December 13, 2024 • 55 mins
In this episode of From The Vault we dig deep in the hard drives and dig up Part 2 of our sit down with InDJnous. In this concluding segment we talk about his first time meeting the legend Tony G, and visiting the G Spot. We also cover taking risks while djing and go over the differences between how InDJnous makes well calculated decisions, and how ADM just throws wet noodles at the wall to see if they stick or not. We'll let you deside which one works better. inDJnous also fills us in on a secret within Serato Scratch Live where you could play PONG with the Control Records. Make sure to follow our guest over on Instagram @inDJnous and across all social media networks because he always has some dope shows going on in OC and in LA. While you do that make sure you are following the show as well @Tables_4_Two andif you'd like to help support the show you can hit us upon Patreon. Where you can watch Behind the Scenes Videos, get Acess to DJ Edit Packs full of dope tracks, and of course our Monthly News Letter.
If you enjoyed any of the beats we played durning the show you can cut it up to them by heading over to the TableBeats App and looking up the StuntsOne Looper Vol.2
If you need a Web Looper as always check out Tablist.Net heres the direct link...
https://www.tablist.net/weblooper/#/looper/2421
January 24th inside Vibe Ultra Lounge in Anahiem Lost Tone Pros wil be throwing the 2025 NAMM INVITATIONAL. You do not want to miss this event. Cutters from all around the world will be in attendance as djs battle it out head to head until only one is left standing! Tables4Two will be in the house, and DJ ADM One will be dropping a set, so pull up on us!
Lost Tone Pros Our Cuts Are Correct.
Become a supporter of this podcast: https://www.spreaker.com/podcast/tables-4-two--4366150/support.
If you enjoyed any of the beats we played durning the show you can cut it up to them by heading over to the TableBeats App and looking up the StuntsOne Looper Vol.2
If you need a Web Looper as always check out Tablist.Net heres the direct link...
https://www.tablist.net/weblooper/#/looper/2421
January 24th inside Vibe Ultra Lounge in Anahiem Lost Tone Pros wil be throwing the 2025 NAMM INVITATIONAL. You do not want to miss this event. Cutters from all around the world will be in attendance as djs battle it out head to head until only one is left standing! Tables4Two will be in the house, and DJ ADM One will be dropping a set, so pull up on us!
Lost Tone Pros Our Cuts Are Correct.
Become a supporter of this podcast: https://www.spreaker.com/podcast/tables-4-two--4366150/support.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
We now return you to while regularly scheduled programs.
Speaker 2 (00:04):
Slash is going on right now. Man, what should we do?
Speaker 3 (00:07):
Get some turntables and have some fun music.
Speaker 4 (00:10):
No, please, don't don't be calling police on us now, police,
that's hilarious.
Speaker 5 (00:18):
But we do have a table for two available tables.
Speaker 3 (00:21):
Tables for the tables for two, tables for two Gemini.
Speaker 2 (00:27):
You heard you heard it from eight a m.
Speaker 4 (00:29):
One tables for two table tables, table tables for two.
Speaker 6 (00:34):
Tables, tables, tables, tables for two tables.
Speaker 2 (00:41):
Yeah, we recorded, Damn. I was just I was just
telling Jim that, uh, this what took me to Tony's
path for the first time. Gemini.
Speaker 3 (00:53):
Yeah word yeah, man.
Speaker 2 (00:56):
Two session house.
Speaker 3 (00:58):
I'm jealous.
Speaker 2 (01:00):
Honestly, to me, that was like a milestone in my
fucking life. I can only imagine legend Nick Master.
Speaker 6 (01:14):
And how how I met Tony. How I met Tony
G is when I was working at Guitar Center. I
was the department manager at the time and m hmmm,
one of the one of my co workers that have
been there before me, he Tony g used to always
go to him. Yeah, so he basically was like, hey, Jim,
(01:36):
did you do you know Tony G is this and
I was like, yeah, it's like the fuck. That's how
I like, I got to know Tony G. Yeah you
know so he used to come in all the time,
you know what I'm saying. So yeah, it was pretty
dope man, He's I was excited to get legend. You know,
(01:56):
Humble knows this ship.
Speaker 2 (01:58):
I mean, he's like I said, he took me over there,
we got the session with him. Yeah, to see him
cutting and body tricks. He was just like like like, yo,
his dude with a gray head. He's still killing it.
No disrespect Tony, Like yo, Yo, that's the way he was.
(02:19):
Oh yeah, killing Tony is nice you know yo. The
way he cuts and all that ship, the way he juggles,
to the way he like the way he was just
all I remember his name to right right, you know,
doing his thing man doing his thing. Crazy. But yeah,
(02:39):
that was the G spot. Yeah, there used to be
a G spot, Hannah Hm. I never went there, but
there used to be a spot right there, okay, right
there my neighborhood and ship. I never went there, so
I didn't get to meet him at that time. But
they used to be that chee spot there and so
it was cool to finding it, you know, for you
(03:01):
to take me over there with him, and to me,
it's like, you know, we all know, you know, so
to have met you know, one of your you know
to me that I was you know, I was a kid.
Like that's one of my favorite songs and ship you
know la, you know, it's like to meet.
Speaker 3 (03:18):
The shout out to Melomannes.
Speaker 2 (03:21):
Shout out bro.
Speaker 1 (03:23):
So a.
Speaker 4 (03:24):
It's fun fact. Last night at Sunset Room, meloman and
he showed up. He was hanging out with us.
Speaker 2 (03:32):
Yeah, so here's another fun fact. Melomannase is on my
very first single, oh shit, on my very first thing,
like on my very first single, I have I think
I'm not sure if has got plant hum now, but
at the time it was gold, so I had Melimannaes
and then I had fucking a Kill from Jurassic Five.
(03:54):
It was on my first singles, which was also for
sure at least gold on one of the J five records,
and then the Homie uh Ariano and my self production
and cuts taking it back on all platforms.
Speaker 6 (04:11):
You can check that out his promotion.
Speaker 2 (04:16):
You know, but honestly, like looking at it like damn,
like like I said, like, this is childish ship. I
get to have Meliman Melimannase my first single, Like bro,
what the yeah? That was pretty cool. Well you're here
here he was.
Speaker 3 (04:32):
I remember one time too. I ran into the cuts
life right.
Speaker 4 (04:39):
It was the Long Beach Grand Prix and I was
out there with Joe Grande and I was DJing. But
it was funny because he was doing the show and
then I was just like DJing and then all of
a sudden, the engineer like hit my leg and he
was like.
Speaker 3 (04:55):
And I was all looking around. I was like, it's
you're talking and then and that's what I'm like, who's that?
And he's like always smell Maynaise?
Speaker 4 (05:03):
So and okay, so mind you when when I used
to to work right there, I used to go out
with no laptop, so I'm like with records. So I
pull out and I mix it in and they hear
it and he starts looking and he's like looking because
he's like literally right here looking over me to his right,
and he's like tripping out, like wait.
Speaker 3 (05:24):
This was got the record?
Speaker 4 (05:26):
So then he signed my my record that day. Yeah,
it was just with the regular sharp but I was like, oh,
that's all I got it don't matter.
Speaker 3 (05:34):
Just just sign it.
Speaker 2 (05:35):
Yeah, that's just sign it. That's history for us, you know,
as Latinos in the fucking in the hip hop community.
It's like that's a big deal at it. A lot
of the times, you know, recently on Twitter they were like, oh,
you know, Latinos are guests in the House of hip Hop.
Speaker 3 (05:55):
Bro.
Speaker 2 (05:55):
We were literally there from start, you know what I mean?
Speaker 4 (06:00):
Sure, hey to DJ's four turntables. This is tables for two.
Speaker 2 (06:04):
Hey, I was I was about to drop the S
bomb right now.
Speaker 3 (06:11):
Yeah, don't get all Harry Potter on us. We were like,
you ain't even.
Speaker 2 (06:27):
So my bad, my bad, yo.
Speaker 6 (06:33):
Not only did we do the the invitational, you also
did the art show too as well.
Speaker 4 (06:38):
We did the s f S art Fest, which was
so dope. Shout outs to prolifics pics and having us.
Speaker 3 (06:44):
Because it was pretty dope. He gave us a whole
ten by ten uh like area, and.
Speaker 4 (06:51):
We had the alley team, we had the supposed to,
we had our cart going. It was dope to see
all the all the demos that were going on. I
Q here, Red Madic Baboo and then also the kids
of the Institute of Sound where they're too dropping it.
Speaker 3 (07:06):
So bro, the whole thing was dope.
Speaker 4 (07:08):
If you got that episode, it should have peeped that up, right,
and then the.
Speaker 2 (07:12):
L GP that that's dope. No, I think it's crazy.
Speaker 4 (07:19):
Right, I think it's I think it's amazing that the
like the steps to be junkies have taken to just push.
Speaker 3 (07:29):
The boundaries of what it is that they do, you
know what I mean, Like, that's crazy, it's dope.
Speaker 2 (07:35):
Honestly, I think back, I'm just like, damn, you guys
are lucky. Fuck. I wish I would have had that
when I fucking started.
Speaker 3 (07:40):
Yeah, there was nothing like that.
Speaker 2 (07:42):
There was nothing like that. Yeah, it was all good man.
I imagine what that could have been like had we
had something.
Speaker 6 (07:48):
Yeah, but you know I wouldn't I wouldn't trade it
for nothing, though, no, no.
Speaker 2 (07:53):
No, yeah, yeah, but that's a huge fucking advantage.
Speaker 4 (07:57):
Back in the days, thought it was like, yo, a
magician never reveals this trick exactly, so like that was
part of the mistique of what it was, you know,
it was like hey, but then also these things were
being performed by the person that created them, Like, yo,
I'm not showing this till that's the battle.
Speaker 3 (08:17):
You know what I mean. And now it's just okay.
Now we know what the playing field is. Let's go
out there and learn these.
Speaker 2 (08:23):
I'm gonna go DJ dam. I don't want you to
see my track. We talked about that too.
Speaker 3 (08:31):
Yeah.
Speaker 2 (08:32):
I don't know if they still have it, but you
know you could play Pong on that ship too. What pong? Bro? No,
I swear open it right now, go check it out.
But I forgot how what version they had it, but
(08:54):
that was I know you could play pong with the
fucking records. We move the fucking pads. You're you're I
put this on any ding? No, I swear you see no, no, no,
I did it. I just I don't use.
Speaker 3 (09:08):
Vinyl records to play Serrato pong, bro. Stop playing. It's
on YouTube. It's on YouTube.
Speaker 2 (09:14):
What what uh?
Speaker 3 (09:16):
Vinyl Serrado Scratch Live Easter. It just say Serrato scratch.
Speaker 2 (09:19):
Though, I'm just saying scratch live.
Speaker 3 (09:23):
Hold on, let's see, hold on.
Speaker 2 (09:24):
When you guys don't have scratch no more? Hey, my
my old laptop they got scratch on it. Got me
opening my sado right now. I don't think you could
do it on this one anymore. On the DJ Pro.
Yeah you can do that scratch scratch live head of
that ship.
Speaker 3 (09:41):
Though, Yeah, it says that it was on Scratch live.
Speaker 2 (09:44):
See see I'm not lying.
Speaker 4 (09:49):
Yeah, so Jem and I. I'm opening the video right now,
and they definitely have two they have two records right there,
and it seems like they're playing pong.
Speaker 2 (10:02):
Yeah that's crazy.
Speaker 3 (10:03):
I told you, yo, So what the hell?
Speaker 2 (10:07):
I can't believe you guys didn't fucking know about it.
Speaker 3 (10:10):
This is the I we gotta I want to I
want to do it, yo.
Speaker 2 (10:15):
You it's not lying, but they need they need to
bring that ship back, do some other ship, maybe add
the colored version to it. What the little fucking bars
on it?
Speaker 4 (10:26):
That's pretty dope. I'm not gonna lie. That's pretty dope.
That's fun. That that's fun. I like it.
Speaker 3 (10:32):
I like it.
Speaker 2 (10:33):
Only nerds like us with black ship like that.
Speaker 3 (10:36):
Okay, So bringing up just games to play live.
Speaker 4 (10:40):
So as you saw when you came in, you were like, yo,
only eighty M one would be like listening to himself.
Speaker 2 (10:46):
I was gonna say, only eighty M one walk into
this place and eighty m is watching himself djatigue myself,
damn all right, that's the normal thing for him. Yeah,
So at the same time I understand, I get it
and get it because he's like, okay, right now, he said,
I'm going to contigue myself. That's cool.
Speaker 3 (11:05):
But because it's like, yo, did I sound like an idiot?
Did I look like an idiot? Because like, okay, when
I want to streak, I know, because I'm an idiot.
So it's like, but how bad like on the idiot scale?
How like how many idiot points do I get? You
know what I mean? So something I.
Speaker 4 (11:19):
Wanted to do and I found out and it's like
a game a little little different than Pong. But okay,
so I do a lot of chat codes where you
have to enter something in the chat in order to
enter the game.
Speaker 3 (11:33):
Right. So this game that I found it's a mosh pit.
Speaker 4 (11:37):
So look, anyone that enters Excel make explanation mark join right,
it automatically will make that person appear in this mos pit, right,
And then you have like two minutes to join, and
after everyone's in there, a mosh pit will start and
everyone has their own name, and then the last.
Speaker 3 (11:59):
Person would win a price.
Speaker 4 (12:01):
And then if you were like say, there was like
all of us in there. Everyone would mash for a
certain amount of time and as the people get knocked out,
like say you get knocked out now every every like
five seconds.
Speaker 3 (12:14):
You could throw a bottle into the.
Speaker 6 (12:15):
Crowd saying you get knocked out like your avatar.
Speaker 3 (12:20):
You know what I mean, your avatar.
Speaker 1 (12:21):
It's like a game.
Speaker 2 (12:22):
This is like the online.
Speaker 3 (12:23):
Ship that I play on.
Speaker 2 (12:25):
Because I can't do that ship right, I'll get mad, Bro,
I'll start socking people. I can't. I don't play that ship, bro.
Speaker 3 (12:33):
But that's what I'm saying.
Speaker 4 (12:33):
So like, Bro, it's either that or I'm putting the
chicken head on, Bro, Like, come on different, chickenhead better?
Speaker 3 (12:40):
Noh, chicken head.
Speaker 2 (12:42):
Chicken put on whatever mask you I got a unicorn,
the full fucking suit.
Speaker 3 (12:47):
No, there's no full suit. Put him on an ap hooks.
Speaker 2 (12:50):
I don't know. You could. You can come scratch with
hook You can come out as fucking stitch like merd
when he came out and performing Definite, came out dressed.
Speaker 3 (12:58):
That stitch stitch that I wanted to get.
Speaker 2 (13:05):
You should do the fucking pajamas with the foot on it.
Speaker 4 (13:09):
Oh no, yeah, no, I wear one. Like during Christmas,
I was wearing desies the whole time. There you go,
I know I'm that guy.
Speaker 2 (13:17):
Sounds like, hey, it's extreme.
Speaker 4 (13:20):
This is like because if you tap in and okay,
So like on Tuesdays, Jay One actually got me on
his rad train, So on Tuesdays the next four Tuesdays,
eight o'clock, I'll be on.
Speaker 3 (13:36):
I know, I'm excited about it.
Speaker 4 (13:38):
It's exciting when I get to play hip hop for
people that want to hear hip hop.
Speaker 2 (13:43):
See mine, Mine is the opposite because I'm always playing
fucking hip hop. Ship. You're like, I like, I like
when I get to play please I'm trying to play
K pop bro what but I like, I literally like
doing like my like my club gigs, you know what
I mean. I like to play like other ship besides
(14:05):
just hip hop. And yeah, usually my sets, like you know,
you guys have done it yourself. Like when I've got
to check you out at fucking you know, at your
guys' gigs, I'm not gonna tell my name because they
don't deserve it say the name.
Speaker 3 (14:20):
We don't need to make that famious exactly.
Speaker 2 (14:22):
So yeah, just like I like to do all kinds
of different things, and you know, it's fun to see
certain group of people dance to certain types of music
that they normally wouldn't dance.
Speaker 3 (14:36):
To when you know they're drunk.
Speaker 2 (14:39):
Yeah, yeah, when you know they're drunk. Hey, bro, you
know what's that twelve o'clock kids?
Speaker 4 (14:43):
You know I will say this, Okay, like mixing in
my house, I can't get into playing that type of
set because like then I want the ratchetivities and it's like, yo,
I'm just living you know what I mean. I'm like, Yo,
I'm not gonna like no, Little John is just me
and my house getting all this.
Speaker 2 (15:03):
Let's just start to say sending out the random text
and no.
Speaker 4 (15:08):
But I'm saying like like when you're at a club
and then you see the crowd all of a sudden,
it's like all right, cool, Like.
Speaker 3 (15:15):
I can get into this now I'm at home. I'm like, yo, yourself.
Speaker 2 (15:20):
Yeah, because when I'm at the club, Bro, the DJ
booth is lit? See DJ booth is it? BROI isn't lit.
Speaker 3 (15:31):
I'm not gonna like.
Speaker 2 (15:34):
Here, Ali's been there. This motherfuckers giving out fakes rock yes,
fake rah fake? Is that what you got? The restaurant?
Speaker 3 (15:45):
This brought the fakes?
Speaker 2 (15:47):
This will but they drink the actual SAQ and then
and then filled it up with some fucking random vodka
ship in there, and then he's like, hey, who wants
some shots? And obviously they see the sarrak bottom. So
just putting out.
Speaker 3 (16:02):
But I'm not gonna lie.
Speaker 4 (16:04):
The rocks rocks delicious sponsor bite just kidding. No, No,
we don't please don't, don't. Don't send us any gifts.
Puff daddy, we don't want it.
Speaker 2 (16:14):
We don't want it, yo.
Speaker 6 (16:19):
So just shooting the ship ship ship ship, anybody got
some more vodka?
Speaker 1 (16:26):
Ship?
Speaker 3 (16:29):
He popped up real quick.
Speaker 2 (16:31):
I'm good. Yeah he did this. It's the summer watermelon.
Speaker 6 (16:38):
No, that ship, that's ship right there. I ain't gonna
yeah that ship that should definitely tastes.
Speaker 2 (16:43):
By the way, I'm not getting paid for this. I'm
just reading the label. So good.
Speaker 6 (16:47):
If you do get you know, check in the mail.
Make sure the male ten percent this way, ten percent
that way.
Speaker 2 (16:53):
You're good. You keep the rest that's like ten cent.
Free to send me stuff they don't want to. I
will gladly take it.
Speaker 3 (17:05):
No, I know, we heard what you said.
Speaker 2 (17:07):
We heard what you said.
Speaker 1 (17:07):
Pause, some spooky ship.
Speaker 3 (17:19):
Don't drop the drop stop.
Speaker 2 (17:36):
So going back to the to like you know, when
you do club gigs, how do you have your like,
do you have like a pre plan set or are
you just somebody that goes off you know, the fly
me personally, like, I'm just going off crowd. Bro, I
don't go in there saying like, oh, I'm going to
play this probably certain songs that I want to play
that night. I'm like, okay, I want to try and
(17:58):
incorporate these, you know. Yeah, But for the most part,
I it's just on the fly, like I'm just going
off the crowd.
Speaker 6 (18:03):
And see that's the same. That's the same thing with
me too as well. I don't have like a set playlist.
It's on the fly as well. And I'm pretty sure
it's admins the same way.
Speaker 2 (18:14):
I think it's important because you got to read the crowd. Yeah.
Speaker 4 (18:16):
I find myself a lot of times when I'm mixing
constantly going to the search window and then I'm like,
I'm playing a song and I'm like, oh, I want to.
Speaker 3 (18:25):
Play this next. I want to play this next, Like I.
Speaker 2 (18:27):
Like, but you how are your crates? Okay?
Speaker 4 (18:34):
This is the other thing too, that a lot of
times I don't like to play like I have crates
crate already like dope playlist.
Speaker 3 (18:42):
But then I'm like, I don't I don't.
Speaker 4 (18:48):
Like necessarily that it's always showing me all the BPM together,
all the you know what I mean. So I like,
I like to go out like if I'm in a crate,
then to me, I'm more so like, Okay, I'm gonna
I'm gonna play it safe, like because like we'll be
having well we had a gig yo, I'm tossed. I
need to get in this crate just so I don't
(19:09):
have any options. But also I'm not the type of
person where I just download everything, Like I don't have
like nineteen versions of the same song in my laptop.
Speaker 2 (19:18):
I don't either, And which is gonna bring me to
the next thing? Like I think I told Jim about this.
I have the fucking title integration on the Serado.
Speaker 3 (19:27):
Okay, so you stream your music that you play for.
Speaker 2 (19:29):
Certain ship because like like you said, I'm not the
type to just download everything. I'm not gonna download everything, bro.
Speaker 4 (19:36):
Yeah you know, but why do you need all this
stuff that you might not.
Speaker 2 (19:40):
Lay it whatever? So I literally like, either, how does
that work for you?
Speaker 3 (19:45):
Is that work? Fuck?
Speaker 2 (19:47):
Yeah? Title is he actually put me onto it.
Speaker 6 (19:50):
You fucking I was like, Yo, they got they got instrumentals, Like, yeah,
they got instrumentals, they.
Speaker 2 (19:55):
Got an instrument and now you with the stam ship
that you could still stem all that ship.
Speaker 6 (20:00):
Yeah you don't even need that game. But that was
way before STEMS even came.
Speaker 2 (20:04):
Yeah, but I will tell him. I was like, Bro,
I'm using title like you know, show up to get
some a do you have this? And I'm just like
it's more than like more than likely that you know
that I fucking have what you're asking for, which brings
me to another thing. Don't come up here in fucking
re question. Bro. Well you know people don't understand that.
(20:26):
I don't like that. Maybe I shouldn't phrase that, like
I understand you want to hear you know, obviously the
usual there right now? What what do they say right now?
I want to hear bad Bunny. I want to listen
to bad Buddy, which is cool, that's fine, Like I
don't have nothing against that. I'm gonna play bad Bunny.
(20:48):
It's just nine o'clock and I just fucking got here,
Like you just want me to play all the banging
ship right now? Because you hear you're about to leave.
Nah fuck that, don't we question.
Speaker 1 (21:01):
Ship.
Speaker 4 (21:02):
It's funny because okay, like as as a DJ to
you kind of like especially if you're gonna be there
the whole night, or if you're only doing an hour
or whatever whatever you're gonna do, like you almost have
a plan because you know how you want the whole
night to go.
Speaker 2 (21:16):
Yo.
Speaker 6 (21:16):
Listen, man, that's why I told you want Yo. I
don't want to be at the edge of the stage.
What are you talking about. I want to be next
to the wall. I want to be inside. I don't
want to be bothering.
Speaker 2 (21:24):
Because he knew everyone, they're still gonna find a way
one and the other shode.
Speaker 6 (21:32):
We talked about it, not trying to bring it up,
but one dude kept on requesting song. I don't like people, son,
I don't like you. No, no, but you know you
know what I mean. I don't like I don't like
like like inconsiderate people.
Speaker 3 (21:47):
Tell him you're from New York. Let him know.
Speaker 2 (21:49):
No, I don't need to say that. Take coffee.
Speaker 4 (21:51):
It's like, I don't I don't need to tell him that.
I just got to tell him I don't like people.
Speaker 6 (21:54):
You know, I think it's time to stop this podcast.
Speaker 3 (21:57):
Man, sounds like you need some water.
Speaker 2 (22:01):
So this is this is my solution. Before they even
come up to me, I'm already flashing this thing.
Speaker 6 (22:07):
He got the phone flash that already ten dollar request, right,
So so what he does request when he's at my
crib and be streaming, right, We'll be streaming to like
like three in the morning, and ship literally, yo, he
will pop because we go back and forth. Yeah, he
will pop that ship out when I'm DJing and put
it in front of the camera so they can see
(22:27):
and ship. And he got all types of different scenes
on that ship. And I'm over here reading the comments
is coming on and ship, and then I see him
you don't.
Speaker 2 (22:35):
Know what's going on and just be putting in front
of the screen. They're commenting to me, and Jack's going around,
why did he save this ship? And then he looks
at the little Oh that's what happened. But he uses
that and ship. So I already try to come in
with that.
Speaker 4 (22:50):
It is real though, because I just saw this clip.
I don't know if you guys saw this with this
lady that sued the DJ.
Speaker 3 (22:57):
For not playing her request. Nah, yeah, she didn't win. Her.
Speaker 4 (23:02):
But but yeah, I mean it was a TV court,
so yeah, go figure.
Speaker 2 (23:07):
But yeah.
Speaker 4 (23:08):
But and and it's funny though because a lot of women,
because it's not usually a dude that comes unless they
will bring yourself, but.
Speaker 2 (23:18):
It's both, but it is most of the time it's.
Speaker 4 (23:20):
Women and they just expect you to just play the song.
And it's like, okay, maybe.
Speaker 2 (23:26):
You know what you know what I like about about
that interaction When it's like a nice looking woman, you
can tell that you know she's uh probably had certain
privileges due to.
Speaker 3 (23:40):
Her she thinks she's gonna get it.
Speaker 2 (23:42):
She thinks she's gonna get it because you know.
Speaker 3 (23:44):
She's so confident you're just gonna do.
Speaker 2 (23:47):
It at me and just like, oh you know that
whole thing, and.
Speaker 3 (23:52):
It's like, it's no, it's fun to shoot him down though.
Speaker 2 (23:55):
It's so fun.
Speaker 4 (23:57):
It's so fun, especially when it's a bad request, like
does not even remotely sound like.
Speaker 6 (24:03):
That's why I'm always next to the wall because I
don't want to do with that.
Speaker 2 (24:06):
Which is why I hit them with the fucking yo
ten dollars.
Speaker 6 (24:09):
And there's some people, there's some people actually come up
to us that was giving us twenty dollars a song.
Speaker 2 (24:14):
Yeah, there there's somebody gave me one hundred bucks to
play fucking tupac.
Speaker 3 (24:18):
I said, yes, hey, right, You're like, yeah.
Speaker 2 (24:22):
You woman, I want to I will take that.
Speaker 4 (24:25):
Yes, you almost look at it like damn, that was
already loaded, which.
Speaker 2 (24:31):
Has actually happened to like when they're gonna make a
request and I'm just like, damn, I was literally gonna
play that.
Speaker 3 (24:37):
Already, but yes I will.
Speaker 6 (24:39):
I can't hold you something that would be the chap
at the end of the night.
Speaker 2 (24:44):
Yeah. I came back from from some gigs where I'm
just like, damn, quest ice.
Speaker 4 (24:50):
D Yeah, and then and then now I DJ at
my house and I'm like, yo, shout out to uh
to Gemini dropping them twenty five bitties gem.
Speaker 2 (24:58):
And I be if I said, on yo, somebody send
a lion. Lion, send the galaxy about TikTok. So what
the graphics? Graphics when somebody sends you a lion, that's
that's one of the most expensive things that a lion.
A lion, So that motherfucker comes out like a cave
(25:19):
of little animation.
Speaker 3 (25:22):
But only on the phone.
Speaker 2 (25:23):
Yeah, the phone.
Speaker 6 (25:24):
If you want to compute, right, if you want to.
Speaker 2 (25:26):
Whatever when you're using that.
Speaker 6 (25:28):
When you're that, yeah, we'll come out you see that
motherfucker raw.
Speaker 2 (25:33):
You know what I'm saying.
Speaker 3 (25:36):
I like to do it again.
Speaker 2 (25:37):
This was something he sounded like the laugh right now, courage.
I don't know. I don't know how much stupid how
much the lion, cause I just know it's expensive. So
for you, what is that? That's nice? But yeah, so
(25:59):
somebody gives you want to out on your streams, like
you're gonna get a nice junk money, you know.
Speaker 4 (26:05):
So we were talking about organizing crates, right yeah, and
like okay, like how are you GEMENI because I know
you have a new laptop, So how are you going
about the new laptop and organizing your crate?
Speaker 6 (26:19):
Well, it's actually taking me some time with this one, man,
because I don't want to stick make the same mistake
as I did on my own. Yeah, like I got
files upon files inside my crate like it would be
like throwby throwbacks reggae thong.
Speaker 4 (26:34):
I know at one time you were telling me you
were trying to organize everything so that it all had
its year.
Speaker 2 (26:41):
Yeah, it's crazy.
Speaker 3 (26:43):
Yeah, I don't think I've ever looked at this.
Speaker 6 (26:45):
So pretty Yeah, so pretty much what I do is
I put the year down. If it's the year is
not on there, I look it up put the year
in it. Yeah, and then that way so safely. Instance,
if if I want to do like an eighties party
or some shit like that, I just type in the
eighties and everything from the eighties will pop up.
Speaker 2 (27:00):
That's gonna be searching.
Speaker 3 (27:01):
Hey, but what when people say eighties? Dog, like, what's eighties?
Speaker 2 (27:05):
Which are you gonna want to fucking like the what's
what's that music called?
Speaker 4 (27:13):
I like to call it like KBOK flashbacks like that
you want me to play like, well, that's why, that's
why you you dated?
Speaker 2 (27:20):
And you know what I'm saying, because you're gonna have
a little bit of that, which, by the way, like
that's one of the beautiful things about the title ship.
Speaker 3 (27:26):
You can type that you could you can just go
into those playlists, go into.
Speaker 2 (27:30):
Those places are already you know, and and after.
Speaker 3 (27:36):
You hasn't ever thought about that?
Speaker 2 (27:37):
And after you select these fucking the track you, after
you put the Q on them, when it pops back
up the VPM, the key and the keys will stay
in room. Yeah, definitely does.
Speaker 6 (27:48):
And you know what I like about it too, is
like whoever subscribes to me, they cant request, you.
Speaker 2 (27:53):
Know what I'm saying. So then when they ask, when
they ask for a song, subscribe, I still make personal
and then.
Speaker 3 (28:05):
You don't need to say DJ. It's already in the name. Yeah.
Speaker 6 (28:10):
Yeah, if I don't have the song and I just
type it in, and you know, that'd be the easier
way of just doing it.
Speaker 3 (28:14):
You know.
Speaker 6 (28:14):
Wait, so you are using the title now, yeah, I've
been using that's right. Yeah, I've been using that ship
my ship right now, you're welcome.
Speaker 3 (28:22):
Shout out to jay Z.
Speaker 2 (28:23):
Right. That's well, I think he sold it already, already
made his money, he made. But yeah, beautiful thing. I honestly,
I'm surprised like Spotify or Apple didn't jump up the ship,
especially Apple because like most of us used fucking Apple computers.
Speaker 3 (28:41):
For Yeah, well, they were more.
Speaker 4 (28:45):
They were more worried with the beats by dre out
doing everything that they that they were doing.
Speaker 3 (28:49):
So we'll buy that one.
Speaker 2 (28:51):
But title slot now they have the karaoke ship on that,
I guess. But yeah, my my, my crates, like I
have a photo where it's just like all like new
new club stuff. You'll put that man other than that,
(29:12):
Like I try to, I try to do by genres,
but sometimes there's those ones that kind of.
Speaker 6 (29:16):
Like it could be this between. That's the problem I
be having too as well.
Speaker 2 (29:22):
So but I just try to generalize shit. Man. At
the end of the day, like I just I still
find myself going to the search bar like I kill you, you
know what I mean.
Speaker 4 (29:32):
I feel like that's that's almost like digging in the crates,
you know what I mean, Like, like you hear a.
Speaker 3 (29:37):
Song like like did you guys are talking about the key?
Speaker 4 (29:40):
If you were to just go off of fault, this
sounds good, it would be what you are already are
thinking in your head, you know.
Speaker 3 (29:47):
But that comes with experience.
Speaker 4 (29:48):
Too, because I mean, if you haven't djan that many
gigs or that many times, so where you're like, oh,
I've mixed this song with this whole list in my head. Yeah,
you know what I mean, you kind of kind of
can go anywhere well and don't.
Speaker 2 (30:05):
I'm pretty sure it's the same with you guys, where
I already have certain songs that I know go good together,
that I've done, I know it works and that you know,
just for whatever reason, I like the dude because I
know it works, so I know I'm going to get
results from me, you.
Speaker 3 (30:22):
Know, especially too, like if you're doing a club gig.
Speaker 2 (30:25):
I mean, yeah exactly. You know with with the club
gigs that I do, a lot of the times, they
they don't know what or what to expect, as you
could say, so you know, being able to fucking just
(30:48):
play certain ship and still have that reaction rule or
sometimes like something might not work and have that thing
where you're not gonna gets productor that's good to have those.
Speaker 3 (31:00):
Yeah, Gemini knows. I'm the guy that will play things
that don't work a lot.
Speaker 2 (31:06):
Oh please tell me no, yeah, yeah, yeah, what happened
with this?
Speaker 1 (31:11):
No?
Speaker 6 (31:11):
I just like it's just like nothing for yo yo,
put it the floor, be pat okay, people dancing and
having a good old time.
Speaker 3 (31:20):
Like to take risks.
Speaker 2 (31:21):
There's nothing wrong on saying Wrong's not but I want
to know exactly what kind of risk is this for taking,
because because we have a pack, the risk, the risk.
Speaker 6 (31:31):
Of clearing the whole dance floor.
Speaker 4 (31:35):
Hey, to the point where I had him and man,
he look at me like, Dick, what the fuck did
you do? And I'm like I'll get him back, And
I did have him back, like in like two songs.
Speaker 3 (31:43):
Everyone started coming back Cemi, so do whatever?
Speaker 2 (31:47):
Three four songs?
Speaker 3 (31:48):
Okay, so what yo?
Speaker 2 (31:51):
At that point? At that point, I'm kind of nervous,
did yo? Let me tell you. He will keep on going. Bro,
he won't care, You won't give a fu. You just
keep on going.
Speaker 6 (31:59):
Yeah, we don't playing, He'll play like fucking four songs.
What made them fucking bone out from the dancing Gemini?
Speaker 3 (32:07):
Listen?
Speaker 2 (32:08):
Okay, but you're not telling me what it was.
Speaker 3 (32:14):
It doesn't even matter. Hey.
Speaker 4 (32:16):
Hey, there was a couple of times where I played
the Visionary ship because I was like, well, now I'm
gonna listen to visionaries.
Speaker 3 (32:21):
They all left anyway, so I don't give a fuck.
Speaker 2 (32:23):
See, i'd be doing ID be doing.
Speaker 6 (32:24):
There's nothing wrong with that. But what I'm saying is
you have them like they did, it's like packed. You
don't see not you don't even see the dance. That's
not because it's packed. This this motherfucker would just get into
it and it'd be some crunk ass ship slam dancing
as ship that they don't want to even listen to.
Speaker 4 (32:42):
Hey, no, look, look because I liked it, Like, look,
I like to play a lot of trappy ship.
Speaker 6 (32:49):
Now you're supposed to do that when you want them
to go to the bar and get some drinks.
Speaker 4 (32:52):
And and there was a point where like no one
wanted to hear any more trap ship. And He's like, yo,
just don't play it because they don't like it, and
I'm like fuck them.
Speaker 3 (33:09):
And Gem and I is like, nah, Son.
Speaker 2 (33:11):
Look at Jem's still bad right. I know he's still
bad over, but I don't care, Like, no, no, he's
not about And then okay Jem, but then had headed ass.
Speaker 3 (33:20):
But eventually we found our way to be able to
slip it in right or wrong. Yeah, okay. So I
had to him know that it's it's gonna happen whether
you like it or not.
Speaker 2 (33:28):
But always on that you always on that ship. So
I want to get crazy crazy man.
Speaker 3 (33:39):
Come on, son, Yeah, I like to party. Like the party.
Speaker 6 (33:43):
You like the party.
Speaker 2 (33:45):
You like the party one.
Speaker 3 (33:50):
The time, party all the time.
Speaker 4 (33:52):
The time, telling you, son, bront want to party?
Speaker 1 (33:59):
Will be dog them?
Speaker 2 (34:00):
Then go home.
Speaker 3 (34:01):
I'll just play this is I'll get him back.
Speaker 2 (34:04):
This was just took a few bumps right before they
started seeing that you just get to see it. Notes Gemini,
edit that out.
Speaker 3 (34:17):
It comes.
Speaker 2 (34:18):
We're just kidding. We don't condone anytime.
Speaker 4 (34:21):
Edit that went out to many. Sometimes I do like
to push them below and.
Speaker 2 (34:28):
Which is good. But yeah, you gotta you gotta know. Okay,
well look unless yes you do. You do know because
every time I did it, I knew that it was risky.
So you just the fucking disregard just risk taking. Don't
give a fuck.
Speaker 3 (34:47):
I told, like Gemini said, sometimes they all.
Speaker 6 (34:50):
Need to go get a drink, not in the beginning,
so I'm like, okay, when they already got their drinks.
Speaker 4 (34:56):
Bro, First off, look it was this is probably like
at like ten fifteen, so they shouldn't be dancing yet.
Speaker 3 (35:01):
Anyway, We're still fucking doing our things.
Speaker 2 (35:03):
So okay, let's say let's say it's fucking midnight. Right,
we're in Calorna.
Speaker 3 (35:08):
I won't take that many rests.
Speaker 2 (35:09):
Hold, So we're we're in California. So all the fucking
spots close that to you? Yeah, we know they don't
both they closed before because they want to get out
by too. What is a song that you're like, Okay,
it's midnight, I'm about to bust this one out right now,
and it's just like a something that you just like,
(35:30):
this is something I gotta play right now. That's appropriate
for this time. Gotta club midnight? Yeah around midnight?
Speaker 4 (35:37):
Well, I know, I know, I always we kind of
always gauged midnight as like, okay, anytime after midnight, we
can play eight no Fun, okay after min Like that's
an after midnight song.
Speaker 2 (35:51):
I've played it before, but I feel it's a hit.
But yo, on a real man, I don't want to
hear that ship no more.
Speaker 3 (35:57):
Bro. I feel like I got a dope remix of it.
You might.
Speaker 2 (36:00):
I feel like it ain't no fun. It's just one
of those like safety songs, Like.
Speaker 6 (36:06):
You know, the thing is is like you're gonna need
a break, that's the song to take a break on, like.
Speaker 2 (36:10):
Real talk, because you're gonna let the whole thing go through. Yeah, yeah,
which is appropriate because you want to listen to all
the verses. Yo.
Speaker 6 (36:22):
Participation, absolutely participation.
Speaker 2 (36:26):
So I had I was DJing the show, uh Valentine's Night,
and it was with with baby Bash. I want to
say mister Capone, Mister Capone or little Rap one of
(36:48):
those two and then and MC magic. Okay, right, it's
the set right before the headliner comes out, see Magic's headlining.
And I decided to take a risk. You know, I
was just playing mostly just like you know, hip hop,
(37:11):
R and B ship nineties, early two thousands, some some
of the newer stuff. And I decided to take a risk.
And I mean, it's kind of not a risk, but
it was because considering the crowd and the show that
(37:31):
it was, what would you play? I played the fucking
the bad Badmond, the fucking what what is that? You've
never heard it? Bro?
Speaker 3 (37:44):
What what is that? Something?
Speaker 1 (37:47):
No?
Speaker 2 (37:47):
No, no, let's see. Let's play for you. And I
know that Twitter is listening to this podcast. They're very
familiar with this song as a hit. Like I don't,
like I said, I don't know how you don't know
what it is? Yeah? You know right? Okay, I played
(38:22):
it whole fucking crowd. Webing not singing it word for word,
where for work, And like I said, it was a risk,
but it wasn't at the same time because it happened
to be like the number one song. But you know,
there was a risk considering where you were where I
was at. But you know, I I was thinking, Okay,
(38:42):
most of us here latinos. You know, we've been listening
to more than just the hip hop stuff. But yeah,
just because where I was at, I was like, damn,
I don't know how how.
Speaker 3 (38:54):
And it was it was Valentine's Day.
Speaker 2 (38:56):
It was Valentine's Day, so I was on you know,
I was definitely trying to stick within the theme, you know,
like love yeah, lovey w ship you know, and it
was going at.
Speaker 4 (39:05):
Least you didn't eat that one You didn't play that
one song where you said I could eat you all day?
Speaker 3 (39:10):
Have you heard that?
Speaker 2 (39:11):
That's what he just said.
Speaker 3 (39:12):
That's him. That is a song, that's what eat you
all day? That's what he said. Gemin Yo, that's what
he said, right.
Speaker 2 (39:20):
Just don't need for the Gemini sons. Don't need saying
that ship, no need for that song.
Speaker 1 (39:28):
You looked at me.
Speaker 3 (39:32):
Staff on that ship.
Speaker 2 (39:34):
Not what that looks.
Speaker 3 (39:37):
He said, Yo ha me thinking that was like.
Speaker 2 (39:42):
Right, Gemini, like what it's crazy?
Speaker 3 (39:48):
What did you press recording?
Speaker 2 (39:51):
This been recording son all?
Speaker 3 (39:53):
So yeah that was a song.
Speaker 2 (39:55):
Yeah, yeah, that's the one that's I was like, I
know you know this song, so whatever you wan and
that's see, those are the risks that I feel like okay,
cool like ticket, but.
Speaker 3 (40:04):
Yeah no the promoter even like some weird trap remix
of it.
Speaker 2 (40:09):
Like see that's the thing, Like you gotta come on,
so you gotta read the room. Bro, what do you.
Speaker 3 (40:16):
Got coming up? What do you got coming up? Any
of these shows and you got coming up?
Speaker 2 (40:21):
Well, I have my I have my DJ residency and
Big Bear, So I'm up there twice a month. That's
coming up next week. Today is Saturday, So next Saturday,
I'll be up there. Other than that, you can catch
me at the Garden app. My next show at the
Garden Aap is on the seventeenth with the Homeboy, Sam
Man He Turned and Lisa Vasquez. Uh what else I
(40:45):
got coming up? Back to Basics? Has ever been back
to Basics or heard about it?
Speaker 3 (40:52):
Ye?
Speaker 2 (40:53):
Back to Basics on June June twenty fourth at the
Garden app Crazy lineup, crazy.
Speaker 3 (41:00):
Crazy logo with like the issues right.
Speaker 2 (41:04):
Yeah they have that. Yeah, so that one's gonna be
with uh headlining, Uh mob Deep obviously you know a
Prodigy re Peace, some Havoc rappernoid and.
Speaker 4 (41:26):
I think l e s Yeah, shout out to be
Tapamous out there too.
Speaker 2 (41:31):
Yeah. I just seen Big Twins last night. Yeah, he was.
He was at the he was at the Cycle of
the My show. He was there with the XP the Marksman.
But yeah, the the lineup for for Back the Basics crazy,
so mob Deep, Pete Rocks, our Face else is on there? Uh?
(41:53):
Slum Village mm hmmm, Veld the Wonder.
Speaker 3 (42:01):
Fuck?
Speaker 2 (42:03):
What's his on?
Speaker 1 (42:03):
Man?
Speaker 2 (42:04):
That's how you know you got a lot of shit
on your plate right there?
Speaker 1 (42:06):
Bro?
Speaker 2 (42:06):
Yeah right, I'm you know, you asked me what I ask.
Speaker 3 (42:11):
That's why I right now.
Speaker 2 (42:14):
Other than that, you know, obviously there'll be some some
big Beard dates up in there the next show after that,
that's for sure. But is the July twenty second at
the Yos with Benning the Butcher. Nice, that should be
a good show.
Speaker 3 (42:29):
I wasn't sure what was going on at the Yo.
So a bunch of stuff is still going out there.
Speaker 1 (42:33):
Yeah.
Speaker 2 (42:34):
Yeah, like the front the Thursday night that I was there,
we were in that balcony balcony area and then on
the floor they had the like I guess club night.
They were playing you know, a bunch of Top forty
and ship like that, and it was packed. The problem
(42:55):
with it was I think it was eighteen and over.
Speaker 3 (42:57):
Well yeah, I think that's yo.
Speaker 4 (42:59):
Yeah, like even when I when I was there too,
that was the thing a problem. But you're looking around
like yeah yeah yeah, trying to stay backstage.
Speaker 2 (43:08):
Yeah yeah. Like when when I went to the to
the way and I'm about to go home and I'm
seeing the people come out, I'm like, damn, what the
fuck are they doing now at this hour?
Speaker 3 (43:17):
Yea, they look like they're the ones that were in there.
Speaker 2 (43:19):
Yeah yeah, yeah, they look like you just had Like
I'm just like, damn.
Speaker 3 (43:22):
It's a bunch of eighteen nineties. Yeah, yeah, just you
know there's something in there with.
Speaker 2 (43:26):
Yeah, some that pasty. Just like damn, what are you
guys doing that right now? You need to be at home.
It's school name.
Speaker 4 (43:37):
Yeah they're and they're leaving with all the energy because
they're not drinking.
Speaker 3 (43:40):
They're like, yo, what are we doing now?
Speaker 2 (43:42):
Yeah exactly. Yo.
Speaker 3 (43:45):
So have you guys heard about this the teenage takeovers?
Speaker 2 (43:50):
Ship? All the takeovers?
Speaker 3 (43:52):
Yeah, where like the kids are just going out and
like yeah, that's warming streets and ship. Yeah, bro, it's
a thing. It's crazy.
Speaker 2 (44:01):
There's a lot of ship's going on right now.
Speaker 4 (44:03):
Bron That ship world worlds the world's wilde thing, get
some turntables and have some fun with music.
Speaker 2 (44:09):
No, please don't.
Speaker 3 (44:13):
No, I thought you were you police on us now
think police.
Speaker 2 (44:19):
Yeah. You also was for your city one of the
best DJs.
Speaker 3 (44:23):
Right, yeah, I did hear about that in Orange County, right.
Speaker 2 (44:27):
Yeah that was Yeah, that was back in twenty seventeen.
OC Weekly gave me a best DJ rig County that stuff. Yeah, man,
that was pretty cool. Yeah. I remember when you posted.
I was like, yeah, that's right. Yeah, Yeah, it was cool. Man.
I didn't expect it, but it was. It was cool
to have that type of you know, recognition from where
(44:49):
you were throwing at you know. I definitely wasn't expecting
anything that. Yeah you're here man.
Speaker 4 (44:56):
Tables for two, Tables for two, we got indigenous hanging
out with us.
Speaker 3 (45:00):
Brow find you online.
Speaker 2 (45:04):
So any anything, whether the's social media or whatever the
funk you're using, chances are I probably got it or
at least preserved it. It's a I N d J,
N O U S. You can find my music on
all streaming platforms. I recently released a single with with
Afro that I produced and then scratches on, So shout
(45:28):
out to Afro I have. I think I have like
four singles total out there. I have my production. I
have one with Blue from Blue and Blue and Exile
and Tanya Morgan, another one with two Max and Life Exil,
and then that first one that I told you that
(45:49):
melomannase on it and I'll soume to come. That's what
I have coming on, So let me let me talk
to you about that coming up is I'm just gonna
be releasing all the music that I've been fucking according
I've been holding on to too much fucking music that
I've produced, and I'm gonna admit that I'm one of
(46:13):
those people that like has to be perfect type of thing,
and that's helped me back from putting things out because
I just like for shit to be done a certain way.
It's important, right, But you also have to know how
to how to let go and just like just let
it be, let it be what it is. So I
(46:34):
gotta I got a single coming out with the Terminology
and radz Cast. I don't have the exact date, but
that's coming out. Another single with rass Casts and Copyright
and something that I just played last night for the
(46:55):
people that was received pretty well I have a single
coming out with sick Jacking, and I'm pretty stoked on that, yeah,
because it's not like it's not it's a feature, but
it's not one of those like, well he just did
one verse, like no, the whole song is Jack and
it's rare that he does like a whole song with
(47:16):
you know, just a producer or on somebody's you know,
albums or whatever. So that should be pretty pretty dope. Yeah,
that's right. Yeah, man, I'm playing for you guys.
Speaker 6 (47:29):
Off off, Yeah for sure.
Speaker 3 (47:30):
I'm always down to here some cycle man.
Speaker 2 (47:32):
Yeah yeah, yeah right, yeah, so hold on, let me
let me just plug in my DAP real hold on. Yeah,
So prior prior to I'll tell you guys how it happened.
I had already sent him a beat, and you know,
(47:54):
he's a busy guy. You know, he's always doing ship
and I had, you know, just and and I don't
like to bother people, like if I sent it to you,
cool and you're gonna get it to me when you
get well. As far as somebody of his caliber, and
time passed and nothing that was like, honestly is probably
like a year and a two years and it wasn't
(48:17):
until they had the opening of uh Tattoo Shop slash
like flagship store that they have in March County called
the Level four itself. Not in RGE or shout out
to them, shout out to Big Tanna and Ui. I
did the opening to the store and during that weekend,
(48:41):
they were in the studio. Well they're always in the studio,
but they were in the studio and one of the
producers he's working with Demon, He's like, Yo, we're gonna
go to the studio and like you want to come through?
He said, yeah, fuck yeah, let's go. And I show
up and I you know, I had my laptop, I
have all the beats on there and ship and and
(49:01):
Jack starts, you know, telling me that, hey, you know,
I know you're saying this Like it's like, I'm not
going to tell you that it was whack. It's not whack.
It just wasn't really speaking to me. He's like, I
recorded to it, I wrote the birds. It's just like
it just it just didn't feel like, you know what
I mean, like as an artist, he just didn't feel
like it was something that showcases him well like this
(49:25):
and you know, I'm not going to take offense to it,
like you know, you're feeling something cool. If you're not,
that's fine too. He's out, but he's like, did you
bring you know anything else that you could show me?
And literally the first beat that I played and showed
him like, he was like, Yo, that's yours. Yeah, it's
all you got anybody on it? Nope, that's the one.
(49:47):
Got it first beat And as soon as as soon
as he's like yeah, just fuck, he's like, bounce it
and just give it to me. It's like, you know,
play it on the on the monitors. Dude started writing
to it, got the first burst down and he was like, hey,
we don't got to stick around, like you can go home,
(50:08):
you know. Was like, I'm just gonna be here at
the studio just writing the ship. And I just told
him like, if you think I'm gonna leave from this
session right now, you're crazy, Like having this experience with
you and what's going on. I was like, bro, like
I've told you when we met, like I when I
was the fucking teenager, I was listening to your music,
(50:31):
so so being the studio here with you, you're writing
to my ship, I ain't fucking me. I didn't end
up getting out of that till like six in the morning.
We got there at nine pm. He he that's how Yeah,
he wrote it. Yeah, he wrote it and recorded it
that night.
Speaker 3 (50:50):
That's dope.
Speaker 2 (50:51):
Yeah, I remember playing like that man in the studio.
Speaker 3 (50:55):
No, yeah, for sure, bro.
Speaker 2 (50:56):
Yeah.
Speaker 3 (50:56):
Shout out. Shout out to Big Dude, Shout out to
the whole cycle.
Speaker 2 (51:01):
Big Duke, Big Duke, Jack and Sacrum has been pivotal
in my career. I feel like because it all started
was working with Big Duke. Big Duke was working on
a record with IMN from the Mexicans and Block McLeod
(51:22):
from the Army of the Pharaohs, and they were doing
a whole thing called Gods of Chaos. And at the
time I had already DJ for for Iman and the Mexicans,
so he kind of was like, Yo, got his DJ whatever,
he's dope, Like, I'm gonna bring him on to DJ
for the group. So that's why I ended up meeting
(51:43):
Block and meeting Big Duke, and you know, Big Duke
curbed me and he's like, Yo, man, you fucking sick
and so and again like to me, you know, I'm
listening to these guys like you know, as a teenager,
to sort of try him to say something like that.
I was like, man, that's lope.
Speaker 3 (52:02):
So.
Speaker 2 (52:05):
Long story sharp, big big dig. Put me onto to
the group. Group gets booked for the first cycle the MAO,
and that's how I end up, you know, the rest
of the cycle round with Cambin.
Speaker 3 (52:20):
Yeah, that's dope. That's what it is.
Speaker 2 (52:24):
From the bottom down.
Speaker 4 (52:24):
You're here saying tables for two, tables hanging out with us, y'all.
We hope you love all the stories if you have.
Like I said before, we got more, got more, but
that that review, I'm just saying, Indigenous, we hope to
have you back.
Speaker 3 (52:40):
A we might, we might hook up the decks.
Speaker 2 (52:42):
I don't know. I think I think we have to
hook him up next time.
Speaker 6 (52:45):
Yeah, next time, we definitely hooked him up. And then
we're definitely going to get it on it. We do
a little session ourselves. Yeah, I'm with it, Yes, sir.
Speaker 2 (52:53):
Tables for two my bat.
Speaker 3 (53:05):
Out Indigenous.
Speaker 4 (53:07):
You know.
Speaker 3 (53:10):
That was almost a there was almost a swept under
the rug there.
Speaker 6 (53:15):
A little bit seems sweepy. D J Gemini, d J
any one Indigenous in the building.
Speaker 2 (53:25):
Thank you for being here, sir, Thank you for having me.
Speaker 6 (53:27):
Man what's his face? We should have been here too
as well.
Speaker 2 (53:30):
Face.
Speaker 3 (53:34):
Hey, I was falling and he and he answered his
face whole face.
Speaker 1 (53:47):
Why you ain't warmed?
Speaker 2 (53:48):
Why don't you worry?
Speaker 3 (53:53):
Yeah?
Speaker 2 (53:55):
I must stop doing that ship, I must stop doing
that ship. Yo, we out so indigenous indigenous.
Speaker 6 (54:12):
You want to mix with d J indigenous indigenous indigenous.
Speaker 2 (54:22):
He's lucky because his fucking abbreviation is literally his name.
Speaker 6 (54:26):
Yeah, thats eight jeez eight m and we outs. This
was shooting the ships suiting the ship.
Speaker 4 (54:42):
Tables for two tables, table tables for We're out.
Speaker 2 (54:52):
I've always liked you to.
Speaker 5 (54:53):
We'd like to thank Lost Tone Pros for leasing us
up with all the beatings for the show. You can
scratch you all of them with the table. He sounds
lost drugs our cuts are correct? Correct? Come on, man,
here's this moment in hip hop history.
Speaker 3 (55:07):
Come on, man, what song is that from?
Speaker 2 (55:09):
Come on man, I don't know.
Speaker 3 (55:11):
Mama said knock you out dog.
Speaker 4 (55:12):
If you heard the very beginning though they had just
done a take, and after he just nailed it, bro,
everyone was like, damn, that was the one, and the
engineer didn't press record, and then right when he pressed Records,
and then the song came on and they were like, hey, yo,
leave that.
Speaker 2 (55:27):
That was perfect. Who are we talking about? Okay, L
cool Jooja.
Speaker 3 (55:32):
L L cool j Ladies love Cool James.
Speaker 2 (55:35):
You understand. There you go, I got you. But we
do have a table for two available
We now return you to while regularly scheduled programs.
Speaker 2 (00:04):
Slash is going on right now. Man, what should we do?
Speaker 3 (00:07):
Get some turntables and have some fun music.
Speaker 4 (00:10):
No, please, don't don't be calling police on us now, police,
that's hilarious.
Speaker 5 (00:18):
But we do have a table for two available tables.
Speaker 3 (00:21):
Tables for the tables for two, tables for two Gemini.
Speaker 2 (00:27):
You heard you heard it from eight a m.
Speaker 4 (00:29):
One tables for two table tables, table tables for two.
Speaker 6 (00:34):
Tables, tables, tables, tables for two tables.
Speaker 2 (00:41):
Yeah, we recorded, Damn. I was just I was just
telling Jim that, uh, this what took me to Tony's
path for the first time. Gemini.
Speaker 3 (00:53):
Yeah word yeah, man.
Speaker 2 (00:56):
Two session house.
Speaker 3 (00:58):
I'm jealous.
Speaker 2 (01:00):
Honestly, to me, that was like a milestone in my
fucking life. I can only imagine legend Nick Master.
Speaker 6 (01:14):
And how how I met Tony. How I met Tony
G is when I was working at Guitar Center. I
was the department manager at the time and m hmmm,
one of the one of my co workers that have
been there before me, he Tony g used to always
go to him. Yeah, so he basically was like, hey, Jim,
(01:36):
did you do you know Tony G is this and
I was like, yeah, it's like the fuck. That's how
I like, I got to know Tony G. Yeah you
know so he used to come in all the time,
you know what I'm saying. So yeah, it was pretty
dope man, He's I was excited to get legend. You know,
(01:56):
Humble knows this ship.
Speaker 2 (01:58):
I mean, he's like I said, he took me over there,
we got the session with him. Yeah, to see him
cutting and body tricks. He was just like like like, yo,
his dude with a gray head. He's still killing it.
No disrespect Tony, Like yo, Yo, that's the way he was.
(02:19):
Oh yeah, killing Tony is nice you know yo. The
way he cuts and all that ship, the way he juggles,
to the way he like the way he was just
all I remember his name to right right, you know,
doing his thing man doing his thing. Crazy. But yeah,
(02:39):
that was the G spot. Yeah, there used to be
a G spot, Hannah Hm. I never went there, but
there used to be a spot right there, okay, right
there my neighborhood and ship. I never went there, so
I didn't get to meet him at that time. But
they used to be that chee spot there and so
it was cool to finding it, you know, for you
(03:01):
to take me over there with him, and to me,
it's like, you know, we all know, you know, so
to have met you know, one of your you know
to me that I was you know, I was a kid.
Like that's one of my favorite songs and ship you
know la, you know, it's like to meet.
Speaker 3 (03:18):
The shout out to Melomannes.
Speaker 2 (03:21):
Shout out bro.
Speaker 1 (03:23):
So a.
Speaker 4 (03:24):
It's fun fact. Last night at Sunset Room, meloman and
he showed up. He was hanging out with us.
Speaker 2 (03:32):
Yeah, so here's another fun fact. Melomannase is on my
very first single, oh shit, on my very first thing,
like on my very first single, I have I think
I'm not sure if has got plant hum now, but
at the time it was gold, so I had Melimannaes
and then I had fucking a Kill from Jurassic Five.
(03:54):
It was on my first singles, which was also for
sure at least gold on one of the J five records,
and then the Homie uh Ariano and my self production
and cuts taking it back on all platforms.
Speaker 6 (04:11):
You can check that out his promotion.
Speaker 2 (04:16):
You know, but honestly, like looking at it like damn,
like like I said, like, this is childish ship. I
get to have Meliman Melimannase my first single, Like bro,
what the yeah? That was pretty cool. Well you're here
here he was.
Speaker 3 (04:32):
I remember one time too. I ran into the cuts
life right.
Speaker 4 (04:39):
It was the Long Beach Grand Prix and I was
out there with Joe Grande and I was DJing. But
it was funny because he was doing the show and
then I was just like DJing and then all of
a sudden, the engineer like hit my leg and he
was like.
Speaker 3 (04:55):
And I was all looking around. I was like, it's
you're talking and then and that's what I'm like, who's that?
And he's like always smell Maynaise?
Speaker 4 (05:03):
So and okay, so mind you when when I used
to to work right there, I used to go out
with no laptop, so I'm like with records. So I
pull out and I mix it in and they hear
it and he starts looking and he's like looking because
he's like literally right here looking over me to his right,
and he's like tripping out, like wait.
Speaker 3 (05:24):
This was got the record?
Speaker 4 (05:26):
So then he signed my my record that day. Yeah,
it was just with the regular sharp but I was like, oh,
that's all I got it don't matter.
Speaker 3 (05:34):
Just just sign it.
Speaker 2 (05:35):
Yeah, that's just sign it. That's history for us, you know,
as Latinos in the fucking in the hip hop community.
It's like that's a big deal at it. A lot
of the times, you know, recently on Twitter they were like, oh,
you know, Latinos are guests in the House of hip Hop.
Speaker 3 (05:55):
Bro.
Speaker 2 (05:55):
We were literally there from start, you know what I mean?
Speaker 4 (06:00):
Sure, hey to DJ's four turntables. This is tables for two.
Speaker 2 (06:04):
Hey, I was I was about to drop the S
bomb right now.
Speaker 3 (06:11):
Yeah, don't get all Harry Potter on us. We were like,
you ain't even.
Speaker 2 (06:27):
So my bad, my bad, yo.
Speaker 6 (06:33):
Not only did we do the the invitational, you also
did the art show too as well.
Speaker 4 (06:38):
We did the s f S art Fest, which was
so dope. Shout outs to prolifics pics and having us.
Speaker 3 (06:44):
Because it was pretty dope. He gave us a whole
ten by ten uh like area, and.
Speaker 4 (06:51):
We had the alley team, we had the supposed to,
we had our cart going. It was dope to see
all the all the demos that were going on. I
Q here, Red Madic Baboo and then also the kids
of the Institute of Sound where they're too dropping it.
Speaker 3 (07:06):
So bro, the whole thing was dope.
Speaker 4 (07:08):
If you got that episode, it should have peeped that up, right,
and then the.
Speaker 2 (07:12):
L GP that that's dope. No, I think it's crazy.
Speaker 4 (07:19):
Right, I think it's I think it's amazing that the
like the steps to be junkies have taken to just push.
Speaker 3 (07:29):
The boundaries of what it is that they do, you
know what I mean, Like, that's crazy, it's dope.
Speaker 2 (07:35):
Honestly, I think back, I'm just like, damn, you guys
are lucky. Fuck. I wish I would have had that
when I fucking started.
Speaker 3 (07:40):
Yeah, there was nothing like that.
Speaker 2 (07:42):
There was nothing like that. Yeah, it was all good man.
I imagine what that could have been like had we
had something.
Speaker 6 (07:48):
Yeah, but you know I wouldn't I wouldn't trade it
for nothing, though, no, no.
Speaker 2 (07:53):
No, yeah, yeah, but that's a huge fucking advantage.
Speaker 4 (07:57):
Back in the days, thought it was like, yo, a
magician never reveals this trick exactly, so like that was
part of the mistique of what it was, you know,
it was like hey, but then also these things were
being performed by the person that created them, Like, yo,
I'm not showing this till that's the battle.
Speaker 3 (08:17):
You know what I mean. And now it's just okay.
Now we know what the playing field is. Let's go
out there and learn these.
Speaker 2 (08:23):
I'm gonna go DJ dam. I don't want you to
see my track. We talked about that too.
Speaker 3 (08:31):
Yeah.
Speaker 2 (08:32):
I don't know if they still have it, but you
know you could play Pong on that ship too. What pong? Bro? No,
I swear open it right now, go check it out.
But I forgot how what version they had it, but
(08:54):
that was I know you could play pong with the
fucking records. We move the fucking pads. You're you're I
put this on any ding? No, I swear you see no, no, no,
I did it. I just I don't use.
Speaker 3 (09:08):
Vinyl records to play Serrato pong, bro. Stop playing. It's
on YouTube. It's on YouTube.
Speaker 2 (09:14):
What what uh?
Speaker 3 (09:16):
Vinyl Serrado Scratch Live Easter. It just say Serrato scratch.
Speaker 2 (09:19):
Though, I'm just saying scratch live.
Speaker 3 (09:23):
Hold on, let's see, hold on.
Speaker 2 (09:24):
When you guys don't have scratch no more? Hey, my
my old laptop they got scratch on it. Got me
opening my sado right now. I don't think you could
do it on this one anymore. On the DJ Pro.
Yeah you can do that scratch scratch live head of
that ship.
Speaker 3 (09:41):
Though, Yeah, it says that it was on Scratch live.
Speaker 2 (09:44):
See see I'm not lying.
Speaker 4 (09:49):
Yeah, so Jem and I. I'm opening the video right now,
and they definitely have two they have two records right there,
and it seems like they're playing pong.
Speaker 2 (10:02):
Yeah that's crazy.
Speaker 3 (10:03):
I told you, yo, So what the hell?
Speaker 2 (10:07):
I can't believe you guys didn't fucking know about it.
Speaker 3 (10:10):
This is the I we gotta I want to I
want to do it, yo.
Speaker 2 (10:15):
You it's not lying, but they need they need to
bring that ship back, do some other ship, maybe add
the colored version to it. What the little fucking bars
on it?
Speaker 4 (10:26):
That's pretty dope. I'm not gonna lie. That's pretty dope.
That's fun. That that's fun. I like it.
Speaker 3 (10:32):
I like it.
Speaker 2 (10:33):
Only nerds like us with black ship like that.
Speaker 3 (10:36):
Okay, So bringing up just games to play live.
Speaker 4 (10:40):
So as you saw when you came in, you were like, yo,
only eighty M one would be like listening to himself.
Speaker 2 (10:46):
I was gonna say, only eighty M one walk into
this place and eighty m is watching himself djatigue myself,
damn all right, that's the normal thing for him. Yeah,
So at the same time I understand, I get it
and get it because he's like, okay, right now, he said,
I'm going to contigue myself. That's cool.
Speaker 3 (11:05):
But because it's like, yo, did I sound like an idiot?
Did I look like an idiot? Because like, okay, when
I want to streak, I know, because I'm an idiot.
So it's like, but how bad like on the idiot scale?
How like how many idiot points do I get? You
know what I mean? So something I.
Speaker 4 (11:19):
Wanted to do and I found out and it's like
a game a little little different than Pong. But okay,
so I do a lot of chat codes where you
have to enter something in the chat in order to
enter the game.
Speaker 3 (11:33):
Right. So this game that I found it's a mosh pit.
Speaker 4 (11:37):
So look, anyone that enters Excel make explanation mark join right,
it automatically will make that person appear in this mos pit, right,
And then you have like two minutes to join, and
after everyone's in there, a mosh pit will start and
everyone has their own name, and then the last.
Speaker 3 (11:59):
Person would win a price.
Speaker 4 (12:01):
And then if you were like say, there was like
all of us in there. Everyone would mash for a
certain amount of time and as the people get knocked out,
like say you get knocked out now every every like
five seconds.
Speaker 3 (12:14):
You could throw a bottle into the.
Speaker 6 (12:15):
Crowd saying you get knocked out like your avatar.
Speaker 3 (12:20):
You know what I mean, your avatar.
Speaker 1 (12:21):
It's like a game.
Speaker 2 (12:22):
This is like the online.
Speaker 3 (12:23):
Ship that I play on.
Speaker 2 (12:25):
Because I can't do that ship right, I'll get mad, Bro,
I'll start socking people. I can't. I don't play that ship, bro.
Speaker 3 (12:33):
But that's what I'm saying.
Speaker 4 (12:33):
So like, Bro, it's either that or I'm putting the
chicken head on, Bro, Like, come on different, chickenhead better?
Speaker 3 (12:40):
Noh, chicken head.
Speaker 2 (12:42):
Chicken put on whatever mask you I got a unicorn,
the full fucking suit.
Speaker 3 (12:47):
No, there's no full suit. Put him on an ap hooks.
Speaker 2 (12:50):
I don't know. You could. You can come scratch with
hook You can come out as fucking stitch like merd
when he came out and performing Definite, came out dressed.
Speaker 3 (12:58):
That stitch stitch that I wanted to get.
Speaker 2 (13:05):
You should do the fucking pajamas with the foot on it.
Speaker 4 (13:09):
Oh no, yeah, no, I wear one. Like during Christmas,
I was wearing desies the whole time. There you go,
I know I'm that guy.
Speaker 2 (13:17):
Sounds like, hey, it's extreme.
Speaker 4 (13:20):
This is like because if you tap in and okay,
So like on Tuesdays, Jay One actually got me on
his rad train, So on Tuesdays the next four Tuesdays,
eight o'clock, I'll be on.
Speaker 3 (13:36):
I know, I'm excited about it.
Speaker 4 (13:38):
It's exciting when I get to play hip hop for
people that want to hear hip hop.
Speaker 2 (13:43):
See mine, Mine is the opposite because I'm always playing
fucking hip hop. Ship. You're like, I like, I like
when I get to play please I'm trying to play
K pop bro what but I like, I literally like
doing like my like my club gigs, you know what
I mean. I like to play like other ship besides
(14:05):
just hip hop. And yeah, usually my sets, like you know,
you guys have done it yourself. Like when I've got
to check you out at fucking you know, at your
guys' gigs, I'm not gonna tell my name because they
don't deserve it say the name.
Speaker 3 (14:20):
We don't need to make that famious exactly.
Speaker 2 (14:22):
So yeah, just like I like to do all kinds
of different things, and you know, it's fun to see
certain group of people dance to certain types of music
that they normally wouldn't dance.
Speaker 3 (14:36):
To when you know they're drunk.
Speaker 2 (14:39):
Yeah, yeah, when you know they're drunk. Hey, bro, you
know what's that twelve o'clock kids?
Speaker 4 (14:43):
You know I will say this, Okay, like mixing in
my house, I can't get into playing that type of
set because like then I want the ratchetivities and it's like, yo,
I'm just living you know what I mean. I'm like, Yo,
I'm not gonna like no, Little John is just me
and my house getting all this.
Speaker 2 (15:03):
Let's just start to say sending out the random text
and no.
Speaker 4 (15:08):
But I'm saying like like when you're at a club
and then you see the crowd all of a sudden,
it's like all right, cool, Like.
Speaker 3 (15:15):
I can get into this now I'm at home. I'm like, yo, yourself.
Speaker 2 (15:20):
Yeah, because when I'm at the club, Bro, the DJ
booth is lit? See DJ booth is it? BROI isn't lit.
Speaker 3 (15:31):
I'm not gonna like.
Speaker 2 (15:34):
Here, Ali's been there. This motherfuckers giving out fakes rock yes,
fake rah fake? Is that what you got? The restaurant?
Speaker 3 (15:45):
This brought the fakes?
Speaker 2 (15:47):
This will but they drink the actual SAQ and then
and then filled it up with some fucking random vodka
ship in there, and then he's like, hey, who wants
some shots? And obviously they see the sarrak bottom. So
just putting out.
Speaker 3 (16:02):
But I'm not gonna lie.
Speaker 4 (16:04):
The rocks rocks delicious sponsor bite just kidding. No, No,
we don't please don't, don't. Don't send us any gifts.
Puff daddy, we don't want it.
Speaker 2 (16:14):
We don't want it, yo.
Speaker 6 (16:19):
So just shooting the ship ship ship ship, anybody got
some more vodka?
Speaker 1 (16:26):
Ship?
Speaker 3 (16:29):
He popped up real quick.
Speaker 2 (16:31):
I'm good. Yeah he did this. It's the summer watermelon.
Speaker 6 (16:38):
No, that ship, that's ship right there. I ain't gonna
yeah that ship that should definitely tastes.
Speaker 2 (16:43):
By the way, I'm not getting paid for this. I'm
just reading the label. So good.
Speaker 6 (16:47):
If you do get you know, check in the mail.
Make sure the male ten percent this way, ten percent
that way.
Speaker 2 (16:53):
You're good. You keep the rest that's like ten cent.
Free to send me stuff they don't want to. I
will gladly take it.
Speaker 3 (17:05):
No, I know, we heard what you said.
Speaker 2 (17:07):
We heard what you said.
Speaker 1 (17:07):
Pause, some spooky ship.
Speaker 3 (17:19):
Don't drop the drop stop.
Speaker 2 (17:36):
So going back to the to like you know, when
you do club gigs, how do you have your like,
do you have like a pre plan set or are
you just somebody that goes off you know, the fly
me personally, like, I'm just going off crowd. Bro, I
don't go in there saying like, oh, I'm going to
play this probably certain songs that I want to play
that night. I'm like, okay, I want to try and
(17:58):
incorporate these, you know. Yeah, But for the most part,
I it's just on the fly, like I'm just going
off the crowd.
Speaker 6 (18:03):
And see that's the same. That's the same thing with
me too as well. I don't have like a set playlist.
It's on the fly as well. And I'm pretty sure
it's admins the same way.
Speaker 2 (18:14):
I think it's important because you got to read the crowd. Yeah.
Speaker 4 (18:16):
I find myself a lot of times when I'm mixing
constantly going to the search window and then I'm like,
I'm playing a song and I'm like, oh, I want to.
Speaker 3 (18:25):
Play this next. I want to play this next, Like I.
Speaker 2 (18:27):
Like, but you how are your crates? Okay?
Speaker 4 (18:34):
This is the other thing too, that a lot of
times I don't like to play like I have crates
crate already like dope playlist.
Speaker 3 (18:42):
But then I'm like, I don't I don't.
Speaker 4 (18:48):
Like necessarily that it's always showing me all the BPM together,
all the you know what I mean. So I like,
I like to go out like if I'm in a crate,
then to me, I'm more so like, Okay, I'm gonna
I'm gonna play it safe, like because like we'll be
having well we had a gig yo, I'm tossed. I
need to get in this crate just so I don't
(19:09):
have any options. But also I'm not the type of
person where I just download everything, Like I don't have
like nineteen versions of the same song in my laptop.
Speaker 2 (19:18):
I don't either, And which is gonna bring me to
the next thing? Like I think I told Jim about this.
I have the fucking title integration on the Serado.
Speaker 3 (19:27):
Okay, so you stream your music that you play for.
Speaker 2 (19:29):
Certain ship because like like you said, I'm not the
type to just download everything. I'm not gonna download everything, bro.
Speaker 4 (19:36):
Yeah you know, but why do you need all this
stuff that you might not.
Speaker 2 (19:40):
Lay it whatever? So I literally like, either, how does
that work for you?
Speaker 3 (19:45):
Is that work? Fuck?
Speaker 2 (19:47):
Yeah? Title is he actually put me onto it.
Speaker 6 (19:50):
You fucking I was like, Yo, they got they got instrumentals, Like, yeah,
they got instrumentals, they.
Speaker 2 (19:55):
Got an instrument and now you with the stam ship
that you could still stem all that ship.
Speaker 6 (20:00):
Yeah you don't even need that game. But that was
way before STEMS even came.
Speaker 2 (20:04):
Yeah, but I will tell him. I was like, Bro,
I'm using title like you know, show up to get
some a do you have this? And I'm just like
it's more than like more than likely that you know
that I fucking have what you're asking for, which brings
me to another thing. Don't come up here in fucking
re question. Bro. Well you know people don't understand that.
(20:26):
I don't like that. Maybe I shouldn't phrase that, like
I understand you want to hear you know, obviously the
usual there right now? What what do they say right now?
I want to hear bad Bunny. I want to listen
to bad Buddy, which is cool, that's fine, Like I
don't have nothing against that. I'm gonna play bad Bunny.
(20:48):
It's just nine o'clock and I just fucking got here,
Like you just want me to play all the banging
ship right now? Because you hear you're about to leave.
Nah fuck that, don't we question.
Speaker 1 (21:01):
Ship.
Speaker 4 (21:02):
It's funny because okay, like as as a DJ to
you kind of like especially if you're gonna be there
the whole night, or if you're only doing an hour
or whatever whatever you're gonna do, like you almost have
a plan because you know how you want the whole
night to go.
Speaker 2 (21:16):
Yo.
Speaker 6 (21:16):
Listen, man, that's why I told you want Yo. I
don't want to be at the edge of the stage.
What are you talking about. I want to be next
to the wall. I want to be inside. I don't
want to be bothering.
Speaker 2 (21:24):
Because he knew everyone, they're still gonna find a way
one and the other shode.
Speaker 6 (21:32):
We talked about it, not trying to bring it up,
but one dude kept on requesting song. I don't like people, son,
I don't like you. No, no, but you know you
know what I mean. I don't like I don't like
like like inconsiderate people.
Speaker 3 (21:47):
Tell him you're from New York. Let him know.
Speaker 2 (21:49):
No, I don't need to say that. Take coffee.
Speaker 4 (21:51):
It's like, I don't I don't need to tell him that.
I just got to tell him I don't like people.
Speaker 6 (21:54):
You know, I think it's time to stop this podcast.
Speaker 3 (21:57):
Man, sounds like you need some water.
Speaker 2 (22:01):
So this is this is my solution. Before they even
come up to me, I'm already flashing this thing.
Speaker 6 (22:07):
He got the phone flash that already ten dollar request, right,
So so what he does request when he's at my
crib and be streaming, right, We'll be streaming to like
like three in the morning, and ship literally, yo, he
will pop because we go back and forth. Yeah, he
will pop that ship out when I'm DJing and put
it in front of the camera so they can see
(22:27):
and ship. And he got all types of different scenes
on that ship. And I'm over here reading the comments
is coming on and ship, and then I see him
you don't.
Speaker 2 (22:35):
Know what's going on and just be putting in front
of the screen. They're commenting to me, and Jack's going around,
why did he save this ship? And then he looks
at the little Oh that's what happened. But he uses
that and ship. So I already try to come in
with that.
Speaker 4 (22:50):
It is real though, because I just saw this clip.
I don't know if you guys saw this with this
lady that sued the DJ.
Speaker 3 (22:57):
For not playing her request. Nah, yeah, she didn't win. Her.
Speaker 4 (23:02):
But but yeah, I mean it was a TV court,
so yeah, go figure.
Speaker 2 (23:07):
But yeah.
Speaker 4 (23:08):
But and and it's funny though because a lot of women,
because it's not usually a dude that comes unless they
will bring yourself, but.
Speaker 2 (23:18):
It's both, but it is most of the time it's.
Speaker 4 (23:20):
Women and they just expect you to just play the song.
And it's like, okay, maybe.
Speaker 2 (23:26):
You know what you know what I like about about
that interaction When it's like a nice looking woman, you
can tell that you know she's uh probably had certain
privileges due to.
Speaker 3 (23:40):
Her she thinks she's gonna get it.
Speaker 2 (23:42):
She thinks she's gonna get it because you know.
Speaker 3 (23:44):
She's so confident you're just gonna do.
Speaker 2 (23:47):
It at me and just like, oh you know that
whole thing, and.
Speaker 3 (23:52):
It's like, it's no, it's fun to shoot him down though.
Speaker 2 (23:55):
It's so fun.
Speaker 4 (23:57):
It's so fun, especially when it's a bad request, like
does not even remotely sound like.
Speaker 6 (24:03):
That's why I'm always next to the wall because I
don't want to do with that.
Speaker 2 (24:06):
Which is why I hit them with the fucking yo
ten dollars.
Speaker 6 (24:09):
And there's some people, there's some people actually come up
to us that was giving us twenty dollars a song.
Speaker 2 (24:14):
Yeah, there there's somebody gave me one hundred bucks to
play fucking tupac.
Speaker 3 (24:18):
I said, yes, hey, right, You're like, yeah.
Speaker 2 (24:22):
You woman, I want to I will take that.
Speaker 4 (24:25):
Yes, you almost look at it like damn, that was
already loaded, which.
Speaker 2 (24:31):
Has actually happened to like when they're gonna make a
request and I'm just like, damn, I was literally gonna
play that.
Speaker 3 (24:37):
Already, but yes I will.
Speaker 6 (24:39):
I can't hold you something that would be the chap
at the end of the night.
Speaker 2 (24:44):
Yeah. I came back from from some gigs where I'm
just like, damn, quest ice.
Speaker 4 (24:50):
D Yeah, and then and then now I DJ at
my house and I'm like, yo, shout out to uh
to Gemini dropping them twenty five bitties gem.
Speaker 2 (24:58):
And I be if I said, on yo, somebody send
a lion. Lion, send the galaxy about TikTok. So what
the graphics? Graphics when somebody sends you a lion, that's
that's one of the most expensive things that a lion.
A lion, So that motherfucker comes out like a cave
(25:19):
of little animation.
Speaker 3 (25:22):
But only on the phone.
Speaker 2 (25:23):
Yeah, the phone.
Speaker 6 (25:24):
If you want to compute, right, if you want to.
Speaker 2 (25:26):
Whatever when you're using that.
Speaker 6 (25:28):
When you're that, yeah, we'll come out you see that
motherfucker raw.
Speaker 2 (25:33):
You know what I'm saying.
Speaker 3 (25:36):
I like to do it again.
Speaker 2 (25:37):
This was something he sounded like the laugh right now, courage.
I don't know. I don't know how much stupid how
much the lion, cause I just know it's expensive. So
for you, what is that? That's nice? But yeah, so
(25:59):
somebody gives you want to out on your streams, like
you're gonna get a nice junk money, you know.
Speaker 4 (26:05):
So we were talking about organizing crates, right yeah, and
like okay, like how are you GEMENI because I know
you have a new laptop, So how are you going
about the new laptop and organizing your crate?
Speaker 6 (26:19):
Well, it's actually taking me some time with this one, man,
because I don't want to stick make the same mistake
as I did on my own. Yeah, like I got
files upon files inside my crate like it would be
like throwby throwbacks reggae thong.
Speaker 4 (26:34):
I know at one time you were telling me you
were trying to organize everything so that it all had
its year.
Speaker 2 (26:41):
Yeah, it's crazy.
Speaker 3 (26:43):
Yeah, I don't think I've ever looked at this.
Speaker 6 (26:45):
So pretty Yeah, so pretty much what I do is
I put the year down. If it's the year is
not on there, I look it up put the year
in it. Yeah, and then that way so safely. Instance,
if if I want to do like an eighties party
or some shit like that, I just type in the
eighties and everything from the eighties will pop up.
Speaker 2 (27:00):
That's gonna be searching.
Speaker 3 (27:01):
Hey, but what when people say eighties? Dog, like, what's eighties?
Speaker 2 (27:05):
Which are you gonna want to fucking like the what's
what's that music called?
Speaker 4 (27:13):
I like to call it like KBOK flashbacks like that
you want me to play like, well, that's why, that's
why you you dated?
Speaker 2 (27:20):
And you know what I'm saying, because you're gonna have
a little bit of that, which, by the way, like
that's one of the beautiful things about the title ship.
Speaker 3 (27:26):
You can type that you could you can just go
into those playlists, go into.
Speaker 2 (27:30):
Those places are already you know, and and after.
Speaker 3 (27:36):
You hasn't ever thought about that?
Speaker 2 (27:37):
And after you select these fucking the track you, after
you put the Q on them, when it pops back
up the VPM, the key and the keys will stay
in room. Yeah, definitely does.
Speaker 6 (27:48):
And you know what I like about it too, is
like whoever subscribes to me, they cant request, you.
Speaker 2 (27:53):
Know what I'm saying. So then when they ask, when
they ask for a song, subscribe, I still make personal
and then.
Speaker 3 (28:05):
You don't need to say DJ. It's already in the name. Yeah.
Speaker 6 (28:10):
Yeah, if I don't have the song and I just
type it in, and you know, that'd be the easier
way of just doing it.
Speaker 3 (28:14):
You know.
Speaker 6 (28:14):
Wait, so you are using the title now, yeah, I've
been using that's right. Yeah, I've been using that ship
my ship right now, you're welcome.
Speaker 3 (28:22):
Shout out to jay Z.
Speaker 2 (28:23):
Right. That's well, I think he sold it already, already
made his money, he made. But yeah, beautiful thing. I honestly,
I'm surprised like Spotify or Apple didn't jump up the ship,
especially Apple because like most of us used fucking Apple computers.
Speaker 3 (28:41):
For Yeah, well, they were more.
Speaker 4 (28:45):
They were more worried with the beats by dre out
doing everything that they that they were doing.
Speaker 3 (28:49):
So we'll buy that one.
Speaker 2 (28:51):
But title slot now they have the karaoke ship on that,
I guess. But yeah, my my, my crates, like I
have a photo where it's just like all like new
new club stuff. You'll put that man other than that,
(29:12):
Like I try to, I try to do by genres,
but sometimes there's those ones that kind of.
Speaker 6 (29:16):
Like it could be this between. That's the problem I
be having too as well.
Speaker 2 (29:22):
So but I just try to generalize shit. Man. At
the end of the day, like I just I still
find myself going to the search bar like I kill you, you
know what I mean.
Speaker 4 (29:32):
I feel like that's that's almost like digging in the crates,
you know what I mean, Like, like you hear a.
Speaker 3 (29:37):
Song like like did you guys are talking about the key?
Speaker 4 (29:40):
If you were to just go off of fault, this
sounds good, it would be what you are already are
thinking in your head, you know.
Speaker 3 (29:47):
But that comes with experience.
Speaker 4 (29:48):
Too, because I mean, if you haven't djan that many
gigs or that many times, so where you're like, oh,
I've mixed this song with this whole list in my head. Yeah,
you know what I mean, you kind of kind of
can go anywhere well and don't.
Speaker 2 (30:05):
I'm pretty sure it's the same with you guys, where
I already have certain songs that I know go good together,
that I've done, I know it works and that you know,
just for whatever reason, I like the dude because I
know it works, so I know I'm going to get
results from me, you.
Speaker 3 (30:22):
Know, especially too, like if you're doing a club gig.
Speaker 2 (30:25):
I mean, yeah exactly. You know with with the club
gigs that I do, a lot of the times, they
they don't know what or what to expect, as you
could say, so you know, being able to fucking just
(30:48):
play certain ship and still have that reaction rule or
sometimes like something might not work and have that thing
where you're not gonna gets productor that's good to have those.
Speaker 3 (31:00):
Yeah, Gemini knows. I'm the guy that will play things
that don't work a lot.
Speaker 2 (31:06):
Oh please tell me no, yeah, yeah, yeah, what happened
with this?
Speaker 1 (31:11):
No?
Speaker 6 (31:11):
I just like it's just like nothing for yo yo,
put it the floor, be pat okay, people dancing and
having a good old time.
Speaker 3 (31:20):
Like to take risks.
Speaker 2 (31:21):
There's nothing wrong on saying Wrong's not but I want
to know exactly what kind of risk is this for taking,
because because we have a pack, the risk, the risk.
Speaker 6 (31:31):
Of clearing the whole dance floor.
Speaker 4 (31:35):
Hey, to the point where I had him and man,
he look at me like, Dick, what the fuck did
you do? And I'm like I'll get him back, And
I did have him back, like in like two songs.
Speaker 3 (31:43):
Everyone started coming back Cemi, so do whatever?
Speaker 2 (31:47):
Three four songs?
Speaker 3 (31:48):
Okay, so what yo?
Speaker 2 (31:51):
At that point? At that point, I'm kind of nervous,
did yo? Let me tell you. He will keep on going. Bro,
he won't care, You won't give a fu. You just
keep on going.
Speaker 6 (31:59):
Yeah, we don't playing, He'll play like fucking four songs.
What made them fucking bone out from the dancing Gemini?
Speaker 3 (32:07):
Listen?
Speaker 2 (32:08):
Okay, but you're not telling me what it was.
Speaker 3 (32:14):
It doesn't even matter. Hey.
Speaker 4 (32:16):
Hey, there was a couple of times where I played
the Visionary ship because I was like, well, now I'm
gonna listen to visionaries.
Speaker 3 (32:21):
They all left anyway, so I don't give a fuck.
Speaker 2 (32:23):
See, i'd be doing ID be doing.
Speaker 6 (32:24):
There's nothing wrong with that. But what I'm saying is
you have them like they did, it's like packed. You
don't see not you don't even see the dance. That's
not because it's packed. This this motherfucker would just get into
it and it'd be some crunk ass ship slam dancing
as ship that they don't want to even listen to.
Speaker 4 (32:42):
Hey, no, look, look because I liked it, Like, look,
I like to play a lot of trappy ship.
Speaker 6 (32:49):
Now you're supposed to do that when you want them
to go to the bar and get some drinks.
Speaker 4 (32:52):
And and there was a point where like no one
wanted to hear any more trap ship. And He's like, yo,
just don't play it because they don't like it, and
I'm like fuck them.
Speaker 3 (33:09):
And Gem and I is like, nah, Son.
Speaker 2 (33:11):
Look at Jem's still bad right. I know he's still
bad over, but I don't care, Like, no, no, he's
not about And then okay Jem, but then had headed ass.
Speaker 3 (33:20):
But eventually we found our way to be able to
slip it in right or wrong. Yeah, okay. So I
had to him know that it's it's gonna happen whether
you like it or not.
Speaker 2 (33:28):
But always on that you always on that ship. So
I want to get crazy crazy man.
Speaker 3 (33:39):
Come on, son, Yeah, I like to party. Like the party.
Speaker 6 (33:43):
You like the party.
Speaker 2 (33:45):
You like the party one.
Speaker 3 (33:50):
The time, party all the time.
Speaker 4 (33:52):
The time, telling you, son, bront want to party?
Speaker 1 (33:59):
Will be dog them?
Speaker 2 (34:00):
Then go home.
Speaker 3 (34:01):
I'll just play this is I'll get him back.
Speaker 2 (34:04):
This was just took a few bumps right before they
started seeing that you just get to see it. Notes Gemini,
edit that out.
Speaker 3 (34:17):
It comes.
Speaker 2 (34:18):
We're just kidding. We don't condone anytime.
Speaker 4 (34:21):
Edit that went out to many. Sometimes I do like
to push them below and.
Speaker 2 (34:28):
Which is good. But yeah, you gotta you gotta know. Okay,
well look unless yes you do. You do know because
every time I did it, I knew that it was risky.
So you just the fucking disregard just risk taking. Don't
give a fuck.
Speaker 3 (34:47):
I told, like Gemini said, sometimes they all.
Speaker 6 (34:50):
Need to go get a drink, not in the beginning,
so I'm like, okay, when they already got their drinks.
Speaker 4 (34:56):
Bro, First off, look it was this is probably like
at like ten fifteen, so they shouldn't be dancing yet.
Speaker 3 (35:01):
Anyway, We're still fucking doing our things.
Speaker 2 (35:03):
So okay, let's say let's say it's fucking midnight. Right,
we're in Calorna.
Speaker 3 (35:08):
I won't take that many rests.
Speaker 2 (35:09):
Hold, So we're we're in California. So all the fucking
spots close that to you? Yeah, we know they don't
both they closed before because they want to get out
by too. What is a song that you're like, Okay,
it's midnight, I'm about to bust this one out right now,
and it's just like a something that you just like,
(35:30):
this is something I gotta play right now. That's appropriate
for this time. Gotta club midnight? Yeah around midnight?
Speaker 4 (35:37):
Well, I know, I know, I always we kind of
always gauged midnight as like, okay, anytime after midnight, we
can play eight no Fun, okay after min Like that's
an after midnight song.
Speaker 2 (35:51):
I've played it before, but I feel it's a hit.
But yo, on a real man, I don't want to
hear that ship no more.
Speaker 3 (35:57):
Bro. I feel like I got a dope remix of it.
You might.
Speaker 2 (36:00):
I feel like it ain't no fun. It's just one
of those like safety songs, Like.
Speaker 6 (36:06):
You know, the thing is is like you're gonna need
a break, that's the song to take a break on, like.
Speaker 2 (36:10):
Real talk, because you're gonna let the whole thing go through. Yeah, yeah,
which is appropriate because you want to listen to all
the verses. Yo.
Speaker 6 (36:22):
Participation, absolutely participation.
Speaker 2 (36:26):
So I had I was DJing the show, uh Valentine's Night,
and it was with with baby Bash. I want to
say mister Capone, Mister Capone or little Rap one of
(36:48):
those two and then and MC magic. Okay, right, it's
the set right before the headliner comes out, see Magic's headlining.
And I decided to take a risk. You know, I
was just playing mostly just like you know, hip hop,
(37:11):
R and B ship nineties, early two thousands, some some
of the newer stuff. And I decided to take a risk.
And I mean, it's kind of not a risk, but
it was because considering the crowd and the show that
(37:31):
it was, what would you play? I played the fucking
the bad Badmond, the fucking what what is that? You've
never heard it? Bro?
Speaker 3 (37:44):
What what is that? Something?
Speaker 1 (37:47):
No?
Speaker 2 (37:47):
No, no, let's see. Let's play for you. And I
know that Twitter is listening to this podcast. They're very
familiar with this song as a hit. Like I don't,
like I said, I don't know how you don't know
what it is? Yeah? You know right? Okay, I played
(38:22):
it whole fucking crowd. Webing not singing it word for word,
where for work, And like I said, it was a risk,
but it wasn't at the same time because it happened
to be like the number one song. But you know,
there was a risk considering where you were where I
was at. But you know, I I was thinking, Okay,
(38:42):
most of us here latinos. You know, we've been listening
to more than just the hip hop stuff. But yeah,
just because where I was at, I was like, damn,
I don't know how how.
Speaker 3 (38:54):
And it was it was Valentine's Day.
Speaker 2 (38:56):
It was Valentine's Day, so I was on you know,
I was definitely trying to stick within the theme, you know,
like love yeah, lovey w ship you know, and it
was going at.
Speaker 4 (39:05):
Least you didn't eat that one You didn't play that
one song where you said I could eat you all day?
Speaker 3 (39:10):
Have you heard that?
Speaker 2 (39:11):
That's what he just said.
Speaker 3 (39:12):
That's him. That is a song, that's what eat you
all day? That's what he said. Gemin Yo, that's what
he said, right.
Speaker 2 (39:20):
Just don't need for the Gemini sons. Don't need saying
that ship, no need for that song.
Speaker 1 (39:28):
You looked at me.
Speaker 3 (39:32):
Staff on that ship.
Speaker 2 (39:34):
Not what that looks.
Speaker 3 (39:37):
He said, Yo ha me thinking that was like.
Speaker 2 (39:42):
Right, Gemini, like what it's crazy?
Speaker 3 (39:48):
What did you press recording?
Speaker 2 (39:51):
This been recording son all?
Speaker 3 (39:53):
So yeah that was a song.
Speaker 2 (39:55):
Yeah, yeah, that's the one that's I was like, I
know you know this song, so whatever you wan and
that's see, those are the risks that I feel like okay,
cool like ticket, but.
Speaker 3 (40:04):
Yeah no the promoter even like some weird trap remix
of it.
Speaker 2 (40:09):
Like see that's the thing, Like you gotta come on,
so you gotta read the room. Bro, what do you.
Speaker 3 (40:16):
Got coming up? What do you got coming up? Any
of these shows and you got coming up?
Speaker 2 (40:21):
Well, I have my I have my DJ residency and
Big Bear, So I'm up there twice a month. That's
coming up next week. Today is Saturday, So next Saturday,
I'll be up there. Other than that, you can catch
me at the Garden app. My next show at the
Garden Aap is on the seventeenth with the Homeboy, Sam
Man He Turned and Lisa Vasquez. Uh what else I
(40:45):
got coming up? Back to Basics? Has ever been back
to Basics or heard about it?
Speaker 3 (40:52):
Ye?
Speaker 2 (40:53):
Back to Basics on June June twenty fourth at the
Garden app Crazy lineup, crazy.
Speaker 3 (41:00):
Crazy logo with like the issues right.
Speaker 2 (41:04):
Yeah they have that. Yeah, so that one's gonna be
with uh headlining, Uh mob Deep obviously you know a
Prodigy re Peace, some Havoc rappernoid and.
Speaker 4 (41:26):
I think l e s Yeah, shout out to be
Tapamous out there too.
Speaker 2 (41:31):
Yeah. I just seen Big Twins last night. Yeah, he was.
He was at the he was at the Cycle of
the My show. He was there with the XP the Marksman.
But yeah, the the lineup for for Back the Basics crazy,
so mob Deep, Pete Rocks, our Face else is on there? Uh?
(41:53):
Slum Village mm hmmm, Veld the Wonder.
Speaker 3 (42:01):
Fuck?
Speaker 2 (42:03):
What's his on?
Speaker 1 (42:03):
Man?
Speaker 2 (42:04):
That's how you know you got a lot of shit
on your plate right there?
Speaker 1 (42:06):
Bro?
Speaker 2 (42:06):
Yeah right, I'm you know, you asked me what I ask.
Speaker 3 (42:11):
That's why I right now.
Speaker 2 (42:14):
Other than that, you know, obviously there'll be some some
big Beard dates up in there the next show after that,
that's for sure. But is the July twenty second at
the Yos with Benning the Butcher. Nice, that should be
a good show.
Speaker 3 (42:29):
I wasn't sure what was going on at the Yo.
So a bunch of stuff is still going out there.
Speaker 1 (42:33):
Yeah.
Speaker 2 (42:34):
Yeah, like the front the Thursday night that I was there,
we were in that balcony balcony area and then on
the floor they had the like I guess club night.
They were playing you know, a bunch of Top forty
and ship like that, and it was packed. The problem
(42:55):
with it was I think it was eighteen and over.
Speaker 3 (42:57):
Well yeah, I think that's yo.
Speaker 4 (42:59):
Yeah, like even when I when I was there too,
that was the thing a problem. But you're looking around
like yeah yeah yeah, trying to stay backstage.
Speaker 2 (43:08):
Yeah yeah. Like when when I went to the to
the way and I'm about to go home and I'm
seeing the people come out, I'm like, damn, what the
fuck are they doing now at this hour?
Speaker 3 (43:17):
Yea, they look like they're the ones that were in there.
Speaker 2 (43:19):
Yeah yeah, yeah, they look like you just had Like
I'm just like, damn.
Speaker 3 (43:22):
It's a bunch of eighteen nineties. Yeah, yeah, just you
know there's something in there with.
Speaker 2 (43:26):
Yeah, some that pasty. Just like damn, what are you
guys doing that right now? You need to be at home.
It's school name.
Speaker 4 (43:37):
Yeah they're and they're leaving with all the energy because
they're not drinking.
Speaker 3 (43:40):
They're like, yo, what are we doing now?
Speaker 2 (43:42):
Yeah exactly. Yo.
Speaker 3 (43:45):
So have you guys heard about this the teenage takeovers?
Speaker 2 (43:50):
Ship? All the takeovers?
Speaker 3 (43:52):
Yeah, where like the kids are just going out and
like yeah, that's warming streets and ship. Yeah, bro, it's
a thing. It's crazy.
Speaker 2 (44:01):
There's a lot of ship's going on right now.
Speaker 4 (44:03):
Bron That ship world worlds the world's wilde thing, get
some turntables and have some fun with music.
Speaker 2 (44:09):
No, please don't.
Speaker 3 (44:13):
No, I thought you were you police on us now
think police.
Speaker 2 (44:19):
Yeah. You also was for your city one of the
best DJs.
Speaker 3 (44:23):
Right, yeah, I did hear about that in Orange County, right.
Speaker 2 (44:27):
Yeah that was Yeah, that was back in twenty seventeen.
OC Weekly gave me a best DJ rig County that stuff. Yeah, man,
that was pretty cool. Yeah. I remember when you posted.
I was like, yeah, that's right. Yeah, Yeah, it was cool. Man.
I didn't expect it, but it was. It was cool
to have that type of you know, recognition from where
(44:49):
you were throwing at you know. I definitely wasn't expecting
anything that. Yeah you're here man.
Speaker 4 (44:56):
Tables for two, Tables for two, we got indigenous hanging
out with us.
Speaker 3 (45:00):
Brow find you online.
Speaker 2 (45:04):
So any anything, whether the's social media or whatever the
funk you're using, chances are I probably got it or
at least preserved it. It's a I N d J,
N O U S. You can find my music on
all streaming platforms. I recently released a single with with
Afro that I produced and then scratches on, So shout
(45:28):
out to Afro I have. I think I have like
four singles total out there. I have my production. I
have one with Blue from Blue and Blue and Exile
and Tanya Morgan, another one with two Max and Life Exil,
and then that first one that I told you that
(45:49):
melomannase on it and I'll soume to come. That's what
I have coming on, So let me let me talk
to you about that coming up is I'm just gonna
be releasing all the music that I've been fucking according
I've been holding on to too much fucking music that
I've produced, and I'm gonna admit that I'm one of
(46:13):
those people that like has to be perfect type of thing,
and that's helped me back from putting things out because
I just like for shit to be done a certain way.
It's important, right, But you also have to know how
to how to let go and just like just let
it be, let it be what it is. So I
(46:34):
gotta I got a single coming out with the Terminology
and radz Cast. I don't have the exact date, but
that's coming out. Another single with rass Casts and Copyright
and something that I just played last night for the
(46:55):
people that was received pretty well I have a single
coming out with sick Jacking, and I'm pretty stoked on that, yeah,
because it's not like it's not it's a feature, but
it's not one of those like, well he just did
one verse, like no, the whole song is Jack and
it's rare that he does like a whole song with
(47:16):
you know, just a producer or on somebody's you know,
albums or whatever. So that should be pretty pretty dope. Yeah,
that's right. Yeah, man, I'm playing for you guys.
Speaker 6 (47:29):
Off off, Yeah for sure.
Speaker 3 (47:30):
I'm always down to here some cycle man.
Speaker 2 (47:32):
Yeah yeah, yeah right, yeah, so hold on, let me
let me just plug in my DAP real hold on. Yeah,
So prior prior to I'll tell you guys how it happened.
I had already sent him a beat, and you know,
(47:54):
he's a busy guy. You know, he's always doing ship
and I had, you know, just and and I don't
like to bother people, like if I sent it to you,
cool and you're gonna get it to me when you
get well. As far as somebody of his caliber, and
time passed and nothing that was like, honestly is probably
like a year and a two years and it wasn't
(48:17):
until they had the opening of uh Tattoo Shop slash
like flagship store that they have in March County called
the Level four itself. Not in RGE or shout out
to them, shout out to Big Tanna and Ui. I
did the opening to the store and during that weekend,
(48:41):
they were in the studio. Well they're always in the studio,
but they were in the studio and one of the
producers he's working with Demon, He's like, Yo, we're gonna
go to the studio and like you want to come through?
He said, yeah, fuck yeah, let's go. And I show
up and I you know, I had my laptop, I
have all the beats on there and ship and and
(49:01):
Jack starts, you know, telling me that, hey, you know,
I know you're saying this Like it's like, I'm not
going to tell you that it was whack. It's not whack.
It just wasn't really speaking to me. He's like, I
recorded to it, I wrote the birds. It's just like
it just it just didn't feel like, you know what
I mean, like as an artist, he just didn't feel
like it was something that showcases him well like this
(49:25):
and you know, I'm not going to take offense to it,
like you know, you're feeling something cool. If you're not,
that's fine too. He's out, but he's like, did you
bring you know anything else that you could show me?
And literally the first beat that I played and showed
him like, he was like, Yo, that's yours. Yeah, it's
all you got anybody on it? Nope, that's the one.
(49:47):
Got it first beat And as soon as as soon
as he's like yeah, just fuck, he's like, bounce it
and just give it to me. It's like, you know,
play it on the on the monitors. Dude started writing
to it, got the first burst down and he was like, hey,
we don't got to stick around, like you can go home,
(50:08):
you know. Was like, I'm just gonna be here at
the studio just writing the ship. And I just told
him like, if you think I'm gonna leave from this
session right now, you're crazy, Like having this experience with
you and what's going on. I was like, bro, like
I've told you when we met, like I when I
was the fucking teenager, I was listening to your music,
(50:31):
so so being the studio here with you, you're writing
to my ship, I ain't fucking me. I didn't end
up getting out of that till like six in the morning.
We got there at nine pm. He he that's how Yeah,
he wrote it. Yeah, he wrote it and recorded it
that night.
Speaker 3 (50:50):
That's dope.
Speaker 2 (50:51):
Yeah, I remember playing like that man in the studio.
Speaker 3 (50:55):
No, yeah, for sure, bro.
Speaker 2 (50:56):
Yeah.
Speaker 3 (50:56):
Shout out. Shout out to Big Dude, Shout out to
the whole cycle.
Speaker 2 (51:01):
Big Duke, Big Duke, Jack and Sacrum has been pivotal
in my career. I feel like because it all started
was working with Big Duke. Big Duke was working on
a record with IMN from the Mexicans and Block McLeod
(51:22):
from the Army of the Pharaohs, and they were doing
a whole thing called Gods of Chaos. And at the
time I had already DJ for for Iman and the Mexicans,
so he kind of was like, Yo, got his DJ whatever,
he's dope, Like, I'm gonna bring him on to DJ
for the group. So that's why I ended up meeting
(51:43):
Block and meeting Big Duke, and you know, Big Duke
curbed me and he's like, Yo, man, you fucking sick
and so and again like to me, you know, I'm
listening to these guys like you know, as a teenager,
to sort of try him to say something like that.
I was like, man, that's lope.
Speaker 3 (52:02):
So.
Speaker 2 (52:05):
Long story sharp, big big dig. Put me onto to
the group. Group gets booked for the first cycle the MAO,
and that's how I end up, you know, the rest
of the cycle round with Cambin.
Speaker 3 (52:20):
Yeah, that's dope. That's what it is.
Speaker 2 (52:24):
From the bottom down.
Speaker 4 (52:24):
You're here saying tables for two, tables hanging out with us, y'all.
We hope you love all the stories if you have.
Like I said before, we got more, got more, but
that that review, I'm just saying, Indigenous, we hope to
have you back.
Speaker 3 (52:40):
A we might, we might hook up the decks.
Speaker 2 (52:42):
I don't know. I think I think we have to
hook him up next time.
Speaker 6 (52:45):
Yeah, next time, we definitely hooked him up. And then
we're definitely going to get it on it. We do
a little session ourselves. Yeah, I'm with it, Yes, sir.
Speaker 2 (52:53):
Tables for two my bat.
Speaker 3 (53:05):
Out Indigenous.
Speaker 4 (53:07):
You know.
Speaker 3 (53:10):
That was almost a there was almost a swept under
the rug there.
Speaker 6 (53:15):
A little bit seems sweepy. D J Gemini, d J
any one Indigenous in the building.
Speaker 2 (53:25):
Thank you for being here, sir, Thank you for having me.
Speaker 6 (53:27):
Man what's his face? We should have been here too
as well.
Speaker 2 (53:30):
Face.
Speaker 3 (53:34):
Hey, I was falling and he and he answered his
face whole face.
Speaker 1 (53:47):
Why you ain't warmed?
Speaker 2 (53:48):
Why don't you worry?
Speaker 3 (53:53):
Yeah?
Speaker 2 (53:55):
I must stop doing that ship, I must stop doing
that ship. Yo, we out so indigenous indigenous.
Speaker 6 (54:12):
You want to mix with d J indigenous indigenous indigenous.
Speaker 2 (54:22):
He's lucky because his fucking abbreviation is literally his name.
Speaker 6 (54:26):
Yeah, thats eight jeez eight m and we outs. This
was shooting the ships suiting the ship.
Speaker 4 (54:42):
Tables for two tables, table tables for We're out.
Speaker 2 (54:52):
I've always liked you to.
Speaker 5 (54:53):
We'd like to thank Lost Tone Pros for leasing us
up with all the beatings for the show. You can
scratch you all of them with the table. He sounds
lost drugs our cuts are correct? Correct? Come on, man,
here's this moment in hip hop history.
Speaker 3 (55:07):
Come on, man, what song is that from?
Speaker 2 (55:09):
Come on man, I don't know.
Speaker 3 (55:11):
Mama said knock you out dog.
Speaker 4 (55:12):
If you heard the very beginning though they had just
done a take, and after he just nailed it, bro,
everyone was like, damn, that was the one, and the
engineer didn't press record, and then right when he pressed Records,
and then the song came on and they were like, hey, yo,
leave that.
Speaker 2 (55:27):
That was perfect. Who are we talking about? Okay, L
cool Jooja.
Speaker 3 (55:32):
L L cool j Ladies love Cool James.
Speaker 2 (55:35):
You understand. There you go, I got you. But we
do have a table for two available
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