September 30, 2024 • 62 mins
In this electrifying episode of B.O.S.S. Radio’s Reggae Hour, we sit down with none other than Christopher "Zabrick" Reid, one of Portland, Jamaica’s most dynamic reggae and dancehall artists. 🌍 From his humble beginnings in church choirs to performing with dancehall legends like Gyptian and Iwayne, Zabrick opens up about his incredible journey, hit-making collaborations, and upcoming projects, including his highly anticipated single, Believe Mama. 🎶
We dive deep into Zabrick’s story—his early performances, his work with international producers, and his rise to becoming a force in reggae music. Plus, Zabrick shares his thoughts on the current situation at Bob Marley Beach, where the people of Jamaica are fighting to preserve a cultural landmark.
Whether you’re a long-time fan or discovering Zabrick’s music for the first time, this episode is packed with insight, inspiration, and a whole lot of reggae vibes. 🌞 Don’t miss this in-depth conversation with one of reggae’s brightest stars, as we explore the past, present, and future of his extraordinary career.
Tune in now on Apple Podcasts, Amazon Music, Deezer, iHeartRadio, or directly on our website at https://www.sbcmovement.com/2024/09/reggae-hour-welcomes-zabrick-portlands.html!
Check out Zabrick TODAY!!!
https://www.youtube.com/@firesydevevo2172
https://music.apple.com/us/artist/zabrick/603772957
https://www.instagram.com/zabrick1/channel/
https://www.facebook.com/zabrick/about
Become a supporter of this podcast: https://www.spreaker.com/podcast/reggae-hour--2646280/support.
We dive deep into Zabrick’s story—his early performances, his work with international producers, and his rise to becoming a force in reggae music. Plus, Zabrick shares his thoughts on the current situation at Bob Marley Beach, where the people of Jamaica are fighting to preserve a cultural landmark.
Whether you’re a long-time fan or discovering Zabrick’s music for the first time, this episode is packed with insight, inspiration, and a whole lot of reggae vibes. 🌞 Don’t miss this in-depth conversation with one of reggae’s brightest stars, as we explore the past, present, and future of his extraordinary career.
Tune in now on Apple Podcasts, Amazon Music, Deezer, iHeartRadio, or directly on our website at https://www.sbcmovement.com/2024/09/reggae-hour-welcomes-zabrick-portlands.html!
Check out Zabrick TODAY!!!
https://www.youtube.com/@firesydevevo2172
https://music.apple.com/us/artist/zabrick/603772957
https://www.instagram.com/zabrick1/channel/
https://www.facebook.com/zabrick/about
Become a supporter of this podcast: https://www.spreaker.com/podcast/reggae-hour--2646280/support.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Ladies and gentlemen, reggae lovers from around the world, It's
time to tune in, turn up and zone out Boss
Radio's Reggae Hour Zone. Tonight, we have a true dance
all Dynamo in the building, a man whose journey from
the heels of Portland to the global reggae stage has
been nothing short of incredible. Born with a deep love
for music that started in the church choirs of Windsor Castle,
(00:25):
He's evolved into one of Jamaica's most powerful and passionate
voices in reggae and dance hall. From performing in his
early days at Black Hill to Titchfield High, to move
it to the reggae mecca of Portmore, where he rubbed
shoulders with icons like Frisco Kid, Mega Bontine and Terror Fabulous,
he has been on a mission to make his mark,
and trust me, he has done just that. After making
(00:48):
ways with collaborations alongside the legendary Egyptian on tracks like
Serious Times and Newborn, this man became a force to
be reckoned with.
Speaker 2 (00:57):
On stage.
Speaker 1 (00:58):
He's lit up the most iconic reggae shows like Steam
two thousand and six West Kingston Jamboree and followed the arrow,
solidifying his status as an energetic and unstoppable perform But
it doesn't stop there. He's a hit maker in the
studio too, produce it international anthems like African Queen and
Stop the Violence, all while working with top producers from
(01:20):
Switzerland to the UK. His upcoming release, Believe Mama, is
set to take the airwaves by storm, and trust me,
everyone's keeping their eyes on him for what's next. Beyond
his music, he's mentoring the next generation of Jamaican talent,
giving back to the community, and proving that reggae and
dance hall have no limits. So without further ado, let's
(01:43):
give a call to the one and only the brick.
Speaker 3 (02:02):
Mama.
Speaker 4 (02:02):
Nor were we coming to make everything cool?
Speaker 5 (02:04):
Miss by your baby goes and the swimming pool came music.
Speaker 4 (02:08):
Missing me in a swimming pool.
Speaker 2 (02:10):
You were the first.
Speaker 4 (02:11):
Teacher before they one same way in school, inner the street,
my carreer me are shore made. I don't feel living
a getting near but normal.
Speaker 6 (02:19):
If you treat you was sure or anytime you see
your mama may feel good.
Speaker 4 (02:25):
You are my queen Mama.
Speaker 7 (02:28):
You never leave Mama. Everything at each never at bridge,
maybe leave Mama.
Speaker 4 (02:36):
You are my queen.
Speaker 8 (02:37):
Mama. You never leave Mama.
Speaker 7 (02:41):
Everything at each never a bridge. You may believe Mama,
Mama may love your Norman is the put up of
your You are my queen.
Speaker 8 (02:54):
That's why me and a crown.
Speaker 7 (02:56):
You are see when no one else was around, Remember
when the market and when Ma are you mommy?
Speaker 4 (03:02):
And you're never frown always a people when you're down.
Speaker 6 (03:06):
Nine months and I believe it's a blessing mom from me.
Speaker 4 (03:09):
I'll tell you Ala, this is strong.
Speaker 5 (03:11):
Hey, one essentials are mixing this song.
Speaker 4 (03:14):
What a falling numbers? Mama, you is one.
Speaker 8 (03:18):
You are my queen.
Speaker 5 (03:19):
Mama.
Speaker 7 (03:21):
You never leave Mama. Everything a dieach, never yet reached.
Maybe believe Mama, you.
Speaker 8 (03:29):
Are my queen. Mama. You never leave Mama.
Speaker 7 (03:34):
Everything you diach, never yet bridge. You may believe.
Speaker 8 (03:38):
Mama, m.
Speaker 4 (03:50):
You are my queen.
Speaker 7 (03:51):
Mama, you never leave Mama. Everything a dieach, never yet reached.
Maybe believe I'm uh you want my queen.
Speaker 4 (04:02):
Mama. You never believe Mama, everything you teach.
Speaker 7 (04:08):
If I yet reach, believe Mama.
Speaker 3 (04:39):
Why I said by my ba my bob, Yes sir,
yes sir, this is a break.
Speaker 2 (04:46):
We got a break live on the radio with us today.
How you doing?
Speaker 5 (04:51):
You know from life, you know everything will come after
and I'm a forgetters of the almighty preserve in my life.
Speaker 9 (04:57):
You know, you know anything, I've a right you people
living and dying, you know, just weird up and you
know you don't know anything. Everything all right, you know, so.
Speaker 5 (05:07):
Everything said, everything ready to go right, you know what
Wednesday up on the stage Wednesday, so you know, everything.
Speaker 2 (05:14):
Said alright exactly. Man. I love that. I love the
way you get.
Speaker 1 (05:18):
You came in with the with the giving the blessings
to most high, to the job, and to just give
thanks for being up. Man, you're right, because uh it
is a wonderful day to be alive. And yeah, yes, sir,
listening to your music is it seems like your music
actually grabs that, like how beautiful.
Speaker 2 (05:38):
It's a beautiful time to be alive.
Speaker 5 (05:40):
Yeah, you know sometimes you know, really applied that you
know what you have and I have and that people
when when when they're even broken inside, you have to smile,
you know, man said so to bring all the audience
you don't know anything, go you afee feed the audience
(06:02):
with good, good substance, you know, and the substance of
music you know we as a you grower, you know,
the ghetto. But the thing more, you know, I'm port
and you know as a music we aly escape. So
we have put a smile Facebook. You know, music generated
income to.
Speaker 9 (06:22):
El can't put.
Speaker 10 (06:23):
Food table, you know, gift our work definitely, definitely And
like you said, like growing up in Fort More, Jamaica,
like there had to be something like a testament to
your existence on here on this earth.
Speaker 2 (06:40):
So like what was your earliest memory of falling in
love with music?
Speaker 9 (06:45):
My my early memory falling in love with music is like, you.
Speaker 5 (06:49):
Know, man, I grew up in that music and you
know music you know said every day every week, you
know said yeah, so we grew up listening to Shaba Rankin,
you know, Tero Fabulous, Megabant and Louis. You know, being
(07:11):
a man, I actually used to see my money and
buy the records, you know, Port Tony buy the records
and just to even care complet uncle so Clu and
our so own system and even even sometime when we
used to like all the road, we used to see
the money and and and punch the juke box, see
(07:34):
like our favorite sound you know, yeah yeah so.
Speaker 9 (07:38):
So so so we grew up in the music. We
grew up.
Speaker 5 (07:40):
Come see the music. I'm an uncluse who have son
and I'm the next uncle du box. So so I
saw the Tinger.
Speaker 9 (07:48):
Yeah that's so early. Yeah, that's yeah, yeah, yeah, that's
the early days.
Speaker 2 (07:54):
Yes, I know what you mean.
Speaker 1 (07:55):
Man, that's so early that these kids nowadays don't know
what it means to save up your money to go
hit the records.
Speaker 2 (08:02):
Though.
Speaker 9 (08:04):
No, no, no, no, they know that, said guy. Everything
is on YouTube.
Speaker 2 (08:08):
Right now, right right.
Speaker 1 (08:10):
So what was your experiences because I know that you
grew up singing in a church choir?
Speaker 2 (08:15):
Correct what church was that?
Speaker 5 (08:17):
Singing in the church choir? In orange By, Portland? They
past and in bredad Glen Church and used to go church.
And my grandmother grandmother used to attend the same church,
red A Glen Church and never miss a Sunday because
it was a nun for for for every kids.
Speaker 9 (08:34):
So does the kids have no ideas them don't go church.
Speaker 5 (08:36):
I'm not seeing no kids going to church, no ideas
at all, understand In her In the early stages, we
also just been able to go along sleep short sleep,
walking up shirt and say oh every Sunday we pursued
with once received them straight every Sunday you know a church.
Speaker 2 (08:55):
Mm oh yeah, exactly, And you're right.
Speaker 1 (08:58):
That just went with my wife the this past Sunday,
and I noticed that I was the youngest person in
there and I'm forty two years old.
Speaker 2 (09:06):
There was there was a couple of babies.
Speaker 1 (09:08):
Other than that, it was no nobody from the ages
of thirty twenty in the teen's none of that.
Speaker 2 (09:16):
So it is definitely getting none of.
Speaker 9 (09:18):
Them ever, right?
Speaker 11 (09:21):
Video video game member play video game you so, yep,
you know the real the real arcentic vibes I've got
in church and I it kind of feared out, you know.
Speaker 1 (09:34):
Yes it did, Yes, it did. Is that what helped
you get your standing in church? Was going being in
the choir?
Speaker 9 (09:42):
Yeah? I was in the choir church.
Speaker 1 (09:44):
Yeah okay, And oh wow, how did that shape your
like your musical foundation.
Speaker 5 (09:52):
Where the teach me to bow up the skill like
in the music you know you bought the skiller. You're
going down the skill me fast at you. You know,
you teach her the skill, the teacher like even though
when I record something, it teach you say, oh your
cares on one level, you have a flat you know
it teaches to go up the skill if your vocal
(10:14):
you understand, because even the same way Recard and I said,
be subluded when we talk guitar, see your girl woman like, oh,
I mean I sing it.
Speaker 9 (10:22):
So so you know, the tour and that then when
they left out of the tour and.
Speaker 5 (10:25):
Say, oh yeah wherever, I said, we had the money
s the tickets out there.
Speaker 9 (10:30):
So it's a different tourn you know. I say, teach
your to go up the skill, you.
Speaker 1 (10:34):
Understand, Okay, yeah, because I've always wanted to know how
to sing. I mean I was young and before I
hit puberty, I was able to hit them high notes.
Speaker 2 (10:46):
Didn't know what I was doing hit them high notes,
but I was.
Speaker 1 (10:49):
I used to hit the my notes, and then when
puberty came, it just shut all of that down. The
choir help you get through your puberty stage, you know,
and keep your vote and keep your vocals in that.
Speaker 9 (11:00):
Yeah.
Speaker 5 (11:00):
But and I really like some emphasized on the choir
alone because you have some Yama school. So remember from
school from from choir to school, and I used to
be at the choir, used to be at a choir
at school though you know, a so a church alone
and where you're at this primary and the secondary level.
Speaker 1 (11:23):
Okay, yeah, I did see that you used to perform
in concerts in school.
Speaker 5 (11:30):
Yeah yeah, yeah, yeah yeah, I used to perform concert
in school. Music.
Speaker 9 (11:35):
I'll write to my music.
Speaker 5 (11:36):
I does music mus study right, because if it was
the music might be I could be the prime Minister
of Jamaica.
Speaker 2 (11:43):
Yeah.
Speaker 1 (11:43):
And I see that you went to two different schools
where the two different schools of Titchfield High School and
Black Hill High School?
Speaker 2 (11:50):
Is that correct?
Speaker 5 (11:52):
Yeah? And then my start at my primary level that
harriagedly a primary toll. Okay, I never used to go
to I never used to go got to know basic
school because I was so brilliant, right and I just
jump right to primary school with the teaching from whom
from a big system.
Speaker 9 (12:09):
And my sister used to teach me for the table
table times when when when you come come from school
become a matter of fact.
Speaker 5 (12:16):
I never really have it faith send everybody at school
so too. Then me got the next day and I
used to like we used to like share the shoes
and we were it today my brother, we are tomorrow
and at school. Look, I will never really have have
it like that. You know, like the jummy accos, them
not picking them all go up. Now them have everything,
(12:39):
them have classs and them have air.
Speaker 9 (12:40):
Force when we're school and so forth.
Speaker 5 (12:42):
They never used to have that. We used wear some
shoes when we used to go to school. We have
I'm staying at the cool shep because there were and
at the sun burned up with food because to a
strictly robot, I understand.
Speaker 9 (12:56):
Oh yeah, yeah, little cheap the little cheap shoes.
Speaker 2 (12:59):
That hm, it's that humbleness that you grew up in.
Speaker 1 (13:03):
That this these two to see if you would have
had the video games back in the day, would you
say that? Could you say that you would have made
it to the level that you're at right now? You know,
because these do you know how these kids are stuck
in these games? You think they're missing out their potential.
Speaker 9 (13:18):
Em kids out the more brilliant done them.
Speaker 5 (13:21):
No, but but but but they don't really utilize the
knowledge of their mouths in in the world.
Speaker 9 (13:28):
Right. No.
Speaker 5 (13:29):
But we used to play games, you know, we used
to We ulsed to make gigs. We used to make
a thing name gigs.
Speaker 9 (13:34):
You know, a gig. Yeah, yeah, we also make gig.
We also make with one bat. We wulsed to make
with one bard. We also make with.
Speaker 5 (13:44):
I melt and melted, you know the car on top them.
If you're looking at your knee, you know, say twelve. Yeah,
we also make with one bard. We will make with
one bat. We willed to make with one games every
game we will to make. I understand, and I like said,
we also get gim by four.
Speaker 9 (14:01):
I didn't think that we are off.
Speaker 5 (14:03):
The creative or gims is no idea that you would
then play a football by them.
Speaker 9 (14:07):
Give sat physical.
Speaker 2 (14:10):
Right, you ain't lying there. It's like trying to get
these kids to go outside.
Speaker 1 (14:18):
It's like telling them they need to go to go
get a full time job at the age of twelve,
and it's like they don't want to do that. Oh man,
you brung up some good memories though, talking about making
up our own gigs and our own games and making
our own bats. And we used to make our own
basketball goals out of crates. Now people don't know about that.
Speaker 9 (14:39):
Yeah, all right, So no ideas that you have no
idea you Lizy, you know what I mean?
Speaker 5 (14:46):
I said, definitely really, I'm yeah, they really the poet,
the fighting poet, Like, well, we tell them the father
that us super market town. We used to bring quarkerut.
We used to let's from school just to go care
with coconut.
Speaker 9 (15:02):
Dang, you know them we're there.
Speaker 5 (15:04):
Yeah yeah father father used to go market and we
we are we have a go market like me. You know,
used to go market with him Friday night and Saturday night.
We also job coconut and our black box from Princess
Street all over Kingston. And I sailed at that years
like twelve and another and I said, yes, no, no
(15:26):
them kids know them kids that then grew up and
tell us that.
Speaker 9 (15:30):
Them want to pull the slides and and air force
one them wanted.
Speaker 5 (15:38):
And and I forgive them now that our school if
them not get the the nice back, then the back
them where we were a spray grown away. And yes
it made them not feel comfortable at our school. If
they're not the latest thing, then when when we used
to go to school and never I used to have
no but we us o carry with them and.
Speaker 2 (15:58):
Right, yeah exactly.
Speaker 1 (16:01):
Now it's funny because we used to have to carry
books in our book bag and in our arms, in
our hands.
Speaker 2 (16:08):
And stuff and walk home mouths. Now they don't yes,
now some of these kids.
Speaker 1 (16:15):
Some of these schools don't even allow the children to
take the books home to study.
Speaker 9 (16:22):
Of the kids the right one time we also get books.
We forget everybody a reader that they see him storable.
I am a boy, I am the my name is
raight right.
Speaker 3 (16:37):
Yeah.
Speaker 9 (16:39):
The girl, the fat girl, and the mango.
Speaker 2 (16:42):
Yeah, I think they got taken out of shot. It
was insensitive.
Speaker 9 (16:47):
What the mister rain right now?
Speaker 5 (16:54):
You know, yes, and grew up, pregnant, comes to YouTube
and everything that they don't.
Speaker 9 (16:59):
Even want TV again.
Speaker 5 (17:01):
Yeah, this is one TV in one place and unlike
three persons arown show.
Speaker 9 (17:06):
Mm hmm. If you're going one place right now, everybody
in them phone. So that's why the music so so fast,
you know fast, reach your ears so so rappy. A
man can do a song right now and then and in.
Speaker 5 (17:25):
The next two our song reach a million views alright,
the next hour, I understand, some reach a million people
years already.
Speaker 9 (17:34):
One time a man of do CD. One time a
man of put him some one.
Speaker 5 (17:38):
CD and walk up and and GI people CD. I
remember when Ian was doing his mixed CD. I was
the one who recorded some of the songs. I'm an engineer,
so I'm gonna try to do everything, try to do
graphics and.
Speaker 9 (17:53):
Try to engineer.
Speaker 5 (17:54):
I try to do I'm producing. I'm gonna try to
do to be a radio personality. I'm I'm a serious
radio personality and interview artist over over over half a
million artist already in the world firingland and and and
and and.
Speaker 9 (18:11):
Local interview them and and I may also promoted and keep.
Speaker 5 (18:17):
Shore every week. You understand so much I do the
grown work. You understan, I'm not stocking on one thing.
But when I say nobody, I watch TV again everything
your candles, get it by your phone right away, right
and yeah on your bank account.
Speaker 9 (18:38):
Just start grow up.
Speaker 5 (18:39):
If you have talent, your can of the right right
in front of your phone, the nice cheer and you
go Western money, gram margor and anyway our paper or
anything cash up or anything you understand right here, and
then you can.
Speaker 9 (18:56):
Go supermarket after you don't do what you're.
Speaker 2 (18:59):
Doing in front car for exactly that.
Speaker 1 (19:02):
That brought the hustle a little bit closer to home,
because you know, way back in the days you could
you have to wait months before you heard your song finished. Now,
like you say, they get on right there on YouTube
and they sell it right there from the phone.
Speaker 9 (19:18):
Mm hm.
Speaker 5 (19:18):
And if and if and if they print two hundred
copy of your song, two hundred copy of your song,
a two hundred copy of your sound's gonna be distributed to.
Speaker 9 (19:30):
England, America, Japan.
Speaker 5 (19:34):
You understand them, I go split it and say fifty
copy of go Japan, fifty at the Recado, USA, fifty
ago England.
Speaker 9 (19:44):
But no, a little the someone is started to multiply.
Speaker 2 (19:51):
Exactly exactly you hear you hear your phone.
Speaker 5 (19:56):
But then still yeah, well but then still at this
would would like artists would know how much happy in
him him doing how much money might get No, a
different thing.
Speaker 9 (20:09):
No, you can do a big sun on your own
receiving with yeah.
Speaker 2 (20:13):
And that's true. That is true.
Speaker 1 (20:17):
And we'll talk a little bit more about that as
soon as we come back from a word from one
of our sponsors. So, when you was able to net
with the icons like Frisco Kid and Megabartan and even
terror Fabulous, like, how did networking with them influence your
(20:38):
approach to music port More?
Speaker 5 (20:41):
And a I don't know what more exactly A music
and a lot of artists come come come from Portmore.
There might be in a bond there like even Ripe Scott,
I think, but port more.
Speaker 9 (20:55):
Is that is that is a plea swear.
Speaker 5 (20:57):
Artists saturated mean in like you know our latter art
is your with their studio and you will say look
and fire, pull up your journey p pull.
Speaker 9 (21:05):
Up the megaband doan pull up. Then you look as
Ricky General pull up. Then you look at the Admiral
Tibet pull up. Then you say Cabra pull up. Then
you see Basco makes pull up nis the II and
pull up. Then you see well.
Speaker 5 (21:18):
Color artists you know right, so satiated with a latter
art It's an artist live right, one live rundless.
Speaker 9 (21:26):
So and one just live right ron so.
Speaker 5 (21:29):
Our new ski built up and in by one horse
rounders so and you know so the adapt is it
will put.
Speaker 9 (21:35):
More so it was easy easy easy they put more.
Speaker 5 (21:41):
Ya go inner music like studio the day. Well that
schuldren is there, I understand of artist is there? You
know so you can't get to even work on your craft.
Speaker 1 (21:53):
And is there like how you was able to connect
with Gyptian for your song Serious Times and Newborn to
help launch both of your careers.
Speaker 5 (22:01):
New new band song new Ban is an underground song.
And I don't think he really is as yet. You
know those ic and Vice it's film about you.
Speaker 9 (22:07):
We never really know about the mixing and them the
from theom time. Because if I was, if I was.
Speaker 5 (22:15):
If it was no and Jip was like in the story,
I would record my songs and put it down. I understand, yeah,
and really that I thur that day.
Speaker 9 (22:25):
But but because she.
Speaker 5 (22:26):
Would, she would have sat the music like like a
marble playing with us every day with us, no say,
it's like a phone doing.
Speaker 9 (22:34):
It's like it's like every day thing.
Speaker 5 (22:36):
It's like I think, well, we're not really why we
have the business and all the music business part you
know has so.
Speaker 9 (22:44):
Jipsan no come across like he was there.
Speaker 5 (22:49):
I was doing like engineers Wang studio and he was
there singing Jack your song and see him every time
I'm come look for a girl and pinky Yeah it
is here thing animals but good advice.
Speaker 9 (23:02):
But you know we also run the program and all
that times of food.
Speaker 5 (23:05):
So when I did them my moneyed Phipps would I
says this Egyptian and I listened.
Speaker 9 (23:11):
To him, will never really be in no mind if
I'm still at that and I engaged in our conversation
with too may have access to the choli and going
at the school, and so any equipment that.
Speaker 5 (23:22):
Man tested micraphone audio check one check audio check one
three check check check audio check and check your fire
phone and I say, yo, yo, not have I read?
I think does communized and starting any even like nearly
even aurical physical confrontation kind I say, oh, you know what,
(23:43):
I'm wanna take my advice, you know, because two people
want to tell him say oh money, take advice and
carry sell it whatever.
Speaker 9 (23:51):
That was my intention.
Speaker 5 (23:52):
My intention was to make other people hearing, you know,
I said, so lessen know yeh from this, no indvice
with brother name is brother invites serious time.
Speaker 9 (24:05):
And then after that, no, you don't know. I was
his first road manager, so so you don't know.
Speaker 5 (24:11):
I have other people see talent because once him start
they own and people start here advice because of me,
other people I start calling, you know, and and start
run with him like you don't know who a v
with him and I see him box a couple of
years because I'm a na a vik like you me
and have a vehicle, so you don't know him. I
(24:33):
got old Marie, so I just know him start explores
the advice with flavor demand carrying the man. You know,
I mean, I said, and the first time if a
fly got fering with him Trinidad and to be a
passport burn up in the studio, so we never get
to fly. So you take me awhile before we get
my passport and the time the day over the world.
So I kind of set back, set my back, but
(24:54):
me get really going a serious time video. I was
the main actor long time. You know, so do they
acting in a serious time video? The part was a
pan connor you connor. I was the one who may
and jez Bee from.
Speaker 9 (25:15):
A time. Yeah, they tour with a.
Speaker 5 (25:17):
Panic Kanna, I will fight and then something I'm gonna
go away and come back and yeah come shoot up
the car. And I was the person name in the
confront physically never get shot, so I'll be innocent life,
you know, I said, you know it's a concept. Wow yeahman,
so yeah, wow, that's why the video, Yeah, that's why
(25:39):
the video gets bigger.
Speaker 9 (25:40):
You know.
Speaker 2 (25:41):
Yeah, I can just.
Speaker 9 (25:45):
Yeah man, so worldwide. Second?
Speaker 1 (25:48):
Oh wow, So now if I heard you correctly, you said,
not only are you an artist, but you you are
an engineer and you was a road manager.
Speaker 5 (25:57):
Yam middle, I mean me, I mean vice most I
in them in first, in first, mixed deep, like that
dash when I'm a little longer than you. Yeah, an
one student, all of them, all of them sang and
and it just goes straight pan CD them time that
(26:17):
you carry that vice street pan c D are straight,
Panda antigon I bias cassett Wow, bias cast a real quality.
Speaker 2 (26:28):
It's right. Wow.
Speaker 1 (26:30):
So is this with all this experiences that what gives
you the drive to mentor young talents such as by
your king and ut room yea one.
Speaker 5 (26:40):
I like the artists, my first man artists and creasy
and me my first one putting pirate card every time
and say, oh mama, you were the first man put
my pant CD mother, you know where were we. I'm
gonna like eat eat my food alone like rock and
the next man make him eat, isn't it? And I
(27:00):
like like cancel all my food like share you know.
So if mysiel like there is a big event alone
one go on the cho when my profile to one
go in at the crowd to one a video my
artists where I proform.
Speaker 9 (27:15):
I saw love of music but not for the artists,
and I really understand them, you.
Speaker 5 (27:18):
Like say if them and I one had them a
demand and and and and I'm doing this trend very recently.
Speaker 9 (27:28):
I perform over Junry and and when I art this
man academy and when I add.
Speaker 5 (27:34):
This Profram early before me, I write in front the
tage video and I'm putting one. I met about three
hundred people in my life. I watched so some I
said I was I was the one who who in
front of this teach and video him. So yes, when
my time off a Profram, I see all the man
(27:58):
in the crowd and chatting at the life, and all
of them even not really give me the strained likes
tough them.
Speaker 9 (28:09):
Think both it then't think bore life. I fee themselves.
Speaker 5 (28:13):
They don't think both for sheer right, just like even
even the artists them no artists wasn't about them free
if the artists but do it because them feel like
the next artist or get bigger foul than the next.
And nobody nagata about them the next month and the
magata about the next artist for unknown you get scar
that because what is mine is mine and what is
(28:35):
is the next man the next month? Right, and my style,
my style different and all that's right exactly.
Speaker 1 (28:44):
It's like you said, it's plenty of food on the
table for everybody to eat, and like you say, whatever
it's yours is yours and whatever the next.
Speaker 2 (28:51):
Person is the next person.
Speaker 1 (28:53):
Is this the same type of advice that you give
to the young artists that you mentor about how to
navigate the music industry?
Speaker 9 (29:00):
Yeah? About them? Now that your look can't find the
cant find the can't find an artists who artist right,
You can't find that because.
Speaker 5 (29:11):
It's tough, even even for even a show. Other artists
gure evil, highlight themselves, your your your your it's rough.
Speaker 2 (29:24):
Yeah, you're right about it.
Speaker 9 (29:26):
It's rough. It's rough. Nobody now gonna do that. No
ideas you understand.
Speaker 5 (29:32):
If I if your best friend to keep on show,
you have to fight to gopany right now.
Speaker 9 (29:38):
Put your money now, put your bon it. You know,
as about me and have open mine at all times.
Speaker 5 (29:45):
They welcome any talent at all times because massive artists,
they're all boss already, you know Messae e Gyptian boss
let me say the boss cartel bos Row let me
see I have t and boss Row, let me say
boom where I my mixed cartels. Some of them are
me build the shaudio a shure, jump the equipment and
(30:06):
my entry and pant one of the biggest producer right
now and me send me o them come my bridge
in bos and An says said, Yo, you know, says
I said, and I look anyone at the room.
Speaker 9 (30:19):
Then selling me the equipment and send them out next week,
I'm gonna say.
Speaker 5 (30:23):
And then red book that I recardery understand and me
and me had that equipment them and tree and right
all right, and one of the biggest engineer in a
superposed to mix every every car, all of them. Some
supposed to me. If I mixed, I would him mix
most cartails on them. And if you notice cartails something
(30:46):
mixed different.
Speaker 1 (30:47):
Yeah, you're right, because I was listening to the US.
You actually have a song with Vibes Cartel. I think
I seen the video.
Speaker 2 (30:55):
Is that correct?
Speaker 9 (30:56):
Yeah? I might never Yeah, I did make video with
Vibes Cartail.
Speaker 5 (31:02):
I did a lot of songs for I did a
lot of songs for Cattail, but he never released them.
In at the time, the YouTube wasn't so prevalent, and
you know, it was like industry.
Speaker 9 (31:11):
It was like, I can't see these.
Speaker 5 (31:14):
It was supposed to device at least one civil songs
for Vibes Cartil when we were in Ireland. That's Medicine platinum,
five of five.
Speaker 2 (31:24):
You know one go wow? Where do you think?
Speaker 9 (31:27):
It was?
Speaker 5 (31:28):
Long long before Shan's Tam and Black Rhino and Popcorn
and long before that.
Speaker 2 (31:33):
Right, and now that the Vibes Cartail is out, do
you see yourself? Do you see these? This music coming
out from behind the undergrass in.
Speaker 9 (31:42):
Well, Vibes Cartiland?
Speaker 5 (31:43):
You know, because I sat an r N name in
I think in Maroon v MP my West Sportsland iron
less he's supposed to be competing with as and Mariva.
So Portland soon see the vibes reason Oh yes, from.
Speaker 9 (32:11):
The man, I'm going a serious reasoning that we always
reason rhyme.
Speaker 5 (32:16):
Yeah, they look at rhyming matters to your family a
long time, from school, everything matter. Raymie Man said, yeah,
I'm gonna make people laugh at all times. So you
don't know, linkop Man name my linkop A. Portland soon
(32:37):
are somewhere and am I gonna says that?
Speaker 9 (32:39):
Great?
Speaker 5 (32:40):
Yeah, baby sitting because we had the realists, realist one
of the cleanest you not more in a dialogue.
Speaker 2 (32:49):
That fact spitting that game. I hear you, boy, I
hear you.
Speaker 1 (32:53):
That's if your music sounds anything like your game you've
been spitting on as mic over here. We want to
hear it as soon as it's released, So you gotta
definitely keep us in tune with that.
Speaker 9 (33:06):
Yeah.
Speaker 5 (33:07):
But as saying, no, the next someone, I got better
than the the someone what I said, because even my
all my previous songs that you know, the engineer them,
I fight me, you know, I know me.
Speaker 9 (33:20):
I go in a one studio or with the engineer.
Speaker 5 (33:22):
I work with me and decide whys me I work
with me an the engineer, I fight me, right, someone,
I said the engineer, I fight me.
Speaker 9 (33:31):
No, I'm doing a double track because they have a
young baby in the school.
Speaker 5 (33:36):
The next work I have lived bandel black, so in Mafia,
attend to your young baby. Mafia, I look food and
advise me the some time. So at the end, at
the end of the day, not putting the energy way
the energy woman, I really want to putting at the
sound when I said the sound was so good because
they're reading bad and the things that a massive and
they really my everything.
Speaker 9 (33:55):
But it could be better if the engineer was liked
f Kelly.
Speaker 2 (33:59):
The right, I can understand that, you know.
Speaker 5 (34:05):
If yeah, if they if the engineer was like Steve McGregor,
the song would have been the song would have better.
Speaker 9 (34:12):
So so so it comes like we are we are
engineer who sound wealthy I mean engineer, I.
Speaker 5 (34:18):
Mean I mean advice myself, ye, understanding something and wealthy
I mean advised myself.
Speaker 9 (34:25):
Right yeah, now friend story, friend friend story.
Speaker 5 (34:29):
Now me getical help from you. But if not really
not engineering as an artist as well, so most some
I sung them to. You know, I'm the engineered and
my artists as well enough, so of might sung them
in a yeah, the engineer does my artist frame. But
I never really work us work with me at that
engineer producer where where?
Speaker 9 (34:51):
What? Where?
Speaker 5 (34:51):
I work with me, And even no matter about the
time when we had got spend in that this two
wyll just forget the thing right right.
Speaker 2 (34:59):
It's exactly exactly.
Speaker 9 (35:02):
So ill him, so ill of him think there's that thing.
Speaker 5 (35:05):
Three of three of them meet that engineer with I
work with Sabric directly, Sabric, no matter what if we say, hey.
Speaker 9 (35:13):
Him with it, and that I read him with it.
You know what they gonna say after that, No, and
tomorrow M come with something. No. It is a hard fight.
Speaker 1 (35:29):
I believe you now with your latest release, believe mama,
since it's making ways right now, did you have to
have those same experiences in the studio with the engineers?
Speaker 9 (35:40):
Let me tell her this tour, Let me telling this
story about that.
Speaker 5 (35:43):
No, all right as a sealic because you know, I
played the music like like Charlie Blackson to and fire Links,
all of them names of macau.
Speaker 9 (35:56):
They both have songs.
Speaker 5 (35:57):
They all have songs, and you know as a have
songs or it sounds filing Sava songs song Charlie Black
Sam It's so all right.
Speaker 9 (36:07):
So I might select slash artists, but artists is mighty.
Is mighty? What may do?
Speaker 5 (36:12):
Like mcam play music and we can't play instrument and
can't play you understand me, can't do any liquid thing
and other music?
Speaker 9 (36:20):
All right, So when we get the riddying from Street
Si snow in my email, we get the riding song
from Brahms, you and Brams.
Speaker 5 (36:30):
Ellist in the song. But manever, I really like this song.
Speaker 9 (36:33):
You know, because they must sub me on this song.
Boar dyke like I might say, oh, some girl a dyke,
and the and very man say oh when have we
go that to another song? Good?
Speaker 5 (36:44):
Listen read and ready good, but never to read the
sound still, you know, but the song is a good song.
We proplay it still and for food it's soundly and
I'm sorry, so let me get this song and the
riding the riddim rack be not produce that I'm sending
riadom to when I'm sending sound. So me, I listen,
(37:05):
they ready my me. They really talk to me, like
at the front part of the readym its. It like
like alicle advice. I said, I'm only eighteen and.
Speaker 9 (37:13):
I'm feel like I'm dying. I mean, I say what
I mean by I'm only eighteen, I'm feel like I'm dying.
Speaker 5 (37:20):
So I said to myself, I'm most pregnant, ship the
most pregnant allman pregnant.
Speaker 9 (37:25):
And then I eighteen and and and I feel like
I'm dying. So I must be a mama son with
foot readim.
Speaker 5 (37:31):
So they have alical idea thet when I lie studio,
they bred m K one essentially see the punch line
in my engineer as flash artists toward my lecle stood
on my place.
Speaker 9 (37:44):
I write that my guys would have a k one
you know, you know.
Speaker 5 (37:51):
Iver reading my more advice fan, he must say, oh,
you know, say journal and I like that reallymainder in
a song the Reminder and a son goods away, I said,
but you too, my persistent.
Speaker 9 (38:04):
In them in my music, and sometimes my art is
as missaying that in a pre my previous conversation.
Speaker 5 (38:10):
No artist not why I reach certain goals and answer
forward for them, says certain things. Way break your vibes,
you know, say about nobody can break my wife, so
easy come you know all them still out there, so
still first you and tell him say, I'm going to
show them, not to someone they reading the reading. Nobody
not said someone, look what never do to the reading.
(38:31):
So I'm going to chew and record the first four bars, Mama, No,
we're recoding to make everything cools.
Speaker 9 (38:39):
Yea.
Speaker 5 (38:39):
He goes with the swimming pool and music missing me
in a swimming pool.
Speaker 9 (38:43):
You are the first each other before the ones that
were in schools up and go come over.
Speaker 5 (38:50):
But Canna Snea and I can't reading the booms and
vice the next four bars and it's a song because
Sue pan reading, but you don't know as.
Speaker 9 (39:04):
As a musician. May I said, Mama sang, I sing
something after I'm gonna coming to such a bad verse.
People can sing something, so it is a singer.
Speaker 5 (39:14):
So that's like my mama tells me aything nobody nine
or all good, but make it so good now kind
of walk and piano so active.
Speaker 9 (39:23):
So they tell him, say, yo, yo, what you know.
Speaker 5 (39:27):
I put the punch line pan more something like you
are my queen, Mama, your cares and yo, don't sing
that parm You never leave Mama.
Speaker 9 (39:37):
You can't just sing some something like that.
Speaker 5 (39:40):
And I saying so the name going nice to them,
do the punchline and then go back in the second verse,
I'll fix it and will become my son. So may
I get a big piece of fight. But tuber persistent
coming on the goal.
Speaker 9 (39:51):
You know, wish more. I reach in life and know
the people, but my enomenos and.
Speaker 5 (39:56):
People like h me deliver up put more. I mean,
just come up Portland. There is an artists them where.
Speaker 9 (40:04):
They have put a long time when I do nothing
and and and and rock ethics, the ethics. The we
are below zero.
Speaker 5 (40:13):
I understand ye were our hundred past to about a million.
I understand the eyes by a great.
Speaker 9 (40:22):
Man reach and kept attained by a sudden flight when asleep.
So it's like, don't know why I reached.
Speaker 5 (40:27):
No, don't know why you're pasted them because them, I said,
they are long time I strougle, and you would as farwards.
Speaker 9 (40:33):
So then would I do any liqual things for whatever Yemen?
So as man, I said, young man, it was a
struggle with the mama sagon. I struggles, struggles, struggle.
Speaker 5 (40:43):
Stuggle and and even when my round to be things
and they are much of the players with it and
play yvary decision this breand never put up an mph.
Yet the singer never put up an mph. Understanding nim
never promoted, never promoted, even when they're even when a
man name for performers found even even study the fun
(41:05):
I mean.
Speaker 9 (41:05):
I hear, I remind him the points line. Oh it's really.
Speaker 5 (41:09):
Got so even not really believe I understand, oh wow,
and okay, everything everything that put promise starts up to
the d and watch see them we because at the
end of the year, people, I really want to see
people strive in that I don't know why become see
everybody go oh yeah, when I hear a time when God.
Speaker 9 (41:32):
Said I your time, your time, God on time. Yeah,
man's that struggle, Yeah, it is.
Speaker 2 (41:39):
I see.
Speaker 1 (41:39):
That's the that's the controversy that you have to face
in this industry because you would think that when it
comes to music, it would be just nothing but love
and peace. But since this is the industry, it's all
corporate now, people are they're keeping each other down just
to try to make a book when we can all
(42:00):
the same amount of money no matter what.
Speaker 2 (42:04):
And I know I understand your struggle completely with that.
Speaker 5 (42:09):
Uh.
Speaker 1 (42:10):
There's been plenty of times where when I was an artist,
I had art or music that was well. I worked
with the person who was going to promote the music
for it, they just put it on the back burner,
and it's like wow, So you have to come out
with it yourself. And then when you try, when you
come out with it yourself and you're pushing it to
hear they and it's getting successful.
Speaker 2 (42:30):
Here they come trying to jump back on the bandwagon.
Speaker 9 (42:35):
Yeah that yeah, that is it.
Speaker 5 (42:37):
Asimon block them, I delete them on time my life
because the glory right exactly.
Speaker 1 (42:46):
Not as someone who is actually sometimes nohead go ahead.
I'm sorry, I'm mean to catch off.
Speaker 9 (42:55):
No, no, man, that listen to you or whatever?
Speaker 1 (42:58):
Oh yeah, yeah, I was gonna say when the As
someone that's deeply embedded in Jamaica's music scene, have you
heard about the current situation at Bob Marley's Beach where
the community has protest the privatization of public land that
holds so much cultural significance, And if so, what are
your thoughts on it?
Speaker 9 (43:21):
You know, I never really you know what Bob Marley
needs to memos dance scene, not the reggae scene.
Speaker 5 (43:29):
Anything I do with Chronics and Bob Marley and proto
the the reggae industry, and I really, fellow, I understand
many of them when I really followed the reggae industry
so much, you know, a love of the richest spices
them and from them. But you understand to me, the
reggae industry kind of jump. So, man, I really follow
(43:52):
the reggae industry, understand because I dance and chop music. Jam,
I know, tell the true Really reggae really are coming true.
We have only artists. You know, you have Leli he
had and the all of them were about them, not
really you understand them, I really reggae again, regard the
(44:14):
last lea.
Speaker 9 (44:16):
As she am a massacre. Mm hmm, got understand.
Speaker 5 (44:22):
Oh yeah, So at the end of the day they
are men too. You are not to feature the the
reggae industry. I mean I really know what the other
side tell her. So you don't know about if you
ask me something more to dance coming dancer mix and
then something mixed CD put up on YouTube something all
(44:43):
the dancer something asking about Edd g askboard board board,
Roger Wilder and the mute can't tell about.
Speaker 9 (44:56):
Maid. Yeah, but I don't know about the reggae industry.
Got you for real? Yeah?
Speaker 5 (45:03):
I know about the Bob Marley Beach. Sitting the table,
knowing about the Bob Marley movie come out. Everybody was
talking about it. What they do it was a ninety attack,
meaning when it was a ninety attack and jommya, people
don't go tak about it until it does.
Speaker 2 (45:16):
See that weir right right, well, right now they're talking
about nobody.
Speaker 1 (45:22):
Well, right now they're talking about closing the Bob Marley
Beach and bulldozing it down and making it to where
it's a private beach, to where the Jamaicans won't be
able to go on that beach anymore.
Speaker 5 (45:35):
Okay, Well, well if then if if them see that
that it can generate revenue, generate tourists like tourists at
Jack right, Well them do it, But I have no
people use the beach.
Speaker 9 (45:51):
Yeah, but put no people that business where you use
the beach?
Speaker 1 (45:56):
Right, And we'll talk a little bit more about that
as soon as we come back from a word from
one of our sponsors. Now, Jamaica has always been a
strong cultural force worldwide, and the music that comes out
the island has played a major role in that. In
today's global music landscape, how do you see your music
(46:17):
evolving and where do you see.
Speaker 2 (46:20):
Yourself in like the next ten years? Okay, oh yes, sir,
with Jamaica, it.
Speaker 1 (46:29):
Has been a strong cultural force worldwide and your music
has played a major role in that. Now, in today's
global music landscape, how do you see your music evolving
and where do you see your music fitting in there
in the next ten years?
Speaker 9 (46:45):
Well, I don't like music, you know, any music with you? Right,
No gambler gamplay next ten years.
Speaker 5 (46:52):
Even the Mama Soum Unsupported, unsupported friends friends story, all
of them sung the you can't play next ten years.
But you see, because when I really have the resources
in a Jamaica to do the right thing, like like right, no,
(47:14):
we're not encompassibly.
Speaker 9 (47:15):
We know the big company are coming and said I'm
going to shoot this video for you ten toes in
the US ten toes in the.
Speaker 5 (47:23):
US dollar cars and big came around them suthing like
jumping in my tone and you're not giving delical vibes.
Speaker 9 (47:31):
And so we have those keeper pushing it because remember
you know.
Speaker 5 (47:36):
Shanstams with cartail and the Gaza and people then say, yeah,
Shan Stap, you are bad lyrically. But still when I
really check your views but sound them, you know, really
no flight or a vibes because I'm just normal. And
(47:56):
so at the end of the day, you have to
do some different things different the music.
Speaker 9 (48:01):
Forget the highlight.
Speaker 5 (48:03):
You understand you have a bat of the forget the
highlight and music. I understand you have a true year
data win that like Ninja. Forget the highlight. You have
a man past is like Ninja highlight. You know there's that,
you have a bleacher fears. Get the gigs who apply,
(48:25):
I'll forget the highlight and know the music alone, I
get highlights, social media coming player.
Speaker 9 (48:29):
You know you have to do something. You have forget
one wife and the internet too and people dark and
I say, oh she know video she another one fe
and and you know coming come in and you know
create create creator boss.
Speaker 3 (48:46):
Yeah.
Speaker 2 (48:47):
Everybody likes to take music.
Speaker 5 (48:50):
Yeah, the music, the music and the music like one
time when people are like authentic sounds and you know,
lyrics again because the artist we have authentic songs and
lyrics and I going, no, we're I'm gonna chap and
I'm gonna do chop chopping, like chopping animal bag of
money because in its chaper company line and him or
(49:14):
whatever and the bag of money. So when I'm going
at the dancer and Campia did this jacking them for
playing sound and you know their talent nor where we
are nurture over the years and I have bigger selected
for players and I dance and the.
Speaker 9 (49:28):
Money play music and the music and am still m M.
Speaker 5 (49:34):
That's good and like one time music and so we
do it and Abrica love it. Still tell you everybody
were used to do the music with me, They're not
doing no more. They have some medicine, all them them,
all they used to do the music with me. I
understand them, not do it no more. Then you understand them,
(49:54):
you know, yeah them, they them not really have nothing
because and then I do music because I you know,
oh yeah, but me do me the music becoming. My
dream is is the owner a big song system and
(50:15):
a studio, and my dream is fake even company iTunes
start a couple of times and I have some big
sunger players over there, and Moab a stage performer like
go ahead, that's an elephant, and then steage and and
(50:37):
some climb up and you know them energetic tribes and
create something a dancer you understand nance from from from
from the being the man and the elephant and them,
and they kill.
Speaker 9 (50:52):
You know, all the day and at the game to
even drop the button.
Speaker 5 (50:57):
But when I drop the button, I mean I actually
in the Yeah, I'm pushing music right to come and
love it.
Speaker 9 (51:05):
As I said, not for you, then unite with me.
They're not ignite no more.
Speaker 5 (51:10):
Do them stop them, do something them to So starts
real good some areas.
Speaker 9 (51:16):
You know I said, But my my thing of music
right you like at night Joe, mm hmm.
Speaker 2 (51:24):
So you're planning on being here for a while that's
what I like to hear.
Speaker 5 (51:28):
Ye Meddy and and and and even even my dad
that she even does music too.
Speaker 9 (51:35):
What do you shoot a video for a couple of
years ago?
Speaker 5 (51:38):
And I know she'll go college and as she loved
the music, she can write see because of me, you know,
I mean you say I do the music growing up,
so you know.
Speaker 9 (51:50):
May really influence a lot of people to they have music.
Speaker 5 (51:54):
And and bring them career to the forefront and make
no artists play for really we might not get interview,
I understand.
Speaker 2 (52:03):
Oh yeah him, I think.
Speaker 1 (52:06):
See and watching what you've already achieved in your career
right now and hearing how you want to continue to
achieve more over the next few years is inspiring to
say the least, you know.
Speaker 2 (52:19):
But like, tell us something about the short term. Where
can we expect?
Speaker 1 (52:25):
You just dropped the new record with Believe Mama, But
what can we expect either new music or collaborations in
the new near future.
Speaker 5 (52:37):
Well expect a production from you by your side music
because anytime no McCann startling one reading one produce one albums.
Speaker 9 (52:48):
I'm at one epis and had an.
Speaker 5 (52:50):
Artist by the artistic understand lie the lie on one
because you know.
Speaker 9 (52:56):
Artists in this time, I really lie, I don't know
ones and over is it it? So?
Speaker 5 (53:04):
And trivy bill a label and Drive announced the Skuyvice
libel though by putting my vocals and some somebody reading
and so look out for something become more so the
(53:24):
ladies coming the one to Mama. I made one for
the talk them, so look out fear new song when
I lead them a certain type.
Speaker 9 (53:34):
Of way with a love song. So my one time
I read on the same time advice the.
Speaker 5 (53:40):
Way They'm I saying, may I have for scrappy because
the producer was worthy of getting that song. So I
made us scrappy right wing tune in yeah enough singing
that sounds so at the end of the day, if
if IF, if I, if I, if I put wan
(54:00):
a EP with me right, No, we can't make him
are over one hundred songs we sung him on Joe
So I'm pre released songs you know I'm a right song,
Squeak too and the ready.
Speaker 1 (54:12):
Oh ready, okay shoot were ready for we We're gonna
be on pins and needles waiting for that right there.
Speaker 2 (54:19):
So make sure that you let us know.
Speaker 5 (54:22):
Some I did three four some idea it's right when
their own vibes you know, that's why you see evil,
even even when Carl come Year, even even Alkaline released
two songs in Speed in the week already because he's
an inspiration shot and.
Speaker 9 (54:42):
Sad when their own vibe cartels right. Somebody and a
brill never closed our part, not because it was like
a GI because you know, mans I might teach a principles.
So you know they didn't go to work together, Gaza,
I understand.
Speaker 5 (54:59):
I mean a sevent time and I said, I'll go
to say our music middle you know what I said, Yeah, yes.
Speaker 2 (55:08):
That's what I'm talking about.
Speaker 1 (55:09):
Well, it has been a wonderful conversation chopping it up
with you for this past hour.
Speaker 2 (55:15):
It's been I've gotten so much.
Speaker 1 (55:17):
Insight into who you is, a brick, and I just
want to say, man, continue making this music the way
you're making it. Is there any shout out to anybody
that you want to mention and give their props to
before we hang up?
Speaker 2 (55:35):
And that's why.
Speaker 9 (55:41):
Big a Viuele I don't know they can And I
really catching.
Speaker 2 (55:48):
Oh yes, mister Eve with Boss Radio. So mister E
with Boss Radio.
Speaker 9 (55:56):
I edit this part, mister yes, mister Biggert, mister Bars Radio.
Speaker 5 (56:02):
You know the thing, mister E, Bars Radio members is
not no particular hungry and cross radio at the Bars Radio.
Speaker 9 (56:11):
It's like it's like getting champion are the Flowers Radio?
You know? I like, you know anything bigger, mister E. Everything,
mister E.
Speaker 5 (56:24):
When the mister not empty and a gas down tablet
were empty, mister E understand easy.
Speaker 9 (56:33):
Mister E can be easy and he can even can
be even.
Speaker 5 (56:42):
Remember that the dancer principal that Andrew original partial at
the Dancer principal member that a school car full file
Bars Radio, mister E.
Speaker 9 (56:56):
You know the thing you know, flowing like the sea.
Speaker 2 (57:01):
Boss. Yes, sir man, that's talent right there.
Speaker 1 (57:06):
Boy, y'all better put a pen in that right there,
because y'all gonna hear y'all gonna be here in that
old bit over right there.
Speaker 2 (57:12):
But that's fire.
Speaker 9 (57:20):
Freestyle freestyling, Yes.
Speaker 2 (57:22):
Off the top of the head, and that's what that's
how you know you got your talent intact?
Speaker 5 (57:28):
Yeah, as miss as missing my well, I think that
my natural thing, you know natural natural things. Yes, when
I really when I really reach read it the milestone
or with reach it and other music because maybe we
take it when I really take it to our business
level too much.
Speaker 9 (57:45):
Yes, I am right now, you know, and.
Speaker 5 (57:50):
The music over twenty years, I swear, and then a
song about iTunes and everywhere and and and I need us,
I don't mean music for coming on and what they.
Speaker 9 (58:01):
Did them everything. You know why I told you really
let us do the growing work right now? Say is it? Yes, sir,
I say you know what we have light to see.
Speaker 2 (58:13):
Y'all agree already, you already know what it is.
Speaker 1 (58:18):
This is your boy's a break represent and port more
Jamaica in the building.
Speaker 2 (58:23):
You already heard that, Believe mama. We got a couple
of more jams from coming up in just a moment.
Speaker 1 (58:29):
But we just want to say thank you once again
because you have made this a fantastic show. We can't
wait to get this out to the people so that
the people can know ise know more about who you
are and who the man behind the music is. And
thank you once again for joining us.
Speaker 5 (58:48):
Yeah, I'm gonna try to show the sky because fire
sad music, understand and all I'm gonna finds them all.
Speaker 9 (58:55):
I'm gonna support as them let us well.
Speaker 5 (58:57):
I'll keep on a finger scrossed because you don't know,
just like the real name the bus crass, so you
don't know. We're so meant of our flass. Yeah, I'm
gonna say the people can find the plant tictack zabricam
one panictok, fireside zabric featful. You know, I know, girl,
(59:19):
I know in the face so you don't know. Instagram
read Abrica and a score bam and for YouTube fireside tavy.
You know we be crappyrinside principal original.
Speaker 2 (59:36):
I'm out, Yes, sir, check that description.
Speaker 1 (59:40):
Link up with the break on your favorite streaming service,
on your favorite social media app. Reach out to you, boy,
it's going down. Break our will with this baby out.
Speaker 9 (59:53):
Yeah.
Speaker 5 (59:53):
I said, I'm just.
Speaker 4 (59:55):
A friend, you know, matter what you do.
Speaker 6 (59:58):
Then he's like, I never do nothing at that. All
other things were made for your friends to friends. But
I can see them still a ba see your friend
and then we killer Fia nine and rare brien.
Speaker 4 (01:00:13):
Do you see your friend? What you read with their
march to pamp friend? You want to see this like vietness.
Speaker 6 (01:00:22):
A train friend your they find a charge and then
why would be friend me or big bichos past them
me a bit hi archos good by to go about
my business may not just friends from the lived with
believed printing and the joke thing and a Disneys. I'm
just asking a guy that their mama weakness Norman's put
(01:00:44):
them friends for it is yo, laugh, but what is daen?
Speaker 4 (01:00:51):
Then we killer fia nine and friend, you see your friend?
What you read with the march to pamp? Friend do
you want to see? It is like fear? Each friend
your boot left on a charge and then why you
beat him? Safriend to take.
Speaker 9 (01:01:09):
Your partner ruled?
Speaker 4 (01:01:10):
But your never wonder. So if you're up a dream, brother, yo,
either you better watch your food and then with you adviser,
tell you fire your side.
Speaker 6 (01:01:17):
Do them Liza, they want your carf driver them have
the liser doat one time and it's like a cider
you know when they blow Jesus on the twelfth disciple
tell them more so.
Speaker 5 (01:01:28):
You know what I know?
Speaker 4 (01:01:32):
Then we kill a fia nine round. Then friend, you
see your bread? What you eat the pumpleen? When do
you want to see?
Speaker 8 (01:01:42):
It is like fears?
Speaker 4 (01:01:43):
Train your friend lefind a charge and then why.
Speaker 2 (01:01:48):
You beat him? Trouble trouble, we can afford to fall
all watch them.
Speaker 9 (01:02:03):
What's what's watch that be?
Speaker 4 (01:02:07):
A far from far from from here, far from the
far from the walk a mile walk, a lower hallower,
spend some time with you, say you say, you know.
Lead after the man of the man of flower m
hm
Ladies and gentlemen, reggae lovers from around the world, It's
time to tune in, turn up and zone out Boss
Radio's Reggae Hour Zone. Tonight, we have a true dance
all Dynamo in the building, a man whose journey from
the heels of Portland to the global reggae stage has
been nothing short of incredible. Born with a deep love
for music that started in the church choirs of Windsor Castle,
(00:25):
He's evolved into one of Jamaica's most powerful and passionate
voices in reggae and dance hall. From performing in his
early days at Black Hill to Titchfield High, to move
it to the reggae mecca of Portmore, where he rubbed
shoulders with icons like Frisco Kid, Mega Bontine and Terror Fabulous,
he has been on a mission to make his mark,
and trust me, he has done just that. After making
(00:48):
ways with collaborations alongside the legendary Egyptian on tracks like
Serious Times and Newborn, this man became a force to
be reckoned with.
Speaker 2 (00:57):
On stage.
Speaker 1 (00:58):
He's lit up the most iconic reggae shows like Steam
two thousand and six West Kingston Jamboree and followed the arrow,
solidifying his status as an energetic and unstoppable perform But
it doesn't stop there. He's a hit maker in the
studio too, produce it international anthems like African Queen and
Stop the Violence, all while working with top producers from
(01:20):
Switzerland to the UK. His upcoming release, Believe Mama, is
set to take the airwaves by storm, and trust me,
everyone's keeping their eyes on him for what's next. Beyond
his music, he's mentoring the next generation of Jamaican talent,
giving back to the community, and proving that reggae and
dance hall have no limits. So without further ado, let's
(01:43):
give a call to the one and only the brick.
Speaker 3 (02:02):
Mama.
Speaker 4 (02:02):
Nor were we coming to make everything cool?
Speaker 5 (02:04):
Miss by your baby goes and the swimming pool came music.
Speaker 4 (02:08):
Missing me in a swimming pool.
Speaker 2 (02:10):
You were the first.
Speaker 4 (02:11):
Teacher before they one same way in school, inner the street,
my carreer me are shore made. I don't feel living
a getting near but normal.
Speaker 6 (02:19):
If you treat you was sure or anytime you see
your mama may feel good.
Speaker 4 (02:25):
You are my queen Mama.
Speaker 7 (02:28):
You never leave Mama. Everything at each never at bridge,
maybe leave Mama.
Speaker 4 (02:36):
You are my queen.
Speaker 8 (02:37):
Mama. You never leave Mama.
Speaker 7 (02:41):
Everything at each never a bridge. You may believe Mama,
Mama may love your Norman is the put up of
your You are my queen.
Speaker 8 (02:54):
That's why me and a crown.
Speaker 7 (02:56):
You are see when no one else was around, Remember
when the market and when Ma are you mommy?
Speaker 4 (03:02):
And you're never frown always a people when you're down.
Speaker 6 (03:06):
Nine months and I believe it's a blessing mom from me.
Speaker 4 (03:09):
I'll tell you Ala, this is strong.
Speaker 5 (03:11):
Hey, one essentials are mixing this song.
Speaker 4 (03:14):
What a falling numbers? Mama, you is one.
Speaker 8 (03:18):
You are my queen.
Speaker 5 (03:19):
Mama.
Speaker 7 (03:21):
You never leave Mama. Everything a dieach, never yet reached.
Maybe believe Mama, you.
Speaker 8 (03:29):
Are my queen. Mama. You never leave Mama.
Speaker 7 (03:34):
Everything you diach, never yet bridge. You may believe.
Speaker 8 (03:38):
Mama, m.
Speaker 4 (03:50):
You are my queen.
Speaker 7 (03:51):
Mama, you never leave Mama. Everything a dieach, never yet reached.
Maybe believe I'm uh you want my queen.
Speaker 4 (04:02):
Mama. You never believe Mama, everything you teach.
Speaker 7 (04:08):
If I yet reach, believe Mama.
Speaker 3 (04:39):
Why I said by my ba my bob, Yes sir,
yes sir, this is a break.
Speaker 2 (04:46):
We got a break live on the radio with us today.
How you doing?
Speaker 5 (04:51):
You know from life, you know everything will come after
and I'm a forgetters of the almighty preserve in my life.
Speaker 9 (04:57):
You know, you know anything, I've a right you people
living and dying, you know, just weird up and you
know you don't know anything. Everything all right, you know, so.
Speaker 5 (05:07):
Everything said, everything ready to go right, you know what
Wednesday up on the stage Wednesday, so you know, everything.
Speaker 2 (05:14):
Said alright exactly. Man. I love that. I love the
way you get.
Speaker 1 (05:18):
You came in with the with the giving the blessings
to most high, to the job, and to just give
thanks for being up. Man, you're right, because uh it
is a wonderful day to be alive. And yeah, yes, sir,
listening to your music is it seems like your music
actually grabs that, like how beautiful.
Speaker 2 (05:38):
It's a beautiful time to be alive.
Speaker 5 (05:40):
Yeah, you know sometimes you know, really applied that you
know what you have and I have and that people
when when when they're even broken inside, you have to smile,
you know, man said so to bring all the audience
you don't know anything, go you afee feed the audience
(06:02):
with good, good substance, you know, and the substance of
music you know we as a you grower, you know,
the ghetto. But the thing more, you know, I'm port
and you know as a music we aly escape. So
we have put a smile Facebook. You know, music generated
income to.
Speaker 9 (06:22):
El can't put.
Speaker 10 (06:23):
Food table, you know, gift our work definitely, definitely And
like you said, like growing up in Fort More, Jamaica,
like there had to be something like a testament to
your existence on here on this earth.
Speaker 2 (06:40):
So like what was your earliest memory of falling in
love with music?
Speaker 9 (06:45):
My my early memory falling in love with music is like, you.
Speaker 5 (06:49):
Know, man, I grew up in that music and you
know music you know said every day every week, you
know said yeah, so we grew up listening to Shaba Rankin,
you know, Tero Fabulous, Megabant and Louis. You know, being
(07:11):
a man, I actually used to see my money and
buy the records, you know, Port Tony buy the records
and just to even care complet uncle so Clu and
our so own system and even even sometime when we
used to like all the road, we used to see
the money and and and punch the juke box, see
(07:34):
like our favorite sound you know, yeah yeah so.
Speaker 9 (07:38):
So so so we grew up in the music. We
grew up.
Speaker 5 (07:40):
Come see the music. I'm an uncluse who have son
and I'm the next uncle du box. So so I
saw the Tinger.
Speaker 9 (07:48):
Yeah that's so early. Yeah, that's yeah, yeah, yeah, that's
the early days.
Speaker 2 (07:54):
Yes, I know what you mean.
Speaker 1 (07:55):
Man, that's so early that these kids nowadays don't know
what it means to save up your money to go
hit the records.
Speaker 2 (08:02):
Though.
Speaker 9 (08:04):
No, no, no, no, they know that, said guy. Everything
is on YouTube.
Speaker 2 (08:08):
Right now, right right.
Speaker 1 (08:10):
So what was your experiences because I know that you
grew up singing in a church choir?
Speaker 2 (08:15):
Correct what church was that?
Speaker 5 (08:17):
Singing in the church choir? In orange By, Portland? They
past and in bredad Glen Church and used to go church.
And my grandmother grandmother used to attend the same church,
red A Glen Church and never miss a Sunday because
it was a nun for for for every kids.
Speaker 9 (08:34):
So does the kids have no ideas them don't go church.
Speaker 5 (08:36):
I'm not seeing no kids going to church, no ideas
at all, understand In her In the early stages, we
also just been able to go along sleep short sleep,
walking up shirt and say oh every Sunday we pursued
with once received them straight every Sunday you know a church.
Speaker 2 (08:55):
Mm oh yeah, exactly, And you're right.
Speaker 1 (08:58):
That just went with my wife the this past Sunday,
and I noticed that I was the youngest person in
there and I'm forty two years old.
Speaker 2 (09:06):
There was there was a couple of babies.
Speaker 1 (09:08):
Other than that, it was no nobody from the ages
of thirty twenty in the teen's none of that.
Speaker 2 (09:16):
So it is definitely getting none of.
Speaker 9 (09:18):
Them ever, right?
Speaker 11 (09:21):
Video video game member play video game you so, yep,
you know the real the real arcentic vibes I've got
in church and I it kind of feared out, you know.
Speaker 1 (09:34):
Yes it did, Yes, it did. Is that what helped
you get your standing in church? Was going being in
the choir?
Speaker 9 (09:42):
Yeah? I was in the choir church.
Speaker 1 (09:44):
Yeah okay, And oh wow, how did that shape your
like your musical foundation.
Speaker 5 (09:52):
Where the teach me to bow up the skill like
in the music you know you bought the skiller. You're
going down the skill me fast at you. You know,
you teach her the skill, the teacher like even though
when I record something, it teach you say, oh your
cares on one level, you have a flat you know
it teaches to go up the skill if your vocal
(10:14):
you understand, because even the same way Recard and I said,
be subluded when we talk guitar, see your girl woman like, oh,
I mean I sing it.
Speaker 9 (10:22):
So so you know, the tour and that then when
they left out of the tour and.
Speaker 5 (10:25):
Say, oh yeah wherever, I said, we had the money
s the tickets out there.
Speaker 9 (10:30):
So it's a different tourn you know. I say, teach
your to go up the skill, you.
Speaker 1 (10:34):
Understand, Okay, yeah, because I've always wanted to know how
to sing. I mean I was young and before I
hit puberty, I was able to hit them high notes.
Speaker 2 (10:46):
Didn't know what I was doing hit them high notes,
but I was.
Speaker 1 (10:49):
I used to hit the my notes, and then when
puberty came, it just shut all of that down. The
choir help you get through your puberty stage, you know,
and keep your vote and keep your vocals in that.
Speaker 9 (11:00):
Yeah.
Speaker 5 (11:00):
But and I really like some emphasized on the choir
alone because you have some Yama school. So remember from
school from from choir to school, and I used to
be at the choir, used to be at a choir
at school though you know, a so a church alone
and where you're at this primary and the secondary level.
Speaker 1 (11:23):
Okay, yeah, I did see that you used to perform
in concerts in school.
Speaker 5 (11:30):
Yeah yeah, yeah, yeah yeah, I used to perform concert
in school. Music.
Speaker 9 (11:35):
I'll write to my music.
Speaker 5 (11:36):
I does music mus study right, because if it was
the music might be I could be the prime Minister
of Jamaica.
Speaker 2 (11:43):
Yeah.
Speaker 1 (11:43):
And I see that you went to two different schools
where the two different schools of Titchfield High School and
Black Hill High School?
Speaker 2 (11:50):
Is that correct?
Speaker 5 (11:52):
Yeah? And then my start at my primary level that
harriagedly a primary toll. Okay, I never used to go
to I never used to go got to know basic
school because I was so brilliant, right and I just
jump right to primary school with the teaching from whom
from a big system.
Speaker 9 (12:09):
And my sister used to teach me for the table
table times when when when you come come from school
become a matter of fact.
Speaker 5 (12:16):
I never really have it faith send everybody at school
so too. Then me got the next day and I
used to like we used to like share the shoes
and we were it today my brother, we are tomorrow
and at school. Look, I will never really have have
it like that. You know, like the jummy accos, them
not picking them all go up. Now them have everything,
(12:39):
them have classs and them have air.
Speaker 9 (12:40):
Force when we're school and so forth.
Speaker 5 (12:42):
They never used to have that. We used wear some
shoes when we used to go to school. We have
I'm staying at the cool shep because there were and
at the sun burned up with food because to a
strictly robot, I understand.
Speaker 9 (12:56):
Oh yeah, yeah, little cheap the little cheap shoes.
Speaker 2 (12:59):
That hm, it's that humbleness that you grew up in.
Speaker 1 (13:03):
That this these two to see if you would have
had the video games back in the day, would you
say that? Could you say that you would have made
it to the level that you're at right now? You know,
because these do you know how these kids are stuck
in these games? You think they're missing out their potential.
Speaker 9 (13:18):
Em kids out the more brilliant done them.
Speaker 5 (13:21):
No, but but but but they don't really utilize the
knowledge of their mouths in in the world.
Speaker 9 (13:28):
Right. No.
Speaker 5 (13:29):
But we used to play games, you know, we used
to We ulsed to make gigs. We used to make
a thing name gigs.
Speaker 9 (13:34):
You know, a gig. Yeah, yeah, we also make gig.
We also make with one bat. We wulsed to make
with one bard. We also make with.
Speaker 5 (13:44):
I melt and melted, you know the car on top them.
If you're looking at your knee, you know, say twelve. Yeah,
we also make with one bard. We will make with
one bat. We willed to make with one games every
game we will to make. I understand, and I like said,
we also get gim by four.
Speaker 9 (14:01):
I didn't think that we are off.
Speaker 5 (14:03):
The creative or gims is no idea that you would
then play a football by them.
Speaker 9 (14:07):
Give sat physical.
Speaker 2 (14:10):
Right, you ain't lying there. It's like trying to get
these kids to go outside.
Speaker 1 (14:18):
It's like telling them they need to go to go
get a full time job at the age of twelve,
and it's like they don't want to do that. Oh man,
you brung up some good memories though, talking about making
up our own gigs and our own games and making
our own bats. And we used to make our own
basketball goals out of crates. Now people don't know about that.
Speaker 9 (14:39):
Yeah, all right, So no ideas that you have no
idea you Lizy, you know what I mean?
Speaker 5 (14:46):
I said, definitely really, I'm yeah, they really the poet,
the fighting poet, Like, well, we tell them the father
that us super market town. We used to bring quarkerut.
We used to let's from school just to go care
with coconut.
Speaker 9 (15:02):
Dang, you know them we're there.
Speaker 5 (15:04):
Yeah yeah father father used to go market and we
we are we have a go market like me. You know,
used to go market with him Friday night and Saturday night.
We also job coconut and our black box from Princess
Street all over Kingston. And I sailed at that years
like twelve and another and I said, yes, no, no
(15:26):
them kids know them kids that then grew up and
tell us that.
Speaker 9 (15:30):
Them want to pull the slides and and air force
one them wanted.
Speaker 5 (15:38):
And and I forgive them now that our school if
them not get the the nice back, then the back
them where we were a spray grown away. And yes
it made them not feel comfortable at our school. If
they're not the latest thing, then when when we used
to go to school and never I used to have
no but we us o carry with them and.
Speaker 2 (15:58):
Right, yeah exactly.
Speaker 1 (16:01):
Now it's funny because we used to have to carry
books in our book bag and in our arms, in
our hands.
Speaker 2 (16:08):
And stuff and walk home mouths. Now they don't yes,
now some of these kids.
Speaker 1 (16:15):
Some of these schools don't even allow the children to
take the books home to study.
Speaker 9 (16:22):
Of the kids the right one time we also get books.
We forget everybody a reader that they see him storable.
I am a boy, I am the my name is
raight right.
Speaker 3 (16:37):
Yeah.
Speaker 9 (16:39):
The girl, the fat girl, and the mango.
Speaker 2 (16:42):
Yeah, I think they got taken out of shot. It
was insensitive.
Speaker 9 (16:47):
What the mister rain right now?
Speaker 5 (16:54):
You know, yes, and grew up, pregnant, comes to YouTube
and everything that they don't.
Speaker 9 (16:59):
Even want TV again.
Speaker 5 (17:01):
Yeah, this is one TV in one place and unlike
three persons arown show.
Speaker 9 (17:06):
Mm hmm. If you're going one place right now, everybody
in them phone. So that's why the music so so fast,
you know fast, reach your ears so so rappy. A
man can do a song right now and then and in.
Speaker 5 (17:25):
The next two our song reach a million views alright,
the next hour, I understand, some reach a million people
years already.
Speaker 9 (17:34):
One time a man of do CD. One time a
man of put him some one.
Speaker 5 (17:38):
CD and walk up and and GI people CD. I
remember when Ian was doing his mixed CD. I was
the one who recorded some of the songs. I'm an engineer,
so I'm gonna try to do everything, try to do
graphics and.
Speaker 9 (17:53):
Try to engineer.
Speaker 5 (17:54):
I try to do I'm producing. I'm gonna try to
do to be a radio personality. I'm I'm a serious
radio personality and interview artist over over over half a
million artist already in the world firingland and and and
and and.
Speaker 9 (18:11):
Local interview them and and I may also promoted and keep.
Speaker 5 (18:17):
Shore every week. You understand so much I do the
grown work. You understan, I'm not stocking on one thing.
But when I say nobody, I watch TV again everything
your candles, get it by your phone right away, right
and yeah on your bank account.
Speaker 9 (18:38):
Just start grow up.
Speaker 5 (18:39):
If you have talent, your can of the right right
in front of your phone, the nice cheer and you
go Western money, gram margor and anyway our paper or
anything cash up or anything you understand right here, and
then you can.
Speaker 9 (18:56):
Go supermarket after you don't do what you're.
Speaker 2 (18:59):
Doing in front car for exactly that.
Speaker 1 (19:02):
That brought the hustle a little bit closer to home,
because you know, way back in the days you could
you have to wait months before you heard your song finished. Now,
like you say, they get on right there on YouTube
and they sell it right there from the phone.
Speaker 9 (19:18):
Mm hm.
Speaker 5 (19:18):
And if and if and if they print two hundred
copy of your song, two hundred copy of your song,
a two hundred copy of your sound's gonna be distributed to.
Speaker 9 (19:30):
England, America, Japan.
Speaker 5 (19:34):
You understand them, I go split it and say fifty
copy of go Japan, fifty at the Recado, USA, fifty
ago England.
Speaker 9 (19:44):
But no, a little the someone is started to multiply.
Speaker 2 (19:51):
Exactly exactly you hear you hear your phone.
Speaker 5 (19:56):
But then still yeah, well but then still at this
would would like artists would know how much happy in
him him doing how much money might get No, a
different thing.
Speaker 9 (20:09):
No, you can do a big sun on your own
receiving with yeah.
Speaker 2 (20:13):
And that's true. That is true.
Speaker 1 (20:17):
And we'll talk a little bit more about that as
soon as we come back from a word from one
of our sponsors. So, when you was able to net
with the icons like Frisco Kid and Megabartan and even
terror Fabulous, like, how did networking with them influence your
(20:38):
approach to music port More?
Speaker 5 (20:41):
And a I don't know what more exactly A music
and a lot of artists come come come from Portmore.
There might be in a bond there like even Ripe Scott,
I think, but port more.
Speaker 9 (20:55):
Is that is that is a plea swear.
Speaker 5 (20:57):
Artists saturated mean in like you know our latter art
is your with their studio and you will say look
and fire, pull up your journey p pull.
Speaker 9 (21:05):
Up the megaband doan pull up. Then you look as
Ricky General pull up. Then you look at the Admiral
Tibet pull up. Then you say Cabra pull up. Then
you see Basco makes pull up nis the II and
pull up. Then you see well.
Speaker 5 (21:18):
Color artists you know right, so satiated with a latter
art It's an artist live right, one live rundless.
Speaker 9 (21:26):
So and one just live right ron so.
Speaker 5 (21:29):
Our new ski built up and in by one horse
rounders so and you know so the adapt is it
will put.
Speaker 9 (21:35):
More so it was easy easy easy they put more.
Speaker 5 (21:41):
Ya go inner music like studio the day. Well that
schuldren is there, I understand of artist is there? You
know so you can't get to even work on your craft.
Speaker 1 (21:53):
And is there like how you was able to connect
with Gyptian for your song Serious Times and Newborn to
help launch both of your careers.
Speaker 5 (22:01):
New new band song new Ban is an underground song.
And I don't think he really is as yet. You
know those ic and Vice it's film about you.
Speaker 9 (22:07):
We never really know about the mixing and them the
from theom time. Because if I was, if I was.
Speaker 5 (22:15):
If it was no and Jip was like in the story,
I would record my songs and put it down. I understand, yeah,
and really that I thur that day.
Speaker 9 (22:25):
But but because she.
Speaker 5 (22:26):
Would, she would have sat the music like like a
marble playing with us every day with us, no say,
it's like a phone doing.
Speaker 9 (22:34):
It's like it's like every day thing.
Speaker 5 (22:36):
It's like I think, well, we're not really why we
have the business and all the music business part you
know has so.
Speaker 9 (22:44):
Jipsan no come across like he was there.
Speaker 5 (22:49):
I was doing like engineers Wang studio and he was
there singing Jack your song and see him every time
I'm come look for a girl and pinky Yeah it
is here thing animals but good advice.
Speaker 9 (23:02):
But you know we also run the program and all
that times of food.
Speaker 5 (23:05):
So when I did them my moneyed Phipps would I
says this Egyptian and I listened.
Speaker 9 (23:11):
To him, will never really be in no mind if
I'm still at that and I engaged in our conversation
with too may have access to the choli and going
at the school, and so any equipment that.
Speaker 5 (23:22):
Man tested micraphone audio check one check audio check one
three check check check audio check and check your fire
phone and I say, yo, yo, not have I read?
I think does communized and starting any even like nearly
even aurical physical confrontation kind I say, oh, you know what,
(23:43):
I'm wanna take my advice, you know, because two people
want to tell him say oh money, take advice and
carry sell it whatever.
Speaker 9 (23:51):
That was my intention.
Speaker 5 (23:52):
My intention was to make other people hearing, you know,
I said, so lessen know yeh from this, no indvice
with brother name is brother invites serious time.
Speaker 9 (24:05):
And then after that, no, you don't know. I was
his first road manager, so so you don't know.
Speaker 5 (24:11):
I have other people see talent because once him start
they own and people start here advice because of me,
other people I start calling, you know, and and start
run with him like you don't know who a v
with him and I see him box a couple of
years because I'm a na a vik like you me
and have a vehicle, so you don't know him. I
(24:33):
got old Marie, so I just know him start explores
the advice with flavor demand carrying the man. You know,
I mean, I said, and the first time if a
fly got fering with him Trinidad and to be a
passport burn up in the studio, so we never get
to fly. So you take me awhile before we get
my passport and the time the day over the world.
So I kind of set back, set my back, but
(24:54):
me get really going a serious time video. I was
the main actor long time. You know, so do they
acting in a serious time video? The part was a
pan connor you connor. I was the one who may
and jez Bee from.
Speaker 9 (25:15):
A time. Yeah, they tour with a.
Speaker 5 (25:17):
Panic Kanna, I will fight and then something I'm gonna
go away and come back and yeah come shoot up
the car. And I was the person name in the
confront physically never get shot, so I'll be innocent life,
you know, I said, you know it's a concept. Wow yeahman,
so yeah, wow, that's why the video, Yeah, that's why
(25:39):
the video gets bigger.
Speaker 9 (25:40):
You know.
Speaker 2 (25:41):
Yeah, I can just.
Speaker 9 (25:45):
Yeah man, so worldwide. Second?
Speaker 1 (25:48):
Oh wow, So now if I heard you correctly, you said,
not only are you an artist, but you you are
an engineer and you was a road manager.
Speaker 5 (25:57):
Yam middle, I mean me, I mean vice most I
in them in first, in first, mixed deep, like that
dash when I'm a little longer than you. Yeah, an
one student, all of them, all of them sang and
and it just goes straight pan CD them time that
(26:17):
you carry that vice street pan c D are straight,
Panda antigon I bias cassett Wow, bias cast a real quality.
Speaker 2 (26:28):
It's right. Wow.
Speaker 1 (26:30):
So is this with all this experiences that what gives
you the drive to mentor young talents such as by
your king and ut room yea one.
Speaker 5 (26:40):
I like the artists, my first man artists and creasy
and me my first one putting pirate card every time
and say, oh mama, you were the first man put
my pant CD mother, you know where were we. I'm
gonna like eat eat my food alone like rock and
the next man make him eat, isn't it? And I
(27:00):
like like cancel all my food like share you know.
So if mysiel like there is a big event alone
one go on the cho when my profile to one
go in at the crowd to one a video my
artists where I proform.
Speaker 9 (27:15):
I saw love of music but not for the artists,
and I really understand them, you.
Speaker 5 (27:18):
Like say if them and I one had them a
demand and and and and I'm doing this trend very recently.
Speaker 9 (27:28):
I perform over Junry and and when I art this
man academy and when I add.
Speaker 5 (27:34):
This Profram early before me, I write in front the
tage video and I'm putting one. I met about three
hundred people in my life. I watched so some I
said I was I was the one who who in
front of this teach and video him. So yes, when
my time off a Profram, I see all the man
(27:58):
in the crowd and chatting at the life, and all
of them even not really give me the strained likes
tough them.
Speaker 9 (28:09):
Think both it then't think bore life. I fee themselves.
Speaker 5 (28:13):
They don't think both for sheer right, just like even
even the artists them no artists wasn't about them free
if the artists but do it because them feel like
the next artist or get bigger foul than the next.
And nobody nagata about them the next month and the
magata about the next artist for unknown you get scar
that because what is mine is mine and what is
(28:35):
is the next man the next month? Right, and my style,
my style different and all that's right exactly.
Speaker 1 (28:44):
It's like you said, it's plenty of food on the
table for everybody to eat, and like you say, whatever
it's yours is yours and whatever the next.
Speaker 2 (28:51):
Person is the next person.
Speaker 1 (28:53):
Is this the same type of advice that you give
to the young artists that you mentor about how to
navigate the music industry?
Speaker 9 (29:00):
Yeah? About them? Now that your look can't find the
cant find the can't find an artists who artist right,
You can't find that because.
Speaker 5 (29:11):
It's tough, even even for even a show. Other artists
gure evil, highlight themselves, your your your your it's rough.
Speaker 2 (29:24):
Yeah, you're right about it.
Speaker 9 (29:26):
It's rough. It's rough. Nobody now gonna do that. No
ideas you understand.
Speaker 5 (29:32):
If I if your best friend to keep on show,
you have to fight to gopany right now.
Speaker 9 (29:38):
Put your money now, put your bon it. You know,
as about me and have open mine at all times.
Speaker 5 (29:45):
They welcome any talent at all times because massive artists,
they're all boss already, you know Messae e Gyptian boss
let me say the boss cartel bos Row let me
see I have t and boss Row, let me say
boom where I my mixed cartels. Some of them are
me build the shaudio a shure, jump the equipment and
(30:06):
my entry and pant one of the biggest producer right
now and me send me o them come my bridge
in bos and An says said, Yo, you know, says
I said, and I look anyone at the room.
Speaker 9 (30:19):
Then selling me the equipment and send them out next week,
I'm gonna say.
Speaker 5 (30:23):
And then red book that I recardery understand and me
and me had that equipment them and tree and right
all right, and one of the biggest engineer in a
superposed to mix every every car, all of them. Some
supposed to me. If I mixed, I would him mix
most cartails on them. And if you notice cartails something
(30:46):
mixed different.
Speaker 1 (30:47):
Yeah, you're right, because I was listening to the US.
You actually have a song with Vibes Cartel. I think
I seen the video.
Speaker 2 (30:55):
Is that correct?
Speaker 9 (30:56):
Yeah? I might never Yeah, I did make video with
Vibes Cartail.
Speaker 5 (31:02):
I did a lot of songs for I did a
lot of songs for Cattail, but he never released them.
In at the time, the YouTube wasn't so prevalent, and
you know, it was like industry.
Speaker 9 (31:11):
It was like, I can't see these.
Speaker 5 (31:14):
It was supposed to device at least one civil songs
for Vibes Cartil when we were in Ireland. That's Medicine platinum,
five of five.
Speaker 2 (31:24):
You know one go wow? Where do you think?
Speaker 9 (31:27):
It was?
Speaker 5 (31:28):
Long long before Shan's Tam and Black Rhino and Popcorn
and long before that.
Speaker 2 (31:33):
Right, and now that the Vibes Cartail is out, do
you see yourself? Do you see these? This music coming
out from behind the undergrass in.
Speaker 9 (31:42):
Well, Vibes Cartiland?
Speaker 5 (31:43):
You know, because I sat an r N name in
I think in Maroon v MP my West Sportsland iron
less he's supposed to be competing with as and Mariva.
So Portland soon see the vibes reason Oh yes, from.
Speaker 9 (32:11):
The man, I'm going a serious reasoning that we always
reason rhyme.
Speaker 5 (32:16):
Yeah, they look at rhyming matters to your family a
long time, from school, everything matter. Raymie Man said, yeah,
I'm gonna make people laugh at all times. So you
don't know, linkop Man name my linkop A. Portland soon
(32:37):
are somewhere and am I gonna says that?
Speaker 9 (32:39):
Great?
Speaker 5 (32:40):
Yeah, baby sitting because we had the realists, realist one
of the cleanest you not more in a dialogue.
Speaker 2 (32:49):
That fact spitting that game. I hear you, boy, I
hear you.
Speaker 1 (32:53):
That's if your music sounds anything like your game you've
been spitting on as mic over here. We want to
hear it as soon as it's released, So you gotta
definitely keep us in tune with that.
Speaker 9 (33:06):
Yeah.
Speaker 5 (33:07):
But as saying, no, the next someone, I got better
than the the someone what I said, because even my
all my previous songs that you know, the engineer them,
I fight me, you know, I know me.
Speaker 9 (33:20):
I go in a one studio or with the engineer.
Speaker 5 (33:22):
I work with me and decide whys me I work
with me an the engineer, I fight me, right, someone,
I said the engineer, I fight me.
Speaker 9 (33:31):
No, I'm doing a double track because they have a
young baby in the school.
Speaker 5 (33:36):
The next work I have lived bandel black, so in Mafia,
attend to your young baby. Mafia, I look food and
advise me the some time. So at the end, at
the end of the day, not putting the energy way
the energy woman, I really want to putting at the
sound when I said the sound was so good because
they're reading bad and the things that a massive and
they really my everything.
Speaker 9 (33:55):
But it could be better if the engineer was liked
f Kelly.
Speaker 2 (33:59):
The right, I can understand that, you know.
Speaker 5 (34:05):
If yeah, if they if the engineer was like Steve McGregor,
the song would have been the song would have better.
Speaker 9 (34:12):
So so so it comes like we are we are
engineer who sound wealthy I mean engineer, I.
Speaker 5 (34:18):
Mean I mean advice myself, ye, understanding something and wealthy
I mean advised myself.
Speaker 9 (34:25):
Right yeah, now friend story, friend friend story.
Speaker 5 (34:29):
Now me getical help from you. But if not really
not engineering as an artist as well, so most some
I sung them to. You know, I'm the engineered and
my artists as well enough, so of might sung them
in a yeah, the engineer does my artist frame. But
I never really work us work with me at that
engineer producer where where?
Speaker 9 (34:51):
What? Where?
Speaker 5 (34:51):
I work with me, And even no matter about the
time when we had got spend in that this two
wyll just forget the thing right right.
Speaker 2 (34:59):
It's exactly exactly.
Speaker 9 (35:02):
So ill him, so ill of him think there's that thing.
Speaker 5 (35:05):
Three of three of them meet that engineer with I
work with Sabric directly, Sabric, no matter what if we say, hey.
Speaker 9 (35:13):
Him with it, and that I read him with it.
You know what they gonna say after that, No, and
tomorrow M come with something. No. It is a hard fight.
Speaker 1 (35:29):
I believe you now with your latest release, believe mama,
since it's making ways right now, did you have to
have those same experiences in the studio with the engineers?
Speaker 9 (35:40):
Let me tell her this tour, Let me telling this
story about that.
Speaker 5 (35:43):
No, all right as a sealic because you know, I
played the music like like Charlie Blackson to and fire Links,
all of them names of macau.
Speaker 9 (35:56):
They both have songs.
Speaker 5 (35:57):
They all have songs, and you know as a have
songs or it sounds filing Sava songs song Charlie Black
Sam It's so all right.
Speaker 9 (36:07):
So I might select slash artists, but artists is mighty.
Is mighty? What may do?
Speaker 5 (36:12):
Like mcam play music and we can't play instrument and
can't play you understand me, can't do any liquid thing
and other music?
Speaker 9 (36:20):
All right, So when we get the riddying from Street
Si snow in my email, we get the riding song
from Brahms, you and Brams.
Speaker 5 (36:30):
Ellist in the song. But manever, I really like this song.
Speaker 9 (36:33):
You know, because they must sub me on this song.
Boar dyke like I might say, oh, some girl a dyke,
and the and very man say oh when have we
go that to another song? Good?
Speaker 5 (36:44):
Listen read and ready good, but never to read the
sound still, you know, but the song is a good song.
We proplay it still and for food it's soundly and
I'm sorry, so let me get this song and the
riding the riddim rack be not produce that I'm sending
riadom to when I'm sending sound. So me, I listen,
(37:05):
they ready my me. They really talk to me, like
at the front part of the readym its. It like
like alicle advice. I said, I'm only eighteen and.
Speaker 9 (37:13):
I'm feel like I'm dying. I mean, I say what
I mean by I'm only eighteen, I'm feel like I'm dying.
Speaker 5 (37:20):
So I said to myself, I'm most pregnant, ship the
most pregnant allman pregnant.
Speaker 9 (37:25):
And then I eighteen and and and I feel like
I'm dying. So I must be a mama son with
foot readim.
Speaker 5 (37:31):
So they have alical idea thet when I lie studio,
they bred m K one essentially see the punch line
in my engineer as flash artists toward my lecle stood
on my place.
Speaker 9 (37:44):
I write that my guys would have a k one
you know, you know.
Speaker 5 (37:51):
Iver reading my more advice fan, he must say, oh,
you know, say journal and I like that reallymainder in
a song the Reminder and a son goods away, I said,
but you too, my persistent.
Speaker 9 (38:04):
In them in my music, and sometimes my art is
as missaying that in a pre my previous conversation.
Speaker 5 (38:10):
No artist not why I reach certain goals and answer
forward for them, says certain things. Way break your vibes,
you know, say about nobody can break my wife, so
easy come you know all them still out there, so
still first you and tell him say, I'm going to
show them, not to someone they reading the reading. Nobody
not said someone, look what never do to the reading.
(38:31):
So I'm going to chew and record the first four bars, Mama, No,
we're recoding to make everything cools.
Speaker 9 (38:39):
Yea.
Speaker 5 (38:39):
He goes with the swimming pool and music missing me
in a swimming pool.
Speaker 9 (38:43):
You are the first each other before the ones that
were in schools up and go come over.
Speaker 5 (38:50):
But Canna Snea and I can't reading the booms and
vice the next four bars and it's a song because
Sue pan reading, but you don't know as.
Speaker 9 (39:04):
As a musician. May I said, Mama sang, I sing
something after I'm gonna coming to such a bad verse.
People can sing something, so it is a singer.
Speaker 5 (39:14):
So that's like my mama tells me aything nobody nine
or all good, but make it so good now kind
of walk and piano so active.
Speaker 9 (39:23):
So they tell him, say, yo, yo, what you know.
Speaker 5 (39:27):
I put the punch line pan more something like you
are my queen, Mama, your cares and yo, don't sing
that parm You never leave Mama.
Speaker 9 (39:37):
You can't just sing some something like that.
Speaker 5 (39:40):
And I saying so the name going nice to them,
do the punchline and then go back in the second verse,
I'll fix it and will become my son. So may
I get a big piece of fight. But tuber persistent
coming on the goal.
Speaker 9 (39:51):
You know, wish more. I reach in life and know
the people, but my enomenos and.
Speaker 5 (39:56):
People like h me deliver up put more. I mean,
just come up Portland. There is an artists them where.
Speaker 9 (40:04):
They have put a long time when I do nothing
and and and and rock ethics, the ethics. The we
are below zero.
Speaker 5 (40:13):
I understand ye were our hundred past to about a million.
I understand the eyes by a great.
Speaker 9 (40:22):
Man reach and kept attained by a sudden flight when asleep.
So it's like, don't know why I reached.
Speaker 5 (40:27):
No, don't know why you're pasted them because them, I said,
they are long time I strougle, and you would as farwards.
Speaker 9 (40:33):
So then would I do any liqual things for whatever Yemen?
So as man, I said, young man, it was a
struggle with the mama sagon. I struggles, struggles, struggle.
Speaker 5 (40:43):
Stuggle and and even when my round to be things
and they are much of the players with it and
play yvary decision this breand never put up an mph.
Yet the singer never put up an mph. Understanding nim
never promoted, never promoted, even when they're even when a
man name for performers found even even study the fun
(41:05):
I mean.
Speaker 9 (41:05):
I hear, I remind him the points line. Oh it's really.
Speaker 5 (41:09):
Got so even not really believe I understand, oh wow,
and okay, everything everything that put promise starts up to
the d and watch see them we because at the
end of the year, people, I really want to see
people strive in that I don't know why become see
everybody go oh yeah, when I hear a time when God.
Speaker 9 (41:32):
Said I your time, your time, God on time. Yeah,
man's that struggle, Yeah, it is.
Speaker 2 (41:39):
I see.
Speaker 1 (41:39):
That's the that's the controversy that you have to face
in this industry because you would think that when it
comes to music, it would be just nothing but love
and peace. But since this is the industry, it's all
corporate now, people are they're keeping each other down just
to try to make a book when we can all
(42:00):
the same amount of money no matter what.
Speaker 2 (42:04):
And I know I understand your struggle completely with that.
Speaker 5 (42:09):
Uh.
Speaker 1 (42:10):
There's been plenty of times where when I was an artist,
I had art or music that was well. I worked
with the person who was going to promote the music
for it, they just put it on the back burner,
and it's like wow, So you have to come out
with it yourself. And then when you try, when you
come out with it yourself and you're pushing it to
hear they and it's getting successful.
Speaker 2 (42:30):
Here they come trying to jump back on the bandwagon.
Speaker 9 (42:35):
Yeah that yeah, that is it.
Speaker 5 (42:37):
Asimon block them, I delete them on time my life
because the glory right exactly.
Speaker 1 (42:46):
Not as someone who is actually sometimes nohead go ahead.
I'm sorry, I'm mean to catch off.
Speaker 9 (42:55):
No, no, man, that listen to you or whatever?
Speaker 1 (42:58):
Oh yeah, yeah, I was gonna say when the As
someone that's deeply embedded in Jamaica's music scene, have you
heard about the current situation at Bob Marley's Beach where
the community has protest the privatization of public land that
holds so much cultural significance, And if so, what are
your thoughts on it?
Speaker 9 (43:21):
You know, I never really you know what Bob Marley
needs to memos dance scene, not the reggae scene.
Speaker 5 (43:29):
Anything I do with Chronics and Bob Marley and proto
the the reggae industry, and I really, fellow, I understand
many of them when I really followed the reggae industry
so much, you know, a love of the richest spices
them and from them. But you understand to me, the
reggae industry kind of jump. So, man, I really follow
(43:52):
the reggae industry, understand because I dance and chop music. Jam,
I know, tell the true Really reggae really are coming true.
We have only artists. You know, you have Leli he
had and the all of them were about them, not
really you understand them, I really reggae again, regard the
(44:14):
last lea.
Speaker 9 (44:16):
As she am a massacre. Mm hmm, got understand.
Speaker 5 (44:22):
Oh yeah, So at the end of the day they
are men too. You are not to feature the the
reggae industry. I mean I really know what the other
side tell her. So you don't know about if you
ask me something more to dance coming dancer mix and
then something mixed CD put up on YouTube something all
(44:43):
the dancer something asking about Edd g askboard board board,
Roger Wilder and the mute can't tell about.
Speaker 9 (44:56):
Maid. Yeah, but I don't know about the reggae industry.
Got you for real? Yeah?
Speaker 5 (45:03):
I know about the Bob Marley Beach. Sitting the table,
knowing about the Bob Marley movie come out. Everybody was
talking about it. What they do it was a ninety attack,
meaning when it was a ninety attack and jommya, people
don't go tak about it until it does.
Speaker 2 (45:16):
See that weir right right, well, right now they're talking
about nobody.
Speaker 1 (45:22):
Well, right now they're talking about closing the Bob Marley
Beach and bulldozing it down and making it to where
it's a private beach, to where the Jamaicans won't be
able to go on that beach anymore.
Speaker 5 (45:35):
Okay, Well, well if then if if them see that
that it can generate revenue, generate tourists like tourists at
Jack right, Well them do it, But I have no
people use the beach.
Speaker 9 (45:51):
Yeah, but put no people that business where you use
the beach?
Speaker 1 (45:56):
Right, And we'll talk a little bit more about that
as soon as we come back from a word from
one of our sponsors. Now, Jamaica has always been a
strong cultural force worldwide, and the music that comes out
the island has played a major role in that. In
today's global music landscape, how do you see your music
(46:17):
evolving and where do you see.
Speaker 2 (46:20):
Yourself in like the next ten years? Okay, oh yes, sir,
with Jamaica, it.
Speaker 1 (46:29):
Has been a strong cultural force worldwide and your music
has played a major role in that. Now, in today's
global music landscape, how do you see your music evolving
and where do you see your music fitting in there
in the next ten years?
Speaker 9 (46:45):
Well, I don't like music, you know, any music with you? Right,
No gambler gamplay next ten years.
Speaker 5 (46:52):
Even the Mama Soum Unsupported, unsupported friends friends story, all
of them sung the you can't play next ten years.
But you see, because when I really have the resources
in a Jamaica to do the right thing, like like right, no,
(47:14):
we're not encompassibly.
Speaker 9 (47:15):
We know the big company are coming and said I'm
going to shoot this video for you ten toes in
the US ten toes in the.
Speaker 5 (47:23):
US dollar cars and big came around them suthing like
jumping in my tone and you're not giving delical vibes.
Speaker 9 (47:31):
And so we have those keeper pushing it because remember
you know.
Speaker 5 (47:36):
Shanstams with cartail and the Gaza and people then say, yeah,
Shan Stap, you are bad lyrically. But still when I
really check your views but sound them, you know, really
no flight or a vibes because I'm just normal. And
(47:56):
so at the end of the day, you have to
do some different things different the music.
Speaker 9 (48:01):
Forget the highlight.
Speaker 5 (48:03):
You understand you have a bat of the forget the
highlight and music. I understand you have a true year
data win that like Ninja. Forget the highlight. You have
a man past is like Ninja highlight. You know there's that,
you have a bleacher fears. Get the gigs who apply,
(48:25):
I'll forget the highlight and know the music alone, I
get highlights, social media coming player.
Speaker 9 (48:29):
You know you have to do something. You have forget
one wife and the internet too and people dark and
I say, oh she know video she another one fe
and and you know coming come in and you know
create create creator boss.
Speaker 3 (48:46):
Yeah.
Speaker 2 (48:47):
Everybody likes to take music.
Speaker 5 (48:50):
Yeah, the music, the music and the music like one
time when people are like authentic sounds and you know,
lyrics again because the artist we have authentic songs and
lyrics and I going, no, we're I'm gonna chap and
I'm gonna do chop chopping, like chopping animal bag of
money because in its chaper company line and him or
(49:14):
whatever and the bag of money. So when I'm going
at the dancer and Campia did this jacking them for
playing sound and you know their talent nor where we
are nurture over the years and I have bigger selected
for players and I dance and the.
Speaker 9 (49:28):
Money play music and the music and am still m M.
Speaker 5 (49:34):
That's good and like one time music and so we
do it and Abrica love it. Still tell you everybody
were used to do the music with me, They're not
doing no more. They have some medicine, all them them,
all they used to do the music with me. I
understand them, not do it no more. Then you understand them,
(49:54):
you know, yeah them, they them not really have nothing
because and then I do music because I you know,
oh yeah, but me do me the music becoming. My
dream is is the owner a big song system and
(50:15):
a studio, and my dream is fake even company iTunes
start a couple of times and I have some big
sunger players over there, and Moab a stage performer like
go ahead, that's an elephant, and then steage and and
(50:37):
some climb up and you know them energetic tribes and
create something a dancer you understand nance from from from
from the being the man and the elephant and them,
and they kill.
Speaker 9 (50:52):
You know, all the day and at the game to
even drop the button.
Speaker 5 (50:57):
But when I drop the button, I mean I actually
in the Yeah, I'm pushing music right to come and
love it.
Speaker 9 (51:05):
As I said, not for you, then unite with me.
They're not ignite no more.
Speaker 5 (51:10):
Do them stop them, do something them to So starts
real good some areas.
Speaker 9 (51:16):
You know I said, But my my thing of music
right you like at night Joe, mm hmm.
Speaker 2 (51:24):
So you're planning on being here for a while that's
what I like to hear.
Speaker 5 (51:28):
Ye Meddy and and and and even even my dad
that she even does music too.
Speaker 9 (51:35):
What do you shoot a video for a couple of
years ago?
Speaker 5 (51:38):
And I know she'll go college and as she loved
the music, she can write see because of me, you know,
I mean you say I do the music growing up,
so you know.
Speaker 9 (51:50):
May really influence a lot of people to they have music.
Speaker 5 (51:54):
And and bring them career to the forefront and make
no artists play for really we might not get interview,
I understand.
Speaker 2 (52:03):
Oh yeah him, I think.
Speaker 1 (52:06):
See and watching what you've already achieved in your career
right now and hearing how you want to continue to
achieve more over the next few years is inspiring to
say the least, you know.
Speaker 2 (52:19):
But like, tell us something about the short term. Where
can we expect?
Speaker 1 (52:25):
You just dropped the new record with Believe Mama, But
what can we expect either new music or collaborations in
the new near future.
Speaker 5 (52:37):
Well expect a production from you by your side music
because anytime no McCann startling one reading one produce one albums.
Speaker 9 (52:48):
I'm at one epis and had an.
Speaker 5 (52:50):
Artist by the artistic understand lie the lie on one
because you know.
Speaker 9 (52:56):
Artists in this time, I really lie, I don't know
ones and over is it it? So?
Speaker 5 (53:04):
And trivy bill a label and Drive announced the Skuyvice
libel though by putting my vocals and some somebody reading
and so look out for something become more so the
(53:24):
ladies coming the one to Mama. I made one for
the talk them, so look out fear new song when
I lead them a certain type.
Speaker 9 (53:34):
Of way with a love song. So my one time
I read on the same time advice the.
Speaker 5 (53:40):
Way They'm I saying, may I have for scrappy because
the producer was worthy of getting that song. So I
made us scrappy right wing tune in yeah enough singing
that sounds so at the end of the day, if
if IF, if I, if I, if I put wan
(54:00):
a EP with me right, No, we can't make him
are over one hundred songs we sung him on Joe
So I'm pre released songs you know I'm a right song,
Squeak too and the ready.
Speaker 1 (54:12):
Oh ready, okay shoot were ready for we We're gonna
be on pins and needles waiting for that right there.
Speaker 2 (54:19):
So make sure that you let us know.
Speaker 5 (54:22):
Some I did three four some idea it's right when
their own vibes you know, that's why you see evil,
even even when Carl come Year, even even Alkaline released
two songs in Speed in the week already because he's
an inspiration shot and.
Speaker 9 (54:42):
Sad when their own vibe cartels right. Somebody and a
brill never closed our part, not because it was like
a GI because you know, mans I might teach a principles.
So you know they didn't go to work together, Gaza,
I understand.
Speaker 5 (54:59):
I mean a sevent time and I said, I'll go
to say our music middle you know what I said, Yeah, yes.
Speaker 2 (55:08):
That's what I'm talking about.
Speaker 1 (55:09):
Well, it has been a wonderful conversation chopping it up
with you for this past hour.
Speaker 2 (55:15):
It's been I've gotten so much.
Speaker 1 (55:17):
Insight into who you is, a brick, and I just
want to say, man, continue making this music the way
you're making it. Is there any shout out to anybody
that you want to mention and give their props to
before we hang up?
Speaker 2 (55:35):
And that's why.
Speaker 9 (55:41):
Big a Viuele I don't know they can And I
really catching.
Speaker 2 (55:48):
Oh yes, mister Eve with Boss Radio. So mister E
with Boss Radio.
Speaker 9 (55:56):
I edit this part, mister yes, mister Biggert, mister Bars Radio.
Speaker 5 (56:02):
You know the thing, mister E, Bars Radio members is
not no particular hungry and cross radio at the Bars Radio.
Speaker 9 (56:11):
It's like it's like getting champion are the Flowers Radio?
You know? I like, you know anything bigger, mister E. Everything,
mister E.
Speaker 5 (56:24):
When the mister not empty and a gas down tablet
were empty, mister E understand easy.
Speaker 9 (56:33):
Mister E can be easy and he can even can
be even.
Speaker 5 (56:42):
Remember that the dancer principal that Andrew original partial at
the Dancer principal member that a school car full file
Bars Radio, mister E.
Speaker 9 (56:56):
You know the thing you know, flowing like the sea.
Speaker 2 (57:01):
Boss. Yes, sir man, that's talent right there.
Speaker 1 (57:06):
Boy, y'all better put a pen in that right there,
because y'all gonna hear y'all gonna be here in that
old bit over right there.
Speaker 2 (57:12):
But that's fire.
Speaker 9 (57:20):
Freestyle freestyling, Yes.
Speaker 2 (57:22):
Off the top of the head, and that's what that's
how you know you got your talent intact?
Speaker 5 (57:28):
Yeah, as miss as missing my well, I think that
my natural thing, you know natural natural things. Yes, when
I really when I really reach read it the milestone
or with reach it and other music because maybe we
take it when I really take it to our business
level too much.
Speaker 9 (57:45):
Yes, I am right now, you know, and.
Speaker 5 (57:50):
The music over twenty years, I swear, and then a
song about iTunes and everywhere and and and I need us,
I don't mean music for coming on and what they.
Speaker 9 (58:01):
Did them everything. You know why I told you really
let us do the growing work right now? Say is it? Yes, sir,
I say you know what we have light to see.
Speaker 2 (58:13):
Y'all agree already, you already know what it is.
Speaker 1 (58:18):
This is your boy's a break represent and port more
Jamaica in the building.
Speaker 2 (58:23):
You already heard that, Believe mama. We got a couple
of more jams from coming up in just a moment.
Speaker 1 (58:29):
But we just want to say thank you once again
because you have made this a fantastic show. We can't
wait to get this out to the people so that
the people can know ise know more about who you
are and who the man behind the music is. And
thank you once again for joining us.
Speaker 5 (58:48):
Yeah, I'm gonna try to show the sky because fire
sad music, understand and all I'm gonna finds them all.
Speaker 9 (58:55):
I'm gonna support as them let us well.
Speaker 5 (58:57):
I'll keep on a finger scrossed because you don't know,
just like the real name the bus crass, so you
don't know. We're so meant of our flass. Yeah, I'm
gonna say the people can find the plant tictack zabricam
one panictok, fireside zabric featful. You know, I know, girl,
(59:19):
I know in the face so you don't know. Instagram
read Abrica and a score bam and for YouTube fireside tavy.
You know we be crappyrinside principal original.
Speaker 2 (59:36):
I'm out, Yes, sir, check that description.
Speaker 1 (59:40):
Link up with the break on your favorite streaming service,
on your favorite social media app. Reach out to you, boy,
it's going down. Break our will with this baby out.
Speaker 9 (59:53):
Yeah.
Speaker 5 (59:53):
I said, I'm just.
Speaker 4 (59:55):
A friend, you know, matter what you do.
Speaker 6 (59:58):
Then he's like, I never do nothing at that. All
other things were made for your friends to friends. But
I can see them still a ba see your friend
and then we killer Fia nine and rare brien.
Speaker 4 (01:00:13):
Do you see your friend? What you read with their
march to pamp friend? You want to see this like vietness.
Speaker 6 (01:00:22):
A train friend your they find a charge and then
why would be friend me or big bichos past them
me a bit hi archos good by to go about
my business may not just friends from the lived with
believed printing and the joke thing and a Disneys. I'm
just asking a guy that their mama weakness Norman's put
(01:00:44):
them friends for it is yo, laugh, but what is daen?
Speaker 4 (01:00:51):
Then we killer fia nine and friend, you see your friend?
What you read with the march to pamp? Friend do
you want to see? It is like fear? Each friend
your boot left on a charge and then why you
beat him? Safriend to take.
Speaker 9 (01:01:09):
Your partner ruled?
Speaker 4 (01:01:10):
But your never wonder. So if you're up a dream, brother, yo,
either you better watch your food and then with you adviser,
tell you fire your side.
Speaker 6 (01:01:17):
Do them Liza, they want your carf driver them have
the liser doat one time and it's like a cider
you know when they blow Jesus on the twelfth disciple
tell them more so.
Speaker 5 (01:01:28):
You know what I know?
Speaker 4 (01:01:32):
Then we kill a fia nine round. Then friend, you
see your bread? What you eat the pumpleen? When do
you want to see?
Speaker 8 (01:01:42):
It is like fears?
Speaker 4 (01:01:43):
Train your friend lefind a charge and then why.
Speaker 2 (01:01:48):
You beat him? Trouble trouble, we can afford to fall
all watch them.
Speaker 9 (01:02:03):
What's what's watch that be?
Speaker 4 (01:02:07):
A far from far from from here, far from the
far from the walk a mile walk, a lower hallower,
spend some time with you, say you say, you know.
Lead after the man of the man of flower m
hm
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