June 22, 2025 • 58 mins
Featuring: Justin Bieber, Ali Larter, Freddie Prinze, Hillary Clinton, Alexander Soros and more. In this #Papisode Jedi works the Soros wedding and the cast of Escape at Dannemora. Mark shoots a Doordash and a Nepo. We discuss the Toby headshot during the LA riot/protest, we review Ballerina and a lot mower. For the content in this papisode please visit our socials @paparazzipodcast. Thank you for listening and sharing. Be Well!
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Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Welcome everybody to the Paparazzi Podcast. I am Jedi. Hear's mark.
Speaker 2 (00:05):
They can't see the hand gestures, dude, I know, but
it feels good to throw some hands around. It's like
Championship Day podcast. You know, it's all the build up.
Speaker 1 (00:17):
I know, mate, We try. I've said it time and
time again. We really do try to bring you a
podcast on a regular basis. But you know, life happens.
Speaker 2 (00:29):
Well, it's kind of like the job. Actually. It's like
you you know, you have a plan and then you
get out there and everything just goes to ship because
something else comes up and you just kind of go
with it, you know. So maybe there's a reason why
fate doesn't let us, you know you podcasts all the time,
(00:50):
and maybe in the end it'll it'll help us out.
Speaker 1 (00:52):
I don't know. I don't know, mate, We'll see. Hey,
things have calmed down in La at the moment, right.
Speaker 2 (00:58):
Things have calmed down a little bit. I mean every
day I turn on the news in the morning, drink
my cup of coffee, and there's always something that's happening
because of something somewhere, but it's very isolated, very small,
Like this morning, they go, oh, last night there was
(01:19):
what did they call them? Uh, there was a demonstration
at freaking like Slosson in Western or something like that.
And it's these guys doing donuts in the middle of
the street like they do every freaking weekend. All they're
doing is they're flying Mexican flags now and they call
them demonstrators instead of treat street takeovers. Oh goodness, hilarious demonstrators. Dude.
Speaker 1 (01:47):
Yeah, I mean it got crazy out of there for
a while with all the you know, the ice demonstrations,
and you know, some of our buddies got into it
over there. It was you know, we tried, we tried
in vain to get Toby Cannon on the podcast. Some
of you listeners might have seen the name. He's been
(02:09):
a friend of mine for over twenty years now. He's
a he's a bellow day raiterer, and he was covering
the ice protests, demonstrations, whatever you want to call them,
for the New York Post. And I've been talking to
him that day and you know, stay safe, mate. You know,
(02:30):
it's it's crazy out there because the day before, another
person that I know in Los Angeles, Nick Stearn, had
got shot in the leg and it you know, it
penetrated him and he lost consciousness and was in hospital
overnight having a you know, a serious operation. So with
that in mind, I text Toby, you know how, stay
(02:52):
safe out there.
Speaker 3 (02:53):
Mate, and then come around ten o'clock my time to
seven pm, LA time, I was in bed, just about
put my phone on do not disturb, and Toby texts me,
may I've been shot in the head.
Speaker 1 (03:09):
And you know, the video has since gone viral, both
on the New York Post Instagram and the Paparazzi Podcast Instagram.
It's fucking frightening. And you know the pictures that Toby
sent me that evening and that were published the next day,
and not just published in the New York Post, they
got picked up worldwide, the story around everywhere, and I
think Toby said inside edition in the US, there was
(03:32):
a TV show in Germany, and I think he was
on a show in the UK as well, So you know,
he put himself out of there everywhere apart from the
Paparazzi podcast. But he was up on a bridge taking
photos down onto the one O one Freeway in downtown
LA and I think he said that, you know, it
was him and Dave. Dave was there next to him
(03:55):
as well. No, I can't remember what we call on
the podcast before pig Pen. She was she was next
to him and I thought I heard her, Yeah, it
was it was her. And you know from Toby's video,
you've got the guy pointing, you know, the the gun.
(04:15):
I guess you can call it a gun. It's a gun, right,
It shoots a rubber projectile.
Speaker 2 (04:19):
Yeah, I mean, if you look, it's like a high
powered paintball gun pretty much.
Speaker 1 (04:23):
Yeah. You know, it points up at Toby, the lights on,
and if you slow down the video you see the
projectile actually coming launching towards Toby. It's crazy. And the
next thing, you know, you hear fuck, fuck, fuck, I've
been shut Yeah.
Speaker 2 (04:39):
You hear the thump. You hear the thuh, you know,
and that's obviously he's been shot somewhere, you know, you
don't know where. Could have been in the chest, could
have been in the leg, It would have had the
same thud, but yeah, you know, And just to set
the record straight on a lot of stuff, I'm you know,
I obviously want to hear from you because you've talked
to Toby, but just to set the record straight on
(05:01):
a lot of stuff because there was a lot of
conversation going on on our comments section, and number one,
it was crazy that it was one way versus the other.
And there's a very very small percentage of neutral parties
that were talking in this comment section. But yeah, any
of those people are actually listening to this because we
(05:23):
did promote it like we were going to be telling
the story either from Toby or our own lips. That
light that was shining from the gun ahead of time,
that was not a glint from you know, a sniper
lens that you would on a Fortnite or fucking Call
(05:44):
of duty. You gaming geeks, nerds, get your heads out
of your games, okay. And there was a lot of
game references on that frickin' thing, you know, So, yeah,
get your head out of your games. Uh, get down
on there in the street if you really have any
kind of balls to do anything or have any kind
of opinions whatsoever. But he was down there doing it,
(06:09):
and I mean, you tell me, Jedi, was there people
around him? Did he say he was mistaken maybe for
somebody else, or does he think that the police were
just going at him just because they were shooting at
kind of anybody?
Speaker 1 (06:21):
Yeah, just going at him. From talking to Toby. It
was just him and Dave up there and nobody else.
And a lot of the comments on the Instagram video
were saying, hey, click this link, watch this video, and
they're saying, you know, Toby was throwing fireworks down there,
throwing rocks and it was bull shit. You know. There
was a link to another video where it was like
(06:44):
another bridged a bridge, you know kind of situation, guy
upon a bridge who was throwing a firework.
Speaker 2 (06:50):
It looked like he was on a rooftop. Really, it
didn't look like a.
Speaker 1 (06:52):
Bridge or a rooftop. Not fucking Toby like these these
you know, keyboard worry, just have no clue, zero, get
your facts right, guys, you know, saying, oh, no, Toby's
you know, he's a scumbag. He's you know, he's he's
one of the fucking rioters. He's not a journalist, he's
(07:13):
not in the media. Like, just google his fucking name,
for Christ's sake, and you'll see all the stuff he's
done over the years.
Speaker 2 (07:20):
And I didn't didn't put his picture on the Instagram,
which because we were going to tell the story and
I was gonna kind of wanted him to tell his
side of it before I did that. But I'm gonna
put the picture of his head being shot up on
the Instagram so that so that people can see that
it's obviously not the same guy.
Speaker 1 (07:38):
That's all these commenters had to do. Just Google Google it.
Like the story was readily out there. It was everywhere
with you know, led by a big picture of Toby
with a fucking humongous gash in the middle of his forehead.
Speaker 2 (07:52):
Well, there was a lot of talk on the comments
about how he was British and the guy. I'm sorry,
I don't know how many Mexican British there are over there,
but the guy didn't look British at all.
Speaker 1 (08:04):
That was in there exactly. It was a Hispanic guy.
Speaker 2 (08:07):
Yeah, it's funny how you know how these comment sections go.
Obviously I didn't play anything into it. I just thought
it was funny reading them every couple hours or a
couple of days, just to kind of read through them.
But the misinformation, the disinformation and just the speculation that
you know, goes on with just a simple video like that,
(08:28):
an innocent reporter getting shot by police obviously mistaking him
for something else, or mistaking shooting him at all. Yeah,
gets misinterpreted like that.
Speaker 1 (08:40):
It's just it was nuts. I mean the police were
out of control. I mean, the same day that Toby
was fired upon, you know, there was an Australian TV
news reporter shot in the leg as well, and you
know she was doing a piece to camera when she
was fired upon. Like, it just makes no.
Speaker 2 (09:00):
Well, and I saw a lot. I saw another video
too of a woman that was obviously that was just
trying to get home and she walked up to him.
Obviously these people weren't listening to the cops. They were
telling her to walk away, telling her to go away,
and she just kept arguing or pleading her case or whatever.
But it is no reason to shoot somebody with any
kind of projectile at all, unless it's going to be
maybe you know, a pillow fight or something at that point.
(09:25):
But in Toby's case, in that exact situation that they
were in, I mean, the cops were obviously shooting at
the wrong people, but at the same time, in that situation,
they were also getting pieces of concrete thrown at them
from above in kind of a killbox situation that if
(09:45):
I was a cop, I don't know if I would
have reacted any different at that point, you know what
I mean, it was all just total chaos and ridiculous
all around. So if you're in that kind of a situation,
expect to have something go wrong. That's that's just my
take on it exactly.
Speaker 1 (10:04):
And you know, I spoke to Toby, you know, a
couple of days after as well, and he had he'd
spoken he's lawyered up. You know, he's he's hoping to
you know, he's hoping to get to secure the bag afterwards,
but not not just that, he's trying to get injunctions
(10:26):
applied which will improve training and help stop either working
media or people who shouldn't be getting shot not getting shot,
for improved command and control on the ground. He said
he'd done a lot of this, like public order stuff
with his time in the military as well, so you know,
the guy knows what he's talking about. You know, he
(10:47):
wants basically to shake up the whole training regime so
they're a bit more switched on and disciplined. And he
did say at the end of it as well that
it isn't about the money, you know, he wants change,
systematic change.
Speaker 2 (11:00):
Yeah, and I totally get it, and I mean, obviously,
if you're in a wartime situation or something like that,
the press is wearing certain things that would identify them differently.
They're either wearing you know, certain kinds of helmets that
say press, or they're wearing you know, jerseys that say
press something like that, something to kind of signify who
they are. And you know, this kind of a situation,
(11:22):
it's a little different. It was fucked. The whole thing
was fucked, and I just I thought it was comedy
that Karen Bass this morning or yesterday was saying that
she needs help cleaning up LA because the World Cup's
coming in in a week.
Speaker 1 (11:34):
They shouldn't I mean, yeah, not quite a week, but
they they should. You know, LA shouldn't be allowed to host.
LA cannot deal with you know, they're not equipped for it.
They are not equipped for anything. It's a sh show.
Speaker 2 (11:47):
What if something goes down, well, all these people are here,
you know, yeah, trapped in their hotels or whatever. I mean,
it's you know, it could get way out of hand,
and especially with you know, whatever's going on in the
Middle East and you know the unrest that's going on there,
and you know, yeah, Li is the last place you
want to be trusting the leaders to be helping.
Speaker 1 (12:07):
You out there. I mean, I I mean, like you've
got to think, like foreign tourists, why would they even
want to come to LA right now? No, I mean,
you've obviously got all the homeless problems in Venice Beach
smelling like a fucking urine just yet ur hinal and
just you know, just the unrest that it's I certainly
(12:31):
wouldn't visit for pleasure.
Speaker 2 (12:32):
No, No, And we have KP Picks here right now
that's actually doing shout out.
Speaker 1 (12:39):
Yeah. I saw that.
Speaker 2 (12:40):
That's actually running around l A doing all the actual
typical LA tourist stuff. You know, he needs to he
needs to get in contact, and you give him some
of the non touristy things to do. I think he's in.
He's in and out six times in a row.
Speaker 1 (12:56):
But that's always my first stop when I am in.
Speaker 2 (12:59):
Absolutely, But he's he was worried about it before he
came out here with his family, and I mean he's
obviously seeing how it is now that really mini rioting.
I guess we can call it mini writing. Many riots
are actually the least of the worries when it comes
to anything around here. You know.
Speaker 1 (13:19):
Yeah, yeah, all right, we've got out of the way.
What's been going on. Have you've been taking any pitches?
Speaker 2 (13:27):
No, I really haven't. I've been working on not a
secret squirrel, but a squirrel that I don't really want
to talk about too much until I've actually nailed it.
It's you know, it's it's one of the biggest stories
out there, but I'm not really serious enough about it.
(13:47):
You know. There is a couple of timely things that
have happened. There's been some door Dash ads lately that
have come out with Ali Larder and Freddie Prince Junior. Right.
I had some info a couple of weeks ago that
they were going to be shooting together on a on
a door Dash commercial. And when I showed up there
(14:09):
it's a freaking door dash commercial, right, you know, I
didn't even know who it was. I just saw DoorDash
commercial I had in the past with commercials like that,
and it turned out to be Ali Lader and Freddie Prince.
But they said they six the security on me immediately.
Speaker 1 (14:26):
You know, were you out on foot then? Hand?
Speaker 2 (14:31):
Yeah, I was out on foot. I figured, you know,
this kind of a thing, no problem, right, But they
did sick of the security on me right away. The
security guardner was really cool. He was kind of the
head of the security Manny's security service. Shout Out. I
told him shouted out on the podcast, so hopefully he's listening.
But the best is when one of the crew guys,
(14:53):
and it's a probably a crew guy's maybe been around
in the business for a couple of weeks, but after
the security had already talked to me and invited me
to come eat at their catering, he comes up to
me and he says, Oh, hey, do you want me
to take care of this guy for you? Do you
(15:14):
want me to take care of this guy for you? You
want me to get him out of here? No boy,
which goes along with this news report I saw the
other day about how they're allowing influencers to They're going
to start allowing influencers. They're inviting influencers to the studios
so that they could witness the productions and they could
(15:36):
use their influencing powers to kind of get the word
out ahead of time. Not too dissimilar from what I
have been doing for the past decade, which is going
out onto the movie sets and taking pictures, making a
tiny little bit of money off of it, but promoting
the shit out of all these things. They're inviting influencers now,
(15:56):
and they're even talking about giving them off a space.
So I say to these productions, you know, since i've
I have seniority on this whole thing, that and I
did put it on the Instagram. Obviously I'm just gonna
repeat it, but I'll take a corner office at Maham
Beach Studios, so because my house, and I know they've
(16:17):
got plenty of office space there, because my buddies, who's
doing real estate, has a real estate office in the
fucking studio.
Speaker 1 (16:25):
Oh no ship.
Speaker 2 (16:26):
Yeah, and I heard the studios are doing that. Actually,
I heard they're all building lots now and doing that
because they're going to end up selling the real estate
to office space. Uh, once the industry goes under anyway, which.
Speaker 1 (16:38):
Isn't too far away from happening.
Speaker 2 (16:40):
Right when AI takes over. Yeah, exactly. But that was uh,
and it was funny because you know, these people on
the on the crew pissed me off so much that
when I put the pictures out, I put her out
as an Uber Eats commercial and not a door dash commercial.
Oh fuck, they I mean, because I have all the power, dude.
(17:01):
You know that it goes up on daily mail. A
million people see it and they think it's a fucking
new Breed's commercial. And then when they see all these
ads come out, they go, oh, I thought it was
a new Bread's commercial.
Speaker 1 (17:11):
Oh jeez, that's pretty funny. I just had a bereats tonight.
Speaker 2 (17:15):
Did you did?
Speaker 1 (17:16):
I did nice? Yeah, yeah, shout, And.
Speaker 2 (17:24):
I heard a story. There was comments on Ava Philippi
and you know me, I'm the only one who has
a Philippe's address. I'm the only one that can work
on her. I'm the only one that does work on
her because she makes no money. But they did compare
her and her boyfriend, which I thought it was funny
because the day before I was looking at pictures of
(17:47):
them on her Instagram together and I was thinking the
exact same thing. But they compared her and her boyfriend
to Reese and Ryan in their younger days, and so
that story was kind of all over the place, small,
but it was all over the place. So I went
to go work on her and I got her jogging
and pictures went nowhere and nobody cares.
Speaker 1 (18:09):
I wanted to do. That was I saw you you
posted on the on the Papersy Podcast Instagram as a
PPC Plus exclusive PPC. I didn't know who it was either.
Speaker 2 (18:19):
And just so everybody knows, a PPC plus exclusive is
only for our subscribers because it cannot be sold anywhere else.
Oh but that's pretty much it for my week. Two weeks,
three weeks, four weeks, four weeks?
Speaker 1 (18:41):
What about well? What about me? What about me? I
just got back from a wedding. I was not on
the guest list. I was in the Hampton's this past weekend.
So the nuptials of Alexander Soros, who is uh Sunday
(19:01):
a billionaire, George Sauros and Whomer Aberdeen who was originally
married to Anthony Wiener, who showed his book to the
Wiener but Humor was an aid to Hillary Clinton for
(19:23):
years and years and years. So I was there covering
that wedding in the Hampton's. It was a was it
a Saturday wedding or Sunday wedding? The wedding was on
one of the days anyway.
Speaker 2 (19:36):
It was probably days anyway, but officially one yes.
Speaker 1 (19:39):
Yeah, well it was three actually it was. It was
They had a three day ceremony thing. They did something
on the Oh yeah, I think they did something on
the Friday, the Saturday, and the Sunday, so the wedding
was on the Sunday. I got in the day before
the wedding anyway, and they had a pre wedding day
soire on on an island in the Hampton's at the
(20:04):
home of Alexander Saurus's mother. So we had the tip
that it was there, and I was working with another photographer, Body,
my buddy Body out of Miami. He got flown into
New York for it, and he got to the to
the venue before me and confirmed that, you know, it
was happening there. So I made my way over to
(20:25):
the ferry crossing to get my car on the ferry,
and the ferry was cash only and they had an ATM.
That's so I had to get out of the car,
go to the ATM, and then get back in line
for the ferry. So I actually missed one ferry going
over that, so I could have been there a little
bit earlier. But as I'm in line to get on
the next ferry that's coming, I look in my mirror
(20:46):
and I see the flashers, the red and blue flashes
of this the Secret Service, and I look in my mirror.
One car goes past, Two cars go past, and I
see into the back of the third car, and Hillary
Clinton was in the back of the third car. She goes.
She goes with in past me. Another three two or
(21:07):
three carsgo was in past me as well, take over
the ferry completely, so I can't get on the same
ferry as then they get over to the island one
ferry before me. So my buddy Chris gets a rival
shots and I'm left waiting still harbour side to get
over and see them. But I go and join up
with Chris, go and join up with body. Look at
(21:29):
his frames. He's actutely nailed it. Nailed Bill Clinton, nailed
Alexander Soros, the guy that's getting married. I think he
either like a back or a side shot of Huma
or Uma. Not quite sure how he say it, but anyway,
I missed all of the arrivals, so I went round,
walked all the way round to the other side of
(21:49):
the house down the street to try and see if
there was any view onto like the haub onto the
harbour side, onto the water side. I walked around on
my you know, with my five hundred in my hand
and as I you know, I pull it up to
see if there's anything going on, and I spot Hillary
Clinton looking out over the water with Whomer. Whomer's son,
(22:13):
little Wiener, Jordan Wiener was was in deep conversation with
Hillary Clinton. So they spoke for like five seven minutes
down down there, and I was just rattling off, you know,
exclusive frames of Hillary Clinton talking to the little Wiener.
So that was that was quite good. Then, you know,
(22:33):
I text text, bodymate, come around, come round, I've got
a view on Hillary. So he came round as Hillary
had already left, but he managed to go further down
the dock and got a frame of the bride and groom,
you know, the day before the wedding, arms around each
other looking great. So that was that was, you know, amazing,
super happy with that. That's basically all we got on
(22:56):
that day. And then the wedding day, you know, we
showed up at the venue and it was it was
a bastard of a place. It was pissing down with
rain as well. Middle of June, absolute absolutely pouring like
a mother effort, just horrific weather, and the wedding was
it was in Southampton in the Hampton's in I think
(23:20):
the town or the little area was water Mill and
you know the it's it's a long driveway down to
a windmill and they've got multiple tents on the property
that you can't see, and there's a big gate of
the property. So every time it opens, I was basically
lifting up my camera, just rattling off whatever you could,
(23:40):
and then it would close again and we couldn't see
anything until the doors opened again. So guests were arriving,
the cars were going down, you know, Secret Service were
coming shuttling in, you know, Clinton's and there were other
namesakes there as well, like Jimmy Fallon was there supposedly,
and Nancy Pelosi and you know other DC kind of people.
(24:06):
But we couldn't see anything because the cars would go down,
the gates were closed. We did we couldn't see shit.
But like somehow, as it got closer to wedding time,
the doors opened. There were maybe four photographers there. Doors opened,
Everyone's lifting their cameras and I spot, I spot the
groom like I spotted him, and it was it was
(24:28):
a massive pull up from a five hundred and he's
like kind of walking down down some steps, so I'm
rattling off and I don't hear any other shutters going.
The gates close again. I go over to my buddy Chris.
You know, I just got the groom, mate, I just
got the groom. He's like, well, I took some frames too,
but I don't know what. I don't know what I got.
And I'm going through showing him and he's like amazing,
(24:50):
like did you get it? Did you get it? I
got it too, So me and Chris both got it.
There was another guy there, another freelancer, who didn't get it.
And then the New York Time I had a guy
there on day right as well, and he missed it
as well, so that was great. And then you know,
the gates open again and the bride walk past, just
a side view humor, and again one of the freelancers
(25:13):
missed it. I managed to get it really nice. Chris
got a couple of frames as well, and the New
York Post guy sorry of the New York Times guy
got one singular frame, so you know that was it.
Speaker 2 (25:25):
Story was.
Speaker 1 (25:28):
Well, no, I mean it was. It was such a
long shot and there were like shuttle vands going down,
so if you step to the left you were blocked.
If you stepped to the right, you just had to
kind of it was dancing. You've got to you've got
to do the little dance, a little Jedi dance to
you know, step to the left, slide to the right,
(25:49):
two steps to the left, jump on your tiptoes. You know.
It was. It was basically like that. It was. Yeah,
it was kind of like a twister. Yeah it was.
It was nuts. But anyway, we got you know, we
ended up getting a great set. We've got some guests
arrive and we got you know, bride groom, Little Wiener
was there again. Anna Winter was there. I got like
(26:11):
the back of her fucking famous bob.
Speaker 2 (26:14):
Everybody that would be a democratic convention was there, is
what you're saying.
Speaker 1 (26:19):
Pretty much pretty much, Yeah it was. It was. It
was a really fun one long, long days, but it
was absolutely worth it in the end. And it's always
great when you hand somebody a good scooping as well,
especially when they're standing next to you. Absolutely, so that
was fun. I've got another story as well, which which
(26:40):
ties into a watcher're watching. We'll probably take longer than
five minutes, which is what we've got till time runs out.
On this session. So I think we'll we'll put a
pin in that we'll take a quick break.
Speaker 2 (26:51):
Well, you know what, actually, I think I think we
can talk about this in five minutes. Okay, five minutes something.
I'm not gonna I'm not gonna waste it. I'm gonna
play a video for you, Jedi, okay, and I want
to I want to do five minutes on this because
it's hilarious and I'm just gonna play it for you.
It's justin Bieber.
Speaker 1 (27:10):
Okay, I haven't seen it.
Speaker 2 (27:11):
Well you may, you might not have seen it, but
here I'm gonna play it.
Speaker 1 (27:14):
No, I haven't. I never click on anything.
Speaker 2 (27:16):
Ready, Adam, You're not getting it.
Speaker 1 (27:20):
It's not talking to you.
Speaker 4 (27:23):
It's not talking to you that I'm standing on business
is it Randa sign on sidewalk? But you being standing
around my car.
Speaker 1 (27:32):
At the beach? You know what I'm saying. You don't
think I'm a real guy, do you.
Speaker 4 (27:38):
You're gonna take this video out of context. You're gonna
say I'm mad. I don't know who to paying you
to provoke me, But I'm not the woman. Okay, stop
provoking me. A real dad or real husband, a real
man don't do this.
Speaker 1 (27:53):
I mean, okay, you not to be with.
Speaker 4 (27:57):
I don't know who's paying you to provoke me, but
I'm not the one.
Speaker 2 (28:01):
I don't care that you're on the sidewalk.
Speaker 4 (28:04):
I don't care what kind of dirty work, what kind
of nasty you're getting paid in the background to provoke me.
Speaker 1 (28:10):
Bro, But I'm not the run I'm really not the one.
I don't care. Okay, I got a lot to say.
Is that at Noble?
Speaker 2 (28:18):
Uh it looks like Noble, Yes, it looks And you
know what.
Speaker 1 (28:22):
Biber is the one provoking the photographer.
Speaker 2 (28:26):
I mean, how long has this guy been in the game, right,
I know in the game? And why is he talking
like he's some new and up and coming influencer that
has just been discovered a no talent, fucking hack, you
know what I mean?
Speaker 1 (28:43):
Bro?
Speaker 2 (28:44):
First of all, why do you why do you still
live here?
Speaker 1 (28:48):
Yeah? I mean have you photographed anyone at NOBU before?
You can't step foot on the parking lot on the property,
so you are doing it from a sidewalk. So Biber
is provoking that guy.
Speaker 2 (29:00):
Yeah, he's walking the parking lot to him.
Speaker 1 (29:03):
Yeah, Biba has given them the pictures and the video
if Biba had just got in his car and driven off,
no big deal. Justin made that a story himself, exactly.
If he's that worried about it, just getting your car
and dry body, or don't go to fucking Nobu and Malibu. Well,
and number one, everybody is going to get photographed if
(29:24):
they go to Nobu and Malibu.
Speaker 2 (29:25):
Well, you go to Nobu to get photographed?
Speaker 1 (29:29):
Yeah, you know what I mean.
Speaker 2 (29:30):
The sushi is not that good. I guarantee there's plenty
sushi around La that you can go to to get
your sushi fixed, really really really good sushi, wherever you
want to go. Number Two, it's nighttime. He's acting like
he's hanging out with his family at the beach and
they're bothering him at the beach. Yeah the beach, dude,
you're at Nobu. I'm sorry to say, as a local,
(29:53):
as a person who's been here forever and ever and ever,
Nobu is not the beach. You don't refer to Nobus
as the beach. No, no Boo is no boo. And
then the beach is down below that where all the
other peons hang out. Okay, you're not at the beach, Justin,
You're at No Boo. Okay, the most photographed place in
Malibu for a celebrity to go. How confuses this guy, Jedi?
Speaker 1 (30:18):
Dude, what a fucking koop?
Speaker 2 (30:20):
And yes, we're gonna we're gonna spin it like you're mad,
because that's what you're doing. But we're not going to
take it out of contest context. We're gonna play it
exactly how it plays out, and the context speaks for itself. Buddy,
And you're really upset about all this stuff, justin If
you're really upset, then leave, Get the fuck out of la.
(30:40):
You don't need to be here. You're not auditioning for anything.
You've got music, You've got millions. You can focuse.
Speaker 1 (30:48):
His wife just sold her beauty company for a billion dollars.
Speaker 2 (30:51):
Well, and she's not gonna be with him much longer.
Speaker 1 (30:53):
But no, I don't think so either.
Speaker 2 (30:55):
Anyway, let's take a break. Welcome back. I'm a beer.
Speaker 1 (31:02):
I just cracked one. This is actually this is actually
number four of me for this evening.
Speaker 2 (31:08):
Nice.
Speaker 1 (31:10):
I'm drinking a Genesee ale out of out of Rochester
here in you know, the in western New York ruby
red colsh It is a natural pink and red grapefrooit flavors.
Speaker 2 (31:26):
All right, well, I'm going to do a Mexican lagger
fitting for this podcast from institution Ale Company.
Speaker 1 (31:39):
Does it have citizenship? Does it have the appropriate paperwork
to be in el Segunda.
Speaker 2 (31:44):
I had it on ice right before I brought it
up here, and it is kind of flawed a little bit.
It's kind of little dent.
Speaker 1 (31:52):
Send it back, but deportance, I heard the crack. My
next story is both the you're watching, and I will
then tell my story about the story. I guess. Have
you seen Escape at Dana Mora?
Speaker 4 (32:13):
I have?
Speaker 2 (32:14):
Okay, love that fucking me good?
Speaker 1 (32:17):
Oh show there, You're good. So it came out in
twenty eighteen on Showtime, directed by Ben Stiller. Yep, it's
since moved to Netflix. Patricia ok right, Patricia Arquet. Yeah,
it's like seven eight or nine part. I'd never heard
(32:37):
of it before, and I never knew anything about the
story until I got sent up to up upstate New York.
It was just the ten year anniversary of the story
that the show was based on. Basically, there's a small
(32:59):
sleepy town called Dani Mora, which is home to the
Clinton Correctional Facility. A maximum security prison in up upstate,
New York, just just south of the Canadian border. Ten
years ago, two inmates, a chap called Richard Matt and
another guy called David Sweat, started having it off with
(33:25):
somebody that worked in the prison, Billy Well Joyce Tillie
Mitchell played by Tricia Arquette. In the show, she worked,
she was a seamstress in there and worked, you know,
these two guys worked in her sewing kind of studio
in the prison, and so in the show, they you know,
(33:50):
they they have their way with her. Both of them
become involved sexually with her, and they then get her
to smuggle stuff into the prison, you know, like hacks
or blades in ground beef and basically other supplies. And
(34:11):
then Matt and Sweat, they you know, saw through their cells,
get into the backs, you know, the back of the prison,
find their way through the you know, the sewer system,
and escape out of the prison. But and it's you know,
it takes a month to plan their escape and make
(34:34):
their escape, and then yeah, they end up on the Sorry.
Speaker 2 (34:37):
To interrupt, but and I think there's a really good
Wonner scene in that of either the escape or it's
the practice escape the practice practice.
Speaker 1 (34:48):
It's amazing. It's a great scene, really good scene. Anyway,
everyone should go and watch it. It's well worth watching.
And because of the ten year anniversary, you know, interest
was renewed in the story. I got sent up to
go and work on Joyce Mitchell, the woman that you
(35:09):
know kind of not didn't facilitate it, but you know,
she helped these two guys and did do time in
prison because of it. I think she served maybe five years.
And her husband, Lyle, who worked at the prison with
her at the time, stood by her through all of
(35:29):
this crap.
Speaker 2 (35:30):
Are they still together?
Speaker 1 (35:32):
They are still together? Wow? So I got sent up
to the house. I was there for the New York Post.
So I watched the house for a couple of days
and we saw absolutely zero action. It's in a very
very small town in the middle of butt fuck nowhere.
Speaker 2 (35:51):
Well, the town is just is just the employees of
the of the prison.
Speaker 1 (35:56):
Right basically basically, Yeah, it's you know, there's lots of
armish around, so it's really really cool seeming, you know,
seeing all the armish sheds and stuff that they built
around and like, you know, as I'm driving to the house,
I'm going past horse and cards on the on the road,
which is always kind of fun. But yeah, So I
worked the house for a couple of days, no sign
(36:16):
of anything, and then a reporter for the Post came
up to knock the door. We knocked the door twice,
with me in position to snatch frames of whoever answered
the door. So we knocked it twice, no action, went off,
got a coffee and a donut, came back, came back
an hour and a half. Two hours later, knock the
(36:39):
door again, and the door opens and it's Lyle. The
husband opens the door, fuck off, leave us alone, Leave
us the fuck alone, and I'm I'm in the back
of the car, just absolutely railing him. And it's so
funny because I haven't seen the show up to the
point of me shooting this, and like, after I shot
(36:59):
this set, I went and watched the show and the
guy that plays Lyle in Escape with Denamura is bot on.
It is so fucking good. The dude's teeth are fucking
jacked is it is so good. The dude looks just
like him, so it was. It was really good to
(37:20):
I wish I'd watched the show prior to going and
doing it. It was quite fun watching it afterwards and
then seeing it, so we didn't I didn't see her, unfortunately,
but did see him and I came. I came back
to Buffalo, and what was quite funny my next job
after going up and doing that for the New York
Post with a job with the Day Mail in Buffalo photographing.
(37:45):
So there were two prisoners, Richard Matt and David Sweat
spoiler alert in the show, well in real life when
the guys do escape, Richard Richard Matt is shot and
killed after you know he's been on the run, and
the other prisoner, David Sweat, was caught alive and is
(38:07):
back in prison again. But he has a fiance now
who lives fifteen minutes away from me in Buffalo. So
I had a job with the Mail to go and
do some portraits of her and her daughter, who the
daughter calls David Sweat dad, and Sweat Sweat sends drawings
(38:33):
from the prison back to his daughter. So I photographed
her and the daughter and got some I got them
talking on video about him and did and took some
photos of the drawings, and they actually gave me four
of his original doodles slash drawings, which is kind of fun.
(38:54):
So I now have them upstairs in my room, which
I'll share on on the Instagram. But that was quite fun.
And then after doing that, my next job again was
to go up there again for the New York Post
and to try and get you know, the woman that
played was played by Patricia care Tilly and the husband again,
(39:14):
but I didn't see them again, but in between that time,
I'd seen the show, so I was even more like
zoned in, like I wanted to get them so badly
after seeing the show. So that was really fun, a
really fun one to work. It was quite funny how
I ended up doing half of it with one outlet
(39:35):
and then another part of the story with another outlet
without either of them, you know, because I don't tell
one outlet but I've already done something to do with
it with another one. So it's quite funny. To do
three jobs in a row, all on the same kind
of story but with different outlets is crazy. So it
was really fun. Yeah, and actually to work a job
(39:58):
literally down the street from me, which was the first
one I've done since since moving here three years ago,
and not even a sneaky one. Portraits at Portraits. Yeah,
and she was really nice. Yeah, but I do recommend
everybody listening, if you haven't gone, if you haven't seen
Escape with Danima yet, it's a good watch. You know,
it's kind of shore shank esque, you know, there's a
(40:21):
little bit of Shortshank grid in there. You know, it's fun,
it's good and it's and it's true.
Speaker 2 (40:27):
Well, was it was it hot when you were shooting
those portraits?
Speaker 1 (40:30):
No, it was pooring rain. It was miserable. We've only
it's only got hot in Buffalo in the last week.
Speaker 2 (40:37):
Okay, good, we didn't want to sweat a.
Speaker 1 (40:42):
Very good but yeah, I'll post some of the We'll
post some of the pictures on Instagram.
Speaker 2 (40:48):
That would be great, That would be awesome. I'm interested.
Speaker 1 (40:52):
S Yeah, I've got them on my phone.
Speaker 2 (40:54):
Like it's nuts because there was and I've got there
was a lot of that stuff, you know in the show.
Speaker 1 (40:59):
I mean, you know, Matt was was the main drawer,
but Sweatwood drawer as well, and Richard. Matt's drawings were sensational,
like he was. He did really good portraits of like
Hillary Clinton, who we just spoke about. You know, he
did did other ones as well. But yeah, like she
gave me like the original of that wow, you know,
(41:23):
which is quite cool, and I'll post them on Instagram
and really good pencil drawings.
Speaker 2 (41:31):
That's cool. Yeah, you know that. I don't know why
she gave me there for the audience that's just listening,
go to the go to the check out the content
on the Instagram.
Speaker 1 (41:42):
Yeah. So, like I said, no idea why she gave
them to the originals to me, but she said she
she copied them, and you know she was going to
keep copies and give the originals to me. Made no
sense to me, but I wasn't going to say no.
Speaker 2 (41:55):
No for sure. I mean a little bit of inkling,
maybe be a little famous.
Speaker 1 (42:01):
Yeah, so very cool. But that that's pretty much all
I've been up to. I've had other jobs, but that
you know, I haven't panned out YadA YadA, as they
do sometimes. And I've been home now for a few days,
just waiting for the phone for ing now to go
on to the next one.
Speaker 2 (42:19):
It's not every day that you work on something that
you end up watching afterwards, and Mike happens all the time,
but it doesn't, and that's kind of cool.
Speaker 1 (42:33):
Yeah, it was fun. I enjoyed it.
Speaker 2 (42:35):
Keeping the party going with what you're watching. I went
and saw Ballerina who twice never heard of it, and
the Armis is kind of taking up the whole john
Wick Mantle kind of deal, and she's got her own standalone.
(42:59):
It's gonna be a series of john Wick movies where
she plays a john Wick kind of character. Have you
seen any john Wick movie?
Speaker 1 (43:07):
No, this isn't the movie that Anna de Armas is
starring in with Sidney Sweeney, is it.
Speaker 2 (43:13):
It is not?
Speaker 1 (43:15):
Oh okay, no interest, No exactly.
Speaker 2 (43:18):
It doesn't involve Sidney Sweeney, and it doesn't involve an
Armis by herself. And forget it.
Speaker 1 (43:25):
See I'm looking at the posters. Now I had I
had absolutely no idea that this was even a thing.
Speaker 2 (43:32):
Well, I mean, I'm a fan of the john Wick movies.
John Wick movies are just constant action. Okay. Plus I
follow the guy that trains all these people, and he
trains everybody. It's not just for the john Wick movies,
but he trained Keanu Reeves, you know, and all of
his you know, gun play and and uh you know, yeah,
(43:52):
of the guns and all this stuff. And it's a
full on art form. Really, it's a it's a martial
arts with weapons, is what you can kind of like,
you know, compare it to something like that where shooting
your rounds, ejecting the mag, putting a new mag, in
the movements that they do, the amount of shots that
(44:12):
they can do, the accuracy, all that stuff. Very very
technical stuff, very technical, and it's a whole new kind
of stunt coordination. And I appreciate that when in these movies.
And so when I saw her doing this, and you know,
she's pretty much breaking out as the next big action star,
(44:33):
I thought it was gonna be good. But man, blew
my mind. Jedi, And you don't have to go see
John Wick movies to watch this movie.
Speaker 1 (44:41):
Yeah total.
Speaker 2 (44:42):
I mean, he pops up in it obviously, and you know,
makes his appearance and stuff like that. But you don't
need to really see anything else unless you really want to,
you know, understand every single bit about it. But I'm
gonna spoil it a little bit because I want people
to be enticed to go to see this movie. There
is a scene and it's the only scene why I
(45:03):
went to go see it twice. I went and saw
it by myself because those kind of movies I don't
want any distractions. I don't want anyone doesn't appreciate it
like a Jedi and you. I just want to feel
it myself, right, And then I brought myself back to
it because I think he kind of appreciates it too.
But there's a scene in this movie Jedi.
Speaker 5 (45:24):
Where they have a it's like a machine gun shootout
scene but with machine gun blow torches.
Speaker 2 (45:36):
Oh fuck, you know, I don't know if you've seen
these blow torches. They've kind of been popping up on
social media and like celebrities of getting them and stuff.
They look like machine guns, but they're you know, configured,
and they've got a little tank on them and stuff,
and they shot a flame and they're like a like
a machine gun blow torch. It's not like a full
tank that you have on your back and you've got
(45:56):
the stick and all that stuff. It's a tight, you know,
kind of configured. It's a full shootout scene with these
blowtorches for almost ten minutes. I mean, it goes on. Ever,
if you don't see it in the theater, you're doing
yourself at a service because the sounds that they've got
obviously it's not the sounds that the actual thing makes
but the sounds that they've made these things sound like
(46:20):
it's incredible and just the sounds of them. Yeah, it's
just it's pew pew pew, pew pew pee. It sounds
like but in like an IMAX format. Yeah, it's insane.
And then after that, actually, my son and I snuck
into How to Train Your Dragon? Which have you seen
How to Train Your Dragon? The animated one?
Speaker 1 (46:41):
No, I haven't seen any of thing.
Speaker 2 (46:43):
Well you have, you know, you have a child, a
young child, and I figured Train Your Dragon might have
been on the playlist some point.
Speaker 1 (46:50):
You know.
Speaker 2 (46:51):
They have a live action version of it. And there's
a new format of movie theater Jedi. If you don't know,
it's called screen Have you ever heard about it?
Speaker 1 (47:01):
Nope?
Speaker 2 (47:02):
Have I mentioned it on the podcast?
Speaker 1 (47:04):
I don't think so.
Speaker 2 (47:05):
Okay, they've just installed it into the El Segundo Movie Theater.
Actually I think I did mention it.
Speaker 5 (47:12):
Did I mention it?
Speaker 1 (47:13):
Now?
Speaker 2 (47:14):
The new El Segundo Movie Theater. It's where they project
the image not just in the on the screen in
front of you, but on the walls on the side.
Oh okay, yeah, yeah, And so How to Train Your
Dragon was in screen X Ballerina wasn't, which kind of sucked,
but really good to watch it in that kind of
(47:34):
a format because when the guy's riding on the back
of the dragon, he's got his wings spread out. It's
a full on, like you know, wings spread scene, and
it goes throughout the whole theater.
Speaker 1 (47:47):
Oh that sounds that sounds really cool.
Speaker 2 (47:49):
Very very cool. Yeah, And I'm at first these theaters
kind of bugged me because I feel like they're a
little distracting on the side you're trying to focus on
what's ahead of you and stuff like that. Plus it
lights up the whole theater so you can kind of
see like the seats and stuff like that, it's not
just the screen in front of you. Kind of buged
me in the beginning, but it's just one of those
things that once you keep seeing them, and once you
(48:11):
keep seeing you get used to it. And then that's insane.
Because I did see Mission Impossible in the same format.
Fucking blew my mind. Fucking blew my mind. Jedi, go
see Mission Impossible. If you're gonna go go see anything,
go see Mission Impossible. It stands alone like another one,
(48:31):
you know, and go see it on a big screen.
Before it goes out that that should be your that
should be your wife and yours next, like just date night.
You guys, haven't seen a movie in a while, you
haven't been to the movie theaters in a while. Get
out there and see that movie right there. It's TC bro.
Speaker 1 (48:47):
Wow, I've not seen a single one of the Mission Impossibles.
Speaker 2 (48:51):
And you don't need to with this one, but it
would be a great one.
Speaker 1 (48:54):
To see Mark's movie reviews right there.
Speaker 2 (48:57):
Marx movie reviews.
Speaker 1 (48:59):
You know, Promo Rock see pro Marks movies. I love it.
Speaker 2 (49:02):
Got to step it up a little bit now that
they're inviting people onto the sets.
Speaker 1 (49:05):
You know exactly, Yeah, the movie you're trying to earn
your Manhattan Beach studio.
Speaker 2 (49:12):
Right, all right, we'll bring you back out here, you
know what I mean, once I get the corner.
Speaker 1 (49:17):
Heck yeah, I'll be there.
Speaker 2 (49:18):
I do have a little complain about Disney, though, so
I don't think Disney's going to be giving me any
kind of corner studios though. Do you have Disney Plus?
I do, and you watch so you watch some Disney stuff, right.
Speaker 1 (49:31):
No, I have the package Disney Plus, Hulu and ESPN
Plus and all we use Hulu for was Handmaid's Tail,
which is finished, and my wife occasionally watches the Kartrashians.
Speaker 2 (49:47):
Oh yeah, okay, well then you may or may not
have noticed how many freaking commercial breaks there are now
on Disney.
Speaker 1 (49:56):
No ship, I had no idea, you know. Oh you
know what, Well, we watched Bluie as well.
Speaker 2 (50:02):
Okay, Well, if you have Disney Plus or Disney, because
I mean, you obviously can pay for the upgraded version
with no commercials, you know, I don't do that poor,
so I don't pay for that. But if you're going
for the basic, we might even have the second tier.
I'm not sure, but we have.
Speaker 1 (50:20):
We have commercials on Hulu. I haven't seen a commercial
on Disney yet.
Speaker 2 (50:23):
Okay, well, we have commercials on Disney. And I was
watching my and Or series. You know, it's a Star
Wars series. You know, it's it's up for a bunch
of awards for this next award season coming up, and
I know Jedda hasn't seen it. Every single time something
big would happen, or something was about to happen, or
(50:44):
there was I mean, it's not even a cliffhanger. It's
just something that would just pop up where you just
you know, taking your breath real quick, like, oh, this
is about to happen. Commercial three current it would be
two and a half minutes of commercials because you know
they have a little timer on it. Yeah, so do
five six commercials at two and a half minutes or whatever.
(51:06):
It was really pissing me off, So Disney with your commercials.
I was heading up PCH for my latest jobs, and
you know, PCH is open now. They've even opened up
palisades for really. I mean I haven't been up there
since they've opened it up, but they have opened up
(51:29):
palisades to the public.
Speaker 1 (51:30):
Now. Oh shit, I didn't know that.
Speaker 2 (51:32):
I guess all the lots are. I mean, they were
pretty clear last time I went up. There were a
goldie but it must be pretty, it must be good enough.
And they probably are, you know, limiting people to where
they can go if they're just going to drive through
Sunset or something like that. But I was heading up
PCH and I did notice though that, you know, they've
taken down the little the little tarp that they had
(51:55):
there that was covering up all the burned area and stuff.
They've cleared a lot of it, and I was noticing
how nice it was to drive up.
Speaker 1 (52:05):
Yeah, with the view of the water.
Speaker 2 (52:07):
Yeah, you know, and it was a little distracting, Like,
you know, I was driving up. I hadn't been up
there since they took the tarps down, at least in
the beginning part of the drive, and I was I
was kind of getting distracted because you haven't really been
able to you know, you know, the ocean's right there.
You know, you've see every little break between the homes
(52:27):
and stuff, you see it like that, But when you
see it without any homes for a long period of time,
you notice, Man, this is actually really nice driving along
here without these homes.
Speaker 1 (52:40):
Well. I always used to love the drive going home
towards the gun though, you know, as you'd go down,
is it the ocean? Yeah, and just you know, on
the way to Gundough. Just I used to love looking
at the ocean all the time. So I'd imagine that
that drive now is just amazing.
Speaker 2 (52:57):
Well, and it's I mean, they film a lot of
movies on that drive right there, because there isn't much
of a you know of a fast or let's say,
you know, kind of fast forty five mile an hour
speed limit drive do around La where you have that
ocean front. That's why they film there all the time.
If they if they keep those houses, if they don't
(53:18):
rebuild those houses along pch I wonder if they are
planning on that at all.
Speaker 1 (53:25):
I mean they must be, because you know, the people
that lost those houses, they own, you know the plot,
So they're gonna want to sell and try and get
some kind of money back or rebuild themselves. I don't know.
Speaker 2 (53:37):
Yeah, And eventually it will. It'll probably go back to normal.
It will probably go back to how it was. But
you know, for the time being, it's a nice drive
up to Malibu, probably only the first maybe eight miles
or something like that, you know, where it's just all
and you know, it's bitter sweet because obviously you like
(53:58):
the drive, you like seeing the ocean all and stuff.
But the reason you're seeing the ocean is because everybody
lost everything, which sucks. But if you're looking at it
at face value, it's just nice that ocean out there
for as long as it's going to be.
Speaker 1 (54:11):
I got a new law mower. Is I going to
make the podcast? Probably not?
Speaker 2 (54:16):
Is it electric? Yeah?
Speaker 5 (54:18):
Is it yeah?
Speaker 2 (54:20):
Do you have a big line?
Speaker 1 (54:22):
Yeah? Quite big. So it lasted, lasted, the whole charge,
and I only emptied, only emptied four bags of I feel,
you know, four bags of what's see?
Speaker 2 (54:38):
Is it a push more or do you sit on it?
Speaker 1 (54:40):
Yeah? That's push all right. I'm not that fucking lazy.
Speaker 2 (54:44):
Is it very quiet? Dude?
Speaker 1 (54:47):
It's so fucking so clean. It's so good. I had
this big fucking gas motherfucker before and it was fucking
loud and it was a struggle to push it. My
hands fucking vibrate in the old time. This fucking, this
clean green machine. It's just it's fucking gorgeous.
Speaker 2 (55:08):
Promote promote it.
Speaker 1 (55:10):
Is gorgeous, green about it, Green works power all I'm
actually resting my laptop on the box as I'm in
my garage. Wow, green, green works, dude, it's I got
it on Amazon and it's fucking sick.
Speaker 2 (55:28):
How many modes have you done with it?
Speaker 1 (55:31):
One today?
Speaker 2 (55:32):
Wow?
Speaker 1 (55:33):
It just arrived yesterday.
Speaker 2 (55:35):
I mean, what does it sound. It's gotta sound like
a you know, when when you hear the electric porsches.
I don't know how many you hear around the Buffalo,
but when you hear the Porsches going down the road
with that little like hommy engine sound, it's gotta sound
something like that, right, dude.
Speaker 1 (55:51):
It's so nice. I can't I cut it at like.
You know, I lifted up the blade a little bit
today because my lawn was a bit out of control,
so I didn't want to I didn't want to go
full clean cut. So I'm going to do another cut
in two days a little bit lower. I can't wait.
I hope I don't get sent out of town just
(56:11):
so I can cut my grass. Wow, I'm that excited.
This moa is great. Green Works twenty inch push MOA
power All twenty four volt do a double bountery twenty
percent more power, sixty percent less noise, thirty two fifty rpm,
beautiful sixty noise. It's stunning. Fucking hell, I'm such an
(56:37):
old man. What I'm like, I'm excited by a moa.
Speaker 2 (56:40):
Well, it sounds like my my gardener's not just my house,
but my neighbors all around. They need to pick this
thing up.
Speaker 1 (56:50):
Oh mate, it's sick. It's so good. And you know,
mar it took about ninety minutes for full charge, and
you know, no oil change, no no gas like I'm
doing doing my path of the environment right there.
Speaker 2 (57:09):
Well, it sounds like you know, the mower version of
discovering electric cars. Yeah, exactly, but you don't have to
wait and large line for the charging station. Yeah, sick, dude, epic.
Speaker 1 (57:25):
I think we've probably just put everybody to sleep with
my Jedi moa talk there.
Speaker 2 (57:30):
Everybody that who doesn't care about the more but I do.
Speaker 1 (57:34):
Anybody that's lasted the last hour and hour and ten minutes.
Speaker 2 (57:38):
Yeah, and since it's at the end of the show,
you know, if we do get any kind of promotion
out of this, they'll probably be minimals. It's at the end,
but ads are all good.
Speaker 1 (57:47):
My bear has finished as well.
Speaker 2 (57:49):
Exactly. On that note, we will wrap it up for
you people. And if we have offended anybody on this episode,
we do apologize, but for myself and for the Jedi,
take care and be well.
Speaker 1 (58:05):
We'll talk to him to you soon. Yeah, all right,
not three weeks, not four weeks. We will be back
in two weeks or less. So he says, yeah, I
see you in a month, and.
Speaker 2 (58:18):
We talk about a drink. And in the scam, step
to the.
Speaker 1 (58:21):
Left, slide to the right, two steps to the left,
jump on your tiptoes.
Speaker 2 (58:27):
Do you have a big line?
Speaker 1 (58:28):
Quite big
Welcome everybody to the Paparazzi Podcast. I am Jedi. Hear's mark.
Speaker 2 (00:05):
They can't see the hand gestures, dude, I know, but
it feels good to throw some hands around. It's like
Championship Day podcast. You know, it's all the build up.
Speaker 1 (00:17):
I know, mate, We try. I've said it time and
time again. We really do try to bring you a
podcast on a regular basis. But you know, life happens.
Speaker 2 (00:29):
Well, it's kind of like the job. Actually. It's like
you you know, you have a plan and then you
get out there and everything just goes to ship because
something else comes up and you just kind of go
with it, you know. So maybe there's a reason why
fate doesn't let us, you know you podcasts all the time,
(00:50):
and maybe in the end it'll it'll help us out.
Speaker 1 (00:52):
I don't know. I don't know, mate, We'll see. Hey,
things have calmed down in La at the moment, right.
Speaker 2 (00:58):
Things have calmed down a little bit. I mean every
day I turn on the news in the morning, drink
my cup of coffee, and there's always something that's happening
because of something somewhere, but it's very isolated, very small,
Like this morning, they go, oh, last night there was
(01:19):
what did they call them? Uh, there was a demonstration
at freaking like Slosson in Western or something like that.
And it's these guys doing donuts in the middle of
the street like they do every freaking weekend. All they're
doing is they're flying Mexican flags now and they call
them demonstrators instead of treat street takeovers. Oh goodness, hilarious demonstrators. Dude.
Speaker 1 (01:47):
Yeah, I mean it got crazy out of there for
a while with all the you know, the ice demonstrations,
and you know, some of our buddies got into it
over there. It was you know, we tried, we tried
in vain to get Toby Cannon on the podcast. Some
of you listeners might have seen the name. He's been
(02:09):
a friend of mine for over twenty years now. He's
a he's a bellow day raiterer, and he was covering
the ice protests, demonstrations, whatever you want to call them,
for the New York Post. And I've been talking to
him that day and you know, stay safe, mate. You know,
(02:30):
it's it's crazy out there because the day before, another
person that I know in Los Angeles, Nick Stearn, had
got shot in the leg and it you know, it
penetrated him and he lost consciousness and was in hospital
overnight having a you know, a serious operation. So with
that in mind, I text Toby, you know how, stay
(02:52):
safe out there.
Speaker 3 (02:53):
Mate, and then come around ten o'clock my time to
seven pm, LA time, I was in bed, just about
put my phone on do not disturb, and Toby texts me,
may I've been shot in the head.
Speaker 1 (03:09):
And you know, the video has since gone viral, both
on the New York Post Instagram and the Paparazzi Podcast Instagram.
It's fucking frightening. And you know the pictures that Toby
sent me that evening and that were published the next day,
and not just published in the New York Post, they
got picked up worldwide, the story around everywhere, and I
think Toby said inside edition in the US, there was
(03:32):
a TV show in Germany, and I think he was
on a show in the UK as well, So you know,
he put himself out of there everywhere apart from the
Paparazzi podcast. But he was up on a bridge taking
photos down onto the one O one Freeway in downtown
LA and I think he said that, you know, it
was him and Dave. Dave was there next to him
(03:55):
as well. No, I can't remember what we call on
the podcast before pig Pen. She was she was next
to him and I thought I heard her, Yeah, it
was it was her. And you know from Toby's video,
you've got the guy pointing, you know, the the gun.
(04:15):
I guess you can call it a gun. It's a gun, right,
It shoots a rubber projectile.
Speaker 2 (04:19):
Yeah, I mean, if you look, it's like a high
powered paintball gun pretty much.
Speaker 1 (04:23):
Yeah. You know, it points up at Toby, the lights on,
and if you slow down the video you see the
projectile actually coming launching towards Toby. It's crazy. And the
next thing, you know, you hear fuck, fuck, fuck, I've
been shut Yeah.
Speaker 2 (04:39):
You hear the thump. You hear the thuh, you know,
and that's obviously he's been shot somewhere, you know, you
don't know where. Could have been in the chest, could
have been in the leg, It would have had the
same thud, but yeah, you know, And just to set
the record straight on a lot of stuff, I'm you know,
I obviously want to hear from you because you've talked
to Toby, but just to set the record straight on
(05:01):
a lot of stuff because there was a lot of
conversation going on on our comments section, and number one,
it was crazy that it was one way versus the other.
And there's a very very small percentage of neutral parties
that were talking in this comment section. But yeah, any
of those people are actually listening to this because we
(05:23):
did promote it like we were going to be telling
the story either from Toby or our own lips. That
light that was shining from the gun ahead of time,
that was not a glint from you know, a sniper
lens that you would on a Fortnite or fucking Call
(05:44):
of duty. You gaming geeks, nerds, get your heads out
of your games, okay. And there was a lot of
game references on that frickin' thing, you know, So, yeah,
get your head out of your games. Uh, get down
on there in the street if you really have any
kind of balls to do anything or have any kind
of opinions whatsoever. But he was down there doing it,
(06:09):
and I mean, you tell me, Jedi, was there people
around him? Did he say he was mistaken maybe for
somebody else, or does he think that the police were
just going at him just because they were shooting at
kind of anybody?
Speaker 1 (06:21):
Yeah, just going at him. From talking to Toby. It
was just him and Dave up there and nobody else.
And a lot of the comments on the Instagram video
were saying, hey, click this link, watch this video, and
they're saying, you know, Toby was throwing fireworks down there,
throwing rocks and it was bull shit. You know. There
was a link to another video where it was like
(06:44):
another bridged a bridge, you know kind of situation, guy
upon a bridge who was throwing a firework.
Speaker 2 (06:50):
It looked like he was on a rooftop. Really, it
didn't look like a.
Speaker 1 (06:52):
Bridge or a rooftop. Not fucking Toby like these these
you know, keyboard worry, just have no clue, zero, get
your facts right, guys, you know, saying, oh, no, Toby's
you know, he's a scumbag. He's you know, he's he's
one of the fucking rioters. He's not a journalist, he's
(07:13):
not in the media. Like, just google his fucking name,
for Christ's sake, and you'll see all the stuff he's
done over the years.
Speaker 2 (07:20):
And I didn't didn't put his picture on the Instagram,
which because we were going to tell the story and
I was gonna kind of wanted him to tell his
side of it before I did that. But I'm gonna
put the picture of his head being shot up on
the Instagram so that so that people can see that
it's obviously not the same guy.
Speaker 1 (07:38):
That's all these commenters had to do. Just Google Google it.
Like the story was readily out there. It was everywhere
with you know, led by a big picture of Toby
with a fucking humongous gash in the middle of his forehead.
Speaker 2 (07:52):
Well, there was a lot of talk on the comments
about how he was British and the guy. I'm sorry,
I don't know how many Mexican British there are over there,
but the guy didn't look British at all.
Speaker 1 (08:04):
That was in there exactly. It was a Hispanic guy.
Speaker 2 (08:07):
Yeah, it's funny how you know how these comment sections go.
Obviously I didn't play anything into it. I just thought
it was funny reading them every couple hours or a
couple of days, just to kind of read through them.
But the misinformation, the disinformation and just the speculation that
you know, goes on with just a simple video like that,
(08:28):
an innocent reporter getting shot by police obviously mistaking him
for something else, or mistaking shooting him at all. Yeah,
gets misinterpreted like that.
Speaker 1 (08:40):
It's just it was nuts. I mean the police were
out of control. I mean, the same day that Toby
was fired upon, you know, there was an Australian TV
news reporter shot in the leg as well, and you
know she was doing a piece to camera when she
was fired upon. Like, it just makes no.
Speaker 2 (09:00):
Well, and I saw a lot. I saw another video
too of a woman that was obviously that was just
trying to get home and she walked up to him.
Obviously these people weren't listening to the cops. They were
telling her to walk away, telling her to go away,
and she just kept arguing or pleading her case or whatever.
But it is no reason to shoot somebody with any
kind of projectile at all, unless it's going to be
maybe you know, a pillow fight or something at that point.
(09:25):
But in Toby's case, in that exact situation that they
were in, I mean, the cops were obviously shooting at
the wrong people, but at the same time, in that situation,
they were also getting pieces of concrete thrown at them
from above in kind of a killbox situation that if
(09:45):
I was a cop, I don't know if I would
have reacted any different at that point, you know what
I mean, it was all just total chaos and ridiculous
all around. So if you're in that kind of a situation,
expect to have something go wrong. That's that's just my
take on it exactly.
Speaker 1 (10:04):
And you know, I spoke to Toby, you know, a
couple of days after as well, and he had he'd
spoken he's lawyered up. You know, he's he's hoping to
you know, he's hoping to get to secure the bag afterwards,
but not not just that, he's trying to get injunctions
(10:26):
applied which will improve training and help stop either working
media or people who shouldn't be getting shot not getting shot,
for improved command and control on the ground. He said
he'd done a lot of this, like public order stuff
with his time in the military as well, so you know,
the guy knows what he's talking about. You know, he
(10:47):
wants basically to shake up the whole training regime so
they're a bit more switched on and disciplined. And he
did say at the end of it as well that
it isn't about the money, you know, he wants change,
systematic change.
Speaker 2 (11:00):
Yeah, and I totally get it, and I mean, obviously,
if you're in a wartime situation or something like that,
the press is wearing certain things that would identify them differently.
They're either wearing you know, certain kinds of helmets that
say press, or they're wearing you know, jerseys that say
press something like that, something to kind of signify who
they are. And you know, this kind of a situation,
(11:22):
it's a little different. It was fucked. The whole thing
was fucked, and I just I thought it was comedy
that Karen Bass this morning or yesterday was saying that
she needs help cleaning up LA because the World Cup's
coming in in a week.
Speaker 1 (11:34):
They shouldn't I mean, yeah, not quite a week, but
they they should. You know, LA shouldn't be allowed to host.
LA cannot deal with you know, they're not equipped for it.
They are not equipped for anything. It's a sh show.
Speaker 2 (11:47):
What if something goes down, well, all these people are here,
you know, yeah, trapped in their hotels or whatever. I mean,
it's you know, it could get way out of hand,
and especially with you know, whatever's going on in the
Middle East and you know the unrest that's going on there,
and you know, yeah, Li is the last place you
want to be trusting the leaders to be helping.
Speaker 1 (12:07):
You out there. I mean, I I mean, like you've
got to think, like foreign tourists, why would they even
want to come to LA right now? No, I mean,
you've obviously got all the homeless problems in Venice Beach
smelling like a fucking urine just yet ur hinal and
just you know, just the unrest that it's I certainly
(12:31):
wouldn't visit for pleasure.
Speaker 2 (12:32):
No, No, And we have KP Picks here right now
that's actually doing shout out.
Speaker 1 (12:39):
Yeah. I saw that.
Speaker 2 (12:40):
That's actually running around l A doing all the actual
typical LA tourist stuff. You know, he needs to he
needs to get in contact, and you give him some
of the non touristy things to do. I think he's in.
He's in and out six times in a row.
Speaker 1 (12:56):
But that's always my first stop when I am in.
Speaker 2 (12:59):
Absolutely, But he's he was worried about it before he
came out here with his family, and I mean he's
obviously seeing how it is now that really mini rioting.
I guess we can call it mini writing. Many riots
are actually the least of the worries when it comes
to anything around here. You know.
Speaker 1 (13:19):
Yeah, yeah, all right, we've got out of the way.
What's been going on. Have you've been taking any pitches?
Speaker 2 (13:27):
No, I really haven't. I've been working on not a
secret squirrel, but a squirrel that I don't really want
to talk about too much until I've actually nailed it.
It's you know, it's it's one of the biggest stories
out there, but I'm not really serious enough about it.
(13:47):
You know. There is a couple of timely things that
have happened. There's been some door Dash ads lately that
have come out with Ali Larder and Freddie Prince Junior. Right.
I had some info a couple of weeks ago that
they were going to be shooting together on a on
a door Dash commercial. And when I showed up there
(14:09):
it's a freaking door dash commercial, right, you know, I
didn't even know who it was. I just saw DoorDash
commercial I had in the past with commercials like that,
and it turned out to be Ali Lader and Freddie Prince.
But they said they six the security on me immediately.
Speaker 1 (14:26):
You know, were you out on foot then? Hand?
Speaker 2 (14:31):
Yeah, I was out on foot. I figured, you know,
this kind of a thing, no problem, right, But they
did sick of the security on me right away. The
security guardner was really cool. He was kind of the
head of the security Manny's security service. Shout Out. I
told him shouted out on the podcast, so hopefully he's listening.
But the best is when one of the crew guys,
(14:53):
and it's a probably a crew guy's maybe been around
in the business for a couple of weeks, but after
the security had already talked to me and invited me
to come eat at their catering, he comes up to
me and he says, Oh, hey, do you want me
to take care of this guy for you? Do you
(15:14):
want me to take care of this guy for you? You
want me to get him out of here? No boy,
which goes along with this news report I saw the
other day about how they're allowing influencers to They're going
to start allowing influencers. They're inviting influencers to the studios
so that they could witness the productions and they could
(15:36):
use their influencing powers to kind of get the word
out ahead of time. Not too dissimilar from what I
have been doing for the past decade, which is going
out onto the movie sets and taking pictures, making a
tiny little bit of money off of it, but promoting
the shit out of all these things. They're inviting influencers now,
(15:56):
and they're even talking about giving them off a space.
So I say to these productions, you know, since i've
I have seniority on this whole thing, that and I
did put it on the Instagram. Obviously I'm just gonna
repeat it, but I'll take a corner office at Maham
Beach Studios, so because my house, and I know they've
(16:17):
got plenty of office space there, because my buddies, who's
doing real estate, has a real estate office in the
fucking studio.
Speaker 1 (16:25):
Oh no ship.
Speaker 2 (16:26):
Yeah, and I heard the studios are doing that. Actually,
I heard they're all building lots now and doing that
because they're going to end up selling the real estate
to office space. Uh, once the industry goes under anyway, which.
Speaker 1 (16:38):
Isn't too far away from happening.
Speaker 2 (16:40):
Right when AI takes over. Yeah, exactly. But that was uh,
and it was funny because you know, these people on
the on the crew pissed me off so much that
when I put the pictures out, I put her out
as an Uber Eats commercial and not a door dash commercial.
Oh fuck, they I mean, because I have all the power, dude.
(17:01):
You know that it goes up on daily mail. A
million people see it and they think it's a fucking
new Breed's commercial. And then when they see all these
ads come out, they go, oh, I thought it was
a new Bread's commercial.
Speaker 1 (17:11):
Oh jeez, that's pretty funny. I just had a bereats tonight.
Speaker 2 (17:15):
Did you did?
Speaker 1 (17:16):
I did nice? Yeah, yeah, shout, And.
Speaker 2 (17:24):
I heard a story. There was comments on Ava Philippi
and you know me, I'm the only one who has
a Philippe's address. I'm the only one that can work
on her. I'm the only one that does work on
her because she makes no money. But they did compare
her and her boyfriend, which I thought it was funny
because the day before I was looking at pictures of
(17:47):
them on her Instagram together and I was thinking the
exact same thing. But they compared her and her boyfriend
to Reese and Ryan in their younger days, and so
that story was kind of all over the place, small,
but it was all over the place. So I went
to go work on her and I got her jogging
and pictures went nowhere and nobody cares.
Speaker 1 (18:09):
I wanted to do. That was I saw you you
posted on the on the Papersy Podcast Instagram as a
PPC Plus exclusive PPC. I didn't know who it was either.
Speaker 2 (18:19):
And just so everybody knows, a PPC plus exclusive is
only for our subscribers because it cannot be sold anywhere else.
Oh but that's pretty much it for my week. Two weeks,
three weeks, four weeks, four weeks?
Speaker 1 (18:41):
What about well? What about me? What about me? I
just got back from a wedding. I was not on
the guest list. I was in the Hampton's this past weekend.
So the nuptials of Alexander Soros, who is uh Sunday
(19:01):
a billionaire, George Sauros and Whomer Aberdeen who was originally
married to Anthony Wiener, who showed his book to the
Wiener but Humor was an aid to Hillary Clinton for
(19:23):
years and years and years. So I was there covering
that wedding in the Hampton's. It was a was it
a Saturday wedding or Sunday wedding? The wedding was on
one of the days anyway.
Speaker 2 (19:36):
It was probably days anyway, but officially one yes.
Speaker 1 (19:39):
Yeah, well it was three actually it was. It was
They had a three day ceremony thing. They did something
on the Oh yeah, I think they did something on
the Friday, the Saturday, and the Sunday, so the wedding
was on the Sunday. I got in the day before
the wedding anyway, and they had a pre wedding day
soire on on an island in the Hampton's at the
(20:04):
home of Alexander Saurus's mother. So we had the tip
that it was there, and I was working with another photographer, Body,
my buddy Body out of Miami. He got flown into
New York for it, and he got to the to
the venue before me and confirmed that, you know, it
was happening there. So I made my way over to
(20:25):
the ferry crossing to get my car on the ferry,
and the ferry was cash only and they had an ATM.
That's so I had to get out of the car,
go to the ATM, and then get back in line
for the ferry. So I actually missed one ferry going
over that, so I could have been there a little
bit earlier. But as I'm in line to get on
the next ferry that's coming, I look in my mirror
(20:46):
and I see the flashers, the red and blue flashes
of this the Secret Service, and I look in my mirror.
One car goes past, Two cars go past, and I
see into the back of the third car, and Hillary
Clinton was in the back of the third car. She goes.
She goes with in past me. Another three two or
(21:07):
three carsgo was in past me as well, take over
the ferry completely, so I can't get on the same
ferry as then they get over to the island one
ferry before me. So my buddy Chris gets a rival
shots and I'm left waiting still harbour side to get
over and see them. But I go and join up
with Chris, go and join up with body. Look at
(21:29):
his frames. He's actutely nailed it. Nailed Bill Clinton, nailed
Alexander Soros, the guy that's getting married. I think he
either like a back or a side shot of Huma
or Uma. Not quite sure how he say it, but anyway,
I missed all of the arrivals, so I went round,
walked all the way round to the other side of
(21:49):
the house down the street to try and see if
there was any view onto like the haub onto the
harbour side, onto the water side. I walked around on
my you know, with my five hundred in my hand
and as I you know, I pull it up to
see if there's anything going on, and I spot Hillary
Clinton looking out over the water with Whomer. Whomer's son,
(22:13):
little Wiener, Jordan Wiener was was in deep conversation with
Hillary Clinton. So they spoke for like five seven minutes
down down there, and I was just rattling off, you know,
exclusive frames of Hillary Clinton talking to the little Wiener.
So that was that was quite good. Then, you know,
(22:33):
I text text, bodymate, come around, come round, I've got
a view on Hillary. So he came round as Hillary
had already left, but he managed to go further down
the dock and got a frame of the bride and groom,
you know, the day before the wedding, arms around each
other looking great. So that was that was, you know, amazing,
super happy with that. That's basically all we got on
(22:56):
that day. And then the wedding day, you know, we
showed up at the venue and it was it was
a bastard of a place. It was pissing down with
rain as well. Middle of June, absolute absolutely pouring like
a mother effort, just horrific weather, and the wedding was
it was in Southampton in the Hampton's in I think
(23:20):
the town or the little area was water Mill and
you know the it's it's a long driveway down to
a windmill and they've got multiple tents on the property
that you can't see, and there's a big gate of
the property. So every time it opens, I was basically
lifting up my camera, just rattling off whatever you could,
(23:40):
and then it would close again and we couldn't see
anything until the doors opened again. So guests were arriving,
the cars were going down, you know, Secret Service were
coming shuttling in, you know, Clinton's and there were other
namesakes there as well, like Jimmy Fallon was there supposedly,
and Nancy Pelosi and you know other DC kind of people.
(24:06):
But we couldn't see anything because the cars would go down,
the gates were closed. We did we couldn't see shit.
But like somehow, as it got closer to wedding time,
the doors opened. There were maybe four photographers there. Doors opened,
Everyone's lifting their cameras and I spot, I spot the
groom like I spotted him, and it was it was
(24:28):
a massive pull up from a five hundred and he's
like kind of walking down down some steps, so I'm
rattling off and I don't hear any other shutters going.
The gates close again. I go over to my buddy Chris.
You know, I just got the groom, mate, I just
got the groom. He's like, well, I took some frames too,
but I don't know what. I don't know what I got.
And I'm going through showing him and he's like amazing,
(24:50):
like did you get it? Did you get it? I
got it too, So me and Chris both got it.
There was another guy there, another freelancer, who didn't get it.
And then the New York Time I had a guy
there on day right as well, and he missed it
as well, so that was great. And then you know,
the gates open again and the bride walk past, just
a side view humor, and again one of the freelancers
(25:13):
missed it. I managed to get it really nice. Chris
got a couple of frames as well, and the New
York Post guy sorry of the New York Times guy
got one singular frame, so you know that was it.
Speaker 2 (25:25):
Story was.
Speaker 1 (25:28):
Well, no, I mean it was. It was such a
long shot and there were like shuttle vands going down,
so if you step to the left you were blocked.
If you stepped to the right, you just had to
kind of it was dancing. You've got to you've got
to do the little dance, a little Jedi dance to
you know, step to the left, slide to the right,
(25:49):
two steps to the left, jump on your tiptoes. You know.
It was. It was basically like that. It was. Yeah,
it was kind of like a twister. Yeah it was.
It was nuts. But anyway, we got you know, we
ended up getting a great set. We've got some guests
arrive and we got you know, bride groom, Little Wiener
was there again. Anna Winter was there. I got like
(26:11):
the back of her fucking famous bob.
Speaker 2 (26:14):
Everybody that would be a democratic convention was there, is
what you're saying.
Speaker 1 (26:19):
Pretty much pretty much, Yeah it was. It was. It
was a really fun one long, long days, but it
was absolutely worth it in the end. And it's always
great when you hand somebody a good scooping as well,
especially when they're standing next to you. Absolutely, so that
was fun. I've got another story as well, which which
(26:40):
ties into a watcher're watching. We'll probably take longer than
five minutes, which is what we've got till time runs out.
On this session. So I think we'll we'll put a
pin in that we'll take a quick break.
Speaker 2 (26:51):
Well, you know what, actually, I think I think we
can talk about this in five minutes. Okay, five minutes something.
I'm not gonna I'm not gonna waste it. I'm gonna
play a video for you, Jedi, okay, and I want
to I want to do five minutes on this because
it's hilarious and I'm just gonna play it for you.
It's justin Bieber.
Speaker 1 (27:10):
Okay, I haven't seen it.
Speaker 2 (27:11):
Well you may, you might not have seen it, but
here I'm gonna play it.
Speaker 1 (27:14):
No, I haven't. I never click on anything.
Speaker 2 (27:16):
Ready, Adam, You're not getting it.
Speaker 1 (27:20):
It's not talking to you.
Speaker 4 (27:23):
It's not talking to you that I'm standing on business
is it Randa sign on sidewalk? But you being standing
around my car.
Speaker 1 (27:32):
At the beach? You know what I'm saying. You don't
think I'm a real guy, do you.
Speaker 4 (27:38):
You're gonna take this video out of context. You're gonna
say I'm mad. I don't know who to paying you
to provoke me, But I'm not the woman. Okay, stop
provoking me. A real dad or real husband, a real
man don't do this.
Speaker 1 (27:53):
I mean, okay, you not to be with.
Speaker 4 (27:57):
I don't know who's paying you to provoke me, but
I'm not the one.
Speaker 2 (28:01):
I don't care that you're on the sidewalk.
Speaker 4 (28:04):
I don't care what kind of dirty work, what kind
of nasty you're getting paid in the background to provoke me.
Speaker 1 (28:10):
Bro, But I'm not the run I'm really not the one.
I don't care. Okay, I got a lot to say.
Is that at Noble?
Speaker 2 (28:18):
Uh it looks like Noble, Yes, it looks And you
know what.
Speaker 1 (28:22):
Biber is the one provoking the photographer.
Speaker 2 (28:26):
I mean, how long has this guy been in the game, right,
I know in the game? And why is he talking
like he's some new and up and coming influencer that
has just been discovered a no talent, fucking hack, you
know what I mean?
Speaker 1 (28:43):
Bro?
Speaker 2 (28:44):
First of all, why do you why do you still
live here?
Speaker 1 (28:48):
Yeah? I mean have you photographed anyone at NOBU before?
You can't step foot on the parking lot on the property,
so you are doing it from a sidewalk. So Biber
is provoking that guy.
Speaker 2 (29:00):
Yeah, he's walking the parking lot to him.
Speaker 1 (29:03):
Yeah, Biba has given them the pictures and the video
if Biba had just got in his car and driven off,
no big deal. Justin made that a story himself, exactly.
If he's that worried about it, just getting your car
and dry body, or don't go to fucking Nobu and Malibu. Well,
and number one, everybody is going to get photographed if
(29:24):
they go to Nobu and Malibu.
Speaker 2 (29:25):
Well, you go to Nobu to get photographed?
Speaker 1 (29:29):
Yeah, you know what I mean.
Speaker 2 (29:30):
The sushi is not that good. I guarantee there's plenty
sushi around La that you can go to to get
your sushi fixed, really really really good sushi, wherever you
want to go. Number Two, it's nighttime. He's acting like
he's hanging out with his family at the beach and
they're bothering him at the beach. Yeah the beach, dude,
you're at Nobu. I'm sorry to say, as a local,
(29:53):
as a person who's been here forever and ever and ever,
Nobu is not the beach. You don't refer to Nobus
as the beach. No, no Boo is no boo. And
then the beach is down below that where all the
other peons hang out. Okay, you're not at the beach, Justin,
You're at No Boo. Okay, the most photographed place in
Malibu for a celebrity to go. How confuses this guy, Jedi?
Speaker 1 (30:18):
Dude, what a fucking koop?
Speaker 2 (30:20):
And yes, we're gonna we're gonna spin it like you're mad,
because that's what you're doing. But we're not going to
take it out of contest context. We're gonna play it
exactly how it plays out, and the context speaks for itself. Buddy,
And you're really upset about all this stuff, justin If
you're really upset, then leave, Get the fuck out of la.
(30:40):
You don't need to be here. You're not auditioning for anything.
You've got music, You've got millions. You can focuse.
Speaker 1 (30:48):
His wife just sold her beauty company for a billion dollars.
Speaker 2 (30:51):
Well, and she's not gonna be with him much longer.
Speaker 1 (30:53):
But no, I don't think so either.
Speaker 2 (30:55):
Anyway, let's take a break. Welcome back. I'm a beer.
Speaker 1 (31:02):
I just cracked one. This is actually this is actually
number four of me for this evening.
Speaker 2 (31:08):
Nice.
Speaker 1 (31:10):
I'm drinking a Genesee ale out of out of Rochester
here in you know, the in western New York ruby
red colsh It is a natural pink and red grapefrooit flavors.
Speaker 2 (31:26):
All right, well, I'm going to do a Mexican lagger
fitting for this podcast from institution Ale Company.
Speaker 1 (31:39):
Does it have citizenship? Does it have the appropriate paperwork
to be in el Segunda.
Speaker 2 (31:44):
I had it on ice right before I brought it
up here, and it is kind of flawed a little bit.
It's kind of little dent.
Speaker 1 (31:52):
Send it back, but deportance, I heard the crack. My
next story is both the you're watching, and I will
then tell my story about the story. I guess. Have
you seen Escape at Dana Mora?
Speaker 4 (32:13):
I have?
Speaker 2 (32:14):
Okay, love that fucking me good?
Speaker 1 (32:17):
Oh show there, You're good. So it came out in
twenty eighteen on Showtime, directed by Ben Stiller. Yep, it's
since moved to Netflix. Patricia ok right, Patricia Arquet. Yeah,
it's like seven eight or nine part. I'd never heard
(32:37):
of it before, and I never knew anything about the
story until I got sent up to up upstate New York.
It was just the ten year anniversary of the story
that the show was based on. Basically, there's a small
(32:59):
sleepy town called Dani Mora, which is home to the
Clinton Correctional Facility. A maximum security prison in up upstate,
New York, just just south of the Canadian border. Ten
years ago, two inmates, a chap called Richard Matt and
another guy called David Sweat, started having it off with
(33:25):
somebody that worked in the prison, Billy Well Joyce Tillie
Mitchell played by Tricia Arquette. In the show, she worked,
she was a seamstress in there and worked, you know,
these two guys worked in her sewing kind of studio
in the prison, and so in the show, they you know,
(33:50):
they they have their way with her. Both of them
become involved sexually with her, and they then get her
to smuggle stuff into the prison, you know, like hacks
or blades in ground beef and basically other supplies. And
(34:11):
then Matt and Sweat, they you know, saw through their cells,
get into the backs, you know, the back of the prison,
find their way through the you know, the sewer system,
and escape out of the prison. But and it's you know,
it takes a month to plan their escape and make
(34:34):
their escape, and then yeah, they end up on the Sorry.
Speaker 2 (34:37):
To interrupt, but and I think there's a really good
Wonner scene in that of either the escape or it's
the practice escape the practice practice.
Speaker 1 (34:48):
It's amazing. It's a great scene, really good scene. Anyway,
everyone should go and watch it. It's well worth watching.
And because of the ten year anniversary, you know, interest
was renewed in the story. I got sent up to
go and work on Joyce Mitchell, the woman that you
(35:09):
know kind of not didn't facilitate it, but you know,
she helped these two guys and did do time in
prison because of it. I think she served maybe five years.
And her husband, Lyle, who worked at the prison with
her at the time, stood by her through all of
(35:29):
this crap.
Speaker 2 (35:30):
Are they still together?
Speaker 1 (35:32):
They are still together? Wow? So I got sent up
to the house. I was there for the New York Post.
So I watched the house for a couple of days
and we saw absolutely zero action. It's in a very
very small town in the middle of butt fuck nowhere.
Speaker 2 (35:51):
Well, the town is just is just the employees of
the of the prison.
Speaker 1 (35:56):
Right basically basically, Yeah, it's you know, there's lots of
armish around, so it's really really cool seeming, you know,
seeing all the armish sheds and stuff that they built
around and like, you know, as I'm driving to the house,
I'm going past horse and cards on the on the road,
which is always kind of fun. But yeah, So I
worked the house for a couple of days, no sign
(36:16):
of anything, and then a reporter for the Post came
up to knock the door. We knocked the door twice,
with me in position to snatch frames of whoever answered
the door. So we knocked it twice, no action, went off,
got a coffee and a donut, came back, came back
an hour and a half. Two hours later, knock the
(36:39):
door again, and the door opens and it's Lyle. The
husband opens the door, fuck off, leave us alone, Leave
us the fuck alone, and I'm I'm in the back
of the car, just absolutely railing him. And it's so
funny because I haven't seen the show up to the
point of me shooting this, and like, after I shot
(36:59):
this set, I went and watched the show and the
guy that plays Lyle in Escape with Denamura is bot on.
It is so fucking good. The dude's teeth are fucking
jacked is it is so good. The dude looks just
like him, so it was. It was really good to
(37:20):
I wish I'd watched the show prior to going and
doing it. It was quite fun watching it afterwards and
then seeing it, so we didn't I didn't see her, unfortunately,
but did see him and I came. I came back
to Buffalo, and what was quite funny my next job
after going up and doing that for the New York
Post with a job with the Day Mail in Buffalo photographing.
(37:45):
So there were two prisoners, Richard Matt and David Sweat
spoiler alert in the show, well in real life when
the guys do escape, Richard Richard Matt is shot and
killed after you know he's been on the run, and
the other prisoner, David Sweat, was caught alive and is
(38:07):
back in prison again. But he has a fiance now
who lives fifteen minutes away from me in Buffalo. So
I had a job with the Mail to go and
do some portraits of her and her daughter, who the
daughter calls David Sweat dad, and Sweat Sweat sends drawings
(38:33):
from the prison back to his daughter. So I photographed
her and the daughter and got some I got them
talking on video about him and did and took some
photos of the drawings, and they actually gave me four
of his original doodles slash drawings, which is kind of fun.
(38:54):
So I now have them upstairs in my room, which
I'll share on on the Instagram. But that was quite fun.
And then after doing that, my next job again was
to go up there again for the New York Post
and to try and get you know, the woman that
played was played by Patricia care Tilly and the husband again,
(39:14):
but I didn't see them again, but in between that time,
I'd seen the show, so I was even more like
zoned in, like I wanted to get them so badly
after seeing the show. So that was really fun, a
really fun one to work. It was quite funny how
I ended up doing half of it with one outlet
(39:35):
and then another part of the story with another outlet
without either of them, you know, because I don't tell
one outlet but I've already done something to do with
it with another one. So it's quite funny. To do
three jobs in a row, all on the same kind
of story but with different outlets is crazy. So it
was really fun. Yeah, and actually to work a job
(39:58):
literally down the street from me, which was the first
one I've done since since moving here three years ago,
and not even a sneaky one. Portraits at Portraits. Yeah,
and she was really nice. Yeah, but I do recommend
everybody listening, if you haven't gone, if you haven't seen
Escape with Danima yet, it's a good watch. You know,
it's kind of shore shank esque, you know, there's a
(40:21):
little bit of Shortshank grid in there. You know, it's fun,
it's good and it's and it's true.
Speaker 2 (40:27):
Well, was it was it hot when you were shooting
those portraits?
Speaker 1 (40:30):
No, it was pooring rain. It was miserable. We've only
it's only got hot in Buffalo in the last week.
Speaker 2 (40:37):
Okay, good, we didn't want to sweat a.
Speaker 1 (40:42):
Very good but yeah, I'll post some of the We'll
post some of the pictures on Instagram.
Speaker 2 (40:48):
That would be great, That would be awesome. I'm interested.
Speaker 1 (40:52):
S Yeah, I've got them on my phone.
Speaker 2 (40:54):
Like it's nuts because there was and I've got there
was a lot of that stuff, you know in the show.
Speaker 1 (40:59):
I mean, you know, Matt was was the main drawer,
but Sweatwood drawer as well, and Richard. Matt's drawings were sensational,
like he was. He did really good portraits of like
Hillary Clinton, who we just spoke about. You know, he
did did other ones as well. But yeah, like she
gave me like the original of that wow, you know,
(41:23):
which is quite cool, and I'll post them on Instagram
and really good pencil drawings.
Speaker 2 (41:31):
That's cool. Yeah, you know that. I don't know why
she gave me there for the audience that's just listening,
go to the go to the check out the content
on the Instagram.
Speaker 1 (41:42):
Yeah. So, like I said, no idea why she gave
them to the originals to me, but she said she
she copied them, and you know she was going to
keep copies and give the originals to me. Made no
sense to me, but I wasn't going to say no.
Speaker 2 (41:55):
No for sure. I mean a little bit of inkling,
maybe be a little famous.
Speaker 1 (42:01):
Yeah, so very cool. But that that's pretty much all
I've been up to. I've had other jobs, but that
you know, I haven't panned out YadA YadA, as they
do sometimes. And I've been home now for a few days,
just waiting for the phone for ing now to go
on to the next one.
Speaker 2 (42:19):
It's not every day that you work on something that
you end up watching afterwards, and Mike happens all the time,
but it doesn't, and that's kind of cool.
Speaker 1 (42:33):
Yeah, it was fun. I enjoyed it.
Speaker 2 (42:35):
Keeping the party going with what you're watching. I went
and saw Ballerina who twice never heard of it, and
the Armis is kind of taking up the whole john
Wick Mantle kind of deal, and she's got her own standalone.
(42:59):
It's gonna be a series of john Wick movies where
she plays a john Wick kind of character. Have you
seen any john Wick movie?
Speaker 1 (43:07):
No, this isn't the movie that Anna de Armas is
starring in with Sidney Sweeney, is it.
Speaker 2 (43:13):
It is not?
Speaker 1 (43:15):
Oh okay, no interest, No exactly.
Speaker 2 (43:18):
It doesn't involve Sidney Sweeney, and it doesn't involve an
Armis by herself. And forget it.
Speaker 1 (43:25):
See I'm looking at the posters. Now I had I
had absolutely no idea that this was even a thing.
Speaker 2 (43:32):
Well, I mean, I'm a fan of the john Wick movies.
John Wick movies are just constant action. Okay. Plus I
follow the guy that trains all these people, and he
trains everybody. It's not just for the john Wick movies,
but he trained Keanu Reeves, you know, and all of
his you know, gun play and and uh you know, yeah,
(43:52):
of the guns and all this stuff. And it's a
full on art form. Really, it's a it's a martial
arts with weapons, is what you can kind of like,
you know, compare it to something like that where shooting
your rounds, ejecting the mag, putting a new mag, in
the movements that they do, the amount of shots that
(44:12):
they can do, the accuracy, all that stuff. Very very
technical stuff, very technical, and it's a whole new kind
of stunt coordination. And I appreciate that when in these movies.
And so when I saw her doing this, and you know,
she's pretty much breaking out as the next big action star,
(44:33):
I thought it was gonna be good. But man, blew
my mind. Jedi, And you don't have to go see
John Wick movies to watch this movie.
Speaker 1 (44:41):
Yeah total.
Speaker 2 (44:42):
I mean, he pops up in it obviously, and you know,
makes his appearance and stuff like that. But you don't
need to really see anything else unless you really want to,
you know, understand every single bit about it. But I'm
gonna spoil it a little bit because I want people
to be enticed to go to see this movie. There
is a scene and it's the only scene why I
(45:03):
went to go see it twice. I went and saw
it by myself because those kind of movies I don't
want any distractions. I don't want anyone doesn't appreciate it
like a Jedi and you. I just want to feel
it myself, right, And then I brought myself back to
it because I think he kind of appreciates it too.
But there's a scene in this movie Jedi.
Speaker 5 (45:24):
Where they have a it's like a machine gun shootout
scene but with machine gun blow torches.
Speaker 2 (45:36):
Oh fuck, you know, I don't know if you've seen
these blow torches. They've kind of been popping up on
social media and like celebrities of getting them and stuff.
They look like machine guns, but they're you know, configured,
and they've got a little tank on them and stuff,
and they shot a flame and they're like a like
a machine gun blow torch. It's not like a full
tank that you have on your back and you've got
(45:56):
the stick and all that stuff. It's a tight, you know,
kind of configured. It's a full shootout scene with these
blowtorches for almost ten minutes. I mean, it goes on. Ever,
if you don't see it in the theater, you're doing
yourself at a service because the sounds that they've got
obviously it's not the sounds that the actual thing makes
but the sounds that they've made these things sound like
(46:20):
it's incredible and just the sounds of them. Yeah, it's
just it's pew pew pew, pew pew pee. It sounds
like but in like an IMAX format. Yeah, it's insane.
And then after that, actually, my son and I snuck
into How to Train Your Dragon? Which have you seen
How to Train Your Dragon? The animated one?
Speaker 1 (46:41):
No, I haven't seen any of thing.
Speaker 2 (46:43):
Well you have, you know, you have a child, a
young child, and I figured Train Your Dragon might have
been on the playlist some point.
Speaker 1 (46:50):
You know.
Speaker 2 (46:51):
They have a live action version of it. And there's
a new format of movie theater Jedi. If you don't know,
it's called screen Have you ever heard about it?
Speaker 1 (47:01):
Nope?
Speaker 2 (47:02):
Have I mentioned it on the podcast?
Speaker 1 (47:04):
I don't think so.
Speaker 2 (47:05):
Okay, they've just installed it into the El Segundo Movie Theater.
Actually I think I did mention it.
Speaker 5 (47:12):
Did I mention it?
Speaker 1 (47:13):
Now?
Speaker 2 (47:14):
The new El Segundo Movie Theater. It's where they project
the image not just in the on the screen in
front of you, but on the walls on the side.
Oh okay, yeah, yeah, And so How to Train Your
Dragon was in screen X Ballerina wasn't, which kind of sucked,
but really good to watch it in that kind of
(47:34):
a format because when the guy's riding on the back
of the dragon, he's got his wings spread out. It's
a full on, like you know, wings spread scene, and
it goes throughout the whole theater.
Speaker 1 (47:47):
Oh that sounds that sounds really cool.
Speaker 2 (47:49):
Very very cool. Yeah, And I'm at first these theaters
kind of bugged me because I feel like they're a
little distracting on the side you're trying to focus on
what's ahead of you and stuff like that. Plus it
lights up the whole theater so you can kind of
see like the seats and stuff like that, it's not
just the screen in front of you. Kind of buged
me in the beginning, but it's just one of those
things that once you keep seeing them, and once you
(48:11):
keep seeing you get used to it. And then that's insane.
Because I did see Mission Impossible in the same format.
Fucking blew my mind. Fucking blew my mind. Jedi, go
see Mission Impossible. If you're gonna go go see anything,
go see Mission Impossible. It stands alone like another one,
(48:31):
you know, and go see it on a big screen.
Before it goes out that that should be your that
should be your wife and yours next, like just date night.
You guys, haven't seen a movie in a while, you
haven't been to the movie theaters in a while. Get
out there and see that movie right there. It's TC bro.
Speaker 1 (48:47):
Wow, I've not seen a single one of the Mission Impossibles.
Speaker 2 (48:51):
And you don't need to with this one, but it
would be a great one.
Speaker 1 (48:54):
To see Mark's movie reviews right there.
Speaker 2 (48:57):
Marx movie reviews.
Speaker 1 (48:59):
You know, Promo Rock see pro Marks movies. I love it.
Speaker 2 (49:02):
Got to step it up a little bit now that
they're inviting people onto the sets.
Speaker 1 (49:05):
You know exactly, Yeah, the movie you're trying to earn
your Manhattan Beach studio.
Speaker 2 (49:12):
Right, all right, we'll bring you back out here, you
know what I mean, once I get the corner.
Speaker 1 (49:17):
Heck yeah, I'll be there.
Speaker 2 (49:18):
I do have a little complain about Disney, though, so
I don't think Disney's going to be giving me any
kind of corner studios though. Do you have Disney Plus?
I do, and you watch so you watch some Disney stuff, right.
Speaker 1 (49:31):
No, I have the package Disney Plus, Hulu and ESPN
Plus and all we use Hulu for was Handmaid's Tail,
which is finished, and my wife occasionally watches the Kartrashians.
Speaker 2 (49:47):
Oh yeah, okay, well then you may or may not
have noticed how many freaking commercial breaks there are now
on Disney.
Speaker 1 (49:56):
No ship, I had no idea, you know. Oh you
know what, Well, we watched Bluie as well.
Speaker 2 (50:02):
Okay, Well, if you have Disney Plus or Disney, because
I mean, you obviously can pay for the upgraded version
with no commercials, you know, I don't do that poor,
so I don't pay for that. But if you're going
for the basic, we might even have the second tier.
I'm not sure, but we have.
Speaker 1 (50:20):
We have commercials on Hulu. I haven't seen a commercial
on Disney yet.
Speaker 2 (50:23):
Okay, well, we have commercials on Disney. And I was
watching my and Or series. You know, it's a Star
Wars series. You know, it's it's up for a bunch
of awards for this next award season coming up, and
I know Jedda hasn't seen it. Every single time something
big would happen, or something was about to happen, or
(50:44):
there was I mean, it's not even a cliffhanger. It's
just something that would just pop up where you just
you know, taking your breath real quick, like, oh, this
is about to happen. Commercial three current it would be
two and a half minutes of commercials because you know
they have a little timer on it. Yeah, so do
five six commercials at two and a half minutes or whatever.
(51:06):
It was really pissing me off, So Disney with your commercials.
I was heading up PCH for my latest jobs, and
you know, PCH is open now. They've even opened up
palisades for really. I mean I haven't been up there
since they've opened it up, but they have opened up
(51:29):
palisades to the public.
Speaker 1 (51:30):
Now. Oh shit, I didn't know that.
Speaker 2 (51:32):
I guess all the lots are. I mean, they were
pretty clear last time I went up. There were a
goldie but it must be pretty, it must be good enough.
And they probably are, you know, limiting people to where
they can go if they're just going to drive through
Sunset or something like that. But I was heading up
PCH and I did notice though that, you know, they've
taken down the little the little tarp that they had
(51:55):
there that was covering up all the burned area and stuff.
They've cleared a lot of it, and I was noticing
how nice it was to drive up.
Speaker 1 (52:05):
Yeah, with the view of the water.
Speaker 2 (52:07):
Yeah, you know, and it was a little distracting, Like,
you know, I was driving up. I hadn't been up
there since they took the tarps down, at least in
the beginning part of the drive, and I was I
was kind of getting distracted because you haven't really been
able to you know, you know, the ocean's right there.
You know, you've see every little break between the homes
(52:27):
and stuff, you see it like that, But when you
see it without any homes for a long period of time,
you notice, Man, this is actually really nice driving along
here without these homes.
Speaker 1 (52:40):
Well. I always used to love the drive going home
towards the gun though, you know, as you'd go down,
is it the ocean? Yeah, and just you know, on
the way to Gundough. Just I used to love looking
at the ocean all the time. So I'd imagine that
that drive now is just amazing.
Speaker 2 (52:57):
Well, and it's I mean, they film a lot of
movies on that drive right there, because there isn't much
of a you know of a fast or let's say,
you know, kind of fast forty five mile an hour
speed limit drive do around La where you have that
ocean front. That's why they film there all the time.
If they if they keep those houses, if they don't
(53:18):
rebuild those houses along pch I wonder if they are
planning on that at all.
Speaker 1 (53:25):
I mean they must be, because you know, the people
that lost those houses, they own, you know the plot,
So they're gonna want to sell and try and get
some kind of money back or rebuild themselves. I don't know.
Speaker 2 (53:37):
Yeah, And eventually it will. It'll probably go back to normal.
It will probably go back to how it was. But
you know, for the time being, it's a nice drive
up to Malibu, probably only the first maybe eight miles
or something like that, you know, where it's just all
and you know, it's bitter sweet because obviously you like
(53:58):
the drive, you like seeing the ocean all and stuff.
But the reason you're seeing the ocean is because everybody
lost everything, which sucks. But if you're looking at it
at face value, it's just nice that ocean out there
for as long as it's going to be.
Speaker 1 (54:11):
I got a new law mower. Is I going to
make the podcast? Probably not?
Speaker 2 (54:16):
Is it electric? Yeah?
Speaker 5 (54:18):
Is it yeah?
Speaker 2 (54:20):
Do you have a big line?
Speaker 1 (54:22):
Yeah? Quite big. So it lasted, lasted, the whole charge,
and I only emptied, only emptied four bags of I feel,
you know, four bags of what's see?
Speaker 2 (54:38):
Is it a push more or do you sit on it?
Speaker 1 (54:40):
Yeah? That's push all right. I'm not that fucking lazy.
Speaker 2 (54:44):
Is it very quiet? Dude?
Speaker 1 (54:47):
It's so fucking so clean. It's so good. I had
this big fucking gas motherfucker before and it was fucking
loud and it was a struggle to push it. My
hands fucking vibrate in the old time. This fucking, this
clean green machine. It's just it's fucking gorgeous.
Speaker 2 (55:08):
Promote promote it.
Speaker 1 (55:10):
Is gorgeous, green about it, Green works power all I'm
actually resting my laptop on the box as I'm in
my garage. Wow, green, green works, dude, it's I got
it on Amazon and it's fucking sick.
Speaker 2 (55:28):
How many modes have you done with it?
Speaker 1 (55:31):
One today?
Speaker 2 (55:32):
Wow?
Speaker 1 (55:33):
It just arrived yesterday.
Speaker 2 (55:35):
I mean, what does it sound. It's gotta sound like
a you know, when when you hear the electric porsches.
I don't know how many you hear around the Buffalo,
but when you hear the Porsches going down the road
with that little like hommy engine sound, it's gotta sound
something like that, right, dude.
Speaker 1 (55:51):
It's so nice. I can't I cut it at like.
You know, I lifted up the blade a little bit
today because my lawn was a bit out of control,
so I didn't want to I didn't want to go
full clean cut. So I'm going to do another cut
in two days a little bit lower. I can't wait.
I hope I don't get sent out of town just
(56:11):
so I can cut my grass. Wow, I'm that excited.
This moa is great. Green Works twenty inch push MOA
power All twenty four volt do a double bountery twenty
percent more power, sixty percent less noise, thirty two fifty rpm,
beautiful sixty noise. It's stunning. Fucking hell, I'm such an
(56:37):
old man. What I'm like, I'm excited by a moa.
Speaker 2 (56:40):
Well, it sounds like my my gardener's not just my house,
but my neighbors all around. They need to pick this
thing up.
Speaker 1 (56:50):
Oh mate, it's sick. It's so good. And you know,
mar it took about ninety minutes for full charge, and
you know, no oil change, no no gas like I'm
doing doing my path of the environment right there.
Speaker 2 (57:09):
Well, it sounds like you know, the mower version of
discovering electric cars. Yeah, exactly, but you don't have to
wait and large line for the charging station. Yeah, sick, dude, epic.
Speaker 1 (57:25):
I think we've probably just put everybody to sleep with
my Jedi moa talk there.
Speaker 2 (57:30):
Everybody that who doesn't care about the more but I do.
Speaker 1 (57:34):
Anybody that's lasted the last hour and hour and ten minutes.
Speaker 2 (57:38):
Yeah, and since it's at the end of the show,
you know, if we do get any kind of promotion
out of this, they'll probably be minimals. It's at the end,
but ads are all good.
Speaker 1 (57:47):
My bear has finished as well.
Speaker 2 (57:49):
Exactly. On that note, we will wrap it up for
you people. And if we have offended anybody on this episode,
we do apologize, but for myself and for the Jedi,
take care and be well.
Speaker 1 (58:05):
We'll talk to him to you soon. Yeah, all right,
not three weeks, not four weeks. We will be back
in two weeks or less. So he says, yeah, I
see you in a month, and.
Speaker 2 (58:18):
We talk about a drink. And in the scam, step
to the.
Speaker 1 (58:21):
Left, slide to the right, two steps to the left,
jump on your tiptoes.
Speaker 2 (58:27):
Do you have a big line?
Speaker 1 (58:28):
Quite big
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