Reggae Hour Podcast: International Reggae Day Playlist Special

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:04):
Yes, I ah what not know something about the record?
Yeah to the world, you're not knowing. I'm Biggs the
money's dear shut what.

Speaker 2 (00:13):
I'm here more.

Speaker 1 (00:14):
That's what you represented record.

Speaker 3 (00:20):
You're not knowing.

Speaker 2 (00:23):
The world.

Speaker 1 (00:25):
That's what you represented for the big man, My dear
shut over the mere moss.

Speaker 3 (00:36):
Going on it tell you.

Speaker 4 (00:37):
On record I feel.

Speaker 5 (00:42):
I hope you're feeling it this afternoon, Philip, Philip, that
was your girl Tasha te putting it on for reggae.
I will appreciate the love and I am your boy,
mister Eve Boston, the south Side Bosses coming to you
on this Tuesday afternoon for International Reggae Day. So I

(01:07):
hope the sun is shining brighting your life right now.
I hope the vitamin D is filling up your scared
with great sustenance because it is a beautiful, wonderful day
if you got the chance to wake up this morning. So,
like Chronic said, life is a dream if you've got gratitude,
So go ahead and make sure you get on your
knees and thanks the most hot for letting you see

(01:29):
another wonderful day. And on top of that, it is
International Reggae Day, so we got some great reggae music
coming from all over the world, gonna be getting your
ears no matter what station you turn on. And I'm
just so happy that y'all decided to join Reggae our
podcast today to enjoy your international Reggae Day. Out of

(01:50):
all the places that you could have been, you decided
to come here, and that makes me feel so so good.
Thank you so much. So I promise you I'm going
to keep you in the tame. We got nothing. We
got mortages music, we got trivia, we got info, we
got all types of comedy, we got things that I'm

(02:10):
just saying, it's gonna blow your mind. So make sure
y'all tune in, turn up in zone out in here.
We got some great music from artists that we've interviewed
in the past. We've got some great clips of our
from artists that we've interviewed in the past as well,
and we even got music from artists we didn't get
the interview, and that we hope to get the interview

(02:30):
so that we can bring them to you, because if
we if we playing them here, that obviously they got
some talent and they are spreading the message that we
want to spread. But we are gonna be playing music
from all over I'm talking about. We're gonna be playing reggae, roots, reggae,
We're gonna be playing ska from Corpus Christie Tests, We're
gonna be playing all types. So make sure y'all tune in,

(02:52):
turn up in, zone out, baby, because when I say that,
it gets real, I mean it gets real. You feel me,
And if you already know anything about it, man, it's
been thirty one years that roots I'm sorry that International
Reggae Day has been bringing love, peace, truth and harmony
all over the world with this great rhythm. So we're

(03:15):
gonna continue to keep that tradition going, and we're gonna
be talking about more how it got started, where we
got started from. And also we're gonna be talking about
some great reggae legends such as Peter Tosh album, so
gonna be talking about the Marla Family. Were gonna be
bringing y'all some great global reggae shoutouts as well. We

(03:36):
got a comedy break coming to y'all, and we also
got a message from the International Reggae Day that is
just gonna keep you up going. You know what I'm saying.
We're gonna have a lot of U arels that's gonna
be coming at y'all. I just want to guide your
attention to the description because there's gonna be plenty of
it here to help you keep going. We got I'm

(03:58):
talking about It is going to be a wonderful time.
I am just so happy that y'all was able to
join with us here. I want y'all to go into
the d d D comment section, tell us what was
your favorite song, what was your favorite artist that you
got to hear today? And if you did not get
to hear your favorite artists, please put them into the

(04:20):
comment section or in the chat room because we want
to know who we've missed and we want to get
them on for the next time around, not next year either,
because we're gonna be doing this a lot more, bringing
to y'all some of the greatest reggae like we used
to do back in the day. Now, I just want
to come out there and say we're not on Spotify,
and the reason we're not on Spotify is exactly what

(04:42):
we're about to do today. We're trying to get y'all
some of this great music that y'all would not have
heard anywhere else, and Spotify just isn't about that life.
So we're gonna go ahead and get us started with
the King of Reggae, Bob Marley with One Love. And
then after that we're gonna be y'all the Prince of Reggae,

(05:02):
Dennis Brown. So make sure y'all tune in, turn up,
and zone out. This is Bob Marley with one Love.
He on reggae, our baby, this is.

Speaker 6 (05:22):
One wong.

Speaker 4 (05:27):
Let's get you together.

Speaker 7 (05:29):
And all right, here the children crying, You're the children crying.

Speaker 8 (05:39):
Sillion you give ten sons to the Lord.

Speaker 9 (05:42):
And I was all right, let's get together and be
all right.

Speaker 10 (05:53):
Let them out bare dirty Remand.

Speaker 11 (06:00):
There is one question I really love to ask.

Speaker 7 (06:06):
Is there a place for the woofly seress who has
hurtll mankind?

Speaker 12 (06:14):
Just save as home Billiams?

Speaker 2 (06:18):
What about a one?

Speaker 12 (06:23):
What about that gets put together?

Speaker 3 (06:28):
All right?

Speaker 12 (06:29):
As it was in the beginners one ch.

Speaker 7 (06:35):
Allah had rested the law, and I will be alright.

Speaker 9 (06:43):
Let's against this together and be alright, one more lame.

Speaker 10 (06:50):
Let's get together to disulia, so when the man comes
there will be no no do have pity of those
whose chances gross tan there in ex claims from the

(07:11):
father of Creation Series one.

Speaker 2 (07:16):
What a lot of one of them?

Speaker 9 (07:19):
What about lets get chugether and be all right a
pi of manica.

Speaker 13 (07:27):
On one, give bens and prest the lord, then thou
will be all rides.

Speaker 12 (07:39):
Let's get dich agether and.

Speaker 3 (07:43):
A ride.

Speaker 8 (07:45):
Give thence and.

Speaker 2 (07:47):
And I will be all.

Speaker 7 (07:53):
Love and hate can leave ever be fa So no,
oh no, here you are come with love and not
a dream.

Speaker 12 (08:12):
Sure they good? Listen, very chap Falla, Hi.

Speaker 7 (08:15):
All the days of my life, give me no one
no means to be with no evil man before them
on the day when you breathed by the Father's said.

Speaker 6 (08:32):
Liver brooches, but.

Speaker 12 (08:38):
Liver pasta.

Speaker 7 (08:43):
Mynd is a not a head, and my copra over.
Sure they good. Listen Merson, Chap father, Hi, all the
days of my life again before that.

Speaker 12 (09:23):
He reccome with love and lot retreat should be goodness
and mercy shallow.

Speaker 7 (09:33):
On the days of my life it be no one
nobody used to be with no evil man. But they
of the day when you're read by the Fallaci.

Speaker 2 (09:53):
Oh yeah.

Speaker 12 (09:59):
Okay, forgive.

Speaker 2 (10:10):
Yeah, ye.

Speaker 12 (10:20):
See mine is just not again. And my coupri that
is old should be goodness and ba shap father, all.

Speaker 7 (10:38):
The tears of my life, Yeah, ogain high.

Speaker 14 (11:01):
All that.

Speaker 12 (11:06):
Heraccome with love surely Goodnessten mevericon Sha follow.

Speaker 7 (11:13):
Eye all the days of my life. It be no one,
nobody used to be with no evil man by day
of the days when you're with me, he try the
fathers in.

Speaker 8 (11:30):
Live Bochie.

Speaker 12 (11:34):
Oh yeah, my head is annoyt and my cup brothers.

Speaker 7 (11:46):
Oh surely Goodnsten Marthon Sha follow eye all the days
of my life.

Speaker 5 (12:07):
Yes, yes, in this brown way here I come. Do
you know that the other name for this song, actually
the main name of this song is love and hate.
I mean, he says it right there in the beginning.
You feel me A lot of people haven't actually gotten
that concept downpack. You know what I'm saying, because if
you look at the turmoil in the world right now,
it seems like there's so much hate and there's no love.

(12:30):
That's why I love reggae. Reggae reminds you that there
is actually love still in this world, and for it
to be a cultural icon, it should be protected like
it was, like it has been inducted into the whole
of culture with the un sco you in e s

(12:52):
CEO excuse me, UNSCO. I don't know if y'all know,
but a few years ago they inducted it into the
cultural pressure of twenty eighteen. And did you know the
International Reggae Day was founded in Kingston, Jamaica in nineteen
ninety four. Yes, I mean it's reggae has been around

(13:12):
for decades before that, and it's just for so just
such a great accomplishment for us to be able to
see that it will be protected for a time on
time in so definitely definitely want to give shoutouts to
all the greats, Bob Marley, Dennis Brown, Peter Tosh, Bob,

(13:36):
Bunny Wayler. We just want to definitely give shout out
to all of those and thank all of the ones
that came before us for paving a wait for us
to be able to come and express ourselves with love, truth, peace, justice,
honesty and freedom. You know that this is what the
world needs more of because right now, the ones who

(13:59):
have power have us thinking that there's nothing but hate
in the world because there is just so much destruction.
But the ones who are in charge are the ones
that's causing the destruction. We know that the ones that
are in charge are only one percent, So if the
other ninety nine percent of us actually stand up in
their game, it's over.

Speaker 14 (14:23):
Yes.

Speaker 5 (14:24):
Plus it is not just July first, is July one
the global heartbeat of reggae. So make sure you come
and celebrate with us here at reggaeour dot com and
join all of our great reggae connoisals, the people who
are bringing you this reggae culture, and just join us

(14:47):
as we continue to show our love and our honor
and our respect to this wonderful culture. You know, our
culture has a habit of giving praise to the Most
High and the Mother of Creation, Mother Earth, and we

(15:08):
continue to forget that we are a matrilineal people because
we live in such a patriarchal time. But Tasha T
she wants to remind you. We're gonna play a little
clip from an interview that we had with Tasha T
that we definitely suggest that you all go and check out.
But with this clip, she talks about her song Mother
of Creation, which we will be playing right after the clip.

(15:31):
I want you to enjoy Mother of Creation.

Speaker 15 (15:36):
Yeah, what is it?

Speaker 5 (15:38):
Tell me about the song, because I want to know
where your mindset was.

Speaker 3 (15:41):
I know what mine was.

Speaker 5 (15:42):
Where was your mind? Where?

Speaker 16 (15:45):
That song was produced by Silver Damon Productions. And at
first he sent the rhythm to me and I was like, okay.
It kind of took me a while to really come
up with something because I was like, the time wasn't right,
nothing wasn't coming, was exploring, and just then it happened.

Speaker 14 (16:04):
At my niece.

Speaker 16 (16:05):
She was actually eight nine months pregnant, and the nine
months so before she had.

Speaker 5 (16:13):
A baby, which is last year around tune.

Speaker 15 (16:16):
Something was coming to me, you know.

Speaker 16 (16:18):
The spirit is talking to me, and I was just
keep saying Mother of Creation, but not knowing where I'm
going with it yet, you know, teach.

Speaker 1 (16:38):
Him, grew them, nurse him Diamond's teach them grow themn
nur ud.

Speaker 14 (16:50):
Hey nine months in.

Speaker 1 (16:53):
Now womin a belly laybor ping a nice but chop record.
Blessed is the fruit on the wo or reward from God,
just like the sun and the moon. Hes got his
only got in up woman not be conceiving painted suffer

(17:15):
it and not a Chinese pawn again doing I has
them yet the post the priests and kings and Quazy said.

Speaker 3 (17:24):
Gouin.

Speaker 17 (17:27):
Job, he has the piles.

Speaker 5 (17:36):
Job.

Speaker 17 (17:38):
He showed signs and wals pu.

Speaker 2 (17:44):
Job Childian. He has the pal oh.

Speaker 1 (17:53):
Job other appreation spree wotedation.

Speaker 14 (17:59):
I'm the east to the west, to the no to
the south.

Speaker 1 (18:03):
Keep them safe on every road and turn on the
word hot around hollow over.

Speaker 2 (18:10):
Town, hell the world, what is all about?

Speaker 1 (18:14):
Because it's the boomers are the most night excep you
turn away from the youths with a blank. I excipted
them to strike to reach as high as the side
clay from my maucle, from my feet gray.

Speaker 18 (18:29):
Shell, turn off in my timely job. He has the
particle usely join.

Speaker 17 (18:45):
He show signs and walls poly job.

Speaker 2 (18:53):
He has the path the children Joe father of creation, spring.

Speaker 1 (19:04):
For dination and not the child is bond heavy. I
am a deliver, Save them from there wiki and they
white verdita us. Protect the woman with down your stand,
fight more them until the year. Keep the you saw
we are from poun child monsters. Protect them with your
hardcast them at the new floor, waiting to bless my blues.

Speaker 2 (19:29):
Don yell oh my forma. Her child is bond again
doing I ask them.

Speaker 1 (19:35):
Me them bos the priest and kings and.

Speaker 19 (19:37):
Queensy saly che.

Speaker 14 (19:44):
He has the pal.

Speaker 17 (19:48):
O chia he show signs and walmers.

Speaker 2 (19:56):
Holy chi he had the power.

Speaker 1 (20:05):
Oh hi, Father of creation, springboardeditions.

Speaker 14 (20:13):
Teach them grow themn nurds. Needs them grow themn nurds.

Speaker 2 (20:20):
Mother apreation, nurse.

Speaker 14 (20:26):
Needs them grow themn nurds.

Speaker 11 (20:31):
Oh oh.

Speaker 14 (20:36):
Oh, teach them grow.

Speaker 2 (20:41):
Them mother creation, Hey, appreation.

Speaker 20 (20:49):
Chip, but the apreation, not the rough creation. So mother
of creation, mother of create, mother of creation, mother.

Speaker 1 (21:23):
Husband welco he and the band sasion.

Speaker 2 (21:33):
He so sis.

Speaker 3 (21:40):
Child child.

Speaker 2 (21:45):
Chid.

Speaker 14 (21:45):
Don't belong.

Speaker 6 (21:48):
My peopre I know you peop your moon, dessert, your.

Speaker 21 (21:53):
Moon, the last, the eye with thebute belong the card
you are.

Speaker 14 (22:01):
If you love, if you know, why would.

Speaker 3 (22:06):
You if you wake, if you were to change is
not tony.

Speaker 22 (22:14):
If you love, If you don't, why would you say love?

Speaker 3 (22:21):
If you're wake, if you're we to change is not
to less.

Speaker 23 (22:29):
No too face, no bad stubby, you know no tell
in no you got no hell locking.

Speaker 3 (22:41):
You my joy.

Speaker 14 (22:43):
We bring her feet, balls, we thring winzy the bird
in the tree when they sing.

Speaker 2 (22:51):
But the nature.

Speaker 14 (22:53):
If you love, if you love, why would you that?

Speaker 3 (23:00):
If you if you wait, to change is not today.

Speaker 22 (23:06):
If you love, if you don't, why would you say
if you.

Speaker 3 (23:13):
Wake, if you wait to change is not to let.

Speaker 14 (23:21):
Freedom my craft for you and.

Speaker 24 (23:27):
Start.

Speaker 3 (23:28):
Tell you know that I don't want.

Speaker 2 (23:31):
To see my people fight themselves.

Speaker 21 (23:34):
No more bloodshelt It's time for off the spread corruptly
lost the eye, but Daddy kept time window.

Speaker 3 (23:45):
If you love, if you don't, why.

Speaker 25 (23:50):
Would you say if you if you win, to change
is not soley. If you love, if you know, why
would you pay if you're way?

Speaker 3 (24:06):
If you wait to change, it is not too Let.

Speaker 14 (24:13):
More love from prom But the little girls.

Speaker 21 (24:17):
And the balls they are the mute them your mute.

Speaker 14 (24:22):
Yeah, need to know that love is the love and
the man make you lie shine bright?

Speaker 6 (24:29):
No more bam, Let child.

Speaker 21 (24:31):
Shine from the bed coming the beau the can't you.

Speaker 7 (24:36):
See the round?

Speaker 2 (24:37):
If you love?

Speaker 3 (24:39):
If you love, why.

Speaker 14 (24:42):
Would you ta if you way?

Speaker 3 (24:45):
If you win, to change is not so les If.

Speaker 22 (24:50):
You love, If you love, why would you pay.

Speaker 3 (24:57):
If you wake if you wait to change?

Speaker 19 (25:05):
No Nobby Hobby now.

Speaker 26 (25:22):
Spots radio to the world.

Speaker 5 (25:24):
Boom already that was how you wonder man. I had
to look up up because he took me this track,
and I may have to reach out to him. See
Now that's the type of you know, I'm saying, chanting
type of music that I you know, you hear the
music in the background is so it's it's it's smooth,
it's not hyper. Doesn't get your blood rushing, it doesn't

(25:44):
get your heart racing, and you know, it just gets
you to think about what he's trying to tell you.
And you know what I'm saying, and that that that
East Indian uh uh uh feel to it, that it's
indianvite to it. Man that with the I forgot the
name of that instrument. Man, but that's not I don't know.
I don't even want to try y'all with it. I
might mess up your ears and we ain't gonna.

Speaker 14 (26:04):
Do all that.

Speaker 5 (26:06):
Yeah, So definitely look out for Hiauwanda Hyauanda is definitely
on the radar. That one right there where was if
You Love and it is a very very deep song.
I like the lyrics of it. I was I was
kind of caught up in a moment. I don't know
about y'all, but I like that. I like being caught
up in a moment because it does something to you.
Whenever you're caught up in the moment, whenever you're caught

(26:28):
up in the moment, you see things the way that
they're supposed to be seen, you feel things the way
that they're supposed to be felt, You understand things the
way that it is supposed to be understood. And a
lot of people they don't. They listening to me, like
right now, I'm just talking crazy, and a lot of
people don't understand that. And I don't blame them. You know,

(26:49):
a lot of this isn't for filmed. A lot of
people don't believe in their selves. And that's why I
like talking to reggae artists because with reggae artists with
any kind of artistry, with any kind of music writing,
where there's painting or drawing, or any kind of artistry,
what there is production, film production or music production or

(27:11):
some kind of when you put something together to create
some kind of art, if you do not believe in yourself,
you would never achieve it. And that's why like talking
to reggae artists, because they put that message for in
their music. First is to believe in the most High
and then to believe in you. That's why I enjoy

(27:34):
talking to Billy Mystic or the Mystic Revealers a reggae
band that has been putting out music for well over
thirty years and have been connecting with the community for
over forty years, doing great things such as dropping music
called that that was against Aparthi smashed down Aparthi. It's

(27:55):
a great song. Definitely would definitely encourage you all to
go listen to one of the great rapes roots reggae.
But we're going to be playing another song from him
called Blue Now. But it was something that he said
to me that had me thinking about me believing in
my own self. A lot of people believe in what
they can do, but they don't believe in themselves. So

(28:18):
just take a moment, listen to this nice clip and
when we come back, we'll have Blue Now by Mystic revealeds.
You already know you listening to.

Speaker 27 (28:32):
Believe in yourself and do it for yourself, because expecting
people to do your favor to get you into the
music industries, it's not really likely to happen, you know,
And if people want to help you in the music industry,
a lot of the time it could be to your detrimental.
So because there's a lot of unscrupulous people fishing around
in the music industry in those days. So you know,

(28:55):
luckily for us, we took it out punt of ourselves
to develop the group and one path we know, our
own recording, our own production, you know, and as a
result of stepping out on our own, we attracted attention
and eventually cured a good manager, got a recording deal,

(29:16):
and the next thing you know, we were off and running,
touring the world. So it was a long journey, but
it was strictly because due to a great belief in ourselves,
you know, that we were able to do it.

Speaker 28 (29:49):
Every man has a need for a place to call on,
a place of his own where there's a crown and
a throne, where we can praise his gun and he
can serve is king and he can chant King. David
Samson not favor sing. Where people can lead and make
their dreams real. Everywhere you go there is a love

(30:10):
that you can feel in the ground beneath his feet
holds his forefather's bone and his history goes back for
centuries on bold.

Speaker 14 (30:24):
Father banks of that river.

Speaker 29 (30:31):
Where I want my dwell into the sea, Doctor Chunk
of that remark.

Speaker 15 (30:50):
Us, we are in.

Speaker 28 (30:51):
Babyla the Ta without a bone, and they're trying to
tell us we should call his place ourone, and that
we should be thankful for the many things we have,
because those who are as fortunate would surely say we're bad.

Speaker 14 (31:05):
So we should grab everything that the system has to give.

Speaker 9 (31:09):
Bus a life power.

Speaker 14 (31:10):
Slave is the best one we could eve.

Speaker 28 (31:13):
Remember that the judgment will come to one an on
even the dog without a ball, that bit son, Bobylan wild.
Come on, let's live by that river. Bring all your

(31:34):
sons and your daughter. Think about the future and what

(31:54):
it may hold. No time to be fainthearted. It's the
time for being bold. Think about the children, your daughters,
your son, and think about this one that at all
cost must be one to make sure that the things
you do and time you spend all about righteousness and
things you can defend. Because there is one thing I

(32:17):
tell you, yes, my friend, just mess is on its way.

Speaker 11 (32:21):
It's around the bend the blue.

Speaker 14 (32:27):
Captain.

Speaker 15 (32:28):
Live by that river.

Speaker 3 (32:35):
On the bank.

Speaker 11 (32:36):
Public do to choke on my fiam in that river, lie.

Speaker 30 (32:50):
Liar to.

Speaker 2 (32:54):
Lie.

Speaker 14 (32:58):
That's where I I up to be.

Speaker 3 (33:01):
Ula.

Speaker 2 (33:05):
I know, I know, I know.

Speaker 14 (33:30):
Bluela oh.

Speaker 2 (33:38):
La year.

Speaker 14 (33:43):
And that he need water there in the sleep Obamasia baby.

Speaker 15 (34:03):
Wait, that's you.

Speaker 28 (34:10):
Let me take leaf Leada got this from his life.

Speaker 14 (34:17):
I'm not one that's w yes, I job.

Speaker 11 (34:25):
Come on, more people, you talk to my friends.

Speaker 14 (34:28):
This is your time.

Speaker 2 (34:30):
We know it is your head.

Speaker 14 (34:32):
They say that your nap.

Speaker 15 (34:36):
How about more people?

Speaker 14 (34:38):
Guess it is my love. That's where I am love.
Nothing I know, I know, I don't see the he's

(35:07):
it's just oh.

Speaker 12 (35:13):
See that's we are.

Speaker 5 (35:16):
We are.

Speaker 3 (35:29):
He come out, come, we come out, come out.

Speaker 2 (35:40):
We must be.

Speaker 3 (35:47):
Jun up.

Speaker 5 (36:06):
Now Billy Mystic and the Mystic revealing, I'm telling you
that this is the ocean front and talking about the
ocean front. We was having a deep conversation with Billy
Mystic during that interview and he gave me some great
advice that is just so wonderful. I live on the

(36:28):
beach and I never got to really go surfing, and
him being an avid surfer and even to the point
where he teaches how to surf, he told me to
go out there one day and just enjoy the water.
Go out there in the middle of the ocean where
the ocean and nobody around can control you, but you

(36:52):
are free to do as you please. It was a
wonderful wonderful conversation, and I just want to encourage you
all after this great International Reggae Day to go check
on your artists and go to Reggae hour dot com
and listen to all the great interviews with all the
wonderful people that we've had over the past few years,

(37:12):
and just get your feel of peace, because that's what
I get when I talk to them. A little bit
about me, I used to interview rappers, hip hop artists
back in the day. I was part of the hip
hop community around the time where hip hop started to
take a different turn from where it used to be.
You're not going to say if it was negative a positive,
but it was a different turn, and it just wasn't

(37:33):
to me. The di vibe just was not there anymore.
I just did I feel it one hundred percent like
I usually would, and and I just had to get
away from it. And for about a year I was lost.
You know, I had listened to reggae. I was an
avid listener of reggae, but I just never thought about
getting into the reggae sphere because I didn't know as

(37:54):
much about reggae as I did about hip hop. But
now all these years later, knowing what I know about reggae,
I'm so glad I took that journey because my soul
feels that pieces feel so much better than it did before.
I have never felt atonement as I have. Since I've
been listening to reggae, I've gotten closer to the most high,

(38:14):
and I believe it was the music that got me there.
There was a lot of great artists that I got
to interview that just had the spirit in them and
they would preach without preaching. And one of those great
artists that I got to interview, outside of Billy Mystic,
was Redeemed. He's a young I wouldn't say young, it's
a middle aged, you know, he's my age. He's the

(38:36):
spirits of life, you know. And his messages is so pure.
He uses dance hall rhythms to pass a message that
would cure any soul from heartache. And I just want
people to understand how that is possible. I mean, when
people don't understand how important words are, how powerful words are,

(39:00):
and words are food for the mind, and if you
could utilize them correctly, then you can build anybody where
you could tear down any nation. So I just want
I got a clip from an interview with Redeem that
I would like the other listener, and after that his
songne it to get you a little bit more hype
and get you ready for this afternoon because we are

(39:23):
now officially in the afternoon, and I just want you
to enjoy the rest of the day the upbeat spirit,
because usually this is when Babylon tries to tear you
down with all their nasty foods attacking your body around
this time because of high noon and the sun activating
your systems and getting them going, and the food is

(39:45):
sluggish and trying to drag you down and fight through it.
We have some great music and also look into some
ital diet. This fight here is a message from Redeem
and then his song in any You West is right?

Speaker 8 (40:03):
Are the feedback?

Speaker 31 (40:04):
Why so I can know who is where in their
headspace and who needs to get weird? Because if this
album should be heard by someone and there comes with
a negative or a shakey or say a weak feedback,

(40:27):
then I realize I know that that person in their
headspace have not moved away.

Speaker 8 (40:34):
From the jarragons of the system.

Speaker 31 (40:38):
You understand, because all that I have penned and put
to paper is for a person to pause a moment,
take a moment to ingest what I am putting out.
I am putting out food for the mind, not food

(40:59):
for your for me, food for the mind. And too
long of our people been feeding themselves physically. It's not
to feed yourself spiritually. And this album, Key for Cage Minds,
will do just that. If you would spend the time
to listen and re listen, not about the beat, not.

Speaker 32 (41:24):
About this tyle, pay some attention to the arrangement of words,
then you will get where you should be where this
album is concerned.

Speaker 8 (41:37):
Because I kid you not if I should put out.

Speaker 31 (41:42):
The next album, which I can't as yet, because persons
do not get this as yet. Many persons are still
in the milk stage. This album is just a tip
when I have to come next.

Speaker 8 (41:55):
Is way more hard food than this.

Speaker 31 (41:57):
So if you cannot run with the footman, oh can
you run with the ars men? So my people need
to go out get this album, Key for Caged Minds,
Key for a Cage mind I need my people to
get it because I have some things to say lyrically

(42:19):
where music is concerned, and I also have a message
to give verbally.

Speaker 5 (42:24):
So let's go already, where come for more of this message,
Make sure you follow Reggae Hour here Boss radio. We
are all streaming service. Baby, you already know what time
it is and this is them.

Speaker 31 (42:41):
We have some no ideas momos studying only either well
we need so no idea, it's do or now to
go on reading anti the car.

Speaker 8 (42:54):
You know it's at the.

Speaker 4 (42:55):
Car and we are ready.

Speaker 31 (42:57):
Oh yes, somebody into the Navy Afrikaans down and the
Navy and people don't and the Navy mania trust this,
don't and Navy biggers figgle the money Navy and palla
dragons Navy socker Afrikaans don nab make what wanstructional repeat again,

(43:20):
We're people start burning your cane cars. Things cannot be
the same till you're de way back with right full name.
We are no longer your slaves. Stop just like we
live in our cave cars.

Speaker 12 (43:34):
We are not.

Speaker 8 (43:34):
Animals who know what came.

Speaker 31 (43:36):
So me tell no feeling goal with brain break what
Oh yes, I'm go into the Navy. Afrikaans don't and
the Navy and the people don't know the Navy MANI
kid trust.

Speaker 8 (43:49):
This, don't and the Navy biger has.

Speaker 31 (43:51):
Eagle the money Navy and dragons and Navy socker Afrikaans
don't and the name make what wan people? Something's not
right cars? So you feel black your name?

Speaker 8 (44:04):
Mister?

Speaker 26 (44:04):
Why them?

Speaker 8 (44:05):
I recalled?

Speaker 2 (44:06):
And who were right?

Speaker 31 (44:07):
And no war we stand the pamphire cars the way
rulers with them might so released them. That's by But no,
you have seen the lights, so stand and receive your site.
Oh yes, somebody. Africans don't and navy and the people don't,

(44:28):
the Navy, many justice don't yay bigger figgle them and
the navy and dug so Africans don't stuff them phocas
you're your sister. It's all them in body just to
gain control. But no, I don't know langacol cas apto

(44:53):
has not been told. When them we silver and take
we go and the mud roll. But kill me buddy
about that? Miss will magwae one? Oh yes, Sam, go
into Afrikaans down and Navy and got people don't the navy,
minni ustice don't, Navy, big Pasa eagle, the money.

Speaker 14 (45:16):
Navy and para dragons and the navy.

Speaker 31 (45:19):
So Africans don't and navy makewae one.

Speaker 8 (45:23):
This we shall repeat again.

Speaker 31 (45:25):
We're people start burning your cane cars. Things can be
the same until you get me back with rite full name.

Speaker 8 (45:33):
We are no longer you're saying.

Speaker 31 (45:36):
Or stopt you, just like we live in our cave car.

Speaker 8 (45:39):
We are no animal, so we have.

Speaker 31 (45:42):
To learn no feeling with braid with oh yes, some
go intay o Afrikaans down any navy and got people
don't the Navy Minnis Justice don't and the Navy Big
Pasa Eagle, the Monday Navy and dragons.

Speaker 8 (46:01):
Africa want.

Speaker 33 (46:17):
As mister Flaver, I am proud to bring to you, mister,
is the music my stoke.

Speaker 4 (46:27):
I agree on seven.

Speaker 15 (46:29):
Where are you?

Speaker 5 (46:29):
I'm trying to read you, where's your location?

Speaker 11 (46:32):
Telling you all?

Speaker 34 (46:33):
I'm calling you for hour hour hour.

Speaker 35 (46:36):
I agree with music music, I Upliftment Forward Movements chief
because I agreed, sweetest.

Speaker 15 (46:46):
No time to cry, no time to die.

Speaker 36 (46:49):
I've seen the spies when I see my demise despite
the lies I read between the lines with the more side,
it's where I reside. I've got no time to cry,
no time to die. I see the spies, wan, I
see my demise. I've seen the light. I'm a lett
it shine with the mole side. It's where I reside.

Speaker 37 (47:11):
License the trill notorys like James One your Pana mission,
Filly Again Nation in a v Shian lyrical vision, youth
ascending elevation, simplemats, Yeah, Mata martishan no division addition that
made the only six and my five the eight has

(47:32):
on me one take what your vibe? One drainer energy
and would I love to see your guntel You know
know what you're dead, you may stand up stronger.

Speaker 15 (47:41):
Do it for my for mail Lement, no time to cry,
no time to die. I've seen the spies.

Speaker 36 (47:48):
Wanna see my demise despite the lines I read between
the lines with the Mole Side, it's where I reside.
I've got no time to cry, no time to die.
As see the spies. One, I see my demise. I've
seen the light. I'm alet it shine with the Mole Side,
It's where I reside from From.

Speaker 38 (48:10):
Ast Martin something for in five females. That's your logic,
hold on panic, Yeah, it's SUTR money. You know start
step in Lovish from being published by Champagne Exclusive Parties.
I agree there you know get it started the music
the people I wanted to party from not till the
morning I agreed. I'm gonna keep on chanting, bringing the feeling,
not even wanting. Remember said I was going out in
the mare the people I'm dancing ashtag, I open.

Speaker 26 (48:32):
I agreed.

Speaker 15 (48:34):
No time to cry, no time to die. I've seen
the Spies one.

Speaker 36 (48:39):
I see my demise despite the lies I read between
the lines with the mole Side. It's where I reside.
I see the Spies one. I see my demise. I've
seen the light.

Speaker 14 (48:55):
I'm aleted shine with the mole side.

Speaker 36 (48:58):
It's where I reside, the licensed notorious like James Banama,
You innovation, lyric confusions, You sending elevation, simple mathmatic, no division.
Pante at the six and my five days all upon
me one energy, would love to see.

Speaker 26 (49:15):
No where this is. Let me stand up, strangle it
from family.

Speaker 15 (49:19):
No time to cry, no time to die.

Speaker 14 (49:22):
I've seen the Spies one.

Speaker 36 (49:24):
I see my demise despite the lies I read between
the lines with the mole Side. It's where I reside.
I see the Spies one. I see my demise. I've
seen the light. I'ma let it shine with the mole side.
It's where I reside.

Speaker 5 (49:49):
We got r that was I am great representing Jamaica
coming out of Canada right there. No time to cry.
I mean, wasn't an uplifting little ballot right there? A
little drum loop like the thinking drum session. You know
what I'm saying. You know what I'm saying?

Speaker 14 (50:10):
Are you great?

Speaker 5 (50:11):
Is a great artist that hels from from Canada and
he has been doing some great work and he's the
one that introduced me to Tasha, to you who you
will be hearing more of coming up shortly. We got
our song bed of Fire and spread some love. So
we definitely got some music that y'all gonna be able

(50:31):
to jam too. I'm glad y'all was able to join
in with us for this International Reggae Day, so you
can hear my playlist that's coming up that these are
most of these artists I got the chance to interview,
and I agree, I also got the interview. You had
a great conversation with them. Matter of fact, got a
clip for you right here to listen to check this out.

(50:52):
Speaking of which your music is deeply spiritual, how does
your faith in ancestral connection influence the messages you bring forth.

Speaker 39 (50:59):
Well, you know, in my faith, you know, most of
it from growing up going to church as as younger
you would, you know, man, you know mom instilling, you
know Christianity and the whole soul, you know what I mean.
So like growing up in Jamaica, you know, there's a
lot of churches all over Jamaica, So every litqule you
would go to church.

Speaker 26 (51:20):
So I would say, the backgrown.

Speaker 39 (51:22):
And the music came from, like the spiritual contact came from,
like growing up and going to church, going to summer school,
and then kind of think that being on a choir,
you know, yeah.

Speaker 5 (51:33):
Oh yeah, So that's exactly where you got your roots from,
from your exact roots. That sounds iconic. Now, we all
know that we grew up in a church, most of us,
especially of a certain age we grew up. We had
to go in there and sit in that church and
be quiet and take Grandmama's candy. And if that that
candy wasn't enough to keep us quiet, she had something

(51:55):
melts for us. I ain't gonna say what it was,
but we already know it was that switch. But we
already know. We got memories of having to sit there
and watch the man on a pool pit. Most of
those men that stood on the pool pit are preaching.
They look like us, and you know they they in
the churches again, and like you say, in Jamaica was everywhere,

(52:17):
so you know who built those churches though you know
that's the question that we that are like to ask
people them. A revolutionary I would, of course, but still
do not want things like that to interfere with your spirituality.
And spirituality must come first because you have spirituality is
to become one with your breath, because the spirit is

(52:38):
the breath. And you get to learn more about that
as you listen to more reggae, or if you read
your Bible, or if you read your Koran or whatever
you read your holy texts, your holy text will tell
you exactly that. And uh yeah, so that's why I
was so glad to have I agreed on and redeem
on both of those spiritual artists right there. They keep

(52:59):
you which your which your nose is high, so you
can be able to, you know, smell the freedom whenever
it is bound to come. So we definitely want to
continue to push reggae and show y'all that these signs
are just wonderful and if we see what the signs
that there showing us nowadays, where we could tell that

(53:20):
it's almost the end, it's almost the end. So I'm
just asking everybody to stay vigilant because once again, it's
almost the end. But in this time of staying vigilant,
we do is at the same time want to be
able to remember that we have to have fun with
our life. But this is what our life was built for.

(53:41):
It wasn't built just so we can, you know, have
all of this, this this different turmoil and just to
stress every day because what's the point of life. That's
all we're doing is stressing and angry and sad and
being destroyed, and we cannot ever blossom and accomplish any

(54:05):
kind of structure.

Speaker 26 (54:06):
What are we doing?

Speaker 5 (54:08):
It's not good for us. This is why I believe
dance Saul is this dance. Aull actually takes the time
to point out the fact that yes, we have been struggling,
we have been fighting, and we have been giving up
the praises to the most high. But at the same time,
he also made me in his image, so he wants
me to be happy as well. So I'm going to

(54:30):
take some time for me to bless me, to praise me,
to show myself favor, and to have a good time
and enjoy life. That way, when I wake up in
the morning ready to go fight this fight, I have
something to fight for. Danceaull is what we live to
fight for in order for us to have a life.

(54:52):
That's what I feel. I don't know how y'all feel
about it, and I know I just went on a
da drive right now, but I just want y'all to
understand because right now we have another artist right now,
dance all artists, young dance all artists who I believe
that we put a lot of this dance all and
reggae into a perspective for so y'all check out this
clip and after that you're listening to Cadence by him

(55:15):
be A West says radio Baby, you already know what
time it is hitting the world fans and hard. Do
you see it being able to a lot of people
say that they can't exist, co exist on the same
side as reggae roots reggae. I bet the different, But
I was wondering what is your viewpoint on that? Do

(55:36):
you think that they can exist or together or do
you think it's two things that have to be separated
and respected in its own rights.

Speaker 6 (55:43):
Like dance holland reggae.

Speaker 40 (55:45):
Right yeah, dance hall and reggae, I would say, to
be honest, man, they come from the same place, but
they're not the same thing, you know what I mean.
So like reggae is more like roots, you know, it's
more like it's about the culture and all that stuff.
Like dancehall, it's more like culturally embracing certain things, you
know what I mean, Like you embrace certain things about

(56:07):
your lifestyle or certain things about the streets lifestyle and
that type of stuff, you know.

Speaker 26 (56:11):
What I mean.

Speaker 40 (56:12):
And regular you got the streets lifestyle and there, but
it's not the predominant.

Speaker 41 (56:14):
Like Hi Dayani is my mind? They are ya hit
my giants. Oh we lock off dance so now we
have snow time we may party. Shot nae got.

Speaker 6 (56:40):
With mine then brok off back, So danda night seem
like you want party.

Speaker 41 (56:48):
She now goes lapping and sticky landka jumping.

Speaker 6 (56:55):
Say yo, the ways is bobbling the music? You know
what I'm saying? Does be here because she Okay, dove.

Speaker 42 (57:04):
Officer in your vibe, the alloy fabrice, some officer in
your wife yellow fabrier.

Speaker 6 (57:19):
So yeah, bring some mines, no.

Speaker 41 (57:24):
More cuity soup reading my fears pretty coming like a
quick guy Donado because you.

Speaker 6 (57:30):
See when I.

Speaker 41 (57:33):
Yell look, but you know Brad Gallao and so because
he puny to a p event, that's a debreement.

Speaker 6 (57:41):
Yeah, it seems like you want your party.

Speaker 28 (57:44):
She just.

Speaker 6 (57:46):
Misticky and.

Speaker 41 (57:50):
Jo see oh the ways is barbling the music A
drum said, here because she dove.

Speaker 14 (58:01):
In your.

Speaker 6 (58:05):
Yellow spence, sound in your vide yellow SyRI sun.

Speaker 43 (58:16):
Okay, well into the second places, under the shadow of
the allies, set all these my refuge and my pastors,

(58:37):
my god who I trust?

Speaker 14 (58:39):
Say Lord, you have.

Speaker 38 (58:50):
To me?

Speaker 6 (58:53):
And now I won't follow.

Speaker 14 (58:56):
When out fast flu Oh.

Speaker 2 (58:59):
I want follow?

Speaker 3 (59:03):
Was that this what I lose?

Speaker 24 (59:05):
I won't follow you anywhere that you I'll mean ride
by outside. When I first was loose, you mean so
kill me, oh my lad, And I lose anywhere that
you go, anywhere that you go. When I was born,

(59:38):
you had me in your arm, and you never took
your eyes away from me. You heard me when trouble
came and gave me hope to move by. I've always
been there who never denied the fact, never experienced a feeling.

(01:00:04):
You're true, never says a lie. The master you see
come true because I'm happy that you're ride behind me.
Happiness that's far rude, But I'm iffens that you make
me see, make me see tomorrow because I won't follow
you anywhere that you I mean right by your side

(01:00:31):
without first.

Speaker 15 (01:00:35):
Be fun to me who my lord.

Speaker 26 (01:00:38):
And I knew.

Speaker 2 (01:00:40):
Anywhere that you go anywhere, don't you.

Speaker 24 (01:00:54):
I know that you feed the hungry. I want not
to go through thirsty. You give you the war and
needy the dead rides. I been unie with the baby
when you again when we said sorry.

Speaker 3 (01:01:11):
I have no doubt that you said me.

Speaker 2 (01:01:22):
Everywhere that you go.

Speaker 12 (01:01:29):
I won't follow you everywhere that you.

Speaker 3 (01:01:35):
I mean right by your side when I first.

Speaker 24 (01:01:41):
Give me Lord to do me my lod and I
lose everywhere that you go, anywhere that you go. Not
many a time I know my mom was not yes head.

(01:02:02):
I noticed that you were there for me and night
you make me show. When I'm with my game, you
will comes. What about my this is not that they
protect me with that spirit. You know my destiny because
you signed that silly When I'm in trouble.

Speaker 14 (01:02:15):
I call your name, don't deal follow.

Speaker 6 (01:02:22):
Everywhere that you go.

Speaker 24 (01:02:30):
Died on the cross to save me. You made the
end of fifteen Davy. You gave me the war and
nelliad was defeated by your degree. Sam sent the Parazi
Si juicy, you are the one who really really made
me everywhere at you go. I wouldn't follow you anywhere

(01:03:19):
that you I mean run by you outside when I
f was lo.

Speaker 14 (01:03:29):
You mean, do me o my life that I knew
anywhere that you.

Speaker 15 (01:03:40):
Anywhere, that you.

Speaker 34 (01:03:47):
My last red backbone off my life while you may
come running you jos head they hadifi an maker, Oh
my life to ya.

Speaker 5 (01:04:20):
Yes, yes, Sammy B. Coming straight out of Ghana, West Africa.
Yes you heard me, straight out of Ghana, West Africa, baby,
because yes, Africa has reggae too. I mean, I know
a lot of y'all already knew that, but a lot
of y'all didn't understand that reggae is just not it's
seclusive to Jamaica. A lot of y'all get surprised when

(01:04:44):
I tell y'all that there's reggae from all over the world.
I ran into Japanese reggae artists and now I ain't
talking about no J pop. I'm talking about more Jay Red.
You know what I'm saying. And you know with that
B saying, it's a lot of y'all that's tuning in
for all over the world right now, you know, So
hit the comment section, man, tell me where do you

(01:05:05):
where you hailing from right now? Where do you reside
at right now while you're listening here to Boss Radio
right now Reggae Hour on your favorite streaming service, Because
we know that we have been getting the flux from
all over the world. It hasn't just been the United States.
And I just want to see where was y'all. Well,

(01:05:27):
y'all listening to from the night and I want to
know y'all personally, So tell me what your name is
and tell me where exactly you are residing from, because
I can tell you right now. We have people from Italy,
we got people from Germany, United Kingdom, Netsi, co Fasium,

(01:05:47):
the United States obviously, but we also got people from
the Netherlands, Canada, Australia, Sweden, Denmark, France, Switzerland, Finland and Panama. Yes,
all over the world. Most of these is in Europe,
so thank you Europe. For showing so much love, and

(01:06:09):
especially the UK because we know that y'all love reggae
up there in the UK, and we just want to
continue to thank y'all for tuning again, turning up and
zoning out in here, and just want to give a
good shout out to down Under the Australia listening in.
Thank you for tuning in, turning up and zoning out
with us, because we are always here to bring y'all

(01:06:33):
some great music so that you can feel great. And
a lot of people don't understand what feeling great deals,
and that's why we exist. You feel me, yes, yes,
So we continue to ask y'all to share us subscribe
so that others can subscribe to us and we can
show the world exactly what we got going on. We

(01:06:54):
want to give a big shot out to our number
one support us out there and Kenya. We also got Brazil,
South Africa, Guyana, the United Kingdom again, Germany, Indonesia, Japan,
like I told y'all know them, Japanese reggae artists be
going hard out there, and the Philippines, Barbatos. All of

(01:07:17):
y'all are just showing some wonderful love and thank you
so much. And of course Jamaica always going to be
representing on Reggae Hours and definitely continue to show us
some love and we'll continue to definitely bring y'all some
of this great content and we bring it to you
for free. In this episode, I don't know if you
notice has been commercial free. We have not dropped that

(01:07:39):
commercial all episode. Happy No, because we definitely want you
to be able to enjoy what we have for you.
I mean, what's the point of bombarding you with all
of these different different commercials and you never get to
hear the real music. This is why most radio station

(01:08:00):
the last day be after the revenue. We here are
only after to please you, keep you with that great
soul serving music to help us move forward in life.
And this way we can be able to do more
with our communities, do more with our children, do more
with our future. That way, when we come back, we

(01:08:21):
know we're coming back to a solid foundation. Feel me, yes, yes, yes,
right now, don't just want to spice it up a
little bit. So when we come I'm going to drop
a little reggae reggae trivia on you right now, and
that way you can you know, get to understand more

(01:08:42):
about reggae, you know, because a lot of people don't
know about the history of reggae. So we want to
ask y'all who was the first female reggae artist to
be nominated for a Grammy. Make sure y'all hit that
comic section and let me know what you think. Who
is the first reggae female reggae artist to be nominated

(01:09:03):
for a Grammy? In for a little extra credit throw
in the year that she was nominated, Yes, yes, saying
we're gonna keep going with a little bit of Tasha
t like I promised you with bed on Fire and
you know you listening to video with Sis radio baby
that put it on for the rail.

Speaker 2 (01:09:22):
But this is resenting on the regga.

Speaker 1 (01:09:27):
No not them, No, no, no, no, no, damn Jiang
get to me in how's ina? Then mustred If you
bite in that feed, you you're just like how Hapkin?

Speaker 4 (01:09:46):
And let me tell you, no damn Yang get to
me in how's in?

Speaker 1 (01:09:50):
Yams. If you make complains, Mandy, you know Hapkin, don't
grow up that food. No, no fool himself thinking that
his words than you walk coronain ragging about himself and
the things he thinks he can't do. The papoos and

(01:10:10):
any man who makes out himself shall be nothing about
her face.

Speaker 4 (01:10:15):
So just swopping your eyes.

Speaker 1 (01:10:17):
Don't get in my times by the devil arty buys.

Speaker 4 (01:10:20):
Let me tell her no, no them kang it to me.

Speaker 2 (01:10:24):
That's enough.

Speaker 4 (01:10:24):
Your dema scread damp been.

Speaker 2 (01:10:27):
If you're bit the ent.

Speaker 1 (01:10:28):
Fee you, you're just like a fucking Let me tell
her no, no them kang it to me in.

Speaker 4 (01:10:35):
That's enough. Ya nema scread dampen.

Speaker 1 (01:10:38):
If you make a blind man lead you, you're what's
I don't lookington.

Speaker 2 (01:10:44):
Dordn't he the line?

Speaker 44 (01:10:45):
You know it for me?

Speaker 2 (01:10:47):
No man had a faith for me. Jallone con chose
my destiny.

Speaker 1 (01:10:52):
Something appear with them one great when the night is
dark and I guess him.

Speaker 4 (01:10:58):
I know John will be there for me.

Speaker 1 (01:11:02):
P'tect me from my enemy, protect me from my enemy,
just like danielling.

Speaker 2 (01:11:09):
The lions, then.

Speaker 15 (01:11:13):
Holding for my CLV.

Speaker 4 (01:11:17):
Let me tell her no, not them, kang it to
me in. That's enough. Your dema spread jumpet.

Speaker 1 (01:11:23):
When you bite me and de feed, you're just like
I'm walking, then let me tell you do nothing.

Speaker 12 (01:11:30):
Young it to me in.

Speaker 1 (01:11:32):
That's enough, Your dema spread jumpet. If you make complain
man le you you walking then?

Speaker 3 (01:11:40):
No, no, no, not that yet.

Speaker 4 (01:11:53):
Just like Daniel in the Lions.

Speaker 14 (01:11:59):
Holding brom idd.

Speaker 1 (01:12:02):
Let me let them not them younger to me and
that's enough. How your they muspread jumping when you're biting and.

Speaker 3 (01:12:10):
That fee do?

Speaker 1 (01:12:12):
You're just like I'm walking. Let me tell them an
them young it to me in that's enough for your
the maspread damping. If you make complain Mandy you do
you're sat don't know walking? No, not them pang it
to me in that's enough. How your them spread jumping
when you're biting and that fee do? You're sadn't now walking?

(01:12:36):
And let me tell them an them younget to me
in that's enough for your the muspread dampen. When you
make complain, Mandy, do you sun't not walking?

Speaker 14 (01:12:47):
Then?

Speaker 2 (01:12:49):
Just like I'm walking?

Speaker 4 (01:12:50):
Then what's had now walking? Just like I'm walking?

Speaker 14 (01:12:57):
What's other now walking?

Speaker 2 (01:12:58):
The farmer?

Speaker 4 (01:13:00):
Just like how working?

Speaker 45 (01:13:01):
Then?

Speaker 2 (01:13:03):
What wing?

Speaker 37 (01:13:04):
No?

Speaker 14 (01:13:05):
No?

Speaker 4 (01:13:05):
Just have akinlessless just I have a pin? What's that hokin? Listening?
Then whiles and I was like I'm walking then.

Speaker 15 (01:13:27):
Like going.

Speaker 46 (01:13:40):
Yeah, yeah, yeah, you know you're gonna be at like
one person scoring more.

Speaker 14 (01:13:50):
Like but birding, freaking blanking bailing.

Speaker 47 (01:13:56):
Boy in your six cards like one person saak the
line Canati goog going like Valverde well load mastand me
and you are playing on norm yard.

Speaker 12 (01:14:10):
As he watched on you, my god, deliver parries and
we blow your.

Speaker 15 (01:14:14):
Campast, blow your can fast.

Speaker 47 (01:14:16):
It's me gon ta Ta's me now were I'm second
off Jersey silum amana guitar wholla is gourbo.

Speaker 2 (01:14:24):
Youre deare in you are you going to get your
good life?

Speaker 47 (01:14:29):
One person score goal like Valverde, freaky liking boy in
your six yard banks like one person sahak the like
Akanati scogg like Valverde one yeah, yeah, got the right

(01:14:50):
bady women love yeh boy babble bad yeah bad Jackie
Yeah one night to yr La miss froom like any
plus your shoot yo. I'm telling you that you girl
when a Semno's coming.

Speaker 14 (01:15:06):
Big color.

Speaker 47 (01:15:09):
In a amatu like man person.

Speaker 14 (01:15:12):
Scoreboard like Valburdy, three kick.

Speaker 2 (01:15:16):
Like k billing.

Speaker 47 (01:15:19):
In your six grand bansnip one person side like tak
nat scoreboard like wild Burden the baboons and albums and
album slide bad did your biling rapolay grass bar BOMs
and albums and Abum Snipe band. But she's a laddam
file away your God booms and albums and album slide fan.

(01:15:42):
We know need no reb no natal bombs and albums
and Abum Snipe Pan the Baboons and album snipe bad
in a am.

Speaker 2 (01:15:51):
You go at it like one.

Speaker 47 (01:15:52):
Person scoreboard like Birdie three kick, like King Billy Boy,
you know your six Yardboks like one person. Say that
like a Kanati scoreboard, like val Verded.

Speaker 12 (01:16:11):
You know I'm going he had to like one person.

Speaker 47 (01:16:14):
Scoreboard like balbardy freak kick like you baby boy, You
know your six Yardboks like one person, say that like
a Kanati scoreboard like well worded.

Speaker 14 (01:16:31):
Do you know your bigger girl?

Speaker 8 (01:16:36):
Do you know your bigger.

Speaker 6 (01:17:11):
Yes?

Speaker 5 (01:17:11):
Yes, that Dell was your boy quality who we just
got through interviewing and we're gonna be dropping his interview
on July third, so make sure y'all put that in
your calendar. And I also forgot to mention Sammy b
will be on our podcast on January the second. I'm sorry,

(01:17:32):
I said January Wow, Why am I trying to get
rid of twenty twenty five? Asaf? Ain't I Why am
I trying to wind the clock? No, we ain't trying
to wind o'cluck riding. I meant to say, July second,
twenty twenty five. Both of the will be at seven
pm Central Standard time, So make sure y'all put that
in your calendars, have that marked on to tune in,

(01:17:53):
turn up, and then zone out. On the July one,
we will have your boy done Da Da, who's going
to be coming up here shortly after a couple of
songs with this song Lion, And if you ain't already
checked out his double disk, The Heart and the Mind,
then you're missing out. This is a multi platinum hip
hop reggae artist that has been bringing a lot of

(01:18:16):
work to South Africa, been breaking in a lot a
lot of definitely great mental clarity to the music industry,
helping the youth to get into the music industry and
utilize what they have, their talents, that eight talents that
they have in order to get themselves out of the

(01:18:37):
poverty that is running rampant in that country. He has
taken a full frontal attack on the poverty in his
own country and he has taken on the forefront of
attack of all the injustices that has been going on
in his South African country. So y'all make sure that
y'all go and find his urios is his social media

(01:18:57):
done data music, and y'all make you y'all follow him.
But before you do that, he didn't like follow a subscribe.
But here as we could continue to bring you some
great music, we got imminence with green Leave Sapphire music.
You already know you listening to.

Speaker 14 (01:19:25):
A A A A.

Speaker 33 (01:19:28):
It's the essential one eminent essence. Sweet sweet everyone. He
put them unities and make your feeler in the breeze.
We really loved the trees and get by the pa
and then religid the press upon the tug and we
the robed them one for killer ban bug in CONFUSI

(01:19:52):
if you win marriage in the nights past, my grandbag
mois and the lights.

Speaker 4 (01:20:00):
Now performing all start fighting more.

Speaker 33 (01:20:03):
Like okay, telling us said, the Green Jeeves put mommiea
tees ma really need cheez. The smoke com want the
piece because this live with traffic from the east make
you feel like the best knights.

Speaker 3 (01:20:20):
And just the Green Leeves put momayonna.

Speaker 14 (01:20:23):
Ties ma really need cheez.

Speaker 33 (01:20:26):
The smoke com want the piece because this lives. The
traffic from the peace make you feel like the bees
the nights Ma your fight blue, put your makeui light
somebody the fruits them so the smoke well.

Speaker 4 (01:20:42):
Puffy, Yeah, it's bet like ony.

Speaker 2 (01:20:44):
Yeah, have a joke, well funny, just spen all of
the morning aft to me.

Speaker 14 (01:20:49):
I said, sorry, fant you.

Speaker 15 (01:20:51):
Just come me.

Speaker 33 (01:20:52):
I'm something famic one on Cali where him get from
them nas me, I'm the sort on me a puffect
flaner come yeah with the pushan mamriana empt just the
green jeeves put momayonnati is really need cheers the smoke.
Come want the piece because this live with traffic from

(01:21:15):
the ears make you feel like the priest knights and
just the green leaves put momayonna tis really need cheers
the smoke.

Speaker 2 (01:21:26):
Come want the piece.

Speaker 33 (01:21:27):
Because this lives which affic from the peace make you
feel like the priest the nights pounding the one Noma
Mori until my poppet up were relating number Farm then
Momonta sweet Banja with the Brittay liquor star, the mayor
from Bosa cup when my love, oh God, yes me

(01:21:51):
not here sniders with mea for peers the.

Speaker 2 (01:21:56):
Chandua, what's your five tael boards?

Speaker 33 (01:21:59):
First, I'm mons the fire to Nigia mats the green
Please put Momie nat cheese, marinely need cheers, the smoke
come one the piece because this, please put your fick
from the chees, make you feel like the prison night

(01:22:20):
and just agree in. Please put Momia nut jeez, marially
need cheers, the smoke come on the piece because this,
please put your fick from the chees, make you feel
like the pres tonight.

Speaker 5 (01:22:36):
All right, that was imminence with green leaves. I hope
y'all out they're putting them in the air because this
is the day to do it. If it isn't the
day to do it, then I don't know where the
day it is. You gotta be doing it, because I
know I am, and I just don't want to fill along,
that's all. I just don't want to fill along. But
you know where I fucking I smoke along already. But

(01:22:59):
now we want to go Ahea to revisit that trivia
question that I asked you earlier. Who was the first
female reggae artist to be nominated for a Grammy. You
said Rita Marley. Then you are correct, and you deserve
a patter on our backs. Yes, you do, Yes, you do.
You definitely deserve a pat on the back.

Speaker 26 (01:23:20):
Yes.

Speaker 5 (01:23:21):
Riata Marley was the first female reggae artist to be
nominated for a Grammy in reggae. Yes, so this is
what I mean, Mama readA. Marty has always been doing
great work for us. Yes, yes, and I know I
just made a lot of people upset right there. No,

(01:23:45):
Riadam Marley was not the first woman to be nominated.
First reggae or female artist to be nominated for a
Grammy now. The first female reggae artist to be nominated
for a Grammy was Judy Mowatts for her Our of
Them Working Wonders and if you get guess the year
of nineteen eighty five, you got your extra credit right there.

(01:24:07):
So definitely we go check out Judy Mowatt, who was
also the first woman to produce her own reggae album
Black One Man. I know I had a lot of
y'all upset, like no, we read the money come down
got down? Yes, Yes, so definitely they say, y'all go
check out Judy Mowatt mo because a lot of us don't.

(01:24:30):
Actually we say we love reggae, but in actuality. But
I think we're trying to say, is we love Bob
Marley or Peter Tage or something like that. We don't
even know the other reggae artists that are out there
to help build the industry, such as Dennis Brown, who
is the crown Prince of reggae. Even Bob Marley had

(01:24:52):
to give him his props. And you know, when the
king give you your props and you know you your royalty.
You know I'm saying, so, definitely, go check out more
Dennis Brown. Definitely go check out more Bunny Waaler, and
definitely check out some more Peter Tash. Now we're gonna
have more trivia coming up very shortly, so y'all make
sure y'all stay tuned in, turned up and zoned out,

(01:25:16):
and we're gonna listen to more reggae with in You
with Unite.

Speaker 26 (01:25:21):
He won.

Speaker 31 (01:25:23):
What it made no sense for living in the war
when your one what all this sense less killing for

(01:25:49):
in the midst of the night, that you're right to
yo call check black woman not trying to keep crying.

Speaker 8 (01:25:57):
This was not what my ancestors was fighting for. Now
stand for.

Speaker 44 (01:26:04):
Her.

Speaker 31 (01:26:04):
Let's disrepeat itself. The most types the help those who
help themselves. Killing up your one another not meant nothing.
Someone off you appear the consequence. Mama Africa wanna be free,
free from activity, He too that must be free. Number

(01:26:28):
more totalities, U nice ideas of your halla, the whole wealthy,
the person now the most I restorer pas yes and
everyone agree.

Speaker 48 (01:26:44):
Missing again you for you universal unity and negotiations for peace,
unnecessary eye and still international integrity to turn the tixapting running.
Why as to where we should be people living in
the harmony common you an I wise versa unity.

Speaker 2 (01:27:09):
You an I.

Speaker 49 (01:27:12):
Don't want to be remaining of sus situation the floor
We're gonna take shad land on us? Where were units
were reconstrol a lot, a bunch of roomsticks, never a record.

Speaker 8 (01:27:25):
Africa. You know it's a pia unite.

Speaker 50 (01:27:29):
Rasta fire eye leads to it if we come together
as broad the South.

Speaker 31 (01:27:35):
Sisters and meccafrikastrat again.

Speaker 8 (01:27:39):
Africa. You know it's a pan unite, rasta fire I.

Speaker 50 (01:27:44):
Leads to it if we come together as the Sad sisters.

Speaker 2 (01:27:50):
Make Mama friend Godfrid again.

Speaker 50 (01:27:53):
Stop fort the world, stopt the king and they shooting
and the looting stop the crying man, the religious crisis
publicquently from Equilla upon w.

Speaker 8 (01:28:07):
Yeah, let's do the writing.

Speaker 6 (01:28:12):
We live right.

Speaker 50 (01:28:14):
I love you, my brother, love you my sister together
your one one African people. Yea, let's do the writing.
Pity of Ya.

Speaker 8 (01:28:33):
Africa, one of the free, free from.

Speaker 31 (01:28:37):
Jamtivd Han to your famoust be three.

Speaker 8 (01:28:43):
No more totalities.

Speaker 31 (01:28:47):
You nice ideas of y'all, and that's a whole wealthy,
the blessed, not the most restorabnos.

Speaker 8 (01:28:56):
Yes and everyone agrees.

Speaker 30 (01:28:59):
Listen, login U n I T why spursor united, U
n I T white.

Speaker 14 (01:29:07):
You n i T why spersor united U n I.

Speaker 8 (01:29:12):
T w out too many?

Speaker 15 (01:29:15):
We are one.

Speaker 8 (01:29:17):
Unite g g PIA the genesis of our banti.

Speaker 26 (01:29:24):
Unite e g O pia.

Speaker 8 (01:29:28):
I am because we are unite.

Speaker 26 (01:29:32):
G gr PA.

Speaker 15 (01:29:34):
We are the unit for each other.

Speaker 26 (01:29:38):
Unite g g PA.

Speaker 14 (01:29:41):
We say last come from now.

Speaker 12 (01:29:44):
There's a way where your black mark fredomns.

Speaker 8 (01:29:48):
Out too many.

Speaker 15 (01:29:49):
We are one.

Speaker 5 (01:29:52):
That was unite netley by e. You definitely go check
them out. Love the music, love the bi I love
the message as always pushing nothing but peace and harmony.
Then this world full of chaos and we just got
to learn how to balance it all right. But you know,
one thing we could say about what we actually got

(01:30:16):
going going in this world is that I don't think
that this can last forever. We can definitely make a change,
We could definitely stop what's going on, but we got
to be able to move fast. Let's just take a
moment of silence in order to be able to give
thoughts in our prayers to the ones that the innocent

(01:30:37):
that are suffering amongst the one percent that are fighting
with all the power. All right, so now that we

(01:31:06):
are back, we want to continue and join this International
Reggae Day. I hope you got your splifs up in
the air, your vibe and got to some great music.
You maybe you're at work right now, but you've gotten
just split from your mind. You can't wait till your
clock eye. But we just want to make sure that
y'all got the music is going to keep your soul

(01:31:26):
at peace and make you have a great day. And
no matter what the hay to say, you're still going
enjoy your day. You feel me so happy International Reggae
to all of my reggae lovers out there. And we
got another trivia for you. Right now before the original
Whaler's Band of Bob Marley, Peter Tosh and Bunny Wayler

(01:31:47):
they initially formed in in what year as a vocal group.

Speaker 6 (01:31:52):
Called the what.

Speaker 5 (01:31:55):
Go ahead me with that? And if you want to
hit some extra credit, tell me what the name of
the group was before they were called the Whalers again?
And what year was the original Whaler's Band Bob Marley,
Peter Tosh and Bunny Wayler originally formed and as a

(01:32:15):
vocal group what were they originally called? And astrocratic what
was their name after that? Already, right now we're gonna
turn on some ala vera with roots. Raddick sojia Yo
Bo West says radio Baby listened in the Boss Radio.

Speaker 14 (01:32:33):
He's a blad up the times and.

Speaker 51 (01:32:43):
Yeah ruts ruddy Souldia, Mama worriad.

Speaker 2 (01:33:00):
No whispers to see his future.

Speaker 12 (01:33:03):
Gods me a bounce.

Speaker 51 (01:33:05):
A man with no hope will ready a loser, lad
back must be one. I'm a freedom fighter, No retreat,
don't surrender, never given to slip Mandi moneys under the.

Speaker 12 (01:33:22):
Lad will be the whim for me.

Speaker 51 (01:33:25):
Confidenin the victory of foodb.

Speaker 2 (01:33:30):
Evil and I'll keep on fighting.

Speaker 4 (01:33:35):
On a rus radic sould.

Speaker 12 (01:33:39):
Defending shooting rights.

Speaker 2 (01:33:42):
Mama worry a.

Speaker 12 (01:33:46):
Given thanks and holding on to life when.

Speaker 4 (01:33:48):
A ruts radic sould.

Speaker 51 (01:33:53):
So into new it, Mama worried U given thanks, giving
up the fire. A man must stand for something in
front for nothing. Her life is all about a man
with no vision, has no directions.

Speaker 14 (01:34:15):
Take the round.

Speaker 51 (01:34:18):
I'm a liar of Judah, lot of glory and honor.

Speaker 12 (01:34:25):
The strange, my absstance.

Speaker 14 (01:34:28):
To defeed, my your pressers, and I'll never give up.

Speaker 4 (01:34:34):
I'll keep on giant thanks.

Speaker 51 (01:34:37):
You pray down for giving my love, and I'm lovingly
by Life is a pleasure. You got to make things happen.
On a ruge running so ji defriending jooting right, Mama

(01:35:01):
worried up giving thanks and holding on to life when.

Speaker 2 (01:35:06):
A route radic soul job.

Speaker 14 (01:35:10):
So vitinue ike. Mama worry up.

Speaker 2 (01:35:17):
Giving thanks, not giving up the fire.

Speaker 51 (01:35:33):
As you live, you will learn, John, He's all my concern,
He's my defense and my jaker.

Speaker 8 (01:35:39):
You got a fight to be a survivor.

Speaker 51 (01:35:43):
Dada a rouge radic soul.

Speaker 12 (01:35:49):
Defriending shoots it right.

Speaker 2 (01:35:52):
Mama worry up.

Speaker 12 (01:35:55):
Giving thanks and holding on to life when the roots
radic So.

Speaker 26 (01:36:03):
You Mama, give me, give me the world.

Speaker 5 (01:36:14):
I promised you. This is YadA ya reggae album.

Speaker 35 (01:36:21):
Man right in the city, he lie y'all brock from
the jungle. You can't hear my car or the black
browns with each young's fault.

Speaker 5 (01:36:31):
You you rumbled the lie your city mean cold in
the city.

Speaker 26 (01:36:34):
He lie y'are brock from the jungle.

Speaker 35 (01:36:37):
You can't hear my car, n he blacktop browns with
each yours fast you rumbled the lie yours bro.

Speaker 52 (01:36:42):
City will joke what most I protect us to walk
on my shoulders, annointed them pleased. But the first that
we know this said Rasta know about them to know man.
Now we started out woman as I woke in the
pot that was laid down by Chi, only look on
my mind. Here my heart said like this is a
blessing and there is lessen you running on this.

Speaker 8 (01:37:01):
Session, said John Mike Chris text year in.

Speaker 26 (01:37:05):
The city here he lie y'all bra from the jungle.

Speaker 35 (01:37:08):
You can't hear Mike car or even backed up brown
with the dry yans faut you you rumbled, they lie
yas bro city meaning no col in the city. He
lie y'all bra from ben Jungle, you can't hear Mike
Car or you get back too browns with.

Speaker 26 (01:37:20):
You dry yours fast, you rumbled, they lie.

Speaker 14 (01:37:22):
Young bro saying I'm walking like a lion through sign My.

Speaker 52 (01:37:25):
Team is fearless to set up from the stars, like
the feeling with some pyramids.

Speaker 14 (01:37:28):
Y'all is signing a harder mind.

Speaker 26 (01:37:29):
I taped a harder fim give them time. A man
attain you when you give them one.

Speaker 8 (01:37:33):
But I'm a line sitting at the foot of the throne.

Speaker 26 (01:37:35):
Then go saying, oh boy, the get him my goals.

Speaker 14 (01:37:38):
But y'all know what's a loon, bro, I got a
lot of my people.

Speaker 26 (01:37:41):
Let us see my soul and let's go in the city.
Here the lie y'all bra from the Jong good.

Speaker 35 (01:37:46):
You can't hear my car or you get backed up
brown when you dry yeh's faut you you from but
the they lie yours fast city meaning no cul in
the city. He lie, y'all bra from Bejungle, You can't
hear Mike car or you blacktop brown with the dry
young's fast rumbled lie yas for city willn't glow as
the sunset slow on the life that you know said
the night Type five as the bursting.

Speaker 26 (01:38:09):
Sound said the king is a wrong and you're feeling
my rock.

Speaker 35 (01:38:13):
Listen Champion sound brust a man of the crowned Sadie
wind blow for as the sun set slow on the
life that you know you in the city.

Speaker 26 (01:38:22):
Heady lie yeah brock from the jungle. You can't hear
my car.

Speaker 35 (01:38:26):
Or backgrounds with each yours far do you rumbled day
like yas y'all city in the city, heady.

Speaker 26 (01:38:32):
Lie yea brock from the jungle. You can't hear my car.

Speaker 35 (01:38:35):
When it comes back to browns with each yours Fa
lou humblo de lie your bro city willn't glow.

Speaker 5 (01:38:45):
As you can say. Boy, that is why is my
favorite right there right there that gets you HiPE, It
gets you crack and get you ready. Imagine waking up
in the morning, you brush you your teeth, and as
you brush your you put this on where you're gonna
be rare to take on the day. Boy, the lion
is gonna come out of your soul. Boy, that's what
I'm talking about. And you'll heard the message. The message

(01:39:08):
right there so uplifting and so upbuilding, and I'm telling
you it makes the colonizes with the run. But sorry,
I got on my soap box. But yes, like I
was saying before, this is a wonderful song by Don Dotta,
who is a multi platinum reggae artist, and you definitely
need to go check it out more. You can find
them on all social media's that Don Dota music. You

(01:39:31):
can even google him and he's gonna come up all
over the place. But make sure if you really want
to get to know him, y'all check out Reggae yaurd
dot com and check out all of our interviews with him,
because we have had so many interviews with this man,
because he is such an enlightening individual. His mind is
so it embraces the impossible. It turns it into a possibility,

(01:39:51):
and then it turns into a reality. And that's what
I love about our people. That we could take something
that has never ever been thought of before, something that
has always been down or frowned upon, and we can
make it into something beautiful. We could turn it into inspirations.
And talking to spit inspiration. I just want you to
get some of this inspiration that he has that he
gave us when we was talking about his music and

(01:40:14):
his not even just his music, but his efforts in
life and have they're flourishing and coming to fluition for
him and showing fruit bearing going to tree. Especially when
it comes to what's going going over there in Africa,
y'all check this out.

Speaker 44 (01:40:28):
It really speaks a lot because it says that you're
what you're doing is giving a lot of other people inspiration.
You're giving life to others, You're giving creativity to others.
Whereas when you talk about best song or you talk
about best album and something that has a lifespan. So
I'm really proud of being an influential artist, and I
hope that I'm being influential in a positive way and

(01:40:50):
giving the community something that they can build on and
the youngster is something that they can make that'll be
even better.

Speaker 5 (01:40:58):
Man, looking at what's going on over the day in Africa, man,
I gotta say, you gotta have that you had a
hand in that. It's just so much legendary and iconic
history being made over there. And when you listen to
your song Rise Up, it embodies all of this before
it even actually took the world by storm, because we

(01:41:18):
already knew it was in the making. Y'all, was on
the ground, on the behind the scenes, building a blueprint
for freedom. How do you feel seeing your lyrics actually
be an acted on the world stage such as what's
been going on?

Speaker 44 (01:41:33):
Well, you know, it's a good question, and it's it's
a crazy one because to see your lyrics come to
life is like sort of like prophecy. And to say
your lyrics is also a bit bold because I don't
get the lyrics from myself. I pray before I write
my songs. I get my words from God and I

(01:41:55):
write down the message. So it's it's quite a crazy
thing just seeing it come alive. And I always say
this to young artists, careful of what you reporter you
commit on to record, because you're giving more life to
it than it seems. And I guess that's why they
always say a rap about or make music about what
you know rather than what you don't, because you don't

(01:42:15):
know what you could be calling upon you. So it's
crazy to see those things come into life. And it's
beautiful to see Africa also waking up and seeing their potential.
In the history of the world, Africa has always been
looked at as a sleeping wild and the history that
I've been taught. Africa has been looked at as a
sleeping a sleeping entity that has yet to be awakened.

Speaker 26 (01:42:36):
And so to see them awakening.

Speaker 44 (01:42:37):
Now, realizing their power, realizing the value that they have
within themselves, creativity and minerals, it's a beautiful thing. So
I'm loving it and I'm hoping to see more and
more change going on around us.

Speaker 5 (01:42:53):
As you could see, man, this man has the mind
that is going to usher in a help usher in
the youth into a new generation of music. And this
is one of the reasons why you hear a change
in the music. We're getting away from a lot of
unconscious music, a lot of sleeping music, a lot of
music that's put you, you know, into a kind oftent

(01:43:14):
canatonic state. You know what I'm saying, and you we
really do need to help our children see the light,
because once we do help them see the light, we
can actually show them that they can be greater than
what they have been already taught. They are see. One
thing I don't like about history, especially in the US,
and we talk about this on Revolutionary Hour podcasts or
please tune in on that every now and again, But

(01:43:35):
we are one think I don't like about history is
the fact that we start our history as so called
black people and slavery. So it's like off rip from
third grade, the teaching you that you're ain't nothing but
a slave, so that's what you started off as. So
it gets us into that mindset. It gets us ready
to be nothing but slaves, be nothing but working bees

(01:43:57):
who will never attain any kind of position. And even
when we do attain the position, we're not in the
mindset that we can change things because this is how
we're supposed to be. And that is what I do
not like. And that's why I love listening to dun
Daughter's music and I love talking to Dundaughter because he
actually has the mentality that will help the youth to
see past the facade and know that they were born God,

(01:44:21):
you know, blessed be Rostafhara. And when we take that
power and actually start doing greater things, that we can
actually make better plays. You feel me and I think
whilst we see better plays, and we'll see more artists
like Cadence coming and showing his amazing talent bringing the

(01:44:43):
height and the versatility to the microphone. And well, let's
listen to yourself. This is elephant featuring Yolafite by your
boy Cadence here on Bos says radio baby, this is reggae, yaue.
You know how we get down.

Speaker 12 (01:45:02):
Olive back.

Speaker 41 (01:45:08):
Just get a job in a is act you do
in a big fat piece that's an ephant hand off millions,
manappers and bang.

Speaker 6 (01:45:18):
Also mana from.

Speaker 41 (01:45:19):
Plana dream and I not knowing the things with a
fidal figure a better life, make a b then figure
up and a bit a boy right now. But if
it TETs me, is it money in a packaging and
of supply, lu give me machine.

Speaker 6 (01:45:35):
I quick to get together some meetings that.

Speaker 41 (01:45:38):
Are only permoney in a counts O meeting which that
misstacking up a packet.

Speaker 14 (01:45:42):
Feel it?

Speaker 41 (01:45:42):
We need that kind of amael for twenty n C
on the morning we have. When said we get in
front of comical reports. If it's in US word more,
you're like, give me cannot office from me. I go
a big fat piece from the penny road. If I
sleep carimony, if we go up, just get that dropping

(01:46:04):
and his hell on in a big fat piece that
I even hand of millions when I'm pushing ivan girl,
let's watch up it for a lipa bagai sat and
miss some purchase. After that we get it up fan
it all the girls give me the go filling love
fresher than as Noman. I have the insa three money

(01:46:26):
man a couple of meters and but the bleacher gelling
them in PHRs mana make them attag w a speaker
fully by the.

Speaker 6 (01:46:35):
Mister kydnam and packet Philip.

Speaker 41 (01:46:37):
We need that kind of amaze, don't know for dwelling nightly.

Speaker 6 (01:46:41):
Montre money we have been named.

Speaker 41 (01:46:42):
We get in front and co make a report fifteen
as worth more girl like give me men cannot well
be sure big fat peace with the iron never sleep catmonia.

Speaker 38 (01:46:56):
We go.

Speaker 15 (01:47:11):
Every you want.

Speaker 1 (01:47:14):
I'm not treason or you're not kids up you nobody's
your heart, prism, your bet freezer before your back up
by yourself your need bug but nothing, no work cover
loo for your flagi kind of quzy. But we are
not am We are not savages. Then you the future

(01:47:34):
make Christian my friendly co Christmas that it cannot strange
straight childm love and put down those things. Put down
your bed down the pig come by little you will
have been it kind of reminder in spa. Put down

(01:47:57):
those stuff I put down the bag, not not being the.

Speaker 2 (01:48:02):
Kind of lace to me.

Speaker 1 (01:48:03):
Ru'st the power come with this and tranquility depending the
seats we put energy. What acting need you from negativity?
You're just one night, one blow than one family. What
but I want your man one day. You can't be
anything that you want to me. Does not matter about
time you came up, but any co perspect and it

(01:48:27):
jello around the world, spect love and put down those
stuff pure than your web bite.

Speaker 2 (01:48:36):
Yes, well about children. I will have been in pine of.

Speaker 4 (01:48:42):
The Miami Inspects.

Speaker 1 (01:48:43):
Some love, put down those stuff, put down your weapon. Yeah,
I wanted this thing just a way of pride. You
have not lest though, and I selfish really put them
block ky wire what t respect?

Speaker 2 (01:48:59):
No sun?

Speaker 1 (01:49:00):
All right, I'm ex tell them ring the love one
leave me my See why don't you bosn love your
hands clean? You're not listen, lie, you young thing poppery
not like that make you dever Tonia.

Speaker 2 (01:49:12):
You're nothing. I Chris that it covers witch.

Speaker 26 (01:49:16):
Jell co b.

Speaker 2 (01:49:18):
Let's let him up and put down those stuff our
old but.

Speaker 4 (01:49:25):
The pig about.

Speaker 1 (01:49:29):
When being Miami inspects, put down those stuff.

Speaker 2 (01:49:35):
I never put down the weapon.

Speaker 14 (01:49:37):
He put it down.

Speaker 6 (01:49:39):
Put it down last night, you know, puts it down.

Speaker 53 (01:49:45):
Puts it down, you know, but nowhere cover put your
pa put your brother be waiting bucket.

Speaker 1 (01:49:55):
We are not bunny was how you're not stuvages they
you tell me Chris pay coming chrispect and you cannot
spell wait yet.

Speaker 2 (01:50:09):
Love, put down.

Speaker 1 (01:50:12):
Boot down your wedbly Miami instance.

Speaker 3 (01:50:22):
Pull those.

Speaker 1 (01:50:24):
Down your webfe andspect And he goes and he goes and.

Speaker 14 (01:50:30):
Come to Study Corporate.

Speaker 1 (01:50:31):
That he go and goes through and the go and
he goes to Standing Corporate and connect Spade and he
goes from cos.

Speaker 2 (01:50:40):
Cob Nick.

Speaker 54 (01:50:45):
He put one one, put everybody paper the comic respect
and goes on the control that comes Standing Corporate.

Speaker 2 (01:50:55):
And because spat and he doesn't, it goes through and
they go home. And then I go.

Speaker 31 (01:51:31):
Every morning when we right ruler swim. If you're doing
not find yourself, don't this spring and your ear no
fatal before your yellow he look and if you were
Ballet da Barbie, you are not yearly king granted your
row line and no Brice maker when they bring just
as judge are using me to do one little thing,
do not persson filing word that your duty is to
anything you needed me. You're promoting that. They sang and

(01:51:53):
wereen saying, so what are we fighting for? Is it
for earthly things? We are rom peculiar people, children of
one king? So what are we're fighting for? Is it
for earth leasons? Let's join vises together, Barbel and Timbo

(01:52:15):
when we sing rims and judgment bndy in your center
off you're blame? Oh can you blame?

Speaker 6 (01:52:22):
They? Use them?

Speaker 8 (01:52:23):
When now you give them your name?

Speaker 2 (01:52:24):
Honey? Use them?

Speaker 31 (01:52:25):
Are refriend because you're cheating them at your game? Juga
is the kings of kings, and his last hip shall
remain Judja is so merciful for every being for real.
But I'm traveling by me, donkey, and you're flying in
your plane. What are you eating in your white doors?

Speaker 8 (01:52:37):
A pizza? Kaino black? You're pink white? Ya flowing too vain?

Speaker 31 (01:52:41):
So what are we fighting for? Is it for earthly things?
We are ram peculiar people, children of one king?

Speaker 8 (01:52:53):
So what are we're fighting for? Is it for earth leasons?

Speaker 6 (01:52:59):
Let's join?

Speaker 31 (01:52:59):
By says to get her Babylon Babylon saying, how can
you say we are free when I need a passbook
with a visa stamp to.

Speaker 8 (01:53:07):
Travel to your country.

Speaker 31 (01:53:08):
How can you say we are free when it takes
almost two hundreds of my dollar to purchase one of
your currency. How can you say we are free when
we do not have a machine to sympathetic care for
our baby? Am I your enemy? We are not on
the battlefield, then why do you want to kill me?
Was I not created my danza Jah almighty? So what
are we're fighting for? Is it for earthly things? We

(01:53:32):
are a peculiar people, children of one king?

Speaker 8 (01:53:38):
So what time we're fighting for?

Speaker 2 (01:53:40):
Is it for reasons?

Speaker 31 (01:53:43):
Let's join vices to get her babel and chamber. When
we're saying every morning when we write the babu last week,
if you do not ap, you're ready for finding yourself.
Don't let this spring and your earo are fatal before.

Speaker 8 (01:53:55):
Your yellow hellow.

Speaker 31 (01:53:56):
And if you were bat you were not dearly king. Yeah,
maybe make Caroline and no fast maker where they bring
just a vessel judge a using me to do one
little think? Do not pass a violent wreck that your
duty is to eny me. You're promoting this and women sing?
So what are we fighting for? Is it for earthly things?

(01:54:17):
We are a peculiar people children of one king? So
what are we're fighting for? Is it for earthly things?
Let's join vices together her Barbelian chamber when.

Speaker 26 (01:54:32):
We sing.

Speaker 5 (01:54:56):
Readem with peculiar people? Is with God we fighting for?
Is it for earthly things?

Speaker 42 (01:55:07):
There?

Speaker 5 (01:55:07):
You know, I was trying not to play back to
back songs, but if I got this one from Madema,
I definitely got to listen to it. And guess what
I do, And you're definitely gonna have to listen to
this when with this song right here, it always touches me.
It always gets me into the mood of actually talking
the talk that needs to be taught because we are

(01:55:29):
no we lucky. We are stuck here in Babylon, and
being stuck here in Babylon, it never gets any better.
It never gets any it's not gonna get any better.
It is destined to not get any better. So why
do we try? Because we know that one day Job
will come and he will save his people. And he's

(01:55:50):
been doing that and it's not necessarily that Job is
going to come save us. He's already gave us the
tools to save ourselves. We just need to do it.
And this is what we why we have not been
saved yet, but I still love this song and I
just want you to get a text of it.

Speaker 6 (01:56:07):
This is redeemed.

Speaker 5 (01:56:08):
Set your people free.

Speaker 26 (01:56:11):
Bah he like.

Speaker 8 (01:56:21):
Night words of a song to his far Babilan Mamilan
Mamilan senior.

Speaker 31 (01:56:31):
Even in this superl Babi rang Jose, let us speak,
why won't you release this word from your bandage? And said,
Jock be free. Everything going to practice evil? Look, don't
an aversion of evil. Stay apart from the night for
thefo I can't tell you know. Let them an eagle,

(01:56:53):
Do not eat them, food, brand them, cook them, don't
go on catching the stay a far from the tug
and it's a caliplastic.

Speaker 8 (01:57:01):
See your evil in this world.

Speaker 31 (01:57:04):
Bobby round Jose, let us speak on why whoa to
release this world from your bandage? I said, John, leep
free my godness wisdom form you later and put this
world together and the developing from them one come put
my father worker so that like but again some them

(01:57:26):
my gummelt not.

Speaker 8 (01:57:27):
The lecal fire me got the cross and he pecked the.

Speaker 31 (01:57:30):
Soup or like you vampire, see your dive in this world,
Bobby round joseon, let us speak.

Speaker 8 (01:57:39):
On why whoa you release this world from your bandage,
I said, joh leepp free.

Speaker 31 (01:57:48):
Never you get caught up and I mix ups, not
them politics. That's when them come around them full your
friends are politics. Watch out you know what the slave
masters we did defro with. Never you take the market
the best in now you and don't take them chap
of seeing your evil in this su world? Babby round,
just let us speak. Oh why won't you release this

(01:58:13):
word from your bandage? And said, jah people free everything
on the practice evil boom and apporshiping evil. Stay far
from the knife for the park and don't you carry
your needle. Do not eat them food when them cook
them and go on catching off a pieson. Stay far
from the up and the beer and the chugged and

(01:58:33):
a snare. Can you plastic tea? And see your teeth
in this so world? Barby round, just let us speak.

Speaker 5 (01:58:41):
Did not tell y'all, did not tell y'all.

Speaker 31 (01:58:45):
Bandage, I said, jaeople free, pablas. You have built your
image idols because that is who you are. You are empty,
therefore whatever you worship is also empty eyes. They have
what cannot see here's they have what cannot hear feet

(01:59:10):
they have, but they move that. How can you say
if you're gone, is here to hear you?

Speaker 14 (01:59:20):
How foolish you are.

Speaker 8 (01:59:23):
You are empty inside. You are like open support.

Speaker 31 (01:59:27):
Which brings for nothing good, because nothing good is higious.
You are a liar from the beginning, as your father
is a father of replies. You are now found wanted.
The cough is filled with the blood of the saints,
and they are not crying out the Almighty from the

(01:59:48):
anti green your tiles.

Speaker 12 (01:59:51):
Come, jeezuse, I agree.

Speaker 24 (01:59:56):
And need to have a similar bread.

Speaker 6 (02:00:00):
I agree are.

Speaker 36 (02:00:03):
Yeah yeah, grucso gruso live in the pain of them
to char ross answer trading us slight deer bands and stacks,
lock up education.

Speaker 15 (02:00:14):
And lock of jobs. So mes see clear that Timon
was robbed.

Speaker 14 (02:00:18):
Lend them turn round.

Speaker 36 (02:00:20):
Safe, full of yourselves you you will get up and
go work, get that job when you'll get pia every
penny in my grub while we fi live like busy
nabagoa that system. But I reside with the queens and
kings from me in Sandland, Mama Africa.

Speaker 14 (02:00:38):
Yeah, I am proud of to be blanco.

Speaker 36 (02:00:41):
I am sure that's a fact, even through all their
reval ANSAs we still arise. I know when asked up A,
you are great produce to be black A stepure in
all my answers, through all the chains with our box.
When we start New Knight and now we then cast up,

(02:01:04):
creating chaos.

Speaker 38 (02:01:05):
We seem like them of control of boward and mafter
them ten times fold them.

Speaker 36 (02:01:10):
Trying to take my libo and cannot take my soul.
Not to mention, our ossors are bought and sold to
go where our diamonds are gold. They sold, burn all
the books, and now the lies are told.

Speaker 14 (02:01:23):
If from the top the.

Speaker 26 (02:01:25):
Truth is known.

Speaker 14 (02:01:26):
We are kings and queens, the Botania crowns. I am
prodo to be blanco.

Speaker 36 (02:01:33):
I am sure that's the fact. Even through all their
REvil axas we still our rise. I know in our
stuff I are great proto to be blanc A stay pure.

Speaker 14 (02:01:47):
You know my.

Speaker 36 (02:01:48):
Accident to all the change whips on our box when
we start you Knight and now we then cast up,
show detoe toad.

Speaker 14 (02:01:56):
I'm black and I'm prod.

Speaker 15 (02:01:58):
We are renowned.

Speaker 26 (02:02:00):
I'm black and I'm produce.

Speaker 14 (02:02:01):
They don't feel no, We just love your skin color.

Speaker 26 (02:02:05):
Know inside your.

Speaker 36 (02:02:06):
Possest with dom and poa big on Carlandy. But with
ritual and practical measures we are royalty here from the
Dad the truth is known. We are kings and queens
the Boutania cross.

Speaker 14 (02:02:21):
I are great produc to be black.

Speaker 36 (02:02:24):
I am sure that's the fact, even through all their
evil laxs. WI still our eyes. I know when a
stup yet I a great produc to be black. As stayed,
You're in all my access to all the chains withs
on our bass when we start you all night and

(02:02:44):
now with them cast up live in the pain of
them to char rous as treading or slider bands and stacks.
Look at education and lock of choice to missy clear
that Timon was robbed in them.

Speaker 14 (02:03:00):
Two round.

Speaker 7 (02:03:05):
Hold up.

Speaker 55 (02:03:10):
Why cart and appressire my massa and the nup pressure
can appressire my massa and then appressure.

Speaker 2 (02:03:25):
Nine subjects.

Speaker 12 (02:03:26):
You sit down, but try she your tip. I know
the bus on my pile up pup.

Speaker 46 (02:03:34):
She DIASI book so many times you try, and when
the latter butt it sip, you not have sold.

Speaker 45 (02:03:41):
She know and she can't come and firap me if
I wait out my big garage cart an appressire my
massage and then appressure, card the appressire my massa and
then approachure.

Speaker 14 (02:04:00):
First time she goes.

Speaker 55 (02:04:01):
To supermarket WALLI by grocery shipherd now any Benjamin massive
supermarket back up after her.

Speaker 30 (02:04:11):
Not deven yes trapped up Yankee trapped up the prices
these day that dab is something. Last week when she
got about speaking ears, she.

Speaker 55 (02:04:23):
Carded apprecier mass as carded approach the massachup a pressure.

Speaker 30 (02:04:35):
So she started the taps, juggling with the old garrap
on the gloves. Police take it the tip on a
RecA and I said, you know, after replo it's here's
the green robust.

Speaker 3 (02:04:48):
Did you clean up the child basa?

Speaker 12 (02:04:52):
It's in the streets and the capstan the pita she
came for.

Speaker 55 (02:05:09):
Can't an appressire as she can then appressure up cant
an apprecire mass Shire un then appressure.

Speaker 12 (02:05:21):
So she chucked down piecel and to start.

Speaker 15 (02:05:24):
To do some fun.

Speaker 8 (02:05:27):
But because and the tea and the court.

Speaker 12 (02:05:29):
Then she hardly read them kings which can be but
reaching the market earl in the bar.

Speaker 6 (02:05:39):
Chaff cope the cheaper ones than that come from far.

Speaker 55 (02:05:44):
Can't an apprecires an then appressire canting apprecire massage at
the appressire, canting appressire as I said, can't an appresire, Yeah,
I can't an appressure massage, can approssire?

Speaker 3 (02:06:09):
God? What night?

Speaker 12 (02:06:20):
Sometimes she sit down right now to try.

Speaker 55 (02:06:22):
She canna, I know they there is the my pile up,
pile up pigs Taia fimball. So many times she try
in the list about the team she not have so
much low and she cans them. Far after year, I
went out the Magara show kill approssire as a s

(02:06:46):
approchire yaps.

Speaker 5 (02:07:06):
Oh man that there was over Symba with them pressure y'all.
You don't think I could take the pressure, y'all? Do y'all?
I love it, man, I love it. That's the first
time I heard it over symbol. That's definitely gonna be
checking them out, definitely gonna be looking more into them,
and I suggest you do the same thing. Thank y'all
for chilling with us here on International Reggae Day Reggae

(02:07:27):
Y'all Podcasts. We just love nothing more than just to
bring y'all some of this music that you probably would
have never heard of before, because you know, the mainstream
media always tries to make it seem like the more
destructive music, the better the world is going to be,
and we know that isn't true. So we come back
at every day here on Reggae Yaurs. So we want
to thank you all for joining us for this International

(02:07:50):
Reggae Day because we know you could have been anywhere
else but you decided to join us. So this July one,
we want to just take the time out to say
thank you to other of you all had to show
you our appreciations. You all have been so appreciative and
I know you've been waiting for the answer to that
trivia question of what was the original Whalers called with

(02:08:11):
Bunny Bob Marley Bunny Whaler repetetage, what was the original
group and what year was they formed as a vocal
group that the asset to that is in nineteen sixty three.
As a vocal group, they were called the Teenagers. Then
for extra credit, they became the Whaling Rude Boys and

(02:08:34):
later the Whaling Whalers before settling on the name of
the Whalers. So we know that they definitely had a
long and arduous journey to the success that they got
to enjoy. And you know, even though we do not
have them anymore, and we lost two of them at

(02:08:54):
a very early state, one of them at even an
earlier state. You know, we wanted to say that they
always gave us a way to enjoy our life and
to see the world for what it really was. Even
though there was so much turmoil in so many crooked
politicians and crooked businessmen out there trying to make our

(02:09:16):
lives a living nightmare, we still had Jah to thank
for the dream that he gave us to even live
on this planet, this planet that can sustain us if
we just let it, If we just got away from
the buildings, it got away from the busy city life
and be wanting to be a part of Babylon, you

(02:09:38):
know we'll be able to, you know, deal with it.

Speaker 8 (02:09:43):
And we were.

Speaker 5 (02:09:44):
That's when the gratitude the show, because you will see
exactly that you're went for never been poor day in
your life. The priorities were just in the wrong place.
So I'm gonna thank you all for tuning in for
this loan because I know it's been alone long as
our just I hope we got the premiere on and
y'all listening to it on YouTube so you can jump
in and out. But to y'all just listening to us

(02:10:08):
on IHR, iTunes, Apple podcasts, Amazon Music, and any other
place that you get your reggae our podcasts on, then
we want to thank you all for tuning in for
so far because we have hopefully been bringing y'all some
great music that has either a brung you up to
date or took you back in time, and we love
to do that with our roots reggae and a mixture

(02:10:30):
of dance all as well. We only got a couple
of more Rioa gosh, got three more and then we're
gonna be up out of here. We got Cadence once again,
come and call me over. And then we got Hiwana
one more time with Africa Forever. Then we got Lee
Voice Scarlet of Reggae Powerhouse Bond, you know, reggae powerhouse

(02:10:52):
band from Sli and Robbie. So make sure y'all go
and check out our interview with Lebro Scarlett as he
remembers time with the greats Lion Robbie in the studio.
Even tells us a great story about Robbie and another
great story about one of your favorite greats that chastised
them because he gotta to a little fender bending, but

(02:11:13):
do you know what, We're gonna tell you all the
details now, go check out Lee Roy Scarlett on Reggae
Hour and you are going to be in for a treat.
We even got him dropping his interview on July thirtieth,
I'm sorry, June thirtieth, which is the day before International
Reggae Day to Ring in Reggae Day, so y'all make
sure y'all tune in and turn up and zone out

(02:11:35):
for that. And on July first, we are going to
have that Dada as a great interview you definitely want
to check in on. You've already heard a piece of
it earlier. This is definitely a great chance to hear
exactly what he has to say and support his music.
And if the more you support his music, the more
you support the youth, and the more you support the youth,
the bore you support the future. So definitely check out

(02:11:57):
that interview and the next day on June's July second,
we would be listening to Semi b. Semi be coming
straight out of Ghana, Africa, and he's definitely been doing
this thing for a long time. Y'all already know who
Sammy Bell is, so come check up on him and
see exactly what he's been up to ever since he
was on Big Brother of Africa, and he's been putting

(02:12:18):
in some work. He has been doing a lot and
making some very fine storytelling, very fine storytelling, you know.

Speaker 31 (02:12:25):
And you.

Speaker 5 (02:12:27):
Gotta give but entertainer credit when they can tell stories
that are phenomenal. And you know, I just want to
give him his props because he has been doing a
lot for this industry and a lot of people do
not even when it comes to his music. They hear
his music, they can sing it like the back of
the end, but then when you talk about who Sammy

(02:12:49):
Bee is, they be like who? And I don't like that.
I don't like that. Don't be fake, don't be fake.
Come on now, get into the culture, get into the history,
Get into the artists that help build and make it
what it is today. You feel me already, But yeah,
we're gonna go ahead and pass it on to the

(02:13:10):
new age right now with our dance all bread and
kadens call me over, and like I said, y'all, make
sure y'all go find Reggae Our on your favorite stream
of service. Make sure you go to Reggaeour dot com
and find us on your favorite social media, whether it's Facebook, Instagram,
TikTok and YouTube. Baby, this is katus.

Speaker 8 (02:13:27):
We call me over the radio.

Speaker 41 (02:13:29):
Neighbor me blassot that I said me and I sen
me sorry me of this. You willin to make your
dreams come away if I get that time to me
see I never there be morning tar. Let me clean
every there send it live blass the speller texts not
it lot you know, just spark, you know, just spark.

(02:13:50):
I when we find them from I'm finding the way,
I'm smart, get here, get in state. No my kill
you what you'll really I can't use pretty unstid galli
galli a tighter stuff and call me.

Speaker 6 (02:14:12):
Yeah, call me when you need feel opt in my time.
Don't feel coppy. Piast my line and call calling you
call me over on your sneak. Can't figure coming again,
yell when you do yourself.

Speaker 41 (02:14:32):
I like its average kinna, highlight drinking and box shots.
Sendadim first, fine, say your brains every dam your inside,
your do so your sneak while yours how easy apple
you intends the kitten, make a so you're scream and
ourage for a comfort him type. We will leave from

(02:14:54):
the back with the clocks ever clean. And it is
about things like carously grubber Sam pick a part of
my thoughts noise and then slide to your seven eleven slater,
your yeavy. Then be heavy with your hearts intelligence and
when we find them from find likely with women, guy

(02:15:16):
of small since the Dems drive fin Gallier Galler, that's
that's out my mind on the big bay. Jaw me
a bit of tar side Galli Gallia. So calling calling

(02:15:38):
when you need Philip t in my time. Don't feel
cappy past.

Speaker 6 (02:15:42):
My life and uncle call me.

Speaker 14 (02:15:45):
Call me.

Speaker 41 (02:15:46):
Oh yeah, your liquid deem on your sneak be I
am country her cary again.

Speaker 6 (02:15:58):
That's the fun for blocks.

Speaker 12 (02:16:02):
Egypt comment to Africa into wam loto Africa.

Speaker 56 (02:16:06):
Hurry sorry, Ethiopia, frea Egypt, Free.

Speaker 26 (02:16:16):
Africa, furry.

Speaker 56 (02:16:20):
Firry Malifia, Nigeria furry. You brought a sarid slavery library
four thousand hairs and still you never paid.

Speaker 14 (02:16:41):
And look and I can see cerly you still slaving
black people on the daily.

Speaker 19 (02:16:52):
Cleaning Leazi Bettiuma's free of the gold poor, but still
the artifuck from Africa.

Speaker 12 (02:17:00):
That's why the blacks of a mowry.

Speaker 56 (02:17:04):
Furry Cambo Ferry, South Africa Ferry Ferry, Fairies, Nigeria.

Speaker 4 (02:17:18):
Ferry, Mamagana Ferry.

Speaker 14 (02:17:26):
The way you treat the blacks is so unfair.

Speaker 24 (02:17:31):
Fast, use Commota prison, don't jump anyway.

Speaker 14 (02:17:37):
Your gym crawler is chilling us from air to a
war run. Violence will never stop. Increase the fair.

Speaker 12 (02:17:48):
I want my black people and must.

Speaker 2 (02:17:51):
Just be preferred.

Speaker 14 (02:17:54):
You should be scared. My coachip is under Berry.

Speaker 2 (02:18:00):
Ferry.

Speaker 12 (02:18:02):
You Ganda fary

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