July 19, 2024 • 60 mins
La consciencia de nuestras aguas.
La conversación con Rodrigo Salas nos sumerge en el mundo acuático a través del sonido.
Rodrigo, quien es facilitador de experiencias de bienestar a través de la bioresonancia acústica y acúatica, nos invita, desde el inicio del programa, a sensibilizarnos con el sonido de las aguas y el sonido del corazón, uno de los primeros sonidos que escuchamos dentro del vientre materno.
La conversación gira entorno a como usar la Bio acústica de los cantos de delfines y ballenas y los sonidos de la caracola y los cuencos en procesos de sanación y de bienestar.
Disfruta de este programa.
La conversación con Rodrigo Salas nos sumerge en el mundo acuático a través del sonido.
Rodrigo, quien es facilitador de experiencias de bienestar a través de la bioresonancia acústica y acúatica, nos invita, desde el inicio del programa, a sensibilizarnos con el sonido de las aguas y el sonido del corazón, uno de los primeros sonidos que escuchamos dentro del vientre materno.
La conversación gira entorno a como usar la Bio acústica de los cantos de delfines y ballenas y los sonidos de la caracola y los cuencos en procesos de sanación y de bienestar.
Disfruta de este programa.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
(00:00):
It initiates a space to know aboutrelationships physically and understand the potential, wisdom
and intelligence of the human body.Connect an hour with the radio show of
the physiotherapy program of the University ofRosario, thinking with the body see and
discover everything that can be done,learned and felt from the consciousness of living
(00:25):
in motion. Welcome, this is, thinking with the body good, welcome,
welcome, welcome to the program thinkingwith the space body, the physiotherapy
program of the University of Rosario,from the microphones of the institutional station Rosario
(00:46):
Radio here in the center of Bogotá, sent a warm greeting to everyone,
to all our cyber listeners. Forme it is always a matter of gratitude
to be able to carry out anew program and to have the presence of
people who, from their places,from their reflections, research, from their
(01:11):
very life, contribute so that weare better human beings and have a more
just and peaceful society. In thesection, the word to awaken consciousness.
Today there will be no word,or today speaks an audio of a good
one. It' s a surprise, but I invite you and I invite
you to listen. This is froma record of our guest that is called
(01:38):
welfare sounds to good maua. Andthis is the preamble to the program that
we will have and the conversation thatwe will have today with Rodrigo Salas Suleeta,
with whom we will talk the subjectin the way of the consciousness of
our waters and in the section,taking care of the body and movement the
(02:02):
s will do a little practice ofconsciousness of those waters. Well, remember
that you are listening to us onour website w or Rosario radio or as
on the platforms of Browcasting, likeRadio Gardet. Likewise, if you want
to connect with us on social networks, you find us on a radio rosary,
on Instagram, Facebook and on YouTube. On the website you will also
(02:28):
find all the radio programming and ifyou are late for this program or miss
some of our podcasts, remember thatall programs are hosted as a radio rosary
on the Spreaker, Spotify and ApplePodcast platforms. Well, thank you very
much to those who listen to theshow. I always receive comments and good,
(02:53):
besides, as a surprise to seeso many paths that we have to
self- knowledge to be better humanbeings and as there are so many options
and so many possibilities that allow usto choose, what can be the path
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that I like the most, whatcan be with what is, with what
I connect most, and I believethat is the purpose of the program.
Well, my thanks go to SonDuarte, who' s with me at
Control Master, and Mario Castro,director of the station. I' m
Victoria Molinas, I' m aphysiotherapist, teacher of the master physiotherapy program
(03:36):
to the felden Crise method and Chileand Space and Bueno. I' ll
buy them. I invite you,I invite you to keep this program thinking
with your body. A program thatseeks an integral look at our whole being,
a program that moves your whole beingwelcome, you knew that recovering habits
(03:57):
of healthy movements allow us to livememe better life thinking with the body the
word to awaken consciousness. In thissection we carry out a reading that allows
us to introduce the topic that weare going to deal with the guest,
prepare for moments of reflection and tranquility. They enjoy these moments. As the
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program commented at the beginning. It' s this fragment that we' re
going to hear right now is calledheart sounds and it' s from the
disk. Sounds of well- being, of amumaua of our guest, Rodrigo
Salas, I invite you to closeyour eyes and connect with this beautiful audio.
(05:00):
S. S. S. S. Yeah? Yeah? Yeah?
(05:57):
Yeah? Yeah? S. Or, well, we' re gonna get
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there. Thank you, Rodrigo,for sharing this beautiful material. You'
re listening to the body thinking ofthe human being as a whole. In
this section we share with us theirexperience and knowledge people who live and assume
(08:35):
the human being. Community with thewhole understand new practical relationships and approaches that
allow us to advance in a betterunderstanding of us as human beings. Well,
(08:56):
today I am fortunate to have herein these microphones Rodrigo Salas Zuleta,
Rodrigo, good morning, Thank you, Well we made it possible, we
have been in conversations or connections fora year And well, thank you,
Rodrigo, for being in these microphonestoday. Very good present victory, thanks
(09:22):
for the invitation and thanks to everyheart that is listening to this present.
It' s just a gift.He hears that we are with all the
frequency of the ocean, of thewater, of the conscience for the good
to live with all taste. Well, then, Rodrigo, thanks to Yanina,
to our friend in common, Argentina, who has been very attentive.
(09:48):
If we manage to do this programin the first place, it is also
thanks to Ayanina for having contacted us. Well, Rodrigo is a facilitator of
experiences of well- being through acousticand aquatic bioresonance, integrating water consciousness and
water memories. To this open-mindedness. So, well, it'
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s certified in multiple forms of aquaticwork. And well, he has an
immense experience working with dolphins and whalesin the different oceans of the Colombian Pacific.
Well, here we are, then, Rodrigo. Thank you very much
and, well, thank you verymuch. I know we' re going
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to have a very, very,very deep and very beautiful program. So
the first thing is to ask yourselfwhy, why, this not how you
get there or what are those firstinspirations that make you approach the aquatic theme,
the acoustic theme. Yeah, andyou introduce yourself to Rodrigo, too,
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he' s Chilean, but hetells me no. I' m
the peacemaker. So, the peacefulis the whole peaceful ocean. So tell
us a little bit, how isTeori and what are your first approaches to
this way of life. Okay.Thank you very much for the deep question.
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It has to do with origin.I' m going straight to the
source. My deepest inspiration has todo with that inner ocean state of warm
waters. As is the Caribbean,as is the water of the Tropic,
which has to do with that ulterinespace, that prenatal space, that space
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in which we are born inside thewater. And someone was born with my
brother I looked and good and doingas a recapiculation of my deep inspiration,
of my teachers as a teacher,I came to my brother before so much
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depth, to bring that awareness oforigin. I was spending about two thousand
four. I went into the worldworking on human resources, looking for executives,
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developing businesses and going through a goodlevel of stress. I had crises,
I also had betrayal and looking fora solution. Okay. It had
been in the lowlands for years now, the other wave was coming down,
followed by non- full States andvery deep States. Not full. So,
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speaking with a friend, I grewup from the experiences in the water
of meditating on the Watsu water,the very beautiful technique or an American Harold
Dan I had the blessing of knowinghim personally and I saw myself also train
with the technical helenience and there Istarted on the way to the water,
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within the technique and then I learnedother techniques with Mario ya Jara, creator
of the technique already Jara, withYung kno clear of the it So olive
moar with the Barrelix and wonderful therapistsneither teachers nor teachers like Helen, like
Chanti from the German school of Watsowith Maria ornelas In Jangsu and in that
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process that I narrated them or thebad origin, I realized looking for my
master' s origin and I cameto my brother, made me and along
with this, to connect with thisocean sensation, I met the masters of
the sound of the Ocean, thedolphins and the rayera. So also connecting
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with part of my childhood, whenwis flipper of what wonders to be in
the sea and have contact with thepins and be friends with a defino and
several of the prines and my humanfriends where I defos them. Well that
experience, the sea tennis, dolphinsare people, the strines are people,
whales and many animals. I believethat everyone, but in reality, our
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level of consciousness reaches us to understandthe confidence that animals bring in depth and
we are just getting closer to them. When you give me questions about evolution
of how this work evolves, Ialso connect with the divine presence that animals
show us. So, with thatas a synthesis, I' d say
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it' s part of the inspirationof my work, connecting with nature,
connecting with the point of origin ofthe home state. And well, here
we are with a reading between sound, between water, the geometry of sound
through the manifestation of cymatics, whichis how matter is mobilized through vibration and
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vibration is expressed through matter. Andwell, and the memories of the water.
I met Dr Masano Moto also inpeople. I was condemned twice that
in Chile he lives the music ofthe divine water and the natural inspires.
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That' s where we' regood, Rodrigo. So, well,
here we have as a big pictureof this trajectory. Tell us, then,
what' s it like? Whatdo you combine with the theme of
sound? Yeah, the sound,the bioresonance. Explain to us a little
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bit what that is, what bioresonanceis, bioacoustics. How I imagine it
as a form of a therapeutic strategyto heal the wounds we have as human
beings. How is this, howdo you integrate these two elements of being
in the water and placing your snails, make all these beautiful sounds that make
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the water experience good. Water consciousnessgenerates an acoustic wave amplification field. The
sound is much more efficient inside thewater. Then the sounds I realized I
wasn' t going out in thewater, I was able to touch,
cross and get far beyond even thetechnology. Inside water, sound and bodies
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we dissolve by this interconnection, whichalso amplifies at the energy level. Amplified
water is like looking through a crystal, the water of a liquid crystal.
And well, in this experience offeeling, of calming down, of meditating,
of resting, I realized that inme tensions are literally dissolving in the
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water. Water is a solution.And next to this that dissolves and that
remains the solution. The body,which has seventy eighty percent of water,
generates a strain with the warm temperatureof the Caribbean water, or the water
of the hot springs or the waterof a warm swimming pool. And,
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well, there, connecting with allthe school that gave me training and that
I continue to train, I alwayslove learning from my colleagues, teachers and
teachers and I saw learning from itconnect internally. Then I also connected with
my origin as a twin man ofcontact with my brother within our mother'
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s tenin space. And there arisemany spontaneous movements that have been polished and
have already formed technique along with soundsunder the water, on the water and
occupying the elements that come out ofsight, such as, for example,
you move in the water and pyralsand snails are generated. With the pyrals
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the coherents are spiral made matter.I went in there with the snails becoming
aware of the snail. The waterfalls through it in the form of a
spiral, just like the snail.In itself it is filled with air and
underwater bubbles are expressed and there aredifferent fovermas to remove the witches from the
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snail and the human body also generatesspirals through our mouth. When we exhale,
we generate spirals, we generate twospirals for our things. In our
therapy we go down and follow pulcaand enter the lungs. And by exhaling
through the mouth, a spiral comesout of the joint of the lungs.
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And so comes the voice also impotence. Then, when working with the spirals
of a line of coherence that manifestsin the water that is seen in the
air, you usually don' tsee out that you see a tornado.
Then the spirals are part of creation, the galaxy, the general spiral and
by carrying the spirals of water inthe person who is resting, meditating,
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it generates a physical impact, atthe same time energetic and conscious, and
helps to rearrange and also come outof the noise in such emotional noise,
physical noise and has to do withthe different conditioning programs that people have been
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doing in their ways, in theirlife and clean water purifies and agonizes.
Thus, in this effect of tranquilityin the body, by relaxing the muscles,
a greater reward comes to the resonanceof the sound, to the resonance
the success that is worked within thesession, to the resonance that the sound
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of the bowls generate, the differentliquid air cavities that are in our body
and solids where the sound is driven, also by the tibuscular system. So,
well, I can keep talking,but there' s actually a lot
of information and I want to gowith drops so that people can go on
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drinking and they' re also formingan idea from here seems wonderful. In
this common way, we also understandthe body, that is as the body,
as this certain structure, but whichis made of liquid. Not then.
That' s why the program ishow we connect with our internal waters.
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And you say it from our originwhen we' re in the mother
' s body, when we're floating in this liquid. Yeah,
we' re formed in water.There, there is our first contact and
that generates our first movements. No, or there' s our first moves.
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But as well as when we comeout we understand ourselves as in our
composition, as water. But withall these forms, I don' t
love this spiral thing you bring.No and sometimes we don' t think
that when we breathe this the motionthat occurs spirally or that the sound is
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spirally. I look at it verymuch from my way of understanding the movement,
very very much of the body movementand I see it clearly that how
important this spiral movement is, notthat it is so particular to the human
being and the shapes that bones haveare always in twisting. There' s
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always this way. So it seemsbeautiful to me how to bring that concept
of the spiral, of the communalspiral, which is common in so many
structures and so many forms of nature. Not then, there seems to me
to be a nice connection. Andthis also helps generation and echo the resonance
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of sound, of sound in usand in relation to others, with the
space where we are. No,unfortunately, we have a very look at
this form divided by spaces, bythings we did not say right now,
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even when we talked about the Pacific, the limits that sometimes, because what
we do not allow is this expansion, expansion as human beings, expansion with
nature, in nature and in thedifferent spaces that we occupy. So,
well, I think there' sa very beautiful element. Tell me a
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little bit. So also how areyou going well, here you already brought
the topic of how water helps torelease, to relax, to put a
connection with our nervous system in avery deep and very primitive way. Not
too, then, tell us alittle bit. How does this work,
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how do you work with people?What kind of people work with what kind
of people you work with, orpeople who simply have an interest in healing
their wounds. How so. Well, the truth is that my work,
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my performance, is cross- cutting, because there are people who arrive because
they have chronic pain, fibromyalgia orare in a mobility treatment with their gynesiologist
or are emotional issues that carry theburden of their inner waters, cooled or
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frozen. Well, in the flowof life. Then they hear about this
of the empressed water, the restand that nothing needs to be done,
just let go. And if theperson is not able to release a conditioning
of a structure of his body,they go into defense or armor. I
tell the person even to let go, to let go. Then the same
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body is revealed in the water,as the photos were revealed, and with
the light and with the darkness.Then what happens when the person is floating
with his inner gaze and we puteven an eye cover, the person is
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activated his whole subject, of innervision, of perception, of observing,
of not distracting himself with outside,outside, beautiful nature in the world.
But the inner gaze invites us tosee what there is and what there is
in the body, in warm watersand when the movement happens without forcing,
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the body moves, the movement ofthe body is suggested as it enters with
micro movements or with macrocontracture or withmicrocontracture. And I' m seeing that,
I' m feeling it so muchwith my touch and there it goes
revealing and the sound. Then Imake a process in which he asked the
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person where the sound feels, whereit resonates. The different elements he occupied
to make the sound impact underwater.The person is out with the water,
there' s his chin, thenthe sound feels. Even if it'
s done in the water, itfeels up to the skull, then its
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sound. When I have worked ina group, the same sound, a
person resounds in the back the heightof the homoplates. Another person' s
hip reaction and someone else' sheart resonates. It is the same place,
at the same time, the sameimpact, but a person receives it
differently. I remember what then revealspart of what I am going to support,
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in unlocking, in harmonizing, andthe king vita eliza and also asked
the person where it has been themanifestation of stress in his physical body,
because if I tell him how thestress manifests in your life and begins to
talk to me about all the situationsof tres, it becomes an aquatic dialogue,
of inconcorporant conversation. Then I'd rather go straight to the body.
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It' s from the body,which is the most structured and dense,
to the subtlest. And it's faster to go from the body.
Enter the useful, because the usefulcan take a long time to decant
and words or images and health.Just a word like the sun or.
One person is represented at the astrosonof another person on the musical note and
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another is represented at the solitude.Then, when working with the body,
we go more direct and give theopportunity for the person to see and have
a mirror experience in which, havingthe inner look, is shown of what
brings and what brings what happens.If I hide what you need session,
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the period goes of consciousness today andthere goes how nice, because the entrance
is precisely the body, not thatit is. Let' s always say
the feeling, the sensations, theperception and as it is important not to
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find that you said, when ifwe go too much to the word,
because we can stay wandering, wanderingand wandering and not really getting there,
because like the core of the thing, then really good. I am a
teacher the metophelden crise and I understandthat not that it is when I feel
the body, I perceive from mybody it is that a little easier suddenly
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to enter into this whole world,of the emotions, in the world of
these thoughts that appear, that appearthere, then it seems beautiful as together,
how you go mixing this somatic,with this acoustic, tell me,
how let' s say of theseexperiences that you have had you come now,
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when a month ago we talked toeach other, you were precisely in
the Colombian Caribbean working with whales anddolphins. Tell us, a little bit,
how that experience is there, whatyour job is, whether you are
also a therapeutic job or how itis wow to see how much the confidence
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that the sound inside the water generatesopening already and generates a free and open
experience of the person I saw aperson be able to give that sense to
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what is manifested and After we finishthe water part, we go to a
conversation. We let him sing allthis. So, in this being able
to carry pure sounds, dolphins andwhales have sound frequencies. They carry far
beyond the twenty thousand hearts, alreadyin the case of dolphins and what they
hear goes more than one hundred twentyzero Hertz and the human being emits sounds
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on average between thirty and three hundredheats three hundred head a super sharp sound,
very sharp and a very serious voice, that is, a lower fool.
And the dolphins the whales emit soundsthat range from a spectrum that we
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can' t even perceive completely,but the body and receives all the frequencies.
Then, by inspiring me with thisinner ocean, it appears in the
rias full of dolphin people. WhenI traveled to Nuki, I had the
opportunity to take part in an experienceof retreat, training, a beautiful practice
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and therapy, Yantzu method that worksthere very strongly the investment and in that
place of Colombia, in Nuki,in the area of Naya huachalito thermales,
were the whales and I decided tocome to Colombia because I was in the
whales and there was this beautiful training. So in that training I had to
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listen and sing on the whales whileI was taking the session. It happened
to me, too. It alsohappened to me when I was in Mexico,
when it was the pandemic we stoppedgetting into the sea and everything,
but I got in. Maybe I' d throw myself before I got there,
before the sun came up and swimmingon the coast of Puerto de Vallarta.
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You can also listen to the singingof whales, because there was nothing,
because there were no cruises. Thesea was calm and the cetaceans,
the sea lane took almost the beaches. Then, going in there on the
edge of the sea, I couldhear the whales. The same thing happened
to me c And there are soundsthat I make today in my sessions that
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are memories of the experiences among thoseI listened to in Mexico, in Chile,
in Bolivia, in the Yacuma River. I heard the dolphins buffees,
who exhale with a lot of strength. They are the pink dolphins of the
Amazon, which are also Guayo andalso good, there are dolphins in the
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rivers Acá, in Colombia, arebeautiful and on the coast also of the
area of Santa Marta, in thearea of the island of Rosario, in
Cartagena, we were also in anexperience of meditation of ocean sounds outside the
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water, on the beach, ina place and just when we were talking
about the sound, the inspiration ofdolphins, passed a dolphin and it was
not one. There were three whodisappeared in front of us there in Cartagena,
with a group of hard- workingwomen who had been meditating there for
(33:22):
more than ten years and had neverappeared a dolphin. So it was like
a beautiful divine synchrony that we weredivinely powerful there, along with Sandra a
niche Rico, who organized that group, a great therapist too and good and
so have happened stories like being ina sweat experience of Sudar in Mexico,
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already with an ancestral design, anexpensive theme and taking a photo in the
shade between the tree and the place. It' s like a black and
the shadow was to see the profileof a whale that appeared in the photo.
Then, at last, a lotof beautiful situations have come out with
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the fallery and with the dolphins andthe sounds of them generate the release of
the programs, of fear, ofnot trusting the programs, of not feeling
fully with the nature that we areand free the entertainment distraction programs that often
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the world makes us sustain instead ofsustaining our own inner nature. So that
' s how it works, andso are you the experience of being in
a place that in the canaries,where the dolphins are, in a place
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and the most shocking thing is thatthere is in the end that is called
torso, which have the open doorof the place where the dolphins are under
human care. The in comes outis about the stairs that are in the
open sea, comes to eat isallowed to make your affections. The caretakers
already in the people that are therein the service too and when it went
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up to the tide, there arefences where the two dolphins are and the
tide covers away the fences and dolphinsjump three meters. They could go and
two dolphins stay there. The samehappened to me in Santa the center of
Via Marina, where dolphins even takeus out at noon to walk the beaches
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and people see them and enjoy themand the destinies are in the open sea,
accompanied by the vet and accompanied bytheir caregivers, and it was up
to me that they invited me tothat experience. I also had there a
month on Rosario Island, feeding,watching how the care of dolphins and corals
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is laughed at, also in agarden, a coral nursery for the theme
of ecosystem care. I also livedin Santa Marta and it is shocking how
nature cooperates with the human and thusenters dolphinotherapy and the human convoy is called
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to cooperate with nature, because whenwe cooperate with nature, we cooperate with
what is part of the solution.Because nature has no noise, nature has
sound. The world sometimes has noiseand sometimes distracts or entertains us. And
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nature, love and divinity bring usthe sound and the world wants to be
I want to do this, Iwant to be the other. I am
not satisfied with our satisfaction and Iwant this and now, but I wanted
to, but I don' tknow what to do. And there'
s a lot of mental noise anda lot of emotional noise. Then nature
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makes noise, at the mental level, at the emotional level and at the
physical level, the restable and thenoise is converted into sound, into what
is at the origin. Our originis sound. It is not noises that
we hear in the origin, hearts, in the water, it is sounds,
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it is not noises. The noiseshave to do with the world.
Nature is always solid and that andthere are the whales, masters and masters
of the end and now I amworking with the sound of the rays.
Oh, that' s nice.So, well, when you' re
looking at nature, it arises inmanta rays movements. We rise elected from
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whales, two dolphins arise the connectionmovement. From that that we have of
the bodily intelligence that there is isaccommodated the Uthenian State and when there is
little space next to a brother ormore brother inside the water, there begins
to be a contact dance with muchtact inside the water, where we are
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always in immersion. That' swhy the combination of flotation and immersion is
very healing. It has also beenmy turn to turn people who are super
good with their life but they aregoing to dive and when they put the
respirator in their mouth, they sometimesoccur as a shock between the body breathing,
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what the thought says. And thereare people who have gone diving,
for example, who touch a casewith a person who went to Easter Island
Rapanu and dived his trip, adetermined woman, put on the suit put
on a ventilator and when they arewater, it was blocked. He went
back to Santiago. In Santiago Idid an immersion session and in the next
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session he brought his mask with hissnorkeler and part of the session where we
did with mask and that with blooming, with investment, and then returned to
the island of Paspar and enjoyed hisprogram. With this experience, well,
here you bring a lot of beautifulelements. What it has to do with
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nature, with our mother and nature, with all that as well, what
it has to teach us and whatwe have separated ourselves from, because we
have separated ourselves from this condition,from nature, from sounds, from forms,
from wisdom. Not then, howto rescue her and how to reinstate
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her, not understanding our wisdom,in contact, in connection, in permanent,
permanent with her. Not then doI think that there is a very
deep and very beautiful element there thatis a question arises for you. Let
' s say, I live inBogotá, I don' t have an
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easy chance to say how to goto the ocean, to the sea,
we have the beautiful Caribbean Sea ofours, but let' s say it
' s not that easy for manyof us. How can we begin to
get a little closer to this,to these forms of connection, of seeing
resonance in the water in a place, for example, like Bogotá. There
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are places here, in Bogotá thatone can say be and bond to have
this kind of experience. Sure,sure, okay. Thank you, because
that call to give this part ofsolution, because well, you have beautiful
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hot springs here in different areas.I was already in the calera area,
he was also now in the machetaarea. It was also my turn the
other day to be in the condoapartment, in a heated pool space,
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while there is a teacher physical educationworking with two children. I was doing
a meditation with six people inside thewater, floating and with the sounds,
and I gave it to him andalso in a way approaching the experience is
with the acoustic landscapes I do inthe halls. I make oceanic landscapes,
with snails, with sounds of water, with live water, with the live
(41:51):
sounds of dolphins, of whales thatI have learned and that also I put
the tracks, recorded, audios,that there are sounds of whales and pins,
that there is a lot. Thennot only what I have created,
but what is already created. Andnext to that, I make live sounds
directed to the conditions that different peoplebring focusing on bioresonance. Bioconsonance is the
(42:16):
ability of our body to empathize withvibration, with sound and that can make
in a state of passivity, astate of motion. It has been my
turn to apply sounds to the vidanza, sounds to the yoga, sounds to
(42:37):
the coaching process to resonate with theheart and help clear the layers with the
curtains they have covered. This permanentconnection that we have with our heart and
with our soul is the distraction ofthe layers that we have put ourselves with
programs, with ideas, with thoughts, with repetitions, they have voluntarily or
(43:07):
involuntarily put us when entering with thesound the solium able to dissolve as much
as the water outside the water,a blockade then, as we approach an
experience with a sound hind session ofsound, ocean acoustic therapy in a room,
in an auditorium, as it isall played to perform at the University
(43:29):
of Gayetana of Herida, Heredia,of Peru, also in Mexico and also
at the Central University of Chile,and has other spaces in salons at the
event. The sound then comes whenit occupies a snail as a resonance box,
besides occupying it as it is akind of trumpets, one could say
(43:51):
or saxopon. The snail receives asca the resonance and the sound that comes
out through it is spirally, itis eating and that geometry to reorder the
disorder of chaos brought by the programsand noises that the person incorporates from the
world. Then it connects with thefull literal nature, from the geometry of
(44:15):
the snail that is seen in thewater that falls into geometry, the air
that comes out in the form ofa spiral and toroid. When the person
lotra, I dive in as welland emit bubbles in the form of slang,
it is milestoneoid, touch the bodyand expand in the form of stoppage
(44:37):
that opens then it does not close, but opens then on a physical,
energetic level. It opens the muscles, opens at an energetic level what has
been slow numb and combines the soundof geometry, movement, it combines everything
and in the living room I occupywater and even occupied the memories of the
(45:00):
water that the people generate. Ihave heard on my way question and pilgrim,
in the waters and guardian of theaguitas, also with a very beautiful
movement that is here in Colombia,which is called singing to the water,
and also with the movement of cakewater motor more to the bike, and
(45:22):
also with men of salt ludia cogis, with my Mapuche family. There is
also in Chile, in Aymara,in the North, where the connection with
water and the memories of water isfundamental. Then people usually go on collecting
(45:43):
water, the water from the Nest, the water from the Lourdes Fountain,
the water from I don' tknow what the water from the Caribbean Sea
is. People collect water and offeringswith an act of love and gratitude and
that on a religious, ancestral,ritual and human level. Thank you,
(46:05):
when you take a glass then itoccurred to me to make the rescue of
the waters, of the moments ofpeace, of the fer of fullness,
that moments you know. Oh,I' m just gonna go, just
a moment. We can rescue thememory of the water from that moment,
calling it in the mind. Thenmore than do the collection of the waters,
(46:30):
of the rivers, of the waterfalls, of the glaciers and you go
gathering and will thank the water tobe restored, so that they will be
protected. We can do the sameprocess of reconnecting our own waters. After
a meditation, after a meaningful therapy, after a high- frequency encounter of
love, after a consciousness, afterreading a book after a film that we
(46:53):
went out with a feeling that ourwater is story, we were in the
eyes, water is made in ourmouth. Then it is to import tra
water collection from our walk why.Because when we' re stressed out,
our mouths don' t dry.If our eyes dry, our organs dry,
our feeling of connection with the otherhearts dries up. Then we turn
(47:20):
to our little bottle with the memoriesof the water, of those chapters and
we take our bag under the sublingualtongue, because it is even more potent
of a drink. And if Ifall, we have a good drink with
the memory of the water, becausewe already have and multiply it. That
' s part of the water method. It is what we do with this
integration of the memories of water,with the geometry of water, inside the
(47:45):
water and outside the water, occupyingthe air, when there it neblinda where
they are already cloudy and there theymoisten the air. The sound is heard
farther than a dry day, becausewater particles lead to sound in the air
and air is water that without condensingtrailers create water. Today there is technology
(48:10):
that is like air compact and createswater. So, nowadays technically there is
no shortage of water. There isa lack of water location in some places,
a flood in other places of drought, because air capture is not done
and condensed and water is created.It is done in a very artisanal way
(48:36):
in the Atacama desert with meshes andcapture gives little can and drops fall and
make river by turn then really thereis no shortage of water. We can
occupy the sea water mixed with freshwater. The isotonic solution, as the
researcher and scientist of the water nequinton taught us. The water of the
(49:04):
sea can be combined with fresh waterand you can drink it and, in
fact, we moisturize when we enterthe sea and swim. We moisturize.
I invite you to do an experimentwhen you go to sea. If you
' re already drinking water, whenyou go to the urinate bar, the
color will be yellow or darker.Then one day x you make that urine
(49:29):
with the same volume of water you' ve taken. When you' re
facing the sea, swim for 20minutes, not two more see water you
normally drink and you' ll seethat your urine is going to be crystalline
and abundant. That' s whatI' ve been able to do with
my water intakes. I' veseen him swimming and my body is fantastic.
(49:52):
If you hydrate when swimming, Idon' t know if you hydrate
at sea in the first twenty minutesor half an hour. Well, they
' re ways to carry health throughwater, through memories of water, through
nutrition with water. It is importantto put sea salt in the water so
(50:13):
that it recovers that load of mineralsalts, because the water filtered in bottle
is water that is in standby.It doesn' t have an energy charge,
it doesn' t have anything.For example, frame water has metroliths.
AchE the water in bottle the shots, but they sell you a bottled
water with electro ready. I'm worth a lot more than accessing seawater
So, well, this integration iswhat I bring as a method that I
(50:37):
' m developing, which is acontinuum that incorporates empirical experiences of what happens
to a person. I have yourfeedback, I share it and I am
polishing the experience. So that's how this road is being made.
I' ve been traveling since Ileft Chile in January. I' m
(51:00):
already doing six months in one hundredand eighty- two in Colombia. I
was coming for a month and ahalf with my family on vacation. I
stayed in Santa Marta who call its sp or salt if you can tell
him the danger, the risk youhave to give yourself. I remember there
' s a phrase that I thinkwas something like this about being in place.
(51:22):
Yeah, I' m staying,too. I' ve already been
wonderful and whistled to Mexico. Notfrom there will I continue to carry the
experience corporando the experience in the sea, in the swimming pools, in the
sick ones, in the centes,the halls, in the halls. Because
I feel like the people we carrybathroom snails, I take them as a
(51:45):
resonant carter. We have to rescuethe snails that are in decoration, are
in the gardens and open them andoccupy them to make them sound, to
occupy them as resonance boxes, tocontribute to medicine and sound therapy, with
(52:06):
psychology, with all the techniques strategiesthat seek full life, to recover our
nature, to know that we arewonderful beings, like the sea, like
the mountain, like the moor,the rin Rodrigo. We' ve run
out of time before. But I, if I wanted you to give us
(52:29):
a few minutes, two minutes,no more, because we no longer have
time to resound the snail. I' d love to if you could give
us a snail bath or a littlemeditation. They can be more than two
minutes, because we' re outof time. So, like that final
(52:51):
gift, before we close the town. They' re an artist. Or
(53:31):
o o o o o o oo o o o o o o o
(56:12):
o o o o o o oo o o o o o o o
o o o o o o oo o o o o o o o
o o o o o o oo o o We' ve already reached
the end of the Rodrigo program.Thank you so much for all our contributions.
I' d like to know ifyou have any numbers, some phones
or some mail where people can connectyou in case they' re left to
(56:38):
delve into the subject Tell us where, where, where I could do that,
well, they can locate me bymy name, Rodrigo Sal Azulera.
They don' t put on Instagram. On Linkedin, on Facebook and I
' m going to appear to youanyway. If you want to see a
beautiful video that is. My nameis Rodrigo Salas Telemundo in a note made
(57:01):
here in Colombia by journalist Carolina Floreswith Ze interviewed me for a red program
and a super cute note. It' s here in Colombia, where you
(57:22):
can see a job in the water. We get what I do out of
the water, which is really avery beautiful experience, where the movement,
the breathing, the child, bythe geometry, the sound of the snails,
the sound of the bowls and thepolyphonic sounds of Vallena inspiration comes together.
(57:42):
Oh, well, that' snice of us to hear. Thank
you, Rodrigo, well, thankyou very much for your time, for
everything you shared with us and thankyou for all this work you do.
I feel that it is all wecan do to achieve and regain balance,
(58:06):
this harmony with nature, to regainthe wisdom that is in nature, particularly
in these wonderful and powerful beings,such as dolphins and whales, so that
we can also return to the depthsof our being our inner waters and good
to be in tune with that indeed. Thank you so much, Rodrigo.
(58:30):
I hope that at the next visitto Colombia we will be able to meet
and one day share beautiful experiences.With you well, because we have reached
the end of our program thinking withthe body the radio show of the program
of Fisioterapa the University of Rosario andwell I invite you to continue to connect
with us thanks to Nelson Duarte,the master control Mario Castro as director of
(58:55):
the station and well we continue toconnect through all these internal waters, our
body and our deepest essence, aspecial greeting for all and everyone. He
(59:34):
ends a space where he knew aboutbody- mind relationships and understood the potential,
wisdom, and intelligence of the humanbody. One hour with the radio
show of the exact physiotherapy program ofthe University of Rosario with the body come
and discover everything that can be done, learned and felt from the consciousness of
(59:55):
living in motion. See you soon, this was thinking with the body.
It initiates a space to know aboutrelationships physically and understand the potential, wisdom
and intelligence of the human body.Connect an hour with the radio show of
the physiotherapy program of the University ofRosario, thinking with the body see and
discover everything that can be done,learned and felt from the consciousness of living
(00:25):
in motion. Welcome, this is, thinking with the body good, welcome,
welcome, welcome to the program thinkingwith the space body, the physiotherapy
program of the University of Rosario,from the microphones of the institutional station Rosario
(00:46):
Radio here in the center of Bogotá, sent a warm greeting to everyone,
to all our cyber listeners. Forme it is always a matter of gratitude
to be able to carry out anew program and to have the presence of
people who, from their places,from their reflections, research, from their
(01:11):
very life, contribute so that weare better human beings and have a more
just and peaceful society. In thesection, the word to awaken consciousness.
Today there will be no word,or today speaks an audio of a good
one. It' s a surprise, but I invite you and I invite
you to listen. This is froma record of our guest that is called
(01:38):
welfare sounds to good maua. Andthis is the preamble to the program that
we will have and the conversation thatwe will have today with Rodrigo Salas Suleeta,
with whom we will talk the subjectin the way of the consciousness of
our waters and in the section,taking care of the body and movement the
(02:02):
s will do a little practice ofconsciousness of those waters. Well, remember
that you are listening to us onour website w or Rosario radio or as
on the platforms of Browcasting, likeRadio Gardet. Likewise, if you want
to connect with us on social networks, you find us on a radio rosary,
on Instagram, Facebook and on YouTube. On the website you will also
(02:28):
find all the radio programming and ifyou are late for this program or miss
some of our podcasts, remember thatall programs are hosted as a radio rosary
on the Spreaker, Spotify and ApplePodcast platforms. Well, thank you very
much to those who listen to theshow. I always receive comments and good,
(02:53):
besides, as a surprise to seeso many paths that we have to
self- knowledge to be better humanbeings and as there are so many options
and so many possibilities that allow usto choose, what can be the path
(03:16):
that I like the most, whatcan be with what is, with what
I connect most, and I believethat is the purpose of the program.
Well, my thanks go to SonDuarte, who' s with me at
Control Master, and Mario Castro,director of the station. I' m
Victoria Molinas, I' m aphysiotherapist, teacher of the master physiotherapy program
(03:36):
to the felden Crise method and Chileand Space and Bueno. I' ll
buy them. I invite you,I invite you to keep this program thinking
with your body. A program thatseeks an integral look at our whole being,
a program that moves your whole beingwelcome, you knew that recovering habits
(03:57):
of healthy movements allow us to livememe better life thinking with the body the
word to awaken consciousness. In thissection we carry out a reading that allows
us to introduce the topic that weare going to deal with the guest,
prepare for moments of reflection and tranquility. They enjoy these moments. As the
(04:30):
program commented at the beginning. It' s this fragment that we' re
going to hear right now is calledheart sounds and it' s from the
disk. Sounds of well- being, of amumaua of our guest, Rodrigo
Salas, I invite you to closeyour eyes and connect with this beautiful audio.
(05:00):
S. S. S. S. Yeah? Yeah? Yeah?
(05:57):
Yeah? Yeah? S. Or, well, we' re gonna get
(08:11):
there. Thank you, Rodrigo,for sharing this beautiful material. You'
re listening to the body thinking ofthe human being as a whole. In
this section we share with us theirexperience and knowledge people who live and assume
(08:35):
the human being. Community with thewhole understand new practical relationships and approaches that
allow us to advance in a betterunderstanding of us as human beings. Well,
(08:56):
today I am fortunate to have herein these microphones Rodrigo Salas Zuleta,
Rodrigo, good morning, Thank you, Well we made it possible, we
have been in conversations or connections fora year And well, thank you,
Rodrigo, for being in these microphonestoday. Very good present victory, thanks
(09:22):
for the invitation and thanks to everyheart that is listening to this present.
It' s just a gift.He hears that we are with all the
frequency of the ocean, of thewater, of the conscience for the good
to live with all taste. Well, then, Rodrigo, thanks to Yanina,
to our friend in common, Argentina, who has been very attentive.
(09:48):
If we manage to do this programin the first place, it is also
thanks to Ayanina for having contacted us. Well, Rodrigo is a facilitator of
experiences of well- being through acousticand aquatic bioresonance, integrating water consciousness and
water memories. To this open-mindedness. So, well, it'
(10:16):
s certified in multiple forms of aquaticwork. And well, he has an
immense experience working with dolphins and whalesin the different oceans of the Colombian Pacific.
Well, here we are, then, Rodrigo. Thank you very much
and, well, thank you verymuch. I know we' re going
(10:37):
to have a very, very,very deep and very beautiful program. So
the first thing is to ask yourselfwhy, why, this not how you
get there or what are those firstinspirations that make you approach the aquatic theme,
the acoustic theme. Yeah, andyou introduce yourself to Rodrigo, too,
(11:03):
he' s Chilean, but hetells me no. I' m
the peacemaker. So, the peacefulis the whole peaceful ocean. So tell
us a little bit, how isTeori and what are your first approaches to
this way of life. Okay.Thank you very much for the deep question.
(11:24):
It has to do with origin.I' m going straight to the
source. My deepest inspiration has todo with that inner ocean state of warm
waters. As is the Caribbean,as is the water of the Tropic,
which has to do with that ulterinespace, that prenatal space, that space
(11:48):
in which we are born inside thewater. And someone was born with my
brother I looked and good and doingas a recapiculation of my deep inspiration,
of my teachers as a teacher,I came to my brother before so much
(12:09):
depth, to bring that awareness oforigin. I was spending about two thousand
four. I went into the worldworking on human resources, looking for executives,
(12:30):
developing businesses and going through a goodlevel of stress. I had crises,
I also had betrayal and looking fora solution. Okay. It had
been in the lowlands for years now, the other wave was coming down,
followed by non- full States andvery deep States. Not full. So,
(12:52):
speaking with a friend, I grewup from the experiences in the water
of meditating on the Watsu water,the very beautiful technique or an American Harold
Dan I had the blessing of knowinghim personally and I saw myself also train
with the technical helenience and there Istarted on the way to the water,
(13:16):
within the technique and then I learnedother techniques with Mario ya Jara, creator
of the technique already Jara, withYung kno clear of the it So olive
moar with the Barrelix and wonderful therapistsneither teachers nor teachers like Helen, like
Chanti from the German school of Watsowith Maria ornelas In Jangsu and in that
(13:39):
process that I narrated them or thebad origin, I realized looking for my
master' s origin and I cameto my brother, made me and along
with this, to connect with thisocean sensation, I met the masters of
the sound of the Ocean, thedolphins and the rayera. So also connecting
(14:01):
with part of my childhood, whenwis flipper of what wonders to be in
the sea and have contact with thepins and be friends with a defino and
several of the prines and my humanfriends where I defos them. Well that
experience, the sea tennis, dolphinsare people, the strines are people,
whales and many animals. I believethat everyone, but in reality, our
(14:26):
level of consciousness reaches us to understandthe confidence that animals bring in depth and
we are just getting closer to them. When you give me questions about evolution
of how this work evolves, Ialso connect with the divine presence that animals
show us. So, with thatas a synthesis, I' d say
(14:50):
it' s part of the inspirationof my work, connecting with nature,
connecting with the point of origin ofthe home state. And well, here
we are with a reading between sound, between water, the geometry of sound
through the manifestation of cymatics, whichis how matter is mobilized through vibration and
(15:11):
vibration is expressed through matter. Andwell, and the memories of the water.
I met Dr Masano Moto also inpeople. I was condemned twice that
in Chile he lives the music ofthe divine water and the natural inspires.
(15:31):
That' s where we' regood, Rodrigo. So, well,
here we have as a big pictureof this trajectory. Tell us, then,
what' s it like? Whatdo you combine with the theme of
sound? Yeah, the sound,the bioresonance. Explain to us a little
(15:54):
bit what that is, what bioresonanceis, bioacoustics. How I imagine it
as a form of a therapeutic strategyto heal the wounds we have as human
beings. How is this, howdo you integrate these two elements of being
in the water and placing your snails, make all these beautiful sounds that make
(16:26):
the water experience good. Water consciousnessgenerates an acoustic wave amplification field. The
sound is much more efficient inside thewater. Then the sounds I realized I
wasn' t going out in thewater, I was able to touch,
cross and get far beyond even thetechnology. Inside water, sound and bodies
(16:52):
we dissolve by this interconnection, whichalso amplifies at the energy level. Amplified
water is like looking through a crystal, the water of a liquid crystal.
And well, in this experience offeeling, of calming down, of meditating,
of resting, I realized that inme tensions are literally dissolving in the
(17:14):
water. Water is a solution.And next to this that dissolves and that
remains the solution. The body,which has seventy eighty percent of water,
generates a strain with the warm temperatureof the Caribbean water, or the water
of the hot springs or the waterof a warm swimming pool. And,
(17:37):
well, there, connecting with allthe school that gave me training and that
I continue to train, I alwayslove learning from my colleagues, teachers and
teachers and I saw learning from itconnect internally. Then I also connected with
my origin as a twin man ofcontact with my brother within our mother'
(18:03):
s tenin space. And there arisemany spontaneous movements that have been polished and
have already formed technique along with soundsunder the water, on the water and
occupying the elements that come out ofsight, such as, for example,
you move in the water and pyralsand snails are generated. With the pyrals
(18:26):
the coherents are spiral made matter.I went in there with the snails becoming
aware of the snail. The waterfalls through it in the form of a
spiral, just like the snail.In itself it is filled with air and
underwater bubbles are expressed and there aredifferent fovermas to remove the witches from the
(18:52):
snail and the human body also generatesspirals through our mouth. When we exhale,
we generate spirals, we generate twospirals for our things. In our
therapy we go down and follow pulcaand enter the lungs. And by exhaling
through the mouth, a spiral comesout of the joint of the lungs.
(19:18):
And so comes the voice also impotence. Then, when working with the spirals
of a line of coherence that manifestsin the water that is seen in the
air, you usually don' tsee out that you see a tornado.
Then the spirals are part of creation, the galaxy, the general spiral and
by carrying the spirals of water inthe person who is resting, meditating,
(19:38):
it generates a physical impact, atthe same time energetic and conscious, and
helps to rearrange and also come outof the noise in such emotional noise,
physical noise and has to do withthe different conditioning programs that people have been
(19:59):
doing in their ways, in theirlife and clean water purifies and agonizes.
Thus, in this effect of tranquilityin the body, by relaxing the muscles,
a greater reward comes to the resonanceof the sound, to the resonance
the success that is worked within thesession, to the resonance that the sound
(20:25):
of the bowls generate, the differentliquid air cavities that are in our body
and solids where the sound is driven, also by the tibuscular system. So,
well, I can keep talking,but there' s actually a lot
of information and I want to gowith drops so that people can go on
(20:51):
drinking and they' re also formingan idea from here seems wonderful. In
this common way, we also understandthe body, that is as the body,
as this certain structure, but whichis made of liquid. Not then.
That' s why the program ishow we connect with our internal waters.
(21:11):
And you say it from our originwhen we' re in the mother
' s body, when we're floating in this liquid. Yeah,
we' re formed in water.There, there is our first contact and
that generates our first movements. No, or there' s our first moves.
(21:32):
But as well as when we comeout we understand ourselves as in our
composition, as water. But withall these forms, I don' t
love this spiral thing you bring.No and sometimes we don' t think
that when we breathe this the motionthat occurs spirally or that the sound is
(21:53):
spirally. I look at it verymuch from my way of understanding the movement,
very very much of the body movementand I see it clearly that how
important this spiral movement is, notthat it is so particular to the human
being and the shapes that bones haveare always in twisting. There' s
(22:18):
always this way. So it seemsbeautiful to me how to bring that concept
of the spiral, of the communalspiral, which is common in so many
structures and so many forms of nature. Not then, there seems to me
to be a nice connection. Andthis also helps generation and echo the resonance
(22:40):
of sound, of sound in usand in relation to others, with the
space where we are. No,unfortunately, we have a very look at
this form divided by spaces, bythings we did not say right now,
(23:00):
even when we talked about the Pacific, the limits that sometimes, because what
we do not allow is this expansion, expansion as human beings, expansion with
nature, in nature and in thedifferent spaces that we occupy. So,
well, I think there' sa very beautiful element. Tell me a
(23:21):
little bit. So also how areyou going well, here you already brought
the topic of how water helps torelease, to relax, to put a
connection with our nervous system in avery deep and very primitive way. Not
too, then, tell us alittle bit. How does this work,
(23:45):
how do you work with people?What kind of people work with what kind
of people you work with, orpeople who simply have an interest in healing
their wounds. How so. Well, the truth is that my work,
(24:07):
my performance, is cross- cutting, because there are people who arrive because
they have chronic pain, fibromyalgia orare in a mobility treatment with their gynesiologist
or are emotional issues that carry theburden of their inner waters, cooled or
(24:36):
frozen. Well, in the flowof life. Then they hear about this
of the empressed water, the restand that nothing needs to be done,
just let go. And if theperson is not able to release a conditioning
of a structure of his body,they go into defense or armor. I
tell the person even to let go, to let go. Then the same
(25:02):
body is revealed in the water,as the photos were revealed, and with
the light and with the darkness.Then what happens when the person is floating
with his inner gaze and we puteven an eye cover, the person is
(25:23):
activated his whole subject, of innervision, of perception, of observing,
of not distracting himself with outside,outside, beautiful nature in the world.
But the inner gaze invites us tosee what there is and what there is
in the body, in warm watersand when the movement happens without forcing,
(25:47):
the body moves, the movement ofthe body is suggested as it enters with
micro movements or with macrocontracture or withmicrocontracture. And I' m seeing that,
I' m feeling it so muchwith my touch and there it goes
revealing and the sound. Then Imake a process in which he asked the
(26:08):
person where the sound feels, whereit resonates. The different elements he occupied
to make the sound impact underwater.The person is out with the water,
there' s his chin, thenthe sound feels. Even if it'
s done in the water, itfeels up to the skull, then its
(26:30):
sound. When I have worked ina group, the same sound, a
person resounds in the back the heightof the homoplates. Another person' s
hip reaction and someone else' sheart resonates. It is the same place,
at the same time, the sameimpact, but a person receives it
differently. I remember what then revealspart of what I am going to support,
(26:55):
in unlocking, in harmonizing, andthe king vita eliza and also asked
the person where it has been themanifestation of stress in his physical body,
because if I tell him how thestress manifests in your life and begins to
talk to me about all the situationsof tres, it becomes an aquatic dialogue,
of inconcorporant conversation. Then I'd rather go straight to the body.
(27:18):
It' s from the body,which is the most structured and dense,
to the subtlest. And it's faster to go from the body.
Enter the useful, because the usefulcan take a long time to decant
and words or images and health.Just a word like the sun or.
One person is represented at the astrosonof another person on the musical note and
(27:41):
another is represented at the solitude.Then, when working with the body,
we go more direct and give theopportunity for the person to see and have
a mirror experience in which, havingthe inner look, is shown of what
brings and what brings what happens.If I hide what you need session,
(28:03):
the period goes of consciousness today andthere goes how nice, because the entrance
is precisely the body, not thatit is. Let' s always say
the feeling, the sensations, theperception and as it is important not to
(28:25):
find that you said, when ifwe go too much to the word,
because we can stay wandering, wanderingand wandering and not really getting there,
because like the core of the thing, then really good. I am a
teacher the metophelden crise and I understandthat not that it is when I feel
the body, I perceive from mybody it is that a little easier suddenly
(28:48):
to enter into this whole world,of the emotions, in the world of
these thoughts that appear, that appearthere, then it seems beautiful as together,
how you go mixing this somatic,with this acoustic, tell me,
how let' s say of theseexperiences that you have had you come now,
(29:14):
when a month ago we talked toeach other, you were precisely in
the Colombian Caribbean working with whales anddolphins. Tell us, a little bit,
how that experience is there, whatyour job is, whether you are
also a therapeutic job or how itis wow to see how much the confidence
(29:42):
that the sound inside the water generatesopening already and generates a free and open
experience of the person I saw aperson be able to give that sense to
(30:02):
what is manifested and After we finishthe water part, we go to a
conversation. We let him sing allthis. So, in this being able
to carry pure sounds, dolphins andwhales have sound frequencies. They carry far
beyond the twenty thousand hearts, alreadyin the case of dolphins and what they
hear goes more than one hundred twentyzero Hertz and the human being emits sounds
(30:27):
on average between thirty and three hundredheats three hundred head a super sharp sound,
very sharp and a very serious voice, that is, a lower fool.
And the dolphins the whales emit soundsthat range from a spectrum that we
(30:48):
can' t even perceive completely,but the body and receives all the frequencies.
Then, by inspiring me with thisinner ocean, it appears in the
rias full of dolphin people. WhenI traveled to Nuki, I had the
opportunity to take part in an experienceof retreat, training, a beautiful practice
(31:10):
and therapy, Yantzu method that worksthere very strongly the investment and in that
place of Colombia, in Nuki,in the area of Naya huachalito thermales,
were the whales and I decided tocome to Colombia because I was in the
whales and there was this beautiful training. So in that training I had to
(31:34):
listen and sing on the whales whileI was taking the session. It happened
to me, too. It alsohappened to me when I was in Mexico,
when it was the pandemic we stoppedgetting into the sea and everything,
but I got in. Maybe I' d throw myself before I got there,
before the sun came up and swimmingon the coast of Puerto de Vallarta.
(31:56):
You can also listen to the singingof whales, because there was nothing,
because there were no cruises. Thesea was calm and the cetaceans,
the sea lane took almost the beaches. Then, going in there on the
edge of the sea, I couldhear the whales. The same thing happened
to me c And there are soundsthat I make today in my sessions that
(32:17):
are memories of the experiences among thoseI listened to in Mexico, in Chile,
in Bolivia, in the Yacuma River. I heard the dolphins buffees,
who exhale with a lot of strength. They are the pink dolphins of the
Amazon, which are also Guayo andalso good, there are dolphins in the
(32:40):
rivers Acá, in Colombia, arebeautiful and on the coast also of the
area of Santa Marta, in thearea of the island of Rosario, in
Cartagena, we were also in anexperience of meditation of ocean sounds outside the
(33:00):
water, on the beach, ina place and just when we were talking
about the sound, the inspiration ofdolphins, passed a dolphin and it was
not one. There were three whodisappeared in front of us there in Cartagena,
with a group of hard- workingwomen who had been meditating there for
(33:22):
more than ten years and had neverappeared a dolphin. So it was like
a beautiful divine synchrony that we weredivinely powerful there, along with Sandra a
niche Rico, who organized that group, a great therapist too and good and
so have happened stories like being ina sweat experience of Sudar in Mexico,
(33:47):
already with an ancestral design, anexpensive theme and taking a photo in the
shade between the tree and the place. It' s like a black and
the shadow was to see the profileof a whale that appeared in the photo.
Then, at last, a lotof beautiful situations have come out with
(34:10):
the fallery and with the dolphins andthe sounds of them generate the release of
the programs, of fear, ofnot trusting the programs, of not feeling
fully with the nature that we areand free the entertainment distraction programs that often
(34:36):
the world makes us sustain instead ofsustaining our own inner nature. So that
' s how it works, andso are you the experience of being in
a place that in the canaries,where the dolphins are, in a place
(34:58):
and the most shocking thing is thatthere is in the end that is called
torso, which have the open doorof the place where the dolphins are under
human care. The in comes outis about the stairs that are in the
open sea, comes to eat isallowed to make your affections. The caretakers
already in the people that are therein the service too and when it went
(35:23):
up to the tide, there arefences where the two dolphins are and the
tide covers away the fences and dolphinsjump three meters. They could go and
two dolphins stay there. The samehappened to me in Santa the center of
Via Marina, where dolphins even takeus out at noon to walk the beaches
(35:45):
and people see them and enjoy themand the destinies are in the open sea,
accompanied by the vet and accompanied bytheir caregivers, and it was up
to me that they invited me tothat experience. I also had there a
month on Rosario Island, feeding,watching how the care of dolphins and corals
(36:06):
is laughed at, also in agarden, a coral nursery for the theme
of ecosystem care. I also livedin Santa Marta and it is shocking how
nature cooperates with the human and thusenters dolphinotherapy and the human convoy is called
(36:31):
to cooperate with nature, because whenwe cooperate with nature, we cooperate with
what is part of the solution.Because nature has no noise, nature has
sound. The world sometimes has noiseand sometimes distracts or entertains us. And
(36:52):
nature, love and divinity bring usthe sound and the world wants to be
I want to do this, Iwant to be the other. I am
not satisfied with our satisfaction and Iwant this and now, but I wanted
to, but I don' tknow what to do. And there'
s a lot of mental noise anda lot of emotional noise. Then nature
(37:14):
makes noise, at the mental level, at the emotional level and at the
physical level, the restable and thenoise is converted into sound, into what
is at the origin. Our originis sound. It is not noises that
we hear in the origin, hearts, in the water, it is sounds,
(37:35):
it is not noises. The noiseshave to do with the world.
Nature is always solid and that andthere are the whales, masters and masters
of the end and now I amworking with the sound of the rays.
Oh, that' s nice.So, well, when you' re
looking at nature, it arises inmanta rays movements. We rise elected from
(37:59):
whales, two dolphins arise the connectionmovement. From that that we have of
the bodily intelligence that there is isaccommodated the Uthenian State and when there is
little space next to a brother ormore brother inside the water, there begins
to be a contact dance with muchtact inside the water, where we are
(38:21):
always in immersion. That' swhy the combination of flotation and immersion is
very healing. It has also beenmy turn to turn people who are super
good with their life but they aregoing to dive and when they put the
respirator in their mouth, they sometimesoccur as a shock between the body breathing,
(38:45):
what the thought says. And thereare people who have gone diving,
for example, who touch a casewith a person who went to Easter Island
Rapanu and dived his trip, adetermined woman, put on the suit put
on a ventilator and when they arewater, it was blocked. He went
back to Santiago. In Santiago Idid an immersion session and in the next
(39:09):
session he brought his mask with hissnorkeler and part of the session where we
did with mask and that with blooming, with investment, and then returned to
the island of Paspar and enjoyed hisprogram. With this experience, well,
here you bring a lot of beautifulelements. What it has to do with
(39:34):
nature, with our mother and nature, with all that as well, what
it has to teach us and whatwe have separated ourselves from, because we
have separated ourselves from this condition,from nature, from sounds, from forms,
from wisdom. Not then, howto rescue her and how to reinstate
(39:59):
her, not understanding our wisdom,in contact, in connection, in permanent,
permanent with her. Not then doI think that there is a very
deep and very beautiful element there thatis a question arises for you. Let
' s say, I live inBogotá, I don' t have an
(40:22):
easy chance to say how to goto the ocean, to the sea,
we have the beautiful Caribbean Sea ofours, but let' s say it
' s not that easy for manyof us. How can we begin to
get a little closer to this,to these forms of connection, of seeing
resonance in the water in a place, for example, like Bogotá. There
(40:45):
are places here, in Bogotá thatone can say be and bond to have
this kind of experience. Sure,sure, okay. Thank you, because
that call to give this part ofsolution, because well, you have beautiful
(41:05):
hot springs here in different areas.I was already in the calera area,
he was also now in the machetaarea. It was also my turn the
other day to be in the condoapartment, in a heated pool space,
(41:27):
while there is a teacher physical educationworking with two children. I was doing
a meditation with six people inside thewater, floating and with the sounds,
and I gave it to him andalso in a way approaching the experience is
with the acoustic landscapes I do inthe halls. I make oceanic landscapes,
with snails, with sounds of water, with live water, with the live
(41:51):
sounds of dolphins, of whales thatI have learned and that also I put
the tracks, recorded, audios,that there are sounds of whales and pins,
that there is a lot. Thennot only what I have created,
but what is already created. Andnext to that, I make live sounds
directed to the conditions that different peoplebring focusing on bioresonance. Bioconsonance is the
(42:16):
ability of our body to empathize withvibration, with sound and that can make
in a state of passivity, astate of motion. It has been my
turn to apply sounds to the vidanza, sounds to the yoga, sounds to
(42:37):
the coaching process to resonate with theheart and help clear the layers with the
curtains they have covered. This permanentconnection that we have with our heart and
with our soul is the distraction ofthe layers that we have put ourselves with
programs, with ideas, with thoughts, with repetitions, they have voluntarily or
(43:07):
involuntarily put us when entering with thesound the solium able to dissolve as much
as the water outside the water,a blockade then, as we approach an
experience with a sound hind session ofsound, ocean acoustic therapy in a room,
in an auditorium, as it isall played to perform at the University
(43:29):
of Gayetana of Herida, Heredia,of Peru, also in Mexico and also
at the Central University of Chile,and has other spaces in salons at the
event. The sound then comes whenit occupies a snail as a resonance box,
besides occupying it as it is akind of trumpets, one could say
(43:51):
or saxopon. The snail receives asca the resonance and the sound that comes
out through it is spirally, itis eating and that geometry to reorder the
disorder of chaos brought by the programsand noises that the person incorporates from the
world. Then it connects with thefull literal nature, from the geometry of
(44:15):
the snail that is seen in thewater that falls into geometry, the air
that comes out in the form ofa spiral and toroid. When the person
lotra, I dive in as welland emit bubbles in the form of slang,
it is milestoneoid, touch the bodyand expand in the form of stoppage
(44:37):
that opens then it does not close, but opens then on a physical,
energetic level. It opens the muscles, opens at an energetic level what has
been slow numb and combines the soundof geometry, movement, it combines everything
and in the living room I occupywater and even occupied the memories of the
(45:00):
water that the people generate. Ihave heard on my way question and pilgrim,
in the waters and guardian of theaguitas, also with a very beautiful
movement that is here in Colombia,which is called singing to the water,
and also with the movement of cakewater motor more to the bike, and
(45:22):
also with men of salt ludia cogis, with my Mapuche family. There is
also in Chile, in Aymara,in the North, where the connection with
water and the memories of water isfundamental. Then people usually go on collecting
(45:43):
water, the water from the Nest, the water from the Lourdes Fountain,
the water from I don' tknow what the water from the Caribbean Sea
is. People collect water and offeringswith an act of love and gratitude and
that on a religious, ancestral,ritual and human level. Thank you,
(46:05):
when you take a glass then itoccurred to me to make the rescue of
the waters, of the moments ofpeace, of the fer of fullness,
that moments you know. Oh,I' m just gonna go, just
a moment. We can rescue thememory of the water from that moment,
calling it in the mind. Thenmore than do the collection of the waters,
(46:30):
of the rivers, of the waterfalls, of the glaciers and you go
gathering and will thank the water tobe restored, so that they will be
protected. We can do the sameprocess of reconnecting our own waters. After
a meditation, after a meaningful therapy, after a high- frequency encounter of
love, after a consciousness, afterreading a book after a film that we
(46:53):
went out with a feeling that ourwater is story, we were in the
eyes, water is made in ourmouth. Then it is to import tra
water collection from our walk why.Because when we' re stressed out,
our mouths don' t dry.If our eyes dry, our organs dry,
our feeling of connection with the otherhearts dries up. Then we turn
(47:20):
to our little bottle with the memoriesof the water, of those chapters and
we take our bag under the sublingualtongue, because it is even more potent
of a drink. And if Ifall, we have a good drink with
the memory of the water, becausewe already have and multiply it. That
' s part of the water method. It is what we do with this
integration of the memories of water,with the geometry of water, inside the
(47:45):
water and outside the water, occupyingthe air, when there it neblinda where
they are already cloudy and there theymoisten the air. The sound is heard
farther than a dry day, becausewater particles lead to sound in the air
and air is water that without condensingtrailers create water. Today there is technology
(48:10):
that is like air compact and createswater. So, nowadays technically there is
no shortage of water. There isa lack of water location in some places,
a flood in other places of drought, because air capture is not done
and condensed and water is created.It is done in a very artisanal way
(48:36):
in the Atacama desert with meshes andcapture gives little can and drops fall and
make river by turn then really thereis no shortage of water. We can
occupy the sea water mixed with freshwater. The isotonic solution, as the
researcher and scientist of the water nequinton taught us. The water of the
(49:04):
sea can be combined with fresh waterand you can drink it and, in
fact, we moisturize when we enterthe sea and swim. We moisturize.
I invite you to do an experimentwhen you go to sea. If you
' re already drinking water, whenyou go to the urinate bar, the
color will be yellow or darker.Then one day x you make that urine
(49:29):
with the same volume of water you' ve taken. When you' re
facing the sea, swim for 20minutes, not two more see water you
normally drink and you' ll seethat your urine is going to be crystalline
and abundant. That' s whatI' ve been able to do with
my water intakes. I' veseen him swimming and my body is fantastic.
(49:52):
If you hydrate when swimming, Idon' t know if you hydrate
at sea in the first twenty minutesor half an hour. Well, they
' re ways to carry health throughwater, through memories of water, through
nutrition with water. It is importantto put sea salt in the water so
(50:13):
that it recovers that load of mineralsalts, because the water filtered in bottle
is water that is in standby.It doesn' t have an energy charge,
it doesn' t have anything.For example, frame water has metroliths.
AchE the water in bottle the shots, but they sell you a bottled
water with electro ready. I'm worth a lot more than accessing seawater
So, well, this integration iswhat I bring as a method that I
(50:37):
' m developing, which is acontinuum that incorporates empirical experiences of what happens
to a person. I have yourfeedback, I share it and I am
polishing the experience. So that's how this road is being made.
I' ve been traveling since Ileft Chile in January. I' m
(51:00):
already doing six months in one hundredand eighty- two in Colombia. I
was coming for a month and ahalf with my family on vacation. I
stayed in Santa Marta who call its sp or salt if you can tell
him the danger, the risk youhave to give yourself. I remember there
' s a phrase that I thinkwas something like this about being in place.
(51:22):
Yeah, I' m staying,too. I' ve already been
wonderful and whistled to Mexico. Notfrom there will I continue to carry the
experience corporando the experience in the sea, in the swimming pools, in the
sick ones, in the centes,the halls, in the halls. Because
I feel like the people we carrybathroom snails, I take them as a
(51:45):
resonant carter. We have to rescuethe snails that are in decoration, are
in the gardens and open them andoccupy them to make them sound, to
occupy them as resonance boxes, tocontribute to medicine and sound therapy, with
(52:06):
psychology, with all the techniques strategiesthat seek full life, to recover our
nature, to know that we arewonderful beings, like the sea, like
the mountain, like the moor,the rin Rodrigo. We' ve run
out of time before. But I, if I wanted you to give us
(52:29):
a few minutes, two minutes,no more, because we no longer have
time to resound the snail. I' d love to if you could give
us a snail bath or a littlemeditation. They can be more than two
minutes, because we' re outof time. So, like that final
(52:51):
gift, before we close the town. They' re an artist. Or
(53:31):
o o o o o o oo o o o o o o o
(56:12):
o o o o o o oo o o o o o o o
o o o o o o oo o o o o o o o
o o o o o o oo o o We' ve already reached
the end of the Rodrigo program.Thank you so much for all our contributions.
I' d like to know ifyou have any numbers, some phones
or some mail where people can connectyou in case they' re left to
(56:38):
delve into the subject Tell us where, where, where I could do that,
well, they can locate me bymy name, Rodrigo Sal Azulera.
They don' t put on Instagram. On Linkedin, on Facebook and I
' m going to appear to youanyway. If you want to see a
beautiful video that is. My nameis Rodrigo Salas Telemundo in a note made
(57:01):
here in Colombia by journalist Carolina Floreswith Ze interviewed me for a red program
and a super cute note. It' s here in Colombia, where you
(57:22):
can see a job in the water. We get what I do out of
the water, which is really avery beautiful experience, where the movement,
the breathing, the child, bythe geometry, the sound of the snails,
the sound of the bowls and thepolyphonic sounds of Vallena inspiration comes together.
(57:42):
Oh, well, that' snice of us to hear. Thank
you, Rodrigo, well, thankyou very much for your time, for
everything you shared with us and thankyou for all this work you do.
I feel that it is all wecan do to achieve and regain balance,
(58:06):
this harmony with nature, to regainthe wisdom that is in nature, particularly
in these wonderful and powerful beings,such as dolphins and whales, so that
we can also return to the depthsof our being our inner waters and good
to be in tune with that indeed. Thank you so much, Rodrigo.
(58:30):
I hope that at the next visitto Colombia we will be able to meet
and one day share beautiful experiences.With you well, because we have reached
the end of our program thinking withthe body the radio show of the program
of Fisioterapa the University of Rosario andwell I invite you to continue to connect
with us thanks to Nelson Duarte,the master control Mario Castro as director of
(58:55):
the station and well we continue toconnect through all these internal waters, our
body and our deepest essence, aspecial greeting for all and everyone. He
(59:34):
ends a space where he knew aboutbody- mind relationships and understood the potential,
wisdom, and intelligence of the humanbody. One hour with the radio
show of the exact physiotherapy program ofthe University of Rosario with the body come
and discover everything that can be done, learned and felt from the consciousness of
(59:55):
living in motion. See you soon, this was thinking with the body.
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