631 - Creed 2001 NFL Thanksgiving Halftime Show

631 - Creed 2001 NFL Thanksgiving Halftime Show: Chris, Nick, and Andy break down Creed's NFL Halftime performance from Thanksgiving 2001. 

Episode Transcript

Speaker 1 (00:06):
Down.

Speaker 2 (00:24):
Welcome to Pot of Thunder, the recognized symbol of excellence
and rock and roll podcasting, brought to you by Patreon
dot com slash Pot of Thunder something for everybody.

Speaker 3 (00:37):
And what we just.

Speaker 2 (00:37):
Heard was from one of our patrons, Jeremy Patterson, introing
the show today, which you can get the opportunity to
do at each and every tier on patreon dot com
slash Pot of Thunder. Thank you Jeremy for your submission,
and thank you for being a patron of this program
and hopefully enjoying it. Allegedly enjoying.

Speaker 3 (01:02):
We're led to assume that you are.

Speaker 2 (01:04):
Yeah, So thank you for that each and every week,
Jeremy checking it out, giving his support to the program.
And you can be like Jeremy, be like Jeremy right, Nick, Yeah, yeah,
there you go.

Speaker 3 (01:17):
That's right.

Speaker 2 (01:18):
And you know me, why wouldn't you want to be
That's right? You know what else you would want to
be doing? Put your hands on my shoulders, bend those knees,
Come on, get on board. Yes, it's the Conga King
of Northwest Indiana. We're gonna do a conga line around
the Patreon universe together. Yes, it feels good.

Speaker 3 (01:47):
If you want to figure out exactly how to do that. Okay,
that's good enough, good man. Yes, if you don't.

Speaker 2 (02:05):
If you want to know what that means, go to
patreon dot com slash pot of Thunder and you'll find
out at each and every tier. It'll make more sense
to you there. But now it is what you've all
been waiting for. It's just my camera. For those of
you watching, he don't do it for.

Speaker 4 (02:24):
You, Nick, Nick Pollock has entered the program.

Speaker 2 (02:45):
Didn't see what you did there, but you almost knocked
my beverage over with your hat.

Speaker 3 (02:50):
Oh, I'm sorry, It's okay.

Speaker 2 (02:53):
That's what you do a reckless live performer. I guess
taking you back to your days and as a young
man in your twenties, punk rocker, reckless maniac.

Speaker 3 (03:04):
That was my attempt at the turkey trot? What's that
old dance?

Speaker 1 (03:12):
Used to do it?

Speaker 3 (03:12):
I'm like hundred years ago, probably I saw.

Speaker 2 (03:16):
Lindy Hop and the Turkey Trot. Yeah, okay, I'm gonna
have to look that up or just watch you do it.

Speaker 3 (03:22):
And in the video the Wilson Wobble, I don't know
really who was the president back then.

Speaker 2 (03:28):
It would make as much sense as anything if it existed.

Speaker 1 (03:31):
Well, a turkey trot name has been commandeered by five
K races? Yeah whatnot?

Speaker 3 (03:37):
Oh that's true on Thanksgiving or whatever.

Speaker 1 (03:40):
Most people don't associate it with dancing anymore.

Speaker 2 (03:43):
Nick, you should do the whole five k doing the dance.

Speaker 3 (03:48):
Well you think you can do it? No, what's so
five k? That's probably what three three.

Speaker 1 (03:54):
Two miles or something like that.

Speaker 3 (03:56):
That. Yeah, I could do it. You can get that
out there and bang that up. All right, I'll do it. Yeah,
you know, you know what, is there a Patreon tier
that we can do it?

Speaker 2 (04:06):
We can name it after someone, depending what their name is.
We have to come up with a clever second word.
What would you call the Jeremy Patterson the Patterson Patterson plod?

Speaker 3 (04:18):
There you go, they do the gumpkin plod around here.

Speaker 1 (04:20):
There you go.

Speaker 2 (04:21):
That's it. So you can come up with a new tier.
Nicol can do a five game for you.

Speaker 3 (04:27):
Nick will permanently damage himself physically. He'll wear a shirt
with your name on it and run a five K
to the hospital. Yeah, anyway to your left.

Speaker 1 (04:42):
You own him. We got him, can have it.

Speaker 5 (04:51):
Every day, can have it?

Speaker 1 (04:58):
Get out of our way?

Speaker 5 (05:00):
Yeah, fo you.

Speaker 2 (05:02):
Put your hands together for the breakout star of the
podcast Medium.

Speaker 3 (05:06):
Corsels in the house.

Speaker 1 (05:08):
Still here, he's here another week, not getting kicked out.

Speaker 2 (05:13):
It's good Thanksgiving week, though you may commit some kind
of uh that's trillinary full pa and get tossed out. Yeah,
dig into the sweet potatoes before the guests arrive or something.

Speaker 1 (05:24):
No, I would probably be associated with running my mouth
to some degree, so I could see that.

Speaker 3 (05:30):
Yeah, fair enough. That's where I typically get into trouble. Yeah,
family gatherings, everybody did that? Been fortunate as of late.

Speaker 2 (05:40):
You're getting it all out here, that's what it is. Yes, yeah,
and then when you're at the gathering, you have nothing
left to say.

Speaker 1 (05:46):
I said it.

Speaker 3 (05:46):
Well, I don't feel stupid anymore. That's good.

Speaker 2 (05:50):
Maybe this week, though, I believe in you. Somebody caused
some trouble. Let's get something going. Happy Thanksgiving to those
of you here in the States. Apparently they have different
Thanksgiving in Canada. It was like a month ago, right,
yes it was, and then they don't even have it
anywhere else. So happy Thanksgiving. So those of you here,

(06:10):
we got some treats.

Speaker 3 (06:11):
Was all we do? Yeah? Oh no, I just I
was listening to now, of course, is this entirely so,
I don't know, But I was listening to something. They
were talking about Thanksgiving and how in the UK or
Britain specifically, how they don't do a Thanksgiving per se,
but they would throw celebrations for if the king recovered

(06:37):
from an illness or something like that. So I guess
more than like on this day years in a row,
or I don't know. I don't know if it's or
if it's just it's just the monarchy is such a
huge deal that it's like, oh, the king is all right,
let's have a like, let's have a party. Is better?

Speaker 1 (07:00):
It's this post nasal drip is cleared up, so let's
have a fucking holiday.

Speaker 2 (07:06):
Come on, ego maniac. You know you just had to
do it. You were forced to do it. If you
didn't do it, put in the what do they call that,
the stocks or whatever in the middle of town, throw tomatoes
at you in the tower.

Speaker 1 (07:21):
I wonder we revolted against those assholes back in the day.

Speaker 2 (07:27):
So there you have it. That's what they do over there,
That's what they do. I think it sounds right to me.

Speaker 1 (07:33):
Yeah, it sounds like something they would do over there.

Speaker 2 (07:38):
So, like any Thanksgiving, we have more food than you need.

Speaker 3 (07:43):
Yeah. True, Usually we have one treat.

Speaker 2 (07:45):
This week we have two. So Nick had a tree prepared,
as he always does. But I said, hey, Nick, if
you're not bringing anything, I've got one more slice of

(08:05):
this I can bring it with. He said, I have something,
but bring it anyway.

Speaker 1 (08:09):
He brought it.

Speaker 3 (08:10):
So I brought it.

Speaker 1 (08:11):
Sure, And it's with that Taco Bell pie that sure is.

Speaker 3 (08:14):
You can see the color put on your eclipse glasses,
ladies and gentlemen.

Speaker 1 (08:18):
How long if you had this slice about a week
or so.

Speaker 2 (08:22):
Yeah, But I had it in the freezer and I
took it out this afternoon to thaw. So, yeah, about
it last Friday?

Speaker 3 (08:29):
So is this good?

Speaker 1 (08:31):
Like March?

Speaker 3 (08:33):
According to not even of next year? Yeah?

Speaker 1 (08:37):
If so?

Speaker 3 (08:38):
Is this Taco Bell's first foray into so the you
can buy a whole dessert of some sort and bring
it home.

Speaker 2 (08:46):
Yes, So here's what I know about. So it's the
Baja Blast pie.

Speaker 1 (08:50):
Okay, you said it was twenty dollars.

Speaker 2 (08:54):
Twenty dollars. It's a whole pie twenty dollars. It's expensive,
So I don't know, maybe two, three, four years ago
I don't know how long it's been. There were rumblings
and photos of this pie at some event two three
years ago. Yeah, so I'm like, oh, they're gonna you know,
they're making a big deal out of it, like we're
gonna have this pie. And they never released it, so
people have kind of been longing for it. So I

(09:14):
think it was proposed and canceled, and then they finally
came out with it, but as a whole pie, not
an individual slice, which is what people expected. I read
way too much about this. Apparently there was some kind
of Baja blast gelato or something that was individual packaged,
individually packaged, and it was a financial disaster for them.

(09:34):
So they said, we're gonna do whole pies and sell
the you know, we'll sell fewer, but we're gonna get
it out there since we said it's coming out.

Speaker 3 (09:41):
So there it is. So you guys can try that. Okay,
But what does Nick have? Oh, I've got a white
Texas sheet cake that I white. I kind of doctored
up a little bit because the recipe calls for almond extract,

(10:02):
and I found that almond extract is a little too
strong for some people.

Speaker 1 (10:08):
Some people, well, I've just said.

Speaker 3 (10:10):
But there are people who are like, oh man, that's
like that there's too much almond in there, and myself
being one of them. If there's something with a lot
of almond extract and not even a lot, really, it's
just very potent stuff. So I didn't use the almond extract.
I used maple extract, vanilla and a little bit of
coconut extract. Delightful and it's a yeah, white Texas sheet

(10:31):
cake with some icing on one side.

Speaker 1 (10:34):
Hum.

Speaker 2 (10:35):
Now, I can't help but wonder if this was intentional
for what this week's episode is going to be about. Nope, Well,
the two words that you used fit white Texas, white Texas.
We'll get to that in a moment. Listeners know what
it is, but the people joining us on Patreon Live

(10:58):
don't know yet. Nick, I've got something for you.

Speaker 3 (11:00):
This came all right, Yeah, this came in the mail.
Nick got a gift. I don't, Yes, I I'm just
looking at the box. I think I know, maybe not
exactly what it is, but it's it's so very nice,
so very generous, and it's it's.

Speaker 1 (11:19):
The tape says Abbott's feel.

Speaker 3 (11:21):
Yeah, and I I think I follow that organization on
Facebook or something, so I'm familiar with it. You can
look at who it's from. It's on there from Jake.

Speaker 1 (11:31):
Grab that knife out of that look out.

Speaker 3 (11:35):
Chris has a blade. This is the second time someone's
wielded a knife on the podcast Andy years ago, did
I there's a picture. I have a photo of you
holding a knife, holding a knife, and we're like, what's
going on? It's threatening people. That's from Jake Ledger, long
time listener, one of the longest. I would say, so

(11:58):
he's got to be in the oldest. I don't know,
twenty ten, twenty, Thank you early, very very it's I
don't even see exactly what it is yet, but this
is too nice of you, Jake, too nice of you.
I have a feeling it looks like it goes on ahead.

(12:19):
I know what team it is, but I won't say
for sure. Yep, yeah, I mentioned just casually. I don't
have a Homestead Grays negroly ye now I do. Wow,
Thank you, Jake. That's awfully nice of you, very kind.
That is Homestead Grays. Who was the star of the

(12:40):
Homestead Grade. Wasn't name three players or you can't wear
it wasn't no that was Kansas City was Satchel Paige.
I'm pretty sure Josh Gibson was a Homestead Gray. Okay,
I'm pretty sure he would be the standout player of
the franchise. Okay, well that's as good as it's going

(13:03):
to get. So yeah, wow, thank you, Jake. Yeah, it
takes a good dude. That's wonderful. Thanks to hear from
him when we do. It's super nice. It's got nice
leather adjustable strap there on the neck, high end stuff.
It is, Thank you, Jake.

Speaker 1 (13:21):
Step up from a Miami Sharks hat purchased off Bay
or whatever.

Speaker 3 (13:27):
You'll notice, I'm going to move this over.

Speaker 1 (13:29):
Hell happened?

Speaker 5 (13:31):
Oh?

Speaker 3 (13:31):
There it is. You'll notice I'm going to move the
the gray's hat.

Speaker 2 (13:37):
Away from the pie.

Speaker 3 (13:39):
Oh yeah, because I have a feeling that color doesn't
come out of anything.

Speaker 1 (13:46):
It wouldn't.

Speaker 3 (13:47):
That would be permanent, permanent damage, including our insides.

Speaker 1 (13:50):
Perhaps.

Speaker 2 (13:51):
Well, I didn't notice anything, if that's what you're asking.

Speaker 3 (13:55):
Okay, that's good. I don't want to be concerned, So
you guys.

Speaker 1 (14:00):
Can just go ahead. How does a Halloween whopper end up?
We never talked about that.

Speaker 3 (14:04):
Nothing, no problem, really, piece of cake, no different collars.
I had another one. No nothing, nothing weird?

Speaker 1 (14:11):
Interesting?

Speaker 3 (14:12):
Yeah, nothing. They don't do a Christmas one. No green.
They might, I mean they haven't, but they might. You
never know. Why not Grinch whopper? Yeah, yeah, I don't
know exactly what that would entail. Being green, just horrible
looking green. Not good color for bread. I'm gonna steal

(14:35):
a little bit of this pie here. See Nix's gonna
do it. Give the risk to Chris. Yeah. If I'll
let you guys give your opinion on it before I
say what I think of it, or you tell us
how wonderful it is, you know, I will say I
kind of a Taco Bell guy these days. Really. Yeah,

(14:58):
that's surprising. Yeah, kind of kind of warmed up to
it over the decades. Yeah, you were not a fan
for many years. We were. They the ones that had
or still have the caramel apple and panadas they did.
I don't know if they still do. Those were fantastic.

Speaker 2 (15:15):
Same they got their dessert game. Tight Knicks can try it.
Here we go a solo view. It sounds like you're
cracking something.

Speaker 3 (15:27):
It was in the It was in the freezer too long. No,
it's a it's a strong flavor m it's tart. It's
not bad though.

Speaker 2 (15:39):
There you go, throw it one more time to the camera.

Speaker 3 (15:42):
I got my tiny little piece.

Speaker 1 (15:43):
There you go.

Speaker 3 (15:44):
There it is the Taco Bell Baja Blast pie. Yeah,
send us a check.

Speaker 1 (15:49):
I like the texture. The name is blast. It's got
to have a strong flavors. Yeah, I think.

Speaker 2 (15:55):
Well, I think I told you guys this. Everybody who
I tried it with their whole peace so ringing endorsement.

Speaker 3 (16:02):
It's like I would just me personally. I worry if
I make something that's got lime or lemon in it
because I don't want it to be too much. Yeah,
and this is a little more if I was making something,
This is a little bit more of that sort of
tart flavor than I would that I would prefer. But

(16:25):
I'm not going to complain. It's pretty good, Chris.

Speaker 1 (16:28):
You think, Yeah, I'm not detecting any overt tartness. You know,
It's okay. It's hard to I've never had Baja Blast
mountain dew, so I don't know how true it is
to have flavor. But I would say it's different than

(16:50):
a key lime pie, which I think you compared it to.

Speaker 2 (16:53):
I think that's the best way to start off to
what to expect and then say, but different.

Speaker 3 (16:57):
But what's okay? So what is baja blast? I've had
mountain dew many years ago, but what is baja blast?
I think the table that regularly lime. Okay, so it's
a lime mountain, I think.

Speaker 1 (17:10):
So trying to bring in the Latino crowd a.

Speaker 3 (17:14):
Little chili pepper.

Speaker 2 (17:15):
They shouldn't sell it exclusively at Taco Bell if they're
trying to.

Speaker 1 (17:18):
That's a good point, but hey, you know, marketers aren't
the sharpest knives in the drawer.

Speaker 3 (17:26):
Yeah, I will say, once you get to the end
of the piece and it's got the whip cream, it
balances it out and there you go. That's what I'm talking. Yeah,
a little reward for making it to the end. Not
a ringing endorsement.

Speaker 2 (17:42):
But yeah, I'm trying to see exactly what they're trying
to tell us it's supposed to taste, Like, maybe they
don't have a description.

Speaker 1 (17:50):
Well, here we go, flavor profile.

Speaker 3 (17:52):
There you go.

Speaker 1 (17:53):
It's a tropical lime flavored soda with a bold and
refreshing taste.

Speaker 3 (18:00):
They just threw extra words in their tropical line. It
makes perfect sense they would use it for a pie.
Then if it's a yeah, if it's a lime flavored
m yeah, not bad. How many would you get for
twenty bucks in your lifetime? Twenty bucks a pot? Right? One?
Maybe one? But yeah, especially if thank you for bringing it,

(18:23):
of course, especially.

Speaker 2 (18:24):
If you don't have an occasion to share it, because
I feel like you're going to buy this and eat
the whole thing. Maybe you would, but you might be
a maniac. But you know, I took it to work
and we all try We said it's good till March.

Speaker 1 (18:35):
Right, you take it to work?

Speaker 2 (18:36):
Yeah, we all tried it there and then I brought
it back like a third of it that was left over.

Speaker 3 (18:42):
And then is that now taking away at it? This
is not directed at you because I've done this. Is
that faux pas to do to bring a pie? You
bring something and then you take whatever's leftover, you take
it back home. Oh, I've heard it is I don't
think so see that. I don't know.

Speaker 2 (19:02):
We had a conversation about it, and I said I'm
going to leave it, and I left it till Monday
in the freezer. Nobody took it. Nobody took any more
over the weekend or on Monday. So at the end
of Monday. I just took it home.

Speaker 3 (19:14):
Yeah, I think in some circles it's considered photo which
circles like the people in those Mela Appliance commercials, those
those like that whole kind of snobby thing they got
going on in those commercials in that in that crowd,
I think it would be faux pas.

Speaker 1 (19:35):
Nobody hangs out in that crowd anyway, so who cares.

Speaker 3 (19:38):
So if you take it to work, you're supposed to
leave it, is what you're saying. I think if you
bring something to to a function, you don't take it home.
I don't think you're supposed to take it home.

Speaker 1 (19:49):
That's what I've heard you do it.

Speaker 3 (19:51):
Have I done it? Yeah? Because I made it, and
I'm like, I want the rest.

Speaker 1 (19:55):
You don't know what it's doing. If they're just going
to throw in the trash, I don't know. If you
think it's got more value than that, take it.

Speaker 2 (20:02):
That's exactly what I did that. I'm going to give
you guys a few days. Yeah, if no one wants
any more, it's coming home.

Speaker 1 (20:08):
Good for years about faux pas? Enough, do what you
wanted to, like you said, especially if you made it
and like nobody's having it, or there's still half. There's
no guarantee that's not just gonna end up straight in
the trash. And you didn't let that happen.

Speaker 3 (20:24):
And you've got a unique perspective on it. You know
how much work went into it, right, So you're you're
just seeing that thing sit there because.

Speaker 1 (20:32):
People had their chance to gobble it down, they didn't
do it. Fuck them take it.

Speaker 3 (20:39):
I couldn't agree more.

Speaker 1 (20:40):
There you go, faux paw enough or rewriting the rules
of that shit tonight effective immediately.

Speaker 3 (20:51):
With a faux pas. Well this particular oh this case, okay,
I thought we're going to commit a new faux pas well,
you know, and this is good that we're addressing this
the week of Thanksgiving.

Speaker 1 (21:01):
Or like, let's say you paid twenty bucks for this
Baja blast pie. You take it to work or wherever
you take it, and maybe a quarter of it has
been consumed. Again, you can't risk that just ending up
in the garbage. You take it home.

Speaker 3 (21:22):
And I don't know about you. You paid for it,
and I don't know about you guys, but if this
is a refrigerated thing and it's been sitting out for
a few hours, I'm concerned yeah, I put it away. Yeah,
I'm like, I'm putting this away. It's like oiled. Yeah,
it's going to be sitting out all day, and then
you gotta take it home with your and then you
can't even take it home after that.

Speaker 1 (21:43):
See. I think the real faux pas is if somebody
else brought the Baja blast pie only a quarter of
it was taken, and you took it when you didn't
bring it. Yeah, that would be a fool. Yes, yeah,
I'm gonna take this whole thing. That's pretty ghetto. Oh
that's a that's a dick move right there. But if
you brought it, you own it. Do whatever you want

(22:07):
with it.

Speaker 3 (22:07):
Can I tell you, guys a good dick.

Speaker 1 (22:09):
Throw it at somebody if you want to.

Speaker 3 (22:12):
I had a dick move that I was It was
in an old test.

Speaker 2 (22:16):
You know, you guys are do this where you search
a word in a text and you see something, oh
like because you're looking for something, but you see something else.

Speaker 3 (22:23):
So I did that. I don't remember what the word
was exactly.

Speaker 2 (22:26):
This was a while ago, but I saw an old
text that I sent to someone, and I remembered because
I told this person what I did. I remember doing it,
and I started laughing because it's a terrible thing to do.
But it was at a previous job, there was pizza
in the break room or in the lunch room, and
you know, someone like sent an email here there's pizza

(22:46):
in the lunch room. So I went in there and
I threw it in the gardens. And I realized I'd
only worked at this place for a month, and that's
already how I was.

Speaker 3 (22:56):
Behaving pointless, what a pointless of terrorism in a sense.
And I hate waste. I hate wasting food.

Speaker 2 (23:05):
I don't like to do it. But I must have
been so upset in that moment that I just what
were you upset about getting mistreated?

Speaker 3 (23:13):
Being mad at people?

Speaker 1 (23:15):
Really?

Speaker 3 (23:15):
Just a month then, huh?

Speaker 2 (23:16):
That's what I thought was kind of funny. I was like, oh,
I could see me doing that two years in, but
a month then it.

Speaker 3 (23:22):
Was So you were the first one there. I'm guessing, Yeah,
you didn't wrestle it away from somebody. No, but it wasn't.

Speaker 2 (23:29):
It wasn't brand new. It was like it was like
hours old.

Speaker 3 (23:35):
No, it was. It was Here's what I should say
it was.

Speaker 2 (23:38):
I think it was for a client or somebody they
had like a slice or two, and then they brought
it in here. I didn't want it, so it was
it was still hot, and it had, you know, barely
anything missing.

Speaker 3 (23:49):
And I just threw that's that's uh, take me back,
that's quite a thing to admit.

Speaker 1 (23:58):
I don't care.

Speaker 3 (24:00):
I commend you for for owning up to such a
do it a heinous action.

Speaker 2 (24:06):
I'd do it again if I was still there, do
it tomorrow.

Speaker 3 (24:08):
If I was there, those people deserve If your badge
still got you in the building, you go do it.
I'd throw one of the people in the garbage.

Speaker 1 (24:17):
You care. There's a reason why I'm assuming this is
the workplace. There's a reason why it's initials would be
You're correct, Yeah, knowing that you were totally justified, and
I applaud you for doing that. Yeah, I just deserved
a month then just threw it in the garbage.

Speaker 2 (24:38):
Hold it up because it was, you know, a cardboard.

Speaker 1 (24:40):
Given the employer and what I've heard from Andy about them, Wow,
love it, beautiful move. Okay, thank you for sharing. That
actually actually brightened. But I love to hear that is
a you don't hear that story. How soon after the

(25:02):
email drop did you get in there, like within.

Speaker 3 (25:05):
The thirty seconds, I was on the other side of
the wall.

Speaker 1 (25:09):
Instantly going in there. So he said, oh, I got.

Speaker 3 (25:11):
Something for you.

Speaker 2 (25:12):
Yeah, and I could get to it before anyone so.

Speaker 1 (25:15):
That other people arrive and see it the trash, Like
I just got this email a minute ago. Why is
this in the trash already?

Speaker 3 (25:24):
There was sticking out April first, what's going on here?

Speaker 1 (25:28):
I absolutely love that.

Speaker 3 (25:33):
Yeah, I would say good times, but they weren't. That
was looking back, that sounds like a wonderful time. Yeah, okay,
So we got some more business here and there was
no I'm sorry, more business. There was no follow up.
No really okay.

Speaker 2 (25:48):
I mean maybe somebody no email said there was no
follo up in okay, but maybe somebody said I don't
remember okay.

Speaker 3 (25:54):
Because that's that's the I would think of that question
later tonight when I'm going to bed some glad it
came to me. Now.

Speaker 2 (26:01):
Yeah, and that area was on camera and recorded all
the time, so I'm sure if anyone felt like looking,
they'd see you get up and throw it in the garbage.

Speaker 3 (26:11):
Oh well, I can't say I dislike that story at all.

Speaker 2 (26:15):
Yeah, I mean, I hate to waste the food, like
I said, but it had to be done.

Speaker 3 (26:19):
Well, I felt wrong. That was my only We've ever
heard of the Boston tea party. This is the Chicago
pizza party.

Speaker 2 (26:30):
Okay, so well, I say more business. I don't mean
another item to take out, but we have a plan
for today. We're not going to the listener submission list.
This has been a long time coming.

Speaker 1 (26:44):
Yeah, I was thinking about this. This is one of
the rare occasions, possibly the only occasion. But I want
to say it's happened before where all three of us
know what it is going into the episode.

Speaker 3 (26:58):
Yeah.

Speaker 1 (26:58):
Yeah, so I'm sure it's happened two or three other times,
but a handful of times. But yes, this has happened,
and it is happening.

Speaker 2 (27:11):
It's about to happen. Who wants to be the one
who reads the information here?

Speaker 1 (27:16):
Well, how do we arrange the information?

Speaker 3 (27:18):
I can stumble through it?

Speaker 5 (27:19):
All right?

Speaker 3 (27:20):
Well maybe that helps. I don't know.

Speaker 1 (27:22):
Maybe not.

Speaker 3 (27:23):
Yeah, that's what I got here. Okay, all right, are
you ready? No, but I'm gonna move this so you
can still read it. All right, We're gonna try our best.

Speaker 2 (27:33):
What we're gonna do is turn the microphone over to
Chris Jerichole.

Speaker 3 (27:37):
Hell, this one's cold medley of sorts. Thanksgiving NFL halftime
shot Creed two thousand and one. Thanksgiving two thousand and one.

Speaker 2 (27:50):
There you go, country was ready to start healing. I
don't know it didn't work, but Thanksgiving two thousand it
might have helped, did it.

Speaker 1 (28:00):
Maybe we're gonna determine, yeah, or whether that explained why
this country was attacked on nine to eleven. This sort
of pageantry, yeah, I said, I got no regrets.

Speaker 3 (28:15):
I think the US is actually one of the least
extraordinary countries when it comes to extreme pageantry. That might
be true.

Speaker 1 (28:26):
That's a good point, But this, well we're about to
consider tonight, is next level pageant. Well, this is for sure. Yeah,
We're not treated to this level of pageantry in this
country that often. So you're in like North Korea, I
think every day they have a they have a military

(28:49):
parade coming down your street. I'm gonna double down on it.
I might regret it because of the blowback, but this
reminds you that the picture I posted a pod Thunderstand
of John Lennon acting like a dick head, and the
caption is look at him and tell me he didn't
deserve to get shot in the face. So you see

(29:13):
this thing we're gonna watch is like, watch this and
tell me the United States didn't deserve some sort of
violent attack against it.

Speaker 3 (29:22):
I didn't know this was the angle we were I
didn't know.

Speaker 1 (29:25):
It's just coming to me now, but it's you know,
you bring it up with the healing and whatnot, and
it's just I.

Speaker 3 (29:34):
Think it's best. This choice here is best. The best
reaction that I'm seeing is what Andy, what is it? Wicked?
Lester sixty eight? Is that what that is? Yeah? Yeah,
if you could bring that there you go. That about
says it right there now. That that says it about
this show, or about about everything, about what we're about

(29:55):
to watch.

Speaker 1 (29:56):
What we just chose. People asked this question as they
were wanting watching it live.

Speaker 3 (30:01):
Yeah, I'm sure, what the hell is twenty four years later,
almost to the day, it says November twenty second, we're
recording on the twentieth.

Speaker 2 (30:07):
Oh wow, so almost twenty four years ago. So here's
what I'll tell you about this. Didn't see it happen,
no memory of it whatsoever until the last handful of
years when you.

Speaker 3 (30:19):
Guys brought it up.

Speaker 1 (30:20):
So we brought it to your attention.

Speaker 2 (30:22):
Yeah I never saw I didn't see it when it
happened live.

Speaker 1 (30:25):
And how do we do that? Just sending?

Speaker 3 (30:26):
You mean?

Speaker 2 (30:27):
Yeah, yeah, one of you guys mentioned something about it,
and I think I either I looked it up or
you sent the whole thing something. But I watched it,
you know, a few years ago as a result of
that bad I have no memory of it actually happening.
So I don't know if you guys have a different
outlook on this or a different experian.

Speaker 1 (30:44):
I always obviously sports fan, football fan. I watch football
on Thanksgiving, but I'm not much of a halftime show guy,
so I can't really have no recollection of watching it live.

Speaker 3 (30:59):
So this is the Cowboys. This is in Dallas, and
who I wonder who they were even playing, not that
it matter. Next question, no.

Speaker 1 (31:07):
Idea Houston fixes in Existence Center? Do they come around later?
Los Angeles Yams or well?

Speaker 3 (31:17):
I think weren't the Texans a team? It's kind of
like the Washington Senators, right, they were a team, then
they weren't than they are again. Oh really I think
the Texans were. Okay, I'm not mistaken, it.

Speaker 2 (31:31):
Says the Denver Broncos. Oh okay, all right, and if
you were wondering, the Broncos won twenty six twenty four.

Speaker 3 (31:38):
Oh they were fired up apparently, sounds like a fired
up the round, like.

Speaker 1 (31:42):
A nail bier a two point game.

Speaker 3 (31:44):
So well, this was in Texas, right, Oh yeah, okay,
this Dallas hosts.

Speaker 1 (31:48):
They always host Thanksgiving game every year, as does.

Speaker 3 (31:52):
Detroit America's team, Right yeah, or so it said. All right,
so thousand and one, do you remember watching this neck
or no? How did you find out about this?

Speaker 1 (32:03):
It was years later.

Speaker 3 (32:04):
I don't think I watched this when it was on.
I was not. I've never really been a Creed fan.
It's only in very recent times where I've come to
appreciate some of the stuff that they were doing back then.
But as someone pointed out Creed memes, there's something to

(32:30):
be said for once in a while, the Internet will
make something more appealing to you that maybe when it
was happening it didn't appeal to you off all that much. Yeah,
there's something about it. I don't know if there's like
a nostalgia factor. I mean, obviously this band is back
together and still active, so it's not one of those deals.

(32:51):
Where it's over and done with, their story is completely
written or anything like that. But yeah, this is one
of those where it's because endearing in recent years to me.

Speaker 1 (33:03):
Yeah, and I'm looking this up and apparently their third album, Weathered,
was released on November twentieth, two thousand and one, so
two days wow before this, So this is quite the
coming out party for them. Third album had My Sacrifice

(33:24):
One Last Breath, We're the two big single.

Speaker 3 (33:28):
Now is this so that that album that came out
just prior to this performance? Is that the album that
had higher on it?

Speaker 1 (33:38):
No, that was that was the previous as well. Okay, yeah,
human Clay, I believe what.

Speaker 2 (33:45):
I call my turds. I'm sorry, that's not nice at all,
Human Clay. Yeah, what was the first one? Called My
Own Prison?

Speaker 3 (33:56):
Okay, I believe I've heard of all three. Yeah, so
they're all pretty big, I mean band, I assumed.

Speaker 1 (34:02):
That that was. That's what I was mainly looking for
is to see what where they were in their discography,
mainly to illustrate the level of megalomania that's got Stap
wasn't broiled in and this was probably at or close
to its peak, not probably that it was close to

(34:22):
its peak, possibly the peak of his megalomania, which ended
up doing the band in its first time around. He
became intolerable that swept up in substances pretty much ended
the band.

Speaker 3 (34:40):
The rock and roll cliche. But it sounds like as
far as as far as you hear that everything's going
well now, which is good to see it.

Speaker 1 (34:49):
It is good.

Speaker 3 (34:50):
It's it's nice to see that when there's when you
have that sort of a story and then someone's like,
you know what gotten through it?

Speaker 1 (34:58):
I'm good now, And without question, one of the worst
album covers of all time. It's in this one pretty bad.

Speaker 3 (35:06):
I mean this is like put the tree on it, and.

Speaker 1 (35:08):
There are three faces that the bass player had bailed
on the band and they didn't do any sort of
it was not good official replacement. But yeah, it's not
a good cover cover terrible yikes.

Speaker 2 (35:24):
All right, Well, I've got a couple of pieces of
information from a good local creed expert who was going
to be on the show but couldn't make it today.
Our friend Tom Howell, No not Tom coldle Tom Howell,
the guy who know since I was thirteen years old,
good friend of mine played in the band with me
and Nick for a few years there, and he's a
Creed fan, he's a Tremaney fan. He told me a

(35:46):
couple of pieces of information. Then I'll read now and
we'll get into it. But he said the lip syncing
will be very obvious. I believe the band is all
live though, since all three songs they play are in
different tunings and he's arranged them all in regular drop D.
I'm sure why he's mining them differently if he was faking,
so why not just play them the regular I don't know.

Speaker 3 (36:08):
So pre recorded to different tunings apparently.

Speaker 2 (36:12):
Well, no, he said that they're saying they're all opposite
the opposite. Oh yeah, yeah, yeah, okay, Instead of that.

Speaker 1 (36:19):
They they were originally done in different tunings, but they
were re re arranged to all be and drop D
the band because of the tight time frame. He wouldn't
have to be changing guitar then.

Speaker 3 (36:33):
But then if he's if he's uh lip syncing, he
would have had to have recorded yeah, special versions just
for this to the drop D.

Speaker 2 (36:43):
Right right, yeah, which I don't know the reason. I'm
sure somebody does.

Speaker 3 (36:47):
Whatever.

Speaker 2 (36:48):
Yeah, hey, I wouldn't want to sing it a halftime show. Well,
I'm much happier dancing around not saying what Yeah.

Speaker 1 (36:54):
And and the other thing is, you know that the
halftime show is less much less for the people in
the venue and much more for TV audience. So chances
are it was almost all of it was pre recorded
just for the sound quality, to avoid any sort of glitches,

(37:19):
et cetera. But we can, you know, we can watch
and see what we think.

Speaker 3 (37:23):
Okay, all right, are you guys ready to do it?

Speaker 1 (37:28):
Yeah, we're pretty confident that the whole thing's out here
on YouTube.

Speaker 3 (37:32):
Seven minutes. I think this is it. Yeah, the one
so no, sound quality might not be great, but yeah
it is.

Speaker 2 (37:41):
Yeah, it's as good as we're gonna get. It's like
the Creed VIDs YouTube page.

Speaker 3 (37:46):
So I'm sure that if you if your YouTube channels
called Creed VIDs, you probably found the best version.

Speaker 1 (37:52):
Yeah, there's there's a lot of level of quality that
people expect from Creed VIDs that they I'm sure they
want to live up to. I mean, the stands are packed.
Not a lot of people going to take a leak
at halftime.

Speaker 3 (38:10):
Well, Creed was you know, massive at the time, This
was this was a moment potentially, right, everybody was probably thinking,
is this going to be a moment.

Speaker 2 (38:20):
Yeah, because there were a few that you see whenever
you hear some kind of watch, some kind of retrospective
on the time, and I think this would fit into
that timeframe, right, I mean it's only two months after that. Yeah,
oh yeah, there haven't been there. You know, everything was
back to I don't want to say normal, but as
far as large gatherings, it was only.

Speaker 1 (38:41):
Oh no, So the the spectacle of the NFL is
super Bowl and a close second is Thanksgiving Day. Now
they've watered it down where they've got a Black Friday game,
they've got fucking games four days a week. But back then, Yeah,
this is the first real NFL nationwide spectacle post nine

(39:06):
to eleven. So yeah, people are paying attention, all right,
and and they got Creed.

Speaker 3 (39:13):
Yeah.

Speaker 2 (39:13):
And if you don't, if you're not familiar with this
at all, I would encourage you to also check the
video out.

Speaker 1 (39:19):
Oh you have to watch. Yeah.

Speaker 2 (39:21):
We're not just talking about this because of the music. No,
that's definitely taking a back seat to the visual.

Speaker 1 (39:27):
Viewing the video, either in conjunction with listing this episode
or just watching it afterward. If you've never seen it
as a must. Yeah, it's an absolute.

Speaker 2 (39:38):
Must, all right, So let's take a quick commercial break.
We'll be right back with the two thousand and one
Creed Medley.

Speaker 6 (39:50):
Hey, the Dallas Cowboys in the National Football League present
an American holiday tradition with a halftime celebration to kick
off the Salvation Armies Kettle campaign, joining Jean and Jerry Jones,
like the Commonweal Organization, just Commissioner John plusby the National
Commander of the Salvation Army.

Speaker 1 (40:10):
So already there's the filling of the Salvation Army thing,
and then these two chicks and red body suits come out.

Speaker 3 (40:18):
Things. Things have gone horribly wrong already.

Speaker 1 (40:22):
Yeah, what's what they piped in?

Speaker 3 (40:24):
Higher Well, so you've got you've got, I mean the
one the it's it's very formal, you know, you've got
it looks like a police chief.

Speaker 1 (40:35):
It's the Salvation Army, Yeah, sir.

Speaker 3 (40:38):
And then you've got like a lady who looks dressed
like Jackie O standing next to probably Jerry Jones, probably probably,
And Jerry Jones is there and they're putting money in
the Salvation Army bucket, which.

Speaker 1 (40:53):
By the way, that tradition is gone. The Salvation Army,
to my knowledge, is not affiliated with the NFL anymore.

Speaker 3 (41:00):
Oh okay, I thought you're gonna say that they don't
collect anymore. I saw them today.

Speaker 1 (41:06):
No, they do.

Speaker 3 (41:07):
They the NFL probably wanted too much of it.

Speaker 1 (41:10):
Well, the implication by you know Greg Gumbles, the late
Greg Gumbles intro there is that the tradition is connected
with the Salvation Army. I'm here to tell you that's
out the window.

Speaker 3 (41:25):
It costs too much every year to make a new
city design for the buckets.

Speaker 1 (41:32):
Well, yes, that there's that. They were probably upset that
two whores and red body suits came out and obscured
the bucket.

Speaker 3 (41:43):
But it's already already we're getting. Yeah, it was this
sort of like it was a charity based you know,
thing going on, and then all of a sudden, it's
just like full blown, full blown time show has has intruded.

Speaker 1 (42:03):
It's not like they.

Speaker 3 (42:05):
Cut away to a different camera and there and there
are the people dancing in the music. It's they just
straight up ambush ambush.

Speaker 1 (42:15):
Yeah, this is probably why the tradition ended. The Salvation
Army was like, we're not putting up with this anymore.

Speaker 3 (42:22):
We're out it is funny though, command.

Speaker 1 (42:25):
More respect plus and then there's a piped in version
of the song, the song Higher, which you know they're
gonna play later. Why why is this happening?

Speaker 3 (42:35):
It's very strange, already amazing, already just disastrous.

Speaker 6 (42:41):
All right, and brings those who are in need those
Halloway season at a time when giving and sharing will
make all of us feel.

Speaker 1 (42:50):
Like, Okay, now I get it. It's like the the
implication was well, maybe not the implication, but so they
were out of the shot on stage leading off with Higher.
Okay makes a little more sense.

Speaker 3 (43:09):
But it makes a little more sense, but it is before.

Speaker 1 (43:11):
You see it. It's a disconnect.

Speaker 2 (43:14):
It did seem like there was something wrong with the
timing though, because it kind of faded in Yeah, and
it wasn't like here comes Creed one two.

Speaker 3 (43:22):
Nobody said Creed like here they are. It's just like
they're just there. Did they say Creed it all?

Speaker 1 (43:29):
Back it up? I don't think so, back it up
because you also see that there's singing and Scott's Stapp
is not.

Speaker 3 (43:36):
Singing when you first see him in the shot. It
really does not look like he's.

Speaker 1 (43:41):
Move it up to when the horrors come into the
screen the horrors which ones know, there you go, it'll work, Okay,
demand the Salvation Army.

Speaker 6 (43:53):
We want to open your hearts and it brings those
who are in need those halloway set time when giving sharing.

Speaker 1 (44:02):
He wasn't singing, No, he wasn't singing. And plus that
narration shouldn't be overlapping with the vocal.

Speaker 2 (44:09):
No, so I think so that's broadcasting one on one.
You know, you ramp it up to the vocal and stuff.

Speaker 1 (44:15):
Yeah, that's that's old.

Speaker 3 (44:16):
Uh you know rock radio, pop radio, Yeah, sure you
sure you can talk right up until the opening lyric.

Speaker 1 (44:25):
Sure, and something else? Uh, rock radio or entertainment one
on one. Introduce the talent. Yeah, no mention of creed,
not at all. And yeah, the high ranking Salvation Army
official is wants to be on camera putting money into

(44:46):
the bucket. And these two bimbos come swishing into the
screen and obscure the.

Speaker 3 (44:52):
Whole very strange, and then they had to walk away
kind of around the dancers. The dancers are there for
the whole show. Yeah, oh yeah, they're like, all right,
we got to go, but we got to like kind
of get around you some real mind field to get
outs that look. So I wanted to talk about Scott

(45:27):
STAPs vocals a little bit because I think, I think
it's a polarizing style, but it was. It was a
style that I want to say, I mean, it probably
goes back further, but I'm gonna say, Okay, you have
Eddie Vedder and that kind of.

Speaker 1 (45:44):
Led to.

Speaker 3 (45:46):
Scott's Stap style vocal, which I think you've got offshoots
of it like you've got like we talked about Chad
Kroger last week. I think his is more forceful, but
it is I think, yeah, there's I don't know what
you I don't know what you call that style of vocal,

(46:06):
but I want to say, I mean it Eddie Vedder,
probably someone before him, but I would say he's He's
what I would say is the origin of that style
of singing.

Speaker 1 (46:17):
M hmm.

Speaker 3 (46:18):
Yeah, I used to in a rock context like this.

Speaker 1 (46:20):
I can't really pinpoint where his who would have influenced
him in terms of his vocal delivery.

Speaker 3 (46:28):
But yeah, I can't. I can't think of anybody further
back than him, But I don't know, there's something there's
always there's something about that style of singing that seems
inhibited to me, like it's not a full throated kind
of a thing, Like physically it's inhibited. But as we

(46:53):
heard last week, you can still get some powerful singers
doing this stuff of vocal which I think that the
version of Careless Whisper that we heard last week, there
were there were some like legit powerful vocal moments in it,
even though it's in this sort of like I guess
we'll call it post grunge singing style. Yeah, it's just

(47:15):
it's it's very interesting to me because it seems like
it seems like they're holding back when they're singing like this,
but then some of the guys are really pushing it
out there. So I don't I can't make heads or
tails out of what's going on in this style of music. Yeah,
I can tell you one thing.

Speaker 2 (47:35):
I did not like this at the time, and I
hated that sound, that vocal sound that people were doing.

Speaker 3 (47:42):
I mean it was everywhere. It's one of those things where,
like any anything that was popular, like you hear people
talk about disco in the late seventies, it's like, oh,
just done to death and just uh diminishing returns with everything.

Speaker 2 (47:56):
And I'd have a hard time naming a whole bunch
of people who did it. But I felt like if
you'd go see live bands, like smaller bands that were
trying something out, a lot of the guys were trying
to do that.

Speaker 3 (48:06):
Oh yeah, yeah, so sure. I think I was like
a like like a lot of people who were doing
like it. Chris's Cafe around this time, a lot of
people doing open mics with just an acoustic guitar going
up there doing Yeah, they would be this. I mean,
you know, that's that's just how it is right in
music and really anything, if it's popular, there's gonna be

(48:27):
a lot of emulators, and yes, it's going to inspire people,
and that's what they're gonna want to do.

Speaker 2 (48:33):
Wicked Leicester sixty eight said it's like singing on the
initial effect of valium. I'm gonna have to take your
word for it, apparently, tell you once.

Speaker 3 (48:42):
You take it.

Speaker 1 (48:43):
And even though the comparison of lumping them in with
the quote unquote grunge bands we've talked about, this was inaccurate.
Early Scott Wiland was in this wheel as well.

Speaker 3 (48:57):
True.

Speaker 1 (48:58):
Yeah, so that was the other big one. I mean,
it was either people emulating Vetter or as another guy
we talked about last week, the the West Scantlons of
the world who were mimicking Kobain. It was one of
the two. Nobody dared attempt to mimic Lane Stalei or
Chris Cornell, because that would have required some serious talent

(49:23):
and power, but to emulate the other two seemed to
be the lower hanging fruit.

Speaker 3 (49:29):
But since you bring up Lane Staley, I mean, very
powerful voice for sure, but got into that he would
get into that territory.

Speaker 1 (49:41):
Yeah, no, a little bit sure, but he proceeded Eddie
Vedder in terms of not in terms of like how
they came on them, well a little bit in terms
of as farming on the public consciousness. Yeah, and it
might have been a regional thing, and it was a
regional thing, but in terms of how it influenced the

(50:04):
vocal stylings of these guys who knows.

Speaker 3 (50:06):
Yeah, but it's I mean, here we are, like ten
years after all that stuff came out initially, and you've
got post grunge, which is the nicer way of saying it,
And what's the less nice I mean, yes, I just
wanted to say.

Speaker 1 (50:23):
Butt Rock please, thank you so, and butt Rock is
still the thing nowadays, twenty four years, after ten years
after what we were, what where it originated, It's still
the thing. It's lasted way longer than what influenced it.

Speaker 3 (50:43):
That's interesting. Yeah, that is true. Wow, it is still
the go to I guess active rock is what they are,
hard rock.

Speaker 1 (50:50):
It's absolutely thirty five years down the line, it's still
in vogue and grunge.

Speaker 3 (50:56):
Is not thirty five years of butt.

Speaker 1 (51:02):
All right, but yeah, you know the the Dallas Cowboys
cheerleaders have entered the arena.

Speaker 3 (51:11):
Yeah, so I mean it's it's becoming the Macy's Parade
at this point. Yeah, it's not quite there yet, but
it's yeah, I mean it's getting there though, And it's
always uncomfortable. You always feel uncomfortable for the performers, the
musical artists.

Speaker 1 (51:27):
But they know what they signed up or and they
know how, you know, how these things work.

Speaker 3 (51:32):
They do, but it just watching it at home, you're
always like, I wonder, how how is that? When this
is probably with like dancing, cheerleaders and all this stuff
going on around you, This is probably not your ideal
setting for expressing your art, but yeah, but it is
also probably your biggest audience.

Speaker 1 (51:53):
It's that too.

Speaker 3 (51:54):
Well.

Speaker 1 (51:54):
They also they played Woodstock ninety nine and so yeah,
sure is a big I mean that's a big more
of a rock and roll I mean as far as that, Yeah,
that's huge. You know, a lot of people the audience, sure, millions, a.

Speaker 3 (52:10):
Lot of people watching that had no idea who they were,
and this was their first.

Speaker 1 (52:13):
Explodetion certainly didn't because they weren't introduced this.

Speaker 3 (52:17):
Even at the end of it, they didn't know.

Speaker 1 (52:19):
The house band thought they were Salvation Army Bad.

Speaker 3 (52:22):
I thought Paul Schaeffer was in there somewhere, some band
thrown together. Okay, let's continue. There's a longer, long and
from the life when.

Speaker 1 (52:39):
I am all way.

Speaker 2 (52:47):
Nick so excited it's about to happen. Look at staff
right there, Nick says it all Nick had a genuine sigh.

Speaker 3 (52:55):
I looked over, I looked over at Andy. I'm like,
this is this is this?

Speaker 1 (52:59):
This is it happens early? Huh.

Speaker 2 (53:00):
Yeah, this is the clip I ever wound it because
this is like the section that you see on Instagram
or reels or whatever. Yeah, this is the part that's
chopped out that it's probably the reason we're doing this.

Speaker 1 (53:12):
Yeah, So yeah, and when I when you see it
out of context, you you at least I did, because
again I had zero recollection of seeing it in sequence
and seeing the whole thing as we're watching it now.
But you you just assume what we're about to see
here happened towards the end of the I thought so too. Yeah,

(53:33):
it's like, how do you follow? Yes, we're about to see.

Speaker 3 (53:37):
It's a seven minute video and it's fifty six seconds
and it's already happening.

Speaker 7 (53:42):
Yeah, it's me skill, it's there, you know.

Speaker 3 (54:08):
Now the guy, the bald guy flying through the air
and the sill some sort of silk.

Speaker 1 (54:18):
Yeah thing, that's like.

Speaker 3 (54:20):
An amazing physical feat to be sure. But but this
all of a sudden, this one guy flying hovering over
the ground and then they show Stap and STEP's got
such a like triumphant rock and roll reaction. It's thrusting,
it's a like turning his head to the site. It's
a wonderful, wonderful uh one tu punch right there. Yeah,

(54:44):
that props to the director who is doing the camera cuts. Yes,
then that guy got it right.

Speaker 1 (54:52):
In terms of whoever was doing the sequencing at the beginning,
they fucked it up, but the director righted the sh.

Speaker 3 (55:00):
Now, I think an Emmy award is in order, like
a not a postume whatever you would call it, like
a retroactive, a redaction and an award. Yeah, whoever got
it that year take it away.

Speaker 2 (55:14):
But you know what else is funny When they show
that bald guy at first with the you know he's flying,
he almost looks a little confused.

Speaker 3 (55:20):
He's looking backwards kind of like, have you got me?

Speaker 1 (55:24):
Yeah? Is there a support cable on me? Because this
is I'm literally flying on a fucking piece of silk.
I'm going like thirty five here, yeah, and I'm starting
to rise up above the playing surface. Did you connect
to the support?

Speaker 3 (55:42):
And this doesn't look like a guy you want to upset? No,
he doesn't to be able to do that. Yeah, he
has to be a physical specimen.

Speaker 2 (55:50):
Yeah, Jackie said, he's mining the vocals harder than that, truly?
Are I noticed that he's so fired up, he's even
more and it only makes it better Jackie.

Speaker 1 (56:00):
Yeah, again, this is full full blown Scott Scott stap
meglomania here. Nothing is this is holding him back?

Speaker 3 (56:09):
I dare say this is exactly what we want from
a performance like this.

Speaker 1 (56:14):
I won't disagree.

Speaker 3 (56:15):
We probably didn't know we wanted it, but this is
exactly what I want.

Speaker 1 (56:22):
In the modern vernacular. They understood the assignment and then
he scaped stap did he came to play and he
came to perform.

Speaker 3 (56:43):
That bald guy's wearing Ozzie's pants from Speak at the
Devil red and blue pants.

Speaker 2 (56:48):
You're right, look at that. And wasn't Asie bald then too?

Speaker 3 (56:51):
That's we have a Speak at the Speak of the
double era Ozsie impersonator floating through the air.

Speaker 1 (57:00):
I don't and I don't see any support cable. Those
guys are flying through the air on this fucking fabric.

Speaker 3 (57:06):
He had it wrapped around his arms and he was
just supporting him. I mean, that's pretty amazing. It is.

Speaker 1 (57:11):
That's risky, is what it is. And it's amazing that
they pulled it off.

Speaker 3 (57:15):
He left it all on the field man.

Speaker 1 (57:17):
Yeah. And the other guy with the longer hair doing
the same thing on the other side of the field.

Speaker 3 (57:23):
He get he gets less credit retroactive.

Speaker 1 (57:26):
But he's not as visually striking as this guy. I mean,
when you come out with the Speak of the Devil,
Azzie meets Yule Brenner the King and I nobody is
stealing your thunder visually after.

Speaker 3 (57:41):
That kind of like David Draymond's peak potentially peak physical
condition that he would look like this guy.

Speaker 1 (57:51):
Yeah yeah, okay, hey, well they've that seems to have
run its course, so let's see what the rest to
this performance has its store.

Speaker 3 (58:16):
There's your first Clutton the medley. Yeah, one thing.

Speaker 2 (58:20):
I didn't want to stop it there, but I felt
like I had to because I think I doubt we'll
ever do a whole episode on Higher, but who knows
if we will.

Speaker 3 (58:27):
We have to acknowledge that banning, and that's that's that's
a hook. That's a huge hook.

Speaker 1 (58:33):
It is it is the hook.

Speaker 3 (58:35):
Yeah, absolutely, yeah, you can't.

Speaker 1 (58:39):
You can't think of this song or even sing the
chorus without like doing a vocal simulation of that, you know,
and uh you know it's credit. Yeah, that's whether it
was his idea or the production decision to throw that in.

(58:59):
But yeah, that's would take that out and the song
is much less impactful.

Speaker 3 (59:05):
True.

Speaker 2 (59:06):
Our expert Tom Howell also said these songs in this
mentley don't really do Mark Tremonti justice, but Creed breaking
up was a lucky break for him.

Speaker 3 (59:15):
He was unleashed after that, I don't really know. I
mean with age and with his Christmas albums yeah, which he's.

Speaker 1 (59:24):
Solo band Tremont, which got even further into that old territory. Yeah.

Speaker 3 (59:31):
Excellent, excellent musician for sure.

Speaker 1 (59:34):
Plus in this incarnation he was he was wearing the
landing strips Soul Payah all the way to the chin.
He probably worn by most of these cheerleaders below the
waist as well around this time.

Speaker 3 (59:51):
I love how i'd stap is now. I don't know
that there's any crowd behind him, but he's he's so
fired up that he's pumping his arms up and.

Speaker 1 (59:59):
Facing he's getting ready to move into my sacrifice. He's
so fired up, it's great. Yeah, this is the this
is the big hit from the album that came out
to two days earlier.

Speaker 2 (01:00:10):
Yeah, he did a big fist pump right on that
change and the absolute he's selling it.

Speaker 3 (01:00:15):
Yeah.

Speaker 2 (01:00:16):
And also I just realized this now, but have you
guys ever thought that Mark Tremani, at least in this
time period, looked like that guy whose name I didn't know,
but I had to look it up. D trich Bader anyway. Huh,
it's got a similar look to him. He was on
the Drew Carrey.

Speaker 3 (01:00:31):
Yeah, he was Jethrow the Beverly Hillbillies remake. Yeah, he
reminds me of him. Huh.

Speaker 1 (01:00:37):
I could see that facially.

Speaker 2 (01:00:38):
Sure, Yeah, all right, I rewound it so we can
get that transition again. Mostly for the fist pump.

Speaker 3 (01:00:45):
Yeah.

Speaker 1 (01:00:45):
Oh it's great. Fired up as ran into one.

Speaker 2 (01:00:57):
Of those year later, he's yelling at the drummer in
a good way.

Speaker 1 (01:01:04):
I think that's a move that.

Speaker 3 (01:01:07):
I think it gets underutilized nowadays, the interactions with the
drummer because the drummer stationary. Yeah, I'm sure it still
happens quite a bit, but like the just the big
rock stars, I don't know how often you see that anymore.

Speaker 2 (01:01:25):
Going over there and talking ship to the new basically
could be anyone, Yeah, except for the keyboard player.

Speaker 3 (01:01:31):
Right.

Speaker 1 (01:01:32):
Well, in this instance, she looks like he went over
there and just gave him a fuck.

Speaker 2 (01:01:37):
Yeah most likely, sure, like this is awesome, yelling drummer
doesn't care at all, he's busy. I'm sure drummer was
all smiles, was he? Yeah he was, that's gonna say.
I feel like he I didn't even look. But I'm
assuming he's listening to some kind of click if Scott's vocals,
so he's probably concentrating. Scott's having the time of his life.

Speaker 3 (01:01:57):
They had a moment.

Speaker 2 (01:01:57):
Yeah, they did, just two polar different experiences probably. Yeah,
like one guy's working, the other guys can do.

Speaker 1 (01:02:06):
Whatever the fuck he wants. Yeah, gets to wear the
Cowboys jersey, you know.

Speaker 3 (01:02:12):
And honestly Bledsoe and it was well number eleven.

Speaker 1 (01:02:18):
I don't even this is no, this was the season.
This was actually the season when Drew Bledsoe took one
in the fucking sternum and opened the way for Tom
Brady to take so Bledsoe had not moved over to
the Cowboys, but when he did, he was number eleven.
I think he was always number eleven on New England.

Speaker 3 (01:02:41):
Okay, but anyway, well, I want to see where this goes.
We're gonna see here we go. Sorry, just look like
the guy was tangled. Yeah, but I'm sure he knows

(01:03:03):
exactly what he's doing. Yeah, but it's just so bizarre,
such a bizarre circ desole a thing to drop into
the middle of the setting.

Speaker 1 (01:03:15):
And I don't see any trusses. This ship has got
to be suspended from the fucking roof.

Speaker 3 (01:03:19):
For the state.

Speaker 2 (01:03:20):
Yeah, how is there not a weak piece? You know
in that long run of fabric they type bed sheets
together like you're breaking out of prison.

Speaker 3 (01:03:29):
How do they do this?

Speaker 1 (01:03:30):
The urinate on them like in rush hours to break
the bars.

Speaker 2 (01:03:34):
Yeah, you're right, you know, I don't see a number
eleven on the two thousand and one roster.

Speaker 3 (01:03:40):
Well they got me. Wonder Scott Stapton might have been.
Did he have a custom first round pick? He might
have had a custom jersey made. He might have been
legit third string quarterback.

Speaker 1 (01:03:50):
His name on it.

Speaker 3 (01:03:51):
Oh it did. Yeah, I didn't know that.

Speaker 1 (01:03:53):
Okay, he might They probably took an available number, and
so again even better is prime Meglomania. He's like, I
want my name.

Speaker 2 (01:04:04):
On the jersey and I didn't even see that. I
was just assuming it was the starting quarterback or whatever
entirely possible. He's on the roster during this game.

Speaker 3 (01:04:13):
It was a requirement. Yeah, one day that I play,
I play, but I'm on the roster.

Speaker 1 (01:04:19):
He was the long snapper for the Thanksgiving game.

Speaker 2 (01:04:24):
Okay, let's continue. Boy, these guys in all black, why
why do they need to.

Speaker 1 (01:04:33):
Be guys just completely concealed faces, completely concealed. It's such
a bizarre.

Speaker 3 (01:04:43):
We're gonna see it, you know. I complain every year
I sit there and I watch the like Macy's Thanksgiving
Parade and the WGN Chicago one. I'll flip back and forth.
For some reason, I enjoy it, but I complain the
whole time too. I thought, how I don't like any
of it is, and it's going to be stuff like
this that I'm going to complain about. Yeah, but I

(01:05:03):
love it, but I love it anyway.

Speaker 1 (01:05:05):
I love it anyway.

Speaker 3 (01:05:06):
I there's stuff I just can't stand, but I can. Yeah.

Speaker 2 (01:05:09):
You know this reminds me of an Olympic opening or
closing ceremony. Yeah, they do all the it's all strange
court just artistic choreography. Yah, they let all the artsy weirdo.

Speaker 1 (01:05:21):
It was the same Wheelhouse halftime shows, Olympic ceremonies, parades. Yeah,
there's just something, some something different going on in those things. Yeah.

Speaker 2 (01:05:32):
It just seems like this one's a little off for
some reason.

Speaker 3 (01:05:35):
Not bad.

Speaker 2 (01:05:36):
It's actually more enjoyable. But I don't know if it's
just because maybe they're only occupying one part of the
field instead of when you watch those ceremonies where.

Speaker 3 (01:05:44):
It's it's just it's jarring to see just a rock
band doing a rock band thing and then seeing this
as seing it cut completely to that.

Speaker 1 (01:05:53):
It's just it's weird.

Speaker 2 (01:05:55):
And it also might be because it's the daytime too,
because a lot of those things are it's it's lit mood,
like mood lighting to accommodation.

Speaker 3 (01:06:03):
It's gonna look it's gonna look clumsier. Maybe clumsy is
not the right word, but it's going to look more
awkward in the daytime kind of You saw the smoke
kind of wafting when they would show the far away shots.
Reminded me of something I heard Henry Rollins say one time.
He was talking about seeing Marilyn Manson show in the

(01:06:24):
daytime at like a festival and they had a lot
of smoke and you know, stuff going off like that
Pyro whatever, and he said it looked like a bunch
of zombies having a cookout because it's the middle of
the day, sunny out, and you just see like smoke
just kind of wafting up into the air and it's
a lot more noticeable. Yeah, it's just not the right

(01:06:45):
setting for.

Speaker 1 (01:06:45):
Yeah, just when they pan out to the wide shot.

(01:07:12):
Just just every corner there's just some weird group giration. Yeah,
it's bizarre man.

Speaker 3 (01:07:20):
And then there's another bald guy. Yeah, different one. Now,
who's are they going to fight each other? They are?
They kind of have to write, yeah, they go, I
mean there can be only one, right you think? So, Yeah,
one's got red pants, one's got blue pants. Yeah, I
mean it's like medieval times, Like, what section are you

(01:07:40):
sitting in? Yeah, you're gonna root for the blue. Look
at the way the blue. The guy in the blue
is standing there looking at him. He's not happy.

Speaker 1 (01:07:48):
No, this is like, this is this is my show.

Speaker 3 (01:07:51):
I think.

Speaker 1 (01:07:52):
I think the understudy is stepped in and taking over.

Speaker 2 (01:07:58):
It's like when an outside cat wanders and her yard. Yeah,
the cat goes bananas in the house.

Speaker 3 (01:08:03):
Who is this new jack? His tail's puffed up. Okay,
I'm gonna I'm I don't know how I'm guessing someone
can use AI to make this happen. I'd love to
see the guy in the blue preferably, I'd love to
see Mortal Kombat like the video game and have this
guy be one.

Speaker 1 (01:08:23):
Of the characters.

Speaker 3 (01:08:24):
Have these two guys fight. Yeah, yeah, either these two
guys are just the guy in the blue fighting one
of the regular characters. Okay, likes this guy should be
a Mortal Kombat character.

Speaker 2 (01:08:34):
He looks like he's built like it, he's dressed like it.
Everything about him.

Speaker 3 (01:08:37):
I mean, look at he's got a he's staring a
hole through this other guy.

Speaker 1 (01:08:42):
Look at that.

Speaker 2 (01:08:42):
Yeah, he's clear this low resolution, you can tell it's
clearly the boss of this performance. He is.

Speaker 1 (01:08:49):
Yeah, he thought he was the second guy in the
red pen. He's showing him up.

Speaker 3 (01:08:54):
I mean, I think that might be the guy in
the blue sheet. He's like, are you using my sheet? Yeah?
Where's yours? Out of here?

Speaker 1 (01:09:03):
All right, wait a minute. Now they're interspersing now nine

(01:09:46):
to eleven, for they are, and this is kind of
a buzz kill.

Speaker 3 (01:09:51):
I guess you know what the given the event, the
timing of it, it's it was gonna happen because it's
going to be a tribute to I guess what do
you call it? Emergency responders. Yeah, but before we get
too far into that, one thing about Creed musically that

(01:10:15):
I could take or leave, is it the reliance on
octaves playing octave lines. Not not really my thing. And
it's like you know in in Higher you heard it,
you're hearing it here. I don't know, there's just I
mean it. They made it work for that. It's kind

(01:10:36):
of like a signature thing, not really something that I
that I need in rocket in style, not too much.
I'm not a huge like octave line like some songs. Sure,
but I don't know.

Speaker 2 (01:10:51):
I just I feel like it was I remember you
saying that twenty whatever seven years ago, you didn't like
that when bands were doing.

Speaker 3 (01:11:00):
It's, yeah, just something for my taste. It's it's not
really but I but I can now looking back on it,
it's like, Okay, that was part of what creed sound
was so good for them, but not your thing. Yeah,
not really my thing. Chris is beside himself at stabs

(01:11:28):
commitment to d No. It's the interspersing of this footage.
It's like, Okay, you get these guys walking through the rubble,
then it's back to the show, and then it's two
more people in the aftermath and back to the show,
and now we got something else. It's like, I don't

(01:11:48):
know it should have just look, we all know what happened.
On nine to eleven. We don't need to see the
visual recap of it. You shouldn't have had that footage at.

Speaker 1 (01:11:58):
All, in my opinion.

Speaker 3 (01:12:00):
Well, I mean at that time though, they probably would
have faced huge criticism if they didn't.

Speaker 1 (01:12:07):
What do you what do you mean huge criticism?

Speaker 3 (01:12:10):
I think everybody would have been expecting it, or expecting
some sort of acknowledgement of the first response yeah or yeah,
at least that I don't know. I well, you can't
expect it for Greg Gumble, he didn't even introduce the
fucking band, I guess. But just this, this disjointed footage

(01:12:32):
faded in and out as ham fisted. The whole Yeah,
the whole, the whole thing is ham fisted. But the
stabs commitment when they're showing them, I mean, for you
know what we've been told, and it seems to be
the case. He's lip syncing the entire thing, but how
it works. But he looks when they just showed him,

(01:12:53):
when he's holding the mic with both hands and kind
of leaning back, he's completely committed to it, to making a.

Speaker 1 (01:13:02):
Yeah. I I am.

Speaker 3 (01:13:05):
I'm admiring his frontman capacity. You should and I've never
I've never really explored it very much. Yeah, never never
got that into it. But I you know, when when
someone is a good front man, it's it's uh it
they what they say, a drummer and bands only as

(01:13:28):
good as it's a drummer. Sure, but if you've got
a singer that's a really good front man, it's fun
to watch. Then it's even so even so much more.
It elevates everything.

Speaker 1 (01:13:38):
Well, the drummer thing is from a musical standpoint. In
terms of a performance standpoint and being interesting to watch, yes,
your your front man has to be engaging, and he's
nobody's ever accused him otherwise. I mean, I think he
lost it a little bit when he went down the
rabbit hole of substances, But leading up to that, he

(01:14:02):
was always a perfectly fine rock front man. And by
all accounts, since Creed has returned to being a performing entity,
he's doing great. He's in great shape, looks good.

Speaker 3 (01:14:15):
That's great to hear.

Speaker 1 (01:14:16):
It does the job. Yeah, he just got a little
too over the line with the ego and again with
the substances, and it drove the band apart. But in
terms of you know, what a professional performer is supposed
to do at the halftime show, he's delivering in all areas.

Speaker 2 (01:14:40):
Yeah, and you know, this is something that's hard to say,
hard to admit, but I think from doing this show,
as you know, for as many years as we have,
it's something that it's hard to deny that a lot
of the things that I personally didn't like, I realized
there's a reason that they were as successful as they were,

(01:15:00):
even if it wasn't my thing. But you know, if
you don't think about it that much, you just think, oh,
that's bullshit. And these people who liked it, I don't
know what they're thinking, but it's no.

Speaker 3 (01:15:08):
You get why.

Speaker 2 (01:15:10):
Yeah this guys like you get why certain acts even
if they're not your cup of tea or whatever, like, yeah, okay,
they had the tools.

Speaker 3 (01:15:18):
Snake it exactly.

Speaker 1 (01:15:19):
Well, first of all, they had the songs.

Speaker 3 (01:15:21):
That's part of it.

Speaker 1 (01:15:22):
Yeah, yeah, it's not it's not part of it, it's
ninety percent. Well, but also the charisma and yeah, they
that took it over the top, and that's why they
were the biggest band in the world for a year
or two around this time. Yeah, but it's at the
end of the day, it came down to the songs.

Speaker 2 (01:15:42):
Yeah, and they had it. Yeah, they were not my thing.
But you listen and you're like, yeah, I get it.

Speaker 1 (01:15:47):
You have to acknowledge quality at some point, and yes,
you know, is this on the same level of quality
as I don't know, pick somebody who's supposedly legitimate or
a darling of the critics. Is it on the same
level of quality? You know, that's up for debate. But

(01:16:10):
in terms of this genre, this is a top of
the heap right here.

Speaker 3 (01:16:15):
Well, guys, we're not even halfway into it.

Speaker 1 (01:16:28):
I don't like it. I do not like the the
interspersion of nine to eleven footage here. It's everybody knows
what happened on nine to eleven. Everybody knows this is
a tribute to America. You don't have to put that

(01:16:49):
ship out there. It's unnecessary, terrible.

Speaker 3 (01:16:52):
Decision, trying too hard.

Speaker 1 (01:16:54):
You know, it's explaining the punchline of a joke after
you told it, you know, to do it, so let
it go through on its own merits. It's fucking ham fisted.
And then the fucking placement of Salvation Army logos. It's like,
terrible decision, awful, It just takes away from it, you know. Yeah,

(01:17:18):
it's like, we know it happened two and a half
months prior. It's a buzzkill to see those horrible images
in this context. So fuck the criticism. If you were
going to get the criticism, whoever produced this halftime show
should be you're in that seat because you're you should
be willing to take the criticism and be like, I'm

(01:17:40):
not showing the footage. Everybody's seen the footage was an
awful day, worst day in American history. We've got Creed here,
the bald guys, the chicks everywhere. We're celebrating, we're rising up.
We don't need to fade in the old footage. And
that's not Not having the footage is not an insult

(01:18:05):
to those who were first responders or who perished that day.
It's you don't need to show it. It's patronizing and
that's the last thing you want to be in this situation.

(01:18:32):
It's too random. Fireworks just shot off from the above
the stage. I mean, there's no rhyme or reason to it.

Speaker 3 (01:18:40):
Yeah it was. It was not when the drums, it's
a it's in a fucking breakdown and the two rockets
fired off just in the middle of it. It was strange, racy.

Speaker 2 (01:19:22):
Maps making love to the camera though it really is.

Speaker 1 (01:19:27):
This is not just GROSSI.

Speaker 3 (01:19:33):
A silver line.

Speaker 1 (01:19:35):
Sometimes there'sn't enough to make someone round this song, I
don't recognize. I don't know what he had.

Speaker 3 (01:19:42):
I don't either. I did notice as he was walking
up those stairs he eyeballed the gatorade container. I think
he was just making sure no one was gonna sneak
up behind him in celebration. Wasn't time yet, Yeah, he'd
be pissed.

Speaker 1 (01:19:56):
That, or he's a little parch give a slug off
of it.

Speaker 3 (01:20:05):
Whatever, I've been through everything, normal.

Speaker 2 (01:20:09):
Money, that type of dancing. I know people love it, right,
so people love it, people do it?

Speaker 3 (01:20:22):
You know what I mean that? If I want to say,
it's called lyric, is that right? I don't know.

Speaker 1 (01:20:27):
I don't know my dance names. Temporary maybe, but I'm interpretive.

Speaker 3 (01:20:31):
I don't know.

Speaker 2 (01:20:32):
Yeah, some kind of combination of those words is used.
But a few years ago, two of my daughters were
in like little Kid Ballet, and they had a show
for all levels at this dance studio and like they'd come.
You know, it was at a big at the high
school's auditorium, So it was in the big auditorium full
of people, and it was like three hours long, and

(01:20:56):
our girls did like a one minute thing each and
an that was like nothing. But in between there's like
ten of these where it's a one person rolling around
on the floor doing these movements to these like tender songs.

Speaker 3 (01:21:09):
It's very weird.

Speaker 2 (01:21:10):
And again, hey, if you love it and you're good
at it or whatever it is, but I don't get it.
But that's what these two people on the stage are doing.
It reminded me of that.

Speaker 3 (01:21:19):
Yeah, so I think this song, at least based on
the lyrics, I think this song is called Don't Stop Dancing. Okay,
this is Creed, huh, they.

Speaker 1 (01:21:28):
Would explain the dancers on the stage.

Speaker 2 (01:21:31):
So I mean, I know it's literally Creed, but it's
not a cover or something.

Speaker 3 (01:21:34):
I've never heard. The looks it looks like it's a yeah, okay.

Speaker 1 (01:21:38):
Not familiar with this song. Field stop.

Speaker 2 (01:21:55):
You say children, don't stop dancing. This is why I
hated Creed when they were out when I was sixteen
or whatever.

Speaker 1 (01:22:01):
I'm like, I can't do this, it's too pretentious. And
this again, this is is full on Meglomania Pretention third
album is out biggest band in the world and they're
you know, fucking children, don't stop dancing the whole with

(01:22:23):
arms wide open. Crap. It's just like, yeah, there's too much.
And then you have you know that you have the
gospel choir coming out to take part in this. This
is just going to go into extreme levels of pretension

(01:22:43):
at this pointmost.

Speaker 2 (01:23:36):
I've got information from our expert, our expert here, what
did he say?

Speaker 3 (01:23:40):
Hold on?

Speaker 2 (01:23:43):
Female singer is Scott Staff's sister. Okay, they tried to
get Faith Hill for the recording and ended up with her.
All right, well, I mean, mm hmmm, that's.

Speaker 3 (01:23:59):
Whatever. So they're Scott's sister, Okay. I mean we've only
heard a couple of notes from her so far, but.

Speaker 1 (01:24:06):
It seems competent.

Speaker 3 (01:24:07):
Yeah, I mean, if that's that's.

Speaker 1 (01:24:09):
Pure nepotism some some you know, some talent here. I
think we haven't heard anymore of it, but we are
about to.

Speaker 3 (01:24:21):
Nick No, I mean, we haven't heard much, but heard
almost Come on, look at that the hand things, the.

Speaker 2 (01:24:45):
Way his mouth, the way he says children, and the
way his face was. That's the most outrageous, Like Chris said, uh, pretentious, megalomaniac,
delivery of one word that I've ever heard.

Speaker 1 (01:24:57):
Yeah, you're right, let's.

Speaker 3 (01:24:58):
See it again.

Speaker 1 (01:25:01):
Oh yeah, that was.

Speaker 3 (01:25:05):
I can't handle it.

Speaker 1 (01:25:06):
Okay, there's some bulking of you know, children and Unite
the World and stuff, and I get it because of
the events of the day. But it's just like, give
me Woodstock ninety nine before you guys get all fucking
wrapped up in yourselves. Oh stop dunes, believe.

Speaker 3 (01:25:35):
You have all hell's breaking loose up in the sky there.

Speaker 2 (01:25:59):
Yeah, those guys, they look like they're risking it all
for this performance.

Speaker 3 (01:26:03):
That's I mean, that's amazing stuff. Really, I mean, what
pink can do that? Who else does that? I don't know. Yeah,
I mean it's what's that called that circus circulate? Yeah,
I'm not sure exactly what you call that, but pretty
amazing physical feat.

Speaker 1 (01:26:20):
Yeah, that's us is the old Texas Stadium before they
moved into the current place. I had that opening at
the top and this I don't see any other trusses,
so that those pieces of fabric have got to be
coming down from the very top.

Speaker 3 (01:26:38):
Of that, you know that or a helicopter about who knows. Yeah,
it was just wild. I'd like to know there should
be a whole documentary about that. I was just gonna
say those thirty for thirty documentaries are usually well done,
and it would be a weird niche occurrence like this.
It would be huge. People feel that it should happen.
If it hasn't, I don't think it has. But this

(01:27:01):
is perfect. Yeah, this would be a great one.

Speaker 1 (01:27:11):
Interview with these guys. Oh yeah, nowadays.

Speaker 3 (01:27:30):
Delivery of fly is excellent too. Six seven syllables or fly.

Speaker 1 (01:27:45):
H my hide.

Speaker 3 (01:27:49):
Ship?

Speaker 1 (01:27:52):
Oh we hide is that they're releasing they did?

Speaker 3 (01:28:07):
Oh wow, that's it. I don't think I've ever watched
the full halftime No, I definitely only seen bits and
pieces and it was well worth it.

Speaker 2 (01:28:18):
Wow, it's a lot to take in. I didn't know
they released a dove at the end.

Speaker 3 (01:28:22):
And actually that part came off way less hokey than
I thought it was going to. When I saw the
dove flyaway, the camera followed it pretty nicely. Yeah, that
dove was a performance. That dove. The dove was a pro.

Speaker 2 (01:28:35):
Yeah, yeah, lucky there of course there's a dove though
after all that Yeah yeah, yeah needed the symbolism of
the dove, all right.

Speaker 1 (01:28:45):
Yeah, I mean that way more appropriate than just those
those token inclusions of nine to eleven footage that was
terrible if you if you took that out, nobody would
have the sized it and you wouldn't have missed it.

Speaker 3 (01:29:02):
Yeah, well we have to vote Nick first. Yeah, I'll
go first. This is this is high entertainment here. This
is a sweet surrender for sure. Well, yeah, you know
that being said I did mention earlier, I'll kind of

(01:29:25):
recap it. I guess I found Creed to not be
you know, to my taste, to my liking, I've become
They've become a bit more endeared to me just in
recent years. Still not like I love I love Creed,

(01:29:48):
you know, it's not like at that point or anything
like that, but I can appreciate them now more than
I did then, which was not much, to be perfectly honest.
But on now on the actual task at hand, this,

(01:30:08):
this halftime performance was incredible from an entertainment standpoint, just
so much going on, great charisma, and then it would
cut to something that's like what is happening? And that's
a great, a great recipe for just sitting back and

(01:30:30):
enjoying something. Yeah, and you know, musically, I can't say
anything bad about it. There's certain little things here and there,
like I mentioned, like the maybe overuse of the octave
guitar lines.

Speaker 2 (01:30:46):
Tom's lucky he didn't come today. He'd be upset with
you for saying that. Sorry, Tom, Yeah, he would have.

Speaker 3 (01:30:53):
He would have expressed his outrage and in two separate
notes being exactly one octave apart. But no, that's just
you know, minor stuff, or it's just not my thing.
But I can't really argue with it. A whole lot
people loved it. You could tell they were going for

(01:31:15):
a big moment here. Whether they achieved it or not
in a serious way that they intended it, I don't know.
But it's highly entertaining and I get in in all sincerity.
I get what they were what they were saying, And yes,
it was you know, the country was still reeling from,

(01:31:36):
you know, a severe tragedy that happened, so it makes
sense that they were trying to do something uplifting, you know.
And they had the dove flyaway, they had the guys
flying up in the air on the on the bed
sheets or whatever. Yeah, so it's there is there's just
so much. It's one of those things where you just

(01:31:58):
you look back, and you can't just say one thing
about it. There's so much And that's what I appreciate
about it. It's not just the hilarious shot of when
the bald guy comes flying by. There's a lot more
to it, so definitely appreciate it. But when it is
just that bald guy, it's it's more one dimensional at

(01:32:19):
that point. But seeing the whole thing, are we sure
that's a dove seagull? Don't?

Speaker 1 (01:32:27):
I don't know. They put a white bird? Who knows?

Speaker 2 (01:32:29):
I yeah, but I mean, ultimately it doesn't matter what
it is. But it looks like maybe it's a hawk
or something, one of those a falcon of sorts.

Speaker 3 (01:32:41):
Going back to medieval times again. Yeah, maybe it's just
a seagull. And they put a French fry on the
roof and they said go up there, all right.

Speaker 2 (01:32:49):
Throw a penguin in the air. Didn't work, Chris, what
are you going to do here?

Speaker 1 (01:33:00):
I'm gonna kick it. I'm gonna kick it one hundred
percent because the inclusion of those nine to eleven scenes
patronizing in the absolutely wrong way, unnecessary, out of place

(01:33:20):
in terms of what they're trying to capture for entertainment.
Purposes and just unnecessary and quite frankly a little offensive
from the guy who made a joke about it earlier
that you know, this is why people attack America, because
they do these things. But yeah, that's another reason. It's

(01:33:43):
just like patronizing using that footage, and that's the kind
of footage you do not want to use for that
purpose other than that, you know, hugely entertaining from a
just a campiness standpoint and just a completely over the
top absolutely, but and mainly I don't want to go

(01:34:06):
to the next round of voting, So that's another fair motivation.
But but yeah, I just.

Speaker 5 (01:34:15):
I was.

Speaker 1 (01:34:15):
I was into it. I was it was I was
amused by it. I was enjoying it. And then they
fucking come in with the people wading through the rubble
of nine to eleven. We didn't need to see that.
We saw that already, we didn't need to see that.

Speaker 2 (01:34:31):
This context fair all right, I'm gonna give it a
sweet surrender. Hell yeah, all fair points by Chris. But
I just enjoy the first half of this so much
that it carries the rest of it for me, and

(01:34:53):
I get it. And again, I'm I was not a
Creed fan. I would have probably hated this if I
watched it live. Of time has passed, I'm not a
Creed fan now, but I understand again why they were
as big as they were. Not my thing, and that's
all right. But also I found this just to be,
like we said, highly entertaining, enjoyable. It's more of the

(01:35:16):
subtle tease to it, like how over hype Scott Staff
is the bizarre artistic dancing that they're cutting to the obviously,
the bald guy flying through the airs what elevated it
to even become.

Speaker 3 (01:35:31):
I mean, that's a conversation piece. That's why it's shared
and talked about.

Speaker 1 (01:35:36):
As much as the elevator. The bald guy in the
silk shit flying around the arena is the little guitar
hook in high er. Without it, it doesn't have the
same impact. No, No, people aren't talking about those two
things are one and the same. Bald guy and the

(01:35:57):
are the same thing. He's the personification is that, yes,
And you take those things out, it's not meme worthy.
I mean, yeah, you can mock Staff a little bit.
Maybe you put him in the uh you know the
memes about you know, I'm eight.

Speaker 4 (01:36:17):
Uh.

Speaker 1 (01:36:18):
Margaritaes in at apple because when this, you know, the
karaoke that which I like, but this the guy in
the silk things flying through the air, that's what makes
it meme worthy. And then the hip thrust and from the.

Speaker 3 (01:36:35):
Staff right after that, that right there, that's the moment.
That's it.

Speaker 1 (01:36:39):
And that credit to the producer and the director who
is making those camera cuts. He made that happen.

Speaker 3 (01:36:46):
They got it. And then and that's all you need
of showing the bald guy over and over to two
people that he reminds me of who he reminds me
of the singer of Live and a young someone. I
brought it before Henry Rollins when he and he.

Speaker 2 (01:37:03):
Had like the shaved head look yeah, the early black flag.
Yeah yeah, shaved head. Looks like he's got a tattoo
on his chest too. That might be Henry Rollins.

Speaker 3 (01:37:14):
More.

Speaker 1 (01:37:15):
I'm getting more Yule Brinner King and I vibes from
this guy.

Speaker 3 (01:37:20):
Yeah yeah with the baggy pants. Yeah that's the best.
I'm just looking at it again, enjoying it. Yeah that
went stepped. Did he put the cherry on top of
that moment?

Speaker 1 (01:37:33):
He absolutely did?

Speaker 3 (01:37:34):
Here comes again like it's like, what's happening? And then
it's like, and what's happening.

Speaker 1 (01:37:41):
Is growing into the camera. Yeah, and you know, in
the hands of a lesser director, you don't see that.

Speaker 3 (01:37:48):
Yeah, that's it.

Speaker 1 (01:37:50):
You know, the whole thing gets missed. The director isn't
on top of it.

Speaker 3 (01:37:55):
You're correct.

Speaker 2 (01:37:55):
I also kind of feel like maybe it was luck
because as we went through the thing, there's shots of
people who aren't doing anything.

Speaker 3 (01:38:03):
I think that's just gonna happen.

Speaker 2 (01:38:04):
The bald guy, they're setting up something, they're gonna be
doing doing it yet, right, So I think he just
yeah with an event.

Speaker 1 (01:38:11):
That was the first instance where the bald guy was levitating.
To cut off of that took a high level of professionalism.
You're right, nailed for a fucking slack jaw clowns like us,
we would have never cut off that left it on
that for the next six minutes part of the third

(01:38:34):
quarter exactly.

Speaker 3 (01:38:37):
We have seen the guy walking back through the tunnel. Yeah, jeez, well,
I don't know what to tell ya. Fantastic.

Speaker 2 (01:38:46):
If you disagree with us, We're sorry that it is
Happy Thanksgiving. We'll see who's going to perform this year.

Speaker 1 (01:38:55):
Do you know Chris Jack Whittt is doing that's right,
just announced that apparently eminem and his team have taken
over leadership of the Thanksgiving halftime shows in Detroit for
the next several years with Jack. Why that's a good Yeah,

(01:39:17):
I haven't seen. Now they have three games on, so
I haven't seen who's doing the other ones.

Speaker 3 (01:39:24):
But yeah, I wonder if they're regional or whatever.

Speaker 1 (01:39:30):
Probably who knows. Alright, quick Google?

Speaker 3 (01:39:35):
Well you know what, though, I know you said Happy Thanksgiving.
Sounded like you were going to end the show. I
was going home? Should I not? Can you give me
a couple of minutes here?

Speaker 6 (01:39:45):
Sure?

Speaker 2 (01:39:45):
Quick commercial break, We'll be right back with everybody's favorite segment.

Speaker 1 (01:40:04):
Oh ship, I missed my line. I was looking up
at the started over.

Speaker 3 (01:40:09):
I don't miss my line.

Speaker 1 (01:40:11):
Before you get into it, I'm gonna answer your question.
Jack White will perform at the Detroit Lions game, post
malone at the Dallas Cowboys game, which also marks the
start of the Salvation Army's Red Kettle campaign. Still, I
was completely wrong. Apparently I just never noticed that. And

(01:40:34):
Lil John will close the day at the Baltimore Ravens game.
There you go, now, then, I'm focused. I'm ready to
hit my line. The jokes, the jokes come out.

Speaker 3 (01:40:58):
That feels right, Yeah, and now I say an how
we're there?

Speaker 1 (01:41:03):
Speaking of which, as I told you earlier, Nick, I
have one.

Speaker 3 (01:41:06):
I love it.

Speaker 1 (01:41:06):
So should I lead off or should I follow your barrage?
You've got like five or six.

Speaker 3 (01:41:12):
I'm kind of like five of them. I could potentially
tell if things things go well, if the tomatoes don't
hit me anywhere.

Speaker 1 (01:41:19):
Well, it's your segment, So you tell me. You know
where I could sprinkle it.

Speaker 3 (01:41:25):
In the middle. What about I could tell like two
of them here? Then do you want? You're in charge? Okay?

Speaker 1 (01:41:31):
All right?

Speaker 3 (01:41:32):
So it's going to be very important at the gathering
that you're going to be at. I'm talking to you
the listener, very important that you'd be charming this week,
especially if you're not hosting. You got to bring something
with you. Bring these jokes. We're gonna start off start

(01:41:54):
off light here, light and predictable, possibly the gobbleig colored.
Do you want to ease in? So we're going to
ease in with this one. How do you unlock a
door at the butterball factory? I don't know.

Speaker 1 (01:42:15):
You use a turkey?

Speaker 3 (01:42:20):
She says, sorry, Paul, come on, Paul, give me a break,
Give me a break. Here's something. Here's actually one my
seven year old helped me with. I said randomly, I said, hey,
think of a joke for Thanksgiving. And he's pretty clever.
So he came up with it. And we kind of

(01:42:43):
went back and forth a couple of times, and this
is what we weaked it up. We yeah, we bounced
it off each other, and this is what we came
up with. What kind of car do Turkey's drive? What
kind of car do turkeys drive? Know? I don't know
Turkey would joy have a Lamberg gravy Litz?

Speaker 1 (01:43:05):
Get it y'all?

Speaker 3 (01:43:10):
All right, Chris, I don't know if you want to
from you from your life preserver here?

Speaker 1 (01:43:16):
Well, I don't know if this is that, But I
have a joke, readie. Do you want me to tell
it now? I will sure. Why was the outspoken uncle
banished from the Thanksgiving family gathering? Outspoken uncle banished? Banished

(01:43:36):
from the family gathering on Thanksgiving? I don't know. He
wouldn't stop yammering about politics. What's wrong with you?

Speaker 3 (01:43:52):
Now?

Speaker 1 (01:43:52):
I realized I went back to yam centric jokes. But
I feel like you can't have enough of that noiving.

Speaker 3 (01:44:00):
No, totally lost. Not everybody. We'll probably hear the first one.
People arrive late, exactly.

Speaker 1 (01:44:05):
I think. I think the Los Angeles Yams got lost
in the Houston fixes. So I felt I could go
back to that well. And like I said, you can't
have too many Yam centric jokes.

Speaker 3 (01:44:20):
I thanks, Yeah, one more, Nick, I got two more.
I'm just gonna end with. Yeah, I'm gonna save that
one for the end, the one that I told Chris
about earlier. That might be the dumbest thing ever, but
I couldn't laughing. But before we get to that, what's

(01:44:40):
a Pilgrim's favorite radio station? Pilgrim? What's Pilgrim's favorite radio station?

Speaker 1 (01:44:49):
When they.

Speaker 3 (01:44:50):
You know they're working, they're kicking back, driving, I don't know, riving,
sailing over a sailing, I don't know Pilgrim's favorite radio station?
Of course, Plymouth Rock AM sixteen twenty.

Speaker 1 (01:45:09):
Apparently the Mayflower also banned bluetooth speakers, too much distraction
for people.

Speaker 3 (01:45:19):
Jackie answered, Plymouth Rock. Oh, Jackie wins. I don't know
what she wins, but she wins. Tell that one at
your family gathering, by Jackie. Think you got about twenty
seconds Okay, what media personality hosted the only Thanksgiving Day
parade to take place in a now lost American colony.
We're looking for a media personality hosted a Thanksgiving Day

(01:45:44):
parade in a now lost American colony. I don't know,
none other than Al Roanoker. All right?

Speaker 1 (01:45:59):
Does that the one Annie? He told you?

Speaker 3 (01:46:01):
Not? There's actually another one.

Speaker 1 (01:46:03):
She told me that you have to tell that.

Speaker 3 (01:46:05):
I don't know.

Speaker 1 (01:46:06):
His wife forbade him from telling me.

Speaker 3 (01:46:08):
He said, you don't want to bring that up on
the show. I said, Oh, well, Chris has to get
me in the mood again.

Speaker 1 (01:46:14):
Here the jokes come up.

Speaker 3 (01:46:22):
With stapp esque charisma.

Speaker 1 (01:46:24):
Exactly thrust my hips forward.

Speaker 3 (01:46:29):
All Right, I guess I'm going to do it. Do it?

Speaker 1 (01:46:32):
You have to do it now.

Speaker 3 (01:46:35):
What is the name of the Turkey who is best
known for his anti Thanksgiving propaganda? Oh, it's the name
of a Turkey anti Thanksgiving, best known for his anti
Thanksgiving propaganda. I shouldn't even tell it.

Speaker 1 (01:46:58):
It's too late. You have to No, I don't have
an answer.

Speaker 3 (01:47:01):
I don't either, Okay, turkey best known for his anti
Thanksgiving propaganda, Joseph Gobbles. Is it my fault? His is
the only name that works with the word gobble. It's
not your fault. No, people don't know who George Goebel is.

(01:47:23):
I can't make a joke about him. You're right, don't
tell that one. Keep that one to the grown ups
table or not at all.

Speaker 1 (01:47:35):
Yeah, less you'd be accused of yammering on about politics.

Speaker 2 (01:47:43):
Well that's gonna do it for Thanksgiving jokes for this year, wonderful.

Speaker 3 (01:47:49):
There'll be any Christmas jokes? Oh boy, I don't know.
I don't want to put pressure on.

Speaker 1 (01:47:53):
You Christmas hanaka Joe.

Speaker 3 (01:47:56):
We'll see if the jokes come out.

Speaker 1 (01:47:58):
Yeah, soaks give me ones of jokes. Maybe, I don't.

Speaker 3 (01:48:03):
I don't know. We'll see.

Speaker 1 (01:48:04):
I guess I don't know if he knows what's gonna
come up.

Speaker 2 (01:48:07):
Yeah, all right, Well, thank you for listening. I hope
you enjoyed your time with us.

Speaker 1 (01:48:13):
I hope.

Speaker 3 (01:48:13):
So if you didn't like the Creed experience, make sure
you watch the video.

Speaker 2 (01:48:19):
I feel like you'll appreciate it more. Probably loved it.
What am I talking about?

Speaker 3 (01:48:23):
Yeah, you've probably seen it already. Of course I'd never
seen the whole thing. Maybe not the whole thing, but
you've seen the bald guy most likely.

Speaker 1 (01:48:31):
Yeah, I forgot it. I definitely would have remembered that
Don't Stop Dancing. You know how awful that song is,
Jackie pointed out how bad it is, a one hundred
percent agreement with her.

Speaker 2 (01:48:46):
Yeah, all right, Well, we'll be back next week with
more pot of Thunder, Bye.

Speaker 5 (01:48:52):
Bye potatoes, and potato waffle.

Speaker 1 (01:49:02):
Pies, all the rice five legitimate Thanksgiving sides mentioned in
the clip. That's all right,