December 13, 2024 • 55 mins
In this episode of From The Vault we dig deep in the hard drives and dig up a great sit down we had with long time friend InDJnous. From how we all met to who he's worked with we go over it all in this 2 part series. You'll find out the origin of his nickname "The Cut Slut" and you'll also hear the story of 2 DJs, and a Drummer that may have even been the first Tables4Two Duo. We then go on to tell InDJnous about NAMM, and all about The Turntable Dojo. Make sure to follow our guest over on Instagram @inDJnous and across all social media networks because he always has some dope shows going on in OC and in LA. While you do that make sure you are following the show as well @Tables_4_Two andif you'd like to help support the show you can hit us upon Patreon. Where you can watch Behind the Scenes Videos, get Acess to DJ Edit Packs full of dope tracks, and of course our Monthly News Letter.
If you enjoyed any of the beats we played durning the show you can cut it up to them by heading over to the TableBeats App and looking up the StuntsOne Looper Vol.2
If you need a Web Looper as always check out Tablist.Net heres the direct link...
https://www.tablist.net/weblooper/#/looper/2421
January 24th inside Vibe Ultra Lounge in Anahiem Lost Tone Pros wil be throwing the 2025 NAMM INVITATIONAL. You do not want to miss this event. Cutters from all around the world will be in attendance as djs battle it out head to head until only one is left standing! Tables4Two will be in the house, and DJ ADM One will be dropping a set, so pull up on us!
Lost Tone Pros Our Cuts Are Correct.
Become a supporter of this podcast: https://www.spreaker.com/podcast/tables-4-two--4366150/support.
If you enjoyed any of the beats we played durning the show you can cut it up to them by heading over to the TableBeats App and looking up the StuntsOne Looper Vol.2
If you need a Web Looper as always check out Tablist.Net heres the direct link...
https://www.tablist.net/weblooper/#/looper/2421
January 24th inside Vibe Ultra Lounge in Anahiem Lost Tone Pros wil be throwing the 2025 NAMM INVITATIONAL. You do not want to miss this event. Cutters from all around the world will be in attendance as djs battle it out head to head until only one is left standing! Tables4Two will be in the house, and DJ ADM One will be dropping a set, so pull up on us!
Lost Tone Pros Our Cuts Are Correct.
Become a supporter of this podcast: https://www.spreaker.com/podcast/tables-4-two--4366150/support.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03):
I said, whatever, they screw both of you guys posts
going to be strike one.
Speaker 2 (00:11):
So so the moral of this whole story is being indigenous.
Speaker 1 (00:16):
Don't be fucking eighty m mournus.
Speaker 3 (00:19):
Called me indigenous.
Speaker 1 (00:22):
Wow one more and you're outside. I'm telling super raby cracking, bro, Damn.
Speaker 4 (00:30):
Aren't chopping on this ship all night.
Speaker 1 (00:31):
My soul. Also, so you two are friends.
Speaker 3 (00:40):
He's just trying to make it like it's all about you.
Speaker 1 (00:42):
Hey, bro, we're playing pong with turn right now. We're
trying to distract them almost. But we do have a
table for two available tables.
Speaker 3 (00:53):
Tables for tables for two.
Speaker 1 (00:55):
Tables for two Gemini.
Speaker 4 (01:00):
Order from eighty M one tables for two.
Speaker 1 (01:02):
Table tables, table tables for two tables, tables tables for
two tables.
Speaker 3 (01:13):
What a dude is your boy?
Speaker 2 (01:14):
DJ Gemini whatever y'all go by the name, DJ eighty
M one, We are.
Speaker 4 (01:18):
Tables for two tables four two.
Speaker 1 (01:20):
We are up in this.
Speaker 4 (01:21):
Yeah, let me tell you something. So let me tell
you one thing. We got a guest in the building
we do, longtime friend, bro.
Speaker 1 (01:29):
I'm excited to see him.
Speaker 2 (01:30):
I haven't why I've seen him recently, but I've been
really sat down and talked to him.
Speaker 3 (01:34):
Yeah, that's what's up.
Speaker 4 (01:35):
You know, we got Indigenous in the building here, we are,
what's up, what's going on? Yeah, I know we were
talking about a whole bunch of shit in the beginning
before we started. You know, yo, is that me?
Speaker 1 (01:48):
You got the It was pretty somber though I liked it.
Speaker 2 (01:51):
It was like I was saying, too, we've just recently
seen him too at the garden, right the garden and
uh and that dog I'm.
Speaker 1 (01:59):
Going He came down to my pad gem and I
hit me up and he was like, yo, son, let's record.
Speaker 2 (02:03):
And then he was like, yo, Indigenous said he's down
to record to it.
Speaker 1 (02:07):
I got excited.
Speaker 4 (02:08):
So since we are shooting the ship, yeah, you know,
there's a lot that happened between the last time we record.
So now man, yeah, man, we're having a good old
time right now.
Speaker 1 (02:18):
Man.
Speaker 4 (02:19):
So, so last night you was just talking to eighty
and one. You didn't even get to finish what you
was going to say. So let me start it again.
I get a call from sick Jacking, you know, cycle
around and get your off a minute.
Speaker 3 (02:30):
Sick Jacking caused me. He's like, hey, I need to
you know you're set up. I want to rent your setup?
What's up, you know, having the cycle to my own?
By the way, would you like to spinis set? So
that was a cool little segue.
Speaker 1 (02:48):
I guess right. So that's a good way. It's a
good way of inviting you.
Speaker 3 (02:53):
That's a good way of inviting me, you know. So
I was like, yeah, man, you know, keep in mind,
like I remember, uh ship I dj' at the first
cycle of the MIO. This was back in like twenty thirteen.
I think it was the first one thirteen, so this
(03:15):
would have been the tenth cycle with the male Oh
wow yeah so yeah, so I it's It was at
the yos Theater and he yo, okay, downtown Sanana.
Speaker 1 (03:27):
I like, I like that the location. You know you've
been there. Yeah, yeah, you've been there.
Speaker 3 (03:31):
So yeah, yesterday was my first a but I'm saying
like being inside inside anything, No, I don't even have
have you guys got a chance with DJ there.
Speaker 1 (03:40):
I didn't get to DJ there.
Speaker 2 (03:41):
I uh I ran promo for Kiss FM when they
were doing their.
Speaker 1 (03:45):
Fridays, so I got to be like all back then
the balcony.
Speaker 3 (03:49):
At the balcony and then it's kind of like the
VIP area.
Speaker 2 (03:52):
I guess there's really nothing up there, because I mean it's.
Speaker 1 (03:55):
Yeah, really, if you wanted a table and you want
to be secluded, then you're yeah, yeah, yeah. But it's
pretty dope. The way they have like the big bar
on the outside and inside it and it's.
Speaker 3 (04:04):
All and they're playing the fucking music outside.
Speaker 1 (04:08):
That's pretty fust up.
Speaker 4 (04:09):
Yeah.
Speaker 3 (04:09):
I thought that was cool too. So yeah, so I,
you know, he's like, yeah, you know, can you bring
it for the meet and Greek that we're having the
day prior to the show. Meeting greeting was Thursday, show Friday,
So yeah, so I take it. And you know, first off,
it was a fucking bitch to get up the market.
You know, if you know me, I'm a big dude.
(04:29):
Had to walk up the stairs carry these two fucking
things and the mixture. Thankfully, I got the scary that
she fucking helped me out. But it was, like I said,
it was already a bitch and fucking sweating and ship
my god.
Speaker 4 (04:39):
This son, you fluffy son, fluffy son.
Speaker 1 (04:44):
You know.
Speaker 3 (04:45):
So I set everything up and and and and the
Homi waxy. You know he's gonna do all he's doing
just all forty fives yeah, which is dope, you know,
and plugs everything.
Speaker 1 (04:58):
Yeah, you know, like.
Speaker 3 (05:00):
Put some records, put on his needles, and one of
the turntables starts giving like feedback, bad, really bad. And
I was like, oh shit, fuck keep in mind, like
I kind of knew because the fucking ground wires all
fucked up. It doesn't it didn't have that little like yeah,
we didn't have that.
Speaker 1 (05:18):
On Runner anymore.
Speaker 3 (05:19):
I was like, damn. I tried fucking with it and
still nothing was working. And they were just like looking
at me like yo, like what are you gonna do?
Because you know they're your your turntables that we you know,
we gired you the fucking yeah, yeah, we're ready. He's
from you. And I was like, damn, who the fucking
that call right now? He's like, you know what, let
(05:40):
me fucking call Gemini. Called Gemini. You didn't pick up,
and I was like, fuck you fucking will come again.
I need this ship called them again. This was like
what's up? I was not much, man, what are you
up to? He's like, man, nothing. I was like, hey, bro,
I need I need to borrow one of your turn tables, Like.
Speaker 1 (05:58):
Right now, you drove down there.
Speaker 3 (06:02):
So I'm like, where are you at? No, He's like
where you at? I'm like, how far are you? Like
probably like fifteen minutes, twenty minutes, so where you at?
I at the yos. He looks it up, so, oh,
that's fucking thirty minutes away for me.
Speaker 4 (06:17):
Yeah right, yeah.
Speaker 3 (06:19):
Yeah, he said that's thirty minutes. I was like, hey, bro,
just bring it. I'm gonna take care of you please. Right,
He's like, man, all right, man, I got you, like
the good fucking friend that he came down from his house.
He was already it was already kind of late, right
like thirty, so you know, keep in mind, you know,
you guys have fucking you know, you guys have day
(06:40):
jobs and ship like that. So I'm you know, I know,
I'm taking up that time where you know, he probably
was already gonna go to sleep or something.
Speaker 4 (06:46):
He's already chilling.
Speaker 1 (06:47):
Yeah, Gemini starts to work early.
Speaker 3 (06:49):
That's what I'm saying.
Speaker 4 (06:51):
So, y know, and I still don't get no sleep.
Speaker 3 (06:54):
So he's just like yo, like yeah, I'm gonna take
it right now. He got there literally like in thirty minutes,
Like he just like literally like I probably called him,
and he got his ship and he fucking took and
he took off and came and dropped it off for me,
and yeah, everything went fucking went smoothly.
Speaker 4 (07:13):
Not to mention, I said, Yo, son, give me that turntable.
Speaker 3 (07:17):
Oh that's right.
Speaker 4 (07:18):
I was like, give me that turn table, you other one.
I've changed the RCAs and I'm putting the internity grounding, yeah,
which we had already been meaning to do for a
long time.
Speaker 3 (07:28):
But I've just never done it, just you know, for whatever,
you know, doing gigs or hitting him up and just
haven't really been able to fuck him.
Speaker 1 (07:35):
Gemini thinkses everyone's turn tables.
Speaker 4 (07:38):
I tried to.
Speaker 1 (07:39):
Man, if you look at my r c as right now,
I actually have him split and then taped with like
a sticker. Yeah, I don't give a fuck.
Speaker 3 (07:52):
It's because I don't get it. He doesn't, Yo, let
me just take that. Everything works flying that whole Yeah.
Speaker 1 (08:00):
So I I go somewhere else. I get scared for
the sticker.
Speaker 3 (08:04):
I'm like, oh ship, I didn't care bro, So now
that I had to take him out and this she's
not working, I'm like, god damn, Like you know, thankfully,
like I said, the Hommy came through for me. But again,
you know, like I said, I'm I'm I'm I'm in
a spoiled position. You know most of my gigs where
I show up, I don't have to take my setup.
(08:25):
You know this already there.
Speaker 1 (08:26):
You get a writer.
Speaker 3 (08:29):
Kind of, you know, I get to I get to request.
Speaker 1 (08:31):
What I want, Like I want all red Skittles.
Speaker 3 (08:34):
Help me, I could choose green instead.
Speaker 4 (08:38):
When I went backstage when he was DJing for the
care Risk.
Speaker 3 (08:43):
One, okay, yeah yeah, And.
Speaker 4 (08:45):
I was like, yo, son, what's this up here? And
he was like, yo, you don't understand what I had
to go to just to get one turntable.
Speaker 3 (08:53):
Oh yeah, because kr Riss every time he has a DJ,
he's always CDJ every time because of the way he
likes to run his set. He just likes it continuous
and like if he says stop them, stop it. But
I literally had to fucking be like, yo, I need
one turn table appear because I'm not trying to fucking
cut in this fucking CDJ. I don't give a fuck
(09:14):
how good it is. I don't want yes.
Speaker 1 (09:17):
So that was the time that started a big thing too.
We're talking about it.
Speaker 4 (09:22):
So this is the back the back scene of it
when Mark Love was in the back, Yeah, and then
he was talking about he was like a hip hop
show and you got one turntable and ship, so basically
it should be two turntables. Absolutely, you know, come on,
that's hip hop and you.
Speaker 3 (09:38):
Would imagine because it's you know, Kris One, but that
he just likes to run this set like that and
I respect.
Speaker 1 (09:43):
It, but he wants everything to be in place, yeah, because.
Speaker 3 (09:48):
You know sometimes like you know, his his because his
son DJ is from and his son lives like in
fucking in England, so he's not able to come all
the time for his gigs stuff, so you know, he
just continuous on the the CDJs. So like again, you know,
(10:09):
he feels like it's more secure for him for him
as yeah, as opposed to like you know, what if
the laptop sucking up or whatever it may be.
Speaker 1 (10:18):
Like I mean, what about anything.
Speaker 2 (10:19):
I mean, look look at that that video of Biggie
Small's throwing throwing his water bottle.
Speaker 3 (10:24):
At yet Honestly, I look at that video and like
crimps bro, I'm just like, oh God, that God, that's
not me.
Speaker 2 (10:30):
Because it's funny, like how how everyone got mad at
was it Travis Scott that went off on the DJ
or I think it was Whiz Yeah went off on
that DJ and everyone was like, yo, do you think
it was like wag?
Speaker 1 (10:41):
And then it's funny because you see that that videos
like yo, cap fuck you doing? He throws the water
bottle at him and honestly like you what's fucking that?
But that's records I could see.
Speaker 3 (10:51):
I could see the other side like what like, if
you're having that problem and you're relying on on on
the venue DJ, well, why did the venue have a
you know, somebody who knew what they were doing and
has the experience to do these things to you as
the performer, why didn't you have your own person there
that you can rely on, Yeah, to fucking to be
doing this performance, even if it was small, it's not,
(11:14):
it's not it's not hard.
Speaker 1 (11:16):
So so single turntable Djane, what do you guys think.
Speaker 3 (11:22):
I've done it many times?
Speaker 4 (11:24):
That that's you. That's your ship.
Speaker 3 (11:25):
I've done it many times.
Speaker 4 (11:26):
Yeah, that's your ship.
Speaker 3 (11:27):
I've just you know, can turn on one of them.
Speaker 1 (11:31):
That's what he was.
Speaker 4 (11:32):
He was just basically like, yo, Jem, you got it.
I was like, yeah, I got it, bro, right exactly right.
I was like, yeah, I got it, bro.
Speaker 3 (11:41):
The best part is what he shows up. He's like, hey, son,
you got no headphones on?
Speaker 4 (11:50):
He spent it. I was like, you he was your headphones?
Speaker 2 (11:53):
That yeah, jem and I always make fun of me
for for weird was like that.
Speaker 3 (12:00):
Uh honestly, I'm in between headphones right now.
Speaker 1 (12:04):
Between like that, you know.
Speaker 4 (12:07):
He was like he was like, yo, you got your hands,
you got your headphones. So I was like, yeah, wow,
you need it. He was like yeah, I brung it.
And then the next day when I at him, he
was like, I was like, yo, you used it.
Speaker 3 (12:16):
He was like, not use it. I was like, I
was like, get phone.
Speaker 2 (12:24):
You didn't give him the in heres though, Hell no, Okay.
That's why it's kind of funny. You asked Gemini you
got the earphones.
Speaker 4 (12:30):
And you're like you gotta remember because I had the
extra set.
Speaker 1 (12:35):
Oh yeah, yeah one which.
Speaker 3 (12:37):
I just brought today. I had confiscated him for a while.
That health hostage, you know is what they were good? Yeah,
they were good. They came back I put up and
this was like he didn't bring the box. I was like,
what was that? You didn't leave me the box. I
fought they were brand you. I brought the box.
Speaker 4 (12:55):
I was like, damn.
Speaker 3 (12:55):
I started panicking, but.
Speaker 2 (12:56):
Non, that is some geminis though, because that food gave
me the box and when we use them at the show,
I almost threw the box away. Well, someone else was
gonna throw the box away and I was like, let
me get the box.
Speaker 5 (13:09):
Bro.
Speaker 1 (13:10):
I was like, yo, let me get the box.
Speaker 4 (13:12):
Yeah, I can't have it just yeah, I gotta put
it back in the box.
Speaker 1 (13:14):
I know. I feel like, look at my house, bro,
nothing's still in the box.
Speaker 4 (13:18):
Yeah, I see.
Speaker 1 (13:19):
Hey, my Ninja Turtles are still.
Speaker 3 (13:21):
In the box. Hey those are fire. Those are fire.
I'm not gonna lie to you. Those are fire.
Speaker 4 (13:27):
Yeah.
Speaker 2 (13:27):
I'm just a big kid, bro. Don't don't judge me
by my record collection.
Speaker 3 (13:31):
I feel like when I see ship like that, I
just think about it as like like now that I'm older,
it's it's dope that I can buy a bunch of
ship that I wanted when I was a kid and
couldn't get.
Speaker 1 (13:42):
Yeah, you know what I mean, that's fun.
Speaker 3 (13:44):
I know That's how I am with like my shoes
and ship, you know what I mean. Like there was
Jordan's that I couldn't fucking buy our you know, parents
couldn't get me ship that I can afford now myself
or you know whatever. You know, So like man, it's
always good to stay young man, like you know, you
don't want to get old. M And I think as
DJ's it's also very important for you to have that
(14:06):
type of mentality to be in tune with what's happening. Yeah,
I feel like you gotta give um some backstory about
how we man, Like we're just getting into some topics.
Speaker 2 (14:17):
So who is So okay, let's let me let me
do this. So I think the one thing that that
binds all three of us and this doesn't this doesn't
take us back to because this goes pretty bad. But
I think it's B side show, right, I mean that's
I mean, that's.
Speaker 1 (14:38):
You Gemini.
Speaker 2 (14:39):
I met Gemini outside of that, and then I was
lucky enough to get.
Speaker 4 (14:44):
Where I think because through Rocky science.
Speaker 2 (14:49):
Through Rocky know, through through Guitar Center, because I knew
Rocky and he worked with you at Guitar Center.
Speaker 4 (14:55):
No, you don't know Rocky. You don't know I rock Yeah,
rock No, I don't know Yo. That that's a long time.
Speaker 3 (15:05):
Yeah, and if I do, I'm sorry, no disrespect, I.
Speaker 1 (15:07):
Just no, no, no, you probably don't know.
Speaker 2 (15:09):
He worked at HED, he worked at Guitar Center at Covena.
Speaker 4 (15:12):
So no, no, I don't know. He don't know Rock,
I don't come out.
Speaker 3 (15:16):
It was I think it was science, science, all right, Yeah, yeah,
science first.
Speaker 4 (15:22):
It was how you guys do that's that's how like
ld in the cut.
Speaker 3 (15:26):
Oh me and him? Yeah, through science for sure. Yeah,
that was that was like twenty years, twenty plus something
like that. It wasn't before, not before that through broadcast.
It wasn't could be you could have because you need
a broadcast too, yeah, right, broadcast. Man.
Speaker 4 (15:45):
Yeah, I don't know, but yeah, yeah, you know, I
don't know. I can't hold you. So but it's been
that long though, Yeah, it's been.
Speaker 3 (15:52):
A long time. But yeah, if it wasn't through him that,
it was through for sure through science, right because I
remember him taking me to your house and you know,
it's just going to shoot the ship, and hey that.
Speaker 1 (16:06):
That it seems it seems natural.
Speaker 3 (16:09):
Which which coincidentally, well you know, Gem and Science have
had had a friendship for a while, and I know
he would go and and and and DJ. They would
like practice together, and then Science would come to my
crib and you know, make beads or fucking funk around
the turntables. And I remember he came by the pad
(16:31):
and he's like, yo, like I just learned this new
scratch it this trip flair.
Speaker 4 (16:35):
To check this out.
Speaker 3 (16:36):
He starts doing it, and at the time I was like, damn,
this is fucking dope. I need to learn mask. He
learned that from Jim. I learned it from Science, so wow,
it's kind of.
Speaker 1 (16:49):
I've known Gemini for years and he's never taught man.
Speaker 3 (16:53):
I just want to say we could tell.
Speaker 1 (17:02):
So it's funny because I told Jem and I was like, yo,
I think I got I got the I got the
basis of the church flare down. So then I started
doing it and it was like, no, yeah, that's why
are you doing it so slow?
Speaker 3 (17:20):
Because that's what it is, that's how that's how it
was that I that I that I captured. It was like, okay,
I know the movements. And then once I got the
movements down, it's all about the fucking the speed of speed.
Because if you don't have to speed to it, it's
not gonna it's not gonna happen.
Speaker 2 (17:34):
It still sounds all right, but it sounds so much
better on the double time.
Speaker 4 (17:38):
Yeah.
Speaker 3 (17:38):
Okay, see, but you just need to you just need
to adjust. You need to. But yeah, so you know,
I've learned, you know, a couple of things from from
science and then you know jam and ship like that,
which I had, I had gotten ready to a point
where I had just learned everything from just like you know,
watching videos, going to shows and you know that whole thing.
(18:00):
And you know, I guess you could just say self
taught type of thing because nobody said, hey, this is
what you do, and you do this.
Speaker 1 (18:07):
With no one was doing that.
Speaker 2 (18:09):
Yeah, I mean until until like Turntable Mechanics workshop.
Speaker 3 (18:12):
Well Cuba had those fucking those how two bids or whatever.
That ship so what was that fucking that scratch of
pedia ship too scratch? Yeah yeah, yeah, that ship was upe.
Speaker 1 (18:23):
But but also you had to find somewhere where they
had the vhs still there. It's not like you can
go on the internet and just buy what like now.
Speaker 3 (18:31):
They had they had the YouTube clips. There was YouTube
clips at the time. I remember seeing YouTube clips. Maybe
not the scratch of media, but I know his like
how to Ship. Yeah, the major major thing that that
helped me with my DJing was fucking the Scratch movie.
Speaker 4 (18:49):
That that classic talked about that and.
Speaker 3 (18:52):
That was like the fucking beginning, bro, Like that was
my fucking genesis. That's like without that, Like I don't
really get the essence of DJ.
Speaker 1 (19:03):
Yeah.
Speaker 2 (19:03):
The dope thing about that that documentary. If you want
to learn pretty much scratch theory, you watch that documentary
and you will learn from every single DJ that is
still relevant today still today, you know, really break down
scratch and it's it's it's dope too that they all
talk about rocket, you know what I mean, Like I'm
(19:25):
talking about, oh Scratch, what did it start?
Speaker 1 (19:27):
And they all go back to the Herbie Hancock.
Speaker 3 (19:29):
You Yeah, that ship was like I said, it just
taught me so much and I really, I really give
that the credit of my the starting of my career
was due to that because it also had I have
it still. It also had like another d with like
a how to type of thing, was z Trip.
Speaker 1 (19:51):
Okay yeah yeah, yeah, yeah, oh yeah, the two Das
DVD because it was in that fat or case.
Speaker 3 (19:55):
Yeah, so it would it have like oh you know,
this is a bp M and this is how you
go from one record to the other record and ship
like that. And like I said, that's what put me
up on the game. So from there, I just you know,
practiced what it was, you know, teaching me and then
learning other ship along the way, just like watching and
whatever coming around now to like because when that shit
(20:18):
come out that she came out in like he was like, oh.
Speaker 1 (20:21):
Two, yeah, it was like real early two thousands, like maybe.
Speaker 3 (20:25):
Around two thousands, but yeah, Twood early. You know, here
we are at twenty twenty three along the line, like
you know a lot of these dudes are you know,
they're I guess you could say colleagues were in the
same field, will be at the same shows. I mean
just yesterday I was Chok was that one? You know
he was DJing for a Mortal Technique yesterday. You know,
(20:47):
mister chalk, you know fucking beat junkies all that, you
know what I mean, Like as as a hip hop fan,
as a DJ fan, as somebody from southern California, you know,
that's that's one of the ogs to me, you know,
and just to a lot of us, I guess you'd say,
and to have him, uh you know know who I
(21:12):
am and just like you know, have that acknowledgement and
that interaction with them is just like you know, the
of the the younger part of me just like hell
yeah you know what I mean.
Speaker 1 (21:22):
Yeah, No, it's dope.
Speaker 2 (21:24):
It's dope seeing all of the be junkies super active, yeah,
super active, and they're all like putting in massive work
right now.
Speaker 3 (21:32):
Be junkies. Like I said, be junkies to me, Like,
and you know this isn't to take away from anything
from anybody else, you know, you know, scratch creakers and
all that, but just like I said, being from this area.
Speaker 1 (21:41):
Yeah, we're a little bit more connected to it. I'm
sure we were. Yeah, we were are what's up?
Speaker 3 (21:52):
Yeah? Yeah, so you know, so that ship's pretty good.
Speaker 2 (21:55):
Hey we were from Florida to trust but we'll be
like your allies and nothing else.
Speaker 1 (21:59):
As much as we love crazy and we talk we
talked about crazy all the time.
Speaker 3 (22:02):
Crazy.
Speaker 1 (22:02):
But I'm just you know that. But that's dope. Like
all the sectors all over.
Speaker 4 (22:05):
The map, track man, Yo, shout to Canada, Yo, what's
crazy about the whole thing?
Speaker 1 (22:11):
Man?
Speaker 4 (22:11):
I've seen you like from practicing and doing different like
doing different things. The amount of time it took you
to grow. Was like from going from djaying and the
house parties and ship to doing shows and concerts and
you know, with different artists. Razkaz was one of them. Yeah,
you know what I'm saying, shout out to rascas. You
(22:34):
know what I'm saying. So you've been you you've been
doing things with him a lot.
Speaker 3 (22:37):
Yeah, that was when I first started the DJ for him.
Was in two thousand and fourteen. Twenty fourteen is when
I went on tour with him and that actually happened.
I guess I thought it was at random at first,
but then when I asked him that, he's like, you know,
(23:00):
he's like, WHOA. I had been to the Drug Lab,
which is a sick jacking studio, and I was asked
to go do some scratches on one of the Concrete Saints,
one of their groups that's affiliated with them, to the album,
and he had been going to the same engineer, C
Sick Lopez. He's now doing fucking Dave Chappelle, fucking you know,
(23:23):
the What's that the podcast that's all Marry and all
kinds of stuff like Dave Chappelle, Tyler super Dupe.
Speaker 1 (23:30):
And people's choice and all that.
Speaker 3 (23:32):
Yeah, super dup in here. So he had hit me
up and said, hey, you know I need some cuts
for you know whatever this and that. I showed up
and like I said, he had been going to that,
to that studio and to with with working with that engineer.
And then I ran into him and on the street
and he hit me up and he's like, yo, like
(23:52):
I'm about to go on tour, like you know, like
what are you doing for like the next month and
a half. I didn't really think about. I was like,
what why are you asking me for the next one times?
Like I didn't know what to do tomorrow, Like I
don't know. But he's like he's like, man, let me
get your number. So I give him a member that
from copy. The next day was the next day that's
for my email sent me the fucking that itinerary for
(24:14):
the fucking tour. I mean, I wasn't gonna say no, right,
you know, I wasn't gonna say no.
Speaker 4 (24:20):
So yeah, I met I met raz cast through Diverse
and you know Jay Roy McCraw he goes goes as
that too as well. He did all the production and
all that stuff for that mixtape I did with him
tracks and classics I came out. Yeah, yeah, all the
all those that production is all him right there. Okay,
(24:41):
you know what I'm saying. So I met him through him,
you know what I'm saying. So, yeah, I seen him.
I was with Science. I see him something I forgot
where it was. It was like some beat battle because
you remember how Science used to be keeping the beat
battle deep in this, you know. And then he was
there and Ship and then we chopped it up there
and that was like the first time that I like
really chopped it out.
Speaker 1 (25:00):
You know.
Speaker 4 (25:01):
He was cool from the get from the beginning, you
know what I'm saying. And then right now, like you
you Aim and Ship and I remember when I talked
about a bunch of one of the shows that you
was doing, and I've seen it. So he's still like.
Speaker 3 (25:14):
Yeah, yeah, man, rather super cool, super humble guy. I
know he's aware that he's a legend, but he's he's
really cool, the normal guy.
Speaker 4 (25:26):
Yeah. Yah, who are you this shows with? Like let
them know who you rock the stage with? Oh man, Yeah,
it's a lot.
Speaker 6 (25:35):
He can't say, uh Cannabis, corrub Killer Prize, raz caz, uh,
sick Jack.
Speaker 3 (25:47):
And who else? Uh, sir, mix a lot, uh k
arrest one baby bad franky j.
Speaker 4 (26:03):
Why are you showing off?
Speaker 3 (26:04):
You just told me get your well I'm still thinking
of that. Damn who else I d J for Ship?
That's all I can think of right now on the
top of the head. But just gives you, yeah, a
little trajectory of what of what the things that I've done?
And I always hear you doing some dope ass cuts
(26:24):
on different tracks as well.
Speaker 1 (26:26):
Yeah, yeah, yeah, your cuts are everywhere, bro.
Speaker 3 (26:31):
One of the things that say Jacket has coined when
he sees me these things. What a cut slot cut
right off the rip.
Speaker 4 (26:43):
That's gonna be your new name.
Speaker 3 (26:45):
Now, Yeah, I got I have a I have a
drop right and I should play you can get that
silk cuts.
Speaker 1 (26:56):
No, you gotta beat. I got the cut.
Speaker 3 (27:02):
I was. I was thinking that, Yo, I need to
drop a fucking mixed tam called kut Slut and just
have my fucking like all my features and ship you did.
I think I should do that.
Speaker 4 (27:13):
I think you should.
Speaker 1 (27:14):
Do all right? You heard it here tables exclusive.
Speaker 3 (27:19):
With the J cuts slot. Let's see.
Speaker 4 (27:25):
Did the cuts?
Speaker 3 (27:28):
Yeah, yeah, I think it's around.
Speaker 1 (27:31):
It gets down.
Speaker 3 (27:36):
Little you, little cut slut you.
Speaker 1 (27:44):
So yeah.
Speaker 3 (27:45):
So so that's that's Sick Jacket with the Mexicans at
the drug lab. The Mexicans are showing them one of
their new new tracks name and then that's Sea Sick
and Sick Jacket calling me a cut slut. Yo.
Speaker 4 (28:00):
But it's good man, because you and everybody's here.
Speaker 3 (28:02):
You know.
Speaker 4 (28:02):
It's like you don't want to be you know, mind
type ship. Yeah, you stay active.
Speaker 3 (28:07):
Yeah, man. And I've always trying to work with you know,
like with as many people as I can, you know,
and I've been blessed to be working on some like
really really dope ship.
Speaker 4 (28:19):
I don't want to I don't want to cut you
off or anything like that. But Yo, when me and
you did that ship on stage, oh yeah yeah at
the event man, Yo. Yes, yes, that was like one
of the highlights of of like that that ship was
(28:39):
pretty dope because because.
Speaker 1 (28:42):
I got I gotta know, I don't even know, well get.
Speaker 4 (28:45):
To here's the thing, like like I did a lot
of ship. You and I did a lot of ship, right,
so basically hits me up and he was like, yo,
two mans is like once you do show, it's gonna
sick there, you know, it's gonna be it's gonna be
a dope show basically, you know what I'm saying. And
his setup was on one side of the stage. My
(29:05):
setup was on the other side of the stage, and
there was a drummer right in the middle, sick ass drummer.
Speaker 1 (29:12):
So you guys had left and right DJ setups and.
Speaker 4 (29:16):
The drummer in the middle, right right right.
Speaker 1 (29:18):
That's pretty bad.
Speaker 3 (29:19):
So we was going four bars. It was tables for
two before.
Speaker 4 (29:28):
You're mixed with DJ j jeminis.
Speaker 1 (29:35):
You you are a cut slug.
Speaker 4 (29:40):
Yo, but yo yo that ship that ship right there
because the way he was going off, he was counting
with us. Man, like every four bars that he hit
it changed up a little bit, but more like he
gave it that.
Speaker 1 (29:52):
He was because that's how it is when you're drumming.
Speaker 3 (29:55):
Though you know, he's doing the like the dope turnarounds
and ship like you and all.
Speaker 1 (30:00):
Yeah.
Speaker 3 (30:00):
He would, let you know, Jim would get in his cuts,
that foot would do some ship. I would cut it
up and we were just it was just a little
la yeah you know and bind you. This is like
we've never practiced this ship. This is just out like
just us being musicians.
Speaker 1 (30:15):
You know, yeah, beautiful count come on if you if
you keep your count tight, and then everyone's doing it,
you know what?
Speaker 4 (30:25):
But what made it? What made it like like the
icing on the cake every time it came back to
either him or I, but the sample itself, like it
totally was something different. Yeah, it might have been like
an I oh yeah or little something, it was always
something different when it came back to us. And so
it was not the same old thing that you hear.
Speaker 1 (30:46):
You know what I'm saying, A fresh for nineteen hours.
Speaker 3 (30:48):
Yeah, no, no, we can't do that.
Speaker 4 (30:50):
Yeah. So then so then and then the way it ended,
the way it ended, it was dope, man. How he
fucking just he knew it was gonna be and ship
and Yo, the fuck the whole theater fucking was like
erupted and like, yeah, the energy that hit us, bro
that ship was just even to Max was bugged out.
(31:11):
Broom was like, Yo, I would have let y'all kept
on going, but we gotta follow the schedule, you know
what I'm saying. But yo, y'all mother, basically we just
fucking we just took at as an opportunity that yo,
we need to just like just go ahead, Yeah, just going,
you know, and that was the highlight of it. That's
that's the first time that you and I had shared
the stage like that first.
Speaker 1 (31:30):
If you're gonna open up, then you gotta do it right.
Speaker 4 (31:33):
Yeah. But yo, because the drummers sat down and he
was Yo, what was his name again?
Speaker 1 (31:37):
Do you remember? Yeah?
Speaker 4 (31:40):
Yeah, man, if you remember, yeah, yeah, And I remember too.
Were trying to figure out if anybody had that on
a film, yeah, or like with their phone, but still
have yeah, nothing because.
Speaker 3 (31:50):
At the time, you know, like it was you know,
there was cameras on ship, but the compac we.
Speaker 1 (31:55):
Were just we were just talking about this. I was
watching uh when Gemini came in.
Speaker 2 (31:59):
We were at the West Coast Regional DMC finals for
when Uh that's the thing. So it was ninety nine
and I was like, yo, Jim, at this.
Speaker 1 (32:09):
Point, do you record this video? What do you like?
Literally all you see is the light on the on
the turntable and like just where there's little lights and
everything's dark. You don't see anything. You don't really hear.
Speaker 2 (32:20):
Back in those days, though, you were kind of just
excited that you got something.
Speaker 1 (32:25):
Yeah, you were amazed, you know what I mean. It
didn't even matter that you can only view it on
like like a one and a half inch screen.
Speaker 3 (32:33):
Also, I don't think the mentality was to automatic these
a record. It was more like, yo, I'm trying to
record it because I want to keep it, not necessarily
like I need to record it because I want to
show where I'm at.
Speaker 1 (32:44):
Yeah. Yeah.
Speaker 2 (32:45):
Nowadays it's like, yo, that's not five K, So why'd
you do it?
Speaker 3 (32:49):
Yeah? Exactly.
Speaker 4 (32:52):
Remember when we saw the old DJ Gym.
Speaker 2 (32:53):
On TV jump broated on our face and everything.
Speaker 1 (32:59):
Man, you can't even see detail, there's no detail.
Speaker 2 (33:03):
It reminds me of that time because I didn't work glasses,
so I never saw this.
Speaker 3 (33:09):
Hey. Another another time that we had a moment like
that was at B.
Speaker 4 (33:13):
Said, oh, you're right, You're absolutely right. There was no drummer,
but it was just me, Yeah, you're going back and forth,
back and forth.
Speaker 3 (33:20):
And I remember like everybody at B side was just
like locked in.
Speaker 1 (33:25):
Right, Yeah, I think I went on earlier, right.
Speaker 3 (33:28):
Yeah, nobody remembers that.
Speaker 1 (33:29):
I know, even Gemini told me.
Speaker 2 (33:32):
He was like Gemini told me after you guys played,
he was like he was like, yo, son, you know
you fucked up by going on early, and I was like, yeah, dog,
but they told me to go, so I went the way.
Speaker 3 (33:43):
It was like, dad, do I go on before or
if I go on after?
Speaker 2 (33:47):
No, because they wanted me and Gemini together. Remember, but
then Gemini got there a little late, is what it was.
Speaker 1 (33:54):
Is that what happened. That's what happened.
Speaker 2 (33:57):
Yeah, but then but only I only lived like a
mile away, so of course I got there super early,
That's what it was.
Speaker 4 (34:06):
So then they were like it was like twenty five
minutes away. Twenty five or thirty minutes away.
Speaker 1 (34:10):
That's the same.
Speaker 3 (34:11):
Same with me, and I'm fucking you know.
Speaker 1 (34:13):
My ship was like six minutes away on the streets.
Speaker 3 (34:17):
Wait where you stayed? Is that overge County?
Speaker 1 (34:19):
Still?
Speaker 3 (34:20):
Ah no, what is it?
Speaker 4 (34:22):
That's Lakewood?
Speaker 1 (34:23):
Yes, right, like Hawaiian gardens.
Speaker 2 (34:27):
Yeah, because it's funny, like he always says lake with
I'm like, it's a wayan gardens, so pretty much it is.
Speaker 1 (34:33):
But I guess he's on the lake with yeah.
Speaker 3 (34:36):
Because he's like it's like literally it's literally at the cutoff.
Speaker 4 (34:39):
Yeah right, I'm right on the borderline.
Speaker 2 (34:42):
It's so funny, like sometimes you could be like, well,
if you go to that corner. It's the city, that
corner of the city, in that corner of the city.
Speaker 3 (34:48):
Yeah, it happens a lot, yo.
Speaker 4 (34:52):
So the past two weeks it's been busy for us.
Speaker 1 (34:58):
There's been a lot going on.
Speaker 4 (34:59):
It's been a lot going on. So since we are
shooting the ship and you are shooting the ship with
us indigenous, we're gonna get into when we went to Nam.
Speaker 1 (35:08):
B Yeah, I wasn't asking did you go to Now?
Speaker 3 (35:11):
I didn't go to Nam.
Speaker 4 (35:13):
We went to Now.
Speaker 1 (35:14):
Yeah, we we we ventured into the Nam space. It
was dope.
Speaker 4 (35:18):
It was it was actually dope.
Speaker 1 (35:20):
Yeah, it was dope.
Speaker 4 (35:21):
Let me tell you what this food? Let me tell
you what this food? Which I cannot What did I do?
I didn't do that?
Speaker 1 (35:27):
Yo?
Speaker 3 (35:28):
What was what was it? What dates was?
Speaker 4 (35:30):
It wasn't like the seventeenth or.
Speaker 1 (35:34):
Something like that.
Speaker 3 (35:34):
You know, I didn't go to Dam because I was
I had gigs brod bread. Yeah, I couldn't go to
the fucking.
Speaker 1 (35:44):
So it was April thirteen to the fifteenth.
Speaker 3 (35:47):
Yeah.
Speaker 1 (35:48):
Yeah, and there was no Sunday, Yeah, which.
Speaker 3 (35:51):
Is kind of good, like the first two days that
you don't really need that.
Speaker 4 (35:55):
Well yeah, you know me, I was kind of excited it.
Speaker 1 (35:57):
I was ready to go.
Speaker 3 (35:57):
I was ready to go on Sunday, did you guys
go any events afterwards?
Speaker 1 (36:01):
Like so Friday, we we went out and we were
there maybe an hour and a half, two hours. Then
we left because we had to set up because we
recorded live from live from the twenty twenty three Invitational
Lost Tone Pros. So we we had like super dope battle.
(36:23):
Genius came up on top. He definitely did flip flop.
Gave him a run for his money to defend the title,
but he didn't get it. And yeah, it was pretty dope.
So once to that and then Saturday we went back
to them right and then after that, Lotus through a
session at his house, So we went back to his
(36:44):
house afterwards and dude, everyone and their mom showed up.
So it was like super cracking.
Speaker 3 (36:50):
Bro, that's dope.
Speaker 1 (36:51):
Oh yeah.
Speaker 3 (36:52):
Yeah. Honestly, when I go to nam Or whenever that happens,
like that's like my favorite part is like the ship
that props up after.
Speaker 1 (36:59):
Nam Yeah, it's all about like where are we all
going exactly? Because that Lotus is house, like he had
like Paul Scratch and a bunch of like the Canada
crew genius on all them. Everyone showed up so like
it was like a huge, huge session. Nice.
Speaker 4 (37:14):
So we we definitely interviewed a lot of people that
was pretty dope.
Speaker 1 (37:17):
Yeah, we got we got some dope interviews.
Speaker 2 (37:19):
So if you guys haven't checked out the shows yet,
go ahead and check them out on Spotify. Just as
a segue to wherever you're listening for right now, make
sure you like subscribe, leave a.
Speaker 1 (37:28):
Comment if you can. I'm just saying, what are you
guys on?
Speaker 3 (37:31):
Like?
Speaker 4 (37:31):
What?
Speaker 1 (37:32):
So we're on all.
Speaker 2 (37:32):
Major platforms right now, so I mean, you know wherever
you are. If you're on iHeart A, do the hard thing.
If you're listening on Google Cast, go ahead and Apple Podcasts.
Speaker 1 (37:42):
Get your googliness on. Wherever you're at. We're there. We're
also on Spreaker. That's our home.
Speaker 4 (37:46):
Okay, it is, Yes, it is. I want to shout out,
give a shout out to talk Delicious.
Speaker 2 (37:53):
Oh definitely came through on the band all right, take
it down, but only because I have it rolled up.
It was right here, but now I have it rolled
up and it's nice. It's not folded, Gemini.
Speaker 4 (38:01):
It's not gonna be folded.
Speaker 1 (38:02):
No, no more folded.
Speaker 4 (38:03):
She came in clutch. You know, if you want to
follow her, you could talk Delicious t O x O
L I C I O U S Underscore Official and
she does catering and all that stuff, you know, and
then in some special occasions she makes banners for whatever,
you know, events she's gonna.
Speaker 2 (38:20):
Go and look Gemini And I said it before and
I'll say it again just because she did such a
dope job and did it Hella quick.
Speaker 1 (38:29):
Talk Delicious came through in the clutch. So if you're clutch,
like you're just saying like you might not have any time,
but she will make the time, you.
Speaker 4 (38:37):
Know what I'm saying. And you know, give a call
or whatnot. Just send her a d M. If you
want some buns done. She's got it, you know what
I'm saying.
Speaker 2 (38:44):
So I took the I took the banner down, but
it's the same size as the window all the way across.
Speaker 1 (38:48):
You know, it's pretty good. It's dope, dope, it perfect.
Speaker 4 (38:53):
So we're gonna we're gonna use that banner and all
that stuff, you know, for all the events that told.
Speaker 3 (38:57):
Me you want to name the podcast Gemini and the
Table for two.
Speaker 2 (39:01):
Podcasts that's because he's from New York. That's just how
he feels. He feels his name should be on and everything.
Speaker 4 (39:08):
So then yeah, you know he's about.
Speaker 3 (39:16):
To tell you nobody come to see you.
Speaker 2 (39:17):
Otis shout out to everyone that's following us on Instagram.
If you're not on there yet, hit us up at
tables underscore the number four underscore.
Speaker 1 (39:29):
T W O t W. So you guys went to them, Yes.
Speaker 3 (39:33):
I didn't get to go to them. What did you
guys see that caught your attention?
Speaker 1 (39:38):
I need to know this things so.
Speaker 3 (39:42):
Obviously as far as products and that's coming.
Speaker 2 (39:44):
Out, Yeah, I did see, like what was it that
that R two D two uh thing that was moving
around with We didn't see it see it? Well, I've seen
it when it was on the shelf. But but what
it was was that that turntable right was it?
Speaker 3 (40:02):
Turns right?
Speaker 1 (40:06):
It was the mixer. It was the rotary Okay, so
what company was it with that? Damn? I want to
know what what company it was now? But they made it.
Speaker 2 (40:14):
It was a rotary mixer and they dressed it up
like R two D two, put the legs on it,
and they were like literally like driving it around but
it has wood grade on the side and it's an
all rotary mixer.
Speaker 1 (40:25):
I was excited for that just because I want to
get it.
Speaker 4 (40:28):
I want to get a rotary mix I don't remember that.
I don't remember that.
Speaker 1 (40:33):
I was wrong. No, we were drunk. We were was
bro We took, we took. The only picture I posted
from them was us drinking.
Speaker 4 (40:45):
I was not drunk.
Speaker 2 (40:45):
So I was like, Yo, We're gonna go back to
notice you.
Speaker 4 (40:53):
And then I was like, your ass.
Speaker 1 (41:01):
What about As far as so Lost song pros.
Speaker 2 (41:05):
On Saturday, we did a showcase right there at the
at the Face booth, so that was pretty dope. And
then right after us Erie and i Q did their
thing up there, so that was pretty dope. Also, the
Mixed Masters and everyone was over there to be chunkies.
Speaker 3 (41:20):
That was pretty dope.
Speaker 1 (41:22):
Products though I know we don't go for the products.
It was all the same ship.
Speaker 3 (41:27):
So you did. There was nothing new.
Speaker 1 (41:29):
Did you see anything new that you were like, oh,
this is like new?
Speaker 4 (41:33):
Well, there was that that controller, that that that the Hercules.
Speaker 1 (41:37):
Geminis was excited about the news it was. He was like,
you gotta see this.
Speaker 2 (41:42):
It's bell driven and it's the best and I was like,
all right, let's go check it out.
Speaker 3 (41:46):
So they put out one like the rain one.
Speaker 2 (41:48):
Yeah yeah, but it's belt driven, and but it's way cheaper.
It is I think it's only like six hundred bucks
or something like that.
Speaker 4 (41:55):
But his belt driven.
Speaker 1 (41:56):
But it's bell driven. It his bell driven.
Speaker 3 (41:58):
So do I want the belt.
Speaker 1 (42:00):
Because we'll see I think they were holizing on like yeah,
like the pet community and they're like, oh, well, this
is a market, so let's make it type thing.
Speaker 4 (42:09):
What is what it is?
Speaker 1 (42:10):
I told him and I we're gonna get a demo
unit so that we can try it out. Yo, hey,
you're not making it. Watch when he does a badass
mix and then you're like, yo, side.
Speaker 3 (42:23):
The record start back up. YO.
Speaker 4 (42:27):
All I know is that when I when I tried it,
I'm not gonna lie. I tried it when it was
on display.
Speaker 1 (42:32):
It wasn't bad.
Speaker 4 (42:32):
But what do you I'm not saying it was bad.
What I'm saying is is that what I'm saying is
that the fate it didn't work.
Speaker 3 (42:42):
I don't know who broke the fad of son.
Speaker 4 (42:44):
Somebody broke the fad of.
Speaker 3 (42:46):
They have the did they have the ring Florida did
check it out.
Speaker 2 (42:50):
Yeah that wait, I don't know. Oh yeah, I did
scratch on him. Cool Cooler Caps had one over there.
Speaker 1 (42:56):
It was cool. It was a little weird, you know.
I talked Gemini about that, like with the rain wanted.
Speaker 4 (43:03):
You know, were having a podcast.
Speaker 3 (43:04):
We don't ship, I know, I mean podcast.
Speaker 1 (43:09):
Hey, this is like the like the you know, middle
of the show. You should get yourself a snack and
eat with us.
Speaker 4 (43:14):
There you go.
Speaker 1 (43:16):
But yeah, it's a little weird because it's small.
Speaker 3 (43:18):
Coming to us at the SENI what are you snacking?
I'll be backing out. See there you go a nice
uh super a hip.
Speaker 1 (43:26):
That's some good crunch, bro, I'm not even lying.
Speaker 3 (43:30):
Well, the kid is this.
Speaker 2 (43:39):
Like so so something that I kind of do want
to see because I brought up phase it is.
Speaker 4 (43:46):
Why don't they just.
Speaker 2 (43:46):
Make a whatever they're putting in that brick, just make
it into a disc so we could just put a
record down and then use it little fucking USB stick.
Speaker 1 (43:59):
Bro. I like to play with the middle of the
thing a lot.
Speaker 3 (44:01):
I think a lot of us like to play with
the middle thing.
Speaker 1 (44:03):
You know what I'm saying.
Speaker 4 (44:06):
We knew that. Come on, bro, you like the middle
I played with that middle thing all the time, all
the time, that middle thing is getting touch, always pinching it.
To bro, Bro, you gotta pinch it. You gotta got
twist it. You gotta twist, twist, you gotta twist it.
Speaker 1 (44:20):
Bro. It's almost like snapping it, you know. I mean,
you know what, I you know what. I just hit
the I hit the macho man right now.
Speaker 5 (44:27):
I said, oh, yeah, idiot about the fucking step into
a slim gin.
Speaker 3 (44:39):
You don't understand.
Speaker 1 (44:46):
Man.
Speaker 3 (44:46):
The reason the reason I asked about the four is
because I bought the rain one probably a couple of
weeks before my fucking Year's gig, okay, because I was like, yo,
I need to have something portable. Originally, I have been
taking my my new Mark fucking DJ to go.
Speaker 1 (45:06):
To, oh the DJ, the little I got one over there,
one over there. I had to buy one.
Speaker 3 (45:11):
Hey, I had been rocking all my club gigs with
that ship. Just was a little to go to.
Speaker 1 (45:16):
That's hilarious, bro, that's.
Speaker 3 (45:20):
The touch is just the regular to go to.
Speaker 1 (45:23):
You can't even scratch on it, you know. Yeah, No,
I got the touch, damn sorry, same thing, bro. They
just don't make the other one anymore.
Speaker 4 (45:35):
He's over there pressing the buttons and just putting them
in mix.
Speaker 3 (45:37):
That's gonna say that the touch wasn't even out yet
when I got the.
Speaker 1 (45:40):
That's what I'm saying. Yeah, they don't even make it
no more now.
Speaker 4 (45:43):
Yeah.
Speaker 3 (45:43):
So I was like yo, and I was just like yeah,
I just wanted to fucking I just wanted to have
that feel. I didn't want to take my fucking setup.
So I was like, yeah, I think I'm just gonna
get this Ring one. I was like, no, maybe I
should wait to see what else is going to pop up.
That know, they're gonna come out some need the rumors
were already out, some needs gonna come out.
Speaker 2 (46:05):
But but with with the Ring one, you could still
use stems, right yeah of course.
Speaker 1 (46:12):
I mean you just don't have that separation.
Speaker 3 (46:15):
Yeah, or the little the little but.
Speaker 1 (46:17):
Oh yeah the bank yeah you can? You can you
with the ring one, can you split.
Speaker 3 (46:22):
Your I think I've seen foods like media map it
so where you can use the the cues as mute.
Speaker 1 (46:31):
Yeah, that's what I was gonna saying.
Speaker 2 (46:32):
Because with the rainfow, remember you could split them or
like you could have you have your stems on top.
Speaker 1 (46:39):
And so you probably wouldn't be able to do that.
Speaker 4 (46:43):
Yeah.
Speaker 3 (46:44):
Yeah, but this was the breaker for me. They didn't
have the spinning planters.
Speaker 4 (46:51):
On that ship. Yeah, there's yeah, they don't. They don't
want They're saying that the spinning platters is not as
as demanding as just the stand.
Speaker 2 (46:59):
And and if they would have put him in there,
it would have put the price.
Speaker 4 (47:02):
A little bit.
Speaker 3 (47:03):
I would have gladly.
Speaker 4 (47:06):
But but but you know what you do, what you
dj you cut, you scratch, you mi you do all
that ship. You know what I'm saying, you want to
feel that resistance. I'm with you. I'm on the same
boat as you, and I feel the same way. But
they they are looking at as a as a business
(47:26):
aspect of it, you know what I'm saying, like one
of those things. Yeah.
Speaker 3 (47:30):
Well so whatever that was the that was the deal
breaker for me. Oh sor, I just like I just
went ahead about the rate one.
Speaker 1 (47:36):
So so because you said you prefer spinning.
Speaker 2 (47:39):
Plotters, Yeah, so why not with the belt drive with
the hercules, because it's not.
Speaker 3 (47:47):
What do you mean?
Speaker 4 (47:50):
You keep on bringing hercules up son?
Speaker 2 (47:51):
Because look it's funny because it's like, oh, you want
them to spend, and you want them to spend a
certain way.
Speaker 1 (47:57):
So that's why you're paying for the technology. You know
what I'm saying, make my money.
Speaker 2 (48:00):
So it's either you get spinning for cheap or or
no spinning at all. The other thing is too Maybe
the rain one didn't sell as much as they thought
it was going to be, and then they were like, well,
we don't really need to invest in that anymore.
Speaker 3 (48:13):
I mean maybe, but I'm gonna tell you right now
off of like it's been what almost six months of
having it, it's fucking great. I love that shit.
Speaker 1 (48:27):
And it's so light, and it's so light, it's.
Speaker 3 (48:30):
So compact, and it's everything, literally everything. I still have
the turntable feel on it.
Speaker 1 (48:35):
How do you How do you feel about only using
the Serrado effects though, because it has no internal effects.
Speaker 3 (48:43):
No, I don't mind it. I make it worry because
you know, either way, I always like to fucking combo
the the the effects. So I mean you still come
up with your own ship or whatever, So I don't.
I don't mind this. It's cool. It's not. It's not
It's not something that's like that big of a deal
to me.
Speaker 2 (49:00):
It's funny how everyone makes it seem like that is
such a big deal.
Speaker 1 (49:03):
That's why.
Speaker 3 (49:04):
So not for me, bro, I'm not that's not my focus.
Speaker 4 (49:08):
I don't get Let me ask you a question wrong.
How do you feel about the sink button?
Speaker 3 (49:14):
I fuck with it.
Speaker 1 (49:16):
I like it, Gemini and he wants he almost see it.
Speaker 7 (49:19):
Yeah, that's fine though, because sometimes you have a situation
where you might need to use it and people may
have their reservations about it, just like we all may
have reservations about people who uh say that, Oh I'm
not a DJ, I just play records.
Speaker 3 (49:40):
But here they are. You know, whatever everything has, it's huge, bro, Like,
we've all put it in enough time and enough work
to do ship. Where if like I have something like
that and I'm trying to do something where maybe a
fucking you know, the song fluctuates from fucking bp ms
(50:02):
and I wanted to fucking stay at one thing because
I'm trying to do this other ship. I don't see
why what's wrong with it? I mean, I really don't.
That's me.
Speaker 4 (50:14):
I just I just I just think like this, use
it no matter what use it is, there mine as well,
and it will work for you. But My thing is like,
learn the craft, learn how to mean.
Speaker 1 (50:28):
Well, that's that's that's what you're saying. Put in the work.
We know.
Speaker 4 (50:34):
But that's why. That's why I feel the way I
do about it, like I ain't gonna hold you something.
If it's gonna make me sound better, you know what
I'm saying, then I would use it, but I'm not
gonna The other thing.
Speaker 1 (50:46):
Too, is this too.
Speaker 2 (50:49):
If you are using turntables and you press the sync button,
that does it's not gonna miraclely just make it on beat.
Speaker 1 (50:55):
You have your your fucking record spinning. So it's not
gonna just fix all your problems, absolutely nothing.
Speaker 2 (51:01):
It might jump to the grid like when you push
it or something.
Speaker 3 (51:04):
You know what Sarado came out. People were talking, it's like, oh,
like that shit just does it for You're like, no,
it doesn't. Like okay, look at let me make this
comparison to Sarado gives you the bpms to all these songs, right,
it gives you the key them all that ship. That
doesn't mean that the fucking same bpm or same key
(51:24):
that those two fucking songs are gonna mix together. You understand,
like you could they could be the same bpm, but
they just first whatever the fuck reasons the song, they're
just not it's not gonna automatically be like that song
goes good with the next one, Like.
Speaker 1 (51:37):
No, bro, Yeah you can try it.
Speaker 4 (51:39):
And that's that's what I've been saying from the beginning.
Speaker 2 (51:42):
Remember, Gemini hates that i'd be talking about like, oh,
mixing key food because and I.
Speaker 4 (51:47):
Always tell them, I said, it doesn't matter what I mixed,
long as the song good. It's song, right, Yeah, And.
Speaker 2 (51:51):
That's the thing, Okay, there are definitely certain songs that
don't use so many notes that yeah, it ends up
working with other keys. So I'm not trying to musically,
I'm not trying to like smash on that.
Speaker 1 (52:06):
But also, if you.
Speaker 2 (52:07):
Analyze your files and you have a good file, it
won't give you the wrong key because sometimes it keys
it wrong, and it does I know, because sometimes I
just turn that shit off on that track like pitch
you don't belong here.
Speaker 3 (52:20):
Well there's also the fucking key lock on it and
all this other stuff.
Speaker 2 (52:24):
Yeah, and then that too, you know what I mean,
Because like if you were playing a record and then
you speed it up, well you got album.
Speaker 1 (52:29):
And the chipmunks singing this song. Now where you we
don't deal with that anymore. Now it's just it's just there.
Speaker 2 (52:34):
Yes, and then it's even more if you have the
pitch in time and now your ship sounds identically.
Speaker 3 (52:39):
But I would recommend that you have it. If you don't.
Speaker 2 (52:42):
Yeah, I don't have it, I know. But yeah, for
those of you I haven't gotten that upgrade, you should.
It's pretty dope.
Speaker 4 (52:49):
I'm just saying, like technology could always give out. You
just want to be one start.
Speaker 3 (52:53):
The end of the day. Brof nice man. Yeah you
know what I mean, Like, you use whatever the fuck
you want.
Speaker 2 (52:59):
No, Yeah, you're gonna be able to freak anything that yo, yo, son,
your nice son, You nice Yo.
Speaker 1 (53:05):
We got DJ Indigenous hanging out.
Speaker 3 (53:08):
Hold on, oh, bro come you know me long enough already.
The DJ is in the name.
Speaker 1 (53:15):
It is. Sorry. I get, I get, I get told.
I know. I remember the first time I met y'all,
was like, so it's do I say it in DGJ?
Speaker 3 (53:29):
Like?
Speaker 1 (53:29):
Do I do?
Speaker 3 (53:30):
I have to say it like that?
Speaker 1 (53:31):
Man?
Speaker 3 (53:32):
Honestly, you think I don't care what people say it.
I get it, I get why they would say it,
but I just made it a point to.
Speaker 1 (53:38):
Be like, it is even bigger too in the front.
Speaker 3 (53:41):
You know exactly it stands out. It's capitalized.
Speaker 2 (53:44):
Yo, we got indigenous hanging out with us. Tables for
two d J gemin I, let's take a quick break,
real quick.
Speaker 4 (53:54):
What the was that you did that make it sound
like it was a rewind?
Speaker 1 (54:02):
You got you?
Speaker 4 (54:04):
It was like a rewind?
Speaker 6 (54:05):
Like Yo, you looked over and you were like, okay, yo,
were getting out of here?
Speaker 1 (54:12):
Man, bang stick around, stick around? Stick around for a
tables for two? Hold, I don't even off.
Speaker 8 (54:19):
What's any more phone to be out of.
Speaker 1 (54:23):
The tables for two? Man? I hope they have a
table for two available.
Speaker 8 (54:29):
While getting ready to record a d M has to
warm up a little bit.
Speaker 1 (54:34):
Oh the ladies and novellaser.
Speaker 3 (54:38):
Yeah, what the hell was that?
Speaker 4 (54:40):
So you feel one mouth time that?
Speaker 3 (54:42):
Man?
Speaker 1 (54:44):
Get it? I like that better? Please don't get better than.
Speaker 3 (54:52):
Tag team music back again.
Speaker 1 (54:55):
Were kicking the floor with my massy brolave.
Speaker 2 (54:59):
This this, this is my favorite apart these three words
when you're getting moves, there's four words.
Speaker 3 (55:04):
He's right, but do you have to ruin everything?
Speaker 1 (55:07):
There? It is? That is forwards tables for tune.
Speaker 3 (55:13):
I've always liked you to.
Speaker 8 (55:14):
We'd like to thank Lost Tone Pros for leasing us
up with all the beating for the show. You can
scratch you, all of them with the table beats out
Lost Tone Pros.
Speaker 4 (55:23):
Our cuts are correct, correct, correct,
I said, whatever, they screw both of you guys posts
going to be strike one.
Speaker 2 (00:11):
So so the moral of this whole story is being indigenous.
Speaker 1 (00:16):
Don't be fucking eighty m mournus.
Speaker 3 (00:19):
Called me indigenous.
Speaker 1 (00:22):
Wow one more and you're outside. I'm telling super raby cracking, bro, Damn.
Speaker 4 (00:30):
Aren't chopping on this ship all night.
Speaker 1 (00:31):
My soul. Also, so you two are friends.
Speaker 3 (00:40):
He's just trying to make it like it's all about you.
Speaker 1 (00:42):
Hey, bro, we're playing pong with turn right now. We're
trying to distract them almost. But we do have a
table for two available tables.
Speaker 3 (00:53):
Tables for tables for two.
Speaker 1 (00:55):
Tables for two Gemini.
Speaker 4 (01:00):
Order from eighty M one tables for two.
Speaker 1 (01:02):
Table tables, table tables for two tables, tables tables for
two tables.
Speaker 3 (01:13):
What a dude is your boy?
Speaker 2 (01:14):
DJ Gemini whatever y'all go by the name, DJ eighty
M one, We are.
Speaker 4 (01:18):
Tables for two tables four two.
Speaker 1 (01:20):
We are up in this.
Speaker 4 (01:21):
Yeah, let me tell you something. So let me tell
you one thing. We got a guest in the building
we do, longtime friend, bro.
Speaker 1 (01:29):
I'm excited to see him.
Speaker 2 (01:30):
I haven't why I've seen him recently, but I've been
really sat down and talked to him.
Speaker 3 (01:34):
Yeah, that's what's up.
Speaker 4 (01:35):
You know, we got Indigenous in the building here, we are,
what's up, what's going on? Yeah, I know we were
talking about a whole bunch of shit in the beginning
before we started. You know, yo, is that me?
Speaker 1 (01:48):
You got the It was pretty somber though I liked it.
Speaker 2 (01:51):
It was like I was saying, too, we've just recently
seen him too at the garden, right the garden and
uh and that dog I'm.
Speaker 1 (01:59):
Going He came down to my pad gem and I
hit me up and he was like, yo, son, let's record.
Speaker 2 (02:03):
And then he was like, yo, Indigenous said he's down
to record to it.
Speaker 1 (02:07):
I got excited.
Speaker 4 (02:08):
So since we are shooting the ship, yeah, you know,
there's a lot that happened between the last time we record.
So now man, yeah, man, we're having a good old
time right now.
Speaker 1 (02:18):
Man.
Speaker 4 (02:19):
So, so last night you was just talking to eighty
and one. You didn't even get to finish what you
was going to say. So let me start it again.
I get a call from sick Jacking, you know, cycle
around and get your off a minute.
Speaker 3 (02:30):
Sick Jacking caused me. He's like, hey, I need to
you know you're set up. I want to rent your setup?
What's up, you know, having the cycle to my own?
By the way, would you like to spinis set? So
that was a cool little segue.
Speaker 1 (02:48):
I guess right. So that's a good way. It's a
good way of inviting you.
Speaker 3 (02:53):
That's a good way of inviting me, you know. So
I was like, yeah, man, you know, keep in mind,
like I remember, uh ship I dj' at the first
cycle of the MIO. This was back in like twenty thirteen.
I think it was the first one thirteen, so this
(03:15):
would have been the tenth cycle with the male Oh
wow yeah so yeah, so I it's It was at
the yos Theater and he yo, okay, downtown Sanana.
Speaker 1 (03:27):
I like, I like that the location. You know you've
been there. Yeah, yeah, you've been there.
Speaker 3 (03:31):
So yeah, yesterday was my first a but I'm saying
like being inside inside anything, No, I don't even have
have you guys got a chance with DJ there.
Speaker 1 (03:40):
I didn't get to DJ there.
Speaker 2 (03:41):
I uh I ran promo for Kiss FM when they
were doing their.
Speaker 1 (03:45):
Fridays, so I got to be like all back then
the balcony.
Speaker 3 (03:49):
At the balcony and then it's kind of like the
VIP area.
Speaker 2 (03:52):
I guess there's really nothing up there, because I mean it's.
Speaker 1 (03:55):
Yeah, really, if you wanted a table and you want
to be secluded, then you're yeah, yeah, yeah. But it's
pretty dope. The way they have like the big bar
on the outside and inside it and it's.
Speaker 3 (04:04):
All and they're playing the fucking music outside.
Speaker 1 (04:08):
That's pretty fust up.
Speaker 4 (04:09):
Yeah.
Speaker 3 (04:09):
I thought that was cool too. So yeah, so I,
you know, he's like, yeah, you know, can you bring
it for the meet and Greek that we're having the
day prior to the show. Meeting greeting was Thursday, show Friday,
So yeah, so I take it. And you know, first off,
it was a fucking bitch to get up the market.
You know, if you know me, I'm a big dude.
(04:29):
Had to walk up the stairs carry these two fucking
things and the mixture. Thankfully, I got the scary that
she fucking helped me out. But it was, like I said,
it was already a bitch and fucking sweating and ship
my god.
Speaker 4 (04:39):
This son, you fluffy son, fluffy son.
Speaker 1 (04:44):
You know.
Speaker 3 (04:45):
So I set everything up and and and and the
Homi waxy. You know he's gonna do all he's doing
just all forty fives yeah, which is dope, you know,
and plugs everything.
Speaker 1 (04:58):
Yeah, you know, like.
Speaker 3 (05:00):
Put some records, put on his needles, and one of
the turntables starts giving like feedback, bad, really bad. And
I was like, oh shit, fuck keep in mind, like
I kind of knew because the fucking ground wires all
fucked up. It doesn't it didn't have that little like yeah,
we didn't have that.
Speaker 1 (05:18):
On Runner anymore.
Speaker 3 (05:19):
I was like, damn. I tried fucking with it and
still nothing was working. And they were just like looking
at me like yo, like what are you gonna do?
Because you know they're your your turntables that we you know,
we gired you the fucking yeah, yeah, we're ready. He's
from you. And I was like, damn, who the fucking
that call right now? He's like, you know what, let
(05:40):
me fucking call Gemini. Called Gemini. You didn't pick up,
and I was like, fuck you fucking will come again.
I need this ship called them again. This was like
what's up? I was not much, man, what are you
up to? He's like, man, nothing. I was like, hey, bro,
I need I need to borrow one of your turn tables, Like.
Speaker 1 (05:58):
Right now, you drove down there.
Speaker 3 (06:02):
So I'm like, where are you at? No, He's like
where you at? I'm like, how far are you? Like
probably like fifteen minutes, twenty minutes, so where you at?
I at the yos. He looks it up, so, oh,
that's fucking thirty minutes away for me.
Speaker 4 (06:17):
Yeah right, yeah.
Speaker 3 (06:19):
Yeah, he said that's thirty minutes. I was like, hey, bro,
just bring it. I'm gonna take care of you please. Right,
He's like, man, all right, man, I got you, like
the good fucking friend that he came down from his house.
He was already it was already kind of late, right
like thirty, so you know, keep in mind, you know,
you guys have fucking you know, you guys have day
(06:40):
jobs and ship like that. So I'm you know, I know,
I'm taking up that time where you know, he probably
was already gonna go to sleep or something.
Speaker 4 (06:46):
He's already chilling.
Speaker 1 (06:47):
Yeah, Gemini starts to work early.
Speaker 3 (06:49):
That's what I'm saying.
Speaker 4 (06:51):
So, y know, and I still don't get no sleep.
Speaker 3 (06:54):
So he's just like yo, like yeah, I'm gonna take
it right now. He got there literally like in thirty minutes,
Like he just like literally like I probably called him,
and he got his ship and he fucking took and
he took off and came and dropped it off for me,
and yeah, everything went fucking went smoothly.
Speaker 4 (07:13):
Not to mention, I said, Yo, son, give me that turntable.
Speaker 3 (07:17):
Oh that's right.
Speaker 4 (07:18):
I was like, give me that turn table, you other one.
I've changed the RCAs and I'm putting the internity grounding, yeah,
which we had already been meaning to do for a
long time.
Speaker 3 (07:28):
But I've just never done it, just you know, for whatever,
you know, doing gigs or hitting him up and just
haven't really been able to fuck him.
Speaker 1 (07:35):
Gemini thinkses everyone's turn tables.
Speaker 4 (07:38):
I tried to.
Speaker 1 (07:39):
Man, if you look at my r c as right now,
I actually have him split and then taped with like
a sticker. Yeah, I don't give a fuck.
Speaker 3 (07:52):
It's because I don't get it. He doesn't, Yo, let
me just take that. Everything works flying that whole Yeah.
Speaker 1 (08:00):
So I I go somewhere else. I get scared for
the sticker.
Speaker 3 (08:04):
I'm like, oh ship, I didn't care bro, So now
that I had to take him out and this she's
not working, I'm like, god damn, Like you know, thankfully,
like I said, the Hommy came through for me. But again,
you know, like I said, I'm I'm I'm I'm in
a spoiled position. You know most of my gigs where
I show up, I don't have to take my setup.
(08:25):
You know this already there.
Speaker 1 (08:26):
You get a writer.
Speaker 3 (08:29):
Kind of, you know, I get to I get to request.
Speaker 1 (08:31):
What I want, Like I want all red Skittles.
Speaker 3 (08:34):
Help me, I could choose green instead.
Speaker 4 (08:38):
When I went backstage when he was DJing for the
care Risk.
Speaker 3 (08:43):
One, okay, yeah yeah, And.
Speaker 4 (08:45):
I was like, yo, son, what's this up here? And
he was like, yo, you don't understand what I had
to go to just to get one turntable.
Speaker 3 (08:53):
Oh yeah, because kr Riss every time he has a DJ,
he's always CDJ every time because of the way he
likes to run his set. He just likes it continuous
and like if he says stop them, stop it. But
I literally had to fucking be like, yo, I need
one turn table appear because I'm not trying to fucking
cut in this fucking CDJ. I don't give a fuck
(09:14):
how good it is. I don't want yes.
Speaker 1 (09:17):
So that was the time that started a big thing too.
We're talking about it.
Speaker 4 (09:22):
So this is the back the back scene of it
when Mark Love was in the back, Yeah, and then
he was talking about he was like a hip hop
show and you got one turntable and ship, so basically
it should be two turntables. Absolutely, you know, come on,
that's hip hop and you.
Speaker 3 (09:38):
Would imagine because it's you know, Kris One, but that
he just likes to run this set like that and
I respect.
Speaker 1 (09:43):
It, but he wants everything to be in place, yeah, because.
Speaker 3 (09:48):
You know sometimes like you know, his his because his
son DJ is from and his son lives like in
fucking in England, so he's not able to come all
the time for his gigs stuff, so you know, he
just continuous on the the CDJs. So like again, you know,
(10:09):
he feels like it's more secure for him for him
as yeah, as opposed to like you know, what if
the laptop sucking up or whatever it may be.
Speaker 1 (10:18):
Like I mean, what about anything.
Speaker 2 (10:19):
I mean, look look at that that video of Biggie
Small's throwing throwing his water bottle.
Speaker 3 (10:24):
At yet Honestly, I look at that video and like
crimps bro, I'm just like, oh God, that God, that's
not me.
Speaker 2 (10:30):
Because it's funny, like how how everyone got mad at
was it Travis Scott that went off on the DJ
or I think it was Whiz Yeah went off on
that DJ and everyone was like, yo, do you think
it was like wag?
Speaker 1 (10:41):
And then it's funny because you see that that videos
like yo, cap fuck you doing? He throws the water
bottle at him and honestly like you what's fucking that?
But that's records I could see.
Speaker 3 (10:51):
I could see the other side like what like, if
you're having that problem and you're relying on on on
the venue DJ, well, why did the venue have a
you know, somebody who knew what they were doing and
has the experience to do these things to you as
the performer, why didn't you have your own person there
that you can rely on, Yeah, to fucking to be
doing this performance, even if it was small, it's not,
(11:14):
it's not it's not hard.
Speaker 1 (11:16):
So so single turntable Djane, what do you guys think.
Speaker 3 (11:22):
I've done it many times?
Speaker 4 (11:24):
That that's you. That's your ship.
Speaker 3 (11:25):
I've done it many times.
Speaker 4 (11:26):
Yeah, that's your ship.
Speaker 3 (11:27):
I've just you know, can turn on one of them.
Speaker 1 (11:31):
That's what he was.
Speaker 4 (11:32):
He was just basically like, yo, Jem, you got it.
I was like, yeah, I got it, bro, right exactly right.
I was like, yeah, I got it, bro.
Speaker 3 (11:41):
The best part is what he shows up. He's like, hey, son,
you got no headphones on?
Speaker 4 (11:50):
He spent it. I was like, you he was your headphones?
Speaker 2 (11:53):
That yeah, jem and I always make fun of me
for for weird was like that.
Speaker 3 (12:00):
Uh honestly, I'm in between headphones right now.
Speaker 1 (12:04):
Between like that, you know.
Speaker 4 (12:07):
He was like he was like, yo, you got your hands,
you got your headphones. So I was like, yeah, wow,
you need it. He was like yeah, I brung it.
And then the next day when I at him, he
was like, I was like, yo, you used it.
Speaker 3 (12:16):
He was like, not use it. I was like, I
was like, get phone.
Speaker 2 (12:24):
You didn't give him the in heres though, Hell no, Okay.
That's why it's kind of funny. You asked Gemini you
got the earphones.
Speaker 4 (12:30):
And you're like you gotta remember because I had the
extra set.
Speaker 1 (12:35):
Oh yeah, yeah one which.
Speaker 3 (12:37):
I just brought today. I had confiscated him for a while.
That health hostage, you know is what they were good? Yeah,
they were good. They came back I put up and
this was like he didn't bring the box. I was like,
what was that? You didn't leave me the box. I
fought they were brand you. I brought the box.
Speaker 4 (12:55):
I was like, damn.
Speaker 3 (12:55):
I started panicking, but.
Speaker 2 (12:56):
Non, that is some geminis though, because that food gave
me the box and when we use them at the show,
I almost threw the box away. Well, someone else was
gonna throw the box away and I was like, let
me get the box.
Speaker 5 (13:09):
Bro.
Speaker 1 (13:10):
I was like, yo, let me get the box.
Speaker 4 (13:12):
Yeah, I can't have it just yeah, I gotta put
it back in the box.
Speaker 1 (13:14):
I know. I feel like, look at my house, bro,
nothing's still in the box.
Speaker 4 (13:18):
Yeah, I see.
Speaker 1 (13:19):
Hey, my Ninja Turtles are still.
Speaker 3 (13:21):
In the box. Hey those are fire. Those are fire.
I'm not gonna lie to you. Those are fire.
Speaker 4 (13:27):
Yeah.
Speaker 2 (13:27):
I'm just a big kid, bro. Don't don't judge me
by my record collection.
Speaker 3 (13:31):
I feel like when I see ship like that, I
just think about it as like like now that I'm older,
it's it's dope that I can buy a bunch of
ship that I wanted when I was a kid and
couldn't get.
Speaker 1 (13:42):
Yeah, you know what I mean, that's fun.
Speaker 3 (13:44):
I know That's how I am with like my shoes
and ship, you know what I mean. Like there was
Jordan's that I couldn't fucking buy our you know, parents
couldn't get me ship that I can afford now myself
or you know whatever. You know, So like man, it's
always good to stay young man, like you know, you
don't want to get old. M And I think as
DJ's it's also very important for you to have that
(14:06):
type of mentality to be in tune with what's happening. Yeah,
I feel like you gotta give um some backstory about
how we man, Like we're just getting into some topics.
Speaker 2 (14:17):
So who is So okay, let's let me let me
do this. So I think the one thing that that
binds all three of us and this doesn't this doesn't
take us back to because this goes pretty bad. But
I think it's B side show, right, I mean that's
I mean, that's.
Speaker 1 (14:38):
You Gemini.
Speaker 2 (14:39):
I met Gemini outside of that, and then I was
lucky enough to get.
Speaker 4 (14:44):
Where I think because through Rocky science.
Speaker 2 (14:49):
Through Rocky know, through through Guitar Center, because I knew
Rocky and he worked with you at Guitar Center.
Speaker 4 (14:55):
No, you don't know Rocky. You don't know I rock Yeah,
rock No, I don't know Yo. That that's a long time.
Speaker 3 (15:05):
Yeah, and if I do, I'm sorry, no disrespect, I.
Speaker 1 (15:07):
Just no, no, no, you probably don't know.
Speaker 2 (15:09):
He worked at HED, he worked at Guitar Center at Covena.
Speaker 4 (15:12):
So no, no, I don't know. He don't know Rock,
I don't come out.
Speaker 3 (15:16):
It was I think it was science, science, all right, Yeah, yeah,
science first.
Speaker 4 (15:22):
It was how you guys do that's that's how like
ld in the cut.
Speaker 3 (15:26):
Oh me and him? Yeah, through science for sure. Yeah,
that was that was like twenty years, twenty plus something
like that. It wasn't before, not before that through broadcast.
It wasn't could be you could have because you need
a broadcast too, yeah, right, broadcast. Man.
Speaker 4 (15:45):
Yeah, I don't know, but yeah, yeah, you know, I
don't know. I can't hold you. So but it's been
that long though, Yeah, it's been.
Speaker 3 (15:52):
A long time. But yeah, if it wasn't through him that,
it was through for sure through science, right because I
remember him taking me to your house and you know,
it's just going to shoot the ship, and hey that.
Speaker 1 (16:06):
That it seems it seems natural.
Speaker 3 (16:09):
Which which coincidentally, well you know, Gem and Science have
had had a friendship for a while, and I know
he would go and and and and DJ. They would
like practice together, and then Science would come to my
crib and you know, make beads or fucking funk around
the turntables. And I remember he came by the pad
(16:31):
and he's like, yo, like I just learned this new
scratch it this trip flair.
Speaker 4 (16:35):
To check this out.
Speaker 3 (16:36):
He starts doing it, and at the time I was like, damn,
this is fucking dope. I need to learn mask. He
learned that from Jim. I learned it from Science, so wow,
it's kind of.
Speaker 1 (16:49):
I've known Gemini for years and he's never taught man.
Speaker 3 (16:53):
I just want to say we could tell.
Speaker 1 (17:02):
So it's funny because I told Jem and I was like, yo,
I think I got I got the I got the
basis of the church flare down. So then I started
doing it and it was like, no, yeah, that's why
are you doing it so slow?
Speaker 3 (17:20):
Because that's what it is, that's how that's how it
was that I that I that I captured. It was like, okay,
I know the movements. And then once I got the
movements down, it's all about the fucking the speed of speed.
Because if you don't have to speed to it, it's
not gonna it's not gonna happen.
Speaker 2 (17:34):
It still sounds all right, but it sounds so much
better on the double time.
Speaker 4 (17:38):
Yeah.
Speaker 3 (17:38):
Okay, see, but you just need to you just need
to adjust. You need to. But yeah, so you know,
I've learned, you know, a couple of things from from
science and then you know jam and ship like that,
which I had, I had gotten ready to a point
where I had just learned everything from just like you know,
watching videos, going to shows and you know that whole thing.
(18:00):
And you know, I guess you could just say self
taught type of thing because nobody said, hey, this is
what you do, and you do this.
Speaker 1 (18:07):
With no one was doing that.
Speaker 2 (18:09):
Yeah, I mean until until like Turntable Mechanics workshop.
Speaker 3 (18:12):
Well Cuba had those fucking those how two bids or whatever.
That ship so what was that fucking that scratch of
pedia ship too scratch? Yeah yeah, yeah, that ship was upe.
Speaker 1 (18:23):
But but also you had to find somewhere where they
had the vhs still there. It's not like you can
go on the internet and just buy what like now.
Speaker 3 (18:31):
They had they had the YouTube clips. There was YouTube
clips at the time. I remember seeing YouTube clips. Maybe
not the scratch of media, but I know his like
how to Ship. Yeah, the major major thing that that
helped me with my DJing was fucking the Scratch movie.
Speaker 4 (18:49):
That that classic talked about that and.
Speaker 3 (18:52):
That was like the fucking beginning, bro, Like that was
my fucking genesis. That's like without that, Like I don't
really get the essence of DJ.
Speaker 1 (19:03):
Yeah.
Speaker 2 (19:03):
The dope thing about that that documentary. If you want
to learn pretty much scratch theory, you watch that documentary
and you will learn from every single DJ that is
still relevant today still today, you know, really break down
scratch and it's it's it's dope too that they all
talk about rocket, you know what I mean, Like I'm
(19:25):
talking about, oh Scratch, what did it start?
Speaker 1 (19:27):
And they all go back to the Herbie Hancock.
Speaker 3 (19:29):
You Yeah, that ship was like I said, it just
taught me so much and I really, I really give
that the credit of my the starting of my career
was due to that because it also had I have
it still. It also had like another d with like
a how to type of thing, was z Trip.
Speaker 1 (19:51):
Okay yeah yeah, yeah, yeah, oh yeah, the two Das
DVD because it was in that fat or case.
Speaker 3 (19:55):
Yeah, so it would it have like oh you know,
this is a bp M and this is how you
go from one record to the other record and ship
like that. And like I said, that's what put me
up on the game. So from there, I just you know,
practiced what it was, you know, teaching me and then
learning other ship along the way, just like watching and
whatever coming around now to like because when that shit
(20:18):
come out that she came out in like he was like, oh.
Speaker 1 (20:21):
Two, yeah, it was like real early two thousands, like maybe.
Speaker 3 (20:25):
Around two thousands, but yeah, Twood early. You know, here
we are at twenty twenty three along the line, like
you know a lot of these dudes are you know,
they're I guess you could say colleagues were in the
same field, will be at the same shows. I mean
just yesterday I was Chok was that one? You know
he was DJing for a Mortal Technique yesterday. You know,
(20:47):
mister chalk, you know fucking beat junkies all that, you
know what I mean, Like as as a hip hop fan,
as a DJ fan, as somebody from southern California, you know,
that's that's one of the ogs to me, you know,
and just to a lot of us, I guess you'd say,
and to have him, uh you know know who I
(21:12):
am and just like you know, have that acknowledgement and
that interaction with them is just like you know, the
of the the younger part of me just like hell
yeah you know what I mean.
Speaker 1 (21:22):
Yeah, No, it's dope.
Speaker 2 (21:24):
It's dope seeing all of the be junkies super active, yeah,
super active, and they're all like putting in massive work
right now.
Speaker 3 (21:32):
Be junkies. Like I said, be junkies to me, Like,
and you know this isn't to take away from anything
from anybody else, you know, you know, scratch creakers and
all that, but just like I said, being from this area.
Speaker 1 (21:41):
Yeah, we're a little bit more connected to it. I'm
sure we were. Yeah, we were are what's up?
Speaker 3 (21:52):
Yeah? Yeah, so you know, so that ship's pretty good.
Speaker 2 (21:55):
Hey we were from Florida to trust but we'll be
like your allies and nothing else.
Speaker 1 (21:59):
As much as we love crazy and we talk we
talked about crazy all the time.
Speaker 3 (22:02):
Crazy.
Speaker 1 (22:02):
But I'm just you know that. But that's dope. Like
all the sectors all over.
Speaker 4 (22:05):
The map, track man, Yo, shout to Canada, Yo, what's
crazy about the whole thing?
Speaker 1 (22:11):
Man?
Speaker 4 (22:11):
I've seen you like from practicing and doing different like
doing different things. The amount of time it took you
to grow. Was like from going from djaying and the
house parties and ship to doing shows and concerts and
you know, with different artists. Razkaz was one of them. Yeah,
you know what I'm saying, shout out to rascas. You
(22:34):
know what I'm saying. So you've been you you've been
doing things with him a lot.
Speaker 3 (22:37):
Yeah, that was when I first started the DJ for him.
Was in two thousand and fourteen. Twenty fourteen is when
I went on tour with him and that actually happened.
I guess I thought it was at random at first,
but then when I asked him that, he's like, you know,
(23:00):
he's like, WHOA. I had been to the Drug Lab,
which is a sick jacking studio, and I was asked
to go do some scratches on one of the Concrete Saints,
one of their groups that's affiliated with them, to the album,
and he had been going to the same engineer, C
Sick Lopez. He's now doing fucking Dave Chappelle, fucking you know,
(23:23):
the What's that the podcast that's all Marry and all
kinds of stuff like Dave Chappelle, Tyler super Dupe.
Speaker 1 (23:30):
And people's choice and all that.
Speaker 3 (23:32):
Yeah, super dup in here. So he had hit me
up and said, hey, you know I need some cuts
for you know whatever this and that. I showed up
and like I said, he had been going to that,
to that studio and to with with working with that engineer.
And then I ran into him and on the street
and he hit me up and he's like, yo, like
(23:52):
I'm about to go on tour, like you know, like
what are you doing for like the next month and
a half. I didn't really think about. I was like,
what why are you asking me for the next one times?
Like I didn't know what to do tomorrow, Like I
don't know. But he's like he's like, man, let me
get your number. So I give him a member that
from copy. The next day was the next day that's
for my email sent me the fucking that itinerary for
(24:14):
the fucking tour. I mean, I wasn't gonna say no, right,
you know, I wasn't gonna say no.
Speaker 4 (24:20):
So yeah, I met I met raz cast through Diverse
and you know Jay Roy McCraw he goes goes as
that too as well. He did all the production and
all that stuff for that mixtape I did with him
tracks and classics I came out. Yeah, yeah, all the
all those that production is all him right there. Okay,
(24:41):
you know what I'm saying. So I met him through him,
you know what I'm saying. So, yeah, I seen him.
I was with Science. I see him something I forgot
where it was. It was like some beat battle because
you remember how Science used to be keeping the beat
battle deep in this, you know. And then he was
there and Ship and then we chopped it up there
and that was like the first time that I like
really chopped it out.
Speaker 1 (25:00):
You know.
Speaker 4 (25:01):
He was cool from the get from the beginning, you
know what I'm saying. And then right now, like you
you Aim and Ship and I remember when I talked
about a bunch of one of the shows that you
was doing, and I've seen it. So he's still like.
Speaker 3 (25:14):
Yeah, yeah, man, rather super cool, super humble guy. I
know he's aware that he's a legend, but he's he's
really cool, the normal guy.
Speaker 4 (25:26):
Yeah. Yah, who are you this shows with? Like let
them know who you rock the stage with? Oh man, Yeah,
it's a lot.
Speaker 6 (25:35):
He can't say, uh Cannabis, corrub Killer Prize, raz caz, uh,
sick Jack.
Speaker 3 (25:47):
And who else? Uh, sir, mix a lot, uh k
arrest one baby bad franky j.
Speaker 4 (26:03):
Why are you showing off?
Speaker 3 (26:04):
You just told me get your well I'm still thinking
of that. Damn who else I d J for Ship?
That's all I can think of right now on the
top of the head. But just gives you, yeah, a
little trajectory of what of what the things that I've done?
And I always hear you doing some dope ass cuts
(26:24):
on different tracks as well.
Speaker 1 (26:26):
Yeah, yeah, yeah, your cuts are everywhere, bro.
Speaker 3 (26:31):
One of the things that say Jacket has coined when
he sees me these things. What a cut slot cut
right off the rip.
Speaker 4 (26:43):
That's gonna be your new name.
Speaker 3 (26:45):
Now, Yeah, I got I have a I have a
drop right and I should play you can get that
silk cuts.
Speaker 1 (26:56):
No, you gotta beat. I got the cut.
Speaker 3 (27:02):
I was. I was thinking that, Yo, I need to
drop a fucking mixed tam called kut Slut and just
have my fucking like all my features and ship you did.
I think I should do that.
Speaker 4 (27:13):
I think you should.
Speaker 1 (27:14):
Do all right? You heard it here tables exclusive.
Speaker 3 (27:19):
With the J cuts slot. Let's see.
Speaker 4 (27:25):
Did the cuts?
Speaker 3 (27:28):
Yeah, yeah, I think it's around.
Speaker 1 (27:31):
It gets down.
Speaker 3 (27:36):
Little you, little cut slut you.
Speaker 1 (27:44):
So yeah.
Speaker 3 (27:45):
So so that's that's Sick Jacket with the Mexicans at
the drug lab. The Mexicans are showing them one of
their new new tracks name and then that's Sea Sick
and Sick Jacket calling me a cut slut. Yo.
Speaker 4 (28:00):
But it's good man, because you and everybody's here.
Speaker 3 (28:02):
You know.
Speaker 4 (28:02):
It's like you don't want to be you know, mind
type ship. Yeah, you stay active.
Speaker 3 (28:07):
Yeah, man. And I've always trying to work with you know,
like with as many people as I can, you know,
and I've been blessed to be working on some like
really really dope ship.
Speaker 4 (28:19):
I don't want to I don't want to cut you
off or anything like that. But Yo, when me and
you did that ship on stage, oh yeah yeah at
the event man, Yo. Yes, yes, that was like one
of the highlights of of like that that ship was
(28:39):
pretty dope because because.
Speaker 1 (28:42):
I got I gotta know, I don't even know, well get.
Speaker 4 (28:45):
To here's the thing, like like I did a lot
of ship. You and I did a lot of ship, right,
so basically hits me up and he was like, yo,
two mans is like once you do show, it's gonna
sick there, you know, it's gonna be it's gonna be
a dope show basically, you know what I'm saying. And
his setup was on one side of the stage. My
(29:05):
setup was on the other side of the stage, and
there was a drummer right in the middle, sick ass drummer.
Speaker 1 (29:12):
So you guys had left and right DJ setups and.
Speaker 4 (29:16):
The drummer in the middle, right right right.
Speaker 1 (29:18):
That's pretty bad.
Speaker 3 (29:19):
So we was going four bars. It was tables for
two before.
Speaker 4 (29:28):
You're mixed with DJ j jeminis.
Speaker 1 (29:35):
You you are a cut slug.
Speaker 4 (29:40):
Yo, but yo yo that ship that ship right there
because the way he was going off, he was counting
with us. Man, like every four bars that he hit
it changed up a little bit, but more like he
gave it that.
Speaker 1 (29:52):
He was because that's how it is when you're drumming.
Speaker 3 (29:55):
Though you know, he's doing the like the dope turnarounds
and ship like you and all.
Speaker 1 (30:00):
Yeah.
Speaker 3 (30:00):
He would, let you know, Jim would get in his cuts,
that foot would do some ship. I would cut it
up and we were just it was just a little
la yeah you know and bind you. This is like
we've never practiced this ship. This is just out like
just us being musicians.
Speaker 1 (30:15):
You know, yeah, beautiful count come on if you if
you keep your count tight, and then everyone's doing it,
you know what?
Speaker 4 (30:25):
But what made it? What made it like like the
icing on the cake every time it came back to
either him or I, but the sample itself, like it
totally was something different. Yeah, it might have been like
an I oh yeah or little something, it was always
something different when it came back to us. And so
it was not the same old thing that you hear.
Speaker 1 (30:46):
You know what I'm saying, A fresh for nineteen hours.
Speaker 3 (30:48):
Yeah, no, no, we can't do that.
Speaker 4 (30:50):
Yeah. So then so then and then the way it ended,
the way it ended, it was dope, man. How he
fucking just he knew it was gonna be and ship
and Yo, the fuck the whole theater fucking was like
erupted and like, yeah, the energy that hit us, bro
that ship was just even to Max was bugged out.
(31:11):
Broom was like, Yo, I would have let y'all kept
on going, but we gotta follow the schedule, you know
what I'm saying. But yo, y'all mother, basically we just
fucking we just took at as an opportunity that yo,
we need to just like just go ahead, Yeah, just going,
you know, and that was the highlight of it. That's
that's the first time that you and I had shared
the stage like that first.
Speaker 1 (31:30):
If you're gonna open up, then you gotta do it right.
Speaker 4 (31:33):
Yeah. But yo, because the drummers sat down and he
was Yo, what was his name again?
Speaker 1 (31:37):
Do you remember? Yeah?
Speaker 4 (31:40):
Yeah, man, if you remember, yeah, yeah, And I remember too.
Were trying to figure out if anybody had that on
a film, yeah, or like with their phone, but still
have yeah, nothing because.
Speaker 3 (31:50):
At the time, you know, like it was you know,
there was cameras on ship, but the compac we.
Speaker 1 (31:55):
Were just we were just talking about this. I was
watching uh when Gemini came in.
Speaker 2 (31:59):
We were at the West Coast Regional DMC finals for
when Uh that's the thing. So it was ninety nine
and I was like, yo, Jim, at this.
Speaker 1 (32:09):
Point, do you record this video? What do you like?
Literally all you see is the light on the on
the turntable and like just where there's little lights and
everything's dark. You don't see anything. You don't really hear.
Speaker 2 (32:20):
Back in those days, though, you were kind of just
excited that you got something.
Speaker 1 (32:25):
Yeah, you were amazed, you know what I mean. It
didn't even matter that you can only view it on
like like a one and a half inch screen.
Speaker 3 (32:33):
Also, I don't think the mentality was to automatic these
a record. It was more like, yo, I'm trying to
record it because I want to keep it, not necessarily
like I need to record it because I want to
show where I'm at.
Speaker 1 (32:44):
Yeah. Yeah.
Speaker 2 (32:45):
Nowadays it's like, yo, that's not five K, So why'd
you do it?
Speaker 3 (32:49):
Yeah? Exactly.
Speaker 4 (32:52):
Remember when we saw the old DJ Gym.
Speaker 2 (32:53):
On TV jump broated on our face and everything.
Speaker 1 (32:59):
Man, you can't even see detail, there's no detail.
Speaker 2 (33:03):
It reminds me of that time because I didn't work glasses,
so I never saw this.
Speaker 3 (33:09):
Hey. Another another time that we had a moment like
that was at B.
Speaker 4 (33:13):
Said, oh, you're right, You're absolutely right. There was no drummer,
but it was just me, Yeah, you're going back and forth,
back and forth.
Speaker 3 (33:20):
And I remember like everybody at B side was just
like locked in.
Speaker 1 (33:25):
Right, Yeah, I think I went on earlier, right.
Speaker 3 (33:28):
Yeah, nobody remembers that.
Speaker 1 (33:29):
I know, even Gemini told me.
Speaker 2 (33:32):
He was like Gemini told me after you guys played,
he was like he was like, yo, son, you know
you fucked up by going on early, and I was like, yeah, dog,
but they told me to go, so I went the way.
Speaker 3 (33:43):
It was like, dad, do I go on before or
if I go on after?
Speaker 2 (33:47):
No, because they wanted me and Gemini together. Remember, but
then Gemini got there a little late, is what it was.
Speaker 1 (33:54):
Is that what happened. That's what happened.
Speaker 2 (33:57):
Yeah, but then but only I only lived like a
mile away, so of course I got there super early,
That's what it was.
Speaker 4 (34:06):
So then they were like it was like twenty five
minutes away. Twenty five or thirty minutes away.
Speaker 1 (34:10):
That's the same.
Speaker 3 (34:11):
Same with me, and I'm fucking you know.
Speaker 1 (34:13):
My ship was like six minutes away on the streets.
Speaker 3 (34:17):
Wait where you stayed? Is that overge County?
Speaker 1 (34:19):
Still?
Speaker 3 (34:20):
Ah no, what is it?
Speaker 4 (34:22):
That's Lakewood?
Speaker 1 (34:23):
Yes, right, like Hawaiian gardens.
Speaker 2 (34:27):
Yeah, because it's funny, like he always says lake with
I'm like, it's a wayan gardens, so pretty much it is.
Speaker 1 (34:33):
But I guess he's on the lake with yeah.
Speaker 3 (34:36):
Because he's like it's like literally it's literally at the cutoff.
Speaker 4 (34:39):
Yeah right, I'm right on the borderline.
Speaker 2 (34:42):
It's so funny, like sometimes you could be like, well,
if you go to that corner. It's the city, that
corner of the city, in that corner of the city.
Speaker 3 (34:48):
Yeah, it happens a lot, yo.
Speaker 4 (34:52):
So the past two weeks it's been busy for us.
Speaker 1 (34:58):
There's been a lot going on.
Speaker 4 (34:59):
It's been a lot going on. So since we are
shooting the ship and you are shooting the ship with
us indigenous, we're gonna get into when we went to Nam.
Speaker 1 (35:08):
B Yeah, I wasn't asking did you go to Now?
Speaker 3 (35:11):
I didn't go to Nam.
Speaker 4 (35:13):
We went to Now.
Speaker 1 (35:14):
Yeah, we we we ventured into the Nam space. It
was dope.
Speaker 4 (35:18):
It was it was actually dope.
Speaker 1 (35:20):
Yeah, it was dope.
Speaker 4 (35:21):
Let me tell you what this food? Let me tell
you what this food? Which I cannot What did I do?
I didn't do that?
Speaker 1 (35:27):
Yo?
Speaker 3 (35:28):
What was what was it? What dates was?
Speaker 4 (35:30):
It wasn't like the seventeenth or.
Speaker 1 (35:34):
Something like that.
Speaker 3 (35:34):
You know, I didn't go to Dam because I was
I had gigs brod bread. Yeah, I couldn't go to
the fucking.
Speaker 1 (35:44):
So it was April thirteen to the fifteenth.
Speaker 3 (35:47):
Yeah.
Speaker 1 (35:48):
Yeah, and there was no Sunday, Yeah, which.
Speaker 3 (35:51):
Is kind of good, like the first two days that
you don't really need that.
Speaker 4 (35:55):
Well yeah, you know me, I was kind of excited it.
Speaker 1 (35:57):
I was ready to go.
Speaker 3 (35:57):
I was ready to go on Sunday, did you guys
go any events afterwards?
Speaker 1 (36:01):
Like so Friday, we we went out and we were
there maybe an hour and a half, two hours. Then
we left because we had to set up because we
recorded live from live from the twenty twenty three Invitational
Lost Tone Pros. So we we had like super dope battle.
(36:23):
Genius came up on top. He definitely did flip flop.
Gave him a run for his money to defend the title,
but he didn't get it. And yeah, it was pretty dope.
So once to that and then Saturday we went back
to them right and then after that, Lotus through a
session at his house, So we went back to his
(36:44):
house afterwards and dude, everyone and their mom showed up.
So it was like super cracking.
Speaker 3 (36:50):
Bro, that's dope.
Speaker 1 (36:51):
Oh yeah.
Speaker 3 (36:52):
Yeah. Honestly, when I go to nam Or whenever that happens,
like that's like my favorite part is like the ship
that props up after.
Speaker 1 (36:59):
Nam Yeah, it's all about like where are we all
going exactly? Because that Lotus is house, like he had
like Paul Scratch and a bunch of like the Canada
crew genius on all them. Everyone showed up so like
it was like a huge, huge session. Nice.
Speaker 4 (37:14):
So we we definitely interviewed a lot of people that
was pretty dope.
Speaker 1 (37:17):
Yeah, we got we got some dope interviews.
Speaker 2 (37:19):
So if you guys haven't checked out the shows yet,
go ahead and check them out on Spotify. Just as
a segue to wherever you're listening for right now, make
sure you like subscribe, leave a.
Speaker 1 (37:28):
Comment if you can. I'm just saying, what are you
guys on?
Speaker 3 (37:31):
Like?
Speaker 4 (37:31):
What?
Speaker 1 (37:32):
So we're on all.
Speaker 2 (37:32):
Major platforms right now, so I mean, you know wherever
you are. If you're on iHeart A, do the hard thing.
If you're listening on Google Cast, go ahead and Apple Podcasts.
Speaker 1 (37:42):
Get your googliness on. Wherever you're at. We're there. We're
also on Spreaker. That's our home.
Speaker 4 (37:46):
Okay, it is, Yes, it is. I want to shout out,
give a shout out to talk Delicious.
Speaker 2 (37:53):
Oh definitely came through on the band all right, take
it down, but only because I have it rolled up.
It was right here, but now I have it rolled
up and it's nice. It's not folded, Gemini.
Speaker 4 (38:01):
It's not gonna be folded.
Speaker 1 (38:02):
No, no more folded.
Speaker 4 (38:03):
She came in clutch. You know, if you want to
follow her, you could talk Delicious t O x O
L I C I O U S Underscore Official and
she does catering and all that stuff, you know, and
then in some special occasions she makes banners for whatever,
you know, events she's gonna.
Speaker 2 (38:20):
Go and look Gemini And I said it before and
I'll say it again just because she did such a
dope job and did it Hella quick.
Speaker 1 (38:29):
Talk Delicious came through in the clutch. So if you're clutch,
like you're just saying like you might not have any time,
but she will make the time, you.
Speaker 4 (38:37):
Know what I'm saying. And you know, give a call
or whatnot. Just send her a d M. If you
want some buns done. She's got it, you know what
I'm saying.
Speaker 2 (38:44):
So I took the I took the banner down, but
it's the same size as the window all the way across.
Speaker 1 (38:48):
You know, it's pretty good. It's dope, dope, it perfect.
Speaker 4 (38:53):
So we're gonna we're gonna use that banner and all
that stuff, you know, for all the events that told.
Speaker 3 (38:57):
Me you want to name the podcast Gemini and the
Table for two.
Speaker 2 (39:01):
Podcasts that's because he's from New York. That's just how
he feels. He feels his name should be on and everything.
Speaker 4 (39:08):
So then yeah, you know he's about.
Speaker 3 (39:16):
To tell you nobody come to see you.
Speaker 2 (39:17):
Otis shout out to everyone that's following us on Instagram.
If you're not on there yet, hit us up at
tables underscore the number four underscore.
Speaker 1 (39:29):
T W O t W. So you guys went to them, Yes.
Speaker 3 (39:33):
I didn't get to go to them. What did you
guys see that caught your attention?
Speaker 1 (39:38):
I need to know this things so.
Speaker 3 (39:42):
Obviously as far as products and that's coming.
Speaker 2 (39:44):
Out, Yeah, I did see, like what was it that
that R two D two uh thing that was moving
around with We didn't see it see it? Well, I've seen
it when it was on the shelf. But but what
it was was that that turntable right was it?
Speaker 3 (40:02):
Turns right?
Speaker 1 (40:06):
It was the mixer. It was the rotary Okay, so
what company was it with that? Damn? I want to
know what what company it was now? But they made it.
Speaker 2 (40:14):
It was a rotary mixer and they dressed it up
like R two D two, put the legs on it,
and they were like literally like driving it around but
it has wood grade on the side and it's an
all rotary mixer.
Speaker 1 (40:25):
I was excited for that just because I want to
get it.
Speaker 4 (40:28):
I want to get a rotary mix I don't remember that.
I don't remember that.
Speaker 1 (40:33):
I was wrong. No, we were drunk. We were was
bro We took, we took. The only picture I posted
from them was us drinking.
Speaker 4 (40:45):
I was not drunk.
Speaker 2 (40:45):
So I was like, Yo, We're gonna go back to
notice you.
Speaker 4 (40:53):
And then I was like, your ass.
Speaker 1 (41:01):
What about As far as so Lost song pros.
Speaker 2 (41:05):
On Saturday, we did a showcase right there at the
at the Face booth, so that was pretty dope. And
then right after us Erie and i Q did their
thing up there, so that was pretty dope. Also, the
Mixed Masters and everyone was over there to be chunkies.
Speaker 3 (41:20):
That was pretty dope.
Speaker 1 (41:22):
Products though I know we don't go for the products.
It was all the same ship.
Speaker 3 (41:27):
So you did. There was nothing new.
Speaker 1 (41:29):
Did you see anything new that you were like, oh,
this is like new?
Speaker 4 (41:33):
Well, there was that that controller, that that that the Hercules.
Speaker 1 (41:37):
Geminis was excited about the news it was. He was like,
you gotta see this.
Speaker 2 (41:42):
It's bell driven and it's the best and I was like,
all right, let's go check it out.
Speaker 3 (41:46):
So they put out one like the rain one.
Speaker 2 (41:48):
Yeah yeah, but it's belt driven, and but it's way cheaper.
It is I think it's only like six hundred bucks
or something like that.
Speaker 4 (41:55):
But his belt driven.
Speaker 1 (41:56):
But it's bell driven. It his bell driven.
Speaker 3 (41:58):
So do I want the belt.
Speaker 1 (42:00):
Because we'll see I think they were holizing on like yeah,
like the pet community and they're like, oh, well, this
is a market, so let's make it type thing.
Speaker 4 (42:09):
What is what it is?
Speaker 1 (42:10):
I told him and I we're gonna get a demo
unit so that we can try it out. Yo, hey,
you're not making it. Watch when he does a badass
mix and then you're like, yo, side.
Speaker 3 (42:23):
The record start back up. YO.
Speaker 4 (42:27):
All I know is that when I when I tried it,
I'm not gonna lie. I tried it when it was
on display.
Speaker 1 (42:32):
It wasn't bad.
Speaker 4 (42:32):
But what do you I'm not saying it was bad.
What I'm saying is is that what I'm saying is
that the fate it didn't work.
Speaker 3 (42:42):
I don't know who broke the fad of son.
Speaker 4 (42:44):
Somebody broke the fad of.
Speaker 3 (42:46):
They have the did they have the ring Florida did
check it out.
Speaker 2 (42:50):
Yeah that wait, I don't know. Oh yeah, I did
scratch on him. Cool Cooler Caps had one over there.
Speaker 1 (42:56):
It was cool. It was a little weird, you know.
I talked Gemini about that, like with the rain wanted.
Speaker 4 (43:03):
You know, were having a podcast.
Speaker 3 (43:04):
We don't ship, I know, I mean podcast.
Speaker 1 (43:09):
Hey, this is like the like the you know, middle
of the show. You should get yourself a snack and
eat with us.
Speaker 4 (43:14):
There you go.
Speaker 1 (43:16):
But yeah, it's a little weird because it's small.
Speaker 3 (43:18):
Coming to us at the SENI what are you snacking?
I'll be backing out. See there you go a nice
uh super a hip.
Speaker 1 (43:26):
That's some good crunch, bro, I'm not even lying.
Speaker 3 (43:30):
Well, the kid is this.
Speaker 2 (43:39):
Like so so something that I kind of do want
to see because I brought up phase it is.
Speaker 4 (43:46):
Why don't they just.
Speaker 2 (43:46):
Make a whatever they're putting in that brick, just make
it into a disc so we could just put a
record down and then use it little fucking USB stick.
Speaker 1 (43:59):
Bro. I like to play with the middle of the
thing a lot.
Speaker 3 (44:01):
I think a lot of us like to play with
the middle thing.
Speaker 1 (44:03):
You know what I'm saying.
Speaker 4 (44:06):
We knew that. Come on, bro, you like the middle
I played with that middle thing all the time, all
the time, that middle thing is getting touch, always pinching it.
To bro, Bro, you gotta pinch it. You gotta got
twist it. You gotta twist, twist, you gotta twist it.
Speaker 1 (44:20):
Bro. It's almost like snapping it, you know. I mean,
you know what, I you know what. I just hit
the I hit the macho man right now.
Speaker 5 (44:27):
I said, oh, yeah, idiot about the fucking step into
a slim gin.
Speaker 3 (44:39):
You don't understand.
Speaker 1 (44:46):
Man.
Speaker 3 (44:46):
The reason the reason I asked about the four is
because I bought the rain one probably a couple of
weeks before my fucking Year's gig, okay, because I was like, yo,
I need to have something portable. Originally, I have been
taking my my new Mark fucking DJ to go.
Speaker 1 (45:06):
To, oh the DJ, the little I got one over there,
one over there. I had to buy one.
Speaker 3 (45:11):
Hey, I had been rocking all my club gigs with
that ship. Just was a little to go to.
Speaker 1 (45:16):
That's hilarious, bro, that's.
Speaker 3 (45:20):
The touch is just the regular to go to.
Speaker 1 (45:23):
You can't even scratch on it, you know. Yeah, No,
I got the touch, damn sorry, same thing, bro. They
just don't make the other one anymore.
Speaker 4 (45:35):
He's over there pressing the buttons and just putting them
in mix.
Speaker 3 (45:37):
That's gonna say that the touch wasn't even out yet
when I got the.
Speaker 1 (45:40):
That's what I'm saying. Yeah, they don't even make it
no more now.
Speaker 4 (45:43):
Yeah.
Speaker 3 (45:43):
So I was like yo, and I was just like yeah,
I just wanted to fucking I just wanted to have
that feel. I didn't want to take my fucking setup.
So I was like, yeah, I think I'm just gonna
get this Ring one. I was like, no, maybe I
should wait to see what else is going to pop up.
That know, they're gonna come out some need the rumors
were already out, some needs gonna come out.
Speaker 2 (46:05):
But but with with the Ring one, you could still
use stems, right yeah of course.
Speaker 1 (46:12):
I mean you just don't have that separation.
Speaker 3 (46:15):
Yeah, or the little the little but.
Speaker 1 (46:17):
Oh yeah the bank yeah you can? You can you
with the ring one, can you split.
Speaker 3 (46:22):
Your I think I've seen foods like media map it
so where you can use the the cues as mute.
Speaker 1 (46:31):
Yeah, that's what I was gonna saying.
Speaker 2 (46:32):
Because with the rainfow, remember you could split them or
like you could have you have your stems on top.
Speaker 1 (46:39):
And so you probably wouldn't be able to do that.
Speaker 4 (46:43):
Yeah.
Speaker 3 (46:44):
Yeah, but this was the breaker for me. They didn't
have the spinning planters.
Speaker 4 (46:51):
On that ship. Yeah, there's yeah, they don't. They don't
want They're saying that the spinning platters is not as
as demanding as just the stand.
Speaker 2 (46:59):
And and if they would have put him in there,
it would have put the price.
Speaker 4 (47:02):
A little bit.
Speaker 3 (47:03):
I would have gladly.
Speaker 4 (47:06):
But but but you know what you do, what you
dj you cut, you scratch, you mi you do all
that ship. You know what I'm saying, you want to
feel that resistance. I'm with you. I'm on the same
boat as you, and I feel the same way. But
they they are looking at as a as a business
(47:26):
aspect of it, you know what I'm saying, like one
of those things. Yeah.
Speaker 3 (47:30):
Well so whatever that was the that was the deal
breaker for me. Oh sor, I just like I just
went ahead about the rate one.
Speaker 1 (47:36):
So so because you said you prefer spinning.
Speaker 2 (47:39):
Plotters, Yeah, so why not with the belt drive with
the hercules, because it's not.
Speaker 3 (47:47):
What do you mean?
Speaker 4 (47:50):
You keep on bringing hercules up son?
Speaker 2 (47:51):
Because look it's funny because it's like, oh, you want
them to spend, and you want them to spend a
certain way.
Speaker 1 (47:57):
So that's why you're paying for the technology. You know
what I'm saying, make my money.
Speaker 2 (48:00):
So it's either you get spinning for cheap or or
no spinning at all. The other thing is too Maybe
the rain one didn't sell as much as they thought
it was going to be, and then they were like, well,
we don't really need to invest in that anymore.
Speaker 3 (48:13):
I mean maybe, but I'm gonna tell you right now
off of like it's been what almost six months of
having it, it's fucking great. I love that shit.
Speaker 1 (48:27):
And it's so light, and it's so light, it's.
Speaker 3 (48:30):
So compact, and it's everything, literally everything. I still have
the turntable feel on it.
Speaker 1 (48:35):
How do you How do you feel about only using
the Serrado effects though, because it has no internal effects.
Speaker 3 (48:43):
No, I don't mind it. I make it worry because
you know, either way, I always like to fucking combo
the the the effects. So I mean you still come
up with your own ship or whatever, So I don't.
I don't mind this. It's cool. It's not. It's not
It's not something that's like that big of a deal
to me.
Speaker 2 (49:00):
It's funny how everyone makes it seem like that is
such a big deal.
Speaker 1 (49:03):
That's why.
Speaker 3 (49:04):
So not for me, bro, I'm not that's not my focus.
Speaker 4 (49:08):
I don't get Let me ask you a question wrong.
How do you feel about the sink button?
Speaker 3 (49:14):
I fuck with it.
Speaker 1 (49:16):
I like it, Gemini and he wants he almost see it.
Speaker 7 (49:19):
Yeah, that's fine though, because sometimes you have a situation
where you might need to use it and people may
have their reservations about it, just like we all may
have reservations about people who uh say that, Oh I'm
not a DJ, I just play records.
Speaker 3 (49:40):
But here they are. You know, whatever everything has, it's huge, bro, Like,
we've all put it in enough time and enough work
to do ship. Where if like I have something like
that and I'm trying to do something where maybe a
fucking you know, the song fluctuates from fucking bp ms
(50:02):
and I wanted to fucking stay at one thing because
I'm trying to do this other ship. I don't see
why what's wrong with it? I mean, I really don't.
That's me.
Speaker 4 (50:14):
I just I just I just think like this, use
it no matter what use it is, there mine as well,
and it will work for you. But My thing is like,
learn the craft, learn how to mean.
Speaker 1 (50:28):
Well, that's that's that's what you're saying. Put in the work.
We know.
Speaker 4 (50:34):
But that's why. That's why I feel the way I
do about it, like I ain't gonna hold you something.
If it's gonna make me sound better, you know what
I'm saying, then I would use it, but I'm not
gonna The other thing.
Speaker 1 (50:46):
Too, is this too.
Speaker 2 (50:49):
If you are using turntables and you press the sync button,
that does it's not gonna miraclely just make it on beat.
Speaker 1 (50:55):
You have your your fucking record spinning. So it's not
gonna just fix all your problems, absolutely nothing.
Speaker 2 (51:01):
It might jump to the grid like when you push
it or something.
Speaker 3 (51:04):
You know what Sarado came out. People were talking, it's like, oh,
like that shit just does it for You're like, no,
it doesn't. Like okay, look at let me make this
comparison to Sarado gives you the bpms to all these songs, right,
it gives you the key them all that ship. That
doesn't mean that the fucking same bpm or same key
(51:24):
that those two fucking songs are gonna mix together. You understand,
like you could they could be the same bpm, but
they just first whatever the fuck reasons the song, they're
just not it's not gonna automatically be like that song
goes good with the next one, Like.
Speaker 1 (51:37):
No, bro, Yeah you can try it.
Speaker 4 (51:39):
And that's that's what I've been saying from the beginning.
Speaker 2 (51:42):
Remember, Gemini hates that i'd be talking about like, oh,
mixing key food because and I.
Speaker 4 (51:47):
Always tell them, I said, it doesn't matter what I mixed,
long as the song good. It's song, right, Yeah, And.
Speaker 2 (51:51):
That's the thing, Okay, there are definitely certain songs that
don't use so many notes that yeah, it ends up
working with other keys. So I'm not trying to musically,
I'm not trying to like smash on that.
Speaker 1 (52:06):
But also, if you.
Speaker 2 (52:07):
Analyze your files and you have a good file, it
won't give you the wrong key because sometimes it keys
it wrong, and it does I know, because sometimes I
just turn that shit off on that track like pitch
you don't belong here.
Speaker 3 (52:20):
Well there's also the fucking key lock on it and
all this other stuff.
Speaker 2 (52:24):
Yeah, and then that too, you know what I mean,
Because like if you were playing a record and then
you speed it up, well you got album.
Speaker 1 (52:29):
And the chipmunks singing this song. Now where you we
don't deal with that anymore. Now it's just it's just there.
Speaker 2 (52:34):
Yes, and then it's even more if you have the
pitch in time and now your ship sounds identically.
Speaker 3 (52:39):
But I would recommend that you have it. If you don't.
Speaker 2 (52:42):
Yeah, I don't have it, I know. But yeah, for
those of you I haven't gotten that upgrade, you should.
It's pretty dope.
Speaker 4 (52:49):
I'm just saying, like technology could always give out. You
just want to be one start.
Speaker 3 (52:53):
The end of the day. Brof nice man. Yeah you
know what I mean, Like, you use whatever the fuck
you want.
Speaker 2 (52:59):
No, Yeah, you're gonna be able to freak anything that yo, yo, son,
your nice son, You nice Yo.
Speaker 1 (53:05):
We got DJ Indigenous hanging out.
Speaker 3 (53:08):
Hold on, oh, bro come you know me long enough already.
The DJ is in the name.
Speaker 1 (53:15):
It is. Sorry. I get, I get, I get told.
I know. I remember the first time I met y'all,
was like, so it's do I say it in DGJ?
Speaker 3 (53:29):
Like?
Speaker 1 (53:29):
Do I do?
Speaker 3 (53:30):
I have to say it like that?
Speaker 1 (53:31):
Man?
Speaker 3 (53:32):
Honestly, you think I don't care what people say it.
I get it, I get why they would say it,
but I just made it a point to.
Speaker 1 (53:38):
Be like, it is even bigger too in the front.
Speaker 3 (53:41):
You know exactly it stands out. It's capitalized.
Speaker 2 (53:44):
Yo, we got indigenous hanging out with us. Tables for
two d J gemin I, let's take a quick break,
real quick.
Speaker 4 (53:54):
What the was that you did that make it sound
like it was a rewind?
Speaker 1 (54:02):
You got you?
Speaker 4 (54:04):
It was like a rewind?
Speaker 6 (54:05):
Like Yo, you looked over and you were like, okay, yo,
were getting out of here?
Speaker 1 (54:12):
Man, bang stick around, stick around? Stick around for a
tables for two? Hold, I don't even off.
Speaker 8 (54:19):
What's any more phone to be out of.
Speaker 1 (54:23):
The tables for two? Man? I hope they have a
table for two available.
Speaker 8 (54:29):
While getting ready to record a d M has to
warm up a little bit.
Speaker 1 (54:34):
Oh the ladies and novellaser.
Speaker 3 (54:38):
Yeah, what the hell was that?
Speaker 4 (54:40):
So you feel one mouth time that?
Speaker 3 (54:42):
Man?
Speaker 1 (54:44):
Get it? I like that better? Please don't get better than.
Speaker 3 (54:52):
Tag team music back again.
Speaker 1 (54:55):
Were kicking the floor with my massy brolave.
Speaker 2 (54:59):
This this, this is my favorite apart these three words
when you're getting moves, there's four words.
Speaker 3 (55:04):
He's right, but do you have to ruin everything?
Speaker 1 (55:07):
There? It is? That is forwards tables for tune.
Speaker 3 (55:13):
I've always liked you to.
Speaker 8 (55:14):
We'd like to thank Lost Tone Pros for leasing us
up with all the beating for the show. You can
scratch you, all of them with the table beats out
Lost Tone Pros.
Speaker 4 (55:23):
Our cuts are correct, correct, correct,
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