Voice Actor Cam Clarke

Today in studio with Alison is Voice Actor Cam Clarke

Episode Transcript

Speaker 1 (00:14):
Have them. Why, I'm Alison Argam. This is the Alison
Ingram Show. And yes I have Alison Arkham. Although many

(00:35):
of you probably recognize me as Evanillie Elsen. Tonight I
have Alison Ingram. And here on the Alison Ingraham Show,
we talk about things that make us feel good, the
TV shows and the movies that made us all feel good,
and the people who made them, and people who are
doing things now to make the world a better and
more interesting place. And I have a new one now.

(00:58):
You know, I'm always interviewing friends. I just met the
Sky and he knows everybody I know. We like have
been traveling in the same circles apparently for centuries from
what I can see here. He has so much stuff going. Honestly,
I'm not even sure where to begin. I don't even
know where to begin. When you were a child, if
you're remotely in my age group, did you watch the

(01:19):
King Family Singers, the King Sisters, the King Family. You
had all these shows, the big specials in the day,
and you had your Lawrence Welk and all these shows
with like the Joone Taylor dancers. You're the King Family,
and they were fabulousness. And there were so many of them. Well,
Cam Clark started at six years old with his family
The King Family Show, went on to be a huge

(01:40):
voiceover person. Yeah, teenage mutant, Ninja Turtles. Yeah, seriously. His
father was a famous sci fi actor and now he
has a book out, a book out called now They're
all here, Yes, about growing up with the King Family
and everything else. Oh my god, ladies and gentlemen, Kim Clark.

Speaker 2 (02:02):
Is Cam Clark? Here?

Speaker 1 (02:04):
Is he here?

Speaker 2 (02:04):
Does he actually show up?

Speaker 1 (02:08):
Do I see him? There?

Speaker 2 (02:09):
He is there? Okay. I got to start by telling
you my dream about you. Last night.

Speaker 1 (02:13):
You had a dream about what that is so weird?

Speaker 3 (02:15):
Who?

Speaker 1 (02:15):
I hate your dream.

Speaker 2 (02:16):
About you know, actor's nightmare.

Speaker 1 (02:18):
People have dreams about this is where people coming to me.
I dreamed about you, and I'm like, who are all
these people having? Like bizarre?

Speaker 2 (02:24):
I was no nervous about being on your shoe. So
last night I dreamt we were at MGM. But no,
but MGM, if you know what I mean, like the
old day and you were touring me around and we're
gonna we're gonna film over here. Oh it's too noisy.
It was really really noisy. And then of course, like

(02:46):
a little Boy.

Speaker 3 (02:48):
You lost me got lost.

Speaker 2 (02:50):
Running around MGM, like on the back loops looking for you, Alice.
Then are we gonna do the show waking up in
a cold cold I was gonna say cold slut.

Speaker 1 (03:09):
I thought I had weird anxiety dreams about airports and
that that beats even my insane dreams. And you know
that we did shoot Little House at MGM.

Speaker 2 (03:19):
I thought you were at Columbia.

Speaker 1 (03:21):
We started Paramount over on melros go old Paramount Studio ranch.
You didn't, you knew? We did the indoors of Paramount
and the outdoors was in Seemi Valleys, that whole Big
Sky ranch where they just built a whole town ray
out there, Big Sky. And we sometimes went to Arizona,
and we sometimes went up to Sonora, California, where we're
having like a whole prairie gast reunion in June. We

(03:43):
did that whole thing. But we were at Paramount Studios,
and then we moved to MGM and we were on
drinding into Caro Channing and so we went on stage fifteen,
which is, yes, where they filmed The Wizard of Oz,
and yes, I found the me and Melissa found a
honky yellow brick road a little part that they moved
the floor and we ran in circles on the Yellowrick
Road and cliptor heels, but we couldn't get to us.

(04:04):
But I have walked on the Ellwick Roll Road and
it was stage fifteen and we shot Little House there.
So the fact that you had a nightmare involving a.

Speaker 2 (04:13):
Lot, ye back lot we did. We did our Mother's
Day Special at MGM, of course, so that's I joined
after and you know sixty four, eighteen sixty four, yeah, yeah,
but we did our yeah, Mother's Day Special there and
we were on I don't know what film, but we
were at the swimming pool. It might have been Esther's

(04:36):
right right.

Speaker 1 (04:37):
You might have used fifteen because for like a huge
musical extra something.

Speaker 2 (04:42):
That they kept after a Doris Day film. You know,
that's what I recall.

Speaker 1 (04:50):
That huge. Well, my Screen Actors Guild card does say
member since nineteen sixty seven, so yes, another to go
spot of the era. So you're six years old, and
like I said, I'm sitting on the living room wreck
watching all of these shows where the women come out
in the long gowns and there's always some holiday thing,

(05:11):
and I was just watching where people were like bringing
food out and we're having a Christmas bardy the King
singers and various celebrities and it's all old standards and
everything's very like wow, what is happening? And not quite
Laurence Welkish speed but close. And there's just musical numbers
for everything, and it's the whole family and there's like
thousands of them. Where are they all coming from? And yes,
I watched this in utter fascination, but you were actually

(05:33):
doing this. You're six freaking years old and you're your
television star with you with your entire fa like multi
generational stuff. How freaking weird was that?

Speaker 2 (05:44):
Well, like you know you as kids, you know as
you and I don't know your personal story with like
with studio school or parents blah blah blah blah blah,
but we were in studio school, as were you guys.
I'm sure remember when I was about eleven, I did
an episode of Daniel Boone and with.

Speaker 1 (06:08):
Derby my buddy.

Speaker 2 (06:10):
Is he a buddy of yours?

Speaker 1 (06:11):
Absolutely, He's coming to Chaired Glossom Festival and we're all hangout.
Yeah Darby and I go. I love the Derby.

Speaker 3 (06:16):
I was hired to be.

Speaker 2 (06:17):
A bully, you know, beat him up.

Speaker 3 (06:21):
And I remember after we wrapped.

Speaker 2 (06:24):
That episode, his mom came up to me and asked
for my home phone because his birthday was coming up.
Now that never transpired, but I remember at that young age,
I think it was eleven, it was like so implied
that since he grew up on a set, he doesn't

(06:44):
have a bunch of public school pals because he's.

Speaker 1 (06:50):
There wasn't a bunch of kids on Daniel Boone. It
was like him, him and a lot of the kids.
If you were the only kid on the show, you
were kind of out of luck. You were like hanging
up by yourself. And then some studios got smart and said, well,
we're going to take the one kid from here, and
the two kids from there and the one kid and
then shove them in a room together for the three
hours so they could at least have somebody.

Speaker 2 (07:09):
Did you go to studio school with other show kids?

Speaker 1 (07:11):
No, because a little house. We had eight thousand children,
so and we were always on location, so see me.
So they took the schoolhouse, the building that we pretended
was the schoolhouse, shoved a bunch of tables and chairs
in there and said Abraca Dabor. This is where you
spend your three hours a day when you're.

Speaker 2 (07:27):
Out here Michael Jackson. Did you have a studio school
with Michael Jackson?

Speaker 3 (07:31):
No, I had.

Speaker 2 (07:32):
I had school, yes, moonwalk and stuff at you know, his.

Speaker 1 (07:40):
Father was a freak. I had public school with Michael
Jackson because I went to Gardner Elementary School before I
got the show where Michael Jackson went before they finally
went to heck with it and went to the compound
in the valley when they were still living in the
Hollywood Hills, and Michael Jackson was on the playground and
these girls said, could you get his autograph? And I
went sure because I wasn't the starstrek. And I went
and got his autograph and somebody was he already just

(08:02):
starting to blow up, and they were like, oh out,
it's Michael Jackson. That was like the last jury was
there before He's just get there's there's photos of like
the sixth grade questions, Michael Jaxon's standing there aton and
this person. And I got his autograph that I didn't
get on from me because I'm an idiot. And there
you go. But we passed his house on the school
bus becausus Jackson's obviously they're not taking the bus. But yeah,
and we all everyone even then was going to the

(08:24):
father is so mean to them? We heard things so
but yes, and then I was going to us in
our little room.

Speaker 2 (08:31):
Yeah, because we were with our real parents on stage
blah blah blah, actual family. We don't have, you know,
unfortunate stories about being alone school or you know, yuckie
parents doing this, and that we were together. So there

(08:55):
wasn't a solitude, you know, because I've heard so much
from you know, child performers like you.

Speaker 1 (09:02):
And me, big isolated stories. We were exciting a little.
It's because we had the whole schoolroom kids. We had
refrigeral just even the lead. You have Melissa's and govern
Melissaes and Anderson of the Valley and already have the O,
and then you have all the school children at the
school guests, so there's like thirty forty kids. So they
jammed us, said there's your school and said here's the
three hours and when we're at Paramount, they had a

(09:24):
room set aside, so we should all went to school
with each other because that was it. And then I
went to public school. When I will like I'm not
in this episode, Oh well, off with you and I'd
go back to Bancroft un your high in Hollywood High
and having out with my friends who were weird Hollywood kids.
So they kind of did into went, oh, Allison got
a job, that's probably good. Were you working again? That's nice?

(09:45):
And they did they did not care. So I kept
my friends. I know, this is the third grade who
like could not give a flying one what I was doing,
and so that was really cool. And then I had
kids on the stand, but I know so many people
were they where it was one or two kids on
the whole show, and they didn't go back to public school,
and so they saw no one. They saw no one,
and it was weird.

Speaker 2 (10:06):
Yeah, Mousey is one of my dearest friends, and I've
never asked him about like being on laughing as literally
the only child with those.

Speaker 1 (10:18):
A baby laughing How that worked, right, he would be
the only one there. Yeah, that would be weird. Yeah, yeah, yeah,
will I will have to ask him. I love Musey
as well. I know this whole Clee. We're all hanging
out together. We're gonna get to get you in our gang.
We have to join our gangs. Please, crazy ex child stars.

(10:39):
It's so cool. But yeah, that would make sense. How
many generations of Kings did you have on the show
at one time?

Speaker 2 (10:48):
Well, Grandpa who started the family in Vaudeville when the
moms there were there were eight Grandpa had.

Speaker 1 (10:55):
Eight kids, and so how far did this go back?
This went back to the thirties.

Speaker 2 (10:59):
Well, no, no, it went back. I mean that's what
the book Now They're all here is. It's a goofyed title,
except for it's the only piece of dialogue my grandma
ever had on the show. Was our Thanksgiving special and
we're all running in and one of the kids is
late and he comes up. Now they're all here. Now
I've already forgotten what you asked me?

Speaker 1 (11:20):
Oh wait, wait, how far back does this go?

Speaker 2 (11:23):
So you know, this is twenty twenty five, and the
book begins in the mid twenties, So it's a century
of entertainment and every genre from vaudeville, from theater, from movies, TV, radio,
big band concerts, animation, games, so it literally covered so

(11:46):
with Grandpa, his kids and their wives us you know,
his grandchildren, and as the show he passed in our
first season, and then some of the US kids kids
how's that for good grammar. My generation's kids started joining

(12:07):
at the end as we grew up. And you know,
it's one thing that's so cool is as I you know,
if you come from a big family, just not on TV,
you know how you have some families have hand me
down clothes. My four sisters or whatever, we would have
hand me down costumes. Yes, yes, as I'm you know,

(12:30):
I'm six when we start, and then I'm thirteen, and
then I'm eighteen, and there's names of the other.

Speaker 1 (12:39):
Just leave the tags.

Speaker 2 (12:41):
Yeah, oh my god, oh my god.

Speaker 1 (12:42):
Like I would start working.

Speaker 2 (12:48):
And not everybody made every special or tour, so they
would get change then, you know, get their names changed.
This was Kathy's last summer and now it belongs to Jamie.

Speaker 1 (12:58):
And you know, I hope that left all the tags
that she could flip through, like see.

Speaker 2 (13:02):
Everyone who I wish My parents didn't have a massive
Bob Mackie garage sale. That's right, garage sale Russia.

Speaker 1 (13:12):
They sold the Bob back is.

Speaker 2 (13:14):
We had a warehouse for our costumes and these things
were got a little windy downy is what do you do?
Didn't need the big space, so they had they had
a sale I do have the Halloween costume Bob made
me when I was eight years old, said no one else, because.

Speaker 1 (13:32):
Everyone has a Bob Mackie when they're ight. I did
own two Mackie's. It belonged to a friend that I
got into state sale. But I actually know where they
are because I have them at at an act. So
I decided my house could not be a museum. So
they are actually at the Hollywood Museum where they belong,
and I know where they are, so yes, But I
was like, I can't have these. I feel unsafe having

(13:53):
actual Bob Mackie tags hanging in my closet. I was like,
I feel weird. I got to put these somewhere. But
what do you do a house full of Mackie Jesus that.

Speaker 2 (14:03):
Sounds like a song hose, So what do you do
with a house full of Macki's.

Speaker 1 (14:09):
And now this is the height of the sixties, and
TV in the sixties is having like it was like
having just a whole personality identity crisis because one channel
and it's Lawrence Welk, and there's bubbles, and there's these
pretty ladies and dresses singing old fashioned socks, and there's
the King Family, and there's all these shows where like
the June Taylor Dancers and you're not in your head, and.

Speaker 2 (14:30):
Then you've had Taylor Dancers.

Speaker 1 (14:34):
And then it's it's Flip Wilson on the other channel,
and it's the Smothers Brothers and it's laughing, and it's
all these cutting edge combinations, and George Carlin is suddenly
on the TV talking about things that people aren't supposed
to be talk about, and Flip Wilson's wearing address and
things are like exploding on the TV that are cutting edge,
new and all about everything, and Twiggy is running around
and Goldie Hans in a bathing suit and body paint

(14:58):
and all of this is exploding your TV. And then
you flipped the channels and the King Family is singing
about Christmas and beautiful evening gowns. Bye, did you feel strange?

Speaker 2 (15:10):
Sorry?

Speaker 1 (15:10):
I say again, did you feel strange? With that era?
Just where everything was like colliding?

Speaker 2 (15:16):
We came about in such a random way. My mom
and her sisters, the King Sisters were King sisters, were
asked to do a benefit, a fundraiser, and my aunt
Vaughan said, I have a wacky idea why don't we
bring the whole family on stage. Now, my older cousins
were already the go to kids in Hollywood whenever there

(15:38):
was need for children in soundtracks because a lot of
old Hollywood, their kids is who did it? If they
were performers like Doris Day's case aras Aram my cousins
and High Hopes with Sinatra or the cast Album to
Buy by Bertie blah blah blah. So it wasn't like
there was no experience from some of the others. But

(16:02):
she had the college where this was going on. Film
it from the you know, the college department, nineteen sixty four,
and she knew somebody at ABC. I'ment, hey, you know what,
I think I have something you might like. He said, well,
you know, cut it down to an hour and I'll
take a peek and then we'll see. So she flew

(16:24):
to San Francisco, did her work, and then they screened
it for the whatever suits at ABC and they just said,
how soon this is insane? How soon can we get
a pilot. But the point is we arrived just at
the Camelot was dying, you know. Yeah, we were of

(16:45):
an age. I mean, we started these tours, these first
tours in sixty three. Had we had we been on
the air, we would have had a different experience. I
mean we last thing last specially we did was in
seventy four, so we did have our run.

Speaker 1 (17:04):
Oh yeah, and you did your last specials. Little house
was starting, yes, and uh, but.

Speaker 2 (17:12):
We were we kids especially were aware that we were
like so five minutes ago Lawrence Welk And I can
remember in junior high when I yes, when we went
back to public school, we kids and I'm in junior
high Walter Reed Junior High in North Hollywood. Kids made

(17:37):
so much fun. I don't well, you said you when
you went back and forth to public school, people didn't
give you a hard time. These kids and my junior high.
These were not the kids from my elementary school, but kids.
You know, when you go to junior high, you're mempion people.
I got so teased that I would lie. They would

(17:59):
say you're from that King's Family show. Yeah, and your
short pants and knee socks. I'm going ew, no, that's
not me. You must be mistaken for someone else. Literally,
I would deny. Wow, kind of some kind of too bad.

Speaker 1 (18:17):
And that's terrible. But I can see it because it
wasn't like and Little House wasn't the coolest fence new
people that I didn't meet a lot of new people
in school. My old friends are good because new people
hated me, were afraid of me. I had that going.
And then there were the kids who I don't know
how many yearbooks I have where people wrote things about

(18:37):
Little House on the Ferry in it. I mean it
was so there were people like Yees who delic what
oh please? And I remember, well my favorite was because
everybody would go to Paramount to where they had tapings
of all the shows that were done like live audience,
which we were not. We're a location and someone saying,
why can't you be on a good show like Joni
Loves Chachi, and you know it was that was what

(18:59):
was cool, was happy Days and these shows where you
could go to a studio audience. But Little Urin was,
oh all right, so yeah it was.

Speaker 2 (19:08):
Your show looked at as Squaresville, even though it was
a period, it.

Speaker 1 (19:13):
Was very we were we were nostalgia when we started.
That was all the joke. People say, are you ready
to be nostalgia? We're nostalgia day one? We were already
square We're out of the box, so it's like nostalgia.
We already we took place in the eighteen hundrance, so
we were already Yeah. So we were considered pretty square
by most people. And then as it caught on and

(19:35):
the Nelly Missus Olsen campy thing, you'd go, okay, we
kind of got but it was it was very square,
very square to be O Loves in the Prairie. But
the King family is definitely considered super duper square smack
in the middle of laughing smothers brothers died.

Speaker 2 (19:51):
Just too late, but we still, you know, held on
to Middle America or worse through the next you know decade.
Are you musical?

Speaker 3 (20:05):
By the way, I am not.

Speaker 1 (20:07):
I wish I was my husband. I'm not.

Speaker 2 (20:10):
Then those of you who are out there who are musical,
I mean the moms were jazz, heavy jazz. They weren't Squaresville,
but that's the direction. So all of their numbers on
the show were just you know, insane harmonies. In the
music business, musicians for most most you know pop music

(20:36):
and jazz. You clap on what is two and four? Uh?
For example, are uh, this isn't a jazz song? But
our first there was a gospel song. Our first finale
was When the Saints, which is when the Saints, When
the Saint. That's two and four. Yeah, we get to
Middle America. Now I'm raised under a jazz piano. We

(20:59):
get to Iowa and we get to you know, wherever,
and all of a sudden, I'm hearing I'm on stage.
We get to the finale, Oh when the Saints, When
the Saint, instead of Oh when the Saints, When the Saint,
and I started like, I started twitching. It's like, what
munner of people are these that clap on one and three?

(21:20):
I swear to God that Yeah, thank you seven year
old brain for for that.

Speaker 1 (21:27):
Bananas. I mean, that's it was so greatious. And then
your family, as you said, every possible genre, so so
Grandpa's founding this thing in vaudeville days and it's transport
to you. And then your father was Robert Clark, known
for like all saying, the artwork of the poster is
the best part for all the horror movies, for all these.

Speaker 2 (21:48):
Beoples, all of them made in about two and a
half days.

Speaker 1 (21:51):
Right, and looking every minute at that.

Speaker 2 (21:55):
Yes, oh my. In his film The Astounding she Monster,
just a little.

Speaker 1 (22:02):
Fun Founding Sea Monster.

Speaker 2 (22:04):
Of course, y'all if you look up the poster for that,
it is insane gorgeous and the she must she's this voluptuous,
you know, big figure gal like you know Rosalind Russell
or Marilyn Monroe. You know, it wasn't twiggy and literally
a pulled poster.

Speaker 1 (22:17):
Oh my god, that's fantastic, Yes, exactly.

Speaker 2 (22:19):
Yeah, and she only had this one. Uh, she only
had one ons ee, you know, because it was a
thing zipped up in the back sparkles and wooh, other worldly.

Speaker 1 (22:31):
Like stupefying Jones from Little Abner.

Speaker 2 (22:34):
It's like, yeah, so her zipper breaks, there aren't there
is no seamstress, there are safety pins. So they changed
the blocking, which ended up being even better because she
couldn't leave the room without backing up, so she would

(22:57):
leave like this.

Speaker 1 (23:00):
Oh so the astounding she Monster watched it backwards out
of the room every time she leaves, giving her a
more supernatural Oh hilarious.

Speaker 2 (23:09):
Right.

Speaker 3 (23:12):
Now?

Speaker 1 (23:13):
Did you love that? Growing up with your father doing
sci fi and horror films? Was that a thrill? Because
I would admit like.

Speaker 2 (23:19):
That he was pretty much white. It was pretty you know,
he didn't get what he wanted as an actor and
ending up in this genre. You know, in those days,
you were so easily typecast that he until the family
came along, he was like, pretty much doa and it

(23:40):
was last one he did. It was probably like in
sixty one, so I'm still too little.

Speaker 1 (23:47):
So and he probably yeah, it wasn't proud of it
because back in those days, people go, I'm just going
to try to pretend that didn't happen. I needed to
pay the mortgage, and people when Quiz would go, hey,
I had Bill's man. But now people look back in
these things are cult classics and people love them.

Speaker 2 (24:02):
Were you type cast? Was that long enough ago where
you like, you know, I know you're not Mary Anne
and Ginger, right, but but type you know those people
it kills them.

Speaker 1 (24:14):
It's so bad. I mean, not only do people want
me to be rotten everything I did, which was kind
of fun. I got a couple of good villain roles,
but it was hard to get gigs playing nice people.
But the kicker was and the day we knew like
how bad the type casting, how lame people could be,
my agent literally was calling this person he said, I
know this is part this is totally right. It's so you,
it's so totally right for it's like early twenties, and
he's so right, and he's talking to them and he

(24:34):
kit getting all this pushback, and finally he says, what
what what you need to see her? And they said, well,
this takes place in present day.

Speaker 3 (24:42):
Stop And he said, he's.

Speaker 1 (24:44):
Not freaking pioneer Barbie. She doesn't come with the dress.
What the hell is wrong with you?

Speaker 2 (24:50):
I don't even know what to do with that.

Speaker 1 (24:52):
That's what he was like, How about how many he
got me? Like, immediately after I finished the show, I
got you a huge TV movie, huge page great. It
was I married Wyatt R. With Marie Osmond and I
was back in the dress. I was in frills and
petticoats again in a freaking stage coach out in the
wild West, in the desert with Wyatt urban Marie Osman.

(25:14):
It was a blast. But I was like, I was
the one petticoat. They slapped another petticoat on me the
first chance. How when you did this nineteen yeah, oh golly,
And it was you know, and I used to joke
that that that year in the eighties, I mean, everything
I read for you had to be a cheerleader, naked
or dead, or a combination of all three.

Speaker 2 (25:34):
So it's just like, okay, one of your final castmates,
who's a dear friend of mine, pamroy Lance, who is
get a hold of you. Yes, I went to see
her at the at that Hollywood show. She was there.
Maybe you guys were there, but I didn't know you yet.
And her bigger seller what she brought pictures she did.

Speaker 1 (25:56):
Blumber party, lumber party, lumber party, slam party, mascer kill
kill kill.

Speaker 2 (26:01):
Yes, and my buddy and I were there watching with her,
and we go, are we going to get to see
your titties? Are we gonna see your tatas she goes, No,
no nakeddy for me?

Speaker 1 (26:12):
No, No, she was the good girl. She was the
good girl that didn't come off. But yes, we have
all had a we have all had a huge shriek
and laugh over the hanging out with her. Am, I
got slumber party massacre. Yes, so yeah, we love.

Speaker 2 (26:25):
That's sold better than her house. And it's such a
nice obscure film.

Speaker 1 (26:30):
It's so is it? Well, you know, Charlotte Stewart, Miss
Beetle has to all bring she has to bring her
tremors stuff and her Mary x in eraser head stuff
to the little house stable or they'll riot because you
know he's got a good horror. So we did get
you see I would, I would be proud of horror.
But there you got. That wasn't the ear then? So
now you have now become voiceover king. And as I'm

(26:52):
scrolling through the fabulous pages of stuff, I see that
you studied with Michael Bell.

Speaker 2 (27:00):
Boo, my first coach.

Speaker 1 (27:02):
I studied with. Okay, everybody did everybody study with Michael Bel.
I freaking study with Michael Bell. Yes, he's awesome. I
loved it. I didn't. I didn't a mound to becoming
a voiceover star, but I had so much freaking fun
being talked by Michael Fell.

Speaker 2 (27:16):
He teaches you how to do a terror dactyl and
the best part. He'll get on stage with you. His
hand is on your shoulder and you're doing your terror
docto sounds and he goes, no, oh, because we all
know what it should sound like since they've been dead
for millions of years.

Speaker 3 (27:31):
No.

Speaker 2 (27:32):
I mean, I was fine, but I look back and
go it's hilarious to have someone tell you that's not
what a terrors out and.

Speaker 1 (27:41):
My favorite thing he taught me was talking underwater or
my favorite a dog underwater.

Speaker 2 (27:49):
Can you do it?

Speaker 1 (27:50):
Absolutely, so anytime you need to do it, he said,
instead of gargling and drowning yourself. Because I always like
to do impressions of the mermaids and it's a small world,
but I would always to record, but he said, no, no,
it's all in the finger. And so if you're dark,
you come with good book and now work dog under
water like that was the big thing I learned to
Michael Bells was dog under water. Guy's a genius, so amazing.

(28:13):
But you it worked, it.

Speaker 2 (28:15):
Took and well I'm going to share an underwater story
for you because within the world of voiceovers, I also
do looping. Oh you know about that now if you
and your followers have talked about that part of the industry.

Speaker 1 (28:30):
Yeah, it's so good. We talked about it on our
Prairie podcast because there was so much looping we're on location,
so much me having to go into the studio and
holding one, two three, my mother's heads up because there
was always a crow. A crow always had to goca
cow during.

Speaker 2 (28:45):
We would do as a loop group. We always did
your guys's efforts because they wanted you, guys, look at
that face of yours. They wanted you covered by us.
So this girl in my group is covering Alison, and
this one is covering this one that I was working
on True Blood doing werewolves as you do and such,

(29:07):
and there was a drowning scene. Now we're on the
sound stage, you know, the ad R stage. They wanted
the real thing.

Speaker 1 (29:16):
You're like, no, that's not a thing, that's not that.
There's no real right, it's movies, that real running.

Speaker 2 (29:22):
They brought in a big like tub, big round tub.

Speaker 1 (29:27):
Nothing is real, nothing is ever.

Speaker 2 (29:29):
I stripped to my waist. They wrapped the microphone in
a baggie or whatever gang put it. They put an
electric microphone in the water. I'm dunking myself. You're going,
you know. So they wanted true underwater screaming. And of
course then I would do that, you know and back down,

(29:52):
so like the humans, that would change the ratings.

Speaker 1 (29:56):
They made you like a folly artist with your head
in the vocal. Yeah, but just what I would always do,
what I would get a glass of water. That was
always the big gag when I was a kid, was
gargling that in insane because nothing is ever actually real
in TV movies, and it's like, why would you actually
drown someone? Oh my god, that's like so b so
you are yes, your your to den age Mutant Ninja

(30:20):
Turtles Leonardo. So wait, also again knowing all of the
same people, you know, our friend cousin Oliver from Brady
a bunch of Weki's mercilessly which which turtles was in
the other Mutant Ninja Turtles?

Speaker 2 (30:38):
Okay, because there's been about four hundred.

Speaker 1 (30:40):
Oh that's the problem. That's it. It's like what year
and which two year turtles are you?

Speaker 2 (30:45):
The og we ran for nine seasons and we thought
when they made the first movie, we were like in
like Flint and We're gonna, you know, have this forever.
The creators and very smart, you know, we were disappointed.
But one reason that has lasted so long is because
they reinvented. You know, the scripts are hipper new voices.

(31:10):
Each movie. Each series has a different.

Speaker 3 (31:13):
Cast, right, so I don't even know half.

Speaker 2 (31:17):
The people that played in the other incarnations.

Speaker 1 (31:21):
Oh my god, okay.

Speaker 2 (31:23):
From Brady Bunch was a turtle? Did you say Brady Bunch?

Speaker 1 (31:27):
Yes? Oh my God, All right, then you don't know him.
So now he's not in this interview because.

Speaker 2 (31:33):
Yeah, we don't. We don't need him here.

Speaker 1 (31:36):
And he's gonna call me and go, oh my god,
you you unname dropped me. Then we.

Speaker 3 (31:43):
Like, but you were not?

Speaker 1 (31:44):
Okay? So teenage mutant ninjasraw you the eighty seven, your
original your original Mutant Ninja turtle versus.

Speaker 2 (31:50):
Eighteen eighty seven, you know when you were.

Speaker 1 (31:51):
On the eight seven? Yes? So what was this like
to be one of the original Mutant Ninja Turtles? This
is a giant franchise, This is a massive bit. As
you said, it's been like one hundred and forty to
turtles since Jesus.

Speaker 2 (32:05):
I spend most of what I do now is go
around doing the comic con circuit. Yeah, yep, yep, yep,
And inevitably that's when we do our Q and a's
that's everybody's.

Speaker 1 (32:16):
What was it like, right a turtle.

Speaker 2 (32:20):
To be fortunate enough to be a working actor, And
back in those days, we were a small group of
you know, of animation performers. I mean there might have
been like fifty of us that worked constantly, right, and
the good besides being a small group I mean, Ninja

(32:42):
Turtles didn't exist. It was some weird comic book.

Speaker 1 (32:46):
There's a comic book. Was a comic book, right.

Speaker 2 (32:48):
So we got the we all got the job, but
it was a nothing. I mean we literally went, okay,
it's a five episode thing. Okay.

Speaker 1 (32:56):
I got no idea that it would be huge.

Speaker 2 (32:58):
I got five pay days. I went home and went, okay,
I got five checks. That's all that was. Because, I mean,
if you also have you've been in the business long enough,
you know not to place any bets.

Speaker 1 (33:09):
No one thought Little House was going to be a hit.

Speaker 2 (33:12):
They not really. Yes, that never go well, that's why
you can't you can't vote.

Speaker 1 (33:19):
Okay, Michaelangelo nineteen ninety one, is.

Speaker 2 (33:23):
That when he was ninety one? Yes, yes, I've always
thought we should do al with Bobby Turtles, Robby, Oh
my god, yes, Robbie. I guess I didn't hear what
name you said. I've known Robby.

Speaker 1 (33:36):
That's I don't know the only turtle I know. I
don't know two turtles.

Speaker 2 (33:44):
But what was a big deal for me because that
didn't exist, and I created most of my characters. And
it's not untill after the fact you realize who has
a shelf life and who doesn't, right, But when I
was cast, there was a window where Snoopy sang and
dant Snoop And just like people who grew up with

(34:04):
the turtle pajamas and the hat and the thing and
the thing to be cast as Snoopy, they were animating
the Broadway show Snoopy the Musical.

Speaker 1 (34:15):
And I'm a Snoopy worshiper. I did when I saw
Snoopy went Snoopy because with children, So would you have.

Speaker 2 (34:21):
Come to my table and say Snoopy never talked?

Speaker 1 (34:26):
Well, he sort of did. He was off with I.

Speaker 2 (34:29):
Thought I did the rent, but it was literally Broadway
singing and U and dialogue, and for me because he
is who I grew up on. So I was in
tears when I got the call that Charles Schultz himself
chose me. I mean that's something to ask me, what

(34:51):
was that way? And then I replaced Matthew Broderick on
Lion King because he didn't want to come back. I'm
not an impersonator, but there were there were guys that
I used in my brain when I'm auditioning for commercials
and such. It was Robbie Benson, Matthew Broderick, John Travolta,

(35:14):
and Sylvester Stallone were my models for what's in my
brain when I'm reading this piece of copy or that
you know, this sporting sound like blah blah. And I'm
not an impersonator, but Matthew Broderick was a voice that
I just had pretty down tight. So Kiara, how can

(35:36):
you not want to be queen? That's like saying you
don't want to be a lion? So this isn't the
second movie, and I am dying that I'm getting to
be a digtion.

Speaker 1 (35:46):
This is a whole niche market too of people where
sometimes it's small bits. It's like, well we had this
person and literally they can't come back for like the
looping or there's a problem, and can you just do
but you need to sound exactly like them, and there's
people who can do that. Our friend Matt Laberteaux from
Little House says, I've been tom Cruise so many times.

Speaker 2 (36:08):
Okay, I got me some justin Timberlake for what they
used to call airplane dubs, where we take the swear
words out when we used to watch movies in public
on the planes.

Speaker 1 (36:17):
Somebody has to do that. That is somebody's job out there,
and this is.

Speaker 2 (36:21):
Yes, but Broderick changed his mind. This is for the
second movie. What's the actor that played the warthog Ernie,
the Warhawk corver?

Speaker 1 (36:34):
That was?

Speaker 2 (36:35):
He said, dude, the residuals are going to be insane
on this and he likes, like, why do you kr dude?
But he talked to me into coming back. So I've
recorded four or fifths of this script. I'm at Disney
in the huge sound stage and the one of the
producer whatever's comes in and goes and I'm literally recording,
Uh can we hold hold tape? Yeah, he's he's coming back. Ever,

(37:01):
they liked my singing voice. I hope you're not watching, Matthew.
I adore you, they love you. They preferred my singing voice.
So I did the theme song and I've been him
ever since because Disney has this division called Disney Character Voices,
and all they do is make sure snow White always
sounds like that, and hook always sounds like that, and whoever, whoever.

(37:27):
So you are the guy and you cannot do anything
without going through Disney's Character voice department. So that was sad,
but at least I got to, you know, stay on
the film in that way and then do you know
subsequent subsequent stuff.

Speaker 1 (37:45):
But that kind of it's going on for my mother
did some when my mother wasn't being gumby or cast
for the Friendly Guest.

Speaker 2 (37:50):
Wait on, hold on.

Speaker 1 (37:52):
My mother is Queen of voice, so my mother was
one of the great.

Speaker 2 (37:56):
I didn't do my homework. How do I just started?

Speaker 1 (38:00):
My mother was quick. My mother was Casper, the Friendly Ghost, Gummy.
She was sweet poly pure bread and Doug's girlfriend and
Davy of Davy and Goliath, among others. Norman macmillan, if
you get the books, no.

Speaker 2 (38:12):
Okay, because if she were I would have to go
over and bawl my eyes out like fans do yes,
no to me, okay, true confession about Casper. I had
a crush on his cousin, Spooky and she was a bowler.

Speaker 1 (38:29):
She was spooky too. She was like everybody back in
the day. There were only two people. There was in
turn a guy. So little boy, this little boy. There's
an album. Get the Casper album. Do you have the album? No?

Speaker 2 (38:44):
God, but it's album and it's all I need to write.
I need to go on eBay right now.

Speaker 1 (38:49):
It's on everything from it's on CDs, but it's on downloadable.

Speaker 2 (38:53):
After alone Now and have a party.

Speaker 1 (38:56):
That's my mother singing stop now it's time for has
to say good that yeah, And then the album is
an extravaganza cast of thousands. It is little my mother
and one guy in a recording studio. He's the Ghostly Trio.
She's everybody. He's jumping out of window, She's She's Nightmare,
She's Wendy, She's spooky, She's Casper, she's kind of everyone.

(39:20):
And the dude is the Ghostly Trio and all the
deep voices every he's everything below middle season removelessly and
it's this huge musical including a number called Boo Boo
the Beautiful Ghost that is a ghost Marilyn Monroe character
my nephew an' booboo the Beautiful. It's bonkers And you
can get this and listen to my mother for like hours,

(39:40):
just freak herself out.

Speaker 2 (39:41):
I'm on it, yes, getting Oh my god, I did
not know and that is just spooky.

Speaker 1 (39:48):
But she dubbed people like mad Camelot some of the
singing of the young young Warwick Boy.

Speaker 2 (39:56):
So she was like Marnie Nixon was to all the
celebrity women, they were like, it's.

Speaker 1 (40:01):
Sort of good, but they need to kind of like
fill it in. Not quite, so she went in and
dubbed the Camelea and you and the weirdest one she did.
And this was one of those underground ones where I
didn't know this, but like my mother kind of just
dropped this at the dinner table one evening. And she
never made she didn't exaggerate, she didn't care about anything.
She never like showed off her. And so when she's
like eating and just says, I dubbed Sharon Tate's voice

(40:24):
in one of her first films, I'm sorry. And one
hundred years later, all those people on the Death Hag
King Scott, who does all the Mandator is talking about
which film is the one of Sharon Tates is completely dubbed.
It is not her voice, and I'm like, I know,
I know, because she kind of she had more of
you know, Texas twin, and they wanted her to be

(40:46):
sort of breathy and ethereo and have this almost sort
of British accent. So there's this very weird movie. It's
like a horror film.

Speaker 2 (40:53):
I'm going to have to stalk her IMDb.

Speaker 1 (40:56):
And Sharon Tate has this totally voice that is not
clearly not Sharon Tate. And then I looked and my
mother had done Alice in Wonderland in Paris the same year,
and she's the same voice. Hey hey, I'm British, and
it's kind of like what is happening? So no, my
mother was everybody. She was everybody, And yes, yes, stalk

(41:17):
my mom's I stalk all her stuff, stalk her. She
has so much of her on the web it's like amazing.

Speaker 2 (41:22):
But yesa that was on my three sons. Nicole, like
the rock el Welch was doing some special like nineteen
seventy seven or something very very fairy. She sang aquarium
you know. One of her songs was when was in
the Seventh House. The music producer who knew my family

(41:45):
calls Tina like the day before and goes, this is
this is horrible. So without permission, which is I guess
illegal or whatever, Tina went in and sang her. They
kept her for the straight up for the regular part.
Tina went in to do the high notes and her

(42:05):
sister Kathy went in for the low parts and Raquel.
It wasn't like she went, oh, don't I sound great,
she realized, and there was hell to pay.

Speaker 1 (42:17):
Yeah, oh dear, But I mean, but that's what they do.

Speaker 2 (42:21):
That's when I relate to your mom.

Speaker 1 (42:24):
She she did. She dubbed stuff all the time. She
did cartoon. She was in radio back in the day.
Like I said, this is one hundreds of years ago.
Was your theater radio and she did. She dubbed people
yet no IMDb, just go down the rabbit. They had
some stuff about Coco the Club. She didn't do that one,
but she did. She was like everybody. And it's weird
because as a child I'd watched TV in like half

(42:44):
the voices for my mother was like wow, wow, but yees.
So that's why I'm a voiceover cook and a fan
of voiceover because Hi, my mother was freaking gumby.

Speaker 2 (42:53):
Uh yeah, Gumby scared me. I just got to be
your mom has passed on. So if you're listening, Mom, sorry,
gonna be scared Mey was odd and squarehead, those square
head those things, and.

Speaker 1 (43:08):
Then they brought him Prickle and Goo and of course
she's Goo and the guy who's Pokey's prickle, so she's Goo.

Speaker 2 (43:16):
Of course she is.

Speaker 1 (43:18):
But yeah, so this is what we love the way.
Now the book. You have this book, which I love
to touch. Now I just happened to wave that. Now
they're all here and said more than just a celebration
TV history. Okay, So the King family performing since the twenties, Vaudeville,
radio musical films of the forties, Kitchie sci Fi for
the fifty tours across the county, like all of these

(43:40):
things happen, and as you did, Grandma Pearl the one
thing she got to say with And now they're all here,
and so this is incredible. And you've got behind the
scenes photos, You've got memoirs, We've got everything. You have
everything in spac Is this huge? Is it like the Bible?
Is it enormous?

Speaker 2 (43:56):
It's only three pages?

Speaker 1 (43:58):
So okay, look how pretty? How pretty? Where do we
get this if we want this book, because we all do.

Speaker 2 (44:04):
Now, you get this at you can get it on Amazon,
or you can get it at my publisher, which is.

Speaker 1 (44:18):
Rare Bird Lit Rare Bird.

Speaker 2 (44:23):
R A R E lit dot com.

Speaker 3 (44:26):
And I and this is a collage.

Speaker 2 (44:30):
My nephew did of Ham's bees wax. So that's me
and a bunch of money.

Speaker 1 (44:39):
How many how many Snoopy toys did you have as
a child? Were you are Snoopy? You were Snoopy freak
as a kid.

Speaker 2 (44:44):
Well, instead of a midlife crisis, I'm not married, so
I couldn't cheat. I didn't like corvettes because little dicks.
So I bought back my childhood. So I have a
room where my piano is and my toy collection, so
everything I had or wanted to have, And I have

(45:05):
all these Snoopy pocket dolls, which are all the characters,
the lunch boxes, the books.

Speaker 1 (45:12):
You know, I carried a Snoopy lunch box to school,
the one shape like the dog has.

Speaker 2 (45:16):
Yeah.

Speaker 1 (45:17):
Also the Space program so Snoopy was an astronaut apparently, yes,
and the uh the so in nineteen sixty nine they
put on a Snoopy astronaut doll, and of course I
had him, so I had, I had all the Snoopies.
I had Snoopy, this stoopy do. I love Snoopy. So

(45:39):
I was a big, big, big, big Snoopy freak. So
we're totally impressed with that. This book, I'm aimed insane
because you cover all the it's all, it's all in there,
so yes.

Speaker 2 (45:50):
Random because it is connected to Yeah, just the family line.

Speaker 1 (45:58):
So people are watching this and are already and are
just now only having massive flashbacks to their childhood. I joined,
remember that it's a.

Speaker 3 (46:09):
Book.

Speaker 2 (46:10):
I reached out to fans and said, if anyone has
a story of a live concert, so I have a
section in the book. Because the moms are they're gone,
you know, long gone, and our fans are fans that
were there, are between the ages of fifty five and death.

(46:31):
So but these entries that these and it sounds like
they're ghost written because they're so beautifully written of these
fans about the experience going to I went I saw
you in this theater in Baltimore and this one in
Phoenix or whatever. They had me in tears, because it's
not till you're older that maybe you get a real

(46:55):
appreciation for where you've been, what you've uh done. Uh.
For me, it was just like what we did in
our shows was literally what we did at home. So
it's like, hey, kids, we're going on TV. Okay, and
the older kids, you know what I was saying about
case Sarasa and high Hopes. Their dad Jim Conking, and

(47:19):
he has a section was president of Warner founded Warner
Brothers Records, founded the Grammys, and he come home, he
come home from work and say, kids, you're needed in
the studio Friday night. We've got Glenn Campbell, or we've
got text Ritter, or Doris Day and Jamie. In the book,
my cousin Jamie talks about Dan. I have a school downs.

(47:41):
I don't want to.

Speaker 1 (47:44):
Yeah you doors Day, Oh my god. Right, this is
just it's just unbelievable, the whole life. Now, in reading
your stuff, you're also out about the fact that you've
been a survivor and living with HIV for decades decades.
I am so thrilled. I mean, as you may know,

(48:04):
I spent a lot of time through the whole eighties
and nineties. Its Brother of cos Angels, every other charity going,
helped found Tuesday's Child. I just did a thing for
Radiant Health Services in Orange County. I'm still working with
different AGEV agency. So the wow, wow would you do babe?

Speaker 2 (48:22):
Well, I want to sidestep that to say, the one
of the very best things, besides all the things people
come up and tell me about a lot of my animations,
turtles and such, when I because I was also he
Man and Leonardo the reboot of He Man, and back when,

(48:43):
in the heyday of this stuff, I would get letters
from gay kids because I was always very out and
asking for advice. Now, of course I don't know their family.
So I came up with some gentle broad strokes, and
one of them being, you've been living with this forever.

(49:06):
Don't expect your family to turn over tomorrow morning, forever,
you know. So I taught some kindness for others, even
though you're so pissed off and struggling.

Speaker 3 (49:18):
But there was this thought that if a gay guy,
if Cam.

Speaker 2 (49:23):
Can be a superhero. I mean, I still this day
it kissed me. Maybe I'm not so bad either, and
to and just recently, you know, and forgive me, I'm
not being It's not a generalization, but this is, this
is a true thing. In the South, there's you know,

(49:47):
remember can be and they love their cartoons and you know,
they have those adult you know. We're we're in lack
you know, uh, Tennessee and West Virginia, and we had
this panel and sometimes my being gay comes up and
I joke and we you know, move forward with that,
and we talk about the Turtles because Leonardo was indeed

(50:09):
the straight man. But boom gets a big laugh. But
this couple, you know, and they've got bad teeth. Sorry
I didn't say that, but they do. But they do.

Speaker 4 (50:20):
Happens, It happens, and they can say, they say, mister Clark,
we just we just come from your your panel, and
we just want you to know that it's okay that
you're you.

Speaker 2 (50:35):
Know, and I went, that's funny. But also I have moved.
Then they can't say it, but they said it moved
the needle this much.

Speaker 1 (50:50):
But you put a face. They know you. Now. It's
like what we know here?

Speaker 2 (50:54):
I know I know someone. In fact, they know a
lot of people, but they don't know.

Speaker 1 (50:58):
They not realize that other people they don't. I know him,
I like him. I mean when when Steve Trace, who
played Perceval my husband A Little House came out with
his AIDS diagnosis, it was a huge deal because this
was someone they'd watched A Little House on the Werry
for God's sake.

Speaker 2 (51:11):
So yes, when I it was a death sentence when
I turned positive.

Speaker 1 (51:18):
And what year? What year were talking?

Speaker 2 (51:21):
Uh like eighty eight?

Speaker 1 (51:24):
Oh geez, Louise, Yeah, they didn't get much for nobody.
Did nothing make it different? Eighty eight was not a
good year, slightly better.

Speaker 2 (51:32):
Turning forty, and I didn't think I'd make the next milestone.
So I threw two large, elegant, long table dinner parties,
emptied the furniture out of my living room, and did this.
I bought gifts for none of but nobody knows what's
going on. It's just me. I bought presents for everyone

(51:58):
and toasted and roast did each person at the table
because I I'm not going.

Speaker 1 (52:07):
To be here, I'll just yeah.

Speaker 3 (52:11):
And but as you're the actor who played your is
he still with us?

Speaker 1 (52:19):
No, he is not, sadly because he was diagnosed in
like eighty four, eighty five, so he died in eighty six,
which at that time was considered living a really long time. Yeah,
he was on experimental drugs. He put up a hell
of a fight. He was doing experimental drugs while they
interfere on something rather trials, and he said, I said, well,

(52:39):
was this going to work? And he said no, it's
too late for me. I said, why are you doing this?
He said, so they can save someone after I'm gone,
Because Eeve Tracy was the man. He was the man.
I'm telling you. But yeah, now, now people people live,
people live. It's a thing. Thank God. It's like, now
we've made progress. People can live, and people wonder.

Speaker 2 (53:02):
That since I came from a very Mormon background, which
I am that one.

Speaker 1 (53:07):
You know our friend Pa, yes, and she and I.

Speaker 2 (53:10):
Share so much as you know. Yet when I came out,
my mom had this gigantic, elegant dining room table that
sat sixteen in little thing. Well when your family is
you know, thirty six members were performing on our series
thirty six, and my family has always been the family

(53:33):
we on purpose. You stay at the table when the
meal is done. You don't run to go watch your
you know, guilding a z island, whatever it is. The
candles are on and we chat, even the kids. It
was a different time, you know, sixteen down to like twelve.
The little ones are running around, and the conversation had

(53:57):
turned to you know and I you know, you said
your show is about positivity and happy this the conversation
had turned to, oh crap, when you unconditional love? Yes,
And my niece, who was probably fourteen at the time, said, Dad,

(54:23):
my brother, what would you do if I whatever it
was left the church which was a big deal or
something like that. He said, well, I would always love you,
and he said I remember when I was a boy,
and Grandma blah bady blue, bitty blue. And I went, okay,
if there's a time to test.

Speaker 1 (54:45):
You've just been given an opening to drive a truck through.

Speaker 2 (54:48):
Yes, there's all of us at the table, and I went,
what would you do if I told you I was gay?
You know, cut off the dog's tail with one. I
know we can't say that anymore. Canceled, but and there
was a moment of silence, and within five seconds we

(55:10):
looked like the last Supper by Da Vinci. They were
all on that side of the table, touching me and
holding me. My mom did have to go to a
shrink to make sure she went. She went, I'm told that,
you know, it's the mother's you know, dominary mother. And

(55:30):
the shrink said it doesn't work that way, and she goes, great,
not my fault, That's what that was.

Speaker 1 (55:37):
What she'd read all the right magazines and that's what
they told her. So she went to jet Fair.

Speaker 2 (55:43):
Oh, totally fair. And as long as we're plugging, if
you want to go on my side Camp Clark Voices.
I did a one man show called stop Me If
I told you this. I tell all the stories that
Alison and I are are talking about, and I'm really
proud of that.

Speaker 1 (56:00):
I love this. I mean I already love this. And
now knowing that the King family embraced you like that
and that they just like, now I'm gonna cry. We
have to wrap this up. Are you are we new
best Are you liking my new bestie? Now? Are we
like bestie's? Can we? Please? God?

Speaker 2 (56:15):
Feeling a little something something?

Speaker 1 (56:18):
So tell me when Pam was emailing me like, I
was like, and the more I'm reading and now, oh
my god, and you're already dreaming about me, So we
should hang out. So thank you.

Speaker 2 (56:30):
I'm going to hold you to at or something something.

Speaker 1 (56:33):
We're in. We're in.

Speaker 2 (56:34):
Thank you so much for having me. I am such
a fan. Obviously I had actor nightmare about you, so
you know how Craig Crag that you had me on.

Speaker 1 (56:44):
I'm so glad it worked. Thank you everyone for watching.
Please go get this book.

Speaker 2 (56:48):
Yes, and three? Will you shout Turtle power with me?

Speaker 3 (56:52):
Now?

Speaker 1 (56:53):
They're all here and on the account of three.

Speaker 2 (56:55):
Now they're all here Bordlet or Amazon.

Speaker 1 (56:59):
Finding stores one, two, three, turn off power.

Speaker 2 (57:05):
Or whatever.

Speaker 1 (57:07):
Thank you. This is the Ellison Aringham Show. I'm Allison Oringream.

Speaker 2 (57:12):
I'm from my will clos Helloss deck Button