October 15, 2024 • 56 mins
Featuring, The Secret Service, Travis Kelce, Kate Hudson and more. In this #Papisode Jedi uses the mind trick on the Secret Service and nails a cover, Mark gets yelled at but nails the last man on the bus and give lixed reviews on some of the latest watchas. For the content in this papisode please visit our YouTube or Instgram @paparazzipodcast. thank you for listeing and sharing. Be well!
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Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Welcome everybody to the Paparazzi Podcast. I am Jedi, he
is Mark, and we're back with another another one of these,
another one of these. What's going on mate? How are you? Oh?
A crack that nobody can hear? Looks like a nice
medello there. I just had a Guinness down at the
(00:22):
hotel bar, absolutely delicious. I haven't had a Guinness in
such a long time and I was really craving one.
I've seen a bunch of videos on Instagram of people
splitting the G with the Guinness. I guess that's the
thing you've got to do now. Well, the glass has
guinness on, obviously, you try and the first sip you
(00:43):
try and get it to split the G right in
the middle. So I was excited to try that, but
they just gave me a plain pint glass.
Speaker 2 (00:52):
Okay, we'll have to try that. It's the the PPC
Paparazzi Podcast Challenge, the PPC Guinness g Challenge. Everybody get
out there and do it. Sen its your videos.
Speaker 1 (01:02):
The PPC split the G like it? There you go. Yeah,
beautiful guinness, mate, beautiful Guinness and a lovely steak dinner
as well, which I feel like I deserved today, I
forget I loved it.
Speaker 2 (01:17):
That means you got pictures.
Speaker 1 (01:18):
It, does I know you've seen the front page of
the New York Post today because you posted it on
our Instagram. Yes, I had the cover story on the
front page of the New York Post today, Saturday, October
the twelfth.
Speaker 2 (01:31):
That's amazing.
Speaker 1 (01:33):
Yeah, very happy with that. I actually shot it on Thursday.
Speaker 2 (01:36):
Did they give us a byline?
Speaker 1 (01:39):
I don't even think they gave me one. They gave
me one on the website. So yeah, it. It came
up top of the Post website yesterday afternoon, and then
I was thrilled to see it on the front page
this morning.
Speaker 2 (01:52):
Well, let's get into it.
Speaker 1 (01:54):
Always nice to get a splash.
Speaker 2 (01:56):
Yeah.
Speaker 1 (01:56):
So I'm in Washington, d C. At the moment, still
on the job. I was flown in the short flight
from Buffalo to try and photograph the United States Secretary
of Homeland Security, Alejandro may Orcus. Oh yeah, okay, yeah,
(02:20):
I'd never heard I'd never heard of him until I
was given this assignment. I can't say I'm not into politics.
I am, but I don't know everybody on every desk
in the White House. I've heard the name yeah, So
I flew into DC. Remember I did the Secretary of
the State like a couple of months ago. Good pictures, Yeah,
(02:42):
good pictures. Now that story. So the New York Post
flew me out to try and get another another one
of these people. So I landed. I think I got
in about one o'clock Thursday afternoon and got to the
doorstep a couple of Secret Service cars their security detail there.
So you know, I taxed the office. Hey, boots on
(03:03):
the ground, A couple of service here, and then I
got a text back from them an hour later. He's
just popped up on TV in North Carolina. He's there
talking about the impact of Hurricane Helene. You know, he
was dealing with that before Milton came in earlier in
(03:23):
the week. So, yeah, he's in Carolina hopefully, you know,
he'll come back later on this afternoon. You know, just
do what you can see where you can get YadA, YadA, YadA.
So he spent six hours in North Carolina dealing with
everything there, and then he flew back and he arrived
back at his house around four point fifteen on that
(03:44):
Thursday afternoon, and he wasn't home for longer than an
hour before the two cars, two service cars left, So
I get on like a nice discrete follow and they
pull over at Noboo, not too far away from his house.
So go all the way around the block, find a
nice position across the street. Change all my settings to
(04:06):
night settings or dark settings, because I imagine he's going
to be in there for you know, a couple of hours.
He's come to Nobu. You don't just go and spend
ten minutes in Nobu, Yeah, for hours. Well, he spent
ten minutes in fucking Nobu, unless you're Edwin Castro exactly. Well,
he came out with pick with with takeout. He picked
(04:27):
up takeout, So my stings were completely fucking wrong. And
I was across three lanes of traffic as well, and
as as I see him about to come out, NonStop
fucking traffic, I literally rattled off three side on frames.
Not my greatest work, but what can you do? What
(04:49):
can you do? But the office was so happy, super happy.
You know, he's there talking to Helene or whatever, and
then he's you know, fuck that shit, get on my
private jet straight back to DC and get my thousand
dollars fucking sushi takeout As a big fuck you to.
Speaker 2 (05:05):
Everybody, including the victims.
Speaker 1 (05:08):
Yeah, yeah, so they loved they loved that angle on
the story, and we're very very happy with it.
Speaker 2 (05:14):
Yeah, that's nice.
Speaker 1 (05:16):
See I got that yesterday. I got that Thursday. Yesterday
he was at the White House, so obviously not going
to get pictures there, and then he didn't go out Thursday,
he didn't go out yesterday evening, and in this morning
he went to the bank. So I got photos of
him at the bank. Nothing too exciting. Again, I was discreet,
(05:38):
but unfortunately, somebody else was on the follow this morning,
and I don't know who it was, what, who they
worked for or anything. It wasn't a photographer because he
didn't jump out, but he was following, ran a red
light and just made it obvious that, you know, somebody
was tailing him. So unfortunately, you know, it was busted.
(06:01):
Even though the cover story around this morning, I still
don't think that they knew I was around. But once
we got back to the house, I had Secret Service
pull flash the lights, pull right up to me, give
me the full interrogation. Can we check the car. We
need to check all of your equipment, check all your bags.
They lifted up the open the trunk, lifted up the back,
(06:23):
checked the tire, checked in and everything, ask me if
I had any guns, asked me this, that and the
other thing, took a picture of me.
Speaker 2 (06:31):
Oh.
Speaker 1 (06:31):
Nice had the full fucking interrogation, mate, and fully on
the grid, fully on the grid and nice. I obviously
asked both Secret Service members if they had any pins
that they could give me, which both of them said
they didn't have any at the moment. And then I
said to the Secret Service guy, I said, so are
they going out again this afternoon? Did he did he
(06:53):
tell you what the deal is? He goes, We're not
going to tell you that, sonny. And then literally twenty
minutes after they left me, I see other Service members
getting into the subs getting ready for him to come out.
So I'm perfect. I'm positioned for the follow not expecting
any shenanigans. And as the cars come out and one
(07:15):
of the Secret Service vehicle comes from nowhere push slashes
on blocks the street. So I see the car go
down and take a left at the end of the street,
so I take another side street go down, only to
be met by another Secret Service vehicle at the bottom
blocking that street.
Speaker 2 (07:32):
Fucking you.
Speaker 1 (07:34):
Yeah. And then as I'm on the follow, I'm so
far behind the follow. After they eventually let me out,
and then there's another car that comes from nowhere and
is literally in front of me, and as I'm changing lanes,
he switches lanes and I changed lanes again, switches lanes,
just blocks me. Completely, absolute nightmare.
Speaker 2 (07:52):
You need to get your dash cam.
Speaker 1 (07:53):
And so I went back to the house to you
know see, First of all, I went searching around to
see if I could find him, couldn't find him anywhere.
I was out for like thirty forty minutes, got back
to the house and he was back already. So that
was a fucking nightmare. And then a couple of hours
ago from now same thing happened again. Came out, they
(08:14):
played the double block, the triple block, the just fuck you,
basically wow. So he obviously saw the front page of
the Post this morning and was not happy and did
not want any more action for me today. It's crazy
like I photographed the last three presidents Trump, Biden, and Obama,
(08:40):
and none of their secret service have given me as
much grief on a follow. Well, they've all let me
follow for a start, but you know, the secretary of
whatever he is Homeland Security thinks he's you know, he's
too big for his boots right there, you know, pulling
all the cards.
Speaker 2 (08:59):
That's amazing. I bet you a lot of celebrities whish
they had that kind of detail, right.
Speaker 1 (09:03):
It's fun though, Like I do love these jobs. It's
great when you get a really good spread. It's so satisfying.
It doesn't happen much for me these days. You know.
It's you know, most of the stories I'm on they're fun,
but they're not you know, you're not dealing with secret
service every day. So it was a nice bit of
cat and mouse fun this afternoon.
Speaker 2 (09:25):
But you know, and it's always fun to nail the
pictures like ahead of time and then give you all
the problems and then you know, but you already nailed
the pictures. It's just like if anything you did get
it'd be it'd be a bonus anyway. But it's so
all the effort for nothing, really.
Speaker 1 (09:41):
Oh exactly, like exactly the first set I got, it
was like the easy like it was a very easy
set to go, you know, I didn't really have to
work for it, and then all the work came in
afterwards for nothing.
Speaker 2 (09:55):
So I wonder how the conversation went with this guy
and his detail, you know, is it just does he
come in and go, you know, dramatically slams the New
York Post down on the counter and goes, what is this? Guys?
What is this? This is happening again? I want everybody
on this detail right here. I know who that guy is.
(10:16):
Show me his picture, and then they show your picture
right there. You're smiling. You just you know, I want
that guy in anywhere near me exactly. That's hilarious.
Speaker 1 (10:27):
Yeah, well I get you know, I don't think this
guy gets photographed much at all. We kind of got
in by I did the old Jedi sneak attack.
Speaker 2 (10:36):
Yeah.
Speaker 1 (10:37):
So yeah, that's my my Shenanigans for the last couple
of days. So it was fun, man, real fun. Really enjoyed,
really enjoyed this assignment.
Speaker 2 (10:47):
Yeah, sounds like it.
Speaker 1 (10:49):
And then I've got a nice comfy bed next to
me that I'll be sleeping in tonight and then back
to Buffalo in the morning. You get bills at home,
bills at Jets Monday night football. Okay, yeah, it's pretty
much it must win. What have you been up to?
I've got more stuff to talk about, but we can
get to that later.
Speaker 2 (11:07):
Well why doce you just get to it now?
Speaker 1 (11:11):
First of all, i'd say rest in peace to friend
of the show, Frank Fritz, American Pickers star. If you've
not listened to our podcast Knock Knock Nothing, you should
go back and listen to that one. It's it's probably
two and a half years old, right, It's probably it's
way back. It's an old one. It's an oldie, but
(11:32):
a goodie.
Speaker 2 (11:34):
That would be two and a half years back.
Speaker 1 (11:36):
But yeah, I think it is. Yeah, knock Nothing. It's
when I spent nine days in Leclaire, Iowa knocking on
Frankfurtz's door until he answered, and it did take nine days.
But yeah, Frank Fritz passed away last week at the
age of sixty I think, and I think he would
(11:56):
have turned sixty one a couple of days ago. So
I went over to Leclaire, Iowa, his hometown, and tried
to photograph his American Pickers co star Mike Wolfe, who
was in town. He arrived in town I think just
(12:17):
before Frank passed to say his final goodbyes and all
that kind of stuff. So I was successful. I got
I got the first pictures of Mike Wolfe since Frank passed.
I also went and got Robbie Wolf, Mike's brother, who
is also Mike's new co star on the show since
Frank left. I always enjoy going to Leclaire, Iowa and
(12:42):
doing pickers stuff. I think this is maybe the fourth
or fifth time that I've gone there. Always enjoyed the town.
It's actually the birthplace of William Cody, who was Buffalo Bill.
I also talk about that in Not Not Nothing You Do.
Speaker 2 (12:59):
Yeah.
Speaker 1 (12:59):
Yeah, it's a small little town on the Mississippi and
just cornfields everywhere. It's a you know, a cute, little,
cute little town.
Speaker 2 (13:09):
No hassles, nice and easy.
Speaker 1 (13:11):
Well it was nice and easy until until my pictures
were published, and then so we we. I was with
a reporter for this one, and the son do a
new thing I think they call it son scoops where
they have a reporters do pieces to camera. So we
(13:33):
had our reporter do a piece to camera outside of
Mike Wolf's store talking about the pictures that we got
of Mike and his brother.
Speaker 2 (13:43):
Sorry, so that that the piece to count I haven't
seen it yet. Is that kind of just like a
like a newscaster type of thing.
Speaker 1 (13:49):
Yeah, it's kind of like a news chatter of thing.
So I was with a reporter and she does a
piece to camera, like a one minute ninety second piece
to camera where she she details aspects of the story
and talks about the pictures we've got and all that
kind of stuff. So we got that on day one,
and then day two it went up, and then day
two we also were working back on Mike Wolf again,
(14:13):
so wet I got a set of pictures of him
in the morning, and then the afternoon comes around and
he comes out of the house, looks up to where
the pictures were taken yesterday because he's obviously seen the
video up on the Sun website, and just comes like
he didn't come roaring up to us. I was actually
(14:33):
out of the car at the time, talking to a
Splash photographer that arrived earlier earlier that day, so we
were just chatting and Mike Wolf comes up to us
like fifty yards away and was like, Ah, the fucking
A teamer here, I see the fucking A team are
in town. Yeah, And he was just like effing and
(14:55):
blinding and he was not happy, and I morning, sir, sorry,
you know, sorry for your loss. And he's like, you motherfuckers.
He was. He was not a happy guy. And I've
photographed him a bunch of times in Iowa, in Illinois
(15:17):
and in Tennessee as well, and he's never seen me before. Wow,
So this is the first time that he's seen me.
And it was again because you know, the pictures were
released early, but we had to get them out, you know,
we have to get the first set out there. It
was when there was the most interest.
Speaker 2 (15:34):
I always laugh when reality stars get mad about their
pictures being taken in reality.
Speaker 1 (15:40):
Yeah, I mean, and he like he knows like the
Sun do numerous stories on pickers, Like they'll do two
three pickers stories a week, and like you know, in
times gone by, I've spent you know, four or five
days in Nashville getting two to three sets of him
a day, and then the Sun will least the whole
(16:00):
set like over a month. So like he knows that
he's worked, Like there's there's tons of sets out there.
So for him to be kind of pissed or surprised
that people were there trying to cover him after you know,
the death of a coast, that's when he's like most
in the in the spotlight, right, it's when the heat
is most on him. Yeah, so it's Promarati, you know exactly.
(16:24):
And you know, the numbers for the show go up
and down, but I'm sure they always go up after,
like you know, stories like this.
Speaker 2 (16:33):
Happen even though, especially the old reruns.
Speaker 1 (16:38):
Yeah, exactly. So that was fun as well. You know,
I've been fortunate enough where I've actually been quite busy lately.
The jobs have kind of backed into each other nicely,
and it's all kind of it's all working again at
the moment to get I've had another little thing as well.
This one's a court case, so it's nothing too exciting.
(17:03):
I've been granted court access the last couple of hearings
for a Wisconsin it's in Wisconsin, actually, but it's it's
for a Minneapolis, Minnesota, a teacher who was having inappropriate
(17:23):
relations with a fifth grade student, a woman called Madison Bergmann.
So I photographed her in court last week, arriving to court,
leaving court, and in the courtroom where it came out
that her in this eleven year old student, had exchanged
over thirty three thousand text messages during their relationship, and
(17:52):
it was quite grim. Actually, they went into graphic detail
of the texts that were and I'm not going to
get into that kind of detail today. Our listeners want
to hear about that kind of stuff. There were no
it was just kissing that actually happened, but the things
that were spoken about in the text message is were
(18:15):
you know, you don't want any eleven year old kind
of reading that kind of stuff. Yeah, so that she's
going to be pleading, putting her plea in the beginning
of next month, so I'll imagine I'll be out there
again for that and hopefully i'll be covering the whole case.
How old is she again, she's in her early thirties,
(18:38):
I can't or maybe she's twenty six, she's in she's
in the twenties to thirties region. Anyway, And I photographed
the court twice. First time I was kind of on
the side behind, so getting you know, backside shots, and
this time there was actually a TV camera in the
court room as well, and they were with like a
(19:00):
front end view. So I had to ask the judge
real quickly before it started if I could hop over
into the jury pool pit to get the best view
with the news camera, which he obliged to which was nice.
So it was good pictures, you know, reset with there
were resales in there. Because of a you know, the
(19:22):
shit number of text messages, the story kind of blew
up again, so that was not a fun one to cover.
But you know, picture wise, it was you know, this
this teacher crying and all that kind of stuff. But
she's facing I think one hundred and forty five years.
There's ten felony counts.
Speaker 2 (19:44):
Wow. Yeah, ten felony counts because of mostly text messaging. Yeah.
Speaker 1 (19:51):
Wow. And I mean I think, I mean there's multiple
felonies just for you know, I mean, kissing is inappropriate.
Fucking affair with a very very minor kid, yeah, disgusting.
Speaker 2 (20:10):
Wow.
Speaker 1 (20:10):
And she had like a fiance at the time as well,
like living with this this poor guy and yet carrying
on with a with a fucking child. Yeah.
Speaker 2 (20:21):
Yeah. They seem to be getting sicker and sicker these
days with all the ditty action going on.
Speaker 1 (20:26):
And you know, yeah, we've got to get into a
bit of diddy as well. I think, right, we've not
really spoken about it too much.
Speaker 2 (20:34):
No, I don't think we spoke about it at all really,
just over the phone maybe, But we'll get that in
the second half for sure. Yeah.
Speaker 1 (20:41):
Well that's that's pretty much it with me. If I've
been on anything else, I've not got any more pictures.
So that's my Jedi round up, all right.
Speaker 2 (20:51):
Well I don't really have a round up. I did
have an old school kind of running the other day
which kind of brought me back to the old days, okay,
which was I ended up hanging out at the Farmer's
Market up in Pacific Palisades on a Sunday.
Speaker 1 (21:11):
Not a bad spot to be hanging out.
Speaker 2 (21:13):
At, yeah, and just hoping to see anybody. I ended
up seeing Jennifer love Hewett, but I couldn't get her.
So I saw Kate Hudson's husband new husband or partner
okay something or other, and I saw him pulling in
in his car, just by himself. So I didn't really
(21:33):
go after it or anything. I just I was parked
in a place where I could watch kind of down
the whole corridor of the Farmer's Market and it's kind
of gotten a little crazy there've they've expanded it to
two sides of sunset. But just sitting there watching I
saw him pull in and just thought, okay, maybe Kate
might be around, So just keeping one him. Twenty minutes later,
I see him walking down with the daughter, just kind
(21:56):
of walking down through the middle, and I saw Kate
just kind of hanging out by one of the little
flower stands and they were buying.
Speaker 1 (22:01):
Flowers an frame.
Speaker 2 (22:04):
Always a nice frame, flowers in hand. You know, I
don't want to get the kid in the frame. I
couldn't get an angle on her, you know, just from
my car, so I had to get out on foot.
And farmers markets are really busy. They're tough to get angles.
(22:24):
Every time you think you got an angle, they turn
around and they walk a different way and stuff. You're
trying to be discrete. But it got to one of
those times where she started walking back, you know, towards
the middle of the farmer's market, and I just had
to jump.
Speaker 1 (22:39):
Out and just you hosed her.
Speaker 2 (22:42):
I hosed her, and you know, people cross in front
of you. You're trying, you have to you have to
shuffle to the left six inches, you have to shovel
to the right two feet, and it becomes a little
bit of a scene. Yeah, you know, you're trying to
be discreete but it becomes a little bit of a scene.
And I don't want her to see me, you know,
so she gets to like, you know, seventy five, you know,
(23:06):
one hundred mil leg and I'm just blasting or just
hosing her. The daughter will not move from right in
front of her in the crane. I couldn't get any
frames of her just by herself walking with the flowers.
The daughter is in there. She's looking down at the
daughter half the time too. And then right at the end,
right when I'm taking my last three frames, she looks
up and she sees me right there, and she gives
(23:28):
me one of those extremely loud you know, we're right
next to each other. All she needs to do is
kind of just say something to me, but really loud,
stop shooting my daughter.
Speaker 1 (23:40):
Oh fuck off, Kate.
Speaker 2 (23:42):
That's exactly what I did. I turned my head just like,
oh my god, are we living back in two thousand
and nine? You know?
Speaker 1 (23:48):
Is this two thou knows that's not what you're after.
She knows that's not what you're doing. She's trying to
make a scene as well.
Speaker 2 (23:55):
She's making a scene at this point, you know, and
the daughter hadn't even seen me yet. But when she
yelled like that, obviously the daughter looks up and sees me,
and there was a part of me that wanted to
just turn around and go, hey, you know better than that,
I'm not trying to shoot your like in front of everybody,
to be extra allowed as well, just to defend myself,
go you know better than anybody did, I'm not trying
(24:16):
to shoot your daughter. Okay, I was trying to get
you without your daughter. Stop saying it. But I didn't
got some frames. Couldn't get the daughter out of the frames.
It was just impossible, you know, the crops everything, couldn't
do anything about it. Yeah, I don't think the pictures
made me money, but it was just kind of it
was just kind of fun to be told not to
(24:37):
shoot kids anymore, you know, because I remember getting told
that when I hadn't even had kids yet, you know.
Speaker 1 (24:43):
Yeah.
Speaker 2 (24:44):
Wow.
Speaker 1 (24:45):
Yeah. And for people that don't know why, we don't
want the kids in a frame, A lot of places
do not publish pictures if that they're with their children anyway,
So like, the last thing we want to do is
photograph the fucking kids.
Speaker 2 (25:01):
Yeah, yeah, exactly.
Speaker 1 (25:02):
My money if as kids in the picture.
Speaker 2 (25:04):
Exactly or significantly less money, you know, there will be
maybe something that might take it somewhere, but usually not. Yeah,
people like Kate Hudson are one of those people that
have made it clear amongst all the outlets that they
do not take pictures of her kid. You know. So
it's it's just to uh, it's just to embarrass me
when she does something like that. It is what it is.
Speaker 1 (25:27):
I mean, Kay Hudson's a singer these days as well, right,
she doesn't she's like done with movies. She sings in
like coffee houses.
Speaker 2 (25:34):
Yeah, exactly. And she's one of those where you're like, Okay, well, hey,
you know, I understand you're trying to expand your your talent,
resume or whatever it is. But you know, she's been
married to musicians her entire life, or she's banged every
musician and had a kid with every musician for her
entire life. Now she's getting her her time. I don't know.
(25:57):
I don't think anybody's really downloading much music hers. Every
time I see it's some event that she invites celebrities
to so that they can post about it and maybe
get a little bit of promarazi on her. But you know,
here's a thought, Kate, why don't you just call the Promarazi, and.
Speaker 1 (26:16):
I'm surprised with how irrelevant she is at the moment.
She didn't push the kid out of the way, hold
the flowers up and give you a nice cheesy grin.
Speaker 2 (26:24):
Exactly right. But yeah, when when you're when you're on
your media tour of trying to promote your music on
your Instagram.
Speaker 1 (26:32):
Yeah, I mean, you know, I remember years ago, and
I've mentioned this on the podcast many times, when Paris
Hilton was into her singing. You know, we we've all
followed her to Petco one time, I actually blasted her
single through my car and she came out mouthing and
singing and dancing to it like that. That is how
(26:55):
you fucking deal with it. Yeah, that gives you great provo, Razi. Yeuh,
you know, fucking know, like just put a smile on
and have a little dance.
Speaker 2 (27:05):
Well, and you see a guy like me, you know
that's you know, obviously an old guy. You know, I
got gray hairs peeking out from under my hat. You know,
if she remembers me at all for all those years
that I worked on her, she understands that, oh maybe
I've seen that guy before. He's not a complete savage
yeah right, Yeah.
Speaker 1 (27:24):
You must have been photographing Hudson for like at least
fifteen years.
Speaker 2 (27:27):
Yeah, exactly.
Speaker 1 (27:29):
I remember photographing Fuck it must be close to seventeen
eighteen years ago on Malibu Beach outside of Goldi and
Kerts Place.
Speaker 2 (27:39):
Yeah, you know, so this is what I always say when,
you know, when they don't get to know us, when
they've never gotten to know us. They you know, here
she is yelling at us like it's twenty ten, yelling
at me like it's twenty ten, when I actually didn't
have gray hair, you know, and you know, just get
over it, get over yourself. Yeah, you know, we're evolving here.
Speaker 1 (28:02):
Yeah.
Speaker 2 (28:02):
I also got Seth Rogan and rose byrne On on
a movie set. I mean the working title was NAPA,
but I couldn't tell if it was like their same
show that they were doing, you know last year. I
always like to see them together. They got good chemistry.
You know, Neighbors if you ever saw that. I worked
on that for Neighbors one and Neighbors too. Always wanted
(28:25):
to work on that, but nothing big. It was just
them out of a restaurant actually down the street here
played all right, Oh, I've spotted the set looks like
we need to take a break.
Speaker 1 (28:37):
I've got a little bit of watching watching when when
we get back, I've been oh, do I need to.
Speaker 2 (28:43):
Get into what what's been watching for a couple of
weeks now, So let's do it when we come back
and we're back.
Speaker 1 (28:51):
He do.
Speaker 2 (28:53):
So, continuing from the last half. The last thing I've
really gotten, which everybody is highly anticipating, is Travis Kelce,
the Big YETSI the Big Yetti. I got a tip
from a not so good looking.
Speaker 1 (29:14):
Guy hey.
Speaker 2 (29:18):
Named Jedi Hellou that maybe because we got Travis last
year when he came into LA, that maybe I should
try and get him again. And you know, last time
it was a bit dodgy because you know, we didn't
(29:39):
know what was going to happen. It turned out a
lot easier than we could have. You know, I did.
I basically did everything I did wrong the first time
and still got it wrong. I posted up knowing exactly
where he was going to be, know exactly where the
bus was going to be, you know, exactly what which
bussy was going to get out of, and somehow I
(30:00):
still fucked it up. Wow, call it being rusty, because
I haven't shot in a while and all that, but
it was basically given to me, and I found a
way to fuck it up. I just was I was
in the wrong angle. I had thoughts of maybe he
wasn't going to be on the bus number one. I
(30:21):
don't know why I thought that, And then I did
the biggest of rookie moves, which was I saw Patrick
Mahomes and got starstruck and decided to take five And
as I took those five frames, I saw Travis Kelsey's
feet walking behind him in the back, just walking right
past him. And by the time I got around to
(30:43):
get the angle on him, he was already gone.
Speaker 1 (30:46):
Oh man.
Speaker 2 (30:47):
Luckily there was the next day when they loaded up
the bus, which I waited for and waited for, and
waited for and waited for. I actually had my son
with me on this one doing a little video. He
wanted to see the Chiefs. You know, it's always good
to see some players, yeah, especially Super Bowl winners, right, yeah,
oh yeah, that's what they are, right forgot about.
Speaker 1 (31:10):
That, yeah, back to back.
Speaker 2 (31:13):
But we saw Mahomes one of the first ones out,
you know, didn't fall for that again, let.
Speaker 1 (31:20):
Them go right by.
Speaker 2 (31:21):
But my son yelled at him, and all the fans
that were there to greet them or you know, and
all the fans that don't know that they're staying at
that hotel when they booked that hotel. Yeah, I asked
a bunch of them this time, and we asked them
last time. They don't know. And so to their delight,
these people are just staying at their hotel, which is great.
(31:44):
But then when they stand out to say hello to
these guys when they got on the when they get
on the bus, none of them even flinch.
Speaker 1 (31:51):
No acknowledgment whatsoever.
Speaker 2 (31:53):
It is just all business, headphones in, not listening to shit.
They put their headphones in and it's just straight to
the busy. Mahomes goes by, and an hour later here comes.
Speaker 1 (32:08):
Kelsey last Man on the bus right and on.
Speaker 2 (32:11):
The bus again. And it was funny because there was
a lot of people that were sitting there waiting, and
they had kids with them, and the kids were getting impatient,
and I had conversations about you know, how I've done
this before and stuff like that, and I kept telling him,
I'm like, he's maybe, if not, if not the last,
he will be one of the last, gonna be at
least another hour before he's out. No, no, no, he's coming.
(32:33):
He's coming. Do what you want, but it's gonna be
a while. Those people left. So and then when Travis
came out to my son yelling at him, everybody yelling
at him, not a flinch, not a mote. Yeah, So
I ask you, Jedi, should these guys turn and at
least give a wave and say hello?
Speaker 1 (32:54):
It takes nothing. If you look in a kid, locked
eyes with a kid and wave that kid, we'll talk
about it for the rest of his life or her life.
It's a huge moment. It's a it's a you know,
for a fan of somebody, and to be acknowledged with
a look in a way, it's huge.
Speaker 2 (33:12):
It's really huge. I mean even when because my son
had never seen any real professional players. I mean, he
did take a picture with Tony Gonzalez when he came
to visit one of his friends at his baseball game once,
but he doesn't you don't really know. As they get older,
they understand who these guys are. But when he saw
them coming off the bus, because he was there with
(33:32):
me when they came off the bus, he turned to
me after, you know, when we were on the ride
home and he's like, wow, that's the first time I've
ever seen, you know, real football players before. I was
pretty cool. That was pretty cool. So yeah, and that's
that's without acknowledgment, and a team that he doesn't really
even like. Oh yeah, to turn and just say hello
would mean so much to everybody and just yeah.
Speaker 1 (33:55):
And it takes a second. You know, you don't even know.
You don't even have to break pace, break stride, carry
on walking, wave up. Guys. That's it. It's all it takes.
And you've made multiple kids days. You know, it's stuff
he'll talk about for the rest of their lives. But
to have zero acknowledgment, I kind of understand it. When
walking onto the bus, they're in the zone. But when
(34:18):
you're coming off the bus going into the hotel, there
should be some acknowledgement there. I think, Yeah, I stand
and sign autographs for ten minutes, just wave and say hello.
Speaker 2 (34:28):
Yeah exactly. You don't even need to say hello. You
don't even need to voice anything. You just you just
look and you wave and you acknowledge. You acknowledge the
people that are there. And I mean and even getting
on the bus, I mean, I know what you're saying.
But I do disagree with that as well, because they're there,
and it's not like people are saying fuck you my
homes because they're on the because they're on the rams
or the chargers. It was all we love you.
Speaker 1 (34:51):
Yeah, it's all we love you.
Speaker 2 (34:52):
Yeah, yeah, it's all we love you and stuff. And
all you have to do is just turn and just
waved them, just to wave, just a peace sign, just anything,
you know. It's it's just a total dick maneuver. And
I hate the way sports is gone because of that,
you know. Yeah, and it's like normal, you know, I
put I put a pull up on the Instagram about it,
and it was half and half, you know, just all business.
Oh yeah, it's fine if they if they're cool, because
(35:14):
it's all business and fuck off, you know. But that's
all I got. So I got to bring this one up, Jedi.
Let me try and wrap this up as much as possible.
It's a big mystery. Okay. I was sitting at Jan
Garner's the other day. Yeah, and one of these small
(35:34):
Transit connect vans pulls up in front of our house,
right and it says, like, you know, escorted security product,
an armored car an armored service hm. And they're trying
to like, you know, they're trying to figure out where
to go. They pull up to the gate and they
(35:54):
get denied to drive in, which is kind of weird.
It's like, yeah, I ending whatever. So they pull up
out front. The guy in the passenger seat gets out.
He's got a suit on and white gloves, oh, jewelry.
He goes up to the gate like the walking gate
(36:17):
kind of rings the bell whatever. Then comes back. The
driver gets out. They go to the back. They unload
a big chest, like a you know, like you would
see like a luggage chest, you know, right, Yeah, maybe
twelve inches deep, about three and three feet long and
about two feet wide, you know, two feet four feet wide,
(36:38):
just a big chest. They had to roll it, you know.
Speaker 1 (36:41):
Yeah.
Speaker 2 (36:41):
It was purple. It had those kind of like brass
or you know, silver fixings around the outside. Real nice
chat right, and it had a piece of paper on
it that I couldn't really see, but it had two
logos on it. It had a target logo and a
dog paw.
Speaker 1 (37:00):
Huh.
Speaker 2 (37:01):
They escort this package in and they take it into
the thing, and then the guys come and then they leave.
You know, they get in the car, they're getting the van,
and then they leave. So I was very confused on
what that package was. What do you think that what's
going down here? I mean my first thought was, okay,
Target has some sort of dog products. They're giving her
(37:24):
these dog products in this high end way, you know,
to promote the products, she'll she'll maybe go on Instagram
and promote the products for or something like that. But
full on like armored.
Speaker 1 (37:36):
I don't know, that's that's all? Did you.
Speaker 2 (37:39):
Guy guy with the suit, white gloves like that, like
the guys that carry around the Stanley cup, you know,
same same type of procedure.
Speaker 1 (37:47):
You know, did you shoot it and send it in?
Speaker 2 (37:49):
I did not.
Speaker 1 (37:50):
You always got to send that shit in.
Speaker 2 (37:52):
I didn't. I didn't even shoot it. I couldn't shoot
it because I was looking at binocular I was down
the street with binoculars, and when I decided, oh man,
this is kind of weird because they unloaded the thing
and then they walk around and by the time I
got my stuff out, it was already gone.
Speaker 1 (38:07):
You know, son, what you gotta shoot everything?
Speaker 2 (38:12):
I know.
Speaker 1 (38:13):
I know they could have been fucking criminals.
Speaker 2 (38:16):
They could have rubbed a use use the camera as
the binoculars, right.
Speaker 1 (38:20):
Yeah, I mean I remember when I shot a fucking
we Scoop your Poop van coming out of Bannett ben
Affleck's house and it made like two grand.
Speaker 2 (38:28):
Yeah, exactly exactly that. I thought about that when I
was watching it. So if anybody, any of the listeners
want to out there, want to like, let me know
what they think this was, or if they know what
this was, they've seen other celebrities get these things or something,
But it was just way high end for something that
I have no clue what it could have been. A
body they were just shipping over there, you know, throwing
(38:51):
the throwing the dogs off. Sidney Sweeney's been in the news.
Speaker 1 (38:56):
Oh my girl, what's she done?
Speaker 2 (38:58):
Talking about how oparazzis out in front of her place
and telling her to getting her bikini, trying to make deals.
Do you know about this story?
Speaker 1 (39:10):
I did read it. Yeah, a beach house in Florida?
Speaker 2 (39:13):
Okay, okay, the fortress that she bought.
Speaker 1 (39:16):
Yeah, she's lying.
Speaker 2 (39:18):
Did what did they say? Didn't they say that her
boy or something?
Speaker 1 (39:22):
I expect they said anything. She's just lying to make
this story up for fucking Vogue or whoever it was
she was talking to. Yeah, I think she's lying.
Speaker 2 (39:31):
Because in that case we would be you know, she
comes out, she talks to perhaps if she even does,
I doubt she does anymore. But there was a time
where she could have when you were working on her,
she probably you probably could have given her the speech.
I should have.
Speaker 1 (39:44):
I had the first PAP set of her, I had
the address before anybody.
Speaker 2 (39:47):
Else you did. You worked on her for a little bile,
go back and listen to next big thing.
Speaker 1 (39:52):
Yeah, I think, Yeah, I think Sweeney's lying. There's been
a ton of sets of pics of her out in
that house, on jet skis, on fucking you know, all
sorts of fun kayaks and all that shit. I don't
think she's that's ever happened.
Speaker 2 (40:08):
Well in reality, like I was saying on the on
the Instagram post, if you had a chance to approach
her back then when she was pretty much nobody and
said hey, you know, let's do some setups, take control
of your of your of the of the photographers that
are that could be waiting out in front of here
for you. And then obviously bikini sets are the best
(40:32):
I could see. Okay, Yeah, maybe something like that, but not, Oh,
come out in a bikini, Sydney.
Speaker 1 (40:38):
Yeah, we're not leaving until you come out with you.
Speaker 2 (40:41):
We're not leaving until you come out in a bikini.
Speaker 1 (40:43):
Oh shit, Now that doesn't happen.
Speaker 2 (40:46):
So if if any of the Florida guys that ever
work on her get shots over there, want to let
us know if that conversation ever happened, or you know what,
what kind of pitch you give to people for bikini
sets in Florida like we do over here. Let us know.
Speaker 1 (41:03):
Yeah, I would be absolutely shocked if that really happened.
Speaker 2 (41:06):
Well, and for someone who makes a living taking her
clothes off, yeah, ejectifying herself in her roles every single time.
I mean, you know, every single dude is not going
to see a Sidney Sweeney movie because her acting skills
are insane, right, yeah, right, she doesn't even take she
doesn't even take roles where her acting skills matter.
Speaker 1 (41:30):
No, and saying that her next role is where she
has a threesome with anondo mus right.
Speaker 2 (41:35):
Oh really?
Speaker 1 (41:36):
Yeah?
Speaker 2 (41:37):
Is that it?
Speaker 1 (41:38):
Really? Yeah?
Speaker 2 (41:39):
Oh awesome, two of the biggest in the business right
now doing that. And who's the other of the guy
who is like Glenn Powell.
Speaker 1 (41:48):
Yeah, he'll probably pop up in it.
Speaker 2 (41:51):
That's funny. So I wanted to get into some what
you're watching. Yeah, I wanted to bring one up that
I've been talking about now for a couple of weeks.
We watched Monsters.
Speaker 1 (42:04):
YEP.
Speaker 2 (42:06):
I shot a lot of that. Go back on our Instagram.
You can see the multiple days I was on that
shooting that. A lot of days I was on it
that I didn't even really get to shoot much, but
I saw a lot, got to learn a lot about
the Menendez brothers because of it. But watching the show,
I'm watching an episode. Did you watch the whole show yet?
Speaker 1 (42:26):
Yeah?
Speaker 2 (42:27):
Okay, watching episode five. First of all, when I was
leading up to episode five, I was kind of pissed
off about the show. I thought Ryan Murphy spun it
in a weird way, making him look way more gay
than they were, you know, always touching each other, always like,
you know, talking to each other, weird and you know,
putting that little spin on it because Ryan Murphy does
(42:49):
that kind of thing, you know, and it was kind
of bothering me. And at the same time I heard
that they were kind of upset about how it all
turned out, you know, Yeah, but then I got to
episode five. You know, I got about ten minutes into
that episode, and you look like you're gonna tell me
something I don't want to hear.
Speaker 1 (43:06):
I am great, keep going.
Speaker 2 (43:12):
So I got about ten minutes into the episode, and
I was amazed at what was happening in front of
my eyes, which was an entire episode one er where
this guy was acting the entire time, going through emotions,
describing as a Menendez brother, what his dad was doing
(43:33):
in one camera angle, one shot, one take. I even
applauded at the end of the episode. Now ruin it
for me?
Speaker 1 (43:42):
I hated it.
Speaker 2 (43:43):
Oh oh, I thought you were going to tell me
that there was cuts that I just didn't see.
Speaker 1 (43:48):
I had it sit the episode, really I was.
Speaker 2 (43:51):
I was impossible that you could have hated that episode.
Speaker 1 (43:54):
I was bored. I in fact, that's the only episode
I didn't finish. I go about thirty minutes in and
I couldn't take anymore.
Speaker 2 (44:03):
Well, it was only six more minutes or something, or
like four more minutes I got.
Speaker 1 (44:06):
I got less into it. Then it just it poured
the fucking pants off of me. So I would expect
in cinematic history and gold after what you told.
Speaker 2 (44:15):
Me it was cinematic gold history. So was it my
hype that ruined it? Is that what it was?
Speaker 1 (44:23):
I don't know, it just it just fucking bored meow,
it just bored me. Yeah. Sorry.
Speaker 2 (44:29):
The last the last let's say, five minutes are probably
like the best part of it though, just so you know,
I would say, go back and watch it one more
time and finish it. Let me know again my opinion,
it was insane. I thought, you know, obviously the camera
just zooms in slowly. You don't even know it's zooming
(44:50):
in for the first couple of minutes, but then you
see it, and I think the guy should win whatever
award it is for the best scene of the best,
you know, because the rest of the show was okay,
you know, it was right, I wasn't really super impressed
by it, but that scene was insane.
Speaker 1 (45:07):
So yeah, I enjoyed the show as a whole, though,
like you know, I know the story. You know the
story right, A lot of people. There's been a ton
of Menendoz stuff out there over the years, so it's
always interesting to watch a fresh take on it.
Speaker 2 (45:23):
But it did ruin Milli Vanilli for me, because now
I mean obviously I don't hear it all the time,
but that song I Miss You or I'll Miss You,
yeah up somewhere on my on my music the other day,
and all I could think about was those guys at
the end and riding in the buses to separate prisons
(45:46):
in that play.
Speaker 1 (45:48):
But I mean, they're at the same prison now, they
are now how they've been at the same prison together,
but you know they're both down in San Diego.
Speaker 2 (45:56):
Yeah, so you think they're going to be released?
Speaker 1 (45:59):
I hope not. I mean, like, you know, Kim Kardashian
and other celebrities have gone and seen them, and you
know they're vouching for them and on their release and stuff.
I mean, they fucking blew their parents' heads off with
shotguns close range and it was planned, yeah, you know,
(46:20):
and this this show, I think it questions whether it
actually happened. From seeing this show, I'm like, I don't
believe them, but it fucking that the abuse from the
parents happened. So I mean, who knows, only only they
know when the parents know, and they fucking killed the parents.
Speaker 2 (46:39):
So I mean I've seen some documentaries where other family
members have said it's possible that it could have happened
because of how weirdo the dad was, which leads to
me to believe that maybe there was some Yeah, there
was also a lot of money involved.
Speaker 1 (46:55):
You know, played him really well. I thought I liked
to lacting in that. Did you shoot him on the set?
I don't remember, Okay, I didn't remember, and they.
Speaker 2 (47:05):
Went out on the boat to go shark fishing. I
shot him down in sam Pedro doing that. Those are
the first shots, first shots, and Chloe.
Speaker 1 (47:14):
Oh there you go. Yeah.
Speaker 2 (47:16):
Yeah, But speaking of criminals, yeah, I think it's the
he's the ultimate criminal. At this point, your thoughts did
he did he?
Speaker 1 (47:30):
Did he do it? Did he? I think he did?
Speaker 2 (47:33):
He did it? For sure, he didn't.
Speaker 1 (47:35):
You've been saying for a long time on the podcast
that you know, he's a bad guy, that he had
stuff to do with the two pack and Biggie Smooths
and all this ship.
Speaker 2 (47:43):
Right.
Speaker 1 (47:44):
Yeah.
Speaker 2 (47:44):
I mean, I think we started talking about him because
I shot him in Beverly Hills and he was just
a little bitch about it, and it got on the
you know, we got on the subject of it, and
we just keep talking about I mean, I've always had
my thoughts of him being behind Biggie and Tupac's murders,
because if you watch any murder show or you know,
(48:06):
any any crime drama or anything like that, they always say,
look to the person that that you know.
Speaker 1 (48:13):
Stands benefited the most the.
Speaker 2 (48:16):
Most out of these deaths, and him and jay Z
were the biggest beneficiaries after their deaths. Right.
Speaker 1 (48:24):
I mean, I hope everything does come out about Diddy
and you know, the tapes and whatever he's he's gotten,
you know, all the other A list names that are
supposedly involved, because I think there's a there's a ship
on it and it will open a few eyes.
Speaker 2 (48:41):
I think so too. I think everybody's going down, I
hope so. I think everybody's going I think jay Z's
going down. I think Beyonce might be in there somewhere
with that, you know, kind of off to the side,
j Low. I think a lot of people are going down, because.
Speaker 1 (48:56):
That's why why Ben Affleck got out of their relationship.
Speaker 2 (48:59):
Right, Yeah, heard it was coming, They knew he was coming.
Speaker 1 (49:03):
Well.
Speaker 2 (49:03):
I mean, Eminem released an album just a couple of
days before right where his two like singles on it
were talking shit about Diddy and stuff. Right, Well, who's
Eminem friends with, he's a friends with fifty cent, and
he's friends with doctor Dre. Y Cent has been working
on a documentary on Diddy for ten years because he
(49:26):
knew what was going on, and he knew this day
was going to come.
Speaker 1 (49:29):
He's coming to Netflix, right yeah.
Speaker 2 (49:31):
And Dre was probably being investigated because of this investigation.
So Dre getting called by investigators saying, you know, you
know you went to one of these parties or something
like that, or were you a part of this in
somewhere or another got winned. They organized a few songs
to lay out ahead of time. These guys are not dumb,
(49:53):
h but did he needs to go down? For sure?
I mean, you know, I always think about what because
the music industry, especially the hip hop industry, is the
worst right now, Yeah, the worst. And I often think
if Biggie and Tupac never died and this guy never
rose up, if we would have this shit hip hop
right now, shitho shit off. I think I think Diddy
(50:18):
was was the downfall to all hip hop. Even though
everybody loved his music and all that stuff, I hated
it all and I think he was the tip of
the iceberg of the downfall of good hip hop and
good rap music and stuff like that. And just the
video alone of him in that hotel room, that's enough.
Speaker 1 (50:37):
Oh of him being the shat of Cassidy.
Speaker 2 (50:39):
That's enough, right. I mean that's a crime in itself
right there. You know he can't get out of that one.
Speaker 1 (50:45):
Yeah, it's bad.
Speaker 2 (50:46):
He pleads not guilty to all this other stuff, but
you can't get out of that one, right there. So
that's got to at least put you in jail for
a few years, right.
Speaker 1 (50:53):
I hope. So what else you've been watching? I've got
some more watch you're watching?
Speaker 2 (50:57):
Oh, yeah, what you're watching?
Speaker 1 (50:58):
You must have seen this and it's something I didn't
want to like as well. You must have seen Nobody
wants this.
Speaker 2 (51:05):
I haven't seen it yet because I hate Christin Bell
and I'm always gonna.
Speaker 1 (51:10):
I fucking hate Kristen Bell, but it's drawing me, like
I'm gonna watch it. I've had so many run ins
with her, and she is a fucking horrible person. She's
a really nasty person.
Speaker 2 (51:26):
Hit the color on set.
Speaker 1 (51:28):
But I fucking loved the show. Really, it's so good.
The show is not a movie, it's a it's a
show and it's just been renewed for season two. Oh wow, Okay,
it is so fucking good. Really, Adam Brodie is so
likable and so lovable in this show. And I've always
(51:50):
liked Adam. I'm sure you've dealt with him many times
on on the OC and all that kind of stuff,
and I've had run ins with him as well, and
he's always been a great bloke. He plays he plays
a rabbi in the show, and Kristen Bell plays a
podcast host. H so, and.
Speaker 2 (52:08):
That's a successful one, right, unlike us.
Speaker 1 (52:10):
Yeah, exactly, And and they meet and fall in love
and it's a it's it's just a great fucking story.
It's if it was anybody else than Kristen Bell, it
would be like one of my favorite shows. But she
does bring it down a bit, but it's fucking brilliant.
It's like the It's probably the best thing I've watched
this year.
Speaker 2 (52:30):
Wow. Se So, just like my episode five, I'm gonna
watch this and I'm just gonna have to hate it
right after bat right.
Speaker 1 (52:38):
Yeah, but I don't. It's usually I hate everything with
people that I hate in like, I don't usually watch it.
But my wife was watching it, and you know, she
was a few minutes into the first episode. I was
scrolling on my phone, like not trying to watch, but
I got dragged into it and I really fucking enjoyed it.
Speaker 2 (53:00):
Really end from the first episode.
Speaker 1 (53:02):
Uh yeah, I binged it in like two days.
Speaker 2 (53:05):
How many episodes are there?
Speaker 1 (53:08):
I think maybe ten? And they're only twenty five thirty
minutes long, ifat maybe twenty two minutes. It's really short,
really really easy to watch. Where is it filmed in
Los Feelers in La?
Speaker 2 (53:22):
It's filmed in La.
Speaker 1 (53:23):
Yeah, oh yeah, tons of stuff in Los Feelers. Yeah, wow,
which is right where, right near Kristen Bells where she lives.
She probably walked to work. But yeah, I didn't want
to like it, and I loved it.
Speaker 2 (53:39):
Wow. Okay, well I'm going to be watching that tonight then.
Speaker 1 (53:43):
Yeah, and I've just also binged the fuck out of Industry.
Have you watched the Industry on HBO?
Speaker 2 (53:50):
I haven't even heard. Oh we don't have Max?
Speaker 1 (53:52):
Oh okay, yeah, it's on HBO. It's it's about it's
about you know, people at a top investment bank in London.
Bye bye bye, cell Celles, cell all that kind of
stuff and I've almost finished the second season after watching
it for like three d three days.
Speaker 2 (54:07):
You don't have many shows like that, right about that?
Like the Stock Exchange in London?
Speaker 1 (54:13):
Right, No, I don't think there's anything like it.
Speaker 2 (54:15):
Yeah, that's kind of cool, original idea.
Speaker 1 (54:18):
It's fun, it's you know what it is, it's euphoria
when they've grown up a little bit and got jobs.
Speaker 2 (54:25):
Euphoria season six exactly, That's.
Speaker 1 (54:28):
Exactly what it is. It's drugs and sex in a
bank in London.
Speaker 2 (54:33):
Wow. And they're just making a million, so they just
do whatever they want.
Speaker 1 (54:36):
Yeah, but it's it's enjoyable, it's fun.
Speaker 2 (54:40):
Is there anybody in that that anybody should know about?
Speaker 1 (54:43):
It's all no names to me.
Speaker 2 (54:45):
That's good.
Speaker 1 (54:45):
I like that then, so, yeah, you won't be able
to watch that then, I guess, Yeah, a few of
you who are listening I do. If you have Max
go and watch Industry, And I think for the Brits
out there, I think it's a BBC show. I think
you get it on iPlayer.
Speaker 2 (55:02):
All right, Well, I guess we'll wrap this one up.
Speaker 1 (55:05):
Another one in the books.
Speaker 2 (55:08):
We do appreciate everybody listening sharing.
Speaker 1 (55:11):
You know what. I actually had a couple of people
reach out in the last week ten days or so
asking where they can find the podcast because they've been
looking for it and there's been nothing new. I'm like,
I'm sorry. You know, we're going to try and put
more out there, but it's tough when I'm not on
jobs all the time, and there's not much going on
(55:31):
in La either.
Speaker 2 (55:33):
Yeah, and let us know people if you want us
to go back on camera. Oh yeah, yeah, we promise
we'll go shirtless every single episode for all the people
that want.
Speaker 1 (55:43):
To see that, so that'll only be Nate watching.
Speaker 2 (55:45):
Yeah all right, Well for me, for Jedi, we apologize
everybody we've offended on this episode.
Speaker 1 (55:54):
We'll see you next time.
Speaker 2 (55:55):
Take care of me.
Speaker 1 (55:56):
Well, you hosed her.
Speaker 2 (55:57):
You look like you're going to tell me something I
don't want to hear.
Speaker 1 (55:59):
Oh yeah, I
Welcome everybody to the Paparazzi Podcast. I am Jedi, he
is Mark, and we're back with another another one of these,
another one of these. What's going on mate? How are you? Oh?
A crack that nobody can hear? Looks like a nice
medello there. I just had a Guinness down at the
(00:22):
hotel bar, absolutely delicious. I haven't had a Guinness in
such a long time and I was really craving one.
I've seen a bunch of videos on Instagram of people
splitting the G with the Guinness. I guess that's the
thing you've got to do now. Well, the glass has
guinness on, obviously, you try and the first sip you
(00:43):
try and get it to split the G right in
the middle. So I was excited to try that, but
they just gave me a plain pint glass.
Speaker 2 (00:52):
Okay, we'll have to try that. It's the the PPC
Paparazzi Podcast Challenge, the PPC Guinness g Challenge. Everybody get
out there and do it. Sen its your videos.
Speaker 1 (01:02):
The PPC split the G like it? There you go. Yeah,
beautiful guinness, mate, beautiful Guinness and a lovely steak dinner
as well, which I feel like I deserved today, I
forget I loved it.
Speaker 2 (01:17):
That means you got pictures.
Speaker 1 (01:18):
It, does I know you've seen the front page of
the New York Post today because you posted it on
our Instagram. Yes, I had the cover story on the
front page of the New York Post today, Saturday, October
the twelfth.
Speaker 2 (01:31):
That's amazing.
Speaker 1 (01:33):
Yeah, very happy with that. I actually shot it on Thursday.
Speaker 2 (01:36):
Did they give us a byline?
Speaker 1 (01:39):
I don't even think they gave me one. They gave
me one on the website. So yeah, it. It came
up top of the Post website yesterday afternoon, and then
I was thrilled to see it on the front page
this morning.
Speaker 2 (01:52):
Well, let's get into it.
Speaker 1 (01:54):
Always nice to get a splash.
Speaker 2 (01:56):
Yeah.
Speaker 1 (01:56):
So I'm in Washington, d C. At the moment, still
on the job. I was flown in the short flight
from Buffalo to try and photograph the United States Secretary
of Homeland Security, Alejandro may Orcus. Oh yeah, okay, yeah,
(02:20):
I'd never heard I'd never heard of him until I
was given this assignment. I can't say I'm not into politics.
I am, but I don't know everybody on every desk
in the White House. I've heard the name yeah, So
I flew into DC. Remember I did the Secretary of
the State like a couple of months ago. Good pictures, Yeah,
(02:42):
good pictures. Now that story. So the New York Post
flew me out to try and get another another one
of these people. So I landed. I think I got
in about one o'clock Thursday afternoon and got to the
doorstep a couple of Secret Service cars their security detail there.
So you know, I taxed the office. Hey, boots on
(03:03):
the ground, A couple of service here, and then I
got a text back from them an hour later. He's
just popped up on TV in North Carolina. He's there
talking about the impact of Hurricane Helene. You know, he
was dealing with that before Milton came in earlier in
(03:23):
the week. So, yeah, he's in Carolina hopefully, you know,
he'll come back later on this afternoon. You know, just
do what you can see where you can get YadA, YadA, YadA.
So he spent six hours in North Carolina dealing with
everything there, and then he flew back and he arrived
back at his house around four point fifteen on that
(03:44):
Thursday afternoon, and he wasn't home for longer than an
hour before the two cars, two service cars left, So
I get on like a nice discrete follow and they
pull over at Noboo, not too far away from his house.
So go all the way around the block, find a
nice position across the street. Change all my settings to
(04:06):
night settings or dark settings, because I imagine he's going
to be in there for you know, a couple of hours.
He's come to Nobu. You don't just go and spend
ten minutes in Nobu, Yeah, for hours. Well, he spent
ten minutes in fucking Nobu, unless you're Edwin Castro exactly. Well,
he came out with pick with with takeout. He picked
(04:27):
up takeout, So my stings were completely fucking wrong. And
I was across three lanes of traffic as well, and
as as I see him about to come out, NonStop
fucking traffic, I literally rattled off three side on frames.
Not my greatest work, but what can you do? What
(04:49):
can you do? But the office was so happy, super happy.
You know, he's there talking to Helene or whatever, and
then he's you know, fuck that shit, get on my
private jet straight back to DC and get my thousand
dollars fucking sushi takeout As a big fuck you to.
Speaker 2 (05:05):
Everybody, including the victims.
Speaker 1 (05:08):
Yeah, yeah, so they loved they loved that angle on
the story, and we're very very happy with it.
Speaker 2 (05:14):
Yeah, that's nice.
Speaker 1 (05:16):
See I got that yesterday. I got that Thursday. Yesterday
he was at the White House, so obviously not going
to get pictures there, and then he didn't go out Thursday,
he didn't go out yesterday evening, and in this morning
he went to the bank. So I got photos of
him at the bank. Nothing too exciting. Again, I was discreet,
(05:38):
but unfortunately, somebody else was on the follow this morning,
and I don't know who it was, what, who they
worked for or anything. It wasn't a photographer because he
didn't jump out, but he was following, ran a red
light and just made it obvious that, you know, somebody
was tailing him. So unfortunately, you know, it was busted.
(06:01):
Even though the cover story around this morning, I still
don't think that they knew I was around. But once
we got back to the house, I had Secret Service
pull flash the lights, pull right up to me, give
me the full interrogation. Can we check the car. We
need to check all of your equipment, check all your bags.
They lifted up the open the trunk, lifted up the back,
(06:23):
checked the tire, checked in and everything, ask me if
I had any guns, asked me this, that and the
other thing, took a picture of me.
Speaker 2 (06:31):
Oh.
Speaker 1 (06:31):
Nice had the full fucking interrogation, mate, and fully on
the grid, fully on the grid and nice. I obviously
asked both Secret Service members if they had any pins
that they could give me, which both of them said
they didn't have any at the moment. And then I
said to the Secret Service guy, I said, so are
they going out again this afternoon? Did he did he
(06:53):
tell you what the deal is? He goes, We're not
going to tell you that, sonny. And then literally twenty
minutes after they left me, I see other Service members
getting into the subs getting ready for him to come out.
So I'm perfect. I'm positioned for the follow not expecting
any shenanigans. And as the cars come out and one
(07:15):
of the Secret Service vehicle comes from nowhere push slashes
on blocks the street. So I see the car go
down and take a left at the end of the street,
so I take another side street go down, only to
be met by another Secret Service vehicle at the bottom
blocking that street.
Speaker 2 (07:32):
Fucking you.
Speaker 1 (07:34):
Yeah. And then as I'm on the follow, I'm so
far behind the follow. After they eventually let me out,
and then there's another car that comes from nowhere and
is literally in front of me, and as I'm changing lanes,
he switches lanes and I changed lanes again, switches lanes,
just blocks me. Completely, absolute nightmare.
Speaker 2 (07:52):
You need to get your dash cam.
Speaker 1 (07:53):
And so I went back to the house to you
know see, First of all, I went searching around to
see if I could find him, couldn't find him anywhere.
I was out for like thirty forty minutes, got back
to the house and he was back already. So that
was a fucking nightmare. And then a couple of hours
ago from now same thing happened again. Came out, they
(08:14):
played the double block, the triple block, the just fuck you,
basically wow. So he obviously saw the front page of
the Post this morning and was not happy and did
not want any more action for me today. It's crazy
like I photographed the last three presidents Trump, Biden, and Obama,
(08:40):
and none of their secret service have given me as
much grief on a follow. Well, they've all let me
follow for a start, but you know, the secretary of
whatever he is Homeland Security thinks he's you know, he's
too big for his boots right there, you know, pulling
all the cards.
Speaker 2 (08:59):
That's amazing. I bet you a lot of celebrities whish
they had that kind of detail, right.
Speaker 1 (09:03):
It's fun though, Like I do love these jobs. It's
great when you get a really good spread. It's so satisfying.
It doesn't happen much for me these days. You know.
It's you know, most of the stories I'm on they're fun,
but they're not you know, you're not dealing with secret
service every day. So it was a nice bit of
cat and mouse fun this afternoon.
Speaker 2 (09:25):
But you know, and it's always fun to nail the
pictures like ahead of time and then give you all
the problems and then you know, but you already nailed
the pictures. It's just like if anything you did get
it'd be it'd be a bonus anyway. But it's so
all the effort for nothing, really.
Speaker 1 (09:41):
Oh exactly, like exactly the first set I got, it
was like the easy like it was a very easy
set to go, you know, I didn't really have to
work for it, and then all the work came in
afterwards for nothing.
Speaker 2 (09:55):
So I wonder how the conversation went with this guy
and his detail, you know, is it just does he
come in and go, you know, dramatically slams the New
York Post down on the counter and goes, what is this? Guys?
What is this? This is happening again? I want everybody
on this detail right here. I know who that guy is.
(10:16):
Show me his picture, and then they show your picture
right there. You're smiling. You just you know, I want
that guy in anywhere near me exactly. That's hilarious.
Speaker 1 (10:27):
Yeah, well I get you know, I don't think this
guy gets photographed much at all. We kind of got
in by I did the old Jedi sneak attack.
Speaker 2 (10:36):
Yeah.
Speaker 1 (10:37):
So yeah, that's my my Shenanigans for the last couple
of days. So it was fun, man, real fun. Really enjoyed,
really enjoyed this assignment.
Speaker 2 (10:47):
Yeah, sounds like it.
Speaker 1 (10:49):
And then I've got a nice comfy bed next to
me that I'll be sleeping in tonight and then back
to Buffalo in the morning. You get bills at home,
bills at Jets Monday night football. Okay, yeah, it's pretty
much it must win. What have you been up to?
I've got more stuff to talk about, but we can
get to that later.
Speaker 2 (11:07):
Well why doce you just get to it now?
Speaker 1 (11:11):
First of all, i'd say rest in peace to friend
of the show, Frank Fritz, American Pickers star. If you've
not listened to our podcast Knock Knock Nothing, you should
go back and listen to that one. It's it's probably
two and a half years old, right, It's probably it's
way back. It's an old one. It's an oldie, but
(11:32):
a goodie.
Speaker 2 (11:34):
That would be two and a half years back.
Speaker 1 (11:36):
But yeah, I think it is. Yeah, knock Nothing. It's
when I spent nine days in Leclaire, Iowa knocking on
Frankfurtz's door until he answered, and it did take nine days.
But yeah, Frank Fritz passed away last week at the
age of sixty I think, and I think he would
(11:56):
have turned sixty one a couple of days ago. So
I went over to Leclaire, Iowa, his hometown, and tried
to photograph his American Pickers co star Mike Wolfe, who
was in town. He arrived in town I think just
(12:17):
before Frank passed to say his final goodbyes and all
that kind of stuff. So I was successful. I got
I got the first pictures of Mike Wolfe since Frank passed.
I also went and got Robbie Wolf, Mike's brother, who
is also Mike's new co star on the show since
Frank left. I always enjoy going to Leclaire, Iowa and
(12:42):
doing pickers stuff. I think this is maybe the fourth
or fifth time that I've gone there. Always enjoyed the town.
It's actually the birthplace of William Cody, who was Buffalo Bill.
I also talk about that in Not Not Nothing You Do.
Speaker 2 (12:59):
Yeah.
Speaker 1 (12:59):
Yeah, it's a small little town on the Mississippi and
just cornfields everywhere. It's a you know, a cute, little,
cute little town.
Speaker 2 (13:09):
No hassles, nice and easy.
Speaker 1 (13:11):
Well it was nice and easy until until my pictures
were published, and then so we we. I was with
a reporter for this one, and the son do a
new thing I think they call it son scoops where
they have a reporters do pieces to camera. So we
(13:33):
had our reporter do a piece to camera outside of
Mike Wolf's store talking about the pictures that we got
of Mike and his brother.
Speaker 2 (13:43):
Sorry, so that that the piece to count I haven't
seen it yet. Is that kind of just like a
like a newscaster type of thing.
Speaker 1 (13:49):
Yeah, it's kind of like a news chatter of thing.
So I was with a reporter and she does a
piece to camera, like a one minute ninety second piece
to camera where she she details aspects of the story
and talks about the pictures we've got and all that
kind of stuff. So we got that on day one,
and then day two it went up, and then day
two we also were working back on Mike Wolf again,
(14:13):
so wet I got a set of pictures of him
in the morning, and then the afternoon comes around and
he comes out of the house, looks up to where
the pictures were taken yesterday because he's obviously seen the
video up on the Sun website, and just comes like
he didn't come roaring up to us. I was actually
(14:33):
out of the car at the time, talking to a
Splash photographer that arrived earlier earlier that day, so we
were just chatting and Mike Wolf comes up to us
like fifty yards away and was like, Ah, the fucking
A teamer here, I see the fucking A team are
in town. Yeah, And he was just like effing and
(14:55):
blinding and he was not happy, and I morning, sir, sorry,
you know, sorry for your loss. And he's like, you motherfuckers.
He was. He was not a happy guy. And I've
photographed him a bunch of times in Iowa, in Illinois
(15:17):
and in Tennessee as well, and he's never seen me before. Wow,
So this is the first time that he's seen me.
And it was again because you know, the pictures were
released early, but we had to get them out, you know,
we have to get the first set out there. It
was when there was the most interest.
Speaker 2 (15:34):
I always laugh when reality stars get mad about their
pictures being taken in reality.
Speaker 1 (15:40):
Yeah, I mean, and he like he knows like the
Sun do numerous stories on pickers, Like they'll do two
three pickers stories a week, and like you know, in
times gone by, I've spent you know, four or five
days in Nashville getting two to three sets of him
a day, and then the Sun will least the whole
(16:00):
set like over a month. So like he knows that
he's worked, Like there's there's tons of sets out there.
So for him to be kind of pissed or surprised
that people were there trying to cover him after you know,
the death of a coast, that's when he's like most
in the in the spotlight, right, it's when the heat
is most on him. Yeah, so it's Promarati, you know exactly.
(16:24):
And you know, the numbers for the show go up
and down, but I'm sure they always go up after,
like you know, stories like this.
Speaker 2 (16:33):
Happen even though, especially the old reruns.
Speaker 1 (16:38):
Yeah, exactly. So that was fun as well. You know,
I've been fortunate enough where I've actually been quite busy lately.
The jobs have kind of backed into each other nicely,
and it's all kind of it's all working again at
the moment to get I've had another little thing as well.
This one's a court case, so it's nothing too exciting.
(17:03):
I've been granted court access the last couple of hearings
for a Wisconsin it's in Wisconsin, actually, but it's it's
for a Minneapolis, Minnesota, a teacher who was having inappropriate
(17:23):
relations with a fifth grade student, a woman called Madison Bergmann.
So I photographed her in court last week, arriving to court,
leaving court, and in the courtroom where it came out
that her in this eleven year old student, had exchanged
over thirty three thousand text messages during their relationship, and
(17:52):
it was quite grim. Actually, they went into graphic detail
of the texts that were and I'm not going to
get into that kind of detail today. Our listeners want
to hear about that kind of stuff. There were no
it was just kissing that actually happened, but the things
that were spoken about in the text message is were
(18:15):
you know, you don't want any eleven year old kind
of reading that kind of stuff. Yeah, so that she's
going to be pleading, putting her plea in the beginning
of next month, so I'll imagine I'll be out there
again for that and hopefully i'll be covering the whole case.
How old is she again, she's in her early thirties,
(18:38):
I can't or maybe she's twenty six, she's in she's
in the twenties to thirties region. Anyway, And I photographed
the court twice. First time I was kind of on
the side behind, so getting you know, backside shots, and
this time there was actually a TV camera in the
court room as well, and they were with like a
(19:00):
front end view. So I had to ask the judge
real quickly before it started if I could hop over
into the jury pool pit to get the best view
with the news camera, which he obliged to which was nice.
So it was good pictures, you know, reset with there
were resales in there. Because of a you know, the
(19:22):
shit number of text messages, the story kind of blew
up again, so that was not a fun one to cover.
But you know, picture wise, it was you know, this
this teacher crying and all that kind of stuff. But
she's facing I think one hundred and forty five years.
There's ten felony counts.
Speaker 2 (19:44):
Wow. Yeah, ten felony counts because of mostly text messaging. Yeah.
Speaker 1 (19:51):
Wow. And I mean I think, I mean there's multiple
felonies just for you know, I mean, kissing is inappropriate.
Fucking affair with a very very minor kid, yeah, disgusting.
Speaker 2 (20:10):
Wow.
Speaker 1 (20:10):
And she had like a fiance at the time as well,
like living with this this poor guy and yet carrying
on with a with a fucking child. Yeah.
Speaker 2 (20:21):
Yeah. They seem to be getting sicker and sicker these
days with all the ditty action going on.
Speaker 1 (20:26):
And you know, yeah, we've got to get into a
bit of diddy as well. I think, right, we've not
really spoken about it too much.
Speaker 2 (20:34):
No, I don't think we spoke about it at all really,
just over the phone maybe, But we'll get that in
the second half for sure. Yeah.
Speaker 1 (20:41):
Well that's that's pretty much it with me. If I've
been on anything else, I've not got any more pictures.
So that's my Jedi round up, all right.
Speaker 2 (20:51):
Well I don't really have a round up. I did
have an old school kind of running the other day
which kind of brought me back to the old days, okay,
which was I ended up hanging out at the Farmer's
Market up in Pacific Palisades on a Sunday.
Speaker 1 (21:11):
Not a bad spot to be hanging out.
Speaker 2 (21:13):
At, yeah, and just hoping to see anybody. I ended
up seeing Jennifer love Hewett, but I couldn't get her.
So I saw Kate Hudson's husband new husband or partner
okay something or other, and I saw him pulling in
in his car, just by himself. So I didn't really
(21:33):
go after it or anything. I just I was parked
in a place where I could watch kind of down
the whole corridor of the Farmer's Market and it's kind
of gotten a little crazy there've they've expanded it to
two sides of sunset. But just sitting there watching I
saw him pull in and just thought, okay, maybe Kate
might be around, So just keeping one him. Twenty minutes later,
I see him walking down with the daughter, just kind
(21:56):
of walking down through the middle, and I saw Kate
just kind of hanging out by one of the little
flower stands and they were buying.
Speaker 1 (22:01):
Flowers an frame.
Speaker 2 (22:04):
Always a nice frame, flowers in hand. You know, I
don't want to get the kid in the frame. I
couldn't get an angle on her, you know, just from
my car, so I had to get out on foot.
And farmers markets are really busy. They're tough to get angles.
(22:24):
Every time you think you got an angle, they turn
around and they walk a different way and stuff. You're
trying to be discrete. But it got to one of
those times where she started walking back, you know, towards
the middle of the farmer's market, and I just had
to jump.
Speaker 1 (22:39):
Out and just you hosed her.
Speaker 2 (22:42):
I hosed her, and you know, people cross in front
of you. You're trying, you have to you have to
shuffle to the left six inches, you have to shovel
to the right two feet, and it becomes a little
bit of a scene. Yeah, you know, you're trying to
be discreete but it becomes a little bit of a scene.
And I don't want her to see me, you know,
so she gets to like, you know, seventy five, you know,
(23:06):
one hundred mil leg and I'm just blasting or just
hosing her. The daughter will not move from right in
front of her in the crane. I couldn't get any
frames of her just by herself walking with the flowers.
The daughter is in there. She's looking down at the
daughter half the time too. And then right at the end,
right when I'm taking my last three frames, she looks
up and she sees me right there, and she gives
(23:28):
me one of those extremely loud you know, we're right
next to each other. All she needs to do is
kind of just say something to me, but really loud,
stop shooting my daughter.
Speaker 1 (23:40):
Oh fuck off, Kate.
Speaker 2 (23:42):
That's exactly what I did. I turned my head just like,
oh my god, are we living back in two thousand
and nine? You know?
Speaker 1 (23:48):
Is this two thou knows that's not what you're after.
She knows that's not what you're doing. She's trying to
make a scene as well.
Speaker 2 (23:55):
She's making a scene at this point, you know, and
the daughter hadn't even seen me yet. But when she
yelled like that, obviously the daughter looks up and sees me,
and there was a part of me that wanted to
just turn around and go, hey, you know better than that,
I'm not trying to shoot your like in front of everybody,
to be extra allowed as well, just to defend myself,
go you know better than anybody did, I'm not trying
(24:16):
to shoot your daughter. Okay, I was trying to get
you without your daughter. Stop saying it. But I didn't
got some frames. Couldn't get the daughter out of the frames.
It was just impossible, you know, the crops everything, couldn't
do anything about it. Yeah, I don't think the pictures
made me money, but it was just kind of it
was just kind of fun to be told not to
(24:37):
shoot kids anymore, you know, because I remember getting told
that when I hadn't even had kids yet, you know.
Speaker 1 (24:43):
Yeah.
Speaker 2 (24:44):
Wow.
Speaker 1 (24:45):
Yeah. And for people that don't know why, we don't
want the kids in a frame, A lot of places
do not publish pictures if that they're with their children anyway,
So like, the last thing we want to do is
photograph the fucking kids.
Speaker 2 (25:01):
Yeah, yeah, exactly.
Speaker 1 (25:02):
My money if as kids in the picture.
Speaker 2 (25:04):
Exactly or significantly less money, you know, there will be
maybe something that might take it somewhere, but usually not. Yeah,
people like Kate Hudson are one of those people that
have made it clear amongst all the outlets that they
do not take pictures of her kid. You know. So
it's it's just to uh, it's just to embarrass me
when she does something like that. It is what it is.
Speaker 1 (25:27):
I mean, Kay Hudson's a singer these days as well, right,
she doesn't she's like done with movies. She sings in
like coffee houses.
Speaker 2 (25:34):
Yeah, exactly. And she's one of those where you're like, Okay, well, hey,
you know, I understand you're trying to expand your your talent,
resume or whatever it is. But you know, she's been
married to musicians her entire life, or she's banged every
musician and had a kid with every musician for her
entire life. Now she's getting her her time. I don't know.
(25:57):
I don't think anybody's really downloading much music hers. Every
time I see it's some event that she invites celebrities
to so that they can post about it and maybe
get a little bit of promarazi on her. But you know,
here's a thought, Kate, why don't you just call the Promarazi, and.
Speaker 1 (26:16):
I'm surprised with how irrelevant she is at the moment.
She didn't push the kid out of the way, hold
the flowers up and give you a nice cheesy grin.
Speaker 2 (26:24):
Exactly right. But yeah, when when you're when you're on
your media tour of trying to promote your music on
your Instagram.
Speaker 1 (26:32):
Yeah, I mean, you know, I remember years ago, and
I've mentioned this on the podcast many times, when Paris
Hilton was into her singing. You know, we we've all
followed her to Petco one time, I actually blasted her
single through my car and she came out mouthing and
singing and dancing to it like that. That is how
(26:55):
you fucking deal with it. Yeah, that gives you great provo, Razi. Yeuh,
you know, fucking know, like just put a smile on
and have a little dance.
Speaker 2 (27:05):
Well, and you see a guy like me, you know
that's you know, obviously an old guy. You know, I
got gray hairs peeking out from under my hat. You know,
if she remembers me at all for all those years
that I worked on her, she understands that, oh maybe
I've seen that guy before. He's not a complete savage
yeah right, Yeah.
Speaker 1 (27:24):
You must have been photographing Hudson for like at least
fifteen years.
Speaker 2 (27:27):
Yeah, exactly.
Speaker 1 (27:29):
I remember photographing Fuck it must be close to seventeen
eighteen years ago on Malibu Beach outside of Goldi and
Kerts Place.
Speaker 2 (27:39):
Yeah, you know, so this is what I always say when,
you know, when they don't get to know us, when
they've never gotten to know us. They you know, here
she is yelling at us like it's twenty ten, yelling
at me like it's twenty ten, when I actually didn't
have gray hair, you know, and you know, just get
over it, get over yourself. Yeah, you know, we're evolving here.
Speaker 1 (28:02):
Yeah.
Speaker 2 (28:02):
I also got Seth Rogan and rose byrne On on
a movie set. I mean the working title was NAPA,
but I couldn't tell if it was like their same
show that they were doing, you know last year. I
always like to see them together. They got good chemistry.
You know, Neighbors if you ever saw that. I worked
on that for Neighbors one and Neighbors too. Always wanted
(28:25):
to work on that, but nothing big. It was just
them out of a restaurant actually down the street here
played all right, Oh, I've spotted the set looks like
we need to take a break.
Speaker 1 (28:37):
I've got a little bit of watching watching when when
we get back, I've been oh, do I need to.
Speaker 2 (28:43):
Get into what what's been watching for a couple of
weeks now, So let's do it when we come back
and we're back.
Speaker 1 (28:51):
He do.
Speaker 2 (28:53):
So, continuing from the last half. The last thing I've
really gotten, which everybody is highly anticipating, is Travis Kelce,
the Big YETSI the Big Yetti. I got a tip
from a not so good looking.
Speaker 1 (29:14):
Guy hey.
Speaker 2 (29:18):
Named Jedi Hellou that maybe because we got Travis last
year when he came into LA, that maybe I should
try and get him again. And you know, last time
it was a bit dodgy because you know, we didn't
(29:39):
know what was going to happen. It turned out a
lot easier than we could have. You know, I did.
I basically did everything I did wrong the first time
and still got it wrong. I posted up knowing exactly
where he was going to be, know exactly where the
bus was going to be, you know, exactly what which
bussy was going to get out of, and somehow I
(30:00):
still fucked it up. Wow, call it being rusty, because
I haven't shot in a while and all that, but
it was basically given to me, and I found a
way to fuck it up. I just was I was
in the wrong angle. I had thoughts of maybe he
wasn't going to be on the bus number one. I
(30:21):
don't know why I thought that, And then I did
the biggest of rookie moves, which was I saw Patrick
Mahomes and got starstruck and decided to take five And
as I took those five frames, I saw Travis Kelsey's
feet walking behind him in the back, just walking right
past him. And by the time I got around to
(30:43):
get the angle on him, he was already gone.
Speaker 1 (30:46):
Oh man.
Speaker 2 (30:47):
Luckily there was the next day when they loaded up
the bus, which I waited for and waited for, and
waited for and waited for. I actually had my son
with me on this one doing a little video. He
wanted to see the Chiefs. You know, it's always good
to see some players, yeah, especially Super Bowl winners, right, yeah,
oh yeah, that's what they are, right forgot about.
Speaker 1 (31:10):
That, yeah, back to back.
Speaker 2 (31:13):
But we saw Mahomes one of the first ones out,
you know, didn't fall for that again, let.
Speaker 1 (31:20):
Them go right by.
Speaker 2 (31:21):
But my son yelled at him, and all the fans
that were there to greet them or you know, and
all the fans that don't know that they're staying at
that hotel when they booked that hotel. Yeah, I asked
a bunch of them this time, and we asked them
last time. They don't know. And so to their delight,
these people are just staying at their hotel, which is great.
(31:44):
But then when they stand out to say hello to
these guys when they got on the when they get
on the bus, none of them even flinch.
Speaker 1 (31:51):
No acknowledgment whatsoever.
Speaker 2 (31:53):
It is just all business, headphones in, not listening to shit.
They put their headphones in and it's just straight to
the busy. Mahomes goes by, and an hour later here comes.
Speaker 1 (32:08):
Kelsey last Man on the bus right and on.
Speaker 2 (32:11):
The bus again. And it was funny because there was
a lot of people that were sitting there waiting, and
they had kids with them, and the kids were getting impatient,
and I had conversations about you know, how I've done
this before and stuff like that, and I kept telling him,
I'm like, he's maybe, if not, if not the last,
he will be one of the last, gonna be at
least another hour before he's out. No, no, no, he's coming.
(32:33):
He's coming. Do what you want, but it's gonna be
a while. Those people left. So and then when Travis
came out to my son yelling at him, everybody yelling
at him, not a flinch, not a mote. Yeah, So
I ask you, Jedi, should these guys turn and at
least give a wave and say hello?
Speaker 1 (32:54):
It takes nothing. If you look in a kid, locked
eyes with a kid and wave that kid, we'll talk
about it for the rest of his life or her life.
It's a huge moment. It's a it's a you know,
for a fan of somebody, and to be acknowledged with
a look in a way, it's huge.
Speaker 2 (33:12):
It's really huge. I mean even when because my son
had never seen any real professional players. I mean, he
did take a picture with Tony Gonzalez when he came
to visit one of his friends at his baseball game once,
but he doesn't you don't really know. As they get older,
they understand who these guys are. But when he saw
them coming off the bus, because he was there with
(33:32):
me when they came off the bus, he turned to
me after, you know, when we were on the ride
home and he's like, wow, that's the first time I've
ever seen, you know, real football players before. I was
pretty cool. That was pretty cool. So yeah, and that's
that's without acknowledgment, and a team that he doesn't really
even like. Oh yeah, to turn and just say hello
would mean so much to everybody and just yeah.
Speaker 1 (33:55):
And it takes a second. You know, you don't even know.
You don't even have to break pace, break stride, carry
on walking, wave up. Guys. That's it. It's all it takes.
And you've made multiple kids days. You know, it's stuff
he'll talk about for the rest of their lives. But
to have zero acknowledgment, I kind of understand it. When
walking onto the bus, they're in the zone. But when
(34:18):
you're coming off the bus going into the hotel, there
should be some acknowledgement there. I think, Yeah, I stand
and sign autographs for ten minutes, just wave and say hello.
Speaker 2 (34:28):
Yeah exactly. You don't even need to say hello. You
don't even need to voice anything. You just you just
look and you wave and you acknowledge. You acknowledge the
people that are there. And I mean and even getting
on the bus, I mean, I know what you're saying.
But I do disagree with that as well, because they're there,
and it's not like people are saying fuck you my
homes because they're on the because they're on the rams
or the chargers. It was all we love you.
Speaker 1 (34:51):
Yeah, it's all we love you.
Speaker 2 (34:52):
Yeah, yeah, it's all we love you and stuff. And
all you have to do is just turn and just
waved them, just to wave, just a peace sign, just anything,
you know. It's it's just a total dick maneuver. And
I hate the way sports is gone because of that,
you know. Yeah, and it's like normal, you know, I
put I put a pull up on the Instagram about it,
and it was half and half, you know, just all business.
Oh yeah, it's fine if they if they're cool, because
(35:14):
it's all business and fuck off, you know. But that's
all I got. So I got to bring this one up, Jedi.
Let me try and wrap this up as much as possible.
It's a big mystery. Okay. I was sitting at Jan
Garner's the other day. Yeah, and one of these small
(35:34):
Transit connect vans pulls up in front of our house,
right and it says, like, you know, escorted security product,
an armored car an armored service hm. And they're trying
to like, you know, they're trying to figure out where
to go. They pull up to the gate and they
(35:54):
get denied to drive in, which is kind of weird.
It's like, yeah, I ending whatever. So they pull up
out front. The guy in the passenger seat gets out.
He's got a suit on and white gloves, oh, jewelry.
He goes up to the gate like the walking gate
(36:17):
kind of rings the bell whatever. Then comes back. The
driver gets out. They go to the back. They unload
a big chest, like a you know, like you would
see like a luggage chest, you know, right, Yeah, maybe
twelve inches deep, about three and three feet long and
about two feet wide, you know, two feet four feet wide,
(36:38):
just a big chest. They had to roll it, you know.
Speaker 1 (36:41):
Yeah.
Speaker 2 (36:41):
It was purple. It had those kind of like brass
or you know, silver fixings around the outside. Real nice
chat right, and it had a piece of paper on
it that I couldn't really see, but it had two
logos on it. It had a target logo and a
dog paw.
Speaker 1 (37:00):
Huh.
Speaker 2 (37:01):
They escort this package in and they take it into
the thing, and then the guys come and then they leave.
You know, they get in the car, they're getting the van,
and then they leave. So I was very confused on
what that package was. What do you think that what's
going down here? I mean my first thought was, okay,
Target has some sort of dog products. They're giving her
(37:24):
these dog products in this high end way, you know,
to promote the products, she'll she'll maybe go on Instagram
and promote the products for or something like that. But
full on like armored.
Speaker 1 (37:36):
I don't know, that's that's all? Did you.
Speaker 2 (37:39):
Guy guy with the suit, white gloves like that, like
the guys that carry around the Stanley cup, you know,
same same type of procedure.
Speaker 1 (37:47):
You know, did you shoot it and send it in?
Speaker 2 (37:49):
I did not.
Speaker 1 (37:50):
You always got to send that shit in.
Speaker 2 (37:52):
I didn't. I didn't even shoot it. I couldn't shoot
it because I was looking at binocular I was down
the street with binoculars, and when I decided, oh man,
this is kind of weird because they unloaded the thing
and then they walk around and by the time I
got my stuff out, it was already gone.
Speaker 1 (38:07):
You know, son, what you gotta shoot everything?
Speaker 2 (38:12):
I know.
Speaker 1 (38:13):
I know they could have been fucking criminals.
Speaker 2 (38:16):
They could have rubbed a use use the camera as
the binoculars, right.
Speaker 1 (38:20):
Yeah, I mean I remember when I shot a fucking
we Scoop your Poop van coming out of Bannett ben
Affleck's house and it made like two grand.
Speaker 2 (38:28):
Yeah, exactly exactly that. I thought about that when I
was watching it. So if anybody, any of the listeners
want to out there, want to like, let me know
what they think this was, or if they know what
this was, they've seen other celebrities get these things or something,
But it was just way high end for something that
I have no clue what it could have been. A
body they were just shipping over there, you know, throwing
(38:51):
the throwing the dogs off. Sidney Sweeney's been in the news.
Speaker 1 (38:56):
Oh my girl, what's she done?
Speaker 2 (38:58):
Talking about how oparazzis out in front of her place
and telling her to getting her bikini, trying to make deals.
Do you know about this story?
Speaker 1 (39:10):
I did read it. Yeah, a beach house in Florida?
Speaker 2 (39:13):
Okay, okay, the fortress that she bought.
Speaker 1 (39:16):
Yeah, she's lying.
Speaker 2 (39:18):
Did what did they say? Didn't they say that her
boy or something?
Speaker 1 (39:22):
I expect they said anything. She's just lying to make
this story up for fucking Vogue or whoever it was
she was talking to. Yeah, I think she's lying.
Speaker 2 (39:31):
Because in that case we would be you know, she
comes out, she talks to perhaps if she even does,
I doubt she does anymore. But there was a time
where she could have when you were working on her,
she probably you probably could have given her the speech.
I should have.
Speaker 1 (39:44):
I had the first PAP set of her, I had
the address before anybody.
Speaker 2 (39:47):
Else you did. You worked on her for a little bile,
go back and listen to next big thing.
Speaker 1 (39:52):
Yeah, I think, Yeah, I think Sweeney's lying. There's been
a ton of sets of pics of her out in
that house, on jet skis, on fucking you know, all
sorts of fun kayaks and all that shit. I don't
think she's that's ever happened.
Speaker 2 (40:08):
Well in reality, like I was saying on the on
the Instagram post, if you had a chance to approach
her back then when she was pretty much nobody and
said hey, you know, let's do some setups, take control
of your of your of the of the photographers that
are that could be waiting out in front of here
for you. And then obviously bikini sets are the best
(40:32):
I could see. Okay, Yeah, maybe something like that, but not, Oh,
come out in a bikini, Sydney.
Speaker 1 (40:38):
Yeah, we're not leaving until you come out with you.
Speaker 2 (40:41):
We're not leaving until you come out in a bikini.
Speaker 1 (40:43):
Oh shit, Now that doesn't happen.
Speaker 2 (40:46):
So if if any of the Florida guys that ever
work on her get shots over there, want to let
us know if that conversation ever happened, or you know what,
what kind of pitch you give to people for bikini
sets in Florida like we do over here. Let us know.
Speaker 1 (41:03):
Yeah, I would be absolutely shocked if that really happened.
Speaker 2 (41:06):
Well, and for someone who makes a living taking her
clothes off, yeah, ejectifying herself in her roles every single time.
I mean, you know, every single dude is not going
to see a Sidney Sweeney movie because her acting skills
are insane, right, yeah, right, she doesn't even take she
doesn't even take roles where her acting skills matter.
Speaker 1 (41:30):
No, and saying that her next role is where she
has a threesome with anondo mus right.
Speaker 2 (41:35):
Oh really?
Speaker 1 (41:36):
Yeah?
Speaker 2 (41:37):
Is that it?
Speaker 1 (41:38):
Really? Yeah?
Speaker 2 (41:39):
Oh awesome, two of the biggest in the business right
now doing that. And who's the other of the guy
who is like Glenn Powell.
Speaker 1 (41:48):
Yeah, he'll probably pop up in it.
Speaker 2 (41:51):
That's funny. So I wanted to get into some what
you're watching. Yeah, I wanted to bring one up that
I've been talking about now for a couple of weeks.
We watched Monsters.
Speaker 1 (42:04):
YEP.
Speaker 2 (42:06):
I shot a lot of that. Go back on our Instagram.
You can see the multiple days I was on that
shooting that. A lot of days I was on it
that I didn't even really get to shoot much, but
I saw a lot, got to learn a lot about
the Menendez brothers because of it. But watching the show,
I'm watching an episode. Did you watch the whole show yet?
Speaker 1 (42:26):
Yeah?
Speaker 2 (42:27):
Okay, watching episode five. First of all, when I was
leading up to episode five, I was kind of pissed
off about the show. I thought Ryan Murphy spun it
in a weird way, making him look way more gay
than they were, you know, always touching each other, always like,
you know, talking to each other, weird and you know,
putting that little spin on it because Ryan Murphy does
(42:49):
that kind of thing, you know, and it was kind
of bothering me. And at the same time I heard
that they were kind of upset about how it all
turned out, you know, Yeah, but then I got to
episode five. You know, I got about ten minutes into
that episode, and you look like you're gonna tell me
something I don't want to hear.
Speaker 1 (43:06):
I am great, keep going.
Speaker 2 (43:12):
So I got about ten minutes into the episode, and
I was amazed at what was happening in front of
my eyes, which was an entire episode one er where
this guy was acting the entire time, going through emotions,
describing as a Menendez brother, what his dad was doing
(43:33):
in one camera angle, one shot, one take. I even
applauded at the end of the episode. Now ruin it
for me?
Speaker 1 (43:42):
I hated it.
Speaker 2 (43:43):
Oh oh, I thought you were going to tell me
that there was cuts that I just didn't see.
Speaker 1 (43:48):
I had it sit the episode, really I was.
Speaker 2 (43:51):
I was impossible that you could have hated that episode.
Speaker 1 (43:54):
I was bored. I in fact, that's the only episode
I didn't finish. I go about thirty minutes in and
I couldn't take anymore.
Speaker 2 (44:03):
Well, it was only six more minutes or something, or
like four more minutes I got.
Speaker 1 (44:06):
I got less into it. Then it just it poured
the fucking pants off of me. So I would expect
in cinematic history and gold after what you told.
Speaker 2 (44:15):
Me it was cinematic gold history. So was it my
hype that ruined it? Is that what it was?
Speaker 1 (44:23):
I don't know, it just it just fucking bored meow,
it just bored me. Yeah. Sorry.
Speaker 2 (44:29):
The last the last let's say, five minutes are probably
like the best part of it though, just so you know,
I would say, go back and watch it one more
time and finish it. Let me know again my opinion,
it was insane. I thought, you know, obviously the camera
just zooms in slowly. You don't even know it's zooming
(44:50):
in for the first couple of minutes, but then you
see it, and I think the guy should win whatever
award it is for the best scene of the best,
you know, because the rest of the show was okay,
you know, it was right, I wasn't really super impressed
by it, but that scene was insane.
Speaker 1 (45:07):
So yeah, I enjoyed the show as a whole, though,
like you know, I know the story. You know the
story right, A lot of people. There's been a ton
of Menendoz stuff out there over the years, so it's
always interesting to watch a fresh take on it.
Speaker 2 (45:23):
But it did ruin Milli Vanilli for me, because now
I mean obviously I don't hear it all the time,
but that song I Miss You or I'll Miss You,
yeah up somewhere on my on my music the other day,
and all I could think about was those guys at
the end and riding in the buses to separate prisons
(45:46):
in that play.
Speaker 1 (45:48):
But I mean, they're at the same prison now, they
are now how they've been at the same prison together,
but you know they're both down in San Diego.
Speaker 2 (45:56):
Yeah, so you think they're going to be released?
Speaker 1 (45:59):
I hope not. I mean, like, you know, Kim Kardashian
and other celebrities have gone and seen them, and you
know they're vouching for them and on their release and stuff.
I mean, they fucking blew their parents' heads off with
shotguns close range and it was planned, yeah, you know,
(46:20):
and this this show, I think it questions whether it
actually happened. From seeing this show, I'm like, I don't
believe them, but it fucking that the abuse from the
parents happened. So I mean, who knows, only only they
know when the parents know, and they fucking killed the parents.
Speaker 2 (46:39):
So I mean I've seen some documentaries where other family
members have said it's possible that it could have happened
because of how weirdo the dad was, which leads to
me to believe that maybe there was some Yeah, there
was also a lot of money involved.
Speaker 1 (46:55):
You know, played him really well. I thought I liked
to lacting in that. Did you shoot him on the set?
I don't remember, Okay, I didn't remember, and they.
Speaker 2 (47:05):
Went out on the boat to go shark fishing. I
shot him down in sam Pedro doing that. Those are
the first shots, first shots, and Chloe.
Speaker 1 (47:14):
Oh there you go. Yeah.
Speaker 2 (47:16):
Yeah, But speaking of criminals, yeah, I think it's the
he's the ultimate criminal. At this point, your thoughts did
he did he?
Speaker 1 (47:30):
Did he do it? Did he? I think he did?
Speaker 2 (47:33):
He did it? For sure, he didn't.
Speaker 1 (47:35):
You've been saying for a long time on the podcast
that you know, he's a bad guy, that he had
stuff to do with the two pack and Biggie Smooths
and all this ship.
Speaker 2 (47:43):
Right.
Speaker 1 (47:44):
Yeah.
Speaker 2 (47:44):
I mean, I think we started talking about him because
I shot him in Beverly Hills and he was just
a little bitch about it, and it got on the
you know, we got on the subject of it, and
we just keep talking about I mean, I've always had
my thoughts of him being behind Biggie and Tupac's murders,
because if you watch any murder show or you know,
(48:06):
any any crime drama or anything like that, they always say,
look to the person that that you know.
Speaker 1 (48:13):
Stands benefited the most the.
Speaker 2 (48:16):
Most out of these deaths, and him and jay Z
were the biggest beneficiaries after their deaths. Right.
Speaker 1 (48:24):
I mean, I hope everything does come out about Diddy
and you know, the tapes and whatever he's he's gotten,
you know, all the other A list names that are
supposedly involved, because I think there's a there's a ship
on it and it will open a few eyes.
Speaker 2 (48:41):
I think so too. I think everybody's going down, I
hope so. I think everybody's going I think jay Z's
going down. I think Beyonce might be in there somewhere
with that, you know, kind of off to the side,
j Low. I think a lot of people are going down, because.
Speaker 1 (48:56):
That's why why Ben Affleck got out of their relationship.
Speaker 2 (48:59):
Right, Yeah, heard it was coming, They knew he was coming.
Speaker 1 (49:03):
Well.
Speaker 2 (49:03):
I mean, Eminem released an album just a couple of
days before right where his two like singles on it
were talking shit about Diddy and stuff. Right, Well, who's
Eminem friends with, he's a friends with fifty cent, and
he's friends with doctor Dre. Y Cent has been working
on a documentary on Diddy for ten years because he
(49:26):
knew what was going on, and he knew this day
was going to come.
Speaker 1 (49:29):
He's coming to Netflix, right yeah.
Speaker 2 (49:31):
And Dre was probably being investigated because of this investigation.
So Dre getting called by investigators saying, you know, you
know you went to one of these parties or something
like that, or were you a part of this in
somewhere or another got winned. They organized a few songs
to lay out ahead of time. These guys are not dumb,
(49:53):
h but did he needs to go down? For sure?
I mean, you know, I always think about what because
the music industry, especially the hip hop industry, is the
worst right now, Yeah, the worst. And I often think
if Biggie and Tupac never died and this guy never
rose up, if we would have this shit hip hop
right now, shitho shit off. I think I think Diddy
(50:18):
was was the downfall to all hip hop. Even though
everybody loved his music and all that stuff, I hated
it all and I think he was the tip of
the iceberg of the downfall of good hip hop and
good rap music and stuff like that. And just the
video alone of him in that hotel room, that's enough.
Speaker 1 (50:37):
Oh of him being the shat of Cassidy.
Speaker 2 (50:39):
That's enough, right. I mean that's a crime in itself
right there. You know he can't get out of that one.
Speaker 1 (50:45):
Yeah, it's bad.
Speaker 2 (50:46):
He pleads not guilty to all this other stuff, but
you can't get out of that one, right there. So
that's got to at least put you in jail for
a few years, right.
Speaker 1 (50:53):
I hope. So what else you've been watching? I've got
some more watch you're watching?
Speaker 2 (50:57):
Oh, yeah, what you're watching?
Speaker 1 (50:58):
You must have seen this and it's something I didn't
want to like as well. You must have seen Nobody
wants this.
Speaker 2 (51:05):
I haven't seen it yet because I hate Christin Bell
and I'm always gonna.
Speaker 1 (51:10):
I fucking hate Kristen Bell, but it's drawing me, like
I'm gonna watch it. I've had so many run ins
with her, and she is a fucking horrible person. She's
a really nasty person.
Speaker 2 (51:26):
Hit the color on set.
Speaker 1 (51:28):
But I fucking loved the show. Really, it's so good.
The show is not a movie, it's a it's a
show and it's just been renewed for season two. Oh wow, Okay,
it is so fucking good. Really, Adam Brodie is so
likable and so lovable in this show. And I've always
(51:50):
liked Adam. I'm sure you've dealt with him many times
on on the OC and all that kind of stuff,
and I've had run ins with him as well, and
he's always been a great bloke. He plays he plays
a rabbi in the show, and Kristen Bell plays a
podcast host. H so, and.
Speaker 2 (52:08):
That's a successful one, right, unlike us.
Speaker 1 (52:10):
Yeah, exactly, And and they meet and fall in love
and it's a it's it's just a great fucking story.
It's if it was anybody else than Kristen Bell, it
would be like one of my favorite shows. But she
does bring it down a bit, but it's fucking brilliant.
It's like the It's probably the best thing I've watched
this year.
Speaker 2 (52:30):
Wow. Se So, just like my episode five, I'm gonna
watch this and I'm just gonna have to hate it
right after bat right.
Speaker 1 (52:38):
Yeah, but I don't. It's usually I hate everything with
people that I hate in like, I don't usually watch it.
But my wife was watching it, and you know, she
was a few minutes into the first episode. I was
scrolling on my phone, like not trying to watch, but
I got dragged into it and I really fucking enjoyed it.
Speaker 2 (53:00):
Really end from the first episode.
Speaker 1 (53:02):
Uh yeah, I binged it in like two days.
Speaker 2 (53:05):
How many episodes are there?
Speaker 1 (53:08):
I think maybe ten? And they're only twenty five thirty
minutes long, ifat maybe twenty two minutes. It's really short,
really really easy to watch. Where is it filmed in
Los Feelers in La?
Speaker 2 (53:22):
It's filmed in La.
Speaker 1 (53:23):
Yeah, oh yeah, tons of stuff in Los Feelers. Yeah, wow,
which is right where, right near Kristen Bells where she lives.
She probably walked to work. But yeah, I didn't want
to like it, and I loved it.
Speaker 2 (53:39):
Wow. Okay, well I'm going to be watching that tonight then.
Speaker 1 (53:43):
Yeah, and I've just also binged the fuck out of Industry.
Have you watched the Industry on HBO?
Speaker 2 (53:50):
I haven't even heard. Oh we don't have Max?
Speaker 1 (53:52):
Oh okay, yeah, it's on HBO. It's it's about it's
about you know, people at a top investment bank in London.
Bye bye bye, cell Celles, cell all that kind of
stuff and I've almost finished the second season after watching
it for like three d three days.
Speaker 2 (54:07):
You don't have many shows like that, right about that?
Like the Stock Exchange in London?
Speaker 1 (54:13):
Right, No, I don't think there's anything like it.
Speaker 2 (54:15):
Yeah, that's kind of cool, original idea.
Speaker 1 (54:18):
It's fun, it's you know what it is, it's euphoria
when they've grown up a little bit and got jobs.
Speaker 2 (54:25):
Euphoria season six exactly, That's.
Speaker 1 (54:28):
Exactly what it is. It's drugs and sex in a
bank in London.
Speaker 2 (54:33):
Wow. And they're just making a million, so they just
do whatever they want.
Speaker 1 (54:36):
Yeah, but it's it's enjoyable, it's fun.
Speaker 2 (54:40):
Is there anybody in that that anybody should know about?
Speaker 1 (54:43):
It's all no names to me.
Speaker 2 (54:45):
That's good.
Speaker 1 (54:45):
I like that then, so, yeah, you won't be able
to watch that then, I guess, Yeah, a few of
you who are listening I do. If you have Max
go and watch Industry, And I think for the Brits
out there, I think it's a BBC show. I think
you get it on iPlayer.
Speaker 2 (55:02):
All right, Well, I guess we'll wrap this one up.
Speaker 1 (55:05):
Another one in the books.
Speaker 2 (55:08):
We do appreciate everybody listening sharing.
Speaker 1 (55:11):
You know what. I actually had a couple of people
reach out in the last week ten days or so
asking where they can find the podcast because they've been
looking for it and there's been nothing new. I'm like,
I'm sorry. You know, we're going to try and put
more out there, but it's tough when I'm not on
jobs all the time, and there's not much going on
(55:31):
in La either.
Speaker 2 (55:33):
Yeah, and let us know people if you want us
to go back on camera. Oh yeah, yeah, we promise
we'll go shirtless every single episode for all the people
that want.
Speaker 1 (55:43):
To see that, so that'll only be Nate watching.
Speaker 2 (55:45):
Yeah all right, Well for me, for Jedi, we apologize
everybody we've offended on this episode.
Speaker 1 (55:54):
We'll see you next time.
Speaker 2 (55:55):
Take care of me.
Speaker 1 (55:56):
Well, you hosed her.
Speaker 2 (55:57):
You look like you're going to tell me something I
don't want to hear.
Speaker 1 (55:59):
Oh yeah, I
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