October 13, 2025 • 58 mins
Step into the heartbeat of the culture with Reggae Hour Podcast’s new episode — “Underground Reggae Rising.” We’re turning up the volume on the voices that keep the roots strong, the message conscious, and the fire of reggae blazing worldwide. 🌍🔥 From Sizzla’s call for upliftment to Mystic Revealers’ timeless spirit, this episode celebrates the underground revolutionaries of reggae — the ones carrying the mission of love, truth, and resistance through powerful music. 💛💚❤️ It’s more than sound — it’s a movement. 🎧 Tracklist & Timestamps:
0:00 – Intro: Setting the vibes
1:25 – Sizzla – We Can Do Better 🎶
4:50 – Teego Don ft. Anthony B – Jail Bird 🔥
9:10 – Easah & Jhoe Speng – Red No
13:40 – Mystic Revealers – Border Line
18:55 – Atika D.M & Tasha T – Beautiful Lady 💃🏾
23:15 – KQuaiti – Good Ole Vybz
27:40 – Redeemm – Set Jah People Free ✊🏾
32:05 – Mystic Revealers – Blue Nile 🌊
36:40 – Reflections & Outro 🎙️ Tune in to feel the roots, embrace the culture, and discover reggae’s next wave of conscious artists. 👉 Subscribe, follow, and join the Reggae Hour family:
TikTok: @reggaehourpodcast
Instagram: @reggaehourpodcast
YouTube: Reggae Hour Podcast 💬 Tag us and share your favorite track using #ReggaeHourPodcast — we might feature your comment in the next episode!
Become a supporter of this podcast: https://www.spreaker.com/podcast/reggae-hour--2646280/support.
🌍 Roots. Culture. Revolution.
Every episode of the Reggae Hour Podcast dives deep into reggae’s heartbeat — the stories, struggles, and spirit that unite the African diaspora. From Kingston to Cape Town, London to Lagos, we bring reggae’s message of truth, love, and liberation to the world. 🎙️ Subscribe & Tune In:
Watch the full episode on YouTube → https://www.youtube.com/@ReggaeHourPodcast
Listen worldwide on Spotify, Apple Podcasts, iHeartRadio, & Amazon Music. 💬 Join the Movement:
Follow us on Instagram → https://www.instagram.com/ReggaeHourPodcast
Visit → https://www.ReggaeHour.com 🔥 Let your voice be heard!
Drop a comment, share your thoughts, and tag a bredren or sistren who needs this message.
The conversation continues in the comments — we reason, we rise, we build. #ReggaeHourPodcast #ReggaeCulture #Rastafari #RootsAndReality #OneLove #fyp
0:00 – Intro: Setting the vibes
1:25 – Sizzla – We Can Do Better 🎶
4:50 – Teego Don ft. Anthony B – Jail Bird 🔥
9:10 – Easah & Jhoe Speng – Red No
13:40 – Mystic Revealers – Border Line
18:55 – Atika D.M & Tasha T – Beautiful Lady 💃🏾
23:15 – KQuaiti – Good Ole Vybz
27:40 – Redeemm – Set Jah People Free ✊🏾
32:05 – Mystic Revealers – Blue Nile 🌊
36:40 – Reflections & Outro 🎙️ Tune in to feel the roots, embrace the culture, and discover reggae’s next wave of conscious artists. 👉 Subscribe, follow, and join the Reggae Hour family:
TikTok: @reggaehourpodcast
Instagram: @reggaehourpodcast
YouTube: Reggae Hour Podcast 💬 Tag us and share your favorite track using #ReggaeHourPodcast — we might feature your comment in the next episode!
Become a supporter of this podcast: https://www.spreaker.com/podcast/reggae-hour--2646280/support.
🌍 Roots. Culture. Revolution.
Every episode of the Reggae Hour Podcast dives deep into reggae’s heartbeat — the stories, struggles, and spirit that unite the African diaspora. From Kingston to Cape Town, London to Lagos, we bring reggae’s message of truth, love, and liberation to the world. 🎙️ Subscribe & Tune In:
Watch the full episode on YouTube → https://www.youtube.com/@ReggaeHourPodcast
Listen worldwide on Spotify, Apple Podcasts, iHeartRadio, & Amazon Music. 💬 Join the Movement:
Follow us on Instagram → https://www.instagram.com/ReggaeHourPodcast
Visit → https://www.ReggaeHour.com 🔥 Let your voice be heard!
Drop a comment, share your thoughts, and tag a bredren or sistren who needs this message.
The conversation continues in the comments — we reason, we rise, we build. #ReggaeHourPodcast #ReggaeCulture #Rastafari #RootsAndReality #OneLove #fyp
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Frand Rise and family. Welcome to another episode of Reggae,
our podcast where roots, culture and truth meet the sounds
of the people. I'm your host, mister Reed, and today
we're doing something special. Everybody knows Bob Martin, everybody knows
Peter TODs, we all know Dennis Brown. But what about
the voices that don't make the charts, the ones that
(00:23):
who stay underground, still pushing reggae's message of unity, truth
and survival. That's today's journey. We're celebrating the unsung voices
of reggae. So sit back, turn your speakers up, and
let's talk music. And if you listen to Live, don't
just y tap that heart, drop a comment and show
love to the culture. This here is sizzler where we
(00:48):
could do better. After this, we'll get right into it.
You'll heard me here. Hurst on Bos says Radios Reggae album.
Speaker 2 (01:00):
He said, time don't preserve me as I say my
prayers every morning, have to lean.
Speaker 3 (01:10):
On the day from calling out.
Speaker 4 (01:14):
It's a mutchbol size. I'm just so concerned not only.
Speaker 2 (01:18):
Being in bundys. It's a free horbas time and let's
send you that slave please. Still a business bringing.
Speaker 5 (01:27):
Other y'all sunkids. I, my dearie of the persecute your family,
and that's not kind a nation of people disenfranchised.
Speaker 4 (01:41):
Then you get the balance on the prime exactly.
Speaker 2 (01:45):
Preturn the children's future, hey, leaving no one behind. Oh yes,
we can do better, too, better only if we work
together together.
Speaker 4 (01:56):
We should never to love brothers, O brothers.
Speaker 2 (01:59):
And we shouldn't ever hurt our sisters, our sisters.
Speaker 4 (02:02):
Oh yes, we can do better.
Speaker 2 (02:05):
Do better, only if we were together together.
Speaker 4 (02:09):
We should never kill O brothers, our brothers, or.
Speaker 2 (02:13):
We should never hurt our sisters, our sisters.
Speaker 4 (02:17):
Get them stand up in nadis. Yeah, and you need
to your strength in nadis.
Speaker 2 (02:22):
Yeah, you were releasing the pigeons, display whipping on her blisters.
Nowhere manufacturing or road things.
Speaker 4 (02:33):
That's holy. We're to go.
Speaker 2 (02:36):
Around things and so start blessings around things and black people.
You get the crowning.
Speaker 3 (02:43):
Hi.
Speaker 2 (02:44):
Oh yes, we can do better too, better only if
we were together together. We should never kill our brothers,
our brothers, or we should never hurt our sisters, our sisters.
So yes, we can do better, do better, only if
we were together together.
Speaker 4 (03:04):
We should never kill.
Speaker 2 (03:05):
Our brothers, our brothers, and we should never hurt our sisters,
our sisters. Politicians are just playing us.
Speaker 4 (03:15):
Don't be your friend.
Speaker 6 (03:16):
Something they say, yea say beware of.
Speaker 4 (03:19):
All those betrayors.
Speaker 2 (03:22):
Keep praying on the Lord, real answer on our prayers.
Sometimes people only need the little have come after where
they can't just help themselves do so much about We
remember now sis the last and the best thing, it's
all health. Yes, we can do better too, better only
(03:42):
if we were together together. We should never kill our brothers,
our brothers, or we should never hurt our sisters or sisters.
So yes, we can do better, do better, only if
we were together together.
Speaker 4 (03:59):
We should a fro killo brothers, our brothers.
Speaker 2 (04:02):
And we should never hurt our sisters, our sisters. Here
who don't preserve me As I say my prayers every morning,
afternoon and the evening time, as I observe all the
people of the oln calling out, it's a natural size.
Speaker 4 (04:21):
I'm just so concerned or.
Speaker 2 (04:22):
The living in Bundy suffering all these times, and.
Speaker 4 (04:28):
Let's send you that slave.
Speaker 2 (04:30):
You still a business, bring another yellow sun kinds, o,
my dearie, and the persecute your family, And.
Speaker 4 (04:40):
That's not kind a nation of.
Speaker 2 (04:43):
People disenfranchised, then you get the balance on the prime exactly,
preturn the children's future, hey, leaving you one behind.
Speaker 4 (04:54):
Yes, we can do better.
Speaker 2 (04:56):
Too, better only if we were together together. We should
never be love brothers, brothers, and we should never hurt
our sisters, never sisters. So yes, we can't do badter
doo badter only if we want to gabbler to gather.
We should never be love brothers oders.
Speaker 4 (05:18):
We should never hurt our sisters, our.
Speaker 1 (05:21):
Sisters, Yes, sis love what we can do better here
on freak any hour. If we can't do better, if
we can't wake up to date and choose to do
better for each other, then we are only gonna set
(05:42):
ourselves up failure. We gotta stop doing that to each
gotta want to do better for each other. You heard
me exactly. We gotta do better. Man, Sizzler right there,
go check them out. Everybody know who the bost sizzler
here the night. When you get some sizzler in your heart, boy,
don't know, it never cools down. It's stay warm. You
(06:03):
feel me. I'm just gonna get up to a thousand
likes real quick. They raised man. That right there is
the definition of what we talk called Roots Baby, and
that's actual current artist still doing Roots. So Roots is
still alive. It's always gonna be alive because once the
roots died, the whole tree died, and we ain't about
to let that happen. You feel me, yes, sir, So
(06:27):
welcome to reggae yall. With this is bo West says
Radio's Reggae Yard. Well, before we actually get into it,
I just want to know is the real reggae still underground?
Because everybody know who Sizzler is. Sister ain't underground. Siszl
is a mainstream rtist. But we want to know is
the real reggae still underground or is it alive and
(06:47):
well in the mainstream. Sister's doing his thing keeping it
alive and well in the mainstream. With that, we can
do better, So we got to keep it through. Hey,
we gotta do better at all times, you feel me.
But Roots Reggae Sisters answered that right there, that Roots
reggae is still alive and it's still going live in
the mainstream. But we're gonna keep it going here on
Reggae ours. Bo West's Radio is Reggae Hour. You feel me,
(07:08):
So we're gonna start a track off today with a
little bit more underground with a raw powerful unfeuture with
t Go Don featuring Anthony bat with jail Bird. Now
listen close cause this is the heartbeat of reggae right
now you feel me. We have he Go Don Anthony
ba jail for Beel West says radio.
Speaker 7 (07:34):
Now stop ching, Bobby lying, Rung Bobby lying Rung, Stop
Chun Bobby lying Rung Bobby La Run up John Hobby, Bobby, you.
Speaker 8 (07:51):
Sing the song Jill Bird. We attend time to reve her.
Don't tell you word.
Speaker 9 (08:01):
Don't like TV them said this one on History. No,
when I look at what's going on about.
Speaker 10 (08:09):
Of mercy, Netflix, Netflix, gonna picture this one this first
an bullets and just say hold on them, win a slip,
No them, I.
Speaker 3 (08:19):
Use them with witchcraft with five gs that.
Speaker 11 (08:22):
Work bringing me away.
Speaker 7 (08:23):
But Silasi I in the gavest Dan San Bias and
Dan Staff Chant Babylon round them and flick THEMP and
destruction Maco Giant Arts come Eco Giant and rasta ballad
anywhere you're from, stand firm in Nadiyamagidian Anthony d sing the.
Speaker 8 (08:38):
Sun, don't blood chill burn we are tony reverb still
nothing come with them with Antony B.
Speaker 12 (08:47):
Word.
Speaker 3 (08:48):
Don't like TV them said this rue on History.
Speaker 4 (08:53):
No, when Milo can see how much.
Speaker 8 (08:55):
People on the editur babil them with many see there's
no ave looked for humanity ready Pickyl' just the vanity
A long.
Speaker 9 (09:05):
Time you learn that coming grand Daddy.
Speaker 4 (09:07):
That's why I'm mistake against the la chan Kattie.
Speaker 9 (09:09):
I believe in a babyland fantasy peri Shana textas it.
Speaker 3 (09:14):
That's the word of process it.
Speaker 4 (09:17):
Like Jill murn we are.
Speaker 8 (09:19):
In Tammy Reeve, still nothing, younger, We don't this Anthony B.
Word like TV twenty twenty on History.
Speaker 3 (09:31):
No, when I look at what's going on over the.
Speaker 13 (09:34):
Murder if Netflix gonna picture this one this first a
bullets and you say hold on them, have Wina flip
no them, I use them with witchcraft with five gs
network bringing here with whats Lassia and against Dan Sandrias
and stap chant Babylon rung them inflict THEMP and destruction
(09:55):
Meco Giant art, come Eco Giant and rasta ballad anywhere
you're from stan.
Speaker 7 (10:00):
Burn in Ladiyamaide and Anthony B.
Speaker 3 (10:03):
Sing the song blood Chill Bird, we are Tony Reaver
still nothing can that.
Speaker 9 (10:10):
We don't with Anthony b word don't like TV them
said this one on history when look can see how
much people are the editor.
Speaker 1 (10:46):
Yourself shall.
Speaker 14 (10:57):
Yes, yeah, global be comfy burn you yes, I comfy
burning your comfy burning.
Speaker 15 (11:12):
He said, it's gonna get.
Speaker 14 (11:16):
In Nadia time. It's gonna get because with a Yata
Bara guy gonna get read now in Nadi sat tie.
Speaker 1 (11:32):
O forget the light black baby hit them hearts.
Speaker 4 (11:35):
Nah, that's with Tayada bar.
Speaker 1 (11:40):
Was a baby.
Speaker 4 (11:42):
No more nice time when you're living in that champdle.
Speaker 14 (11:46):
That's if you that chapple with that angle Missago for man,
look aver your pando cast the dudes them still that day,
try a random get the.
Speaker 15 (11:56):
Peo, put them the whole talk prom Shane mood.
Speaker 4 (12:01):
But he's all the same.
Speaker 14 (12:02):
So why you're feeling looking for calling me and my
name shame read that for your place. This can I
get read in Lady sat Time. It's gonna get now
because we are your dad borrow. It's gonna get red
(12:23):
now in Lady sat Time. Oh, it's gonna get No
guys with her your barnay.
Speaker 4 (12:36):
Mama bad mama, bry. I see the pard it's.
Speaker 11 (12:38):
A right, she's just so one know when it's gonna
gonna last.
Speaker 16 (12:43):
I saw him never listen, yes, not him, not Christ
and told him after finis my lord, why believe my
son and him my girl? And we've been worked him
this show. I tell yourself aside because my good you
know nothing to do. But there the pressure who opened
after twigger let the charge you please?
Speaker 15 (13:01):
Reliquoush said this, canna get read.
Speaker 14 (13:06):
In Lady sat Time? It's gonna get because we tr
your card barren dry and I get read our in
Lady sat Time. Oh it's gonna get That's we tire
(13:28):
you out of barn.
Speaker 16 (13:33):
Like what gonsan veg he's some them things sounds a
road you speak moreableistdam people.
Speaker 4 (13:42):
The woman a fi protect yourself? Does the streets are gone? Luent?
Speaker 3 (13:48):
You vin and me here rated than running roll.
Speaker 4 (13:51):
Down to the lead.
Speaker 16 (13:52):
That's a player youngster role, the assembled their role.
Speaker 14 (13:55):
Godamn said this kanna get read in Lady sat Time? Uh,
it's gonna get no because we tell you're down the
barren grave. He's gonna get read our in Lady sat Time. Oh,
(14:18):
he's gonna get no. Does we tire you out of barn?
Read in lady sat time. Uh, it's gonna get no
because we tire you're down the barn grave. He's gonna
(14:39):
get read no hour in nad exact time. Oh, it's
gonna get no. Does we tire you out of barren dry?
I comfy burning? Yes, I comfy burning.
Speaker 1 (15:00):
That's signed Joe Spain with red. Now, baby, you can't
tell me the roots ain't alive and that if you
can't hear the roots, then I don't know if you
know what roots is. Ye check me out. Welcome to
Reggae Hour. Were on BeO West Says Radio, bringing it
(15:21):
to you early this morning. We'll keep y'all with some
firefire roots. We even sprinkle in a little bit of
dance all but we'll do that a little bit later
on in an hour.
Speaker 16 (15:30):
You know.
Speaker 1 (15:30):
We waking up right now. We're putting that love in
the heart some of y'all just clocked in and y'all
listening to us here from Reggae, y'all w And I
want to say I appreciate that, appreciate the love in
the building, because you know, it ain't a lot of
it going around lately. You know, we look at the news,
we look at all of this stuff that's going on,
and man were looking like, man, what is going on?
Speaker 3 (15:49):
Man?
Speaker 1 (15:49):
That's why I pop in some roots early in the morning,
Because when I pop in the roots early in the morning, man,
I'll be on my way to work. Man, you can't
bother me no more that day. You feel me because
I know the most hot blessing me with all the
goodness you feel me? Ai. That was Red Now with
Essa and Joe spag and that is a great collaboration. Boy,
(16:10):
I love that collaboration. I like this song because it
actually gets that blood boily, It gets that love blood oily,
get a coin word, you know what I'm saying, Ahi.
And it also reminds me another good hit that came
out that we're gonna be playing next by Tasha t
and a Tic the DM with Beautiful Ladies You feel me. Hey,
(16:32):
We're gonna be playing that one a little later. Ron.
We also got good old vibes by Quality and more
music from Tasha Tea. So y'all make sure y'all tune in,
turn up and zone out for that man. But all right, family,
the first segment was just pure energy right there, giving
you some of that great in some roots where there's
a mainstream of underground, where there's old school of new school.
(16:53):
We gotta hear for you. So you know, it's saying
the underground reggae in this raw form, but now let's
take a step into the art comes ball, but wisdom speaks.
Over the years, I've had the honor of sitting down
with some of the most incredible reggae artists, artists who
don't play just music but live the message. Today, I'm
(17:14):
bringing back some of those moments. Why because the truth
never inspires. This is evergreen product right here for you.
Not the first clip we're gonna be getting into. We're
gonna be talking about give you one moment to be
pulled that up real quick. We're gonna be talking about
but first we're talking about how we're gonna play dance all.
A little later on. Well, first we're gonna be talking
(17:35):
about what dance hall the place that it has in reggae,
because we know we we just got through discovering roots.
Roots ain't going anywhere, but we have dance All that
has has been blowing up for the past couple decades,
and we want to make we want to talk about
where it is in this era of reggae where it
fits in. So we're gonna be playing a clip from
(17:56):
my interview with Haydence. Cadence is a great dance hall
artists out of Jamaica, so you better go check him
out as well. We have an interview on reggae albums
or after this show here, make sure you go visit
our archives and you can check out all our interviews.
You feel me and lick up Cadence and as KATU's
Kate he as in Victor Delta Go November Charlie Echo,
(18:19):
but as Cadence right now, and this is how he
explains dance hall's place in the world of reggae. The
new wave of dance all right now is hitting the
world fast and hard. Do you see it being able
to a lot of people say that they can't exist
co exists on the same side as reggae roots reggae.
(18:39):
I bet the different. But I was wondering what is
your viewpoint on that? Do you think that they can
exist or together or do you think it's two things
that have to be separated and respected.
Speaker 17 (18:49):
In his own rights, like dance holand reggae, right yeah,
dance halland reggae, I would say to be honest, man,
they come from the same place, but they're not the
same thing, you know what I mean. So like reggae
is more like roots, you know, it's more like it's
about the culture and all that stuff. Like that's how
it's more like culturally embracing certain things, you know what
(19:10):
I mean, Like you embrace certain things about your lifestyle
or certain things about the streets, lifestyle and that type
of stuff, you know what I mean. And reggae you
got the streets, lifestyle and every but it's not the predominant,
Like yeah, you feel me.
Speaker 1 (19:23):
So I'd like the way he broke that down. Even
though they come from the same place, that not really
the same thing. You can find a little bit of
reggae elements and dance all but for the most part
they like to call it slackness and dance hall. You
feel me, and I get it. I get it, say,
and this is the way that I like to explain
because it's sort of like he'll pop and rap you
feel me. Hippop came and set culture, set the stage
(19:44):
for rap to be born in you feel me, especially
against the rap things of that nature. But when it
comes to reggae, Reggae was the struggle. Reggae was fight
for against oppression, fight for freedom, to fight to be
able to live the life that we want to be
able to live. You feel me, that's what reggae was.
Reggae was the fire in the cell and fire and
a belly. Look Hill, Prussell, we are not gonna stand
(20:06):
by and let you just do whatever you want to
do to us. We will stand up. We will praise
the most high, we will live off the land. We
will not abide by your system. Battylon dance All was like,
all right, Babylon, we're independent from you, but we still
want to hang out. You know you was kind of fun,
so you was kind of fun. So we got some
(20:28):
things that we want to hang on to. You know
what I'm saying, thank you for introducing us to So
that's dance All in his nature right there. So if
you you know what I'm saying, I believe you could
still be able to be roots with dance All. I
found many many artists, uh over the two years that
we're gonna hear some from one of them, Redeemed Redeem
is gonna tell us, as you know, how he feels
about the music industry. Or whatnot, and how we should
(20:51):
be giving back to it and how it should be
given back to us. Excuse me, but first I want
to talk about Don Data, the multi platinum artists that
has been making waves in South Africa right now. He's
a nominee for the South African Music Awards for his
album Heart and the Mind. So if you're in South
Africa or if you just have some kind of connection
(21:12):
to the music industry, go check it out. Stream it
right now. That is The Heart in the Mind. After
this episode, go stream The Heart and the Mind by
Don Tara. He has a very very very great all
album out has been out for over a year now.
I definitely support it. I definitely suggest that y'all go
check it out. He also just dropped the EP recently
(21:33):
and the EP is five six track for the six
fire tracks You Feel Me. Dona has been putting in
working at Studio Baby, and I gotta say he has
been going love to his people as well. So we're
gonna be talking about We're gonna be letting him talk
about how he feels about his lyrics and listening to
his lyrics and seeing what's going on over there in
Africa with Bikina Fassol, Mali Nisier and all of these
(21:55):
who's in all these African countries start to take back
what's rightfully theirs. What does he have to say by
his lyrics and knows shoal events right there? Baby?
Speaker 18 (22:03):
Tuning in, Baby, to see your lyrics come to life
is like sort of like prophecy and I get my
words from God and I write down the message.
Speaker 1 (22:13):
You feel me, man, Like that's you can't get no
hotter than that. Baby. When I say he's been putting
in work, Man, he's been doing work with the youth.
You know what I'm saying. He's been part of the
Winni Mandelaphant Foundation. You know what I'm saying. He's presented
an award to reader Marley for the Winniman Mandela, the
Winni Mandela Award to Reader Marty again. You know, he
(22:33):
has been just putting in work and showing the youth
they have a way out of this this system that
has been ever so cramped on us and trying to
keep us in, keep us down. You know. So he
has been doing where I love the fact that he
has been actually doing real work with the youth. You
don't get that a lot. You don't actually see that
a lot. So with that being said, I got to
(22:55):
give a shout out to my boy. Hey, y'all, go
check him out. Go check out that album, and you know,
tune in, turn up, and zone out. Baby, you feel
me for real? For real? Now, it's powerful, right, That's
the kind of perspective you don't hear on the mainstream either.
So let me ask you listening live right now, do
(23:15):
you think the industry is helping reggae spread or is
it like holding reggae back? Drop your thoughts in the comments.
You know, I know a lot of people have some
stuff to say about how Ziggy Marley has been putting
the indust the reggae industry and the choke holde you
know what I'm saying, dealing with a lot of business
and whatnot and keeping a lot of artists out. I
know there's a lot of people that's actually they feel
(23:37):
some kind of way about how Chronics Chronology did not
win Album of the Reggae Album of the Year, but
Ziggie Marley's wanted the twenty seventeen. So make sure that
you put in the comments section you tell me what
you think about that and We're gonna make sure we
give you a shout out case we want to hear
what you got to say about that. You feel me
already now we got you know, reggae is all about
(23:59):
social justice, all about fixing what's broken the world. So
with that being said, I want to talk. We're going
to play a clip on how reggae's response to global
issues actually helped change the world. Yeah. Now, reggae has
always been like a voice for truth and resistance. In
twenty twenty four had a share of like world events
like political shifts, protests, the fight for reparations gaining momentum.
(24:23):
How do these movements inspire your current work?
Speaker 18 (24:26):
I would say, you know, it's reggae music is our
music where for people where a struggle and I fears injustice.
So as an artist, were looking out of the world
and it's a certain current you know, situations are in
the world.
Speaker 4 (24:42):
It's like we tend to.
Speaker 18 (24:46):
Speak on it from all point of view.
Speaker 1 (24:48):
I would say, yeah, see, I your great had a
great insight right there, man, And that's the kind that
makes you rethink what reggae really mean. I mean, I
want to know what you think is the next generation
in the torch properly or is it slippy? Now tap
those hearts if you feel like that fire is still burning,
it that the youth actually is gonna be carrying reggae
(25:08):
into the next generation. Not dance hall, but roots reggae. Baby,
let me know what you think about that. You feel me,
But right now we also got to know again social justice. Man,
we got redeemed. Like I was telling y'all earlier. Man,
you know got redeem man. The redeem has been doing
a lot of work in the industry right now. Man,
he has a lot of great music. Where there's roots
(25:29):
reggae or where there's dance all, he has been putting
in that work. And I just got to give him
his props, because, hey, if anybody can show how you
can blend roots reggae with dance allce slackness, it's been redeemed.
So he'll check it out. Where he has to say
about mental slavery and a fight for freedom in Jamaica,
independent that's freedom. It's a myth.
Speaker 19 (25:50):
The names of the parish steal carry the names of
your colonial master exactly, Saint Katrine sainting Liza. That's saying
this this, not Tyra Johnson is no, you're not free.
Watch this now, where identify anywhere you're going in the
world by your name?
Speaker 1 (26:08):
What is your name? That's the first thing they ask you. Yeah,
then where you're from? Watch this now.
Speaker 4 (26:15):
Had it been that my name.
Speaker 19 (26:19):
Was that of my ancestor, you wouldn't have to ask
me where I'm from because everybody would know. But when
I said kunt, when I say I'm a kichi, when
I say if he meaning, they would have none.
Speaker 3 (26:37):
I'm an African exactly.
Speaker 19 (26:40):
Well, when I was taken to the western part of
the world, I was given my slave master name.
Speaker 4 (26:45):
So am I free?
Speaker 20 (26:47):
Not at all?
Speaker 16 (26:49):
Not at all.
Speaker 1 (26:50):
That's a badge of slavery. That's literally, yes, it is.
See and that's what I mean by the insight that
they bring for reggae is not for the dumb of heart.
It's not for the illiterate. It's for the people who
actually knows what's going on and can see through the facade,
see through the veil, and actually peak the game for
(27:11):
where it really is. And now that was just going
on in Jamaica. We really got to show y'all how
it goes on all over the world right now. So
this is the fire prints talk about how give it
back to Limpopo's next generation is actually a very very
useful tool in order to be able to fight off oppression.
Now you're right about that, and you know when, especially
when it comes to the community, your community is pretty
(27:33):
much your base for your spirituality, of your culture, of
your language and things of that nature. And the way
that we reconnect with that community is it says a
lot about us. So let's rewind it to Venda, like
what's happening back home in Limpopo, Like have your roots
shaped who you are today beyond your music and how
do you give back to your hometown?
Speaker 21 (27:54):
You know, like I said, as those who are awakened,
if we haven't yet implemented, it's good to be structuring
putting things in place. But of course, when it comes
to music within this period when one has been just
martially within the industry, there's a lot that has been
(28:15):
done within the province of Filimpopo which is uplifting upcoming
young artists those are known.
Speaker 1 (28:25):
And see, as you can see all over the world
there's been oppressed people and we already know we're not
gonna talk about who we won't want to bring no
more light on who is doing the oppression. We need
brain light to be oppressed, and that's what these artists
are doing. That's showing you what these youths are going through,
but problems they're facing. Because if we can show what
we can face the problems with them, then when we leave,
(28:47):
we don't leave them with these problems that we created
for them. And I love how these artists give back
to them. From Don Dodder, the Higher Prints, the Cadence,
who is a young man given back to the community.
This is what it's all about. It's not about making
a whole bunch of money and then going by flashy jewelry,
flashy cars, flashy houses, and things of that nature. No,
(29:07):
it's about how did you give back and make the
world a better place. You see, we don't get that
a lot. And that's why we have this podcast right
here to bring light to exactly that. Why we must
give back what we have gotten from the community, because
if not in the community won't have anything to give
back to the next generation. All we doing is leaving
(29:29):
them in desolation and we don't need that. Across the nation,
we need to be able to make sure that they
have what they need in order to be able to
survive because I believe in reincarnation. I do. I believe
in DNA reincarnation. I believe that you will be back
through your DNA. So if you don't leave your children
with anything, you ain't gonna have anything when you come back.
(29:51):
So that's why I believe in giving back to the community,
giving back to the children, giving back to the youth.
And I, like my boy Tupacts, always said, why am
I waysing time with all these adults when it's these
child are out here that can use this knowledge? And
I am all about that. You feel me? Now, here's
some more music we got Borderline for Mystic Revealers. We're
(30:12):
keeping in live with the roots. Baby, you heard me?
And after this, after this episode, definitely go check out
Mystic Revealers reggae our will interview.
Speaker 11 (30:21):
It is hot.
Speaker 1 (30:22):
He has come with some fire and he talks about
why he pushes the gun. Job. You feel me? So
we definitely want to tune in to turn off for
that hit them like buttons. If you're listening to us
on TikTok, tune in, turn up the zone. Now, this
is Borderline with Mystic Revealers. Here one, you.
Speaker 15 (31:00):
Gotta be stuff and never make it.
Speaker 3 (31:03):
When living on the.
Speaker 20 (31:06):
She got the giant find some position.
Speaker 15 (31:11):
Seven days a week, try stuggling just to get enough funny,
to find some.
Speaker 4 (31:18):
Loose stud.
Speaker 15 (31:21):
Walk in the shoes right up my feet.
Speaker 22 (31:24):
Sometimes stumble and short nowadays, so maybe people don't want
it means to be stepping on the butter and the person.
Speaker 15 (31:35):
Just can't take it.
Speaker 20 (31:36):
Step on the.
Speaker 1 (31:39):
Basically when they're in again, you'll know the borderline is
saint but your We've all lived on the borderline.
Speaker 15 (31:46):
Baby sleeping on the butter.
Speaker 1 (31:53):
On the streets.
Speaker 15 (31:57):
We see then says please, oh.
Speaker 3 (32:03):
No, and n I'm night.
Speaker 1 (32:05):
They please, Yeah, that's that Mystic revealer's borderline sleep.
Speaker 15 (32:12):
Why did I run them up? Because I'm the person
just can't take it.
Speaker 12 (32:21):
Give it on them, Give it on You's gotta be
stuff on your level on.
Speaker 1 (32:32):
The Mystic revealers have been doing this for a while, y'all.
They got an it's at discography. Definitely gotta check him out.
Speaker 23 (32:53):
With a live instrument playing Come on now, she ain't
the love hit them hearts?
Speaker 2 (33:10):
Give it on the.
Speaker 15 (33:13):
And the pressure and just can't take it.
Speaker 3 (33:16):
Gave it on the bottle.
Speaker 15 (33:18):
See the mom crazy when they're in the parish giving.
Speaker 20 (33:22):
On the bottle.
Speaker 15 (33:23):
Gotta be some more, you'll never make it.
Speaker 20 (33:27):
Leave it on the.
Speaker 2 (33:30):
No sense and.
Speaker 15 (33:31):
Worrying wolf fed up your mind.
Speaker 22 (33:37):
Stop bubbling because I don't want to see them struggling.
Speaker 15 (33:44):
Come on, don't waste your time, start bubbling.
Speaker 11 (33:51):
To with you find that.
Speaker 15 (33:54):
One love to you and the pressure and just can't
take it.
Speaker 3 (33:59):
You can take it, baby, you wanna little busy.
Speaker 15 (34:03):
And there in shive it on the b st up
you shocking. You wanna package shi.
Speaker 4 (34:13):
See this.
Speaker 3 (34:16):
On the.
Speaker 15 (34:20):
Can't take it? Love you something you never magage.
Speaker 12 (34:29):
Some one that said, don't try the fagage sta keeping the.
Speaker 20 (34:40):
Man.
Speaker 1 (34:42):
Appreciate the love everybody.
Speaker 20 (34:45):
Seven can't please?
Speaker 1 (34:51):
Got trust you got more music from a take a
DM and toush a te nets Because we ain't being
showing our ladies the love this morning. It's time to
show them some real love. Baby.
Speaker 24 (35:05):
None of them can't get too weird causing a fire
that must break damn bed cause if you bite the
hands that feed you, you're just like I'm working Dad
did not no reggae.
Speaker 15 (35:15):
Oh I met them, not to your family.
Speaker 11 (35:18):
Love all about it.
Speaker 1 (35:22):
Love fancy some lodacity everybody, My beautiful.
Speaker 25 (35:29):
Lady liking the Holbymuncle to my beautiful lady poll by
guy boom Journal, My beautiful lady liking the Holbymuncle to
my beautiful.
Speaker 4 (35:46):
Lady, poldy guy boom Journal.
Speaker 15 (35:50):
You told my heart to keep it well. Life without
you will be.
Speaker 25 (35:55):
Halve inel being an arm chiburo no mo.
Speaker 15 (36:02):
Love your baby.
Speaker 4 (36:05):
I will never give up the botto what.
Speaker 25 (36:11):
Lord mabiautiful lady, noting that's on the old muncle, My
beautiful lady. All the eye born Jeel, my utiful lady,
noting that's the old uncle.
Speaker 11 (36:29):
My beautiful lady, I'll joel.
Speaker 24 (36:35):
I will never believe your slan because you are a
part of me. You are, by everything, my only one.
Together we were meant to pay.
Speaker 11 (36:45):
Me little reasons.
Speaker 15 (36:48):
Love no no, no matter what. Caesar, my beautiful lady.
Speaker 25 (37:00):
The old bea Uncle, Beauty lady, hold the guy bom Joel,
My beautiful lady. Nothing that's on the old beam uncle
Beau before lady, hold the guy bom Joel, I'll issue Bavid.
Speaker 15 (37:21):
You t monolog.
Speaker 4 (37:25):
Woman of man like to anything I need?
Speaker 26 (37:28):
WHOA I never knew your happy name. Still I met
you again no, beautiful lady.
Speaker 15 (37:43):
Nothing that's on the old monkeys.
Speaker 1 (37:49):
It's a beautiful lady. I had a grand tim interviewing
her on my bacad.
Speaker 15 (37:54):
Listen the old uncle, beautiful lady.
Speaker 4 (38:00):
Hold the bottom your.
Speaker 3 (38:03):
Nolos up forever nolos.
Speaker 11 (38:16):
Not uncle lad left.
Speaker 15 (38:26):
It's all about it when you love.
Speaker 1 (38:36):
A Tica DM and Tasha t beautiful lady. Oh, I'm saying, though, man,
you gotta you gotta wake up every morning to roots reggae. Baby.
If you don't yo, they may go a little a straight.
That's what we do here on reggae, our baby and family.
We've heard from the underground voices. We've heard wisdom from
(38:56):
the vault. Now let's bring it all home because reggae
isn't just history, it's today, it's now right now. Now
look around the world today, political struggles, economic uncertainty, social division.
But reggae has always been about one thing, truth and
survival through nity. Now, when Peter Ta said equal rites
(39:20):
in justice, he wasn't talking about yesterday. He was talking
about forever. Because when we compromise it one day, we
compromise it for all time. And think about Bob Marley's war,
those words came straight from a speech by Holly Selassi,
and guess what, They're still true today in twenty twenty five.
(39:40):
Until the color of a man's skin is of no
more significance than the color of his eyes, there will
always be war. That message is not age a single day.
So I want to ask you listening right now, what
reggae song gets you through the struggles today? What's that
one track that feels like it was written just but
the moment? Prop it in the comments, Share with the family,
(40:03):
because we're building a soundtrack to ours a bible. You
show you, share it, real, play it right now. It's
been a track that speaks to the moment. Now we're
gonna bring it forward with a little bit of dance,
all mixed with fruits from your boy quality, which is
something with a conscience or freedom message. Now listen close,
because this isn't just music. This is a message for
(40:26):
the day. He is good old vibes, quality.
Speaker 27 (40:41):
John my neck. We got you again out hand on
kill into each other and live together in pe class
you feel you go to it your neighbor. Never a
(41:02):
fad for grand Tamanna famer allover bid.
Speaker 28 (41:06):
We need to go via guys, mappromizeness and the Conna ringback,
come fine, dreamt the bring back the bring back a love,
bring back combine.
Speaker 11 (41:20):
Yes, bring back the niceness on the ConA.
Speaker 28 (41:23):
Bring back combine, bring back the bring back to bring
back the.
Speaker 15 (41:31):
Long time. We know are a local bbes but different.
Speaker 27 (41:34):
Nice to up to sunshine and if it time will
be usually fine.
Speaker 16 (41:39):
You loot to your jow you not see your be
your crime, be.
Speaker 11 (41:42):
Your bad time from a shot.
Speaker 28 (41:44):
And we like, go my baby, make with your one
night and limit up and enjoy your life.
Speaker 15 (41:51):
We're pretty close.
Speaker 20 (41:52):
Because your.
Speaker 28 (41:55):
Yes, mack nizeness and the Conna ringmand come fa, Yes,
dream to bring back, to bring back alone, bring due everybody,
bring back the kee that good old bikes.
Speaker 15 (42:10):
Mack come fine, bring back to bring back the bringa.
We want be so come Wes.
Speaker 11 (42:19):
Yes, we want be so gone eas.
Speaker 15 (42:23):
We want peas.
Speaker 28 (42:23):
Gone sound Wan Pies not drunk Wan Pies gone down.
Speaker 11 (42:31):
Brendis Ndama's song want Py Son around Goring by somersde.
Speaker 29 (42:40):
F Yes know some love, everybody hit them hearts, bring
come fine. I want to let the whole world hear
roots reggae. Early in the moment, Yes, bring.
Speaker 28 (42:54):
The niceness tongue locana, bring back dumb fine bring the
bring back the brainma love long time the nob a
lical bites.
Speaker 15 (43:06):
But if I'm nice, rip.
Speaker 11 (43:07):
Back to sunshine on the bad time to be usually.
Speaker 4 (43:11):
Fine, helot you down.
Speaker 30 (43:13):
You see your be okay in your bad times and
my shut noa time, come my people make with all
your night, live it up and enjoy your life.
Speaker 11 (43:23):
We think cloth because i'd been reading a good.
Speaker 28 (43:26):
Byes ra the niceness on the conna, bring come back.
Speaker 11 (43:34):
Dringma the bring back the bring back a love, ring.
Speaker 28 (43:37):
Back come bays rack the niceness on the conna, bring back,
come back, bring back the bring back the bring back love.
Speaker 11 (43:52):
Ah he's bringing back, Oh yeah, bring back my fever.
Speaker 9 (44:15):
As mister flea verb, I am prod to bring to you, mister,
is the music mice job.
Speaker 1 (44:23):
Quality in the building with good old vibes. Yeah, you
can't tell me that ain't no crack for the heart
right there, boy, Look here man, if that ain't easy listening,
I don't know what to tell you, baby. I'm just
say we all about piece of love over here, and
piece of love, bring good old vibe. So bring the
piece of love. I take that all day long, and
(44:44):
I give you something back. You know, I got plenty
of it and I ain't holding it back for nothing.
You feel me. That's how we should be living our
day every day. And I'm just so happy that I
can bring you this music they help you get today
when in your life. You feel me. Now, now we
got more music coming to you, because that's the energy
(45:04):
that we need.
Speaker 4 (45:05):
Man.
Speaker 1 (45:05):
Reggae has always been the voice of the people, the
cry of the oppress, the rhythm of the resistance, and
whether it's Kingston, Brooklyn, Legos or London, reggae speaks the
same truth in the same language. One love, one heart,
one people. So with that being said, show some love
(45:28):
by hitting them hearts right now, we're trying to get
our goal of reaching with two roses. If you can
hit me up with a rose, I appreciate it. One
love to Blaze Thunder for hitting us up with the
lightning boats staying true to his name. Five That's what
I'm talking about. Appreciate that love.
Speaker 17 (45:43):
Man.
Speaker 1 (45:44):
We're gonna ride out this segment with another one for
the time now. This one is by Excuse Me, by
redeem and it's one of my favorite songs actually man
by redeem set jah people free. And then NC he
talks about exactly why we be setting jock people free
because we really do not have too much fight for it.
(46:08):
It's our life. You feel me that we're being held down,
and he talks about it very very very adamantly in here.
So I definitely want to keep it going. You already
know you listening.
Speaker 6 (46:19):
To hers of a son to his fine.
Speaker 19 (46:38):
Senior, even in this superb by being around John, Just
why you won't you release this word from your bandage?
And I said, John, fith everything on the practice evil, no,
the vershiping even stay far from the night for the
(46:59):
five Condon and you know them your needle, do not
eat them, food brand them, cook them and go one
kitchen up pies.
Speaker 31 (47:05):
Stay far from Can it be here? And he chugged,
and it's near. Can the plastic digle see your deep
in this world? Pappy Lune just let us speak, Oh why.
Speaker 19 (47:17):
Won't you release this world from your bandage?
Speaker 6 (47:20):
And said, deep free.
Speaker 19 (47:25):
My God in this wisdom form you later and put
this world together.
Speaker 3 (47:29):
And the deplo in front.
Speaker 19 (47:30):
Them one come put my father work so that like
but again some of them my gummelting. Not the little
cap fire me got the cross and he pecked the
zoop or like you vampire, see in your deep in
this world? Bobby around, Just let us speak. Oo, while
won't you release this world from your bandage?
Speaker 1 (47:52):
And said shoppyeople free?
Speaker 19 (47:56):
Never you get caught up and I mix up, not
them palattice, just when them come around them full your
friends are polytriics, watch out fully, nobodious slave masters.
Speaker 6 (48:06):
We did the fro with.
Speaker 19 (48:08):
Never you take the mark of the beast in now
you and don't take them chap up? Seeing your evil
in this so world, Bobby run, Just let us speak.
Oh why won't you release this word from your bandage?
Speaker 4 (48:23):
I said Jack?
Speaker 6 (48:24):
People free.
Speaker 19 (48:27):
Everything on the practice evil boom and apparentshiping evil stay
apart from the knife for the park and do them
the needle.
Speaker 16 (48:35):
Do not eat them food and them cook them from.
Speaker 19 (48:37):
The one kitchen off a pieson still a far from
the can, the beer and the jugged and sneak.
Speaker 3 (48:41):
Can you plastic eagle see your evil in this so world?
Speaker 20 (48:46):
Bobby run?
Speaker 11 (48:47):
Just let us.
Speaker 19 (48:48):
Speak, Oh why won't you release this world from your bandage?
Speaker 15 (48:54):
I said Jack?
Speaker 19 (48:55):
People free pamelas you are build your image idols because
that is who you are.
Speaker 6 (49:06):
You are empty.
Speaker 19 (49:08):
Therefore whatever you worship is also empty eyes.
Speaker 16 (49:12):
They have what cannot see here's they have what you
cannot hear.
Speaker 1 (49:18):
Feed they have, but they move that.
Speaker 19 (49:21):
How can you say, if you are God is here
to hear you, how foolish you are?
Speaker 16 (49:31):
You are empty inside.
Speaker 1 (49:32):
You are like open suppor a g.
Speaker 4 (49:35):
Which brings forward.
Speaker 19 (49:36):
Nothing good, because nothing good is beliefious. You are a
liar from the beginning, as your father is a father
of flies.
Speaker 6 (49:46):
You are now found wanted.
Speaker 19 (49:49):
Your cough is filled with the blood of the saints,
and they are now crying out to the almighty from
there degree your time.
Speaker 20 (49:59):
Let's come.
Speaker 1 (50:01):
Down with Babylon Man see redeem I think you know why.
That's one of my favorite songs. Iron right now. But
every demon set jap people free. That's all we want,
some freedom. You heard me, man, Let your hear family
with a ride. It has been today were you've taken
(50:22):
time to shine light on the underground voices. We revisited
wisdom from legends, and we reminded ourselves that reggae is
more than music. It's a movement. It's a culture. It's medicine.
It's a mirror to our times. But before we close,
I want to remember something that reggae didn't just survive
the struggles of the past by chance.
Speaker 4 (50:44):
Uh uh.
Speaker 1 (50:45):
It's a vibe because the people demanded it, because you
demanded it. Every single person who listens shares it, keeps
the fire burning in this movement has demanded it. Bob
Marty once said, one good thing. Ain't gona buy music.
When it hits you, you feel no pain mine. But
here's the thing. Reggae doesn't just hit you. It heals you.
(51:08):
It reminds you. It reminds us that even when the
world is cold, the rhythm is warm. Even when the
system is broken, people are strong. So it's by challenge
to you listening right now. Don't let this just be
another podcast episode. Let it be a reminder, Let it
be a spark. Share it with someone who needs strength.
(51:29):
Come at your favorite reggae anthem for resistance or healing,
and most importantly, stay connected with us, because this movement
isn't just about growing, it's about glowing. We're on TikTok, YouTube, Instagram, Facebook,
just search reggae our podcast. If we're gonna pop up
and if you're vibing with today's show, tap that follow button.
(51:50):
Join the family. Because reggae doesn't end when the music stopped,
It lives in you. I'll leave you with this Rise
up every day with the same courage. Reggae, Rise up
in love, Rise up in truth, Rise up in freedom.
This is a boy, mister Ian. You've been tuned into
the Reggae Our Podcast and until next side Family, one Love,
(52:12):
one heart, one people, stay blessed. Believe you were blue
now by Mystic Revealers, You're.
Speaker 32 (52:19):
A every man has a need for a replace, to
(52:42):
call on a place of his own, where there's a
crown and a throne, where he can praise his God
and he can serve his king, and he can chance
and David something not fear sing, where people can leaden
and na Adrian dreen every way you go. The result
of that you can feel in the ground beneath his
(53:04):
feet holds his forefather's bone and his history goes back
for centuries. On board father banks of that river, where
I are put my dwell into.
Speaker 3 (53:24):
The sea, doctor trunk of a stream.
Speaker 20 (53:31):
That remark.
Speaker 3 (53:37):
Comes buzzy.
Speaker 32 (53:41):
We are in Babyla, the tar without a bone, and
they're trying to tell us we should call this place
our bone, and that we should be thankful for the
many things we have, because though who are as fortunate.
Speaker 15 (53:54):
We surely say we're bad.
Speaker 1 (53:55):
So we should grab everything that the.
Speaker 3 (53:58):
System has to keep us a life of us.
Speaker 32 (54:01):
Lady, it's the best one we could remember that the
judgment will come to one another. Even the dog without
a boat, that bit son barbylan Wild. Come on, let's
live by that river. Bring all your sons and your
(54:25):
daughters to think about the future and what it may hold.
(54:46):
No time to be fainthearted. It's the time for being bold.
Think about the children and your daughters, your son, and
think about this one that at all costs must be one.
Make sure that the things you do and time you
spend all about righteousness and things you can defend. Because
there is one thing I tell you, Yes, my friend,
(55:09):
Tum is on its way.
Speaker 11 (55:11):
It's around the bend. The blue line.
Speaker 3 (55:18):
Got to live by that river, blue.
Speaker 15 (55:25):
On the bank publica.
Speaker 3 (55:28):
Sat all the wise, A.
Speaker 33 (55:40):
Liar to Ada. That's where Ryan, I love to be.
Speaker 20 (55:51):
You live.
Speaker 11 (55:56):
I know, I know, I know.
Speaker 1 (56:02):
We'll be going live again tomorrow morning with some more
roots reggae. Baby, if you know roots reggae artists that's
still making the underground roots reggae live, then I need
you to send the.
Speaker 20 (56:17):
Shout.
Speaker 1 (56:31):
We need some more roots music.
Speaker 15 (56:32):
Baby, when that.
Speaker 3 (56:34):
Heat and wana in that heat and see Mama Zaia
tay with.
Speaker 2 (56:55):
And watch.
Speaker 33 (57:00):
Every day Lida myself ridapt.
Speaker 2 (57:05):
This from his.
Speaker 20 (57:08):
Ima.
Speaker 3 (57:08):
Go those wes f yes, I jud come on more
people talk.
Speaker 4 (57:19):
This is the time.
Speaker 20 (57:20):
We know it to your head.
Speaker 3 (57:22):
They said that you're a how you how more people?
Speaker 1 (57:28):
Is it just us?
Speaker 3 (57:34):
That's where I love.
Speaker 20 (57:41):
I know, I know, I know.
Speaker 4 (57:47):
The run.
Speaker 3 (57:55):
Mbut. It's just that you can come out. You can
(58:27):
come out, come out.
Speaker 30 (58:32):
So make sure to get follow you were subscribe to
Reggae our podcast on you.
Speaker 1 (58:37):
Too, and we outa here everybody. Yall have a great,
wonderful Wednesday morning.
Frand Rise and family. Welcome to another episode of Reggae,
our podcast where roots, culture and truth meet the sounds
of the people. I'm your host, mister Reed, and today
we're doing something special. Everybody knows Bob Martin, everybody knows
Peter TODs, we all know Dennis Brown. But what about
the voices that don't make the charts, the ones that
(00:23):
who stay underground, still pushing reggae's message of unity, truth
and survival. That's today's journey. We're celebrating the unsung voices
of reggae. So sit back, turn your speakers up, and
let's talk music. And if you listen to Live, don't
just y tap that heart, drop a comment and show
love to the culture. This here is sizzler where we
(00:48):
could do better. After this, we'll get right into it.
You'll heard me here. Hurst on Bos says Radios Reggae album.
Speaker 2 (01:00):
He said, time don't preserve me as I say my
prayers every morning, have to lean.
Speaker 3 (01:10):
On the day from calling out.
Speaker 4 (01:14):
It's a mutchbol size. I'm just so concerned not only.
Speaker 2 (01:18):
Being in bundys. It's a free horbas time and let's
send you that slave please. Still a business bringing.
Speaker 5 (01:27):
Other y'all sunkids. I, my dearie of the persecute your family,
and that's not kind a nation of people disenfranchised.
Speaker 4 (01:41):
Then you get the balance on the prime exactly.
Speaker 2 (01:45):
Preturn the children's future, hey, leaving no one behind. Oh yes,
we can do better, too, better only if we work
together together.
Speaker 4 (01:56):
We should never to love brothers, O brothers.
Speaker 2 (01:59):
And we shouldn't ever hurt our sisters, our sisters.
Speaker 4 (02:02):
Oh yes, we can do better.
Speaker 2 (02:05):
Do better, only if we were together together.
Speaker 4 (02:09):
We should never kill O brothers, our brothers, or.
Speaker 2 (02:13):
We should never hurt our sisters, our sisters.
Speaker 4 (02:17):
Get them stand up in nadis. Yeah, and you need
to your strength in nadis.
Speaker 2 (02:22):
Yeah, you were releasing the pigeons, display whipping on her blisters.
Nowhere manufacturing or road things.
Speaker 4 (02:33):
That's holy. We're to go.
Speaker 2 (02:36):
Around things and so start blessings around things and black people.
You get the crowning.
Speaker 3 (02:43):
Hi.
Speaker 2 (02:44):
Oh yes, we can do better too, better only if
we were together together. We should never kill our brothers,
our brothers, or we should never hurt our sisters, our sisters.
So yes, we can do better, do better, only if
we were together together.
Speaker 4 (03:04):
We should never kill.
Speaker 2 (03:05):
Our brothers, our brothers, and we should never hurt our sisters,
our sisters. Politicians are just playing us.
Speaker 4 (03:15):
Don't be your friend.
Speaker 6 (03:16):
Something they say, yea say beware of.
Speaker 4 (03:19):
All those betrayors.
Speaker 2 (03:22):
Keep praying on the Lord, real answer on our prayers.
Sometimes people only need the little have come after where
they can't just help themselves do so much about We
remember now sis the last and the best thing, it's
all health. Yes, we can do better too, better only
(03:42):
if we were together together. We should never kill our brothers,
our brothers, or we should never hurt our sisters or sisters.
So yes, we can do better, do better, only if
we were together together.
Speaker 4 (03:59):
We should a fro killo brothers, our brothers.
Speaker 2 (04:02):
And we should never hurt our sisters, our sisters. Here
who don't preserve me As I say my prayers every morning,
afternoon and the evening time, as I observe all the
people of the oln calling out, it's a natural size.
Speaker 4 (04:21):
I'm just so concerned or.
Speaker 2 (04:22):
The living in Bundy suffering all these times, and.
Speaker 4 (04:28):
Let's send you that slave.
Speaker 2 (04:30):
You still a business, bring another yellow sun kinds, o,
my dearie, and the persecute your family, And.
Speaker 4 (04:40):
That's not kind a nation of.
Speaker 2 (04:43):
People disenfranchised, then you get the balance on the prime exactly,
preturn the children's future, hey, leaving you one behind.
Speaker 4 (04:54):
Yes, we can do better.
Speaker 2 (04:56):
Too, better only if we were together together. We should
never be love brothers, brothers, and we should never hurt
our sisters, never sisters. So yes, we can't do badter
doo badter only if we want to gabbler to gather.
We should never be love brothers oders.
Speaker 4 (05:18):
We should never hurt our sisters, our.
Speaker 1 (05:21):
Sisters, Yes, sis love what we can do better here
on freak any hour. If we can't do better, if
we can't wake up to date and choose to do
better for each other, then we are only gonna set
(05:42):
ourselves up failure. We gotta stop doing that to each
gotta want to do better for each other. You heard
me exactly. We gotta do better. Man, Sizzler right there,
go check them out. Everybody know who the bost sizzler
here the night. When you get some sizzler in your heart, boy,
don't know, it never cools down. It's stay warm. You
(06:03):
feel me. I'm just gonna get up to a thousand
likes real quick. They raised man. That right there is
the definition of what we talk called Roots Baby, and
that's actual current artist still doing Roots. So Roots is
still alive. It's always gonna be alive because once the
roots died, the whole tree died, and we ain't about
to let that happen. You feel me, yes, sir, So
(06:27):
welcome to reggae yall. With this is bo West says
Radio's Reggae Yard. Well, before we actually get into it,
I just want to know is the real reggae still underground?
Because everybody know who Sizzler is. Sister ain't underground. Siszl
is a mainstream rtist. But we want to know is
the real reggae still underground or is it alive and
(06:47):
well in the mainstream. Sister's doing his thing keeping it
alive and well in the mainstream. With that, we can
do better, So we got to keep it through. Hey,
we gotta do better at all times, you feel me.
But Roots Reggae Sisters answered that right there, that Roots
reggae is still alive and it's still going live in
the mainstream. But we're gonna keep it going here on
Reggae ours. Bo West's Radio is Reggae Hour. You feel me,
(07:08):
So we're gonna start a track off today with a
little bit more underground with a raw powerful unfeuture with
t Go Don featuring Anthony bat with jail Bird. Now
listen close cause this is the heartbeat of reggae right
now you feel me. We have he Go Don Anthony
ba jail for Beel West says radio.
Speaker 7 (07:34):
Now stop ching, Bobby lying, Rung Bobby lying Rung, Stop
Chun Bobby lying Rung Bobby La Run up John Hobby, Bobby, you.
Speaker 8 (07:51):
Sing the song Jill Bird. We attend time to reve her.
Don't tell you word.
Speaker 9 (08:01):
Don't like TV them said this one on History. No,
when I look at what's going on about.
Speaker 10 (08:09):
Of mercy, Netflix, Netflix, gonna picture this one this first
an bullets and just say hold on them, win a slip,
No them, I.
Speaker 3 (08:19):
Use them with witchcraft with five gs that.
Speaker 11 (08:22):
Work bringing me away.
Speaker 7 (08:23):
But Silasi I in the gavest Dan San Bias and
Dan Staff Chant Babylon round them and flick THEMP and
destruction Maco Giant Arts come Eco Giant and rasta ballad
anywhere you're from, stand firm in Nadiyamagidian Anthony d sing the.
Speaker 8 (08:38):
Sun, don't blood chill burn we are tony reverb still
nothing come with them with Antony B.
Speaker 12 (08:47):
Word.
Speaker 3 (08:48):
Don't like TV them said this rue on History.
Speaker 4 (08:53):
No, when Milo can see how much.
Speaker 8 (08:55):
People on the editur babil them with many see there's
no ave looked for humanity ready Pickyl' just the vanity
A long.
Speaker 9 (09:05):
Time you learn that coming grand Daddy.
Speaker 4 (09:07):
That's why I'm mistake against the la chan Kattie.
Speaker 9 (09:09):
I believe in a babyland fantasy peri Shana textas it.
Speaker 3 (09:14):
That's the word of process it.
Speaker 4 (09:17):
Like Jill murn we are.
Speaker 8 (09:19):
In Tammy Reeve, still nothing, younger, We don't this Anthony B.
Word like TV twenty twenty on History.
Speaker 3 (09:31):
No, when I look at what's going on over the.
Speaker 13 (09:34):
Murder if Netflix gonna picture this one this first a
bullets and you say hold on them, have Wina flip
no them, I use them with witchcraft with five gs
network bringing here with whats Lassia and against Dan Sandrias
and stap chant Babylon rung them inflict THEMP and destruction
(09:55):
Meco Giant art, come Eco Giant and rasta ballad anywhere
you're from stan.
Speaker 7 (10:00):
Burn in Ladiyamaide and Anthony B.
Speaker 3 (10:03):
Sing the song blood Chill Bird, we are Tony Reaver
still nothing can that.
Speaker 9 (10:10):
We don't with Anthony b word don't like TV them
said this one on history when look can see how
much people are the editor.
Speaker 1 (10:46):
Yourself shall.
Speaker 14 (10:57):
Yes, yeah, global be comfy burn you yes, I comfy
burning your comfy burning.
Speaker 15 (11:12):
He said, it's gonna get.
Speaker 14 (11:16):
In Nadia time. It's gonna get because with a Yata
Bara guy gonna get read now in Nadi sat tie.
Speaker 1 (11:32):
O forget the light black baby hit them hearts.
Speaker 4 (11:35):
Nah, that's with Tayada bar.
Speaker 1 (11:40):
Was a baby.
Speaker 4 (11:42):
No more nice time when you're living in that champdle.
Speaker 14 (11:46):
That's if you that chapple with that angle Missago for man,
look aver your pando cast the dudes them still that day,
try a random get the.
Speaker 15 (11:56):
Peo, put them the whole talk prom Shane mood.
Speaker 4 (12:01):
But he's all the same.
Speaker 14 (12:02):
So why you're feeling looking for calling me and my
name shame read that for your place. This can I
get read in Lady sat Time. It's gonna get now
because we are your dad borrow. It's gonna get red
(12:23):
now in Lady sat Time. Oh, it's gonna get No
guys with her your barnay.
Speaker 4 (12:36):
Mama bad mama, bry. I see the pard it's.
Speaker 11 (12:38):
A right, she's just so one know when it's gonna
gonna last.
Speaker 16 (12:43):
I saw him never listen, yes, not him, not Christ
and told him after finis my lord, why believe my
son and him my girl? And we've been worked him
this show. I tell yourself aside because my good you
know nothing to do. But there the pressure who opened
after twigger let the charge you please?
Speaker 15 (13:01):
Reliquoush said this, canna get read.
Speaker 14 (13:06):
In Lady sat Time? It's gonna get because we tr
your card barren dry and I get read our in
Lady sat Time. Oh it's gonna get That's we tire
(13:28):
you out of barn.
Speaker 16 (13:33):
Like what gonsan veg he's some them things sounds a
road you speak moreableistdam people.
Speaker 4 (13:42):
The woman a fi protect yourself? Does the streets are gone? Luent?
Speaker 3 (13:48):
You vin and me here rated than running roll.
Speaker 4 (13:51):
Down to the lead.
Speaker 16 (13:52):
That's a player youngster role, the assembled their role.
Speaker 14 (13:55):
Godamn said this kanna get read in Lady sat Time? Uh,
it's gonna get no because we tell you're down the
barren grave. He's gonna get read our in Lady sat Time. Oh,
(14:18):
he's gonna get no. Does we tire you out of barn?
Read in lady sat time. Uh, it's gonna get no
because we tire you're down the barn grave. He's gonna
(14:39):
get read no hour in nad exact time. Oh, it's
gonna get no. Does we tire you out of barren dry?
I comfy burning? Yes, I comfy burning.
Speaker 1 (15:00):
That's signed Joe Spain with red. Now, baby, you can't
tell me the roots ain't alive and that if you
can't hear the roots, then I don't know if you
know what roots is. Ye check me out. Welcome to
Reggae Hour. Were on BeO West Says Radio, bringing it
(15:21):
to you early this morning. We'll keep y'all with some
firefire roots. We even sprinkle in a little bit of
dance all but we'll do that a little bit later
on in an hour.
Speaker 16 (15:30):
You know.
Speaker 1 (15:30):
We waking up right now. We're putting that love in
the heart some of y'all just clocked in and y'all
listening to us here from Reggae, y'all w And I
want to say I appreciate that, appreciate the love in
the building, because you know, it ain't a lot of
it going around lately. You know, we look at the news,
we look at all of this stuff that's going on,
and man were looking like, man, what is going on?
Speaker 3 (15:49):
Man?
Speaker 1 (15:49):
That's why I pop in some roots early in the morning,
Because when I pop in the roots early in the morning, man,
I'll be on my way to work. Man, you can't
bother me no more that day. You feel me because
I know the most hot blessing me with all the
goodness you feel me? Ai. That was Red Now with
Essa and Joe spag and that is a great collaboration. Boy,
(16:10):
I love that collaboration. I like this song because it
actually gets that blood boily, It gets that love blood oily,
get a coin word, you know what I'm saying, Ahi.
And it also reminds me another good hit that came
out that we're gonna be playing next by Tasha t
and a Tic the DM with Beautiful Ladies You feel me. Hey,
(16:32):
We're gonna be playing that one a little later. Ron.
We also got good old vibes by Quality and more
music from Tasha Tea. So y'all make sure y'all tune in,
turn up and zone out for that man. But all right, family,
the first segment was just pure energy right there, giving
you some of that great in some roots where there's
a mainstream of underground, where there's old school of new school.
(16:53):
We gotta hear for you. So you know, it's saying
the underground reggae in this raw form, but now let's
take a step into the art comes ball, but wisdom speaks.
Over the years, I've had the honor of sitting down
with some of the most incredible reggae artists, artists who
don't play just music but live the message. Today, I'm
(17:14):
bringing back some of those moments. Why because the truth
never inspires. This is evergreen product right here for you.
Not the first clip we're gonna be getting into. We're
gonna be talking about give you one moment to be
pulled that up real quick. We're gonna be talking about
but first we're talking about how we're gonna play dance all.
A little later on. Well, first we're gonna be talking
(17:35):
about what dance hall the place that it has in reggae,
because we know we we just got through discovering roots.
Roots ain't going anywhere, but we have dance All that
has has been blowing up for the past couple decades,
and we want to make we want to talk about
where it is in this era of reggae where it
fits in. So we're gonna be playing a clip from
(17:56):
my interview with Haydence. Cadence is a great dance hall
artists out of Jamaica, so you better go check him
out as well. We have an interview on reggae albums
or after this show here, make sure you go visit
our archives and you can check out all our interviews.
You feel me and lick up Cadence and as KATU's
Kate he as in Victor Delta Go November Charlie Echo,
(18:19):
but as Cadence right now, and this is how he
explains dance hall's place in the world of reggae. The
new wave of dance all right now is hitting the
world fast and hard. Do you see it being able
to a lot of people say that they can't exist
co exists on the same side as reggae roots reggae.
(18:39):
I bet the different. But I was wondering what is
your viewpoint on that? Do you think that they can
exist or together or do you think it's two things
that have to be separated and respected.
Speaker 17 (18:49):
In his own rights, like dance holand reggae, right yeah,
dance halland reggae, I would say to be honest, man,
they come from the same place, but they're not the
same thing, you know what I mean. So like reggae
is more like roots, you know, it's more like it's
about the culture and all that stuff. Like that's how
it's more like culturally embracing certain things, you know what
(19:10):
I mean, Like you embrace certain things about your lifestyle
or certain things about the streets, lifestyle and that type
of stuff, you know what I mean. And reggae you
got the streets, lifestyle and every but it's not the predominant,
Like yeah, you feel me.
Speaker 1 (19:23):
So I'd like the way he broke that down. Even
though they come from the same place, that not really
the same thing. You can find a little bit of
reggae elements and dance all but for the most part
they like to call it slackness and dance hall. You
feel me, and I get it. I get it, say,
and this is the way that I like to explain
because it's sort of like he'll pop and rap you
feel me. Hippop came and set culture, set the stage
(19:44):
for rap to be born in you feel me, especially
against the rap things of that nature. But when it
comes to reggae, Reggae was the struggle. Reggae was fight
for against oppression, fight for freedom, to fight to be
able to live the life that we want to be
able to live. You feel me, that's what reggae was.
Reggae was the fire in the cell and fire and
a belly. Look Hill, Prussell, we are not gonna stand
(20:06):
by and let you just do whatever you want to
do to us. We will stand up. We will praise
the most high, we will live off the land. We
will not abide by your system. Battylon dance All was like,
all right, Babylon, we're independent from you, but we still
want to hang out. You know you was kind of fun,
so you was kind of fun. So we got some
(20:28):
things that we want to hang on to. You know
what I'm saying, thank you for introducing us to So
that's dance All in his nature right there. So if
you you know what I'm saying, I believe you could
still be able to be roots with dance All. I
found many many artists, uh over the two years that
we're gonna hear some from one of them, Redeemed Redeem
is gonna tell us, as you know, how he feels
about the music industry. Or whatnot, and how we should
(20:51):
be giving back to it and how it should be
given back to us. Excuse me, but first I want
to talk about Don Data, the multi platinum artists that
has been making waves in South Africa right now. He's
a nominee for the South African Music Awards for his
album Heart and the Mind. So if you're in South
Africa or if you just have some kind of connection
(21:12):
to the music industry, go check it out. Stream it
right now. That is The Heart in the Mind. After
this episode, go stream The Heart and the Mind by
Don Tara. He has a very very very great all
album out has been out for over a year now.
I definitely support it. I definitely suggest that y'all go
check it out. He also just dropped the EP recently
(21:33):
and the EP is five six track for the six
fire tracks You Feel Me. Dona has been putting in
working at Studio Baby, and I gotta say he has
been going love to his people as well. So we're
gonna be talking about We're gonna be letting him talk
about how he feels about his lyrics and listening to
his lyrics and seeing what's going on over there in
Africa with Bikina Fassol, Mali Nisier and all of these
(21:55):
who's in all these African countries start to take back
what's rightfully theirs. What does he have to say by
his lyrics and knows shoal events right there? Baby?
Speaker 18 (22:03):
Tuning in, Baby, to see your lyrics come to life
is like sort of like prophecy and I get my
words from God and I write down the message.
Speaker 1 (22:13):
You feel me, man, Like that's you can't get no
hotter than that. Baby. When I say he's been putting
in work, Man, he's been doing work with the youth.
You know what I'm saying. He's been part of the
Winni Mandelaphant Foundation. You know what I'm saying. He's presented
an award to reader Marley for the Winniman Mandela, the
Winni Mandela Award to Reader Marty again. You know, he
(22:33):
has been just putting in work and showing the youth
they have a way out of this this system that
has been ever so cramped on us and trying to
keep us in, keep us down. You know. So he
has been doing where I love the fact that he
has been actually doing real work with the youth. You
don't get that a lot. You don't actually see that
a lot. So with that being said, I got to
(22:55):
give a shout out to my boy. Hey, y'all, go
check him out. Go check out that album, and you know,
tune in, turn up, and zone out. Baby, you feel
me for real? For real? Now, it's powerful, right, That's
the kind of perspective you don't hear on the mainstream either.
So let me ask you listening live right now, do
(23:15):
you think the industry is helping reggae spread or is
it like holding reggae back? Drop your thoughts in the comments.
You know, I know a lot of people have some
stuff to say about how Ziggy Marley has been putting
the indust the reggae industry and the choke holde you
know what I'm saying, dealing with a lot of business
and whatnot and keeping a lot of artists out. I
know there's a lot of people that's actually they feel
(23:37):
some kind of way about how Chronics Chronology did not
win Album of the Reggae Album of the Year, but
Ziggie Marley's wanted the twenty seventeen. So make sure that
you put in the comments section you tell me what
you think about that and We're gonna make sure we
give you a shout out case we want to hear
what you got to say about that. You feel me
already now we got you know, reggae is all about
(23:59):
social justice, all about fixing what's broken the world. So
with that being said, I want to talk. We're going
to play a clip on how reggae's response to global
issues actually helped change the world. Yeah. Now, reggae has
always been like a voice for truth and resistance. In
twenty twenty four had a share of like world events
like political shifts, protests, the fight for reparations gaining momentum.
(24:23):
How do these movements inspire your current work?
Speaker 18 (24:26):
I would say, you know, it's reggae music is our
music where for people where a struggle and I fears injustice.
So as an artist, were looking out of the world
and it's a certain current you know, situations are in
the world.
Speaker 4 (24:42):
It's like we tend to.
Speaker 18 (24:46):
Speak on it from all point of view.
Speaker 1 (24:48):
I would say, yeah, see, I your great had a
great insight right there, man, And that's the kind that
makes you rethink what reggae really mean. I mean, I
want to know what you think is the next generation
in the torch properly or is it slippy? Now tap
those hearts if you feel like that fire is still burning,
it that the youth actually is gonna be carrying reggae
(25:08):
into the next generation. Not dance hall, but roots reggae. Baby,
let me know what you think about that. You feel me,
But right now we also got to know again social justice. Man,
we got redeemed. Like I was telling y'all earlier. Man,
you know got redeem man. The redeem has been doing
a lot of work in the industry right now. Man,
he has a lot of great music. Where there's roots
(25:29):
reggae or where there's dance all, he has been putting
in that work. And I just got to give him
his props, because, hey, if anybody can show how you
can blend roots reggae with dance allce slackness, it's been redeemed.
So he'll check it out. Where he has to say
about mental slavery and a fight for freedom in Jamaica,
independent that's freedom. It's a myth.
Speaker 19 (25:50):
The names of the parish steal carry the names of
your colonial master exactly, Saint Katrine sainting Liza. That's saying
this this, not Tyra Johnson is no, you're not free.
Watch this now, where identify anywhere you're going in the
world by your name?
Speaker 1 (26:08):
What is your name? That's the first thing they ask you. Yeah,
then where you're from? Watch this now.
Speaker 4 (26:15):
Had it been that my name.
Speaker 19 (26:19):
Was that of my ancestor, you wouldn't have to ask
me where I'm from because everybody would know. But when
I said kunt, when I say I'm a kichi, when
I say if he meaning, they would have none.
Speaker 3 (26:37):
I'm an African exactly.
Speaker 19 (26:40):
Well, when I was taken to the western part of
the world, I was given my slave master name.
Speaker 4 (26:45):
So am I free?
Speaker 20 (26:47):
Not at all?
Speaker 16 (26:49):
Not at all.
Speaker 1 (26:50):
That's a badge of slavery. That's literally, yes, it is.
See and that's what I mean by the insight that
they bring for reggae is not for the dumb of heart.
It's not for the illiterate. It's for the people who
actually knows what's going on and can see through the facade,
see through the veil, and actually peak the game for
(27:11):
where it really is. And now that was just going
on in Jamaica. We really got to show y'all how
it goes on all over the world right now. So
this is the fire prints talk about how give it
back to Limpopo's next generation is actually a very very
useful tool in order to be able to fight off oppression.
Now you're right about that, and you know when, especially
when it comes to the community, your community is pretty
(27:33):
much your base for your spirituality, of your culture, of
your language and things of that nature. And the way
that we reconnect with that community is it says a
lot about us. So let's rewind it to Venda, like
what's happening back home in Limpopo, Like have your roots
shaped who you are today beyond your music and how
do you give back to your hometown?
Speaker 21 (27:54):
You know, like I said, as those who are awakened,
if we haven't yet implemented, it's good to be structuring
putting things in place. But of course, when it comes
to music within this period when one has been just
martially within the industry, there's a lot that has been
(28:15):
done within the province of Filimpopo which is uplifting upcoming
young artists those are known.
Speaker 1 (28:25):
And see, as you can see all over the world
there's been oppressed people and we already know we're not
gonna talk about who we won't want to bring no
more light on who is doing the oppression. We need
brain light to be oppressed, and that's what these artists
are doing. That's showing you what these youths are going through,
but problems they're facing. Because if we can show what
we can face the problems with them, then when we leave,
(28:47):
we don't leave them with these problems that we created
for them. And I love how these artists give back
to them. From Don Dodder, the Higher Prints, the Cadence,
who is a young man given back to the community.
This is what it's all about. It's not about making
a whole bunch of money and then going by flashy jewelry,
flashy cars, flashy houses, and things of that nature. No,
(29:07):
it's about how did you give back and make the
world a better place. You see, we don't get that
a lot. And that's why we have this podcast right
here to bring light to exactly that. Why we must
give back what we have gotten from the community, because
if not in the community won't have anything to give
back to the next generation. All we doing is leaving
(29:29):
them in desolation and we don't need that. Across the nation,
we need to be able to make sure that they
have what they need in order to be able to
survive because I believe in reincarnation. I do. I believe
in DNA reincarnation. I believe that you will be back
through your DNA. So if you don't leave your children
with anything, you ain't gonna have anything when you come back.
(29:51):
So that's why I believe in giving back to the community,
giving back to the children, giving back to the youth.
And I, like my boy Tupacts, always said, why am
I waysing time with all these adults when it's these
child are out here that can use this knowledge? And
I am all about that. You feel me? Now, here's
some more music we got Borderline for Mystic Revealers. We're
(30:12):
keeping in live with the roots. Baby, you heard me?
And after this, after this episode, definitely go check out
Mystic Revealers reggae our will interview.
Speaker 11 (30:21):
It is hot.
Speaker 1 (30:22):
He has come with some fire and he talks about
why he pushes the gun. Job. You feel me? So
we definitely want to tune in to turn off for
that hit them like buttons. If you're listening to us
on TikTok, tune in, turn up the zone. Now, this
is Borderline with Mystic Revealers. Here one, you.
Speaker 15 (31:00):
Gotta be stuff and never make it.
Speaker 3 (31:03):
When living on the.
Speaker 20 (31:06):
She got the giant find some position.
Speaker 15 (31:11):
Seven days a week, try stuggling just to get enough funny,
to find some.
Speaker 4 (31:18):
Loose stud.
Speaker 15 (31:21):
Walk in the shoes right up my feet.
Speaker 22 (31:24):
Sometimes stumble and short nowadays, so maybe people don't want
it means to be stepping on the butter and the person.
Speaker 15 (31:35):
Just can't take it.
Speaker 20 (31:36):
Step on the.
Speaker 1 (31:39):
Basically when they're in again, you'll know the borderline is
saint but your We've all lived on the borderline.
Speaker 15 (31:46):
Baby sleeping on the butter.
Speaker 1 (31:53):
On the streets.
Speaker 15 (31:57):
We see then says please, oh.
Speaker 3 (32:03):
No, and n I'm night.
Speaker 1 (32:05):
They please, Yeah, that's that Mystic revealer's borderline sleep.
Speaker 15 (32:12):
Why did I run them up? Because I'm the person
just can't take it.
Speaker 12 (32:21):
Give it on them, Give it on You's gotta be
stuff on your level on.
Speaker 1 (32:32):
The Mystic revealers have been doing this for a while, y'all.
They got an it's at discography. Definitely gotta check him out.
Speaker 23 (32:53):
With a live instrument playing Come on now, she ain't
the love hit them hearts?
Speaker 2 (33:10):
Give it on the.
Speaker 15 (33:13):
And the pressure and just can't take it.
Speaker 3 (33:16):
Gave it on the bottle.
Speaker 15 (33:18):
See the mom crazy when they're in the parish giving.
Speaker 20 (33:22):
On the bottle.
Speaker 15 (33:23):
Gotta be some more, you'll never make it.
Speaker 20 (33:27):
Leave it on the.
Speaker 2 (33:30):
No sense and.
Speaker 15 (33:31):
Worrying wolf fed up your mind.
Speaker 22 (33:37):
Stop bubbling because I don't want to see them struggling.
Speaker 15 (33:44):
Come on, don't waste your time, start bubbling.
Speaker 11 (33:51):
To with you find that.
Speaker 15 (33:54):
One love to you and the pressure and just can't
take it.
Speaker 3 (33:59):
You can take it, baby, you wanna little busy.
Speaker 15 (34:03):
And there in shive it on the b st up
you shocking. You wanna package shi.
Speaker 4 (34:13):
See this.
Speaker 3 (34:16):
On the.
Speaker 15 (34:20):
Can't take it? Love you something you never magage.
Speaker 12 (34:29):
Some one that said, don't try the fagage sta keeping the.
Speaker 20 (34:40):
Man.
Speaker 1 (34:42):
Appreciate the love everybody.
Speaker 20 (34:45):
Seven can't please?
Speaker 1 (34:51):
Got trust you got more music from a take a
DM and toush a te nets Because we ain't being
showing our ladies the love this morning. It's time to
show them some real love. Baby.
Speaker 24 (35:05):
None of them can't get too weird causing a fire
that must break damn bed cause if you bite the
hands that feed you, you're just like I'm working Dad
did not no reggae.
Speaker 15 (35:15):
Oh I met them, not to your family.
Speaker 11 (35:18):
Love all about it.
Speaker 1 (35:22):
Love fancy some lodacity everybody, My beautiful.
Speaker 25 (35:29):
Lady liking the Holbymuncle to my beautiful lady poll by
guy boom Journal, My beautiful lady liking the Holbymuncle to
my beautiful.
Speaker 4 (35:46):
Lady, poldy guy boom Journal.
Speaker 15 (35:50):
You told my heart to keep it well. Life without
you will be.
Speaker 25 (35:55):
Halve inel being an arm chiburo no mo.
Speaker 15 (36:02):
Love your baby.
Speaker 4 (36:05):
I will never give up the botto what.
Speaker 25 (36:11):
Lord mabiautiful lady, noting that's on the old muncle, My
beautiful lady. All the eye born Jeel, my utiful lady,
noting that's the old uncle.
Speaker 11 (36:29):
My beautiful lady, I'll joel.
Speaker 24 (36:35):
I will never believe your slan because you are a
part of me. You are, by everything, my only one.
Together we were meant to pay.
Speaker 11 (36:45):
Me little reasons.
Speaker 15 (36:48):
Love no no, no matter what. Caesar, my beautiful lady.
Speaker 25 (37:00):
The old bea Uncle, Beauty lady, hold the guy bom Joel,
My beautiful lady. Nothing that's on the old beam uncle
Beau before lady, hold the guy bom Joel, I'll issue Bavid.
Speaker 15 (37:21):
You t monolog.
Speaker 4 (37:25):
Woman of man like to anything I need?
Speaker 26 (37:28):
WHOA I never knew your happy name. Still I met
you again no, beautiful lady.
Speaker 15 (37:43):
Nothing that's on the old monkeys.
Speaker 1 (37:49):
It's a beautiful lady. I had a grand tim interviewing
her on my bacad.
Speaker 15 (37:54):
Listen the old uncle, beautiful lady.
Speaker 4 (38:00):
Hold the bottom your.
Speaker 3 (38:03):
Nolos up forever nolos.
Speaker 11 (38:16):
Not uncle lad left.
Speaker 15 (38:26):
It's all about it when you love.
Speaker 1 (38:36):
A Tica DM and Tasha t beautiful lady. Oh, I'm saying, though, man,
you gotta you gotta wake up every morning to roots reggae. Baby.
If you don't yo, they may go a little a straight.
That's what we do here on reggae, our baby and family.
We've heard from the underground voices. We've heard wisdom from
(38:56):
the vault. Now let's bring it all home because reggae
isn't just history, it's today, it's now right now. Now
look around the world today, political struggles, economic uncertainty, social division.
But reggae has always been about one thing, truth and
survival through nity. Now, when Peter Ta said equal rites
(39:20):
in justice, he wasn't talking about yesterday. He was talking
about forever. Because when we compromise it one day, we
compromise it for all time. And think about Bob Marley's war,
those words came straight from a speech by Holly Selassi,
and guess what, They're still true today in twenty twenty five.
(39:40):
Until the color of a man's skin is of no
more significance than the color of his eyes, there will
always be war. That message is not age a single day.
So I want to ask you listening right now, what
reggae song gets you through the struggles today? What's that
one track that feels like it was written just but
the moment? Prop it in the comments, Share with the family,
(40:03):
because we're building a soundtrack to ours a bible. You
show you, share it, real, play it right now. It's
been a track that speaks to the moment. Now we're
gonna bring it forward with a little bit of dance,
all mixed with fruits from your boy quality, which is
something with a conscience or freedom message. Now listen close,
because this isn't just music. This is a message for
(40:26):
the day. He is good old vibes, quality.
Speaker 27 (40:41):
John my neck. We got you again out hand on
kill into each other and live together in pe class
you feel you go to it your neighbor. Never a
(41:02):
fad for grand Tamanna famer allover bid.
Speaker 28 (41:06):
We need to go via guys, mappromizeness and the Conna ringback,
come fine, dreamt the bring back the bring back a love,
bring back combine.
Speaker 11 (41:20):
Yes, bring back the niceness on the ConA.
Speaker 28 (41:23):
Bring back combine, bring back the bring back to bring
back the.
Speaker 15 (41:31):
Long time. We know are a local bbes but different.
Speaker 27 (41:34):
Nice to up to sunshine and if it time will
be usually fine.
Speaker 16 (41:39):
You loot to your jow you not see your be
your crime, be.
Speaker 11 (41:42):
Your bad time from a shot.
Speaker 28 (41:44):
And we like, go my baby, make with your one
night and limit up and enjoy your life.
Speaker 15 (41:51):
We're pretty close.
Speaker 20 (41:52):
Because your.
Speaker 28 (41:55):
Yes, mack nizeness and the Conna ringmand come fa, Yes,
dream to bring back, to bring back alone, bring due everybody,
bring back the kee that good old bikes.
Speaker 15 (42:10):
Mack come fine, bring back to bring back the bringa.
We want be so come Wes.
Speaker 11 (42:19):
Yes, we want be so gone eas.
Speaker 15 (42:23):
We want peas.
Speaker 28 (42:23):
Gone sound Wan Pies not drunk Wan Pies gone down.
Speaker 11 (42:31):
Brendis Ndama's song want Py Son around Goring by somersde.
Speaker 29 (42:40):
F Yes know some love, everybody hit them hearts, bring
come fine. I want to let the whole world hear
roots reggae. Early in the moment, Yes, bring.
Speaker 28 (42:54):
The niceness tongue locana, bring back dumb fine bring the
bring back the brainma love long time the nob a
lical bites.
Speaker 15 (43:06):
But if I'm nice, rip.
Speaker 11 (43:07):
Back to sunshine on the bad time to be usually.
Speaker 4 (43:11):
Fine, helot you down.
Speaker 30 (43:13):
You see your be okay in your bad times and
my shut noa time, come my people make with all
your night, live it up and enjoy your life.
Speaker 11 (43:23):
We think cloth because i'd been reading a good.
Speaker 28 (43:26):
Byes ra the niceness on the conna, bring come back.
Speaker 11 (43:34):
Dringma the bring back the bring back a love, ring.
Speaker 28 (43:37):
Back come bays rack the niceness on the conna, bring back,
come back, bring back the bring back the bring back love.
Speaker 11 (43:52):
Ah he's bringing back, Oh yeah, bring back my fever.
Speaker 9 (44:15):
As mister flea verb, I am prod to bring to you, mister,
is the music mice job.
Speaker 1 (44:23):
Quality in the building with good old vibes. Yeah, you
can't tell me that ain't no crack for the heart
right there, boy, Look here man, if that ain't easy listening,
I don't know what to tell you, baby. I'm just
say we all about piece of love over here, and
piece of love, bring good old vibe. So bring the
piece of love. I take that all day long, and
(44:44):
I give you something back. You know, I got plenty
of it and I ain't holding it back for nothing.
You feel me. That's how we should be living our
day every day. And I'm just so happy that I
can bring you this music they help you get today
when in your life. You feel me. Now, now we
got more music coming to you, because that's the energy
(45:04):
that we need.
Speaker 4 (45:05):
Man.
Speaker 1 (45:05):
Reggae has always been the voice of the people, the
cry of the oppress, the rhythm of the resistance, and
whether it's Kingston, Brooklyn, Legos or London, reggae speaks the
same truth in the same language. One love, one heart,
one people. So with that being said, show some love
(45:28):
by hitting them hearts right now, we're trying to get
our goal of reaching with two roses. If you can
hit me up with a rose, I appreciate it. One
love to Blaze Thunder for hitting us up with the
lightning boats staying true to his name. Five That's what
I'm talking about. Appreciate that love.
Speaker 17 (45:43):
Man.
Speaker 1 (45:44):
We're gonna ride out this segment with another one for
the time now. This one is by Excuse Me, by
redeem and it's one of my favorite songs actually man
by redeem set jah people free. And then NC he
talks about exactly why we be setting jock people free
because we really do not have too much fight for it.
(46:08):
It's our life. You feel me that we're being held down,
and he talks about it very very very adamantly in here.
So I definitely want to keep it going. You already
know you listening.
Speaker 6 (46:19):
To hers of a son to his fine.
Speaker 19 (46:38):
Senior, even in this superb by being around John, Just
why you won't you release this word from your bandage?
And I said, John, fith everything on the practice evil, no,
the vershiping even stay far from the night for the
(46:59):
five Condon and you know them your needle, do not
eat them, food brand them, cook them and go one
kitchen up pies.
Speaker 31 (47:05):
Stay far from Can it be here? And he chugged,
and it's near. Can the plastic digle see your deep
in this world? Pappy Lune just let us speak, Oh why.
Speaker 19 (47:17):
Won't you release this world from your bandage?
Speaker 6 (47:20):
And said, deep free.
Speaker 19 (47:25):
My God in this wisdom form you later and put
this world together.
Speaker 3 (47:29):
And the deplo in front.
Speaker 19 (47:30):
Them one come put my father work so that like
but again some of them my gummelting. Not the little
cap fire me got the cross and he pecked the
zoop or like you vampire, see in your deep in
this world? Bobby around, Just let us speak. Oo, while
won't you release this world from your bandage?
Speaker 1 (47:52):
And said shoppyeople free?
Speaker 19 (47:56):
Never you get caught up and I mix up, not
them palattice, just when them come around them full your
friends are polytriics, watch out fully, nobodious slave masters.
Speaker 6 (48:06):
We did the fro with.
Speaker 19 (48:08):
Never you take the mark of the beast in now
you and don't take them chap up? Seeing your evil
in this so world, Bobby run, Just let us speak.
Oh why won't you release this word from your bandage?
Speaker 4 (48:23):
I said Jack?
Speaker 6 (48:24):
People free.
Speaker 19 (48:27):
Everything on the practice evil boom and apparentshiping evil stay
apart from the knife for the park and do them
the needle.
Speaker 16 (48:35):
Do not eat them food and them cook them from.
Speaker 19 (48:37):
The one kitchen off a pieson still a far from
the can, the beer and the jugged and sneak.
Speaker 3 (48:41):
Can you plastic eagle see your evil in this so world?
Speaker 20 (48:46):
Bobby run?
Speaker 11 (48:47):
Just let us.
Speaker 19 (48:48):
Speak, Oh why won't you release this world from your bandage?
Speaker 15 (48:54):
I said Jack?
Speaker 19 (48:55):
People free pamelas you are build your image idols because
that is who you are.
Speaker 6 (49:06):
You are empty.
Speaker 19 (49:08):
Therefore whatever you worship is also empty eyes.
Speaker 16 (49:12):
They have what cannot see here's they have what you
cannot hear.
Speaker 1 (49:18):
Feed they have, but they move that.
Speaker 19 (49:21):
How can you say, if you are God is here
to hear you, how foolish you are?
Speaker 16 (49:31):
You are empty inside.
Speaker 1 (49:32):
You are like open suppor a g.
Speaker 4 (49:35):
Which brings forward.
Speaker 19 (49:36):
Nothing good, because nothing good is beliefious. You are a
liar from the beginning, as your father is a father
of flies.
Speaker 6 (49:46):
You are now found wanted.
Speaker 19 (49:49):
Your cough is filled with the blood of the saints,
and they are now crying out to the almighty from
there degree your time.
Speaker 20 (49:59):
Let's come.
Speaker 1 (50:01):
Down with Babylon Man see redeem I think you know why.
That's one of my favorite songs. Iron right now. But
every demon set jap people free. That's all we want,
some freedom. You heard me, man, Let your hear family
with a ride. It has been today were you've taken
(50:22):
time to shine light on the underground voices. We revisited
wisdom from legends, and we reminded ourselves that reggae is
more than music. It's a movement. It's a culture. It's medicine.
It's a mirror to our times. But before we close,
I want to remember something that reggae didn't just survive
the struggles of the past by chance.
Speaker 4 (50:44):
Uh uh.
Speaker 1 (50:45):
It's a vibe because the people demanded it, because you
demanded it. Every single person who listens shares it, keeps
the fire burning in this movement has demanded it. Bob
Marty once said, one good thing. Ain't gona buy music.
When it hits you, you feel no pain mine. But
here's the thing. Reggae doesn't just hit you. It heals you.
(51:08):
It reminds you. It reminds us that even when the
world is cold, the rhythm is warm. Even when the
system is broken, people are strong. So it's by challenge
to you listening right now. Don't let this just be
another podcast episode. Let it be a reminder, Let it
be a spark. Share it with someone who needs strength.
(51:29):
Come at your favorite reggae anthem for resistance or healing,
and most importantly, stay connected with us, because this movement
isn't just about growing, it's about glowing. We're on TikTok, YouTube, Instagram, Facebook,
just search reggae our podcast. If we're gonna pop up
and if you're vibing with today's show, tap that follow button.
(51:50):
Join the family. Because reggae doesn't end when the music stopped,
It lives in you. I'll leave you with this Rise
up every day with the same courage. Reggae, Rise up
in love, Rise up in truth, Rise up in freedom.
This is a boy, mister Ian. You've been tuned into
the Reggae Our Podcast and until next side Family, one Love,
(52:12):
one heart, one people, stay blessed. Believe you were blue
now by Mystic Revealers, You're.
Speaker 32 (52:19):
A every man has a need for a replace, to
(52:42):
call on a place of his own, where there's a
crown and a throne, where he can praise his God
and he can serve his king, and he can chance
and David something not fear sing, where people can leaden
and na Adrian dreen every way you go. The result
of that you can feel in the ground beneath his
(53:04):
feet holds his forefather's bone and his history goes back
for centuries. On board father banks of that river, where
I are put my dwell into.
Speaker 3 (53:24):
The sea, doctor trunk of a stream.
Speaker 20 (53:31):
That remark.
Speaker 3 (53:37):
Comes buzzy.
Speaker 32 (53:41):
We are in Babyla, the tar without a bone, and
they're trying to tell us we should call this place
our bone, and that we should be thankful for the
many things we have, because though who are as fortunate.
Speaker 15 (53:54):
We surely say we're bad.
Speaker 1 (53:55):
So we should grab everything that the.
Speaker 3 (53:58):
System has to keep us a life of us.
Speaker 32 (54:01):
Lady, it's the best one we could remember that the
judgment will come to one another. Even the dog without
a boat, that bit son barbylan Wild. Come on, let's
live by that river. Bring all your sons and your
(54:25):
daughters to think about the future and what it may hold.
(54:46):
No time to be fainthearted. It's the time for being bold.
Think about the children and your daughters, your son, and
think about this one that at all costs must be one.
Make sure that the things you do and time you
spend all about righteousness and things you can defend. Because
there is one thing I tell you, Yes, my friend,
(55:09):
Tum is on its way.
Speaker 11 (55:11):
It's around the bend. The blue line.
Speaker 3 (55:18):
Got to live by that river, blue.
Speaker 15 (55:25):
On the bank publica.
Speaker 3 (55:28):
Sat all the wise, A.
Speaker 33 (55:40):
Liar to Ada. That's where Ryan, I love to be.
Speaker 20 (55:51):
You live.
Speaker 11 (55:56):
I know, I know, I know.
Speaker 1 (56:02):
We'll be going live again tomorrow morning with some more
roots reggae. Baby, if you know roots reggae artists that's
still making the underground roots reggae live, then I need
you to send the.
Speaker 20 (56:17):
Shout.
Speaker 1 (56:31):
We need some more roots music.
Speaker 15 (56:32):
Baby, when that.
Speaker 3 (56:34):
Heat and wana in that heat and see Mama Zaia
tay with.
Speaker 2 (56:55):
And watch.
Speaker 33 (57:00):
Every day Lida myself ridapt.
Speaker 2 (57:05):
This from his.
Speaker 20 (57:08):
Ima.
Speaker 3 (57:08):
Go those wes f yes, I jud come on more
people talk.
Speaker 4 (57:19):
This is the time.
Speaker 20 (57:20):
We know it to your head.
Speaker 3 (57:22):
They said that you're a how you how more people?
Speaker 1 (57:28):
Is it just us?
Speaker 3 (57:34):
That's where I love.
Speaker 20 (57:41):
I know, I know, I know.
Speaker 4 (57:47):
The run.
Speaker 3 (57:55):
Mbut. It's just that you can come out. You can
(58:27):
come out, come out.
Speaker 30 (58:32):
So make sure to get follow you were subscribe to
Reggae our podcast on you.
Speaker 1 (58:37):
Too, and we outa here everybody. Yall have a great,
wonderful Wednesday morning.
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