Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Who did the casting that ship was terrible.
Speaker 2 (00:04):
One of the things in the Alternative group alright, freaking
what kind of go to?
Speaker 3 (00:11):
That was one of the problems, saying, what are you
saying about?
Speaker 1 (00:15):
What are you alternative group?
Speaker 3 (00:17):
All your important list? What we talk about? Right? What's
going on?
Speaker 2 (00:22):
That was one of the things that they were saying, like,
I wish he was a little bit more attractive.
Speaker 3 (00:27):
Wait, right, exactly you were going over brother.
Speaker 4 (00:33):
Not just going not just gonna rush pastic Exactly what
are you talking about?
Speaker 3 (00:39):
Alternative group? Alternative man?
Speaker 2 (00:43):
You know about the lifestyle parties I'll be going to.
Oh I forgot about you.
Speaker 5 (00:48):
Oh no, I forgot about that, like the upside down Pineapple. Yeah, oh,
I thought you was literally talking about like a web
group or reddick or something.
Speaker 2 (01:00):
It was back then or recently. No, this is like
back then when we first came out. Oh people, I
don't know what. I don't know what you do? He said, Yeah,
this day.
Speaker 1 (01:17):
I love it.
Speaker 3 (01:18):
More power to crazy.
Speaker 5 (01:20):
You still don't go there? Go where were you supposed
to be? You know where you Yeah?
Speaker 6 (01:28):
Uh?
Speaker 2 (01:28):
The parties that I was going to. Yeah, the two
people that were doing it ship, they broke.
Speaker 5 (01:36):
Up Ship that said, Damn, I expect Madam Web to
show her titties. Yeah, uh yeah, No, I don't know
how women fucked with this.
Speaker 3 (01:46):
Dude.
Speaker 5 (01:48):
You don't want to go to moves, you don't want
to go to dinner, you don't want to sleep in
the same band. I was just romantic. Yeah, but how
was this romantic?
Speaker 3 (01:56):
Women? That's romantic television. Yeah, I must sleep in the
same bad with you.
Speaker 1 (02:00):
It's romantic in the books. Try it with your girl.
Relationship falls apart. Yeah, you're gonna sleep in this room. Yeah,
and this is my after I fuck you hard, and
this is my playroom. Playroom, hold hands, you cannot touch.
Speaker 5 (02:18):
Me, and you have to address me as mister Walker.
Matter of fact, you have to call me my podcast.
The relationship is gonna be over so fast. But that's
how you could start off small, like a woman is
used to calling you daddy. No, call me maestro. Some
(02:38):
ship like that.
Speaker 2 (02:40):
What I'm telling you, they would be like what ye.
Speaker 5 (02:47):
Get used to it coming by your dad's first name?
Put bro, what's your dad's name?
Speaker 3 (02:57):
Jerry? Call me Jerry.
Speaker 1 (02:59):
That's wild bro.
Speaker 5 (03:02):
This nigga's a wild man. Oh yeah, I understand. This
is ironic, ironic, ironic, erotic film. But god damn, how
many times they gonna have sex?
Speaker 7 (03:15):
So this is just an interview for the newspaper. I
just have a couple of questions. Mister Gray will see
you now.
Speaker 3 (03:31):
What was he like?
Speaker 7 (03:32):
He was polite, intense, smart, really intimidating.
Speaker 8 (03:43):
Do you have any interests outside of work? What about you?
Speaker 3 (03:47):
I'd like to know more about you.
Speaker 8 (03:48):
There's really not much to know about me.
Speaker 6 (03:51):
Look at me, I am, so what do you owe
your success?
Speaker 8 (04:05):
I exercise control that all things, Miss steal must be
really boring.
Speaker 9 (04:15):
Mad gis okay, I'm incapable of believing you gives stories
and I had a rough started license.
Speaker 3 (04:28):
You should steer clear of me. Gotten the whole base
isn't no kiss. I don't do this romance right, No,
looking so good. My tastes are very singular. Don't understand
why the.
Speaker 8 (04:53):
Enlighten me?
Speaker 1 (04:54):
Then PlayStation two had just made it. They still play.
Speaker 3 (05:19):
Mm hmmm.
Speaker 9 (05:21):
Have you.
Speaker 3 (05:23):
Literally every NFC MS one or been since?
Speaker 5 (05:30):
Let me tell you how the storyline is gonna go.
The Chiefs are gonna lose I hope. So the Chiefs
are gonna lose Bill. The Bills are gonna right, the
Bills are gonna go to the playoffs, they can go
to the Super Bowl.
Speaker 3 (05:43):
Commanders are gonna be there too, right. You know why?
Speaker 5 (05:46):
Storyline is every time the Bills went to the Souper Bowl,
they lost to an NFC team, which two times to
the Giants, one time for the Cowboys n F. Yeah, well, Eagles.
Speaker 3 (06:00):
Could be the ego suit I mean, but it's gonna
be full servile. Yeah, that's what it is. Egos, Egles
are gonna win, Eagles are gonna be the Commanders and
goes to Super Bowl and.
Speaker 1 (06:08):
Then you think they're gonna lose to another NFC's team.
Speaker 3 (06:11):
Great grade thirty for thirty it continues.
Speaker 1 (06:15):
Or maybe they get over the slump finally.
Speaker 3 (06:16):
There you go to Yeah, either way it's or the
Commanders actually won the Super Bowl with a young quarterback,
the first quarterback. Either way it goes. It's gonna be
a great three p chiefs.
Speaker 1 (06:27):
You know what I'm really liking this this Jade and
Daniels skid.
Speaker 3 (06:30):
Yeah, is mama. That's why I said why his mom.
Speaker 1 (06:35):
Wasn't on There must be But I think the who
in a few years fall off is about to be real.
Speaker 3 (06:47):
Him. I mean next year, it might be the fall off.
Speaker 1 (06:49):
So you know why he's so good, Right, They don't
got a film on him, right, No, it has nothing.
Speaker 3 (06:54):
Well if that could be it.
Speaker 1 (06:55):
But also so he is doing like this v are
like training program and they have it sped up to
like one point five speeds, so it's faster. So he's
used to seeing like so he'll get like they'll take
the game film of like the team they're playing and
(07:16):
they'll put it in the VR training thing and he'll
like play against that defense sped up, so he's seeing
these defenses and he's seeing them faster, so he's so
when he's on the field, it helps his reaction time.
Speaker 3 (07:29):
Right.
Speaker 1 (07:30):
He was the he said that any team that drafted
him needed to have that. He put that in his country. Yeah,
that's what he that.
Speaker 3 (07:36):
Was The Commanders was the only team that was willing
to do it. Right.
Speaker 1 (07:41):
So now with team seeing the success of this, they're
going to start making their other quarter all the other
quarterbacks do it.
Speaker 3 (07:48):
Probably fix something.
Speaker 1 (07:50):
The defenses do it too, and he's not going to
look as good.
Speaker 3 (07:54):
Now everyone's going to have that competitive Shut the fuck up,
Shut up, Why do you put that out on the podcast.
I forgot I've seen something like.
Speaker 1 (08:10):
I'm sure Kyle for to get them one or put
me in.
Speaker 3 (08:14):
Be the cole, Let me be the d C. So
if I'm out here next week, I'm interviewing for the
new d C.
Speaker 6 (08:19):
Bro.
Speaker 5 (08:19):
That would be a hell of a movie. Just a
nigga that just talks sports on the podcast.
Speaker 3 (08:23):
He's a d C. But yeah, do whatever y'all was
doing last year. Do that scheme. Y'all know, y'all jobs.
You know what a nigga don't know what to do.
Y'all know, y'all jobs. I don't really gotta say much,
but I gotta say much because right, I feel like
how much you said?
Speaker 8 (08:45):
How much?
Speaker 6 (08:46):
What?
Speaker 1 (08:46):
I feel like it's easier to be a defensive coordinator
than offensive coordinator?
Speaker 3 (08:50):
Yeah that is probably. Yeah, on the line every time.
Speaker 1 (08:58):
Twelve skier, it's just different, you know, it's just different personnel.
You're gonna run it with multiple linebackers, you're gonna.
Speaker 3 (09:07):
Run it with more dbs. It's really only like.
Speaker 5 (09:09):
Twelve or three safeties in motherucking start running. Yeah, get
to play a film. So I ain't gonna speak on
too much that y'all did. Y'all know what y'all did this, nigga,
don't be saying.
Speaker 1 (09:21):
Ship damn from apply for the DC roll over exactly.
Speaker 3 (09:26):
And you know I gotta start small. Yeah yeah, you
still you know the principal probably Yeah, I'm gonna start
off the interview. I'm gonna start a real school, small
as like your your son's school or that that with
to help with a fucking Mike pack like that. Yeah,
(09:47):
we're going for fun. It's gonna be like what oh yeah.
Speaker 5 (09:56):
Yeah yeah, live from North Las Vegas. Thank you for
joined us. Welcome to Sames. They might it's a good story.
Speaker 2 (10:05):
That's because I think they did the deal with Taylor
Swift with the devil. Whoa you'd say music devil. Yeah,
that is what they say, because I mean they paying
the camera to too. I didn't even watch the Chiefs
game this whole time, so was he Was she at
the home games or had all the games they I
(10:27):
remember one time they said that like she flew in
like she had a concert And.
Speaker 3 (10:36):
Come on, now, man, what the niggas about to retire anyway?
I think this is his last name.
Speaker 1 (10:41):
Is bro pat No hell no, yeah, I think he
got at least two more years.
Speaker 3 (10:49):
Bruh, No, No, I don't think you do. It's bro,
he's thirty four. It's over, okay, you got nothing left
to prove, doesn't Yeah, he's still playing a high level.
That he's playing at a level. He's like a decent
tight end, that Mark Andrews level, except he catches dumb man.
Speaker 5 (11:15):
I thought they got I watched it, like dad, they
beat them niggas. He fumbled the BALLO. Yeah, niggas run.
Speaker 3 (11:22):
A different two point You've been running at two point
conversion that never run it.
Speaker 1 (11:26):
In yourself or give it to their henry. What are
we doing.
Speaker 3 (11:29):
We're paying this nigga fifty million. We can't give him
the ball? Jump over them niggas.
Speaker 1 (11:33):
Why did he only get sixteen carries in the snow?
Like that's the time to use him? Then you beat
John harball ass.
Speaker 3 (11:43):
He need to get fired. But uh yeah, no, further
do nothing, no further do anybody got nothing non film related?
Speaker 1 (11:52):
Oh yeah, I dude, fucking gripe. Why I need him
to start putting You know, you'd be on the freeway.
You see signs that will say yeah, starting this date, Yeah,
we'll be in construction. They need to start doing this shit.
Speaker 3 (12:08):
For the street.
Speaker 1 (12:08):
Okay, if I drive down the street Monday, Tuesday, Wednesday
and it's fucking clear, no signs of construction, and then
Thursday morning and go to leave and now I'm sitting
in bumper to bumper fucking traffic for six blocks because
they ripping up the street. It's like, where was the notice?
Like you didn't just figure out this morning that you
(12:30):
needed to.
Speaker 3 (12:31):
Do this shit? Yeah, no, that is true.
Speaker 1 (12:33):
She would be pissing me off, that's facts. And with
you on that, at least they was out there working.
Usually it'd be like empty hell of cones and nobody
in sight.
Speaker 2 (12:48):
I thought you were about to say something about when
people want to merge over Like let's say you're in
a fucking middle lane whatever, and this nigga knows that
this lane is to end, and a person behind you
knows that is about the end.
Speaker 3 (13:07):
The nigga behind you will get over right just to
get in front of you, and it's like, bro, what
are you doing? You got nowhere? People are just Yeah.
Speaker 1 (13:21):
Another thing, why is it that when you put your
blinker on, people take that as an indication to just
be the fuck up motherfucker. Could be just drive, they'd
be driving five miles an hour nowhere near you, and
you put that blinker on it. Oh, and it's like
and then when you do manage to get in front
(13:42):
of them, then they just slow all the way the
fuck back down. So it's like, why were you trying
to keep me behind you?
Speaker 3 (13:48):
Yeah, that's true, man.
Speaker 1 (13:50):
I really be wishing it GTA sometimes. Damn that was
just snatch them out the car, just.
Speaker 3 (13:55):
Whoop on them real quick.
Speaker 2 (13:58):
It's not I think it's it's not Industrial, but it's
the street behind Caesar.
Speaker 3 (14:04):
Oh, Dean Martin, Yeah, Dean Martin. Bro.
Speaker 2 (14:09):
I don't know why, but when everybody knows how fucking
Dean Martin is three lanes in that bitch two two
when you get by like Caesar's and an industrial. When
you get by Industrial, you have like three three, bro,
everybody knows.
Speaker 3 (14:28):
Get to the right line.
Speaker 2 (14:29):
If you're getting over to the right, just stay in
the right lane, no matter how long that motherfucker is.
Speaker 3 (14:35):
Stay in the right lane.
Speaker 2 (14:36):
Niggas will like legit will like last minute, get over
when you're making a right just to go right.
Speaker 3 (14:43):
And it's like, bro, what are you doing?
Speaker 2 (14:47):
You had all this ample opportunity to get behind me,
but you want to turn right When I'm turning right
thinking oh it's okay, he sees my my blinker, it's
like non, it don't work like that.
Speaker 3 (15:00):
The fuck that's true. That's all I got, all right.
Speaker 5 (15:06):
Uh So, first film we have in twenty twenty, The
Midnight Sky by George Clooney, is the first film the
feature utilize Industrial light and Magic stage Craft virtual production technology.
George Clooney, No Man No Man Land by Zoe Shao
the first OSCAR Best Picture winning to be released theatrical
(15:29):
directly to streaming and VOD at the same time. So
she wanted to Oscar for that shut out. So with
no further ado, we're going to get into fifty Shades
of gray. This ship was the blowout. It took sixty
five percent of the votes, Kingsman took twenty six Constantine
took two percent, Everyways took only seven percent.
Speaker 3 (15:49):
Anybody was disappointed?
Speaker 1 (15:51):
Yes, yeah, very huh very yeah, we went heavy voted
for this bullshit. I want a constantly one yeah, I
want to heavyweights A.
Speaker 3 (16:01):
Yeah. I was alright with anything, but fifty shades that
she was crazy. Fuck whoa all of y'all literally fuck? Yes, yeah, uh.
Speaker 5 (16:12):
Fifty shades is gray taking Dakota Johnson film we have reviewed,
Nei for Speed was the first Aaron Taylor Johnson's wife
directed this film.
Speaker 3 (16:21):
She should never direct again. Who she probably hasn't since. Yeah,
you know, she's like sixty eight and he's like she is. Yeah,
took her last name.
Speaker 5 (16:33):
Oh Johnson came from yes, fucking Craven oh Man. Yeah, uh,
to star in Dakota Johnson Jamie Doran for one hundred
and twenty five minutes easy watch.
Speaker 1 (16:49):
No, this is by far as I think this might
be the worst movie I've ever seen. Yeah, it was
that bad. It was Jesus Christ. She was terrible. It
was so over the top.
Speaker 3 (17:02):
Yeah.
Speaker 1 (17:03):
Also, like it's supposed to be like a yeah, like
erotic lustful movie. Yeah, neither one of these people were attractive,
like they have like the the sexual energy of like
a fucking uh a counting in a librarian? Like what
who did the casting? That ship was terrible.
Speaker 2 (17:28):
One of the things in the alternative group that a
freaking what a kind of go to? That was one
of their problems.
Speaker 3 (17:38):
What are you talking about?
Speaker 1 (17:40):
Alternative group?
Speaker 3 (17:42):
Important? What are we talk about? What's going on?
Speaker 2 (17:46):
That was one of the things that they were saying,
like I wish he was a little bit more attractive.
Speaker 4 (17:52):
Exactly you were going over, brother, not just going not
just gonna rush past.
Speaker 3 (18:01):
Exactly what are you talking about? Turn the group? Turning
the group? Man? You know about the lifestyle parties, I'll
be going to.
Speaker 5 (18:10):
Oh I forgot about Oh no, I forgot about that.
Speaker 3 (18:16):
Like the upside down popple.
Speaker 5 (18:18):
Yeah, oh, I thought you was literally talking about like
a web group or reddick or something.
Speaker 3 (18:24):
It was back then or recently. No, this is like
back then when first came out. Oh, you be fucking people.
I don't know what you do. I don't know what
do you do? You said, Yeah, I love it. More
power to you. Crazy. You still don't go there, Go
(18:46):
where were you supposed to be?
Speaker 5 (18:48):
You know where you're Oh yeah, the parties that I
was going to, the two people that were doing it.
Speaker 3 (18:59):
Ship they broke up. Oh shit, and like they try
to do like parties, but they really just slap.
Speaker 5 (19:06):
Yeah, you know, Wheezy and uh and Mandy was out
here for the A V and Awards.
Speaker 3 (19:12):
If they had pulled up.
Speaker 5 (19:13):
To the motherfucking where I worked at, I was gonna
get fired that day. Yeah, so yeah, a budget forty million.
Speaker 3 (19:23):
What do you think they did?
Speaker 1 (19:24):
I know, made a lot of money. Women loved that.
Speaker 3 (19:27):
Women was going crazy over over two more movies over
over five hundred million.
Speaker 1 (19:35):
Over it, I'm gonna say over. But if it's under,
it's just under.
Speaker 3 (19:39):
Yeah you said that over Yeah, so five sixty nine. Yeah,
it's just crazy. Bro uh. In the World of Black,
Black or White, The Wedding Ringer, The Imitation Game, Baddington,
Fifty Shades, Gray Kingsman, The Secret Service, Budget Balls, Spun
It out of Water, American Snipers, Jupiter Ascending seven Son,
(19:59):
or Pretty Ship for one what you say? One? One
is correct? Thirty million out the gate.
Speaker 1 (20:05):
People like women, women were going insane, especially the books,
and then they always making a movie.
Speaker 3 (20:13):
Yeah, the books go crazy.
Speaker 2 (20:15):
But like I find that like people, ah, you gonna
call them vanilla play regular people are kind of like
into that lifestyle. They really don't know how to go
about getting into it, yeah, or go about telling their
partner that hey something.
Speaker 3 (20:36):
Yeah like that.
Speaker 2 (20:37):
So I think like a lot of women are oppressed, Yeah,
like sexually.
Speaker 3 (20:43):
This is your first time watching nah, oh damn, So
you've ever seen that movie with a Charlie buff which
one it's called. Yeah, because if you know, because if
you would know the movie, then it relates to this.
Speaker 5 (20:59):
It's it's like like two parts. It's like a sexual
type of movie. Yeah, it's like a long ass name.
Speaker 6 (21:08):
Uh.
Speaker 3 (21:09):
This interesting.
Speaker 1 (21:11):
It's like a domination room at these at these parties,
it can't be.
Speaker 3 (21:18):
Well.
Speaker 2 (21:21):
Some people like, you know, like fuck outside. Some people
want to get it in the pool. Some people it's
crazy really just like strip. People just want to go
there chilling, just watch.
Speaker 3 (21:37):
I want to just pull up and watch. I just
want to see what goes down, you know, go to
the green door. Do you want to see what goes down?
I've heard it's wild and there. Yeah, and it's sixty
dollars for minute getting that bitch. All right, So what
you think it is?
Speaker 2 (21:52):
I mean the parties that I do go to, it
don't be like a lot of men yo, wow, okay,
may be mostly women. Yeah, but that's because a lot
of like men are kind of shy. That makes sense, Garrett, Yeah,
that's what they said. It happens important like they they
can't get hard because all these cameras was around.
Speaker 3 (22:12):
So even when I took my there you go.
Speaker 2 (22:17):
I called him my brother like this. The first time,
I'm like, hey, you slide through. This nigga was so drunk.
Speaker 3 (22:24):
I was like, bro, I gotta leave now because you're
sucking up the game. Yeah. He kept calling like, hey,
let me come back. I'm trying to go back.
Speaker 2 (22:34):
Second time, this nigga was like dead ass serious and
I'm just bro relaxed, got his pistol on.
Speaker 3 (22:43):
I'm like relax. I'm like, I want literally all around that.
That's not like somebody I know into the pod. You know, nigga,
we had a nice neighborhood. This nigga want to bring
it up.
Speaker 4 (23:00):
I was like, man, brow we look like in the
dvn C.
Speaker 1 (23:11):
Well we have also also, Yeah, he hang around with
unsavory characters. Yeah, so you know, I didn't know what
I might be walking into.
Speaker 3 (23:23):
Oh man, ye right now, I would have said, I
gotta patch you down before we go up there. I
told you straight up strapped man.
Speaker 5 (23:40):
Yeah, but yeah, fifty Shades debut saying Weekend Kingsman has
Keysman's secret service.
Speaker 3 (23:49):
What you're paying for? What your king King? I did this.
I went I paid for Kingman twice.
Speaker 1 (23:53):
Actually, yeah, I didn't pay for twice. I'm pretty sure
I saw Kingsman in theater.
Speaker 3 (24:00):
This wasn't an era. I was in the era at
this point. But yeah, yeah, I took two different Yeah,
that one was that the era I've done that. It'd
be so hard to watch a movie.
Speaker 6 (24:12):
I know.
Speaker 3 (24:12):
And I'm cooling the lines. I'm trying to press me. Yeah,
I bet you didn't go do this because I already
seen the motherfucking movie. Yeah, the one. Huh was it
day one? They weren't meeting her? No, no, like, have
you ever like went to the movies two times day one?
That same? No, no, no, double work man, No, I
ain't did that.
Speaker 2 (24:33):
No, that gotta be so annoying going on the morning evening.
Speaker 3 (24:39):
It's he and I seeing you again.
Speaker 1 (24:41):
I've shne that, but not.
Speaker 3 (24:43):
Like on some sneaky ship. Yeah your mom, mom, Yeah
got you? Yeah.
Speaker 1 (24:48):
With the X Men, Yeah, let.
Speaker 3 (24:53):
Me see burning the extra back I heard, Yeah, hear
four X is a new brick baby. Now man.
Speaker 5 (25:04):
Bro to him the bricks through Uh so twenty five percent.
Critics give it that, and then audience gives it forty
one percent.
Speaker 3 (25:11):
I agree, but what both of them? What the critics
give it twenty five percent. Yeah, zero, damn Jesus just
because of acting in here.
Speaker 5 (25:21):
Yeah that's with its brad pitting energy lowly.
Speaker 3 (25:26):
How much more does this movie do? Oh?
Speaker 1 (25:29):
It makes close to a billion? Yeah damn, maybe even
billion if they did five hundred with these two fucking
she's homely looking people.
Speaker 3 (25:39):
I still take the cold of down. I mean that's
not saying much what you mean that's madam way why not?
Speaker 1 (25:45):
I'm just saying, like you, I still take her down there?
What is the criteria?
Speaker 3 (25:51):
We all know? Man, we really gotta okay, Sydney SWEETI
or as in days in this row they do a billion.
Speaker 1 (26:00):
With Sydney, With Sidney probably or not out I'm saying,
I mean with either one of them it does more money.
Speaker 3 (26:08):
So and then Challengers didn't even get nominated. It's a
good film. Did you see Challenges? Yet?
Speaker 5 (26:17):
It's a good film, and she gets praises. She don't
be in much ship though. That's the craziest part.
Speaker 3 (26:23):
People just love her. Yeah, I see that. I mean
she's in all them Dune movies. Did you see one?
Speaker 9 (26:29):
No?
Speaker 3 (26:30):
But the world did?
Speaker 1 (26:31):
The motherfuckers? Is hell a popular? They even got a
TV show now, Tim Shama, whatever does Wayne.
Speaker 3 (26:38):
He's that Dylan motherfucker's walker. I feel like he was
in a boy band. I don't know what college football
game day? Wait? What didn't see him on college football?
Is he American? You don't see him?
Speaker 1 (26:55):
He no ball too, he was talking about At first,
people say, I was thinking that it was like it
was scripted because he was his picks. But no, then
they called him again like he was on like a
pick not. It was like like a random street interview
or something, and he was dropping knowledge.
Speaker 3 (27:12):
He knows football. Ship you see nigga crazy, He's crazy.
Did you see saying he said? He taking say?
Speaker 1 (27:24):
He said Sat Kwan is better than Walter Payton. He
said he was better than a whole.
Speaker 3 (27:27):
Lot of I'm like, what the fun watched Walter Payton?
I didn't, That's what I'm saying.
Speaker 1 (27:34):
You know, I don't know he was running in like
before I was born, But I know he's the greatest runner.
I've seen his videos as highlights.
Speaker 5 (27:43):
Buried in Barry Sanders nor is one.
Speaker 1 (27:48):
Yeah he's I think he said he's better than Barry. Yeah,
Barry is one.
Speaker 3 (27:54):
Walter Payton to too much of a nigga. Barry had
a whole lot. I never seen somebody jump over somebody
back both. I mean, that's cool.
Speaker 1 (28:03):
Is a beast, and who knows if he stays healthy
when all is done, he might be the best running
back for another year like this. But I mean in
that offense he might if man, he playing with a
quarterback who can't can throw?
Speaker 3 (28:18):
Yeah for ship, You're right?
Speaker 5 (28:21):
Yeah, I mean, Bro, Barry get tackled twice and still go.
That's the thing, Like he ain't wanted them one thing though,
And he's not running you over.
Speaker 3 (28:31):
Tree trunks. Yeah, he just didn't. Both Jackson, if he was,
if he was healthy, Bro, he running through you? Never
Oh yeah, god damn that one season he was He
never ran for a thousand yards for real? No ship?
Is that your ship?
Speaker 1 (28:50):
Oh think?
Speaker 9 (28:50):
So?
Speaker 6 (28:51):
Yeah?
Speaker 3 (28:52):
Somebody else?
Speaker 1 (28:53):
Uh so?
Speaker 3 (28:53):
Susan G. Cole says from twenty fifteen.
Speaker 5 (28:56):
She says, this movie is a mess, is racially bosas
and laughable cliche soundtrack best of Burden anyone, And it's
plainly a cast grabbing set up promote.
Speaker 3 (29:07):
A fool of trilogy. I agree, Oh yeah that yeah.
Speaker 5 (29:12):
Mike Massey says, from going with the Twins, at least
the film goes out with the way, the way to
show the use of condoms.
Speaker 3 (29:19):
I ain't seen no condoms, did y'all.
Speaker 1 (29:21):
I did see him when it was at her place
and he'd been throw over, tear one open in his mouth.
Speaker 3 (29:29):
Yeah. I was shocked because I was like, hey, you
don't see condoms and movies. Yeah, that's why Insecure made
it a point. He gives it two out of the Yeah.
Speaker 5 (29:39):
Yeah, they would literally make that a point to have
it on another thing. I don't remember December fourth, twenty
twenty he said. Jigen V says from January fifth, twenty
twenty five, one out of five.
Speaker 3 (29:51):
I worked at AMC when this came out, and an
awful movie, an awful dialogue, and cleaning up after the
guests was a gross nightmare. What's in they're doing? I
don't know. I need to go see Jack. Who the
fuck are jacking off to this? You never know? Bro,
it's only oh ship some nipples and some ass.
Speaker 1 (30:13):
It wasn't no, Yeah, it's a nice little racer nipples
look like these knobs.
Speaker 3 (30:22):
Yeah, they took a bite out of crime, but that
one prequel? Uh, no sequels, obviously.
Speaker 5 (30:28):
Fifty Shad's Darker budget was fifty five million they did
three eighty one in the box office.
Speaker 1 (30:33):
I'm willing the best. The third one did even less,
probably so you know who her daddy is?
Speaker 3 (30:41):
Yeah, I told you who her daddy is. You did
other re editions. I'm good.
Speaker 5 (30:46):
I think the world is good. I'm sure there will
be more books to be made, but please no more movies. Yeah, MVP,
but I got something for m v P. The Driver Taylor,
wasn't it Taylor?
Speaker 9 (31:00):
Yeah?
Speaker 3 (31:00):
Then I don't like how this nigga was talking. So
if I just met you and you'd be like, yeah, say,
I don't know, what, wouldn't eame to say? Carol? Yeah,
Carol gonna pick you up? Bro? Who the fuck is
Carol Driver? I feel like this nigga got autism.
Speaker 1 (31:20):
Seriously, I feel like women like fantasize about this type
of ship. But if you did this type of ship
in person.
Speaker 3 (31:29):
Exactly you'd be they would scare them off, immediately, scaring away, Bro,
scaring you don't even notice you. I want to bite
that lip. Yeah what this nigga sounds like you? Yeah?
What are you talking about? And I don't sleep in
the bedroom, so you're sleeping on the floor because there's
(31:52):
only one beds well ship.
Speaker 2 (31:57):
It's easy to introduce something like that, but you gotta
make sure your partners okay with.
Speaker 1 (32:04):
It or see that's the thing he didn't wait to see,
like he just this. He started immediately, don't work tomorrow
on television that you want to bite her lip?
Speaker 3 (32:14):
When? Okay?
Speaker 2 (32:16):
So like looking at it, looking at the movie, like
going from the movie, it just like was there was
no connection. The connection was right now because like if
she a virgin, what the thank you, thank you you
version the quickly and then the next day three popped
(32:36):
your chair or whatever she sat on him.
Speaker 5 (32:38):
That ain't about to happen. Yeah, man, bro, come on
the funk out of here. So yeah, this is your
second time watching this. First time it moved theater. So
did it get worse? Was it worse than what you
imagine or a scene?
Speaker 3 (32:55):
Whatever?
Speaker 2 (32:56):
It's worse than me because it's like, bro, this is
I feel like it was terrible acting delivered that lines
and movements and everything that it was like, bro, this.
Speaker 3 (33:06):
Nigga even say nothing cold. His nigga just kept repeating the.
Speaker 5 (33:10):
Last robots you think you see you later, babes. He
kept saying that later heard that nigga say that, keep
saying it.
Speaker 1 (33:17):
I told you this nigga he did seem autistic.
Speaker 3 (33:20):
The nigga fell in love with the pussy right after,
like dam if, this is what you do. This is
what you do right and you're trying to say.
Speaker 2 (33:28):
No attachment or whatever the case, pussy out of his toes.
My nigga you doing, Yeah, I'll see you later, bro.
Speaker 3 (33:39):
I got to go catch up with my mom, okay,
and then this nigga pop up like what are you
doing here? I'm here? And why you were real freak?
I just wanted I was done.
Speaker 5 (33:51):
That's the freaky partner is like, nah, then why ain't
doing no butt play? Since you're so freaky, why didn't
you put a butt plug in? That's the part that'd
be scaring the holes away, is the whooping part. It's like, bro, no,
he really he whooped there like goddamn same brown on
the camera Like I was like, brocause yeah, I think
(34:14):
that's literally notes it's called.
Speaker 3 (34:18):
No he pulled out a belt on. But you dude,
that looked like Michael Myers in My Job. No, what
how you know? Michael Myers looks like what the fuck you?
He looks like the mask is what you're saying.
Speaker 2 (34:33):
Like, no, if you if you Lois remember Jamie Lee
Curtis was like, my cool yeah, and Nigga was just
standing up and all you've seen was like hair and
like that. Nigga looks like that. Okay, okay. So the
other dude at my job, he was cool with him.
He asked him. I don't know how this conversation came
(34:56):
up between them, but he ran back and told everybody
and he was like, hey, don't funk with this dude.
Speaker 3 (35:02):
Anyway. He was like, uh, his girlfriend had cheated on
him and he found out about it. So what he
did He took a dil dough frozen, oh, put it
in the freezer whatever.
Speaker 2 (35:22):
Right then he you know, went home, talked to him whatever,
whatever prepared her got already uh tighter down.
Speaker 3 (35:32):
Oh took the frozen dil dough and what had I
go for her? It wasn't nice. N he didn't beat it.
Speaker 2 (35:43):
He beats something, yeah, but it wasn't no no little
small like a big, guerthy motherfucker with the mom Yeah.
So I was like, bro, what bro?
Speaker 3 (36:06):
That should remind me of that Snowfall episode. They ain't
in there.
Speaker 1 (36:10):
Fighting, Hey, what do you do, Like, what would you
do if you found like it's a massive fucking like
fourteen inches just the.
Speaker 3 (36:25):
Just the monster dialdo in your girls drawing? Bro, I
don't know what you do? You get yourself for rocket
now we can't be fucking no more like what I'm
gonna do? What am I going to do? Put in
their ass? In your bro? I have fun? What you do?
Speaker 1 (36:45):
Yeah?
Speaker 3 (36:45):
Yeah, look he's a sexologist. Did you think you didn't
know about your cost? Yeah? He probably has a red
room right now? Hey, you'll ever see that?
Speaker 6 (36:55):
Uh?
Speaker 3 (36:55):
Nip tuck? What do you find?
Speaker 6 (36:57):
Girl?
Speaker 3 (36:57):
Back to life? It was a frozen top be put
in the frozen tub. She died and then I never
watched it.
Speaker 5 (37:03):
You never watched him to That's one of the greatest
shows ever, bro, I said, you gotta watch it.
Speaker 3 (37:10):
Bro, literally, you gotta watch that ship. We're gonna do
the episode every week. No, so.
Speaker 5 (37:21):
Important to do you think the swim is more important
to the Coda Johnson or Jamie Doran, which is Christian Gray.
Speaker 3 (37:28):
I'm gonna say the Coda Johnson really more than this.
Nigga ever got madame after this? So you think she
went from twenty fifteen to get Madame Wab after this, No.
Speaker 1 (37:40):
I mean these these films, so she got too right, right,
and then she eventually got to Madame Web.
Speaker 3 (37:46):
Nigga, what about you got nothing? That's what's important to him.
This is last It didn't boost his career.
Speaker 5 (37:55):
Oh shit, they're relevant seeing or character every one in
the movie, everywhere, even the production cast.
Speaker 3 (38:04):
That guy's going to work this movie. Fucking trash this ship, right, Uh,
it's no, it's not.
Speaker 1 (38:12):
When she walked out of the building after interviewing him, yeah,
and then was in the rain.
Speaker 3 (38:18):
Yeah. I was like, that's why they made you see
fifty Shades of Black. It's the parody.
Speaker 5 (38:25):
That's why they made it so easy to make a
fucking parody from this dumb ship. Lifespan zero right, zero zero.
Speaker 3 (38:32):
Right, niggas, we can't damn. I mean, well, you know,
have you seen Madam Web. Okay, well that's right, this
is good for you. I tried.
Speaker 1 (38:43):
I got to the point where they went to the woods.
Speaker 5 (38:46):
Yeah, well, we can't pay you so a million dollars
watch Madam Web three times or this trick or this trilogy.
Speaker 1 (38:55):
For five hundred dollars probably, Yeah, I watched three times. Yeah,
real hard on Sidney Sweeney.
Speaker 3 (39:04):
I'm folks were hard on, fucking hard all right. I
don't make a fuck card they got. That was the line.
All right? Uh so wrap up party notes I got.
Speaker 5 (39:19):
I don't know why, but seeing Dakota Johnson in this film,
I want to see her as a vampire role. Yeah,
we're saying that. So at the time, somebody was reading
some of these books that was Dayton. I got a
lot of boozy. It would get already off these books.
Speaker 3 (39:35):
Bro, what was he flogging her?
Speaker 5 (39:39):
I was fucking like nineteen or twenty years old. No,
I'm bringing just fucking u. This movie did half a
billion purely off of horny Women based on the book.
The leads are not strong. Uh, they're not even household names.
I don't know why they chose those people.
Speaker 3 (39:58):
Uh yeah, hell no. Once I seen him trying to
fly the helicopter, I'm out out. I said the same thing.
I was like, for one, you not even to get
me in a helicopter? Yeah, and then you flying it?
Speaker 1 (40:12):
Nah?
Speaker 5 (40:12):
No, I don't know you like that, mo, nigga, this
could be your suicide attempt. Anyone take me with you
going down?
Speaker 3 (40:18):
Yeah? So you know, basically, I don't think I have these.
Speaker 5 (40:22):
I was trying to put myself in a situation as
far as like dating a woman like this that was rich,
the woman putting the contract and all this ship and
all this dumb ship which'all think of that would'all do
that woman?
Speaker 3 (40:32):
Yeah? Like a woman? I mean, what is what is
she trying to do?
Speaker 5 (40:36):
Literally the same thing, not like you, not that ship
like that, but like you guys on this contract, you
gotta address me as missus, and missus can't touch me
without sleeping in the same bed.
Speaker 3 (40:46):
You can't have nobody else. I'm like getting some bread
out of this. If you get in the car, did
she give the nigga a car? Take it back?
Speaker 6 (40:54):
So?
Speaker 5 (40:54):
Yeah, he did take it back. Yeah, bitch ass nigga,
you rich? That was right, you bitch ass nigga. I
want I should have turned off the movie and you
give her.
Speaker 2 (41:06):
As long as I'm not getting beaten and pegged.
Speaker 3 (41:10):
Yeah, I feel you, Yeah, I feel you on that one.
Yeah yeah, but you sign that.
Speaker 1 (41:15):
Contract though you just want to nibble on your foreskin.
Speaker 3 (41:20):
WHOA. I'm gonna tell you now, women.
Speaker 1 (41:26):
Have some.
Speaker 2 (41:29):
Some crazy fetish as well as men. If they suppressed,
they don't tell not a soul. Yeah, I'm telling you now,
and you just be like, wait, you want to do what?
Speaker 3 (41:44):
All right? Fuck you damn crazy?
Speaker 5 (41:49):
Uh yeah, bro, I think if Yeah, that's what I
said billion other woman feeling me. I'm calling off the day.
Remember she had sex, Like I'm going to work. Yeah, nope, nope,
I'll be damn matter of fact, book be down for
the whole week.
Speaker 3 (42:04):
I'm not coming in. The matter of fact, I'm not
coming in. I also gonna get a room here, so
t bring my bag up. I thought you going off,
Yeah I did, But bring my ship up, and I'm
gonna get you some coach right out here in the morning. Yeah.
Poor uh. Anastasia asks Christian, are you going to make
(42:25):
love to me? That bad said? Christian said, I don't
make love. I funk hard. That sound like a parody line, bro,
it does do which I think of Christian playroom. That
Nigga playroom was trash.
Speaker 5 (42:38):
I expected to see some chains, handcuffs, a couple of
some women, sex toys.
Speaker 3 (42:43):
That ship would look like the medieval times. It was
very organized. Nigga didn't have a trap, you know, put
born ass room, the red room. Yeah, it was. It
was all right.
Speaker 2 (42:56):
But my thing is, it's like if he's been in
a situation with another person for six years and even then,
you guys seen I don't know if it was her
third one.
Speaker 5 (43:10):
Wait a minute, nigga, did you see the resid thees
brog Yo?
Speaker 3 (43:15):
That's crazy? Uh?
Speaker 2 (43:20):
The girl that he was sleeping with when he was younger,
has that mom's friend or something that he still like
shows up?
Speaker 3 (43:28):
Yeah? Yeah, of course she's the one that's lying to her.
He ain't lying to me. I already knew what type
of time he was. She's in the shure. Yeah, is
it Rita or because I don't remember, gotta be somebody older.
If it's his mom's friend, I don't. I don't remember
how this movie is. I'm not surprised if then the
bitch is younger than me. But I was like, not
(43:49):
just look it up. I don't gonna see if you've
been in a situation like if she's beating you. Oh yeah,
because he had those scores on them r Yeah?
Speaker 2 (44:00):
Yeah, then how would you like, why would you want
to be a dominant because usually if you're.
Speaker 3 (44:08):
You like to stay it up. Yeah that's true, but
hurt people. Hurt people. My nigga.
Speaker 6 (44:13):
You you are.
Speaker 3 (44:15):
That's up. So you like this ship.
Speaker 2 (44:18):
You like to tie me up, put me down, whenever, whatever,
which is why when he got in the elevator, she was.
Speaker 3 (44:24):
Like no, yeah, you're not touching me.
Speaker 9 (44:27):
Yeah.
Speaker 5 (44:28):
He was like yeah, it's like bro, But that's why
you probably don't like to be touched because you don't
like to be touched by her.
Speaker 2 (44:35):
Probably probably can't be touched because, oh girl got in
the contract.
Speaker 3 (44:45):
That this lady here? Do you find no white lady
from pooty team? Probably small brand white woman. You got
some big ass titty Yeah women wh from keep my
name out your mouth? Oh yeah, that's right. Oh man,
(45:12):
something light you're getting paid. That's oh I know who
she is.
Speaker 1 (45:18):
It's a least kimer in the day she was flying.
Speaker 6 (45:26):
Yeah.
Speaker 3 (45:29):
Uh what you think? Oh yeah, uh that's a damn
I expect madam Webb to show her titties. Yeah uh yeah.
Speaker 9 (45:40):
No.
Speaker 5 (45:41):
I don't know how women fuck with this dude. He
don't want to go to moves, you don't want to
go to dinner, he don't want to sleep in the
same band. How was this romantic?
Speaker 1 (45:50):
Yeah?
Speaker 3 (45:50):
But how is this romantic? Women? That's romantic? Television. Yeah,
I must sleep in the same bed with you.
Speaker 1 (45:56):
It's romantic in the books. Try it with your girl.
Relationship falls apart. You're gonna sleep in this room. Yeah,
and this is my after I fuck you hard, and
this is my playroom, playroom.
Speaker 3 (46:12):
We don't hold hands, you cannot touch me, and you
have to address me as mister Walker. Matter of fact,
you have to call me my podcast. The relationship is
gonna be over so fast.
Speaker 2 (46:23):
But that's how you could start off small like that,
like a woman is used to calling you daddy. No
call me maestro.
Speaker 3 (46:33):
Some ship like that. What I'm telling you, they would
be like what they don't get used to it coming
by your dad's first name.
Speaker 9 (46:47):
Put this.
Speaker 3 (46:50):
On, bro, what's your dad's name, Jerry? Call me Jerry.
That's wild bro.
Speaker 5 (46:58):
This nigga's a wild man. Oh yeah, I understand. This
is ironic, ironic, ironic, erotic film. But god damn, how
many times they're gonna have sex? Jesus Christ, Jesus man.
Speaker 3 (47:12):
You get what you want? You horny all the time? Nigga?
When do you run your business? What business? I'll come
to find this nigga not rich, But you ain't got
to take no conference, no meeting. When you get to
that level, how involved do you really think he is?
What is Warren Buffet doing on daily?
Speaker 1 (47:32):
I doubt Warren Buffett is in like at his company
running it daily and what is what is his business?
He probably has like a few meetings a week and
it's just like you know, making sure ship is what
it is.
Speaker 3 (47:47):
We do this still he looks at he probably gets reports.
Speaker 1 (47:52):
Every day and see it's okay, numbers are still up,
cool and about to go golf. Ship is down. Get
everybody in the smell.
Speaker 3 (48:02):
I feel my wrath.
Speaker 5 (48:05):
And Christian taking his belt out and whipping her is
not even spaking her, like this is wild, bro, Come up.
At that point, you're getting the ass whooping from your parents.
Speaker 3 (48:14):
Some women like it. I don't know if they like
that n ass whooping with a belt Black women, don't
I tell you that, Yes, it's BTSD nigga. No they
must ain't. Never got to ask with my.
Speaker 5 (48:25):
Parents, you know, to be knowing, Bro, we should have
started a sex podcast. I know you had this much information, uh,
but like it just kind of like horrible. We really
should do that, yeah, man, It just.
Speaker 2 (48:46):
Really like depends on how you like open things up.
Whatever is like sometimes like I'm heavy handed, my goddamn self.
And I was like, yo, you okay, oh wow, and
like yeah it's okay. You could do it harder, whatever
the case, harder than whoa maestro? Goddamn right, that's what
(49:11):
they call you.
Speaker 3 (49:13):
I like they called me John h or like captain
or another you know you see, yeah, yeah, you're really serious.
I mean the artist formally know this. That's a lot
of mouth speak. I told you it might be fine
(49:36):
with a t Rex girl, she's gonna yell random ship.
Speaker 2 (49:39):
Oh man, but that might be like, you know, when
somebody stuttered the rap like remember Dragon, he had a
stuttering from I.
Speaker 3 (49:47):
Didn't know that. Yeah, no, because she's so many takes.
You got a fucking dude, we're seeing the perfect or
hearing the perfect take. We ain't seeing the fucking fifty million.
That's how it is with some people. Boy, I would
speaking of what I don't want to be the studio
with Dragon. Imagine being an engineer. You gotta do the
(50:09):
fucking pieces all because he keeps fucking stuttering. We want
to be here if okay, I stuttering.
Speaker 2 (50:16):
Person like when they want to say something, they say
that ship fast because they know what the fun they
want to say.
Speaker 3 (50:23):
But if they got to sit there and talk thank
you at the same time. Nah, But if they don't
know what they're saying, Yeah, speak that ship out real quick,
like old boy and problem.
Speaker 6 (50:35):
Yeah.
Speaker 5 (50:35):
I was thinking of that when you're talking about that
motherfucker Okay, somebody, Richard.
Speaker 3 (50:45):
Somebody, because he was trying to talk ship. Yeah. Uh,
that dude looked like the nigga from House. Guess that
was getting sucked up by the bike. It is that's him. Yes,
that's the nigga for Harlem Night. Yes, holy ship. The
fall off bro?
Speaker 1 (51:04):
Is it?
Speaker 3 (51:04):
What are you talking about? The fall off figure? How
you go from Harlem Night? How that is? Yeah? How's
the fall off nigga from Harlem N's acting? All the
comedians this goddamn House against the Tattooed Man. But what
about Charlie Murphy. Did Dave Chappelle's show, you know, rollers
a role? Yeah? So fucking fifty grade the fourth you're.
Speaker 1 (51:27):
Telling me that every role that Samuel Jackson has taken
since let's say it was his Jungle Fever no hope fiction,
people love that ship. Yeah, whole classes, that's you know,
arguably one of his greatest roles. So you're telling me
that every role that he's taken after that has been
(51:47):
on par with that or better.
Speaker 3 (51:49):
Yeah, every role what makes the plane? How you go
from he's the main character though, that's just terrible. Though
he's the main character.
Speaker 1 (51:56):
Okay, So it's because he's starring, all right, all right,
mm hmm nah, I'm.
Speaker 5 (52:03):
Just saying I'm going acting with Eddie Murphy now, going
to be with one motherfucking pipartment.
Speaker 3 (52:09):
Right, he wasn't a star, and no he wasn't, but
he's uh, I don't know, I expect him to go up.
I don't know. Well we're uh. I mean, but if
you look at it, like he hasn't really been like
the main bro. His name is not even clickable. I
mean we were doing house. I guess I was trying
to click his name. No link, oh man. But uh yeah.
Speaker 6 (52:33):
Uh.
Speaker 3 (52:33):
One one positive thing I got. I like how the
movie ended with the elevator closing.
Speaker 6 (52:37):
Uh.
Speaker 3 (52:38):
Never seen a romantic film. I guess if this passify
is that INNT like that Christian? Yeah? Yeah, that was weird.
I was like, that's right, right, that was it. I
was like postcard.
Speaker 5 (52:50):
Anybody, Yeah, I got facts about fifty shades of gray.
Real quick remote control cameras was utilized for a majority
of the six scenes for the set could be more
private for the actors, though stunt coordinator Milissa Stuff said
in the interview that in some of the wilder scenes,
the two lead actors had to spend hours naked in
(53:11):
front of a crew. Dakota Johnson and Jamie Dorian filmed
the scenes in the red room last week of production,
shooting the way they would be more comfortable for each
other since they had to spend a lot of time
together during the rest of the shoot. Dakota Johnson took
a flogger and several pair of pennies from the film
says she took the underwear, claiming that they were too
(53:33):
comfortable to leave behind.
Speaker 3 (53:35):
Nobody wanted that, DNA. I mean, I got Madam Web pennies.
But what you about to say that? Some people? Yeah,
I wish I could find a woman that's in the draws. Bru.
Speaker 2 (53:53):
Probably were sixteen hours out today. If you need some
to wear, how were at your boy? I'm sure they
do tell them ships.
Speaker 3 (54:05):
I'm confused what he's selling underwear? If somebody. Oh you
mean if they like you mean, like they want to
buy your drawers to smell them. Like, how creepy? We
are creepy? Why?
Speaker 1 (54:22):
Like women could just make a living selling their panties
on the internet and farts in the jar and farting
in the jar, and.
Speaker 3 (54:28):
We are we gotta do better?
Speaker 1 (54:31):
Yeah, I mean like my niggas, but low key, Yeah,
you're right.
Speaker 3 (54:35):
What if it was a market for underwear? I'm selling
the men. I don't give an.
Speaker 9 (54:43):
I'm not.
Speaker 3 (54:45):
You ain't fucking me yet, not ever. If you hold
these drawers, you can go ahead and and buy ship
give to you.
Speaker 1 (54:56):
There ain't gonna be no return address. You're gonna find
out where I live, right.
Speaker 3 (55:00):
There, red car Right, I've been listening. I listened to every.
Speaker 1 (55:08):
Day sometimes you know, it be hot during the summer
in the suits, smell.
Speaker 3 (55:17):
The boiling bass. Christ damn uh? Where the funk was that? Oh? Yeah,
the flogger she took all that show. Jamie during To
revealed that he visited a private sex dungeon for research
on his Christian great character. Yeah, for research. The fu
(55:41):
nigga read the book, that's the research, nigga.
Speaker 5 (55:46):
Dakota Johnson had to use body makeup to cover her
tattoos in the film. Uh, here's an interesting one, Charlie Humane. Yeah,
he's supposed he should have been Christian Gray.
Speaker 3 (55:59):
He turned it down.
Speaker 5 (56:00):
What he turned it down because later due to schedule challenges,
he said he was about he said about his dropping
out of the row. I was going to finish film
and Santa in the Hierarchy two thousand and eight at
like eleven pm Friday night, get on the plane Saturday
morning to Vancouver for Fifty Shades, missing the whole first
week of rehearsal, and start shooting Monday. And I was
(56:20):
going to shoot the film rap that Wednesday, and the
following Monday, I was going to start shooting Crimson Peak
in Toronto. I had like I just had, like frankly,
something of a nervous breakdown.
Speaker 3 (56:32):
I just had. I can't, I can't.
Speaker 5 (56:33):
He fell to such a great scale, because fifty Shades
is going to be massive. It's going to be huge.
I really didn't want to fail as much as a
grand scale. I just didn't want to transition from jackstra
Taylor to Christian Gray in forty hours. It's painful because
I love the character. I wanted to do it, and
I'm also a man of my word. That makes sense.
I go to hard being his fucking motorcycle game banger to.
Speaker 3 (56:55):
Be in a word mother. I don't think he would
have played it weird like that. I think that's just
how that guy.
Speaker 6 (57:02):
You know.
Speaker 3 (57:03):
Did they call for him to do that? I mean
they called for him to be cold, yeah, but not
all Yeah, yeah I feel that. Yeah, my mom is Yeah,
I was a burger. But the kids were at the counter.
It was like, don't make fun of teena. She's autistic
and they're like the mom and dad was like, no,
(57:25):
she's not our text.
Speaker 2 (57:25):
It ain't nothing wrong with her. And they had like
some two picks in their hand. It's like and they
throw them on the floor. It's like, Tina, how much
is this?
Speaker 3 (57:35):
And she was like six. He was like no, it's
only three. Oh ship. She was hilarious. Bro. Yeah, they
would have knew that number the first time.
Speaker 5 (57:48):
And it gets to see the Red Room of Pain
is the first time the coach Johnston saw it as well.
The director Sam Taylor Johnson wanted her reaction to be genuine.
Jamie Dore and however, spent it good deal of time
in there so he would be familiar and comfortable with
the scenes.
Speaker 3 (58:04):
Angelie Joe Lee was offered the chance to be what
Oh Girl No to be the director. She declined. Yeah.
Speaker 5 (58:13):
Dakota Johnson requested her parents Don Johnson and Malina Griffin
not to see the film. She thought it was inappropriate
for them to watch it at the same time. In
her film's release, you.
Speaker 3 (58:25):
Can see that. I mean, I mean, I've seen your
titties before, right, or no, like i've seen you naked before.
You actors. Shit.
Speaker 5 (58:34):
The movie is banned in Kenya due to prolonging it
and it's blit of sexual scenes. Anyone who distributor shows
the movies liable to prosecutor. So, all together the sex scenes,
how long do you think they were?
Speaker 3 (58:49):
Twenty minutes?
Speaker 1 (58:51):
Hey, they were pretty long, long as the motherfucker. Yeah,
so I don't know twenty though, twelve thirteen So.
Speaker 5 (58:59):
Sex scenes all together is fourteen minutes and seventeen seconds
over run. That gotta be the longest sex scene run. Yeah,
I'm like, god, the core of the movie.
Speaker 1 (59:08):
Usually sex scenes they'd be like quick seconds. I'm like
three minutes long, Like I want to.
Speaker 3 (59:15):
Say, so, I'm in the E d R. Watching it,
I'm like, Okay, it's gonna cut off. They keep going.
I'm like, bro, I'm looking.
Speaker 4 (59:21):
At the corner.
Speaker 3 (59:22):
I come on, yo, I'm looking for a camera. I'm
on a WiFi. I'm like yo yo. One. I had
to like when one started. I like, yeah, yeah, yeah,
that what you're doing right right here?
Speaker 6 (59:40):
Dad?
Speaker 3 (59:41):
Why are you acting so weird?
Speaker 6 (59:44):
Yeah?
Speaker 5 (59:46):
Director Taylor Sam Taylor Johnson admitted that the scene from
the novel where Christian removes and his tampon who they
could have sex The scene wasn't even discussed in the
script when it was written.
Speaker 3 (59:57):
Thank god fu teeth. Yeah he probably did it with teeth. Freaky.
Speaker 5 (01:00:02):
Yeah, boy, we can't sleep in the same bed as
a bitch. And then you've presented long gass contract. Bro,
they read that contract for good ten minutes in the movie.
Speaker 3 (01:00:11):
Just did not sign it. Subject or submissive?
Speaker 6 (01:00:14):
W do this?
Speaker 3 (01:00:15):
I might bro wrap this ship up and then she
never signs it. But anyway, any last words for this film, No, no,
damn fuck hard hard.
Speaker 2 (01:00:28):
I would advise, like, if you haven't done anything like this, uh,
let's go to like uh a place or a party
or whatever. You don't have to go with nobody, just
go by yourself and yeah and just see what type
(01:00:48):
of things you possibly could get into. I'm just like down, oh,
like that's too crazy.
Speaker 3 (01:00:56):
Yeah, that ship was too crazy.
Speaker 2 (01:00:59):
But I've run into women that have like not done
smacked andathing, like they'd be like wait, what what what
are we doing here?
Speaker 3 (01:01:09):
Like it's like are you okay?
Speaker 2 (01:01:12):
Yeah, I'm okay, But I never did this before, like
all right, never had chazz.
Speaker 3 (01:01:20):
None of this.
Speaker 1 (01:01:20):
That's what she took.
Speaker 2 (01:01:22):
That's what I like to play like. I had never
done anything either, but nothing. It wouldn't like nothing I'm
talking about like position wise, Like.
Speaker 3 (01:01:29):
It's like, bro, you.
Speaker 1 (01:01:33):
All right, so you know you think your girl is
sweet and wholesome, but some dude got her name saved
in her and his phone is aintal monster.
Speaker 3 (01:01:46):
Truth. Agree. But if.
Speaker 2 (01:01:52):
The type of women that you you would like me
and you're like okay, Like she never been like laid
down and like fucked who.
Speaker 9 (01:02:01):
You hard.
Speaker 3 (01:02:05):
When we lived in that's another thing. You have never
been like count in the air and fucked or something. Yeah,
there was like would he's like reels after dark?
Speaker 6 (01:02:26):
Yeah?
Speaker 5 (01:02:27):
Yeah, yeah, I'm glad y'all said that because next year.
I'm going to pick the sequel for you.
Speaker 3 (01:02:34):
So, yeah, Exploded, it's gonna be January. I'm not gonna
be there. I might just come for the conversation. I'm
not watching that. So the crocks that I wear at work.
Speaker 1 (01:02:52):
Crooks.
Speaker 3 (01:02:59):
All yeah.
Speaker 2 (01:03:05):
I should have said this from not feeling related bright
the ball like, I don't know, like the middle part
basically has no support for your arch and I just
was like, Yo, this is just fucking my foot up
this ship. I'm not wearing this shit. So I'm wearing
shoes from now on. Yeh, fucked them up sandals. Man,
(01:03:27):
They're comfortable. I like my feet to air out and everything.
I'm like, man, that ship is no fun and this
bitch ye.
Speaker 3 (01:03:38):
All right?
Speaker 5 (01:03:40):
So Films next Week nineteen seventy five, You Got Quest Bail,
It's Alive and Well, Living in Paris and Bullshit nineteen
eighty five. You Got Into the Night, the nineteen eighty
five American black gold Bill Jeff gun Blooms In It
The Mean Season is the nineteen eighty five American thriller.
Kurt Russell's In It. Uh Trq is nineteen eighty five
(01:04:02):
action comedy with nobody Will Right Handlman needed to do
that shit. Vision Quest is a movie released in the
UK but then we don't know. Finnigan Begins Again is
the nineteen eighty five made for TV HBO with Mary
Tyler Moore.
Speaker 6 (01:04:22):
All right.
Speaker 5 (01:04:22):
Ninety five You Got The Haunted is a martial arts
action thriller film with uh nobody know. The Walking Dad
is a nineteen ninety five war film with Eddie Griffin.
That's random as fucked. Oh and Alan Payne looks like
a black movie. Citizen X is a television film about
the Soviet Union. Five You Have Cursed is an American
(01:04:44):
horror film by my Nigga West.
Speaker 3 (01:04:46):
Is that the Vampire? Yeah?
Speaker 6 (01:04:50):
That's it.
Speaker 3 (01:04:50):
I like them. I've just watched it. Oh really Yeah?
What about this one Diary of a mad blackman? Tyler
per Man in the House? Yeah, Man the House twenty
fifteen to Doff You know the Doff is?
Speaker 5 (01:05:10):
But yeah, yep, than one another of your favorites. It's
a it's a time travel movie. Whose I was fifteen?
Speaker 3 (01:05:18):
It is a sequel Hot Time of Ship. Oh it
was a part two? Yeah, I remember that. Yeah, they
gotta deal with the effects of what the fuck they did? Yeah?
And he made Luke Yep that nigga. I told her
what I would do back. I would make all the hits. Hey,
but this nigga does not miss the fuck get t
(01:05:42):
Brian Carry. Yeah that's what he did. Yeah, this nigga
is the greatest songwriter ever.
Speaker 9 (01:05:47):
Bro.
Speaker 3 (01:05:47):
I would literally write every hit bro.
Speaker 6 (01:05:50):
Yeah.
Speaker 3 (01:05:52):
Oh, they would be mad as hell at me. And
he produces classic movies like what does this guy not do?
Speaker 1 (01:05:59):
Every number one one through five of every year year.
I would just yep right that, you're gonna sing this,
You're gonna sing this, you gonna sing this.
Speaker 3 (01:06:09):
Go back and give Maria Carry. I'll be home for Christmas.
Speaker 5 (01:06:13):
Oh man tuck around and makes a shanty's career because
I'm giving her just recover Mariah Carrey.
Speaker 3 (01:06:20):
Ship of Christmas whatever. Man crazy.
Speaker 5 (01:06:24):
And the last one we got for twenty fifteen is
make mc flair land or McFarland USA.
Speaker 3 (01:06:30):
Uh, nobody knows in it, trut out. Not a lot
of good movies. I mean, I mean, Hot Tip, Top Machine, Cursed.
Speaker 1 (01:06:40):
Don't know people on YouTube and give us some bullshit.
Speaker 3 (01:06:43):
Yeah man, But with that being said, last franchise February,
I'm picking Deadpool two and and then Evan Almighty because
it's a definition. I mean, let's see what the Bruce Almighty,
which I got, I don't know. I'm gonna have to
th damn well then, so I better tell you all
(01:07:04):
this for the thinking.
Speaker 1 (01:07:05):
You know, I'm a terminator too.
Speaker 3 (01:07:08):
Or aliens. It's one of it's gonna be one of them.
Uh So with that said, you know what I'm doing
for March, missed out March, missed out March. We basically
you can pick a movie from nineteen seventy three to
current that we missed out on. I fucking love it.
Let's go. But you I still ain't gonna know what
(01:07:28):
you're gonna pick. So that's why I give it you.
Speaker 1 (01:07:31):
Oh really, Constantine, what you mean we gotta pick one?
Speaker 3 (01:07:35):
Miss one, miss March? This Nigga? When did that come out?
If it didn't come out in the presence of those
bro miss March, l miss March two thousand and nine,
Bro that a happening, screwed screwed? Yeah, with a damn
Chappelle when that come out? Because I didn't even see
(01:07:59):
that on the list two thousand, okay about two thousand.
That won't be there either. That wouldn't count either. Ye, gosh,
I don't know. Yeah, I feel you, Ye men, I
have Yeah. With that being said, thank you for joining us,
we said, what was really about? Fifty Shades of Grade
starring Dakota Johnson. I am dumb. Cruise your boy case
(01:08:22):
boy as always make sure you like share stuff. Yeah, alright,
cut lady, I was watching the Scared Scared movie too.
(01:08:48):
I watched both of you after I got home after.
Speaker 8 (01:08:54):
I just want to talk.
Speaker 7 (01:09:00):
Why won't you let me in?
Speaker 8 (01:09:05):
We should be talking like normal people.
Speaker 6 (01:09:08):
Yeah?
Speaker 1 (01:09:12):
Is that so wrong?
Speaker 7 (01:09:26):
Is this because of the contract because I still haven't
signed it.
Speaker 3 (01:09:30):
Fuck the contract.
Speaker 8 (01:09:32):
I think it's a little redundant, don't you?
Speaker 7 (01:09:36):
So then the rules are redundant too.
Speaker 8 (01:09:38):
No, the rules stand and what if I break them?
Then there'll be consequences punishment.
Speaker 7 (01:09:45):
Yes, why do you want to punish me? Why do
you want to hurt me?
Speaker 8 (01:09:55):
I would never do anything to you that you couldn't
have it, So.
Speaker 7 (01:09:58):
Why do you even want to do anything to me
at all?
Speaker 9 (01:10:00):
Christian?
Speaker 8 (01:10:03):
If I told you, you would never look at me
the same way again.
Speaker 1 (01:10:07):
So there is a reason.
Speaker 7 (01:10:09):
Tell me, do you want to punish me right now?
Speaker 3 (01:10:14):
Yes?
Speaker 8 (01:10:15):
I want to punish you right now?
Speaker 7 (01:10:19):
What if I told you that I feel the same
way about being punished as you do about me touching you.
Would you still want to punish me?
Speaker 8 (01:10:25):
Then no, But that doesn't mean I wouldn't need to.
Why Why do you need because it's where I am,
Because I'm fifty shits have fucked up?
Speaker 7 (01:11:09):
Show me then, I need you to show me.
Speaker 1 (01:11:28):
What you want to do to me.
Speaker 7 (01:11:30):
Punish me, show me how bad it can be. I
want you to show me the worst. That's the only
way I can understand