633 - Type O Negative - Black No. 1 (Little Miss Scare-All)

633 - Type O Negative - Black No. 1 (Little Miss Scare-All): Chris, Nick, and Andy break down "Black No. 1 (Little Miss Scare-All)" from the 1993 album Bloody Kisses by Type O Negative. 

Episode Transcript

Speaker 1 (00:26):
I don't know how to say anything else, but we
started the show in Spanish with the Spanish introduction from
Ryan Fernandez.

Speaker 2 (00:32):
I figured Christmas Morocco Italian.

Speaker 3 (00:36):
A legit source.

Speaker 1 (00:37):
So yeah, it did some kind of Italian Italian. Maybe
that's how they do it over there. Australian speaking Spanish
comes out of Italian.

Speaker 3 (00:47):
Yeah, kind of like the things go down the drain
the opposite direction below the Hispanic Australians speak Italian down
south of the Equator.

Speaker 1 (01:02):
I think we've cracked the code here.

Speaker 2 (01:04):
It hasn't even been one minute and already.

Speaker 1 (01:07):
We've done more than we need to.

Speaker 2 (01:09):
Already, something nobody's ever heard before in their lives.

Speaker 1 (01:12):
Time to Go has happened.

Speaker 3 (01:15):
We work with the material work. I mean, what are
you going to say? Ye, so plausible theory it is?

Speaker 2 (01:22):
It is, I would go with it.

Speaker 3 (01:23):
I mean, that's a real thing, right, water goes down
the drain and the opposite direction down there.

Speaker 2 (01:29):
It may or it may be a myth.

Speaker 1 (01:31):
That's what I was gonna say.

Speaker 3 (01:32):
I've heard it, That's why I'm asking. I've never been
below the equator, so.

Speaker 2 (01:37):
And if I did, I wouldn't flush, so I would
never find out.

Speaker 1 (01:41):
Well, Nick leaves them all when he vacation.

Speaker 2 (01:43):
It sits on the other side of the upper tank.

Speaker 3 (01:45):
Do you think you'd maybe try to brush your teeth
once or twice or does that out?

Speaker 2 (01:50):
I don't do that over the toilet normally.

Speaker 3 (01:52):
Well, there's there's a drain in the sink.

Speaker 2 (01:55):
Oh wow. But does it swirl? Depends on the water
pressure and yeah.

Speaker 1 (02:02):
I guess. I mean if it backs up enough. I'm
thinking a toilet where you know there's a large amount
of water that has to go somewhere. If you fill
the sink up, then I guess.

Speaker 3 (02:11):
Well, toilet when you flush, it goes straight.

Speaker 1 (02:14):
Down to Yeah, but it's got a significant amount of
water in it. If you're just brushing your teeth, how
much water You don't fill the sink up first.

Speaker 3 (02:21):
But you run the water in the sink and it
swirls around.

Speaker 1 (02:25):
I just get my toothbrush wet. I'm from that newer generation.
We don't run the water.

Speaker 2 (02:29):
I don't get my toothbrush wet. Is that weird?

Speaker 3 (02:31):
That is weird?

Speaker 1 (02:33):
Like at three different generations of toothbrushing here in the room.
One's running the sink the whole time until it's swirling
one does one and the other one no water.

Speaker 3 (02:43):
Well, it's the running. The running of the water to
get swirling is when you're rinsing off the toothbrush.

Speaker 1 (02:52):
Okay, I think you meant the whole time you were brushing.

Speaker 3 (02:53):
You just used to do that until I started paying
my own water, right right, and I lived it home.
Fuck you care?

Speaker 2 (03:00):
Yeah, leave it on till tonight when I come back
and do it all right.

Speaker 3 (03:04):
Yeah, to leave it on all day so you're you're
insured of getting hot water when you go to the shower.
Just leave the hot water running all day, warm it up.
I wonder why Mom was pissed.

Speaker 1 (03:16):
Off all the time every time the water bill showed up.

Speaker 3 (03:20):
So you just go straight from the toothpaste tube into
your moumd I do. Do you rinse the afterwards?

Speaker 2 (03:27):
Yeah? Yeah, but I don't.

Speaker 1 (03:28):
I don't just throws it away. I've got a new
one over.

Speaker 3 (03:32):
You don't just run it quickly under the water, you Yeah,
I do know. I've never encountered anybody you didn't do that.

Speaker 1 (03:41):
Well, there you go till now. I'm gonna try it tonight.

Speaker 2 (03:44):
Though you'll be you'll be changed, yeah water, Maybe you won't.
Maybe you'll hate it.

Speaker 1 (03:49):
I don't know, I dip mine and doctor pepper and
then brush my Yeah. All right, so back to the
beginning of the show. Oh yeah, Welcome to Pot of Thunder,
the recognized simple of excellence and rock and roll podcasting
brought to you by Patreon dot com slash pot of Thunder.
Something for everybody. And if you want to be like
Ryan Fernandez and introduce the show and whatever language you want,

(04:12):
however you want to do it. You want to sing
pot of Thunder, you want to yell it, you want
a friend of yours, a family member, Maybe can get
a pet to do it.

Speaker 2 (04:20):
I don't know it like dolphin.

Speaker 1 (04:21):
Yeah, whatever you want to do. If you're a patron
at any level on patreon dot com slash pot of Thunder,
you can send it our way. If you're not sure,
how hmmm, I'll drop a clue for you.

Speaker 2 (04:34):
Could he be.

Speaker 1 (04:37):
Dommost nakedest man in the world. That's right, I am
not even Could he be the nakedest man in the world?

Speaker 2 (04:47):
Could it be? It is him?

Speaker 1 (04:49):
It's me world's nakedest man. It's your buddy Andy, also
known as America's Little Brother, about to be joined by
this dancing fella he's gonna get up. He's got something.

Speaker 2 (05:01):
Do we need to uh, we have our Latin percussion instruments.

Speaker 1 (05:05):
If we're doing that, then what the hell?

Speaker 2 (05:07):
Yeah?

Speaker 1 (05:07):
All right, let's get it, y'all.

Speaker 4 (05:15):
Join the party.

Speaker 1 (05:17):
Patreon dot com slash Pile of thunder. It's one digital
conga line of friends dancing around the buffet. You're gonna
love it.

Speaker 3 (05:26):
Join the fiesta if you will.

Speaker 1 (05:28):
There you go with the theme. All right, So I
gotta move this here and get him lined up? Look
at him? What is he up to?

Speaker 2 (05:38):
Can't is a disaster?

Speaker 5 (05:46):
All right, ladies and gentlemen, here we go.

Speaker 1 (06:07):
Nick Nick Pollock has entered the program, and an assist
from me firing the rifle. Like lighting the Olympic torch.

Speaker 3 (06:15):
Oh I missed that?

Speaker 5 (06:16):
Had to light the pot of thunder cardboard box.

Speaker 1 (06:22):
That's what we have here. Well, there's an Olympic torch.
There's a pot of thunder box.

Speaker 2 (06:27):
You do what you can with your budget.

Speaker 1 (06:28):
You've got an Amazon box. There's another name on it.

Speaker 2 (06:31):
A wad of unworking, string of lights behind it, unworking?

Speaker 1 (06:38):
Would you pull them out to make it?

Speaker 2 (06:39):
Yeah?

Speaker 1 (06:40):
Yeah, that old trick.

Speaker 2 (06:41):
Gotta do it.

Speaker 1 (06:42):
Anything worse than Christmas lights. I'm sorry, they're garbage. Going
to a nineteen eighties stand up routine here, garbage. They
are the worst. And you know, pre lighted trees. And
then after a year or ship.

Speaker 3 (06:55):
Stopped working.

Speaker 2 (06:56):
Can you even buy a tree that's not pre lit?
I was at the story on literally everybody.

Speaker 1 (07:02):
Really, jeez. Yeah, we got one that I think it's
the third year we've had it, and there's two sets,
like two halves of sections that are off.

Speaker 2 (07:10):
So what do you get?

Speaker 3 (07:11):
Okay?

Speaker 2 (07:11):
So in that case, this is what this is what
I would do. It might be overdoing it, but I
would cut every little zip tie and get those things
off of there and and just put lights.

Speaker 3 (07:21):
That's what I suggested. Yeah.

Speaker 1 (07:23):
I did that a couple of years ago with another
with a smaller tree that we have, the one that
we used to have in the old Pot of Thunder studio,
that skinny one that was in the corner, say, that
was pre lit and it had all these little, like
you said, zip ties, But this one was like these
little clips that were really difficult to get off. So
I unplugged and I was cutting them all with scissors
and pulling them up and just restrong terrible. Yeah, it's

(07:45):
a mess.

Speaker 2 (07:46):
I don't understand the pre lit tree. Well, no, I know,
it's it's standard. Now I'm guessing I don't get it.

Speaker 1 (07:54):
They're game. They're betting on a percentage of their customers
throw get away and buying another one instead of keeping
a tree for twenty years.

Speaker 2 (08:03):
Those prices. I could not imagine that that thought even
crossing my mind.

Speaker 1 (08:07):
Right, But I'm sure it's just some people. It's like, ah, damn,
the lights are out, throw the tree out, let's go
get another one.

Speaker 2 (08:12):
Thing that stinks is I like these lights right here
that you see in the box. Yeah, those are all
from Big Lots. So I can't get replaced. I can't
get the lights that match him. Our Big Lots is gone.

Speaker 1 (08:26):
That's it.

Speaker 3 (08:27):
Every Big Lots is gone.

Speaker 2 (08:28):
Some of them I think returned. Oh really like Super
Big Lots. I read that some of them did.

Speaker 1 (08:33):
They heard what is that called where the the robots
combined together?

Speaker 2 (08:38):
Kind of like Giant Randolph when he came back. Yeah,
that's what it is, the same thing.

Speaker 1 (08:44):
Alright, Well, yeah, that's what we're dealing with too. I
don't I think I'm just gonna leave it at this point.
Do you ever try one of those little gun things
you plug the lights into, works like one out of
ten times and reactivates the lights. I don't know that thing,
Chris never heard of it, This little red gadget that's
used for Christmas light.

Speaker 2 (09:04):
But shunt gun, I think it's gone.

Speaker 1 (09:06):
Is that what it's called?

Speaker 6 (09:06):
Yeah, but basically you pull a ball out, plug the
exposed whatever you call it, like the base, Yeah, the
socket into this thing and keep pressing the button and
shoots like sparks into it and it'll sometimes it'll relight them. Sometimes, yeah,
like one, I'm I'm serious.

Speaker 2 (09:25):
I think one out of ten, but sometimes that whole
half of the strand if you look at the bulbs
that's that won't do a thing because they just they
just burn out.

Speaker 3 (09:35):
And people buy this ship. Who makes it? Apple? Sounds
like one of their products.

Speaker 1 (09:43):
It's like one of those things they have on an
end cap at minards where you know.

Speaker 3 (09:47):
It shouldn't even be for sale if it only works
one out of ten times.

Speaker 1 (09:51):
Well, here's what I think it is. It probably works
with an occurrence that only happens one out of ten times.
If that makes sense.

Speaker 3 (09:58):
It doesn't make sense. It shouldn't be for sale.

Speaker 2 (10:01):
It's a nice thing about it though. It's got a
little tester for bulbs. Do you ever use that?

Speaker 1 (10:07):
Yeah, on the top, that's nice. Yeah. I like to
put it on my groin and make it beep.

Speaker 3 (10:11):
Yeah exactly.

Speaker 2 (10:13):
Oh yeah, to text the electricity in the wire too.
It's a multifaceted tool.

Speaker 1 (10:17):
One of those jokes that my wife can't get enough
of every single day every year. What me putting it
on my groin and making it beep. Zero reaction every
time I do it, and I haven't stopped.

Speaker 2 (10:31):
Well, you know, running gags or they take a little
while to grow on you. That's true, and then it's like,
all right, I'm familiar with this.

Speaker 1 (10:39):
Eventually becomes funny. It's hilarious, you know, speaking of groins
migroin specifically, I wanted to tell you guys a story
something that happened the other day. I was in a bathroom,
public restroom. It was a work bathroom, so in there
I'm gonna pee a toilet, not a urinal, and there's
like a like a towel wrack whatever you call a

(11:00):
towel rod in front of me, so it's protruding a
little from the wall. Right, and I'm about to be
and I see it. There's a fly on it, like
an eye level with me, right, So I take my
pants down, take my wiener out the fly. It's one look,
falls off the towel, rack right into the toilet, drop
dead at the sight of my penis. What does that mean?

(11:24):
What happened?

Speaker 2 (11:25):
I would take it as a compliment.

Speaker 1 (11:27):
Frankly, timing was perfect.

Speaker 2 (11:29):
Just died.

Speaker 1 (11:30):
Yeah, it might have been dead.

Speaker 2 (11:32):
That's the first flight to have a heart attack.

Speaker 1 (11:35):
Ever, it might have been dead, and the timing was
perfect with me standing there and some a gust of wind.
I don't know what happened knocked it down.

Speaker 2 (11:42):
Unless you had a lot of asparagus and like a
something about the fumes.

Speaker 1 (11:47):
Yeah, drop dead, fell right into the toilet. Dead, rest
in peace to that fly.

Speaker 2 (11:53):
Amazing.

Speaker 1 (11:54):
Yeah, I'm taking it as a compliment.

Speaker 3 (11:56):
What a way to go.

Speaker 1 (11:57):
Yeah, that's true. Last thing he saw looking at it,
human penis, It's time to go. I've done it all.

Speaker 2 (12:05):
It's the lasting on my bucket list.

Speaker 3 (12:07):
Yeah, it's the flyes equivalent of going out like end Twistle,
basically the ultimate rock star death. This fly experienced.

Speaker 2 (12:17):
It flies like you're not going to do it.

Speaker 3 (12:22):
It's last last century experience on the planet was to
see and these bears.

Speaker 2 (12:30):
It saw it like through a kaleidoscope, exactly eighty angles
coming out.

Speaker 3 (12:35):
Saw it from above and it started coming down fast.

Speaker 2 (12:44):
People crying.

Speaker 3 (12:45):
I see that from a ball. I see this and
the dick, I see this from a ball.

Speaker 1 (12:54):
Is there any chance the fly was revived after being
flushed and it's telling this story to a friends.

Speaker 2 (13:01):
Well, that's an adventure man. There's a fly superstar fly
director working on a screenplay for that.

Speaker 1 (13:09):
Story, you know, the ultimate fly death.

Speaker 2 (13:12):
That's pretty unbelievable.

Speaker 3 (13:15):
Oh thanks for sharing.

Speaker 1 (13:17):
Yeah, you guys needed to hear that, so you couldn't
share that with anyone else.

Speaker 3 (13:20):
And shared it to the entire planet.

Speaker 1 (13:23):
Oh it's different.

Speaker 2 (13:24):
Who's the third voice that we're hearing?

Speaker 1 (13:28):
Oh my gosh, how did I forget to do that?
We got distracted with all that nonsense with the dead fly.
Two knicks immediate left. You want him?

Speaker 4 (13:37):
We got him?

Speaker 2 (13:41):
God can have it.

Speaker 4 (13:46):
Every day? Can hen get out of our way?

Speaker 5 (13:55):
Yeah?

Speaker 1 (13:56):
You hands together for the breakout star of the podcast Medium,
Chris El's in the house. Hm hmm. Here we are
off to a weird start. It's that time of year.
We've got a couple of gifts and to us to do.

Speaker 3 (14:12):
You got a pile of stone?

Speaker 1 (14:14):
Yeah right, yeah, we do a very nice list roon
about the studio. Yeah, so maybe Nick wants to be
gift man over there?

Speaker 2 (14:21):
Should we do that right now? Sure?

Speaker 1 (14:23):
What the hell? Where do you want to do bake treats?
What are we doing?

Speaker 2 (14:27):
Well?

Speaker 1 (14:27):
You call it?

Speaker 2 (14:28):
You know what if you want to do the treats
while I get the the gifts prepared. All right, let's
do it.

Speaker 3 (14:44):
Big gifts prepared.

Speaker 2 (14:46):
He said, Hey, well you gotta you know, I assume
one of these is for Chris. Once for Chris.

Speaker 1 (14:53):
Here you go, Chris, I got a cup for you.

Speaker 2 (14:55):
It might be a little hot warm. Okay, that's good,
that's a good sig.

Speaker 1 (15:00):
Look at this. You got a little peppermint paper cup
with a plastic lid on top. You find out what
it is. There's a little pool tab here. What kind
of fancy cup is this? So it looks like it's
some kind of hot chocolate correct with a little black
flex of something.

Speaker 2 (15:16):
Well, that's vanilla bean. Okay, So don't be weirded out
by that. Okay, be weirded out. Oh what if you do?

Speaker 3 (15:23):
Nick?

Speaker 2 (15:23):
What did you do? Full disclosure, I tried this the
other day. I wanted to make sure it was actually good.
I enjoyed it. Apparently it's well. People are saying it's
viral quote unquote viral for gut health, a gut health drink.
This is bone broth hot chocolate.

Speaker 1 (15:43):
Jesus, I think mine has a bone in it. I
just had a hard thing that was in there. I
think there's a toenail.

Speaker 3 (15:52):
There's another dead fly dick.

Speaker 2 (15:58):
So yeah, bone broth hot cocoa supposed to beak good
for you. My wife, UH read about it somewhere and
probably not thinking I would make it for you. Guys
told me about it, and uh, I'm.

Speaker 1 (16:11):
I have to talk to her about Well, what did
you try it? It's good. I would never have suspected
that it had.

Speaker 2 (16:17):
Any Yeah, so it's got, it's got. I got beef
bone broth because it said you could use chicken or beef,
and then I read up which one would be better,
and I came to the conclusion that beef would probably be better.

Speaker 1 (16:28):
So what's good about it as far as the health benefits?

Speaker 2 (16:32):
So there's no sugar in it. The sweetener is pure
maple syrup, which is, you know, a little more liquid
e maple syrup, and it's just kind of more basic ingredients.
I guess it's just like milk, the broth, vanilla, cocoa

(16:52):
powder I think that was about it really, and the syrup.
So yeah, it's base sick stuff. I guess it's supposed
to be. They can keep seeing the phrase gut health
for gut.

Speaker 1 (17:05):
Health, And it's funny you said that thing about h
it's a viral thing.

Speaker 2 (17:10):
Whether it actually is or not, I don't know, but I.

Speaker 1 (17:14):
Just think it's funny because I'm not like tuned into
what's happening at all with those types of things as
far as like a viral eating sensation. But that's the
thing that comes up at work. Sometimes it's like, Oh,
there's this uh taco place going viral we're going to
order today.

Speaker 2 (17:28):
I'm like, yeah, I don't know, no idea, Okay, I
guess like everyone, it's going viral.

Speaker 3 (17:33):
We got Why don't you just say there's this taco
place we're going to order from.

Speaker 1 (17:37):
Why is the language?

Speaker 3 (17:38):
I don't know. I know, I know it is, but
it doesn't need to be nobody cares. Well.

Speaker 2 (17:44):
It's like disco music and everything else. It gets watered down.
The word, the word viral.

Speaker 3 (17:51):
I'm sure it's less meaning influencer, and.

Speaker 2 (17:55):
I'm sure it's less so than it actually is these days.

Speaker 3 (17:59):
They're no question.

Speaker 1 (18:00):
It just means I saw this looks good.

Speaker 2 (18:03):
A guy, a guy I know, told me about it
used to be.

Speaker 3 (18:08):
Known as advertising. How you found out about ship back commercial?
A ka, it's viral gone viral.

Speaker 1 (18:16):
It's literally the same here, you're right though, That's all
it is. It's some way it got onto people's timelines,
which means advertising.

Speaker 3 (18:25):
I word amount whatever.

Speaker 1 (18:26):
That's well.

Speaker 2 (18:27):
I hope you guys enjoy your hot cocoa.

Speaker 3 (18:34):
And you're not feeling it. No, not take one more sip.
But I don't know. It doesn't taste that great to me. Yeah,
I'm not feeling He's done.

Speaker 1 (18:48):
Okay, would you have what would you have thought if
you never said what was in it?

Speaker 3 (18:53):
What would you be thinking of the same thing this is? Whoever,
whatever brand of hot cocoa this is. I'm not, you know,
indulging in it ever again.

Speaker 1 (19:04):
Yeah, okay, and I think it's good. I think it
almost tastes like I don't know. I get the bone
like there's like a little bit of a saltiness to Yeah.

Speaker 2 (19:14):
I think that's really all that you can detect from it.

Speaker 1 (19:17):
Yeah. I mean, obviously, if you were going to make
a really good whatever unhealthy something that's bad for my
gut hot chocolate, it would taste better.

Speaker 2 (19:26):
It would be like three times thicker than of course.

Speaker 1 (19:29):
But you know I'm here for it. How's that? Well,
I might drink, Chris, it depends how the show goes.

Speaker 3 (19:36):
Yeah, you're welcome to it.

Speaker 2 (19:38):
All right, Well, I think this is Andy's If I'm not.

Speaker 1 (19:40):
I got a gift, a personal gift. I thought it
was one gift.

Speaker 2 (19:44):
For well, there's there's this, which I believe is for
all of us. Yes, which we could do that one second.
Then I believe that's for Andy. This is from our
friend Tony Griggs.

Speaker 1 (19:59):
Oh wow, this is great.

Speaker 2 (20:00):
Eight. This is from Tony. Yeah, Tony, thank you so much.

Speaker 1 (20:04):
I've been meaning to get around to ordering this.

Speaker 2 (20:08):
I have that book.

Speaker 3 (20:08):
I read it. What is it?

Speaker 1 (20:10):
It is the Importance of Being Earnest about Jim Varney,
the actor who played Earnest.

Speaker 2 (20:18):
And this I believe is for Chris.

Speaker 1 (20:20):
Written by Justin Lloyd Jim's nephew.

Speaker 2 (20:22):
His nephew. I believe you're making a documentary based on it.

Speaker 1 (20:26):
I believe Ernest should be bigger. It's a crime. What's
happened to Ernest in the last twenty five years?

Speaker 3 (20:33):
Well, whose fault is that? So you got a bad
agent or what's the deal?

Speaker 1 (20:37):
Be a state of earnest? Yeah it could be. Yeah,
I don't know. I'm not picking on them.

Speaker 3 (20:42):
But me that knife? Would you go over there?

Speaker 1 (20:44):
Yeah?

Speaker 2 (20:46):
That's a good book.

Speaker 1 (20:47):
All right, thank you? I reading it. Thank you, Tony,
thank you, thank you, thank you.

Speaker 2 (20:50):
Speaking of books, I'll do mine next. Since Chris needs
a moment to open his mind's ready to go this
I have. I'm a fan of this character. There's a
Nicholas Cage vehicle coming out the Spider Man.

Speaker 1 (21:06):
You are you were talking?

Speaker 2 (21:08):
I don't have this book, so I'm very excited.

Speaker 1 (21:11):
Think so that's what the Nicholas Cage movie is based on.

Speaker 2 (21:14):
Yeah, it's on this character. So it's it's like a
nineteen thirties version of Spider Man.

Speaker 3 (21:19):
So Tony Griggs sent all this ron He did almost
enough to make me forget that he's a blue oyster.
Could fan I just can't get past that. But whatever,
to each their own. I guess, uh said, there befo

(21:40):
we got here. We got a mug. Oh look at that.
It's just simple Detroit Lions mug and classy.

Speaker 1 (21:49):
That is nice, nice matt black finish to it.

Speaker 3 (21:53):
Yeah, that's a solid piece.

Speaker 1 (21:57):
You put your hot chocolate in there. Here, I'll pour
it in their front.

Speaker 3 (22:00):
To kind of desecrate this fine thing with this here.
You want that?

Speaker 1 (22:05):
Take sure, thank you.

Speaker 2 (22:08):
And he's gonna have so much gut health it's not
even funny.

Speaker 1 (22:11):
I need it. Actually, I've been doing better lately.

Speaker 2 (22:13):
Good for you.

Speaker 1 (22:14):
I don't want to alarm you guys.

Speaker 2 (22:16):
So this is I believe the first package that I've
ever received with the picture of King Charles on it.
I don't think I've ever seen that.

Speaker 1 (22:27):
But he's on the stand, he's over here or whatever
you call it. They probably have a cooler word for it.

Speaker 2 (22:31):
Yeah, yeah, I believe last time it was still wait
was Queen? Was that this year or that she passed
or was it last year? I don't know either way.
Maybe this is the second time we've gotten one with him.
But this, I mean, I think I know who it's from.

Speaker 1 (22:47):
And you know it says on the back it's from
Colin Taco bell Ah. Yes, our dear friend buddy, who
has sent us a gift the last couple of years.
And I believe this is the updated version of that gift.
But another calendar, that's what I'm guessing.

Speaker 2 (23:04):
It sure seems to be. I'm just making sure I
don't accidentally omit anything that's in here. Nope, nope.

Speaker 1 (23:12):
Good So the last couple of years he sent us
a calendar made with each month has a custom pot
of thunder that he's taken from Not.

Speaker 2 (23:20):
So oh, this is a nice piece right here. Nineteen kiss,
nineteen eighty seven the official calendar. It sure looks like it.

Speaker 1 (23:29):
Wow, does nineteen eighty seven?

Speaker 2 (23:32):
Yeah, it's in good shape too.

Speaker 1 (23:34):
Does it link up with twenty twenty six?

Speaker 3 (23:36):
That was my question? Does dates sync up?

Speaker 1 (23:39):
Yeah?

Speaker 2 (23:39):
I guess we'll find out. What are we looking at?

Speaker 1 (23:42):
If not what you st New Year's Even New Year's
Day is Thursday.

Speaker 2 (23:47):
Thursday, it seems Christmas. Okay, So let's see. I'm gonna
be careful with this. Nope, Nope, it's not. But that's okay.

Speaker 3 (23:57):
It doesn't matter. You can barely see the date it's
like a huge picture, but like the calendar party.

Speaker 1 (24:03):
Oh yeah, it's more about the picture.

Speaker 2 (24:05):
Yeah, look at this. Oh yeah, look at what you
wake up to on a look at the proportion of
your's day, the proportion of photo to day's no one
cares about the day. Plenty of chest here suggestive. Uh,
let's see here other than gene Je March. Actually yeah,

(24:27):
this is this is like in great shape too.

Speaker 1 (24:30):
Wow.

Speaker 2 (24:31):
Wow.

Speaker 1 (24:32):
Thank you, Colin, thank you, thank you, thank you, Tony,
thank you Colin. Yeah, and if you want to send
a gift, I'm kidding. You don't have to send at
but if you do, thank you very much appreciate it.
You don't feel pressured. We very much appreciate it. Here
and we've got another gift coming for you.

Speaker 2 (24:52):
I can't believe it.

Speaker 1 (24:53):
We're going to the listener submission list, which you can
access on Pot of Thunder on Patreon.

Speaker 3 (25:00):
And it's your pick, right, Yep, it's my pick. We
came to that determination because we forgot.

Speaker 1 (25:07):
It's been quite a while since we've had a standard
pick off as so we were a little bit, I
don't know, at a loss for trying to figure out
the order. But I think it's back to me. If not,
I apologize in advance.

Speaker 3 (25:20):
But that's what we're going I came to that conclusion.
Nick came to the same conclusion independently. So I think
we feel pretty good about that.

Speaker 1 (25:27):
Okay, good, well, Nick, are you ready?

Speaker 2 (25:31):
Yeah? Man, give it a pull. I don't have it.
And somehow it turned on what do you want for me?

Speaker 1 (25:39):
That was good. So the first one is number seventeen
thirty three. See you. Now, this is kind of modern
history and Pope Doom. Maybe there's something that's.

Speaker 3 (25:50):
Going on, and I'm looking. I'm looking see thirty.

Speaker 1 (25:54):
But in the meantime, let me take a look and
see what we've got here. Okay, it's the band I've
heard of a million times and I've to my knowledge,
never heard any of their songs. I'm going to put
it in the hopper and really, yeah.

Speaker 2 (26:14):
Because because you're unfamiliar.

Speaker 1 (26:16):
I think I'm unfamiliar for sure, but people like them.
So we'll see. If something else jumps out at me
as being more appropriate for today or whatever that goes
with this hot chocolate, then maybe that's what will happen.
But we're gonna put that one in the hopper and see.
So nick once more, please m number six zero seven,

(26:43):
six zero seven. I should have done bingo for a
career bingo man, not too late. No, they still got
it at some places, I guess. Oh geez, excuse me.
This is an interesting one, maybe probably better than the
first one. Can I double hopper?

Speaker 2 (27:07):
You can? I don't know what you're gonna do, though,
you have to have a turn.

Speaker 1 (27:10):
I mean, I think I'm gonna eliminate the first one
and now hopper and go to a third. These are
very good selections. It's hard to beat. The only reason
I'm bumping the first one is because this one's a
little cheerier.

Speaker 2 (27:25):
Which number was this one?

Speaker 1 (27:26):
Six zero seven? Yeah?

Speaker 3 (27:30):
Which was cheerier?

Speaker 1 (27:31):
The second one, which I think I'm in the mood for.
I don't know if I'm in the mood for non cheery.
All right, one last pull neck. Let's see four hundred
fifty four. M. I don't know who this is. I

(27:53):
think i'll skip that.

Speaker 3 (27:54):
One yet to skip that it's funny?

Speaker 2 (27:57):
And yeah, no, that's it's funny.

Speaker 3 (27:59):
The first two answer that for you much much deliberation?

Speaker 2 (28:03):
Two the third one?

Speaker 1 (28:04):
Did you know what that was?

Speaker 3 (28:06):
No? Okay, you just know we're not doing.

Speaker 1 (28:09):
That can be for next October. If it comes up,
it comes up.

Speaker 3 (28:13):
But yeah, I didn't see the first two, but that
glanced up and saw that that's no answering that for you.

Speaker 1 (28:20):
All Right, Well, I'm gonna turn this over to the group.
Are we more in the feeling or in the mood
for familiarity or new discovery?

Speaker 3 (28:32):
Maybe this will tip the scales. I got a hit
from six o seven, so it's.

Speaker 2 (28:45):
Been a while.

Speaker 3 (28:46):
Yeah, we haven't done this a while.

Speaker 2 (28:49):
People probably thought we'd forgotten.

Speaker 3 (29:06):
All right, Uh, February nineteenth of six o seven. I'm
gonna skip the usual question, I asked Dick, because this
is kind of kind of weird here. I can't really
tell who was the pope, all right, but well, we'll
see how this goes. February nineteenth, six oh seven. The

(29:26):
vacancy that has existed on the papal throne since the
death last year of Sabinian ends with the election of
a Rome born deacon of the Catholic Church, Pope Bona
Facci the Third. Did I say that right? Is it
just Boniface Boniface?

Speaker 2 (29:46):
I'm trying to I've heard Boniface.

Speaker 3 (29:49):
But it was trying to be a Hispanic Australian and
make it sound Italian.

Speaker 1 (29:54):
But hope, Bonaduccio, there you go.

Speaker 3 (29:59):
Pope bonifie Us the third is appointed as the sixty
six Pope, but dies the same year.

Speaker 2 (30:05):
And he was a deacon, That's what it said.

Speaker 3 (30:08):
Often that happened, a Rome born deacon of the Catholic Church.
My goodness, Pope Bonifice the third, Boniface, there you go.
Hope stuff, it's back.

Speaker 2 (30:23):
It's back here, and it's better than ever.

Speaker 3 (30:26):
It was a good one that.

Speaker 1 (30:30):
I love it, all right? So I asked, do we
want to do new discovery or do we want to
do familiarity? And in the chat I see three people
said now, so.

Speaker 2 (30:40):
We're gonna do it. I kind of was gonna say, new,
what the hell?

Speaker 1 (30:43):
So we're gonna go with the first choice.

Speaker 3 (30:45):
Okay, all right?

Speaker 2 (30:46):
Oh really taking it? You put it in the shredder.

Speaker 1 (30:51):
Together.

Speaker 3 (30:54):
Remember what Jericho warned us about, never let the listeners
dictate how your show is going to go. So we
might be venturing down some dice territory here.

Speaker 1 (31:04):
That's true.

Speaker 3 (31:05):
How towing to this group.

Speaker 2 (31:09):
I'm ready for it.

Speaker 1 (31:10):
You can't trust this group.

Speaker 2 (31:11):
I'm here for it. As the India.

Speaker 3 (31:13):
Yeah, I mean, I didn't see either selection, so I'm
good with either one. Whatever you think is right.

Speaker 1 (31:22):
All right, let me see what this whole title is. Okay,
all right, let's turn the microphone over to Chris Jarch.

Speaker 4 (31:33):
This one's called.

Speaker 1 (31:34):
Black Number one Little Miss Scare all off of Bloody
Kisses by the band Type O negative. So I've heard
of typo negative a million times. I've seen a million
posts about Peter Steele over the years, people talking about him.
I don't think I've ever heard typo negative unless it

(31:55):
was in passing or I wasn't aware that that's what
I was hearing in the background, or like Beavis and
budhead clip or something that I don't remember. But never
owned any other stuff, never had any friends who owned
their stuff.

Speaker 2 (32:06):
I never owned any other stuff. I did see them, though,
Oh you did? I did did?

Speaker 3 (32:11):
Yeah?

Speaker 2 (32:11):
They performed, Oh man, was it them? Yeah? I think
it was at ROGI Fest at Alpine Valley, at like
a Rock one zero three five radio festival. Okay, they
played at Alpine Valley. I saw them. That's really as

(32:34):
familiar as I am with them though, And that was
like ninety six, ninety seven, so it's been a little while.

Speaker 1 (32:41):
Yeah, but I know that.

Speaker 2 (32:42):
Yeah that Peter Steele highly regarded.

Speaker 3 (32:47):
By oh he's an iconic figure for a number of reasons.
But but I'm with Andy.

Speaker 2 (32:54):
I I.

Speaker 3 (32:56):
Kind of know what to expect from the tone of
his voice. But I don't think I've ever heard a
typo negative song in its entirety from start to finish.
I've heard snippets, and they have a couple notable covers.
Oh shit, what.

Speaker 1 (33:14):
Song's eleven minutes long?

Speaker 2 (33:16):
Well, you fell for it?

Speaker 3 (33:20):
Who would do this to us? Let's find out you
revert to the other one.

Speaker 1 (33:25):
I don't know. Chris Camarado, how dare you?

Speaker 2 (33:28):
He's having a good laugh, right, Yes.

Speaker 1 (33:30):
His comment was Spooke Tober another great track from the nineties.
Saw these guys live several times and they killed it.
Nothing says Spooktober like this Halloween jam. That's probably Yeah,
that's when he submitted it.

Speaker 2 (33:43):
What do we do?

Speaker 1 (33:44):
What do we do?

Speaker 3 (33:44):
I mean, we could do what we did with a
Queen Drike song and just let it play, don't stop it.

Speaker 1 (33:50):
Yeah, I'm seeing positive. Eleven people know this one in
the chat eleven minutes it's worth it. Yeah, we might
have to just play it though we might not be stopping.

Speaker 3 (34:00):
We're already yeah, there's no way we're gonna we can't
do the start stop.

Speaker 2 (34:04):
There's not like a video edit or something. Is there
like a Halloween situation.

Speaker 1 (34:10):
You can quickly look into that and see if.

Speaker 2 (34:12):
They're I know, people may not want that, butts could
be the case.

Speaker 5 (34:18):
Fucking keyboard. So that tiger ice cream, Nick, that's.

Speaker 1 (34:26):
Not your fault.

Speaker 2 (34:26):
It's that black licorice syrup. It's not me man, it's Canada.
It is so typo negative.

Speaker 1 (34:37):
So this is nineteen ninety three.

Speaker 2 (34:39):
Eighty nine to twenty ten. So basically they they were
not one of those bands that kept on going apparently
after their main man passed.

Speaker 3 (34:52):
Well good, I mean good for them. I think a
lot of bands like everybody, he's hands down the iconic
member of the band to carry on with replacing him,
even with what little line it consumed. The music just

(35:15):
goes to show what a significant figure he is, that
you know who he is, and that he's essentially irreplaceable.
So credits them for not trying to forge ahead.

Speaker 2 (35:28):
What do you guys think? This is different? But along
the same lines, something that we've never discussed and not
a band we've ever listened to on the podcast. What
do you guys think of the whole static X thing
of them continuing with the guy with the with the
like electric mask that looks like really static.

Speaker 3 (35:52):
Yeah, yeah, because I didn't know they did that.

Speaker 2 (35:54):
Yeah, they've been doing that in the past few years.

Speaker 1 (35:57):
It's super weird.

Speaker 2 (35:58):
It's weird, but it actually seems kind of cool to me.
I don't know, Yeah, I don't know how people feel
about it.

Speaker 1 (36:05):
Does a guy have some connection to them or is
it just a guy who does?

Speaker 2 (36:09):
I think he is from another band. I'm sure people listening,
who are, you know, bigger into that scene they know
exactly who it is. But I mean it's a guy
that people had heard of, but they recruited him. And
he's wearing a mask.

Speaker 1 (36:22):
That looks like it's the guy from Dope in a
mask that's it was cool from Dope, Yeah, Bobby Root.
And he's got his finger on the pulse of it's
different vibe.

Speaker 2 (36:33):
It's different than what anybody else has ever done. True,
and it's I guess kind of cool. I don't know, though,
but I'm not, you know, particularly a fan. Yeah, So
I don't know if I had loyalty to you know,
the original vocalist.

Speaker 3 (36:49):
Yeah, I mean I was. I mean, I know what
what push it is that their big hit or whatever.
I mean, I'm.

Speaker 1 (36:59):
Aware of it, thinking of Salt and Peppa.

Speaker 3 (37:01):
Well, that's it's similar. But I mean, I think that
is the name of their big hit. I don't know
their stuff at all, but but that's another instance where
I almost completely unfamiliar with the band, but I know
that it was Wayne's Static was the was the guy

(37:22):
he passed away, and then when they carry on with
somebody else, it just seems kind of weird to me.
But I didn't know they were doing that mask thing.
So that's that's an interesting twist. It kind of borders
on the whole hologram thing. But I don't know, I'd
have to I'd have to see it.

Speaker 2 (37:42):
But I mean, but then you at the same time,
you do have a live performance.

Speaker 1 (37:47):
Yeah, it's not a track.

Speaker 2 (37:48):
There's a different element, right.

Speaker 3 (37:50):
So I mean, I'm not a big, big enough fan
of Static X to really have an opinion one way
or the other. But I was about to bring that
up as example of something similar where you know certain
people you just can't or shouldn't replace, but it happens,

(38:10):
and and here we are. But Type O never did it.

Speaker 2 (38:14):
So so it looks like there is a video, right,
I don't watch all. I just don't know if it's
gonna get so this.

Speaker 1 (38:25):
Yeah, let's just do the thing where we play.

Speaker 2 (38:27):
It out because that's fine with me.

Speaker 1 (38:29):
Here's why I say that. I like the idea of
a video if it's a shorter, edited version. But also
everyone in the chat that is familiar with this is saying,
play the whole thing and do it that way. Hey,
if I'm trusting them, let's just do it that way.
We'll do it that style, let it roll. If something
really jumps out at us, maybe won't take a break,
but we'll see. Eleven minutes is a long time.

Speaker 2 (38:50):
So we got a four piece here are they?

Speaker 1 (38:53):
Okay? The picture the picture here on Apple's three, so
they must have at some point.

Speaker 2 (38:59):
Apparently there's a key boardist.

Speaker 1 (39:00):
Insignificant keyboardist is what I'm Yeah, maybe redundant, right.

Speaker 2 (39:06):
Yeah, he's either visible on stage or off on the side.
Mm hmmm, ah, okay, like that guy who uh like
that that guy who was the double vocalist for Ozzie
back in the day. Supposedly he was a keyboard player.
I don't know if he was a keyboard player. He
was just he was he was off, completely obviously off. Yeah,

(39:30):
out of sight.

Speaker 1 (39:30):
But how long ago was that?

Speaker 2 (39:32):
I forget when? I forget when that was. But yeah,
supposedly there was a guy who for a while.

Speaker 1 (39:39):
Was Ozzy having some kind of difficulty.

Speaker 2 (39:41):
I don't know, or was like it was just to
you know, fill out the sound.

Speaker 3 (39:46):
Maybe somebody said, the video is about four minutes long,
So what do we want to do here?

Speaker 1 (39:53):
Hmmm, let's see. Let's look it up here, look it up?

Speaker 3 (40:00):
See what?

Speaker 2 (40:01):
Uh So? Yeah? Nineteen ninety three, written by Peter Steele
while driving a garbage truck. I was waiting in line
for three hours to dump forty cubic yards of human
waste at the Hamilton Avenue Marine transfer Station, and I
wrote the song in my head. I'm not kidding you.

Speaker 1 (40:25):
Well, we never accused you of kidding us, Peter.

Speaker 3 (40:28):
But yeah, it looks like like four minutes forty seconds
or something and change.

Speaker 2 (40:36):
So yeah, this seems very much a just from what
I'm reading it a fit for a Spooktober episode. But
this is what we have for December.

Speaker 3 (40:49):
Okay, I mean the challenge was just letting a song play.
Is it's you're talking over the music and it's a
little difficult.

Speaker 2 (41:00):
To We could do the video, right it.

Speaker 3 (41:05):
Yeah, I think that's the way to go since it is.

Speaker 2 (41:07):
In fact, sure, we'll have the appetizer size.

Speaker 1 (41:13):
Yeah, and if you want to go listen to the
whole eleven minute version, you do it.

Speaker 2 (41:17):
Yeah, and we might be inspired to do so as well.

Speaker 1 (41:20):
Yeah all right, But.

Speaker 2 (41:22):
I know when I saw it, when I looked it
up and I saw the album cover, I'm like, okay, yeah,
that's one of those really big albums, not one that
I've ever owned, but yeah, Like when I saw it,
I'm like, okay, yeah.

Speaker 1 (41:32):
This is this woman who looks like, what's that lady's name.
Everyone's going to be mad at me for saying that
the lady who's princess late Princess le Carrie Fish. This
looks like Carrie Fisher and someone else I don't know.

Speaker 2 (41:46):
Yeah, but I mean that's like that's an album cover
that I'm like, Okay, yeah, this was a big album.

Speaker 1 (41:52):
Yeah you've seen that before.

Speaker 3 (41:53):
Hunh.

Speaker 1 (41:53):
I have Bloody Kisses nineteen ninety three, not familiar. Okay, well,
how about we take a quick commercial break and we
come right back with that really long name. I forgot
bloody number one. Uh, Lady of the Night, all night long,
Scare all black.

Speaker 2 (42:11):
Number one, little miss scare all there, all.

Speaker 1 (42:15):
Right, so we'll be right back. Very artistic intro. It's
like a cologne.

Speaker 2 (42:27):
I was just gonna say black number one. Now that
I just saw the just the words up on the screen,
I'm like, Okay, maybe that's a play on like a cologne,
the name for a cologne. Jesus is in love with herself.
She likes the dog.

Speaker 3 (42:53):
On Home Mill Guide Night.

Speaker 2 (42:58):
I mean it's, you know, interview with a vampire.

Speaker 1 (43:01):
So far, basically it's theatrical. Yeah, yeah, he's in a
character here, he's in a role.

Speaker 3 (43:09):
Milk white, by the way, is something that we used
to say which predates this. So I don't know if
we somehow had an influence on Peter Steele, but guys
I worked with in high school and early college, guys
went to high school with, we used to use the

(43:30):
term my milk white ass to say something like, you
know something ridiculous or you know, like something my ass.
We would tack on milk white, and occasionally we would
go with chalk white, but that was a thing in
the late eighties, which predated this by five years. So

(43:53):
I would go with a big fan of milk white.
Chalk white is good too, just when you throw that
in there to mix it.

Speaker 2 (44:01):
Up even whiter, possibly the Devil's ball it's sold hollow. Okay,
so we got our Halloween reference. I was gonna say

(44:22):
the bass part, it's not the same. And I think
I brought this up for another song years ago, the
Kids in the Hall sketch with Kevin McDonald singing where
he's talking about the bass player and it's Bruce mccallaugh
standing there playing bass the whole time. It was like
the woman, Ye.

Speaker 1 (44:42):
Didn't we do that about a kiss song? I can't
think so.

Speaker 2 (44:45):
I think so it came up before. But yeah, just
the way the bass sounds, it just makes me think
of that playing that Hoffner bass in the sketch.

Speaker 1 (44:55):
And isn't Peter the bass player? Also?

Speaker 3 (44:58):
Yeah, yes he is? All right?

Speaker 2 (45:10):
Red? Are you expecting us to comment on the Transylvanian delivery?
I see, I don't know enough about typo negative, but
I'm guessing this is a relatively tongue in cheek for them,

(45:34):
at least so far. It's fun and hokey so far.
I guess we'll see where it goes. I'm frankly again,
I'll admit to being largely unfamiliar with their catalog. I
want to know vocally where else he's gonna go.

Speaker 3 (45:55):
We're gonna find out.

Speaker 2 (45:56):
Yeah, I want like because I'm assuming things are gonna
kick out, and I'm wondering how how he adjusts to
that vocally. I'll bet you will.

Speaker 1 (46:15):
Nice.

Speaker 2 (46:17):
What wait, well he said, Lily Monster.

Speaker 1 (46:37):
Oh that's what he's saying.

Speaker 2 (46:38):
I think so Van di Carlo references.

Speaker 1 (46:45):
Got nothing on you.

Speaker 3 (46:49):
Well, what a what a compliment?

Speaker 2 (46:51):
I guess it is.

Speaker 1 (46:54):
In that world.

Speaker 2 (46:58):
Yeah, it's uh, it's reminding me lyrically of some of
the stuff from the Halloween. Halloween song really waiting for
a big Pumpkin to like it just kind of big. Yeah,
I loved I loved that it was big Pumpkin to arrive.
But yeah, I like just kind of making references to
pop culture, Halloween related pop culture items. M Yeah, it's fun,

(47:24):
it's fun.

Speaker 1 (47:26):
It's dan Zigi a little bit.

Speaker 2 (47:27):
Yes, he did kind of go into a Danzig territory there.

Speaker 1 (47:34):
But probably more so in the theatrical vein right, I
would say, I don't think Danzig ever did a Dracula
accent as far as.

Speaker 2 (47:45):
I know, only on the beach in Portly, India.

Speaker 1 (47:47):
That's true. He did there, you go, never mind, he
did it, well, we get that.

Speaker 2 (48:16):
I'm just I'm thinking this is it's adding to my
enjoyment thinking about the time period and how the nineties
were pretty eclectic. And I know we've talked about it
in the past, and I agree with Chris seventies probably
the best decade for music, followed by the nineties, and

(48:39):
I think it had a lot to do with that,
with the sort of the eclectic feel of it. And
in ninety three you had like grunge on top of
the world, and it's cool to see something like this
that was coming out around that time. It was grunge

(49:01):
and then like Aerosmith's like another huge comeback for Aerosmith,
stuff like that, and this this has a sort of
a maybe it's the stand up base that he's playing
in the video, but I'm kind of getting like a
hell a hell billy, if you will, a little bit
of that in there.

Speaker 1 (49:21):
A little bit of that scene, but he is playing
it sideways like a normal yeah, which is because he can,
which is kind of funny.

Speaker 2 (49:28):
Yeah he is. Yeah, that's true. He's a large enough
man where he could do that.

Speaker 1 (49:32):
Yeah.

Speaker 2 (49:34):
No, it's just it's interesting to try to think of
what was popular in ninety three and how this fits
into it.

Speaker 3 (49:43):
Yeah, and being you know, ninety three was right the
year I quit the Well the band, I moved to
Chicago to be in disband, and then I joined The
Mean Reds ninety three. Typo Negative reminds me of like

(50:05):
the kind of music you would hear if you went
to Exit or Berlin or something, or one of those
kind of counterculture nightclubs that were going on in the city.
And you know, the quasi goth scene. Yeah yeah, or
maybe even just the actual goth scene. I don't know,
but goth however you want to pronounce it. But yeah,

(50:31):
people were aware. I certainly was aware of Typo Negative,
and just when the name of the band comes up,
you just picture what their fans are like. And if
you wanted to immerse yourself in that scene, there were
plenty of clubs in the city it would cater to

(50:54):
these people. Who were into this band.

Speaker 2 (50:58):
And I believe TYPO negative is the rarest blood type,
by the way, that's what it is. If I'm not mistaken,
and I would know because I need to find another
one if I needed a transfer.

Speaker 1 (51:10):
Are you your TYPO negative?

Speaker 2 (51:11):
Yeah?

Speaker 1 (51:11):
I didn't know that.

Speaker 2 (51:12):
Yeah. So that's my understanding is I can't receive from
anybody else unless they're the same type.

Speaker 1 (51:21):
Jeez, I don't know what blood type I am. Well,
why do I have to know? I can't they just
figure it out.

Speaker 2 (51:30):
It's probably good to know.

Speaker 1 (51:31):
Hook the computer up to me.

Speaker 3 (51:33):
And I had a blood donor card of years ago
that had my blood type on it, but I I
don't can't. I couldn't tell you what it is.

Speaker 2 (51:41):
So I think it's like I could be wrong. I
think it's you can you can give to anyone else,
but you can't receive from anybody other than another. How
weird TYPO negative?

Speaker 3 (51:54):
Like how do you figure that out? You know? People
trial And that's something I've thought about before. How is
anything in the medical field ever come to fruition? People
had to die for people to come for the medical
experts to come to the conclusion that this is beneficial.

(52:16):
This is not this can kill you.

Speaker 2 (52:19):
This can't.

Speaker 3 (52:21):
How you arrive at what's going on in the modern
day Medicinally, there's the body cout that was required to
get to this point. Is probably that Pope in six
o seven was a casualty.

Speaker 2 (52:39):
Of everything like that. Who knows gave him the wrong blood.

Speaker 1 (52:45):
All right, let's continue here. This is the same song.
What happened.

Speaker 2 (52:56):
It's eleven minutes and the real versions. But I didn't
even hear.

Speaker 1 (53:02):
Let's go back like ten seconds because I'm confused.

Speaker 2 (53:13):
I have a feeling a lot of the big fans
of this band who are listening right now just went
terrible edit.

Speaker 1 (53:22):
Yeah, it's kind of weird.

Speaker 2 (53:24):
I mean, it's sort of I mean, if it's an
eleven minute song and you gotta do it, I guess
that sounded like a passable edit.

Speaker 3 (53:31):
But here's the thing. If if it's a song that
they felt was worthy of editing down to put out
is a quote unquote single, why would you make it
eleven minutes in the first place. Why don't you just
fucking rearrange it in the studio so you didn't have

(53:51):
to worry about some hack coming in and chopping it up.
That we talk about this all the time. But that's
the role of a producer to be like, guys, I
know you want this eleven minute version of the song,
but if we whittled it down to four minutes, it
could be the single. It's that good. But we have

(54:12):
to we can't put it out as eleven minutes, So
why put out an edited version. It just doesn't make
any sense to me. It's a weird decision.

Speaker 1 (54:24):
Yeah, you could have had if you really needed it,
you could have done like part two at the end
of the album.

Speaker 3 (54:29):
Or yeah, yeah, yes, create a radio edit that's not
edited by somebody post production, just rearrange it and record
a shorter version, or just have the same title slightly different.
Who knows. But yeah, it's just strange how these decisions

(54:52):
get arrived at.

Speaker 2 (55:00):
No. So we have this is the other lead vocalist.
If I'm not mistaken, right, I don't think that's Peter
Steele singing that part, was it not?

Speaker 1 (55:18):
I don't know.

Speaker 2 (55:19):
That looks like Kenny Hickey. Well it's the guitar player.

Speaker 3 (55:24):
Sounds a little like heat Field, yeah, a little bit.

Speaker 2 (55:29):
Yeah, so they're doing a little trade on.

Speaker 3 (55:33):
The Metallica tip. Sonically, this is reminding me of Injustice
for All and that there's not a lot of bottom
end in this music. No, not a whole lot in
this this version, especially when they kick it into the
higher gear, there's just no It kind of lacks sonic

(55:54):
power to me. It's not a full, full sonic range experience,
lack lacking in bottom end to my ears. I don't
know if it's just the the YouTube version or or whatever,
but that would be my observation of it, very Injustice

(56:17):
for All sounding in terms of that frequency just not
being present.

Speaker 2 (56:42):
Has there ever been anything more Danzig that than that?

Speaker 3 (56:47):
Was it?

Speaker 2 (56:47):
Black Black Black number one?

Speaker 1 (56:49):
Number one?

Speaker 2 (56:50):
Yeah? M hmmm, it's a it's interesting with the two
cold lead co lead vocalists, mixes it up pretty cool.

Speaker 1 (56:59):
I don't mind that, Yeah.

Speaker 2 (57:01):
I when it kicked up a little bit there, it
had before this part when the when Kenny Hickey was
singing the guitar player, it's it had an Allison Chains
kind of a vibe to it to me.

Speaker 1 (57:19):
It's interesting because you can pick little pieces of a
whole bunch of different bands out at different times on
this so far. Yeah, Like, oh, it's a little reminiscent
of this I'm not saying they're ripping anybody off, but
I'm just saying like it sounds like of the time,
and there's nods to all these other bands. And I
don't mean that as like they're taking from They could

(57:39):
have been first for all I know. But I'm just
saying it's like familiarity, like, oh, that kind of reminds
me of this, that reminds me of that.

Speaker 3 (57:46):
How many albums into their career was this? Do we
know when you looked that up? I mean, Allison Chains
could be sounding like TYPEO Negative for all we know.

Speaker 2 (57:57):
Yeah, well, it's that type of negatives started in eighty nine.

Speaker 1 (58:02):
That looks like it was the third album if what
I have here is.

Speaker 2 (58:05):
Correct, So there could have been an influence.

Speaker 3 (58:09):
Yeah, I Facelift hit in nineteen ninety, so it's entirely possible.
And wait, is California band?

Speaker 2 (58:22):
That's a good question.

Speaker 1 (58:23):
Type of Negative is a Brooklyn band?

Speaker 3 (58:25):
They are? Yes, I've been Blombardosi's well.

Speaker 1 (58:30):
He sent me some messages. He's got a connection to them,
he said. Brooklyn's own TYPEO Negative. These guys used to
hang out in the studio. I used to rehearse them
when I was in high school, and he said, we
used to prank the drummer. Prank called the drummer.

Speaker 2 (58:44):
There you go, prank called the drummer.

Speaker 1 (58:49):
If you're going to prank, call someone, it's going to
be the drum Oh.

Speaker 2 (58:52):
Yeah, if you want to, if you want someone who's
going to get mad, it's going to be the right away.
And yeah, he called the drummer someone who won't have
I'm not saying this drummer specifically, I know nothing about him,
but just as a generality.

Speaker 1 (59:05):
Yeah, someone who's not going to have a good sense
of humor about it.

Speaker 2 (59:08):
No, if you want to, if you want a reaction
out of your print, call someone who's not just going
to be cool about it and hang up. You call
the drummer. You want that fly off the handle?

Speaker 1 (59:21):
Right, Tommy just said he would get really mad. I
love that, Okay, let's keep going.

Speaker 2 (59:50):
Was like.

Speaker 3 (59:52):
Lo, he was like.

Speaker 2 (01:00:12):
One, it's it's uh growing on me. I will say,
I'm I'm enjoying Like just there. It's a good mixture

(01:00:34):
of there's some seriousness to it, but then it's pretty
tongue in cheek, like with the harpsichord and stuff like that,
really playing up like the gothic sort of a feel.

Speaker 1 (01:00:49):
Bobby said, it's a song about a goth chick who
won't go out because she needs to color her hair.
Danzig would never be this seriously silly. It's too silly
for Danzig.

Speaker 2 (01:01:00):
I don't know, I think so.

Speaker 3 (01:01:05):
Yeah.

Speaker 1 (01:01:06):
Probably so she won't go out with them because she
has to color her hair.

Speaker 3 (01:01:10):
Huh, Well, she won't go out period, because you know,
the goths, like like anybody else. I don't care what
sort of subculture or culture or whatever you want to
call it, you belong to. Everybody done some sort of
uniform when they venture out, and goths especially strike me

(01:01:37):
as the type of people that unless their look is
completely dialed in, they're not going to go out.

Speaker 1 (01:01:43):
Yeah, that's true.

Speaker 3 (01:01:46):
The hair color, the eye line or the makeup, the fashion,
all of it, you know, very very meticulous from head
to toe. The goth people that i've what if the
owner been around.

Speaker 2 (01:02:02):
What if the pharmacy is closing in like a half hour,
got a hall ass over there? Yeah? I mean, are
they not going? Well?

Speaker 3 (01:02:10):
Apparently you can get pharmacy stuff door dash to you now,
so it.

Speaker 2 (01:02:15):
Makes ninety three. I don't know what you would do.

Speaker 1 (01:02:22):
You'na put on your running sneakers and go. It's not
gonna work.

Speaker 2 (01:02:25):
That's what I was gonna say. If you're half done up, yeah,
and it's just not working. But you've got to get somewhere.

Speaker 1 (01:02:30):
It's not gonna work.

Speaker 2 (01:02:32):
I think you've I think you've put too much pressure
on yourself.

Speaker 1 (01:02:35):
Yeah, you can't put on your knee high boots with
a bunch of buckles on it. I mean run down
the street cvs with like.

Speaker 2 (01:02:43):
Six foot laces that you need to get all the
way up.

Speaker 1 (01:02:45):
Yeah, it's gonna take all day. So I never thought
about this. That is a time consuming.

Speaker 2 (01:02:50):
Look well, I mean, I guess it can calling it gothic.
It's like you think what they you see those videos
Sometimes maybe they don't pop up for you guys, but
it'll it'll be stuff like colonial times, like stuff like
that where it's like the women had to wear this

(01:03:12):
piece and then this piece, and then this piece and
then this giant thing and it. Yeah, it kind of
harkens back to that where it's it's you don't just
throw on sweats and go run it out. It's like.

Speaker 1 (01:03:25):
They're not wearing angry birds PAGEA.

Speaker 2 (01:03:29):
No, they're not no, it doesn't say pink anywhere on
their pants.

Speaker 3 (01:03:34):
And that was the thing when you, uh, when we
would occasionally sort of infiltrate the goth scene just to
see what was going on and go to these bars,
we didn't look we we stuck out like sore thumbs
because we just were like dressed like regular people and
and we were as a result, ostracized in those environments

(01:03:57):
because we were we were dickheads. We just look like
regular schmos venturing into this goth scene where everybody is
done up meticulously from head to toe and you know,
up to including you know, just straight up confrontations of
like why were you even let into this club? So,

(01:04:22):
you know, like I said, it was exit. Berlin was
kind of like this, you know on some night's Neo
Arturo's favorite club. I know, they had a dedicated goth night.
And even if you were in a goth if you
were bored on that night and you're like, I do'tant

(01:04:42):
to see what's going on in there, but you go
in and like T shirt and jeeds and you just
see all these you know, people who are you could
tell they put hours into the look. Yeah, and it
was just a weird juxtaposition of epul in there. But
the people who were serious about it, you know, they

(01:05:05):
they seem to be n't like anybody else. They were
territorial about it, you know, clowns coming in there just
to hang out there, like, yeah, you really shouldn't be
in here. You can't. You can't really not let you in,
but we wish you weren't here because you don't belong here.

Speaker 5 (01:05:32):
Yeah.

Speaker 2 (01:05:39):
Right, it's so Adam's fan. They're doing an animal sort
of Sorry, Nick, Oh, that's all right. So I'm I

(01:06:31):
guess I'm I didn't derive this information from listening to
the lyrics, but since Bobby said that it's about a
girl dyeing her hair, I'm guessing black number one is
the color she's dyeing her hair. For whatever reason, I
just made that connection after hearing that.

Speaker 1 (01:06:51):
That makes sense.

Speaker 2 (01:06:53):
Yeah, it's I you know what I'm and I'm enjoying
now that the drums are mixing it up a little bit.
I would go and listen to the full version just
to hear how it kind of builds and you know
where how it exactly gets to each part and how
long it how long it builds, and yeah, i'd be curious.

Speaker 3 (01:07:16):
See, I would not be. My take on this is like, look,
I I know Peter, I know who Peter Steele is.
I understand his influence on pop culture in general, and
that he's just an iconic figure in a certain you know, subculture.

(01:07:38):
But just this music, just this is not something I
would ever listen to for pleasure. I think. Yeah, Lee
Travis and the Chat earlier said that they were often
referred to as the drab for takeoff on the Fab

(01:07:58):
four of course, but it's just too downtrodden for me.
I get it how people some people are into it,
but it's like it's like not hearing a ton of
their music. I knew what the tone of his voice
was based on what I've heard from it from these guys,

(01:08:19):
and then I also knew that like almost everything they
do is like this down tempo, half speed, just plotting
stuff to my ears, And it's just not something that
I would put on to listen to for pleasure. Just
it's just not so I'm the opposite of Nick. I'm

(01:08:40):
not interested in hearing the full length version.

Speaker 2 (01:08:46):
I'm I just there's something about the fact that they're
in on the joke a little bit.

Speaker 3 (01:08:53):
Oh They're definitely in on the joke, and there's there's
that humor element, which is again a weird juck position
based on the visual presentation, and just you know, and
just utterly original. I mean, has there ever been a
band that has sounded like these guys that you've ever

(01:09:15):
heard of? I can't think of anybody.

Speaker 2 (01:09:19):
I don't know enough about this genre.

Speaker 1 (01:09:22):
Yeah, I'm just again, I'm kind of thinking, like, Okay,
Danzig is the first thing that came to mind. And
then a little tiny bit of White Zombie, but not
really like I could see their fans having a little
bit of a cross.

Speaker 2 (01:09:36):
Oh, I could imagine a big crossover here.

Speaker 1 (01:09:38):
Yeah, but I don't, you know, it's not the same.
And then, like Nick said, a little bit of an
Allison Chains vibe at times. Chris said, the Metallica thing,
I don't know, there's just all kinds of separate little pieces.
But I don't think of one band that, oh, this
is like this, yeah, this is this is a copy
of this band, you.

Speaker 2 (01:09:56):
Know, yeah, at least just based on this song.

Speaker 3 (01:09:59):
Yeah, but it's the thing, like when you think of Metallica,
you also kind of think of the other big four
metal bands and then branch off and other Your mind
starts going down the family tree of similar bands, right,
same with Alison Chains or any of the grunge bands.

(01:10:19):
You think of Alison Chains, Soundgarden, Pops in your head, Nirvana, Melvin's,
all that kind of stuff. Your TYPEO negative, You just stop.
There is where else do you go? And part of
it has to do with the fact that we're not
super versed on goth music. I personally am not. But

(01:10:42):
also they're just so singular. It's like you just know
this based on the reputation that they're utterly unique in
the pantheon of music, both the band and Peter Steele himself.
That is, you know, when you're craving this kind of music,

(01:11:04):
there are no other bands that rush into your consciousness.
This is it.

Speaker 2 (01:11:09):
I mean, I would imagine there are that they influenced
a lot of bands, but as far as contemporaries of them,
I don't. Yeah, we're not well versed.

Speaker 3 (01:11:19):
But yeah, which the following statement applies to almost everything
about my presence on this show. But I could be
talking completely out of my ass, But I just think
that they're so utterly unique in the overall picture that

(01:11:39):
they're just there's no like, I don't know, Like I
wonder where like that the evolution of metal that Sam
done the documentary series, I wonder where he had typo
negative in the metal sort of family tree and one
other branch would associated with them. Might be interested to

(01:12:03):
look into that a little bit. I'm curious about that.
In terms of the actual music, I'm not really sure
I need to hear anymore from TYPEO. It's just not
my thing.

Speaker 1 (01:12:15):
Well, a couple of different comments in the chat here
from old Jarecat he said derived from Bauhaus Bowhuse was,
you know, they had like a proto goth sound, but
they I don't think they had any metal to them, right.
They probably were huge at NEO on that night that

(01:12:35):
Arturo used. But so then Bobby Roots said, Sabbath mixed
with the Cure, Sisters of Mercy and the Beatles and
bow House, so maybe it's an amalgamation of things they liked.

Speaker 2 (01:12:47):
It's funny how the Cure is always in there somewhere. Yeah.

Speaker 3 (01:12:51):
I was gonna mention them too.

Speaker 1 (01:12:54):
And Tony Griggs said, doom metal? Will this be doom metal?
I know the term, but I don't really know the
I can't think I couldn't tell you bands that are
in that category.

Speaker 2 (01:13:03):
I couldn't tell you either. But when I hear doom metal,
I think of musically this tempo, like Chris was saying,
plotting quality to it, That's what comes to my mind.
And frankly, this music it works pretty well with my
new graphic novel.

Speaker 1 (01:13:22):
And Jeff Stroop says, I was want to be vampire
back in the middle nineties.

Speaker 2 (01:13:26):
All right, right, we got to talk about that.

Speaker 1 (01:13:27):
I'd like to hear more about that. Were you into
the brood? And wwh there you go?

Speaker 3 (01:13:33):
Yeah, what what constitutes a want to be vampire? Your
fangs didn't actually pierce the milk white skin of a neck,
It just got close to it. That's an interesting, interesting identify.
Weren't they want to be vampire?

Speaker 2 (01:13:52):
Weren't there things where blood was was drink drinking happened,
but they exchanged, you know, with people, and somehow they
I don't know how you make sure it's safe to
do that.

Speaker 1 (01:14:06):
But I'm sure people still do that. People do all
kind of Yeah.

Speaker 2 (01:14:09):
I remember I remember hearing that back in the around
this time period and being like, what, like you just
give like you somehow do a little blood letting and
give someone a cup of it. Like, Okay, I guess
that's that's the thing that people are into.

Speaker 1 (01:14:25):
Well, we've graduated a bone broth hot chalk.

Speaker 2 (01:14:29):
I don't know if I don't know if the blood
would be as gut healthy for you as the bone broth.

Speaker 1 (01:14:34):
Yeah, next week, Nick's bringing blood hot chocolate.

Speaker 3 (01:14:39):
Blood, orange zest sprinkle around the next bake tree.

Speaker 2 (01:14:43):
That would be good.

Speaker 1 (01:14:44):
Actually, we've got a little bit to go here. Let's
finish it off. No, this shodda. What's going on here?

Speaker 2 (01:15:19):
It looks like she's got a knife though.

Speaker 3 (01:15:21):
Yeah, shot a another wanna be a vampire?

Speaker 1 (01:15:31):
So one thing I'll say before we vote. I could
see this being a band with a fun scene to
be a part of. Like if you were following them
locally and they had a scene and it was your scene,
like this would be it would be a cool time,
you know, an original, probably exciting, unique scene happens.

Speaker 3 (01:15:52):
Oh yeah, Like I said, when we would go to
these goth clubs just to sort of infiltrate it, you
could tell that it was a tightly knit scene. We
just shouldn't. We didn't belong there and we weren't going
to be welcomed into it because we didn't look the
part and we were just complete idiots in no way

(01:16:14):
trying to assimilate ourselves into the scene. But you could
observe that these people are just way into it and
it was a lifestyle and something that they were passionate about.
You totally, you picked up on that for sure.

Speaker 2 (01:16:28):
Imagine being at one of a party that this band threw. Yeah,
probably a great time until the drummer started screaming at
the phone and slammed it.

Speaker 3 (01:16:37):
Down lombardas he was pray calling che voice.

Speaker 2 (01:16:45):
Just ruined the whole party exactly.

Speaker 1 (01:16:47):
Way to go, Tommy, That's not the vibe they want
to be putting out.

Speaker 2 (01:16:51):
Yeah. Yeah, they're all being cool and you know, like
Adam's Family ish, you know, that's sort of strange, strangely
calm about all this, you know, kind of vibe and
then the drummers losing it.

Speaker 1 (01:17:07):
Quick debate or whatever. Let's settle this. Adam's Family or
Monsters where you guys at.

Speaker 3 (01:17:14):
I know again, I was never into either.

Speaker 2 (01:17:17):
I mean I.

Speaker 3 (01:17:19):
Watched episodes, but I guess Monsters was funnier, mainly because
of l Lewis. Monster. There's a little more humor there,
which I'm intend to be drawn to. And just you know,
the the incessant you know, kissing of mor Titie by Gomez.

(01:17:43):
It's like, Okay, I don't need to see it.

Speaker 1 (01:17:46):
I like that he was really horny.

Speaker 2 (01:17:50):
French, right, he would lose it.

Speaker 3 (01:17:52):
Yeah.

Speaker 1 (01:17:53):
It was.

Speaker 3 (01:17:55):
Another sort of an early example of what I call
the King of Queenan's dynamic, where you have the hot
wife and the just plain if not completely dumpy looking
husband and it's just like, she doesn't want this guy's
mouth all over all over her looking on him. Nothing.

Speaker 2 (01:18:16):
He's still around, is he really? Yeah, he's like in
his mid nineties.

Speaker 3 (01:18:21):
Still fucking kissing people from wrist to sholder.

Speaker 2 (01:18:26):
I hope.

Speaker 1 (01:18:26):
So he made it probably keeps them young. He made
it longer than Rawal Julia, Oh yeah, played the character
in the Early Night Master. Yeah, that was like a
switch where he was cooler, I think than nothing. That
Mortish was like a dumpy I'm I'm saying she was
the King of Queen's character, but they made.

Speaker 2 (01:18:45):
He was more suave.

Speaker 3 (01:18:46):
Yeah he was.

Speaker 2 (01:18:47):
But then you know Johnston and I am somewhat familiar
with the old what's his name Charles Adams, the guy
who drew the comics or whatever that they're based on,
And it was more like you've seen the cartoons that
have come out the Adams Family movies. They more like
that where he's like a little heavier, more like I

(01:19:12):
mean that they had the mustache and he was kind
of suave and everything like that. But I'd say they
went back to the what the original they looked.

Speaker 1 (01:19:21):
Like Louis Louise Gomez or whatever that guy's name is
did it. And the most recent thing, well, that's whatever
that guy's name is that the right name?

Speaker 2 (01:19:30):
That dude? Oh the voice you mean or what I thought?

Speaker 1 (01:19:34):
Was it just the voice or did he actually do
it in live action? Maybe it was just the voice.
I don't know, just making a mistake here, but yeah,
that would probably be more accurate.

Speaker 2 (01:19:42):
Right, Yeah, But they made him like with Raal Julia,
he was moreman sorry, okay, he was more handsome, I
would say, more debonair and handsome.

Speaker 1 (01:19:54):
Was it Angelica Houston.

Speaker 2 (01:19:55):
That was.

Speaker 1 (01:19:58):
And he does not like and just me no can
go fly a kite?

Speaker 3 (01:20:04):
Gave her a deluxe fart's her name? Yeah? I never
even I never I never saw those movies I just
did just my not my bag, not into it.

Speaker 2 (01:20:17):
Those are good movies. I will say. Christopher Lloyd brilliant
as always.

Speaker 1 (01:20:22):
Yeah, that's true.

Speaker 2 (01:20:23):
He was Lurch he was No, he was Fester, Lurch
was I don't know who Lurch was.

Speaker 1 (01:20:31):
Actually, I don't know either, some weird looking guy.

Speaker 2 (01:20:34):
Yeah, But I would say as much as I love
the fact that Fred Gwynn and l Lewis were in
The Monsters and they're from Car fifty four, which I love,
probably I think the I think I would watch the
Adams Family over the Monsters at this point.

Speaker 1 (01:20:55):
Yeah, I'm not. I don't have an answer. I think
I like the Monsters more, but I'm not the Monsters.

Speaker 2 (01:21:00):
But I think I don't know something about the Adams Family.
It's the same kind of shtick, though it's like, w'ere
they're weirdoh's and they're acting perfectly normal being weird, And
I guess the whole concept would have been the Adams
Family concept first.

Speaker 1 (01:21:21):
That was first. I don't even know.

Speaker 2 (01:21:22):
I mean, I would think I would think that that
that whole because it was you know, said drawings and
stuff like that kind of one one panel comics and
stuff like that before. So both awesome though.

Speaker 1 (01:21:38):
But then there's there was that horrible Monsters movie, which
a few are parts of it that I enjoyed.

Speaker 2 (01:21:44):
I will admit the Rob Zombie director. Yeah, Masters movie.

Speaker 3 (01:21:48):
I didn't even know there was such as I wanted
to love it.

Speaker 2 (01:21:52):
I ended up kind of liking it.

Speaker 1 (01:21:53):
But yeah, I wanted to love it. I put it on.
I probably made it. About a half hour into it,
I'm like, this is so shitty.

Speaker 2 (01:22:00):
I watched the whole thing.

Speaker 1 (01:22:03):
I couldn't get through it. I just thought it was terrible.
There was nothing great color, okay in the sets and everything.

Speaker 3 (01:22:11):
Sure that the Angelica Houston Raspberry reaction, Yep, it's a
big fart.

Speaker 2 (01:22:19):
I first see a Facebook reel in your future, Andy,
What have I done?

Speaker 1 (01:22:27):
There's that whole batch of actresses at a certain point
where I'm like, how did these people get to be
who they were?

Speaker 2 (01:22:33):
Oh? John Houston was her father? That probably all.

Speaker 1 (01:22:36):
Right, But Angelic, yeah, she's in that group. I don't
want to name all the others, but.

Speaker 3 (01:22:43):
She does a pretty good job in my favorite Woody
Allen movie, Crimes and Misdemeanors.

Speaker 1 (01:22:49):
Okay, I'll give her that.

Speaker 3 (01:22:52):
Then if you say so I'm just seeing but I
totally get it she is in terms of like, you
know this sexy goth well minute, that would miss the
mark for me. I just don't see it. No, not
at all. Ever, It's this None of this is in
my wheelhouse, and I'm not goth in any way. I

(01:23:14):
don't want to be goth, and just nothing about it
appeals to me. But being in that environment you can
see how into it other people are, and God bless
them for it. Yeah.

Speaker 2 (01:23:29):
Yeah, I guess if you find other people that are like, hey,
I'll play along with you and do this probably a
lot of fun, of course, until the drummer gets a
phone call.

Speaker 3 (01:23:41):
So here's what.

Speaker 1 (01:23:43):
Just last thing on this to make sense of everything.
The live action thing I was talking about is from
that Netflix show Wednesday. Okay, so that's where is playing. Yeah, okay,
and then Catherine Zeita Jones is mue. That makes much better.

Speaker 3 (01:24:02):
Oh that's much better. Yes, absolutely, and yeah that makes sense.

Speaker 2 (01:24:06):
It's good. I wonder who Uncle Fester is.

Speaker 1 (01:24:10):
Find out for you, but I don't know. Bobby Bobby
Ruth says Angelica Houston was hot in Adam's family.

Speaker 3 (01:24:17):
His judgment is frequently if not questionable. I think about everything.

Speaker 2 (01:24:25):
I think it was just that role. Julia was the
one who was kissing on her and his his debonarity
was just all over everybody.

Speaker 1 (01:24:35):
Oh, fred Armison is fester. Fred armis Well, we got
it all figured out somehow.

Speaker 3 (01:24:42):
It all comes around to Fred Arhams.

Speaker 2 (01:24:44):
So we brought it. He was brought up in the
pre show chat and he's going to try out for
to be a stand in. Be a stand in. There's
a casting agency in Chicago looking for someone fred Armison standing.

Speaker 1 (01:24:59):
Jenny or Hey guys Wednesday, Yep, no idea?

Speaker 3 (01:25:02):
Who that is? Betther, heir to the Taco Shell Fortune?

Speaker 1 (01:25:07):
Yes, that's how she got in the rival to the
Taco Shell Fortune. Yeah, they're debating of who's going to
take it over Kenny and uh Jenny, who's going to
be the one the.

Speaker 3 (01:25:21):
Yeah, let the courts sort it out.

Speaker 2 (01:25:24):
All right.

Speaker 1 (01:25:24):
We gotta vote Sweet Surrender a kick in the crotch. Oh,
I guess you gotta go to go first.

Speaker 2 (01:25:30):
You gotta do this. Damn.

Speaker 1 (01:25:32):
Let me think for a second, how did this song go?
Garbage truck? Backing up.

Speaker 3 (01:25:42):
The garbage truck he was driving, he wrote the song.
Maybe maybe he was. He was mimicking the reverse signal.

Speaker 2 (01:25:51):
He's like, I need one with the chorus. I need
one more part.

Speaker 3 (01:25:54):
He's like, yeah, I need a chorus, and it's not
coming to me. They got to back out of this alley.
So oh, there it is.

Speaker 2 (01:26:02):
It is done all right.

Speaker 1 (01:26:04):
For that version that reason, I'm giving it a sweet surrender.
Hell yeah, not to play my hand too far ahead
of time, but I'm barely giving it a sweet surrender.
I'm kind of with Chris where he was coming from,
where this doesn't really this is not something that I
want to be listening to on the way to work

(01:26:24):
or whatever.

Speaker 3 (01:26:25):
I'm not ever think of that. I can't think of
a scenario where I would ever want to listen to
Typo Negative from what I my cursory knowledge of them,
And that also prohibits me from delving deeper into their catalog.
I just it's zero interest in exploring that. While at

(01:26:46):
the same time I can respect their influence and their
legacy and all of that, I just it's not for me.
That's sorry for you. No, that's pretty much I got
your toes over there.

Speaker 1 (01:26:58):
That's pretty much exactly what I was going to say.
But I'm giving them the fifty one percent sweet surrender
to the forty nine kick in the crotch and just
barely nudging it over the edge for this song. You know,
I respect what's happening. I again, I feel like this
would be a fun thing, you know, if that was
your world and all that, it'd probably be great and

(01:27:22):
a delight to experience this. But it's just not me,
so I am not interested in digging any deeper.

Speaker 3 (01:27:30):
And Jackie is referencing the inclusion on a Beavis and
butt Head episode. This is a video that was you know,
analyzed by them, and I'm sure in that context I
probably saw it because the only TV I consumed in
the early to mid nineties was Beavis and butt Beavis

(01:27:53):
and butt Head and the body shaping shows, and they're
equivalents on ESPN in the morning. It's all I watched
for like three or four years straight in the nineties.
Shows like Friends Seinfeld completely off my radar, did not

(01:28:15):
watch those at all. So it's ESPN and MTV and
just those two shows.

Speaker 1 (01:28:23):
All right, who wants to vote next?

Speaker 2 (01:28:25):
Well? You kind of gave well, did I give everyone's Well? Chris,
Chris kind of gave.

Speaker 3 (01:28:30):
His Yeah, I'm gonna do the opposite of Andy. I'm
gonna do a fifty one percent kick in the crotch here,
you billy, because uh, yeah, it's just not something I
I can appreciate the quality. I just just it's not

(01:28:57):
for me, and I really don't want to go to
the set second round of voting here. It's another consideration
we've talked about. But again it's very it's right on
the fence. Because I can appreciate and acknowledge the iconic
status of these guys that Peter Steele in particular, the

(01:29:21):
influence and how legit the goth culture is. It's just
absolutely has nothing to do with me or anything I'd
ever be interested in consuming. So that's that's my reasoning.

Speaker 2 (01:29:38):
Nick, I'll give it, I'll give it a bit of
a sweet surrender.

Speaker 4 (01:29:50):
Hell yeah.

Speaker 2 (01:29:51):
I mean it's not something that like, I don't I'm
not salivating over the thought of going on of streaming
service and listening to everything that they put out or
anything like that. But I find just this song in particular,
I'm like, you know what, I would listen to the

(01:30:13):
full version just to hear how that went as opposed
to this edit. Yeah, and I yeah, like a lot
of like a lot of bands or even whole genres
of music. I can take it in small doses, but
it would get really tiresome after a while. And if

(01:30:35):
it's kind of this tempo with every song, it would
be tough for me to really get into this band,
but I do. There's that sort of humor that's in
this song though, that I'm like, Okay, they're in on
the joke, like, yes, they are part of this goth
scene whatever, but they get it and they're kind of

(01:31:00):
poking fun at themselves a bit. So that's endearing to me,
So I would investigate it a bit more. I'm not
just based on like musically and everything that we heard.
It's not something where I'm like, oh, I gotta hear more,
Like on my way home tonight, I'm punching it up
and listening to it, like, but you know, tomorrow I

(01:31:21):
might be I might check out the full version of
the song just to just to kind of hear the
difference and see if there's anything cool that was left out.
So yeah, I mean, it's it. I'm fine with it.
It's it's not something that then I'm gonna put on
in the background while I'm doing something in the kitchen

(01:31:42):
or whatever. But it's you know, I liked that. It
was fun. I didn't expect that.

Speaker 1 (01:31:47):
There you go. All right, Well, if you disagree with us, weird, Sorry.

Speaker 3 (01:31:55):
It is.

Speaker 2 (01:31:56):
You know what it?

Speaker 3 (01:31:58):
Nick?

Speaker 1 (01:31:58):
Do you have anything?

Speaker 2 (01:32:00):
I think me and Chris both have something.

Speaker 1 (01:32:02):
Yeah, I've got something, all right, quick commercial break, will
be right back.

Speaker 3 (01:32:07):
Some jokes, the.

Speaker 4 (01:32:16):
Jokes, the jokes come on, all right, how many you.

Speaker 2 (01:32:26):
Got, dad? You know what? I got one submitted from
a listener, and then I can add one of mine.

Speaker 3 (01:32:34):
While go in the middle, because I come with one
each week. Okay, I'm a quality over quantity guy.

Speaker 2 (01:32:44):
Again. Second appearance of this particular individual on this episode.
The Great Colin Bell sent me this one, and coincidentally,
it's got to do with kiss after he gave us

(01:33:08):
this really excellent calendar, which we're gonna have to post
pictures after people to see. I think. So, Colin asks,
what is Santa Claus's favorite kiss song?

Speaker 3 (01:33:26):
What? I don't know?

Speaker 2 (01:33:27):
What is Santa Claus's favorite kiss song? Well, according to Colin,
it's on ho ho holy oh shit, thank you Colin.
Oh there he goes again. Ho. All right, excuse me.

Speaker 1 (01:33:48):
My turn yep chair.

Speaker 3 (01:33:51):
Okay, what apparatus doesn't achey Santa Claus rely on to
get him through delivering gifts to children all around the
world each year.

Speaker 2 (01:34:11):
Okay, so after he's given the gifts he needs, relief is.

Speaker 3 (01:34:17):
Not necessarily okay, what apparatus does an achy Santa Claus
rely on to get him through those long Christmas eves
of delivering gifts to kids all around.

Speaker 2 (01:34:33):
The gold I cannot imagine, Andy.

Speaker 1 (01:34:38):
I got nothing to.

Speaker 3 (01:34:44):
A chimneye brace. What's wrong with your lad? You sippy?

Speaker 2 (01:34:50):
I like that look, I like that love.

Speaker 3 (01:34:56):
That's my one a week is what you're gonna get
from me. So now the work begins to come up
with my next joke.

Speaker 2 (01:35:06):
I could throw in a bonus. I don't really have
the joke fleshed out. I could just go for it. Okay,
I just thought, okay, this, there's something here. I just
don't know what it is. So I'm going to force
myself right now. What rock band is a favorite of

(01:35:29):
the residence of the North Pole. What classic rock band
is a favorite among those residents of the North Pole?

Speaker 3 (01:35:42):
I don't know, man, That's like when it was like
which kiss song? It's like, okay, there are two hundred
and ninety. Yeah, it would be possible at least that many,
if not more, class rock bands. No clue.

Speaker 2 (01:36:01):
Well, I'll just say due to the fact that both
Rudolph and Klaus are in it, it's the Scorpions. There's
some guesses Slayer okay, well, good, good, glad people are
participating the rolling Cold. I couldn't think of one for

(01:36:22):
Matthias fun for that, but.

Speaker 1 (01:36:24):
Oh there you go very loud today too. Yeah, Paul
is emphatic, he is, all right, well, thank you for
hanging with us today. I hope you had a good time.
We'll be back next week for the Christmas Week. Christmas Week,
are you serious?

Speaker 3 (01:36:44):
Yeah?

Speaker 1 (01:36:45):
Yeah, because this is what the fifteenth and the twenty second?

Speaker 2 (01:36:49):
Yeah, yep, sure is so next week is the Christmas episode?

Speaker 3 (01:36:53):
Yeah?

Speaker 2 (01:36:53):
Sure, I could tell another one then.

Speaker 1 (01:36:56):
In that case, if you want to, I'll save it.

Speaker 2 (01:37:01):
I've got two. Maybe I'll even come up with more.

Speaker 1 (01:37:04):
All right, well, thank you everybody, and.

Speaker 2 (01:37:07):
Hopefully Chris comes up with an Oh I will I
enjoyed the Chimney.

Speaker 3 (01:37:10):
Bre It'll just be the one, but I will have
something next week.

Speaker 1 (01:37:16):
All right, al everybody, he really did sound Italian.

Speaker 3 (01:37:47):
There, all right.

Speaker 2 (01:37:48):
I took it as Italian when I heard it.

Speaker 3 (01:37:50):
Might have lied