May 2, 2025 • 55 mins
In this Episode we start off talking about a little DJ edicate, then jump right in to a round of "Who Said It?" Gemini dishes out a bunch of quote by DJs in the scene all surrounding the topic of "Touring" and ADM along with you the Audience have to choose from a selection of choices "Who Said It?" As always give us a Follow on Instagram @Tables_4_Two We will be recording LIVE from the BeatJunkies IOS All Summer for their Scratch League so you're gonna want to stay connected for info on dates and sign links as they get posted.
If you'd like to scratch to any of the tracks we used in this episode download the TableBeats App and Search for:
Tracks 1,4,5,6, and 8
-Lost Tone Pros Our Cuts Are Correct.
Become a supporter of this podcast: https://www.spreaker.com/podcast/tables-4-two--4366150/support.
If you'd like to scratch to any of the tracks we used in this episode download the TableBeats App and Search for:
- Distorted Soundwaves Looper by Gold Voltron & Stunts One
Tracks 1,4,5,6, and 8
- Flowgrammers 2 by Stunts One & Funktion OG
-Lost Tone Pros Our Cuts Are Correct.
Become a supporter of this podcast: https://www.spreaker.com/podcast/tables-4-two--4366150/support.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Did it start yet? No, but it's starting on a second. Brittany,
Oh hey.
Speaker 2 (00:05):
Let me ask you a question since since since we
haven't really started yet. Okay, So, how would you feel
if someone that you knew but it's not like it's
not like me, you know what I mean? But it's
a DJ that you knew that like you worked with.
Being very specific because I worked with this individual, I
haven't seen him in the long ass time, right, but
(00:27):
he has definitely made a name for himself and he
did not have this name. Well you knew him, so
like I wouldn't refer to him by that name. I
would just call him by his name. Okay, if all
of a sudden that person started like you, like you
found out because you heard you heard like a mixtape
where that person was using like.
Speaker 1 (00:49):
The fresh maker of hem all right, because yeah, Jueles
sent me some mix from someone and that was got
the Brittany gego.
Speaker 3 (01:01):
You can't even say shameless emotion on that ship, bro,
that's file, that's five.
Speaker 1 (01:07):
It's kind of it's kind of weird, right, Yeah, it's
kind of weird. So yeah, I don't know.
Speaker 2 (01:11):
I'm thinking about doing like maybe like a headlines and
beats thing and then tagging him in it.
Speaker 1 (01:18):
Hey, originality goes a long way, bro, you know what
I'm saying, And I'm not saying that.
Speaker 3 (01:24):
Yeah, but who does who else? Who else that you know?
If that uses that that you said, you know why
I'm gonna use this.
Speaker 2 (01:31):
I mean, dog, come on, son, ain't no one like
Brittany like I like Brittany.
Speaker 1 (01:35):
Dog, I'm saying.
Speaker 3 (01:36):
And I've been using that ship for years and he
more than guarantee that he's seen you.
Speaker 1 (01:41):
He's seen you one.
Speaker 2 (01:42):
No, No, you knew when I when I was working
at Kids at M that I was doing it, like
that was part of the thing. Like, okay, there's there's
a couple, there's certain drops that like I use because
of certain people. Also you too, you influenced the Brittany
drop too, so like it wasn't just like just girls.
I need to know how well okay, because I remember
(02:04):
when I went to your house you were still working
at Guitar Center and I went to your house, your
house that when you lived on a Zusa Avenue, the
one way street, ye all right, And I remember we
went over there and we were we were having a
little session and we were like you know, fucking around and.
Speaker 1 (02:22):
Then just years ago.
Speaker 2 (02:24):
Yeah, this is like that's what I'm saying. This is
how long working at I art, That's what I'm saying.
This shows how long I've been using the fucking Britney giggle.
So we were we were we were sessioning, and I
remember you fucking dropped the Dano voice.
Speaker 1 (02:38):
So you were like you're in a mix with DJ
Gemini and.
Speaker 2 (02:41):
Then fucking and then you had fucking some fucking evil,
like maniacal ass laugh that was like a long ass
time ago and you had a laugh and I was like,
dog the laugh.
Speaker 1 (02:55):
I was like, bro, that ship's fucking dope full.
Speaker 2 (02:57):
And you were like, oh yeah, son, you like that ship.
And then I remember leaving your house that day.
Speaker 1 (03:01):
Like yeah, I don't use that laugh no more.
Speaker 2 (03:03):
No, no, I don't even think you used that laugh
like I never used Like it was like in your house,
like I never heard you use that laugh, you know
what I mean.
Speaker 1 (03:11):
And but it was one of those things like it
stuck with me.
Speaker 2 (03:13):
I was like, Dog, the fucking laugh is dope because
you could literally do something and then you drop the
laugh and it's like you're laughing because you just nailed
whatever the fuck you nailed it.
Speaker 1 (03:24):
Could be that or if you messed up, oh yeah,
or to mess up you know what I mean, Like it.
Speaker 3 (03:29):
Happens all the time. That with me, My laugh is
the quagmire. Yeah, I've been doing that. That ship that's
wait yeah bro.
Speaker 1 (03:37):
And then that's what I'm saying too, like in an
awesome power's own became.
Speaker 2 (03:41):
I'm not saying that like I am the only person
that can use it.
Speaker 1 (03:46):
Like if some random person like started using.
Speaker 2 (03:49):
It, I would I wouldn't like really look at it sideways.
I'd just be like, all right, cool. But then since
it's someone that I know, I'm like and then like
your hey, and this.
Speaker 1 (04:01):
This, and this person is doing work in the scene
like he's.
Speaker 2 (04:04):
Everywhere, and then he's also DJing like Inkvida and everything too.
Speaker 1 (04:08):
I know this person. Yeah it's Tero I used to
work with. Oh sorry, my bad whatever? Yeah yeah you
know so yeah yeah yeah fuck you Darryl. Hey do
we do like Donkey to day? You know what I'm saying.
Speaker 3 (04:29):
I'm telling you I'm gonna do it headlines and beat
Originally he comes a long way, man, like if he
didn't know somebody had that and you put it on there.
Speaker 1 (04:35):
Okay, you get the past. You know. That's how I feel,
you know what I'm saying, like like like.
Speaker 2 (04:40):
Because anyone could kind of like want to use the
quagmire and be like okay, but I think I feel
like I remember too when I was when I first
started using the Brittany too that food told me too.
He was like, because like when when I was at Kiss,
So this is like I don't know I'm using this
ship like in like two thousand nine, two thousand and eight.
(05:01):
I was like, already we were already remember when when
the fucking drops like we're brand new.
Speaker 1 (05:06):
And you can only use them on your keyboard and ship.
I remember, and I remember we were.
Speaker 2 (05:09):
Like yo, we gotta get drops and we got to
have everything, and I remember like, yeah, I wanted to
fucking eightym one drop of course, like everyone had to
have their name, but it was also about like yo,
like define yourself and then come up come up with
some things that like are you that you could play
during your set that kind of like it's like almost
almost using like a DJ identification without using your name,
(05:33):
so that when you hear that, they hear that joint
and then they're like oh shit. Like, like like you said,
if you were to hear the Brittany giggle, you would
think I'm I'm DJ. Jules was listening to this mix
and he would he heard the Brittany giggle.
Speaker 1 (05:45):
He was like, what what the fuck?
Speaker 3 (05:46):
ADM wants it one because you use that ship all
the time.
Speaker 1 (05:49):
Yeah, yeah, Brittany all over the place.
Speaker 3 (05:51):
When we when we fuck up Brittany, when we nail
it Brittany norm you know what I'm saying.
Speaker 2 (05:56):
Remember that one time when I had the drop saved
wrong and then it kept doing that baboo.
Speaker 1 (06:00):
Remember when we kept up Like what the fuck is that?
And it was my drop everything? Just like, yo, son,
you gotta fix that, bro. This food was said, that's
sent it right here. Let's see hold up. Oh he
put the phone on the mics. Ladies and gentlemen.
Speaker 4 (06:18):
Oh Sue, that's the same giggle.
Speaker 1 (06:29):
Yeah.
Speaker 2 (06:30):
I mean it's on YouTube, so I mean it's not
like it's hard to find it.
Speaker 1 (06:32):
But but I mean, come on, he knows you. He
heard it from you. Come on, let me find out
he's using that. I'm very happy to be here.
Speaker 2 (06:39):
Then it's like, hey, dog, now you're going to live
to a box rap, but I mean honestly too.
Speaker 1 (06:42):
So like that, I like, I mean, who doesn't love
coming to America?
Speaker 2 (06:47):
So like, I know, like I was kind of influenced
by Pally Foul because Pally Foul when he first got
over here to Power one a sixth that bood was
always playing Sogo and I was like, oh man, I
gotta get to coming to America, and then I'm very
happy to be here.
Speaker 1 (06:58):
It's like this, that's that's perfect for a DJ say.
Speaker 3 (07:02):
But I'm saying though, like what I'm saying, he knew
what the deal was and he still used.
Speaker 1 (07:08):
It dog Yeah, So yeah, I guess I don't know.
It's the thing. So I don't know. Do I got beef? Now?
I got beef? I think you do. I think we
got beef. I think you know.
Speaker 3 (07:16):
You know, it's almost like he buffed over your name
and shipped on the wall.
Speaker 1 (07:20):
You know what I'm saying. It's like you son, that
sucked up. Come on, Darryl, I'm gonna pull up the
fucking into the temple bar. Oh you got you gotta
pull up, son.
Speaker 2 (07:30):
But we do have a table for two available tables
for teeples for two, tables for.
Speaker 1 (07:37):
Two J Gemini here you heard you heard it from
eight A M one tables for two table, tables for
two tables, tables for two, Yo, what to do with
your boy? DJ Gemini?
Speaker 2 (07:56):
How go about the name DJ eighty M one and
we are tables for two tables four two?
Speaker 1 (08:01):
What's up? So what if dog was cracking? Bro? Sheling
like a villain? You know what it is? Man?
Speaker 2 (08:06):
Motherfucker comes and knocks on my door all early in
the morning, like, hey, what's up?
Speaker 1 (08:11):
Yo? I told you? I said, Yo, Yo, you home? Son? Yeah,
I'm up. What's up? Hell? Yeah? The show is what's up? Bro?
I'm excited and you came here, you got show notes
and everything.
Speaker 3 (08:20):
Gemini is extra ready for this, right, extra extra ready man.
So if you don't know, now you gonna know. We
gonna do who said it?
Speaker 2 (08:29):
Hey, bro, I'm excited because every time we do this,
like it's like a brain teaser. You guys listening along,
don't don't be afraid to guess who said it to.
So Gemini is gonna tell me a quote, give me
some options. We gotta guess and the next thing, you know,
we'll find out who said it.
Speaker 1 (08:47):
Yo.
Speaker 3 (08:47):
But it's pretty cool, man, because I was going through this, man,
and I was like, you know what it.
Speaker 1 (08:53):
I just I just I just gotta read out.
Speaker 4 (08:55):
Man.
Speaker 3 (08:55):
You find out at the end of this and shit,
you know what I mean, how we gonna how everything
comes together?
Speaker 1 (09:00):
Man? I know, I know you Dju.
Speaker 3 (09:03):
You filled in for me when when I was DJing
for different artists when I couldn't do it, you know,
and what it takes and all that stuff and how
these artists is.
Speaker 1 (09:10):
Like, let's just get into it, man. Hey, I also
know what it's like to show up and be DJ Gemini.
Speaker 3 (09:19):
Sometimes they were say, hey, DJ, hey Gemini, what's up man?
They thinking that you was like Gemini, you lost a
lot of weight, Like, oh, the marquet does say DJ
Gemini out there, right, So that's what happens when you
fill in, right.
Speaker 1 (09:33):
Oh yeah, so yeah, I'm excited Gemini. Let's get into it.
Speaker 3 (09:36):
So number one on the revote, I got this from
the revote, you know, okay, said said, hell, we didn't
realize that the rapper took president and then the DJ
was the person to back him up.
Speaker 1 (09:52):
Who said it.
Speaker 2 (09:54):
We didn't know that the rapper took president and then
the DJ would back him up.
Speaker 3 (10:02):
We didn't realize that the rapper took president and the
DJ was the person to back him up.
Speaker 1 (10:10):
Who said it? Steve D, Stevie D, Jazzy Jeff, Grandmaster
Flash or cool Her do I don't know? Okay, so
all definitely pioneers, do you think? I mean? Okay? So
(10:46):
who is it? You got Steve D, you got cool Herd,
Jazzy Jeff, and grand Master Flash. What you said?
Speaker 3 (10:54):
That's right, Stevie D, Jazzy Jeff, Grandmaster Flash and cool
Her read it again?
Speaker 1 (11:01):
One of them said no, okay, So I'm gonna go.
Speaker 2 (11:09):
I don't think Coolhork does too many interviews, so I'm
gonna take him out because of that same thing with
Steve D. So I don't know in between Jazzy Jeff
and Flash, but.
Speaker 1 (11:23):
I wouldn't say. I wouldn't.
Speaker 2 (11:24):
I don't think Flash should say that either, but I
don't think that that Jeff would say that.
Speaker 1 (11:32):
So I'm gonna go Flash, you.
Speaker 3 (11:33):
Go with Flash, Flash, You're gonna go with Flash.
Speaker 1 (11:36):
We gonna see who it is, and it's.
Speaker 5 (11:40):
We were one of them, you know, it was it
was you know, it was a time, like I said,
we didn't know what we were doing we would. We
were thinking that we would imitating New York, you know,
and Philly is a very DJ heavy city. It was
the DJ was first. That only happened because we thought
the DJ was first in New York, right. We didn't
(12:01):
realize that the rapper took precedent and then the DJ
was the person that back him up. We came with, like, listen,
the DJ is first, and the rapper tells everybody how
great the DJ was. That's that was me and Will's dynamic.
That was Steady be In in his DJ's dynamic.
Speaker 1 (12:17):
You know, that was that.
Speaker 6 (12:18):
But that was what we thought.
Speaker 1 (12:21):
Okay, so I had a fifty to fifty shot on
my breakdown, but damn yeah you did. You did? You did?
Speaker 3 (12:28):
So we all know its jazz, Jeff, Yeah, jazz was
pretty cool. You know what I'm saying, Because what do
you think about that?
Speaker 1 (12:33):
What do you think?
Speaker 2 (12:34):
And I think I think back in the day, that's
kind of what it was because I think I think,
just like how I went to it had to be
between Jeff and Flash. I think that's kind of like
what Flash where Flash was too. That's why it was
Grandmaster Flash and the Furious Pride. That's why it's well,
I guess Fresh Prince and Jazzy Jeff, but no, it's
(12:54):
Jazz Jeff and the Fresh Prince. So like they both
had that that type of mentality, And I think that's
how he said it was exactly what it was.
Speaker 1 (13:03):
When the pioneers did it.
Speaker 2 (13:04):
The DJ came through because he had the records like nowadays, Yeah,
the MC comes.
Speaker 1 (13:10):
First because well, he don't even need a DJ because
he could just.
Speaker 2 (13:13):
Pop a USB stick in there and now he's got
his beats, you know what I'm saying.
Speaker 1 (13:16):
He doesn't necessarily need it, so anybody. But back then.
Speaker 2 (13:22):
It was like, yo, the DJ had to like not
only play the music, but this music wasn't even solidified,
so the DJ had to be doing doubles the whole
time while they're rapping and adding the fills and doing
all this shit.
Speaker 1 (13:34):
So honestly, the DJ was doing massive.
Speaker 3 (13:37):
Work back then because he was just like they would
loop it and then.
Speaker 2 (13:43):
But they would have to live loop it back and forth,
you know what I mean, They crayle the technique and
all that. I mean, like they had to do this,
so like you know, they were doing doing some work
like yeah, so like how you seen it on the
get down, Like when you see like Yo, the DJ
is doing mad work. Sure the MC's are out there
like doing their thing, but they were also talking about
how dope.
Speaker 1 (14:02):
Their DJ is.
Speaker 2 (14:03):
They were throwing mad respect to the DJ you know
where Like you know, nowadays most.
Speaker 1 (14:08):
Most musicians don't even have a DJ.
Speaker 2 (14:11):
Some do something, you know, shout out to like Indigenous
he's been on the show.
Speaker 1 (14:16):
You're doing this thing with rascals.
Speaker 2 (14:17):
They actually put like a dope show together and everything,
you know what I mean, Like when when you're out
there with Cornbread, you guys are doing something. You guys
understand that, Like you know, the turntable list is like
a major force drive like Babu with dilated people.
Speaker 1 (14:29):
There's there's a bunch of them, you know what I mean.
Like that, there's.
Speaker 2 (14:31):
Definitely what DJ Romes with Luke Pak, Like there's a
lot of Red Mattic with with with Visionaries. So you know,
there's there's a lot of DJs that are out there
still doing it and then the group respects them as
a valid member of the group.
Speaker 1 (14:43):
You know. So that's pretty dope.
Speaker 2 (14:45):
But but you know, salute to the pioneers, Jeff.
Speaker 1 (14:49):
We don't we don't always agree with everything Jeff says.
But right there, though he definitely nailed.
Speaker 3 (14:56):
It, the definitely didn't definitely Number two er two got
this from your next Unique Access Entertainment.
Speaker 1 (15:03):
Unique Access Entertainment.
Speaker 3 (15:04):
Honestly regular rappers as well, Like there's no coincidence of
like who they should they picked for a DJ for them?
Who said it Hubert vec Robs with Metal.
Speaker 2 (15:20):
D Okay, regular DJs or regular regular rappers.
Speaker 3 (15:25):
Honestly regular rappers as well, Like they're not coincidence of
like coincidence conscious conscience.
Speaker 1 (15:36):
Still can't even read his own writing. I like it, yo, yo,
scribble scrabble, scribble scrabble scratch of like who who they should?
You know?
Speaker 3 (15:44):
I was fucking up and not kept on putting words
who they should pick to DJ for them?
Speaker 1 (15:51):
Hubert vec Robs with Metal D.
Speaker 2 (15:54):
Now I think, like fucking I mean, just because you
put Rob Swift in there, I'm like leaning heavy right there.
Speaker 1 (16:01):
But but yeah, I'm gonna have to go.
Speaker 2 (16:05):
I'm just leaning towards Yeah.
Speaker 1 (16:09):
Tell me my choices again, Veed Metal D. Yeah, we're
gonna have to go.
Speaker 6 (16:19):
Joe Rob with his fucking deep ass grizzly voice, yo, man,
is Soka Ully and I'm like, oh Ship, what up?
Speaker 1 (16:27):
He was like, yeah, man, heard about you.
Speaker 6 (16:29):
I came here to just check you out and check
out the battle in general. I think he was scouting
the battle to see, you know, who he wanted to
be his DJ. You know, back then, man, every MC
had a dope DJ. You know, it's not the way
it is now with you know, the these trap rappers
and a lot of honestly regular rappers as well, like
(16:52):
they're not conscious of like who they should pick to
DJ for them. They're more worried about the money they're
making or whatever of the cases. Anyway, that's neither here
nor there. At that time, every rapper had a dope DJ,
and Acanelli i think, respected that concept. So he went
to the battle, saw me I won, taught me to
be a DJ.
Speaker 1 (17:14):
Word.
Speaker 2 (17:15):
Hey, I'm just saying dog like and and and it's
dope to that that that should call him brollick arms like,
you know, and I think it's just dope.
Speaker 1 (17:27):
How heavy he pushes.
Speaker 2 (17:32):
What honestly like coming from like the the DJ battle
mentality that we.
Speaker 1 (17:36):
Have towards towards d Jane.
Speaker 2 (17:39):
That he he really pushes it pushes the heavy element
of what Djane is and it's great like from from
like what he's doing with his school like online.
Speaker 1 (17:51):
I love seeing all the challenges Like a dog.
Speaker 2 (17:54):
I'm like, yo, I'm out in the school, but I
want to do the challenge.
Speaker 1 (17:57):
You know what I mean. Like it's because it's one
of those things it pushes you.
Speaker 2 (18:00):
And then he just actually came out with his book too,
so salutes a Rob Swift everything Rob Swift.
Speaker 1 (18:05):
Rob.
Speaker 3 (18:07):
Yeah, I didn't know he was he was DJ Bro No, actually,
like I didn't know that either, you know what I'm saying.
And the way you know, it's it's pretty dope that
Acnelly went there seeing seeing what was going on, you know,
almost like he was scouting, like he said, you know yeah,
And when Rob won boom, he went up to Rob
like what's up, Bro? And you know I can respect that, Bro,
(18:29):
I could really respect Nah.
Speaker 2 (18:30):
Yeah, that that that's dope with Bocanelly and and I
mean even that's even dope for Rob so executioners and
the motherfucker, you know what I mean, Like Yo, but
like Rob don't play around so like it's dope. And
even when I see like his videos, like when he
does like the college Saturday Sundays and all that stuff.
Like I'm like, dog, oh yeah, he's like, oh, these
these youngsters ain't ready for what I'm about to pull
(18:52):
on him. And he pulls something out of his hat
and it's like, Dog, that's ship. That's dope, because I
mean no doubt, like especially at that, at like the
college level or no matter what level, a lot of
the youth just needs to be exposed to more than
what they're majorly exposed of. And when I say that,
a lot of times the DJs they get highlighted are
(19:15):
actually just producers that they're at these raves and their
big venues and they're.
Speaker 1 (19:19):
But that's not really DJing, you know what I mean.
Speaker 2 (19:21):
A lot of them, you know, like like you heard
Dead Mounds like, oh yeah, those are pre recorded sets.
He doesn't really mean they're pre recorded, but they're able
to recorded sets like this ship is already on beat.
They're not really doing they're not doing you know what
I mean. They're not technically doing something to manipulate the song,
to do something where they.
Speaker 1 (19:37):
Could like mess up exactly, you know what I mean.
You're just beat.
Speaker 2 (19:40):
Matching and then playing with your effects, which I mean,
unless you're James Hype that food's like, oh he's putting
all these buttons and start stopping cuting up. Have you
seen the videos where where they replace what he's actually
doing and they put other things. Fuck, fuck you, you bitch, bitch, bitch,
fuck you bitch, bitchit.
Speaker 1 (19:58):
I've been sitting in the jewels all the time, Doug.
Those ships have me dead laughing laughing.
Speaker 2 (20:02):
But but you know what I mean, a lot of
time d M DJs get a lot of push, you
know what I mean, and it's like, okay, but I mean,
what are you doing? You're not doing anything, you know
what I'm saying. I've seen some d M DJ stoll
where they're like, you know, like daft punk wise where
they're like they're out there with their synthesizers and their keyboards.
Speaker 1 (20:20):
Okay, that all.
Speaker 2 (20:22):
Right, that's that's like a full on production type set,
Like that's dope, you know, but yeah, doing the whole
hands in the air heard hands and stuff. However they
do it, do you see the new way? They don't
do it like that. Now they do it like they're
throwing up gang signs. Now it almost looks like they're
throwing up I can't.
Speaker 1 (20:37):
I don't know.
Speaker 3 (20:37):
That's just like they're getting paid all that breath. I'm
just a stand on there, you know what I'm saying.
So they really do they live? Yeah, don't need no
lot to five.
Speaker 2 (20:46):
From that one, I'm not hating on the paycheck. I'm
just hating on the DJ before their name. To Rob
swift Man who.
Speaker 3 (20:54):
Said it, this next one came from Karma Luke TV.
So it went from it went from on a Wednesday,
I was chilling at home to next Wednesday. After that,
I was in front of ten thousand people who said it.
DJ Neil Armstrong a track, P Tricks, DJ Fat Fingers.
Speaker 1 (21:17):
And Fat Fingers a track. Who are the other two? Uh?
A track? P tricks DJ Neil Armstrong? Neil Armstrong, all right,
who would I mean?
Speaker 2 (21:35):
Basically like, Okay, so I'm gonna go with a track
just because i know the whole Kanye West like stories.
Speaker 1 (21:41):
So I'm gonna go a track. You're gonna go a track.
I'm gonna go a track? Final answer, final answer, A track,
final answer, A track.
Speaker 7 (21:48):
Chucked on The plane went like straight from the airport
to a studio, huge studio. The rock Boys were there
and Jay was there and next thing you know, they're like, yo,
go get your stuff from the limo.
Speaker 1 (22:02):
Go get up, go get your bags.
Speaker 7 (22:05):
And I get back and they set up the turntables.
So they set up the turntables.
Speaker 1 (22:11):
Though, like you're Jay, here's the.
Speaker 7 (22:14):
Turntables and here's me, and they're just like, okay, let's go.
So that was basically my audition. You know, it was
just do or die. The first thing Jay says to
me is thank you for doing this and thank you.
And then it went from on a Wednesday, I was
chilling at home to the next Wednesday after that, I
(22:36):
was in front of ten thousand people. So that's kind
of how that happened.
Speaker 1 (22:41):
That was DJ Neil Armstrong. Okay, Neil Armstrong, the DJ
for jay.
Speaker 3 (22:46):
Z, you know what I'm saying. And that was just
they flew him out to see what's up. I remember
when I I forgot his name, fucking DJ Warrior.
Speaker 1 (22:58):
Back in the days, oh back back back in the days.
He hits me up, he said, yo, Jem, what are
you doing. I said, Noah, right now, I'm just listening
to music. What's good.
Speaker 3 (23:05):
He was like, hey, go down to the studio right here.
They you know, I want you to go in and
show what these people what you got. And I was
like these people, Like who's these people? He says, trust me,
just go down and ship. So I was like, fuck it,
I'm gonna go down there. You know what I'm saying,
See what's up. It was a studio and there was
a line of DJs and ship and it was.
Speaker 1 (23:24):
For a little Easy, you know.
Speaker 3 (23:27):
He was looking for DJ and shit and and I
I didn't. I wish he would have told me, you know,
because I would have been better prepared. But you know,
I was like fuck it. You know, I connected my ship,
like and half of the DJ's they they didn't know
how to connect shit, and I connected my ship, you know.
And I was fresh out of New York, g Like,
my accent was strong. I was just pretty much setting
(23:49):
my ways and ship, and I met everybody there and ship.
So I went on and I just did my thing,
bro and they always diging to everybody was digging in
and shit, man Diverse was with me, and a little
Easy was with me. And then I got out the
mic and I started hyping it up and ship. And
what happened was I fucked up and I said Easy
(24:12):
instead a little easy, you know, and pretty much you know,
that's what probably like killed the mood a little bit
and ship, you know what I'm saying. Even his manager
it was like, it's it's easy, you know, it's it's
a little easy, not easy, you know what I'm saying.
Speaker 1 (24:25):
He said, But he was dope and all that ship.
Speaker 3 (24:27):
I was like, yo, my bad, you know, mind you
fresh out in New York, you know, and I'm just
doing this ship, you know. And they did, they loved
what I did, you know. But I didn't get picked
for being his DJ. But truth be told, I was not.
I didn't know what I was getting set up for,
you know what I'm saying.
Speaker 2 (24:43):
So what I'm hearing from this story is Queen Latifa
walked through the door and she was like.
Speaker 1 (24:49):
Sloppy. Only a food would open up the way you do.
Speaker 5 (24:52):
Nobody likes the records that You're like, all right, if
it's completely what.
Speaker 1 (24:58):
That ship we was loppy?
Speaker 3 (25:03):
No, not, because you know, when I went on, I was,
I was. I was doing my thing, man, I was.
I was mind just back in the days when Serrato
just just came out bro and I was still with Vinyl.
Speaker 1 (25:16):
You know what, I'm saying.
Speaker 3 (25:17):
Half of my vinyl was East Coacht shit at the time,
you know what I mean. So it's like maybe if
I had you know better, you know, you know, just
go down, you know, just group with DJ's and I
won't see what's up. I'm over here thinking I'm an
auditional for a club type ship, you know what I'm saying.
And it wasn't the case. But I see what it is, man,
I see what it is.
Speaker 1 (25:36):
So so basically been getting people's names wrong forever pretty
much pretty much.
Speaker 4 (25:43):
Man.
Speaker 1 (25:44):
So you have an audition for for anybody.
Speaker 2 (25:47):
Or no, no, not not in that way, not like no,
just I did just DJ for my homie for Bizarre.
Speaker 1 (25:58):
And you're coming from me a couple of time over
from my famous friend DJ.
Speaker 3 (26:01):
You stupid DJ for quite a few artists. You know
what I'm saying, which is which is a blessing, you
know what I mean.
Speaker 2 (26:08):
There was a bunch of times, like at like clubs
that I was at, like when I was doing things
with with Joe Grande and Beverly Hills and stuff, they
would be like these like baby bashing and then I
just had to play the music, you know what I mean.
I think like Pitt Bull, like back back in the
day when like no one knew who he was still overweight.
Speaker 3 (26:24):
I feel you, man, because when I went to the
Sharp Shooter's studio all the time, and when it was
recording and I was doing shows with k Solo, cannabis
fucking you know what I'm saying. Ship, I even did
the show with a well you know, I was Bishops
and DJ at one point. You know what I'm saying.
It just keeps on going. Just a lot of just
(26:46):
a lot of my what is it, Michael Myers?
Speaker 1 (26:49):
Yeah? And then also too, when you when you were
rocking with Folk site to you guys do Mob Deep
and Gang.
Speaker 3 (26:54):
Yeah, we did a lot of ship bro. You were
a lot of ship man, fucking even a special head.
Ship was specially that like like when I first came
out here and ship man a long time ago.
Speaker 1 (27:05):
Yeah, man, ship was pretty dope. Man. You know what,
I can't complain? Man. You know, a cat from New
York didn't know nobody out here and.
Speaker 3 (27:13):
Was trying to make moves and you know, I had
a dream, you know what I'm saying, So I had
to go get it.
Speaker 1 (27:18):
But other than that, bro, let's get into number four b.
Let's get it.
Speaker 3 (27:22):
Uh, this is the natural the National Desk and ship
where I got this from.
Speaker 1 (27:28):
I would leave these crazy answer machine messages on the.
Speaker 3 (27:32):
Answer machine and that's how he got me in the
group who said it Craze, Mixed Master, Mike, Bad Boo, j.
Speaker 1 (27:42):
Rock Damn Okay. So we got j Rock, Craze, Bad Boo,
and Mixed Master, My Mixed Master, Mike damn Okay.
Speaker 2 (27:54):
All four of them definitely be from the machine era.
It's funny.
Speaker 1 (28:03):
I was, I was telling I was.
Speaker 2 (28:04):
I was telling my son just recently because we were
we were at thrift store and I told him.
Speaker 1 (28:08):
I was like, oh, you know what that is and
he was like, nah, what is that? And I said,
that's an answer machine. It was like, what is it?
Answer said your phone, sucker. That wasn't no voicemail, homieither.
I was like, Yo, you'd be at home, some one
will call you. You could let that ship pick up
and then you can hear it.
Speaker 2 (28:24):
Was if someone you want to talk to, you just
let them just talk, or they could be like, I
know you're there.
Speaker 1 (28:29):
Ship.
Speaker 3 (28:29):
I remember when it got to a point where you
could actually call from another phone to hear your messages
on your Remember I remember.
Speaker 2 (28:35):
That ship that's crazy dating myself and now now would
you press hold one? Hey, Suri call voicemail. Yeah right,
she's like, what did you? Yeah, she went on, I
know I'm listening.
Speaker 1 (28:50):
To every word.
Speaker 2 (28:52):
Okay, so let's see. Okay, so who said it? We
got Craze, j Rock, Mixed Master Mike or.
Speaker 1 (29:00):
Bab Boo, and that's how I got into the group.
Speaker 3 (29:05):
I will leave these crazy answer machine messages on the
answer machine, and that's how I got That's how he
got me into the group.
Speaker 1 (29:12):
Okay, so let's see.
Speaker 2 (29:14):
I can't think of a group because I'm thinking it's
like a rap group. So I'm not thinking it's like
a scratch crew. That's just do not thin get any
more hints, but I think okay, So so that would
just take Craze out, j Rock, member of Visionaries, Baboo
member of Dilated People's Mixed Master Mic, member of BC Waters.
Speaker 3 (29:36):
So let's hold that though, and let's take a commercial
O the Cliffhanger, The Cliffhanger, all right, let's get it.
Speaker 2 (29:42):
Let's get a break in there. I like it, yeah,
and we back son. All right, so you were just
telling me on the break. So so far I got
only one right, Yes, sir, this is a question for
so I got one right too wrong.
Speaker 1 (29:59):
Hopefully I redeem myself.
Speaker 3 (30:01):
So since since since y'all back with us and ship
what I said was what, well, not me?
Speaker 1 (30:07):
Who said it? Who said it? I would leave these.
Speaker 3 (30:11):
Crazy answer machine messages on the answer machine, and that's
how he got me in the group. Craze, Mixed Master, Mike, Baboo,
j Rock.
Speaker 1 (30:23):
All right, so.
Speaker 2 (30:25):
I said before j Rock Visionaries, Baboo dilated people's and
I'm already taken Craze out and then mixed Master Mic
Beastie Boys and going off of like crazy messages. If
I would have to say who would leave crazy messages?
(30:50):
I would say mix Master Mike. I'm gonna go with Mike.
Final answer, final answer. We're going mix Master Mike.
Speaker 1 (30:56):
He's going mixed Master Mike. Y'all representing the m man.
Let's go.
Speaker 8 (31:01):
Before I got with the beast He Boys, and when
Adam Yachu wasn't home, I would leave these crazy answer
machine messages on his answer machine, and that's you know
how he got me in the group. Scratching the drum,
scratching the violin, scratching everything, and then it just sounds
like an orchestra is like a scratched orchestra. I mean
Adam Yaok's Rest in Peace took note of that and said,
let's make a song out of that. It's just everything's live,
(31:24):
if everything, if anything fucks up.
Speaker 1 (31:26):
That's the way it's supposed to be. It's punk rock,
supposed to be that way. Yo.
Speaker 2 (31:30):
No matter what I will say this about mixed Master Mike,
this dude is forever redefining what he can do as
a DJ. Like he is always pushing the envelope, like
to the like the extreme bro like, no matter what,
he is hands down, always doing some crazy wild shit.
Speaker 1 (31:54):
It's almost like he's coked up. I'm saying, dog, he's
like dog like, if you're you're you're control.
Speaker 2 (32:01):
K Noov goes to the ten like Yo, he's at
like a twenty seven. He is always hype like I
don't know if you watch, like you just search any.
Speaker 1 (32:10):
Of his ship on fucking YouTube, like like adachd d
hd d hd D on dog.
Speaker 2 (32:18):
Breaking all the faders, you're on my equipment, Dog, my
shit's already broken.
Speaker 1 (32:23):
I don't even care. I got the infinity Faders. He's
breaking that ship.
Speaker 3 (32:26):
Just the thing how he got into the Beacie Boys
and shit leaving all those cuts and scratched us at
his messages.
Speaker 1 (32:32):
Man, I'm happy that you said that.
Speaker 2 (32:33):
Hold on it because look, okay, so I got given
a bunch of records. The dude that I worked with,
shout out to Christian. He had a bunch of records.
They were his grandma's records, right, and grandma passed.
Speaker 1 (32:45):
He had sold off a bunch of records.
Speaker 2 (32:47):
I was actually kind of pissed off because when I
saw what was in this crate, I was like, God, damn,
so what would you selling?
Speaker 1 (32:51):
Like he was selling crates a record for ten bucks?
Speaker 2 (32:53):
Just take him off, you know. And he said that
he got rid of like fifteen crates that way, and
it's like, God, I would have given you twenty dollars.
Speaker 1 (33:04):
So this crate, and it's crazy.
Speaker 2 (33:06):
Because there's like a lot of like like eighties punk
rocking shit in there, which I was tripping out on
wild shit. But there's a BC Boys record in there, right,
And I did a live stream where I went through
all of them, and I was playing all of them,
but like my phone started dying and I had to
end the stream, and there was probably like ten records left,
so I started pulling them out just to say what
they were before I entered my streams, and there was
(33:27):
a BC Boys record. Watch I'm gonna go grab it
right cool quick, because watch I barely looked inside and
watched this ship.
Speaker 1 (33:33):
He's actually oh you just looked.
Speaker 3 (33:36):
Oh it was right there right front, right.
Speaker 2 (33:40):
Okay, So I told myself because I have it, like
literally right there, and it's in my hallway in this crate,
and I'm like, yo, I have this BC Boys record
right and this is the iconic you know, license to
Hill or whatever, you know, and you know right this
License Hill, this is the this is the one with
that with the airplane on it. Right, So you know,
I'm like, okay, like pretty good, got a little little
(34:03):
dent right here, but like for free, this is you
know what I mean. So so then I pull out
the vinyl go ahead, and you look at that vinyl?
What what what vinyl record? Is that Gemini?
Speaker 1 (34:14):
This is not this is not it. I know what happened.
I don't know, fucking Grandma Martha, but I don't know,
but it's not the it's not the Beastie Boys record.
Speaker 2 (34:24):
I was like, got you, son, I know, well, I
mean it was for free, so I mean, what am
I gonna do?
Speaker 1 (34:28):
But Grandma's got jokes from the grave. You probably can
use this ship. I don't know. I didn't even listen
to this ship, but yeah, it says Martha.
Speaker 3 (34:39):
It's the Spanish record. Yeah, Spanish. I'm not trying to
go on i'ma or something. I don't know, but it's like,
you know, but I got it.
Speaker 1 (34:47):
I got a solid Beastie Boys covered off. I know.
Now I'm like, oh, I guess that could just go
on the wall. You never know, maybe I'll find someone
that has a b C Boys.
Speaker 2 (34:56):
If you have a Bacie Boys vinyl and you don't
have a sleeve, you know, holler at yes.
Speaker 1 (35:00):
It reminds me of how high just don't leave crazy
voice like yo, yeah right, like they were like yo, I.
Speaker 2 (35:09):
Left Adam crazy Instagram messages and that's how I ended
up with this VC Boys sleep.
Speaker 1 (35:15):
Hey, you can bid for it. How much you want
to be for this? Right? Super crazy? All right, son, let's.
Speaker 3 (35:22):
Get into the next one, the next and last one.
So right now you two for two. This is the icebreaker.
This is I believe you can do this, son, I
believe you could do it moment right now.
Speaker 1 (35:32):
You got this one. I know you do it. Let's
go all right.
Speaker 3 (35:36):
Man, every time I see some of this scratch DJs,
they're just doing the same ship. I don't understand. You
flipped a good jay Z record that I know, and
you did some cool ship with it.
Speaker 1 (35:49):
Who said it? Spin Bad, short Cut d J, I
D eight trap all right, so we got he said, said,
give choices again, spin bad, Shortcut DJ, I D a
track damn okay.
Speaker 2 (36:07):
So when you started off and you were like, I
see some some good DJs, but they're always doing the
same ship.
Speaker 1 (36:11):
I was like, oh, why not cut posting people on Instagram.
He's like, Yeah, that dude's dope, but he always does
that same ship. Oh man, okay, So fuck man.
Speaker 3 (36:27):
Every time I see some of these scratch DJs, they're
just doing the same ship.
Speaker 1 (36:31):
I don't understand.
Speaker 3 (36:32):
You flipped a good jay Z record that I know,
and then you did some cool shit with it.
Speaker 1 (36:38):
Who said it? M okay? So we got short Cut
I D spin Bad and who was my fourth choice?
A track and a track? See who would be calling
him out like that good jay Z track. Mh time
(37:02):
I see the scratch d days and ship m m
m damn. I don't know. You got to a tracks
in there. I don't know if you're just trying to
tell me for a loop.
Speaker 2 (37:19):
Would a track say that though, that's why he stands
out just because you yeah said.
Speaker 1 (37:23):
His name earlier. Would Short say that? Mmm mm hm
hm hmmm. I don't know. Spin Bad spin Bad would talk.
Speaker 2 (37:37):
He would talk some ship like that. That's so that's
what I'm saying. He was like, he's still talking from
the grave, like, Yo, step your game up an I
D I don't know.
Speaker 1 (37:53):
I haven't seen too many I D hitting video. I
don't know. I'm just gonna I'm just.
Speaker 2 (38:05):
Gonna go with a track because you said it twice,
unless you're just throw him to a track kick kurveballs.
Speaker 9 (38:11):
Then Kanye ends up seeing me do a routine and
I had a routine on a jay Z record. Well,
he liked the fact that I was. I flipped the
record that he recognized. I remember we talked about it
later on and he was like, man, every time I
see some of these scratch DJs, they're just doing something
I don't understand.
Speaker 1 (38:26):
That.
Speaker 9 (38:26):
He's like, you flipped a good jay Z record that
I know, and then you did some coolh it. He's like,
I feel like that's kind of how I make my
music and what my crowd would understand. So he wanted
a DJ who was good, but a DJ who could
also be understood by his crowd.
Speaker 1 (38:41):
Huh.
Speaker 2 (38:41):
You know what hearing that? I think I even heard.
I've watched that interview before. Yeah, so hell yeah, so okay,
Redemption is mine three two three two track.
Speaker 1 (38:52):
I like the champions here. Yeah, you know, if you were, if.
Speaker 2 (38:56):
You were listening along too, and uh and you I
want to know how you guys did too, So I
mean if you if you guys can leave a comment
on wherever you're listening to, because you can leave comments,
leave a comment there, or you know even like write
it on the on our posts on Instagram or when
we do the post.
Speaker 1 (39:11):
But man, that's that's dope. Jamn. I liked, I liked.
I liked the who said it? Bro? I'm just saying,
you know what I'm saying.
Speaker 3 (39:16):
I think I think because you know, I DJ for
different artists, you know what I'm saying. I thought it
was pretty cool to see you know other other people,
other DJs, you know, just how they just putting it together.
Like from I did. I did rehearsal one time. I
do rehearsals all the time.
Speaker 1 (39:32):
I did. I went in there to to see if
I could get hired as well. Well I didn't know.
Speaker 3 (39:36):
I went in and blind and ship you know, rehearsals,
and yeah, man, I had I had a good time.
And you know what, I had a great experience. And
there was one when I went on tour with Bishop
when he was signed with Aftermath. He came out with
his own he had his own album and he was
not released yet, and shit, we was can Am Studios
(39:57):
resistance to the album. We even did the the parties
over there. I met so many m so many people
over there in the industry. And when we finally went
on on the road, and shit, we went on the
Sun Dance tour.
Speaker 1 (40:10):
Years ago, bro years ago.
Speaker 3 (40:12):
Yeah, and that was that was actually like one of
my first times ever going on tour with a artist.
Speaker 1 (40:18):
Then you did like all the House of Blues, all
the House and Blues.
Speaker 3 (40:21):
Yeah, we did that. We we headline. We also I
also U DJ for the Whalers.
Speaker 1 (40:27):
You know what.
Speaker 3 (40:28):
I'm saying that's about if those of who don't know
Bab Marty's crew that that when Bob.
Speaker 1 (40:31):
Marty was that's his band.
Speaker 3 (40:33):
Yeah, and I remember it too cause the owner of
the House of Blues, Bishop came up to me and
he was like, yo, Jim.
Speaker 1 (40:39):
I was like, yo, it's up.
Speaker 3 (40:40):
He was like, yo, this is such and such and
he he he you know, he's part of owners with
the House of Blues and shit.
Speaker 1 (40:45):
He like he's in charge of the shit, right. So
I'm like, what's up man?
Speaker 3 (40:48):
He was like, Hey, I was wondering if you could
like play a set, like a a reggae set and
I and you know me, son, I love dancehall, I
love reggae. Yeah, and that's my shit, you know. So
I was like yeah, hell yeah. So the DJ didn't
have originally to go on there. They didn't like him,
they didn't like what was going on. I don't I
don't even remember his name and ship So I went
on and I fucking rocked it. Be rocked a holy
(41:11):
everybody was going like you even heard people saying finally
like just just see that the feeling the energy from
those people and ship man. Because I went in, I
literally went in. But the whalers, they tell me don't
play nothing that they their songs about MANI shit which
I had to stay away from and which makes sense,
but makes perfect sense, you know what I'm saying. And Yo,
they was yo when I tell you they was smoking
(41:34):
me out.
Speaker 1 (41:37):
They was cool. Gee, they was.
Speaker 3 (41:38):
They was right by the booth and they was like, yo,
they haven't heard certain dance hall and certain reggae that
I was playing music that I was playing for a
long time. And you know, they was giving me props
and ship Man, we woul't tell you what they they
They some harsh smokers. Dog they get some real real
freaking tobacco leaves and shit. And yo, SI almost coughed
(41:59):
out a lung, you know, I did. Dad also Nellie
one night we still one night Nelly was performing and
Ship and then I opened up for him too on
the main stage and Ship so.
Speaker 1 (42:12):
That he is short bro, I was like that.
Speaker 3 (42:14):
I didn't think he was that short beat you know
what boom boom we was in. We was in the
green room and ship Me and Bishop signed on wal
my name on the wall and Ship and then then
he comes in with his huage and ship man and
everybody's up in there, and I'm like, I'm.
Speaker 1 (42:29):
Like, man, that's a little mother fucker boy. I was
like that I could take him.
Speaker 3 (42:35):
But he was cool and ship. But what really said
it off at the time. I believe it was his cousin.
His cousin was locked up and his cousin came out,
so he was taking care of his cousin. Me and
his couasin was cool, b like after the show and ship,
me and his cousin was chilling, smoking, you know. You
know when you're on the road and ship, you know,
there's a lot of ship around, snow bunnies all conde.
(42:57):
So yeah, it was a good experience, man. That's something
dance tour right, there was a good experience.
Speaker 1 (43:02):
Man. I would never take it back.
Speaker 3 (43:03):
So I could cope with with different things when it
comes to DJing for artists. You know, right now, I'm
currently DJing for corn Bread, Yeah, Underground Wrapper. It's just
pretty dope, you know what I'm saying. And he's got
his ship together. You got a dope team and ship,
and you're always doing different things, he know. So yeah, man,
so hopefully our future is gonna be bright.
Speaker 1 (43:25):
You know.
Speaker 2 (43:26):
I was excited, like I said, I showed you the thing.
I was like, oh yo, corporate, corporate followed us.
Speaker 1 (43:31):
Oh yeah, yeah, you were like follow them, Yeah, I did,
you know. And there's a lot of things.
Speaker 3 (43:37):
And am also been with me with a you know,
for those who's listening, he's been with me certain shows
and ship and and like we said before, he covered
for me plenty of times and you know, and and
he held it down man. So it's like you can't
you can't say you never did because he did.
Speaker 2 (43:54):
Ye yeah yeah, yeah no, and and uh too, since
you were bringing up like danceall is funny because I
just Bodiga Bar last Thursday and they they I think
ill technique was before me and I always liked especially
now as like it's it's so easy to you know,
because you have a REP seven now, so we're like,
(44:16):
you know, you got the double the double USB plug.
So then you know, like I got on and he
left me like on a on a dance hall tip.
And then I was like, because I go into my sets,
especially too, like when when it's at the bar, like
I have an idea of what I want to do,
you know what I mean, Like especially like it's a
little bit earlier in the night, like I want to
play like some R and B feel good type stuff.
Speaker 1 (44:38):
I still want to like play with stuff, you know
what I mean, like mix it up.
Speaker 2 (44:41):
But he was on like some reggae like like dance
hollish stuff, and he had just barely went there, like
probably I think he played like two tracks and then
it was like my turn, and he left me there
and I was like, oh, yeah, I'm staying right here.
So like, yeah, I played like dance all for like
my first like six seen seventeen minutes of my set. Honestly,
(45:02):
I hadn't even played it in like that create in
a long ass time, Like I had set it up,
but I hadn't like played.
Speaker 1 (45:09):
As a fun son. I was like flipping through the
track and then it's it's.
Speaker 2 (45:14):
Good, like you know what I mean, Like it does
it field music, Yeah, it definitely does set off. And
then I mean I went from that into like my
R and B stuff. You know, I'm playing Alida and
all that stuff, you know, s WV and it's it's
a good transition, you know what I mean, And like, yeah,
never stopped playing some dance never never never never, But yeah, man,
that that's that's it, bro.
Speaker 1 (45:36):
Yeah eight corn bread and you guys have any shows
coming up.
Speaker 3 (45:39):
Because right now we talk to each other every day.
He's getting everything finalized for what's coming up.
Speaker 1 (45:44):
And Ship.
Speaker 3 (45:45):
He recently did uh Sway in the morning.
Speaker 1 (45:49):
He was on Sway in the morning.
Speaker 3 (45:50):
He did a little interview on the shout out to
everybody that's part of the crew and ship, you know,
and yeah, man, ship, we just gonna keep can move forward, man,
and you know, the future is bright for everybody.
Speaker 2 (46:03):
Bro. I know, since we are talking about shows, I
know four to twenty I'm gonna be DJing at a
lobster brewing company in Covina some also in Covena to
some of the Fridays to Katie Jakes. I'll be rocking
Katie Jake's. And then on the twenty six, I do
want to I do want to let me read this
flyer too, because this is actually a pretty pretty dope
show coming up, and we're gonna be doing it like
(46:25):
we do it every year with prolifics.
Speaker 1 (46:29):
So you know, we definitely got.
Speaker 2 (46:30):
A shot that shot that out at the sfs our
our Fest over there in.
Speaker 1 (46:36):
Santa Fe Springs.
Speaker 2 (46:37):
If I can write DJ right because I want to
read everything that's on the flyer. Because it's actually gonna
be a pretty dope show. The name is gonna be
called Elements of Sound and Motion, showcasing the art of
djaning and breaking performances by the Tiny Humans Crew, Lost,
Tom Pros, Lily Breeze, DJ Million Hills, Irvin Aurana and
(47:02):
Mexica Towel and right. They're gonna be a free scratch workshop,
so you can pull up on us get involved in.
Speaker 1 (47:10):
The free scratch workshop. Of course, it's hosted by DJ Prolipics.
Speaker 2 (47:14):
And we're gonna have bee Boys in the house, so
there's gonna be also a free dance workshop, so if
you wanna, you know, learn a little bit or something
about your B boy skills, you can pull up and
then you know it's gonna be dope. Irwin Aarana is
gonna host the whole thing. It's gonna be going down
at Heritage Park that's at twelve twelve one hundred Mora
(47:38):
Avenue astinna Fe Springs, And yeah, it's gonna it's it's
gonna be dope. Gemini No Easy Props is gonna be providing.
Speaker 1 (47:45):
All the all the B boys stuff.
Speaker 2 (47:47):
So if you've never been to one before, you need
to come out hang out with us, Me and Gemini.
We're gonna be recorded live out there, so it's gonna
be it's gonna be pretty dope. It's gonna be pretty dope.
And then another thing Gemini that we definitely only have
to shout out that's going down over at the Beat
Junkies Institute of Sound, which is pretty dope. And this
(48:09):
is gonna be an ongoing thing. So if you can't
make the first one, which the first one is gonna
be on May third, Be Junkies' Institute of Sound is
calling it their scratch League, so it's the b j
iOS Scratch League, and every month they're gonna be holding
a scratch back so you can come in join the battle. Obviously,
(48:31):
if you're a student, you get in free. If you're
not a student, it's ten bucks.
Speaker 1 (48:35):
But it is all ages, and I believe.
Speaker 2 (48:39):
It starts a little bit earlier, so it's gonna be
a monthly scratch says Social.
Speaker 1 (48:44):
Head to Head Scratch Battle fifty one to thirty.
Speaker 2 (48:47):
San Fernando Road in Glendale, California, and it's gonna be
presented by Lost Home Pros. Open format Jesse Dean and
of course scratch breaks.
Speaker 1 (48:56):
So yeah, it's gonna be dope. It's gonna be dope.
Speaker 2 (49:01):
So I mean, get get at the b junkies iOS
Instagram if you're interested in joining this Cup Battle, because
I mean, Gemini, just like you were just talking about
being on shows and putting yourself on that stage.
Speaker 1 (49:13):
This is a this is a dope stage.
Speaker 2 (49:16):
Bunch of eyes are gonna be on you that are
in the same zone that you want.
Speaker 1 (49:21):
To be in. You know what I mean.
Speaker 2 (49:22):
If you if you don't like represent a crew, or
even if you do represent a crew and you just
want to become a bigger part of the community, definitely
come out. May thirty is gonna be the first one.
So I mean, at time of us recording this right now,
we got two weeks. By the time it comes out,
you probably still got a week come join, and then
if you just want.
Speaker 1 (49:41):
To check it out, check it out on the third if.
Speaker 2 (49:44):
You want to get in on the next one, we'll
have information there on what the next one is. And
who knows, you might become one of the champions for
the Scratch League.
Speaker 1 (49:53):
Jay whoever it is saying, I'm saying Dog insert name
here of the.
Speaker 2 (49:58):
Champions and then we'll keep you guys into on what
goes on out there too, because I know I was
telling you, Baboo, you reach out, So we're definitely gonna work.
Speaker 1 (50:07):
Something out that way.
Speaker 2 (50:08):
Uh yeah, we could be a little bit more involved
with event and everything too, so it's definitely gonna be big.
So I mean those those are the two scratch things
coming up I know too.
Speaker 1 (50:15):
Uh.
Speaker 2 (50:15):
Last week d m C did just do their launch
too for for for you know, Battle season officially starting
and everything. So be on the lookout on on d
m C uh championing the official on there on their
their pages for for all the updates. But I know,
Tiny Humans they were, they were, they were out there
representing hard over there because I know what Sabby was
doing her thing, Islo was doing his thing.
Speaker 1 (50:37):
So it's it's just dope to see.
Speaker 2 (50:39):
Them, like, you know what I mean, we always call
them the beat Junkie kids, but you know, it's Tiny
Humans crew, so represent put some respect on their name,
you know what I mean, because they're out there doing
things you know.
Speaker 1 (50:48):
Yeah, man, Yeah, it's dope.
Speaker 2 (50:51):
So it's just it's just exciting, you know, to see
everyone pushing themselves and then knowing that, yeah, we are
entering battle season, so you know, summer's right around the corner.
Speaker 1 (51:00):
I know.
Speaker 2 (51:00):
I think they were talking about West Coast Finals. I
believe they were saying in the San Francisco. It's gonna
be in San Francisco. So yeah, big things coming up.
Be on a look be on the lookout, you know.
And then I'm out there gigging around. So you know,
hit me up at DJ A DM one on Instagram.
You can find out where I'm at.
Speaker 1 (51:17):
D E j E j y Gemini. Oh that's a
new thing, you know.
Speaker 2 (51:25):
You can follow him and then you know, Gemini has
got some stuff going on too. Also on TikTok he's
always going live, so you know you're gonna want.
Speaker 1 (51:31):
To get involved with that too.
Speaker 2 (51:32):
So d w E j A Y d E Gemini,
come on son, just like the Sun I'm saying.
Speaker 1 (51:40):
So you know, you know what it is. Tables for two.
Speaker 2 (51:41):
We're up in this Tables for two, Hey Gemini, Yeah,
I think we're done, man, yo, So hit us up
too on Instagram if you're not following to us, tables
underscore the number four underscore t w O and.
Speaker 1 (51:53):
Yeah, you already know what it is. We got the Patreon.
Speaker 2 (51:55):
If you want some downloads, I changed the price. It's
only a dollar for everything, so if you want, go
on there. Also to Jemini, I was gonna make an announcement.
I didn't make an announcement yet on Instagram, but as
you're listening to this right now, if you do want
some free edits, and I'm saying free because like I said,
one dollar to join the the our Patreon, but there's
a three week trial, so you can join, download everything,
(52:18):
and then just cancel if you want.
Speaker 1 (52:20):
I'm just saying you can just get it for free.
Just go over there, hit us up, and then that's
it saying why are you trying to tell them some secrets.
I'm just saying you can go get that. You can get.
Speaker 2 (52:30):
Go with this for me because I know we're still
waiting on the on the on the god Blends, because
I know we're gonna we got a god Blens drop
that we're gonna do.
Speaker 1 (52:36):
That's what I'm saying. So right now you can go
get all.
Speaker 2 (52:39):
Those tracks because I think right now uploaded I think
there's something like forty tracks already that you can get
for free. So those are all edits that we made
that you can get for free. And then by the
time Gemini puts out the god Blends, we'll let you
guys know when that's up there, and then you know,
dollar dollar gets you in.
Speaker 1 (52:55):
The hot get it same same.
Speaker 3 (52:57):
It'll make sure you bump it too and shows dick
and ship yeah doll.
Speaker 2 (53:01):
If you if you download any of these tracks, definitely
take a picture of the screenshot, like yo, I played
this over here or whatever, and you know, and then
we'll get.
Speaker 1 (53:07):
That repulse going on. That's right, that's right.
Speaker 2 (53:09):
There's also some scratch tools. I made some scratch tools
on there, so there's some. There's some little skipless breaks.
I did one one drop like that. I already made
another one. I haven't put it up yet, but that's
coming out. And then I know also too with Lost
Home Pros. We're getting ready to drop the Lost Home pros.
Speaker 1 (53:26):
Uh uh.
Speaker 2 (53:27):
Our cuts are correct, volumetent. Hold on, there's a couple
other loopers that just came out because I know stunts.
One just dropped a couple. Hold on, let me open
the table beats at real quick because I want to
plug these real quick, just so you know.
Speaker 1 (53:42):
What's going on. Because he just dropped them this week.
So he just.
Speaker 2 (53:47):
Dropped flow Grammars Looper Volume two with Stunts one and
function og, and then he also dropped Distorted sound Waves
with gold Voltron and stunt points, so yeah, check that out.
And then I know Dan one, he's getting ready to
drop his Looper number four. So I'm just saying, there's
a bunch of there's a lot of Loopers going on
(54:08):
right now.
Speaker 1 (54:09):
So I'm hey, you know what it is advantage.
Speaker 2 (54:12):
Get on that table beat tap download that you can
scratch wherever you want, and then if you need.
Speaker 1 (54:16):
A weblooper as always, you can go to table tots
dot net. Yeah, we always have that that loopers on here.
Speaker 2 (54:20):
Anyway, I'm saying, all the information will be in the description.
So it is what it is, Gemini another show in
the books?
Speaker 1 (54:27):
Who said it? Gemini? Who I'm saying, I like it?
Speaker 2 (54:30):
And then Jem was also saying though he also has
another show written who did the cuts?
Speaker 1 (54:35):
So who oh yeah?
Speaker 3 (54:37):
Yeah, I was supposed to have it today so we
could do what after this? Hey, but I'm excited to
come with this one. Hey, don It's all good.
Speaker 2 (54:42):
It's all good also too, I don't know if you
were listening to the to the side show too.
Speaker 1 (54:47):
But don't be still. In other DJ's drop.
Speaker 3 (54:52):
Word, don't be still his son, Yeah, man, don't be
faking the funk out, faking the fun.
Speaker 1 (54:57):
Hey, I'm saying.
Speaker 3 (54:58):
The giggle last, I'm saying Brittany giggles. Insert Brittany giggle here.
Speaker 1 (55:03):
Ship but only when eighty M one DJU coming from Darryl.
Fucking Darryl.
Speaker 3 (55:12):
Alright, so we out DJ eighty m one DJ Gemini
tables for two tables for two.
Speaker 1 (55:19):
Good Bye, Goode.
Speaker 9 (55:27):
Oven tables for two gables.
Speaker 1 (55:35):
For two tables. We're out. I've always liked. We'd like
to thank Lost Tone Pros for leasing us up with
all the beating for the show. You can scratch you
all of them with the table beats at Lost Tone Pros.
Our cuts are correct.
Did it start yet? No, but it's starting on a second. Brittany,
Oh hey.
Speaker 2 (00:05):
Let me ask you a question since since since we
haven't really started yet. Okay, So, how would you feel
if someone that you knew but it's not like it's
not like me, you know what I mean? But it's
a DJ that you knew that like you worked with.
Being very specific because I worked with this individual, I
haven't seen him in the long ass time, right, but
(00:27):
he has definitely made a name for himself and he
did not have this name. Well you knew him, so
like I wouldn't refer to him by that name. I
would just call him by his name. Okay, if all
of a sudden that person started like you, like you
found out because you heard you heard like a mixtape
where that person was using like.
Speaker 1 (00:49):
The fresh maker of hem all right, because yeah, Jueles
sent me some mix from someone and that was got
the Brittany gego.
Speaker 3 (01:01):
You can't even say shameless emotion on that ship, bro,
that's file, that's five.
Speaker 1 (01:07):
It's kind of it's kind of weird, right, Yeah, it's
kind of weird. So yeah, I don't know.
Speaker 2 (01:11):
I'm thinking about doing like maybe like a headlines and
beats thing and then tagging him in it.
Speaker 1 (01:18):
Hey, originality goes a long way, bro, you know what
I'm saying, And I'm not saying that.
Speaker 3 (01:24):
Yeah, but who does who else? Who else that you know?
If that uses that that you said, you know why
I'm gonna use this.
Speaker 2 (01:31):
I mean, dog, come on, son, ain't no one like
Brittany like I like Brittany.
Speaker 1 (01:35):
Dog, I'm saying.
Speaker 3 (01:36):
And I've been using that ship for years and he
more than guarantee that he's seen you.
Speaker 1 (01:41):
He's seen you one.
Speaker 2 (01:42):
No, No, you knew when I when I was working
at Kids at M that I was doing it, like
that was part of the thing. Like, okay, there's there's
a couple, there's certain drops that like I use because
of certain people. Also you too, you influenced the Brittany
drop too, so like it wasn't just like just girls.
I need to know how well okay, because I remember
(02:04):
when I went to your house you were still working
at Guitar Center and I went to your house, your
house that when you lived on a Zusa Avenue, the
one way street, ye all right, And I remember we
went over there and we were we were having a
little session and we were like you know, fucking around and.
Speaker 1 (02:22):
Then just years ago.
Speaker 2 (02:24):
Yeah, this is like that's what I'm saying. This is
how long working at I art, That's what I'm saying.
This shows how long I've been using the fucking Britney giggle.
So we were we were we were sessioning, and I
remember you fucking dropped the Dano voice.
Speaker 1 (02:38):
So you were like you're in a mix with DJ
Gemini and.
Speaker 2 (02:41):
Then fucking and then you had fucking some fucking evil,
like maniacal ass laugh that was like a long ass
time ago and you had a laugh and I was like,
dog the laugh.
Speaker 1 (02:55):
I was like, bro, that ship's fucking dope full.
Speaker 2 (02:57):
And you were like, oh yeah, son, you like that ship.
And then I remember leaving your house that day.
Speaker 1 (03:01):
Like yeah, I don't use that laugh no more.
Speaker 2 (03:03):
No, no, I don't even think you used that laugh
like I never used Like it was like in your house,
like I never heard you use that laugh, you know
what I mean.
Speaker 1 (03:11):
And but it was one of those things like it
stuck with me.
Speaker 2 (03:13):
I was like, Dog, the fucking laugh is dope because
you could literally do something and then you drop the
laugh and it's like you're laughing because you just nailed
whatever the fuck you nailed it.
Speaker 1 (03:24):
Could be that or if you messed up, oh yeah,
or to mess up you know what I mean, Like it.
Speaker 3 (03:29):
Happens all the time. That with me, My laugh is
the quagmire. Yeah, I've been doing that. That ship that's
wait yeah bro.
Speaker 1 (03:37):
And then that's what I'm saying too, like in an
awesome power's own became.
Speaker 2 (03:41):
I'm not saying that like I am the only person
that can use it.
Speaker 1 (03:46):
Like if some random person like started using.
Speaker 2 (03:49):
It, I would I wouldn't like really look at it sideways.
I'd just be like, all right, cool. But then since
it's someone that I know, I'm like and then like
your hey, and this.
Speaker 1 (04:01):
This, and this person is doing work in the scene
like he's.
Speaker 2 (04:04):
Everywhere, and then he's also DJing like Inkvida and everything too.
Speaker 1 (04:08):
I know this person. Yeah it's Tero I used to
work with. Oh sorry, my bad whatever? Yeah yeah you
know so yeah yeah yeah fuck you Darryl. Hey do
we do like Donkey to day? You know what I'm saying.
Speaker 3 (04:29):
I'm telling you I'm gonna do it headlines and beat
Originally he comes a long way, man, like if he
didn't know somebody had that and you put it on there.
Speaker 1 (04:35):
Okay, you get the past. You know. That's how I feel,
you know what I'm saying, like like like.
Speaker 2 (04:40):
Because anyone could kind of like want to use the
quagmire and be like okay, but I think I feel
like I remember too when I was when I first
started using the Brittany too that food told me too.
He was like, because like when when I was at Kiss,
So this is like I don't know I'm using this
ship like in like two thousand nine, two thousand and eight.
(05:01):
I was like, already we were already remember when when
the fucking drops like we're brand new.
Speaker 1 (05:06):
And you can only use them on your keyboard and ship.
I remember, and I remember we were.
Speaker 2 (05:09):
Like yo, we gotta get drops and we got to
have everything, and I remember like, yeah, I wanted to
fucking eightym one drop of course, like everyone had to
have their name, but it was also about like yo,
like define yourself and then come up come up with
some things that like are you that you could play
during your set that kind of like it's like almost
almost using like a DJ identification without using your name,
(05:33):
so that when you hear that, they hear that joint
and then they're like oh shit. Like, like like you said,
if you were to hear the Brittany giggle, you would
think I'm I'm DJ. Jules was listening to this mix
and he would he heard the Brittany giggle.
Speaker 1 (05:45):
He was like, what what the fuck?
Speaker 3 (05:46):
ADM wants it one because you use that ship all
the time.
Speaker 1 (05:49):
Yeah, yeah, Brittany all over the place.
Speaker 3 (05:51):
When we when we fuck up Brittany, when we nail
it Brittany norm you know what I'm saying.
Speaker 2 (05:56):
Remember that one time when I had the drop saved
wrong and then it kept doing that baboo.
Speaker 1 (06:00):
Remember when we kept up Like what the fuck is that?
And it was my drop everything? Just like, yo, son,
you gotta fix that, bro. This food was said, that's
sent it right here. Let's see hold up. Oh he
put the phone on the mics. Ladies and gentlemen.
Speaker 4 (06:18):
Oh Sue, that's the same giggle.
Speaker 1 (06:29):
Yeah.
Speaker 2 (06:30):
I mean it's on YouTube, so I mean it's not
like it's hard to find it.
Speaker 1 (06:32):
But but I mean, come on, he knows you. He
heard it from you. Come on, let me find out
he's using that. I'm very happy to be here.
Speaker 2 (06:39):
Then it's like, hey, dog, now you're going to live
to a box rap, but I mean honestly too.
Speaker 1 (06:42):
So like that, I like, I mean, who doesn't love
coming to America?
Speaker 2 (06:47):
So like, I know, like I was kind of influenced
by Pally Foul because Pally Foul when he first got
over here to Power one a sixth that bood was
always playing Sogo and I was like, oh man, I
gotta get to coming to America, and then I'm very
happy to be here.
Speaker 1 (06:58):
It's like this, that's that's perfect for a DJ say.
Speaker 3 (07:02):
But I'm saying though, like what I'm saying, he knew
what the deal was and he still used.
Speaker 1 (07:08):
It dog Yeah, So yeah, I guess I don't know.
It's the thing. So I don't know. Do I got beef? Now?
I got beef? I think you do. I think we
got beef. I think you know.
Speaker 3 (07:16):
You know, it's almost like he buffed over your name
and shipped on the wall.
Speaker 1 (07:20):
You know what I'm saying. It's like you son, that
sucked up. Come on, Darryl, I'm gonna pull up the
fucking into the temple bar. Oh you got you gotta
pull up, son.
Speaker 2 (07:30):
But we do have a table for two available tables
for teeples for two, tables for.
Speaker 1 (07:37):
Two J Gemini here you heard you heard it from
eight A M one tables for two table, tables for
two tables, tables for two, Yo, what to do with
your boy? DJ Gemini?
Speaker 2 (07:56):
How go about the name DJ eighty M one and
we are tables for two tables four two?
Speaker 1 (08:01):
What's up? So what if dog was cracking? Bro? Sheling
like a villain? You know what it is? Man?
Speaker 2 (08:06):
Motherfucker comes and knocks on my door all early in
the morning, like, hey, what's up?
Speaker 1 (08:11):
Yo? I told you? I said, Yo, Yo, you home? Son? Yeah,
I'm up. What's up? Hell? Yeah? The show is what's up? Bro?
I'm excited and you came here, you got show notes
and everything.
Speaker 3 (08:20):
Gemini is extra ready for this, right, extra extra ready man.
So if you don't know, now you gonna know. We
gonna do who said it?
Speaker 2 (08:29):
Hey, bro, I'm excited because every time we do this,
like it's like a brain teaser. You guys listening along,
don't don't be afraid to guess who said it to.
So Gemini is gonna tell me a quote, give me
some options. We gotta guess and the next thing, you know,
we'll find out who said it.
Speaker 1 (08:47):
Yo.
Speaker 3 (08:47):
But it's pretty cool, man, because I was going through this, man,
and I was like, you know what it.
Speaker 1 (08:53):
I just I just I just gotta read out.
Speaker 4 (08:55):
Man.
Speaker 3 (08:55):
You find out at the end of this and shit,
you know what I mean, how we gonna how everything
comes together?
Speaker 1 (09:00):
Man? I know, I know you Dju.
Speaker 3 (09:03):
You filled in for me when when I was DJing
for different artists when I couldn't do it, you know,
and what it takes and all that stuff and how
these artists is.
Speaker 1 (09:10):
Like, let's just get into it, man. Hey, I also
know what it's like to show up and be DJ Gemini.
Speaker 3 (09:19):
Sometimes they were say, hey, DJ, hey Gemini, what's up man?
They thinking that you was like Gemini, you lost a
lot of weight, Like, oh, the marquet does say DJ
Gemini out there, right, So that's what happens when you
fill in, right.
Speaker 1 (09:33):
Oh yeah, so yeah, I'm excited Gemini. Let's get into it.
Speaker 3 (09:36):
So number one on the revote, I got this from
the revote, you know, okay, said said, hell, we didn't
realize that the rapper took president and then the DJ
was the person to back him up.
Speaker 1 (09:52):
Who said it.
Speaker 2 (09:54):
We didn't know that the rapper took president and then
the DJ would back him up.
Speaker 3 (10:02):
We didn't realize that the rapper took president and the
DJ was the person to back him up.
Speaker 1 (10:10):
Who said it? Steve D, Stevie D, Jazzy Jeff, Grandmaster
Flash or cool Her do I don't know? Okay, so
all definitely pioneers, do you think? I mean? Okay? So
(10:46):
who is it? You got Steve D, you got cool Herd,
Jazzy Jeff, and grand Master Flash. What you said?
Speaker 3 (10:54):
That's right, Stevie D, Jazzy Jeff, Grandmaster Flash and cool
Her read it again?
Speaker 1 (11:01):
One of them said no, okay, So I'm gonna go.
Speaker 2 (11:09):
I don't think Coolhork does too many interviews, so I'm
gonna take him out because of that same thing with
Steve D. So I don't know in between Jazzy Jeff
and Flash, but.
Speaker 1 (11:23):
I wouldn't say. I wouldn't.
Speaker 2 (11:24):
I don't think Flash should say that either, but I
don't think that that Jeff would say that.
Speaker 1 (11:32):
So I'm gonna go Flash, you.
Speaker 3 (11:33):
Go with Flash, Flash, You're gonna go with Flash.
Speaker 1 (11:36):
We gonna see who it is, and it's.
Speaker 5 (11:40):
We were one of them, you know, it was it
was you know, it was a time, like I said,
we didn't know what we were doing we would. We
were thinking that we would imitating New York, you know,
and Philly is a very DJ heavy city. It was
the DJ was first. That only happened because we thought
the DJ was first in New York, right. We didn't
(12:01):
realize that the rapper took precedent and then the DJ
was the person that back him up. We came with, like, listen,
the DJ is first, and the rapper tells everybody how
great the DJ was. That's that was me and Will's dynamic.
That was Steady be In in his DJ's dynamic.
Speaker 1 (12:17):
You know, that was that.
Speaker 6 (12:18):
But that was what we thought.
Speaker 1 (12:21):
Okay, so I had a fifty to fifty shot on
my breakdown, but damn yeah you did. You did? You did?
Speaker 3 (12:28):
So we all know its jazz, Jeff, Yeah, jazz was
pretty cool. You know what I'm saying, Because what do
you think about that?
Speaker 1 (12:33):
What do you think?
Speaker 2 (12:34):
And I think I think back in the day, that's
kind of what it was because I think I think,
just like how I went to it had to be
between Jeff and Flash. I think that's kind of like
what Flash where Flash was too. That's why it was
Grandmaster Flash and the Furious Pride. That's why it's well,
I guess Fresh Prince and Jazzy Jeff, but no, it's
(12:54):
Jazz Jeff and the Fresh Prince. So like they both
had that that type of mentality, And I think that's
how he said it was exactly what it was.
Speaker 1 (13:03):
When the pioneers did it.
Speaker 2 (13:04):
The DJ came through because he had the records like nowadays, Yeah,
the MC comes.
Speaker 1 (13:10):
First because well, he don't even need a DJ because
he could just.
Speaker 2 (13:13):
Pop a USB stick in there and now he's got
his beats, you know what I'm saying.
Speaker 1 (13:16):
He doesn't necessarily need it, so anybody. But back then.
Speaker 2 (13:22):
It was like, yo, the DJ had to like not
only play the music, but this music wasn't even solidified,
so the DJ had to be doing doubles the whole
time while they're rapping and adding the fills and doing
all this shit.
Speaker 1 (13:34):
So honestly, the DJ was doing massive.
Speaker 3 (13:37):
Work back then because he was just like they would
loop it and then.
Speaker 2 (13:43):
But they would have to live loop it back and forth,
you know what I mean, They crayle the technique and
all that. I mean, like they had to do this,
so like you know, they were doing doing some work
like yeah, so like how you seen it on the
get down, Like when you see like Yo, the DJ
is doing mad work. Sure the MC's are out there
like doing their thing, but they were also talking about
how dope.
Speaker 1 (14:02):
Their DJ is.
Speaker 2 (14:03):
They were throwing mad respect to the DJ you know
where Like you know, nowadays most.
Speaker 1 (14:08):
Most musicians don't even have a DJ.
Speaker 2 (14:11):
Some do something, you know, shout out to like Indigenous
he's been on the show.
Speaker 1 (14:16):
You're doing this thing with rascals.
Speaker 2 (14:17):
They actually put like a dope show together and everything,
you know what I mean, Like when when you're out
there with Cornbread, you guys are doing something. You guys
understand that, Like you know, the turntable list is like
a major force drive like Babu with dilated people.
Speaker 1 (14:29):
There's there's a bunch of them, you know what I mean.
Like that, there's.
Speaker 2 (14:31):
Definitely what DJ Romes with Luke Pak, Like there's a
lot of Red Mattic with with with Visionaries. So you know,
there's there's a lot of DJs that are out there
still doing it and then the group respects them as
a valid member of the group.
Speaker 1 (14:43):
You know. So that's pretty dope.
Speaker 2 (14:45):
But but you know, salute to the pioneers, Jeff.
Speaker 1 (14:49):
We don't we don't always agree with everything Jeff says.
But right there, though he definitely nailed.
Speaker 3 (14:56):
It, the definitely didn't definitely Number two er two got
this from your next Unique Access Entertainment.
Speaker 1 (15:03):
Unique Access Entertainment.
Speaker 3 (15:04):
Honestly regular rappers as well, Like there's no coincidence of
like who they should they picked for a DJ for them?
Who said it Hubert vec Robs with Metal.
Speaker 2 (15:20):
D Okay, regular DJs or regular regular rappers.
Speaker 3 (15:25):
Honestly regular rappers as well, Like they're not coincidence of
like coincidence conscious conscience.
Speaker 1 (15:36):
Still can't even read his own writing. I like it, yo, yo,
scribble scrabble, scribble scrabble scratch of like who who they should?
You know?
Speaker 3 (15:44):
I was fucking up and not kept on putting words
who they should pick to DJ for them?
Speaker 1 (15:51):
Hubert vec Robs with Metal D.
Speaker 2 (15:54):
Now I think, like fucking I mean, just because you
put Rob Swift in there, I'm like leaning heavy right there.
Speaker 1 (16:01):
But but yeah, I'm gonna have to go.
Speaker 2 (16:05):
I'm just leaning towards Yeah.
Speaker 1 (16:09):
Tell me my choices again, Veed Metal D. Yeah, we're
gonna have to go.
Speaker 6 (16:19):
Joe Rob with his fucking deep ass grizzly voice, yo, man,
is Soka Ully and I'm like, oh Ship, what up?
Speaker 1 (16:27):
He was like, yeah, man, heard about you.
Speaker 6 (16:29):
I came here to just check you out and check
out the battle in general. I think he was scouting
the battle to see, you know, who he wanted to
be his DJ. You know, back then, man, every MC
had a dope DJ. You know, it's not the way
it is now with you know, the these trap rappers
and a lot of honestly regular rappers as well, like
(16:52):
they're not conscious of like who they should pick to
DJ for them. They're more worried about the money they're
making or whatever of the cases. Anyway, that's neither here
nor there. At that time, every rapper had a dope DJ,
and Acanelli i think, respected that concept. So he went
to the battle, saw me I won, taught me to
be a DJ.
Speaker 1 (17:14):
Word.
Speaker 2 (17:15):
Hey, I'm just saying dog like and and and it's
dope to that that that should call him brollick arms like,
you know, and I think it's just dope.
Speaker 1 (17:27):
How heavy he pushes.
Speaker 2 (17:32):
What honestly like coming from like the the DJ battle
mentality that we.
Speaker 1 (17:36):
Have towards towards d Jane.
Speaker 2 (17:39):
That he he really pushes it pushes the heavy element
of what Djane is and it's great like from from
like what he's doing with his school like online.
Speaker 1 (17:51):
I love seeing all the challenges Like a dog.
Speaker 2 (17:54):
I'm like, yo, I'm out in the school, but I
want to do the challenge.
Speaker 1 (17:57):
You know what I mean. Like it's because it's one
of those things it pushes you.
Speaker 2 (18:00):
And then he just actually came out with his book too,
so salutes a Rob Swift everything Rob Swift.
Speaker 1 (18:05):
Rob.
Speaker 3 (18:07):
Yeah, I didn't know he was he was DJ Bro No, actually,
like I didn't know that either, you know what I'm saying.
And the way you know, it's it's pretty dope that
Acnelly went there seeing seeing what was going on, you know,
almost like he was scouting, like he said, you know yeah,
And when Rob won boom, he went up to Rob
like what's up, Bro? And you know I can respect that, Bro,
(18:29):
I could really respect Nah.
Speaker 2 (18:30):
Yeah, that that that's dope with Bocanelly and and I
mean even that's even dope for Rob so executioners and
the motherfucker, you know what I mean, Like Yo, but
like Rob don't play around so like it's dope. And
even when I see like his videos, like when he
does like the college Saturday Sundays and all that stuff.
Like I'm like, dog, oh yeah, he's like, oh, these
these youngsters ain't ready for what I'm about to pull
(18:52):
on him. And he pulls something out of his hat
and it's like, Dog, that's ship. That's dope, because I
mean no doubt, like especially at that, at like the
college level or no matter what level, a lot of
the youth just needs to be exposed to more than
what they're majorly exposed of. And when I say that,
a lot of times the DJs they get highlighted are
(19:15):
actually just producers that they're at these raves and their
big venues and they're.
Speaker 1 (19:19):
But that's not really DJing, you know what I mean.
Speaker 2 (19:21):
A lot of them, you know, like like you heard
Dead Mounds like, oh yeah, those are pre recorded sets.
He doesn't really mean they're pre recorded, but they're able
to recorded sets like this ship is already on beat.
They're not really doing they're not doing you know what
I mean. They're not technically doing something to manipulate the song,
to do something where they.
Speaker 1 (19:37):
Could like mess up exactly, you know what I mean.
You're just beat.
Speaker 2 (19:40):
Matching and then playing with your effects, which I mean,
unless you're James Hype that food's like, oh he's putting
all these buttons and start stopping cuting up. Have you
seen the videos where where they replace what he's actually
doing and they put other things. Fuck, fuck you, you bitch, bitch, bitch,
fuck you bitch, bitchit.
Speaker 1 (19:58):
I've been sitting in the jewels all the time, Doug.
Those ships have me dead laughing laughing.
Speaker 2 (20:02):
But but you know what I mean, a lot of
time d M DJs get a lot of push, you
know what I mean, and it's like, okay, but I mean,
what are you doing? You're not doing anything, you know
what I'm saying. I've seen some d M DJ stoll
where they're like, you know, like daft punk wise where
they're like they're out there with their synthesizers and their keyboards.
Speaker 1 (20:20):
Okay, that all.
Speaker 2 (20:22):
Right, that's that's like a full on production type set,
Like that's dope, you know, but yeah, doing the whole
hands in the air heard hands and stuff. However they
do it, do you see the new way? They don't
do it like that. Now they do it like they're
throwing up gang signs. Now it almost looks like they're
throwing up I can't.
Speaker 1 (20:37):
I don't know.
Speaker 3 (20:37):
That's just like they're getting paid all that breath. I'm
just a stand on there, you know what I'm saying.
So they really do they live? Yeah, don't need no
lot to five.
Speaker 2 (20:46):
From that one, I'm not hating on the paycheck. I'm
just hating on the DJ before their name. To Rob
swift Man who.
Speaker 3 (20:54):
Said it, this next one came from Karma Luke TV.
So it went from it went from on a Wednesday,
I was chilling at home to next Wednesday. After that,
I was in front of ten thousand people who said it.
DJ Neil Armstrong a track, P Tricks, DJ Fat Fingers.
Speaker 1 (21:17):
And Fat Fingers a track. Who are the other two? Uh?
A track? P tricks DJ Neil Armstrong? Neil Armstrong, all right,
who would I mean?
Speaker 2 (21:35):
Basically like, Okay, so I'm gonna go with a track
just because i know the whole Kanye West like stories.
Speaker 1 (21:41):
So I'm gonna go a track. You're gonna go a track.
I'm gonna go a track? Final answer, final answer, A track,
final answer, A track.
Speaker 7 (21:48):
Chucked on The plane went like straight from the airport
to a studio, huge studio. The rock Boys were there
and Jay was there and next thing you know, they're like, yo,
go get your stuff from the limo.
Speaker 1 (22:02):
Go get up, go get your bags.
Speaker 7 (22:05):
And I get back and they set up the turntables.
So they set up the turntables.
Speaker 1 (22:11):
Though, like you're Jay, here's the.
Speaker 7 (22:14):
Turntables and here's me, and they're just like, okay, let's go.
So that was basically my audition. You know, it was
just do or die. The first thing Jay says to
me is thank you for doing this and thank you.
And then it went from on a Wednesday, I was
chilling at home to the next Wednesday after that, I
(22:36):
was in front of ten thousand people. So that's kind
of how that happened.
Speaker 1 (22:41):
That was DJ Neil Armstrong. Okay, Neil Armstrong, the DJ
for jay.
Speaker 3 (22:46):
Z, you know what I'm saying. And that was just
they flew him out to see what's up. I remember
when I I forgot his name, fucking DJ Warrior.
Speaker 1 (22:58):
Back in the days, oh back back back in the days.
He hits me up, he said, yo, Jem, what are
you doing. I said, Noah, right now, I'm just listening
to music. What's good.
Speaker 3 (23:05):
He was like, hey, go down to the studio right here.
They you know, I want you to go in and
show what these people what you got. And I was
like these people, Like who's these people? He says, trust me,
just go down and ship. So I was like, fuck it,
I'm gonna go down there. You know what I'm saying,
See what's up. It was a studio and there was
a line of DJs and ship and it was.
Speaker 1 (23:24):
For a little Easy, you know.
Speaker 3 (23:27):
He was looking for DJ and shit and and I
I didn't. I wish he would have told me, you know,
because I would have been better prepared. But you know,
I was like fuck it. You know, I connected my ship,
like and half of the DJ's they they didn't know
how to connect shit, and I connected my ship, you know.
And I was fresh out of New York, g Like,
my accent was strong. I was just pretty much setting
(23:49):
my ways and ship, and I met everybody there and ship.
So I went on and I just did my thing,
bro and they always diging to everybody was digging in
and shit, man Diverse was with me, and a little
Easy was with me. And then I got out the
mic and I started hyping it up and ship. And
what happened was I fucked up and I said Easy
(24:12):
instead a little easy, you know, and pretty much you know,
that's what probably like killed the mood a little bit
and ship, you know what I'm saying. Even his manager
it was like, it's it's easy, you know, it's it's
a little easy, not easy, you know what I'm saying.
Speaker 1 (24:25):
He said, But he was dope and all that ship.
Speaker 3 (24:27):
I was like, yo, my bad, you know, mind you
fresh out in New York, you know, and I'm just
doing this ship, you know. And they did, they loved
what I did, you know. But I didn't get picked
for being his DJ. But truth be told, I was not.
I didn't know what I was getting set up for,
you know what I'm saying.
Speaker 2 (24:43):
So what I'm hearing from this story is Queen Latifa
walked through the door and she was like.
Speaker 1 (24:49):
Sloppy. Only a food would open up the way you do.
Speaker 5 (24:52):
Nobody likes the records that You're like, all right, if
it's completely what.
Speaker 1 (24:58):
That ship we was loppy?
Speaker 3 (25:03):
No, not, because you know, when I went on, I was,
I was. I was doing my thing, man, I was.
I was mind just back in the days when Serrato
just just came out bro and I was still with Vinyl.
Speaker 1 (25:16):
You know what, I'm saying.
Speaker 3 (25:17):
Half of my vinyl was East Coacht shit at the time,
you know what I mean. So it's like maybe if
I had you know better, you know, you know, just
go down, you know, just group with DJ's and I
won't see what's up. I'm over here thinking I'm an
auditional for a club type ship, you know what I'm saying.
And it wasn't the case. But I see what it is, man,
I see what it is.
Speaker 1 (25:36):
So so basically been getting people's names wrong forever pretty
much pretty much.
Speaker 4 (25:43):
Man.
Speaker 1 (25:44):
So you have an audition for for anybody.
Speaker 2 (25:47):
Or no, no, not not in that way, not like no,
just I did just DJ for my homie for Bizarre.
Speaker 1 (25:58):
And you're coming from me a couple of time over
from my famous friend DJ.
Speaker 3 (26:01):
You stupid DJ for quite a few artists. You know
what I'm saying, which is which is a blessing, you
know what I mean.
Speaker 2 (26:08):
There was a bunch of times, like at like clubs
that I was at, like when I was doing things
with with Joe Grande and Beverly Hills and stuff, they
would be like these like baby bashing and then I
just had to play the music, you know what I mean.
I think like Pitt Bull, like back back in the
day when like no one knew who he was still overweight.
Speaker 3 (26:24):
I feel you, man, because when I went to the
Sharp Shooter's studio all the time, and when it was
recording and I was doing shows with k Solo, cannabis
fucking you know what I'm saying. Ship, I even did
the show with a well you know, I was Bishops
and DJ at one point. You know what I'm saying.
It just keeps on going. Just a lot of just
(26:46):
a lot of my what is it, Michael Myers?
Speaker 1 (26:49):
Yeah? And then also too, when you when you were
rocking with Folk site to you guys do Mob Deep
and Gang.
Speaker 3 (26:54):
Yeah, we did a lot of ship bro. You were
a lot of ship man, fucking even a special head.
Ship was specially that like like when I first came
out here and ship man a long time ago.
Speaker 1 (27:05):
Yeah, man, ship was pretty dope. Man. You know what,
I can't complain? Man. You know, a cat from New
York didn't know nobody out here and.
Speaker 3 (27:13):
Was trying to make moves and you know, I had
a dream, you know what I'm saying, So I had
to go get it.
Speaker 1 (27:18):
But other than that, bro, let's get into number four b.
Let's get it.
Speaker 3 (27:22):
Uh, this is the natural the National Desk and ship
where I got this from.
Speaker 1 (27:28):
I would leave these crazy answer machine messages on the.
Speaker 3 (27:32):
Answer machine and that's how he got me in the
group who said it Craze, Mixed Master, Mike, Bad Boo, j.
Speaker 1 (27:42):
Rock Damn Okay. So we got j Rock, Craze, Bad Boo,
and Mixed Master, My Mixed Master, Mike damn Okay.
Speaker 2 (27:54):
All four of them definitely be from the machine era.
It's funny.
Speaker 1 (28:03):
I was, I was telling I was.
Speaker 2 (28:04):
I was telling my son just recently because we were
we were at thrift store and I told him.
Speaker 1 (28:08):
I was like, oh, you know what that is and
he was like, nah, what is that? And I said,
that's an answer machine. It was like, what is it?
Answer said your phone, sucker. That wasn't no voicemail, homieither.
I was like, Yo, you'd be at home, some one
will call you. You could let that ship pick up
and then you can hear it.
Speaker 2 (28:24):
Was if someone you want to talk to, you just
let them just talk, or they could be like, I
know you're there.
Speaker 1 (28:29):
Ship.
Speaker 3 (28:29):
I remember when it got to a point where you
could actually call from another phone to hear your messages
on your Remember I remember.
Speaker 2 (28:35):
That ship that's crazy dating myself and now now would
you press hold one? Hey, Suri call voicemail. Yeah right,
she's like, what did you? Yeah, she went on, I
know I'm listening.
Speaker 1 (28:50):
To every word.
Speaker 2 (28:52):
Okay, so let's see. Okay, so who said it? We
got Craze, j Rock, Mixed Master Mike or.
Speaker 1 (29:00):
Bab Boo, and that's how I got into the group.
Speaker 3 (29:05):
I will leave these crazy answer machine messages on the
answer machine, and that's how I got That's how he
got me into the group.
Speaker 1 (29:12):
Okay, so let's see.
Speaker 2 (29:14):
I can't think of a group because I'm thinking it's
like a rap group. So I'm not thinking it's like
a scratch crew. That's just do not thin get any
more hints, but I think okay, So so that would
just take Craze out, j Rock, member of Visionaries, Baboo
member of Dilated People's Mixed Master Mic, member of BC Waters.
Speaker 3 (29:36):
So let's hold that though, and let's take a commercial
O the Cliffhanger, The Cliffhanger, all right, let's get it.
Speaker 2 (29:42):
Let's get a break in there. I like it, yeah,
and we back son. All right, so you were just
telling me on the break. So so far I got
only one right, Yes, sir, this is a question for
so I got one right too wrong.
Speaker 1 (29:59):
Hopefully I redeem myself.
Speaker 3 (30:01):
So since since since y'all back with us and ship
what I said was what, well, not me?
Speaker 1 (30:07):
Who said it? Who said it? I would leave these.
Speaker 3 (30:11):
Crazy answer machine messages on the answer machine, and that's
how he got me in the group. Craze, Mixed Master, Mike, Baboo,
j Rock.
Speaker 1 (30:23):
All right, so.
Speaker 2 (30:25):
I said before j Rock Visionaries, Baboo dilated people's and
I'm already taken Craze out and then mixed Master Mic
Beastie Boys and going off of like crazy messages. If
I would have to say who would leave crazy messages?
(30:50):
I would say mix Master Mike. I'm gonna go with Mike.
Final answer, final answer. We're going mix Master Mike.
Speaker 1 (30:56):
He's going mixed Master Mike. Y'all representing the m man.
Let's go.
Speaker 8 (31:01):
Before I got with the beast He Boys, and when
Adam Yachu wasn't home, I would leave these crazy answer
machine messages on his answer machine, and that's you know
how he got me in the group. Scratching the drum,
scratching the violin, scratching everything, and then it just sounds
like an orchestra is like a scratched orchestra. I mean
Adam Yaok's Rest in Peace took note of that and said,
let's make a song out of that. It's just everything's live,
(31:24):
if everything, if anything fucks up.
Speaker 1 (31:26):
That's the way it's supposed to be. It's punk rock,
supposed to be that way. Yo.
Speaker 2 (31:30):
No matter what I will say this about mixed Master Mike,
this dude is forever redefining what he can do as
a DJ. Like he is always pushing the envelope, like
to the like the extreme bro like, no matter what,
he is hands down, always doing some crazy wild shit.
Speaker 1 (31:54):
It's almost like he's coked up. I'm saying, dog, he's
like dog like, if you're you're you're control.
Speaker 2 (32:01):
K Noov goes to the ten like Yo, he's at
like a twenty seven. He is always hype like I
don't know if you watch, like you just search any.
Speaker 1 (32:10):
Of his ship on fucking YouTube, like like adachd d
hd d hd D on dog.
Speaker 2 (32:18):
Breaking all the faders, you're on my equipment, Dog, my
shit's already broken.
Speaker 1 (32:23):
I don't even care. I got the infinity Faders. He's
breaking that ship.
Speaker 3 (32:26):
Just the thing how he got into the Beacie Boys
and shit leaving all those cuts and scratched us at
his messages.
Speaker 1 (32:32):
Man, I'm happy that you said that.
Speaker 2 (32:33):
Hold on it because look, okay, so I got given
a bunch of records. The dude that I worked with,
shout out to Christian. He had a bunch of records.
They were his grandma's records, right, and grandma passed.
Speaker 1 (32:45):
He had sold off a bunch of records.
Speaker 2 (32:47):
I was actually kind of pissed off because when I
saw what was in this crate, I was like, God, damn,
so what would you selling?
Speaker 1 (32:51):
Like he was selling crates a record for ten bucks?
Speaker 2 (32:53):
Just take him off, you know. And he said that
he got rid of like fifteen crates that way, and
it's like, God, I would have given you twenty dollars.
Speaker 1 (33:04):
So this crate, and it's crazy.
Speaker 2 (33:06):
Because there's like a lot of like like eighties punk
rocking shit in there, which I was tripping out on
wild shit. But there's a BC Boys record in there, right,
And I did a live stream where I went through
all of them, and I was playing all of them,
but like my phone started dying and I had to
end the stream, and there was probably like ten records left,
so I started pulling them out just to say what
they were before I entered my streams, and there was
(33:27):
a BC Boys record. Watch I'm gonna go grab it
right cool quick, because watch I barely looked inside and
watched this ship.
Speaker 1 (33:33):
He's actually oh you just looked.
Speaker 3 (33:36):
Oh it was right there right front, right.
Speaker 2 (33:40):
Okay, So I told myself because I have it, like
literally right there, and it's in my hallway in this crate,
and I'm like, yo, I have this BC Boys record
right and this is the iconic you know, license to
Hill or whatever, you know, and you know right this
License Hill, this is the this is the one with
that with the airplane on it. Right, So you know,
I'm like, okay, like pretty good, got a little little
(34:03):
dent right here, but like for free, this is you
know what I mean. So so then I pull out
the vinyl go ahead, and you look at that vinyl?
What what what vinyl record? Is that Gemini?
Speaker 1 (34:14):
This is not this is not it. I know what happened.
I don't know, fucking Grandma Martha, but I don't know,
but it's not the it's not the Beastie Boys record.
Speaker 2 (34:24):
I was like, got you, son, I know, well, I
mean it was for free, so I mean, what am
I gonna do?
Speaker 1 (34:28):
But Grandma's got jokes from the grave. You probably can
use this ship. I don't know. I didn't even listen
to this ship, but yeah, it says Martha.
Speaker 3 (34:39):
It's the Spanish record. Yeah, Spanish. I'm not trying to
go on i'ma or something. I don't know, but it's like,
you know, but I got it.
Speaker 1 (34:47):
I got a solid Beastie Boys covered off. I know.
Now I'm like, oh, I guess that could just go
on the wall. You never know, maybe I'll find someone
that has a b C Boys.
Speaker 2 (34:56):
If you have a Bacie Boys vinyl and you don't
have a sleeve, you know, holler at yes.
Speaker 1 (35:00):
It reminds me of how high just don't leave crazy
voice like yo, yeah right, like they were like yo, I.
Speaker 2 (35:09):
Left Adam crazy Instagram messages and that's how I ended
up with this VC Boys sleep.
Speaker 1 (35:15):
Hey, you can bid for it. How much you want
to be for this? Right? Super crazy? All right, son, let's.
Speaker 3 (35:22):
Get into the next one, the next and last one.
So right now you two for two. This is the icebreaker.
This is I believe you can do this, son, I
believe you could do it moment right now.
Speaker 1 (35:32):
You got this one. I know you do it. Let's
go all right.
Speaker 3 (35:36):
Man, every time I see some of this scratch DJs,
they're just doing the same ship. I don't understand. You
flipped a good jay Z record that I know, and
you did some cool ship with it.
Speaker 1 (35:49):
Who said it? Spin Bad, short Cut d J, I
D eight trap all right, so we got he said, said,
give choices again, spin bad, Shortcut DJ, I D a
track damn okay.
Speaker 2 (36:07):
So when you started off and you were like, I
see some some good DJs, but they're always doing the
same ship.
Speaker 1 (36:11):
I was like, oh, why not cut posting people on Instagram.
He's like, Yeah, that dude's dope, but he always does
that same ship. Oh man, okay, So fuck man.
Speaker 3 (36:27):
Every time I see some of these scratch DJs, they're
just doing the same ship.
Speaker 1 (36:31):
I don't understand.
Speaker 3 (36:32):
You flipped a good jay Z record that I know,
and then you did some cool shit with it.
Speaker 1 (36:38):
Who said it? M okay? So we got short Cut
I D spin Bad and who was my fourth choice?
A track and a track? See who would be calling
him out like that good jay Z track. Mh time
(37:02):
I see the scratch d days and ship m m
m damn. I don't know. You got to a tracks
in there. I don't know if you're just trying to
tell me for a loop.
Speaker 2 (37:19):
Would a track say that though, that's why he stands
out just because you yeah said.
Speaker 1 (37:23):
His name earlier. Would Short say that? Mmm mm hm
hm hmmm. I don't know. Spin Bad spin Bad would talk.
Speaker 2 (37:37):
He would talk some ship like that. That's so that's
what I'm saying. He was like, he's still talking from
the grave, like, Yo, step your game up an I
D I don't know.
Speaker 1 (37:53):
I haven't seen too many I D hitting video. I
don't know. I'm just gonna I'm just.
Speaker 2 (38:05):
Gonna go with a track because you said it twice,
unless you're just throw him to a track kick kurveballs.
Speaker 9 (38:11):
Then Kanye ends up seeing me do a routine and
I had a routine on a jay Z record. Well,
he liked the fact that I was. I flipped the
record that he recognized. I remember we talked about it
later on and he was like, man, every time I
see some of these scratch DJs, they're just doing something
I don't understand.
Speaker 1 (38:26):
That.
Speaker 9 (38:26):
He's like, you flipped a good jay Z record that
I know, and then you did some coolh it. He's like,
I feel like that's kind of how I make my
music and what my crowd would understand. So he wanted
a DJ who was good, but a DJ who could
also be understood by his crowd.
Speaker 1 (38:41):
Huh.
Speaker 2 (38:41):
You know what hearing that? I think I even heard.
I've watched that interview before. Yeah, so hell yeah, so okay,
Redemption is mine three two three two track.
Speaker 1 (38:52):
I like the champions here. Yeah, you know, if you were, if.
Speaker 2 (38:56):
You were listening along too, and uh and you I
want to know how you guys did too, So I
mean if you if you guys can leave a comment
on wherever you're listening to, because you can leave comments,
leave a comment there, or you know even like write
it on the on our posts on Instagram or when
we do the post.
Speaker 1 (39:11):
But man, that's that's dope. Jamn. I liked, I liked.
I liked the who said it? Bro? I'm just saying,
you know what I'm saying.
Speaker 3 (39:16):
I think I think because you know, I DJ for
different artists, you know what I'm saying. I thought it
was pretty cool to see you know other other people,
other DJs, you know, just how they just putting it together.
Like from I did. I did rehearsal one time. I
do rehearsals all the time.
Speaker 1 (39:32):
I did. I went in there to to see if
I could get hired as well. Well I didn't know.
Speaker 3 (39:36):
I went in and blind and ship you know, rehearsals,
and yeah, man, I had I had a good time.
And you know what, I had a great experience. And
there was one when I went on tour with Bishop
when he was signed with Aftermath. He came out with
his own he had his own album and he was
not released yet, and shit, we was can Am Studios
(39:57):
resistance to the album. We even did the the parties
over there. I met so many m so many people
over there in the industry. And when we finally went
on on the road, and shit, we went on the
Sun Dance tour.
Speaker 1 (40:10):
Years ago, bro years ago.
Speaker 3 (40:12):
Yeah, and that was that was actually like one of
my first times ever going on tour with a artist.
Speaker 1 (40:18):
Then you did like all the House of Blues, all
the House and Blues.
Speaker 3 (40:21):
Yeah, we did that. We we headline. We also I
also U DJ for the Whalers.
Speaker 1 (40:27):
You know what.
Speaker 3 (40:28):
I'm saying that's about if those of who don't know
Bab Marty's crew that that when Bob.
Speaker 1 (40:31):
Marty was that's his band.
Speaker 3 (40:33):
Yeah, and I remember it too cause the owner of
the House of Blues, Bishop came up to me and
he was like, yo, Jim.
Speaker 1 (40:39):
I was like, yo, it's up.
Speaker 3 (40:40):
He was like, yo, this is such and such and
he he he you know, he's part of owners with
the House of Blues and shit.
Speaker 1 (40:45):
He like he's in charge of the shit, right. So
I'm like, what's up man?
Speaker 3 (40:48):
He was like, Hey, I was wondering if you could
like play a set, like a a reggae set and
I and you know me, son, I love dancehall, I
love reggae. Yeah, and that's my shit, you know. So
I was like yeah, hell yeah. So the DJ didn't
have originally to go on there. They didn't like him,
they didn't like what was going on. I don't I
don't even remember his name and ship So I went
on and I fucking rocked it. Be rocked a holy
(41:11):
everybody was going like you even heard people saying finally
like just just see that the feeling the energy from
those people and ship man. Because I went in, I
literally went in. But the whalers, they tell me don't
play nothing that they their songs about MANI shit which
I had to stay away from and which makes sense,
but makes perfect sense, you know what I'm saying. And Yo,
they was yo when I tell you they was smoking
(41:34):
me out.
Speaker 1 (41:37):
They was cool. Gee, they was.
Speaker 3 (41:38):
They was right by the booth and they was like, yo,
they haven't heard certain dance hall and certain reggae that
I was playing music that I was playing for a
long time. And you know, they was giving me props
and ship Man, we woul't tell you what they they
They some harsh smokers. Dog they get some real real
freaking tobacco leaves and shit. And yo, SI almost coughed
(41:59):
out a lung, you know, I did. Dad also Nellie
one night we still one night Nelly was performing and
Ship and then I opened up for him too on
the main stage and Ship so.
Speaker 1 (42:12):
That he is short bro, I was like that.
Speaker 3 (42:14):
I didn't think he was that short beat you know
what boom boom we was in. We was in the
green room and ship Me and Bishop signed on wal
my name on the wall and Ship and then then
he comes in with his huage and ship man and
everybody's up in there, and I'm like, I'm.
Speaker 1 (42:29):
Like, man, that's a little mother fucker boy. I was
like that I could take him.
Speaker 3 (42:35):
But he was cool and ship. But what really said
it off at the time. I believe it was his cousin.
His cousin was locked up and his cousin came out,
so he was taking care of his cousin. Me and
his couasin was cool, b like after the show and ship,
me and his cousin was chilling, smoking, you know. You
know when you're on the road and ship, you know,
there's a lot of ship around, snow bunnies all conde.
(42:57):
So yeah, it was a good experience, man. That's something
dance tour right, there was a good experience.
Speaker 1 (43:02):
Man. I would never take it back.
Speaker 3 (43:03):
So I could cope with with different things when it
comes to DJing for artists. You know, right now, I'm
currently DJing for corn Bread, Yeah, Underground Wrapper. It's just
pretty dope, you know what I'm saying. And he's got
his ship together. You got a dope team and ship,
and you're always doing different things, he know. So yeah, man,
so hopefully our future is gonna be bright.
Speaker 1 (43:25):
You know.
Speaker 2 (43:26):
I was excited, like I said, I showed you the thing.
I was like, oh yo, corporate, corporate followed us.
Speaker 1 (43:31):
Oh yeah, yeah, you were like follow them, Yeah, I did,
you know. And there's a lot of things.
Speaker 3 (43:37):
And am also been with me with a you know,
for those who's listening, he's been with me certain shows
and ship and and like we said before, he covered
for me plenty of times and you know, and and
he held it down man. So it's like you can't
you can't say you never did because he did.
Speaker 2 (43:54):
Ye yeah yeah, yeah no, and and uh too, since
you were bringing up like danceall is funny because I
just Bodiga Bar last Thursday and they they I think
ill technique was before me and I always liked especially
now as like it's it's so easy to you know,
because you have a REP seven now, so we're like,
(44:16):
you know, you got the double the double USB plug.
So then you know, like I got on and he
left me like on a on a dance hall tip.
And then I was like, because I go into my sets,
especially too, like when when it's at the bar, like
I have an idea of what I want to do,
you know what I mean, Like especially like it's a
little bit earlier in the night, like I want to
play like some R and B feel good type stuff.
Speaker 1 (44:38):
I still want to like play with stuff, you know
what I mean, like mix it up.
Speaker 2 (44:41):
But he was on like some reggae like like dance
hollish stuff, and he had just barely went there, like
probably I think he played like two tracks and then
it was like my turn, and he left me there
and I was like, oh, yeah, I'm staying right here.
So like, yeah, I played like dance all for like
my first like six seen seventeen minutes of my set. Honestly,
(45:02):
I hadn't even played it in like that create in
a long ass time, Like I had set it up,
but I hadn't like played.
Speaker 1 (45:09):
As a fun son. I was like flipping through the
track and then it's it's.
Speaker 2 (45:14):
Good, like you know what I mean, Like it does
it field music, Yeah, it definitely does set off. And
then I mean I went from that into like my
R and B stuff. You know, I'm playing Alida and
all that stuff, you know, s WV and it's it's
a good transition, you know what I mean, And like, yeah,
never stopped playing some dance never never never never, But yeah, man,
that that's that's it, bro.
Speaker 1 (45:36):
Yeah eight corn bread and you guys have any shows
coming up.
Speaker 3 (45:39):
Because right now we talk to each other every day.
He's getting everything finalized for what's coming up.
Speaker 1 (45:44):
And Ship.
Speaker 3 (45:45):
He recently did uh Sway in the morning.
Speaker 1 (45:49):
He was on Sway in the morning.
Speaker 3 (45:50):
He did a little interview on the shout out to
everybody that's part of the crew and ship, you know,
and yeah, man, ship, we just gonna keep can move forward, man,
and you know, the future is bright for everybody.
Speaker 2 (46:03):
Bro. I know, since we are talking about shows, I
know four to twenty I'm gonna be DJing at a
lobster brewing company in Covina some also in Covena to
some of the Fridays to Katie Jakes. I'll be rocking
Katie Jake's. And then on the twenty six, I do
want to I do want to let me read this
flyer too, because this is actually a pretty pretty dope
show coming up, and we're gonna be doing it like
(46:25):
we do it every year with prolifics.
Speaker 1 (46:29):
So you know, we definitely got.
Speaker 2 (46:30):
A shot that shot that out at the sfs our
our Fest over there in.
Speaker 1 (46:36):
Santa Fe Springs.
Speaker 2 (46:37):
If I can write DJ right because I want to
read everything that's on the flyer. Because it's actually gonna
be a pretty dope show. The name is gonna be
called Elements of Sound and Motion, showcasing the art of
djaning and breaking performances by the Tiny Humans Crew, Lost,
Tom Pros, Lily Breeze, DJ Million Hills, Irvin Aurana and
(47:02):
Mexica Towel and right. They're gonna be a free scratch workshop,
so you can pull up on us get involved in.
Speaker 1 (47:10):
The free scratch workshop. Of course, it's hosted by DJ Prolipics.
Speaker 2 (47:14):
And we're gonna have bee Boys in the house, so
there's gonna be also a free dance workshop, so if
you wanna, you know, learn a little bit or something
about your B boy skills, you can pull up and
then you know it's gonna be dope. Irwin Aarana is
gonna host the whole thing. It's gonna be going down
at Heritage Park that's at twelve twelve one hundred Mora
(47:38):
Avenue astinna Fe Springs, And yeah, it's gonna it's it's
gonna be dope. Gemini No Easy Props is gonna be providing.
Speaker 1 (47:45):
All the all the B boys stuff.
Speaker 2 (47:47):
So if you've never been to one before, you need
to come out hang out with us, Me and Gemini.
We're gonna be recorded live out there, so it's gonna
be it's gonna be pretty dope. It's gonna be pretty dope.
And then another thing Gemini that we definitely only have
to shout out that's going down over at the Beat
Junkies Institute of Sound, which is pretty dope. And this
(48:09):
is gonna be an ongoing thing. So if you can't
make the first one, which the first one is gonna
be on May third, Be Junkies' Institute of Sound is
calling it their scratch League, so it's the b j
iOS Scratch League, and every month they're gonna be holding
a scratch back so you can come in join the battle. Obviously,
(48:31):
if you're a student, you get in free. If you're
not a student, it's ten bucks.
Speaker 1 (48:35):
But it is all ages, and I believe.
Speaker 2 (48:39):
It starts a little bit earlier, so it's gonna be
a monthly scratch says Social.
Speaker 1 (48:44):
Head to Head Scratch Battle fifty one to thirty.
Speaker 2 (48:47):
San Fernando Road in Glendale, California, and it's gonna be
presented by Lost Home Pros. Open format Jesse Dean and
of course scratch breaks.
Speaker 1 (48:56):
So yeah, it's gonna be dope. It's gonna be dope.
Speaker 2 (49:01):
So I mean, get get at the b junkies iOS
Instagram if you're interested in joining this Cup Battle, because
I mean, Gemini, just like you were just talking about
being on shows and putting yourself on that stage.
Speaker 1 (49:13):
This is a this is a dope stage.
Speaker 2 (49:16):
Bunch of eyes are gonna be on you that are
in the same zone that you want.
Speaker 1 (49:21):
To be in. You know what I mean.
Speaker 2 (49:22):
If you if you don't like represent a crew, or
even if you do represent a crew and you just
want to become a bigger part of the community, definitely
come out. May thirty is gonna be the first one.
So I mean, at time of us recording this right now,
we got two weeks. By the time it comes out,
you probably still got a week come join, and then
if you just want.
Speaker 1 (49:41):
To check it out, check it out on the third if.
Speaker 2 (49:44):
You want to get in on the next one, we'll
have information there on what the next one is. And
who knows, you might become one of the champions for
the Scratch League.
Speaker 1 (49:53):
Jay whoever it is saying, I'm saying Dog insert name
here of the.
Speaker 2 (49:58):
Champions and then we'll keep you guys into on what
goes on out there too, because I know I was
telling you, Baboo, you reach out, So we're definitely gonna work.
Speaker 1 (50:07):
Something out that way.
Speaker 2 (50:08):
Uh yeah, we could be a little bit more involved
with event and everything too, so it's definitely gonna be big.
So I mean those those are the two scratch things
coming up I know too.
Speaker 1 (50:15):
Uh.
Speaker 2 (50:15):
Last week d m C did just do their launch
too for for for you know, Battle season officially starting
and everything. So be on the lookout on on d
m C uh championing the official on there on their
their pages for for all the updates. But I know,
Tiny Humans they were, they were, they were out there
representing hard over there because I know what Sabby was
doing her thing, Islo was doing his thing.
Speaker 1 (50:37):
So it's it's just dope to see.
Speaker 2 (50:39):
Them, like, you know what I mean, we always call
them the beat Junkie kids, but you know, it's Tiny
Humans crew, so represent put some respect on their name,
you know what I mean, because they're out there doing
things you know.
Speaker 1 (50:48):
Yeah, man, Yeah, it's dope.
Speaker 2 (50:51):
So it's just it's just exciting, you know, to see
everyone pushing themselves and then knowing that, yeah, we are
entering battle season, so you know, summer's right around the corner.
Speaker 1 (51:00):
I know.
Speaker 2 (51:00):
I think they were talking about West Coast Finals. I
believe they were saying in the San Francisco. It's gonna
be in San Francisco. So yeah, big things coming up.
Be on a look be on the lookout, you know.
And then I'm out there gigging around. So you know,
hit me up at DJ A DM one on Instagram.
You can find out where I'm at.
Speaker 1 (51:17):
D E j E j y Gemini. Oh that's a
new thing, you know.
Speaker 2 (51:25):
You can follow him and then you know, Gemini has
got some stuff going on too. Also on TikTok he's
always going live, so you know you're gonna want.
Speaker 1 (51:31):
To get involved with that too.
Speaker 2 (51:32):
So d w E j A Y d E Gemini,
come on son, just like the Sun I'm saying.
Speaker 1 (51:40):
So you know, you know what it is. Tables for two.
Speaker 2 (51:41):
We're up in this Tables for two, Hey Gemini, Yeah,
I think we're done, man, yo, So hit us up
too on Instagram if you're not following to us, tables
underscore the number four underscore t w O and.
Speaker 1 (51:53):
Yeah, you already know what it is. We got the Patreon.
Speaker 2 (51:55):
If you want some downloads, I changed the price. It's
only a dollar for everything, so if you want, go
on there. Also to Jemini, I was gonna make an announcement.
I didn't make an announcement yet on Instagram, but as
you're listening to this right now, if you do want
some free edits, and I'm saying free because like I said,
one dollar to join the the our Patreon, but there's
a three week trial, so you can join, download everything,
(52:18):
and then just cancel if you want.
Speaker 1 (52:20):
I'm just saying you can just get it for free.
Just go over there, hit us up, and then that's
it saying why are you trying to tell them some secrets.
I'm just saying you can go get that. You can get.
Speaker 2 (52:30):
Go with this for me because I know we're still
waiting on the on the on the god Blends, because
I know we're gonna we got a god Blens drop
that we're gonna do.
Speaker 1 (52:36):
That's what I'm saying. So right now you can go
get all.
Speaker 2 (52:39):
Those tracks because I think right now uploaded I think
there's something like forty tracks already that you can get
for free. So those are all edits that we made
that you can get for free. And then by the
time Gemini puts out the god Blends, we'll let you
guys know when that's up there, and then you know,
dollar dollar gets you in.
Speaker 1 (52:55):
The hot get it same same.
Speaker 3 (52:57):
It'll make sure you bump it too and shows dick
and ship yeah doll.
Speaker 2 (53:01):
If you if you download any of these tracks, definitely
take a picture of the screenshot, like yo, I played
this over here or whatever, and you know, and then
we'll get.
Speaker 1 (53:07):
That repulse going on. That's right, that's right.
Speaker 2 (53:09):
There's also some scratch tools. I made some scratch tools
on there, so there's some. There's some little skipless breaks.
I did one one drop like that. I already made
another one. I haven't put it up yet, but that's
coming out. And then I know also too with Lost
Home Pros. We're getting ready to drop the Lost Home pros.
Speaker 1 (53:26):
Uh uh.
Speaker 2 (53:27):
Our cuts are correct, volumetent. Hold on, there's a couple
other loopers that just came out because I know stunts.
One just dropped a couple. Hold on, let me open
the table beats at real quick because I want to
plug these real quick, just so you know.
Speaker 1 (53:42):
What's going on. Because he just dropped them this week.
So he just.
Speaker 2 (53:47):
Dropped flow Grammars Looper Volume two with Stunts one and
function og, and then he also dropped Distorted sound Waves
with gold Voltron and stunt points, so yeah, check that out.
And then I know Dan one, he's getting ready to
drop his Looper number four. So I'm just saying, there's
a bunch of there's a lot of Loopers going on
(54:08):
right now.
Speaker 1 (54:09):
So I'm hey, you know what it is advantage.
Speaker 2 (54:12):
Get on that table beat tap download that you can
scratch wherever you want, and then if you need.
Speaker 1 (54:16):
A weblooper as always, you can go to table tots
dot net. Yeah, we always have that that loopers on here.
Speaker 2 (54:20):
Anyway, I'm saying, all the information will be in the description.
So it is what it is, Gemini another show in
the books?
Speaker 1 (54:27):
Who said it? Gemini? Who I'm saying, I like it?
Speaker 2 (54:30):
And then Jem was also saying though he also has
another show written who did the cuts?
Speaker 1 (54:35):
So who oh yeah?
Speaker 3 (54:37):
Yeah, I was supposed to have it today so we
could do what after this? Hey, but I'm excited to
come with this one. Hey, don It's all good.
Speaker 2 (54:42):
It's all good also too, I don't know if you
were listening to the to the side show too.
Speaker 1 (54:47):
But don't be still. In other DJ's drop.
Speaker 3 (54:52):
Word, don't be still his son, Yeah, man, don't be
faking the funk out, faking the fun.
Speaker 1 (54:57):
Hey, I'm saying.
Speaker 3 (54:58):
The giggle last, I'm saying Brittany giggles. Insert Brittany giggle here.
Speaker 1 (55:03):
Ship but only when eighty M one DJU coming from Darryl.
Fucking Darryl.
Speaker 3 (55:12):
Alright, so we out DJ eighty m one DJ Gemini
tables for two tables for two.
Speaker 1 (55:19):
Good Bye, Goode.
Speaker 9 (55:27):
Oven tables for two gables.
Speaker 1 (55:35):
For two tables. We're out. I've always liked. We'd like
to thank Lost Tone Pros for leasing us up with
all the beating for the show. You can scratch you
all of them with the table beats at Lost Tone Pros.
Our cuts are correct.
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