's like a store. It's like a store.

Speaker 4 (15:23):
I got a merchandise and sell and you want to
buy because I made it look good in the store.

Speaker 7 (15:28):
So you know, what I'm saying is supplying demand.

Speaker 4 (15:34):
You put yourself out there, so now you got to
keep up with what you put it because somebody's here.

Speaker 7 (15:39):
Oh I like that, you got some more? You got
some more?

Speaker 5 (15:43):
Is it any different from any other product though that
you make is there? Is it really is music and books?
And is it any different from any other product that
you go to the store to get. It's still somebody's creation.

Speaker 6 (15:57):
Or people used to go to the stores back in
the day nineteen hundreds to go buy something that was
tangible to the store, right that record, to buy a tape,
to buy a song and bring it back home and
then as put it on their record player or they
tape player or the CD player and play it. Now
you can you don't have to go to that store.

(16:18):
You're not, you know, you go everywhere else. You still
got to go to the store to get those things. Right,
So you're going online and people say, okay, well I
gotta get this new record, and it's at a store
where they can digitally buy. Because the new generation is
they have no idea of either way we used to
go buy records like that's stuff that is out.

Speaker 2 (16:36):
They can't fathom that.

Speaker 5 (16:38):
But you know, the saddest thing to me is that
even back then when everybody was buying CDs and records
and stuff, the artists were still being cheated. Even back then,
Oh yeah, they weren't being paid like they were supposed
to when they were making lots and lots of money.
And then it's like when an independent artist is like,
you know what, I'm gonna start making my own CDs

(16:59):
and out here like mass p and I'm about to
go out here and self. Then all of a sudden,
the industry changed. Oh now everything's digital. So now it's
like it's everything is almost free as far as the
creativity and the fans or the people who used to
go to the record stories and buy the music. Now
they're like, oh, we ain't got paid nothing, But that's
still cheating the artists. The artist has been cheated over

(17:21):
and over and it's not fair because if you think
about everything that you see in the world, everything is tangible,
from the computers to everything with somebody's creative concept what
it's creative idea, and they put it out there and
people bought it. Why should it be any different for
artists because the world is not rolling without music. Music

(17:41):
is a universal thing that I don't feel like it
would even be the same if music was to leave
the earth, Like music is necessary.

Speaker 2 (17:50):
Right part of us, so that too, right, So you
just have to find your tribe. I think of that right, you.

Speaker 4 (18:03):
Got because this is where we where I say we
were not in a different world, were really not in
different world because you know, like you said, people don't
go to the store no more, they don't buy records,
but yet they do.

Speaker 7 (18:17):
They still go to the store because the online.

Speaker 4 (18:19):
Stores when you go to these apples, and he said,
you're still doing the same thing. It's just a different walk.
It's the same thing. It don't change. All it did
was change the direction of it was. But you still
have to go somewhere to get this music. So you
still got the concept. What it is is they're not
buying the music, but you are buying the music because

(18:41):
you buying a subscription to the music.

Speaker 7 (18:44):
You buying it.

Speaker 6 (18:45):
The artist is not.

Speaker 7 (18:49):
Paying, right, but the artists not.

Speaker 4 (18:51):
But I'm saying you still the concept of they going
to get their music from somewhere a store. Yeah, the
artist is not and fitting from it because they haven't
figured out.

Speaker 7 (19:04):
You know, they paying you whatever, they're paying you to
play your music.

Speaker 4 (19:08):
But you gotta spin. You gotta get so many spins
to really make some music, to make some money.

Speaker 5 (19:15):
That's why I'm telling people still to go and make
the USB's album USBs and the CDs, because I don't
care what nobody says. I have been in a lot
of cars that still got city players. I don't know
why they acting like the CD player cars all went
over to the to the Dunkyard. Like there's still cars
that are made two thousand and fifteen still got city players,

(19:38):
you know, twenty sixteen they still got city players. Some
of them have.

Speaker 2 (19:41):
USB's, although Brian said he didn't have either one. I
don't know what he got. Got a space of that car.

Speaker 6 (19:48):
See that the Jetsons would have to go to like
like parts of the world that don't they still lived
in that kind of way, you know what I mean,
Like it's still using c's or teams or buying records.

Speaker 7 (20:01):
A lot of us is not.

Speaker 2 (20:03):
Oh so we need to get over there these other
countries us the country, right Hey. I need for somebody
over there in another country to bring me over there.

Speaker 4 (20:10):
Selection Hey, hey, we live in the new We live
in the new world right now. If you want to
go go over there yourself.

Speaker 5 (20:22):
Yeah, although I don't know right now, these planes for
off the scott they need to pick Look I meant,
I mean a.

Speaker 2 (20:30):
Lot of planes to go back to the mckin's and
get that navigation system.

Speaker 5 (20:34):
Dense because there's some rotations going on in the universe
and y'all navigation system is still in the nineteen hundreds.

Speaker 2 (20:40):
I need y'all fix that, right.

Speaker 7 (20:43):
I mean, ride a But like I said, ride a
right to the harbor. Jump on the boat.

Speaker 4 (20:48):
It might go and take you a couple of days
to get there, but you know, you can make it.
I ain't saying the rowboat, but you can make it.

Speaker 2 (20:55):
What are your thoughts about these planes?

Speaker 7 (20:58):
I don't know because I ain't taking them right now.
That's my thought right now. I mean, it's just you.
You gotta look at it, okay. Who made the plane? Man?

Speaker 4 (21:11):
Yeah, so it's gonna be something that goes wrong with it.
Now we got, you know, quote unquote all the regulations
take it off. Now you're getting to see what's really
going on. These planes ain't built right, you know, and
even if the machine is building it, it still lacks.

Speaker 7 (21:28):
To know if it did it tight enough or not
tight enough.

Speaker 4 (21:33):
It only goes you know, once again, we rely on
technology that ain't been proven all the way. It gets
the job done, but it's not proven all the way.
Who's going back making sure this stuff is tight.

Speaker 2 (21:46):
What did you say about the changing in the polarity.

Speaker 6 (21:52):
But saying that it was actually moved or a little
bit more moved from the like the alignments of the planets.
They still caused something, they said, the phones didn't do it,
but like you can read it or google it or
Wikipedia or what have you. But they was like saying
as if the planets did something to pull the larity

(22:16):
of the north pole a little bit over more so
it didn't affect the phones or GPS, but it affected
the navigation for certain for some planes.

Speaker 2 (22:26):
Another plane just crashed to like recent too, Yes, I
mean is it because you know, you know familiar it's
going to happen.

Speaker 7 (22:37):
Yes, we do know that.

Speaker 2 (22:38):
But how many times in your lifetime that you know,
you have heard of more than four planes having a
sort of a malfunction or something happened to them. But
then the last ten months there has been its September.
But you know what when was that?

Speaker 5 (22:53):
When was that day that you was able to look
out outside and see the different stars?

Speaker 4 (22:58):
Oh?

Speaker 2 (22:58):
Yeah, for like like yeah, there was some alignments and.

Speaker 5 (23:02):
Some changing shifting going up in the heavens and the
galaxies and whatever that is a little bit before that
plane started crashing or started having crashed landings, like they're
losing like the helicopter and the airplane. All there's some
whatever that shift was that happened. These planes need to

(23:24):
go back, take their planes back in and fix it
or it's not gonna stop because there's something off with
the navigation now.

Speaker 4 (23:33):
That, yeah, that that just goes to say that for real,
for real, the Earth is offline because we got too
many frequencies out here. We got too many We got
all these microwaves, we got all these bluetoothes, we got
all these different things, and it's throwing off the frequency

(23:53):
of the Earth. The Earth still rolls on a different frequency,
and when you tap into it, you throw everything off access.
And it's been that way for a minute.

Speaker 5 (24:03):
And that's why it's snowing in Florida, Florida. I'm so
sorry it snowed out there.

Speaker 2 (24:06):
I know, y'all like this is not what we know.
This ain't for us. We don't know how to deal
with snow in Florida.

Speaker 5 (24:13):
You know, whenever you get snow in places where it
never snowed, it's like something is definitely up in the atmosphere.

Speaker 4 (24:21):
Yeah, I'd be like, if you if it's snowing in Florida,
just get you some cold orange juice. At least you
can squeeze the oranges right out there out the air.

Speaker 7 (24:29):
Squeeze it this already cold like.

Speaker 2 (24:33):
Florida outside.

Speaker 4 (24:34):
Like I'm like, put all your groceries outside, now, put
it outside, like, make it make sense, make it, makes it,
use it to your advantage.

Speaker 2 (24:45):
Right. So my other question is these little things that
were flying in the sky on Lee what what are
those drones? What is that?

Speaker 7 (24:56):
Probably some little aliens trying to figure out what's going on.

Speaker 4 (24:59):
They probably riding around the neighborhood like, man, we ain't
gonna move over here. Man, lord, it'll look bad over here. Now,
let's find somewhere else. I don't know, they just you know,
between us playing the games with ourselves, you know what
I'm saying. These could be the little fireplanes flying around
trying to check out. It could have been you know,
anybody trying to get navigation to what's going on, get

(25:20):
demographics of what's in the neighborhood.

Speaker 7 (25:23):
But it's just so much stuff that they not saying.
You know what I'm saying. We can say it aliens,
but you know, they ain't came up to me yet.

Speaker 8 (25:33):
You know, dude, all of us born in nineteen hundred
don't understand. I was so if you're an alien, just
don't wind up on the wrong block, right.

Speaker 4 (25:46):
They doing flybys, They doing flybys. They don't even get
off the ship. They just.

Speaker 2 (25:56):
Like that.

Speaker 7 (25:57):
Did y'all just see that?

Speaker 2 (25:59):
Right? So it's a lot going on.

Speaker 5 (26:02):
There's definitely a lot of changes since we were last on,
you know, for those of it, if you have followed
us throughout the years, you know, I want to move on.
Scripted started in twenty and sixteen on eleven hundred and
AM and then kind of moved to a podcast right
before the pandemic in twenty twenty and so we took
a little, a little break, right, and we came back

(26:25):
like that.

Speaker 2 (26:25):
What's going on?

Speaker 7 (26:26):
Like, Oh, yeah, yeah, I'm going back to a tracks.
I don't care about that. I don't even care. I'm
about to go back to VCRs and just break the
whole world down.

Speaker 4 (26:36):
Yeah.

Speaker 5 (26:37):
I got hey, I got CD scored. I got to
see these USBs, these cars, got see listen artists, listen artists,
they got these CD players and these USBs, and these cars.

Speaker 2 (26:47):
Don't let them fool you and tell you that they don't.
They just trying to keep you. They want to keep
everything online.

Speaker 6 (26:53):
On your console that was coming up. You said, well,
take your phone and put it on like the console
in your car. So everything is definitely speeding up.

Speaker 5 (27:05):
Yes, And they're trying to get rid of all these
cars that got the CD players in the in the
USB's and all kind of stuff. But Little Dots is
always gonna be here because let me tell you, them
old school cars they last them months, are still on
the road because they made them to last.

Speaker 2 (27:20):
These new cars.

Speaker 5 (27:21):
I told you that one car had I ain't gonna
say to make but I was a brand new car
and I drove and hit something a little bit and
the whole bump side of the car they fellow of
the whole plastic thing.

Speaker 2 (27:34):
Right right, that's probably the nineteen hundreds didn't make.

Speaker 7 (27:38):
Cars, right.

Speaker 4 (27:39):
But but see that's that's the problem. That's the problem.
These old cars on the road. Happy for them, glad
they running good. Where you're gonna get the parts at Yeah?

Speaker 2 (27:50):
Oh, they stopped making the park. I guess I don't.

Speaker 4 (27:52):
I mean you it's gonna be hard to find the
Oldsmobile ninety eight in ninety eight.

Speaker 2 (28:00):
Yeah, that's that's a thing.

Speaker 4 (28:01):
I don't think you can still find parts with You're
gonna be it's gonna be like in search of You're
gonna be like Star Trek looking in fornt of the
new generation of stuff, going back trying to find them
parts because them parts ain't gonna be easy to find.
You can find after market parts, but you ain't gonna find.

Speaker 2 (28:18):
The original park. Yeah, you gotta find somebody with that
old park. You know what's really wild.

Speaker 5 (28:23):
I've talked to people who are in the seventies and
eighties and stuff, and it's so amazing to me when
I listen to when I when they talk about the
changes in their life span. So I'm thinking about us, right,
and I'm thinking about you know, how we talk about
the pagers, you know what I'm saying or whatever, and uh,
the telephone booth, which this new breed don't even know
telephone booth.

Speaker 2 (28:44):
They just think Superman.

Speaker 7 (28:45):
We really had that there.

Speaker 2 (28:48):
Fifty years from.

Speaker 5 (28:49):
Now right for whatever it's on now, i'magine, is it
gonna be flying are rejections? Who's gonna be flying cars
flying around?

Speaker 7 (28:57):
Well?

Speaker 4 (28:57):
They already got them now, don't don't. Europe is already
in the in the zone to flying now.

Speaker 7 (29:03):
So we we we laid on that. America laid on it.
Europe paint on it. They they on it.

Speaker 2 (29:09):
They got flying cars in there.

Speaker 7 (29:11):
Yeah.

Speaker 6 (29:12):
Yeah, well we're just doing the drones. But Amazon, you
get your food drop to you. You're sandwich, right right,
I don't even know.

Speaker 7 (29:22):
Yeah, I don't know about.

Speaker 2 (29:25):
Right.

Speaker 4 (29:25):
They call you outside like your drone to be in
your driveway in two minutes.

Speaker 7 (29:30):
Man, what is the drone?

Speaker 9 (29:32):
Oh lord?

Speaker 2 (29:33):
Who is?

Speaker 5 (29:34):
So that means that really the Jetsons was telling us
what was coming way back in the seventies, right.

Speaker 7 (29:42):
But before before the you gotta go before the Jetsons.

Speaker 4 (29:46):
You gotta go back to Star Trek, and you gotta
go back to Lost in Space and stuff like that,
because and and uh uh, these old TV shows was
already ahead.

Speaker 7 (29:57):
Of the Jetsons.

Speaker 2 (29:59):
It was already, don't what was coming.

Speaker 7 (30:02):
You look at Star Trek. We had seen Star Trek
or their communicators that was a flip.

Speaker 6 (30:07):
Phone, yeah yeah, and the camera teleprophlem thing like what
we're doing right now, right right right.

Speaker 4 (30:17):
And they was already and and and using computers and
you know, in the air, you know what I'm saying,
and making stuff happen.

Speaker 7 (30:24):
So I just did it to make an example. I
don't even know if anybody's seen it.

Speaker 2 (30:33):
So what are your thoughts about robots?

Speaker 7 (30:36):
I mean they cool long as they can clean up.

Speaker 6 (30:39):
Oh no, man, I don't want to see some animatronic thing.
It's going to be pretty strong. But do I need
a fire steams or or a bucket of water?

Speaker 2 (30:46):
Put it out? It's crazy.

Speaker 7 (30:49):
Hey, listen, they got a robot dogs, So what does
that tell you?

Speaker 4 (30:53):
That's what the people that can't afford no dog and
don't want to take care of no dog, But you
got electronic dog. I think that's the best thing, right,
because you ain't gotta feed them, You ain't got All
you gotta do is make sure the battery jars up.

Speaker 5 (31:04):
They got these virtual world things now that they can
put it on and go into a whole nother world.
And that one movie that the men beats throwing the
women in the virtual things. Yeah, yeah, watch you when
you get your virtual Yeah.

Speaker 7 (31:17):
I don't know how that's gonna work. I don't know
how that's gonna work out, because you.

Speaker 4 (31:23):
Don't forget now you're saying in the virtual world, right,
but you in the real world with your clothes off, Natty,
are humping in the air with the clothes off.

Speaker 7 (31:32):
Come on for real with the clothes off in the air.

Speaker 2 (31:35):
I mean, it's gonna be guys getting busted. You're gonna
see that on YouTube.

Speaker 7 (31:39):
Real song.

Speaker 4 (31:39):
But and what happened if you if you naked? I'm
just saying this is a dark content, But what happened
if you neked? And you know, with these glasses, you
gotta have a lot of room in your house because
if you don't, you'll fall over stuff and all that.
What happened if you start humping against the wall though?
But you in the virtual world, you you and the girl?

Speaker 7 (32:00):
Nah, bro, that ain't that. Ain't what you're doing. That
ain't what you know?

Speaker 6 (32:04):
Watch like port Side, I wanted to go walk to
the Grand King in the edge of it. I want
to see that kind of like that kind of stop
like probably try to walk up to.

Speaker 2 (32:14):
What was it the green wall. I'm trying it like
that kind of stuff.

Speaker 4 (32:18):
I think they gotta they gotta a virtuality reality glasses
and you know, they got games and different stuff like that.

Speaker 7 (32:24):
But my brother was playing it, and you know, he's
playing a couple of games.

Speaker 4 (32:28):
But they got a game where where you in the water,
like swimming in the ocean, and you can't see nothing
around you, so you don't know what's coming up on
you or nothing. I was like, nah, bro, I ain't
got that kind of anxiety in my life. I got
that anxiety at all at all. Like, and they got

(32:51):
zombie games and they say, all this stuff look real.

Speaker 7 (32:54):
I can't. I can't put them on, play this game
and go to sleep at night.

Speaker 4 (33:00):
You know what I'm saying, Like, No, this is not
I mean, it's good to have I think everything in moderation,
but I wouldn't consume my life.

Speaker 7 (33:10):
With it to lead the real world.

Speaker 5 (33:14):
So y'all, don't listen. Don't let this uh virtual world
thing have you think that's reality because you're trying to escape.

Speaker 7 (33:28):
I would love to have a virtual girlfriend though. That'd
be sweet. You could just put her, you know, like.

Speaker 4 (33:32):
Take the glasses off, put them down, and she's gone,
and then if you want to come back over, you
can just put.

Speaker 7 (33:37):
Them back up. I'm just saying. I'm just saying that's
my thought about it.

Speaker 2 (33:40):
The virtual woman starts fushing like all right, starting to
cut off.

Speaker 7 (33:44):
Yeah, I just put the glasses down, like all right,
you gone with that? Ain't nobody on that.

Speaker 2 (33:50):
She's gonna get right back on your ass. You put
them back?

Speaker 4 (33:53):
Hey, lapping, did she tell you that? Lapping and virtual reality?
She pregnant and got kids, and they take you to
try sport in virtuality.

Speaker 7 (34:01):
They take you the child support and you gotta pay chius.

Speaker 4 (34:04):
Support in virtual reality, right right, see about to have
two kids and everything, and you you gotta always go
see your kids.

Speaker 7 (34:17):
If you don't, they gonna die the game. You gotta
keep playing the game.

Speaker 4 (34:21):
Remember, well, we had our first if y'all remember, and
I'm gonna take y'all back if you remember, and I'm
gonna take y'all back to the nineteen hundred when we
had them little pet things on our key chains and
you have to take care of the pet.

Speaker 7 (34:35):
Oh right, you have to take care of the pet.
But if you didn't take care, they would die. Yeah.

Speaker 2 (34:44):
Oh no, I remember that. I remember that.

Speaker 4 (34:51):
Yeah, But that's what that's what our first introduction to
almost you know, doing this. It was a little more
you know, our virtual reality has always been like playing
if you want to go way back for real, the
electronic football games playing. You know, all these electronic games
that we was playing, you know, Donkey Kong, Collective Vision,

(35:14):
PlayStation before PlayStation Tatari and television Collego Vision. These were
games that almost took you to that world before before you.

Speaker 7 (35:25):
Know what they're doing now. Yeah, so we've been exposed.

Speaker 5 (35:32):
So what days of the week does your show do
you do your live?

Speaker 6 (35:37):
I do?

Speaker 4 (35:37):
Well, what I do is, since it's syndicated like that,
I have a place that I you know, put them
up where you can always go to cool TLSE live
dot com.

Speaker 7 (35:46):
Right now, working on me another website, but that's where
I keep it up.

Speaker 4 (35:50):
But on my shows, I'm in different platforms, so it'll
it'll come on.

Speaker 7 (35:55):
On those different platforms at different times. So it's not
put it on YouTube or is it only No, No,
only on on radio sites, you know, like radio stations.
I ain't done the YouTube all.

Speaker 4 (36:09):
That because I ain't feel like going through that hassle,
you know, and if I'm getting blogged and none of that,
I ain't feel like going through all that.

Speaker 2 (36:16):
Sure, that's why we're gonna have a website.

Speaker 5 (36:18):
Music industry, Yeah, you gotta come to check out our
site and make you put some of your stuff from
music or whatever on your site or send us some
of the artists that you feel like it's really good.
So we can do it right up, because we got
you got fifty submissions, so we got to go through
this this music that you perceived recently and write posts
and kind of share them. In the Atlanta Music Industry,

(36:39):
it's Atlanta Music with disease. So it's in music I see.
So it's Atlanta Music Industry dot com from it stems
from the Atlanta Music Industry group that we have on Facebook,
you know, right, But we we showcase different artists and
write articles and all that kind of stuff.

Speaker 2 (36:58):
So maybe we could write an article on you what
you got going on and who you are because you've
been you know, you nineteen hundreds type you know workers,
you've been.

Speaker 5 (37:07):
Right right right putting it works for a long time,
right shroud Blazer, and so we would love for people to,
you know, get to know who you are. It's important.
The one thing that they said at the at the
Urban Influencers Zoom that they did that I really liked,
and there was a lot of influencers and podcasts and

(37:27):
magazines and DJs on the thing like a lot.

Speaker 2 (37:30):
But what I love is what they said.

Speaker 5 (37:32):
It's like, it's about network and it's about you know,
how many people can you? People will share your music
or your thing if they know who you are, they
have they like it, and.

Speaker 4 (37:43):
They know you.

Speaker 5 (37:44):
There's some you know, there's some kind of familiarity with you. Right,
So getting into these platforms with people who are still
sharing and exposing independent artists where it's at. You know,
you might think, well, there's only fifteen people in the room,
but if those fifteen people are each attacked to one
hundred or one thousand or ten or fifty or two

(38:06):
or whatever, and the people like what you're doing, the
legs grow kind of a pyramid type thing, you know,
has multiple extensions. So word of mouth travels faster than
anything I think.

Speaker 2 (38:19):
Yeah too, yeah, oh yeah.

Speaker 7 (38:21):
It definitely. I mean when you boil down to it,
the new word is network, but the old word is relationships.

Speaker 4 (38:28):
And that's what you got to have.

Speaker 7 (38:30):
Relationship.

Speaker 4 (38:30):
You can have all the networks, you won't, but if
you don't have a relationship with anybody in.

Speaker 7 (38:35):
That network, what is that network worth?

Speaker 2 (38:39):
Right?

Speaker 4 (38:40):
You know what I'm saying, so if you don't know
how to make a relationship. And most of these artists,
let me just keep it one hundred elephant in the room.
Most of these artists are introverts. They're not that person
until they hit the stage or they doing something. But
besides that, they're not living the star life every day.
Star life don't mean you walk around acting like a
star or pretending to be a star. It means you're

(39:02):
putting in the work like a star to become a star.

Speaker 7 (39:07):
Okay, I'm like that.

Speaker 4 (39:08):
And that's where they lack to understand that this game
that old. It's not an old philosophy. It's still ninety
percent business, ten percent performance and the ninety percent business.

Speaker 7 (39:22):
Let me explain that to the three people listening in
the back that don't want to listen. But let me
explain to you.

Speaker 4 (39:27):
When you talking about ninety percent, you're not just talking
about no paperwork and.

Speaker 7 (39:31):
Sign in and talking about split sheets and who gonna
get paid.

Speaker 2 (39:35):
No, no, no, no.

Speaker 4 (39:37):
Ninety percent is part of what your health looks like.
Can you breathe on stage? Do you have a stage performance?
Can you speak at an event? Are you intelligent when
you speak? Are you just using words because you have
no vocabulary. Are you reading to broaden your vocabulary? Are
you making songs songs that don't take you? Okay, So

(40:03):
what you can rip a song out in fifteen minutes,
do that mean that it's a great song?

Speaker 2 (40:08):
No?

Speaker 7 (40:09):
Nine out of ten times.

Speaker 4 (40:10):
No, because you didn't put no thought into it. You
just wrote down the first thing you said. Well, if
that was the case, if I was a house builder,
I gotta make before I build the house what I
gotta do.

Speaker 7 (40:23):
I gotta build the frame. When I build the frame,
what I gotta do.

Speaker 4 (40:27):
Gotta make sure that frame is right before I start
putting on drywall, before I start putting in floors, The
frame gotta be right. So before I produced the whole
house and put it out there, I gotta go over
my song and make sure my song is a good
enough meaning that I wrote it the first time, Let
me write it again. Oh but you probably can't because

(40:49):
you're going in the studio punching in.

Speaker 2 (40:53):
Well free stout of beating, right, Yeah, the free stat
of beast.

Speaker 7 (41:00):
I mean, that's fine, that's fine. If you could do it,
that's fine.

Speaker 2 (41:04):
I go back and write down what I wrote after
I listen to it.

Speaker 7 (41:08):
But that's once again, that's making a frame. You're making
a frame.

Speaker 4 (41:14):
You can most of these rappers or singers or go
make that frame and put that frame out here.

Speaker 7 (41:20):
The song ain't even really finished, the song ain't.

Speaker 4 (41:23):
First of all, I'm just I'm just preaching to the
choir and giving you a free game, because most people
don't know if they song is a really hit or
if it's an album filler, because every song ain't a hit, right,
And if you don't know that, then you're gonna say, well,
every song.

Speaker 7 (41:41):
I write is a hit. No, no, it's not.

Speaker 8 (41:44):
No, it's not.

Speaker 7 (41:44):
I guarantee you it's not.

Speaker 4 (41:47):
Because if you put it on the album, how many
of them songs will actually get paid?

Speaker 7 (41:51):
We say, some people still doing albums don't never get
it twitted.

Speaker 4 (41:55):
People still doing albums, but most people are trying to
do song by song by song by song, And what
is that really doing?

Speaker 2 (42:06):
Well? I don't know, I.

Speaker 5 (42:11):
Know, I think it just depends on what it is.
What you know, what your goal is for the music
that you're making. You know, if your goal is only
to be creative and it's not, you don't care, then
just do what you feel because there's times that I
will freestyle of music and just put it out there
and it's not feeled. It's very unscripted or whatever. But

(42:35):
I'm just I'm in the mood, I'm feeling the beat
and I'm just going to the music, and I just
released it. It's never it was never my plan to
you know, make money from it or to you know,
do anything other than just release. I'm feeling creative tonight,
you know what I'm saying. So it really depends on
what it is, why, what what your purpose is. Then
there's other times when I'm creative music because my whole

(42:57):
goal is I have this single, the song I want
to release to the atmosphere. I want to release to
the people. I want to release to my fans or
follow us or whatever you follow them, and I want
them to feel what it was I felt when I
wrote it or sang it or whatever, you know, and
so I had to for sale. It just depends on
what it is you're going for.

Speaker 2 (43:17):
What is your what is your purpose? You know?

Speaker 7 (43:20):
I mean I get I get it, Yeah, I mean
I get that part. But in a sense, this ain't
what most people.

Speaker 4 (43:27):
That's maybe what you're doing and maybe a selected few
doing that, but everybody else ain't doing that.

Speaker 7 (43:33):
They trying to put out these songs that are washing
out each other.

Speaker 4 (43:36):
So if if all these songs in the nineties, that
all these people is ripping off now and remixing and
doing that, what happened If they did that the same way,
none of these songs would be out here that you
would even rip because these songs was great enough for
you to take the music and take what that. You know,
we don't take lyrics, but they taking the music somebody

(43:59):
else made them.

Speaker 6 (44:01):
Or sandwich about sampling because it's always been recycled. Music
has always been recycled for you know, the during the time, right, Yeah,
but how the way.

Speaker 2 (44:11):
You created because now it's I was thinking about that too.

Speaker 6 (44:14):
If you are twenty years old or or older, like
from from being a millennial, you didn't get everything that
was really bored into us for the last fifty years
of music.

Speaker 2 (44:29):
You know, well, music had impact.

Speaker 6 (44:31):
Even if we was listening to Michael Jackson in the eighties,
we still listen to music that was getting played in
the fifties or the sixties.

Speaker 2 (44:38):
Yeah, you know what I mean. So you know what
I'm saying.

Speaker 6 (44:41):
So it's not like the same thing the because they
may if the parents are playing music from the eighties
and nineties or the you know, the late the early
two thousands, you know what I mean, or right in
the mid two whatever, twenty ten, you know, because their
whole music style has changed and the taste of music
have changed in.

Speaker 2 (45:00):
That twenty years. And then growing up.

Speaker 4 (45:02):
Oh yeah, because everybody loses. Yeah, everybody loses ten years
of music out of their life. Everybody loses it. It's
not a generation that didn't lose ten years out of
their life of music. Because if you was born in
ninety three, you wasn't old enough you to really appreciate
the music until two thousand and three.

Speaker 7 (45:24):
That's ten years later. You ain't know as a little
kid what was going on.

Speaker 4 (45:28):
You didn't start really diving into music until you was
about eleven or twelve because you really start understanding what
was about.

Speaker 7 (45:35):
So you missed all of that.

Speaker 2 (45:38):
So what do you think, you know?

Speaker 5 (45:40):
With every decade or two or three or whatever, there's
always a genre of music that takes the lead. So
and it's happened throughout throughout hip hop held at the
longest right, and they say, oh, rock and roll, hip hop,
rock and roll? Hip hop was longer now, Like which

(46:01):
one you think was the hip hop or rock and roll?
The hell the lead is what I'm saying.

Speaker 2 (46:07):
The forties and fifties, fifties said about the nineties.

Speaker 7 (46:11):
I mean, if you just really say rhythm and blues,
that held all of this down?

Speaker 4 (46:15):
Yeah, because that that held it down, because all of
this came from that.

Speaker 2 (46:20):
Well if we take it down, look.

Speaker 7 (46:25):
Right, but it but it all came from the sun
then right right.

Speaker 4 (46:31):
If you want to go, if you want to go
deeper than that, back to you know, Africa, back to Africa,
back to the jungle beats, back to the where music
was making sense talking drunk.

Speaker 7 (46:44):
Right, So you you you can say what hip hop
changed a lot of music?

Speaker 4 (46:50):
It changed it when it came in because it made
R and B switch up, It made country switch up.

Speaker 7 (46:55):
It may rock switch up.

Speaker 5 (46:57):
So who you think is going to take the lead now? Like,
what's your thoughts about the next genre that's gonna take
the lead?

Speaker 7 (47:04):
What do you what do you feel?

Speaker 4 (47:06):
I just feel like music is just gonna evolve, It's
gonna come back around to where it was. It's always
like a wheel, it always goes around like right now,
hip hop is whatever they want to say, because hip
hop is crossing over into other genres, but for.

Speaker 7 (47:23):
That traditional sound, it's always gonna be the genre.

Speaker 2 (47:26):
It is.

Speaker 7 (47:27):
Country gonna be country, rap gonna be rap.

Speaker 4 (47:30):
You know what I'm saying because I can't even you know,
let me just say this. I came from the nineteen hundreds.
Hip hop is a culture. Rap is what you do.
So I can't when people say that, oh, it's hip
hop and okay, please understand what it means though, because
you just took something and said, well, it's all hip hop.

Speaker 7 (47:52):
Well the culture of yeah, but it's not rap is
what you do.

Speaker 6 (47:58):
I feel like that's I feel like gospels and jazz
because it's a lot of things myself.

Speaker 2 (48:05):
Hip hop and gospel. They never went nowhere though, yeah,
it's always we went somewhere.

Speaker 7 (48:11):
They didn't.

Speaker 2 (48:11):
We did, always did, and now it's like it's new.

Speaker 6 (48:16):
More people want to get away from the sound that
let's be you know frank about it. That is like
the mind, that lower base and everything of the words
of that treatment of the sound that was those vibrations
and those frequencies are.

Speaker 2 (48:30):
Have a subtle, demonic blow to it.

Speaker 6 (48:34):
And that's why we've seen a lot of things going
on with the children who listen to that type of
music their thought process, because if you were listening to
stop you know so you head it for self destruction,
you knew what that song was meant to you, what
it did or any you know, public enemy here us
want you know what we've seen the change of it. Oh,

(48:55):
we had our party song, just don't don't get it
my stuff. We had to thug stuff and everything. It
was there, but then it was saturated with the record
company saying we need this more because this is more
effective than what you know than it was in trying
to be more like a positive thing.

Speaker 2 (49:11):
I grew up in that, like you know, the gold
chain era and all that stuff. I remember all that stuff.

Speaker 5 (49:15):
So so going back, what are your thoughts about them
saying that there was a conversation or a meeting way
back where they were where there was a private leading
between the private prisons and the music industry, and the
goal was to make music that would lead the people
into jail so they could get free or low cost

(49:39):
products made, kind of like save slavery, because that's basically
what happens in prison. In prison you know, the inmates
are not getting paid to really create these products. They're
getting paid what a dollar a day, three dollars a
day something like that and not even that much, right,
And if you, uh, if you notice a lot of

(50:00):
the you know, the people who are on the you know,
in that in that life listen to that music are
the ones that they're pulling and putting in these these
empty beds and and they're you know, and they're in
jail and they're getting caught up in the system.

Speaker 2 (50:16):
You know.

Speaker 5 (50:18):
So what are your thoughts about that? Do you think
that there was a meeting, a private meeting between the
entertainment industry uh moguls or whoever and the private prison section.

Speaker 4 (50:31):
It can be because that just goes on to how
many other meetings have they had, not about music that
they had to direct us toward that way. So you
gotta look at what's always been what's already been put
out there, you know what I'm saying, like, this ain't
the first time that day ever had this conversation.

Speaker 7 (50:50):
This ain't the first.

Speaker 4 (50:51):
I mean, if you think about it, in all these industries,
you know, you listen to heavy metal, what.

Speaker 7 (50:56):
Is they talking about in heavy metal?

Speaker 4 (50:57):
I'm talking about heavy heavy metal, I'm talking about Slasher
and all these other different and I'm not just targeting them.

Speaker 7 (51:04):
I'm saying that makes that type of music.

Speaker 2 (51:07):
You know.

Speaker 4 (51:07):
What I'm saying, it's it's, it's it's it's. What I
wanted to say is direction in all music, right, so,
you know, even in country music, you know.

Speaker 6 (51:18):
It definitely does have a power. It has a prerect
people to think of where to persuade them one way
or another, and it definitely.

Speaker 2 (51:29):
Has that power.

Speaker 4 (51:30):
Like you know, and if you already think that way,
it's easier for you to persuaded because you already see
you you identified with something that identifies with you.

Speaker 5 (51:41):
You know, when I go through this, when I do
my music ministry and Bible study, right and right now,
I'm in second Chronicles, first and second Chronicles, which is
really almost like a flashback of you know, previous chapters,
but definitely focusing on first Kings and Second Kings and
first Samuel. Second we're talking about King David and King Solomon.

(52:04):
The one thing that I'm noticing is there is us
a strong emphasis and maybe because David was a hard player,
but there's a strong emphasis on music in that part
of the Bible and how you know the there will
be you know, uh prophetic or or who you know,
spiritual stuff in the music that will touch the people.

(52:25):
The music is a music is universal. Music is it
doesn't even matter where you are in the country, where
you are in the world. Music is a significant part
of your life for the most part.

Speaker 2 (52:38):
Right, So there is.

Speaker 5 (52:41):
Definitely something about music in those ways. What who was
it that put out that song that they said, if
you played the song backwards, they will be hearing some craziness.

Speaker 2 (52:50):
Who was that?

Speaker 4 (52:52):
Oh, they did that on the Prince album, they did
on the rock and Roll album.

Speaker 7 (52:57):
It's plenty of albums that did that. It was just
wasn't one person.

Speaker 5 (53:03):
That did it.

Speaker 4 (53:03):
It was a bunch of If you played what was
that led Zeppelin? One of the led Zeppelin's albums.

Speaker 2 (53:09):
They said was like that.

Speaker 7 (53:11):
You know what I'm saying.

Speaker 5 (53:12):
But I mean, there's something about the frequency of music,
the and the human being. There's something about her.

Speaker 7 (53:20):
Yeah, I mean, it's a vibration.

Speaker 4 (53:23):
We all live in a vibration, and when somebody breaks
that vibration, then you you can feel it. If I
come up against you and you come against you know,
like if I meet you somewhere and I'm angry, my vibration,
you gonna feel it because you're gonna be like what
you met. That's vibration. Now that you have to look
at my face, but you can feel the vibration. We're

(53:46):
not We're not. We're not grounded no more. You know,
everything we got don't let us be closer to the
ground no more. Everything you wear, your shoes got rubber
on it, so you're not close close to the ground
no more.

Speaker 7 (54:00):
Everything is keeping you from beinging grounded.

Speaker 4 (54:03):
And the more we stay ungrounded, the more the earth
we all rolling one We all roll in one frequency.
So if you touch the ground, you can feel the
ground move. If you know, it's not a myth or
something like that. But if you can stand still, you
can feel the earth move. But you gotta stand still.

Speaker 7 (54:22):
We can't do that.

Speaker 4 (54:24):
We're always constantly moving. So moving makes vibrations, makes you
know frequencies change because you always moving.

Speaker 5 (54:33):
That takes me back to that first to day Psalms
forty six, from the stand still and know that I
am God because in that, in that that little Bible
thing that I had, the look daily Bread, and it
was talking about We're always moving, We're always we have
a hard time standing still when we don't know that.

(54:55):
Sometimes you just need to stop because God is always moving.
The the waves in the ocean never stopped, and that's
something they never stopped.

Speaker 2 (55:05):
God.

Speaker 5 (55:06):
The sun and the moon never stopped going up and down.
God never stops moving. So sometimes it's okay for you
to stop for a moment. But we don't know how
to stop.

Speaker 7 (55:16):
We don't know how, and that's always been the problem.

Speaker 4 (55:22):
And even with this youngest generation, I'm not mad at
young gerat generation because they're no different than.

Speaker 2 (55:27):
What we was.

Speaker 4 (55:28):
They just got technology and we didn't have it, so
we made it from the ground up where you had
to meet people, talk to people, and be people. They
got on the social media. They can become anybody they
want to be. They can not even be the person
that want they really are. They can be anybody want
to be. But you live in a false pretense because
you don't know how to be you.

Speaker 2 (55:49):
And you know, another thing is funny.

Speaker 5 (55:50):
When I was talking to the older generation, the weigh
nineteen hundreds way past us, like the ones that was
born in the fifties and sixties and seventies, I mean
forties or whatever that let's go to the super Bowl,
right with Kendrick Lamar, the ones who were born, you know,

(56:12):
in those forties fifties. They was like, I didn't like
the halftime and I didn't understand what was going on.
And I just told him, y'all upset about rap music
and all that kind of stuff and what he was saying.
But thinking back when you were young and rock and
roll was the lead that your parents didn't like that either,
you know, But but that it means that it wasn't

(56:33):
relevance to it, So you have to respect people's music.
But I just these young cats. The only thing I
didn't respect about the drill and stuff was because it
was causing people to commit crimes against each.

Speaker 2 (56:45):
Other in a in a deeper fashion, you know. But
I respect everybody's you know, I try to respect that.
You're rappers and little right right now you find your tribe,
you don't.

Speaker 6 (57:01):
We live in the world where you don't have to
follow everybody's path, like to be down like I whoever,
I want to listen to sir Ivana.

Speaker 2 (57:09):
You know, they old school, you know what I mean?
You know what I mean? Or if I want to
listen to to to y'all sky or whatever you.

Speaker 4 (57:16):
Know, and yeah, and that's the and that's the problem.
That's the problem. People won't let people just be people.
You know what I'm saying because the younger generation, I'm
just saying, the younger generation, the first thing they say is, oh,
what y'all doing is corny? Well it's really corny because
you keep saying the word corny. Let me let me
explain to you why you not changing nothing. When you
say no caps, that means oh, yeah, okay, no caps.

Speaker 7 (57:39):
Okay.

Speaker 4 (57:40):
You know that means you know, like like no cats
mean real right, you know that, right, So you change
the word around to make it a fit because it's
quicker for you to say another word to make it
seem like you invented something. But the meaning of the
word is the same, meaning you're not changing nothing. But
since you think you are, I'm gonna let you have that.

(58:02):
But don't be mad when an older generation can flip
and talk just like you can bro and say all
this stuff and acting suss and you acting on when
they talk like that, don't be mad because you didn't
invent it. Quit thinking you invented it. You didn't invent it.
There's nothing in this world that wasn't invented. It's just
what you put on it to make it yours. But

(58:26):
that's just the separation that we do between the young
and the old. I kept saying that you, I'm glad
to be old.

Speaker 2 (58:38):
Look I'm not old. No, I'm not old, I'm just ag.

Speaker 7 (58:44):
Yeah, I'm saying, at this point, we season at this point.

Speaker 4 (58:51):
You know what I'm saying, Like, the younger generation better lucky,
be lucky. If you made it to whatever age we are,
you be lucky if you made it right. Yeah, you
worried about who old and who not old, Well, you
know you're gonna be older the.

Speaker 5 (59:07):
Sixties with us, the older generation would last the eighty
nineties and hundreds, but now it's like thirties, forties, fifties.

Speaker 7 (59:19):
Yeah.

Speaker 4 (59:22):
Like, yo, my external my external grandmother right now, my
external grandmother, meaning that I adopt this lady to be
my grandmother. She one hundred and two years old and
walking and talking and still flying and drinking trains and
doing everything like she was still you know.

Speaker 7 (59:41):
So you you think I care.

Speaker 4 (59:43):
About somebody saying that I'm old, but you you better
be lucky if you even get this, if you even
get this experience, because this ain't even about being old.

Speaker 7 (59:53):
This is experience.

Speaker 5 (59:54):
I think it's really ageing, but a number really it's
about you know, what do you feeling it? If you've
got an old soul? You want the ones that like
it's you know, I'm clinging. It's almost over there. It
probably ends almost over for me.

Speaker 2 (01:00:07):
But for the ones who you know, you still got
life on the inside. You just people who you know.

Speaker 5 (01:00:12):
They look at my age lectrician, you still doing the same.
Go sit down somewhere. No, that's not who I am.
You know, I'm a I'm a flower on the inside.
I'm still doing me. I'm gonna, you know, at my
grave site, they gonna say she did everything she wanted
to do and some Right, listen, y'all my time to go.
I don't want up here. Y'all better have a big event.

Speaker 4 (01:00:34):
Yeah, I mean, like, yeah, I ain't Yeah, I ain't
living to just impress everybody. You know, I'm not gonna
impress everybody. You're not going to make everybody happy. I'm
not trying to make everybody happy. As long as I
make me happy, and those that like what I do,
that's all that really counts.

Speaker 7 (01:00:52):
At the end of the day.

Speaker 4 (01:00:53):
If you don't like me, there ain't no seat belts
keeping you in your seat to still be around me.
You ain't gotta give me your opinion, tell me you
don't like me, just don't be around me. Why do
you got to come and tell me you don't like
me so I could be notified?

Speaker 6 (01:01:10):
Do I care?

Speaker 2 (01:01:11):
No?

Speaker 7 (01:01:12):
No, pretty much, I don't. Well, I'm not gonna die
tomorrow because you don't like me.

Speaker 4 (01:01:18):
Right right?

Speaker 5 (01:01:20):
If I could talk about other people who probably don't
particularly care for me, it be a long lest I
don't even worry about it. I just do me and
enjoy life, or however long God has me raising up
and doing my thing and going to sleeping night. You
know when he says the clock is ticked, Patricia and
it's time to roll out, I'm rolling out with a
smile because I know I've done everything that I wanted

(01:01:41):
to do, and I ain't care.

Speaker 2 (01:01:44):
I so glad that you came on and you decided
to stop by. I had to sing you in so
long or talk.

Speaker 7 (01:01:52):
Yeah, I ain't seen y'all a long time either. Y'all
look just as like the same.

Speaker 2 (01:02:00):
So uh we'll have to do this again. You know,
we'll have to.

Speaker 5 (01:02:06):
Uh, you're supposed to sing happy birthday to me too?

Speaker 2 (01:02:09):
Who Chelsea?

Speaker 5 (01:02:09):
Before this end, I was waiting for like a birthday
song or something like supposed to sing to me.

Speaker 4 (01:02:15):
Oh oh, that's that's that's what I supposed to did
did Okay, I didn't even know. I didn't even get
the memo. You didn't even write it down and tell me.

Speaker 7 (01:02:25):
But I can give that to Yeah, it ain't. It
ain't no biggie thing I can make. I can make
it happen.

Speaker 5 (01:02:30):
Yeah, I had a beautiful birthday. I had a beautiful
birthday weekend. I think I want to thank all my
Facebook friends and family and and and followers and stuff
for wishing me a happy birthday. I know I've been
kind of like doing the zoom thing, kind of looking
at y'all, not really paying y'all a whole lot of attention.
But y'all know I got nothing for love for you.

Speaker 7 (01:02:55):
I'm a pizy too. My birthday next week? How about that?
Ain't that song? Then, y'all go, look, Pasty's in here.
We run this son, We run this son. It's to be.

Speaker 2 (01:03:10):
Yeah, yeah, yah know huh. So I just want to
say thank you cool TLC for stopping the live stop
and tell me, give me, give me about Hollway. They
can check out the show, all right.

Speaker 4 (01:03:25):
If y'all want to hogher at you boy, your friend,
your host, your cousin, wrap me in cool TLC. Oh
you gotta do is see me on the ground. I
don't give it, damn. Come on Instagram, cool TLC, or
you can get me on Facebook, cool TLC rap me
and cool TLC my business page. Or you can get
me on if you still got it because I do
tickety top, you can hit me up on tickety tok

(01:03:46):
is cool TLC me.

Speaker 7 (01:03:48):
You know what I'm saying. For those that still got it,
that didn't give it up, I'm all over the place.

Speaker 4 (01:03:53):
Or you can go to COOLTLC live dot com and
you can see that that's my tree link and you
can see all the places where you can check me
out and stuff like that. So I'm all over. If
you don't want to reach out to me, that's because
your fault. Because I'm there, I'm there, I'm there, I'm
everywhere there.

Speaker 2 (01:04:10):
You see. I had to the family.

Speaker 5 (01:04:12):
White family always like to come in and be doing
the most when that's the unscripted part.

Speaker 2 (01:04:17):
Look that part is unscripted. No, I heard her yell
and I'm like, that's unscripted.

Speaker 7 (01:04:23):
So yeah, we we ain't know that was that.

Speaker 4 (01:04:28):
Maybe that was your producer telling you, God, God, I'm hungry.
Well there's some sandwiches in there. Fix you up balloona
sandwich these days, so you hungry enough, you're gonna fix
you a balloona sound.

Speaker 2 (01:04:49):
Tell them how to send music to you, or you
can always.

Speaker 4 (01:04:53):
Send music to me, like I said, if you go
to my Instagram, it's up there too, But you can
send music to me at the T it's not spelled
ebonically the Meltdown Show one at gmail dot com.

Speaker 7 (01:05:04):
That's the t A G. Meltdown Show, the number one.

Speaker 4 (01:05:09):
What what at gmail dot com And you can see
that and then in your subject line put radio submission
and you know my team listen to your song and
if it is, do what it do, it'll be on
the world famous Meltdown show hosted by me.

Speaker 6 (01:05:28):
That's all right, and mister Stout tell me joye all
genres as well to kind of stout seven to one
at gmail dot com is k E N N E
t H S T O U T the number seven
one at gmail dot com and yeah man hit me
up on all social media at scheme Beats Radio and.

Speaker 4 (01:05:48):
For me, I just want you to buy my music.
I'm explaining so in.

Speaker 5 (01:05:56):
All honesty, in all fairness, I'm just I want everybody
to definitely listen to the song.

Speaker 2 (01:06:04):
It's a very good song.

Speaker 5 (01:06:05):
If you're someone who you've been you know, you're going
through a season of hardship or whatever, you know, it's
a good song to listen to. Or if you're someone
that you've been praying to God and you've been waiting
a long time and you're just like, you know, are
you there, God.

Speaker 2 (01:06:21):
Are you listening?

Speaker 5 (01:06:22):
It's a good song to keep your spirits up because
in this season there may be things that happen if
you have to feed your spirit. Man, and so I
just feel like Whatever We Ask is definitely one of
those kind of songs that will feed your spirit. The
people who have listened to it, they have told me
that it's powerful. And that's a big thing, you know,

(01:06:43):
to hear someone say that your music, that your message,
that your ministry is powerful, that they felt it, you know,
because most creative people, we want you to feel what
we feel when we release it. So I definitely feel
like it's one of those.

Speaker 2 (01:06:55):
Songs that you're going to feel.

Speaker 5 (01:06:59):
Even the cover are with the Sun, I feel like
that's powerful what it's within itself. And I just feel
like this is a time in the season that we
need as much inspiration on positive things so.

Speaker 2 (01:07:10):
That, you know, to get through whatever we're going through
or whatever's coming.

Speaker 4 (01:07:16):
Yeah, and you know what, you know what, because they
need to support it. You know, you know what God's
favorite song used to be too what y'all probably didn't
even know.

Speaker 7 (01:07:26):
Guys. His favorite song used to be Janey Jackson, What
have you done for me lately?

Speaker 6 (01:07:33):
Right?

Speaker 7 (01:07:34):
I'm just saying like he got a whole playlist.

Speaker 4 (01:07:37):
I can just run down this playlist, but y'all, y'all
probably ain't even listening whatever.

Speaker 5 (01:07:42):
I definitely, yeah, definitely, But you know what, anytime for
me creatively, when I do stuff, that's that's that's for
the people. I feel like I'm doing it for God,
like God is using me.

Speaker 7 (01:07:55):
You know, That's where it should be. That's where it
should be. It shouldn't be.

Speaker 2 (01:07:59):
No.

Speaker 4 (01:08:00):
Nonetheless, if you're doing the music, you're spending the word.
You're spending the joy and that's what we bring.

Speaker 7 (01:08:05):
We joy. Music brings all kinds of stuff to you.

Speaker 4 (01:08:08):
And if you and if you really open your mind
to some good stuff, you receive the good stuff. Now,
if you want to hear the bad stuff, you know,
that's you know, it's it's you know, that's if that's
what you want to do, that's what you want to do.

Speaker 7 (01:08:20):
But the good stuff keep you moving, you know what
I'm saying. The good stuff keep you going.

Speaker 5 (01:08:26):
So y'all can check out whatever we ask. It's pretty much.
If it's not in all the platforms yet, it will be.
But today was the release day my birthday, February nineteenth.

Speaker 2 (01:08:37):
Thank you very much.

Speaker 7 (01:08:38):
Sir pis Seis.

Speaker 2 (01:08:44):
Run the world.

Speaker 5 (01:08:46):
And you can go to Atlanta Music Industry dot com
to check out a lot of different artists. Or you
can go to Atlanta Music Industry on Facebook to check
out a lot of the different talent. Or you can
go to one of my website where I have a
lot some music and different stuff in ONEm dot com
backslash Patricia Mgoorns.

Speaker 2 (01:09:06):
So I appreciate you.

Speaker 5 (01:09:08):
Thank you very much, mister Stout and mister COOLTLC cool.

Speaker 7 (01:09:13):
Yes is going down the rappi is leaving the building.

Speaker 2 (01:09:16):
And allow me to end my birthday with the bang.
Appreciate you you you still want the birthday song? Oh,
come on with it all.

Speaker 9 (01:09:26):
Right, Me me, me, me me, havy birday, Happy birthday baby.

Speaker 7 (01:09:39):
Oh I love you so sixteen hundred candles make her
day baby, true.

Speaker 4 (01:09:53):
Cause he got sixteen hundy candles and they're.

Speaker 6 (01:09:59):
All oh, thank you, thank you, thank you very much,
thank you. I'm here all week, folks, than see thanks
for calling us up.

Speaker 2 (01:10:13):
Brother. We want to get up man.

Speaker 7 (01:10:22):
Allo around where.

Speaker 1 (01:10:26):
Hollow around?

Speaker 7 (01:10:27):
Were you?

Speaker 3 (01:10:32):
Weekdays?

Speaker 8 (01:10:34):
All around West?

Speaker 3 (01:10:38):
From Ohio to Chicago to Atlanta to the Lake? Do
you wanna go.

Speaker 2 (01:10:50):
Allo around well hollow around word.

Speaker 4 (01:10:58):
Hollol?

Speaker 2 (01:11:02):
Do you wanna goswell so tallow around the world.

Speaker 3 (01:11:11):
From Detroit to New York.

Speaker 2 (01:11:15):
Jersey?

Speaker 4 (01:11:17):
Hey?

Speaker 2 (01:11:18):
Do you sanna go.

Speaker 1 (01:11:21):
Uh tallow around the west?

Speaker 2 (01:11:26):
Fallow around the world?

Speaker 1 (01:11:29):
Holler around?

Speaker 2 (01:11:31):
What do you usually go?

Speaker 3 (01:11:38):
Hollow around the West?

Speaker 2 (01:11:42):
From Argentina to Mexico? You wand brass? Hey do you
wanna go.

Speaker 3 (01:11:53):
Uh tallow around the West?

Speaker 7 (01:11:59):
Name though.

Speaker 3 (01:12:01):
Africa?

Speaker 2 (01:12:03):
Sweden? And you can't go.

Speaker 3 (01:12:10):
Fallow a lout of West, all along that world to
be hollow, world, fallow around the world,