The Say Whats Reel crew—Dom, ILL, and Q—take on Assault on Precinct 13 (2005), the explosive remake of John Carpenter’s 1976 cult classic. With a powerhouse cast including Ethan Hawke, Laurence Fishburne, John Leguizamo, and Ja Rule, the crew breaks down the film’s intense action, gritty atmosphere, and how it stacks up to the original. Was this modern update worth the watch or just another forgettable shootout? Tune in for laughs, hot takes, and everything in between
AssaultOnPrecinct13 #MovieReview #SayWhatsReel #EthanHawke #LaurenceFishburne #ActionThriller #MovieTalk #FilmReview #MovieReaction #JohnCarpenter
Assault on Precinct 13 is a 2005 action thriller film directed by Jean-François Richet and starring Ethan Hawke and Laurence Fishburne, John Leguizamo, Maria Bello, Ja Rule, Drea de Matteo, Brian Dennehy, and Gabriel Byrne released to mixed or average critic reviews. It is a remake of John Carpenter's 1976 film of the same name.
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AssaultOnPrecinct13 #MovieReview #SayWhatsReel #EthanHawke #LaurenceFishburne #ActionThriller #MovieTalk #FilmReview #MovieReaction #JohnCarpenter
Assault on Precinct 13 is a 2005 action thriller film directed by Jean-François Richet and starring Ethan Hawke and Laurence Fishburne, John Leguizamo, Maria Bello, Ja Rule, Drea de Matteo, Brian Dennehy, and Gabriel Byrne released to mixed or average critic reviews. It is a remake of John Carpenter's 1976 film of the same name.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Green thirty five million, so they made five million extra.
Speaker 2 (00:04):
Yeah, bro, it probably didn't go green.
Speaker 3 (00:07):
And you know, advertising and ship kind of bothered me
about this movie was two things. One, uh, there was
like he could have just gave him up. Yeah, because
everyone died except for him, an old girl and Laurence Fishburne. Yeah,
so he wasn't really a hero. And then you didn't
(00:28):
save anybody. You went through hell of gun battles, you
got everybody killed again, you got yourself shot again, and
just for one person to survive when you could have
just sent him out the door.
Speaker 2 (00:42):
Yeah, and maybe.
Speaker 3 (00:44):
They let everybody and even if they didn't let everybody live,
then you fight.
Speaker 1 (00:49):
Yeah, because the captain was there, right. No, it was
because he kept calling him cap.
Speaker 2 (00:55):
Of the old dude.
Speaker 1 (00:56):
Yeah.
Speaker 2 (00:56):
No, he was in charge, not the old dude. That's
why he listened to him.
Speaker 1 (01:01):
Otherwise he was just I thought they kept coming from.
Speaker 3 (01:04):
Cab though maybe his name was Cappy old.
Speaker 2 (01:11):
Man.
Speaker 1 (01:11):
He just wanted to make it home. That's why he
did this. Motherfucker up. I'm trying to retiring. Yeah.
Speaker 3 (01:21):
But then the second thing is this all right, so
why was it such a struggle for them to kill
all these people because.
Speaker 2 (01:33):
They are.
Speaker 3 (01:34):
There's just a bunch of criminals, not like highly trained
assassine they're just regular you know, karthy, petty, theft ship
like that.
Speaker 2 (01:43):
Right.
Speaker 3 (01:43):
You got one cop who okay, he was undercover cops,
so he might have some type of special training. And
you got the old man who was on his last leg. Right,
and even lets say that the bad guys they weren't
specially they weren't swat but they just had you know,
(02:04):
they had access to the gear and all that shit.
Speaker 2 (02:08):
Even still, twenty.
Speaker 3 (02:12):
Regular police officers in full tactical gear with fully automatic
weapons should have been able to kill. Yes, yeah, eight
civilians and two cops.
Speaker 2 (02:29):
Well is this fun?
Speaker 1 (02:30):
And games say they work around here anymore?
Speaker 4 (02:34):
It was the night Precinct thirteen was supposed to close
its doors.
Speaker 1 (02:38):
Forever no offense officer but will close it down.
Speaker 2 (02:42):
We're short staffs, so you said, we.
Speaker 5 (02:44):
Probably came overnight until the roads play.
Speaker 4 (02:46):
Until Detroit's most lethal prisoners changed everything.
Speaker 1 (02:53):
I'm responsible for everybody here.
Speaker 4 (02:55):
That's not I assume you know who I am. Year gags.
Speaker 1 (03:01):
That's accurate.
Speaker 2 (03:03):
He's a cop killer.
Speaker 4 (03:11):
Who the hell are you?
Speaker 1 (03:15):
What the hell's going on?
Speaker 2 (03:16):
That's around in the place.
Speaker 1 (03:18):
The poems aren't worried I found this out there.
Speaker 6 (03:21):
Why are cops coming to kill us?
Speaker 7 (03:24):
One of my partners in crime is your fellow officer,
Marcus du Law. If I make it to court and
his whole team goes to jail, they can't allow me
to leave this precinct alive.
Speaker 1 (03:36):
They can't allow any of us to.
Speaker 4 (03:37):
If you're alive, these would all right.
Speaker 2 (03:43):
So's the weapon of anything you see?
Speaker 4 (03:45):
The only thing more dangerous than the criminals lean inside.
Speaker 5 (03:49):
Come, you wanna trust these freaks as much as we
need that.
Speaker 4 (03:54):
The cops outside.
Speaker 2 (03:59):
When this is over, you're going back to jail to
see about.
Speaker 5 (04:03):
Yeah, we all got to start trusting each other right
now if we're gonna make it through.
Speaker 8 (04:11):
This night.
Speaker 1 (04:27):
Live from North Ves. Welcome to say what's real? I
am don cruise better Jordan, Jesus afternoon, good night. Today
we are saying what is real about assault on preas
and thirteen That she was assault on my fucking eyes
and ears? What the fuck? Terrible? What?
Speaker 5 (04:55):
This is the first time watching it?
Speaker 1 (04:56):
Yes, my only time Unless I make the remake, I
will not be watching. I know I know the rema. Yeah,
I need to watch that one.
Speaker 5 (05:07):
Watching that one. That one came out in like seventy.
Speaker 1 (05:10):
Yeah, he came out seventy. But hey, what's wrong about
it is that what was the point of letting him go?
He was like, if you come out to me, I'm
an just be mean.
Speaker 2 (05:22):
Letting him go.
Speaker 3 (05:23):
He's going to do the nigga was shot, he was wounded,
but hold on, he wasn't for he wasn't gonna win
the fight.
Speaker 1 (05:30):
Okay. So usually when you get something like that you
let a criminal go, it'd be something cold at the end.
Speaker 2 (05:35):
He let him go because he saved his life.
Speaker 1 (05:37):
Yeah, but you say something cold at the end, like
I'll get you next time, or I'm just giving you
a head start.
Speaker 2 (05:42):
Like basically what he said. He's like, I'm coming for
It's just gonna be me.
Speaker 1 (05:46):
I feel like it wasn't inspiring that the credits.
Speaker 2 (05:49):
Are posed to no other cops. It's just gonna be me.
Speaker 1 (05:54):
This is what I'm saying, Like, it wasn't nothing cold
about like when the rock.
Speaker 3 (05:57):
But then they had to show him, but they had
to show that he was standing on you know, he
was he was standing on his business because is there
anybody else out there?
Speaker 1 (06:08):
He's like, no, just like me, it's us, didn't they
didn't do nothing about the fucking I need to see
a newspaper article with the corrupt cops. What the fuck
going on?
Speaker 2 (06:21):
Did something like.
Speaker 3 (06:23):
When that metal the cops going exactly being put charge whatever?
Speaker 2 (06:28):
The day dead?
Speaker 1 (06:30):
Now that's what I was thinking. But damn, that's the
only one.
Speaker 2 (06:32):
And it should be.
Speaker 3 (06:33):
But then again, they won't probably want to keep it
hush hush.
Speaker 2 (06:37):
Oh you think so police corruption, They don't. They don't
want that ship out in the news.
Speaker 1 (06:42):
Trying to keep this ship fourteen started me going after.
Speaker 3 (06:47):
What bothered me about the movie was, I get it,
this station is supposed to be like out in like
a secluded area, but there's no place that's that god
damn exactly where there's explosions and all these guys that
nobody what is going on?
Speaker 2 (07:06):
Call the police, bro.
Speaker 1 (07:07):
Exactly when you shoot movies, you hear fake ones. Niggas
is calling.
Speaker 3 (07:10):
Yeah, So that that was a stretch for me. It's like,
this ship ain't in the middle of the desert.
Speaker 9 (07:16):
Then it came to what I forgot how sound works
in it. So I forgot how sound works. I mean,
it's still the same thing but I'm pretty sure there's
like some type of uh A muzzle.
Speaker 1 (07:35):
And then this ship was so dark I thought Zack
Snyder got damn shot it.
Speaker 9 (07:38):
It was what the fund? Yeah yeah, him walking away?
I was just like, do you see what I'm saying? Okay,
do you see what I'm saying? Bro, I'm pretty sure
there's like an APB around everywhere. See some big ass
black people walking around in the purple suit.
Speaker 5 (07:54):
It wasn't can't hot wire car.
Speaker 2 (07:56):
She just went and told the police what was going on.
Speaker 3 (08:00):
So they they didn't know the full scope that they
needed to set a perimeter and all that.
Speaker 2 (08:05):
They was just coming to rescue, to save the day.
Speaker 5 (08:09):
But you're not going to be like, why is this
black man walking away from this?
Speaker 2 (08:15):
They would have to have seen him. He went through
the woods, was gone, man.
Speaker 1 (08:20):
Yeah, yeah, right exactly. So I'm gonna get into this
comment section. Comment shout out, all right, so comment shout
out so far. A year ago, people dropped flame emojis
on a on our Bad Boys to review. You said
we did surfing injes You said one of my favorite
(08:41):
movies or one of the videos was short. They dropped
the emojis of love one of the shorts they dropped.
Talk to them nice on the Cheesecake the Cheesecake review,
you said, keep going, uh one dude in the Bad Boys,
you also said, holy Holy. Tony Banks back at it again,
(09:03):
shout out for the what was it Cousin's main lobster
prey Wake says, let's get it, let's go. And then
this is recent right here, so five days ago, shout
out to James Stephens for one on one. He said,
Michael Donald is the man. He thinks we could replace
(09:24):
Jim Carrey. You can carry one on as ventur.
Speaker 2 (09:29):
Is.
Speaker 1 (09:30):
Uh. I can't pronounce this person, but shout out to
you says I'm a loser. I'm a movie lover. That's
on the Mystery Team video. Oh then somebody said on
one video, clearly you guys don't know shit. YouTube Life
nine two four eight. That was two weeks ago. I
don't know. I'm about to go research it now because
(09:51):
I didn't even fucking know that. Hold on, damn star Trek,
I don't know. We're gonna I'm gonna try to see
if I can find this shit.
Speaker 2 (10:00):
It probably.
Speaker 3 (10:03):
And that's probably That's the only thing I can think
of that we've watched. Nobody just really had a clue
what was going on, and.
Speaker 1 (10:11):
You left us to get fucked. It was right, I'm
not on my own wife. I what the FuG you
guys don't know? Okay, clearly you guys don't know. Why
won't you show me the fucking video? Oh? I can't
(10:35):
find it. Nah, I'm trying to. I don't know why
they showed me the comments but won't show me the
god damn ship. It's TikTok No, it's fucking YouTube. But
I see the comment, but it won't take me too. Yeah,
that's exactly. It won't take me to the boosting. Let
(10:58):
me see if I can find it another way. Fucking
can he? What the fuck?
Speaker 2 (11:06):
You know?
Speaker 9 (11:06):
That's what I don't know. Yeah, that's crazy. But anyway,
I'm just gonna say it was Star Trek I think so, yeah,
that's the only movie. Yeah, bro, YouTube is so stupid,
(11:27):
bro like.
Speaker 2 (11:28):
Probably because we didn't know the age gap between.
Speaker 1 (11:33):
Okay, okay, So it was on Steve Carral what the
one where we said, can't lead? Can he lead a
crazy crazy can he do a box office movie? He said, Clearly,
you guys don't know, ship know how we don't know ship,
but okay, Steve call can like what date night? That
was a box office minions like what, I don't know, Hey,
(11:57):
thank you, thank you? I mean his name is.
Speaker 9 (11:59):
YouTube today out. I don't think so yeah, I'm not
too too too sure.
Speaker 1 (12:05):
And then one of the videos said what we said,
Oh who could be? Who could be the new anchorman
or whatever? Some nigga comment and said Charleston White, go
shout out to them, B Walter Nor did people are crazy?
Speaker 2 (12:20):
Uh?
Speaker 1 (12:22):
Just saying ship saying shit, but some people actually be
saying shit. So remember I was talking about on butterfly effect,
the like, uh, I think the plot twist they didn't
stay in it long enough. So simple vision video says,
you're right, I think they didn't dwell on the twist
of it being all in his head because the part
of his was unattentional and might have made the plot
unnecessary confusing. The comment by the psychologist was merely an
(12:45):
honest interception of situation as he sees it in reality,
because the lack of journals was probably due to the
fact that Evan couldn't write the journals while in confinement,
or he didn't blackout anymore. Kind of how the dad
was going through the different timelines and got stuck in
a timeline where he didn't have his films to change
(13:06):
the timeline when last time, so like like that has
a good comment. He also another person says, my favorite
ending to the movie was for different endings. It's sad
that it's most impactful in the meaning. Shout out to
them about our butterfly fag people are watching from damn
there a year ago. But yeah, that is it for
the comment session that was just all on YouTube. Uh,
(13:30):
the first and not first of film. No, we got
all right? Uh you guys got anything non film related?
Speaker 5 (13:38):
Uh? We spoke about betting being rigged.
Speaker 1 (13:42):
We spoke about that before we got rigged.
Speaker 2 (13:45):
It's crazy, like.
Speaker 3 (13:49):
How you just I don't understand what these coaches be
doing where they blow these huge leads. It's like, how
how much do you have to get outscored before you say,
oh shit, let me make some changes. This guy is
getting cooked. Let me take him out and put somebody
(14:11):
else in.
Speaker 1 (14:11):
You don't think they're still gonna get cooked.
Speaker 2 (14:13):
I don't know, but I mean something some gotta give.
I don't know. I'm not just gonna watch somebody just
if I'm a coach.
Speaker 3 (14:20):
Another for to watch somebody just get cooked over and
over and over before I'm like, let me take this
person out. Now, sit your ass down. You obviously can't
do it. I mean on the other side, or you know,
or what okay? What about when they on offense and
he said, you're just gonna letting it go one for one.
Speaker 2 (14:40):
For nineteen from three?
Speaker 3 (14:43):
You know.
Speaker 2 (14:45):
Something?
Speaker 3 (14:47):
Also, I'm tired of this, uh throwing fucking fifty yard
bombs on third down. It's third and one. You gotta
go for it, man, run the motherfucking ball. This is
not mad.
Speaker 2 (15:00):
What are we doing?
Speaker 5 (15:01):
Remember?
Speaker 10 (15:02):
Uh?
Speaker 2 (15:03):
Oh?
Speaker 9 (15:03):
I think it was my boy. They said they're getting
rid of the running back position. They're not getting they're
not paying running back, they're paying.
Speaker 1 (15:12):
Yeah, we're on the last five years exactly.
Speaker 5 (15:15):
So it's like, who the fuck.
Speaker 1 (15:16):
But I don't think that's true.
Speaker 5 (15:18):
We're gonna handle John.
Speaker 1 (15:20):
Sixth seventh year Henry in his like seventh eighth year Henry.
Speaker 3 (15:24):
I think it's closer to ten. Like, oh really, I
think so, I could be wrong.
Speaker 2 (15:30):
I mean second in the league rushing.
Speaker 1 (15:31):
It depends on what you do. Like Matthleafod is a
great coach, Did you notice what he been doing? Having
fucking joring left for the ball less because you know
that motherfucker give you five touchdowns and five interceptions, So
we started giving it to Josh Jacobs way more. That's
why Josh Jacob start getting three touchdowns two touchdowns in
the first half. They don't throw the ball that much.
Let's ask to yeah smart, but yeah, I mean, if
(15:54):
you've got a quarterback that's going, if you've got Lamar
Jackson or who the white boy name is, yes, Josh Allen,
then you the runner back position is going to be obsolete.
Speaker 2 (16:05):
Steinfeld, Who the fuck is that? Oh?
Speaker 1 (16:09):
I was like, who was it? Oh? Yeah, Steinfeld?
Speaker 3 (16:13):
And more than hey, that's what's non film related. That
nigga is weird?
Speaker 2 (16:22):
What is wrong with him?
Speaker 1 (16:23):
I guess he was just trying to shoot the shot.
Speaker 3 (16:25):
But Haley on screen, Okay, I get shooting your shot,
but talk about going one fifth man.
Speaker 1 (16:32):
Thirteen Yeah, oh yeah.
Speaker 3 (16:35):
I get the you know you missed one hundred of
the shots you don't take, but it's just so weird
and thirsty. He definitely giving off for my hug at energy.
Speaker 1 (16:49):
You heard that the people be there.
Speaker 2 (16:51):
I've seen it I've seen it.
Speaker 1 (16:55):
They're doing that in the nineties.
Speaker 2 (16:57):
I think it was did you graduate?
Speaker 1 (17:01):
You was not in the freshman at night?
Speaker 9 (17:03):
If you ugly, you gotta get Okay, you said, what
ugly you gotta get in some type of mother.
Speaker 1 (17:10):
Yeah, nigga, you do not want that many hugs.
Speaker 9 (17:13):
High school nigga, Man, that's crazy. That's why I never
talked to a girl. I went to the same school
where you talk the girls at different schools?
Speaker 1 (17:24):
What's school name? School?
Speaker 5 (17:25):
Different schools?
Speaker 1 (17:26):
Okay?
Speaker 3 (17:27):
That uh that TikTok videos and y'all it's so accurate,
like y'all got some pussy in here.
Speaker 9 (17:35):
Oh yeah, that's what I'm looking for, talking about the
one that I seem.
Speaker 1 (17:43):
Oh yeah, yeah, scared, scared? That's good? Oh everybody cool?
Then does she know who he is? Who is?
Speaker 5 (18:00):
No?
Speaker 2 (18:02):
For extra I don't know.
Speaker 5 (18:06):
On Instagram talking about fighting off the back of Yeah,
where are you from?
Speaker 1 (18:14):
No?
Speaker 5 (18:14):
You affiliate, you're from over there.
Speaker 2 (18:17):
You gotta get out every time I seen.
Speaker 1 (18:21):
Okay, do they believe you when you say you from nowhere?
Speaker 8 (18:27):
No?
Speaker 2 (18:28):
Not growing up and that means growing up in it?
Speaker 1 (18:31):
Doesn't you have to fight fights.
Speaker 2 (18:35):
I've been in some fights.
Speaker 1 (18:36):
Just based off that. Damn that gotta be tired, nigga.
I didn't told you already. God damn man.
Speaker 5 (18:44):
That's why I say like playing sports is the cheek.
Speaker 1 (18:49):
Around. If you're really good, he was playing really good.
Speaker 2 (18:54):
It keeps you.
Speaker 5 (18:56):
But no, I play basketball.
Speaker 1 (18:58):
We don't give a fun what school you go to.
Speaker 9 (19:01):
And I know you're a real hooper. Yeah I know that. Okay,
this dude's been paying playing basketball. He go to this school.
Speaker 2 (19:10):
They don't change a lot.
Speaker 1 (19:13):
Niggas still again, right exactly.
Speaker 5 (19:20):
Yeah that is true. But I'm just saying like, if
you really get, if you get, you nice with it,
you play basketball around the city, it's like.
Speaker 2 (19:28):
You gotta be somebody else that's.
Speaker 3 (19:31):
Already destined to go to the league. They're like, oh yeah,
we already know he goes.
Speaker 1 (19:38):
And then even then that game protects you automatically think
you're with them. You just another body bro to the local.
Why you just another body? Man? You won't be all right? Bro,
how many stories we have seen Benji the nigga. You
look at Rookie, right, they don't give a fuck.
Speaker 2 (20:00):
Bro. That okay takes life.
Speaker 5 (20:03):
Ricky has Ricky has swollen his chest, man and his
brother made him move like a post.
Speaker 3 (20:08):
That I'm saying you, So, what you're saying is he's
kind a problem. They're gonna press your regardless you you're
supposed to just say, oh no, I play basketball.
Speaker 9 (20:20):
No no, no, I'm saying you, you can fight or whatever
the case may be. But I'm just saying, like, as
long as somebody like know you, that's usually a way out.
Like if you really ball, like everybody's gonna rob Jordan Chicago.
Of course, okay, you got it.
Speaker 2 (20:37):
They don't give a fun get it. I do get it.
Speaker 5 (20:41):
I'm telling you, all right, the cheat code.
Speaker 1 (20:43):
That's why I play basketball. Man. That said, if they
robbing this nigga think they do to me. But yeah,
oh yeah, your boy speaking, I'm gonna get into it
and he need to stop it. The first and film
(21:03):
I got on February fourth teenth, the first films to
release on Blu Ray was Amazing Spider Man two, Salt Hancock, Chappie,
Pineapple Express, and The Smurfs Too being the first to
be released, among others.
Speaker 5 (21:19):
Wow, I did not know.
Speaker 1 (21:20):
I did not know that is I could have sworn
to have Blu Ray before that. I guess I didn't
I guess the minde effects strikes again.
Speaker 9 (21:27):
Shit winning the PS two was two two three, three
yeah three, play right that it came out nine or
eight or six?
Speaker 1 (21:39):
I think it's like oh eight, yeah.
Speaker 2 (21:43):
Yes, three. I want to say it was closer to no. Eight.
Speaker 1 (21:49):
Yeah. Yeah, it had to be OA because I think
I got one.
Speaker 3 (21:52):
Ye, yeah, I think about it. Yeah, maybe a nine.
Speaker 1 (21:59):
Yeah so mm hmm m. But yeah, So with no
further ado, this is the review on Assault on Precinct thirteen.
This movie was up against the Phantom of the Opera.
Are we there yet? The wind Ringer Assault on Precinct thirteen?
What did y'all want the wedding ring? I did to?
What the fuck y'all?
Speaker 2 (22:19):
Really?
Speaker 1 (22:20):
That's like the Hart movie, yo, Come on now.
Speaker 2 (22:23):
You like the wedding just wasn't.
Speaker 1 (22:26):
YouTube on YouTube?
Speaker 2 (22:28):
Yeah?
Speaker 1 (22:29):
Yeah, but on YouTube? Yeah yeah. I was about to
get y'all fucked up with the Phantom of the Opera.
Speaker 2 (22:34):
Oh really?
Speaker 4 (22:36):
Yeah?
Speaker 2 (22:37):
Whose voting for these things?
Speaker 1 (22:40):
Some gen z motherfuckers.
Speaker 5 (22:41):
Somebody that said you don't know ship?
Speaker 1 (22:43):
There you go, Yeah, that is true that some ship
you don't know.
Speaker 2 (22:48):
You don't know.
Speaker 1 (22:48):
Shit, i'mna start naming the same we don't know ship
before y'all do anything and judge. We don't know a
damn thing.
Speaker 2 (22:54):
Uh.
Speaker 1 (22:55):
Yeah, this film. Third Lauren Fishburg f And we have review.
First Matrix Reloaded Sink, It was Mystic River. Second Ethan
Hank film we have review. First was Taken Live. Second
John what is his last name? Luigi?
Speaker 2 (23:11):
N Oh? John?
Speaker 1 (23:13):
Yeah that one. This is our second film. We review
first with John Wick. Second film we have review. Yeah,
he was the nigga that was like, who's hard did
y'all steal? Take that ship back? Second? John Rufe and
we have view. First with Scared movie three.
Speaker 2 (23:29):
Yeah, I don't remember him being on that.
Speaker 1 (23:32):
Yeah, he was president secret always irrelevant. You're just always irrelevant? John,
what the fuck man? Uh? Maria Bellow's third film we
have review. First was First a Second Secret Window, Second
was Grown Up two. Second Kim Colchtrian We have review.
First was Last Boy, Last Boy Scout mm hmm yeah
crazy sorry, and Ethan Hank, Laurence Fitzburg, Maria Bellow, and
(23:58):
John Real of course. Out comes out January nineteen, two
thousand and five, one hundred and nine minutes. Easy watch
for anybody.
Speaker 5 (24:06):
I'm all right.
Speaker 3 (24:08):
First watch I've seen it time you see a bunch
of one of the movies that be on, Like.
Speaker 2 (24:13):
Us say all the time.
Speaker 1 (24:15):
What the theater?
Speaker 2 (24:16):
No?
Speaker 1 (24:17):
Thank god? All right, So a budget of thirty million,
Red Green.
Speaker 2 (24:21):
How they're doing USA?
Speaker 3 (24:23):
I don't know now that you're saying now that you
can watch a movie thirty times in a row on
your own, you don't need USA. So yeah, yeah, ww
ain't there no more either? So I don't know how
they're doing.
Speaker 1 (24:40):
Oh, yeah, you got it?
Speaker 2 (24:43):
Went Green?
Speaker 1 (24:44):
Green?
Speaker 2 (24:45):
Yeah? Green?
Speaker 1 (24:45):
Thirty five millions, so they made five million extra?
Speaker 2 (24:49):
Yeah, bro, it probably didn't go green.
Speaker 1 (24:51):
I probably did you know?
Speaker 2 (24:54):
Advertising and ship?
Speaker 1 (24:55):
Yeah. In the world of box office of Coach Carter,
are we there yet?
Speaker 8 (24:59):
Me?
Speaker 1 (25:00):
The Fokkers in good Company, Racing Stripes, White Noise, the
Aviator are a fandom of the opera Assaut Prison thirteen
Electra What number three three is? Meet the Fockers at
nine million? Six is racing stripes at six point eight million?
Assault on Prison thirteen is number five seven million? Yeah,
(25:21):
are we there yet? In Assault on Prison thirteen debuts
same weekend? What you're paying for? What are you?
Speaker 2 (25:29):
Thirteen? Aren't there yet?
Speaker 1 (25:31):
You know? This is the second week. Really do sport
black people law? This whole production? Are we there?
Speaker 4 (25:38):
And k alone?
Speaker 1 (25:39):
Damn bro you shop on alone? That's crazy. It wasn't
a good movie, Sacho Page. He said what No, I
was just agreeing like Ice c black people, what he
gave black people jobs?
Speaker 2 (25:56):
And when he even went full coon.
Speaker 5 (25:59):
Yeah, what movies did you put out?
Speaker 1 (26:01):
Right?
Speaker 2 (26:01):
What movie did you put out?
Speaker 1 (26:04):
Oh? Whoa all right? From January nineteenth to February fourth
of stayed in the top ten. It lasts three days,
oh last three days. In this theatrical run, it stayed
at number fifteen, being pushed out by Coach Carter finding Neverland,
(26:24):
Fandom Opera in Good Company and Hotel Wiwanda. Yeah reviews.
Michael Phillips Junior says, and we're thirty two thousand and five,
so same year it came out. It is not efficient
as a suspense film. True. Aside from one or two sequences,
it doesn't work at all. True gives it two out
(26:45):
of five. It's just loud for no reason. Nothing has happened.
It's just loud. The music loud. Gunshots is like I
had to turn this shit and I'm like, god, damn ya.
Well y'all shooting that all the nigga should be dead.
It's six gunfight sequences. Who is left?
Speaker 5 (26:59):
It's true?
Speaker 1 (27:01):
Somebody gives it four out of five January twenty four
to twout fifteen, so ten years of the film came out.
Good good film, full circle obviously, lots of action and gunplay.
One of those films you will search for on IMDb.
Not really to be sure if you're a firearms enthusiast
like myself, since Team No it was just bullets for
(27:26):
three out of five May fourteen, twenty twenty four. Not
as good as Home Alone Leon and probably the original,
but nice custom rap ending six point four out of
ten just okay. Prequel fuck no sequel, fuck no other renditions.
The remake from John coverdor In nineteen seventy six version Yeah, yeah, no, no, no,
(27:52):
fuck no. I don't even know what would make me
interested in even if there is a remake, or like
what actor would make me idea. Yeah, I'm gonna go
see it because and was in here if you looked
like this. Fuck uh m VP for yall ethan Hawk
makes sense, Lawn, Yeah, there can't be argument solid the
(28:19):
whole ride.
Speaker 5 (28:20):
Yeah, but then.
Speaker 1 (28:22):
Like he said, you know, I'm never going.
Speaker 9 (28:26):
He got too big for his head and one of
the whole pie instead of just the piece he was getting.
Speaker 5 (28:31):
Bro, like, you're already getting fifty man. You know at
this point, I'm like working for you.
Speaker 2 (28:36):
Now.
Speaker 5 (28:37):
I can't have that happen. I'm dropping down.
Speaker 2 (28:40):
Fuck.
Speaker 1 (28:41):
You know what.
Speaker 2 (28:46):
Kind of bothered me about this movie was two things. One, uh,
there was like he he could have just gave him up.
Speaker 3 (28:59):
Yeah, because everyone died except for him, an old girl
and Laurence Fishburne, so he wasn't really a hero. And
then you didn't save anybody. You went through hell of
gun battles, you got everybody killed again, you got yourself
shot again, just for one person to survive when you
(29:20):
could have just sent him out the door, and maybe
they let everybody.
Speaker 2 (29:26):
And even if they didn't let everybody live, then you fight.
Speaker 1 (29:29):
Yeah, because the captain was there, right, No, it wasn't
because he kept calling him cap the other the old dude.
Speaker 3 (29:36):
Yeah, No, he was in charge, not the old dude.
That's why he listened to him.
Speaker 1 (29:41):
Otherwise he was just I thought they kept calling him cab.
Speaker 2 (29:44):
Though maybe his name was Cappy, old.
Speaker 5 (29:51):
Man.
Speaker 1 (29:51):
He just wanted to make it home. That's why he
get this motherfucker up.
Speaker 2 (29:54):
I'm trying to tiring.
Speaker 1 (29:56):
Yeah, I just left. I believe it.
Speaker 3 (30:01):
But then the second thing is this all right, So
why was it such a struggle for them to kill
all these people? Because they are there's just a bunch
of criminals, not like highly trained assassins. They're just regular
you know, karth, the petty theft shit like that.
Speaker 2 (30:23):
Right.
Speaker 3 (30:23):
You got one cop who okay, he was undercover cops,
so he might have some type of special training. And
you got the old man who was on his last leg. Right,
and even let's say that the bad guys they weren't
specially they weren't swat but they just had you know,
(30:44):
they had access to the gear and all that shit.
Speaker 2 (30:48):
Even still, twenty.
Speaker 3 (30:52):
Regular police officers in full tactical gear with fully automatic
weapons should have been able to kill. Yeah, eight civilians
and two cops. It should not have been such a stu.
Why were they sending them in like one out of time?
It was just crazy, like you got flash bangs and
(31:14):
ships like y'all should have rushed the door. You sent
the two man teams with the riot shield and just
one guy. It was like you should have sent more
and and just cleared them out.
Speaker 2 (31:25):
It was crazy. Mm hmmm.
Speaker 1 (31:27):
It definitely didn't makes it uh for this one v
I P. I think we all can agree, y'all. Route
is this don't affect Lord fishburden, don't effect God. Damn
Ethan Hogg bro.
Speaker 9 (31:40):
He really like fumbled the fucking bag. He did put
fast and furious definitely, and he took this.
Speaker 2 (31:47):
He took this role probably thinking.
Speaker 1 (31:50):
Yeah, we're gonna see what fifty got something to say
about this when I'm bad like this fifty something so
funny remake the recent thirty everybody, but yeah, I'm crying.
Speaker 2 (32:06):
Yah, that would be dirty, have them.
Speaker 9 (32:08):
C G I O man crying or just killing there
you go killing all screen ship.
Speaker 1 (32:15):
Yeah, but yeah, definitely, I think it's important to you.
I don't think nobody else.
Speaker 3 (32:22):
Yeah, it was important to anybody career either. He went
ship got worse for him.
Speaker 2 (32:29):
It seemed like.
Speaker 5 (32:33):
Five. No, that was the beginning of it.
Speaker 1 (32:35):
That was like, remember you got the crown that was
beginning to fall off for sure. Yeah, they would never
ever take my ground. I think we can agree on
this one. Too relevant seen or character j R.
Speaker 2 (32:48):
Yeah, I was definitely just yelling. What was saying, Smiley.
Speaker 9 (32:57):
Road was the fact that old Boy stayed in the
fucking truck, laid down, wait until they fucking started the ship,
drove off, and then popped the ass. Like my nigga,
Like you just said, all these people are walking in
one at a time. You're like, no, I'm going to
lay in the truck, nigga.
Speaker 3 (33:18):
Well no, remember he told him, he said watch the truck.
They might try to use it as an escape. So
he probably told old boy that somebody just waiting there.
But why did he wait so long for them to
shoot him?
Speaker 2 (33:32):
Like he was they took it was gone, they was driving.
Speaker 5 (33:37):
He took a nap.
Speaker 3 (33:38):
Also, that just seemed risky laying down back there, because
what if they looked in the back and they got in.
Speaker 5 (33:44):
There, I'm going to hear something or I'm going to
hear somebody.
Speaker 3 (33:47):
Waited like near it or something somewhere out of sight
and then just popped them as soon as they tried
to open the door.
Speaker 2 (33:54):
That's crazy.
Speaker 5 (33:55):
Gonna give him hope. How many people in there?
Speaker 2 (34:00):
We did it? We did it.
Speaker 1 (34:02):
Damn u lifepad mh unlass I got us a Yeah,
I'm not gonna go search for it.
Speaker 2 (34:12):
But it's a sleepy time movie.
Speaker 1 (34:15):
Damn, with all them gunshines, you can be tosleep.
Speaker 5 (34:18):
Yeah, damn, wasn't that bad?
Speaker 1 (34:23):
All right? Uh for me? Zero for the love of Money.
I don't know if you've probably seen this movie, but
twelve Bridges or this that twelve Bridges was cold cold music.
Two Bridges. Yeah, I really watched that thing.
Speaker 2 (34:38):
It is bro definitely.
Speaker 9 (34:43):
Just knowing, just knowing that ship why he was not
in the action movie, you know, action scenes, and like damn,
because at first I didn't like twelve Bridges at all.
Really yeah, I'm like, man, are they not showing him?
Speaker 5 (35:00):
Well, then it's like, oh, damn, he had what do
you mean you're talking about it?
Speaker 2 (35:09):
It was a cop?
Speaker 9 (35:12):
Yeah, that was his last film. Yeah, what do you
mean show him like in the movie like that. He
wasn't like prominent, like dominant in the I.
Speaker 1 (35:22):
Don't remember him.
Speaker 2 (35:23):
What do you mean he was?
Speaker 3 (35:24):
He did, he was shooting, he had a few shootouts, his.
Speaker 5 (35:31):
Weight, but they kind of like hate the fact that
he was sick behind more of the story of the
bad guy. When you really like go back, go back
and watching and I was just like, but nobody.
Speaker 1 (35:43):
Knew he was sick. He didn't tell nobody.
Speaker 5 (35:44):
Yeah, I know that, but that's what I'm saying. I
didn't like it because of that.
Speaker 9 (35:48):
There was like there was action, I get it, but
there was not really like action for the type of
movie that it was supposed to be. Like when I
looked at it, I'm like, this is like focusing too
long on But.
Speaker 3 (36:02):
That's not because he was sick, because they know he
was sick. That's just how the movie was written.
Speaker 2 (36:07):
No, they said, because he was sick, he didn't tell anybody.
Speaker 9 (36:13):
When they came out. When it came out, they said
that he didn't really shoot the scenes like that because
he was in chemo like that. But it couldn't be
released from set. I think some something like that. But
I remember seeing that shit.
Speaker 3 (36:26):
He literally didn't tell anybody. That's why Marvel thought he
was going to be in the Next Black Man.
Speaker 9 (36:33):
Yeah, but I remember seeing some ship like that, and
that's like, oh okay. But I'm just saying, like, go
back and watch it and you'll be like, yo, okay,
all right. I understand like some certain scenes where it's
like yo, you're not really being dominant as the cop
or the camera's not really focused on you. And that's
cool if it's focused on the bad guy. But it's
(36:54):
like somebody else could have somebody else could have did
it not?
Speaker 1 (36:59):
You Like.
Speaker 5 (37:03):
The stuff that they're doing with Bruce willis, well.
Speaker 1 (37:06):
What they're doing with him because he ain't acted no more.
Speaker 9 (37:08):
I know, right, Okay, so he has like you know
how he can only say like certain lines or whatever,
little lines or whatever. But in certain movies that people
just throwing Bruce willis saying, they'll have him as a star,
like on the cover and everything like that, but they
won't focus the movie on him. They'll have him in
(37:31):
certain scenes, but it's like a camera trick to just
throw it off on somebody else, but this he's the
main face whatever. And that's what I noticed in Twelve Bridges.
Speaker 5 (37:41):
That's what I'm like, broke.
Speaker 9 (37:43):
It wasn't really focused on him. Why the fuck is
he on the cover or anything like that. But then
when he said he had cancer, and I'm like, oh, oh, okay,
all right, that's why. But yeah, just go back and
watch it. You'd be like they really didn't. How many
times you guys watch it?
Speaker 1 (38:02):
I think, yeah, run it back? Yeah, uh Turbo. So
freezer a funny moments anybody got anything?
Speaker 3 (38:15):
Dude laying down in the car, that was like, what
the fuck I liked when he killed the boy with
the icicle?
Speaker 5 (38:23):
John was trying to tell a joke.
Speaker 1 (38:26):
You're right, he was trying his in the car driving.
Oh my god, cop.
Speaker 9 (38:31):
He's like, you gotta give me something right the toilet
taking the ship. I was like, oh man, yeah, he
is fighting.
Speaker 1 (38:41):
Those criminals with some goofy motherfuckers and not in the
goofy right way.
Speaker 2 (38:45):
Bro?
Speaker 1 (38:46):
Who was that girl? We've never seen her again ever?
Speaker 5 (38:49):
Yeah, we have. He's been in a few movies. Are
you talking about the Black One? Yeah, she's been Yeah.
You probably get her confused with the girl did Wicked,
because no, hell no confused. They're bad. But like the
girl that did Wicked. What's her name?
Speaker 1 (39:11):
That's lean Away from missus shit.
Speaker 5 (39:13):
Yeah anyway, like she did what is that movie with
the wives step Wires, Step for Widows Widow Widows with
uh my girl, Yeah she's in there.
Speaker 9 (39:26):
Yeah, she was a brother was running, Oh babysitting? Oh okay,
that was that was a girl from Wicked?
Speaker 1 (39:34):
Was it? Yeah?
Speaker 3 (39:35):
No, no, no, no, I'm saying she's on that TV
show probably not one one whatever, okay, Uh, one hundred
and fifteen episodes that show she stars. Yeah, she's been
on She's in Godzilla, King and the Monsters.
Speaker 2 (39:55):
I didn't see that.
Speaker 1 (39:56):
Oh, oh that's the one who goes against Can.
Speaker 3 (40:02):
She's in, uh, the the USA show The Unsolved Murders
of Tupacing Biggie. Oh no, it was actually pretty good. U.
She was on the show Underground. You played Harriet Tepman.
Speaker 1 (40:19):
Watch you don't watch Underground.
Speaker 2 (40:21):
Underground was actually pretty good. I don't like slave Ship.
Speaker 1 (40:26):
She was in.
Speaker 2 (40:29):
Wet, hot American summer.
Speaker 1 (40:31):
Oh, I've seen nothing, okay.
Speaker 2 (40:34):
Uh.
Speaker 3 (40:35):
She was in n c I S Los Angeles, all
these TV show I'm saying a lot of movies.
Speaker 2 (40:42):
She was star Trek Into the Darkness.
Speaker 1 (40:45):
Okay, that one.
Speaker 2 (40:47):
Seen that one? Uh, Troy one A seven. I never
the next three days Russell Crowe, you know, un stopping. Uh.
She was on True Blood, True bloods.
Speaker 3 (41:06):
No, not True Bloods, true Blood Oh yeah, uh, prison
Break all right, a lot of TV here.
Speaker 2 (41:15):
Uh yeah, it goes to jail.
Speaker 6 (41:18):
You like.
Speaker 5 (41:20):
Uh.
Speaker 1 (41:21):
David Grill got a new joint out on NBC. Yeah,
it's about the Uh it's basically a hospital version version
of the Office. Oh yeah, the start. Of course, nobody
else is on that motherfucker man, I said. And the
reason why I think he's on there is because they
was like, who was the safe black person? David All? Yes, yeah,
(41:44):
the white people love him, put him as a star.
Speaker 2 (41:46):
Do they love him?
Speaker 1 (41:48):
I don't know. I guess I don't know.
Speaker 2 (41:50):
Yeah, that's not really.
Speaker 1 (41:53):
I mean no, no, yeah, yeah, damn mn.
Speaker 5 (41:58):
Well but isn't he on that TV show Pop?
Speaker 1 (42:04):
It looked like him? No, but I think you confused
that one with the Jamie Fox joint. He was the grandpa,
Jamie Fox was the dad. Yeah you never heard of
that one. It's on Netflix TV show on Netflix. Yeah,
stop embarrassing me, dad, Yeah, it's only one one season.
Speaker 2 (42:23):
Never heard.
Speaker 1 (42:23):
Wrap up notes that I got is I can see
Mark Warburg playing Sergeant Jake ro Nick. It's Ethan Hawks,
which is crazy because I wrote this right, and then
I look at the what's it called the uh tracts
about them? Yeah, and they said Mark Warburg was running. Yeah.
Speaker 2 (42:43):
Crazy.
Speaker 1 (42:44):
My Happy Day chose to go with a New Year's
Ease setting versus a Christmas setting. What's with the survival
too suns up ship, So the cops is just gonna
stop when the suns up.
Speaker 3 (42:56):
Yeah, that's what trips me out. Oh wait, because it
wasn't when they're coming to like move something. Yeah, there
was something. There was a reason they survived for something,
like people were coming. Yeah, it wasn't like there was vampires,
right exactly.
Speaker 5 (43:13):
Yeah, just busy in the day time. I mean, like
a lot of people are like shut in.
Speaker 2 (43:17):
Especially like it looked like it was a factory around there.
Speaker 1 (43:22):
And then I can appreciate the constant gunfire like gives
people hope. Yeah, the new hope. Respect the k R
S one that song was trash after the crash off?
Why the first song?
Speaker 2 (43:38):
Why was Joe rolling at the first song?
Speaker 1 (43:40):
Ya, it is disrespectful. All of.
Speaker 2 (43:43):
You already have him there. You probably could just thrown
them in the.
Speaker 1 (43:46):
Extra five grand frand because he shows on the Fast
Fears soundtrack.
Speaker 2 (43:51):
Yeah, it's murder, murder, murder.
Speaker 1 (43:59):
I was five years murder murder, murder.
Speaker 2 (44:02):
That.
Speaker 3 (44:07):
I don't understand why people be like, yeah, he's a
he's a hip hop legend, like he's one of the goats.
Speaker 2 (44:14):
I have never heard of k R S one song.
Speaker 1 (44:17):
That ladies, he was the goat.
Speaker 5 (44:19):
Probably, I don't know.
Speaker 2 (44:21):
He was never better than Old cool J, Big Daddy Kane.
Speaker 1 (44:25):
You don't know a Big Daddy named five Big Daddy
Kane songs. This is what I'm saying. Maybe in the
eighties he was better than them.
Speaker 2 (44:32):
I can't name five fucking k R s one songs.
I can't name one. Yeah, I can name I could
definitely I could name at least one Big Daddy Kane songs.
Speaker 1 (44:45):
I know he wasn't better than Slick Rick. In my opinions,
it wasn't Rick. Yeah, that vure of I forgot the
hell the name album is called, but that she was
fire Venge the slickerck that's what's called. That's because he
didn't he embodied hip hop like he wasn't like that
boom bomb clap like the person that because people look
(45:09):
at ll cool J and it was like, dude, this
is like it's like he's like a true star of
like what a hip hop person and Nigga be spitting
that ship though too.
Speaker 5 (45:20):
It is basically the ladies. Yeah, you know he got
the jewelry he dressed for fly Car, that's true.
Speaker 1 (45:27):
Yeah, you're right, Yeah, you're right. He can't have that too.
Speaker 9 (45:31):
No, but I'm saying we say KRS one would definitely
of course he had the bag. But like then he Disnelly.
Speaker 1 (45:39):
Remember that ship said a damn number one, no matter
if you like it. And right, it.
Speaker 5 (45:48):
Was that your boy that brote that ship.
Speaker 1 (45:52):
I don't know, but now he be spitting that ship too, though.
You're talking about the nigga with the coofie the ball
nigga what the nigga from the lulls keep going, that's it.
He won every lead. But no, I don't know who
the who that nigga name is. But yeah, he claimed,
you wered of a lot of Nelly stuff. Okay, I
(46:13):
believe I.
Speaker 2 (46:14):
Don't believe it.
Speaker 3 (46:15):
Why can't you write your own ship? Well, he did say,
I know you're talking. You're talking about the nigga that was.
Speaker 1 (46:23):
On that's yea.
Speaker 2 (46:27):
Yeah, I've heard Ali rap. Yeah, I don't believe it.
Speaker 1 (46:30):
I heard all you rap on girls too. It was dope.
Speaker 5 (46:34):
In air Force.
Speaker 1 (46:35):
Oh, Air Force was dope too, hey bucket though all right,
niggas said they may hole may whole, say okay, so
make another hole.
Speaker 9 (46:49):
But I mean, well, ship raps that. He said he
was writing games to him like, cool, we did it together,
whatever the case. Yeah you said he came up with
most of the hooks. Yeah, I mean everybody need hooks
with people whatever.
Speaker 1 (47:08):
Hooks.
Speaker 5 (47:09):
Okay, uh, what do you take that away from Kanye Westviell.
Speaker 1 (47:14):
I don't take it from nobody. If you need a
hook written, I don't take that from you.
Speaker 3 (47:17):
No.
Speaker 5 (47:17):
I'm just talking about just just spitting this.
Speaker 2 (47:21):
But period. My thing is, why can't you write a
hook for yourself?
Speaker 1 (47:26):
You can't write a hook. Let's just get that out
the way.
Speaker 2 (47:29):
You can write a song that that becomes a hit.
Speaker 1 (47:32):
Yeah, but have a hook, yesuse the hook. He's not
on that hook.
Speaker 2 (47:37):
Okay, So he can write a hook, but he can't
write a hook hit song is what you said?
Speaker 1 (47:41):
Oh yeah, yeah, that's what he can do.
Speaker 2 (47:43):
Crazy Yeah, why is that crazy? You can't write. I
don't believe it.
Speaker 1 (47:47):
Some people can't do ship.
Speaker 5 (47:49):
You can write.
Speaker 2 (47:50):
You can write a hit song for somebody else, but
you can't do the nigga.
Speaker 1 (47:53):
That's a writer can write a movie. That don't mean
I can act.
Speaker 5 (47:57):
That is true.
Speaker 2 (47:58):
That's different. Writing a movie doesn't make you an actor.
Speaker 3 (48:03):
When you're writing rapper, when you have to wrap it
in order for it to make sense. You don't just
write the ship down and like, hey, just say he's
in a rhyming pattern, because you have to go to
the you have to go to the person who's going
to say him.
Speaker 2 (48:19):
And you said, I need you to say it like this.
Speaker 5 (48:22):
So why is Quinn Miller I number one?
Speaker 2 (48:24):
Exactly?
Speaker 3 (48:26):
Did he really write that ship? There's there's uh, you
actually have recordings of him spitting it. Yeah, he's probably
not popular because now don't nobody want to fuck with
him because of that?
Speaker 1 (48:37):
What about doctor Dre? Do we take everything from him?
Because you know, damn well, he wasn't writing that ship?
Speaker 2 (48:41):
No, but nobody looks as doctor Dre is a rapper.
Speaker 5 (48:44):
We all know that.
Speaker 1 (48:45):
Yeah, but why can't you write a hook? Why can't
you write different? What's so different?
Speaker 2 (48:50):
And he probably does write hooks, but he can't write
the fucking.
Speaker 1 (48:54):
Hook, I mean the beats anymore.
Speaker 3 (48:58):
He don't make the beats exactly a lot of them
said he made made, not even made by the.
Speaker 2 (49:09):
Scott.
Speaker 1 (49:10):
So I mean, but you don't take it away from
I don't if it's a hook from it's a hook.
Speaker 3 (49:20):
I never really considered, like, yeah, like I would never
put him in the first in the greatest Rappers of
all time category because I know other people are writing
and ship.
Speaker 5 (49:33):
So the first two didn't have you like, damn, this
nigga is really in his bag.
Speaker 3 (49:38):
His first two albums are dope as fun, but we
know that somebody else is helping him write it, saying
but he can't.
Speaker 9 (49:45):
He wouldn't get those conversations before we knew, like, oh,
this nigga's not writing.
Speaker 2 (49:50):
Uh no, not off the first I mean not just
I don't know. I don't think so.
Speaker 3 (49:55):
I don't remember how it was feeling back then, but
I don't think like, oh, he's one of the greatest ever.
When he came out, it was a lot of Yeah.
It was yeah, everybody back there, yeah, oh yeah, mhm.
Speaker 5 (50:12):
It's like since Ryan Fast helped him write a lot
of Shape.
Speaker 1 (50:16):
Ryan Fast and Consequence g OC Yeah, yeah, properly.
Speaker 9 (50:21):
But on the Grammy Family, the niggas just repeated him
basically mm hm, oh no, you can't be.
Speaker 1 (50:31):
Yeah, make another hove h then yeah. Facts about the
film I got the original movie, Bishop was the police
officer and the Caucasian actor was the criminal. Mark Warburg
was originally offered the role of Jake, but turned it down.
The word fuck and it's the word funck was used
(50:53):
about one hundred and twenty seven times. Any last words
for this film.
Speaker 5 (51:00):
Nah, only thing I got is up.
Speaker 1 (51:05):
Damn.
Speaker 9 (51:06):
You should have not dropped the ball from from acting.
I don't know what that nigga wasn't a good actor.
Please drop the ball, bro.
Speaker 2 (51:12):
If you know somebody, if you hear.
Speaker 9 (51:16):
Is, if you hear niggas rumbling like hey Max Pain,
somebody coming up and they talking about you, I'm not
going back into that field.
Speaker 5 (51:26):
Let me just play in this field over here. I'm
not about to me.
Speaker 1 (51:30):
Once I see them numbers come back. Yeah you' that's
what I was.
Speaker 5 (51:34):
Go ahead and do this like no bus is moving
the movies man.
Speaker 1 (51:37):
Yeah, but if you think that you're still that person,
then put out this clap back album.
Speaker 2 (51:42):
Alright.
Speaker 9 (51:45):
As soon as I would have heard like Mighty talking
about you and they say you're picking up steam, a
lot of steam. Niggas want to sign somebody too heavy
in the streets and you're gonna quit. I'm not going
back into that field. You're just gonna get it. I'm
going I'm staying in the fucking movie field for a
little bit. You got contracts.
Speaker 1 (52:06):
You gotta feel.
Speaker 5 (52:07):
But I'm doing movie songs and I'm doing movies. That's
what I'm doing.
Speaker 1 (52:13):
Okay, Well, when somebody comes at you. The newest podcast
is doing film reviews.
Speaker 9 (52:18):
Just quick, I expect you not to be here. Am
I doing the film? If I'm in movies, yeah, you
gotta review out.
Speaker 7 (52:27):
More.
Speaker 9 (52:29):
If I'm in movies, yeah, I'll be like, hey man,
sorry guys, but I gotta go in this movie.
Speaker 8 (52:34):
Yeah.
Speaker 5 (52:35):
I holler at y'all.
Speaker 1 (52:37):
That's what fifty deal with game when game came games,
let make me do these movies?
Speaker 8 (52:40):
Now?
Speaker 1 (52:41):
Sure?
Speaker 4 (52:42):
Did no?
Speaker 5 (52:44):
He remember you said. I looked at that check and
I was like, yeah, I ain't going back.
Speaker 1 (52:49):
It was time for him to go, well, yeah, movies
next week we have nothing From seventy five eighty five,
you have the Falcon in the snow Man is a
spy drugs. I don't know Ben Daego's. In nineteen eighty
five America Drew comedy with Kevin Reynolds the UFC Film School,
something like that. Ninety five Before the Sunrise is romantic film.
(53:14):
It's in the Before trilogy. Highlander three don't you like
Highlander three? I like the Highlander movies, The Final Destination,
the Final Conflict.
Speaker 5 (53:22):
I think that needs to come back.
Speaker 2 (53:24):
They need they bring Highland Bland.
Speaker 1 (53:27):
Yeah, Miami.
Speaker 2 (53:30):
Chris Himsworth. Chris Himsworth is a Highlander.
Speaker 9 (53:33):
I don't want to see that niggas swinging sword like that. No,
Oh you need somebody? Would you take your boy?
Speaker 5 (53:41):
Glen Pyle?
Speaker 1 (53:45):
Yeah?
Speaker 2 (53:47):
I feel like he's too pretty?
Speaker 5 (53:49):
Yeah, what about damn?
Speaker 2 (53:52):
Like like Chris Himsworth, they also say it's pretty, but
he's also because he's buff.
Speaker 1 (53:57):
Aaron Taylor john It works.
Speaker 2 (53:59):
Aaron Tyler Johnson could do it. What about.
Speaker 9 (54:03):
What's his name? The dude that played in Neighbors what's
it called? Brother Dave Frank Chris.
Speaker 1 (54:10):
No, he can't do the action. He's always going to
be the guy. I don't know what's going on.
Speaker 5 (54:16):
What's his name? The dude that did Baby Driver that
has appeared off the Earth?
Speaker 2 (54:24):
You know your boy cooking face? You love him?
Speaker 1 (54:28):
Oh? You talking about what? No?
Speaker 2 (54:32):
Man?
Speaker 1 (54:33):
Yeah, he played Bundy Ted Bundy. Ain't you're talking about
Mike and Dave? He played a basketball card on.
Speaker 3 (54:43):
Twenty Actually two people could do I'm talking about Kylo
Rin Oh.
Speaker 1 (54:49):
Also is that nigga? How big is he?
Speaker 2 (54:53):
You don't you don't know?
Speaker 1 (54:55):
Uh?
Speaker 2 (54:55):
And then also what's his name? Jackson?
Speaker 1 (55:00):
Oh? I think you met the Iron?
Speaker 2 (55:04):
Oh no, with the job, the Crimson Chin, that's his
next role. Yeah. Zachron, Oh my beans right here can
do it too, Bucky.
Speaker 1 (55:17):
Oh yeah, yeah, yeah.
Speaker 5 (55:21):
Can you give me one black guy that could possibly
do it?
Speaker 2 (55:25):
I don't say, Michael, they gonna look, the Internet ain't
gonna allow it.
Speaker 1 (55:31):
Jonathan a.
Speaker 3 (55:36):
Black guy who could possibly be the Highlander eat yourself. Oh,
he's already scott or British.
Speaker 2 (55:43):
British.
Speaker 5 (55:45):
Yeah, got some Scottish black actors.
Speaker 1 (55:49):
That's a good question. I don't know.
Speaker 2 (55:51):
I don't think so, you're right.
Speaker 1 (55:55):
Miami Rhapsodies nineteen ninety five American drama with Sarah Cougisica Parker,
Me and Pharaoh. And then in two thousand and five
you have Almost in the Dark action horror film.
Speaker 2 (56:09):
Yeah.
Speaker 1 (56:09):
You never heard of this one?
Speaker 2 (56:10):
Almost in the Dark.
Speaker 1 (56:11):
Yeah, it's a paranormal investigators who combat a natural supernatural threat. No,
I didn't seek you heard of that one. Yeah, yeah,
too far. Yeah. Robert de Niro is in the damn
He's in a psychological Threat Robert Narrow and Dakota Fanning.
Oh that's not fire.
Speaker 2 (56:29):
Oh yeah, I've seen that movie.
Speaker 5 (56:30):
Yeah, I don't think I remember that one. I only
remember the later one.
Speaker 1 (56:35):
Later. Oh the one was scary, Yeah, yeah, I remember.
That's what I thought this one was too, So I
just read it did in two thousand fifteen. You have
the boy next door that didn't for Lopez one.
Speaker 2 (56:44):
You seen that.
Speaker 1 (56:45):
You's here when she was sucking her student. Yeah, you
got excited. Yeah, and you know he got crazy, become
a Starker.
Speaker 5 (56:52):
Know that.
Speaker 1 (56:54):
The Humbling is a two thousand and fifteen comedy drama
with Barry Livingston. I'll put you knows in it. Should
I can't pronounce, so I'm never gonna pronounce it. It's
an action comedy film.
Speaker 2 (57:09):
Yeah, basically spell it or something.
Speaker 1 (57:11):
Uh M O R T D E c A I
mortec Yeah, Mordecai, that sounds all right, yeah, Mordecai. Fuck it.
This film is adapted from the novels Mordecai Mortarcai.
Speaker 5 (57:28):
I want you to whisper it in my ears?
Speaker 1 (57:30):
Yeah, Mortca. The Song One is a two thousand fifteen
American drama film written and directed by Kate Barker. It
starts to her debut in directing, and it's Anne Hathaway,
isn't it? Have never seen that joint? Strange music, Strange
Magic is two dollars fifteen American animated jukebox Fantasy. We'll
(57:54):
Never Have Paris is a two dollars fifteen Americans.
Speaker 2 (57:57):
A bunch of bullshit?
Speaker 1 (57:58):
Yeah, damn, we actually gave you dream for ope? What damn?
Black and White? Black or White is the twenty fourteen
American drama film twenty fifteen. Yeah, to have fifty my bad,
and then I gave you god damn alone in the
dark in Highlander. How's a bunch of bullshit?
Speaker 3 (58:14):
Highlander is the only thing I could I know on
that list. Yeah, everything else is kind of like, damn, damn,
what happened in ninety five?
Speaker 1 (58:22):
I was born in ninety five.
Speaker 2 (58:24):
Before Highland, Because you know, I don't know what it is.
Speaker 3 (58:28):
Probably it's gonna be some random bullshit, Yeah, some artsy ship.
Put somebody on YouTube.
Speaker 5 (58:35):
We're gonna be watching hide and Seek?
Speaker 1 (58:37):
Yeah, probably so, but loaner and darker speaking of it, So,
from uh last year and then this year we had
as far as January, we had a hunted house and
national security. What do you think we had a better
year last year or like the two thousand and threes
or whatever, the threes versus the forest? The forest was
(58:59):
our air up? Their house party three Jack Ryan and
a butterfly fac.
Speaker 2 (59:06):
That's a couple of yeah.
Speaker 1 (59:09):
And then this year we already have house guests. Uh
a demon Knight and assautomn prison thirteen. What do you
think last year really?
Speaker 2 (59:18):
Damn?
Speaker 1 (59:18):
The fall off the air up there is crazy fault.
Speaker 3 (59:24):
Yeah, blame the movie studios. Yeah, not putting out nothing.
Speaker 1 (59:30):
Potentially for the quarter film was left is now venom
of the Last Dance, The front Room Bridge, rebel Ridge,
don't move. You got Conclave, beaut Juice, bet Juice, Piece
by piece Saturday Night? Uh, Transformers one, anybody? Transformers one?
That she was fire, Malwana two, Terrified three, hectic or
(59:54):
hectic correct, hurt off, Oh wicked? You got Galliator, you
got Joker two and you got smell too? What shall
want to?
Speaker 2 (01:00:11):
Probably?
Speaker 5 (01:00:12):
Transformers one? Piece by piece and I'll take you that.
Speaker 3 (01:00:21):
Wouldn't I wouldn't be mad if I want piece by
piece to win. But I wouldn't be mad if rebel
Ridge one or front room.
Speaker 2 (01:00:35):
Uh horactic.
Speaker 5 (01:00:39):
Yeah, I wouldn't mind going Wicked.
Speaker 1 (01:00:42):
Oh yeah, that would be.
Speaker 2 (01:00:44):
I'm not I'm not showing up for that. Keep it on.
I'm not watching that's cool Wicked.
Speaker 1 (01:00:50):
Yeah but yeah, no, host, I'm still on the Cameron
point after year. But yeah, but yeah, thank you for
joining us from just come in here and read the
little notes on Wicked. Read read my notes. Look, we
just talked about this because I write it for you.
Thought mean you can say it the way I think about.
(01:01:12):
What does this word saying? Because I'll be doing it
by Uh what did I put Jada brother? Who is
Jada asking? Y'all? But yeah, but yeah, we said what
was real about precing assault? On Present thirteen stars Ethan
Hogg and Lauren's Fishbird.
Speaker 9 (01:01:30):
I've been downb cruise boy boy is always make sure
you like, share, subscribe all that good stuff.
Speaker 5 (01:01:39):
Leave a comment. Yeah, thanks for tuning in. Keep it
locked for.
Speaker 1 (01:01:46):
If I haven't new year for y'all every time, y'all
see this all.
Speaker 11 (01:01:58):
We got eight people covering six entry points. If we
work together, all right, we will make it. Look at
it this way.
Speaker 2 (01:02:05):
That's me out there.
Speaker 6 (01:02:06):
You think I'd let you survive until the morning. We
don't have a lot of options here, or we got
to figure something us. I'm not gonna stay here all
night waiting to get killed.
Speaker 10 (01:02:17):
If you use the situation to try and escape, it's
about me and you, because when this is over, you're
going back to jail.
Speaker 6 (01:02:23):
Relax, sergeant relaxing, saying about me and you not yet pause, Yeah,
our sun pause.
Speaker 11 (01:02:33):
We got eight people covering six entry points. If we
work together, all right, we will make it. Look at
it this way.
Speaker 2 (01:02:39):
That's me out there.
Speaker 6 (01:02:40):
You think I'd let you survive until the morning. We
don't have a lot of options here, or we got
to figure something us. I'm not gonna stay here all
night waiting to get killed.
Speaker 10 (01:02:52):
If you use the situation to try and escape, it's
about me and you, because when this is over, you're
going back to jail.
Speaker 4 (01:02:58):
Relax, sergeant reacting, singing about me and you.
Speaker 2 (01:03:03):
Not yet done.
Speaker 4 (01:03:04):
Pause, Yeah, I on pause,
Green thirty five million, so they made five million extra.
Speaker 2 (00:04):
Yeah, bro, it probably didn't go green.
Speaker 3 (00:07):
And you know, advertising and ship kind of bothered me
about this movie was two things. One, uh, there was
like he could have just gave him up. Yeah, because
everyone died except for him, an old girl and Laurence Fishburne. Yeah,
so he wasn't really a hero. And then you didn't
(00:28):
save anybody. You went through hell of gun battles, you
got everybody killed again, you got yourself shot again, and
just for one person to survive when you could have
just sent him out the door.
Speaker 2 (00:42):
Yeah, and maybe.
Speaker 3 (00:44):
They let everybody and even if they didn't let everybody live,
then you fight.
Speaker 1 (00:49):
Yeah, because the captain was there, right. No, it was
because he kept calling him cap.
Speaker 2 (00:55):
Of the old dude.
Speaker 1 (00:56):
Yeah.
Speaker 2 (00:56):
No, he was in charge, not the old dude. That's
why he listened to him.
Speaker 1 (01:01):
Otherwise he was just I thought they kept coming from.
Speaker 3 (01:04):
Cab though maybe his name was Cappy old.
Speaker 2 (01:11):
Man.
Speaker 1 (01:11):
He just wanted to make it home. That's why he
did this. Motherfucker up. I'm trying to retiring. Yeah.
Speaker 3 (01:21):
But then the second thing is this all right, so
why was it such a struggle for them to kill
all these people because.
Speaker 2 (01:33):
They are.
Speaker 3 (01:34):
There's just a bunch of criminals, not like highly trained
assassine they're just regular you know, karthy, petty, theft ship
like that.
Speaker 2 (01:43):
Right.
Speaker 3 (01:43):
You got one cop who okay, he was undercover cops,
so he might have some type of special training. And
you got the old man who was on his last leg. Right,
and even lets say that the bad guys they weren't
specially they weren't swat but they just had you know,
(02:04):
they had access to the gear and all that shit.
Speaker 2 (02:08):
Even still, twenty.
Speaker 3 (02:12):
Regular police officers in full tactical gear with fully automatic
weapons should have been able to kill. Yes, yeah, eight
civilians and two cops.
Speaker 2 (02:29):
Well is this fun?
Speaker 1 (02:30):
And games say they work around here anymore?
Speaker 4 (02:34):
It was the night Precinct thirteen was supposed to close
its doors.
Speaker 1 (02:38):
Forever no offense officer but will close it down.
Speaker 2 (02:42):
We're short staffs, so you said, we.
Speaker 5 (02:44):
Probably came overnight until the roads play.
Speaker 4 (02:46):
Until Detroit's most lethal prisoners changed everything.
Speaker 1 (02:53):
I'm responsible for everybody here.
Speaker 4 (02:55):
That's not I assume you know who I am. Year gags.
Speaker 1 (03:01):
That's accurate.
Speaker 2 (03:03):
He's a cop killer.
Speaker 4 (03:11):
Who the hell are you?
Speaker 1 (03:15):
What the hell's going on?
Speaker 2 (03:16):
That's around in the place.
Speaker 1 (03:18):
The poems aren't worried I found this out there.
Speaker 6 (03:21):
Why are cops coming to kill us?
Speaker 7 (03:24):
One of my partners in crime is your fellow officer,
Marcus du Law. If I make it to court and
his whole team goes to jail, they can't allow me
to leave this precinct alive.
Speaker 1 (03:36):
They can't allow any of us to.
Speaker 4 (03:37):
If you're alive, these would all right.
Speaker 2 (03:43):
So's the weapon of anything you see?
Speaker 4 (03:45):
The only thing more dangerous than the criminals lean inside.
Speaker 5 (03:49):
Come, you wanna trust these freaks as much as we
need that.
Speaker 4 (03:54):
The cops outside.
Speaker 2 (03:59):
When this is over, you're going back to jail to
see about.
Speaker 5 (04:03):
Yeah, we all got to start trusting each other right
now if we're gonna make it through.
Speaker 8 (04:11):
This night.
Speaker 1 (04:27):
Live from North Ves. Welcome to say what's real? I
am don cruise better Jordan, Jesus afternoon, good night. Today
we are saying what is real about assault on preas
and thirteen That she was assault on my fucking eyes
and ears? What the fuck? Terrible? What?
Speaker 5 (04:55):
This is the first time watching it?
Speaker 1 (04:56):
Yes, my only time Unless I make the remake, I
will not be watching. I know I know the rema. Yeah,
I need to watch that one.
Speaker 5 (05:07):
Watching that one. That one came out in like seventy.
Speaker 1 (05:10):
Yeah, he came out seventy. But hey, what's wrong about
it is that what was the point of letting him go?
He was like, if you come out to me, I'm
an just be mean.
Speaker 2 (05:22):
Letting him go.
Speaker 3 (05:23):
He's going to do the nigga was shot, he was wounded,
but hold on, he wasn't for he wasn't gonna win
the fight.
Speaker 1 (05:30):
Okay. So usually when you get something like that you
let a criminal go, it'd be something cold at the end.
Speaker 2 (05:35):
He let him go because he saved his life.
Speaker 1 (05:37):
Yeah, but you say something cold at the end, like
I'll get you next time, or I'm just giving you
a head start.
Speaker 2 (05:42):
Like basically what he said. He's like, I'm coming for
It's just gonna be me.
Speaker 1 (05:46):
I feel like it wasn't inspiring that the credits.
Speaker 2 (05:49):
Are posed to no other cops. It's just gonna be me.
Speaker 1 (05:54):
This is what I'm saying, Like, it wasn't nothing cold
about like when the rock.
Speaker 3 (05:57):
But then they had to show him, but they had
to show that he was standing on you know, he
was he was standing on his business because is there
anybody else out there?
Speaker 1 (06:08):
He's like, no, just like me, it's us, didn't they
didn't do nothing about the fucking I need to see
a newspaper article with the corrupt cops. What the fuck
going on?
Speaker 2 (06:21):
Did something like.
Speaker 3 (06:23):
When that metal the cops going exactly being put charge whatever?
Speaker 2 (06:28):
The day dead?
Speaker 1 (06:30):
Now that's what I was thinking. But damn, that's the
only one.
Speaker 2 (06:32):
And it should be.
Speaker 3 (06:33):
But then again, they won't probably want to keep it
hush hush.
Speaker 2 (06:37):
Oh you think so police corruption, They don't. They don't
want that ship out in the news.
Speaker 1 (06:42):
Trying to keep this ship fourteen started me going after.
Speaker 3 (06:47):
What bothered me about the movie was, I get it,
this station is supposed to be like out in like
a secluded area, but there's no place that's that god
damn exactly where there's explosions and all these guys that
nobody what is going on?
Speaker 2 (07:06):
Call the police, bro.
Speaker 1 (07:07):
Exactly when you shoot movies, you hear fake ones. Niggas
is calling.
Speaker 3 (07:10):
Yeah, So that that was a stretch for me. It's like,
this ship ain't in the middle of the desert.
Speaker 9 (07:16):
Then it came to what I forgot how sound works
in it. So I forgot how sound works. I mean,
it's still the same thing but I'm pretty sure there's
like some type of uh A muzzle.
Speaker 1 (07:35):
And then this ship was so dark I thought Zack
Snyder got damn shot it.
Speaker 9 (07:38):
It was what the fund? Yeah yeah, him walking away?
I was just like, do you see what I'm saying? Okay,
do you see what I'm saying? Bro, I'm pretty sure
there's like an APB around everywhere. See some big ass
black people walking around in the purple suit.
Speaker 5 (07:54):
It wasn't can't hot wire car.
Speaker 2 (07:56):
She just went and told the police what was going on.
Speaker 3 (08:00):
So they they didn't know the full scope that they
needed to set a perimeter and all that.
Speaker 2 (08:05):
They was just coming to rescue, to save the day.
Speaker 5 (08:09):
But you're not going to be like, why is this
black man walking away from this?
Speaker 2 (08:15):
They would have to have seen him. He went through
the woods, was gone, man.
Speaker 1 (08:20):
Yeah, yeah, right exactly. So I'm gonna get into this
comment section. Comment shout out, all right, so comment shout
out so far. A year ago, people dropped flame emojis
on a on our Bad Boys to review. You said
we did surfing injes You said one of my favorite
(08:41):
movies or one of the videos was short. They dropped
the emojis of love one of the shorts they dropped.
Talk to them nice on the Cheesecake the Cheesecake review,
you said, keep going, uh one dude in the Bad Boys,
you also said, holy Holy. Tony Banks back at it again,
(09:03):
shout out for the what was it Cousin's main lobster
prey Wake says, let's get it, let's go. And then
this is recent right here, so five days ago, shout
out to James Stephens for one on one. He said,
Michael Donald is the man. He thinks we could replace
(09:24):
Jim Carrey. You can carry one on as ventur.
Speaker 2 (09:29):
Is.
Speaker 1 (09:30):
Uh. I can't pronounce this person, but shout out to
you says I'm a loser. I'm a movie lover. That's
on the Mystery Team video. Oh then somebody said on
one video, clearly you guys don't know shit. YouTube Life
nine two four eight. That was two weeks ago. I
don't know. I'm about to go research it now because
(09:51):
I didn't even fucking know that. Hold on, damn star Trek,
I don't know. We're gonna I'm gonna try to see
if I can find this shit.
Speaker 2 (10:00):
It probably.
Speaker 3 (10:03):
And that's probably That's the only thing I can think
of that we've watched. Nobody just really had a clue
what was going on, and.
Speaker 1 (10:11):
You left us to get fucked. It was right, I'm
not on my own wife. I what the FuG you
guys don't know? Okay, clearly you guys don't know. Why
won't you show me the fucking video? Oh? I can't
(10:35):
find it. Nah, I'm trying to. I don't know why
they showed me the comments but won't show me the
god damn ship. It's TikTok No, it's fucking YouTube. But
I see the comment, but it won't take me too. Yeah,
that's exactly. It won't take me to the boosting. Let
(10:58):
me see if I can find it another way. Fucking
can he? What the fuck?
Speaker 2 (11:06):
You know?
Speaker 9 (11:06):
That's what I don't know. Yeah, that's crazy. But anyway,
I'm just gonna say it was Star Trek I think so, yeah,
that's the only movie. Yeah, bro, YouTube is so stupid,
(11:27):
bro like.
Speaker 2 (11:28):
Probably because we didn't know the age gap between.
Speaker 1 (11:33):
Okay, okay, So it was on Steve Carral what the
one where we said, can't lead? Can he lead a
crazy crazy can he do a box office movie? He said, Clearly,
you guys don't know, ship know how we don't know ship,
but okay, Steve call can like what date night? That
was a box office minions like what, I don't know, Hey,
(11:57):
thank you, thank you? I mean his name is.
Speaker 9 (11:59):
YouTube today out. I don't think so yeah, I'm not
too too too sure.
Speaker 1 (12:05):
And then one of the videos said what we said,
Oh who could be? Who could be the new anchorman
or whatever? Some nigga comment and said Charleston White, go
shout out to them, B Walter Nor did people are crazy?
Speaker 2 (12:20):
Uh?
Speaker 1 (12:22):
Just saying ship saying shit, but some people actually be
saying shit. So remember I was talking about on butterfly effect,
the like, uh, I think the plot twist they didn't
stay in it long enough. So simple vision video says,
you're right, I think they didn't dwell on the twist
of it being all in his head because the part
of his was unattentional and might have made the plot
unnecessary confusing. The comment by the psychologist was merely an
(12:45):
honest interception of situation as he sees it in reality,
because the lack of journals was probably due to the
fact that Evan couldn't write the journals while in confinement,
or he didn't blackout anymore. Kind of how the dad
was going through the different timelines and got stuck in
a timeline where he didn't have his films to change
(13:06):
the timeline when last time, so like like that has
a good comment. He also another person says, my favorite
ending to the movie was for different endings. It's sad
that it's most impactful in the meaning. Shout out to
them about our butterfly fag people are watching from damn
there a year ago. But yeah, that is it for
the comment session that was just all on YouTube. Uh,
(13:30):
the first and not first of film. No, we got
all right? Uh you guys got anything non film related?
Speaker 5 (13:38):
Uh? We spoke about betting being rigged.
Speaker 1 (13:42):
We spoke about that before we got rigged.
Speaker 2 (13:45):
It's crazy, like.
Speaker 3 (13:49):
How you just I don't understand what these coaches be
doing where they blow these huge leads. It's like, how
how much do you have to get outscored before you say,
oh shit, let me make some changes. This guy is
getting cooked. Let me take him out and put somebody
(14:11):
else in.
Speaker 1 (14:11):
You don't think they're still gonna get cooked.
Speaker 2 (14:13):
I don't know, but I mean something some gotta give.
I don't know. I'm not just gonna watch somebody just
if I'm a coach.
Speaker 3 (14:20):
Another for to watch somebody just get cooked over and
over and over before I'm like, let me take this
person out. Now, sit your ass down. You obviously can't
do it. I mean on the other side, or you know,
or what okay? What about when they on offense and
he said, you're just gonna letting it go one for one.
Speaker 2 (14:40):
For nineteen from three?
Speaker 3 (14:43):
You know.
Speaker 2 (14:45):
Something?
Speaker 3 (14:47):
Also, I'm tired of this, uh throwing fucking fifty yard
bombs on third down. It's third and one. You gotta
go for it, man, run the motherfucking ball. This is
not mad.
Speaker 2 (15:00):
What are we doing?
Speaker 5 (15:01):
Remember?
Speaker 10 (15:02):
Uh?
Speaker 2 (15:03):
Oh?
Speaker 9 (15:03):
I think it was my boy. They said they're getting
rid of the running back position. They're not getting they're
not paying running back, they're paying.
Speaker 1 (15:12):
Yeah, we're on the last five years exactly.
Speaker 5 (15:15):
So it's like, who the fuck.
Speaker 1 (15:16):
But I don't think that's true.
Speaker 5 (15:18):
We're gonna handle John.
Speaker 1 (15:20):
Sixth seventh year Henry in his like seventh eighth year Henry.
Speaker 3 (15:24):
I think it's closer to ten. Like, oh really, I
think so, I could be wrong.
Speaker 2 (15:30):
I mean second in the league rushing.
Speaker 1 (15:31):
It depends on what you do. Like Matthleafod is a
great coach, Did you notice what he been doing? Having
fucking joring left for the ball less because you know
that motherfucker give you five touchdowns and five interceptions, So
we started giving it to Josh Jacobs way more. That's
why Josh Jacob start getting three touchdowns two touchdowns in
the first half. They don't throw the ball that much.
Let's ask to yeah smart, but yeah, I mean, if
(15:54):
you've got a quarterback that's going, if you've got Lamar
Jackson or who the white boy name is, yes, Josh Allen,
then you the runner back position is going to be obsolete.
Speaker 2 (16:05):
Steinfeld, Who the fuck is that? Oh?
Speaker 1 (16:09):
I was like, who was it? Oh? Yeah, Steinfeld?
Speaker 3 (16:13):
And more than hey, that's what's non film related. That
nigga is weird?
Speaker 2 (16:22):
What is wrong with him?
Speaker 1 (16:23):
I guess he was just trying to shoot the shot.
Speaker 3 (16:25):
But Haley on screen, Okay, I get shooting your shot,
but talk about going one fifth man.
Speaker 1 (16:32):
Thirteen Yeah, oh yeah.
Speaker 3 (16:35):
I get the you know you missed one hundred of
the shots you don't take, but it's just so weird
and thirsty. He definitely giving off for my hug at energy.
Speaker 1 (16:49):
You heard that the people be there.
Speaker 2 (16:51):
I've seen it I've seen it.
Speaker 1 (16:55):
They're doing that in the nineties.
Speaker 2 (16:57):
I think it was did you graduate?
Speaker 1 (17:01):
You was not in the freshman at night?
Speaker 9 (17:03):
If you ugly, you gotta get Okay, you said, what
ugly you gotta get in some type of mother.
Speaker 1 (17:10):
Yeah, nigga, you do not want that many hugs.
Speaker 9 (17:13):
High school nigga, Man, that's crazy. That's why I never
talked to a girl. I went to the same school
where you talk the girls at different schools?
Speaker 1 (17:24):
What's school name? School?
Speaker 5 (17:25):
Different schools?
Speaker 1 (17:26):
Okay?
Speaker 3 (17:27):
That uh that TikTok videos and y'all it's so accurate,
like y'all got some pussy in here.
Speaker 9 (17:35):
Oh yeah, that's what I'm looking for, talking about the
one that I seem.
Speaker 1 (17:43):
Oh yeah, yeah, scared, scared? That's good? Oh everybody cool?
Then does she know who he is? Who is?
Speaker 5 (18:00):
No?
Speaker 2 (18:02):
For extra I don't know.
Speaker 5 (18:06):
On Instagram talking about fighting off the back of Yeah,
where are you from?
Speaker 1 (18:14):
No?
Speaker 5 (18:14):
You affiliate, you're from over there.
Speaker 2 (18:17):
You gotta get out every time I seen.
Speaker 1 (18:21):
Okay, do they believe you when you say you from nowhere?
Speaker 8 (18:27):
No?
Speaker 2 (18:28):
Not growing up and that means growing up in it?
Speaker 1 (18:31):
Doesn't you have to fight fights.
Speaker 2 (18:35):
I've been in some fights.
Speaker 1 (18:36):
Just based off that. Damn that gotta be tired, nigga.
I didn't told you already. God damn man.
Speaker 5 (18:44):
That's why I say like playing sports is the cheek.
Speaker 1 (18:49):
Around. If you're really good, he was playing really good.
Speaker 2 (18:54):
It keeps you.
Speaker 5 (18:56):
But no, I play basketball.
Speaker 1 (18:58):
We don't give a fun what school you go to.
Speaker 9 (19:01):
And I know you're a real hooper. Yeah I know that. Okay,
this dude's been paying playing basketball. He go to this school.
Speaker 2 (19:10):
They don't change a lot.
Speaker 1 (19:13):
Niggas still again, right exactly.
Speaker 5 (19:20):
Yeah that is true. But I'm just saying like, if
you really get, if you get, you nice with it,
you play basketball around the city, it's like.
Speaker 2 (19:28):
You gotta be somebody else that's.
Speaker 3 (19:31):
Already destined to go to the league. They're like, oh yeah,
we already know he goes.
Speaker 1 (19:38):
And then even then that game protects you automatically think
you're with them. You just another body bro to the local.
Why you just another body? Man? You won't be all right? Bro,
how many stories we have seen Benji the nigga. You
look at Rookie, right, they don't give a fuck.
Speaker 2 (20:00):
Bro. That okay takes life.
Speaker 5 (20:03):
Ricky has Ricky has swollen his chest, man and his
brother made him move like a post.
Speaker 3 (20:08):
That I'm saying you, So, what you're saying is he's
kind a problem. They're gonna press your regardless you you're
supposed to just say, oh no, I play basketball.
Speaker 9 (20:20):
No no, no, I'm saying you, you can fight or whatever
the case may be. But I'm just saying, like, as
long as somebody like know you, that's usually a way out.
Like if you really ball, like everybody's gonna rob Jordan Chicago.
Of course, okay, you got it.
Speaker 2 (20:37):
They don't give a fun get it. I do get it.
Speaker 5 (20:41):
I'm telling you, all right, the cheat code.
Speaker 1 (20:43):
That's why I play basketball. Man. That said, if they
robbing this nigga think they do to me. But yeah,
oh yeah, your boy speaking, I'm gonna get into it
and he need to stop it. The first and film
(21:03):
I got on February fourth teenth, the first films to
release on Blu Ray was Amazing Spider Man two, Salt Hancock, Chappie,
Pineapple Express, and The Smurfs Too being the first to
be released, among others.
Speaker 5 (21:19):
Wow, I did not know.
Speaker 1 (21:20):
I did not know that is I could have sworn
to have Blu Ray before that. I guess I didn't
I guess the minde effects strikes again.
Speaker 9 (21:27):
Shit winning the PS two was two two three, three
yeah three, play right that it came out nine or
eight or six?
Speaker 1 (21:39):
I think it's like oh eight, yeah.
Speaker 2 (21:43):
Yes, three. I want to say it was closer to no. Eight.
Speaker 1 (21:49):
Yeah. Yeah, it had to be OA because I think
I got one.
Speaker 3 (21:52):
Ye, yeah, I think about it. Yeah, maybe a nine.
Speaker 1 (21:59):
Yeah so mm hmm m. But yeah, So with no
further ado, this is the review on Assault on Precinct thirteen.
This movie was up against the Phantom of the Opera.
Are we there yet? The wind Ringer Assault on Precinct thirteen?
What did y'all want the wedding ring? I did to?
What the fuck y'all?
Speaker 2 (22:19):
Really?
Speaker 1 (22:20):
That's like the Hart movie, yo, Come on now.
Speaker 2 (22:23):
You like the wedding just wasn't.
Speaker 1 (22:26):
YouTube on YouTube?
Speaker 2 (22:28):
Yeah?
Speaker 1 (22:29):
Yeah, but on YouTube? Yeah yeah. I was about to
get y'all fucked up with the Phantom of the Opera.
Speaker 2 (22:34):
Oh really?
Speaker 4 (22:36):
Yeah?
Speaker 2 (22:37):
Whose voting for these things?
Speaker 1 (22:40):
Some gen z motherfuckers.
Speaker 5 (22:41):
Somebody that said you don't know ship?
Speaker 1 (22:43):
There you go, Yeah, that is true that some ship
you don't know.
Speaker 2 (22:48):
You don't know.
Speaker 1 (22:48):
Shit, i'mna start naming the same we don't know ship
before y'all do anything and judge. We don't know a
damn thing.
Speaker 2 (22:54):
Uh.
Speaker 1 (22:55):
Yeah, this film. Third Lauren Fishburg f And we have review.
First Matrix Reloaded Sink, It was Mystic River. Second Ethan
Hank film we have review. First was Taken Live. Second
John what is his last name? Luigi?
Speaker 2 (23:11):
N Oh? John?
Speaker 1 (23:13):
Yeah that one. This is our second film. We review
first with John Wick. Second film we have review. Yeah,
he was the nigga that was like, who's hard did
y'all steal? Take that ship back? Second? John Rufe and
we have view. First with Scared movie three.
Speaker 2 (23:29):
Yeah, I don't remember him being on that.
Speaker 1 (23:32):
Yeah, he was president secret always irrelevant. You're just always irrelevant? John,
what the fuck man? Uh? Maria Bellow's third film we
have review. First was First a Second Secret Window, Second
was Grown Up two. Second Kim Colchtrian We have review.
First was Last Boy, Last Boy Scout mm hmm yeah
crazy sorry, and Ethan Hank, Laurence Fitzburg, Maria Bellow, and
(23:58):
John Real of course. Out comes out January nineteen, two
thousand and five, one hundred and nine minutes. Easy watch
for anybody.
Speaker 5 (24:06):
I'm all right.
Speaker 3 (24:08):
First watch I've seen it time you see a bunch
of one of the movies that be on, Like.
Speaker 2 (24:13):
Us say all the time.
Speaker 1 (24:15):
What the theater?
Speaker 2 (24:16):
No?
Speaker 1 (24:17):
Thank god? All right, So a budget of thirty million,
Red Green.
Speaker 2 (24:21):
How they're doing USA?
Speaker 3 (24:23):
I don't know now that you're saying now that you
can watch a movie thirty times in a row on
your own, you don't need USA. So yeah, yeah, ww
ain't there no more either? So I don't know how
they're doing.
Speaker 1 (24:40):
Oh, yeah, you got it?
Speaker 2 (24:43):
Went Green?
Speaker 1 (24:44):
Green?
Speaker 2 (24:45):
Yeah? Green?
Speaker 1 (24:45):
Thirty five millions, so they made five million extra?
Speaker 2 (24:49):
Yeah, bro, it probably didn't go green.
Speaker 1 (24:51):
I probably did you know?
Speaker 2 (24:54):
Advertising and ship?
Speaker 1 (24:55):
Yeah. In the world of box office of Coach Carter,
are we there yet?
Speaker 8 (24:59):
Me?
Speaker 1 (25:00):
The Fokkers in good Company, Racing Stripes, White Noise, the
Aviator are a fandom of the opera Assaut Prison thirteen
Electra What number three three is? Meet the Fockers at
nine million? Six is racing stripes at six point eight million?
Assault on Prison thirteen is number five seven million? Yeah,
(25:21):
are we there yet? In Assault on Prison thirteen debuts
same weekend? What you're paying for? What are you?
Speaker 2 (25:29):
Thirteen? Aren't there yet?
Speaker 1 (25:31):
You know? This is the second week. Really do sport
black people law? This whole production? Are we there?
Speaker 4 (25:38):
And k alone?
Speaker 1 (25:39):
Damn bro you shop on alone? That's crazy. It wasn't
a good movie, Sacho Page. He said what No, I
was just agreeing like Ice c black people, what he
gave black people jobs?
Speaker 2 (25:56):
And when he even went full coon.
Speaker 5 (25:59):
Yeah, what movies did you put out?
Speaker 1 (26:01):
Right?
Speaker 2 (26:01):
What movie did you put out?
Speaker 1 (26:04):
Oh? Whoa all right? From January nineteenth to February fourth
of stayed in the top ten. It lasts three days,
oh last three days. In this theatrical run, it stayed
at number fifteen, being pushed out by Coach Carter finding Neverland,
(26:24):
Fandom Opera in Good Company and Hotel Wiwanda. Yeah reviews.
Michael Phillips Junior says, and we're thirty two thousand and five,
so same year it came out. It is not efficient
as a suspense film. True. Aside from one or two sequences,
it doesn't work at all. True gives it two out
(26:45):
of five. It's just loud for no reason. Nothing has happened.
It's just loud. The music loud. Gunshots is like I
had to turn this shit and I'm like, god, damn ya.
Well y'all shooting that all the nigga should be dead.
It's six gunfight sequences. Who is left?
Speaker 5 (26:59):
It's true?
Speaker 1 (27:01):
Somebody gives it four out of five January twenty four
to twout fifteen, so ten years of the film came out.
Good good film, full circle obviously, lots of action and gunplay.
One of those films you will search for on IMDb.
Not really to be sure if you're a firearms enthusiast
like myself, since Team No it was just bullets for
(27:26):
three out of five May fourteen, twenty twenty four. Not
as good as Home Alone Leon and probably the original,
but nice custom rap ending six point four out of
ten just okay. Prequel fuck no sequel, fuck no other renditions.
The remake from John coverdor In nineteen seventy six version Yeah, yeah, no, no, no,
(27:52):
fuck no. I don't even know what would make me
interested in even if there is a remake, or like
what actor would make me idea. Yeah, I'm gonna go
see it because and was in here if you looked
like this. Fuck uh m VP for yall ethan Hawk
makes sense, Lawn, Yeah, there can't be argument solid the
(28:19):
whole ride.
Speaker 5 (28:20):
Yeah, but then.
Speaker 1 (28:22):
Like he said, you know, I'm never going.
Speaker 9 (28:26):
He got too big for his head and one of
the whole pie instead of just the piece he was getting.
Speaker 5 (28:31):
Bro, like, you're already getting fifty man. You know at
this point, I'm like working for you.
Speaker 2 (28:36):
Now.
Speaker 5 (28:37):
I can't have that happen. I'm dropping down.
Speaker 2 (28:40):
Fuck.
Speaker 1 (28:41):
You know what.
Speaker 2 (28:46):
Kind of bothered me about this movie was two things. One, uh,
there was like he he could have just gave him up.
Speaker 3 (28:59):
Yeah, because everyone died except for him, an old girl
and Laurence Fishburne, so he wasn't really a hero. And
then you didn't save anybody. You went through hell of
gun battles, you got everybody killed again, you got yourself
shot again, just for one person to survive when you
(29:20):
could have just sent him out the door, and maybe
they let everybody.
Speaker 2 (29:26):
And even if they didn't let everybody live, then you fight.
Speaker 1 (29:29):
Yeah, because the captain was there, right, No, it wasn't
because he kept calling him cap the other the old dude.
Speaker 3 (29:36):
Yeah, No, he was in charge, not the old dude.
That's why he listened to him.
Speaker 1 (29:41):
Otherwise he was just I thought they kept calling him cab.
Speaker 2 (29:44):
Though maybe his name was Cappy, old.
Speaker 5 (29:51):
Man.
Speaker 1 (29:51):
He just wanted to make it home. That's why he
get this motherfucker up.
Speaker 2 (29:54):
I'm trying to tiring.
Speaker 1 (29:56):
Yeah, I just left. I believe it.
Speaker 3 (30:01):
But then the second thing is this all right, So
why was it such a struggle for them to kill
all these people? Because they are there's just a bunch
of criminals, not like highly trained assassins. They're just regular
you know, karth, the petty theft shit like that.
Speaker 2 (30:23):
Right.
Speaker 3 (30:23):
You got one cop who okay, he was undercover cops,
so he might have some type of special training. And
you got the old man who was on his last leg. Right,
and even let's say that the bad guys they weren't
specially they weren't swat but they just had you know,
(30:44):
they had access to the gear and all that shit.
Speaker 2 (30:48):
Even still, twenty.
Speaker 3 (30:52):
Regular police officers in full tactical gear with fully automatic
weapons should have been able to kill. Yeah, eight civilians
and two cops. It should not have been such a stu.
Why were they sending them in like one out of time?
It was just crazy, like you got flash bangs and
(31:14):
ships like y'all should have rushed the door. You sent
the two man teams with the riot shield and just
one guy. It was like you should have sent more
and and just cleared them out.
Speaker 2 (31:25):
It was crazy. Mm hmmm.
Speaker 1 (31:27):
It definitely didn't makes it uh for this one v
I P. I think we all can agree, y'all. Route
is this don't affect Lord fishburden, don't effect God. Damn
Ethan Hogg bro.
Speaker 9 (31:40):
He really like fumbled the fucking bag. He did put
fast and furious definitely, and he took this.
Speaker 2 (31:47):
He took this role probably thinking.
Speaker 1 (31:50):
Yeah, we're gonna see what fifty got something to say
about this when I'm bad like this fifty something so
funny remake the recent thirty everybody, but yeah, I'm crying.
Speaker 2 (32:06):
Yah, that would be dirty, have them.
Speaker 9 (32:08):
C G I O man crying or just killing there
you go killing all screen ship.
Speaker 1 (32:15):
Yeah, but yeah, definitely, I think it's important to you.
I don't think nobody else.
Speaker 3 (32:22):
Yeah, it was important to anybody career either. He went
ship got worse for him.
Speaker 2 (32:29):
It seemed like.
Speaker 5 (32:33):
Five. No, that was the beginning of it.
Speaker 1 (32:35):
That was like, remember you got the crown that was
beginning to fall off for sure. Yeah, they would never
ever take my ground. I think we can agree on
this one. Too relevant seen or character j R.
Speaker 2 (32:48):
Yeah, I was definitely just yelling. What was saying, Smiley.
Speaker 9 (32:57):
Road was the fact that old Boy stayed in the
fucking truck, laid down, wait until they fucking started the ship,
drove off, and then popped the ass. Like my nigga,
Like you just said, all these people are walking in
one at a time. You're like, no, I'm going to
lay in the truck, nigga.
Speaker 3 (33:18):
Well no, remember he told him, he said watch the truck.
They might try to use it as an escape. So
he probably told old boy that somebody just waiting there.
But why did he wait so long for them to
shoot him?
Speaker 2 (33:32):
Like he was they took it was gone, they was driving.
Speaker 5 (33:37):
He took a nap.
Speaker 3 (33:38):
Also, that just seemed risky laying down back there, because
what if they looked in the back and they got in.
Speaker 5 (33:44):
There, I'm going to hear something or I'm going to
hear somebody.
Speaker 3 (33:47):
Waited like near it or something somewhere out of sight
and then just popped them as soon as they tried
to open the door.
Speaker 2 (33:54):
That's crazy.
Speaker 5 (33:55):
Gonna give him hope. How many people in there?
Speaker 2 (34:00):
We did it? We did it.
Speaker 1 (34:02):
Damn u lifepad mh unlass I got us a Yeah,
I'm not gonna go search for it.
Speaker 2 (34:12):
But it's a sleepy time movie.
Speaker 1 (34:15):
Damn, with all them gunshines, you can be tosleep.
Speaker 5 (34:18):
Yeah, damn, wasn't that bad?
Speaker 1 (34:23):
All right? Uh for me? Zero for the love of Money.
I don't know if you've probably seen this movie, but
twelve Bridges or this that twelve Bridges was cold cold music.
Two Bridges. Yeah, I really watched that thing.
Speaker 2 (34:38):
It is bro definitely.
Speaker 9 (34:43):
Just knowing, just knowing that ship why he was not
in the action movie, you know, action scenes, and like damn,
because at first I didn't like twelve Bridges at all.
Really yeah, I'm like, man, are they not showing him?
Speaker 5 (35:00):
Well, then it's like, oh, damn, he had what do
you mean you're talking about it?
Speaker 2 (35:09):
It was a cop?
Speaker 9 (35:12):
Yeah, that was his last film. Yeah, what do you
mean show him like in the movie like that. He
wasn't like prominent, like dominant in the I.
Speaker 1 (35:22):
Don't remember him.
Speaker 2 (35:23):
What do you mean he was?
Speaker 3 (35:24):
He did, he was shooting, he had a few shootouts, his.
Speaker 5 (35:31):
Weight, but they kind of like hate the fact that
he was sick behind more of the story of the
bad guy. When you really like go back, go back
and watching and I was just like, but nobody.
Speaker 1 (35:43):
Knew he was sick. He didn't tell nobody.
Speaker 5 (35:44):
Yeah, I know that, but that's what I'm saying. I
didn't like it because of that.
Speaker 9 (35:48):
There was like there was action, I get it, but
there was not really like action for the type of
movie that it was supposed to be. Like when I
looked at it, I'm like, this is like focusing too
long on But.
Speaker 3 (36:02):
That's not because he was sick, because they know he
was sick. That's just how the movie was written.
Speaker 2 (36:07):
No, they said, because he was sick, he didn't tell anybody.
Speaker 9 (36:13):
When they came out. When it came out, they said
that he didn't really shoot the scenes like that because
he was in chemo like that. But it couldn't be
released from set. I think some something like that. But
I remember seeing that shit.
Speaker 3 (36:26):
He literally didn't tell anybody. That's why Marvel thought he
was going to be in the Next Black Man.
Speaker 9 (36:33):
Yeah, but I remember seeing some ship like that, and
that's like, oh okay. But I'm just saying, like, go
back and watch it and you'll be like, yo, okay,
all right. I understand like some certain scenes where it's
like yo, you're not really being dominant as the cop
or the camera's not really focused on you. And that's
cool if it's focused on the bad guy. But it's
(36:54):
like somebody else could have somebody else could have did
it not?
Speaker 1 (36:59):
You Like.
Speaker 5 (37:03):
The stuff that they're doing with Bruce willis, well.
Speaker 1 (37:06):
What they're doing with him because he ain't acted no more.
Speaker 9 (37:08):
I know, right, Okay, so he has like you know
how he can only say like certain lines or whatever,
little lines or whatever. But in certain movies that people
just throwing Bruce willis saying, they'll have him as a star,
like on the cover and everything like that, but they
won't focus the movie on him. They'll have him in
(37:31):
certain scenes, but it's like a camera trick to just
throw it off on somebody else, but this he's the
main face whatever. And that's what I noticed in Twelve Bridges.
Speaker 5 (37:41):
That's what I'm like, broke.
Speaker 9 (37:43):
It wasn't really focused on him. Why the fuck is
he on the cover or anything like that. But then
when he said he had cancer, and I'm like, oh, oh, okay,
all right, that's why. But yeah, just go back and
watch it. You'd be like they really didn't. How many
times you guys watch it?
Speaker 1 (38:02):
I think, yeah, run it back? Yeah, uh Turbo. So
freezer a funny moments anybody got anything?
Speaker 3 (38:15):
Dude laying down in the car, that was like, what
the fuck I liked when he killed the boy with
the icicle?
Speaker 5 (38:23):
John was trying to tell a joke.
Speaker 1 (38:26):
You're right, he was trying his in the car driving.
Oh my god, cop.
Speaker 9 (38:31):
He's like, you gotta give me something right the toilet
taking the ship. I was like, oh man, yeah, he
is fighting.
Speaker 1 (38:41):
Those criminals with some goofy motherfuckers and not in the
goofy right way.
Speaker 2 (38:45):
Bro?
Speaker 1 (38:46):
Who was that girl? We've never seen her again ever?
Speaker 5 (38:49):
Yeah, we have. He's been in a few movies. Are
you talking about the Black One? Yeah, she's been Yeah.
You probably get her confused with the girl did Wicked,
because no, hell no confused. They're bad. But like the
girl that did Wicked. What's her name?
Speaker 1 (39:11):
That's lean Away from missus shit.
Speaker 5 (39:13):
Yeah anyway, like she did what is that movie with
the wives step Wires, Step for Widows Widow Widows with
uh my girl, Yeah she's in there.
Speaker 9 (39:26):
Yeah, she was a brother was running, Oh babysitting? Oh okay,
that was that was a girl from Wicked?
Speaker 1 (39:34):
Was it? Yeah?
Speaker 3 (39:35):
No, no, no, no, I'm saying she's on that TV
show probably not one one whatever, okay, Uh, one hundred
and fifteen episodes that show she stars. Yeah, she's been
on She's in Godzilla, King and the Monsters.
Speaker 2 (39:55):
I didn't see that.
Speaker 1 (39:56):
Oh, oh that's the one who goes against Can.
Speaker 3 (40:02):
She's in, uh, the the USA show The Unsolved Murders
of Tupacing Biggie. Oh no, it was actually pretty good. U.
She was on the show Underground. You played Harriet Tepman.
Speaker 1 (40:19):
Watch you don't watch Underground.
Speaker 2 (40:21):
Underground was actually pretty good. I don't like slave Ship.
Speaker 1 (40:26):
She was in.
Speaker 2 (40:29):
Wet, hot American summer.
Speaker 1 (40:31):
Oh, I've seen nothing, okay.
Speaker 2 (40:34):
Uh.
Speaker 3 (40:35):
She was in n c I S Los Angeles, all
these TV show I'm saying a lot of movies.
Speaker 2 (40:42):
She was star Trek Into the Darkness.
Speaker 1 (40:45):
Okay, that one.
Speaker 2 (40:47):
Seen that one? Uh, Troy one A seven. I never
the next three days Russell Crowe, you know, un stopping. Uh.
She was on True Blood, True bloods.
Speaker 3 (41:06):
No, not True Bloods, true Blood Oh yeah, uh, prison
Break all right, a lot of TV here.
Speaker 2 (41:15):
Uh yeah, it goes to jail.
Speaker 6 (41:18):
You like.
Speaker 5 (41:20):
Uh.
Speaker 1 (41:21):
David Grill got a new joint out on NBC. Yeah,
it's about the Uh it's basically a hospital version version
of the Office. Oh yeah, the start. Of course, nobody
else is on that motherfucker man, I said. And the
reason why I think he's on there is because they
was like, who was the safe black person? David All? Yes, yeah,
(41:44):
the white people love him, put him as a star.
Speaker 2 (41:46):
Do they love him?
Speaker 1 (41:48):
I don't know. I guess I don't know.
Speaker 2 (41:50):
Yeah, that's not really.
Speaker 1 (41:53):
I mean no, no, yeah, yeah, damn mn.
Speaker 5 (41:58):
Well but isn't he on that TV show Pop?
Speaker 1 (42:04):
It looked like him? No, but I think you confused
that one with the Jamie Fox joint. He was the grandpa,
Jamie Fox was the dad. Yeah you never heard of
that one. It's on Netflix TV show on Netflix. Yeah,
stop embarrassing me, dad, Yeah, it's only one one season.
Speaker 2 (42:23):
Never heard.
Speaker 1 (42:23):
Wrap up notes that I got is I can see
Mark Warburg playing Sergeant Jake ro Nick. It's Ethan Hawks,
which is crazy because I wrote this right, and then
I look at the what's it called the uh tracts
about them? Yeah, and they said Mark Warburg was running. Yeah.
Speaker 2 (42:43):
Crazy.
Speaker 1 (42:44):
My Happy Day chose to go with a New Year's
Ease setting versus a Christmas setting. What's with the survival
too suns up ship, So the cops is just gonna
stop when the suns up.
Speaker 3 (42:56):
Yeah, that's what trips me out. Oh wait, because it
wasn't when they're coming to like move something. Yeah, there
was something. There was a reason they survived for something,
like people were coming. Yeah, it wasn't like there was vampires,
right exactly.
Speaker 5 (43:13):
Yeah, just busy in the day time. I mean, like
a lot of people are like shut in.
Speaker 2 (43:17):
Especially like it looked like it was a factory around there.
Speaker 1 (43:22):
And then I can appreciate the constant gunfire like gives
people hope. Yeah, the new hope. Respect the k R
S one that song was trash after the crash off?
Why the first song?
Speaker 2 (43:38):
Why was Joe rolling at the first song?
Speaker 1 (43:40):
Ya, it is disrespectful. All of.
Speaker 2 (43:43):
You already have him there. You probably could just thrown
them in the.
Speaker 1 (43:46):
Extra five grand frand because he shows on the Fast
Fears soundtrack.
Speaker 2 (43:51):
Yeah, it's murder, murder, murder.
Speaker 1 (43:59):
I was five years murder murder, murder.
Speaker 2 (44:02):
That.
Speaker 3 (44:07):
I don't understand why people be like, yeah, he's a
he's a hip hop legend, like he's one of the goats.
Speaker 2 (44:14):
I have never heard of k R S one song.
Speaker 1 (44:17):
That ladies, he was the goat.
Speaker 5 (44:19):
Probably, I don't know.
Speaker 2 (44:21):
He was never better than Old cool J, Big Daddy Kane.
Speaker 1 (44:25):
You don't know a Big Daddy named five Big Daddy
Kane songs. This is what I'm saying. Maybe in the
eighties he was better than them.
Speaker 2 (44:32):
I can't name five fucking k R s one songs.
I can't name one. Yeah, I can name I could
definitely I could name at least one Big Daddy Kane songs.
Speaker 1 (44:45):
I know he wasn't better than Slick Rick. In my opinions,
it wasn't Rick. Yeah, that vure of I forgot the
hell the name album is called, but that she was
fire Venge the slickerck that's what's called. That's because he
didn't he embodied hip hop like he wasn't like that
boom bomb clap like the person that because people look
(45:09):
at ll cool J and it was like, dude, this
is like it's like he's like a true star of
like what a hip hop person and Nigga be spitting
that ship though too.
Speaker 5 (45:20):
It is basically the ladies. Yeah, you know he got
the jewelry he dressed for fly Car, that's true.
Speaker 1 (45:27):
Yeah, you're right, Yeah, you're right. He can't have that too.
Speaker 9 (45:31):
No, but I'm saying we say KRS one would definitely
of course he had the bag. But like then he Disnelly.
Speaker 1 (45:39):
Remember that ship said a damn number one, no matter
if you like it. And right, it.
Speaker 5 (45:48):
Was that your boy that brote that ship.
Speaker 1 (45:52):
I don't know, but now he be spitting that ship too, though.
You're talking about the nigga with the coofie the ball
nigga what the nigga from the lulls keep going, that's it.
He won every lead. But no, I don't know who
the who that nigga name is. But yeah, he claimed,
you wered of a lot of Nelly stuff. Okay, I
(46:13):
believe I.
Speaker 2 (46:14):
Don't believe it.
Speaker 3 (46:15):
Why can't you write your own ship? Well, he did say,
I know you're talking. You're talking about the nigga that was.
Speaker 1 (46:23):
On that's yea.
Speaker 2 (46:27):
Yeah, I've heard Ali rap. Yeah, I don't believe it.
Speaker 1 (46:30):
I heard all you rap on girls too. It was dope.
Speaker 5 (46:34):
In air Force.
Speaker 1 (46:35):
Oh, Air Force was dope too, hey bucket though all right,
niggas said they may hole may whole, say okay, so
make another hole.
Speaker 9 (46:49):
But I mean, well, ship raps that. He said he
was writing games to him like, cool, we did it together,
whatever the case. Yeah you said he came up with
most of the hooks. Yeah, I mean everybody need hooks
with people whatever.
Speaker 1 (47:08):
Hooks.
Speaker 5 (47:09):
Okay, uh, what do you take that away from Kanye Westviell.
Speaker 1 (47:14):
I don't take it from nobody. If you need a
hook written, I don't take that from you.
Speaker 3 (47:17):
No.
Speaker 5 (47:17):
I'm just talking about just just spitting this.
Speaker 2 (47:21):
But period. My thing is, why can't you write a
hook for yourself?
Speaker 1 (47:26):
You can't write a hook. Let's just get that out
the way.
Speaker 2 (47:29):
You can write a song that that becomes a hit.
Speaker 1 (47:32):
Yeah, but have a hook, yesuse the hook. He's not
on that hook.
Speaker 2 (47:37):
Okay, So he can write a hook, but he can't
write a hook hit song is what you said?
Speaker 1 (47:41):
Oh yeah, yeah, that's what he can do.
Speaker 2 (47:43):
Crazy Yeah, why is that crazy? You can't write. I
don't believe it.
Speaker 1 (47:47):
Some people can't do ship.
Speaker 5 (47:49):
You can write.
Speaker 2 (47:50):
You can write a hit song for somebody else, but
you can't do the nigga.
Speaker 1 (47:53):
That's a writer can write a movie. That don't mean
I can act.
Speaker 5 (47:57):
That is true.
Speaker 2 (47:58):
That's different. Writing a movie doesn't make you an actor.
Speaker 3 (48:03):
When you're writing rapper, when you have to wrap it
in order for it to make sense. You don't just
write the ship down and like, hey, just say he's
in a rhyming pattern, because you have to go to
the you have to go to the person who's going
to say him.
Speaker 2 (48:19):
And you said, I need you to say it like this.
Speaker 5 (48:22):
So why is Quinn Miller I number one?
Speaker 2 (48:24):
Exactly?
Speaker 3 (48:26):
Did he really write that ship? There's there's uh, you
actually have recordings of him spitting it. Yeah, he's probably
not popular because now don't nobody want to fuck with
him because of that?
Speaker 1 (48:37):
What about doctor Dre? Do we take everything from him?
Because you know, damn well, he wasn't writing that ship?
Speaker 2 (48:41):
No, but nobody looks as doctor Dre is a rapper.
Speaker 5 (48:44):
We all know that.
Speaker 1 (48:45):
Yeah, but why can't you write a hook? Why can't
you write different? What's so different?
Speaker 2 (48:50):
And he probably does write hooks, but he can't write
the fucking.
Speaker 1 (48:54):
Hook, I mean the beats anymore.
Speaker 3 (48:58):
He don't make the beats exactly a lot of them
said he made made, not even made by the.
Speaker 2 (49:09):
Scott.
Speaker 1 (49:10):
So I mean, but you don't take it away from
I don't if it's a hook from it's a hook.
Speaker 3 (49:20):
I never really considered, like, yeah, like I would never
put him in the first in the greatest Rappers of
all time category because I know other people are writing
and ship.
Speaker 5 (49:33):
So the first two didn't have you like, damn, this
nigga is really in his bag.
Speaker 3 (49:38):
His first two albums are dope as fun, but we
know that somebody else is helping him write it, saying
but he can't.
Speaker 9 (49:45):
He wouldn't get those conversations before we knew, like, oh,
this nigga's not writing.
Speaker 2 (49:50):
Uh no, not off the first I mean not just
I don't know. I don't think so.
Speaker 3 (49:55):
I don't remember how it was feeling back then, but
I don't think like, oh, he's one of the greatest ever.
When he came out, it was a lot of Yeah.
It was yeah, everybody back there, yeah, oh yeah, mhm.
Speaker 5 (50:12):
It's like since Ryan Fast helped him write a lot
of Shape.
Speaker 1 (50:16):
Ryan Fast and Consequence g OC Yeah, yeah, properly.
Speaker 9 (50:21):
But on the Grammy Family, the niggas just repeated him
basically mm hm, oh no, you can't be.
Speaker 1 (50:31):
Yeah, make another hove h then yeah. Facts about the
film I got the original movie, Bishop was the police
officer and the Caucasian actor was the criminal. Mark Warburg
was originally offered the role of Jake, but turned it down.
The word fuck and it's the word funck was used
(50:53):
about one hundred and twenty seven times. Any last words
for this film.
Speaker 5 (51:00):
Nah, only thing I got is up.
Speaker 1 (51:05):
Damn.
Speaker 9 (51:06):
You should have not dropped the ball from from acting.
I don't know what that nigga wasn't a good actor.
Please drop the ball, bro.
Speaker 2 (51:12):
If you know somebody, if you hear.
Speaker 9 (51:16):
Is, if you hear niggas rumbling like hey Max Pain,
somebody coming up and they talking about you, I'm not
going back into that field.
Speaker 5 (51:26):
Let me just play in this field over here. I'm
not about to me.
Speaker 1 (51:30):
Once I see them numbers come back. Yeah you' that's
what I was.
Speaker 5 (51:34):
Go ahead and do this like no bus is moving
the movies man.
Speaker 1 (51:37):
Yeah, but if you think that you're still that person,
then put out this clap back album.
Speaker 2 (51:42):
Alright.
Speaker 9 (51:45):
As soon as I would have heard like Mighty talking
about you and they say you're picking up steam, a
lot of steam. Niggas want to sign somebody too heavy
in the streets and you're gonna quit. I'm not going
back into that field. You're just gonna get it. I'm
going I'm staying in the fucking movie field for a
little bit. You got contracts.
Speaker 1 (52:06):
You gotta feel.
Speaker 5 (52:07):
But I'm doing movie songs and I'm doing movies. That's
what I'm doing.
Speaker 1 (52:13):
Okay, Well, when somebody comes at you. The newest podcast
is doing film reviews.
Speaker 9 (52:18):
Just quick, I expect you not to be here. Am
I doing the film? If I'm in movies, yeah, you
gotta review out.
Speaker 7 (52:27):
More.
Speaker 9 (52:29):
If I'm in movies, yeah, I'll be like, hey man,
sorry guys, but I gotta go in this movie.
Speaker 8 (52:34):
Yeah.
Speaker 5 (52:35):
I holler at y'all.
Speaker 1 (52:37):
That's what fifty deal with game when game came games,
let make me do these movies?
Speaker 8 (52:40):
Now?
Speaker 1 (52:41):
Sure?
Speaker 4 (52:42):
Did no?
Speaker 5 (52:44):
He remember you said. I looked at that check and
I was like, yeah, I ain't going back.
Speaker 1 (52:49):
It was time for him to go, well, yeah, movies
next week we have nothing From seventy five eighty five,
you have the Falcon in the snow Man is a
spy drugs. I don't know Ben Daego's. In nineteen eighty
five America Drew comedy with Kevin Reynolds the UFC Film School,
something like that. Ninety five Before the Sunrise is romantic film.
(53:14):
It's in the Before trilogy. Highlander three don't you like
Highlander three? I like the Highlander movies, The Final Destination,
the Final Conflict.
Speaker 5 (53:22):
I think that needs to come back.
Speaker 2 (53:24):
They need they bring Highland Bland.
Speaker 1 (53:27):
Yeah, Miami.
Speaker 2 (53:30):
Chris Himsworth. Chris Himsworth is a Highlander.
Speaker 9 (53:33):
I don't want to see that niggas swinging sword like that. No,
Oh you need somebody? Would you take your boy?
Speaker 5 (53:41):
Glen Pyle?
Speaker 1 (53:45):
Yeah?
Speaker 2 (53:47):
I feel like he's too pretty?
Speaker 5 (53:49):
Yeah, what about damn?
Speaker 2 (53:52):
Like like Chris Himsworth, they also say it's pretty, but
he's also because he's buff.
Speaker 1 (53:57):
Aaron Taylor john It works.
Speaker 2 (53:59):
Aaron Tyler Johnson could do it. What about.
Speaker 9 (54:03):
What's his name? The dude that played in Neighbors what's
it called? Brother Dave Frank Chris.
Speaker 1 (54:10):
No, he can't do the action. He's always going to
be the guy. I don't know what's going on.
Speaker 5 (54:16):
What's his name? The dude that did Baby Driver that
has appeared off the Earth?
Speaker 2 (54:24):
You know your boy cooking face? You love him?
Speaker 1 (54:28):
Oh? You talking about what? No?
Speaker 2 (54:32):
Man?
Speaker 1 (54:33):
Yeah, he played Bundy Ted Bundy. Ain't you're talking about
Mike and Dave? He played a basketball card on.
Speaker 3 (54:43):
Twenty Actually two people could do I'm talking about Kylo
Rin Oh.
Speaker 1 (54:49):
Also is that nigga? How big is he?
Speaker 2 (54:53):
You don't you don't know?
Speaker 1 (54:55):
Uh?
Speaker 2 (54:55):
And then also what's his name? Jackson?
Speaker 1 (55:00):
Oh? I think you met the Iron?
Speaker 2 (55:04):
Oh no, with the job, the Crimson Chin, that's his
next role. Yeah. Zachron, Oh my beans right here can
do it too, Bucky.
Speaker 1 (55:17):
Oh yeah, yeah, yeah.
Speaker 5 (55:21):
Can you give me one black guy that could possibly
do it?
Speaker 2 (55:25):
I don't say, Michael, they gonna look, the Internet ain't
gonna allow it.
Speaker 1 (55:31):
Jonathan a.
Speaker 3 (55:36):
Black guy who could possibly be the Highlander eat yourself. Oh,
he's already scott or British.
Speaker 2 (55:43):
British.
Speaker 5 (55:45):
Yeah, got some Scottish black actors.
Speaker 1 (55:49):
That's a good question. I don't know.
Speaker 2 (55:51):
I don't think so, you're right.
Speaker 1 (55:55):
Miami Rhapsodies nineteen ninety five American drama with Sarah Cougisica Parker,
Me and Pharaoh. And then in two thousand and five
you have Almost in the Dark action horror film.
Speaker 2 (56:09):
Yeah.
Speaker 1 (56:09):
You never heard of this one?
Speaker 2 (56:10):
Almost in the Dark.
Speaker 1 (56:11):
Yeah, it's a paranormal investigators who combat a natural supernatural threat. No,
I didn't seek you heard of that one. Yeah, yeah,
too far. Yeah. Robert de Niro is in the damn
He's in a psychological Threat Robert Narrow and Dakota Fanning.
Oh that's not fire.
Speaker 2 (56:29):
Oh yeah, I've seen that movie.
Speaker 5 (56:30):
Yeah, I don't think I remember that one. I only
remember the later one.
Speaker 1 (56:35):
Later. Oh the one was scary, Yeah, yeah, I remember.
That's what I thought this one was too, So I
just read it did in two thousand fifteen. You have
the boy next door that didn't for Lopez one.
Speaker 2 (56:44):
You seen that.
Speaker 1 (56:45):
You's here when she was sucking her student. Yeah, you
got excited. Yeah, and you know he got crazy, become
a Starker.
Speaker 5 (56:52):
Know that.
Speaker 1 (56:54):
The Humbling is a two thousand and fifteen comedy drama
with Barry Livingston. I'll put you knows in it. Should
I can't pronounce, so I'm never gonna pronounce it. It's
an action comedy film.
Speaker 2 (57:09):
Yeah, basically spell it or something.
Speaker 1 (57:11):
Uh M O R T D E c A I
mortec Yeah, Mordecai, that sounds all right, yeah, Mordecai. Fuck it.
This film is adapted from the novels Mordecai Mortarcai.
Speaker 5 (57:28):
I want you to whisper it in my ears?
Speaker 1 (57:30):
Yeah, Mortca. The Song One is a two thousand fifteen
American drama film written and directed by Kate Barker. It
starts to her debut in directing, and it's Anne Hathaway,
isn't it? Have never seen that joint? Strange music, Strange
Magic is two dollars fifteen American animated jukebox Fantasy. We'll
(57:54):
Never Have Paris is a two dollars fifteen Americans.
Speaker 2 (57:57):
A bunch of bullshit?
Speaker 1 (57:58):
Yeah, damn, we actually gave you dream for ope? What damn?
Black and White? Black or White is the twenty fourteen
American drama film twenty fifteen. Yeah, to have fifty my bad,
and then I gave you god damn alone in the
dark in Highlander. How's a bunch of bullshit?
Speaker 3 (58:14):
Highlander is the only thing I could I know on
that list. Yeah, everything else is kind of like, damn, damn,
what happened in ninety five?
Speaker 1 (58:22):
I was born in ninety five.
Speaker 2 (58:24):
Before Highland, Because you know, I don't know what it is.
Speaker 3 (58:28):
Probably it's gonna be some random bullshit, Yeah, some artsy ship.
Put somebody on YouTube.
Speaker 5 (58:35):
We're gonna be watching hide and Seek?
Speaker 1 (58:37):
Yeah, probably so, but loaner and darker speaking of it, So,
from uh last year and then this year we had
as far as January, we had a hunted house and
national security. What do you think we had a better
year last year or like the two thousand and threes
or whatever, the threes versus the forest? The forest was
(58:59):
our air up? Their house party three Jack Ryan and
a butterfly fac.
Speaker 2 (59:06):
That's a couple of yeah.
Speaker 1 (59:09):
And then this year we already have house guests. Uh
a demon Knight and assautomn prison thirteen. What do you
think last year really?
Speaker 2 (59:18):
Damn?
Speaker 1 (59:18):
The fall off the air up there is crazy fault.
Speaker 3 (59:24):
Yeah, blame the movie studios. Yeah, not putting out nothing.
Speaker 1 (59:30):
Potentially for the quarter film was left is now venom
of the Last Dance, The front Room Bridge, rebel Ridge,
don't move. You got Conclave, beaut Juice, bet Juice, Piece
by piece Saturday Night? Uh, Transformers one, anybody? Transformers one?
That she was fire, Malwana two, Terrified three, hectic or
(59:54):
hectic correct, hurt off, Oh wicked? You got Galliator, you
got Joker two and you got smell too? What shall
want to?
Speaker 2 (01:00:11):
Probably?
Speaker 5 (01:00:12):
Transformers one? Piece by piece and I'll take you that.
Speaker 3 (01:00:21):
Wouldn't I wouldn't be mad if I want piece by
piece to win. But I wouldn't be mad if rebel
Ridge one or front room.
Speaker 2 (01:00:35):
Uh horactic.
Speaker 5 (01:00:39):
Yeah, I wouldn't mind going Wicked.
Speaker 1 (01:00:42):
Oh yeah, that would be.
Speaker 2 (01:00:44):
I'm not I'm not showing up for that. Keep it on.
I'm not watching that's cool Wicked.
Speaker 1 (01:00:50):
Yeah but yeah, no, host, I'm still on the Cameron
point after year. But yeah, but yeah, thank you for
joining us from just come in here and read the
little notes on Wicked. Read read my notes. Look, we
just talked about this because I write it for you.
Thought mean you can say it the way I think about.
(01:01:12):
What does this word saying? Because I'll be doing it
by Uh what did I put Jada brother? Who is
Jada asking? Y'all? But yeah, but yeah, we said what
was real about precing assault? On Present thirteen stars Ethan
Hogg and Lauren's Fishbird.
Speaker 9 (01:01:30):
I've been downb cruise boy boy is always make sure
you like, share, subscribe all that good stuff.
Speaker 5 (01:01:39):
Leave a comment. Yeah, thanks for tuning in. Keep it
locked for.
Speaker 1 (01:01:46):
If I haven't new year for y'all every time, y'all
see this all.
Speaker 11 (01:01:58):
We got eight people covering six entry points. If we
work together, all right, we will make it. Look at
it this way.
Speaker 2 (01:02:05):
That's me out there.
Speaker 6 (01:02:06):
You think I'd let you survive until the morning. We
don't have a lot of options here, or we got
to figure something us. I'm not gonna stay here all
night waiting to get killed.
Speaker 10 (01:02:17):
If you use the situation to try and escape, it's
about me and you, because when this is over, you're
going back to jail.
Speaker 6 (01:02:23):
Relax, sergeant relaxing, saying about me and you not yet pause, Yeah,
our sun pause.
Speaker 11 (01:02:33):
We got eight people covering six entry points. If we
work together, all right, we will make it. Look at
it this way.
Speaker 2 (01:02:39):
That's me out there.
Speaker 6 (01:02:40):
You think I'd let you survive until the morning. We
don't have a lot of options here, or we got
to figure something us. I'm not gonna stay here all
night waiting to get killed.
Speaker 10 (01:02:52):
If you use the situation to try and escape, it's
about me and you, because when this is over, you're
going back to jail.
Speaker 4 (01:02:58):
Relax, sergeant reacting, singing about me and you.
Speaker 2 (01:03:03):
Not yet done.
Speaker 4 (01:03:04):
Pause, Yeah, I on pause,
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