DJ Diva

Featuring: Sydney Sweeney, Dwayne The Rock Johnson, Henry Winkler and more. In this #papisode Jedi is on many secret journey's that can't be revealed yet, Mark may have found the biggest diva in Hollywood and we discuss some whacha. Plus a lot more. For the content in this papisode please visit our socials @paparazzipodcast or watch the unedited version of this papisode on YouTube. Thank you for listening and sharing. Be Well!

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Episode Transcript

Speaker 1 (00:00):
Well we should figure this out before we started recording.

Speaker 2 (00:03):
Also going to be lounging because there's no chair in
my room.

Speaker 1 (00:06):
That's fucking sexy. I'm just in a room fucking sexy.
And and the gray sweats. You know you've heard all
the jokes about the women and the guys in the
gray sweats.

Speaker 2 (00:15):
Huh yeah, stand up so you can see my package.

Speaker 1 (00:20):
Especially with the controller just sitting on that. That's sexy
as ship.

Speaker 2 (00:23):
Which way do you reckon?

Speaker 1 (00:25):
That way? Okay?

Speaker 2 (00:27):
Well, I'm just going to be like, all.

Speaker 1 (00:29):
Right, I'm going to open something that you should have
on the table right there in front of you, which is.

Speaker 2 (00:35):
A crap which I'm not going to hear. But I
did just have a beer, good old, what a beautiful pool.
I did just have a beer with my Jenna. But
I can't give away the name of the beer because
they'll give away where I am nice.

Speaker 1 (00:58):
So yeah, you know they do. They do say you
should pour the beer with a lot of foam. You know,
I made fun of you a long time ago.

Speaker 2 (01:05):
That looks like a fucking ice cream.

Speaker 1 (01:09):
I made fun of you a long time ago because
you know, you poured a foamy beer on the podcast.
If anybody wants to see it, they can go back
and check it out. But according to science, the way
to do it is to do that because it releases
all the toxic gases that are that are in the beer,

(01:30):
and supposedly if you don't poor it with the foam,
it doesn't release those talks. That's why when you drink it,
if you've poured it clean and then you drink it,
you get that like kind of bloated like you know,
those are the gases that are supposed to be released
on the poor.

Speaker 2 (01:47):
Incredible, look at you teaching me things. I guess we
should say, Welcome everybody to the Paperezzi Podcast. I am
Jedi and he is monk.

Speaker 1 (01:59):
I've got my Movember going November.

Speaker 2 (02:02):
I've got a goaty bember. Plug the phone in all
the way down there to find there's a bloody another
socket just here.

Speaker 1 (02:16):
See incrible. How many hotel rooms have you been in
this year?

Speaker 2 (02:22):
Oh? God, too many?

Speaker 1 (02:25):
And how many have not had an outlet right there
on the nights down a bunch?

Speaker 2 (02:31):
What yeah, I just have to move this night's down
to find the one below. And as I moved it
and plugged in the one below I suppoted the one above.

Speaker 1 (02:40):
I've never seen such a thing.

Speaker 2 (02:41):
So well, I am in a very teeny tiny hotel
room and you want to see what's what's ridiculous in
its hotel room. I'm in the bed, right, I am
doing the podcast on the bed. Have you ever seen
a TV this close to the band? Are you ready? What?

Speaker 1 (03:05):
And you didn't just zoom in on that? Right?

Speaker 2 (03:07):
No? How is that?

Speaker 1 (03:11):
Oh? Does it? Is it on a little hinge?

Speaker 2 (03:14):
Yeah? But I'm touching the wall. That's how close the
TV is.

Speaker 1 (03:19):
That's crazy. So normally you could like push it up
against the wall.

Speaker 2 (03:22):
Though, right, it does go up against the.

Speaker 1 (03:24):
Yeah, which, like it's still kind of weird because you're
like looking off to the left. But you can can
you even can you pull it even closer and over
your feet? More? Sure? I don't want to pull it
off the wall.

Speaker 2 (03:36):
Like I'm going to be in the game as I'm
watching it in a couple of hours. It's ridiculous, that's crazy. Yeah.

Speaker 1 (03:45):
Well, yeah, welcome everybody.

Speaker 2 (03:48):
What's going on?

Speaker 1 (03:49):
Mane cheers. I've had kind of a busy week. Yeah,
I wanted to talk about a few subjects before we
got into our week. Okay, because there was some stuff
that I was going to bring up last week and
didn't get a chance. But number one on the list.

(04:10):
Did you see this right here? He's a little glary right.

Speaker 2 (04:16):
Oh you know what I was. I had me in large,
not even a large.

Speaker 1 (04:22):
It's Sidney Sweeney's Man of the Year cover for GQ magazine.

Speaker 2 (04:27):
Oh God, going to hang on, Sidney Sweeney was Man
at the Year.

Speaker 1 (04:32):
Yeah, Well, I remember on the podcast maybe I don't know,
a year or two ago, there was some other woman
that was the Man of the Year and we complained
about that, or maybe I complained.

Speaker 2 (04:45):
I mean, Sidney Sweeney is not a man. She does
not identify as a man. She is very womanly. Yes,
why are they doing this? Why is she saying, oh, yeah,
I'll accept this Man of the Year. That's just going
to infuriate more people that already hate Sidney Sweeney.

Speaker 1 (05:04):
Well, supposedly it's a couple of weeks old now, and
no one has said anything about it.

Speaker 2 (05:09):
So I've not seen this. I've not seen this anywhere.

Speaker 1 (05:14):
I hope it's not AI.

Speaker 2 (05:15):
Then it could well be, because that is insane.

Speaker 1 (05:20):
Well, I remember somebody was another woman was Man of
the Year for GQ a year or two ago, and
we said the same thing. But I mean, if anybody
could be Man of the Year and not piss off everybody,
it would be Sidney Sweeney. But at the same time,

(05:41):
like you said, she's, you know, very feministic woman, you know,
women power all that. Why would she even accept that
as a thing. I mean, obviously there's a there's a
paycheck coming along with it, But I don't know why.

Speaker 2 (05:58):
That's pissed me off. If have you Googled it to
check it out.

Speaker 1 (06:03):
Well, I mean it's it's got all these other things,
got Hailey Bieber, you know, Stephen Colbert, There's there's all
sorts of things on here.

Speaker 2 (06:11):
So oh god, I would google it on my laptop,
but my laptop is not working with this Wi Fi.

Speaker 1 (06:18):
We need to we need to figure out how to
do all this stuff. Because you were my researcher, and
I'm you know, and I'm on here. I guess I
can go on to my my laptop and do it here.
Let me see how this works.

Speaker 2 (06:28):
There's no way.

Speaker 1 (06:29):
But if she is Man of the Year, why would
she accept it? Right?

Speaker 2 (06:35):
She wouldn't. I mean, it's just something that will piss
more people off, like, you know, there's a lot of
people upset with her already. Her latest movie tanked. I
haven't seen it yet, but I read.

Speaker 1 (06:48):
That a tanked.

Speaker 2 (06:49):
They performed really poorly at the box office. Yeah, this,
I don't think this would be a good look if
it is in fact true.

Speaker 1 (06:56):
Well, I'm gonna ask my AI real quick. Is City's
the Man of the Year for GQ?

Speaker 2 (07:03):
No? Bidney Sweeney's a woman. She's actually the cover star
for GQ's Men of the Year issue this year, as
their obsession of.

Speaker 1 (07:11):
That makes sense, That makes sense, I guess.

Speaker 2 (07:15):
Okay, so you you interpreted it wrong.

Speaker 1 (07:17):
Yeah, it's quirky, but cool. They're shaking things up.

Speaker 2 (07:21):
Anything else on your mind?

Speaker 1 (07:24):
Yeah, okay, so it's not Men of the Air. Let
me let me bring back up my my.

Speaker 2 (07:32):
I'm not mad at Sweeney anymore.

Speaker 1 (07:34):
No, and okay, so it is Men of the Year.
So that's my bad. I guess I read it wrong.
But still you would think Men of the Year City
Sweeney on the cover.

Speaker 2 (07:45):
Will you think that'd be men on the cover?

Speaker 1 (07:47):
There would be men of like And I want to
you know how, I want to know how many covers
of the Men of the Year episode have been a
woman on the cover as well. We have to probably
dig a little further into that. But anyway, moving on.

Speaker 2 (07:58):
From that, that's why.

Speaker 1 (08:01):
Did you happen to see the F One last night?
No in Vegas? The F one Las Vegas? No, my god, Jedi.
I mean, I don't know that they're reaching pretty hard
on this thing, because I remember last year, and it
might have even been two years ago that they did it,
but I remember the ticket sales were kind of down.

(08:23):
It was, it didn't go as well as possible. And
then this year they were kind of hurting a little
bit on sales, but they brought out all the star power.

Speaker 2 (08:32):
Oh of course they did.

Speaker 1 (08:33):
I don't know if you saw Beyonce's the pictures of Beyonce.

Speaker 2 (08:37):
You know what, I haven't seen anything at all because
I I went to bed very early yesterday as I
traveled this morning, and I was just laser focused on
my doorstep today and I haven't been googling. I've not
gone on the mail, the pos, the Sun, you know,
the usual suspects. I've not gone on any of them.

(08:57):
So I've not seen anything, well, any news really. The
last couple of days.

Speaker 1 (09:04):
Well, I didn't even take any pictures off of her,
but she was. She was in a full racing outfit
with a helme. Walking down the street was like a
Louis Vauton, you know, obviously just decked out walking next
to jay Z, and jay Z is just an all
black jacket, jeans, timberlands, the whole thing. But yeah, I'll

(09:24):
bring it up here.

Speaker 2 (09:25):
So they got paid an absolute butt load.

Speaker 1 (09:27):
Then yeah, yeah, I mean paid butt loads. But they're
just see here she has right here there you go, Oh,
she looks good. She looks good. I don't understand the
whole helmet thing. She was wearing a cape too. There's
a black cape that goes with the whole thing.

Speaker 2 (09:44):
But she came in with a moment like an F
one superhero.

Speaker 1 (09:47):
Yeah, and maybe she was wearing the helmet because she
jumped in a ferrari with with uh Lewis Hamilton, you know,
And I guess her and jay Z both jumped in
there and and they did like two hundred miles an
hour in a ferrari with Lewis Hamilton. But yeah, she
did look good, and then she popped up in a
couple other offense. But that's not really what you know,

(10:10):
what my concern is about this whole thing. This was
for Sam Worthington.

Speaker 2 (10:14):
Who oh he was the dude from Avatar.

Speaker 1 (10:18):
Sam Worthington, Is he the dude from Avatar? Yeah? Yeah, yeah,
And so maybe he's an F one fan and that
I don't know about or something like that. But he
was doing the interviews because once the racers won, they
jumped in a lego pink Cadillac driven by Terry Crews

(10:40):
and they drove around in they drove around the track
and waved to all the fans right, and then they
stopped in front of the bellagio. Then they got out,
and they got out and they did an interview with
one of the F one guys and then Sam Worthington
for some reason, and Sam Worthington, I don't know, if
he was a little drunk us have something to provide

(11:02):
and yeah, I mean it's Avatar, you know, he's probably
got Avatar coming out and he's promoting that. But he
might have been a little drunk, might have been a
little buzzed something like that, because he was just making
these comments like because what happened was I mean verse
step in one. But it was one of the other

(11:23):
guys that started out. He was in pole position and
he crashed or he kind of just went around to
turn spun out a little bit or something, and then
max verstep and took him over like right in the
beginning of the race, right right, and he just led
the whole thing the whole time and just won it outright,
you know, and Sam Worthington is asking questions like, you know, hey,

(11:44):
are you are you upset? Upset that you that you
know that you made a wrong move and he passed you.
He lost it, like and it was just so uncomfortable
to watch. I wish I could play. But if you,
if you get a chance, is to to play some
clips or something like that. Man, it was super uncomfortable,
awkward interaction. Those guys seemed less interested to talk to two.

(12:08):
I mean, they wanted to talk to Mickey Mouse more
than that. And then uh, I guess F one also
made a deal with Disney where Mickey came up after
the whole interview and did like a whole fantasmic you know,
like the water show that they do at Disneyland. Yeah,

(12:28):
they did one at the Bolagio Fountains, which was kind
of cool, I guess, but with Mickey Mouse with Mickey Mouse. Yeah,
he was out in the middle of the water, just
like kind of you know, orchestra.

Speaker 2 (12:40):
What Mickey do with f one.

Speaker 1 (12:43):
Well, they've made a deal, you know, and they're they're
a big sponsor. I guess they're you know, they're obviously
picking up the rest of the check, the rest of
the money that they're they're losing out on and getting
their promotion in there. But but also you know, Disney
owns ESPNPN is the one that ran blah blah blah
the whole thing behind the scenes. Right. But yeah, if

(13:06):
you get a chance to watch this interview with Sam Worthington,
because I have a history with Sam Worthington when he
used to live in Malibu and we used to go
and shoot him out there, and the guy was a
total fucking dick, always driving like a maniac, always talking shit,
always yelling at us, always just never even. And this
is back when his movies were coming out and Avatar

(13:27):
was out and he was the biggest star on the planet,
you know, and man, the guy was just a nightmare.
Never cool. So I like to see when he does
these kind of interviews and I think gets shipped for it,
you know, but I don't think anybody's talking about it
but us. But it was just it was hilarious. So

(13:47):
since we talked last, I've been out and about a
little bit. I came across an old legend. Oh he
was getting out of his Mercedes at Chacone.

Speaker 2 (14:03):
Okay, Oh, I know where we're.

Speaker 1 (14:05):
Going in West Hollywood.

Speaker 2 (14:08):
Rose and Robertson.

Speaker 1 (14:10):
Yeah. I mean, I'd plan on working on this guy
because he lives on the West Side, and I was
planning on working on him for a while as an oldie,
you know, because he's getting into his I guess eighties.

Speaker 2 (14:20):
Now all you could say is a.

Speaker 1 (14:25):
Yeah, exactly. And so with that it was the funds
getting out of his electric Mercedes.

Speaker 2 (14:33):
I used to work on the farm so much for
one of the old agencies I used to work for
in LA and never saw him.

Speaker 1 (14:40):
Really, Yeah, that's the thing. You you could work on him,
you never see him. Yeah, So to my surprise, he's
he's hopping out of his thing and he's there with
his wife, right and they're getting out of the car.
But this was like two o'clock, you know, one forty
five two o'clock.

Speaker 2 (14:56):
Was it completely random?

Speaker 1 (14:57):
Like, yeah, I was just driving by and some oh
no shit. So but it was one of those where
you know they're getting out with bags. It looks like
they're going to celebrate something, you know. I looked it
up and his birthday was a few days earlier. Her
birthday was a few days later, so maybe they were
out just like, you know, celebrating their birthdays.

Speaker 2 (15:15):
You know.

Speaker 1 (15:15):
It's one of those where you're like, oh, well, I
can't really get them going in because they're walking in.

Speaker 2 (15:19):
Yeah.

Speaker 1 (15:20):
Wait, I gotta wait for the whole thing you have
to come out. But also it's that place you never
know who's going to be coming out in arount.

Speaker 2 (15:27):
Yeah, and you never know who's going to jump you
as well. That is a prime position.

Speaker 1 (15:32):
For exact exactly. And I'm obviously parked in the red
anybody who knows the car I was in, it's not
it's not a big secret. But yeah, exactly, but no one,
No one came along, really he did. He did finally
come out about an hour and a half later, and
I found it funny because I shot him coming out.

(15:54):
You know, it wasn't a really good two shot. I've
got some stuff here of him just kind of coming
out he's got a little on his face, you know,
joking with the joker with the valet. I'm sure he's
a lower. But I don't think his wife and him are,
you know, seeing too much together out and about, you know.

Speaker 2 (16:12):
No, I mean these are kind of there we go,
there is Henry Winkler.

Speaker 1 (16:16):
There he is the funds out out and about and
so uh, he comes out. He says it's goodbyas to everybody,
and then he goes and he gets in his car,
and you know, they came and brought his car out,
like they know exactly how long he's going to be there.
I don't even think he has to ask for it,
but they had it waiting there for him when he
came out. But at the end here if you could

(16:39):
see in these pictures, I mean, I wish I had
video of it. But he goes and he reaches into
his pocket to tip the valet and he didn't have anything,
so he just got in his car and left.

Speaker 2 (16:51):
Oh no ship.

Speaker 1 (16:52):
So Henry Winkler, I'm sure he is a good tipper,
you know.

Speaker 2 (16:57):
You know what that that was not happy pays for the.

Speaker 1 (17:00):
No no, And I'm sure he is a good tipper otherwise.
But he it looked like he was kind of bummed
that he didn't have the money. But Henry Wickler Winkler
not tipping his valet was pretty funny to see, incredible,
especially when they gave him such a such the first
class service, you know, yeah, exactly. Yeah. And speaking of

(17:22):
Sidney Sweeney, I did go by and I did some
aerials because Sidney Sweeney, she's she's got this house up
in bel Air and yeah, bell Air. It's it's it's
not behind the gates of bel Air, but it's just
right up there off of Sunset in bel Air. Yeah,
and she's got this house. It's kind of a southern
looking house. And I went and did some aerials of

(17:44):
it because I just wanted to see the you know,
kind of the progression of what she's doing to the
house and stuff. And you know, I got some stuff here.
And I don't really want to talk about this because
it kind of, you know, gives people ideas, But I
don't care. I think people know anyway, as as I'm
flying around looking at this thing, and I'm looking under
her garage right here, I see her cars, you know.

Speaker 2 (18:06):
Oh, and.

Speaker 1 (18:08):
They're no secret. I know people know that she she
has these cars. But her look at her house is
looking good. It's you know, she's got the she's putting
the pool in, she's putting the big pool. It's gonna
be nice. She's got this, she's got this table out
here where she looks like she might have some dinner parties.
But you know, we're talking thirty forty construction guys, you know,

(18:31):
just blanketing that street out front out here, major construction
going on this place. Here's the front of it. You know,
just a southern nice place. Yeah, probably twenty million, twenty
twenty five million, Jesus. But she she's got the she's
got the classic, she's got the classic Mustang. And then
she's a brand new Mustang, same color.

Speaker 2 (18:52):
Oh wow.

Speaker 1 (18:53):
You know. And supposedly this girl's pretty good with engines.
Supposedly she's worked on some engines.

Speaker 2 (18:59):
Supposely, Yeah, she had a TikTok thing or at some
point Sydney's garage she was working on, working on like
an old, an old bronco.

Speaker 1 (19:11):
I think was that after she was famous or before.

Speaker 2 (19:16):
Uh, well, she'd been.

Speaker 1 (19:18):
Famous, okay, so it was everybody knew her already. It's
a good thing for girls to get famous, to and
is working on cars.

Speaker 2 (19:26):
Let me tell you, Oh yeah, yeah, she looks good
in a set of overalls.

Speaker 1 (19:32):
And I was driving around l A and I started
seeing these ads everywhere. I don't know if you've seen
these ads. They're hairy, they're Haley Bieber and she's doing
these sapphire cards but she's holding this card. Don't if
you could see this video here, she's holding these cards
in the videos and they're enormous, Like I know, you

(19:56):
see it? Yeah, why would they do this? Like I
understand that it's got to be big for the ad
because if she holds a little card, I guess you
can't see it. But why make it look stupid that
she's holding this giant credit card just to have some
brand recognition? You know what I mean? Jesus, it looks

(20:16):
it looks like a handbag, right, it does.

Speaker 2 (20:18):
It's ridiculous.

Speaker 1 (20:20):
She's like sitting on the bend. It's like the oh yeah,
go get this giant sapphire card. And I've seeing seeing
them all over town and it's hilarious. So a few
days ago, I was flipping through my social media and
I saw that Karen Gillen, the Redhead Scottish Girl, from Jumanji.

(20:44):
Okay had posted a picture of the cast saying like,
we're back, you know, and it's a shot of them
and they were standing on a street in downtown LA,
fourth Street, and they're saying, oh, we're back, you know,
We're back. And I'm looking at the picture and I'm like,
they're in the middle of the fucking street right there.
I'm like, this gotta be AI like that. I'm like,

(21:06):
they wouldn't be in the middle of the street in
downtown LA, Like, why would that movie be you know.

Speaker 2 (21:11):
Why would it be in La.

Speaker 1 (21:12):
Why would it be in LA? Why would there you know?
It didn't make any sense. And then I got called.
I was gonna go down there and just kind of
check it out, just because I had a kind of
a feeling whatever.

Speaker 2 (21:22):
And in the same day you saw the picture.

Speaker 1 (21:24):
Yeah, But then I got called on a day rate,
so I never went down there. But the next day
I went and I'm driving down Fourth Street to where
this is, and I see the road completely shut down.
It's all decorated like they are shooting a movie down there,
and I'm like what, Okay, Fine, So I pull up
find a place to park immediately, which was great. Downtown

(21:45):
could be a nightmare for that. Went around, saw the
cast out in the middle of the street, well off
to the side, just starting to film this scene. They're
all in, they're all on their characters. I look around,
I look around for competition, because this is probably ten
o'clock in the morning. Yeah, and I look around for competition.
There's no competition. And that big of a cast with

(22:07):
those kind of.

Speaker 3 (22:09):
Those kind of the rock Kevin ha who else, Jack
Black Jack Black Yeah, and Karen Gillen uh and you
know normally these things, if they're in costume there like that,
they keep this really secret.

Speaker 1 (22:23):
Yeah, it's it's kind of a high profile thing, right.

Speaker 2 (22:27):
Why would she post it? She put up the back
signal she wanted to be shot.

Speaker 1 (22:32):
You know, if people knew where that picture was taken, Yeah,
which they would, right. But remember this was two days before, right,
so she posted she'd posted the day before. I went
the next you know, I was going to go the
next day, couldn't do it. And then so this is
the third day. Right. So as I'm walking through, I'm
kind of scanning it. I'm trying to get a frequency.

(22:53):
I'm trying to figure out what's going on, and I
see a restaurant that's open, that's right across the street
that has these big wins, and I just kind of
dart into the restaurant, right, And since the restaurant's completely
decorated on the outside, there's nobody in it. There's nobody
in there. It's like a sushi place, right.

Speaker 2 (23:09):
Oh, and it was actually open for business.

Speaker 1 (23:11):
It was open for business, and there was two guys
in there, one of the one bartender and just a
waiter and stuff. And I'm like, hey, you mind if
I just hang out here and like take some shots
out this window and stuff. They're like, yeah, come on in,
you know, and I'm like cool. I'm like I'll get
a beer. It's like eleven am. I'm not going to
get a beer, and you know, I'll get some some
lunch eventually and stuff. You guys, let me hang out
in here. So I'm shooting it. They're doing the scenes.

(23:35):
I'm getting a little bit of pictures, getting a little
bit of video. So this is, you know, this is
obviously me here at the bar, like getting the and.

Speaker 2 (23:43):
Like they've got no idea you're shooting them either, right.

Speaker 1 (23:46):
No, they can't see me through that window, you know,
so I mean, here's you know, me just kind of
you know, with the beer, and they're just right out
the window right there, filming this, filming this scene where
they're going up to this is hot dog vendor, and
so I'm immediately thinking New York, even though right on
the thing it says Boston, but I don't see that initially.

(24:10):
And they're out there getting these uh, they're out there
getting these hot dogs, and so I'm I'm I'm blasting it,
just drilling it, and you know, to the point where
I just kind of just now, I gotta wait. I
just gotta wait for the next scene. See what's going on?

Speaker 2 (24:24):
Yeah, you getting too much?

Speaker 1 (24:25):
Yeah, exactly. And I'm kind of looking out the windows too.
I'm kind of peeking out the side windows seeing if
there's competition anywhere or anything like that. Nothing anywhere. So
I turned back to the guys and I'm like, how
long have they been filming this?

Speaker 2 (24:38):
Like?

Speaker 1 (24:38):
How long have they been out here? How many days?
He's like, they've been almost like two weeks, no shit.
And I kind of didn't think they knew what they
were talking about, you know, because it could have been
a thing shooting around there. But he's like, yeah, they've
been here for a while. So I'm like, how is
there no pictures? I even called my sister who is
you know, she's always in front of a computer. I'm like,
have you seen any pet pictures? Can you look up

(25:00):
and see any PAT pictures that are going on?

Speaker 2 (25:03):
No?

Speaker 1 (25:03):
No PAT pictures anywhere? Like fuck, how can this? I'm like, great, awesome, stoked.
You know, nobody here. Maybe there'll be people there later,
but nobody here. Now. I'll get plenty of frames. I've
got all the cast in the same frame.

Speaker 2 (25:20):
And.

Speaker 1 (25:22):
You know, here's here's the rock stoked, some relaxed and
I'm like, order me some sushi, right, We're good to go.
So I order some sushi. The sushi comes, then my
alarm goes off from my for my meter right, and
my cars all the way on the other side, and

(25:42):
I can't go down the road that they're on right
in front of me, right, So I go, I pay
my meter right, and as I step out, I see
fern across and that is Mega or Getty images right.
So I'm like, okay, cool, non exclusive. You know I'm

(26:03):
gonna get my pictures out soon, you know, whenever I can.
So I go pay my meter, and I kind of run.
I run over there, I run back. I come into
the restaurant, and right when I get into the restaurant,
I look to my left, Backgrid standing in the restaurant
that I'm in shooting out the window pretty much the same.
I am no shit. So I kind of give him

(26:24):
a look like ah, fuck, you know, and so I
go and by this time I'm pissed off. I'm just like, fuck,
you know, can't get anything.

Speaker 2 (26:33):
You'd already ordered your celebrate very.

Speaker 1 (26:35):
Seriously exactly my bad. You know. It's kind of like
you go from a real high to a real low,
you know, immediately, because you know now that there's really
not any money in this thing anymore, and you thought
you were going to nail some good frames and you know,
just kind of have free rein. But so I start

(26:55):
shooting a little bit more. I'm just kind of chilling,
and he comes over to me and he goes, why'd
you give me that look? And I'm like, what do
you mean? He's like, what did you give me that look?
That looked like you know, I'm jumping you or something.
I'm like, man, I'm not giving you that look because
of that I'm giving you that look because I'm just
a freelance guy. You're obviously a staffer. You don't get

(27:16):
your information. And I look back, and when I look back,
I look back and I see the agency. I don't
see you. It's nothing personal really with you. I see
the agency that you work for. You know, I know
what they do to photographers, and I know how they
treat photographers, and I know that they don't do that
to you because you're their oldest slave that they have

(27:37):
on the payroll. But I look back and I see
your agency, and I see your agency owner's wife, which
is even worse. I've been here all morning, just nailing
some really good frames, and I look back and I
finally see you. I'm like, it just it just bums
me out, you know. And he's like, well, I've been
here for three days, it's just nailing it. Well, where
are the pictures, That's what I said. I'm like, well,

(27:58):
then where are the pictures?

Speaker 2 (27:59):
Man?

Speaker 1 (27:59):
You know, because this is the type of guy that
just talks like there's nothing up with the business, Like
he's just making so much money, always making money. He's
always on it, always, he's his life is spectacular. All
that stuff, and I never want to hear it. I
never want to have those conversations with other photographers because
I know that they're bullshitting right.

Speaker 2 (28:18):
Oh, and he's obviously bullshiting because if he's now the
on day one and the pictures aren't anywhere, why would
you go back to day two and day three?

Speaker 1 (28:25):
Yeah, And he says, oh, we've been selling it exclusive,
premium exclusives. That's what I said. Bullshit. I'm like, you
know what this bullshit. I'm like, don't talk to me.
I don't want to talk to you anymore. I'm like,
today we're not friends, bro, Sorry, it's not happening, you know.
So we go on with the rest of our day.
We're just kind of popping around shooting here and there
or whatever. But definite bummer after that, and then get

(28:50):
my pictures in later on in the evening. I'm checking,
you know, see who's got what here and there? Because
I know now that I know, I'll get a couple
of sales. They'll get a few sales and stuff. It's
gonna there's gonna be stuff that goes around. I'll probably
make more money than them, just because we don't do subscriptions.
But all of them do. So the next day, I'm
looking around and I see all the pictures. Mm hmm.

(29:15):
I see backwards pictures, I see Getty's pictures, I see
my pictures, and they're kind of all spread all over
the place, just like I expected. But no picture, no
pictures from many days ahead of that, no pictures from
from any time. So those premium exclusives, I don't know
where they went. You know, maybe they went to somewhere
in Afghanistan that we never saw. But I'm calling bullshit

(29:37):
on that count, and you know who you are. Bullshit.
But I added more to it. So I'm up there.
I'm in a parking structure that kind of looks over
the base camp.

Speaker 2 (29:50):
Right, it's a different day of the same day.

Speaker 1 (29:54):
This is the same day, but I went back for
another day because I thought of an interesting kind of
aspect to this base camp because the day before I
saw when the Rock went back to the base camp.
They're all in SUVs, by the way, all the main
casts are all they have their own SUVs, and most
of them were walking because the base camp is literally

(30:16):
caddy corner to the set, so all they have to
do is the cops come out. They kind of stop
traveic for a minute, they walk across the street, or
they just come down to the crosswalk and then they
just cross over. But the day I was shooting, it
started raining, so they were taking SUVs. But the next
day they were just walking. Kevin Hart was walking, Karen
Gillen was walking, the Alex Wolf was walking, and Jack

(30:40):
Black was walking, Big old Jack Black, you know who
wasn't walking the Rock. Okay, And remember this is across
the street, right. But the way the base camp is
is if you came out with your in a normal car,
if you were a normal person, you would have had
to oh, right, you go down Maine a half of

(31:02):
a block, turn left to go down Third Street, turn
left to go down Spring Street, and then turn into
the parking lot.

Speaker 2 (31:10):
Which is left, left and left again.

Speaker 1 (31:11):
Just two lefts, three lefts, and maybe a minute and
a half of travel time. Right. Yeah, the Rock doesn't
do that. What the Rock does is he has the
LAPD block traffic at the intersection of Maine and Fifth
Street or Maine and fourth Street, so that he can

(31:32):
drive out, go the opposite direction on Main Street and
then turn right into the parking lot to save himself
thirty five seconds, right, But not only that, and I
have a video of that right real quick, right here.
Not only that, I wouldn't have such a devil, I know. Right.

(31:52):
So you could see in this video right here, see
the traffic stop right here, there's his suv, there's the
cop and he's turning into this. So all you had
to do was go the other way to go around
the building right there. But he goes to turn in
right here. And it was funny too because the crew
didn't expect that at all. They expected him because what

(32:15):
they were doing is they were doing a scene where
they had traffic going around in circles, their own traffic,
you know, for the background, right and they had a
full system set up where they would go around. They'd
come around right here, and they would drive down here
and they turn into that parking lot where the Rock
just turned in, and they would go out the other
end of the parking lot and they would circle back around,
and it was a constant flow right to the scene.

(32:39):
They didn't know the Rock was going to do that.
They thought he was going to come around or walk,
but instead he goes in, he pulls his suv in,
and he blocks the flow of their whole thing, so
it disrupted the entire shoot. The guy had to run in.
He's like, oh no, he's parked right in the middle.
And you can't just go and tell the rock. You
have to wait for him to get out. You have
to wait for him to walk away and all this stuff.

(33:01):
Then you go up to his driver and you tell
him he's got to move, you know, But you can't
tell the rock to do anything. So totally disrupted everything.
For about ten or fifteen minutes. They had to readjust
they had to stop shooting all that, and it was
just chaotic. Then when he's done, he goes back to
the base camp right and he doesn't walk, doesn't walk,

(33:24):
goes back, but then I notice the base camp something
I hadn't noticed yet. But he went back to the
base camp and there's a different part of the base
camp for him. He has his own little island. Check
this out. He's got his own little fenced in base
camp inside the base camp. So he comes in, he

(33:48):
comes in through this. They open up a gate right
here for him, and then he drives his suv into
this base camp right here where he has his own
hair and makeup trailer. He has his own trailer, which
is gigantic and all of his own stuff. Zoom is
kicking us out for a minute, So I'm gonna come back.

(34:08):
I'm gonna finish this story about the Rock. They call
him DJ on the set, DJ Diva, More DJ Diva
when we come back. All right, back for round two,
the DJ Diva, the DJ Diva. Man, I mean, I
couldn't believe it.

Speaker 2 (34:27):
You photographed him before, right, yeah, I've never photographed.

Speaker 1 (34:35):
Him, and I know, you know he's he's Tom Cruise status,
you know, he's he's Will Smith's status. He's yeah, he's yeah, elite.
Tom Cruise still has his trailer amongst everybody else, right,
he's amount of the people. He has a big trailer,
a bigger trailer than anybody else. Because if you look

(34:57):
at these base camps right, like you know, I'm showing
you up here, so this I think I have a
video actually here something like this. But here. So you've
got the regular trailers, you know, and then you've got
these gray trailers here that are obviously the bigger A
List trailers. But then he's got this big old box. Right,
let me find this box. So there's there's the Rocks trailer.

Speaker 2 (35:20):
Right, there, Jesus Chrust.

Speaker 1 (35:22):
It's the semi truck, you know. And this is the
same pretty much as as Tom Cruise or Will Smith
the size they have. You see, I mean it's literally
a semi truck. Like there's hold on, like there's the
front of the semi truck up there, you know. So
it's a semi truck that brings this whole trailer to him.
But he's also got this trailer, and he's got a
hair and makeup trailer, and he's got other trailers. And

(35:43):
not only that, Jedi, he has a guy that comes
and details his truck.

Speaker 2 (35:51):
Oh my god, the dude's a freaking princess, right, must
be nice, huh.

Speaker 1 (35:57):
And I mean I get it, man. It was raining
the day before. He got a few drops on his
big gas raptor truck, you know. But oh, poor guy,
poor guy. You know. See he's got the guy detail
in his truck right here for him, because that's the
DJ truck right there, just in case anybody wants to know,
look for DJ and that thing. He's he's got full

(36:18):
service and you know all that. The other guys are
over here, they have their trailers over here, and they've
got their cars parked up front. You know this is
Karen Gillens, I think her tesla, and you know this
is the young kid, the Alex Wolf. I think that's
his truck. And then Jack Black's got a nice little
electric thing. But this gate right here did they open
up his gate? So basically the Rock doesn't have to

(36:40):
even look at another crew member or anybody until he
actually sets foot on set. You know, wow, And my
question is why did like why do you have to
act like that? I mean, I'm literally.

Speaker 2 (36:56):
Saying he gives a on his Instagram is like as
many of the people, isn't it. He's like, you know,
he go, he waves to the MZ tool bus. He'll
he'll buy somebody a fucking truck that he you know,
is cleaner a truck or something. Or he is posing

(37:17):
up with fans and taking selfies. So it just seems
crazy that he seclude himself from everybody on his movie set.

Speaker 1 (37:26):
Yeah, like you give off the impression that you're something
that you're not obvious, and then when it is behind
the scenes and it's like nobody sees this, you know,
so the fans and stuff don't see this side of it, right,
but the people you work with do. And isn't that
the worst part about it? Where it's like, you know,

(37:47):
at least at least be that way for the fans,
you know, like show up, show up and do your thing,
but then just be like open about the fact that
you don't want to when you're working with co workers
and stuff like that, and you just seclude yourself from everybody.
Why does everybody want to? Why would anybody want to
work with you? You know, right?

Speaker 2 (38:08):
And it's not like he's getting himself away from everybody
so he can focus and get into character. It's like
the fucking third sequel of Jumanji. Nobody cares. Yeah, exactly exactly.

Speaker 1 (38:22):
So yeah, and and and pick her shoes because I mean,
if you do have to get into a character or
something like that, and you do have to have that
seclusion for some reason or whatever, then go ahead and
build yourself that base camp. But Jumanji, I mean, come on,
what is going on here? I just want to know
his reasoning. I want to know why DJ the Rock
tell us contact us d m us because you're gonna

(38:44):
hear about this story. I'm trying to get rid of
this story actually, and let us know why you have
to have an island base camp inside your base camp.

Speaker 2 (38:54):
Yeah, no ship.

Speaker 1 (38:56):
Yeah, why do you have to be such a diva?
You're the you're the You're the exact the opposite of
the of a diva to everybody else in the world.
Why are you a diva on set? You know?

Speaker 2 (39:05):
Yeah, it's wild, absolutely wild.

Speaker 1 (39:10):
Anyway, the pictures did okay, and I'm excited to see three,
you know, because I'm like that, I like those kinds
of movies. Whatever. Yeah, the first one was actually really funny.
I loved it. Second one was man, and then obviously
this one is a little bit weird. But if we're
getting into this actual movie, from what we saw on
this scene, I think at the end of the last

(39:32):
movie there was like ostriches running down the street. So
somehow the game finds its way into the real world,
kind of like the old original how they how they
get into the real world, But we don't know how
that happens yet.

Speaker 2 (39:49):
Yeah, I've only seen the original. I've not seen any
of the the rebranding to Manager.

Speaker 1 (39:56):
Well, and there was an article two because the Rock
because he went up to bunch of fans and stuff
at Universal. I guess this week and you know, said
hi to him, just like we were talking about said
Hi to Hm while they were on their tour around
Universal Studios in the middle of shooting, and he had
a necklace that had a dice on it that was
supposedly paying some tribute to Robert Williams or something like that.

(40:17):
So you know, he is he does have a heart,
I guess at least a little bit. Yeah, that is
it for me as far as you know, everything I
have to talk about.

Speaker 2 (40:30):
There was a lot of action.

Speaker 1 (40:32):
Well it was one real day of action and the
rest was you know, just kind of you know, piecing together.
But I know you are on the road and I
know you can't really talk about what you're doing yet. Yeah,
is there anything on the road that you've come across
that you want to.

Speaker 2 (40:52):
Well. I went on a family vacation hmm, which was fantastic.

Speaker 1 (40:57):
Oh yeah, can you tell us about it.

Speaker 2 (40:59):
Absolutely. I took my family, my wife, my daughter, and
my mother in law to Orlando. We stayed at a
fantastic resort which I will give a plug to They
were absolutely incredible. It's called the ever More. It's a

(41:20):
health and branded property. So I used my points which
was fantastic and It was just glorious, great place to
take kids, great place for families. They've got an artificial beach,
they've got a huge lagoon swimming pool that you can
paddleboard on and you can kayak on. They've got a

(41:42):
number of heated pools and hot tubs, an arcade for
the kids, restaurants and dining. It was brilliant, and they
brought in different activities every day. They had a dude
from Gator World or Gator Land come in with alligator
and tarantulas and lizards and all that kind of fun stuff.

(42:05):
And then forty minutes away from the evermore is Pepper
Pig World. Oh shit, which is the main reason that
we actually went there. Really, we spent My daughter is
a new Pepper Pig fan. Okay, so we spent a
full day at Pepper Pigland. I took some pap shots

(42:29):
of Pepper Pig, her mother, and her baby Evie.

Speaker 1 (42:35):
Is there a story there?

Speaker 2 (42:37):
There's no story that I was hiding hiding. Actually I
shot them from Missus Rabbit's blooon ride, very discreete and
I did did. I took a few frames from Daddy
Pig's roller coaster. Didn't get spotted, but unfortunately nobody was
interested in pictures of Pepper Pig. But it was a

(42:58):
great day out and we just had absolutely fantastic vacation.
I needed a vacation from the vacation. It wasn't very
relaxing because it could just go, go, go the whole time,
but it was really nice to spend some quality time
with my loved ones.

Speaker 1 (43:16):
That's good. Did you so? Did you get to go
to Disney and all that business that ship?

Speaker 2 (43:22):
Disney's way too expensive for.

Speaker 1 (43:24):
Four of us. Good? Thank god.

Speaker 2 (43:28):
Pepper Pig is also expensive, but not as expensive as Disney,
and you didn't have to wait in lines. We walked
on every ride straight away. We rolled the roller coaster
three times in a row without getting off. It was awesome.
I highly recommend it for families with young children. All right,
but yeah, I am back to work now. I'm I'm

(43:51):
on one currently. I think I'll be away for the
whole week here, the whole week of Thanksgiving. And I
just got back from a job on Saturday. So I
spent Sunday at home watching sports all day and then
threw out again this morning. My job prior I was
in South Bend, Indiana, which I can't talk about the

(44:11):
story ext it's not come out properly. But I did
find a fantastic curry house that we went to two
days in a row, probably my second favorite curry in
the US. And prior to that, I was working on
a job closer to home. I did a few days,
I nailed some pictures. Can't talk about it yet, And

(44:33):
I was supposed to be going back to that job
today with a reporter to try and do a front up.
But I think that's going to happen when I get
back from this job now. So yeah, lots of cogs
are moving, but nothing I can talk about at the moment, unfortunately.

Speaker 1 (44:50):
Yeah, No, I mean I get it. I actually have
been on a job the same thing for over over
two weeks now, off and on, trying to get somebody
because of a story that a reporter is putting together
that's gonna gonna supposedly rock Hollywood when it happens.

Speaker 2 (45:11):
Is it a blondie story?

Speaker 1 (45:13):
It is? Oh, And I did have a crew Dutch?
Is that Danish? Netherlands? Danish? Dutch? But the Dutch and
the Danish the same thing, The Dutch and the Danes. Yeah,
are they the same.

Speaker 2 (45:32):
We're gonna get absolutely flamed by European listeners.

Speaker 1 (45:37):
Yeah, I mean, I you know, I'm just a simple
American guy. I've never even been over there, so I
don't know. But I had a Dutch crew with me
that went around for a couple of days, and they
jumped in with me as I got a phone call
to get on this person. So I actually had to

(45:57):
be discreete to the film crew and then know what
was going on. It was, Yeah, it was kind of
interesting how it all worked because they got some pretty
good action out. They came out for at least a
day and then maybe a second day if we didn't
get anything. And on the second day it was just
kind of going shitty. But then I got called in

(46:19):
to go because it was just spur of the moment.
This person was somewhere in Hollywood, and so I called
those guys and I said, come meet me here. They
actually jumped in my car with a camera like under
their shirt, like a real proper camera, you know, under
their shirt, and like ducked into my car right as
I was kind of shooting this whole thing. And then
we followed this person all over LA and I mean,

(46:41):
I think we got spotted because the follower turned weird.
But they got some really good footage out of it,
and they're waiting on me to let them know what
is of this whole thing so that they can put
it together. They weren't going to put together the footage
and until December or so anyway, and then put it

(47:02):
out next year, so we do have some time. But
it's gonna be really interesting. This guy is a he's
kind of a underground staple with Hollywood, friends with everybody,
so he's a drug teamer. It could be, yeah, that
could be. Even I'm in the dark on some of
this story because you know, it's it's very hush hush,

(47:25):
but it's gonna be very interesting to see how this
turns out. And I'm on another day rate tomorrow for
it to try and establish a little more information. So
that's good. Let the investigation continue, love it.

Speaker 2 (47:38):
Keep keep the day rates rolling.

Speaker 1 (47:40):
Keep the day rates rolling. But now it's become personal.

Speaker 2 (47:45):
Well yeah, absolutely, you need to get this person.

Speaker 1 (47:47):
It's become personal now. So it's just I, you know,
I want to I want this story to actually come
out because supposely this guy is a fucking dick, So
there's everybody thinks he's a saint, so you know, like
a literal saint.

Speaker 2 (48:05):
So they're the ones you always want to know when
you know just.

Speaker 1 (48:10):
Exactly exactly which brings us to what you're watching. Oh,
I've got I've got a list here, Jedi and I
can go on and on and on, so i'll start
with you if you've seen anything that you want.

Speaker 2 (48:23):
To I've got two episodes left in the the k
Bell and Adam Brodie thing. What's it called again? Nobody
likes you or nobody wants you, nobody.

Speaker 4 (48:34):
Needs you, nobody wants this, nobody wants this. Okay, Yeah,
I've got two episodes left in that. Still enjoying it.
I don't know if have you been watching it?

Speaker 1 (48:45):
Yeah, we are on the last episode. In the last podcast,
I said I was still on the last episode. I
still haven't watched the last.

Speaker 2 (48:51):
Episodekay k Bell is annoying as ship this season. She's
she's very, very negative, and it's it's kind of true
to life.

Speaker 1 (49:02):
I was just going to say that, Yeah, yeah.

Speaker 2 (49:04):
She's portraying herself. She's like, she's a bitch. It makes
me like the show more because it's portraying her. As
what she is.

Speaker 1 (49:11):
I've always liked Morgan in it.

Speaker 2 (49:15):
Yeah, I've always thought she's great. I like her and
Doctor Andy together, although we don't know where that's going
to end up now, and and the relationship with her
and and Sasha is fun as well. Yeah, I like Yeah,
it's a good show. I like it, but I won't
go to watch it now for however long on my

(49:35):
way because it's a show that my wife and I
are actually watching together.

Speaker 1 (49:38):
That's why we haven't watched the last episode.

Speaker 2 (49:42):
I just finished the Squid Game Challenge, the second season
of that bought the ship out of me. Didn't get
my didn't attached to any of the players, so I
had no interest in who was doing what or anything.
So I just kind of fastbwarded through that. I need

(50:02):
something to watch, mate, I really need something to watch,
especially with this stoor step that I'm on now for
this week, there could be a lot of waiting and
no action, so I need something to watch. So I
will listen to your watch watching and maybe jump on
one of them.

Speaker 1 (50:18):
It's funny because I did hear that Squid Game, the
American Squid Game is going to be starting to shoot
in twenty twenty six. If anybody saw the Last of
the Squid Games, they were in downtown LA with watching McCord. Well,
Blanchet popped out. So I'm hoping that it's coming my way.

(50:40):
I will get some work out of it. Some other
things coming to LA too, which I'm hoping to get
some work out of it too and not see some
of these other savages out there.

Speaker 2 (50:53):
Yeah.

Speaker 1 (50:56):
I did see a couple of big movies that have
come out.

Speaker 2 (51:01):
I did get one. Yeah, go ahead, have you seen
Running Man? You must have done?

Speaker 1 (51:06):
That was gonna be my first one. I was just
gonna talk about.

Speaker 2 (51:08):
Okay, Yeah, I figured that was a movie.

Speaker 1 (51:11):
Yes, I did that, and I did see it with
the wife. Yeah, because she's a Glenn Power Powell fan,
who is not right. Yeah, Glenn Powell is literally the
Sydney Sweeney of the male.

Speaker 2 (51:24):
He's just gonna say, he's the male Sweeny. Yeah, you know,
it's like the guys everywhere.

Speaker 1 (51:29):
It's weird how they're both the exact same person right
now and they have that history as well. But running
Man was have you seen the original Running Man? Jedi?

Speaker 2 (51:40):
No?

Speaker 1 (51:40):
Okay, Well, if you watch the original Running Man, which
I suggest you do ahead of time because it's Swartzenegger.
It's old. It's like, you know, it's just nostalgic, yeah,
for old movies and shit like that.

Speaker 2 (51:54):
Whatever, it is the same plot, like the dude is running,
everybody's trying to kill him for money.

Speaker 1 (51:59):
Kind of Yeah, it's more of a game show on
the old one, so it's like a limited kind of
space in the city that they run around trying to
kill him. But in this one, it's like anywhere he
is in the world, anybody is trying to kill him.
So it's just a bigger scale. And then but it
was really really fun if you're in the mood to

(52:20):
go watch a big movie that's just constant, you know,
kind of fun, funny comedy killing just just always on
the go, like there's never a dull moment in the
whole movie. You know, it'll keep you going the whole time.
It's one of those where you want to have like
an expresso martini well before you go in, you.

Speaker 2 (52:38):
Know, a little nice Yeah.

Speaker 1 (52:40):
So I definitely suggest Running Man. And it's Glenn Powell.
I mean, the guy's just so likable. You know you
can't so but I found it funny because you know,
Stephen King wrote Running Man, right, and Stephen King is
like kind of like a hardcore, kind of liberal kind
of guy as far as like politics go and stuff
like that. Right, But you watch the Running Man, you

(53:03):
watch the Old Running Man, it's kind of the same thing,
but you watch the New Running Man, and it's really
kind of a it's really kind of a kind of
a porthole into what New York might eventually turn into
because of you know, the recent politics that have been
going on there and stuff where you know, the poor
is super poor, there is no middle class, and it's
just like these these corporations that run everything on top

(53:26):
of everything, and everybody just wants to get involved with
these game shows because it's the only way to make money,
you know. But then you don't come back from these
game shows. If you lose, you die, So it's like
risk your life for tons of money where you can
get out. So it's kind of a weird look into it.
And the whole Stephen King, you know, irony behind it

(53:47):
is kind of funny. So when you think about it
that way, it's kind of it makes it a little
more interesting. But I've been watching this other show, which
is I imagined it to be kind of like everybody
wants this or nobody wants this. Yeah, it's called I
Love La.

Speaker 2 (54:07):
I've seen the trailer. Okay, it's on HBO.

Speaker 1 (54:09):
It's on HBO. And I had info on this as
it was shooting, but I never knew anybody who was
on the cast list. You know, the main character I
think is super popular, but I don't think she's popular
in our world.

Speaker 2 (54:23):
And she was in the other HBO show with Johnny
deppstor right, yeah, on the weekend.

Speaker 1 (54:32):
Yeah, that she was.

Speaker 2 (54:33):
She was the assistant.

Speaker 1 (54:34):
Yeah, exactly, that weird fucking psycho sex fest. Fucking made
me hate the weekend after that, after that show, and
I think.

Speaker 2 (54:43):
She was in Girls.

Speaker 1 (54:45):
I think she was in Girls Too or something. But
I know you did. You did like it, But it's
because it's the same kind of movie set in the
same place. It's like Silver Lake, Los feelis the first episode.
I couldn't stand anybody in it because when you live

(55:05):
in LA, when you live in LA and you deal
with the people like they are right, the whiny kind
of nasally groups that are just you know, oh my god,
it's my god, oh my god. You know, like this
it's so fucking annoying. So the first episode you have

(55:29):
to get through it if you can on that. But
I did, and I got to the second episode and
it was it's still super annoying. It's getting better. It's
a weird kind of thing. It's you love to hate it.
You want to stop watching it, but you can't for
some reason. There's nothing even really going on, you know,

(55:49):
the whole thing. It's all super gay, super LGBT. It's
super I mean, you know, I mean there's literally a
scene of you know, a guy holding a guy's feet
behind his ears, and like, yeah, it's I mean, it's
it's in there. It's it's intense, you know. And it

(56:09):
was funny. It's actually a funny story to that because
I was watching it during the day, right, It's like
the end of the day. My son was home, right,
and he was walking through the living room to like
go out to his to get on his bike to leave,
and he was just kind of saying, hey, you know,
I'm going out, blah blah blah blah. I'm like, okay, cool,

(56:30):
and the scene popped up as we were doing I
didn't know the scene was coming, right, it was just
kind of switched and so he kind of catch a
glimpse of it, and I don't know what was happening really,
I just kind of in the corner of my eye
and my mind, I saw it was a sex scene, right,
And then he looked at it and he was just

(56:50):
like what And I just paused it real quick, Like
I didn't pause it. I just kind of clicked it off,
you know. And he looked at me kind of weird,
and I kind of and I was like, you know,
and then he walked out, right, and then I turned
back on the scene and it's a hardcore man on
man gay scene, right, And so it's like I saw

(57:13):
what he saw, you know, where he was like, wait,
what the hell is going on here? You know that? Yeah,
but I thought it was a total different kind of
scene that I was protecting him from. So it's that
kind of a show. But the characters are annoying but likable,
and I'm not looking forward to the next episode. It's

(57:35):
one of those where it's like, if it's the last
on my list, I'll throw it up there and I'll
put it on the background or whatever. But it is
what it is, But it is it is definitely it's
definitely LA for what at least that part of LA
you know, you come down to South Bay or something
like that. It's not like that around here. But and
it reminds me that that they need to make a

(57:56):
new La Story movie. Remember East Do you ever see
Ellie's Story with Steve Martin? Nope, never saw that one.
Now that's a great one. It's just a constant, constant
movie of them just kind of making fun of the
people of l A. And it's it's just a hilarious movie. Well,
and the girl I think his name is Rachel Sonnet

(58:18):
or something like that. Yeah, she gets her boobs out
in the first episode, right, but it was almost like forceful.
It was almost like a knock of at like Sidney Sweeney,
you know, because she's kind of a dorky looking you know,
not as you know, perfect as as Sidney Sweeney or
you know, and she gets him out and it's just

(58:40):
a scene, total confident, that kind of thing, and it's like,
we can do this too, you know, we can get
them out too, and we can do this too. But
she's not Sidney Sweeney. And I give her the credit
for the courage for for doing it and that thing,
but I just don't understand why, Like I don't, I
don't understand why they got to do it.

Speaker 2 (58:57):
I don't think it wasn't in the scene.

Speaker 1 (58:59):
It wasn't needed. It's just it just doesn't need to
be and it's just and it's kind of forced, like
it's you know, I don't think if it's a glimpse
or something like that, but it's a full scene, it's
like back and forth, back and forth, and it's like, Eh,
it's fine whatever, But I don't think it's needed. Yeah,
and that's all I got.

Speaker 2 (59:15):
I think that might be might be it, and that
might be all she wrote this week.

Speaker 1 (59:20):
That might be all she wrote exactly. I always seem
to think I have more to talk about, and then
when it comes to and I'm almost upset because I,
you know, I feel like we should be talking about
more stuff.

Speaker 2 (59:32):
Well, next time, I'm gonna have lots to talk about
because all my stories will be out helpfully.

Speaker 1 (59:38):
Yeah, it's gonna be an entire Jedi episode.

Speaker 2 (59:40):
Yeah, and I'm gonna I'm gonna be watching all of
your stuff so I can I can relay Michael's.

Speaker 1 (59:49):
I also did see Predator. There's a there's a movie
called Predator bad Lands, and it's just another notch on
the whole you know, predator, same shit, different, same kind
of thing. It was good. El Fanning is which was
really weird. She plays a robot that doesn't have any

(01:00:13):
legs and the predator runs around with her on his
back like a backpack.

Speaker 2 (01:00:19):
What the heck?

Speaker 1 (01:00:22):
And she's and she's this super like upbeat, just you know, energetic,
like go get her type of not like a robot
at all, you.

Speaker 2 (01:00:32):
Know, like she like crying from the teenage ninja.

Speaker 1 (01:00:36):
Yeah, you know, and and so. But but the predator
like talks. The predator is like a he's like a
younger brother of another predator that's been kind of bullied
and he's going off on his own mission to try
and kill his own you know, predator thing, and and
you know it's kind of like a coming of age

(01:00:58):
for the predator. And then she's there to just kind
of encourage them along. The battle scenes are awesome. The
rest of it, you could just mute it, fast forward
through that.

Speaker 2 (01:01:12):
I've been shooting El Fannings since she was like eleven
years old. Yeah, I used to shoot her going to
ballet practice.

Speaker 1 (01:01:20):
I remember those pictures.

Speaker 2 (01:01:22):
Yeah, that's wild.

Speaker 1 (01:01:24):
Yeah, how how when's the last time you shot her?

Speaker 2 (01:01:27):
Been a long? How old is she now?

Speaker 1 (01:01:29):
She's gotta be twenty something, twenty twenty three.

Speaker 2 (01:01:34):
So probably ten years ago, so.

Speaker 1 (01:01:37):
She was still young. You haven't shot her like like
an adult or no?

Speaker 2 (01:01:40):
I mean, and I shot her, I shot her sister.
I remember shooting Dakota Fannings sixteenth birthday. She was at
school still and I got her leaving school with a
princess Tiara.

Speaker 1 (01:01:54):
I remember those photos. Those were nailed too.

Speaker 2 (01:01:57):
Yeah, of course. So yeah, yeah, that's crazy man, those kids.
Well fuck, I've been doing this almost twenty one years. Yeah,
it's well crazy watching these kids grow up so much.

Speaker 1 (01:02:08):
Well and grew and grown up. And it's funny because
I did. I think I posted it last week or
this week of Sabrina Carpenter because both the girls. Okay,
so oh, there's another show I'm watching too. By the way,
I didn't even put it on my notes. It's all
her fault. Very good show. That's when you should watch.

(01:02:30):
I'm not really going to get into it right now
because I'm still involved in it stuff, but this will
be something we can both get, you know, into on
the next one.

Speaker 2 (01:02:37):
We streaming service is it.

Speaker 1 (01:02:39):
It is on Peacock.

Speaker 2 (01:02:43):
I just counceled my peacock.

Speaker 1 (01:02:45):
Okay, well it might be on something else. Just check
it out. I'd be able to like download it or something.
But it's a good show. It's about a kidnapping of
like a five year old kid. Oh, the parents are
going to figure out what's going on. They're rich, and
it's just one of those things. But it's Dakota Fanning
and so El Fanning is in. You know, she has

(01:03:06):
got Predator out, and so that they both have movies
out or shows out right now, and then surprisingly they
both go to Sabrina Carpenter's concert. There's a there's a
portion of Sabrina Carpenter's concert where she arrests a super
sexy fan in the audience. She puts some like furry
handcuffs on them.

Speaker 2 (01:03:28):
Yeah.

Speaker 1 (01:03:28):
I mean it's just so appropriate for little girls. You know,
all the little girls that are at the show watching her,
looking up to her. She's putting furry handcuffs on people
for being too sexy. But it happens to be the
Fanning sisters. I don't think it has anything to do
with their promotion at all. I just think they happen

(01:03:48):
to be there, and yeah, definitely just total coincidence. Cool. Anyway,
check out that show if you can. But yeah, let's
wrap this one up.

Speaker 2 (01:04:02):
Sounds good, sounds good, Good to see you.

Speaker 1 (01:04:04):
Cool. Well, if we have offended anybody on this episode,
we do apologize, but for myself and for Jedi, take care,
be well. Good luck to Thanksgiving. Happy Thanksgiving, Happy Thanksgiving
to everybody. Happy Thanksgiving to you. Even though you're not
going to be home for Thanksgiving, I'm.

Speaker 2 (01:04:25):
Going to be having a good Thanksgiving dinner where I am. Okay, well,
it's excited Thanksgiving.

Speaker 1 (01:04:29):
A FaceTime Thanksgiving dinner.

Speaker 2 (01:04:31):
Yeah, a nice piece, peaceful and quiet Thanksgiving dinner.

Speaker 1 (01:04:38):
There you go, there you go. Nice. Well, yeah, happy
Thanksgiving to everybody. We won't see you until after that,
so take care and be well. Oh my god, it's
my god, my god? Is that Danish Netherlands Danish Dutch