August 28, 2025 • 56 mins
Featuring: Nepos, Madeleine Stowe and more. In this #Neposode Jedi heads to court in Cinicinnati, Mark nails a Hollywood quiter and we discuss the all out Nepo takeover of the world. We discuss 3 #whachawatchin and the Swelce engagement. For the content in this papisode, please visit our socials @paparazzipodcast. Thank you for listening and sharing. Be Well!
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Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Welcome everybody to the Paparazzi Podcast. I am Jedi, here's Mark,
and we are back for our very special episode, Big Number,
Special Number Jedi.
Speaker 2 (00:13):
And to the listeners that don't know because and we
didn't know, because there's no I don't think there's a
count really of how many episodes we have anywhere. It's
kind of hard to find. It's like in parentheses somewhere,
but every once in a while I'll check it out.
But we are on our two hundred and second episode.
Speaker 1 (00:35):
Hooray.
Speaker 2 (00:37):
We missed the two hundred anniversary.
Speaker 1 (00:41):
We overshot it by two.
Speaker 2 (00:43):
We overshot it by two. But it doesn't matter. It
doesn't matter.
Speaker 1 (00:47):
We should be celebrating every episode, you know.
Speaker 2 (00:50):
That's what you get when you have a really low
budget produced podcast.
Speaker 1 (00:56):
Could it be any lower budget?
Speaker 2 (01:01):
I'm sure it can. I've heard some of those podcasts
out there that are pretty bad. I'm going to say
ours is not that bad. Yeah, I mean, I know
we're dumb, and I know we're just some simple Jerdanan
photographers trying to get through the world and we're being
pushed around by all of our you know, agencies. But
(01:23):
I think for what we have, it's a good podcast.
Speaker 1 (01:27):
It does the job, doesn't it. It does the job.
Speaker 2 (01:30):
It's the only one of us kind. And I'm really
getting sick of people that have podcasts like us. It's
it's just basically two people talking, calling them shows.
Speaker 1 (01:40):
Welcome everybody to the show.
Speaker 2 (01:43):
Yeah, every time I talk about it, to just say
it's a podcast, you don't need to say it's a show.
You know, if there's a band that plays, and you know,
you got special guests and it's just you know, really streamline,
well produced, fine, go ahead and call it a show.
But say eighty percent of the podcast out there, they
call themsels shows are not a show. It's just no
people talking.
Speaker 1 (02:03):
This is exactly what we do. We talk. There's no
show here. I certainly wouldn't pay to see us live
in it with an audience, although that could be fun.
Speaker 2 (02:15):
Not yet, No, yeah no, maybe maybe if we get
some of these celebrity guests on here that are so
scared to talk to us. Yeah, people would watch us
on stage.
Speaker 1 (02:26):
But maybe maybe they'd watch us just for the beatdown
that some of these some labs would want a service
after years of posting on flattering pictures and telling the truth.
Speaker 2 (02:42):
Well, you know, we're We're on two hundred and two
episodes and no celebrity has had the balls to come on.
So many have suggested maybe wrote us a couple of letters,
a couple of else to come on. But once I
reply back to those emails, they don't reply back again.
Speaker 1 (03:00):
So one day, one day, what are you drinking there?
It looks pretty good.
Speaker 2 (03:05):
Oh, this is just a spin drift. It's not an alcohol,
It's just a spin drift.
Speaker 1 (03:11):
Wow. Oh incredible, it looks it looks fruity.
Speaker 2 (03:15):
It is a grapefruit.
Speaker 1 (03:17):
Oh, I'd love a bit of grapefruit.
Speaker 2 (03:19):
Are you drinking anything?
Speaker 1 (03:22):
I got a water? Nice? Yeah, pretty boring. You know,
this last like three or four days. My wife and
I we started documenting what we're eating on a shed
note to try and be more accountable for our terrible eating.
And I haven't had a drink in the last four
days because of being accountable.
Speaker 2 (03:45):
I've been pretty good too lately. I had the we
had the art walk. If anybody knows you uls a gun,
does it? Kind of an industrial town. We have a
lot of you know, art companies and warehouses and you
know industrial areas and stuff where people build stuff and
make stuff. Create stuff, and then one year they open
(04:07):
up their doors. They put in bars and you know,
share a bunch of alcohol around. Everybody walks around. They
just get wasted.
Speaker 1 (04:15):
Rebus.
Speaker 2 (04:17):
It used to be they used to just invite everybody
in and you just, you know, would drink. No, it's
all corporate, so of course it is. You pay for
it and stuff, but it's still fun and the town
gets together, people coming from out of town too. It's
a lot of fun. But I'm still recovering from that,
so it is water from here on out.
Speaker 1 (04:37):
I love that.
Speaker 2 (04:39):
I got a quick little story for you, Jedi. You know,
we always love that about our firsts in this business. Right. Well,
I had a first the other day. Again, I think
that's three in a row, three podcasts in a row
where one of us have had a first.
Speaker 1 (04:56):
Can we recap the first because I can't remember them.
Speaker 2 (05:00):
First double page in People magazine.
Speaker 1 (05:03):
That's a good one. I remember that one.
Speaker 2 (05:05):
Actually, that was then last podcast. I think what the
hell was the first? I don't know, I can't remember.
Speaker 1 (05:14):
We need to remember. Leave us the answers and the comments.
Speaker 2 (05:19):
If we uh, yeah, I'll have to go back and
check on it. See if we had a produced show,
we would have a guy that just went back and
picked that up for us and be able to tell
us in our ear, you know. But there was a
first in the last episode, so check it out. And
you had something that was in the British daily mail papers.
Speaker 1 (05:39):
Maybe that was the first though. Yeah, it wasn't the first,
but it was. It was a rarity.
Speaker 2 (05:45):
So my first for this time was I was driving
through Venice and I was sitting at a light, you know,
just like kind of like the Aaron Rodgers the other day,
and mm hmm, Kesha turned down in front of me
right oh, passing by her street. I wasn't gonna go
check her out because she doesn't really do anything anymore
(06:09):
and she doesn't really sell so but I saw her
turn out in front of me. But that's something you
always have to go after if someone turns out in
front of you, right.
Speaker 1 (06:16):
Absolutely.
Speaker 2 (06:17):
She ended up driving up to the freeway, hopping on
the freeway, going down a couple of stops, or going
out down a couple of exits, got off the freeway
and I got separated. I got a car got between us,
and I got separated by the car and I noticed
it was Ava Philippi in front of her. Yeah, I've
(06:39):
never been that situation where a celebrity has joined in
the middle of a follow before, and I've had to
treat which one I'm going to go after. So if
you're following Kesha and Ava, Philippy pules between you and
you're at the stop light, who do you follow?
Speaker 1 (06:54):
Jedi Kesha?
Speaker 2 (06:56):
That's what I did, and she continued to do a
medical building where she went underground and I.
Speaker 1 (07:01):
Didn't get that fucking sucks.
Speaker 2 (07:05):
And Ava was heading in the direction of her home,
so I probably wouldn't have got anything there either.
Speaker 1 (07:11):
So yeah, that's pretty much toughee. I'm trying to think
if that's happened to me before.
Speaker 2 (07:16):
Yeah, you know, I've I've had celebrities lead me to
other celebrities, but I've never had likewise actively pull in
front of me saying, hey, I'm right here. You know
I can get photographed too. You know.
Speaker 1 (07:29):
That's funny. So she was she the She literally pulled
in front of you and was between you and Kesha. Yes,
that's great.
Speaker 2 (07:37):
It was one of those where I didn't I didn't
notice at first, you know, Yeah, I saw the car.
I'm like, wait a second, had to check the license plate,
you know, then it was so I like that. Yeah,
And you know, we've talked a lot about the way
mos right and the robots in LA these days. Have
any robots made it to Buffalo yet?
Speaker 1 (07:56):
No? But I just read today that they're introducing the
Way Most into New York City, which is a terrible idea.
Why is that it's too unpredictable. New York is too
unpredictable with the you know, the jaywalking and the people
on their bikes and scooters and fucking e bikes and skateboards.
(08:19):
There's gonna be a fuck ton of accidents.
Speaker 2 (08:22):
Well, LA has been their test ground so and they're
pretty good here now, so I would imagine they're they're
ready for the test round. I'm not saying nobody's gonna
get hit by one of them, but I think they're
ready to try to take on I think they're up
in San Francisco too, So, you know, combined knowledge of
San Francisco and LA, let's take it to New York.
(08:45):
See what happens.
Speaker 1 (08:46):
Nah, New York is different. It's different.
Speaker 2 (08:51):
Well, and you're going to have a lot of people
because here they're kind of accepted of them The only
people that don't like the robots here are like just crazies,
you know, and and psychos that just want to burn
it when they are upset about immigration. But yeah, in
New York, you're gonna get these cab drivers and be like,
fuck you get the fuck out in, throw shit at it.
Speaker 1 (09:13):
Throw yeah the fuck. I'd take a New York cab
any day over a Waima.
Speaker 2 (09:20):
Well, if you're in New York and they're there and
you don't take one, just to film it and put
it on the social media, I'll be upset.
Speaker 1 (09:30):
So okay, the next time I'm in New York, I'll
check them out.
Speaker 2 (09:33):
But I had an interesting situation with a weymo the
other day because they're they're really integrating into society here right.
Speaker 1 (09:40):
And they're how often do you see them all everywhere?
Speaker 2 (09:45):
Really, they haven't quite got to al Segundo yet, but
they get to the airport, so they're here next and
the testers are driving them around al Segno, so they're
going to be here soon. And they have new little
like blue pod ones now that are more like a
like a minivan type pod that cool that are right around.
I rode one a couple of weeks ago. I think
I told you about it. Yeah, my son and I
(10:06):
went up to the Peterson Museum and then went to
go eat at a restaurant. But then, you know, it's
like two three miles away the restaurant. We took a
Weaymo for the hell of it. It was great.
Speaker 1 (10:17):
I love it. It is it more expensive than an uba?
Speaker 2 (10:20):
I think so, yeah, just a little bit. But it
was just to try it out to see what it
was like. I forgot that, you know, you kind of forget.
You're just in the backseat. You do your thing. It
doesn't matter who's driving. But it's nice because you don't
have a driver there that you have to interact to
it with. Yeah, it's kind of it's it's a little
more mellow, you know.
Speaker 1 (10:40):
Yeah.
Speaker 2 (10:40):
Yeah, but and I can see how people get used
to it really quick. But so I was behind a
weimo the other day, right, and we were merging, and
it was sitting there waiting on the right hand side
because it was there was construction in the far right lane. Right.
The weimo was stuck there for a while and nobody
was letting the Weymo in, just like how I would
be in that situation. Nobody was letting the Weaymo in,
(11:03):
so I took it upon myself to slow down and
let the way Mo in. And normally you would get
somebody who was nice. They would roll down their window
at least five inches and then stick their hand out
and give you a wave. I didn't get a wave
from this fucking robot. Dude. I find I felt kind
of bad. So I think way Mo's need to introduce
(11:27):
a feature that if someone does something nice to the
way Mo, it has a little graphic or something, a
little screen or a little thing that pops out that
says thank you or something like that. Maybe you know,
consense your phone and give you Wayme points to like
take the next ride or something. You know, waymos need
to wave mo.
Speaker 1 (11:45):
There you go, Oh, there you go, wave mo way Mo. Yeah,
I won't get in one anytime soon. Yeah, I'm not trustworthy.
I mean I don't trust it yet.
Speaker 2 (11:57):
You know when the elevator was invented, Yeah, and they
took away the elevator operator, people wouldn't ride the elevators either.
Speaker 1 (12:08):
I get that.
Speaker 2 (12:09):
Yeah, they thought they were just going to fall to
the ground.
Speaker 1 (12:12):
Wow, without that incredible. I like that. I like that.
I like that.
Speaker 2 (12:16):
Anyway, Where where are you? Where's your journeys? Where have
you been? What have you shot?
Speaker 1 (12:23):
I'm somewhere, I'm somewhere. I came from somewhere else. This
is day. What are we now? I was off for
a week doing the last podcast In this one, I
did a fun job. I did a court job. I
was in Cincinnati for two days covering. I don't know
if you or the listeners remember about a month ago
(12:46):
there was a big rawle in Cincinnati and it got
a bunch of national and international coverage. It was a woman,
a white woman, was knocked unconscious, beat to the ground
and being black and blue by a bunch of people
(13:07):
in Cincinnati, and you know, it was it was written
like it was a race war war or a race
fight or whatever, when it was just, you know, it
just seems like it was a couple of people in
the wrong part of town at the wrong time. I
don't think it was racially motivated, but I ended up
I was covering that case. I think there were seven
(13:32):
seven offenders, and I was in court over two days
and photographed six of them. Just not a hearing, not
a trial, none of that. Yet it was just the
kind of like the bail hearing to see if they
were going to be held in jail or if they
could get out, So something a bit different. Don't do
(13:53):
that very often, you know. I was in the courtroom
with the gear, just just photographing each person as they
came in for their little hearing, quick and super easy.
If I'm honest, it was. It was a great, a
really great gig. I'd love to do. It was another
first you know, it wasn't but it but it's just
(14:13):
something nice to do, something a little bit different than
sitting outside somebody's house for twelve hours a day.
Speaker 2 (14:19):
Yeah, for sure. So did the Yeah, did the guys
that came into court, did they seem like the type
of people that kind of wouldn't have gotten in that
situation that that weren't really you know.
Speaker 1 (14:32):
A couple a couple of them. A couple of them
seem like they wouldn't get into that situation. But then
quite a few of them seem like they would get
into that situation. I saw to actually today. One of
the guys was just arrested I think with like forty
pounds of fentanyl or something like that, or they they
(14:52):
was it was either I think it might have been pounds,
and he was. It looks like he was actually out
on the corner that evening try going to you know,
shift gear. So you know, he is a bad guy
and obviously should be locked up. But yeah, I enjoyed Cincinnati.
I've been there once before, but this time I got
(15:14):
to you know, with the short days that I was working,
I got to really explore and have a good walk
around some great restaurants downtown. The Cincinnati Skyline Chili is awful.
I wouldn't get that if if you're there on vacation.
It's what everybody does. And I had a bunch of
the hot dogs and they were awful. I went to
(15:37):
the ballpark and watched the Cincinnati Reds against the Phillies,
which was really good and fucking dirt cheap. I went
to like six Bucks, and I went to the movies,
which I'll have to talk about in what You're watching. Okay,
So yeah it was. It was a great job. Really
enjoyed it.
Speaker 2 (15:56):
Something in Cincinnati.
Speaker 1 (15:59):
I would recommend going to the Bullpark in Cincinnati. Okay,
And if anyone is going to Cincinnati, I've got a
great restaurant as well that I can't remember. The name
of But I will tell you if you DM me
or us. But yeah, I'm away now. I was somewhere
for the last three days, got no action. Unfortunately, the
(16:20):
target didn't leave the house over the weekend, and then
I flew in this afternoon to another job and I'm
being greeted with the same fucking shit at the moment,
no action. It's quite depressing. I'm not used to so
much non action, so I'm getting a bit upset. And
I'm on for the same the same outlet as the
(16:44):
three days prior. So I'm really feeling the pressure at
the moment to deliver any action. I want exclusives, not excuses,
not much action.
Speaker 2 (16:59):
I'm very confused. Done what to do these days?
Speaker 1 (17:01):
I night. I mean, we had a phone conversation earlier today.
If I was in Los Angeles right now, I do
not know what I'd be working on.
Speaker 2 (17:13):
You know, there's there's the whole oldie theory that I
think is going out of style really fast. I you know,
I do the same troll that I've basically done for
the past twenty seven years or however long it's been.
And you know, I go up the West side, I
go into the West side. There's not many people over there.
(17:35):
This is just for trolling, you know. Targets are targets,
but targets are pretty much on vacation right now. They're
kind of all over the world. There's no one really,
you know, locked down in LA except for a Jennifer
Garner or something like that, which if you do that,
you're going to be dealing with savages. Yeah, so I
(17:55):
don't like savages. So but I do my normal troll.
And there is an oldie that I've been kind of
stopping off every once in a while. In the morning,
I'll stop off there. I'll give it a couple hours,
and because I hadn't seen her in a while, it's
one that Stanley and I used to work all the time. Okay,
Naing Stanley, you'll remember this, but Madeleine Stowe. Stanley had
(18:19):
a little crush on Madeline Stowe and so he used
to bump into her a lot and he used to
kind of work on her a lot. But she's kind
of just one of those that hasn't been shot in
a while, So I give it a few minutes. She
lives in a place where there's just no reception, so
it gets old real quick. When you go and you
kind of doorstep it. So two three hours here and
(18:39):
there over the past couple of months, hadn't seen her car,
never moved to one of those kind of situations.
Speaker 1 (18:46):
Explain really quickly to the listeners who do not know
who Madeline Stowe is? Who is she? Madeleine Stowe? Wa,
do you know?
Speaker 2 (18:57):
If you don't, what do you know about madem Stee?
If you don't know who Madeline Stowe is, then just
shut off the podcast, you know, get back on your
phone and play roadblocks or something.
Speaker 1 (19:09):
I mean, I don't know who she is. I didn't
until you told me the other day.
Speaker 2 (19:13):
Well, let's we can bring up her IMDb. But she's
best known for, I think probably Last of the Mohicans.
Last the Mohicans is a Michael Mann movie. If anybody
knows him, he's a director, he's been. He's directed a
lot of it. He's directed heat, he directed Collateral Damage
or Collateral Sorry, A bunch of a bunch of movies
(19:34):
like that. But she was in Twelve Monkeys, she was
in Revenge, the show Revenge with It's another Stanley movie set.
We used to do Emily van Camp.
Speaker 1 (19:51):
Oh okay, he used to work on her.
Speaker 2 (19:53):
She was not very nice to us when we would
shoot her out, but we did.
Speaker 1 (19:56):
She used to live up by the Hollywood Hills, by
the Hollywood sign, right.
Speaker 2 (20:00):
Yeah, yeah, impossible.
Speaker 1 (20:02):
What was she doing these days?
Speaker 2 (20:04):
Right? I think she's in a show she came out.
Hold on, I think I saw her in something recently, actually,
something that just came out. She was in the Marvel movies,
The Captain America movies for a minute, the Resident.
Speaker 1 (20:20):
No, can't be bad.
Speaker 2 (20:22):
I don't know. Yeah, she's kind of she's kind of
fallen off.
Speaker 1 (20:26):
She was dating a co star right for the longest
time she.
Speaker 2 (20:31):
Was, and we would shoot that show Revenge a lot. Anyway,
Stowe hasn't been around. And Stowe has quit Hollywood.
Speaker 1 (20:38):
Oh really Yeah.
Speaker 2 (20:40):
Supposedly that's the rumor. She's quit Hollywood. So that's why
no one sees her anymore. So anyway, I went to
work on her a couple of times. Nothing moved. And
then just the other day I was passing through there
and she's finally backing out of her driveway as I'm walking,
you know, driving by, but she drives up into Santa Monica.
(21:02):
She goes and pulls up to this house and she
picks up what I think is her daughter. She jumps
in the passenger seat, and they start driving like they
know someone's following them. I'm always worried that people see me.
I'm not like you where I don't think they see
me all the time. And she starts driving, making weird turns,
turning off here, turning off there, and she turns you
(21:25):
remember the old coffee Bean, the one on Montana. Yeah,
you know the parking lot goes around the back of there, right, yep.
So she turns into that parking lot. And there's a
move that we've always done where we pass by the
parking lot. We don't follow them into the parking lot.
We pass by that parking lot, you turn into the
(21:46):
next driveway, you make a U turn, and then you
can pull up and park, and you can watch where
they park and where they walk, because if they walk
the whole food you can see them walk there. You
can set up for the exit. If they come down
to the coffee shop or something like that, you could
shoot them on the way and then wait for an exit.
It's something we've done a million times. I go down,
I make the U turn, I turn around. Car disappeared.
(22:08):
I go down all the alleys. I go down everywhere
I look for twenty thirty minutes. Car's gone, completely gone.
Madeline Stone, what is she like? Seventeen ho or six
thirty sixty years old?
Speaker 1 (22:19):
Totally ditches me, Madeline Stowe? Where did she go? I
do not know? Do you know where Madeline Stowe did go?
Speaker 2 (22:29):
And I did not know? So I gave up.
Speaker 1 (22:35):
No.
Speaker 2 (22:36):
I was like, oh no, I drive up and down
Montana and I'm just hoping to see her, right, I
kind of just do my thing looking for somebody else.
I'm just like, okay, maybe I'll come across at whatever.
But I'd given up. But as I was driving back down,
(22:57):
I just said to myself, you know, I'm going to
go buy her house to see if maybe she went
home for some reason. But she picked up the daughter,
there's no way she would be going home right now, right, yeah,
right away?
Speaker 1 (23:07):
Right?
Speaker 2 (23:08):
So I go down, go buy the house.
Speaker 1 (23:10):
The car's there, and you hadn't got pictures at this point.
Speaker 2 (23:13):
I hadn't got pictures in anything yet. And they just
ditched me inadvertently or on purpose, I don't know. Yeah,
So I wait, actually down the street this time, no
more than fifteen minutes the car comes by me again.
With the car, I follow it again. They drive same
kind of thing down every street. They could have gone
(23:36):
to the coast and just drove straight down to Venice,
because that's where they went, but no, they took the
surface streets. I got separated Jedi on Seventh Street, going south.
I hit the light at sam Vicente. They got through
the light at sam Vacine. They got three lights ahead
of me, and I was separated by fifteen cars and
(23:58):
all the stop signs and all the light and all
that stuff. I caught up to them around Arizona Santa
Monica Boulevard. Yeah, went down Lincoln and they went down Lincoln.
They turned right on Lincoln, they go, they turn right again.
They go down Broadway, down Fourth Street, through Venice, down
into the longest follow that have been on a while
long follow by turns and trying to keep it, you know. Anyway,
(24:22):
they pull over, they go to Abokenny. They get out
and they just walk together down the street and Abokenny.
So it's kind of like a field day at that point,
just kidding them coming in stores, you know, laughing that
whole thing. I think they knew I was there because
I kind of saw them glancing at me. They were
kind of laughing. I don't know. I'm pretty sure they
knew because the follow it had too many turns and
(24:45):
I had to stay on them too much, you know.
Speaker 1 (24:47):
Yeah.
Speaker 2 (24:49):
Anyway, pictures were good, Pictures sold because people hadn't seen
her in a while and it was all about the video.
So that was the Stow Show, The Stow Show. And
then also I had a rookie set downtown Downtown Market
where I did a little live Everyone can go back
and see it. There's still a little bit of footage
(25:10):
that I'm going to post on Instagram or I'm going
to post on social media. And they just did some
action scenes and people running for their lives down in
the Downtown Market. It was chaotic. It was hot, sweaty.
I could tell the actors were hot, sweaty. Security had
their hands full on trying to keep everybody kind of
you know away. Downtown Market is very, very crowded, so
(25:36):
look forward to seeing more rookie coming up. Yeah, for
all you rookie fans out there, why don't we take
a break?
Speaker 1 (25:44):
Sounds good?
Speaker 2 (25:45):
And when we come back. I wanted to talk about
the NEPO invasion in the world. I've been seeing a
lot of stuff. Specifically, one thing in what you're watching
that I watched and I'm sure I told you to
watch it, but I'm sure you didn't watch.
Speaker 1 (26:02):
It, correct.
Speaker 2 (26:04):
And uh, we'll get to that when we come back
there you.
Speaker 1 (26:11):
Hey, welcome back.
Speaker 2 (26:13):
So, Jedi, there's a topic I've been wanting to bring
up on this podcast for a long time. Yes, sir,
and since we kind of mentioned some earlier, I want
to talk about the nepos.
Speaker 1 (26:30):
In the Yes, mate.
Speaker 2 (26:33):
The nepotists in the business, and if people don't know
what a NEPO baby is, or a NEPO child or
a NEPO person is. They are the daughters or sons
of famous people. But they're infiltrating the entire world, Jedi.
Speaker 1 (26:51):
I mean, hey, they're everywhere.
Speaker 2 (26:53):
They're everywhere. And I'm going to tie this into what
you're watching as well, because I've seen a couple of
films lately that star some nepos.
Speaker 1 (27:06):
Okay, okay, And I'm gonna.
Speaker 2 (27:08):
Start with Malibu. Now, I told you to watch Malibu.
Did you end up watching it?
Speaker 1 (27:12):
Absolutely?
Speaker 2 (27:13):
Not nice. Malibu is a short film that was being
promoted by the ultra super supermodel Alessandra Ambrosio that her
daughter Anja Ambrosio was starring in. And I mean it
looks like one of her friends that made the film,
(27:34):
who's probably another NEPO that we don't really know or
that I don't really know of a director and he's
trying to be a director. Now, I've seen this girl
post some things lately on her Instagrams, and her mom
is pushing her to do these things. She's playing, you know,
she's DJing, she's playing guitar, she's singing, all this stuff.
(27:56):
None of it I've seen so far I've been impressed with.
And yeah, so I was giving this short film a shot.
I think she should just stick to supermodeling like her mother.
Right this film, the short film it's called Malibu.
Speaker 1 (28:15):
I'm looking it up on YouTube right now.
Speaker 2 (28:18):
Starring up Brosio, daughter of Alessandra and Brosio. It might
be some of the worst acting I've ever seen in
my entire life.
Speaker 1 (28:28):
Now I've got some worse acting, another worse bad acting
story coming right.
Speaker 2 (28:34):
Well, they put it. You should have put her in
that movie. But it's it's a short, twenty minute minute thing,
and the basic premise is. She's acting a lot older
than she is in the movie. I think she's probably
like in her twenties, like early twenties or something like that,
but she's really like sixteen years old or something like that.
In real life. She plays this girl who kind of
(28:54):
picks up on these loner guys, these kind of emo
looking loner guys, takes them back to her house, feeds
them some tea, which eventually paralyzes them, and then I
guess murders them.
Speaker 1 (29:09):
Oh wow, that sounds she sounds lovely.
Speaker 2 (29:12):
Yeah, right. I mean it made me scared of the
young generation of women because of this, because I could
just see, you know, plenty of you know, these young
girls doing this because they hate men, and you know
there's all this you know, movement against the men these days.
But it was some really really bad acting. It was
(29:33):
shot with some filters and you know, kind of artsy,
you know, it had a little bit of edge to
it and stuff, but acting horrible, very very difficult to watch,
looking at the clock, going what's next, what's next? Does
she have another victim? Does she have another victim? And
then in the end, I guess that the tables get turned.
One of the guys actually kind of sees and switches
(29:56):
the tea her and then she ends up getting paralyzed.
Spoiler alert, spoiler alert, Yes, I just spoke. I saved you.
Speaker 1 (30:06):
Okay, good, well, I'm glad I didn't watch it. Did
her mother promote it on her Instagram?
Speaker 2 (30:12):
Yeah? They both promoted it.
Speaker 1 (30:13):
Alessandro Ambrosio has a ton of Instagram followers, right, so
some of them.
Speaker 2 (30:17):
Two point two million I think or something like that.
Speaker 1 (30:19):
Okay, so some of them.
Speaker 2 (30:21):
Like I think it's like twenty million or something.
Speaker 1 (30:23):
Well, there you go. So holy shit. So you saw
it on there and you went and watched it. How
many other followers do you think have gone and watched it? Then?
What do you think the numbers are for this Malibu
twenty twenty five short film starring Anga Ambrosia. The views
on YouTube? What are your guests?
Speaker 2 (30:43):
Well, and Angia Ambrosio, by the way, Nepo baby to
her and Jamie Maser taking her mother's name in.
Speaker 1 (30:52):
Her That's interesting, isn't it? Yeah?
Speaker 2 (30:56):
Well it's it's her name is Anga Ambrosio. M ah,
so she took the M and her dad's name. That's
very nice.
Speaker 1 (31:02):
Well, that was really nice. Yeah, he's got one.
Speaker 2 (31:04):
Hundred and fourteen thousand followers. Her mom has twelve million followers.
Speaker 1 (31:10):
Oh holy shit, So that shit.
Speaker 2 (31:12):
With that kind of promotion out there, I imagine the
film has seen at least over one hundred thousand views.
Speaker 1 (31:20):
You're you're close, but not very close.
Speaker 2 (31:24):
To to fifty thousand views.
Speaker 1 (31:27):
Take away you about forty four thousand.
Speaker 2 (31:32):
Six thousand views six point one.
Speaker 1 (31:34):
Wow. Yeah, I think she's going to have to try
and handle something else.
Speaker 2 (31:40):
So she's definitely not going to be the next Anna
de Armis, and the director is definitely not going to
be the next jj Abrams.
Speaker 1 (31:49):
Right, No, exactly.
Speaker 2 (31:51):
Yeah, And speaking of jj Abrams, that's another one right there.
And the second film I saw was Honey Dun starring
Margaret Qually. Do you know who Margaret Qually's NEPO parents
are or mother?
Speaker 1 (32:10):
I know her mother Andy McDowell, correct, yes, and her
father is mister Qually.
Speaker 2 (32:21):
Well, this movie Honey Don't, starring Margaret Qualley, Aubrey Plaza,
Chris Evans, and Charlie Day.
Speaker 1 (32:30):
Ah. Yeah.
Speaker 2 (32:32):
Now I was excited to see this movie, Jedi, because
I have a little bit of a crush on Margaret Qually.
After seeing the Substance, which I'm sure you still haven't
seen yet.
Speaker 1 (32:41):
No, of course I haven't.
Speaker 2 (32:42):
She put herself away up on my radar as far
as up and coming actors and stuff like that. Yeah,
I was really excited to see this. Is that Ethan
Cohen movie, and you know, he's one of the Cohen brothers,
and they do some good comedies. They've done some good,
you know, really risky comedies in the past that have it.
(33:02):
And I was really excited about this movie, and the
trailer obviously hyped me up on it. And I was
a little late getting to the theater and walking in
the first line, I hear her say, because she's in
the police station, Chuck or she's talking with Charlie Day,
who plays the detective for the police. He's basically saying, hey,
you know, can we go get some dinner sometime? And
(33:23):
she goes, she goes, no, I like girls.
Speaker 1 (33:25):
Oh okay.
Speaker 2 (33:27):
You could definitely think to yourself, oh, she's just blowing
them off, but no, she likes the girls. And then
it continued to be a kind of who done it
somewhere in like Middle California or something like Modesto or
something like that, and it was just a little bit
of who done it in between a lot of girl
(33:48):
on girl Margaret Qually action.
Speaker 1 (33:52):
Well that sounds like a great movie.
Speaker 2 (33:54):
Well, I mean you would think so, but for some
reason I couldn't figure out if it was hot or not.
Speaker 1 (34:03):
It sounds pretty help to me.
Speaker 2 (34:05):
It sounds hot, right, you would think that it was.
But as it as went on, it kind of just
became a little too much, and it became the main
feature in the movie was just more and more of this,
and when they're when you got the girl on girl
sex scenes, one is enough, you know, maybe two possibly,
but they just threw it on you and it just
(34:27):
kept going and it was unnecessary, and there was too
much time in the movie that was unnecessary girl on
girl stuff. It's like they were pushing on us. So
I don't know what. I don't know what Ethan Cohen
has turned to in this business. But I don't recommend it.
I don't recommend it for a theater. I recommend seeing
it for free, and you know, go judge yourself. But
(34:50):
the wope crowd, the woke crowd is going to definitely
love it.
Speaker 1 (34:53):
Oh okay, But the nepos nopos the way.
Speaker 2 (34:59):
To subject ca up Jedi. I was reading an article
or an article popped up talking about Gracie Abrams. Do
you know who Gracy Abrams? And have you heard of her?
Speaker 1 (35:10):
I've heard the name. I don't know too much about her,
couldn't name a single song. No, she's a friend of
Taylor Swift. That's That's about all I know.
Speaker 2 (35:18):
Of course she is. That's probably how she got popular,
actually because Taylor.
Speaker 1 (35:23):
I think she supported Taylor Swift on one of her
tours at some point.
Speaker 2 (35:26):
Yeah, so she's Sabrina carpentered her exactly. Okay. Well, I
had some friends that have daughters that went to this
concert here in LA and I didn't know much about her,
and this article popped up talking about Gracie Abrams. You know,
really good on tour, you know, selling out right and left.
(35:48):
And by the way, she has a director dad. That's
kind of famous.
Speaker 1 (35:52):
Oh okay, I know who it is now, but I
didn't know about that before.
Speaker 2 (35:56):
So I'm looking into it and I look at obviously
I put two and two with the last names, but
I'm thinking her dad can't be JJ Abrams. You know,
that's not what they're talking about. So I went and
looked it up and it is JJ Abrams. Now what
kind of world do we live in where these twenty
one year old pop up pop singers that sound like
(36:17):
everybody else? Because she sounds exactly like you know, a
Billie Eilish or or you know a Sabrina Carpenter or
any one of them. They talk more about her and
they just kind of give a little nod to the
to the director Dad, that has obviously made some of
the best films around.
Speaker 1 (36:37):
Yeah, well he did Lost as well, didn't I can't
think of any other films offAnd.
Speaker 2 (36:43):
Well he did Trek films.
Speaker 1 (36:45):
He's the one.
Speaker 2 (36:46):
I mean. I told a story way back when on
the podcast about how JJ you know, we were using
the radio on one of his productions when he was
shooting Star Trek or Yeah, it was Star Trek, and
we were using the radios and we kept predicting when
they were gonna be walking out the door because they
kept saying it on the radio. And he kept yelling
(37:08):
over the radio saying, whoever's tipping off these paparazzi, They're
gonna get fired. They're gonna get fired. Oh my god.
And then there was a guy that was up that
was supposed to be like blocking us and like monitoring us,
and JJ ended up thinking it was him tipping.
Speaker 1 (37:23):
Us off, and the guy, oh, come on.
Speaker 2 (37:28):
Yeah, it was hilarious, But the Nepples are taken over Jedi,
and it's kind of like it makes me think, like
we all have kids, right, and there are so many
celebrities now, and there are so many people of influence
and wealthy and celebrity they're all having kids sometimes two, three,
(37:50):
four or five kids. Who mean, we got Garner with
three of them. And if they start placing their kids
in these things, because there's nothing we can do about it,
they're gonna get whatever they want.
Speaker 1 (38:00):
Right, They're gonna go absolutely.
Speaker 2 (38:02):
They obviously can have any career they want. Like, if
they're not a good singer, they're still going to be
a singer. If they're not a good DJ, they're still
going to be a big DJ because of the influence
of their families. Right, So what chance do our kids have? Really?
Speaker 1 (38:17):
Oh?
Speaker 2 (38:17):
God, I know, because there's so many celebrities out there
and with so many kids that eventually they're going to
take over the entire world and they're going to be
running the world in ten fifteen years and it will
be a Nepo nation.
Speaker 1 (38:32):
No oh nation.
Speaker 2 (38:35):
Right, So everybody comment, comment on our social media's tell
us what you think about the NEPO babies. Is it fair?
Is it fair that they're all out there taking all
the great jobs and they're gonna they're the ones that
are gonna be Do we trust them to be in
charge of all the eventually?
Speaker 1 (38:53):
No?
Speaker 2 (38:54):
I don't think so.
Speaker 1 (38:56):
No.
Speaker 2 (38:57):
I do have a game, though, Jedi. We haven't played
a game in a while. And I just pulled up
a list of some nepos.
Speaker 1 (39:07):
Okay, and I want.
Speaker 2 (39:09):
You to try and guess who the parents are.
Speaker 1 (39:13):
Sounds good, Not gonna do. I'm probably not gonna do
very well at this, but we can, we can. We
can give it a go.
Speaker 2 (39:20):
So I'm gonna start on this list. I'm gonna start
at the top and work my way down. Okay, how
many are there? Nineteen?
Speaker 1 (39:27):
Well, nineteen twenty, nineteen nepos, yeah, twenty one, let's do it.
Speaker 2 (39:37):
Okay, So well, and this, you know, I just heard
recently that this guy's son, another NEPO, is doing a
new movie and brought him out of retirement. And I
didn't know he was a NEPO. So I'm gonna start
with them twenty two and we're gonna work our way
down now because I can't get to this list far enough.
All right, Daniel da.
Speaker 1 (39:56):
Lewis, Well, you just gave me the answer.
Speaker 2 (40:00):
No, Daniel day Lewis is a neo as well.
Speaker 1 (40:05):
Oh, Daniel day Lewis is an EPO.
Speaker 2 (40:08):
Daniel da Lewis is a NEPO. His son is making
the movie. But Daniel da Lewis is also a neo.
He's second generation.
Speaker 1 (40:16):
Wow, I didn't even know that. And I don't know
his son's name, and I don't know his dad's name.
Speaker 2 (40:20):
Cecil day Lewis.
Speaker 1 (40:23):
Oh, wow, did from the UK.
Speaker 2 (40:28):
He's a writer and former poet from the UK.
Speaker 1 (40:32):
He's a poet and I didn't know it.
Speaker 2 (40:36):
Domina Hall Gleeson do you know who he?
Speaker 1 (40:40):
I do, but I no idea who his parents are.
I think he's the Redhead guy, right.
Speaker 2 (40:45):
He's the Redhead guy. And I think he's in a
new show called The Paper that just came out.
Speaker 1 (40:50):
Yeah, it's it's a like sequel to the Office, right.
Speaker 2 (40:53):
Yes, do you know who's his not? No, Brendan Gleeson.
Speaker 1 (41:00):
Oh, okay, I know who he is.
Speaker 2 (41:02):
Yeah, He's been a bunch of stuff. He's always an
Irish guy somewhere.
Speaker 1 (41:05):
I didn't know that that's crazy either, did I. That
makes sense then, because that guy's odd looking and not
a very good actor.
Speaker 2 (41:13):
Yeah, well it doesn't even look like his dad at all.
Speaker 1 (41:17):
Lily Collins, this one's I think, Yeah, still Collins.
Speaker 2 (41:21):
All right, Keifer Sutherland.
Speaker 1 (41:24):
Donald, there you go. Yeah?
Speaker 2 (41:27):
Who who I've photographed a couple of times.
Speaker 1 (41:30):
Yeah, I've photographed Keifer, Bryce Dallas, Howard Ron Howard.
Speaker 2 (41:36):
There you go.
Speaker 1 (41:37):
Jared Harris, Jared Harris, Yes, Paul Harris.
Speaker 2 (41:48):
Close. No, Richard Harris, Okay, Richard Harris I recognize from
a million things. But Jared Harris, Oh yeah, Jared Harris,
you know who he is?
Speaker 1 (42:00):
No know who he is even though you're showing me
a picture.
Speaker 2 (42:03):
Okay, he's he's in a million things. You would recognize
him if you heard him or song? Okay, Colin Hanks, Yeah, Tom,
there you go, Lily Rose deppp there you go. And mother,
Oh my goodness, Vanessa parody Angeline and Jolie.
Speaker 1 (42:29):
Parody Angeline Angelina. That's that's Jolly John Voight.
Speaker 2 (42:37):
Jolly John Voight, which was his friend of the podcast
and Mark Mark Marchline Bertrandrand the mother fran Zoe Douche.
Speaker 1 (42:52):
Do you Zoey Douche? Yo, d Zoey Douche. I don't know.
I don't know that one.
Speaker 2 (43:00):
Her mom is I didn't even know this. Her mom
is Leah Thompson.
Speaker 1 (43:05):
I don't know who that is either.
Speaker 2 (43:06):
From Back to the Future.
Speaker 1 (43:10):
I mean I've seen it when I was a child.
Speaker 2 (43:12):
The girlfriend from Back to the Future. Wow, yeah, amazing,
Well the original book the Futures. I did not know that.
And we've got Ben Stiller. Is it Jerry Jerry Stiller
and and and Anne Mira. Okay, he's a full on
netpou so new kid on the block. Jack Quaid, I
(43:35):
don't know if you've seen him in anything lately.
Speaker 1 (43:38):
I haven't. Is that Randy Quaid? That is no Dennis Dennis.
Speaker 2 (43:43):
It is the other one. Yes, Dennis Quaid and mother
maybe even bigger than Dennis Quai.
Speaker 1 (43:50):
I don't know Meg Ryan, Oh no ship.
Speaker 2 (43:53):
Yeah, okay, we already mentioned the the earlier. Margaret Qualley yep,
Andy McDowell, yes, Jeff Bridges.
Speaker 1 (44:07):
Jeff Bridges, not no idea Lloyd Bridges.
Speaker 2 (44:13):
Okay, from did he do oh he did the airplanes.
Oh okay, the airplane movies, you know those kind of
the kind of like the naked guns.
Speaker 1 (44:24):
Yeah. Oh, we get into that soon.
Speaker 2 (44:27):
Jamie Lee Curtis, Oh.
Speaker 1 (44:29):
Goodness, mister Curtis, Richard Curtis close. You know.
Speaker 2 (44:35):
I talked to you about this a couple of days ago,
and you got it. You nailed it already, which was Tony.
That's right, So I'm gonna give you credit for that one. Yeah,
I forgot Michael Douglas. I think this was kind of easy.
Speaker 1 (44:48):
Yep. Kirk Douglas photographed him a bunch.
Speaker 2 (44:51):
Which I have, and I've golfed with him before. Pictures
the pictures that I shot with Adam Sandler that I
posted a couple of weeks ago, I also played with
Kirk Douglas.
Speaker 1 (45:00):
He's got Oh wow, that's incredible.
Speaker 2 (45:02):
Another new kid on the block, Jason Ritter.
Speaker 1 (45:06):
Jason Ritter, Uh no, no, no idea.
Speaker 2 (45:11):
That would be John Ritter's son.
Speaker 1 (45:12):
Oh okay, yeah, and I.
Speaker 2 (45:14):
Think he's dating somebody as well, but I can't remember
who it is, but the the listeners can tell us.
Speaker 1 (45:21):
Nicholas Cage bro Nicholas Cage is a Nicholas.
Speaker 2 (45:26):
Cage is a nepo.
Speaker 1 (45:28):
Jesus, I don't know.
Speaker 2 (45:32):
He comes from a long line of Hollywood royalty. Yes,
that's right. He's a Coppola Orchestra conductor and Oscar winning
film composer Carmine Coppola, Francis Ford Coppola.
Speaker 1 (45:43):
Right, that's right, good old Cage.
Speaker 2 (45:47):
He's got a movie number too, the movies that we've
shot the last couple of months. Oh yeah, we've got
number four. The Scarsguard family.
Speaker 1 (45:58):
Alexander is the child, right.
Speaker 2 (46:02):
Well, there's actually three of them. Oh, it just says
the Scar's Guard family. Well, there's three of them in
this picture. But yes, alex is the only one I know.
And do you know who that is?
Speaker 1 (46:13):
No stealing our guard.
Speaker 2 (46:17):
And yeah, and you would know him too. He has
been in a million things, Big Little Eyes success, Yeah, yeah, yeah, yeah, yeah.
Speaker 1 (46:26):
Yah.
Speaker 2 (46:27):
I'm not gonna do Kieran Culkin because that's too obvious.
Speaker 1 (46:31):
I don't know Kieren Colkin's dad.
Speaker 2 (46:34):
Yeah, it's not really the dad.
Speaker 1 (46:36):
Well I know I know his brother mcaulay.
Speaker 2 (46:38):
Yeah that's yeah, No, that it is so. Kieren's father,
Kit Culkin, was an actor himself. Kit's sister, Bonnie Bedelia
I had a career in Hollywood as well in Diamond Okay,
t Harden alrighty maya Hawk.
Speaker 1 (46:57):
Yeah, obsess Ethan Hawke And there you go.
Speaker 2 (47:01):
And number one on this list Kate Hudson, Mate, Oh,
the old Hudson.
Speaker 1 (47:06):
Yeah, Goldie Horn. And was it Rock Hudson? Your stepfather is?
Speaker 2 (47:15):
Is Bill Hudson?
Speaker 1 (47:17):
Bill Hudson? Why do I think Rock? There's a Rock Hudson.
Speaker 2 (47:20):
Isn't there there's a Rock Hudson. But that wasn't the
right Hudson. And I consider Kate Hudson the queen of
the nepos.
Speaker 1 (47:28):
I'm completely blanking on Goldie Horn's partner. That's exactly how
I was blanking on, completely blanks on him. Yeah, photographed
those many times as well as.
Speaker 2 (47:42):
Of you, and that completes the NEPO game.
Speaker 1 (47:46):
I love a bit, love a bit of neo game.
Speaker 2 (47:50):
Is there anything you've seen lately that you want?
Speaker 1 (47:53):
There is? Mate? You mentioned bag that bad acting earlier
on and you mentioned Naked Gun and they both high
in perfectly with the new Naked Gun, which is awful.
I very rarely spend my hard earned money on going
to the movies, but I was in Cincinnati the other day.
(48:14):
I told the story earlier. I had a little bit
of time off there and decided to go and see
Naked Gun. I like Liam Neeson. He's usually great, you know,
the Taken movies and whatever else he's done. And he's
in it with Pamela Anderson. They did the huge prestool
where they faked a relationship, and my goodness, don't go
(48:35):
and see the movie. It's got awful. Every joke misses,
it's cheesy, it's cheap comedy. Myself and the other person
in the movie theater didn't laugh or make any gasps
or anything at all. It was god awful. Probably one
of the worst films I've ever seen.
Speaker 2 (48:56):
Well, it's very interesting because I heard a podcast today
and there was a movie you guy on there that
was saying that he liked it, when it was a
comedian that was saying he liked it.
Speaker 1 (49:04):
Oh god.
Speaker 2 (49:07):
And I saw an article immediately after that saying that
the public thinks, or the internet thinks, that Pamela Anderson
and Liam Neathson's relationship is fake.
Speaker 1 (49:16):
Yeah, of course it is. It was. It was to
you know, push ticket sales because they've done a shit movie.
Speaker 2 (49:23):
Well, my son and I had a little bit of
time before. We went and saw a movie the other
day and I brought him in because he's never seen
any of the those kind of slapstick comedy things or
anything like that. And I said, let's go in and just,
you know, listen to two or three jokes. You know,
we're going there for about ten minutes to see if
we can laugh once. And yeah, not laugh once. And
he kept tugging on my shirt, like, what are we
(49:44):
doing in here?
Speaker 1 (49:44):
This is the dumbest dad, Let's go. This is awful.
Speaker 2 (49:48):
Yeah. So my experience with it too, I do not
want to see it. I'll wait until it comes for
free and I'll see how long I can tolerate it.
Speaker 1 (49:57):
Yeah, it won't be long. Like the originals were great,
Old slapstick comedy was great. They've tried to reinvent it
and bring it back and they just fucked it up.
It was terrible.
Speaker 2 (50:09):
I did notice though, that Pamelaina said did look really good.
Speaker 1 (50:11):
Though. She looks great.
Speaker 2 (50:14):
You know, it's you know, for her age and the
way she looked at that stuff. They did a good
job with her.
Speaker 1 (50:18):
Yeah, she looks sensational.
Speaker 2 (50:20):
Yeah, it's too bad that she had to ruin it
with a bad movie.
Speaker 1 (50:24):
Yeah, what a shame.
Speaker 2 (50:25):
Well, speaking of fake couples, there is there is some
news that dropped over the last day that I wanted
to ask you about. Because there is no bigger news.
The only thing that can overshadow a Taylor Swift Travis
Kelcey engagement would be a school shooting, and it still
(50:48):
didn't do that. I looked at these pictures, Jedi yea.
I looked at the at the production value of these
pictures for them to announce their engagement.
Speaker 1 (50:59):
Yeah.
Speaker 2 (51:00):
When I saw those pictures, all you can think about
was Tom Cruise and a da Armas or Tom Cruise
and you know, any of his last four or five friends.
And I thought, this looks fake. If there was any
if there was any doubt in my mind that they
were real or anything like that, it solidified it with
(51:23):
these pictures because I'm like, you know, if it was real,
he would have proposed somewhere awesome. There would have been
no footage of it, and she would have on her
Instagram and just put her ring up to the Instagram
and just been like, we're engaged something like that. Now,
I know the public, you know, they they say that
(51:47):
they expect this big spectacle and all this kind of stuff.
But I mean the production value just for those pictures,
just you know, the flowers, the setting, the couch. By
the way, I heard the couch already sold out everywhere
that they were on. It was probably half a million
dollars to produce those photos.
Speaker 1 (52:07):
Yeah, but I don't think that was the same time
as he as when he proposed. I think it was
set up completely different.
Speaker 2 (52:15):
Yeah, I think it was too. But that's what I'm saying,
Like when there's after he proposes, however he did it,
and then they sit down and they go, how are
we going to tell everybody about this? And they go, well,
on one end, we could just be hanging out on
a couch and we could do what the other celebrities
do and just kind of be hugging and go, look,
you know, we're engaged. Or we could rent this huge
(52:36):
studio space, create this whole fucking goddamn garden, fucking environment.
You can get down on one me and we'll just
reenact it in the fucking most fairy tale, fucking Taylor
Swift over the top way possible.
Speaker 1 (52:48):
I liked it, of course, you did. You know. I've
seen them both in the flash multiple times together, both
he and not Weather know there the legit, the legit.
Speaker 2 (53:05):
Yeah, I mean, you know, obviously you're convinced, and that's
what convinces me because I haven't witnessed them like you
have without them knowing that anybody's there. So I'm going
on your you know, on your word here.
Speaker 3 (53:20):
But yeah, those pictures were just too much and it
was too over the top and it didn't need I mean,
there was just as much hype in that as there
wasn't her album, and it's like it was just I mean,
what I want to know is how many pictures did
the photographer take that ended up on the scrapping floor?
Speaker 1 (53:41):
Oh? I mean I was there for three hours doing
that photo shoot with Yeah, there's a lot of outtakes.
I'm sure.
Speaker 2 (53:51):
How many pictures do you think hit that scrapping floor?
Speaker 1 (53:55):
Well, I've only seen about seven or eight the I
mean you would have taken. It's not like your one
click I pick either. Yeah, seven hundred pictures.
Speaker 2 (54:06):
I was gonna say fifteen hundred.
Speaker 1 (54:08):
Yeah, maybe more. Yeah, you know, because Taylor obviously has
approval on what, like she's picking what's getting used. Yeah,
so you know there will hundreds, if not thousands of
pictures taken for that.
Speaker 2 (54:24):
Yeah, and then they sent her a file and she
sat for like two days or three days flipping through
her phone or on her you know, giant screen computer
or whatever. It was just flipping through and going no no, no, no, no,
no no no no, and then that one right yeah, yeah.
Speaker 1 (54:41):
Oh yeah, big time. But that's that's going to be
some wedding. I mean, an engagement party first probably, but
then with the season coming up, maybe not. The wedding
will obviously be after the season. I'd be surprised if
I'm not there quite looking forward to it, to be honest.
Speaker 2 (55:00):
Yeah, it's gonna be crazy. It'll be insane, biggest thing,
yeah ever. Right.
Speaker 1 (55:06):
I just hope it's somewhere where I can get to
because I would like to cover that and it would
make great material for the podcast and the Instagram. Everybody
go follow Paparazzi podcast on Instagram and TikTok.
Speaker 2 (55:20):
Yeah, there is one thing I want to end with Jedi,
and I've only got a minute left here to do it.
But you know, there was a school shooting and obviously
very bad, very you know, everybody's talking about this, but
I did recently get my personal YouTube station canceled by
YouTube because I put some song with something It wasn't
(55:43):
It wasn't even a big deal. But I've heard that
the shooter had a YouTube page and posted tons of
things on his YouTube page that led up to this
whole thing that could have totally tipped off. So I
have a major complaint against YouTube that if you have
an algorithm that can get me kicked off of YouTube
for doing absolutely nothing, why isn't there an algorithm getting
(56:07):
a mass murder getting kicked off of YouTube by what
he posts?
Speaker 1 (56:11):
No idea but their instagram that their YouTube is down.
Now I do know that.
Speaker 2 (56:16):
It is, yeah, but you know whatever, Well, if we
defend anybody on this episode, we do apologize, especially to
the nepos, but for myself and for the Jedi, take
care and be well.
Speaker 1 (56:31):
Madeline Stowe, what do you know, Madeline Stowe? Where did
she go? I do not know. Do you know where
Madeline Stowe did go?
Speaker 2 (56:40):
Rent this huge studio space, create this whole fucking goddamn garden,
fucking environment. You can get down on one me and
we'll just reenact it in the fucking most fairy tale,
fucking Taylor Swift over the top way possible.
Speaker 1 (56:52):
I liked it.
Speaker 2 (56:54):
Of course you did.
Speaker 1 (56:55):
I'm not apologizing to the netos. Goodbye,
Welcome everybody to the Paparazzi Podcast. I am Jedi, here's Mark,
and we are back for our very special episode, Big Number,
Special Number Jedi.
Speaker 2 (00:13):
And to the listeners that don't know because and we
didn't know, because there's no I don't think there's a
count really of how many episodes we have anywhere. It's
kind of hard to find. It's like in parentheses somewhere,
but every once in a while I'll check it out.
But we are on our two hundred and second episode.
Speaker 1 (00:35):
Hooray.
Speaker 2 (00:37):
We missed the two hundred anniversary.
Speaker 1 (00:41):
We overshot it by two.
Speaker 2 (00:43):
We overshot it by two. But it doesn't matter. It
doesn't matter.
Speaker 1 (00:47):
We should be celebrating every episode, you know.
Speaker 2 (00:50):
That's what you get when you have a really low
budget produced podcast.
Speaker 1 (00:56):
Could it be any lower budget?
Speaker 2 (01:01):
I'm sure it can. I've heard some of those podcasts
out there that are pretty bad. I'm going to say
ours is not that bad. Yeah, I mean, I know
we're dumb, and I know we're just some simple Jerdanan
photographers trying to get through the world and we're being
pushed around by all of our you know, agencies. But
(01:23):
I think for what we have, it's a good podcast.
Speaker 1 (01:27):
It does the job, doesn't it. It does the job.
Speaker 2 (01:30):
It's the only one of us kind. And I'm really
getting sick of people that have podcasts like us. It's
it's just basically two people talking, calling them shows.
Speaker 1 (01:40):
Welcome everybody to the show.
Speaker 2 (01:43):
Yeah, every time I talk about it, to just say
it's a podcast, you don't need to say it's a show.
You know, if there's a band that plays, and you know,
you got special guests and it's just you know, really streamline,
well produced, fine, go ahead and call it a show.
But say eighty percent of the podcast out there, they
call themsels shows are not a show. It's just no
people talking.
Speaker 1 (02:03):
This is exactly what we do. We talk. There's no
show here. I certainly wouldn't pay to see us live
in it with an audience, although that could be fun.
Speaker 2 (02:15):
Not yet, No, yeah no, maybe maybe if we get
some of these celebrity guests on here that are so
scared to talk to us. Yeah, people would watch us
on stage.
Speaker 1 (02:26):
But maybe maybe they'd watch us just for the beatdown
that some of these some labs would want a service
after years of posting on flattering pictures and telling the truth.
Speaker 2 (02:42):
Well, you know, we're We're on two hundred and two
episodes and no celebrity has had the balls to come on.
So many have suggested maybe wrote us a couple of letters,
a couple of else to come on. But once I
reply back to those emails, they don't reply back again.
Speaker 1 (03:00):
So one day, one day, what are you drinking there?
It looks pretty good.
Speaker 2 (03:05):
Oh, this is just a spin drift. It's not an alcohol,
It's just a spin drift.
Speaker 1 (03:11):
Wow. Oh incredible, it looks it looks fruity.
Speaker 2 (03:15):
It is a grapefruit.
Speaker 1 (03:17):
Oh, I'd love a bit of grapefruit.
Speaker 2 (03:19):
Are you drinking anything?
Speaker 1 (03:22):
I got a water? Nice? Yeah, pretty boring. You know,
this last like three or four days. My wife and
I we started documenting what we're eating on a shed
note to try and be more accountable for our terrible eating.
And I haven't had a drink in the last four
days because of being accountable.
Speaker 2 (03:45):
I've been pretty good too lately. I had the we
had the art walk. If anybody knows you uls a gun,
does it? Kind of an industrial town. We have a
lot of you know, art companies and warehouses and you
know industrial areas and stuff where people build stuff and
make stuff. Create stuff, and then one year they open
(04:07):
up their doors. They put in bars and you know,
share a bunch of alcohol around. Everybody walks around. They
just get wasted.
Speaker 1 (04:15):
Rebus.
Speaker 2 (04:17):
It used to be they used to just invite everybody
in and you just, you know, would drink. No, it's
all corporate, so of course it is. You pay for
it and stuff, but it's still fun and the town
gets together, people coming from out of town too. It's
a lot of fun. But I'm still recovering from that,
so it is water from here on out.
Speaker 1 (04:37):
I love that.
Speaker 2 (04:39):
I got a quick little story for you, Jedi. You know,
we always love that about our firsts in this business. Right. Well,
I had a first the other day. Again, I think
that's three in a row, three podcasts in a row
where one of us have had a first.
Speaker 1 (04:56):
Can we recap the first because I can't remember them.
Speaker 2 (05:00):
First double page in People magazine.
Speaker 1 (05:03):
That's a good one. I remember that one.
Speaker 2 (05:05):
Actually, that was then last podcast. I think what the
hell was the first? I don't know, I can't remember.
Speaker 1 (05:14):
We need to remember. Leave us the answers and the comments.
Speaker 2 (05:19):
If we uh, yeah, I'll have to go back and
check on it. See if we had a produced show,
we would have a guy that just went back and
picked that up for us and be able to tell
us in our ear, you know. But there was a
first in the last episode, so check it out. And
you had something that was in the British daily mail papers.
Speaker 1 (05:39):
Maybe that was the first though. Yeah, it wasn't the first,
but it was. It was a rarity.
Speaker 2 (05:45):
So my first for this time was I was driving
through Venice and I was sitting at a light, you know,
just like kind of like the Aaron Rodgers the other day,
and mm hmm, Kesha turned down in front of me
right oh, passing by her street. I wasn't gonna go
check her out because she doesn't really do anything anymore
(06:09):
and she doesn't really sell so but I saw her
turn out in front of me. But that's something you
always have to go after if someone turns out in
front of you, right.
Speaker 1 (06:16):
Absolutely.
Speaker 2 (06:17):
She ended up driving up to the freeway, hopping on
the freeway, going down a couple of stops, or going
out down a couple of exits, got off the freeway
and I got separated. I got a car got between us,
and I got separated by the car and I noticed
it was Ava Philippi in front of her. Yeah, I've
(06:39):
never been that situation where a celebrity has joined in
the middle of a follow before, and I've had to
treat which one I'm going to go after. So if
you're following Kesha and Ava, Philippy pules between you and
you're at the stop light, who do you follow?
Speaker 1 (06:54):
Jedi Kesha?
Speaker 2 (06:56):
That's what I did, and she continued to do a
medical building where she went underground and I.
Speaker 1 (07:01):
Didn't get that fucking sucks.
Speaker 2 (07:05):
And Ava was heading in the direction of her home,
so I probably wouldn't have got anything there either.
Speaker 1 (07:11):
So yeah, that's pretty much toughee. I'm trying to think
if that's happened to me before.
Speaker 2 (07:16):
Yeah, you know, I've I've had celebrities lead me to
other celebrities, but I've never had likewise actively pull in
front of me saying, hey, I'm right here. You know
I can get photographed too. You know.
Speaker 1 (07:29):
That's funny. So she was she the She literally pulled
in front of you and was between you and Kesha. Yes,
that's great.
Speaker 2 (07:37):
It was one of those where I didn't I didn't
notice at first, you know, Yeah, I saw the car.
I'm like, wait a second, had to check the license plate,
you know, then it was so I like that. Yeah,
And you know, we've talked a lot about the way
mos right and the robots in LA these days. Have
any robots made it to Buffalo yet?
Speaker 1 (07:56):
No? But I just read today that they're introducing the
Way Most into New York City, which is a terrible idea.
Why is that it's too unpredictable. New York is too
unpredictable with the you know, the jaywalking and the people
on their bikes and scooters and fucking e bikes and skateboards.
(08:19):
There's gonna be a fuck ton of accidents.
Speaker 2 (08:22):
Well, LA has been their test ground so and they're
pretty good here now, so I would imagine they're they're
ready for the test round. I'm not saying nobody's gonna
get hit by one of them, but I think they're
ready to try to take on I think they're up
in San Francisco too, So, you know, combined knowledge of
San Francisco and LA, let's take it to New York.
(08:45):
See what happens.
Speaker 1 (08:46):
Nah, New York is different. It's different.
Speaker 2 (08:51):
Well, and you're going to have a lot of people
because here they're kind of accepted of them The only
people that don't like the robots here are like just crazies,
you know, and and psychos that just want to burn
it when they are upset about immigration. But yeah, in
New York, you're gonna get these cab drivers and be like,
fuck you get the fuck out in, throw shit at it.
Speaker 1 (09:13):
Throw yeah the fuck. I'd take a New York cab
any day over a Waima.
Speaker 2 (09:20):
Well, if you're in New York and they're there and
you don't take one, just to film it and put
it on the social media, I'll be upset.
Speaker 1 (09:30):
So okay, the next time I'm in New York, I'll
check them out.
Speaker 2 (09:33):
But I had an interesting situation with a weymo the
other day because they're they're really integrating into society here right.
Speaker 1 (09:40):
And they're how often do you see them all everywhere?
Speaker 2 (09:45):
Really, they haven't quite got to al Segundo yet, but
they get to the airport, so they're here next and
the testers are driving them around al Segno, so they're
going to be here soon. And they have new little
like blue pod ones now that are more like a
like a minivan type pod that cool that are right around.
I rode one a couple of weeks ago. I think
I told you about it. Yeah, my son and I
(10:06):
went up to the Peterson Museum and then went to
go eat at a restaurant. But then, you know, it's
like two three miles away the restaurant. We took a
Weaymo for the hell of it. It was great.
Speaker 1 (10:17):
I love it. It is it more expensive than an uba?
Speaker 2 (10:20):
I think so, yeah, just a little bit. But it
was just to try it out to see what it
was like. I forgot that, you know, you kind of forget.
You're just in the backseat. You do your thing. It
doesn't matter who's driving. But it's nice because you don't
have a driver there that you have to interact to
it with. Yeah, it's kind of it's it's a little
more mellow, you know.
Speaker 1 (10:40):
Yeah.
Speaker 2 (10:40):
Yeah, but and I can see how people get used
to it really quick. But so I was behind a
weimo the other day, right, and we were merging, and
it was sitting there waiting on the right hand side
because it was there was construction in the far right lane. Right.
The weimo was stuck there for a while and nobody
was letting the Weymo in, just like how I would
be in that situation. Nobody was letting the Weaymo in,
(11:03):
so I took it upon myself to slow down and
let the way Mo in. And normally you would get
somebody who was nice. They would roll down their window
at least five inches and then stick their hand out
and give you a wave. I didn't get a wave
from this fucking robot. Dude. I find I felt kind
of bad. So I think way Mo's need to introduce
(11:27):
a feature that if someone does something nice to the
way Mo, it has a little graphic or something, a
little screen or a little thing that pops out that
says thank you or something like that. Maybe you know,
consense your phone and give you Wayme points to like
take the next ride or something. You know, waymos need
to wave mo.
Speaker 1 (11:45):
There you go, Oh, there you go, wave mo way Mo. Yeah,
I won't get in one anytime soon. Yeah, I'm not trustworthy.
I mean I don't trust it yet.
Speaker 2 (11:57):
You know when the elevator was invented, Yeah, and they
took away the elevator operator, people wouldn't ride the elevators either.
Speaker 1 (12:08):
I get that.
Speaker 2 (12:09):
Yeah, they thought they were just going to fall to
the ground.
Speaker 1 (12:12):
Wow, without that incredible. I like that. I like that.
I like that.
Speaker 2 (12:16):
Anyway, Where where are you? Where's your journeys? Where have
you been? What have you shot?
Speaker 1 (12:23):
I'm somewhere, I'm somewhere. I came from somewhere else. This
is day. What are we now? I was off for
a week doing the last podcast In this one, I
did a fun job. I did a court job. I
was in Cincinnati for two days covering. I don't know
if you or the listeners remember about a month ago
(12:46):
there was a big rawle in Cincinnati and it got
a bunch of national and international coverage. It was a woman,
a white woman, was knocked unconscious, beat to the ground
and being black and blue by a bunch of people
(13:07):
in Cincinnati, and you know, it was it was written
like it was a race war war or a race
fight or whatever, when it was just, you know, it
just seems like it was a couple of people in
the wrong part of town at the wrong time. I
don't think it was racially motivated, but I ended up
I was covering that case. I think there were seven
(13:32):
seven offenders, and I was in court over two days
and photographed six of them. Just not a hearing, not
a trial, none of that. Yet it was just the
kind of like the bail hearing to see if they
were going to be held in jail or if they
could get out, So something a bit different. Don't do
(13:53):
that very often, you know. I was in the courtroom
with the gear, just just photographing each person as they
came in for their little hearing, quick and super easy.
If I'm honest, it was. It was a great, a
really great gig. I'd love to do. It was another
first you know, it wasn't but it but it's just
(14:13):
something nice to do, something a little bit different than
sitting outside somebody's house for twelve hours a day.
Speaker 2 (14:19):
Yeah, for sure. So did the Yeah, did the guys
that came into court, did they seem like the type
of people that kind of wouldn't have gotten in that
situation that that weren't really you know.
Speaker 1 (14:32):
A couple a couple of them. A couple of them
seem like they wouldn't get into that situation. But then
quite a few of them seem like they would get
into that situation. I saw to actually today. One of
the guys was just arrested I think with like forty
pounds of fentanyl or something like that, or they they
(14:52):
was it was either I think it might have been pounds,
and he was. It looks like he was actually out
on the corner that evening try going to you know,
shift gear. So you know, he is a bad guy
and obviously should be locked up. But yeah, I enjoyed Cincinnati.
I've been there once before, but this time I got
(15:14):
to you know, with the short days that I was working,
I got to really explore and have a good walk
around some great restaurants downtown. The Cincinnati Skyline Chili is awful.
I wouldn't get that if if you're there on vacation.
It's what everybody does. And I had a bunch of
the hot dogs and they were awful. I went to
(15:37):
the ballpark and watched the Cincinnati Reds against the Phillies,
which was really good and fucking dirt cheap. I went
to like six Bucks, and I went to the movies,
which I'll have to talk about in what You're watching. Okay,
So yeah it was. It was a great job. Really
enjoyed it.
Speaker 2 (15:56):
Something in Cincinnati.
Speaker 1 (15:59):
I would recommend going to the Bullpark in Cincinnati. Okay,
And if anyone is going to Cincinnati, I've got a
great restaurant as well that I can't remember. The name
of But I will tell you if you DM me
or us. But yeah, I'm away now. I was somewhere
for the last three days, got no action. Unfortunately, the
(16:20):
target didn't leave the house over the weekend, and then
I flew in this afternoon to another job and I'm
being greeted with the same fucking shit at the moment,
no action. It's quite depressing. I'm not used to so
much non action, so I'm getting a bit upset. And
I'm on for the same the same outlet as the
(16:44):
three days prior. So I'm really feeling the pressure at
the moment to deliver any action. I want exclusives, not excuses,
not much action.
Speaker 2 (16:59):
I'm very confused. Done what to do these days?
Speaker 1 (17:01):
I night. I mean, we had a phone conversation earlier today.
If I was in Los Angeles right now, I do
not know what I'd be working on.
Speaker 2 (17:13):
You know, there's there's the whole oldie theory that I
think is going out of style really fast. I you know,
I do the same troll that I've basically done for
the past twenty seven years or however long it's been.
And you know, I go up the West side, I
go into the West side. There's not many people over there.
(17:35):
This is just for trolling, you know. Targets are targets,
but targets are pretty much on vacation right now. They're
kind of all over the world. There's no one really,
you know, locked down in LA except for a Jennifer
Garner or something like that, which if you do that,
you're going to be dealing with savages. Yeah, so I
(17:55):
don't like savages. So but I do my normal troll.
And there is an oldie that I've been kind of
stopping off every once in a while. In the morning,
I'll stop off there. I'll give it a couple hours,
and because I hadn't seen her in a while, it's
one that Stanley and I used to work all the time. Okay,
Naing Stanley, you'll remember this, but Madeleine Stowe. Stanley had
(18:19):
a little crush on Madeline Stowe and so he used
to bump into her a lot and he used to
kind of work on her a lot. But she's kind
of just one of those that hasn't been shot in
a while, So I give it a few minutes. She
lives in a place where there's just no reception, so
it gets old real quick. When you go and you
kind of doorstep it. So two three hours here and
(18:39):
there over the past couple of months, hadn't seen her car,
never moved to one of those kind of situations.
Speaker 1 (18:46):
Explain really quickly to the listeners who do not know
who Madeline Stowe is? Who is she? Madeleine Stowe? Wa,
do you know?
Speaker 2 (18:57):
If you don't, what do you know about madem Stee?
If you don't know who Madeline Stowe is, then just
shut off the podcast, you know, get back on your
phone and play roadblocks or something.
Speaker 1 (19:09):
I mean, I don't know who she is. I didn't
until you told me the other day.
Speaker 2 (19:13):
Well, let's we can bring up her IMDb. But she's
best known for, I think probably Last of the Mohicans.
Last the Mohicans is a Michael Mann movie. If anybody
knows him, he's a director, he's been. He's directed a
lot of it. He's directed heat, he directed Collateral Damage
or Collateral Sorry, A bunch of a bunch of movies
(19:34):
like that. But she was in Twelve Monkeys, she was
in Revenge, the show Revenge with It's another Stanley movie set.
We used to do Emily van Camp.
Speaker 1 (19:51):
Oh okay, he used to work on her.
Speaker 2 (19:53):
She was not very nice to us when we would
shoot her out, but we did.
Speaker 1 (19:56):
She used to live up by the Hollywood Hills, by
the Hollywood sign, right.
Speaker 2 (20:00):
Yeah, yeah, impossible.
Speaker 1 (20:02):
What was she doing these days?
Speaker 2 (20:04):
Right? I think she's in a show she came out.
Hold on, I think I saw her in something recently, actually,
something that just came out. She was in the Marvel movies,
The Captain America movies for a minute, the Resident.
Speaker 1 (20:20):
No, can't be bad.
Speaker 2 (20:22):
I don't know. Yeah, she's kind of she's kind of
fallen off.
Speaker 1 (20:26):
She was dating a co star right for the longest
time she.
Speaker 2 (20:31):
Was, and we would shoot that show Revenge a lot. Anyway,
Stowe hasn't been around. And Stowe has quit Hollywood.
Speaker 1 (20:38):
Oh really Yeah.
Speaker 2 (20:40):
Supposedly that's the rumor. She's quit Hollywood. So that's why
no one sees her anymore. So anyway, I went to
work on her a couple of times. Nothing moved. And
then just the other day I was passing through there
and she's finally backing out of her driveway as I'm walking,
you know, driving by, but she drives up into Santa Monica.
(21:02):
She goes and pulls up to this house and she
picks up what I think is her daughter. She jumps
in the passenger seat, and they start driving like they
know someone's following them. I'm always worried that people see me.
I'm not like you where I don't think they see
me all the time. And she starts driving, making weird turns,
turning off here, turning off there, and she turns you
(21:25):
remember the old coffee Bean, the one on Montana. Yeah,
you know the parking lot goes around the back of there, right, yep.
So she turns into that parking lot. And there's a
move that we've always done where we pass by the
parking lot. We don't follow them into the parking lot.
We pass by that parking lot, you turn into the
(21:46):
next driveway, you make a U turn, and then you
can pull up and park, and you can watch where
they park and where they walk, because if they walk
the whole food you can see them walk there. You
can set up for the exit. If they come down
to the coffee shop or something like that, you could
shoot them on the way and then wait for an exit.
It's something we've done a million times. I go down,
I make the U turn, I turn around. Car disappeared.
(22:08):
I go down all the alleys. I go down everywhere
I look for twenty thirty minutes. Car's gone, completely gone.
Madeline Stone, what is she like? Seventeen ho or six
thirty sixty years old?
Speaker 1 (22:19):
Totally ditches me, Madeline Stowe? Where did she go? I
do not know? Do you know where Madeline Stowe did go?
Speaker 2 (22:29):
And I did not know? So I gave up.
Speaker 1 (22:35):
No.
Speaker 2 (22:36):
I was like, oh no, I drive up and down
Montana and I'm just hoping to see her, right, I
kind of just do my thing looking for somebody else.
I'm just like, okay, maybe I'll come across at whatever.
But I'd given up. But as I was driving back down,
(22:57):
I just said to myself, you know, I'm going to
go buy her house to see if maybe she went
home for some reason. But she picked up the daughter,
there's no way she would be going home right now, right, yeah,
right away?
Speaker 1 (23:07):
Right?
Speaker 2 (23:08):
So I go down, go buy the house.
Speaker 1 (23:10):
The car's there, and you hadn't got pictures at this point.
Speaker 2 (23:13):
I hadn't got pictures in anything yet. And they just
ditched me inadvertently or on purpose, I don't know. Yeah,
So I wait, actually down the street this time, no
more than fifteen minutes the car comes by me again.
With the car, I follow it again. They drive same
kind of thing down every street. They could have gone
(23:36):
to the coast and just drove straight down to Venice,
because that's where they went, but no, they took the
surface streets. I got separated Jedi on Seventh Street, going south.
I hit the light at sam Vicente. They got through
the light at sam Vacine. They got three lights ahead
of me, and I was separated by fifteen cars and
(23:58):
all the stop signs and all the light and all
that stuff. I caught up to them around Arizona Santa
Monica Boulevard. Yeah, went down Lincoln and they went down Lincoln.
They turned right on Lincoln, they go, they turn right again.
They go down Broadway, down Fourth Street, through Venice, down
into the longest follow that have been on a while
long follow by turns and trying to keep it, you know. Anyway,
(24:22):
they pull over, they go to Abokenny. They get out
and they just walk together down the street and Abokenny.
So it's kind of like a field day at that point,
just kidding them coming in stores, you know, laughing that
whole thing. I think they knew I was there because
I kind of saw them glancing at me. They were
kind of laughing. I don't know. I'm pretty sure they
knew because the follow it had too many turns and
(24:45):
I had to stay on them too much, you know.
Speaker 1 (24:47):
Yeah.
Speaker 2 (24:49):
Anyway, pictures were good, Pictures sold because people hadn't seen
her in a while and it was all about the video.
So that was the Stow Show, The Stow Show. And
then also I had a rookie set downtown Downtown Market
where I did a little live Everyone can go back
and see it. There's still a little bit of footage
(25:10):
that I'm going to post on Instagram or I'm going
to post on social media. And they just did some
action scenes and people running for their lives down in
the Downtown Market. It was chaotic. It was hot, sweaty.
I could tell the actors were hot, sweaty. Security had
their hands full on trying to keep everybody kind of
you know away. Downtown Market is very, very crowded, so
(25:36):
look forward to seeing more rookie coming up. Yeah, for
all you rookie fans out there, why don't we take
a break?
Speaker 1 (25:44):
Sounds good?
Speaker 2 (25:45):
And when we come back. I wanted to talk about
the NEPO invasion in the world. I've been seeing a
lot of stuff. Specifically, one thing in what you're watching
that I watched and I'm sure I told you to
watch it, but I'm sure you didn't watch.
Speaker 1 (26:02):
It, correct.
Speaker 2 (26:04):
And uh, we'll get to that when we come back
there you.
Speaker 1 (26:11):
Hey, welcome back.
Speaker 2 (26:13):
So, Jedi, there's a topic I've been wanting to bring
up on this podcast for a long time. Yes, sir,
and since we kind of mentioned some earlier, I want
to talk about the nepos.
Speaker 1 (26:30):
In the Yes, mate.
Speaker 2 (26:33):
The nepotists in the business, and if people don't know
what a NEPO baby is, or a NEPO child or
a NEPO person is. They are the daughters or sons
of famous people. But they're infiltrating the entire world, Jedi.
Speaker 1 (26:51):
I mean, hey, they're everywhere.
Speaker 2 (26:53):
They're everywhere. And I'm going to tie this into what
you're watching as well, because I've seen a couple of
films lately that star some nepos.
Speaker 1 (27:06):
Okay, okay, And I'm gonna.
Speaker 2 (27:08):
Start with Malibu. Now, I told you to watch Malibu.
Did you end up watching it?
Speaker 1 (27:12):
Absolutely?
Speaker 2 (27:13):
Not nice. Malibu is a short film that was being
promoted by the ultra super supermodel Alessandra Ambrosio that her
daughter Anja Ambrosio was starring in. And I mean it
looks like one of her friends that made the film,
(27:34):
who's probably another NEPO that we don't really know or
that I don't really know of a director and he's
trying to be a director. Now, I've seen this girl
post some things lately on her Instagrams, and her mom
is pushing her to do these things. She's playing, you know,
she's DJing, she's playing guitar, she's singing, all this stuff.
(27:56):
None of it I've seen so far I've been impressed with.
And yeah, so I was giving this short film a shot.
I think she should just stick to supermodeling like her mother.
Right this film, the short film it's called Malibu.
Speaker 1 (28:15):
I'm looking it up on YouTube right now.
Speaker 2 (28:18):
Starring up Brosio, daughter of Alessandra and Brosio. It might
be some of the worst acting I've ever seen in
my entire life.
Speaker 1 (28:28):
Now I've got some worse acting, another worse bad acting
story coming right.
Speaker 2 (28:34):
Well, they put it. You should have put her in
that movie. But it's it's a short, twenty minute minute thing,
and the basic premise is. She's acting a lot older
than she is in the movie. I think she's probably
like in her twenties, like early twenties or something like that,
but she's really like sixteen years old or something like that.
In real life. She plays this girl who kind of
(28:54):
picks up on these loner guys, these kind of emo
looking loner guys, takes them back to her house, feeds
them some tea, which eventually paralyzes them, and then I
guess murders them.
Speaker 1 (29:09):
Oh wow, that sounds she sounds lovely.
Speaker 2 (29:12):
Yeah, right. I mean it made me scared of the
young generation of women because of this, because I could
just see, you know, plenty of you know, these young
girls doing this because they hate men, and you know
there's all this you know, movement against the men these days.
But it was some really really bad acting. It was
(29:33):
shot with some filters and you know, kind of artsy,
you know, it had a little bit of edge to
it and stuff, but acting horrible, very very difficult to watch,
looking at the clock, going what's next, what's next? Does
she have another victim? Does she have another victim? And
then in the end, I guess that the tables get turned.
One of the guys actually kind of sees and switches
(29:56):
the tea her and then she ends up getting paralyzed.
Spoiler alert, spoiler alert, Yes, I just spoke. I saved you.
Speaker 1 (30:06):
Okay, good, well, I'm glad I didn't watch it. Did
her mother promote it on her Instagram?
Speaker 2 (30:12):
Yeah? They both promoted it.
Speaker 1 (30:13):
Alessandro Ambrosio has a ton of Instagram followers, right, so
some of them.
Speaker 2 (30:17):
Two point two million I think or something like that.
Speaker 1 (30:19):
Okay, so some of them.
Speaker 2 (30:21):
Like I think it's like twenty million or something.
Speaker 1 (30:23):
Well, there you go. So holy shit. So you saw
it on there and you went and watched it. How
many other followers do you think have gone and watched it? Then?
What do you think the numbers are for this Malibu
twenty twenty five short film starring Anga Ambrosia. The views
on YouTube? What are your guests?
Speaker 2 (30:43):
Well, and Angia Ambrosio, by the way, Nepo baby to
her and Jamie Maser taking her mother's name in.
Speaker 1 (30:52):
Her That's interesting, isn't it? Yeah?
Speaker 2 (30:56):
Well it's it's her name is Anga Ambrosio. M ah,
so she took the M and her dad's name. That's
very nice.
Speaker 1 (31:02):
Well, that was really nice. Yeah, he's got one.
Speaker 2 (31:04):
Hundred and fourteen thousand followers. Her mom has twelve million followers.
Speaker 1 (31:10):
Oh holy shit, So that shit.
Speaker 2 (31:12):
With that kind of promotion out there, I imagine the
film has seen at least over one hundred thousand views.
Speaker 1 (31:20):
You're you're close, but not very close.
Speaker 2 (31:24):
To to fifty thousand views.
Speaker 1 (31:27):
Take away you about forty four thousand.
Speaker 2 (31:32):
Six thousand views six point one.
Speaker 1 (31:34):
Wow. Yeah, I think she's going to have to try
and handle something else.
Speaker 2 (31:40):
So she's definitely not going to be the next Anna
de Armis, and the director is definitely not going to
be the next jj Abrams.
Speaker 1 (31:49):
Right, No, exactly.
Speaker 2 (31:51):
Yeah, And speaking of jj Abrams, that's another one right there.
And the second film I saw was Honey Dun starring
Margaret Qually. Do you know who Margaret Qually's NEPO parents
are or mother?
Speaker 1 (32:10):
I know her mother Andy McDowell, correct, yes, and her
father is mister Qually.
Speaker 2 (32:21):
Well, this movie Honey Don't, starring Margaret Qualley, Aubrey Plaza,
Chris Evans, and Charlie Day.
Speaker 1 (32:30):
Ah. Yeah.
Speaker 2 (32:32):
Now I was excited to see this movie, Jedi, because
I have a little bit of a crush on Margaret Qually.
After seeing the Substance, which I'm sure you still haven't
seen yet.
Speaker 1 (32:41):
No, of course I haven't.
Speaker 2 (32:42):
She put herself away up on my radar as far
as up and coming actors and stuff like that. Yeah,
I was really excited to see this. Is that Ethan
Cohen movie, and you know, he's one of the Cohen brothers,
and they do some good comedies. They've done some good,
you know, really risky comedies in the past that have it.
(33:02):
And I was really excited about this movie, and the
trailer obviously hyped me up on it. And I was
a little late getting to the theater and walking in
the first line, I hear her say, because she's in
the police station, Chuck or she's talking with Charlie Day,
who plays the detective for the police. He's basically saying, hey,
you know, can we go get some dinner sometime? And
(33:23):
she goes, she goes, no, I like girls.
Speaker 1 (33:25):
Oh okay.
Speaker 2 (33:27):
You could definitely think to yourself, oh, she's just blowing
them off, but no, she likes the girls. And then
it continued to be a kind of who done it
somewhere in like Middle California or something like Modesto or
something like that, and it was just a little bit
of who done it in between a lot of girl
(33:48):
on girl Margaret Qually action.
Speaker 1 (33:52):
Well that sounds like a great movie.
Speaker 2 (33:54):
Well, I mean you would think so, but for some
reason I couldn't figure out if it was hot or not.
Speaker 1 (34:03):
It sounds pretty help to me.
Speaker 2 (34:05):
It sounds hot, right, you would think that it was.
But as it as went on, it kind of just
became a little too much, and it became the main
feature in the movie was just more and more of this,
and when they're when you got the girl on girl
sex scenes, one is enough, you know, maybe two possibly,
but they just threw it on you and it just
(34:27):
kept going and it was unnecessary, and there was too
much time in the movie that was unnecessary girl on
girl stuff. It's like they were pushing on us. So
I don't know what. I don't know what Ethan Cohen
has turned to in this business. But I don't recommend it.
I don't recommend it for a theater. I recommend seeing
it for free, and you know, go judge yourself. But
(34:50):
the wope crowd, the woke crowd is going to definitely
love it.
Speaker 1 (34:53):
Oh okay, But the nepos nopos the way.
Speaker 2 (34:59):
To subject ca up Jedi. I was reading an article
or an article popped up talking about Gracie Abrams. Do
you know who Gracy Abrams? And have you heard of her?
Speaker 1 (35:10):
I've heard the name. I don't know too much about her,
couldn't name a single song. No, she's a friend of
Taylor Swift. That's That's about all I know.
Speaker 2 (35:18):
Of course she is. That's probably how she got popular,
actually because Taylor.
Speaker 1 (35:23):
I think she supported Taylor Swift on one of her
tours at some point.
Speaker 2 (35:26):
Yeah, so she's Sabrina carpentered her exactly. Okay. Well, I
had some friends that have daughters that went to this
concert here in LA and I didn't know much about her,
and this article popped up talking about Gracie Abrams. You know,
really good on tour, you know, selling out right and left.
(35:48):
And by the way, she has a director dad. That's
kind of famous.
Speaker 1 (35:52):
Oh okay, I know who it is now, but I
didn't know about that before.
Speaker 2 (35:56):
So I'm looking into it and I look at obviously
I put two and two with the last names, but
I'm thinking her dad can't be JJ Abrams. You know,
that's not what they're talking about. So I went and
looked it up and it is JJ Abrams. Now what
kind of world do we live in where these twenty
one year old pop up pop singers that sound like
(36:17):
everybody else? Because she sounds exactly like you know, a
Billie Eilish or or you know a Sabrina Carpenter or
any one of them. They talk more about her and
they just kind of give a little nod to the
to the director Dad, that has obviously made some of
the best films around.
Speaker 1 (36:37):
Yeah, well he did Lost as well, didn't I can't
think of any other films offAnd.
Speaker 2 (36:43):
Well he did Trek films.
Speaker 1 (36:45):
He's the one.
Speaker 2 (36:46):
I mean. I told a story way back when on
the podcast about how JJ you know, we were using
the radio on one of his productions when he was
shooting Star Trek or Yeah, it was Star Trek, and
we were using the radios and we kept predicting when
they were gonna be walking out the door because they
kept saying it on the radio. And he kept yelling
(37:08):
over the radio saying, whoever's tipping off these paparazzi, They're
gonna get fired. They're gonna get fired. Oh my god.
And then there was a guy that was up that
was supposed to be like blocking us and like monitoring us,
and JJ ended up thinking it was him tipping.
Speaker 1 (37:23):
Us off, and the guy, oh, come on.
Speaker 2 (37:28):
Yeah, it was hilarious, But the Nepples are taken over Jedi,
and it's kind of like it makes me think, like
we all have kids, right, and there are so many
celebrities now, and there are so many people of influence
and wealthy and celebrity they're all having kids sometimes two, three,
(37:50):
four or five kids. Who mean, we got Garner with
three of them. And if they start placing their kids
in these things, because there's nothing we can do about it,
they're gonna get whatever they want.
Speaker 1 (38:00):
Right, They're gonna go absolutely.
Speaker 2 (38:02):
They obviously can have any career they want. Like, if
they're not a good singer, they're still going to be
a singer. If they're not a good DJ, they're still
going to be a big DJ because of the influence
of their families. Right, So what chance do our kids have? Really?
Speaker 1 (38:17):
Oh?
Speaker 2 (38:17):
God, I know, because there's so many celebrities out there
and with so many kids that eventually they're going to
take over the entire world and they're going to be
running the world in ten fifteen years and it will
be a Nepo nation.
Speaker 1 (38:32):
No oh nation.
Speaker 2 (38:35):
Right, So everybody comment, comment on our social media's tell
us what you think about the NEPO babies. Is it fair?
Is it fair that they're all out there taking all
the great jobs and they're gonna they're the ones that
are gonna be Do we trust them to be in
charge of all the eventually?
Speaker 1 (38:53):
No?
Speaker 2 (38:54):
I don't think so.
Speaker 1 (38:56):
No.
Speaker 2 (38:57):
I do have a game, though, Jedi. We haven't played
a game in a while. And I just pulled up
a list of some nepos.
Speaker 1 (39:07):
Okay, and I want.
Speaker 2 (39:09):
You to try and guess who the parents are.
Speaker 1 (39:13):
Sounds good, Not gonna do. I'm probably not gonna do
very well at this, but we can, we can. We
can give it a go.
Speaker 2 (39:20):
So I'm gonna start on this list. I'm gonna start
at the top and work my way down. Okay, how
many are there? Nineteen?
Speaker 1 (39:27):
Well, nineteen twenty, nineteen nepos, yeah, twenty one, let's do it.
Speaker 2 (39:37):
Okay, So well, and this, you know, I just heard
recently that this guy's son, another NEPO, is doing a
new movie and brought him out of retirement. And I
didn't know he was a NEPO. So I'm gonna start
with them twenty two and we're gonna work our way
down now because I can't get to this list far enough.
All right, Daniel da.
Speaker 1 (39:56):
Lewis, Well, you just gave me the answer.
Speaker 2 (40:00):
No, Daniel day Lewis is a neo as well.
Speaker 1 (40:05):
Oh, Daniel day Lewis is an EPO.
Speaker 2 (40:08):
Daniel da Lewis is a NEPO. His son is making
the movie. But Daniel da Lewis is also a neo.
He's second generation.
Speaker 1 (40:16):
Wow, I didn't even know that. And I don't know
his son's name, and I don't know his dad's name.
Speaker 2 (40:20):
Cecil day Lewis.
Speaker 1 (40:23):
Oh, wow, did from the UK.
Speaker 2 (40:28):
He's a writer and former poet from the UK.
Speaker 1 (40:32):
He's a poet and I didn't know it.
Speaker 2 (40:36):
Domina Hall Gleeson do you know who he?
Speaker 1 (40:40):
I do, but I no idea who his parents are.
I think he's the Redhead guy, right.
Speaker 2 (40:45):
He's the Redhead guy. And I think he's in a
new show called The Paper that just came out.
Speaker 1 (40:50):
Yeah, it's it's a like sequel to the Office, right.
Speaker 2 (40:53):
Yes, do you know who's his not? No, Brendan Gleeson.
Speaker 1 (41:00):
Oh, okay, I know who he is.
Speaker 2 (41:02):
Yeah, He's been a bunch of stuff. He's always an
Irish guy somewhere.
Speaker 1 (41:05):
I didn't know that that's crazy either, did I. That
makes sense then, because that guy's odd looking and not
a very good actor.
Speaker 2 (41:13):
Yeah, well it doesn't even look like his dad at all.
Speaker 1 (41:17):
Lily Collins, this one's I think, Yeah, still Collins.
Speaker 2 (41:21):
All right, Keifer Sutherland.
Speaker 1 (41:24):
Donald, there you go. Yeah?
Speaker 2 (41:27):
Who who I've photographed a couple of times.
Speaker 1 (41:30):
Yeah, I've photographed Keifer, Bryce Dallas, Howard Ron Howard.
Speaker 2 (41:36):
There you go.
Speaker 1 (41:37):
Jared Harris, Jared Harris, Yes, Paul Harris.
Speaker 2 (41:48):
Close. No, Richard Harris, Okay, Richard Harris I recognize from
a million things. But Jared Harris, Oh yeah, Jared Harris,
you know who he is?
Speaker 1 (42:00):
No know who he is even though you're showing me
a picture.
Speaker 2 (42:03):
Okay, he's he's in a million things. You would recognize
him if you heard him or song? Okay, Colin Hanks, Yeah, Tom,
there you go, Lily Rose deppp there you go. And mother,
Oh my goodness, Vanessa parody Angeline and Jolie.
Speaker 1 (42:29):
Parody Angeline Angelina. That's that's Jolly John Voight.
Speaker 2 (42:37):
Jolly John Voight, which was his friend of the podcast
and Mark Mark Marchline Bertrandrand the mother fran Zoe Douche.
Speaker 1 (42:52):
Do you Zoey Douche? Yo, d Zoey Douche. I don't know.
I don't know that one.
Speaker 2 (43:00):
Her mom is I didn't even know this. Her mom
is Leah Thompson.
Speaker 1 (43:05):
I don't know who that is either.
Speaker 2 (43:06):
From Back to the Future.
Speaker 1 (43:10):
I mean I've seen it when I was a child.
Speaker 2 (43:12):
The girlfriend from Back to the Future. Wow, yeah, amazing,
Well the original book the Futures. I did not know that.
And we've got Ben Stiller. Is it Jerry Jerry Stiller
and and and Anne Mira. Okay, he's a full on
netpou so new kid on the block. Jack Quaid, I
(43:35):
don't know if you've seen him in anything lately.
Speaker 1 (43:38):
I haven't. Is that Randy Quaid? That is no Dennis Dennis.
Speaker 2 (43:43):
It is the other one. Yes, Dennis Quaid and mother
maybe even bigger than Dennis Quai.
Speaker 1 (43:50):
I don't know Meg Ryan, Oh no ship.
Speaker 2 (43:53):
Yeah, okay, we already mentioned the the earlier. Margaret Qualley yep,
Andy McDowell, yes, Jeff Bridges.
Speaker 1 (44:07):
Jeff Bridges, not no idea Lloyd Bridges.
Speaker 2 (44:13):
Okay, from did he do oh he did the airplanes.
Oh okay, the airplane movies, you know those kind of
the kind of like the naked guns.
Speaker 1 (44:24):
Yeah. Oh, we get into that soon.
Speaker 2 (44:27):
Jamie Lee Curtis, Oh.
Speaker 1 (44:29):
Goodness, mister Curtis, Richard Curtis close. You know.
Speaker 2 (44:35):
I talked to you about this a couple of days ago,
and you got it. You nailed it already, which was Tony.
That's right, So I'm gonna give you credit for that one. Yeah,
I forgot Michael Douglas. I think this was kind of easy.
Speaker 1 (44:48):
Yep. Kirk Douglas photographed him a bunch.
Speaker 2 (44:51):
Which I have, and I've golfed with him before. Pictures
the pictures that I shot with Adam Sandler that I
posted a couple of weeks ago, I also played with
Kirk Douglas.
Speaker 1 (45:00):
He's got Oh wow, that's incredible.
Speaker 2 (45:02):
Another new kid on the block, Jason Ritter.
Speaker 1 (45:06):
Jason Ritter, Uh no, no, no idea.
Speaker 2 (45:11):
That would be John Ritter's son.
Speaker 1 (45:12):
Oh okay, yeah, and I.
Speaker 2 (45:14):
Think he's dating somebody as well, but I can't remember
who it is, but the the listeners can tell us.
Speaker 1 (45:21):
Nicholas Cage bro Nicholas Cage is a Nicholas.
Speaker 2 (45:26):
Cage is a nepo.
Speaker 1 (45:28):
Jesus, I don't know.
Speaker 2 (45:32):
He comes from a long line of Hollywood royalty. Yes,
that's right. He's a Coppola Orchestra conductor and Oscar winning
film composer Carmine Coppola, Francis Ford Coppola.
Speaker 1 (45:43):
Right, that's right, good old Cage.
Speaker 2 (45:47):
He's got a movie number too, the movies that we've
shot the last couple of months. Oh yeah, we've got
number four. The Scarsguard family.
Speaker 1 (45:58):
Alexander is the child, right.
Speaker 2 (46:02):
Well, there's actually three of them. Oh, it just says
the Scar's Guard family. Well, there's three of them in
this picture. But yes, alex is the only one I know.
And do you know who that is?
Speaker 1 (46:13):
No stealing our guard.
Speaker 2 (46:17):
And yeah, and you would know him too. He has
been in a million things, Big Little Eyes success, Yeah, yeah, yeah, yeah, yeah.
Speaker 1 (46:26):
Yah.
Speaker 2 (46:27):
I'm not gonna do Kieran Culkin because that's too obvious.
Speaker 1 (46:31):
I don't know Kieren Colkin's dad.
Speaker 2 (46:34):
Yeah, it's not really the dad.
Speaker 1 (46:36):
Well I know I know his brother mcaulay.
Speaker 2 (46:38):
Yeah that's yeah, No, that it is so. Kieren's father,
Kit Culkin, was an actor himself. Kit's sister, Bonnie Bedelia
I had a career in Hollywood as well in Diamond Okay,
t Harden alrighty maya Hawk.
Speaker 1 (46:57):
Yeah, obsess Ethan Hawke And there you go.
Speaker 2 (47:01):
And number one on this list Kate Hudson, Mate, Oh,
the old Hudson.
Speaker 1 (47:06):
Yeah, Goldie Horn. And was it Rock Hudson? Your stepfather is?
Speaker 2 (47:15):
Is Bill Hudson?
Speaker 1 (47:17):
Bill Hudson? Why do I think Rock? There's a Rock Hudson.
Speaker 2 (47:20):
Isn't there there's a Rock Hudson. But that wasn't the
right Hudson. And I consider Kate Hudson the queen of
the nepos.
Speaker 1 (47:28):
I'm completely blanking on Goldie Horn's partner. That's exactly how
I was blanking on, completely blanks on him. Yeah, photographed
those many times as well as.
Speaker 2 (47:42):
Of you, and that completes the NEPO game.
Speaker 1 (47:46):
I love a bit, love a bit of neo game.
Speaker 2 (47:50):
Is there anything you've seen lately that you want?
Speaker 1 (47:53):
There is? Mate? You mentioned bag that bad acting earlier
on and you mentioned Naked Gun and they both high
in perfectly with the new Naked Gun, which is awful.
I very rarely spend my hard earned money on going
to the movies, but I was in Cincinnati the other day.
(48:14):
I told the story earlier. I had a little bit
of time off there and decided to go and see
Naked Gun. I like Liam Neeson. He's usually great, you know,
the Taken movies and whatever else he's done. And he's
in it with Pamela Anderson. They did the huge prestool
where they faked a relationship, and my goodness, don't go
(48:35):
and see the movie. It's got awful. Every joke misses,
it's cheesy, it's cheap comedy. Myself and the other person
in the movie theater didn't laugh or make any gasps
or anything at all. It was god awful. Probably one
of the worst films I've ever seen.
Speaker 2 (48:56):
Well, it's very interesting because I heard a podcast today
and there was a movie you guy on there that
was saying that he liked it, when it was a
comedian that was saying he liked it.
Speaker 1 (49:04):
Oh god.
Speaker 2 (49:07):
And I saw an article immediately after that saying that
the public thinks, or the internet thinks, that Pamela Anderson
and Liam Neathson's relationship is fake.
Speaker 1 (49:16):
Yeah, of course it is. It was. It was to
you know, push ticket sales because they've done a shit movie.
Speaker 2 (49:23):
Well, my son and I had a little bit of
time before. We went and saw a movie the other
day and I brought him in because he's never seen
any of the those kind of slapstick comedy things or
anything like that. And I said, let's go in and just,
you know, listen to two or three jokes. You know,
we're going there for about ten minutes to see if
we can laugh once. And yeah, not laugh once. And
he kept tugging on my shirt, like, what are we
(49:44):
doing in here?
Speaker 1 (49:44):
This is the dumbest dad, Let's go. This is awful.
Speaker 2 (49:48):
Yeah. So my experience with it too, I do not
want to see it. I'll wait until it comes for
free and I'll see how long I can tolerate it.
Speaker 1 (49:57):
Yeah, it won't be long. Like the originals were great,
Old slapstick comedy was great. They've tried to reinvent it
and bring it back and they just fucked it up.
It was terrible.
Speaker 2 (50:09):
I did notice though, that Pamelaina said did look really good.
Speaker 1 (50:11):
Though. She looks great.
Speaker 2 (50:14):
You know, it's you know, for her age and the
way she looked at that stuff. They did a good
job with her.
Speaker 1 (50:18):
Yeah, she looks sensational.
Speaker 2 (50:20):
Yeah, it's too bad that she had to ruin it
with a bad movie.
Speaker 1 (50:24):
Yeah, what a shame.
Speaker 2 (50:25):
Well, speaking of fake couples, there is there is some
news that dropped over the last day that I wanted
to ask you about. Because there is no bigger news.
The only thing that can overshadow a Taylor Swift Travis
Kelcey engagement would be a school shooting, and it still
(50:48):
didn't do that. I looked at these pictures, Jedi yea.
I looked at the at the production value of these
pictures for them to announce their engagement.
Speaker 1 (50:59):
Yeah.
Speaker 2 (51:00):
When I saw those pictures, all you can think about
was Tom Cruise and a da Armas or Tom Cruise
and you know, any of his last four or five friends.
And I thought, this looks fake. If there was any
if there was any doubt in my mind that they
were real or anything like that, it solidified it with
(51:23):
these pictures because I'm like, you know, if it was real,
he would have proposed somewhere awesome. There would have been
no footage of it, and she would have on her
Instagram and just put her ring up to the Instagram
and just been like, we're engaged something like that. Now,
I know the public, you know, they they say that
(51:47):
they expect this big spectacle and all this kind of stuff.
But I mean the production value just for those pictures,
just you know, the flowers, the setting, the couch. By
the way, I heard the couch already sold out everywhere
that they were on. It was probably half a million
dollars to produce those photos.
Speaker 1 (52:07):
Yeah, but I don't think that was the same time
as he as when he proposed. I think it was
set up completely different.
Speaker 2 (52:15):
Yeah, I think it was too. But that's what I'm saying,
Like when there's after he proposes, however he did it,
and then they sit down and they go, how are
we going to tell everybody about this? And they go, well,
on one end, we could just be hanging out on
a couch and we could do what the other celebrities
do and just kind of be hugging and go, look,
you know, we're engaged. Or we could rent this huge
(52:36):
studio space, create this whole fucking goddamn garden, fucking environment.
You can get down on one me and we'll just
reenact it in the fucking most fairy tale, fucking Taylor
Swift over the top way possible.
Speaker 1 (52:48):
I liked it, of course, you did. You know. I've
seen them both in the flash multiple times together, both
he and not Weather know there the legit, the legit.
Speaker 2 (53:05):
Yeah, I mean, you know, obviously you're convinced, and that's
what convinces me because I haven't witnessed them like you
have without them knowing that anybody's there. So I'm going
on your you know, on your word here.
Speaker 3 (53:20):
But yeah, those pictures were just too much and it
was too over the top and it didn't need I mean,
there was just as much hype in that as there
wasn't her album, and it's like it was just I mean,
what I want to know is how many pictures did
the photographer take that ended up on the scrapping floor?
Speaker 1 (53:41):
Oh? I mean I was there for three hours doing
that photo shoot with Yeah, there's a lot of outtakes.
I'm sure.
Speaker 2 (53:51):
How many pictures do you think hit that scrapping floor?
Speaker 1 (53:55):
Well, I've only seen about seven or eight the I
mean you would have taken. It's not like your one
click I pick either. Yeah, seven hundred pictures.
Speaker 2 (54:06):
I was gonna say fifteen hundred.
Speaker 1 (54:08):
Yeah, maybe more. Yeah, you know, because Taylor obviously has
approval on what, like she's picking what's getting used. Yeah,
so you know there will hundreds, if not thousands of
pictures taken for that.
Speaker 2 (54:24):
Yeah, and then they sent her a file and she
sat for like two days or three days flipping through
her phone or on her you know, giant screen computer
or whatever. It was just flipping through and going no no, no, no, no,
no no no no, and then that one right yeah, yeah.
Speaker 1 (54:41):
Oh yeah, big time. But that's that's going to be
some wedding. I mean, an engagement party first probably, but
then with the season coming up, maybe not. The wedding
will obviously be after the season. I'd be surprised if
I'm not there quite looking forward to it, to be honest.
Speaker 2 (55:00):
Yeah, it's gonna be crazy. It'll be insane, biggest thing,
yeah ever. Right.
Speaker 1 (55:06):
I just hope it's somewhere where I can get to
because I would like to cover that and it would
make great material for the podcast and the Instagram. Everybody
go follow Paparazzi podcast on Instagram and TikTok.
Speaker 2 (55:20):
Yeah, there is one thing I want to end with Jedi,
and I've only got a minute left here to do it.
But you know, there was a school shooting and obviously
very bad, very you know, everybody's talking about this, but
I did recently get my personal YouTube station canceled by
YouTube because I put some song with something It wasn't
(55:43):
It wasn't even a big deal. But I've heard that
the shooter had a YouTube page and posted tons of
things on his YouTube page that led up to this
whole thing that could have totally tipped off. So I
have a major complaint against YouTube that if you have
an algorithm that can get me kicked off of YouTube
for doing absolutely nothing, why isn't there an algorithm getting
(56:07):
a mass murder getting kicked off of YouTube by what
he posts?
Speaker 1 (56:11):
No idea but their instagram that their YouTube is down.
Now I do know that.
Speaker 2 (56:16):
It is, yeah, but you know whatever, Well, if we
defend anybody on this episode, we do apologize, especially to
the nepos, but for myself and for the Jedi, take
care and be well.
Speaker 1 (56:31):
Madeline Stowe, what do you know, Madeline Stowe? Where did
she go? I do not know. Do you know where
Madeline Stowe did go?
Speaker 2 (56:40):
Rent this huge studio space, create this whole fucking goddamn garden,
fucking environment. You can get down on one me and
we'll just reenact it in the fucking most fairy tale,
fucking Taylor Swift over the top way possible.
Speaker 1 (56:52):
I liked it.
Speaker 2 (56:54):
Of course you did.
Speaker 1 (56:55):
I'm not apologizing to the netos. Goodbye,
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