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June 11, 2025 58 mins
Dom, ILL, and Q saddle up for a wild ride through Sam Raimi’s The Quick and the Dead (1995)! With Sharon Stone leading a stacked cast that includes Gene Hackman, Russell Crowe, and a young Leonardo DiCaprio, this western showdown brings style, bullets, and a whole lot of revenge. The crew breaks down the film’s intense duels, Raimi’s signature direction, and whether "The Lady" delivers justice in the dusty town of Redemption. Is this a forgotten western gem or just shooting blanks? Find out in this Say Whats Reel review!

TheQuickAndTheDead #MovieReview #SayWhatsReel #WesternMovies #SharonStone #LeonardoDiCaprio #RussellCrowe #GeneHackman #SamRaimi #90smovies

The Quick and the Dead is a 1995 American revisionist Western film directed by Sam Raimi. The film stars Sharon Stone, Gene Hackman, Russell Crowe, and Leonardo DiCaprio. The screenplay was written by Simon Moore, but includes contributions from Joss Whedon.[5] The story focuses on "The Lady" (Stone), a gunfighter who rides into the frontier town of Redemption, controlled by John Herod (Hackman). The Lady joins a deadly dueling competition in an attempt to exact revenge for her father's death.

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 DOM CRUZE
Twitter: https://twitter.com/itzdomcruzehoe
 Instagram: https://www.instagram.com/itzdomcruzehoe/

Q
Twitter: https://twitter.com/King_Quisemoe
 Instagram: https://www.instagram.com/king_quisemoe/


00:00 In This Video
05:01 Non The Quick and The Dead related
15:26 First in Film
 19:11 The Quick and The Dead Review
 35:21 Best Moments of the quick and the dead
38:28 Wrap up notes
 46:33 Facts about the quick and the dead 49:47 Next Week films
Mark as Played
Transcript

Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
I personally think Romeo and Juliet is a better movie.
And I'm still gonna say Basketball Diaries I think is
more important to his career, all right, because those type
of movies where those like those fucking artsy movies that'll
be in those film festivals and ship, that's we'll be
getting these studios and these directors to want to go

(00:20):
out and work with you. I don't think it did, really.
I don't think Romeo and Juliet did. I don't think
anyone liked that movie. I like it, you like it,
But people ship on that movie all the time. They
say it's one of the worst movies ever made. Really.
Who was the Female League? Is it Claire Danes or something?

(00:42):
Three Musketeers and Iron Mask I think that was That
was the attempt. That was like probably the first big
movie they gave him, and it probably came off of
him being in like, uh, Basketball Die And then what's
that other one? Was it? Is it Gilbert Great? Yeah? Yeah,

(01:04):
so you gotta you do those movies where it's like, oh,
he's such a yeah, y, he's got the craft, and
then that's how the studios be like, let's put him
in this ship. This was about to spend a lot
of money on this.

Speaker 2 (01:18):
No, I won't go work. I've created the clothes. Nigga
made you to go to work.

Speaker 1 (01:25):
That's what happened.

Speaker 3 (01:29):
Uh damn. Ricky Morton, Yeah, Ricky Morton, Yeah, mister.

Speaker 1 (01:34):
I tried to need you to play golf, but he doesn't.

Speaker 3 (01:36):
Get the ship. Nigga created it. So many Infinity R
Jerry's anything.

Speaker 2 (01:47):
But freezom of my guys were Russell Crowe character Court
could only have one bullet at a time, so he
can't he can't shoot his way out of town. That's
why they did it. The kid throws him a bullet
and he lows it and kills spotted horse before you
can even get the next shot off. And it was
making up. It was dramatizing the funk out of that.
Come on, come on, the kids fumbling.

Speaker 1 (02:07):
It was blind. He was blind, oh ship, That's why
he wasn't looking at the bullets.

Speaker 3 (02:15):
That's what not everything blind blind people. Why does bro
you want to see my eyes? Daredevil wear glasses.

Speaker 2 (02:23):
He does that so people can't see, like you know,
because they be kind of crazy.

Speaker 1 (02:28):
And that's why kid wear. They did not have the
reason that back then.

Speaker 4 (02:32):
And the.

Speaker 1 (02:34):
Dude.

Speaker 3 (02:35):
Hell no, that's it with some crazy ass size look
that way.

Speaker 1 (02:43):
You wear glasses because they know their eyes just be
they wear whatever. Though he had dark shades on, they
were mellow glass.

Speaker 3 (02:57):
Oh yeah, out crying, broke.

Speaker 4 (03:06):
Live.

Speaker 3 (03:06):
It's my town.

Speaker 1 (03:08):
You let us see the dawn. It's because I allow it.
I decide who lives, her who dies. In a town
called redemption, death is.

Speaker 5 (03:21):
A way of life. Some fight for money, some fight
for glory. But one stranger has come here looking for
something else.

Speaker 1 (03:38):
I know the clan, the quick brow. Did you know
what anybody can challenge? Anybody?

Speaker 3 (03:47):
Sign me up?

Speaker 6 (03:48):
Sure must want to die, young miss.

Speaker 1 (03:54):
She can play their games or to play poker with me.
A little lady, looks like you're having a pretty good
time playing with yourself. She can beat their odds. Did
you ever kill anyone? Sure? I don't be gad, but
there's one thing she can't do.

Speaker 5 (04:14):
While you really hear you're no gunfighter, forget the past.

Speaker 1 (04:22):
What do you want to.

Speaker 6 (04:27):
Some people deserve to die.

Speaker 1 (04:30):
Try Star Pictures Presents, Sharon Stone.

Speaker 3 (04:33):
I'm gonna kill you if I have to ride all
the way to house it towards Gene Hackman.

Speaker 7 (04:37):
There's nothing on this earth that frightens me. Now nothing,
Leonardo DiCaprio in a film by Sam Raimi, The Quick
and the Dead. In this town, you're either one.

Speaker 1 (05:01):
Or the other.

Speaker 3 (05:08):
My from North Las Vegas. Welcome to say what's real?
I am don Cruise.

Speaker 1 (05:13):
It's your boy.

Speaker 2 (05:16):
It was ah well, I don't get it wrong, get
it right.

Speaker 1 (05:20):
Hello, good morning, get out to them, good night. Today.

Speaker 2 (05:23):
We are here to say what's real about the good,
the quick, and dead?

Speaker 3 (05:28):
What is the quick, quicken the dead? So, being a
Western connoisseur, would.

Speaker 1 (05:33):
You think, why am I of the Western? What you
said that's one of your favorite genovenors. I've never said that.

Speaker 2 (05:38):
I thought you said.

Speaker 1 (05:39):
You said you love a good Western. Literally, remember that
I love a good Western. There were like five or six.
Generally I hate Westerns really, but for one I don't.
I've said that I don't really like old school. Right,
So there's that. Do you say, always just jump into it,
let me get to it, loved to him. We didn't

(06:02):
even do no filming, yo Yoma Like yeah, So I
don't like like period. I hate like Ship said back
in the day. Also, I don't really find ship cool
about the Cowboy era, like it was. Motherfuckers was dirty.
It's just always filthy. They look like they stunk. I know,

(06:23):
I know that Snatch was hot. I know it was hot,
like the smell you just dealt with. And then, uh,
you know it's it's racist as fun we think about it.
Cowboy times is set during slavery. They always be having
black people looking cool like black cowboys like chains. Uh

(06:46):
and then ain't have you ever ridden the horse? That's
it's not fun. It hurts, I believe it so. But
there are some Westerns that just are so great that
I overlooked. So yeah, but I just wanted to do
that real quick. Anyway, anything boy Prime might be going

(07:07):
in the Cowboys. Yeah, apparently he had asked Colorado for
more money and they that was his way he wanted.
That was his way out to ask for more money.
I don't think the Cowboys gond fit for him, though,
Jerry to, are you jumping out the gate as a
head coach? I mean, as we see, yeah, the head coach.

(07:27):
You just gotta be a good leader of men and
have good coaches around you. Dan Quinn is not like
he ain't out there calling players on offense or defense.
Really he makes decisions like we're gonna go for it
on fourth down? Ship the defense minded coach? Wasn't he
a tight end? I don't know. He played for the Seahawks.

Speaker 2 (07:49):
Oh, I never knew that he was the coach when
you'll went to the Super Bowl.

Speaker 1 (07:53):
Right, I'm sorry, not dan Quinn. Dan Quinn is a
defensive mind. What the fuck is his name?

Speaker 4 (07:59):
Campbell?

Speaker 1 (08:00):
And Campbell he played for the Saints. Yeah, but he Yeah,
he's gonna call no place. But he's got a great
OC and a great DC and he's a good leader
of man, you know, to motivate these mothers, that's what
knows how to do. He gets those fucking players riled up.
He's good at that.

Speaker 3 (08:19):
Yeah.

Speaker 1 (08:20):
I mean he knows defense, of course, but he could
be successful if he gets a good offensive coordinator and
a good defensive coordinator and all he gotta do is just,
you know, rally and motivate the truths and not make
stupid ass decisions.

Speaker 3 (08:36):
But any think that would like put a hander on
it on So I don't think going to.

Speaker 1 (08:45):
They would have to trade up. I mean they got
they got they can trade up. Somebody will take that. Yeah,
But Jerry Joe have let the hold ultral quarterbacks. That's
the problem, Jerry. He if Dion does make the jump
and he's trying to like really have control over to
the Raiders, would have been good fit. Yeah. Yeah. Who

(09:08):
else is out there?

Speaker 7 (09:09):
Uh?

Speaker 1 (09:10):
Both of internet? Yeah. Finally Shiloh eight years Where is he?
Where's he? Cornerback? Probably sixth rounds? Yeah, he probably could
have got fifth if he probably didn't get hurt. Bro.
He liked fifty, like thirty years old. Bro, he like
twenty six, probably twenty five. Way to be in college. Bro,

(09:34):
I don't know. No fucking Chris Winky was thirty. I know,
I've seen that shit. At this point, I'm about to
go see if I'm eligible. Shit, Man, I don't know,
but yeah, I don't think Dallas is the spot. Yeah.
So that's all I got. Film non film related. We
continue our conversation on Star Wars.

Speaker 2 (09:55):
I've been saying this for the last three years. I
don't know if you remember. Star Wars don't believe belong
on theaters. TV is no more theater like big screen.

Speaker 1 (10:03):
Bi screen. They don't deserve plus and give us the
stories of the people that we love. All the merchandise
they sell. They're not selling no motherfucking uh. You know
a Shoka merchandise selling acting like merchandise, Darth Vader t
shirts selling like hotcakes, Luke Skywalker toys, and Baby Yoda.

Speaker 2 (10:24):
Why because he's Baby Yoda. He's not another you want
to see Yoda.

Speaker 1 (10:29):
The characters we love and care about, That's what it is,
and they keep trying to feed us bullshit.

Speaker 2 (10:36):
Literally, you have a what is it called a a
blueprint of what you should do, right, so you know
you're not going to see Harry Potter make a new character.
If they make a prequel, they're going to have a
young Snape. Who don't want to see young Snape. We
want to see young Wi God count all you make
as you can see how much the number one probably

(10:58):
that Koonobe show Niggas too did every motherfucker week and
probably stayed up till midnight.

Speaker 1 (11:03):
He got the map right here, you know what I'm saying. Yeah,
like episode one, you could give us everything Qui Gon
was doing from before that the episode one. Same thing
with Darth Maul, right, uh Kenobi, they're giving us that
everything that happened after episode three, but then you skipped
the episode three Now, what was Vader doing between episode

(11:25):
three and episode four? Barely move and no, no, no,
the Clone and they said Vader was a cold mother, say.

Speaker 2 (11:35):
The Clone Wars. You literally had everybody's alive. But you
could give us live action clone, That's what I'm saying.
You can also give us what you mean. They don't
have to stick to that. He barely moves, and even.

Speaker 1 (11:45):
Though he barely moves, he being game is strong. And
then episode six, you can give us everything Luke was
doing from between there to the time he fucking showed
up on the mandolo. Yeah'm about to check out.

Speaker 2 (11:58):
Once you start getting four or five, IM out y'all later.

Speaker 1 (12:01):
I mean it's like, first of all, how you shooting
on four and five? Four?

Speaker 4 (12:04):
Five? Mother?

Speaker 1 (12:06):
You think Luke was that? No? Luca was that nigga?
In six?

Speaker 2 (12:11):
Yeah, you cut my hand off. I have no choice
now because I wanted you to be my father. I
reached out. You cut my fucking hand off, So now
I have to get.

Speaker 1 (12:18):
You and didn't even at the end father help me.
I'm getting my ass.

Speaker 2 (12:22):
Whooped and he finally moved and fucking killed.

Speaker 1 (12:24):
Dark City is bro.

Speaker 3 (12:26):
No, No, I want to see zero. I don't want
to see you've seen zero.

Speaker 1 (12:34):
Niggas didn't like it? No, I didn't like it. No
you didn't, No you.

Speaker 2 (12:40):
Zero is god damn no. Zero's uh the one y'all
like that had no light. Sabers to the last fifteen
seconds when Vader came in. What's that ship called? What
is that ship called?

Speaker 1 (12:50):
That movie? Oh?

Speaker 3 (12:53):
That wasn't zero, that's in between. That's literally zero though.
That's literally zero, bro, that's three and half. That's literally
zero zero between three and four.

Speaker 1 (13:04):
Thank you? So four was number one?

Speaker 2 (13:06):
Yeah, technically, okay, that's what I'm saying.

Speaker 1 (13:09):
You know what you're talking about? He talking about before
episode four? Yeah, like everything. He wants to see everything.
I would rather see everything to see how the Empire
became the Empire to the Republican. We just seen everybody, right,
I'm good.

Speaker 3 (13:25):
No, we we didn't see, like you said, he wanted
to see how we did the Empire from beginning.

Speaker 1 (13:31):
What's the mother motherfuckers? The Empire, the rebels, the like
think about it? Episode four, the Empire was already ruined.
Everything was fucked up. So when you when they decided,
when they came out and they were like, oh, we're
gonna do episodes one through three. You would have thought
that they'd have been like, we're going to show you
how the Empire became in power. They didn't. They were
already in power. It was I thought the Council had power.

(13:55):
The Empire was already a thing. I remember they were
turning to take over the Boo really one of them.

Speaker 3 (14:03):
I don't pay What is that that water world in?

Speaker 1 (14:12):
Did they?

Speaker 3 (14:13):
Oh know, bro, I don't Can we borrow your soldiers
because they're coming? So I'd rather see I'd rather, you
know what, You could flip the whole thing, give us
a dark side, from the dark side of how did
the Empire become the Empire? It's like you still get
your uh, your your veterans, whatever the case may be.

(14:36):
But it's a different spin on. Okay, I'm tired of
seeing the good guy all the time. Tell me about
dark Malle. Tell me about him. Who the fuck did
he killed?

Speaker 1 (14:49):
Yeah that's that dark Mall Show two sabers and break
them apart.

Speaker 2 (14:56):
Well, keep wishing many just keep putting that bullshit.

Speaker 1 (15:00):
Forget it. Yeah, Unfortunately, I think they know what to do.
They just refused to do.

Speaker 3 (15:06):
That's because they said, we don't we didn't think you
will respect Spider Man not being I don't think they.

Speaker 2 (15:13):
Could legally put Spider Man in there because of Disney. Yeah,
I'm thinking that's what they did. They can't because they
own the character. Yeah, but maybe in the contract when
I leased it out to you use them mention though,
I can't believe they would be stupid.

Speaker 1 (15:30):
Yeah, that's just crazy. We own the right. They can
literally just be like you know there they did marveled
Spider Man.

Speaker 3 (15:39):
More than.

Speaker 1 (15:41):
Yeah. I mean, but if somebody could have just kept
putting out bullshit movies and kept the rights versus I mean,
you know.

Speaker 2 (15:49):
What an amazing Spider Man did like five hundred million? Member,
What's Spider Man did like one point five billion? So
I mean, I don't know. I mean they also they.

Speaker 1 (16:00):
At least all their characters then they should they did
when they said, oh ship Spider Man did these numbers. Yeah,
I want to borrow Venom too, Ya want craving them all?
A little bit of half the profits is better than
none of the prophets. No, they at least thought something Amazon.

Speaker 2 (16:20):
They brought like two characters really, Yeah, the Nigga Spider
Man Noir. Yeah, Jack Potter spectacular some other female Spider Man.
Spider Man now are I like, Yeah, but I think
they can't use a Peter. I think quote unquote, I
think they can use They could have used mouths, but
I don't.

Speaker 3 (16:40):
I don't know why. I think they too scared to
actually have Spider Man bill, if you get what I'm saying.
So if Disney did a billy and we put Spider
Man in Craving and that billy, then it'd be like,

(17:04):
we'll sh had all our budget went to this nigga.

Speaker 2 (17:07):
I mean, but they're gonna at least do six hundred million. Yeah,
but it's not a billy though. I mean sometimes you're
just not gonna hit a billy.

Speaker 1 (17:13):
Is hit a billion?

Speaker 3 (17:16):
Venom don't hit a billion. That's because they kind of
fucked up with Yeah, they fucked up. Yeah, yeah.

Speaker 1 (17:28):
Alright. Uh.

Speaker 2 (17:30):
First and film twenty nineteen, You Got Lion King by
John Farrell Barbaro is the first total risk realistic anime film.

Speaker 3 (17:39):
Uh yeah, the Jungle Book does it didn't look like that.
They don't know, they look like real lions. Uh.

Speaker 2 (17:48):
What Is a Parasite? By Joan June Hoe is the
first film not in English language to win Academy Award
for Best Picture.

Speaker 1 (17:57):
Yeah, watched that ship. I didn't hurt. It's good though,
like that.

Speaker 2 (18:01):
So this movie was up against hitch Jupiter Sending, Seventh Son,
and also The Quicken the Dead.

Speaker 1 (18:10):
What do you want to hitch ter? Ye oh really
you watched it? You liked it? No, never seen that ship?
Did you watch it for the plot? I hope and
not for the dance? You could have put hitch over. Wow. Wow,
I can't believe it. I don't even know. Let's see

(18:31):
what this is?

Speaker 4 (18:32):
Me is in?

Speaker 1 (18:33):
Uh?

Speaker 7 (18:34):
That?

Speaker 1 (18:35):
What this boy right here?

Speaker 3 (18:37):
There's like three films. No, it's not it's one film. No,
it's like three or two.

Speaker 1 (18:44):
It's only one film.

Speaker 2 (18:47):
To see if it's if it's it's a series, is
it bombed?

Speaker 1 (18:51):
Would it make it part two? Well, let's see hi
on Jupiter sending. If it's something? Is it called something else?
Or literallypiter are sending to? Yeah, it didn't make its
money back, brother, I can't believe they made the second
one two hundred and ten million dollar budget that made
one hundred hundred four million dollars.

Speaker 2 (19:10):
They had two movies. It may be called something else.
I don't remember something being called Jupiter Ascending to it
doesn't see.

Speaker 1 (19:17):
Are you sure that you're not. I'm sure you didn't
watch the different movie. You might be confusing it with
something else because it is a numb movie like this one. Yeah,
Jupiter as Snding the Ancestry is the sequel the Ancestry?

(19:41):
M hm it come out. I don't know Jupiter Sending
the Ancestry m it was ever released. I think that

(20:06):
might be the sequel to the book. Yeah, I'm thinking
that too.

Speaker 3 (20:11):
They try to blaby, they try to baby. Yeah, it
ain't no even no future plans for that joint. But
uh yeah, I got for a Warren job. I was like, Yo,
the Quick and Dead going crazy. This is probably gonna
get pig bro.

Speaker 1 (20:25):
You know, I'm not disappointed. Oh that's good. I'm happy
you not. You never seen this. I've never seen it. Bro,
we're on the road. This was like two three movies
in a row. I don't really.

Speaker 3 (20:39):
But I was like, oh, like for Westerns, right right,
crazy think about it, But.

Speaker 1 (20:47):
I just what's his name? What's the racist?

Speaker 6 (20:51):
Smoke?

Speaker 3 (20:52):
Sam?

Speaker 4 (20:53):
So?

Speaker 1 (20:53):
No, you know, no, I don't think he's racist. He might.
We don't think Sam. He got a bunch of West.
She's never seen any of them. Over, what's Clint's got
a bunch of Wester never seen any of them? Damn?

Speaker 2 (21:06):
Okay, well all right, I could have swere you said that.
But first, same Raymi film we have directed. I mean,
we have the first film directed movie that we have
reviewed makes sense. Yeah, First Sharon Stone film we have review. First,
Russell could Friend we have review. First, Tobin Bell film.

Speaker 1 (21:24):
We have review.

Speaker 2 (21:25):
First Keith David film. We have reviewed That's Crazy, third
Bell So yeah, oh yeah, the third Leo film we
have reviewed first was Wolf and Wall Street. Second basically
that main right, this is the same year as the
Basketball Diaries. Oh so I named on the cast already.
Sony Pictures did this, by the way, at least of

(21:47):
February tenth, nineteen ninety five. One hundred and eight minutes
easy watch, yeah, surprisingly and one second watch two or
three two of them the whole thing. Are you stopping?
Took a break and came back.

Speaker 3 (21:58):
I stop because yeah, yeah, yeah.

Speaker 1 (22:01):
It does have a point where it's like dragged right
alle I was, I was like, God, damn, Betty right
is see he provided.

Speaker 2 (22:13):
All right budget thirty five million, red, green or black.

Speaker 1 (22:18):
I'm gonna say green because they are all the people
in it. These are early in their careers. No, not
Sharing Stone and uh Strussel Crow for sure, but Sharon Stone.
I feel like I've been around since the eighties, basic instinct.

Speaker 2 (22:30):
Oh okay, I feel like Westerns typically do well. Okay, anyway,
so forty seven million, damn it did kind of fun.

Speaker 1 (22:39):
Yeah, what was the budget? Thirty five million? Just totally
people fuck with Gene Hackman, I thought, yeah, I guess not.

Speaker 2 (22:47):
Not in February nineteen ninety five, No Valentine's Day.

Speaker 4 (22:51):
Uh.

Speaker 2 (22:52):
In the world of Highlander, the Final Destin and they
dimensioned the Jerky Boys, Billy Madison, The Quicken, the Dead,
Legends of the Fall, the Boys on the Side, Dumb
and Dumber, shout out nobody full, in the Mouth of Madness,
Murdering the First? Where is the quickener.

Speaker 1 (23:08):
Of that eight? There's a lot of movies you just said. God, damn,
I'm just saying those are movies. Seven.

Speaker 2 (23:18):
Seven is in the Mouth of the Madness. What let's
say eight is Murdering the First. Quicken the Dead debuts
number two six point five million out the gate. Billy
Madison is number one, at six point six. Uh so
it was only in the theater for three weeks. So
first week number one, weekend, second week did four million,

(23:42):
at number five. Third week it did number ten in
the box office at two million. And uh so you
know Billy Madison, The Quicken of the Dead come out
same weekend.

Speaker 3 (23:52):
What you paid for? Probably know the answer this, Billy
for sure? Yeah makes sense.

Speaker 6 (23:59):
Uh.

Speaker 2 (24:00):
Brought to males gives this. The critics gives a fifty
eight percent. Audience gives a fifty four percent, which I
agree with. I would say it's like sixty five, yeah,
fifty four.

Speaker 4 (24:15):
Uh.

Speaker 3 (24:16):
The dialogue between certain characters didn't really like I lay out, well,
if you hear what I'm saying, Like as far as
like when she rolled into town and she's seen old Boy, Yeah,
it was like, okay, well, who the fuck that fuck
is going on? Right?

Speaker 1 (24:35):
Like are you here for revenge? Are you here for
this dude?

Speaker 3 (24:38):
Right?

Speaker 1 (24:38):
Yeah?

Speaker 3 (24:38):
Like I don't I don't understand. Yeah, she just got
right to it. Yeah, fucking and killing. Oh it likes me.
It left me confused because I'm like, well, what's the
connection here?

Speaker 1 (24:50):
Uh So.

Speaker 2 (24:52):
Genie from nineteen ninety five, there's three out of four
so the same year came out This motherfucking eight review
the same day it came out, right, Kevin Carr from
September second, two thousand and five, so ten years of
the film's release. Sharon Stone misses the mark on this one.

Speaker 1 (25:10):
What'd you think she wasn't the vocal point? I thought
she was? She was guy.

Speaker 3 (25:19):
Yeah, Yeah that's true. Yeah, Yeah, that is true.

Speaker 2 (25:25):
Brian from Marsh eleven, twenty fifteen, so twenty years of
the film's release. Frequent gun violence in quirky nineties Western
five four out of five January thirteen, twenty twenty five,
so thirty years at the film's release. Four out of
five stars. Pretty. What is p r I T T y?

(25:45):
That's pretty right for your Yeah, p r I T
T Y That pretty?

Speaker 1 (25:51):
I think right?

Speaker 2 (25:52):
You fucked up? Right, he fucked up right now they're
gonna say I can't read. Pretty simple Ford story, but
still full of good acting, funny lines, and good badass quotes.
Definitely worth watching. Anybody had some good ass quotes. I
don't remember exactly, so prequel, sequel, other re editions. For me,

(26:15):
I would like to see a remake with a black
female lead playing Sharon Stone's character, the lady.

Speaker 1 (26:21):
That could be dope. Yeah, Jennifer Lopez what she said?
Oh she's not black? Oh she says nigga.

Speaker 2 (26:33):
So hey, don't know no way.

Speaker 1 (26:39):
That Jeff said.

Speaker 3 (26:39):
She could say it right, put the fucking mic on, though,
I'll leave it really maybe, I'll probably take it a lot.

Speaker 1 (26:49):
A little remake.

Speaker 3 (26:51):
Would be able to be like, hey, we're going to
cast somebody to replace Chearing Stone, but I would not.
I wouldn't focus on Sharon Stone, keep the focus. I
don't think with sharon'st I supposed to be. I'll focus
on Russell Crows.

Speaker 1 (27:09):
I wouldn't mind seeing a prequel to Russell Crow because
he was supposed to be something bad. You know, he
found the Lord.

Speaker 3 (27:20):
Yeah, so how did you get caught? Like what what
was going on? Everybody treating you so bad? Like what
how does she know you? Yeah?

Speaker 1 (27:30):
Things like that. Oh yeah, I would take something like
I don't think she knew him, because remember when they've
she found out that he used to run with what's
Gene Hackman's character, She got all mad, she said something
to him and then stormed into the bar. Yeah yeah, yeah, yeah,

(27:54):
So I don't think she knew him. I think she
probably maybe just knew he was, knew of his reputation
or something. I don't know.

Speaker 2 (28:00):
Yeah, m v P, free you guys, let's go what.

Speaker 1 (28:08):
Damn Leo was show when he was in it.

Speaker 2 (28:12):
With the final scene, right that nam my son that's
a farmer or something whatever?

Speaker 1 (28:19):
He said? Yeah, so v I P.

Speaker 2 (28:24):
I just got this question for y'all because I mean,
I don't know what y'all personally think is important to
but I say it's basketball.

Speaker 1 (28:33):
Do is more important or quick in than that? Is
more important to Leo? Really? I think so because it
was it's like an arts yeah versus this. Yeah, clearly
nobody sucked with it.

Speaker 3 (28:50):
I don't know basketball, yeahs ass movie.

Speaker 1 (28:56):
With it, But I think it's more important in his career. Uh.
I think he would still be where he is without
this movie. I don't know if he is without Basketball Diaries.
I mean, I would say this is probably most important
to Russell Crow. This was like the lead up to
him becoming a star.

Speaker 3 (29:16):
So all right, are you taking Basketball Diaries Leo to
kick off his career or are you.

Speaker 1 (29:26):
Taking Romeo and Juliet and Juliet? I don't know. I
think basketball I personally think Romeo and Juliet is a
better movie. But I'm still gonna say Basketball Diaries I
think is more important to his career, all right, because
those type of movies, those like those fucking artsy movies

(29:47):
will that'll be in those film festivals and ship. That's
we'll be getting these studios and these directors to want
to go out and work with you. I don't think
he did, really, I don't think Romeo and Juliet did.
I don't think anyone liked that movie. I like it,
you like it, But people ship on that movie all

(30:08):
the time. They say it's one of the worst movies
ever made. Really. Who was the Female League? Is it
Claire Danes or something? Three Musketeers, Iron Mask? I think
that was that was That was like probably the first
big movie they gave him, and it probably came off

(30:28):
of him being in like, uh, Basketball Diaris And then
what's that other one? Was it? Is it Gilbert Great?
So you gotta you do those movies where it's like, oh,
he's such a yeah actor, he's got the craft, and
then that's how the studios be like, let's put him
in this ship. This was about to spend a lot

(30:50):
of money on this. But do you think it was
important too? Yeah? Yeah? Did uh he really been seen
or a character uh what's her name? With the with
the leather outfit, with the ace spades and the cards.

(31:12):
He shot the card up the girl hand, Like, what
was the point in his point? They Yeah, he's supposed
to be like this amazing gunslinger, but then he got
killed in the first ballot. He really did didn't even
show him be do nothing crazy except shoot the card
up A lifesped I'll probably never watched yea. Yeah, that

(31:38):
was a good movie. It was good enough to keep
my attention. I don't think I don't see a reason
ever again a little bit.

Speaker 2 (31:48):
Money eight hours of the movie theater right for your
writ money or mortgage money whatever.

Speaker 1 (31:54):
Eight hours of Project Almanac or this god damn was
pretty bad.

Speaker 6 (32:02):
Damn.

Speaker 1 (32:04):
It had its moments. It looked like it was like
when they started, you know, doing that, you should be
doing that. I was like I was about to get popping,
and then all of a sudden, it just.

Speaker 3 (32:16):
Drama in the world side not since I wasn't here
for I lost my voice. That ship was asked.

Speaker 1 (32:30):
I left the three. I think it was great, bro
and I rewatched him. My damn, that happens. It happens
a lot watching like, yeah, it's terrible there.

Speaker 3 (32:44):
It was like he went back just to see, anticipate,
to say, oh, I would spend the end of the
world with you, basically some bullship like that.

Speaker 1 (32:54):
Get her? Yeah, nigga, you lost it. Okay, move on
that the bitch.

Speaker 2 (33:02):
Notice what would happened to me when I went back
from there or whatever? The plane crash?

Speaker 3 (33:07):
Okay, the fun they gotta do with me? Okay, you
don't know if that was pre ordaining? Right then the
quarterback broke his legs. Okay, I'm not hero.

Speaker 1 (33:21):
The fuck people break their legs, plain football? Only you
remember this meeting exactly. That's it, exactly.

Speaker 3 (33:28):
We can't go back and create something and then expect
not to be the same, exactly, Like, how do you
do that? Ship, I'm gonna go back in time and
make myself a millionaire? Right, Okay, you do that, then
what about the struggles of you being broke today versus yesterday?

Speaker 1 (33:47):
Come on? The only thing I really like about it,
and I hope they put it in another time travel movie,
is that when they went when they went back, ship
didn't necessarily happened like this classroom on the test, and
I like that. Yeah, I was like, oh, okay, that's dope.
It's like you can't always be prepared for what might

(34:10):
happen back there, you can.

Speaker 3 (34:12):
I think that's what made Butterfly effects for me, like
a dope ass time travel.

Speaker 2 (34:17):
Yeah, in the way he was doing it too.

Speaker 3 (34:19):
I had a remembering all the ship that didn't necessarily happen.

Speaker 1 (34:24):
Yeah.

Speaker 3 (34:25):
Yeah, and it drove him crazy because it's like, don't
remember what happened here, but I remember the new ship
that happened.

Speaker 1 (34:33):
Think about it.

Speaker 2 (34:33):
That would drive you crazy, even if you went back,
like kept going back and not changing nothing. If you
just to go back to live back times and you
come back and be like I thought I changed that
like an airfield to be a simple no you never did,
Like what the fuck? Because I do with Dejau, I'm like,
what the fuck? I feel like I just did this before. Yeah, yeah,

(34:54):
that's a scary thing. I feel like when that happening. Bro,
some I guess whatever Universe apparel they must they must
have did it or some ship. Yeah, like you ever
had like day Davos where it was like I don't
know a simple song came on and then the action happened. Yeah,

(35:14):
like yo, yeah, I remember this, this happened. I don't
know what's going to happen next, but I remember this moment.

Speaker 1 (35:22):
I feel like parallel universes exist for the simple fact
that I wouldn't someone even think of that? Yeah that's true.
What would make some money?

Speaker 4 (35:34):
Right?

Speaker 1 (35:35):
That's true? Like that? Yeah, it's like that. Someone must
know the secret. That's true. They say, that's what happening.

Speaker 2 (35:44):
If we think about some ship that has happened, they
got like some kind of machine or something.

Speaker 1 (35:48):
Well, take me to the one where I'm rich. I'll
switch with that. Nick, you got to go to work
my multiverse. Yeah, go fucking okay, Enough him out and
live his life. You just can't throw me your timeline. Damn.
You might figure out a way to get back. Damn,

(36:09):
but this nigga would one or killing himself. Yeah, nobody's bitch.
I'm the one I don't want to wake up, and
he's trying to drag me back. Yeah you're right. Huh Yeah.

Speaker 2 (36:23):
Would you be mad if your parallettle person was with
your wife? No, it's me, No, that ain't men.

Speaker 4 (36:34):
Like that?

Speaker 1 (36:35):
What movie Multiplier with uh Batman multiplicity, Yeah, I see that, Bro,
It's hilarious.

Speaker 2 (36:45):
Nigga just kept creating people about No, I won't go work.

Speaker 1 (36:50):
I've created what made you to go to work. That's
what happened to Uh damn Ricking Morton.

Speaker 3 (37:03):
Yeah, mister, I tried to need you to play golf,
but he doesn't get the ship. Nigga created it so
many infinity right, Jerry is anything.

Speaker 2 (37:19):
But freezom of my guys were Russell Crowe character Court
could only have one bullet at a time, so he
can't he can't shoot his way out of town. That's
why they did it. The kid throws him a bullet
and he loads it and kills a spotted horse before
he can even get the next shot off. And it
was making up. It was dramatizing the funk out of that.
Come on, come on, the kids fumbling. I'm like it

(37:39):
was blind.

Speaker 1 (37:40):
He was blind, oh ship, That's why he wasn't looking
at the bullets.

Speaker 3 (37:46):
That's what everything blind blind people. Why does bro you
want to see my eyes?

Speaker 1 (37:53):
Daredevil wear glasses.

Speaker 2 (37:55):
He does that so people can't see, like, you know,
because they be kind of crazy.

Speaker 1 (38:00):
And that's why kid wear. They did not have the
reason that back then in the fucking this dude.

Speaker 3 (38:07):
Hell no, that's buddy rolling with some crazy ass eyes.
Look that way your fall wear glasses. Their eyes just
be wear whatever.

Speaker 1 (38:22):
Though he have dark shades on, they were.

Speaker 3 (38:26):
That mellow glass. Oh yeah, oh I'm crying, bro. Fuck Okay, Well,
why the funk would you give him the bullets?

Speaker 1 (38:37):
I don't know, because he's so he was in there.
This is the one.

Speaker 3 (38:49):
It threw it up in the air like nigga, holy ship,
how do you know what pistol of you?

Speaker 1 (38:56):
Thank you?

Speaker 2 (38:56):
He took forty five something something bout a nigga.

Speaker 3 (38:59):
I YO, give me somebody else, bro, man, Oh my god,
let me see from I guess you said you wouldn't
shoot nobody. Fuck you right funk out of here, and

(39:23):
you called them funny.

Speaker 1 (39:24):
I mean, I was just old mine. But I might
also go with Keith David. When he got the head,
he got the whole, he said, I wasn't expecting that.
I wasn't either, man. I was like, oh, right through
the head. I was like, damn, another black brother. I mean,
I knew he was gonna die.

Speaker 2 (39:41):
Of course, he wasn't even building in his bitch. They
even put him in the cast.

Speaker 1 (39:45):
I seen him. I'm like, I don't think this is
probably very early in his career.

Speaker 3 (39:50):
Definitely was Gargos at this time. I was doing think
Gargos came out like yo four something like that. Right, yeah,
I want to see that live action in real life?
Who playing her live action? The car in the car
live action gardles.

Speaker 2 (40:06):
It's that it was fine as a car to no
she to bro eighty bro smash. Yeah, yeah, she could
reprise her roles Invisible Women.

Speaker 1 (40:25):
I would care. Yeah, they could have brought her back.

Speaker 2 (40:30):
So wrap up notes that rap party knows. I got
his first scene. I thought they was having second Bro.
Nigga was just digging the dish. I got aside that
said finally a ninety sexy let's go. Nigga was digging
the dish. I'm like, Bro, why are you making all
that noise? Just dig the ditch frantically and I'm like, right,
I'm like, bro, calm down for you have a stroke

(40:50):
in that bitch.

Speaker 3 (40:51):
But I mean he had God, so I guess he
was just trying to bury it before anybody else came.

Speaker 1 (40:56):
But that's why you gotta be quiet again.

Speaker 3 (41:00):
It's like, maam I can see the little plots, right,
That's true. You could see he really could.

Speaker 2 (41:06):
I like how the lady is, uh, he has no
desire for bullshit At first when she first arrived, she
was like, I'm here for my ball revenge and that's it.
And the great words Bill, I'm here to kill all
y'all said. You know, that made me think about that
ship with the same brown.

Speaker 1 (41:27):
But he was talking.

Speaker 2 (41:28):
They did an interview with him b back in the day.
He was like, uh, who are about to play the Commanders?
Somebody one of the receivers got drafted before him, because
you know, he keep a list of all the receivers.

Speaker 1 (41:40):
I'm gonna try to kill every NFL team? What does
that have to do with me? Brothers, Just like when
people do that, happened to be on the list? God
was Patrick somebody he put the numbers on the head.
Through one of the touchdowns, he started counting to where
he got drafted.

Speaker 2 (41:58):
Yeah, other you just didn't fit our team.

Speaker 1 (42:02):
Jesus Nah. Sometimes people making dumb ass mistakes. Yeh, look
at the writers. They picked so many plays. They've picked
a lot of motherfuckers right before Hall of Fame players. Yeah,
I mean we picked dumb ass picks for bets. It's true.
I did it last weekend, bro.

Speaker 2 (42:23):
Man, I thought it was dope. In the Showdown, they
shoot to wound and not killed. I've never seen that before. Yeah,
I've never seen that.

Speaker 1 (42:31):
You just take a shot in the thing, like imagine
that was real.

Speaker 3 (42:34):
Life, think about it. Even spoke about it on a
Million Ways to Die, like fam. The niggas didn't have
the technology right anyway, you already feel dirty. They put
the asshole. Yeah, you might not make it to night.

Speaker 1 (42:51):
They put the leaf on you, bro. You see it's
like what pouring whiskey? Yeah, don't take a bath. You know,
it was a simple colde back then. You did.

Speaker 2 (43:03):
That's crazy, bro, was like in the forties, was living
up to two hundred?

Speaker 1 (43:10):
What's different? All right?

Speaker 3 (43:12):
So that's one thing that okay, you already know the
spirit of Jesus.

Speaker 1 (43:20):
S fam. Okay.

Speaker 3 (43:22):
So like the people in the African countries or whatever,
since there's no since their land is on the equator
or whatever the case may be, it was always like
warm and ship like that. And as far as like
the European countries goes, it was always like cold cold,

(43:45):
or whatever the case may be. So when they moved
and went west. Yeah, that's why I'm like, broke, How
did you guys not know like how to prepare yourself,
like to take a bath, like make sure you're clean,

(44:07):
Like come on, now, that's absolutely true. I hope y'all
got what I was trying to say. Yeah, I understand it.
I understand it. I understand it.

Speaker 2 (44:18):
When the lady kills Eugene, the town people immediately start
going in his mouth, taking his gold.

Speaker 1 (44:24):
Real, talk, bro he won't be needing him where he's going. Yeah,
that was real. Would you do that? Now?

Speaker 3 (44:29):
It was taking boots and anything I might take a no,
not no fucking shoes gold.

Speaker 1 (44:38):
Took his money on your gold chain in your mouth.

Speaker 2 (44:44):
I'm going in that mouth, yo, I need that gold.
I was who gonna take teeth?

Speaker 1 (44:49):
Anyway?

Speaker 2 (44:50):
Where am I gonna go to the pot shop? Here's
some teeth.

Speaker 3 (44:52):
I was watching Four Brothers earlier to day, and I'm
like this nigga just knocked out Victor Sweets and threw
his ass and in the lake.

Speaker 1 (45:03):
In the lake.

Speaker 3 (45:04):
He didn't kill him. This nigga just knocked knock knocked him.
So can you, like, fam, somebody throw some cold water
on your ass. You're gonna be like, huh yeah, you're
gonna wake up. But this nigga, they picked him up,
carried him over and that damn yeah in the square

(45:26):
like famn, that's like, yo, I'm still aliving this motherfucker.

Speaker 1 (45:29):
Man, that's true. I can't put a bullet in my
head or something. Get the blind dude. Then he threw
it in the right direction. He heard it. He heard
Oh oh ship, uh h.

Speaker 2 (45:47):
Let me see. Uh okay, did y'all think the lady
was gonna die? I cheated and looked at the blood.

Speaker 1 (45:57):
Nah. I knew she wasn't gonna die.

Speaker 2 (45:59):
Mm hm, because I was saying because if you knew
the focus or the shifting to Russell Crowe, you know
what I'm saying.

Speaker 1 (46:06):
Even still, I can tell that she was gonna get
her range man went like that. Yeah. I was like,
it's too It seemed like it's still too much movie.
What are we gonna do? Exactly? Yeah?

Speaker 2 (46:18):
Would that made the movie better or worse? If she
would have got peeled off.

Speaker 1 (46:23):
Like basically, probably made it worse. But I could and
I can also tell about how the doctor.

Speaker 2 (46:28):
Everybody get away from her, no, like based off remember
the Black Western we see on Netflix. Remember Billy Billy
from Power talking all that ship I'm the fastest with
I thought that was gonna be.

Speaker 1 (46:41):
Yeah, was like that again.

Speaker 2 (46:45):
They warned this nigga like Jesse for faster fears, Bro,
don't the nigga dueling you like?

Speaker 1 (46:50):
Bro?

Speaker 2 (46:51):
Back out? No, I'm going to do it to prove
his respect. Okay. Then they broke his right hand and
like he ain't been practicing with his left that's like
me breaking lebron right arm or play me only with
your left hand. Just think it has been practiced with
his left hand. Did you think it was something that
was gonna change? Shoot or shoot?

Speaker 1 (47:16):
Okay?

Speaker 2 (47:17):
Yeah, I thought it was already bad enough that they
hung him in front of her, didn't force her to
kill him.

Speaker 1 (47:23):
I wouldn't expecting that. I thought he got hung.

Speaker 2 (47:26):
Right in the words of him again, I'm trying to
kill all y'all when I grow him. That is my
only mission, bro, and I hope you stay alive when
I get older.

Speaker 4 (47:35):
Man.

Speaker 1 (47:36):
Yeah, the real kill Bill. Yeah, that was that was
a cold move. And then how good is her aim?

Speaker 4 (47:44):
Like?

Speaker 1 (47:45):
What the fuck? I mean? It is great? Now? Oh yeah,
that's great. Now, but as a kid, how the fuck
did you shoot? She was aiming for the rope wasn't
naming high enough? Damn center boom. That'd be in a
funny parody if they make it, and she got keep
it in the whole clip. Man, bitch, just stop, tell
them to kill me. Sharstone.

Speaker 2 (48:08):
Okay, anybody got any last words for this film?

Speaker 1 (48:14):
Yeah, I'm like a big fan of this movie. I
love uh.

Speaker 3 (48:21):
Oh, I like Cowboys and I like fucking Samurai. So
when I seem the Warriors way that, she was like,
I love this movie.

Speaker 2 (48:34):
Uh well, then I got fact about the Quicken the
dead all right. Sharenstone brought the horse magic after the
movie was over.

Speaker 4 (48:42):
Soon.

Speaker 2 (48:43):
I've been riding all my life, but never on such
a fine horse as this.

Speaker 4 (48:48):
Uh.

Speaker 2 (48:48):
There's a scene where Gene Hackman likely slaps, oh, likely
slaps Sharingstone.

Speaker 1 (48:54):
It wasn't descripted. It was a real reaction for Hearstone. Damn.

Speaker 2 (48:59):
Sharon Stone was so insistent that Leo appeared in the
film that she paid his salary personally.

Speaker 1 (49:06):
Oh that's crazy.

Speaker 2 (49:08):
Hopefully his it was like two hundred bands, because how
much money he gets shared. Yeah, Sharstone handpicked Russell Crowe
to be in the movie too. The studio wasn't initially
unsure about the choice because Crowe was a complete unknown
to American audience. This is Russell Crow's first film.

Speaker 1 (49:28):
Remember he was like he was acting back then, crazy
crazy shared stone leather jacket is the real deal.

Speaker 2 (49:35):
Over one hundred years old. It is from a Western museum.
How the fuck did that Jordan crumbled ten years later?
How the fuck did that not crumble?

Speaker 1 (49:44):
It was made under it. It was better material back then.

Speaker 2 (49:47):
But I can't but I can't get stitched up.

Speaker 3 (49:50):
Leather is the last it was Preserve the yeah, preserved
leather because I mean, you think about it like shoes today.
They don't make shoes to last because it's nothing nothing.
I was just looking at that shit. I was talking
about how a lot of the houses built after twenty

(50:12):
fifteen fifteen said or something like that, just are starting
to fall apart already.

Speaker 1 (50:16):
Yep. Damn.

Speaker 2 (50:20):
Sharon Stone named Russell Crowe, asked her favorite offscreen kisser.
You didn't feel the same about Leo, saying it was
about as sexy as kissing my arm.

Speaker 3 (50:30):
Damn.

Speaker 1 (50:30):
Okay.

Speaker 2 (50:31):
There are eleven gun fights in the film because there
were so many gun fights, and Raymi made sure he
to make sure it looks each one looked different. All
the guns in the film are authentic for eighteen seventy eight,
many of the guns you don't normally see in the
Western body count over under twenty over over, body counts

(50:55):
eighteen what Yeah, bro.

Speaker 1 (50:57):
You blew up the whole town. Mother fucking in there.
Somebody had to die. Yeah.

Speaker 2 (51:04):
Court Russell Crowe is the only one in the movie
that caused the lady sharing Stone by her real name
Ellen when they are facing off against each other. David
Arquette was considered for the role of the kid that
is David Arquette.

Speaker 3 (51:19):
Okay, he's a home home. What was that movie that
he did with Anthony Anderson? Oh is?

Speaker 1 (51:34):
Oh? Yeah? How do you not know who David Arkett is?

Speaker 2 (51:38):
Yeah, he's a scream. Yeah he's dewey. Yeah, I'm playing
with you. I'm trying to figure out how do you know? Yeah,
they killed my nigga. You see how they killed him.

Speaker 1 (51:49):
You got him in the back. You got one of
the coldest kills. Yeah.

Speaker 2 (51:53):
Films next week, we got nineteen eighty five stept for Wives,
You got nineteen eighty five The Breakfast Club Up. You
Got Fast Forward is a dance film directed by Sidney
Potier had No director of the dance film nineteen ninety five.
You Got Shallah Grave. It is a British comedy crime
film with ian Ian McGregor. The Brady Bunch movie. You

(52:17):
Got Heavyweights clay Man just because it's the nineteen ninety
five crime thriller with Sean Connery. Mister Papa Whoa. It's
an interactive movie. Nineteen nineteen ninety five comedy short film
five You Got Lack of Wanna Blues? They do because

(52:40):
of when Dixie is based off that novel. If you
are ready, Yeah, I read that. But two thousand and
five you got Mister Keane. Anybody want to take guess
what it is?

Speaker 1 (52:49):
Matrix five? Yeah, I don't know what. Oh? I love
that movie. Hey, let's let's get that in there.

Speaker 3 (53:00):
You just cheer for Heavyweights? Yeah, that's fucked up, all right?
You got sent of the Mask.

Speaker 1 (53:08):
Yeah.

Speaker 2 (53:08):
Two fifteen you got The Sweet Blood of Jesus is
by Spike Lee.

Speaker 1 (53:11):
It's a horror film. What. Yeah?

Speaker 2 (53:14):
Twenty fifteen got Shades of fifty Shades of Gray.

Speaker 1 (53:18):
Yeah, you watched that ship? I watched I watched that ship.

Speaker 2 (53:21):
Yeah, two fifteen, this one my favorite.

Speaker 3 (53:24):
Hope it wins. Teams Man, The Secret Service, the first one, yeah,
first one, first one was really good.

Speaker 2 (53:31):
Yeah, and then you got last you got the last
five years two fourteen American musical romantic of what you want, everyweight, everywhere, constantly,
constant team.

Speaker 1 (53:41):
I'll take King.

Speaker 2 (53:43):
Yeah yeah, but yeah, thank you for jordaning.

Speaker 1 (53:47):
We said, what was really what.

Speaker 4 (53:50):
Right?

Speaker 1 (53:50):
Or bring our top five Westerns?

Speaker 4 (53:53):
Bro?

Speaker 2 (53:54):
Yeah, I was gonna do that like a single shot.

Speaker 1 (53:56):
Oh yeah, I wasn't sucking up. Sorry fuck it.

Speaker 3 (54:00):
Oh but yeah, thank you for joining us for uh well,
you killed the momentum.

Speaker 1 (54:06):
He was like, I don't like Westerns. I'm like, damn,
I mean like it's my favorite, not even top five.

Speaker 2 (54:15):
Jesus, but yeah, thank you for joining us. We said
it was real about the quick and the dead. I
am dom cruise by case boy. It was always when
she liked cherish and driving comments and stuff.

Speaker 1 (54:27):
Tell a friend, Tell a friend. And that concludes the
lessons for the day. I'm shocked, Reverend here needs a gun.

Speaker 6 (54:55):
There's plenty of other places in town to buy a gun.
No ould, no place. It's cheap enough for you.

Speaker 1 (55:00):
You know your mouth gets faster every day. Pity your
hands are so slow.

Speaker 6 (55:08):
I ain't got slow hands.

Speaker 1 (55:10):
I'll sure you did. Yeah, put your hand on the counter. Here,
old on, put your gun hand up on the counter.
Look at this court. He's a gunfighter's hand, and here's
a farmer's hand.

Speaker 6 (55:27):
I ain't got no farmer's hands.

Speaker 1 (55:31):
You know courting me are killers with a genuine article
that you you're from different stock. My friend here needs
a gun.

Speaker 4 (55:51):
Here's the eagle butt Peacemaker, solid ivory handle, Mexican emblem.

Speaker 6 (55:56):
Only thirty of these ever made.

Speaker 4 (56:01):
This is the UH customized Remington new Model Army forty four.
It's probably more accurate than your colt. Add the wooden
handles removed and replaced with solid silver. Use with great
success on thirty now thirty five bank robberies by slate
owner and this Liz the best helping man can get.

(56:31):
The Smith and Weston Schofield forty five Just meeting potatoes
mean Jesse Jameson. It's the best handgun in the world.
Add the trigger guard removed. It saves drawing time. Don't
ever wear it when you're drunk, or you'll kill your feet.

Speaker 6 (56:48):
When is the last time you held a gun?

Speaker 4 (56:50):
Cord? You know what? Here?

Speaker 6 (56:55):
You got offered one hundred and twenty for this colt.
When try it out?

Speaker 1 (57:04):
You got one hundred and twenty dollars court. I don't
have any money. The Lord provides me with everything I need.
M we're just wasting this boy's time. Then I'll tell
you what. I'll be a good smart what's the cheapest
gun you got, Not in the case, I mean the

(57:26):
cheapest piece of worthless scrap you got in the whole
miserable store.

Speaker 6 (57:32):
All right, five bucks?

Speaker 1 (57:39):
So what do you do there?

Speaker 6 (57:50):
Appreciator's got the Lord on his side.

Speaker 1 (57:53):
He only needs one bullet, just one, otherwise he might
be tempted to shoot his way.

Speaker 4 (57:59):
Out of town.

Speaker 1 (58:00):
HM.

Speaker 6 (58:04):
My gun shoot straight. I wouldn't sell it if it didn't.

Speaker 1 (58:07):
It's okay, kid, I won't draw. I'll trow you well.
I know you caught. When it comes down to it,
you'll pull the trigger.

Speaker 4 (58:16):
H
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