619 - Danger Danger - Horny S.O.B.

619 - Danger Danger - Horny S.O.B. - Chris, Nick, and Andy break down "Horny S.O.B." from the 1991 album Screw It! by Danger Danger. 

Episode Transcript

Speaker 1 (00:01):
Ladies and gentlemen, This is September Got Gibbs and the
Emerald Live Band bringing it to you each and every
week here on Pot of Thunder, the recognized symbol of

(00:23):
excellence and rock and roll podcasting, brought to you by
Patreon dot com slash Pot of Thunder. Oh there's so
many tears, maybe even four. I'm not even sure you
can count them on one hand, but that's all you need.
We don't want to make it confusing. This isn't a
Greek diner.

Speaker 2 (00:40):
Taco bell, the taco bell drive through placard. It's like,
what the fuck? What do I? What do I do?

Speaker 3 (00:48):
Here?

Speaker 2 (00:48):
You've got cars honk behind me? What do I do?

Speaker 4 (00:53):
Yeah, we're gonna saying, oh, you can count all the
tears on your one hand, even if you are our
uncle Leo.

Speaker 3 (01:00):
It for God bless him.

Speaker 1 (01:01):
But yeah, Oh, it's more like a five guys menu
that we've got going on at patreon dot com slash
Pot of Thunder.

Speaker 2 (01:09):
And not nearly as expensive.

Speaker 1 (01:12):
No, guys, Oh my god, I can't afford that place anymore?
Done with it? Who can afford that?

Speaker 2 (01:17):
What are the burgers up to? Not twenty bucks each
or some shit? Like that.

Speaker 1 (01:21):
It's damn near close, absolutely insane. I can't keep up
with it. But anyway, Hey, everybody, we're gonna have a
good time. We're gonna bend our knees, We're gonna put
our hands on each other's shoulders. We're gonna form a
conga line. Yes, because the Conga King of Northwest Indiana's
in the house.

Speaker 5 (01:37):
Liz, get y'all.

Speaker 1 (01:54):
What are we doing? What's happened to us?

Speaker 3 (01:57):
It's yeah, I love it.

Speaker 1 (01:59):
It's your Boddy in America's little brother as always, joined
by this fellow who's getting up. He's taking his headphones off.
He's got a plan. We're gonna see what it is.
I gotta got this camera lined out for the cable.
Look out, look out, ladies and gentlemen. Here he goes.

Speaker 2 (02:16):
Is he ready? Yes?

Speaker 1 (02:35):
O Lock has entered the program. Nick, Welcome to the show.
How far can I get into it? This isn't gonna work.
I'm sorry, I'll say I could try. Nick covered my
head almost shadow boxing.

Speaker 2 (02:51):
It looked like what was the theme this morning?

Speaker 4 (02:53):
That was the original dance that our lead singer used
to do to that song.

Speaker 3 (02:59):
Wow, that at least I was trying to do that.

Speaker 1 (03:01):
You're doing the flying Errands polka dance a throwback.

Speaker 3 (03:06):
Igured I'd bring it around full circle.

Speaker 2 (03:09):
Pay pay my homage to what originated it good call.

Speaker 1 (03:15):
All right and to Nick's immediate left you on him?
We got him? God?

Speaker 2 (03:26):
Can heaven?

Speaker 5 (03:29):
Every dayDay?

Speaker 3 (03:33):
Can Heaven.

Speaker 2 (03:36):
Get out of our way?

Speaker 1 (03:38):
Yeah? You put your hands together. It's the breakout star
of the podcast medium Chris els in the house and
it is September as the opening song indicated this month.

Speaker 2 (03:51):
So it's tomber first today, the day of this the
release of this episode, first of five Mondays, tom.

Speaker 1 (04:01):
Five Mondays Starting with me.

Speaker 2 (04:04):
It's a lot of pressure. You hit a lot on
your plate recently, a lot on your mind. You have
enough bullshit on your mind and we had to pile
on with this responsibility.

Speaker 1 (04:17):
It's a lot.

Speaker 2 (04:18):
So where are you at with it?

Speaker 1 (04:20):
I've got an idea, so I think you'll like the idea.
I think everyone will be happy with the idea, listeners especially.
But first, Nick, I'm hungry. Can you get the what?

Speaker 3 (04:35):
Here's the thing?

Speaker 1 (04:36):
What happened?

Speaker 3 (04:37):
They're still in the fridge?

Speaker 1 (04:42):
Nick forgot the treats this week.

Speaker 3 (04:44):
It's the first time.

Speaker 4 (04:45):
I think that's all right, disappointing. I'm going to put
them in the freezer.

Speaker 1 (04:49):
Okay, we'll have them for next week. They'll keep for
a week. Yeah, okay, well there you go.

Speaker 3 (04:55):
It's very disappointed though. I got here and I was.

Speaker 1 (04:57):
Like Nick, pop the trunk and there was nothing in there.

Speaker 2 (05:03):
Yeah.

Speaker 3 (05:04):
Well, I'm sorry, sorry everyone, that's all right.

Speaker 2 (05:08):
I gotta you know, watch my calories. I've got my
fortieth high school reunion on Sunday.

Speaker 1 (05:16):
Oh well, you only got a few more days for that.

Speaker 2 (05:18):
Now I need to like sit in a sawn off
for the entirety up until Sunday, the last ditch effort

(05:42):
to not look completely terrible.

Speaker 1 (05:46):
Do you guys remember that short lived Michael Richards show
that was like Meadows in it?

Speaker 2 (05:51):
Yeah?

Speaker 1 (05:51):
It was after Seinfeld. Yeah wait, who were we just
talking to about this?

Speaker 2 (05:57):
Where?

Speaker 3 (05:58):
Not me?

Speaker 1 (05:59):
I was talking to somebody I forget. Maybe it was
our friend rich I don't remember. If it wasn't, I
apologize to whoever it was. But someone was talking about
how Michael Richards had the opportunity to do either The
Michael Richards Show, which was a sitcom that didn't last long,
or Monk, and he chose the Michael Richards Show when
Monk went on to be like numerous seasons. Who knows

(06:19):
if it would have worked with him at Awards. Yeah, yeah,
wrong choice. But anyway, I was gonna say the Michael
Richards Show thing only I watched one episode of that
when it was on live, and at least how I
remember it, he was going on a date, but he
wanted to get in shape, so he just like kept
working out and then at the date he couldn't stand

(06:40):
or move his arms or it was just like physical comedy,
Michael Richard's falling all over. So I was gonna say,
maybe that's what you do, Just go overboard with exercising until.

Speaker 3 (06:49):
And then just not be able to move, yes.

Speaker 1 (06:51):
Exactly, or the sauna equivalent where he won't be able
to stand anymore.

Speaker 2 (06:55):
Yeah, just be completely sap of energy, laying down on
the floor the puddle in front of the Smith's Morrissey
cover band that they've booked to play at this thing.

Speaker 4 (07:09):
You won't be the only one on laying in the
fetal position on the floor, because isn't that what you're
supposed to do at a Morrissey concert.

Speaker 3 (07:16):
Isn't that that the.

Speaker 1 (07:17):
Fan interaction everyone just lays down like the.

Speaker 4 (07:20):
Metal bands do the rowing, you know, and or the
motorcycle you know, the blast beat thing.

Speaker 3 (07:28):
I don't know. I've never been to a Morrissey show,
but I imagine.

Speaker 1 (07:30):
That I have. There's no fetal position. It was just normal,
normal behavior.

Speaker 2 (07:37):
Were There are a lot of Mexicans in the crowd,
is icon he is.

Speaker 1 (07:42):
It was riot Fest, so it wasn't a true Morrissey crowd,
so I couldn't tell you. I just the only thing
I remember was all of the food trucks that served
meat had to stop for his set.

Speaker 2 (07:53):
That's right, you meant I remember you mentioned that before.

Speaker 1 (07:57):
Which, honestly, I do love a pain in the ass
like that. Yeah, I'm entertained by that.

Speaker 2 (08:01):
I'm entertained too. But how what would happen if somebody
served hot dog during Morrissey? He got his fucking staff
members monitoring every food truck out there.

Speaker 1 (08:15):
Maybe that's just a way for him to get his
full pay and potentially get off early from work.

Speaker 2 (08:22):
You violated, like the brown eminem.

Speaker 1 (08:27):
I can go all right, everyone, we got our money,
we did three songs.

Speaker 2 (08:30):
Let's get by. They breached the contract. We're out of here.

Speaker 3 (08:33):
They smelled grease.

Speaker 1 (08:36):
Done, so they have that's the band they booked. Do
you think there's someone from your school in the band.

Speaker 2 (08:43):
I couldn't tell you.

Speaker 1 (08:44):
Yeah, I'm wondering what the connection is other than the time,
but it's the time. But I feel like that's that's
a sub genre, like it's a specific type of person
in the time. Probably not the most popular thing that
was happening at the time.

Speaker 2 (09:00):
Yeah, I mean I was not into that kind of
music then, but it was kind of a preppy suburb
so you know, there might have been a fair amount
of people who were into it.

Speaker 3 (09:14):
But you know, was the Cure more popular?

Speaker 2 (09:18):
Cure was pretty popular.

Speaker 3 (09:19):
Yes, I would think that. Yeah, maybe even more so.
I don't know.

Speaker 1 (09:24):
I can tell you this. When we had our twenty anniversary,
twentieth anniversary, the principle of the high school said, hey,
do Flying Errands want to come back and play?

Speaker 3 (09:34):
Is that true?

Speaker 1 (09:34):
That's true? And I said no, we don't. Thank you though,
that's not the best we can do. I didn't go anywhere.

Speaker 2 (09:43):
Like I'm going to protect you from yourself. I'm going
to say no, I want.

Speaker 1 (09:48):
To do exactly what happened, said you don't want.

Speaker 2 (09:50):
To take you just you don't know, you don't understand
what I've done for you just now, but just know
that you know, looking out for you.

Speaker 1 (10:00):
I'm saying, no, I did you a solid yes, now,
don't forget it, right.

Speaker 4 (10:05):
I may call it, call it in one of these
days for a return.

Speaker 1 (10:09):
Yeah, it would just be a disaster. But hey, it'll
be fun. Huh, you're looking forward to it.

Speaker 2 (10:16):
I'm not as excited about this one as previous reunions.
I've been to all of them, and I don't know.
I can't really put my finger on it, but you
know I'm gonna go. So it's at the Nice Yacht
Club in gross Point Wood. So be an upscale affair,
be worth it to go.

Speaker 3 (10:36):
Cool, nice, nice word herbs. I'm sure.

Speaker 2 (10:41):
No, Well be a full dinner. And actually it's funny
you mentioned that, you know how like the new thing
at weddings is to bust out like cheap pizzas. At
the very end. They're bringing in Coney's right at midnight.
That's what they said on the invite. I don't know
if they're gonna have any trades a span of cope,

(11:01):
but you.

Speaker 3 (11:02):
Know, well.

Speaker 2 (11:04):
Will be sitting exactly where's the Spanacle. But yeah, when
I think between songs by the Morrissey cover band, I
think I'm gonna yell out Motley Cruze songs in hopes
that they'll play one, because I mean, the people like

(11:24):
me or into that more into that kind of music,
were completely alienated by the entertainment. Sure ain't cool, but.

Speaker 1 (11:33):
Yeah, I'm there. The safe bet would have been to
just do like yeah, but hey whatever.

Speaker 2 (11:41):
Well that's that's the cards that were dealt. So I
think it'll be nice. Yeah, it'll be a good time.

Speaker 1 (11:47):
I had some good songs. You'll have fun. It'll be delightful. Nick,
What are you doing?

Speaker 3 (11:53):
What am I doing?

Speaker 2 (11:54):
I am over there?

Speaker 4 (11:56):
Well I can get into this. I suppose something I
wanted to. I don't think we've ever talked about this.
But to back it up just a little bit, my
kids have these toys. They're like suction cups on both sides,
and it's like a almost like a dart game where
you're supposed to throw one and have it stick to

(12:17):
the floor or the window or whatever, and then you
throw other ones to get close to it.

Speaker 3 (12:21):
And it's suction cups on both sides.

Speaker 1 (12:24):
So is that like the suction cup equivalent of like
lawn darts or something.

Speaker 3 (12:29):
Maybe I suppose the other.

Speaker 4 (12:33):
Yeah, I mean basically it's just yeah, you're yeah, like
like bachi ball or you just try to get closest
to it. So it's got they they're throwing them, and
I'm I turned the corner to go up the stairs.

Speaker 3 (12:46):
One's coming. Just as my son threw.

Speaker 4 (12:49):
It, sticks to the top of my head and I thought, okay,
it'll fall off.

Speaker 3 (12:56):
It's just perfect suction, perfect seal.

Speaker 4 (13:00):
And I was and then my one of my sons
had it on his forehead and he was doing something
with it, and then he got a bruise. And that
made me think Chris is talking about high school. Yeah,
we've never talked about hickey's on this podcast.

Speaker 1 (13:17):
I don't think we have.

Speaker 4 (13:18):
But there's a distinct memory I have of being in
high school and working at the supermarket. A guy came
in with a hickey on his neck.

Speaker 3 (13:27):
You would have thought.

Speaker 4 (13:28):
He came in and mooned everybody or something. The anger
that some of these particularly like women who were maybe
working yeah, like the next generation ahead of us that
worked in the store.

Speaker 3 (13:44):
Anger.

Speaker 4 (13:45):
It wasn't just like, it wasn't just like that's so stupid.
It was, how dare he come in like this? I
can't believe this, Like I was, I had no idea,
I had no idea this was.

Speaker 3 (13:56):
I mean, I know it looks silly.

Speaker 1 (13:58):
Whatever, Yeah, but you didn't know that people gonna be mad?

Speaker 3 (14:00):
A no, no, And I've never understood the whole thing.

Speaker 2 (14:05):
M well, yeah, I mean it's kind of shocking to see,
especially like super like ones that look like fucking Billy
Corgan's arm, you know, with the birthmark, it's like the
whole neck is covered. I've never given one, nor have
I received one. What is with the next sucking? Who

(14:27):
does know? I've never understood how that could even happen.

Speaker 3 (14:32):
But I'm thinking, what is that? I'm thinking it's who's.

Speaker 2 (14:34):
Taught to do that? Who's told that that's what you
should passion?

Speaker 4 (14:40):
Yeah, and it's gotta be a thing where the person
who's giving it.

Speaker 3 (14:46):
Is it a joke? Is it a practical joke or
is it like, hey, like it's a my brand?

Speaker 1 (14:51):
Is I was gonna say it might be like like
I'm yeah, marking my territory kind.

Speaker 3 (14:56):
Of people will know that you're taken.

Speaker 2 (14:58):
Even that is, you know, ridiculous, it is.

Speaker 4 (15:01):
But I just I still don't know anything about what Socially,
you don't see them that often.

Speaker 1 (15:11):
I think we've aged out of it.

Speaker 3 (15:13):
What like this current generation probably doesn't even.

Speaker 2 (15:17):
Know about it.

Speaker 1 (15:17):
Do they not do hickeys anymore?

Speaker 4 (15:19):
I'm not that I'm aware of, let's hope not. You
don't see YouTube shorts about how to give hickeys or
how to hide them, the best makeup to buy it.

Speaker 2 (15:30):
Maybe we could. That could be the new like you know,
the water bucket challenge or whatever, the hickey challenge. Just
go up to somebody and randomly start sucking on your
neck and give the strange. What's what's the worst that
could happen?

Speaker 1 (15:50):
Just say it's for awareness.

Speaker 3 (15:53):
Yeah, I don't mean it'll help you know some I just.

Speaker 2 (15:58):
It's pick a chair, whatever, throw it, you know, throw
a dart at a list of charity, a.

Speaker 4 (16:05):
Suction cup dart next ahead, stay there like a unicorn
walking around for a while.

Speaker 1 (16:12):
So you did not get a bruise.

Speaker 4 (16:14):
I didn't get a bruise, but I was like, oh,
oh wow, it actually I felt the suction when you
pull it. I'm like it'll fall off. Yeah, No, I'm
like wiggling in my head. It's still staying.

Speaker 1 (16:23):
I'm like, well, when you pulled it, did it pull
your scalp up? That that's a.

Speaker 3 (16:27):
Blow to the ego. Yeah, yeah, yeah, oh yeah. It
was like a lamb prey on there, and I wanted
to let go.

Speaker 1 (16:35):
Geez.

Speaker 2 (16:36):
Yeah.

Speaker 3 (16:36):
So anybody out.

Speaker 4 (16:37):
There wants to conduct a social experiment to go somewhere
with a hickey on your on your neck and let
us know what the reactions are.

Speaker 1 (16:47):
M m, well, I'm just thinking about hickeys. I feel
like that's a very specific age where you would see
those from your peers or whatever. Yeah, it gets me
be a teenager, so I assume it's like where people are.
You know, maybe they've got how do I say this,
They've got like a line they're not going to cross
with what they're gonna do physically with someone, and that's

(17:09):
let's do that instead.

Speaker 2 (17:10):
You know.

Speaker 1 (17:11):
I don't know why that's the choice, but it does
seem to be a thing for people of a certain age,
and then people just age out of it. You don't
see it after a certain age, I guess. So I
don't know what it is.

Speaker 2 (17:20):
Yeah, So chances are I won't be seeing any in
my fortieth high school union.

Speaker 4 (17:26):
If you did, you should show up with one like
show with one in lipstick mar everything.

Speaker 2 (17:32):
Outrage would occur. You'd be a kid to bringing a
gag factor on a video to a bachelor.

Speaker 3 (17:40):
Chris brings a hickey to his reunion. It's got to happen,
now right, I mean, come on.

Speaker 1 (17:45):
I can't believe he'd show up like that.

Speaker 4 (17:48):
Morrissey, guy, I'm not playing that.

Speaker 3 (17:52):
That's about as good as eating meat.

Speaker 2 (17:53):
This guy yelling Motley Cruz on titles.

Speaker 3 (17:57):
With a hickey.

Speaker 1 (17:58):
Yeah, all right, well this song, Hey, maybe this song
will induce hickey's in the audience.

Speaker 2 (18:08):
Hickeys are delivered in periods of horniness. I would think, Oh,
you gotta be pretty horny to suck on somebody to
the point where they're, you know, bleming, and.

Speaker 4 (18:22):
To allow it to happen to you. Yeah, you've got
to really just be like, I don't care.

Speaker 1 (18:27):
At this point, Yeah, you don't care.

Speaker 3 (18:29):
No inhibitions at that point, there's no way.

Speaker 1 (18:33):
All right, So here's what I'm doing, guys, because I
think was it last week we were talking about this
and I said I did not have a song chosen.
I didn't think in advance for a September song, which
is I don't have it in front of me. I
don't know if Chris does. But basically, this is horny
music that potentially could be in the vein of like
a Tom Jones performance, right, shaking your gyrating, horny man,

(18:57):
horny woman, whatever it is, horny performance. So I didn't
have anything in mind. A couple of things I thought
of just didn't really click with me. I wasn't. I
don't know. Maybe maybe horny is a thing I've aged
out of. I don't know. I might have to go
see a doctor about that. But I remembered something that
we talked about last week. We said, hey, why don't

(19:19):
you the listener go on patreon dot com slash pot
of Thunder and add some ideas to the listener's submission list.
And I said, oh, so, why don't I go there
and pick something that's been recently added? After Nick, I
believe you're the one who suggested that if you weren't, well,

(19:40):
you're getting credit for it. So I looked at the
list after, you know, after last week, and I've got something.

Speaker 3 (19:47):
Oh that just came in over the past.

Speaker 1 (19:49):
I just came in yesterday as as of us recording this,
and I've never heard it in my life, but.

Speaker 2 (19:59):
I taking it on advisement that.

Speaker 1 (20:02):
I don't see how we could go wrong with at
least having fun with whatever this is. I know who
the band is, I don't know the song, but with
this title, I don't think we can go wrong. So
all right, we're gonna do it.

Speaker 2 (20:15):
So tis good a method as any.

Speaker 1 (20:16):
Yeah, so we're going to the list. I don't know
if we want a number? Do you care about a number?
Are we potentially looking for anything here? If you are,
if you are at sixteen fifty five in case anything
pops up on your end. But while you're looking, let's
turn the microphone over to Chris Jericho.

Speaker 5 (20:41):
Hell, this one's.

Speaker 1 (20:43):
Called horny sob off of screw it by the band
Danger Danger?

Speaker 3 (20:52):
Who Danger Danger?

Speaker 2 (20:53):
And somebody sent me this and it intrigued me as well.

Speaker 1 (20:57):
I really heard it.

Speaker 2 (20:58):
Yeah, yeah, I'm probably the same guy sent it to me.

Speaker 1 (21:02):
So this was submitted by a listener. I don't know,
but I'm glad to have him here.

Speaker 2 (21:08):
He's a new patron.

Speaker 1 (21:10):
Okay, well, then even more reason to choose this. Thank you.
His name is Michael diets I believe that's my sort
of dee SI correct me, and I'll never make the
mistake again. But thank you, Michael. Michael says, a song
title says everything. That's all we need to know.

Speaker 4 (21:29):
So now, the only song I recall from this band
is Naughty noughty. Apparently they like to do yeah, and
they have a song called Bang Bang.

Speaker 1 (21:38):
Bang Bang Naughty Naughty Danger.

Speaker 2 (21:42):
They were in that sort of dangerous toys bang tango
sort of classification like second possibly even third wave hair metal,
just when the labels were churning out bands of the
of this ilk and they were becoming like just so

(22:05):
many of them you couldn't keep track. Guitarist Andy Timmins
is quite notable, though he had moved on to like
a Like a jazz career, highly regarded the guitar nerd community.
But that's the only that is the only is the
extent of my knowledge of Danger. Danger. That and the

(22:26):
Naughty Naughty song is known for the lyric that girl,
that dress you're wearing makes you look so cute, but
you'd look much better in your birthday suit. Gotta love that.
Huge fan of that lyric.

Speaker 4 (22:43):
I just I just saw on Wikipedia at least apparently
they have a song I'm I'm guessing it's naughty Naughty,
but a Christmas eyed version of it, and it's called
Naughty Naughty Christmas featured in the Santa Claus too.

Speaker 3 (23:00):
What that's what it says?

Speaker 1 (23:03):
That's I find that hard to believe.

Speaker 4 (23:06):
Hey, I don't. I have no idea but that, And
I'm not.

Speaker 3 (23:15):
Sure what this is all about.

Speaker 4 (23:16):
But in two thousand they released an album called The
Return of the Great Gilder Sleeves, which is a classic
radio show.

Speaker 3 (23:25):
How they do the Golden Era the Great Gilders.

Speaker 2 (23:27):
You should look into the I'm gonna have to.

Speaker 3 (23:29):
I'm not sure what they're getting at, but.

Speaker 2 (23:31):
Cut from your claws.

Speaker 3 (23:32):
I'm interested. And the guys a jazz guitar player.

Speaker 2 (23:37):
Ah yes, ventured into that realm for sure.

Speaker 1 (23:43):
So the first album was eighty nine Danger Danger. First
song was Naughty Naughty on the first album? Would that
be their biggest hit? First song? First album?

Speaker 2 (23:52):
It's I mean it is. It's the only song of
theirs I'm familiar with. The video is quote fairly regularly
played on MTV. Yeah, Horny sob off of the screw
It album?

Speaker 3 (24:09):
And what year is this?

Speaker 2 (24:10):
Ninety one?

Speaker 3 (24:14):
A lot of bands of this type were saying just that.

Speaker 2 (24:17):
Well they didn't know it yet, but they were on
the verge of having the plug completely pulled on that.

Speaker 1 (24:23):
Well, this came out September one, that's right about that time.

Speaker 2 (24:26):
Right else, Yeah, September Later in September was when Nirvana
never Mind and Blood Sugar Sex Magic came out in
the same day, And to me, that was like, now,
it took a while for that to kick in. We've
talked about this, but when those albums came out, that
was the beginning of the end for all the bands

(24:48):
of the Danger Danger ILK what what.

Speaker 3 (24:52):
Came out September? First? This? Oh screw it? Like what
as a single?

Speaker 2 (24:58):
The album album?

Speaker 1 (24:59):
The album screw what came out?

Speaker 5 (25:00):
Oh?

Speaker 3 (25:00):
Really?

Speaker 1 (25:01):
Yeah?

Speaker 3 (25:02):
Because you know what, I know what day this episode.

Speaker 1 (25:06):
Is, Oh wow, the exact same anniversary of this album,
twenty thirty four. Yeah.

Speaker 3 (25:16):
Perfect.

Speaker 1 (25:17):
Let me tell you a couple of song titles on
here just I'm not going to tell you all of them,
but they're slipped her the big one.

Speaker 2 (25:23):
Yeah. Is that another one you suggested?

Speaker 1 (25:26):
It is on the list. Yeah, And if they get
there another time.

Speaker 2 (25:29):
Get your shit together, Okay, I would trigue totally by
this pumpet show show.

Speaker 3 (25:35):
It has possibilities.

Speaker 1 (25:37):
I don't know what this is, d N D F
N S. Who knows.

Speaker 4 (25:41):
We have probably have to listen to like fifty seconds.

Speaker 1 (25:45):
But yeah, we've got a couple of good ones here.
I don't know these guys. I think I'm probably heard
naughty naughty before, but horny sob how could we go
wrong with that?

Speaker 3 (25:56):
Well you can't. You can't fault the audacity.

Speaker 2 (26:00):
Oh no, it's yeah.

Speaker 3 (26:02):
And the the Does Andy have the album cover up there? Yeah?

Speaker 4 (26:05):
I did, I'm looking at it now. We have our
this big gorilla Tarzan King Kong.

Speaker 1 (26:13):
I don't know what biker.

Speaker 3 (26:14):
I think something.

Speaker 2 (26:15):
Donnie would.

Speaker 3 (26:18):
Like.

Speaker 2 (26:18):
New Kids on the Block.

Speaker 1 (26:21):
Got off Harley.

Speaker 3 (26:23):
It's a Tarzan and Jeane sort of a thing going on.

Speaker 2 (26:26):
Yeah.

Speaker 1 (26:28):
Oh. Here in the chat, Chris Camarado said, there is
p O t adjacency here. Ted Polly, the singer in
Danger Danger also sings in Tokyo Motorfest with Steve Brown
from Trickster.

Speaker 3 (26:40):
Did not cool?

Speaker 1 (26:43):
Very cool?

Speaker 2 (26:45):
All right?

Speaker 1 (26:46):
Well, I know nothing about these guys as people, so
they're all.

Speaker 2 (26:50):
I'm sure given the the vibe of their songs. I mean,
the name of Ted Polly. It's got to be the
origination of some jokes about oh yeah, you know, danger
live and nude. These guys, I had no idea they were.

(27:10):
I mean, like I said, I was always intrigued and
appreciative of that lyric mentioning the birthday suit. But these
guys just double triple, quadruple down on it in the
rest of their discography. I'm gonna have to investigate.

Speaker 4 (27:26):
So apparently the highest charting song off of this album
was called Monkey Business Song Number two, featuring unbacking vocals
three quarters of.

Speaker 1 (27:38):
Extreme Oh really, yeah they were connected something.

Speaker 4 (27:42):
Gary Nuno and Pat All do backing vocals, and apparently
they all rap on the song after Horny SOB called
find Your Way Back Home.

Speaker 3 (27:52):
Oh wow rapping, says rap on track thirteen. I don't know.

Speaker 2 (27:58):
A lot to unpack kids say these days.

Speaker 1 (28:01):
I'm intrigued with this, all right, Well, thank you to
Michael for submitting.

Speaker 2 (28:08):
He sent these to me, like, oh did he Well,
you sent them to the direct message through Facebook to
a pot of Thunder account and I was considering this
to be one of my picks.

Speaker 1 (28:21):
So did you check it out?

Speaker 2 (28:23):
I did not. I have not listened to it.

Speaker 1 (28:27):
I believe in you.

Speaker 2 (28:27):
Michael slipped her the big One.

Speaker 1 (28:30):
Yeah, I thought about that too. It's probably a better title,
but I just thought Horny.

Speaker 2 (28:34):
Well, you hit a home run with the Mark Morrison
Horny song, so maybe catched that lightning in a bottle again.

Speaker 1 (28:42):
Yeah.

Speaker 4 (28:43):
And apparently, if I may add one more bit of
interest here on percussion, I'm assuming it's the whole album.
It doesn't specify a track. We have a man named
any con Eddie Connard or Connard. I'm not sure how
you said from Gary, Indiana, No kidding, band leader from

(29:03):
from Gary, Indiana.

Speaker 1 (29:05):
I wonder if that was just one of those guys
who's I don't know, like a studio person at the time,
or like, hey we want some percussion, all right, well
we got Eddie here.

Speaker 3 (29:14):
Yeah, and it's what he does. Yeah, he's played on everything.

Speaker 4 (29:17):
Yeah, I mean I'm looking and it's like he's a
percussionist who played He opened up for the Supremes, the Stylistics,
Natalie Cole. So it's very interesting that you'd have what
I'm what could probably be called hair metal if.

Speaker 1 (29:35):
You wanted to put oh no, don't say that.

Speaker 3 (29:37):
If you wanted to put it in a category. I'm
saying most people would, I'm willing to listen, and I don't.
I don't, I don't care.

Speaker 1 (29:42):
People get so upset when you say hair metal.

Speaker 4 (29:44):
I don't need to label it, but I'm just saying.
And then you've got this guy, you know, who's just from.

Speaker 2 (29:50):
This Given the people who he's recorded with and where
he's from, you gotta wonder if you tapped into the
Jackson's circle at all. Yeah, he thinks, you know, not
necessarily recorded with them, but recorded with artists that are
affiliated with them. So what's his name?

Speaker 3 (30:10):
It's uh, Eddie Connord or Connord I'm not sure.

Speaker 1 (30:15):
C O N E R D okay, So yeah, from
Gary and are still kicking Eddie.

Speaker 3 (30:20):
It seems to be.

Speaker 1 (30:22):
Yes, Hey Eddie, welcome to the show. He's listening.

Speaker 3 (30:26):
Come on over.

Speaker 1 (30:26):
It happens sometimes, gotta be careful, Hey Eddie, thanks for listening.

Speaker 2 (30:33):
Going another Phillson situation.

Speaker 1 (30:37):
Break it out, all right, So let's take a quick
commercial break and we'll be right back with horny s
ob and a song. Well maybe eventually. Sorry, it takes
a while. Come on you, I'm already happy.

Speaker 4 (31:09):
That's super high guitar note there tells you everything you
need to know.

Speaker 3 (31:17):
Yeah, high octane, Yeah, no messing around.

Speaker 2 (31:22):
Andy Timmins is on this album. He's not currently in
the band. I think the band is still active doing
the nostalgia circuit. But yeah, that's Andy Timmins. Highly regarded guitar.

Speaker 3 (31:35):
And doesn't sound very timid, I'll tell you that much.

Speaker 2 (31:38):
No, definitely not. He's going to burst on a burst,
getting some definite extreme vibes so far. Sounds a little
like Gary Charon and sort of uh, I.

Speaker 4 (32:02):
Mean that's that's an extreme tempo right there. They had
a lot of songs at the speed approximately yeah.

Speaker 1 (32:08):
Yeah, these guys must have been energy. Man, these guys
must have been some kind of I don't want to
say sister band to them, but something. We have some
kind of relation.

Speaker 2 (32:18):
According to uh Wikipedia here, Alpe Trelley was in this band,
I don't know, kidding well, also did some time in
Meggodath if I'm not mistaken.

Speaker 1 (32:28):
Yeah, he was like early two thousand and one, two
thousand and two is that live DVD? And then that
was it. The world needs the other, the world needs
a hero. I think he's he's on that one. Yeah, yeah,

(32:55):
big breasts.

Speaker 4 (32:57):
Singing the long, long tall Sally nice, Oh my rock
and roll of years gone by?

Speaker 2 (33:03):
Yeah, can you make the lyrics a little bigger?

Speaker 1 (33:08):
I don't like I can't only make them bigger?

Speaker 2 (33:10):
Okay unfortunately, but yeah, this is coming on strong with
common spelled c U M M I N to another
horny little detail there.

Speaker 3 (33:23):
Yeah.

Speaker 2 (33:24):
Yeah, gotta be the best song ever that mentions a
specific bras it was thirty eight Double D.

Speaker 1 (33:31):
It's great.

Speaker 3 (33:32):
I can't even think of any other ones.

Speaker 1 (33:34):
The only one you've ever heard of. I think I
bra size.

Speaker 2 (33:41):
That's it.

Speaker 1 (33:42):
That was the one size that they made.

Speaker 3 (33:44):
One size fits all, I thought.

Speaker 2 (33:47):
Coming on strong like a heart attack. Thirty eight double D.
Big fan of that set of lyrics.

Speaker 4 (33:56):
That's that's one where at the at the show you're
pumping your fist and singing that one. Oh yeah, he's
holding the mic out for you.

Speaker 2 (34:02):
Once the Yeah, once the song starts, you're just you're
waiting for that sub of lyrics out of the Wow,

(34:43):
this is over the top. This is incredible.

Speaker 1 (34:48):
It is It is delivered very sincerely too.

Speaker 2 (34:51):
Oh yeah, as we talk about it all the time.
Sometimes the performances are phoned in. Other times you can
absolutely tell that the person delivering these lyrics is is
emotionally engaged. And we've got scenario number two on our hands.

Speaker 4 (35:08):
Here, Oh man, rapid fire lyrics, though I'm not sure where, Like,
I'll hear a lyric and it's long gone a mile
behind before I even think of what I want to say.

Speaker 2 (35:21):
The audaciousness of this is just I find it extremely admirable.
This is great. But this is also you know, whether
or not grunge killed hair whatever killed hair metal, this
is this is this kind of toxic masculinity is what

(35:44):
certain factions of the populace were trying to eradicate from
rock music, and eventually happened.

Speaker 1 (35:53):
I was pleased that he said horny son of a bitch,
that he rhymed it in there, oh yeah.

Speaker 4 (35:57):
And that the that the instruments fell out for yeah
and put an accent on.

Speaker 1 (36:03):
The yeah, perfectly executed. All right, let's find out what
happens in verse two.

Speaker 3 (36:22):
I didn't hear that.

Speaker 4 (36:22):
I didn't understand the last line, but the stack them
up like pancakes.

Speaker 2 (36:27):
Flip them over when I'm through is the next slide?

Speaker 3 (36:31):
Oh man?

Speaker 2 (36:33):
Yeah, that is like, yeah, this is great. Similar straight
up this is great. Just the sheer audacity is pancakes.

Speaker 1 (36:50):
Yeah, quaking of food.

Speaker 2 (36:51):
Yeah, we know that's a winning formula. We've heard it
in song before. But yeah, I think I'll play with
two guys.

Speaker 4 (37:01):
Great, And that of course brings to mind the look
at that, look at that song lyrics. Yeah, I'll take either.

Speaker 2 (37:12):
One or exactly some need looking to push the envelope
a little bit and again get a group thing going.
But so Andy Timmins has moved on to what, compared
to this, one would say is more legitimate artistically, Uh,

(37:34):
you know, with more integrity artistically. You gotta kind of
wonder how he feels about having performed on this. And
I was kind of thinking that the other day because
I was coming home from physical therapy and Evil Dick
came on and shuffle and every time I hear that,

(37:56):
I'm like, Okay, when he's on set of Law and Order,
Spent SVU or whichever one he's on, does anybody just like,
do they know he came out of a song like
Evil Dick and they just pretend it doesn't exist or
they just think that, Okay, he did that. Then he's different.

(38:20):
Now he's more of a legitimate entertainer. But you know,
when that stuff is in your past and it's readily available,
anybody can go in and listen to it at anytime.
How do you think these guys feel about having participated.

Speaker 4 (38:34):
I always get the vibe that if you're at that
level in the entertainment business, you get that, hey man,
everybody has either whether it was there, they wrote it
or conceived of it, they had done something.

Speaker 3 (38:50):
Pretty crazy that was recorded and is still out there.

Speaker 1 (38:53):
Yeah, something that would be considered like immature or whatever.

Speaker 4 (38:56):
Yeah, just played a care that's done just that did
some crazy or said some ridiculous things.

Speaker 2 (39:06):
Actually, that's another one I saw. It's it's it's a
little different, but it's the same thing. You know. Greg Olsen,
he used to play tight end for the Bear and
now he's like one of the top football commentators, got
bumped down to number two by Tom Brady, but he's
actually excellent football commentator. I saw on Instagram they when

(39:30):
he played at the University of Miami, he participated in
a rap song. It's got some really over the top lyrics.
I'll see if I can find it and send it around.
But it's like, how do you live that down? You know,
especially in the world we live in cancel culture, where
people are like, you know, all this stuff that comes

(39:55):
back from somebody's past and it's so over the top
that if they did that currently, they'd be outright rejected
by the public. But when this comes out, you know,
years later, after they're established in a legitimate profession, it's

(40:17):
just kind of it's kind of weird to me. And
this this kind of falls into that category because I
guess that he's moved on to like a almost a
jazz thing, you know, a legitimate guitarist, highly respected musician,
and yet he participated in this. I don't know.

Speaker 1 (40:39):
That's probably a small crossover though, right, like going the
other way where the people who are into what he's
doing now, they're probably oh, he did like metal stuff,
and that's the extent of it. It's not like, oh,
what was the song about.

Speaker 3 (40:53):
Yeah, I'm gonna go check out your album.

Speaker 1 (40:55):
What now, Horny what?

Speaker 2 (40:58):
I doubt it.

Speaker 4 (40:58):
Yeah, it's kind of like what him and Alex Skolnik
are the two guys that the metal guys who went
in jazz. Yeah, I guess, yeah, I'm sure there are more,
but Skullnick's the one I always hear about.

Speaker 2 (41:11):
Okay, Yeah, Chris Poland, the original guitarist of maggot eth Is,
I don't know if i'd call it jazz necessarily, it's
close to fusion, which again, these these shit all blends together,
so who knows what it is. But yeah, a lot
of those guys they're you know, technically proficient musicians and

(41:32):
they move on to other genres. But you know, when
you're playing on a song I'm a horny son of
a bitch and talking about thirty eight double d's and
all and flipping chicks over like pancakes, I mean, it's
a disconnect. It's hilarious to me.

Speaker 1 (41:51):
Make no mistake. Jazz guys are into that, they just
don't sing about it.

Speaker 2 (41:54):
No, you're right, yeah, no, absolutely, well, I mean, yeah,
jazz has a long, sordid history. Yeah, it's a prog
abuse pursuing women.

Speaker 1 (42:05):
Yes, that's a derelicts music.

Speaker 4 (42:07):
Well, any it's it all goes back to the circus.
Let's face it, it's a touring performing you know, sort
of an environment. Yep, no matter what it is, that's
that's what it's based on.

Speaker 2 (42:21):
Yeh. And Plus jazz guys they're out there just strictly
to put their talents on display and hopes it'll attract women.

Speaker 1 (42:29):
So get some money and get some women, exactly, move
on to wherever you're going, not have to work.

Speaker 2 (42:35):
A regular job. I mean, it's not a bad way
to conduct yourself on this planet.

Speaker 3 (42:40):
I'm gonna have to look him up though.

Speaker 1 (42:43):
You know, you said the thing about Chris Poland that
first Megadeath album, maybe the first two, but the first
one for sure, that's like a weird there's jazz to
that album, very strange.

Speaker 2 (42:56):
There's very strange that that original unit that That's one
of the reasons why I personally respect Maggodeth more than
metallicas he's just way more musically interesting to me. Yeah,
and that's a big part of it. But yeah, it's all, uh,

(43:20):
some of the parts and whoever's in the band, and
what influences they bring in, and yeah, those are those
are cool albums for sure.

Speaker 1 (43:28):
Those guys brought heroin into the they did in instead
of just beer. All right, let's continue.

Speaker 3 (43:55):
Now, I know they the second time with the backing vocal.

Speaker 1 (44:00):
Oh yeah, yeah.

Speaker 3 (44:01):
First I thought they're seeing horny.

Speaker 1 (44:04):
That would be a lot better.

Speaker 3 (44:05):
That's what I thought. Then I'm like, wait, did they
Oh yeah, well still.

Speaker 1 (44:09):
That would be great, But.

Speaker 2 (44:12):
Maybe that's in the live version.

Speaker 3 (44:14):
They do that a little variation improv.

Speaker 2 (44:18):
So that's again, that's something we talk about all the time.
If Nick was the producer of this album, he said,
I always just say horny instead of oh yeah right there. Yeah,
that's just trying just just lay down takes and we'll
come back in the booth. We'll listen to it and
see what we like better.

Speaker 4 (44:38):
And as soon as I get one, I'm copying and pasting.
The album's going out that way.

Speaker 1 (44:43):
You know. Just just humor me here, just give me
one just for giggles, some time to kill.

Speaker 2 (44:49):
Yeah, we're just.

Speaker 1 (44:50):
Goofing, guys.

Speaker 3 (44:51):
I mean, why why stop here? Why did we draw
a line as to how far the song is gonna go?
That's true, let's let's erase that.

Speaker 1 (45:01):
Also, like I said, drinking whiskey till I droped, So
he's a horny drunkard.

Speaker 4 (45:05):
Okay, yeah, I don't know. Personally, whiskey has adverse effects on.

Speaker 3 (45:15):
The male, the erection the male.

Speaker 2 (45:19):
What you're referring to, of course, is whiskey dick that
people have referred to as alcohol induced impotence.

Speaker 4 (45:28):
That's more than yeah, isn't I I've only heard that phrase,
no idea.

Speaker 2 (45:37):
Yeah, I don't know. I never personally experienced that.

Speaker 1 (45:41):
I don't think I've ever been drunk and had to
get an erection. Really, I don't think so.

Speaker 2 (45:51):
Oh interesting.

Speaker 3 (45:54):
When Andy drinks alone, he prefers to be by himself.

Speaker 1 (45:58):
That's it. Thinking back, I don't think so. I don't
think that's ever. I don't think I've ever been taken
to task on whether or not that affects me. Maybe
one day there's something.

Speaker 2 (46:11):
I mean, it's still times.

Speaker 3 (46:13):
It's legitimate scientific messurge exactly.

Speaker 1 (46:16):
Yeah, I don't know.

Speaker 2 (46:18):
I never personally experienced with that with alcohol. With cocaine,
different story. Yea turns into a little acorn cap with me,
among the many reasons why it's an.

Speaker 1 (46:33):
Awful drug, I thought it was the opposite.

Speaker 2 (46:37):
Itfcts different. Yeah, with me, turned it into an any
not good, no good, no, definitely no good on the
long list of reasons why I should have never done
cocaine in my life and thankfully have it in a
long time. Yeah, yeah, not a good? Uh like it a.

Speaker 4 (47:00):
Frightened like the statue of David fight or flight kind
of a.

Speaker 2 (47:04):
Thing or worse than that. Yeah, we can get off
this topic any time we're ready.

Speaker 1 (47:15):
Yeah, we lost.

Speaker 2 (47:16):
We have to keep it that out.

Speaker 1 (47:20):
I don't know. I was going to say something else,
just talking about anis. When I had the flu a
couple of weeks ago, I had a complete inny, but
then flu balls at the same time.

Speaker 2 (47:31):
All right, now, what are flu balls? The balls increased
size when you have to.

Speaker 3 (47:39):
Flit in temperature.

Speaker 1 (47:41):
I think it's when you're you're like when you.

Speaker 2 (47:44):
Have a fever and the fever is breaking.

Speaker 1 (47:46):
Yeah, and then you know you're breaking out into sweats.
You have a fever, your balls are like taffy. It
was hanging and that, but also had the flu penis,
which went the other way. It was just opposites of
what you want to it was it.

Speaker 3 (48:00):
Never mind, what was it, nick? It actually went into
your into your scrotum. Never mind.

Speaker 1 (48:09):
It's a third ball there.

Speaker 2 (48:11):
Yeah, that's not a good. That's not a good.

Speaker 3 (48:13):
Is wrong?

Speaker 1 (48:14):
It went in there to hang out with the ball.

Speaker 3 (48:19):
We don't we don't really talk very often.

Speaker 1 (48:21):
Guys. Let's get together.

Speaker 3 (48:23):
Yeah, we live right next door to each other.

Speaker 2 (48:25):
Yeah, I'm taking a look down here. What's going on?

Speaker 3 (48:30):
I've never invited you guys over.

Speaker 2 (48:32):
It's like we work together so closely, yet I've never
been invited in what's going on?

Speaker 1 (48:38):
First time? First time over?

Speaker 2 (48:39):
Yeah, let's change that, right.

Speaker 3 (48:42):
We delete this whole episode.

Speaker 1 (48:44):
I'm actually delete the rest of it. That's just gonna
be like three minutes. That's part Oh dear. Okay, back
to the.

Speaker 6 (48:52):
Song, A little little he's saying horny. He he's saying

(49:23):
it with the top.

Speaker 2 (49:24):
Little talk box going why are you moving the fucking iTunes?

Speaker 1 (49:30):
Because we can't see the lyrics because it's too far down,
So I'm trying to move it up, but I can't
see you. Is that okay?

Speaker 2 (49:36):
Yeah? Who cares? I don't want to. You know, we're
talking about horniness. I don't want to see my talk
about any situation.

Speaker 3 (49:45):
I think he's saying. I think he's saying it.

Speaker 2 (49:47):
It probably is, yeah, absolutely, Why wouldn't you say it?

Speaker 3 (49:51):
That makes up for the Oh yeah.

Speaker 1 (49:55):
Okay, let's hear it.

Speaker 3 (50:20):
The song is off the chain.

Speaker 2 (50:21):
Yeah, on talk box, which but I never really liked it.
I mean, it's iconic and the Frampton tune off of
frampt comes alive. But like all other applications just seem
too forced to me. I never really liked it.

Speaker 3 (50:38):
I think Joe Perry has picked his spots with it.

Speaker 2 (50:41):
Yeah, I mean yes, I mean Joe Walsh and James
Gang and stuff, Sambora and Jophy.

Speaker 1 (50:51):
I don't know.

Speaker 2 (50:52):
In general, I'm not a fan of it. I think
it was in this this application was a bit overused.
But you know, in keeping with the just complete outrageousness,
uh quality of the song, it works.

Speaker 3 (51:07):
Yeah.

Speaker 4 (51:07):
I mean this again, I will agree it's it's a
completely unintelligible guitar solo, but it doesn't have to be.
The song doesn't call for it. This is a song
could have been on a Nitro album or of any
Vincent Invasion album.

Speaker 1 (51:22):
Sure.

Speaker 2 (51:23):
Yeah, I was just about to say that. You want
to talk about out fucking.

Speaker 4 (51:27):
Rageah, I mean that's what we're dealing with here. Yeah,
this song, this song is right in that. I wasn't
sure another band was in that category.

Speaker 2 (51:37):
Yeah, these guys doubled down on it, you know.

Speaker 1 (51:40):
Yeah, what do you think of fielding? Follower said? Nazareth
used it on Hair of the Dog.

Speaker 3 (51:46):
Use I agreed.

Speaker 2 (51:47):
We got Mick Mahr's listed. I mean yeah, there's a
million different applications of it. I'm just in general not
a fan of it. But it works here obviously, because
why not. Why wouldn't it work.

Speaker 1 (52:01):
He was going kind of wild here, like you know,
it's sound of like maybe he was saying horny. There
was war in but then there was some like barking
at one point.

Speaker 2 (52:11):
But the other thing is that the talk box, it's
a tough effect to use when you're shredding. It's more
it's more conducive to slower, more vocal you know, lead lines,
and you know Andy Timmans definitely known as a shredder
in these days, and you know, highly technical player. But

(52:32):
you know, in the context of this outrageousness, it works.

Speaker 3 (52:37):
Mm hmm.

Speaker 1 (52:39):
All right, we got a little bit to go. I
don't know if there are any surprises in here, but
we've got two more minutes. Oh boy, let's see what happens.

(53:00):
I got it, I got the.

Speaker 2 (53:04):
I got the I got the.

Speaker 5 (53:17):
I can't stop the gods, So I got the.

Speaker 1 (53:33):
Good love should I ain't fucked up crazy or a lunatic.
I'm just a horny son of a bitch. That's all
he is.

Speaker 2 (53:48):
That's it.

Speaker 1 (53:50):
Whatever else you think about it. You're wrong.

Speaker 2 (53:52):
Only has God made me? Sir?

Speaker 7 (53:58):
Oh man, I'm so horny.

Speaker 4 (54:10):
I couldn't go back. I thought, said, I'm still running,
but probably not.

Speaker 2 (54:16):
Yeah, I hope so too missed.

Speaker 1 (54:28):
Yeah, I'm so horny.

Speaker 3 (54:30):
Yeah, I'm pretty sure.

Speaker 1 (54:34):
I'm so horny on a piece of paper. You got
to read that and sing it to the that.

Speaker 3 (54:39):
That had to be uh off the top of his.

Speaker 2 (54:42):
Yeah, he's just riffing at this point. He was just
fucking tearing it up at this point, at this juncture,
I'm a son of a bitch.

Speaker 1 (55:04):
There you go.

Speaker 2 (55:07):
That was great.

Speaker 1 (55:09):
Wow, New Discovery.

Speaker 2 (55:13):
Now, I know Quarantine only does a kiss songs, but
you could totally hear Jericho singing that in that band
playing it. Sure fucking Charlie ripping into that solo. Leave
out the talk box, but him just shredding over that.
That would be that's right in the Quarantine wheelhouse. If

(55:34):
they were ever to branch out from strictly kiss stuff,
think horny son of a bitch needs to be first
on the list of non kiss material that they do.
Oh yeah, that those vocals are right in Jericho's wheelhouse.
He could nail those.

Speaker 1 (55:54):
Yeah, all right, Well, This one came to me from
our friend Michael Deeps or deep See. I'm sorry, I'm
not sure I'm going to vote first. I'm giving it
a Sweet Surrender, Hell yeah, Surrender, Surrender for Danger, Danger

(56:16):
Bernie Horny. I had no idea what to expect, I
kind of, I mean, I had a ballpark idea of
what the band sounded like, but I was pleasantly surprised
with how how much fire there is in this excellently
excellently executed.

Speaker 2 (56:33):
Great players as we've established, I mean guys who not
slouches on their respective instruments. Great production. I mean drums
sounded great, which is where you start with production measuring
stick and you know everything was clear down great.

Speaker 1 (56:52):
Yeah, Chris, you want to keep Sweet Surrender?

Speaker 2 (56:55):
Absolutely love that, hell yeah, Instant add to my like
and Spotify, and I'm gonna delve deeper into into the catalog.
I mean, this is just pure eighties slash early nineties

(57:16):
fucking cheese to the extreme. It's fucking great. And not
having mentioned extreme hearing a lot of extremeisms and just
the arrangements and also the production and the kind of
the the tone of the voice. Yeah, that fucking great.
Hilarious lyrics. I mean, what's not to like about it?

(57:39):
This is great. Loved it, nick.

Speaker 3 (57:42):
I gotta give it a sweet surrender.

Speaker 1 (57:49):
Hell yeah.

Speaker 4 (57:50):
I mean every so often, well maybe some people more
than others, you get in a mood to listen to
something completely outlandish.

Speaker 3 (57:58):
Yeah, this makes it on to that sort of playlist. Yeah,
for sure, I would have to say.

Speaker 4 (58:04):
But like Andy said, I was expecting like a sort
of mid tempo bluesy late yeah, mid late eighties, sort
of like Cinderella ish kind of bluesy.

Speaker 3 (58:19):
Yeah, pop metal, and we didn't. I mean we didn't
get that.

Speaker 4 (58:24):
No, No, this was this was really really uh unrelenting,
even though well that little bit.

Speaker 2 (58:34):
We got a little little break down for a few.

Speaker 4 (58:36):
Bars there, but then yeah, outside from that unrelenting.

Speaker 2 (58:40):
Yeah, yeah, it's fucking great. I really enjoyed that for
a number of reasons. I mean, that's that's the thing.
When you have a band like this who has at
least one virtuoso player, is like, you can get your
amusement from the lyrical content, but you can also be
appreciative of the kick ass musicianship that's going on. So yeah,

(59:03):
you get all of that with these guys, that's hilarious.
Fucking thirties mentioning thirty eight double d is it's what
a master stroke in my.

Speaker 1 (59:13):
World kind of reminded me of the at least the
tempo of play with me, since we're talking about extreme.

Speaker 4 (59:19):
Yeah, it's it's that sort of up tempo extreme thing.

Speaker 3 (59:22):
Yeah.

Speaker 1 (59:23):
Yeah, I wonder where these guys were from. I have
no idea. I'm sure they probably were in LA when
they popped off, But say New.

Speaker 2 (59:31):
York, is that what I saw?

Speaker 3 (59:32):
Okay, queens?

Speaker 1 (59:33):
Oh no kidding, Okay, I was wrong? Very cool. Well,
my goodness, look at this.

Speaker 7 (59:45):
I got a question for you.

Speaker 1 (59:48):
Paul Stanley wants to know if Horny so Ob is
a rock and roll boner classic. It was voted by
the three rock and roll boners in this room. No
stranger to horniness, Paul Stanley, especially in this time, well
or ever forever.

Speaker 2 (01:00:10):
But any moment he's drawing a breath on his planet,
I vote in absolutely.

Speaker 3 (01:00:20):
I may have to think for a moment.

Speaker 1 (01:00:21):
Alright, you think, Okay, I've thought, You've thought, how do
you want to do this same order that we just
voted in?

Speaker 3 (01:00:33):
Sure?

Speaker 1 (01:00:36):
All right, rock roll, I gotta give it a bone.

Speaker 2 (01:00:46):
Oh my goodness, effective immediately I'm going down a danger

(01:01:06):
danger rabbit hole. I listen to that ten times out
of ten over either Nitro or Vinnie Vincent Invasion. That's
way more in my wheelhouse.

Speaker 1 (01:01:20):
Yeah, the what really tipped the scales for me, because
usually when it's a first time listen, it's hard to
give it a rock and roll boner, you know, unless
someone's really pushing forward in the room. But it's like, man,
I could sing this to you again, you know what
I mean, It's it's there, It's it's something I'll be

(01:01:41):
listening to many times in the future.

Speaker 3 (01:01:43):
Something to be said for that.

Speaker 1 (01:01:44):
That happens a lot with some of the songs you
hear for the first time. We're like kind of remember
some of it, but I kind of forgot most of it.
This song, it's there. Yeah, so under an impact perfect
for this month. Well maybe not sonically, but the emotion
is there.

Speaker 2 (01:02:00):
Sonically, the band is rocking.

Speaker 1 (01:02:02):
They are, but I just I don't know if Tom
Jones would cover this song, but it's it's their very Okay, fine,
then I'll say it's their version of what he did.

Speaker 2 (01:02:12):
Yeah, that's also you know, I mean, I don't think
that's a necessary requirement for a song pick. I mean
it helps, and it kind of helps you frame the selection,
but I think this transcends that just for the sheer
audacity of it. That's two in a row. Andy, the
home runs that you've picked with word horny.

Speaker 1 (01:02:33):
In the titles all you need. I guess it's a
search horny.

Speaker 2 (01:02:37):
Yeah. I might have to do a random search and
see what comes up for next week. But that was
a great one.

Speaker 1 (01:02:43):
Yeah, all right, Well, if you disagree with us, weird. Sorry,
I can't imagine anybody would disagree. You can name names
who would disagre agree with us, unbelieving the female listeners.

Speaker 3 (01:03:05):
Probably they're probably gonna enjoy.

Speaker 2 (01:03:07):
The big dumb rock. You know, Himbo's writing songs like.

Speaker 1 (01:03:16):
The females who listen to this shows with it.

Speaker 2 (01:03:19):
If you're drawing, If you're a female and you're listening
to this show, you probably loved it as much as
we did.

Speaker 1 (01:03:26):
Probably those Caruso brothers, those types of uneath. All right, well,
let's take a quick commercial break and we'll be right
back with a yard Oh questions.

Speaker 8 (01:03:41):
Of questions, Yes, chief, Yes, here we are, and for

(01:04:07):
a nice yard o questions.

Speaker 1 (01:04:09):
I know one came in today. Let me find it
real quick.

Speaker 2 (01:04:12):
This is is it good? Make sure that is good?

Speaker 1 (01:04:14):
I'm gonna look. Let's see what we got here. I
think this is as good all right. This week's Yardo
Questions comes to us from Lance Sterling.

Speaker 2 (01:04:35):
Eh, my old buddy from the hard Rock can't go
wrong with Lance. Yeah, that's a stamp of quality right there.

Speaker 1 (01:04:42):
Yeah, Lance says, high bonnet a yard for your consideration.
Question one, if this week's song was playing at the zoo,
would the animals be fucking or fighting.

Speaker 3 (01:04:58):
Well both throwing, throwing their own filth as well.

Speaker 2 (01:05:05):
To be fighting with each other to determine who would
be doing the fucking, you know afterwards.

Speaker 3 (01:05:11):
That's I was just gonna say.

Speaker 4 (01:05:12):
The laws of the jungle, it were any sort of
territorial mating ritual.

Speaker 1 (01:05:17):
That's what would be happening.

Speaker 4 (01:05:18):
To be like the with the rhinos or the hippos
flinging their.

Speaker 1 (01:05:22):
Feces with their tails. That would be happening, which is erotic,
I guess in the hippo kingdom.

Speaker 3 (01:05:28):
It's apparently well works every time the hippos. Williams of the.

Speaker 2 (01:05:36):
The Hippos haven't figured out.

Speaker 3 (01:05:38):
The Billy d Williams of the Zooey.

Speaker 2 (01:05:41):
So you imagine horny s o b being blared at
Brookfield Zoo or something like that. Nice family uh uh
environment sullied by danger. Danger would be.

Speaker 9 (01:05:57):
A fun uh scenario to be a part of. So
the answer is both yeah and then some all right
fighting followed by fucking not everyone involved in the fighting
gets do the fucking.

Speaker 1 (01:06:14):
Question two. If this week's song was covered by Ozzy,
could he make it better?

Speaker 2 (01:06:19):
Like?

Speaker 1 (01:06:19):
If it's shitty, could he resurrect it? Or if it's
a sweet surrender could he top it?

Speaker 3 (01:06:24):
No?

Speaker 2 (01:06:26):
Yeah, I don't know if he could tap into this
kind of mindset. I don't know if he was ever
in this wheelhouse, what would you say? It would be
Ozzie's horniest, slash most dramatic song. I mean, Goodbye to Romance?

Speaker 4 (01:06:42):
Anything else so tired would be kind of similar like
Goodbye to Romance.

Speaker 3 (01:06:47):
But as far as like.

Speaker 1 (01:06:51):
As there aren't really any are there? Maybe there's some
but not many.

Speaker 2 (01:06:57):
It might be a deep cut here and there there are.

Speaker 1 (01:07:00):
Yeah, I mean he's saying no bone movies. It's the opposite.

Speaker 2 (01:07:04):
Yeah, it's true.

Speaker 1 (01:07:05):
It doesn't like those well adult movies.

Speaker 3 (01:07:07):
He just doesn't.

Speaker 4 (01:07:08):
He's charging them up to the hotel and then they're
having to pay a hill probably.

Speaker 1 (01:07:12):
Like oh, he probably did like that, but I don't know.
Call it a disgrace Bob.

Speaker 4 (01:07:18):
Days they called it, Well, yeah, I don't know.

Speaker 2 (01:07:23):
I don't think he could top this high bar.

Speaker 4 (01:07:27):
I think like Journey to the Center of Eternity and
s at O are examples of like he could keep
up tempo wise with something it's like similar to this, all.

Speaker 2 (01:07:39):
Right, but delivering this hirical subject matter. I don't think
it would be it would come off as authentic.

Speaker 1 (01:07:46):
He's not the guy for this.

Speaker 2 (01:07:47):
He's not.

Speaker 3 (01:07:48):
He's not.

Speaker 2 (01:07:48):
No, but.

Speaker 3 (01:07:50):
Is it in his register? And can you handle or
at a certain point in his career could you handle
the temper?

Speaker 2 (01:07:58):
Technically? He could do technically, it just wouldn't be as
believable as it is from mister Polly.

Speaker 3 (01:08:05):
I guess it's tattooed. Answer maybe the closest one.

Speaker 1 (01:08:09):
It sounds like it. Question three. If this week's song
was dropped twenty years before it came out, who would
have performed it? And if it's an oldie twenty years later,
so this is nineteen ninety one, again, so as we
go seventy one and where is.

Speaker 3 (01:08:29):
The second part of the question.

Speaker 1 (01:08:31):
If it's old then you could push it forward.

Speaker 3 (01:08:33):
It was like, yeah, so we take it back to
seventy one.

Speaker 1 (01:08:36):
Yeah, seventy one, or we don't comp This isn't oldie
because it's ninety one, but it'll be twenty eleven. Who
did it? Trapped? I don't even know who it's this
happening in twenty eleven, no idea. Lance says, thanks for
all your hard work every week means a lot to
us schlubs looking for a laugh on Monday. Thank you, Lance,
Thank you for sending these great questions. Thank you for listening.

Speaker 4 (01:08:58):
I don't think anybody in the eighteen seventy one is
playing this song, right, I.

Speaker 1 (01:09:03):
Mean, well, for the sake of argument, who would be
the one who would have had to do it?

Speaker 4 (01:09:08):
With MC five Just you know, rock is sort of
a garage rock band.

Speaker 2 (01:09:15):
Yeah, I don't know if the lyrical or subject matter
would have fallen into.

Speaker 3 (01:09:21):
That Wheelhouse or Ted Nugent.

Speaker 2 (01:09:24):
With Ted NuGen he would have been in Amboy Dukes
back then.

Speaker 4 (01:09:28):
But yeah, if it was Ted Nugent, like a few
years later, solo career what about Aerosmith?

Speaker 1 (01:09:33):
Were they not kicking yet?

Speaker 2 (01:09:35):
So they weren't. I don't think they got roll into
what seventy.

Speaker 3 (01:09:38):
Three that's the first album I think was seventy three?

Speaker 4 (01:09:40):
No, Yeah, I could see Aerosmith possibly doing it.

Speaker 3 (01:09:45):
Would be more of a blues like a.

Speaker 2 (01:09:48):
You know, honking on bubble.

Speaker 3 (01:09:50):
Yeah, it would be that in that vane, But I
could see them doing it. I think it's just got
to be like a band.

Speaker 4 (01:09:59):
That kind of pie in here, the noise garage rock.

Speaker 2 (01:10:05):
You wonder if Aigy would have ventured into this territory.
I mean musically sure, is the subject matter like again,
too much of that toxic masculinity, the knuckle dragging horny
guy is at work for Aggie? I don't know, Yeah,

(01:10:26):
I don't know.

Speaker 3 (01:10:27):
I mean Ted Nugent, of all the ones we mentioned,
he's the one.

Speaker 2 (01:10:31):
That he's the closest.

Speaker 3 (01:10:32):
Yeah, I think with the subject matter.

Speaker 2 (01:10:35):
What about ten years nineteen eighty one, eighty one, Well,
I think you still got to give it to Nugent.
He never relinquished that through his entire.

Speaker 3 (01:10:51):
It does not lend itself to a new wave treatment.
I will say that much.

Speaker 2 (01:10:55):
No, the Smith's cover band isn't a horny son of
a bitch fortieth high score.

Speaker 3 (01:11:02):
Yeah, the neck wasn't gonna do this.

Speaker 2 (01:11:05):
I think if you moved it forward to twenty eleven,
I mean you're definitely in the in the nickel back realm.

Speaker 4 (01:11:13):
I could see the darkness doing. I mean, they've pretty
much has true. They've come close anyway, right.

Speaker 1 (01:11:19):
Yeah, Chris Camaradis is prince.

Speaker 2 (01:11:24):
Yeah. Interesting, that's uh, you know, be a sister song
to sexy motherfucker. Maybe yeah, I know a little different
rendering or maybe he you know, capable of anything musically,
maybe you would do a straight breakneck rendering of this.
Who knows?

Speaker 1 (01:11:45):
All right, Well, thank you for joining us here. If
you want to submit to Yardo questions, go to potothunder
dot com. Click that widget, send three questions our way.

Speaker 2 (01:11:55):
Great start to September. Now that the car has been
raised for me, the pressures on me for next weeks.

Speaker 1 (01:12:02):
Yeah, hey, if you want to. I don't know if
you guys are if you have your choices set in stone,
but listeners, please keep adding more if you have any
other ideas.

Speaker 2 (01:12:10):
We've gotten a few suggestions. I might dabble with the
idea of just searching for songs. I have the word
horny and the title see what I come up with.
But yeah, it's definitely helping.

Speaker 1 (01:12:22):
Do I get week four and then week five?

Speaker 3 (01:12:25):
Figuring out week four?

Speaker 1 (01:12:28):
But what about week five?

Speaker 2 (01:12:29):
Then then it's Tom that'd be mister Codle coming in.

Speaker 1 (01:12:33):
Okay, what's going on with week four? You guys got
some up your sleep?

Speaker 3 (01:12:36):
We don't know yet. We're working on it.

Speaker 2 (01:12:38):
Wasn't there a discussion of a possible guest Okay, okay,
all right?

Speaker 3 (01:12:43):
Did you ask the guests to come on you?

Speaker 1 (01:12:47):
Who's the guest one?

Speaker 2 (01:12:48):
The one, that one who invited himself on the show?

Speaker 3 (01:12:54):
I'm talking about the.

Speaker 1 (01:12:56):
Next thing of that.

Speaker 2 (01:12:57):
Oh that guy did you ask?

Speaker 1 (01:12:59):
I'll do it. I'll do it tonight.

Speaker 2 (01:13:01):
Are you gonna make that overture?

Speaker 3 (01:13:02):
Sure?

Speaker 2 (01:13:03):
I mean I can do it. If you don't sure
if you've got a template fire, Well I don't, but
I'd rather you did it. I got my dance card
is full for the next few days. Yeah, I forgot
about that. That would be fucking outstanding for week four
if we could make that happen.

Speaker 1 (01:13:21):
Yeah, all right, well we'll see what happens. Okay, alrighty, well,
thank you for listening. I'll be back next week with
Chris's Choice. You're in the lovely month of September. Ladies
and gentlemen, this is September.